Pixel Scroll 2/2/24 Scroll Pixel Very Simple Man, With Big Warm Filey Secret Heart

(1) UNLOAD THE CANON. Rev. Tom Emanuel calls on scholars and students to “Decanonize Tolkien” at Queer and Back Again.

In the fifty years since Tolkien’s death, his work and legacy have irrevocably shaped our understanding of what fantasy even is. This Oxford don, whose seemingly anachronistic, unclassifiable, wildly popular stories of Elves, Hobbits, and magic rings were once dismissed by the self-appointed guardians of Western literature, has now become one of its canonical figures.

Whether this is a good or a bad thing depends very much on whom you ask. Speaking as a lifelong Tolkien fanatic, my answer is: a bit of both. Either way, we might as well throw in the towel on biblical scholarship as on Tolkien scholarship. Just as the Bible is an inescapable, bone-deep influence on Western culture even for those who do not accord it status as Scripture, Tolkien is an inescapable influence on modern fantasy and, by extension, the study of the fantastic. His canonical status is why we cannot yet write him off; he means too much to too many people, has exerted too great a gravitational pull upon our field of inquiry. Yet that same canonical status is also why Tolkien scholarship must explore new horizons of reception and applicability and grapple responsibly with Tolkien’s complicated legacies both literary as well as cultural, historical as well as contemporary – another feature his work shares with the Bible. In fairness to my colleagues, many exceptional scholars, both established and emerging, are actively breaking new ground in Tolkien studies. More is needed, however, and an active reconsideration of approaches which have held sway in our field for too long….

…Those of us who study the man will always find it edifying (possibly) and entertaining (most certainly) to “interpret every single note Tolkien once wrote on a napkin and subject this analysis to multiple peer review,” to quote from this forum’s prompt. If we seek to continue in a genuinely Tolkienian spirit, however, we would do well to consider more deeply and carefully the effects of Tolkien’s fiction upon his readers and the wider culture in which they are implicated.

Key to this endeavor will be loosening the grip of so-called “authorial intent” over large swaths of Tolkien fandom and scholarship….

(2) HUGO AWARDS MESS REACHES ESQUIRE. [Item by PhilRM.] A not-terrible article that just showed up in Esquire about Chengdu touches, briefly and not terribly accurately, on the Puppies, and is almost entirely about the exclusions rather than the complete lack of believability of the numbers (although Heather Rose Jones’ work gets a link), but at least it delivers a well-deserved drubbing to Dave McCarty. “Hugo Awards 2024: What Really Happened at the Sci-Fi Awards in China?”

…In 2021, the voting process to select the host city for the 2023 convention became a lightning rod for conspiracy theories. Each year, anyone who purchases a membership in the World Science Fiction Society can vote on where WorldCon will be held two years later. In 2021, voters could choose between Chengdu and Winnipeg, Canada for the 2023 convention. “There were concerns that a couple thousand people from China purchased memberships [in the World Science Fiction Society] that year to vote for Chengdu,” says Jason Sanford, a three-time Hugo finalist. “It was unusual, but it was done under the rules.”

While Sanford welcomed the participation of new Chinese fans, other people were alarmed that many of the Chinese votes for Chengdu were written in the same handwriting and posted from the same mailing address. The chair of the convention that year, Mary Robinette Kowal, says some members of the awards committee wanted to mark those votes as invalid. “But if you’re filling out a ballot in English and you don’t speak English, you hand it to a friend who does,” she says. “And the translation we’d put in could be read as ‘where are you from,’ not ‘what is your address.’”

Eventually, a few votes were invalidated by the committee, but most were allowed to stand. “China has the largest science fiction reading audience on the planet by several magnitudes, and they are extremely passionate,” Kowal says….

…When McCarty finally shared last year’s nominating statistics on his Facebook page, authors, fans, and finalists were shocked. In the history of the awards, no works had ever been deemed ineligible like this. Many people who had expected Kuang to win for Babel were now stunned to see she very well could have, and McCarty’s refusal to explain what happened made everything worse. (McCarty did not respond to interview requests for this story.)

“Fandom doesn’t like people fucking with their awards, no matter who does it or why,” says John Scalzi, a three-time Hugo Award winner who was a finalist last year in the Best Novel category: the very same category in which R.F. Kuang should have been nominated for Babel, according to the nomination count on page 20 of McCarty’s document. “The reason people are outraged right now is because they care about the award, in one fashion or another, and this lack of transparency feels like a slap,” Scalzi says….

The article ends:

At the end of my Zoom call with Sanford, I see some emotion in his face around the eyes. “When I was young, science fiction and fantasy books literally saved my life,” he says. “I looked for books that were Hugo finalists or winners, and they showed me a way forward. They showed me there are other people out there who think like me.”

Whatever happens to the Hugos moving forward, one thing is clear: No one should have the power to erase books from the reading lists of future Jason Sanfords.

Jason Sanford disavowed the last paragraph on Bluesky.

Yes, I read the Esquire article I was interviewed for about the Hugo Awards controversy. A good article overall. I liked how the transparency of the Hugos is compared to lack of the same with most literary awards. Then I read the closing paragraph. Oh gods. SMDH. Be nice & know I didn’t write that.

Editor’s Note: The article also says of McCarty, “Within the WorldCon community, he’s nicknamed the ‘Hugo Pope’ for serving on so many awards committees over the years.” It’s a nickname I haven’t heard before. And Ersatz Culture reminds me that the October 26 Scroll carried a photo of a signature book showing McCarty refers to himself as ‘Hugo Boss’.

(3) WE DON’T TALK ABOUT HUGOS. Artist Lar deSouza has done a cartoon inspired by the controversy. See it on Bluesky: “We don’t talk about Hugos….”.

(4) IN THE YEAR OF THE DRAGON, A HEADLINE. “Dungeons & Dragons Publisher Denies Selling Game To Chinese Firm: Here’s What To Know” reports Forbes.

Wizards of the Coast, the Hasbro division behind tabletop game Dungeons & Dragons, is denying rumors sparked by a Chinese news report that a struggling Hasbro could be selling its Dungeons & Dragons franchise to Chinese video game company Tencent….

…But in a Thursday statement to multiple outlets, including Forbes, Wizards of the Coast, the Hasbro division that publishes Dungeons & Dragons and games including Magic: the Gathering, denied the rumors, claiming while the company has multiple partnerships with Tencent, “we are not looking to sell our D&D [intellectual property],” and the company would not comment any further on “speculation or rumors about potential M&A or licensing deals.”…

(5) FIGHT GOES INTO THE SECOND ROUND. [Item by Cat Eldridge.] “Disney To Appeal Ron DeSantis Legal Loss As The Empire Strikes Back” reports Deadline. Of course they are. It’s The Mouse. They have far more lawyers than there are pirates in The Pirates of The Caribbean Ride at Walt Disney World. And those lawyers know more about fighting dirty than those pirates ever did. Hmmm…. Mickey with an eye patch and cutlass…

The lines at Disney World may be long, but the Mouse House isn’t standing around to let Ron DeSantis savor his win yesterday in the company’s First Amendment lawsuit against the failed presidential candidate.

Less than 24 hours after a federal judge agreed with the Florida Governor and deep-sixed Disney’s nearly year long legal action, the Bob Iger-run entertainment giant and Sunshine State mega-employer gave official notice they plan to challenge Wednesday’s dismissal.

“Notice is given that Plaintiff Walt Disney Parks and Resorts, U.S., Inc. (“Disney”) hereby appeals to the United States Court of Appeals for the Eleventh Circuit from the Order Granting Motions to Dismiss and the final judgment entered by the U.S. District Court for the Northern District of Florida on January 31, 2024,” said outside Disney counsel Daniel Petrocelli and a small legion of lawyers in a filing this morning.

No word yet when the actual appeal will be filed, but it could be within the next week or so, I hear.

In a Florida knife fight that started with Disney’s slow but eventual opposition to the state’s parental rights bill, known by detractors AKA the “Don’t Say Gay” law, and then turned to DeSantis’ throwing overboard the long standing governance the company had over the region around Orlando’s Disney World and appointing his own Central Florida Tourism Oversight District Board. As the dust-up escalated, Disney filed its suit in April, as past and now present CEO Iger and the so-called “woke” battling DeSantis, who was eyeing what became a face plant of a primary campaign, hurled missives at each other in public…

(6) URSA MAJOR. Nominations for the Ursa Major Awards, Annual Anthropomorphic Literature and Arts Award, are open and will continue until February 17.

To nominate online, all people must first enroll. Go here to ENROLL FOR ONLINE NOMINATIONS or to LOGIN if you have already enrolled.

You may choose up to five nominees for each category:

Nominations may be made for the following categories:

Best Anthropomorphic Motion Picture
Best Anthropomorphic Dramatic Short Work
Best Anthropomorphic Dramatic Series
Best Anthropomorphic Novel
Best Anthropomorphic Short Fiction
Best Anthropomorphic Other Literary Work
Best Anthropomorphic Non-Fiction Work
Best Anthropomorphic Graphic Story
Best Anthropomorphic Comic Strip
Best Anthropomorphic Magazine
Best Anthropomorphic Published Illustration
Best Anthropomorphic Game
Best Anthropomorphic Website
Best Anthropomorphic Costume (Fursuit)
Best Anthropomorphic Music

(7) CALL FOR ‘WEIRD HOLLYWOOD’ SUBMISSIONS. Christopher J. Garcia, Chuck Serface, and Alissa Wales are planning an issue of The Drink Tank about Weird Hollywood. “Weird,” however you define that term, can apply to Hollywood as the city itself or as the entertainment industry. The editors are interested in fiction, art, history, poetry, photography, or anything printable you want to contribute. Send submissions to Chris at [email protected] or to Chuck at [email protected]. The deadline is March 1, 2024.

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born February 2, 1990 Sarah Gailey, 33. Sarah Gailey comes to our attention with their Best Related Work Hugo at Worldcon 75 with their Women of Harry Potter posts. Fascinating look at some other commenters mostly. Here is the “Women of Harry Potter: Ginny Weasley Is Not Impressed” post at Reactor.

Their alternate history “River of Teeth” novella, the first work in that series, was nominated for  a Hugo Award for Best Novella at Worldcon 76 and a Nebula. It’s also the first work in their American Hippo duology, the other being the novella “Taste of Marrow”. 

Upright Women Wanted by Sarah Gailey, art by Will Staehle
Upright Women Wanted by Sarah Gailey, art by Will Staehle

Upright Women Wanted is set in the a fantasy of a Wild West of a twenty minutes into the future dystopian hyper heterosexual America which is all I can say about giving away spoilers about it. Major trigger warnings for any conservative readers here. 

Their Magic for Liars, is quite excellent I would say. It’s a murder mystery set in school for young wizards but it’s nothing like those books.  They discuss their book here in a YouTube video.

The Echo Wife is a thriller with some very adult questions about the nature of what being human actually means. To say anymore would be spoiling it. It’s damn good. I’d say that it’s their best work to date. 

Their latest novel, Just Like Home, is not one I’ve read. Let’s just say that I don’t do serial killers and leave it at that. 

They also scripted The Vampire Slayer series on Boom! Comics from the universe of Buffy the Vampire Slayer.

They have done a double, double handful of short fiction, almost so far collected though the American Hippo collects the “River of Teeth” novella and the “Taste of Marrow” novella, and two short stories, “Worth Her Weight in Gold” and “Nine and a Half”, all part of the River of Teeth storytelling. 

Finally they have a magical, in the best way magic is, newsletter called Stone Soup. “It’s about the things we cook, the things we read, the things we write. It’s about the things we care about, together and separately; it’s about everything we add to the pot, in little bits and pieces, to make something great. It’s about community.” You can sign up for the free level, or the paid which I do and is well worth the cup of coffee a month it’ll cost you. (My Patreon fees collectively are larger than any of my streaming services by far.) Mike has from to time included material from it here. 

(9) COMICS SECTION.

  • Frazz ponders the power of story.

(10) ARE WRITERS GETTING PAID? The Society of Authors is skeptical. According to the Guardian, “Spotify claims to have paid audiobook publishers ‘tens of millions’ in royalties”.

Spotify has said that it has paid audiobook publishers “tens of millions” since allowing users 15 hours of audiobook listening in its Premium subscription package last autumn.

The company said that the figure, reported by trade magazine the Bookseller, is “100% royalties” and that it expects to “continue growing” royalty payouts in future. It would not give a more precise amount for payouts made so far, but said that the “tens of millions” figure applies in both pounds and dollars.

However, the Society of Authors (SoA) said they “remain concerned at the lack of clarity about the deals”. The industry body said it is “still waiting to see the effect on author incomes and whether these are real additional sales or simply take market share from Amazon”….

(11) JEOPARDY! [Item by Andrew Porter.] A Tolkien category featured on tonight’s episode of Jeopardy! Some contestants stumbled.

Category: Talking About Tolkien

Answer: Humphrey Carpenter’s bio of J.R.R. Tolkien, C.S. Lewis & like-minded friends has this title, like their literary circle.

Wrong question: What is the Oxford group?

Right question: What is the Inklings?

Answer: To his family and close friends, Tolkien was known by this name, the first “R” in his initials.

Wrong questions: What is Rael? and What is Robert?

Right question: What is Ronald?

(12) CSI SKILL TREE. The latest episode of CSI Skill Tree is “Game Localization with Siyang Gao and Emily Xueni Jin”. The series examines how video games envision possible futures and build thought-provoking worlds. In this episode, the participants discuss the process of video game localization, which encompasses both translation and deeper work, even up to adapting a game’s mechanics, cultural references and allusions, and more to better resonate with players who encounter the game outside of its initial linguistic and cultural context.

Siyang Gao is a writer, translator, and video game localizer who specializes in narrative-heavy games, and Emily Xueni Jin is an essayist, researcher, and fantastic translator of science fiction who translates both from Chinese to English and the other way around. Also, here’s a YouTube playlist with all 14 of the Skill Tree episodes thus far.

(13) K5 WAS NO K9; RETIRED. The New York Times says “Goodbye for Now to the Robot That (Sort Of) Patrolled New York’s Subway”.

The New York Police Department robot sat motionless like a sad Wall-E on Friday morning, gathering dust inside an empty storefront within New York City’s busiest subway station.

No longer were its cameras scanning straphangers traversing Times Square. No longer were subway riders pressing its help button, if ever they had.

New York City has retired the robot, known as the Knightscope K5, from service inside the Times Square station. The Police Department had been forced to assign officers to chaperone the robot, which is 5 feet 3 inches tall and weighs 400 pounds. It could not use the stairs. Some straphangers wanted to abuse it.

“The K5 Knightscope has completed its pilot in the NYC subway system,” a spokesman for the department said in an email.

On Friday, the white contraption in N.Y.P.D. livery sat amid a mountain of cardboard boxes, separated from the commuting masses by a plate-glass window. People streaming by said they had often been mystified by the robot.

“I thought it was a toy,” said Derek Dennis, 56, a signal engineer.

It was an ignominious end for an experiment that Mayor Eric Adams, a self-described tech geek, hoped would help bring safety and order to the subways, at a time when crime remained a pressing concern for many New Yorkers….

(14) TUNES INSPIRED BY LOVECRAFT STORY. Another musical discovery that might be of interest: “The Music of Erich Zann” from Half Deaf Clatch via Speak Up Recordings at Bandcamp.

‘The Music of Erich Zann’ is one of my favourite short stories by H.P Lovecraft, and I’ve been wanting to do a musical adaptation for a long while now. This EP started out as a few short atmospheric instrumentals, but very quickly turned into a full blown musical work with lots of lyrics!

The words are an abridged version of the story and detail the salient points, rather than providing a blow by blow account, if you haven’t read the actual story I highly recommend it.

I kept the instrumentation relatively simple, just an acoustic guitar, electric cello, pipe organ, percussion and atmospheric soundscapes. The majority of the sounds are made by acoustic or electro-acoustic instruments, the electric cello was played through an Orange ‘Crush’ acoustic amp and EHX Soul Food pedal, any ‘otherworldly’ effects were created with instruments put through octavers and auto filters.

In the original story Lovecraft says that Eric Zann plays a ‘viol’, it is widely accepted that he meant a viol da gamba, a Baroque era instrument which closely resembles the cello, but has five to seven strings, and frets. Since these are rare and very expensive, I obviously decided to use my electric cello for this EP, as buying a viol da gamba seemed an unnecessary extravagance.

(15) OUT OF THE JUG. The Guardian visits with “The man who owes Nintendo $14m: Gary Bowser and gaming’s most infamous piracy case”.

In April 2023, a 54-year-old programmer named Gary Bowser was released from prison having served 14 months of a 40-month sentence. Good behaviour reduced his time behind bars, but now his options are limited. For a while he was crashing on a friend’s couch in Toronto. The weekly physical therapy sessions, which he needs to ease chronic pain, were costing hundreds of dollars every week, and he didn’t have a job. And soon, he would need to start sending cheques to Nintendo. Bowser owes the makers of Super Mario $14.5m (£11.5m), and he’s probably going to spend the rest of his life paying it back….

…In the late 00s he made contact with Team Xecuter, a group that produces dongles used to bypass anti-piracy measures on Nintendo Switch and other consoles, letting them illegally download, modify and play games. While he says he was only paid a few hundred dollars a month to update their websites, Bowser says the people he worked with weren’t very social and he helped “testers” troubleshoot devices.

“I started becoming a middleman in between the people doing the development work, and the people actually owning the mod chips, playing the games,” he says. “I would get feedback from the testers, and then I would send it to the developers … I can handle people, and that’s why I ended up getting more involved.”

In September 2020, he was arrested in a sting so unusual that the US Department of Justice released a press release boasting about the indictment, in which acting assistant attorney general Brian C Rabbitt called Bowser and his co-defendants “leaders of a notorious international criminal group that reaped illegal profits for years by pirating video game technology of US companies”.

“The day that it happened, I was sleeping in my bed, it was four in the morning, I’d been drinking all night,” Bowser says. “And suddenly I wake up and see three people surrounding my bed with rifles aimed at my head … they dragged me out of the place, put me in the back of a pickup truck and drove me to the Interpol office.”…

(16) VIDEO OF THE DAY. Ryan George’s “Echo Pitch Meeting” invites everyone to step inside the Pitch Meeting that led to Echo! Beware what you step in, though, because there are spoiler warnings.

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, JJ, Kathy Sullivan, Joey Eschrich, PhilRM, Jason Sanford, Robin Anne Reid, Ersatz Culture, Chuck Serface, Steven French, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 6/30/23 “What Is The Use Of A Scroll,” Thought Alice, “Without Pixels Or Conversation?”

(1) A FINE IDEA. “Fake reviews are illegal and subject to big fines under new FTC rules” says the Washington Post’s article about a Federal Trade Commission notice of proposed rulemaking.

Fake reviews are ruining the web. But there’s some new hope to fight them.

The Federal Trade Commission on Friday proposed new rules to take aim at businesses that buy, sell and manipulate online reviews. If the rules are approved, they’ll carry a big stick: a fine of up to $50,000 for each fake review, for each time a consumer sees it.

That could add up fast.

It’s the biggest step to date by the federal government to deter the insidious market for buying and selling fake reviews, though the FTC’s rules don’t do as much to hold big review sites like Yelp, Google, Tripadvisor and Amazon directly accountable. (Amazon founder Jeff Bezos owns The Washington Post. Interim chief executive Patty Stonesifer sits on Amazon’s board.)…

Here’s the FTC press release: “Federal Trade Commission Announces Proposed Rule Banning Fake Reviews and Testimonials”.

…In its notice of proposed rulemaking, the Commission cited examples of clearly deceptive practices involving consumer reviews and testimonials from its past cases, and noted the widespread emergence of generative AI, which is likely to make it easier for bad actors to write fake reviews.

The Commission is seeking comments on proposed measures that would fight these clearly deceptive practices. For example, the proposed rule would prohibit:

  • Selling or Obtaining Fake Consumer Reviews and Testimonials: The proposed rule would prohibit businesses from writing or selling consumer reviews or testimonials by someone who does not exist, who did not have experience with the product or service, or who misrepresented their experiences. It also would prohibit businesses from procuring such reviews or disseminating such testimonials if the businesses knew or should have known that they were fake or false.
  • Review Hijacking: Businesses would be prohibited from using or repurposing a consumer review written for one product so that it appears to have been written for a substantially different product. The FTC recently brought its first review hijacking enforcement action.
  • Buying Positive or Negative Reviews: Businesses would be prohibited from providing compensation or other incentives conditioned on the writing of consumer reviews expressing a particular sentiment, either positive or negative.
  • Insider Reviews and Consumer Testimonials: The proposed rule would prohibit a company’s officers and managers from writing reviews or testimonials of its products or services, without clearly disclosing their relationships. It also would prohibit businesses from disseminating testimonials by insiders without clear disclosures of their relationships, and it would prohibit certain solicitations by officers or managers of reviews from company employees or their relatives, depending on whether the businesses knew or should have known of these relationships.
  • Company Controlled Review Websites: Businesses would be prohibited from creating or controlling a website that claims to provide independent opinions about a category of products or services that includes its own products or services.
  • Illegal Review Suppression: Businesses would be prohibited from using unjustified legal threats, other intimidation, or false accusations to prevent or remove a negative consumer review. The proposed rule also would bar a business from misrepresenting that the reviews on its website represent all reviews submitted when negative reviews have been suppressed.
  • Selling Fake Social Media Indicators: Businesses would be prohibited from selling false indicators of social media influence, like fake followers or views. The proposed rule also would bar anyone from buying such indicators to misrepresent their importance for a commercial purpose.

(2) NICOLA GRIFFITH WINS FIRST ADCI LITERARY PRIZE. The inaugural ADCI (Authors with Disabilities and Chronic Illnesses) Literary Prize went to Nicola Griffith for Spear (Tordotcom Publishing), “a lyrical, queer reimagining of Arthurian legend, in which ‘those usually airbrushed from history take centre stage’” (Via Ansible.)

The prize, launched in 2022 to encourage greater positive representation of disability in literature, was announced alongside ten other prizes which make up the annual Society of Authors’ Awards. The SoA Awards is the UK’s biggest literary prize fund, worth over £100,000, this year shared between 30 writers, poets and illustrators.

The ADCI Literary Prize. Sponsored by Arts Council England, ALCS, the Drusilla Harvey Memorial Fund, and the Professional Writing Academy, the ADCI Literary Prize is awarded to a disabled or chronically ill writer, for an outstanding novel containing a disabled or chronically ill character or characters. Judged by Penny Batchelor, Rowan Hisayo Buchanan, Nydia Hebden, Karl Knights, Julia Lund, Nii Ayikwei Parkes, Vikki Patis and Chloe Timms.

(3) CON OR BUST GRANT OPPORTUNITIES. Dream Foundry’s Con or Bust program for creators and fans of color makes direct cash grants to assist with travel, food, registration, and other expenses associated with attending industry events.

If you’re a person of color planning to go to a convention this year and need support, our Con or Bust program is here for you. Right now we have memberships to the following conventions for any Con or Bust qualifying application.

  • Readercon (July 13-16, 2023)
  • Pemmi-con, aka Nasfic (July 20-23, 2023)
  • Capricon (February 1-4, 2024)

If you want one of these memberships, or need other support from this program, you can apply on the Con or Bust page.

(4) DIAL OF DESTINY. Los Angeles Times’ Mary McNamara joins Harrison Ford on a lap of his marathon promotional tour: “’Indiana Jones’: There will never be another Harrison Ford”.

…That said, his desire for “Dial of Destiny” to succeed feels quite personal.

“I wanted to be ambitious, for those things we have not necessarily done in such measure,” he said. When asked what he means by “those things,” he explains in that instantly recognizable, back-straightening “take this seriously” tone. “I mean take a chance on telling the story of an older character, take a chance on introducing your character in present day in a totally anti-iconic way, reducing him to his underwear and a La-Z-Boy with a glass in his hand.

“That moment in film,” he says, relaxing into a laugh, “may be one of my favorite things I’ve ever done in a movie. That and grabbing a baseball bat and going out to the neighbors’.”

… Mostly, he said, he wanted to see Indy “inveigled into one last adventure. I wanted to see him at the nadir, where we could pick him up and kick him in the ass. I know what age is about. I wanted to bring that into the story. If I was going to be the actor playing this guy, I wanted the reality of my age.”

But first, in the film’s opening scene, he had to play a younger Indy, which made the contrast of past and present more striking. Ford’s face was de-aged through the miracle of artificial intelligence and Lucasfilm’s trove of images from the earlier films, but “the mouth is my mouth, the eyes are my eyes,” he said. “The voice is me talking in a higher register because age lowers the voice, and the body language I had to act. But he moves like I move and I remembered.”…

(5) EATING THE FANTASTIC. Scott Edelman invites listeners to bite into a baconless BLT with Jordan Kurella in Episode 201 of the Eating the Fantastic podcast.

Jordan Kurella

This episode’s guest is Jordan Kurella, who was a Nebula Award nominee this year in the category of Best Novella for I Never Liked You Anyway, which was also longlisted for the BSFA award.  His stories have appeared in Beneath Ceaseless SkiesApexMermaid MonthlyGlitter + AshesStrange Horizons, and many other magazines and anthologies. Some of these were gathered in his short story collection, When I Was Lost, published by Trepidatio in December. In his past lives, he was a photographer, radio DJ, and social worker, and he has also taught at Iowa State University and Rambo Academy.

We discussed which ice cream flavor he chose to celebrate his Nebula Award nomination, the way readers can tell which stories writers had the most fun writing, how  all he needs to pants a story is the first line, what caused him to say “it’s not write what you know, it’s write what you’re embarrassed about,” why he doesn’t like to reread his own published work unless he has to, how to avoid getting stuck in rabbit holes of research, the ways writing a book can be like spending time with your best friends, his rule about story titles, why we’re both so attracted to writing love stories, how playing the violin in public prepared him for surviving rejection, why he published only a single piece of literary fiction before realizing the fantastic was where he belonged, and so much more.

(6) SWATTING. NBC News’ report “The FBI has formed a national database to track and prevent ‘swatting’” includes a long Q&A with Patrick Tomlinson.

Author Patrick Tomlinson and his wife, business owner Niki Robinson, have been “swatted” at their home in Milwaukee more than 40 times, often resulting in police pointing guns at their heads. Their tormentors have also called in false bomb threats to venues using their names in three states. Yet law enforcement hasn’t been able to stop the calls.

The couple’s terror comes as these incidents appear to be on the rise in the U.S., at least on college campuses. In less than a single week in April, universities including Clemson, Florida, Boston, Harvard, Cornell, Pittsburgh, Rutgers and Oklahoma, as well as Middlebury College, were targeted by swatters.

To combat the growing problem, the FBI has begun taking formal measures to get a comprehensive picture of the problem on a national level.

Chief Scott Schubert with the bureau’s Criminal Justice Information Services headquarters in Clarksburg, West Virginia, told NBC News that the agency formed a national online database in May to facilitate information sharing between hundreds of police departments and law enforcement agencies across the country pertaining to swatting incidents.

… Security expert Lauren R. Shapiro, who is an associate professor at John Jay College of Criminal Justice, said: “Swatting involves people making fraudulent 911 calls reporting serious-level criminal threats or violent situations like bomb threats, hostages, killing, etc. to fool the police into raiding the house or business of somebody who is not actually committing a crime.”…

… Tomlinson’s troubles began after he posted a casual remark on Twitter in 2018 saying he’d never personally found the comedian Norm Macdonald very funny. As The Daily Beast reported, the tweet caught the attention of online trolls who soon began to harass, stalk, impersonate and defame Tomlinson and his wife, using a website of their own along with social media accounts on Reddit, Twitter and YouTube to target the couple and invite others to pile on. 

Their harassers mostly converge on a website that’s cloned elsewhere so participants can migrate rapidly if their forum is ever banned by a service provider. 

 Since The Daily Beast report, the harassment escalated both online and offline.

The couple was mostly recently swatted at their home on Tuesday, bringing the total of swatting incidents to 43. Tomlinson’s parents, who are senior citizens, also suffered swatting at their home about 2 hours outside of Milwaukee this year…

Whether the FBI’s database will lead to any results is open to question based on past performance.

… At a federal level, Tomlinson filed a complaint with the Internet Crime Complaint Center in November 2020. He never saw a reply to that, so in early May 2022, he went to the Milwaukee branch of the FBI in person to file a new one.

An FBI special agent was assigned to evaluate his case. He says the agency already had a file on Tomlinson because of a false bomb threat that swatters had called into a hotel outside of Detroit in April 2022, a few weeks prior to a presentation he was scheduled to give. The presentation, part of PenguiCon, was titled,”Elon Musk is Full of S—.” 

Since then, “There has been nearly zero communication by the FBI,” Tomlinson said. 

One agent has requested more evidence from his family by email on rare occasions. But the agency has not brought him or his wife in for an interview, and have not arrested people who the couple identified as participants in their harassment and swatting…

(7) CALIFORNIA AVENGERS. Critic Todd Martens tells how “Broadway-style ‘Rogers: The Musical’ charms at Disney’s California Adventure” in the Los Angeles Times.

“Rogers: The Musical” started as a joke in the Disney+ series “Hawkeye,” which presented a challenge for the Disneyland Resort’s live-entertainment team. How, in a 30-minute, heavily condensed Broadway-style show, do you bring a little heft to a production in which fans will be clamoring for cheese? Sure, there’s Captain America, Iron Man, Black Widow and the Hulk, among others, but these are superheroes who spend more time flexing jazz hands than muscle.

In the show opening today, directed by Disney’s Jordan Peterson with a book from Hunter Bell, known best for Broadway’s “[title of show],” the answer was simple: heartbreak.

The story of Steve Rogers’ transformation into Captain America is framed by longing — for better days, for acceptance and for love. It allows the production, which veers close to overt patriotism in its opening moments, to find a sense of personal grounding. When an actor playing a young Rogers is framed by an Uncle Sam military recruitment poster, he gets all wistful and rejected: “What’s a guy to do when ‘I want you’ doesn’t mean you?”

Don’t worry, the production doesn’t stay down for long. “Hawkeye” introduced fans to the over-the-top corniness of the song “Save the City,” a work written by Broadway vets Marc Shaiman and Scott Wittman, and it pops up multiple times, each one leaning into the showtune parody that it is. When it wants to, “Rogers: The Musical” embraces its silliness….

…The musical features five original songs, not counting the previously heard “Save the City” and “Star Spangled Man,” which dates to the film “Captain America: The First Avenger.” The new works are credited to composer Christopher Lennertz, with lyrics by Peterson, Lennertz and Alex Karukas. None quite reach the heights of “Save the City,” which went all out in its showtune glitz. “Rogers: The Musical” comes off as a series of puzzle pieces constructed around that signature number.

Lennertz, a composer with a lengthy résumé of film and television credits, including Marvel’s “Agent Carter,” plays it more low-key. The new works largely attempt to take “Rogers” out of parody mode, a decision that accounts for a series of tonal shifts and results in a theatrical mood that’s not quite serious yet not fully goofy.

(8) CSI SKILL TREE. The latest episode in the ASU Center for Science and Imagination’s Skill Tree series on video games, possible futures, and worldbuilding is out, featuring the award-winning science fiction roleplaying game Citizen Sleeper (2022). This episode’s guests are Gareth Damian Martin, the game’s developer, and Phoebe Wagner, a speculative fiction author, researcher, and editor of three solarpunk anthologies, including Sunvault. Here’s a link to the entire Skill Tree playlist, with 12 episodes so far.

(9) ALAN ARKIN (1934-2023). Four-time Oscar nominee Alan Arkin, who won Best Supporting Actor for Little Miss Sunshine (2007), died June 30 at the age of 89. He was perhaps best known for playing Yossarian in Catch-22 but his other three Oscar nominations honored his portrayals of deaf-mute Singer in The Heart Is a Lonely Hunter, Russian Lt. Rozanov in one of my favorite movies, The Russians Are Coming, the Russians Are Coming, and the has-been producer Lester Siegel in the genre-adjacent Argo.  

In Argo (2012), Arkin played the fictional producer of a fake sff movie that provided cover for a CIA operation to rescue Americans caught up in the Iranian Revolution of 1979. He acted in collaboration with a character based on real-life Planet of the Apes makeup man John Chambers, played by John Goodman.

Within the sff genre Arkin did a lot of voice work late in his career – including Dumbo (2019) and Minions: Rise of Gru (2022), but early on voiced Schmendrick in The Last Unicorn (1982).

He’s been in a Muppets movie, in The Monitors (1969), in the film adaptation of Kurt Vonnegut’s Mother Night (1996), played Detective Hugo in Gattaca (1997), The Chief in the movie Get Smart (2008). He had parts in The Seven Percent Solution (Dr. Sigmund Freud — 1976) Edward Scissorhands (1990), and The Rocketeer (1991).

Arkin also won a Tony for his Broadway debut in 1963’s Enter Laughing.

(10) MEMORY LANE.

1989 [Written by Cat Eldridge from a choice by Mike Glyer.]

This time Mike picked one of my favorite writers, Sheri S. Tepper. Her series have too many exemplary books to list them all and her standalone novels such as Singer from the Sea and The Companions are excellent as well.

She’s been nominated for a lot of Awards but garnered only two, one of which is the World Fantasy Award for Life Achievement. Grass, the source of our Beginning this time, was published by the Doubleday Foundation in 1989 (one of their first books was Asimov’s Prelude to Foundation), and was a Hugo finalist at ConFiction. 

And it has an absolutely stunning Beginning as you can read here…

Millions of square miles of it; numberless wind-whipped tsunamis of grass, a thousand sun-lulled caribbeans of grass, a hundred rippling oceans, every ripple a gleam of scarlet or amber, emerald or turquoise, multicolored as rainbows, the colors shivering over the prairies in stripes and blotches, the grasses—some high, some low, some feathered, some straight—making their own geography as they grow. There are grass hills where the great plumes tower in masses the height of ten tall men; grass valleys where the turf is like moss, soft under the feet, where maidens pillow their heads thinking of their lovers, where husbands lie down and think of their mistresses; grass groves where old men and women sit quiet at the end of the day, dreaming of things that might have been, perhaps once were. Commoners all, of course. No aristocrat would sit in the wild grass to dream. Aristocrats have gardens for that, if they dream at all.

Grass. Ruby ridges, blood-colored highlands, wine-shaded glades. Sapphire seas of grass with dark islands of grass bearing great plumy green trees which are grass again. Interminable meadows of silver hay where the great grazing beasts move in slanted lines like mowing machines, leaving the stubble behind them to spring up again in trackless wildernesses of rippling argent. 

Orange highlands burning against the sunsets. Apricot ranges glowing in the dawns. Seed plumes sparkling like sequin stars. Blossom heads like the fragile lace old women take out of trunks to show their granddaughters.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 30, 1902 Lovat Dickson. Australian-born publisher and author who wrote a biography of H G Wells, H G Wells: His Turbulent Life and Times. He was the first Canadian to have a major publishing role in Britain. (Died 1982.)
  • Born June 30, 1905 Nestor Paiva. Sometimes it only takes one film or series for a performer to get a Birthday write-up from me. Paiva makes it for Lucas the boat captain in The Creature from the Black Lagoon and its oft-forgotten sequel Revenge of the Creature. Though that was hardly his only genre role as his first role was in the early Forties as an uncredited prison guard in Tarzan’s Desert Mystery and he’d be in many a genre film and series over the decades as Prof. Etienne Lafarge in The Mole People, as the saloon owner in (I kid you not!) Jesse James Meets Frankenstein’s Daughter, Felicity’s Father in The Spirit Is Willing, Captain Grimby in “The Great Treasure Hunt” of The Adams Family and a Doorman in the “Our Man in Leotards” episode of Get Smart. (Died 1966.)
  • Born June 30, 1920 Sam Moskowitz. SF writer, critic, and historian. Chair of the very first World Science Fiction Convention held in NYC in 1939. He barred several Futurians from the con because they threatened to disrupt it in which was later called the Great Exclusion Act. In the Fifties, He edited Science-Fiction Plus, a short-lived genre magazine owned by Hugo Gernsback, and would edit several dozen anthologies, and a few single-author collections, most published in the Sixties and early Seventies. His most enduring legacy was as a historian of the genre with such works as Under the Moons of Mars: A History and Anthology of “The Scientific Romance” in the Munsey Magazines, 1912–1920 and Hugo Gernsback: Father of Science Fiction. (Died 1997.)
  • Born June 30, 1959 Vincent D’Onofrio, 64. His long running-role is Detective Goren on Law and Order: Criminal Intent which is in no way genre. He was Kingpin in Wilson Fisk / Kingpin in four television series of the Marvel Cinematic Universe, Edgar the Bug in the only truly great Men in Black film to date and Vic Hoskins in Jurassic World. He also was Jason Whitney / Jerry Ashton in The Thirteenth Floor, loosely based upon Simulacron-3, a early Sixties novel by Daniel F. Galouye.
  • Born June 30, 1963 Rupert S. Graves, 60. Here because he played Inspector G. Lestrade on that Sherlock series. He also appeared on Doctor Who as Riddell in the Eleventh Doctor story, “Dinosaurs on a Spaceship”. He had one-offs in The Nightmare Worlds of H. G. Wells: The MothTwelve MonkeysKrypton and Return of the Saint
  • Born June 30, 1966 Peter Outerbridge, 57. Dr. David Sandström in what I think is the terribly underrated ReGenesis series as well as being Henrik “Hank” Johanssen in Orphan Black and a recurring role on Millennium as Special Agent Barry Baldwin. He’s currently in two series, The Umbrella Academy with a recurring role as The Conductor, and as Calix Niklosin in V-Wars, yet another Netflix SF series. 
  • Born June 30, 1972 Molly Parker, 51. Maureen Robinson on the Lost in Space series. One-offs in Nightmare Cafe, The Outer Limits, The SentinelHighlander: The SeriesPoltergeist: The LegacyHuman Target and she appeared in The Wicker Man as Sister Rose / Sister Thorn. She also was Alma Garret on Deadwood. No, not genre but Emma and Will love the series. 

(12) COMICS SECTION.

(13) WIDOWMAKER. Sarah Gailey will be writing Marvel’s White Widow comic reports The Mary Sue: “Yelena Belova Fans, Our Time Is Now With This New ‘White Widow’ Comic!”

Being a fan of Yelena Belova keeps getting better and better. The younger sister of Natasha Romanoff, Yelena is also a widow and is everything that a sassy younger sister could be. And now she’s getting her very own time in the spotlight with a new comic series! First appearing in 1998, Belova quickly became a popular character for fans of Nat but she gained a new level of fame when Florence Pugh took on the role in the Marvel Cinematic Universe.

Getting her own comic storyline is just exciting evidence of how popular Yelena Belova has grown throughout the last twenty-five years. As someone who relates to Yelena Belova a lot (and she’s one of my all-time favorite Marvel characters), this comic makes me incredibly excited for the future of her character!

Called White Widow, the series is created by writer Sarah Gailey and they worked along side artist Alessandro Miracolo to bring her to life. David Marquez gave us a perfectly Yelena cover and the entire reveal is a dream come true for fans. Sometimes, you wait a long time to see a character you love get their time in the spotlight and that’s exactly what is happening with White Widow. She’s not the little sister in Nat’s shadow anymore with this series!

(14) AI IN CINEMA. [Item by Steven French.] The Guardian seems to be having a bit of a bout of listmania these days but this one contains some interesting recommendations: “The best films about AI – ranked!”

16. Avengers: Age of Ultron (2015)

The first Avengers sequel isn’t particularly good, but at least it introduced cinema to the AI lifeform Ultron. Tasked with sparing the Avengers from having to suit up whenever a new baddie rolls into town, Ultron quickly realises that the greatest threat to world peace is humanity and – in time-honoured AI fashion – attempts to eradicate it himself. The moral of Age of Ultron is clear: trust AI less than the irresponsible billionaires who invented it.

(15) FUTURE TENSE. The June story in the Future Tense Fiction monthly series is “The Big Four v. ORWELL,” by Jeff Hewitt, about a copyright lawsuit against a prolific AI author.

The response essay is by sff novelist Ken Liu, “The Imitation Game”.

… But what about ChatGPT-5, ChatGPT-15, or ChatGPT-55? Assuming this goes on, in classic science fiction fashion, the LLMs will surely continue to blur the lines between artificial and “real” authors. That blurriness is the setup for Jeff Hewitt’s “The Big Four v. ORWELL,” a courtroom drama in which a group of publishers sue ORWELL, an A.I. that has become a prolific author, for copyright infringement.

I have my doubts that the current approach to building LLMs, essentially an exercise in statistically predicting the most likely next “token” given a string of tokens, can lead to the holy grail of artificial general intelligence, an imagined state of crafted cognition capable of accomplishing any intellectual task a human can. (ORWELL definitely appears to be an AGI.) Symbol manipulation alone, without more, must plateau at some point short of “true” intelligence—or so I tell myself (using strings of symbols, of course, smug with irony). To be sure, there is reason to be humble here. Decades ago, when I was studying A.I. in college, the idea that anything resembling the current brute-force approach could construct a virtual entity that could tutor you on any subject you liked, compose college essays, and even answer personal ads would have seemed like handwavium sci-fi. And yet, here we are. So, maybe I’m wrong about the future this time too….

(16) SERVING KAIJU CHOW. “Taiwan restaurant launches ‘Godzilla’ crocodile ramen” reports Taiwan News. These days there’s always a suspicion that such a photo is produced with AI, but the ingredient seems plausible.

A restaurant in Douliu City, Yunlin County debuted its “Godzilla” ramen featuring crocodile meat as its main ingredient.

Nu Wu Mao Kuei (女巫貓葵) announced on Facebook the launch of its “Godzilla” ramen, which is prepared by steaming or braising the front leg of a crocodile. In a clip, a young female customer samples both flavors and describes the dish as surprisingly delicious.

She says the steamed version of the dish resembles chicken, while the braised meat has a taste similar to pork feet. The soup contains over 40 spices, and the owner reportedly learned how to make the spicy “witch soup” during a trip to Thailand, SETN reported

The crocodiles used for this dish are sourced from a farm in Taitung. The owner was inspired by the giant isopods ramen, which went viral at another restaurant.

(17) TYPECASTING. [Item by Tom Becker.] Womprat is a bold font, inspired by the classic “STAR WARS” text on the movie poster. But that is just the beginning. There are alternate character sets, ligatures, symbols, and special glyphs galore. It is clearly the work of obsessive font geeks who are also massive Star Wars fans. It is a delight just to browse the glyphs or the free desktop background at http://womprat.xyz

(18) VIDEO OF THE DAY. From Good Omens’ second season: “What’s The Point Of It All? – Season 2 Sneak Peek”.

A brand new Good Omens Season 2 clip from the upcoming return of Amazon Studios’ fantasy comedy series has been released, featuring David Tennant as Crowley. The next installment will be available for streaming on July 28 on Prime Video.

The video confirms Crowley’s current status in Hell as persona non grata, as the fan-favorite demon continues to question the point of Heaven and Hell. It also features Miranda Richardson’s newest character, who has now assumed the role of Hell’s representative in London after previously playing the role of Madame Tracy in Season 1.

[Thanks to John King Tarpinian, Chris Barkley, Steven French, Juli Marr, Tom Becker, Lise Andreasen, Joey Eschrich, Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]

Pixel Scroll 5/10/23 Not Just Another Scroll Title. This One Has Heart. And Humanity. Four Pixels!

(1) “BIGOLAS DICKOLAS WOLFWOOD ENERGY”? [Item by Soon Lee.] Four years after release, This Is How You Lose the Time War by Amal El-Mohtar and Max Gladstone rocketed up to number 6 in the Amazon overall book rankings (it’s number one in a number of categories). And it is all thanks to a recommendation tweet from an account named “Bigolas Dickolas”, a fan account for the “Trigun” anime. Amal El-Mohtar tweeted a link.

This Is How You Lose the Time War is a Hugo, Nebula, and BSFA winner so it’s not like it wasn’t critically acclaimed. I loved it. But for a book to climb into the Amazon Top 10 four years after release is not something that happens. Let alone it happening because an anime fan account tweeted about it. Stunned and delighted reactions all round.

My TL;DR

Bigolas Dickolas has done for “This is How You Lose the Time War” what “Stranger Things” did for “Running Up That Hill”.

Several more write-ups here:

DongWon Song (Amal El-Mohtar’s agent) commented:

(2) THIS IS THE WINTER OF OUR DISCONTENT MODERATION. Charlie Jane Anders’ Happy Dancing newsletter offers “Some (Probably) Worthless Thoughts About Content Moderation”. Spoiler: They are far from worthless.

… Twitter has long had a feature where you can choose to see notifications only from people you follow, which is great in theory. If you have that box checked on Twitter, you’ll only see replies and quote-tweets from the people you’ve decided to trust — but in practice, if your tweet gets a ton of hostile replies and quote-tweets, you will absolutely know about it. It’ll show up if you look at the permalink for your actual tweet, but also your trusted followers will inevitably start arguing with the folks you don’t follow. Plus, it requires a lot of willpower to avoid looking at a swarm of replies or quote-tweets when you know they’re there.

Plus as I’ve said above, even if you decide you don’t want to see hate group posts, you’ll still find out about it if they target you. It’s impossible to ignore at a certain point.

Here’s a good place to mention that I’m enjoying Bluesky a lot so far — a ton of Black Twitter folks who were turned off by Mastodon’s well-documented racism problem are hanging out there, along with many other folks I enjoyed chatting with on Twitter. But I’m also very aware that I’m enjoying it, in part, because it’s still a small community and we’re at the start, rather than the end, of the “enshittification” process*….

(3) AI IS MY COPILOT. [Item by Anne Marble.] If you see people getting upset with publishers asking for AI submissions, here is one example. In a Special Submissions Call, Space and Time Magazine is asking authors to collaborate with AI for a unique issue. This submissions call did not go over well…

Here are the first two of many tweeted responses:

(4) GREMLINS PREQUEL ARRIVES. Animation World Network has the story: “Max Shares ‘Gremlins: Secrets of The Mogwai’ Official Trailer”.

Max (formerly HBO Max) has dropped an official trailer and poster for Gremlins: Secrets of the Mogwai, the highly anticipated 3DCG animated prequel series to the iconic Gremlins film franchise. The show debuts May 23, followed by two new episodes released weekly on Thursdays.

The new series takes viewers back to 1920s Shanghai, where the Wing family first meets the young Mogwai called Gizmo. Sam Wing (future shop owner Mr. Wing in the 1984 Gremlins film) accepts the dangerous task of taking Gizmo home and embarks on a journey through the Chinese countryside. Sam and Gizmo are joined by a teenage street thief named Elle, and together, they encounter—and sometimes battle—colorful monsters and spirits from Chinese folklore. Along their quest, they are pursued by a power-hungry industrialist and his growing army of evil Gremlins….

Gremlins: Secrets of the Mogwai, from executive producers Steven Spielberg and Tze Chun premieres May 23 on Max.

(5) J.M. COSTER MEMOIR. “Your Tongue Remembers” is introduced by Sarah Gailey as “Jen Coster’s reflections on language, food, and what it means to be loved.”

…During my childhood, my parents were learning English while I was forgetting the little bit of Chinese that I knew. We spoke to each other in fits and starts, each of us hurt (in the exact same but also completely different ways) by the lack of understanding. With my grandmother, I barely spoke at all. She didn’t know English, and I was eventually too ashamed of my broken Chinese to try.

And yet, China was my first home, and Chinese was my first language. At some point in my early life, it was all I knew. Even though I don’t remember what it was like to have those musical words fall from my mouth at the speed of thought, there are certain shapes my mouth still knows how to make, certain tones my ears still know how to hear—things my mind and body have held on to as a record of my past.

The words that my tongue remembers, though it’s clumsy in the shaping of them, are mostly related to food.

It always comes back to food.

I don’t know what it’s like to have to make concessions related to cultural identity, for success to require the rejection of things that make up the fabric of you, for victory to feel like surrender. But I do know what it feels like to grieve the loss of something I never really had in the first place….

(6) EKPEKI TAKES ON IAFA ROLE. International Association for the Fantastic in the Arts (IAFA) announced on Facebook they have appointed Oghenechovwe Donald Ekpeki as their Virtual Conference Coordinator.

(7) CSSF WORKSHOP OPPORTUNITY. Applications are being taken for the online CSSF Speculative Fiction Writing Workshop. 

This intensive, 2-week creative writing course will be taught online by RB Lemberg, author of the acclaimed novellas The Four Profound Weaves (2020) and The Unbalancing (2022) and finalist for the prestigious Nebula Award for best science fiction or fantasy published in the United States.

Lemberg will bring their expertise in writing and publishing speculative fiction—an umbrella category that includes science fiction, horror, fantasy narratives, magical realism, and the like—to instruct students in the creation and polishing of their own imaginative work. Students will read an assortment of SFF short stories for discussions of craft and stylistic choices, and participate in writing exercises and peer review workshops. Each class member should come prepared with at least one short story they are prepared to share and revise. 

June 12 – June 23, 2023 (Monday – Friday)

4:30 – 7:30 pm (Central US/Canada), with synchronous and asynchronous elements. 

Cost and Enrollment:

NON-CREDIT-SEEKING STUDENTS: $500 for 2-wk session – Register here

CREDIT-SEEKING KU STUDENTS: Enroll via https://classes.ku.edu/ – ENGL 757 (Summer 2023)

Small scholarships available – 1st come, 1st served. Email us with your name, contact information, institution (if applicable), connection to the Gunn Center (if any).

(8) 2024 STURGEON SYMPOSIUM DESIGN CONTEST. If you have an inspiration for next year’s Sturgeon Symposium t-shirt design it could be worth $250 to you.

The J. Wayne & Elsie M. Gunn Center for the Study of Science Fiction (CSSF) is dedicated to research and education in science fiction and other speculative forms, such as fantasy, horror, Afrofuturism, fanfiction, and neo-Gothic narratives. We believe that through our encounters with different worlds, we come to know the one we all share; we also become better equipped to create new possibilities within it. Our ongoing mission is to foster a global community of students, scholars, artists, educators, and enthusiasts who are interested in exploring the limitless potential of the human imagination, whether that be to question, to play, or to dream about the future.

The Theodore Sturgeon Memorial Award, offered annually for the best published science fiction short story of the previous year, will be presented at the Sturgeon Symposium, where scholars, artists, educators, students, and enthusiasts come together to discuss and learn about new work in the field. The winning design will be featured on T-shirts sold to generate funds for the 2024 symposium and on flyers used to promote the event. Help us showcase the limitless potential of the human imagination!

The 2024 Sturgeon Symposium will be honoring the foundational work of Samuel R. Delaney to the field and study of Science Fiction. Inspired by his 1984 science fiction novel, Stars in My Pocket Like Grains of Sand, the theme of this year Design contest is “Stars in Our Pockets.”

To Enter:

  • Submit your original design(s) by 11:59 pm on 18 August 2023 to [email protected]. Include name, email address, and phone number with entry.
  • File(s) should be submitted as a .pdf, .jpb, .png, .ai, or .eps with dimensions of 1500px by 1500px.
  • Designs should be front of t-shirt only and can include up to 4 colors.
  • Transparent artwork preferred. Avoid gradients.

Judges will consider:

  • how well each design celebrates the concepts of science fiction and/or the speculative
  • how well each design represents KU’s Gunn Center for the Study of SF
  • how well each design builds energy for the 2024 Sturgeon Symposium

By entering the contest, you agree and acknowledge that:

  • You have read, understood, and will abide by the contest rules, terms, and conditions.
  • If your design is selected as the winning entry, you grant the Center for the Study of Science Fiction a non-exclusive license to reproduce, distribute, display, and create derivative works of your submitted design (the “Work”) on promotional materials and marketing materials such as t-shirts, posters, brochures, and digital media.
  • You warrant that you are the original creator of the Work and that it does not infringe upon the rights of any third parties, including, but not limited to, copyright, trademark, and rights of publicity or privacy.

Winner will be announced at the Sturgeon Award ceremony, Date and Time TBD Questions? Contact The Gunn Center for the Study of SF – [email protected] https://sfcenter.ku.edu/

This is last year’s winning design:

(9) MEMORY LANE.

2019[Compiled by Cat Eldridge.]

Sarah Pinsker’s A Song for a New Day was her Nebula-winning debut novel. It was also nominated for a Compton Crook Award. Those folk in Baltimore have stellar taste in SF novels, don’t they?

It is a wonderful read (no spoilers there) and I surprised to learn that she wrote but one more novel to date. I’ve read this novel but haven’t read We Are Satellites, so am very interested in what y’all think of it.

A Song for a New Day was published by Berkley Books. 

And here is her splendid Beginning. Warning: fatal violence involving Muppets occurs here. It really does. 

172 Ways 

There were, to my knowledge, one hundred and seventy-two ways to wreck a hotel room. We had brainstormed them all in the van over the last eight months on the road. As a game, I’d thought: 61, turn all the furniture upside down; 83, release a pack of feral cats; 92, fill all the drawers with beer, or, 93, marbles; 114, line the floor with soapy plastic and turn it into a slip ’n’ slide; etc., etc. 

In my absence, my band had come up with the one hundred and seventy-third, and had for the first time added in a test run. I was not proud. 

What would Gemma do if she were here? I stepped all the way into their room instead of gawking from the hallway and closed the door before any hotel employees could walk past, pressing the button to illuminate the DO NOT DISTURB sign for good measure. “Dammit, guys. This is a nice hotel. What the hell did you do?”

“We found some paint.” Hewitt’s breath smelled like a distillery’s dumpster. He lingered beside me in the vestibule.”

“You’re a master of understatement.” 

All their bags and instruments were crammed into the closet by the entrance. The room itself was painted a garish neon pink, which it definitely hadn’t been when I’d left that morning. Not only the walls, either: the headboards, the nightstand, the dresser. The spatter on the carpet suggested somebody had knifed a Muppet and let it crawl away to die. For all the paint, Hewitt’s breath was still the overwhelming odor.

“Even the TV?” I asked. “Really?” 

The television, frame and screen. Cable news blared behind a drippy film of pink, discussing the new highway only for self-driving cars. We’d be avoiding that one. 

JD lounged on the far bed, holding a glass of something caramel colored. His shoes were pink. The bedspread, the site of another Muppet Murder.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 10, 1863 Cornelius Shea. As SFE puts it, “author for the silent screen and author of dime novels (see Dime-Novel SF), prolific in many categories but best remembered for marvel stories using a fairly consistent ‘mythology’ of dwarfs, subterranean eruptions, and stage illusion masquerading as supernatural magic.” To my surprise, only two of his novels are in the Internet Archive. (Died 1920.)
  • Born May 10, 1886 Olaf Stapledon. Original and almost unimaginable, Last and First Men, his first novel (!) written in 1930 extends over two billion years. Who could follow that?  He did, with Star Maker, over 100 billion years. Their range, imagination, and grandeur may still be unequaled. He was, however – or to his credit – depending on how you see things – an avowed atheist.  Odd John, about a spiritual-intellectual superman, may be tragic, or heroic, or both. Darkness and the Light was nominated for a Retro-Hugo At WorldCon 76 as was Sirius: A Fantasy of Love and Discord at CoNZealand. He was the first recipient of the Cordwainer Smith Rediscovery Award in 2001 and voted into the Science Fiction Hall of Fame in 2014. (Died 1950.)
  • Born May 10, 1891 Earl Askam. He played Officer Torch, the captain of Ming the Merciless’s guards, in the 1936 Flash Gordon serial. It’s his only genre appearance though he did have an uncredited role in a Perry Mason film where the SJW credential was the defendant in a Perry Mason murder case, The Case of Black Cat. I haven’t seen the film but it’s got cool poster. (Died 1940.)
  • Born May 10, 1899 Fred Astaire. Yes, that actor. He showed up on the original  Battlestar Galactica as Chameleon / Captain Dimitri In “The Man with Nine Lives” episode. Stunt casting I assume.  He had only two other genre roles as near as I can tell which were voicing The Wasp in the English-language adaptation of the Japanese Wasp anime series, and being in a film called Ghost Story. They came nearly twenty years apart and were the last acting roles that he did. (Died 1987.)
  • Born May 10, 1963 Rich Moore, 60. He directed Wreck-It Ralph and co-directed Zootopia and Ralph Breaks the Internet; he has worked on Futurama. Might be stretching the definition of genre (or possibly not), but he did the animation for “Spy vs. Spy” for MADtv. You can see the first one here.
  • Born May 10, 1969 John Scalzi, 54. Bane of Puppies everywhere. Really he is — successful, white and writing SF very much that is in the mode of writers like Heinlein. How dare he? And yes, I’ve enjoyed everything I’ve ever read by him. What would I recommend if you hadn’t read him? The Old Man’s War series certainly is fantastic, with Zoe’s Tale bringing tears to my eyes. The Interdependency series is excellent as well. I really have mixed feelings about Redshirts in that it’s too jokey for my taste. I will note that his blog is one of a very few which I read every post of.

(11) COMIC SECTION.

  • Bizarro once again lives up to its name with this Pinocchio joke.
  • Arlo and Janis find a clever use for a 2001 reference.
  • Thatababy calls out a buttinski named Batman.
  • Dog Eat Doug isn’t that funny but it does reference a well-known sff writer.

(12) KAIJU AND OTHERS. The birthday boy and Michi Trota featured today in episode 142 of the AMW Author Talks podcast: “John Scalzi & Michi Trota”.

Acclaimed science fiction author John Scalzi discusses his recent book The Kaiju Preservation Society and the science fiction genre with fellow award-winning science fiction writer Michi Trota.

This conversation originally took place May 15, 2022 and was recorded live at the American Writers Festival.

(13) APPLY FOR LEONARDO. Applications are being taken for the “Leonardo Imagination Fellowship”, hosted by Arizona State University, through June 2.

Leonardo and the Center for Science and the Imagination are proud to announce our second Imagination Fellowship, starting in August 2023. In this virtual, global program, fellows will develop experimental media projects exploring diverse aspects of Planetary Health Futures, including but not limited to issues of climate, human well-being, interspecies relationships, democracy, emerging social structures, and safeguarding the Earth’s habitability for humans and other life forms. Applications are due on June 2, 2023 at 11:59pm MST.

Fellows will reflect on how their projects support, align with and add new complexity and nuance to the United Nations Sustainable Development Goals (SDGs). They should also substantively engage with the notion of experimental media, charting new territory in areas like expanded reality, immersive storytelling, worldbuilding, and more. Projects should embrace global perspectives and invite global participation, and demonstrate commitment to justice and equity.

Each fellow will produce a discrete media artifact, and will be supported in collaborative, cross-disciplinary experimentation with practice and process throughout the fellowship period. Examples of outputs or deliverables include, but are not limited to experimental publishing projects, from books and novellas to zines and networked texts; expanded reality projects, from virtual and augmented reality to mixed reality; games and interactive experiences; films and video installations; sonic environments and acoustic experiences.

We invite fellowship applications focusing on a range of themes. Each fellow will connect their work with one of the following themes at Leonardo-ASU or the Center for Science and the Imagination. In the first phase of their fellowship the fellows will identify a specific existing CSI or Leonardo project to focus on, building on its networks, communities, and creative outputs. Some exemplar projects are listed for each theme below.

ACCESS

PLANETARY FUTURES

LEARNING FUTURES BRAIN/MIND/CONSCIOUSNESS

  • Futures of Learning and Education, connecting with the Arizona STEM Acceleration Project*
  • Imagination, Cognition, and Consciousness, connecting with Applied Imagination Project
  • Speculative Fiction for Institutional Transformation, connecting with the Applied Sci-Fi Project

*While several of these existing projects are rooted in Arizona, we welcome global connections, extensions, and expansions in fellowship projects that connect to these regional efforts.

Fellowship Details

  • The Imagination Fellowship Program will offer up to 3 virtual fellowships, beginning in August 2023, and running through April 2024.
  • Fellows will receive $6,000 per fellow for the period of 9 months. There is no separate production budget. Fellows are free to use their stipend to support production needs.
  • Applications are due Friday, June 2, by 11:59 pm Arizona time (UTC-7).

For further questions, please reach out to [email protected].

(14) VIDEO OF THE DAY. When my daughter was very young we used to watch The Wiggles. So it didn’t take much to rouse my curiosity about Defunctland’s YouTube video, “The Awful Wiggles Dark Ride”.

In Defunctland, Kevin and company return with stories of defunct rides, parks, and themed entertainment experiences. Whether it’s Disney, Universal, Six Flags, or a hastily built World’s Fair, Defunctland looks at the stories behind their incredible failures.

[Thanks to Cat Eldridge, Mike Kennedy, Andrew Porter, Soon Lee, Anne Marble, Kathy Sullivan, John King Tarpinian, Chris Barkley, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Kip Williams.]

Pixel Scroll 12/14/22 Scroll My Pixeling Down, Sport

(1) LOCUS CROWDFUNDING NEARS FINISH LINE. The Locus Magazine Indiegogo campaign wraps up tomorrow. Backers have pledged $73,015 of $75,000 as of this afternoon – they may make it!

Sarah Gailey interviewed Locus’ publisher and editor-in-chief at Stone Soup: “Liza Groen Trombi Asks Better Questions”.

…Locus is a hub of genre community news, collecting stories about publishers, awards, conferences, publishing rights, deaths, and so much more. You encounter a massive volume of information every day — you’ve mentioned elsewhere that Locus receives as many as 80-100 emails in an hour. How do you process that avalanche into such a concise and informative package?

Practice, practice, practice. We have a lot of systems to gather info, an amazing senior editor who sifts through hundreds of emails every day pulling out news and all the important bits and bobs (Tim Pratt – we all bow down to his speed and competence), another who indexes all of our incoming books, many of which we hear about in email at this point (Carolyn Cushman), another who is constantly chasing up new titles and hunting down info  (Arley Sorg)… and we also know we aren’t going to cover everything, catch every bit of news. So then a little self-compassion helps a lot….

(2) THE SUN IN A JAR. In “Fusion? We’ve Seen This Movie Before”, the New York Times tells how popular culture is setting viewers’ expectations for a scientific breakthrough.  

…You probably already have some familiarity with fusion thanks to movies.

At the end of the 1985 sci-fi classic “Back to the Future,” Dr. Emmett Brown, played by Christopher Lloyd, soups up his tricked-out time-traveling DeLorean by feeding trash into a canister called the Mr. Fusion Home Energy Reactor attached to the top of the car. And in “Spider-Man 2,” from 2004, the well-meaning scientist Dr. Octavius (a.k.a. Doc Ock, played by Alfred Molina) creates a fusion reactor with an artificial sun at the center. But when it gets out of control, so does he, transforming into a villain who aims to re-create the dangerous machine.

Pop culture’s fascination with fusion goes beyond a process that sustains robotics and machinery; our culture’s collective dreams of safe, unlimited energy have even been epitomized by some of our heroes….

(3) MAPPING THE OUTER DARKNESS. Sunday Morning Transport marks “Reader Favorite Wednesday” by posting as a free read Yoon Ha Lee’s “Nonstandard Candles”.

Why hasn’t Yoon Ha Lee won all the awards? His writing is always smart, inventive, and above all compelling—everything you want Science Fiction to be. This story, about making maps through the darkest of spaces, is just one example, and especially apropos given everything going on in the world right now.

(4) TWISTED SISTERS CREATOR REMEMBERED. The Comics Journal reports “Diane Noomin’s Memorial Service at SVA, November 10, 2022”, a profile of the artist with a full a transcript of the remarks by her husband Bill Griffith (excerpted below).

… Diane was my partner in so many ways, from our mutual love for comics and art to a decades-long, behind the scenes collaboration on what we produced, and as aunts and uncles, brothers and sisters, and friends to our extended family. But here’s the thing to remember. We were each other’s creative editors on every project we worked on, on her Twisted Sisters anthologies, on her career-spanning Glitz-2-Go book, on her recent landmark book, Drawing Power, and especially for me, on my four graphic novels, the last one still in progress. Diane’s fingerprints are all over every page of all of those books. I can’t begin to count how many times, after reading a few of my pages as I created them, she’d say, “Put more feeling into it. Get under the character’s skin, bring out the emotion. Put in some backstory.”

These books wouldn’t be the same without Diane. I can only hope I absorbed enough of her spot-on insights and continuity expertise to keep me on the straight and narrow in the future….

(5) RICHARD MILLER (1942-2022).  Industrial Light and Magic sculptor Richard Miller died December 8 at the age of 80. Deadline led with his work creating Princess Leia’s gold bikini costume for Star Wars: Return of the Jedi, and followed with a long list of credits of his work on other Hollywood films, many of which were genre.

His work was used in films like Willow (1988), Who Framed Roger Rabbit (1988) Indiana Jones and the Last Crusade (1989), Body Wars (1989), Back to the Future Part II (1989), Back to the Future Part III (1990), Backdraft (1991), Rocketeer (1991), Hook (1991) and Death Becomes Her (1992).

Other movies his work was featured in were The Flintstones (1994), Baby’s Day Out (1994), The Mask (1994), Casper (1995), Congo (1995), Jumanji (1995), Mission Impossible (1996), Spawn (1997), Flubber (1997).

Miller returned to the Star Wars universe when his sculptures were used in the three prequels of the saga. His credits also included films like The Mummy (1999), Space Cowboys (2000), A.I. Artificial Intelligence (2001), Planet of the Apes (2001), Hulk (2003) and Terminator 3: Rise of the Machines (2003).

Some of his last work was on the Pirates of the Caribbean series of films.

(6) MEMORY LANE.

2007? [By Cat Eldridge.] The Ent in Birmingham 

Yes, there’s an Ent in Birmingham. Well, there’s supposed to be.

Let’s start at the beginning with the solicitation: “In honour of JRR Tolkien, a Treebeard type Statue is going to be built for the centre of Moseley, the place where he grew up as a child and where he puts his inspiration down to. In this area, very close to his second childhood home in what was the hamlet of Sarehole (now part of Moseley) are the amazing places of Moseley Bog, the Dell and Sarehole Mill. These 3 places, alongside the River Cole have been preserved and protected, allowing the writer to experience what it must have been like for JRR and his brother Hilary as children.” 

They raised the cost by selling leaves, to wit “Under ‘him’, will be a bed of leaves on which you can have a personalised dedication engraved and so be associated with this most famous of writers. We are offering 30 large bronze leaves at a fixed price of £2000.” 

So far, so good. The twenty foot tall stainless steel structure is off Treebeard and it up in Moseley Village Green, near J. R. R. Tolkien’s childhood home in Birmingham. It will eventually be made by the author’s great-nephew Tim Tolkien.

Let me now quote the sculptor at length from an interview in 2007: “The ‘Ent’ idea was the one that was most liked. There was some negative criticism but enough positive, too, for planning permission to be granted.  

The design stage is complete now. It took probably about two to three years; the time was spent considering different ideas and going through the process of getting planning permission.  A model was made and used to create mock photos, which people thought were very realistic. I’ve had people ring to see if the statue has been moved, because they’ve seen the mock photos then gone to visit, but I haven’t started making yet. I won’t until all the money is there.  It will take about six months to construct the statue; I will build it in pieces then put it together on the site.”

In the meantime, local opposition has mounted several campaigns to get the local authorities to rescind their approval for it going there with one group claiming that Tolkien is not a major British literary figure and therefore this is an improper usage of that space. Yes, they really did say that.

Yes, there are digital models as it’ll appear placed there so here’s one. It might indeed be up but I can find no proof that it online. On the other leaf, it might never actually have happened. The Google Maps photo of the proposed location shows nothing but lawn.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born December 14, 1916 Shirley Jackson. First gained public attention for her short story “The Lottery, or, The Adventures of James Harris” but it was her The Haunting of Hill House novel which has made her legendary as a horror novelist as it’s truly a chilling ghost story.  I see that she’s written quite a bit of genre short fiction — has anyone here read it? And yes, I know there’s at least one series made off The Haunting of Hill House novel but you already know my opinion on such matters. (Died 1965.)
  • Born December 14, 1920 Rosemary Sutcliff. English novelist whose best known for children’s books, particularly her historical fiction which involved retellings of myths and legends, Arthurian and otherwise. Digging into my memory, I remember reading The Chronicles of Robin Hood which was her first published novel and rather good; The Eagle of the Ninth is set in Roman Britain and was an equally fine read. (Died 1992.)
  • Born December 14, 1949 David A. Cherry, 73. Illustrator working mostly in the genre. Amazingly he has been nominated eleven times for Hugo Awards, and eighteen times for Chesley Awards with an astonishing eight wins! He is a past president of the Association of Science Fiction and Fantasy Artists. Oh, and he’s is the brother of the science fiction writer C. J. Cherryh (“Cherry” is the original spelling of the last name of the family) so you won’t be surprised that he’s painted cover art for some of her books such as The Cherryh Odyssey and The Kif Strike Back! as well as books for Robert Asprin, Andre Norton, Diane Duane, Lynn Abbey and Piers Anthony to name but a few.
  • Born December 14, 1954 James Horan, 68. One of those actors that had roles across the Trek verse, having appeared on Next GenerationVoyager, Deep Space Nine and Enterprise. He also voiced a character on Roughnecks: Starship Troopers Chronicles, and showed up on Highlander, Charmed and Lost. Like so many Trek alums, he’s also been on The Orville
  • Born December 14, 1959 Debbie Lee Carrington. Actress who was an ardent advocate for performers with disabilities. She was the performer inside the Howard the Duck costume, a Martian rebel named Thumbelina in Total Recall, an Ewok in Return of the Jedi (and in the TV movies that followed, a Drone in Invaders from Mars, Little Bigfoot in Harry and the Hendersons, an Emperor Penguin in Batman Returns and a Chucky double in Curse of Chucky. (Died 2018.)
  • Born December 14, 1966 Sarah Zettel, 56. Her first novel, Reclamation, was nominated for the Philip K. Dick Award in 1996, and in 1997 tied for the Locus Award for the Best First Novel. Writing under the alias of C. L. Anderson, her novel Bitter Angels won the 2010 Philip K. Dick award for best paperback original novel. If you’ve not read her, I’d recommend her YA American Fairy Trilogy as a good place to start.
  • Born December 14, 1968 Kelley Armstrong54. Canadian writer, primarily of fantasy novels since the early party of the century. She has published thirty-one fantasy novels to date, thirteen in her Women of the Otherworld series, another five in her Cainsville series. I’m reasonably sure I listened to the Cainsville series and would recommend it wholeheartedly.

(8) INVESTIGATING CONSCIOUSNESS. The Hugo Book Club Blog reviews “The Tentacle of Empathy” by Ray Nayler.

…The novel’s depiction of semi-functional future geopolitics and extreme forms of predatory capitalism are sadly believable, but written with interesting nuance. Nayler’s background working in the foreign service has given him a perspective and a knowledge that lends the story credibility.

But at its core, the strength of the novel is in how richly it explores the ways in which humans interpret experiences, how different sensoria and neurological architecture might construct individual understandings of the world, and how artificial intelligences might evolve and what that could mean for their sentience. It’s impossible to know what’s going on in another being’s head, nor whether depicting these processes can ever be accomplished, but we suspect that Nayler has done this about as well as possible….

The author was pleased —

(9) BLOOD SCIENCE. “World-First Trial Transfusing Lab-Grown Red Blood Cells Begins”ScienceAlert has details.

…The world-first trial, underway in the UK, is studying whether red blood cells made in the laboratory last longer than blood cells made in the body.

Although the trial is only small, it represents a “huge stepping stone for manufacturing blood from stem cells,” says University of Bristol cell biologist Ashley Toye, one of the researchers working on the study.

To generate the transfusions, the team of researchers isolated stem cells from donated blood and coaxed them into making more red blood cells, a process that takes around three weeks.

In the past, researchers showed they could transfuse lab-grown blood cells back into the same donor they were derived from. This time, they have infused the manufactured cells into another compatible person – a process known as allogeneic transfusion….

(10) SOME LIGHTNING FOR THUNDER LIZARDS. 65 comes to movie theaters March 10. SYFY Wire explains the premise.

…The new film, written and directed by A Quiet Place creators Scott Beck and Bryan Woods, opens with a very familiar premise. Commander Mills (Adam Driver), a starship pilot, is sending out a distress signal after his ship crashed on an uncharted planet. With his means of escape ripped to shreds and just one human survivor (Arianna Greenblatt) to co-exist with on this new world, he has no choice but to simply work to survive until some form of help can arrive. What he doesn’t know, of course, is that he’s crashed somewhere very familiar, not to him, but certainly to us.

That’s right, the “65” of the title is for “65 million years ago,” pitting Driver’s character against all manner of prehistoric creatures who’ve never seen the likes of him before, and setting up some very interesting implications about the early history of Earth….

(11) VIDEO OF THE DAY. “’A Very Cold War Christmas’ – A Late Show Animated Holiday Classic”.

It’s Christmas eve, and after Vladimir Putin demands Ukraine for Christmas, Santa must defend the North Pole against a Russian invasion. President Biden delivers much needed aid to Santa via bicycle drawn choo-choo train, and then sends an elite elf squadron of North Pole’s best to the Kremlin in a Top Gun style mission culminating in an epic face off in Red Square. Are you ready to “Ride into the Manger Zone?”

[Thanks to Chris Barkley, Andrew Porter, Michael Toman, Olav Rokne, Cat Eldridge, Mike Kennedy, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 9/29/22 Suddenly, There Was A Knock On The Pixel

(1) STORY ORIGINS. Nalo Hopkinson looks back on the genesis of her Sturgeon Award-winning short story “Broad, Dutty Water” in preparation for her talk at the ceremony tonight. Thread starts here.

(2) CREATES FEELS OF UNUSUAL SIZE. In a series of tweeted video clips, actor Mandy Patinkin reminisces about making The Princess Bride. Thread starts here. Here are a few of the clips.

(3) GAILEY Q&A. “An Interview with the Dream Foundry’s Writing Contest Judge Sarah Gailey” at the Dream Foundry blog.

Writers are frequently looking for the “key” to win or be published, but there’s no singular piece of advice that can be universally applied. With that in mind, how do you find yourself navigating and evaluating submissions? What stands out to you?

 Author A. B. Guthrie Jr. once said that the secret to writing well is a constant undercurrent of the unexpected. Delight takes many forms and can come from many sources, but in the end, I find it to be the one unifying feature of the media I remember and value. For me, that delight often comes from seeing a brilliant craftsperson in their element, taking risks and delivering things I wouldn’t have known to ask for. A story that delivers the unexpected will always delight me.

(4) CON OR BUST UPDATE. Dream Foundry’s monthly newsletter has an update about Con or Bust, the program that helps creators or fans of color attend industry events with direct cash grants to assist with travel, food, registration, and other expenses.

Con or Bust has successfully been underway and we’re super pleased to announce that we’ve already made $2500 of grants to applicants looking to participate in cons. You can check out more about the program here, including ways to donate or to apply for grants. Are you interested in attending Deep South Con this year? We have memberships already on hand, so let us know in the application form that you’re interested in attending. 

(5) OCTOTHORPE. Episode 67 of the Octothorpe podcast takes us “Straight Back to Star Wars”.

John Coxon has hairspray, Alison Scott has a tiara, and Liz Batty has a necklace. We talk about Chicon 8 and Chicago a lot, and then get distracted by feelings, steampunk and lasers.

(6) SF IN CHARLOTTE. This is the outdoor dining area for Mellow Mushroom Pizza in Charlotte, NC. Steven H Silver took the photo when he was in the neighborhood.

(7) GENRE DEFINITIONS. The “sf vs. fantasy” meme has been making the rounds of social media. The difference is very easy to understand the way Lynda Carter explains it.

(8) COOLIO (1963-2022). Rapper Coolio died September 28. His interest in sff was captured by Gavin Edwards in a Details magazine interview years ago.

He also guest starred as himself on Sabrina the Teenage Witch and Coolio voiced a wax figure of himself on Disney Channel’s Gravity Falls. One of his songs was used in Space Jam (1996), and “Weird Al” Yankovic did a parody of his hit “Gangsta’s Paradise” called “Amish Paradise.”  

(9) MEDIA BIRTHDAY.  

1964 [By Cat Eldridge.] Some series are just plain sweet. My Favorite Martian which premiered fifty-eight years ago this evening on CBS, starring Ray Walston as Uncle Martin aka the Martian and Bill Bixby as Tim O’Hara, was one of them. I suspect it was one of the shows that the creators of The Munsters thought they were railing against. Or not.

Unlike the latter ears of Spock, I suspect the design and actual putting of the antenna was much, much cheaper. All of the controls were remote and radio activated, so they were fairly fool proof on his end. 

The unaired pilot which was based off a slush pile proposal that that had been rejected by the William Morris Agency more times than is worth noting. It was filmed in late 1962 and bought by the network in a few months later after an agent at William Morris finally liked it.

That pilot had a scene where Tim stops his car on the way back from the crash site at the nearest phone in order to call in his story about the Martian craft passing the X-15. 

It also had another scene showing how he used a levitator device to move his spaceship from a U-Haul trailer into Tim’s garage.

Like the later Star Trek series, it was produced at Desilu though it was an independent production, and the first seven shows were filmed at Desilu’s Cahuenga Studios, with those shows featuring a portable fireplace in the middle of the living room. When filming was moved to Soundstage 10 on the Desilu Gower lot, the fireplace was transferred to the corner of the living room.

There were quite a few unused scripts which, as I noted in my previous essay on the animated My Favorite Martian series, ended up being used there.

Remember it said the series was sweet? Well the network also thought it should be, err, dumb really. The network also opposed making the series at all intellectual and blocked the use of space age terminology. Sources said that CBS took the position that “This is a comedy show, let’s keep it that way…” And no skin and gambling please. A Las Vegas show was scripted but deep sixed by the network who to the end thought of My Favorite Martian as a children’s show.

One last note: a combination of a thermin and ondes martinet was used to provide the sounds which accompanied the antennae rising or when the use of levitation powers.

The show lasted three seasons, one hundred and seven episodes. Some in black and white, some in color. It is one of my favorite SF series of all time. Well it’s sort of an SF series in the way that The Munsters are a sort of a horror show.

The chemistry between Ray Walston and Bill Bixby was perfect. Really perfect. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 29, 1873 Theodore Lorch. He’s the High Priest in 1936’s Flash Gordon serial. He also shows up (uncredited originally) as Kane’s Council Member in the 1939 Buck Rogers serial. He also appeared in several Three Stooges comedies as well. (Died 1947.)
  • Born September 29, 1930 Naura Hayden. Her best-known film appearance is a starring role in The Angry Red Planet where she was Dr. Iris “Irish” Ryan. Yes, she was a redhead. Unless you count her uncredited appearance as a harem girl in Son of Sinbad, this is her only film or series genre role. Though in 1955, she joined a Canadian musical cast of Li’l Abner. This was made possible by Sidney W. Pink who wrote the script for The Angry Red Planet. (Died 2013.)
  • Born September 29, 1942 Ian McShane, 80. Setting aside Deadwood, which is the favorite series of Emma Bull and Will Shetterly, where he’s Al Swearengen, he portrays Mr. Wednesday in American Gods. And it turns out, although I don’t remember it, he was Dr. Robert Bryson in Babylon 5: The River of Souls film. And he’s Blackbeard in Pirates of the Caribbean: On Stranger Tides. Now you tell me which of his genre roles is your favorite? 
  • Born September 29, 1952 Lou Stathis. During the last four years of his life, he was an editor for Vertigo. He had a fascinating work history including collaborating with cartoonist Matt Howarth by co-writing the first few issues of Those Annoying Post Bros. (Kindle has them available.) He was also a columnist and editor for Heavy Metal and a columnist for Ted White’s Fantastic magazine during the late Seventies through early Eighties. His fanwriting included the “Urban Blitz” column for OGH’s Scientifriction (the first installment appearing in 1977, Issue 9, page 29). (Died 1997.)
  • Born September 29, 1954 Shariann Lewitt, 68. First, let me commend her for writing one of the better Trek novels in Cybersong set in the Voyager verse. Bravo, Shariann! Most of her fiction, be it Memento Mori or Rebel Sutra is definitely downbeat and usually dystopian in nature. Well written but not light reading by any means.
  • Born September 29, 1961 Nicholas Briggs, 61. A Whovian among Whovians. First off he’s the voice of the Daleks and the Cybermen in the new series of shows. Second he’s the Executive Producer of Big Finish Productions, the audioworks company that has produced more Doctor WhoTorchwood and other related works that you’d think possible. Third he’s appeared as himself in The Five(ish) Doctors Reboot. 
  • Born September 29, 1968 Stephen Deas, 54. British writer. He is most known for his fantasy franchise, the Memory of Flames which is set in a fantasy world inhabited by dragons. Yes, more dragons! Though dragon free free, I highly recommended his Thief-Taker’s Apprentice series as well. Good fantasy doesn’t always need dragons, does it?
  • Born September 29, 1980 Zachary Levi, 42. He was Chuck Bartowski in, errr,  Chuck. I still haven’t seen it, so how is it? He’s the title character in Shazam! which is wonderful in a deliberately comical manner.

(11) 2022 HARVEY HALL OF FAME INDUCTEES. Neil Gaiman, Marjorie Henderson Buell, Gilbert Shelton and Roy Thomas will be honored for their comic book work at New York Comic Con on October 7. Marjorie Henderson Buell, who died in 1993 and was the creator of Little Lulu, will be inducted posthumously.  “Harvey Awards to Induct New Hall of Fame Members” in the New York Times.The awards are named in honor of Harvey Kurtzman.

…Looking back, Gaiman shared some fond memories of his Harvey experiences. “The first time I was given a Harvey award, it was 1991, 31 years ago, I had a whole career or two ahead of me and Harvey Kurtzman was still alive. It was the award that bore his name, and was thus the most important award I had ever received,” he said in a statement. “Now, with over three decades of comics career behind me, it’s just as thrilling to hear that I get to join a Hall of Fame named for Harvey. He was one of the greats, and so many of the people who have been inducted already have been people I looked up to over the years. So this is an unalloyed delight for me.”…

(12) DANCE, DANCE MATRIX REVOLUTIONS. [Item by Olav Rokne.] This is certainly an audacious decision for Academy Award-winning director Danny Boyle; the genre veteran filmmaker known for 28 Days Later is turning his eye to a stage adaptation of The Matrix… reimagined as interpretive dance. It’s just so bonkers an idea that I think I may have to watch it. “Danny Boyle to Direct Dance Adaptation of ‘The Matrix’” reports Variety.

Danny Boyle is set to direct a dance adaptation of 1999 sci-fi blockbuster “The Matrix.”

Titled “Free Your Mind,” the Warner Bros. Theater Ventures-licensed project is set to debut next October at Factory International, a new arts venue in Manchester, U.K. The production, described as a “large-scale immersive performance,” will serve as the venue’s inaugural show.

“Combining the hip-hop choreography of hundreds of dancers with the latest immersive design, ‘Free Your Mind’ will take audiences on a thrilling journey through ‘The Matrix’ and into a new realm of possibilities,” reads the logline….

(13) BREAKTHROUGH PRIZE. Announced in today’s Nature: “US$3-million Breakthrough Prize winners 2022”.

The researchers behind the AlphaFold artificial-intelligence (AI) system have won one of this year’s US$3-million Breakthrough prizes — the most lucrative awards in science. Demis Hassabis and John Jumper, both at DeepMind in London, were recognized for creating the tool that has predicted the 3D structures of almost every known protein on the planet.

Another life-sciences Breakthrough prize was awarded jointly to sleep scientists Masashi Yanagisawa at the University of Tsukuba, Japan, and Emmanuel Mignot at Stanford University in Palo Alto, California, for independently discovering that narcolepsy is caused by a deficiency of the brain chemical orexin.

A third life-sciences prize is shared by Clifford Brangwynne at Princeton University in New Jersey and Anthony Hyman at the Max Planck Institute of Molecular Cell Biology and Genetics in Dresden, Germany, for discovering a mechanism by which cell contents can organize themselves by segregating into droplets.

The Breakthrough Prize in Mathematics goes to Daniel Spielman, a mathematician at Yale University in New Haven, Connecticut. Spielman was recognized for multiple advances, including the development of error-correcting codes to filter out noise in high-definition television broadcasts.

The Breakthrough prizes were founded in 2012 by Yuri Milner, a Russian-Israeli billionaire. They are now sponsored by Milner and other Internet entrepreneurs, including Mark Zuckerberg, the chief executive of Meta (formerly Facebook).

(14) VOTE FOR 4433. “Brazilian Libertarian Politician Uses Anime Parodies in His Campaign Advertising”Anime News Network clues us in.

Brazilian politician Kim Kataguiri has been posting anime parody campaign ads on his YouTube channel to gear up for the upcoming general election on Sunday. On Wednesday, he posted a parody of Chika’s iconic dance from the Kaguya-sama: Love is War anime. Kataguiri himself, dressed in the Kaguya-sama’s male school uniform, is shown dancing alongside a Chika cosplayer.

…Kataguiri was elected congressman in October 2018 at the age of 22. He is one of the founders and leaders of the Free Brazil Movement, a libertarian group that opposes Brazil’s state capitalism in favor of free market policies. He is a populist figure who found his start in politics by posting popular satirical videos on YouTube. He also streams video games on Twitch.

(15) VIDEO OF THE DAY. In “Pitch Meeting Gets an Upgrade,” the producer says he is looking forward to the writer helping him make “unquestionably good decisions.”  But the writer says he has a letter from the inventor of YouTube, John YouTube, that says that after 300 episodes YouTube gets “a free Canadian actor upgrade.”  So Simu Liu shows up!

[Thanks to Andrew Porter, Chris Barkley, Michael Toman, Gavin Edwards, Ziv Wities, Olav Rokne, Steven H Silver, SF Concatenation’s Jonathan Cowie, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 9/27/22 You’re Telling Me A Pixel Filed This Scroll?

(1) UP ALL NIGHT. Sarah Gailey hosts an “Exclusive Interview with Victor Manibo” about his novel, The Sleepless.

…One aspect of The Sleepless that fascinates me is the way society in the book reacts to what some call a superpower, and what could also be framed as a hypercapitalist disability. Sleeplessness offers a fundamental change to human form and function as it’s typically understood, but it’s a change that allows people to engage more with capitalist productivity culture, consumption, and work. What made you want to explore this particular tension?

This story grew out of a what-if question I asked myself during a particularly busy time in my life. What if I didn’t need to sleep? Would I get more stuff done? How would such a change impact me, personally? The thought experiment was hard to contain to the individual level, and when I expanded the what-if to the world at large, it really raised some interesting questions. That’s when I felt like I needed to write it all out.

We’re living in an interesting time where more and more people are taking more control regarding their place in our capitalistic society. People are “quiet quitting”; it’s the age of “The Great Resignation”; there’s an increasing frequency of success stories in labor organizing, and there’s a record number of socialists in Congress. I wanted this story to be in conversation with what’s going on in the world, to interrogate why and how we participate in capitalism….

(2) A LITTLE SURPRISE. Google Double Asteroid Redirection Test, then wait a moment. [Via Tom Galloway.]

(3) HE’S GOT NOTHING. BUT SOMEBODY ELSE HAS SOMETHING. This teaser for Deadpool 3 dropped today. Ryan Reynolds apologizes for missing D23. Oh, and there’s a little casting surprised revealed at the end. “Deadpool Update”.

Or if you want to skip the video and go straight to the surprise, read this article in The Hollywood Reporter.

(4) MAKING CONTACT. Vulture has assembled an oral history of the movie Contact. “‘No Aliens, No Spaceships, No Invasion of Earth’”.

Ahead of Contact’s 25th anniversary, we spoke to nearly two dozen people involved in its making, including Zemeckis, Foster, McConaughey, Druyan, Sasha Sagan, and veteran producer Lynda Obst. They disagreed on several aspects of Contact’s development saga, but settled on some consensus: Contact was a lightning-in-a-bottle project, the kind of thing big movie studios barely made before and would probably never make again — intellectually challenging, emotionally messy, heavy with metaphor, wherein nobody shoots an alien in the face in front of an American flag. “We used to do that,” said Foster. “We used to make movies that were resonant and were entertaining.”…

Ann Druyan: This is 1978. Carl and I are still working on Cosmos. At the time, it was popular to say things like, “Well, if men are as smart as women, then how come there are no female Leonardos? No female Einsteins?” This made both of us furious. I had just co-written the part of Cosmos about the Great Library of Alexandria and the fact that Hypatia, who was the leader of the library, was a mathematician focusing on the Diophantine equations that Newton would later become interested in. Her reward for being the great intellectual light of the library in 415 AD was to be ripped from her chariot that she was driving herself and carved to bits with abalone shells.

People were throwing everything at Carl then. He was such a phenomenon in the culture, and everybody wanted to do something with him. So we knew we could get a book and a movie contract. We agreed one night, sitting in the pool at our little rented house in West Hollywood, that we were going to tell a story in which not only would a woman be the intellectual hero but, in the great tradition of Gilgamesh, she was going to go on the voyage and the guys would stay home.

(5) UNIONIZING PUBLISHING. UAW Local 2110 (2110uaw.org) – HarperCollins is the only unionized Big 4 publisher. HarperCollins workers are pushing for better compensation, diversity protections, and union security.

(6) KSR TO SPEAK IN MARYLAND.  At the 2022 F. Scott Fitzgerald Festival, with the theme “Stories and the More-Than-Human”, will be held over several dates. The main date events are on October 15, 2022 at the Unitarian Universalist Congregation of Rockville, MD.  The keynote speaker Kim Stanley Robinson will participate in the “Tribute to Richard Powers” at the Writer’s Center on Friday evening, October 14, and will engage with Richard Powers in a “Conversation about the Art of Fiction” and introduce Richard Powers for the Fitzgerald Award on Saturday, October 15. Festival registration is here.

(7) CRAFTING WITCHES. Leanna Renee Hieber and Andrea Janes admire “The Unstoppable, Fearsome, Delicious Allure of the Witch” at CrimeReads.

Witches are powerful women. Like all powerful women, they have been maligned, persecuted, hated, desired, feared. They are eternal, mythical subjects, a source of endless fascination. In American history, they occupy a unique place where folklore blurs the lines of reality; we remember the “witches” of Salem, Massachusetts, who were not actually witches. They have become totemic figures in television, movies, books, and pop culture, and their appeal shows no signs of waning: as of this writing, the Peabody Essex Museum in Salem is devoting a full-scale exhibit to the power and imagery of the witch…

(8) INVESTING TIME. Camestros Felapton is inspired to think about “Time travel and energy” after reading Sheila Jenne’s “Theories of time travel”. (His post was published on September 28, which is only appropriate, too…)

I was reading this neat summary of time travel rules in fiction and thinking about a couple of things basically angles and effort. The idea that a small change at one point leads to a big change in the future (aka two different kinds of things both known as a butterfly effect) predates modern science fiction. The proverb of consequences that typically starts with “for want of a nail” dates back to at least the 13th century and describes a causal chain of circumstances where a small issue (the nail in a horseshoe) leads to a major outcome.

Put another way: a small amount of effort in the past can lead to a result that would require a huge amount of effort if you were to attempt the same outcome in the present. I think that gives a neat rationale for fiction where you want time travel that allows changes to the future but where you don’t want an oops-I-stepped-on-a-butterfly-now-Donald-Trump-is-president situation….

(9) HOLDING HANDS WITH DEATH. “Terry Pratchett: A Life With Footnotes by Rob Wilkins review – anecdotes, elephants and ‘an embuggerance’” – the Guardian’s Frank Cottrell-Boyce comes away wondering why Pratchett was “so underestimated”.

…Caring for someone who has dementia is an overwhelmingly vivid experience, full of pain and comedy. There are heartbreaking and funny stories in A Life With Footnotes – started by Pratchett himself but written and completed by his longtime assistant Rob Wilkins – about the things that Pratchett’s shrinking brain made him do. He once accidentally donated £50,000 to Bath Postal Museum, for instance. Moments like that can supplant your memories of what a person was like before; here, Wilkins, who started working for the author in 2000, attempts to recover Pratchett pre-dementia. His closeness to the subject means that the book is sometimes joyfully, sometimes painfully, intimate. The description of the day Pratchett’s daughter, Rhianna, was born, for example, is so animated by love, it’s as if this treasured moment was a jewel that Pratchett placed in Wilkins’s care, to ensure it would not be stolen away by the embuggerance….

(10) CHAN DAVIS (1926-2022). Author Chandler Davis died September 24 reports Olav Rokne, who tweeted an extensive tribute that begins here.

SIDE NOTE: (I became aware of Chandler Davis as a science fiction author only a couple of years ago because of @gautambhatia88. But by an odd coincidence it turns out I met him several times in the 1980s as he worked on some math papers with my godfather Dr. Peter Lancaster)

(11) MEDIA BIRTHDAY.  

1968 [By Cat Eldridge.] This, I believe, was truly one of the the classic episodes of the original Star Trek series. Airing fifty-four years ago on NBC, it scripted by D.C. Fontana, one of eleven episodes that she would write including “Catspaw” that I dearly love, and directed by John Meredyth Lucas as the second episode of the final season.

If you’ve forgotten, the story is Kirk violated the neutral zone. The Romulans have a new bit of technology called a “cloaking device” (just go with the idea please). Kirk pretends to be crazy, then pretends to be a Romulan to get to it. Meanwhile, Spock pretends to be in love. But is he pretending? Who knows. 

D. C. Fontana says she based her script very loosely upon the Pueblo incident but I’ll be damned I can see this. It’s a Cold War espionage thriller at heart and most excellently played out. You did note the Romulnan commander never gets named? Later novels including Vulcan’s Heart by Josepha Sherman and Susan Shwartz gave her the name of Liviana Charvanek. 

Speaking of Vulcans, Fontana deliberately kept the romance between her and Spock low key to the finger games they did. And then there’s Roddenberry’s idea, never done, Spock “raining kisses” on the bare shoulders of the Romulan commander. Oh awful.

Season three had no budget, I repeat, no budget for frills, so this episode suffered several times from that. Kirk was supposed to have surgery done on him after dying but that got deep sixed, and McCoy was supposed to accompany him back to the Romulan ship but my, oh my ears are expensive, aren’t they? 

Fontana would co-write with Derek Chester a sequel: Star Trek: Year Four—The Enterprise Experiment, a graphic novel published by IDW Publishing in 2008.

Critics then and now love it.

It’s airing on Paramount + as is everything else in the Trek universe. 

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 27, 1927 Roberta Gellis. Though she wrote nearly a dozen novels of her own, you most likely know her writing within the Elves on the Road Universe created by Mercedes Lackey. She co-wrote Serrated Edge Prequels with Lackey, two of which were full novels — Ill Met by Moonlight and And Less Than Kind. (Died 2016.)
  • Born September 27, 1932 Roger Charles Carmel. The original Harcourt Fenton “Harry” Mudd who appeared in two episodes of the original Star Trek, “Mudd’s Women” and “I, Mudd”” and one episode of the animated series as well, “Mudd’s Passion”. I say original because Discovery has decided that they have a Harry Mudd. He also had one-offs on I-SpyMunstersThe Man from U.N.C.L.E.Voyage to the Bottom of the Sea and Batman. It is rumored but at all not confirmed he was going to reprise his role as Harry Mudd in a first-season episode of Next Gen but died before filming could start. (Died 1986.)
  • Born September 27, 1934 Wilford Brimley. His first genre role was as Dr. Blair in John Carpenter’s The Thing. He’s Benjamin ‘Ben’ Luckett in the Cacoon films, and Agency Director Harold Smith in Remo Williams: The Adventure Begins. He made a rather splendid President Grover Cleveland in The Wild Wild West Revisted. And finally I note that he was Noa in Ewoks: The Battle for Endor. (Died 2020.)
  • Born September 27, 1947 Meat Loaf. He has a tasty role as Eddie in The Rocky Horror Picture Show. And I’d argue some of his music videos are genre stories in their own right including “I’d Do Anything for Love (But I Won’t Do That)”. He also has film roles in Wishcraft (horror), Stage Fright (horror) and Urban Decay (yes, more horror). He’s also in BloodRayne which is yes, horror. He’s had one-offs on Tales from the Crypt, The Outer LimitsMonsters, Masters of Horror and was Doug Rennie, a main cast member of Ghost Wars. (Died 2022.)
  • Born September 27, 1950 Cary-Hiroyuki Tagawa, 72. He’d be on the Birthday Honors list if he’d only been Zylyn in Space Rangers which lasted just six episodes. Damn. But he’s also shown up on Babylon 5, the premier of Star Trek: The Next GenerationSuperboyAlien Nation, the Australian version of Mission: ImpossibleSabrina the Teenage WitchStargate SG-1Poltergeist: The LegacyThe Librarians, voicing characters on Teenage Mutant Ninja Turtles and Star Wars Rebels. More recently he played Nobusuke Tagomi in The Man in The High Castle (2015-2018), and Hiroki Watanabe in Lost in Space 2018-2021). 
  • Born September 27, 1956 Sheila Williams, 66. Editor, Asimov’s Science Fiction the last fifteen years. She won the Hugo Award for Best Short Form Editor at Renovation and Chicon 7. With the late Gardner Dozois, she co-edited a bonnie bunch of anthologies such as Isaac Asimov’s RobotsIsaac Asimov’s Christmas and Isaac Asimov’s Cyberdreams. She was also responsible for the Isaac Asimov Award for Undergraduate Excellence in Science Fiction and Fantasy writing being renamed the Dell Magazines Award for Undergraduate Excellence in Science Fiction and Fantasy Writing. 
  • Born September 27, 1972 Gwyneth Paltrow, 50. Yes, she is Pepper Potts in the Marvel Universe film franchise but her first genre role was as a young Wendy Darling in Hook. And she shows up in Sky Captain and the World of Tomorrow as Polly Perkins, a reporter for The Chronicle. And let’s not forget she was in Shakespeare in Love as Viola de Lesseps. Yes, it’s most decidedly and deliciously genre, isn’t it? 
  • Born September 27, 1972 Andy Briggs, 50. He started out as an uncredited writer working on story developer on the Highlander Series. I’m going to single out his writing of The Tarzan Trilogy which consists of Tarzan: The Greystoke LegacyTarzan the Jungle Warrior and Tarzan: The Savage Lands. Most excellent pulp. He’s written eleven scripts including a remake of The Philadelphia Experiment

(13) COMICS SECTION.

Lio is rejected for UFO abduction – find out why.

(14) MEANWHILE, BACK AT THE RANCH. The Penelopiad by Margaret Atwood will be staged at City Garage Theatre in Santa Monica, CA from November 11 – December 18, 2022. Get tickets here.

City Garage presents the “The Penelopiad” by feminist icon Margaret Atwood, author of “The Handmaid’s Tale.” In this remarkable retelling of “The Odyssey,” Atwood transforms both the power and the politics of the classic tale by shifting the point of view to Penelope, Odysseus’s wife, and of her twelve faithful maids unjustly hanged by the returning “hero.” It takes place in Hades, where these thirteen spirits are trapped for all eternity, telling and retelling their story like angry furies, unable to find redress for what they suffered at male hands.

While her husband Odysseus is off fighting pointless wars—for the sake of her beautiful, shameless, aggravating cousin Helen—dallying with nymphs and sirens, and playing the hero, Penelope is holding the kingdom together. All alone, with nothing but her wits, toughness, and strength to rely on, she has to raise her rebellious son, face down dangerous rumors, and keep more than a hundred lustful, brutal suitors at bay. When twenty years later the “hero” finally returns there is indeed hell to pay—but it is Penelope and her twelve faithful maids who pay the tragic price.

Atwood gives Penelope a modern voice, witty, pragmatic, yet still filled with pain as she gets to tell her own story at last, and set the record straight. 

(15) I NEVER DRINK…WELL, ON SECOND THOUGHT. Vampire Vineyards in Ventura, CA has all kinds of amusing marketing ideas. How about wine bottles with Dracula capes? Or Vampire Gummies?

(16) LAURIE STRODE RIDES AGAIN. “Jamie Lee Curtis in ‘Halloween Ends’ final trailer”SYFY Wire cues it up:

…Universal Pictures dropped the final trailer for Halloween Ends Tuesday, giving us one last look at the concluding chapter of this legacy sequel saga ahead of its October 14 premiere, and the stakes of the film are now clearer than ever. It’s been four years since the events of Halloween Kills, which left the town of Haddonfield deeply scarred and left Laurie’s own daughter (Judy Greer) dead at Michael’s hands. After that night, Michael Myers vanished, but of course Laurie’s not convinced he’s gone for good. The boogeyman is coming back for one last night of terror, and this time, Laurie thinks she finally knows how to kill him. The catch, of course, is that she might have to die too…. 

(17) RED GULCH. “China’s Mars rover finds new evidence of an ancient waterway on the Red Planet” Inverse covers a study published in Nature.

CHINA landed its first rover on the surface of Mars, called Zhurong, on May 15, 2021. Just ten days later, it began a series of observations that ancient flows of water on the Red Planet could explain.

new study published Monday in the journal Nature details how Zhurong collected data on Mars’ subterranean sediments with an instrument called the Rover Penetrating Radar (RoPeR). Chinese scientists looked at the radar results Zhurong obtained as it traveled across more than 1,100 meters of flat landscape in a place called Utopia Planitia from May 25 to September 6, 2021. That’s about 102 Mars days, or sols. In the new work, Chinese researchers announced that Mars’ subsurface sediments were organized in a way that could be explained by ancient water flow on Mars….

(18) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers: The Sandman,” the Screen Junkies say that Neil Gaiman may “look like a hobbit,” but The Sandman was “one of the greatest comics ever” and the high quality of this $160 million production shows the merits of “creators owning the rights to their creations.”  The show is about the power of dreams, “but the concrete linear kind, not the ones where you’re mowing the lawn with your naked dad.” And does Patton Oswalt’s casting mean he “sounds like a talking bird?”

[Thanks to  JJ, John King Tarpinian, Andrew Porter, Chris Barkley, Justin E. A. Busch, Rich Lynch, Michael Toman, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Jake.]

Pixel Scroll 7/22/22 And The Pixel That Was Planted In My Brain Still Remains, Within The Scrolls Of Filers

(1) BOT AND PAID FOR. In “Fandoms Can Do Bad All by Themselves”, Vice looks at reports about what percentage of social media support for the release of the Zack Snyder cut of Justice League came from bots, but concludes most of it was probably genuine.

According to a report in Rolling Stone, the very online campaign for the release of Zack Snyder’s cut of Justice League was a battle waged in no small part by bots. The report is gossipy fun and well worth reading in full—multiple sources tell reporter Tatiana Siegel that Snyder, discoursing on his enemies to a studio executive, said, “I will destroy them on social media,” and it gets more absurd from there—but the main impression the reader is left with is that the pro-Snyder movement was perhaps not quite as organic as it seemed. One interesting thing is that it’s not clear how much that would matter—the behavior of most fandoms when they’re incensed, after all, is not all that different from bots to begin with.

… The outlet commissioned reports from three different cybersecurity and social-media firms, and also quotes from reports that were commissioned by Warner Bros. According to reports commissioned by Rolling Stone, at least 13% of the accounts using the hashtags related to the Snyder fandom were deemed fake—much higher than the average of around 5%. Because people and bots using this hashtag would often target specific Warner Bros. executives with implied death threats, Rolling Stone reports, the studio hired cybersecurity firms to analyze its contents. While all acknowledge that any popular hashtag will have bot activity, at a few points in the article different people argue that if Snyder was scheming behind the scenes at the Warner Bros. studios, then these bots must have been under his control as well. (One site, forsnydercut.com, was at one point registered by an ad agency, but Rolling Stone was unable to establish a connection between Snyder and a person apparently behind the site, whom he denied knowing or hiring.)

While this report is full of juicy gossip surrounding Snyder’s behavior towards the people he felt had wronged him, it probably somewhat overstates the power of robot armies; whatever else Snyder was or wasn’t in control of, he certainly knew how to present himself to a fandom in order to garner its sympathy….

(2) LOVE NEVER FAILS. “Sarah Gailey On Loving Monsters” at CrimeReads.

Just Like Home is dedicated “to everyone who ever loved a monster.”

It is the easiest thing in the world to love a monster. It’s easy to love a monster because love isn’t a decision. It’s no one’s fault that love happens. Emotions, urges, and impulses are themselves beyond our ability to control. Love in its many forms wells up out of the human spirit irrepressibly. Like anger or sadness or the desire to kill, it arrives without invitation or intention. Action might spring from emotion—love might lead to an expression of affection, anger might lead to violence, a powerful impulse might lead to a monstrous act. But on its own, love is no different from any other feeling. To love a monster is easy, when the monster seems loveable.

It’s easy for a monster to seem loveable. All monsters partition other people into two categories—those who witness their monstrosity, and those who don’t. Maybe this is because the monster sees the world as divided into unequal parts, where some deserve to flourish while others deserve to be the targets of ungoverned impulse. Or maybe it’s because monsters want to be loved just as much as anyone else, and they understand that those who experience their ungoverned impulses aren’t likely to give them support, affection, admiration. Maybe it’s just another reflex, as unconscious as the way my voice slips into a slightly different register when I’m around trusted friends….

(3) AFROFUTURISM NEWS. In the Guardian’s interview with artist and filmmaker Edward George, he talks about Black cultural history, Tupac Shakur, the evolution of dub and his remarkable cinema essays with the Black Audio Film Collective: “Edward George: ‘You can’t have Afrofuturism without some ambience of a fascist thinking creeping in’”.

…Last Angel is not only a film about science fiction but, partly influenced by Chris Marker’s 1962 film La Jetée, it features a character called the “data thief” who travels back from the year 2195 to probe the failure of the Ghanaian revolution. If this all sounds hugely ambitious, Icarean even, that’s part of its appeal. It played a crucial role in popularising Afrofuturism – a term first coined by white theorist Mark Dery, and now used to describe countless exhibitions, film series and even films (such as the feudalism-romanticising Black Panther) in which the term is used breezily, a floating signifier for something to do with technophilia, empowerment, a vague and breezy form of utopianism. “Because of the ways it uses the archive, its montage, its commentary – the film has become a codex of futurity,” says George.

“If you want to fetishise futurity less, you have to go back to the plantations and to the slaves themselves: a lot of the songs that they were singing were literally about a tomorrow. These were cast in the metaphysical language of the day – that of the Bible – which was an act of mastery in itself. More than that, look at Italian futurism in the early 20th century: it opened out on to all kinds of fascism. You can’t have futurity, or futurism, or Afrofuturism, without some ambience of a fascist thinking creeping in.”…

(4) FLINT FUNDRAISER ACHIEVES GOAL. The “Eric Flint” GoFundMe created to help pay the costs of memorial services raised $12,540. The organizer announced, “The family wants to thank you for your generosity. We have reached the goal and will be closing the campaign. Hug your loved ones today.”

(5) SFWA SPOTLIGHTS ROMANCE STEERING COMMITTEE. The Science Fiction and Fantasy Writers Association (SFWA) announced that a SFWA Romance Steering Committee (RSC) was formed in Fall 2021.

The RSC will offer meaningful input and assistance in cultivating a positive trajectory for authors of stories that combine fantasy, science fiction, and romance in a way that encourages diversity, engagement, and quality, while also providing outreach and support resources for romance writers struggling with inclusion in the SFF community at large.

RSC resources that are already available, or will be soon, include:

  • The SFWA Discord channel #romantic-sff
  • Monthly posts in the Romancing SFF series on the SFWA Blog searchable here.
  • A Romancing SFF Meetup to be held in the fall.

The members of the Romance Steering Committee are Alexia Chantel, Claire Davon, Miranda Honfleur (co-chair), Victoria Janssen, Chelsea Mueller (co-chair), Abigail Reynolds, Katherine Ley, and R.K. Thorne.

(6) HOT ITEM. From AbeBooks “Most expensive sales from April to June 2022”, see the asbestos-bound copy of Bradbury’s Fahrenheit 451. The third-biggest sale of the quarter, it went for $22,500.

This is the famous asbestos-bound edition of Bradbury’s classic dystopian novel about the power of books. #83 of 200 signed and numbered copies. A regular signed first edition of Fahrenheit 451 sold for $12,000 via AbeBooks earlier in the year.

Sixth on the list was Alice’s Adventures in Wonderland illustrated by Salvador Dali sold for $21,375.

(7) CYBER-GROUNDHOG DAY. [Item by Daniel Dern.] Sure, sounds useful, but also “Yet another ‘what could possibly go wrong,’ e.g., heists/capers, foreign invaders, alien invaders, and AI/cyber takeovers. E.g, Niven/Pournelle Oath of Fealty, probably also at least one PK Dick story. “Earthgrid Aims To Rewire the USA Using Super-Cheap Tunnel Tech” at Slashdot.

Bay Area startup Earthgrid says it’s developing a plasma boring robot that can dig underground tunnels 100x faster and up to 98% cheaper than existing tech, and it plans to use it to start re-wiring America’s energy, internet and utilities grids….

(8) SHATNER LENDING VOICE TO MASTERS OF THE UNIVERSE. Yahoo! was a witness as “William Shatner crashes Comic-Con—and soon, Masters Of The Universe”.

He-Man and his friends will welcome a new addition to the follow-up to Netflix’s Masters Of The Universe: Revelation—an animated series set in outer space that, up until now, has been sorely lacking anyone who’s actually been in outer space. William Shatner made a surprise appearance at Thursday’s San Diego Comic-Con panel celebrating 40 years of Masters Of The Universe toys, films, and series, at which series creator Kevin Smith confirmed that Shatner will voice a mystery character in the upcoming Masters Of The Universe: Revolution.

The legendary Star Trek actor and actual astronaut arrived to deliver the news of his casting in the most conceivably Comic-Con way possible: his booming voice startling and delighting Hall H audience members before he emerged to join the panel. The 2022 edition of the convention is a busy one for Shatner, who was also on hand to preview a forthcoming documentary about his life produced by Legion M, the production company created and led entirely by fans. “San Diego Comic-Con has grown,” he quipped. “There’s something in the water. It used to be a little sleepy town!”…

There are more details about the panel in CBR.com’s article “SDCC: He-Man & the Masters of the Universe 40th Anniversary Panel”.

Cora Buhlert is keeping a sharp eye on these developments. She notes there will be another Masters of the Universe panel on Friday focused on the toys. Plus, says Cora, “Mattel has a huge toy display at the con, including a diorama featuring the massive Eternia playset, of which only a handful were produced in the 1980s. Apparently, the Eternia set will be crowdfunded, e.g. Mattel will be collecting preorders and only then go into production. There are a couple of videos about the Mattel display online. This one is pretty detailed and offers a good look at the Eternia diorama and the other toys announced.”

(9) BUHLERT’S NEW TOY PHOTO STORY. The previous item would have been the perfect lead-in to a new Masters of the Universe figure photo story, but that’s not the source of her latest, which is “The Frost-Giant’s Daughter”, an adaptation of a story by Robert E. Howard.

…For those who don’t know, “The Frost-Giant’s Daughter” is the second story about Conan of Cimmeria that Robert E. Howard ever wrote, ninety years ago now. It was rejected by Weird Tales and only published in altered form (with Conan renamed Amra) in the fanzine The Fantasy Fan during Howard’s lifetime. The original version did not appear until way after Howard’s death. You can read the Amra version here.

“The Frost-Giant’s Daughter” is set early during Conan’s career. Many believe it is the earliest of Conan’s chronicles adventures. I’m not entirely convinced by this, but Conan is definitely young in this story.

My adaptation differs from the original story in two aspects. For starters, I made it less rapey. Secondly, instead of the male pseudo-Viking companions from the original story, the companion I gave Conan is Valeria of the Red Brotherhood, pirate, mercenary, swordswoman and all around awesome character, whom Conan meets in the later story “Red Nails”.

So I present you: “The Frost-Giant’s Daughter” by Robert E. Howard, starring Conan of Cimmeria and Valeria of the Red Brotherhood…

(10) EATING THE FANTASTIC. Scott Edelman invites listeners to dig into dumplings with Patrick O’Leary in episode 176 of the Eating the Fantastic podcast.

Patrick O’Leary

We discussed the way his new novel 51 is similar to The Great Gatsby, why he believes his books will crumble if he attempts to describe them, the perils and pleasures of pantsing (and how his stories often don’t get any good until the 15th draft), the tragedy of being an invisible creature, our mutual fears of what aging might bring, his love for Marvel Comics (and especially the Silver Surfer), how Laura Ingalls Wilder introduced him to literature, the way reading Kurt Vonnegut taught him there were no rules, the two science fiction greats who literally left him speechless, and much more.

(11) ALAN GRANT (1949-2022). Comic writer Alan Grant, best known for his work on Judge Dredd and Batman, died July 20 at the age of 73. 2000AD has a full profile of his career here.

…Grant was one of his generation’s finest writers, combining a sharp eye for dialogue and political satire with a deep empathy that made his characters seem incredibly human and rounded. Through his work he had a profound and enduring influence on 2000 AD and on the comics industry….

(12) MEMORY LANE.  

1922 [By Cat Eldridge.] One hundred years ago, Agatha Christie’s Secret Adversary was released in the United Kingdom by The Bodley Head. The novelintroduces Tommy and Tuppence who will be featured in three more novels and a collection of short stories. The five Tommy and Tuppence books would span Christie’s writing career.

The story here is that the Great War is over, and jobs are almost impossible to find, so childhood friends Tommy Beresford and Prudence “Tuppence” Cowley decide to start their own business as The Young Adventurers. In this novel, they are hired for a job that leads them into many dangerous situations, and meeting allies as well, including an American millionaire in search of his cousin.

The critics liked it. The Times Literary Supplement said it was “a whirl of thrilling adventures” and the Daily Chronicle was very happy with it: “It’s an excellent yarn and the reader will find it as impossible as we did to put it aside until the mystery has been fathomed.” 

It would be the second Christie work to be turned into a film as it would be made in Germany by the Orplid Film company in 1929 as a silent movie which ran for 76 minutes. Thought to be lost, it wasn’t and was shown at the National Film Theatre in 2001. 

The novel was adapted twice for television, in 1983 and in 2014. Significant changes were made to story. A graphic novel was done.  Several theatre productions were staged. 

(13) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 22, 1882 Margery Williams. The Velveteen Rabbit (or How Toys Become Real) is the work that is by far her best known work. Is it genre? Sure. And it has been adapted as video, audio and theatre myriad times. One audio version was narrated by Meryl Streep with music by George Winston. (Died 1944.)
  • Born July 22, 1932 Tom Robbins, 90. Author of such novels as Even Cowgirls Get the Blues and Another Roadside Attraction. ISFDB lists everything he’s done as genre and who am I to argue with them on this occasion at least? Well I will. Now Jitterbug Perfumethat’s definitely genre! Cowgirls Get the Blues got made into a rather excellent film by Gus Van Sant and stars Uma Thurman, Lorraine Bracco, and Keanu Reeves. Interesting note: Still Life with Woodpecker made the long list at one point for the Prometheus Award for Best Libertarian SF Novel. 
  • Born July 22, 1941 Vaughn Bodé. Perhaps best known for the Cheech Wizard character and his art depicting erotic women. For our purposes, he’s a contemporary of Ralph Bakshi and has been credited as a major influence on Bakshi’s The Lord of the Rings and Wizards. He’s been inducted into the Will Eisner Award Hall of Fame. (Died 1975.)
  • Born July 22, 1944 Nick Brimble, 78. His first genre role was in Lust for a Vampire as the First Villager. He next shows up in Roger Corman’s Frankenstein Unbound as The Monster.  He’s Sir Ectot in A Knight’s Tale which I really like be it genre adjacent or not. His lastest film genre role is as Dr. Zellaby in Soulmate, and he’s the voice of Owsla in the Watership series. 
  • Born July 22, 1959 Nigel Findley. He was a game designer, editor, and an author of science fiction and fantasy novels and RPGs. He was also part of the original Shadowrun RPG core group and has sole writing credit on both sourcebooks and Shadowrun world novels. Yes, I played Shadowrun, a most enjoyable experience. (Died 1995.)
  • Born July 22, 1972 Colin Ferguson, 50. Best known for being Sheriff Jack Carter on  Eureka. Damn I miss that series which amazingly won no Hugos. (I just discovered the series is on the Peacock streaming service which I subscribe to so I’m going to watch it again!) He’s also been in Are You Afraid of the DarkThe HungerThe X-FilesThe Outer Limits, the Eureka “Hide and Seek” webisodes (anyone seen these?) and The Vampire Diaries. Oh and he made a series of commercials for Maytag.

(14) COMICS SECTION.

  • Last Kiss has genre-related advice for a foundering romance.

(15) COLBERT AT COMIC-CON. “SDCC: Stephen Colbert hosts Lord Of The Rings extravaganza”A.V. Club has the story.

Amazon spent nearly half a billion dollars on their new Lord Of The Rings series, and at least half of that must’ve gone into their Comic-Con panel. Led by a string accompaniment featuring series composer Bear McCreary, the panel kicked off with the music of Middle Earth to set the stage, and Late Show host Stephen Colbert on hand to speak elvish and keep things moving.

Prime Video played a room-wrapping trailer on screens all around Hall H, showing off the various peoples of Middle Earth. And all that’s before showrunner J.D. Payne taught us to say “Oh, shit” in Elvish—only to be challenged by Colbert. “Tolkien speaks the language of the soul,” said Payne. And he also speaks the language of debate.

… And finally, Colbert asked question that was on everyone’s lips: “Will there be Entwives?”

“Maybe you’ve seen them already,” McKay teased.

(16) RINGS TRAILER. Here’s the “The Lord of the Rings: The Rings of Power” trailer shown at San Diego Comic-Con. Begins streaming September 2 on Prime Video.

Discover the legend that forged the rings. #TheRingsOfPower Prime Video’s The Lord of the Rings: The Rings of Power brings to screens for the very first time the heroic legends of the fabled Second Age of Middle-earth’s history. This epic drama is set thousands of years before the events of J.R.R. Tolkien’s The Hobbit and The Lord of the Rings, and will take viewers back to an era in which great powers were forged, kingdoms rose to glory and fell to ruin, unlikely heroes were tested, hope hung by the finest of threads, and the greatest villain that ever flowed from Tolkien’s pen threatened to cover all the world in darkness. Beginning in a time of relative peace, the series follows an ensemble cast of characters, both familiar and new, as they confront the long-feared re-emergence of evil to Middle-earth. From the darkest depths of the Misty Mountains, to the majestic forests of the elf-capital of Lindon, to the breathtaking island kingdom of Númenor, to the furthest reaches of the map, these kingdoms and characters will carve out legacies that live on long after they are gone.

(17) FREE READ. Cora Buhlert has a new flash story online at Wyngraf Magazine. This one is called “Demon Child” which she says “is a changeling story in reverse.” The first line is —

“I swear to you, this baby is a monster,” Sansavi said as she pushed the pram back and forth across the black bridge of Zairahm….

(18) A COMIC ABOUT MARTIANS IN PASADENA. NPR presents “NASA engineer Nagin Cox on Mars rover time”. “This comic, illustrated by Anuj Shrestha, is inspired by an interview with NASA engineer Nagin Cox from TED Radio Hour’s episode It Takes Time.

(19) ALTERNATE RACE TO MARS CONTINUES. “’For All Mankind’ Renewed for Season 4 at Apple”Variety reports from Comic-Con.

For All Mankind” has been renewed for Season 4 at Apple.

The announcement was made Friday as part of the show’s panel at San Diego Comic-Con. Production on the new season is scheduled to begin in August. Season 3 of the series debuted on the streamer on June 10.

“For All Mankind” is an alternative history series that explores what would have happened if the global space race had never ended. The series presents an world where NASA astronauts, engineers and their families find themselves in the center of extraordinary events seen through the prism of an alternate history timeline — a world in which the USSR beats the US to the moon.

In Season 3, the series moved into the early ‘90s with a race to a new planetary frontier: Mars. The Red Planet becomes the new front in the Space Race not only for the U.S. and the Soviet Union, but also an unexpected new entrant with a lot to prove and even more at stake. The characters find themselves going head-to-head as their ambitions for Mars come into conflict and their loyalties are tested, creating a pressure cooker that builds to a climactic conclusion….

(20) STRANGER CHICKEN. Adweek is fascinated when “KFC Releases ’80s-Style Horror Film With Killer Pizza”.

The phenomenon of Netflix series Stranger Things has produced a resurgence of interest in ’80s horror movies. Now chicken restaurant chain KFC is looking to tap into that interest from younger consumers by producing its own short film in Spain, featuring killer pizza.

The fast-food chain has released La Massacre—a 14-minute short film, which tells the often-told story of five teenagers who travel to a remote cabin in the woods to enjoy a weekend away. However, once they reach it, they are stalked and killed by a terrifying entity shaped like a pizza.

(21) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Harry Potter and the Half-Blood Prince Pitch Meeting,” Ryan George notes the sixth Harry Potter movie begins with Harry Potter breaking Hogwarts security by reading a magic newspaper in a Muggle coffee shop.  But Dumbledore drags him back to Hogwarts so that he can begin his yearly ritual of “placing children in mortal danger.” The producer notes that at Hogwarts “they really don’t teach anything except how to die a horrible death,” so Harry and the gang “spend way too much time on teenage romance.”  But things are so lax at Hogwarts that Harry nearly kills Draco Malfoy until Snape saves him but Harry isn’t punished for this.

[Thanks to JJ, John King Tarpinian, Andrew Porter, Chris Barkley, Daniel Dern, Bill, Steven French, Cora Buhlert, John A Arkansawyer, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Joe H.]

Pixel Scroll 7/15/22 The Pixels Come From The Scrollwork Out

(1) VILLAINS DOING WORK. Max Gladstone on “The Villain, Considered as Safety Tool” in “Guard Rails Around the Bottomless Pit”.

…To ask what makes a good villain, we should first ask what a villain does, so that we can understand what it means to be good at it. To call, say, Darth Vader or Keyser Soze or Sauron a ‘good villain’ is not to make any claims about their absolute moral character. It’s a statement about how good they are at doing the thing they’re in the story to do….

(2) GO PHISH. The Guardian explains why “Alleged book thief Filippo Bernardini may avoid trial in the US”.

Filippo Bernardini, an Italian citizen who worked at UK publisher Simon & Schuster, was arrested in the US in January, with the FBI alleging he had “impersonated, defrauded, and attempted to defraud, hundreds of individuals” to obtain unpublished and draft works. The indictment said Bernardini had registered more than 160 fake internet domains to impersonate others since 2016.

Bernardini, who was charged with wire fraud and aggravated identity theft, was due in court in early July. In June, however, the judge in his case, US district court judge Colleen McMahon, agreed to postpone the appearance so prosecutors could consider a deferred prosecution request, according to Publishers Marketplace.

A deferred prosecution agreement is usually used in fraud or financial crime cases. It consists of a deal where prosecution is conditionally suspended while the defendant fulfils the requirements of the agreement in a set period of time. It is supervised by a judge, and could consist of Bernardini having to pay fines or compensation, or enacting other measures. The judge adjourned the case until 10 September.

Bernardini had previously pleaded not guilty to both charges, reported the Bookseller.

Hundreds of manuscripts were stolen over a period of five years, with authors, agents, editors, scouts and even judges for the Booker prize among the victims of phishing scams. Manuscripts of highly anticipated novels by Margaret Atwood, Sally Rooney and actor Ethan Hawke were among those targeted….

(3) GAILEY HEARD FROM. The Fire the Canon podcast is “Talking to Author Sarah Gailey About Horror, Compulsory Girl Bossing, and Shirley Jackson’s The Lottery”.

Sarah Gailey, author of the upcoming book Just Like Home, joins us to talk about one of the most famous American short stories of all time: Shirley Jackson’s 1948 classic, The Lottery. Jackie reveals her long, sordid history with technology. Rachel reads a book review from an alternate reality. Theo discusses an affordable delicacy. Topics include: old houses, cottagecore, rollerblading accidents, park raters, trusting your editor, killing off Chuck, mom texts, Muppet Treasure Island, cicada pizza, and cricket flour.

(4) FILETING THE MINIONS. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, John Gapper explains the success of the Minions franchise.

“There are said to be 48 variations of Minion, depending on their height and build, style of hair, and whether they possess one or two eyes, but they are essentially one big gang.  Although te plots require individuals to emerge from the pack–notably Kevin, Stuart and Bob i 2015’s MINIONS–there is power in their union.

They are also cheerful, Chris Melandri, series producer at Illumination studios, defines its purpose as ‘to make you feel good in a world where so many things don’t. The theme song of Despicable Me 2 was Pharrell Williams’s ‘Happy’: that’s the Minions’ selling point.”

(5) UNSTUCK LANDINGS. Only 10? I’d say this is a subject where the pickings are easy! “10 Great Sci-Fi Series With Terrible Endings” at CBR.com.

Series finales can either make or break a show. The science fiction genre, in particular, often weaves a tale of intrigue leading up to its finale episode. Because of this, an unsatisfying ending can make audiences feel as though the entire series has been ruined.

First on the list —

10 – Quantum Leap Audiences Wanted A Happier Ending

When the popular series Quantum Leap ended its run in 1993, audiences were accustomed to a more traditional happy ending. So, when the series ended with the main character, Sam, sacrificing his happy ending and leaping back to help a friend, only to never return, it wasn’t well-received.

A more modern audience might have been more accepting of the show’s sad end, but in 1993, it was too dark. It left audiences feeling as if they had followed the series for five seasons, only to be let down.

(6) MEMORY LANE.  

2007 [By Cat Eldridge.] Doctor Who’s “The Shakespeare Code”. My favorite Doctor by far of the modern Doctors was the one played by David Tennant. And I believe that he got some of the best stories as well. Originally titled “Love’s Labour’s Won”, the re-titling apparently is a reference to The Da Vinci Code. Or least the Wiki page for this thinks so. 

This was the beginning of the period in the series when Freema Agyeman  played companion Martha Jones. Need I say that she was my favorite of the modern companions?  Actually of all companions. 

SPOILERS HERE!

The story here is he takes Jones to 1599 arriving near the Globe Theatre where they meet Shakespeare. Shakespeare is being bewitched by three Carrionites who look like Witches to rewrite the ending to his play “Love’s Labour’s Won” so that the performance will create a code to free the rest of the Carrionite race from imprisonment. 

Jones will, as she does in her time in the TARDIS very often, save the day. How she does is something that I won’t spoil here as it’s a, ahem, meta moment that proves the universe of Doctor Who is our universe. A fascinating meta moment at that.

Martha even suggests that stepping on a butterfly might change the future of the human race, an idea that originates in Bradbury’s “A Sound of Thunder” story.  

SPOILERS END HERE! 

Jones in her introduction here as a full-time companion is written well and more than holds her own against the Tenth Doctor. They have, and interviews later by both of them, individually and collectively, that they enjoyed working together. Even early on, he said of her that she “inhabited Martha Jones from day one without a hint of trepidation or nervousness. I found myself quite envious of her confidence. She is going to be brilliant.”

Most British critics liked it, but then they liked Tennant’s Doctor more than any other Doctor, and I’ll quote just one here, Scott Matthewman from The Stage: “It’s somehow appropriate that it’s David Tennant’s Tenth Doctor who becomes the first to meet William Shakespeare (at least on screen). More than any other, this incarnation of Doctor Who revels in wordplay, and in Gareth Roberts’ rollocking script he certainly meets his match.”

It’s one of my favorite episodes as it shows Shakespeare in a favorable light and the word play between him and the Doctor is quite delicious. Not to mention the introduction of Jones as a companion here handled quite well. 

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 15, 1918 Dennis Feltham Jones. His first novel Colossus was made into Colossus: The Forbin Project. He went on to write two more novels in the series, The Fall of Colossus and Colossus and the Crab, which in my opinion became increasingly weird. The usual suspects have the Colossus  trilogy plus a smattering of his other works available. (Died 1981.)
  • Born July 15, 1931 Clive Cussler. Pulp author with definite genre leanings. If I had to pick his best novels, I’d say that would be Night Probe and Raise the Titantic, possibly also Vixen 03. His real-life National Underwater and Marine Agency, a private maritime archaeological group, has found several important wrecks including the Manassas, the first ironclad of the civil war. Warning: do not watch the films based on his novels as they are truly wretched. (Died 2020.)
  • Born July 15, 1944 Jan-Michael Vincent. First Lieutenant Jake Tanner in the film version of Roger Zelazny’s Damnation Alley which consensus here is that I’ve been wise in not seeing. Commander in Alienator and Dr. Ron Shepherd in, and yes this is the name, Xtro II: The Second Encounter. Not to mention Zepp in Jurassic Women. (Please don’t ask.) As Airwolf counts as genre, he was helicopter pilot and aviator Stringfellow Hawke in it. (Died 2019.)
  • Born July 15, 1947 T. E. D. Klein, 75. Horror writer with two awards to his name, one a British Fantasy Award for The Ceremonies novel, another a World Fantasy Award for his “Nadelman’s God” novella. He was editor of the Twilight Zone Magazine in the mid Eighties and the Night Cry zine for several around that time.
  • Born July 15, 1961 Forest Whitaker, 61. His best known genre roles are Rogue One: A Star Wars Story as Saw Gerrera and in The Black Panther as Zuri. He’s had other genre appearances including Major Collins in Body Snatchers, Nate Pope in Phenomenon, Ira in Where the Wild Things Are, Jake Freivald In Repo Men (anyone see this?) and he was, and to I’ve somehow managed not to see any of it, Host of Twilight Zone.
  • Born July 15, 1963 Brigitte Nielsen, 59. Red Sonja! What a way to launch your film career. Her next genre roles were 976-Evil II and Galaxis… Oh well… She starred as the Black Witch in the Nineties Italian film series Fantaghiro, and played the Amazon Queen in the Danish Ronal the Barbarian
  • Born July 15, 1967 Christopher Golden, 55. Where to start? The Veil trilogy was most excellent as was The Hidden Cities series co-authored with Tim Lebbon. The Menagerie series co-authored with Thomas E. Sniegoski annoyed me because it never got concluded. Straight On ‘Til Morning is one damn scary novel. His short stories are most excellent thus it’s most fitting his recent The Twisted Book of Shadows collection won a Shirley Jackson Award. 

(8) SUPERHERO GIRLFRIENDS ANONYMOUS. Ravynn K. Stringfield tells Catapult readers how “Black Women in Fantasy Saved Me Where Academia Failed”.

…I flipped through a few dozen issues of Marvel’s Jungle Action  comics featuring Black Panther, as well as several  Captain America and Fantastic Four titles at the comics archive at Virginia Commonwealth University. I read the issues as I scanned them and took quick notes on storylines and the fan letters readers sent in when I walked back to my table to grab another from the box.

The more I read, the more the lack of Black women and girls present in meaningful ways on the page bothered me. Though I had committed to a project on Black Panther as the focal point, searching for racial diversity in comics, the distinct lack of women characters triggered an alarm in my brain. So when I stumbled across a few issues that featured a new-to-me character, T’Challa’s Black American girlfriend, Monica Lynne, I kept her close to my periphery as I worked. At that moment, I could not commit to a project or a paper on her, but she distracted me.

Even as a side character, Monica demanded attention. Her speech often reflected 1970s Black American vernacular, and she wore her hair in a neat Afro, both of which gave Wakandans pause. Monica did not always like it in Wakanda, feeling ill at ease in the palace, where she was meant to be invisible, a background fixture while everything about her defied that.

There was something about Monica that refused to be relegated to the background, a quality I envied. I saw myself folding into someone smaller in graduate school. I increasingly lacked the energy to continually insist upon the validity of how I, and others like me, experienced, thought about, and wrote about the world. Though often depicted as out of place in Wakanda because of her speech and dress, Monica’s inability to blend was a lesson in stepping confidently into the world and changing for no one.

(9) HOW NOPE GOT A YEP. “Jordan Peele on why ‘Nope’ felt impossible 5 years ago” at SYFY Wire.

…Now, as he prepares to release his third film as director, Nope, Peele has realized that the movie he just made may have been impossible back in the days of Get Out. At least, it felt that way at the time.

“I think this idea of letting a Black director put his vision into a film and commit to it… let’s put it this way, five years ago, I didn’t think they’d ever let me do that,” Peele told TODAY in a new interview. “So much of my career before I became a director was marred with this internalized sense that I could never be allowed to do that, that no one would ever trust me with money — enough money to do my vision the way they’d trust other people. I felt that that was true.”…

(10) WHAT’S SAUCER FOR THE GOOSE. BBC Culture is inspired by the Nope trailer to recall “The UFO sightings that swept the US”.

It’s only there for a moment in the trailer for Jordan Peele’s new horror film, Nope, but it’s definitely there: a flying saucer. Judging by the twists and turns in Peele’s previous films, Get Out and Us, it’s impossible to say whether its real or fake, whether it’s from the Earth or from outer space, but that glimpse of sparkling silver is tantalising. Maybe, just maybe, Nope will be a proper flying-saucer movie – a celebration of one of the most recognisable and spine-tingling shapes in the history of popular culture.

“By the end of the 1950s,” says Andrew Shail, senior lecturer in film at Newcastle University, “that particular shape had become a shorthand for ‘spacecraft piloted by beings from another world’, available to everyone working in the visual arts.” Sure enough, flying saucers have signified mysterious visitors from Mars and beyond in countless films, TV series, novels, comics, and even hit records, from Mulder’s I Want To Believe poster in The X-Files TV series to the popular children’s picture book, Aliens Love Underpants. The flying saucer is a design classic – the archetypal Unidentified Flying Object. And yet it didn’t take off, so to speak, until the 1950s, when the world went flying-saucer crazy….

(11) A DIFFERENT PRINCESS DIARY. BBC Culture calls “Princess Mononoke: The masterpiece that flummoxed the US” – “Twenty-five years old this week, the film is Japanese animation master Hayao Miyazaki’s most complex work. But how it was mishandled in the West speaks of fundamental artistic differences, writes Stephen Kelly.”

In 1997, the British fantasy author Neil Gaiman received a call out of the blue from then-head of Miramax, Harvey Weinstein. “This animated film, Princess Mononoke,” Gaiman recalls him saying, “it’s the biggest thing in Japan right now. So I thought I’ve got to get the best to do it. I called Quentin Tarantino and said, ‘Quentin, will you do the English language script?’ And he said, you don’t want me, you want Gaiman. So, I’m calling you.” Miramax, a then-subsidiary of Disney, had acquired the rights to distribute Princess Mononoke, the newest film from Japanese animation studio Studio Ghibli, in the United States, and Weinstein wanted to fly Gaiman to Los Angeles to watch a cut of the movie….

(12) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Thor: Love And Thunder Pitch Meeting,” Ryan George, in a spoiler-packed episode, has the writer tell the producer, “Thor’s back–and he’s dumber than ever!”  Jane Foster may have Stage 4 cancer, but the writer says, “don’t worry–it will be hilarious all of the time!” adding that “we’re redlining the JPM”–that’s jokes per minute.  For example, in New Asgard  there’s Infinitz Conez, named after Thanos’s infinity gauntlet.  When the producer asks why someone would name an ice cream store after a device Thanos used to kill billions of people, the writer says, “Who doesn’t like ice cream?”

[Thanks to John King Tarpinian, Andrew Porter, Chris Barkley, Alan Baumler, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]

Pixel Scroll 7/10/22 And In The Naked Light, I Saw Ten Thousand Pixels, Maybe More

(1) HOW THE BALLOT SHOULD HAVE LOOKED. Rich Horton has posted his latest Hugo nomination ideas, for the 1952 Hugo year (that is, stories from 1951). He makes a “Special recommendation to ‘Beyond Bedlam’, a story I knew of but had not read until just now. It is wonderful, original, wrenching.” “Hugo Nomination Recommendations, 1952” at Strange at Ecbatan.

The 1952 Worldcon was Chicon II, in Chicago, the tenth World Science Fiction Convention. (This year will be Chicon 8!) As noted, they gave no Hugo awards. The International Fantasy Award went to John Collier’s Fancies and Goodnights, a remarkable book, though as a story collection not eligible for a Hugo in this or any year. There was also a non-fiction award, to The Exploration of Space, by Arthur C. Clarke.

(2) A DOCTOR WHO PRACTICED IN THE SIXTIES. The Guardian shares a gallery of behind the scenes photos from the 1960s Doctor Who movies: “The Daleks invade 60s Surrey: on the set of the classic Doctor Who films – in pictures”.

Dalekmania inspired Amicus films to buy up the cinema rights to the Saturday tea-time television adventures of Dr Who, leading to two films starring Peter Cushing.

(3) GOING POSTAL. At Deep Cuts in a Lovecraftian Vein, Bobby Derie takes a look at the correspondence between Margaret St. Clair and Clark Ashton Smith: “Her Letters To Clark Ashton Smith: Margaret St. Clair”. About a letter written by Smith in 1940:

… A major point of the letter involved the change in editorship at Weird Tales; Farnsworth Wright had been fired and was replaced with Dorothy McIlwraith. There was some hard feelings among the older guard of writers about Wright’s treatment, and Wright himself apparently floated the idea of forming a competing weird magazinebut this would not come to pass, and Wright himself would pass away on 12 June 1940. On a lighter note, Smith also noted that the Convent of the Sisters of Mercy had been established not far away from his cabin. In a postscript to the letter, Smith wrote jocularly:

Can’t we start some sort of coven in opposition to that nunnery?

(4) THE UNKINDEST CUT? Also at Deep Cuts in a Lovecraftian Vein, Cecelia Hopking-Drewer talks about her experiences reading H.P. Lovecraft: “An Australian Woman Looks At Lovecraft”.

… My involvement with Lovecraft scholarship goes back some twenty-seven years. At one stage I was a huge Stephen King fan, and I found a reference in King’s non-fiction work Danse Macabre to Lovecraft (see King, 1982:132-5). I was studying English literature at Master’s level, around 1992/3, and in the realm of academia, historical writers were more acceptable research subjects than contemporary writers, so I approached the department about a project. The project was approved, but the resident Gothic expert was unable to provide supervision, and I struggled along against a curtain of institutional resistance regarding texts associated with popular culture. My assumption that as a ‘dead white male’ to quote the cliché, Lovecraft would be respected academically was incorrect, and instead he proved to be a controversial and polarizing figure…. 

(5) CREDITS CHECK. K.C. McAbee has an article about Leigh Brackett at Luna Station Quarterly“Her Majesty the Queen of Space Opera: Part One”.

Leigh Brackett will always be a name to conjure with, and not just because she wrote the first draft of a little movie you may have heard of called The Empire Strikes Back. Though she died before it went into production and hers was not the final filmed screenplay, she created many of the story beats that ended up in the movie. City in the clouds: check. Battle of Hoth: check. Deadly trip through an asteroid field: yep, it’s there. Love triangle between Luke, Leia and Han: check, check, and check….

(6) MASTERS OF THE UNIVERSE. [Item by Cora Buhlert.] I posted another of those Masters-of-the-Universe photo stories that people have been enjoying entitled “Consent Is Sexy, Harassment Stinks”.

The small toy aisle at the German drugstore chain Rossmann has turned out to be an unlikely source of Masters of the Universe toys, because they tend to have even hard-to-find figures like Clawful or the Horde Trooper at regular prices. I didn’t find a Clawful during my last visit to the local Rossmann store, but I did get lucky and snapped up none other than Stinkor, Masters of the Universe‘s very own walking fart joke….

(7) HEAR SF POETRY READINGS. In 2022, the Science Fiction & Fantasy Poetry Association, in an effort to further engage Rhysling Award voters and speculative poetry audiences at large, Akua Lezli Hope organized and hosted three virtual gatherings on Zoom at which poets with work nominated to the short poem category of the Rhyslings read their work aloud. You can watch the recordings on the SFPA YouTube channel; click here for the full playlist.

SFPA is now creating a series of Rhysling Award Readings for the 2022 Long Poem Nominees. There presently are two videos; more will be added.

(8) MEMORY LANE

1970 [By Cat Eldridge.] “This is the voice of world control. I bring you peace. It may be the peace of plenty and content or the peace of unburied death. The choice is yours: Obey me and live, or disobey and die.”

If you were in West Germany on this date, you could have enjoyed the premiere there of Colossus: The Forbin Project. It was from a screenplay by James Bridges who based it off  Dennis Feltham Jones’ Colossus novel. It would be his only genre movie script. He’d later do one for the Alfred Hitchcock Hour off Ray Bradbury‘s 1944 “The Jar” short story. 

SPOILER ALERT!

Dennis Feltham Jones did a trilogy of Colossus novels, and a lot of other SF as well. Ok the premise here is Colossus is an AI that wakes up, assumes controls of all Earth’s military resources and won’t relinquish control. In time, it fuses with its Soviet counterpart. The film is taken directly off his first novel. 

END SPOILER ALERT!

Critics generally liked it. Victor Canby of the New York Times said it was “no Dr. Strangelove, but it’s full of surprising moments of humor and intelligence”. And David Kher of the Chicago Reader declared that it was “Above-average science fiction”. 

Audience reviewers at Rotten Tomatoes give it a seventy-six percent rating. 

It’s been in remake Hell since 2007. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 10, 1903 John Wyndham. His best-known works include The Day of the Triffids and The Midwich Cuckoos, both written in the Fifties. The latter novel was filmed twice as Village of the Damned. The usual suspects have an impressive selection of his novels including these titles though little of his short fiction is available, alas. The Day of the Triffids is currently a buck ninety-nine there. (Died 1969.)
  • Born July 10, 1914 Joe Shuster. Comic book artist best remembered for co-creating Superman with Jerry Siegel. It happened in Action Comics #1 which was cover-dated June 1938. Need I mention the long fight with DC over crediting them as the creators and paying them? I think not. He was inducted into the Will Eisner Comic Book Hall of Fame and the Jack Kirby Hall of Fame. (Died 1992.)
  • Born July 10, 1923 Earl Hamner Jr. Though much better known for writing and producing The Waltons, he wrote eight scripts for the Twilight Zone including “Black Leather Jackets” in which an alien falls in love with a human girl and “The Hunt” where raccoon hunters enter the Twilight Zone. He also wrote the script of the Hanna-Barbera production of Charlotte’s Web.  (Died 2016.)
  • Born July 10, 1929 George Clayton Johnson. He’s best known for co-writing with William F. Nolan the Logan’s Run novel, the source for the Logan’s Run film. He was also known for his scripts for the Twilight Zone including “A Game of Pool”, “Kick the Can”, “Nothing in the Dark”, and “A Penny for Your Thoughts”, and the first telecast episode of the original Star Trek, “The Man Trap”. (Died 2015.)
  • Born July 10, 1931 Julian May. She‘s best known for her Saga of Pliocene Exile (known as the Saga of the Exiles in the UK) and Galactic Milieu series: Jack the BodilessDiamond Mask and Magnificat. At age 21 she chaired TASFiC, the 1952 Worldcon in Chicago. She was inducted into the First Fandom Hall of Fame at the Sasquan Worldcon. (Died 2017.)
  • Born July 10, 1941 David Hartwell. Encyclopedia of Science Fiction describes him as “perhaps the single most influential book editor of the past forty years in the American science fiction publishing world”.  I certainly fondly remember the The Space Opera Renaissance he co-edited with Kathryn Cramer. Not to mention that his Year’s Best Fantasy and Year’s Best SF anthologies are still quite excellent reading, and they’re available at the usual suspects for a very reasonable price. (Died 2016.)
  • Born July 10, 1941 Susan Seddon Boulet. Another one who died way, way too young after a long struggle with cancer. If you’ve read the American edition of Terri Windling’s The Wood Wife (which won the Mythopoeic Fantasy Award for Adult Literature Award), you’ve seen her amazing work. Or perhaps you’ve got a copy of Pomegranate‘s edition of Ursula Le Guin’s Buffalo Gals, Won’t You Come Out Tonight which also features her art. If you’re keen on knowing more about this amazing artist, see the Green Man review of Susan Seddon Boulet: A Retrospective. (Died 1997.)
  • Born July 10, 1945 Ron Glass. Probably known best genre wise as Shepherd Book in the Firefly series and the sequel film Serenity. His first genre work was the role of Jerry Merris in Deep Space, a SF horror film, and he’d later show up voicing Philo D. Grenman in Strange Frame: Love & Sax (“slated as the world’s first animated lesbian-themed sci-fi film”; look it up as it has a very impressive voice cast) and he showed up twice as J. Streiten, MD in Agents of S.H.I.E.L.D. Oh, and he was on Voyager playing a character named Loken in the “Nightingale” episode. (Died 2016.)

(10) COMICS SECTION.

  • Nancy prepares to explain two literary terms to a friend.
  • Tom Gauld has a gag about a combat robot workshop at New Scientist.
  • Tom Gauld again on the tradition of “last orders” in the Guardian.
  • Macanudo’s Tolkienesque joke is truly bizarre.

(11) A SLIGHT DELAY. Sunday Morning Transport’s story is “The Daily Commute” by Sarah Gailey.

We love how Sarah Gailey’s story merges magic and public transport with a wonderful, wrenching effect. ~ Fran Wilde, July 10

(12) KELLY’S HEROICS. “Try to remember the kind of September, When you were a tender and callow fellow.” (P.S. This is Scott Kelly in the video, not his twin brother Mark Kelly.)

(13) FOR THOSE WITH DEEP POCKETS. [Item by Andrew Porter.] Getcher Stormtrooper Helmet now (actual person’s head not included): “’Blast ‘Em!’: Heritage Auctions Offers in July Stormtrooper Helmet and Blaster Used in 1977’s ‘Star Wars’”.

A long time ago in a theater probably not too far from your house, Star Wars was released — May 25, 1977, long before the original space opera was rechristened Star Wars: Episode IV – A New Hope. To celebrate that 45th anniversary, Heritage Auctions is thrilled to offer in its July 22-23 Hollywood & Entertainment Signature® Auction two of the rarest and most coveted items featured in the film that spawned a never-ending franchise: a screen-matched stormtrooper helmet and a screen-used hero E-11 blaster shared by stormtroopers, Han Solo, Luke Skywalker and Princess Leia.

….Of these six original sandtrooper helmets, only two are confirmed to exist in private hands. Heritage Auctions is offering one of the two.

In addition to being one of the surviving original first-produced and first-filmed stormtrooper helmets from the original Star Wars, this specific helmet can be conclusively identified on-screen across multiple sequences. It was also worn by one of the few stormtroopers who delivered dialogue — the very one who speaks to the bartender after Obi-Wan Kenobi’s, let’s say, disarming encounter in the Mos Eisley cantina….

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Cora Buhlert, Martin Morse Wooster, JJ, John King Tarpinian, Andrew Porter, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 7/6/22 I Come From A Pixel Down Under, Where Fen Scroll and Pros Wonder

(1) HEARING FROM DELANY. Sally Wiener Grotta kicks off a new video interview series — “What If? Why Not? How?” – with the help of Samuel Delany (who has more to say in the comments at Facebook).

A few weeks ago, when Samuel Delany and I were at a gathering of friends at Michael Swanwick‘s and Marianne Porter’s home, he explained why he feels that spelling “black” with a capital “B” is racist. As is always true, Chip’s discourse was fascinating, keeping us spellbound. There and then, I knew I would want to record him on the subject. So, here he is, helping me launch my new video interview series: “What If? Why Not? How?” 

(2) IN PERSON IN SAN DIEGO. Heidi McDonald scouts the layout for Publishers Weekly in “San Diego Comic-Con Is Back”.

For the first time in three years, San Diego Comic-Con is returning as an in-person event. However, in a world changed by an ongoing global pandemic, even the gigantic pop culture institution will look very different when fans finally return to the San Diego Convention Center July 20–24.

It’s all part of the event industry’s transition away from the most severe pandemic restrictions, as comics publishers and media companies approach events, sales, and marketing in a new social and economic landscape. For publishers, online sales have soared, and the cost of exhibiting at giant pop culture conventions isn’t always justified financially. Nevertheless, the glamour and excitement of SDCC remains a draw, and the intangible value of seeing popular artists, as well as industry colleagues, in person has been much missed.

But this year the layout of the exhibit floor at the San Diego Convention Center will feature significant changes. Warner Bros. Discovery, the newly formed parent company of DC, has pulled out of the massive booth that once anchored the end of one hall and housed DC’s SDCC booth presence. DC will have a full lineup of panels and talent, but no booth. Dark Horse Comics, which has had a large centrally located booth for years, will also be missing, along with the longtime floor presence of indie publisher Drawn & Quarterly and publisher/merchandise producer Graphitti Designs. Image Comics, also a major presence on the exhibit floor, will have a much smaller booth.

Making up for this, newer graphic novel publishers, such as Immortal Studios, Interpop, Tapas Media/Wuxia World, Three Worlds/Three Moons, and Z2, will have booths for the first time….

(3) TRACKING COVID AFTER WESTERCON. Westercon 74, held over the July 4th weekend in Tonopah, has created a COVID tracking page on its website to collate COVID-19 reports.

We ask that any person who contracts COVID-19 during Westercon 74 or for one week following the convention please send an email to [email protected] so that we can track any possible outbreak. We will not release any personally-identifying information without prior approval from the person who reports having been infected.

So far there is one report from an attendee of Westercon 74 reporting a positive COVID-19 self-test.

Kevin Standlee emphasizes, “We won’t report personal information without the person’s permission.”

(4) A SLICE OF MIDDLE-EARTH. Here’s about 25% of The Lord of the Rings: The Rings of Power Prime Video Exclusive Sneak Peek available today to Prime Video subscribers.

(5) DOMINIQUE DICKEY Q&A. Sarah Gailey interviews “Dominique Dickey of Plant Girl Game, “a cozy tabletop roleplaying game about a family of plant children working together to prevent an ecological disaster.” The crowdfunding appeal for the game is open for another 14 days at Gamefound.

The character age range for this game is young, ranging from 11 years old and up. What makes a child or adolescent’s perspective on community unique?

Children often think of very simple solutions to complex problems, because they’re more immersed in how the world should work than how it actually functions. Adolescents tend to run face first into that complexity: I remember at the age of fifteen or so, going from “Well, why can’t we just fix climate change?” to “A lot of very powerful people are invested in maintaining the status quo, and we have a narrow window of time in which to break that status quo, and it won’t be easy to do so.” I was absolutely enraged, because the childish part of me was still unable to conceptualize cruelty on a larger scale than playground bullies or mean girls in the locker room. I had a child’s expansive empathy, and wasn’t able to understand why anyone would lack that empathy.

Which is a roundabout way of saying that I want players to face that tension. I want players to begin a session of Plant Girl Game with the childlike knowledge that the world should be a kinder, fairer place, and leave with the adolescent realization that if we want that world—for ourselves and for our loved ones—we’re going to have to fight like hell for it….

(6) BE A FRINGE FAN IN A GOOD WAY. [Item by Alison Scott.] Filers might in general be interested in the Chicon Fringe programme, with local Chicago and online events. Events are free and you do not need to be a Chicon 8 member to attend. 

But I’m writing specifically because I’m hosting, on behalf of Glasgow in 2024, an online ‘book club’ discussion on the Best Fanzine finalists.

Tuesday 19th July, 19:30 p.m. BST, 1:30 p.m. CDT. Tickets, which are free, are available at Eventbrite here.

It would be lovely to see Filers, and fanzine readers more generally, there. 

(7) DEVELOPING FRIENDSHIPS. Elizabeth Bear’s guest post on Mary Robinette Kowal’s blog is about a different bit than she anticipated: “My Favorite Bit: Elizabeth Bear Talks About The Origin of Storms.

When I sat down to write this essay, I was thinking that I was going to write about the extremely ancient and slightly dimensionally shifted dragon, possibly, or maybe that I was going to write about the snarky magic pen. But (“upon contemplation,” as they say) I realized my favorite part of The Origin of Storms—the thing that was absolutely the most fun to write—is the friendships…..

(8) ON THE TUBE. “Neil Gaiman’s Books Have Enchanted Millions. Finally, Hollywood Is on Board” reports the Washington Post.

…“All of the things that made ‘Sandman’ wonderful were the same things that made it almost impossible to adapt for film and television for 30 years,” says David S. Goyer, a filmmaker and producer who was a co-writer on the “Dark Knight” Batman trilogy. “All of the features that we love about ‘Sandman’ — that it is, in essence, a story about stories — are the bugs that stymied Hollywood.”

Today that is no longer the case. Quietly and steadily over the past six years, Gaiman has matched some of the most prolific creators in Hollywood. And after 32 years trapped in the purgatory of Hollywood development, a 10-episode series based on “The Sandman” will premiere on Netflix on Aug. 5. Developed by Gaiman, Goyer and writer Allan Heinberg, it represents one of the streaming service’s biggest-budget original productions. Meanwhile, Gaiman’s 2005 novel “Anansi Boys,” a modern twist on the ancient stories of the West African trickster god Anansi, is now an Amazon Studios series in postproduction, and “Good Omens” recently wrapped filming its second season. These follow on the heels of the series“American Gods,” which premiered in 2017 on Starz — earning two Emmy nominations for its first season — and aired its third season last year.

In total, Gaiman has seven shows that he has developed or that are based on his writing, with more in the works. He has become the great adapter, pulling from the store of fable and myth for his books, and transmogrifying his written work into radio and stage plays, audiobooks and movies. And now television.

Gaiman’s books “couldn’t get made in a three-network landscape,” Hamm says, owing to their complexity. As television has matured, though, so too have the opportunities to tell more-nuanced stories….

(9) MEMORY LANE

1957 [By Cat Eldridge.] Sixty-five year ago, one of the very best Warner Bros. cartoons ever done was released on this in the form of Bugs Bunny’s “What’s Opera, Doc?”

It directed by Chuck Jones as written by Michael Maltese whose longest association not unsurprisingly was with Warner Bros. Cartoons, though he did work with other animators such as MGM Cartoons and Hanna-Barbera.

BEWARE! SPOILERS! I MEAN IT! 

In this cartoon, Elmer is chasing Bugs through a number of Richard Wagner’s operas, including Der Ring des NibelungenDer Fliegende Holländer, and Tannhäuser. Fudd is dressed as Siegfried and Bugs as Brunhilda to start it off and then, well let’s just say it’s just it gets even more manic. 

Bugs is apparently dead at the end of the cartoon as Fudd carries him off but he suddenly breaks the fourth wall and raises his head to face the audience while remarking, “Well, what did you expect in an opera? A happy ending?”

END SPOILERS

Given it has only two characters, it won’t surprise there’s only two voice actors. Mel Blanc was Bugs Bunny (as Brünnhilde) and  Elmer Fudd (yelling “SMOG”) which is no surprise, but the surprise for me that that Mel Blanc wasn’t Elmer Fudd being Siegfried but rather it was Arthur Q. Bryan who went uncredited in the cartoon.

It has been voted the best Warner Bros. Cartoon ever. 

A look at the iTunes stores shows it is available there. 

There’s are clips from it legally up YouTube but the entire cartoon is not so please do not offer links to such as they’ll just need to be removed as we don’t host pirated material here. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 6, 1916 — Donald R. Christensen. Animator, cartoonist, illustrator, writer. He worked briefly at Warner Bros. studio, primarily as a storyboard artist for Bob Clampett’s animation unit.  After that, he worked for Dell, Gold Key and Western Publishing comic books, as well as Hanna Barbera, Walter Lantz Productions and other cartoon studios. He wrote and provided illustrations for such comic book titles as Magnus, Robot Fighter, Donald Duck, and Uncle Scrooge. (Died 2006.)
  • Born July 6, 1918 — Sebastian Cabot. He’s here because he’s in The Time Machine, which was nominated for a Hugo at Seacon, as Dr. Philip Hillyer. Several years later, he’ll be in the animated The Sword in the Stone voicing both Lord Ector and The Narrator. Likewise he’d be Bagheera in The Jungle Book, and The Narrator in The Many Adventures of Winnie the Pooh. Lastly he shows up in several episodes of Fifties series Conrad Nagel Theater. (Died 1977.)
  • Born July 6, 1927 — Janet Leigh. Certainly best remembered as doomed Marion Crane in Alfred Hitchcock’s Psycho. She would also be in with her daughter, Jamie Lee Curtis, in both The Fog and Halloween H20: 20 Years Later. She’s also in the Night of the Lepus, a very odd 70s SF film. (Died 2004.)
  • Born July 6, 1945 — Rodney Matthews, 77. British illustrator and conceptual designer. Among his many endeavors was one with Michael Moorcock creating a series of 12 large posters that showed scenes from Moorcock’s ‘Eternal Champion’ series. This is turn became the Wizardry and Wild Romance calendar. He also worked work with Gerry Anderson on the Lavender Castle series. 
  • Born July 6, 1945 — Burt Ward, 77. Robin in that Batman series. He would reprise the role in voicing the character in The New Adventures of Batman and Legends of the Superheroes, and two animated films, Batman: Return of the Caped Crusaders and Batman vs. Two-Face. (Has anyone seen these?) The latter are the last work done by Adam West before his death. 
  • Born July 6, 1946 — Sylvester Stallone, 76. Although I think Stallone made a far less than perfect Dredd, I think the look and feel of the first film was spot on for the 2000 A.D. series which was something the second film, which though it had a perfect Dredd in Karl Urban, utterly lacked. And Demolition Man and him as Sergeant John Spartan were just perfect.
  • Born July 6, 1950 — Rick Sternbach, 72. Best known for his work in the Trek verse sharing with Star Trek: The Motion Picture where he designed control panel layouts and signage for the Enterprise. He’s next hired for Next Gen where communicator badge, phasers, PADDs and tricorders are all based on his designs. These designs will also be used on DS9 andVoyager. He also pretty much designed every starship during that time from from the Cardassian and Klingon ships to the Voyager itself. He would win Best Professional Artist Hugos at SunCon and IguanaCon II, and he was the Artist Guest of Honor at Denvention 3. 

(11) COMICS SECTION.

  • Bizarro is about a bit of financial planning for frogs that reminds me of a bit in Hitchhiker’s Guide.
  • The Argyle Sweater is funny – if you get the reference. I once had a 5-year-old, so I do.

(12) MALTIN ON MOVIES. [Item by Martin Morse Wooster.] I listened to the podcast Leonard and Jessie Maltin did with Dean Fleischer Camp about Marcel the Shell with Shoes On.  Both the Maltins very much like this film. Camp doesn’t provide many technical details, although he credits animation director Kirsten Lepore with doing a lot of the work during the 2 1/2 years it took to make this film.  He also explained that Isabella Rosselini was attached to the project because she likes making quirky artistic choices. Camp also discussed how he and Jenny Slate, who voices Marcel and worked on the script, remain close professional collaborators even though they broke up their relationship. Fun unrelated fact:  director Mike Mills lifts the spirits of his set by bringing in a harpist every friday to play for an hour. Maltin on Movies: Dean Fleischer-Camp”.

The Maltins also had a 2017 conversation with Jenny, available here.

(13) UPGRADE. “The Mars Express spacecraft is finally getting a Windows 98 upgrade” reports The Verge. Although you probably want to know, the ESA hasn’t detailed the exact software that the MARSIS is being upgraded to.

Engineers at the European Space Agency (ESA) are getting ready for a Windows 98 upgrade on an orbiter circling Mars. The Mars Express spacecraft has been operating for more than 19 years, and the Mars Advanced Radar for Subsurface and Ionospheric Sounding (MARSIS) instrument onboard has been using software built using Windows 98. Thankfully for humanity and the Red Planet’s sake, the ESA isn’t upgrading its systems to Windows ME.

The MARSIS instrument on ESA’s Mars Express was key to the discovery of a huge underground aquifer of liquid water on the Red Planet in 2018. This major new software upgrade “will allow it to see beneath the surfaces of Mars and its moon Phobos in more detail than ever before,” according to the ESA. The agency originally launched the Mars Express into space in 2003 as its first mission to the Red Planet, and it has spent nearly two decades exploring the planet’s surface….

(14) SOMETHING FOR HUMMERS TO BE HUMBLE ABOUT. “Over 11 years and 570 episodes, John Rabe and Team Off-Ramp scoured SoCal for the people, places, and ideas whose stories needed to be told, and the show became a love-letter to Los Angeles. Now, John is sharing selections from the Off-Ramp vault to help you explore this imperfect paradise.” Off-Ramp at LAist.

Alex Ross says you’re probably humming “Star Wars” wrong … and more on the surprising music of John Williams, who is NOT a copycat.

John Williams is so ubiquitous now, as former leader of the Boston Pops and the man behind the music for so many Lucas and Spielberg films; and old-fashioned lush orchestral scores are now so common, it’s hard to believe they were endangered a few decades ago. But they were, and Alex Ross, the New Yorker music writer, says you can thank Williams. In a long Off-Ramp interview from 2016 with tons of musical examples, Alex makes the case for Williams, and debunks the notion that the maestro is any sort of plagiarist. He also gamely demonstrates how to properly hum the Star Wars theme. Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live; and bythe Corporation for Public Broadcasting, a private corporation funded by the American people. (Off-Ramp theme music by Fesliyan Studios.)

(15) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: Metal Gear Rising: Revengance,” the narrator says that this game is like equivalent of “if George Orwell downed 10 Monster Energies and asked you to cut up with a katana in the backyard.” It’s slice and dice action that “lets you rip through everything like a kid at Christmas.” And “revengance” means “revenge with a vengance.”

[Thanks to JJ, John King Tarpinian, Andrew Porter, Chris Barkley, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day HoosierDragon.]