When Lou Antonelli looked over the field of candidates running for SFWA office this spring he deduced there might be an unclaimed seat among the Directors-at-Large – and the temptation was too great to resist.
of Directors there was only one candidate for two seats.
Last year there were eleven candidates for three seats. I had thought about running for the board before, but with the large number of candidates last year I assumed there were plenty of people still out there willing to
a write-in candidate, I'm willing to do it. Hopefully some other people will step forward, also, but – although the voting remains open until April 14 – some people voted in the first 24 hours.
One friend said he already voted and wrote-in Robert Heinlein.
Evidently SFWA members have until April 14 to vote.
SFWA Members, voting is open through 4/14 for Board members, Vice President, CFO, and two referendums. Instructions should have been emailed to you. Don't forget to check the forums for platforms, including write-in candidates. Need a paper ballot? Request one by 4/5.
— Science Fiction and Fantasy Writers of America (@sfwa) March 17, 2020
Once Lou announced, some people thought his name sounded familiar. They soon remembered why. K. Tempest Bradford has assembled a list of episodes in Antonelli’s “resume” and tweeted it here.
At the top of the list is “Lou Antonelli’s BOLO Story”. During the peak Puppy hysteria of 2015, Lou Antonelli said he’d written a letter to the Police Department of Spokane, Washington, telling them to be on the lookout for someone who may incite violence — Worldcon guest of honor David Gerrold.
Many more examples of Crazy Uncle Lou’s acting out are described by Aaron Pound in Dreaming About Other Worlds.
Should it really be the case that SFWA has a leadership vacuum, Lou is probably not the fellow to cast in a heroic reenactment of “Gentlemen, Be Seated.” A fact which members have already realized, and has caused support to coalesce around another write-in candidate, Monica Valentinelli.
So far, I'm aware of @booksofm and Lou Antonelli both running as write-in candidates for SFWA Director at Large.
I've known Monica for years, and can strongly recommend her.
I've met Lou and interacted w/him online multiple times, and can strongly recommend Monica. https://t.co/FcYYfJqQO5
So, #SFWA peeps, Lou Antonelli is running a write-in campaign for the open At-Large position and Monica Valentinelli has just stepped up to run for it as well. If you have any memory of what SFWA used to be like (hint: this is not a compliment), vote for Monica! #elections
By JJ: Enquiring Hugo voter minds want to know: When will we be able to vote online? When will the Hugo Voter Packet be available?
In the fine tradition of similar File 770 posts on the subject in years past, and using my highly-refined statistical skills gained while acquiring my Master’s degree from Cattimothy U*, here is a comparison of the deadlines and availability dates of recent Worldcons.
Because what the hell, we’ve got time to kill. And a year from now, someone is going to ask about this again, the way they do every year.
Historic Hugo Nominating, Voting, and Packet Dates
Notes:
In 2008 and 2009, the Hugo Voter Packet was put together by John Scalzi
In 2012, the Hugo Voter Packet was released in stages starting on May 18, becoming fully available on May 30
With the exception of 2009, 2016, 2017, and 2019, all Finalist Announcements were made on Easter weekend
Timing Observations:
Aussiecon 4 in 2010 had online nominations available the earliest, on January 1.
Aussiecon 4 and Loncon 3 in 2014 had online nominations available the longest, at 82 days.
Chicon 7 in 2012 and Renovation in 2011 were the Worldcons which had online voting up and running the fastest, at 2 and 5 days following the announcement of the Finalists.
Chicon 7 had online voting available the longest, at 113 days.
Denvention 3 in 2008 and Renovation were the Worldcons which had the Hugo Voter Packet available the most quickly, at 3 and 4 weeks following the Finalist announcement.
Historic Hugo Nominating, Voting, and Packet Dates
1 – days between online nominations becoming available and nomination deadline
2 – days between nomination deadline and finalist announcement
3 – days between finalist announcement and online voting becoming available
4 – days between finalist announcement and Hugo Voter Packet becoming available
5 – days between online voting becoming available and voting deadline
6 – days between voting deadline and the start of Worldcon
Historic Hugo Nominating, Voting, and Packet Dates
By JJ: Enquiring Hugo voter minds want to know: When will we be able to vote online? When will the Hugo Voter Packet be available?
In the tradition of similar File 770 posts on the subject in years past, here is a comparison of the deadlines and availability dates of recent Worldcons.
Because what the hell, we’ve got time to kill. And a year from now, someone is going to ask about this again, the way they do every year.
Notes:
In 2008 and 2009, the Hugo Voter Packet was put together by John Scalzi
In 2012, the Hugo Voter Packet was released in stages starting on May 18, becoming fully available on May 30
With the exception of 2009, 2016, and 2017, all Finalist Announcements were made on Easter weekend
Chicon 7 in 2012 and Renovation in 2011 were the Worldcons which had online voting up and running the fastest, at 2 and 5 days following the announcement of the Finalists. Denvention 3 in 2008 and Renovation were the Worldcons which had the Hugo Voter Packet available the most quickly, at 3 and 4 weeks following the Finalist announcement.
In post-war Germany, a version of Casablanca was produced, re-edited and with a new script for the dubbing, that had no Nazis in it. As you can imagine, given the role Nazis play in the plot, they had to do a lot of work.
I was wondering if you could do the same to Star Wars Episode 4 – remove the Empire…
Star Not Wars Because They Aren’t Having a War With Anybody: A New Hope
A spaceship has broken down. Princess Leia finds a robot on the ship and gives it something. The robot (R2D2) finds an escape pod with its friend (C3PO). They leave the ship. We don’t see the ship again. It probably had engine trouble or something. Maybe the robots have gone off to get some fuel from a service station.
The robots land in a desert. After an argument, they split up. Later they each get caught by tiny people.
Meanwhile, young Luke Skywalker is unhappy being a farmer and living with his uncle. He’d rather be…doing something else I suppose.
(3) MARK YOUR CALENDAR. The Vintage Paperback Show returns to Glendale, CA on March 18.
Is it worse if a robot instead of a human is used to deter the homeless from setting up camp outside places of business?
One such bot cop recently took over the outside of the San Francisco SPCA, an animal advocacy and pet adoption clinic in the city’s Mission district, to deter homeless people from hanging out there — causing some people to get very upset.
The article quotes this tweet from Brianna Wu:
I’m sorry for being so frank, but this absolutely disgusts me as someone that experienced homelessness.
Every time I travel to San Fran my heart breaks from seeing all the homelessness in a city with so much wealth and privilege.
The SPCA deployed a robot from security startup Knightscope to deter crime and vandalism on their campus.
And, according to both the S.F. SPCA and Knightscope, crime dropped after deploying the bot.
However, the K9 unit was patrolling several areas around the shop, including the sidewalk where humans walk, drawing the ire of pedestrians and advocacy group Walk SF, which previously introduced a bill to ban food delivery robots throughout the city.
“We’re seeing more types of robots on sidewalks and want to see the city getting ahead of this,” said Cathy DeLuca, Walk SF policy and program director, who also mentioned S.F. district 7 supervisor Norman Yee would be introducing legislation around sidewalk use permits for robots in the beginning of 2018.
Last week the city ordered the S.F. SPCA to stop using these security robots altogether or face a fine of $1,000 per day for operating in a public right of way without a permit.
The S.F. SPCA says it has since removed the robot and is working through a permitting process. It has already seen “two acts of vandalism” since the robot’s removal.
…Speaking to Maureen Dowd for a Vanity Fair article published in April, Musk gave an example of an artificial intelligence that’s given the task of picking strawberries. It seems harmless enough, but as the AI redesigns itself to be more effective, it might decide that the best way to maximize its output would be to destroy civilization and convert the entire surface of the Earth into strawberry fields. Thus, in its pursuit of a seemingly innocuous goal, an AI could bring about the extinction of humanity purely as an unintended side effect.
This scenario sounds absurd to most people, yet there are a surprising number of technologists who think it illustrates a real danger. Why? Perhaps it’s because they’re already accustomed to entities that operate this way: Silicon Valley tech companies.
(6) CHEERS AND BOOS. Fanac.org has posted a 36-minute video of Robert A. Heinlein’s guest of honor speech at the 1976 Worldcon.
MidAmeriCon, the 34th World Science Fiction Convention, was held in Kansas City in 1976, with Robert A. Heinlein as Guest of Honor. With a warm introduction by Bob Tucker, this sometimes uncomfortable speech touches on Heinlein’s belief in the inevitability of atomic war and his belief that mankind will go to the stars. There are comments on Russia and China, the role of men, and more than a few very bad jokes. You will hear applause and you can hear disapproving boos. If you are one of “Heinlein’s Children”, or simply a reader of classic SF, this video is a rare opportunity to hear that legendary figure.
As you may know if you followed the Uncanny Magazine Year 4 Kickstarter, Uncanny Magazine Issue 23 will be a Special Shared-Universe Dinosaur Issue! The planned solicited contributors are:
Do you want to join them? One of the stretch goals was adding two extra unsolicited stories to the issue! We will be open to submissions from March 1- March 15, 2018.
(8) CAPITOL TBR. Former congressman Steve Israel profiles members of Congress in the Washington Post about their favorite books of the year and found Rep. Ted Lieu of California enjoying the Nebula Awards anthology and Rep.Adam Schiff of California reading Pierce Brown’s Red Rising series — “A former congressman asked his old colleagues for book suggestions. Here’s their list.”
To figure out whether Star Wars is science fiction, you first need to figure out how to define the term — which is harder than you might think. Genres are notoriously difficult to pin down, which is why they spark so many arguments. Some country fans protested loudly when Beyoncé appeared at the Country Music Awards because she (supposedly) was not a country artist. Some critics similarly argued that Bob Dylan’s lyrics are not literature, though the Nobel committee disagreed.
Genre is a marker of quality and belonging, of seriousness and community. Science fiction in particular is often seen as more important or serious than fantasy, so it’s no wonder that there’s been some struggle over how to place the films. George Lucas himself declared that “Star Wars isn’t a science-fiction film, it’s a fantasy film and a space opera” in 2015. Others have also waded in over the years; Annalee Newitz included Star Wars in a list of 10 science-fiction works that are really fantasy at io9, while author Brian Clegg says Star Wars is only “low-grade science-fiction” — it’s not quite real science-fiction, so it’s not high quality.
(10) TODAY IN HISTORY
December 18, 1957 — The Monolith Monsters premiered.
December 18, 1968 — Chitty Chitty Bang Bang opens in New York City.
December 18, 1985 — Terry Gilliam’s Brazil! was released.
December 18, 1996 — Wes Craven’s Scream hits theaters, and a Halloween mask was born.
December 18, 2009 – Director James Cameron’s Avatar premiered.
December 18,2013 — Forbidden Planet (1956) is selected by the Library of Congress for inclusion in the National Film Registry.
(11) TODAY’S BIRTHDAYS
Born December 18, 1939 – Michael Moorcock
Born December 18, 1941 – Jack Haldeman
Born December 18, 1946 — Steven Spielberg
Born December 18 — Steve Davidson
(12) COMICS SECTION.
Mike Kennedy overheard Dilbert talking about a zombie apocalypse.
(13) I HAVE A LITTLE LIST. SyFy Wire’s Swapna Krishna names these as “The 10 best sci-fi and fantasy books of 2017”. People get upset if I say I haven’t heard of all the books on a “best” list, so let me say I have heard of many of these.
(14) THE GHOST OF CHRISTMAS 2014. Everyone has their own way of celebrating the holidays. John King Tarpinian’s traditions include rewatching Thug Notes’ analysis of Dickens’ “A Christmas Carol.”
The movie dwarfed its nearest rival – the computer-animated comedy Ferdinand, which took $13m (£10m).
The total for The Last Jedi includes $220m (£165m) from box offices in the US and Canada, placing the film second in the all-time list for North America.
It trails behind the 2015 release Star Wars: The Force Awakens, which opened with a record-breaking $248m (£185m).
(16) BREATHLESS TAKE. Chuck Wendig launches his review with a long stretch of onomatopoeia: “The Last Jedi: A Mirror, Slowly Cracking”. And how often do you get a chance to use that word?
This will be less a review of The Last Jedi (Episode VIII) than it will be… my thoughts? An analysis? Me opening my head like a flip-top Pac-Men and seeing what globs of brain-goo I can grab and hastily smack into the screen?
So please, take seat. The flavors on tap this month are perfect for those looking to unwind by the fire, to shed a tear for those who have not made it this far, and to reaffirm a commitment to pushing forward, into a future that is not mired by the same harms and dangers as the past. Each pint today comes with a special side of memories and a tendril of shadow creeping just out of view. The only remedy is to drink deep, and share the moment with those you care about, and look for ways to escape the familiar cycles of hate, loss, and fear—together….
Notes: Pouring a dark brown rimmed with gold, the first sip is deep, subtle and smoky like dreams burning, only to reveal newer, sweeter tones underneath, a future still bright despite loss and danger.
Pairs with: Honey Bock
Review: Kalyani is a young (probably autistic) girl who experiences the world quite differently from the rest of her family. It’s something that Aruni, her older brother, finds quite difficult to handle, especially when his parents have left him in charge while they are away. For Kalyani, though, it’s the rest of the world that doesn’t make as much sense, that overflows with threats and dangers…
In 1959, a groundbreaking TV series began in the USA. The Twilight Zone came to be regarded as a classic of science fiction for the small screen. Now the Almeida Theatre in London is taking eight episodes to make a Twilight Zone for the stage.
“The hallmark of moving from childhood to adulthood is that you start to recognize that things aren’t black and white,” says Ostenson “and there’s a whole bunch of ethical grey area out there.”
“Their brains are very responsive to emotionally arousing stimuli,” he explains. During this time, there are so many new emotions and they are much stronger than those kids experienced when they were younger.
“When teenagers feel sad, what they often do it put themselves in situations where they feel even sadder,” Steinberg says. They listen to sad music — think emo! — they watch melodramatic TV shows. So dystopian novels fit right in, they have all that sadness plus big, emotional ideas: justice, fairness, loyalty and mortality.
This time in a kid’s life is often defined by acting out, but, Steinberg says, that’s a misguided interpretation of what’s happening. “It isn’t so much rebellion, but it is questioning.”
Europe’s new Sentinel-5P satellite has captured a dramatic image of the smoke billowing away from the devastating California wildfires.
It is a powerful demonstration of 5P’s ability to sense the atmosphere.
The plume is seen to sweep westwards out over the Pacific Ocean near Los Angeles and then turn north towards the State of Oregon.
(21) JDA. Jon Del Arroz shares his vision of the controversies he’s engaged in this year with BayCon, Scalzi, Cat Rambo, Chuck Wendig, and some guy who scrolls pixels in “It’s Better To Be My Friend #JDAYourFriend”.
…Where they all screwed up, is that I’m a competent writer who works hard. I’m a competent businessman who markets hard. I don’t take my ball and go home and I’m not deterred from speaking the truth by some threats or someone’s bully pulpit.
And now I’ve got a platform. It’s one a lot of people read on a daily basis. It’s only going to grow bigger in 2018. I’m a well-respected journalist, I’m a multiple-award nominated author with an avid readership. I’m winning. Readers and audiences like winners. Yet not one of these people has come forward and said “you know what, Jon, I shouldn’t have attacked you, let’s be friends.”
(22) TO SMELL THE TRUTH. Hugo-winning editor Gordon Van Gelder had a famous father, Dr. Richard Van Gelder, who tried to stump the panelists on the episode of game show To Tell The Truth aired March 13, 1961. The chairman of the Department of Mammals at the American Museum of Natural History, Van Gelder pere was specially touted as an expert on skunks. The real Van Gelder and two impostors appear at 17:00, and the truth is told right after the 23:00 mark.
[Thanks to Andrew Porter, JJ, John King Tarpinian, Chip Hitchcock, Carl Slaughter, Cat Eldridge, and Martin Morse Wooster for some of these stories, Title credit goes to File 770 contributing editor of the day Daniel Dern.]
Three Vancouver men responsible for setting fire to 110 acres of forest in southwestern Washington have been ordered to pay the state more than $2.3 million in firefighting costs.
The Daily News reports Nathan Taylor was sentenced Monday and all three defendants were ordered to pay damages the state Department of Natural Resources.
Court documents say the fire started July 19, 2015 after Taylor, his brother Adrian Taylor and Michael Estrada Cardenas used propane tanks and soda cans for target practice near Woodland.
(3) ESCAPE FROM SAN QUENTIN. The Public Domain Review has “Astral Travels With Jack London”, a lengthy discussion of Jack London’s great 1914 sf novel The Star Rover. Jack London died in November 1916.
London’s sole foray into the realm of science fiction and fantasy is simultaneously a hard-bitten, minimalist monologue about life in solitary confinement and an exuberant tour of the universe. The book’s narrator, Darrell Standing, moves disarmingly from the agony of his confinement in a strait-jacket to his travel amidst the stars equipped with a glass wand that allows him to access an infinity of past lives, including a fourth-century hermit, a shipwrecked seal-hunter, a medieval swordsman, and a confidant of Pontius Pilate. It is a novel about sensory deprivation in a shared reality, and sensory overload in a private one.
This is a deeply eclectic book. It borrows liberally from the forebears of the fantasy genre: fairy stories, Norse legend, Greek myths. But it also manages to include feuding UC Berkeley scientists, “dope fiends,” Neolithic hunter-gatherers, kimchi, and a journalistic exposé of the modern prison system. The bizarre multiplicity is precisely the point. London’s narrative does many things, but it always seems to circle back to the question of how the worlds encompassed within a single consciousness can interfere with the shared reality of modern society. As we hurtle towards a near future of immersive virtual reality and unceasing digital connectedness, The Star Rover has much to tell us.
(4) NEIL GAIMAN IS THE PRIZE. A reading of Edgar Allan Poe’s “The Raven” by Neil Gaiman is a Worldbuilders Fundraising Reward.
The Worldbuilders charity passed its stretch goal of a million dollars, so I lit a whole bunch of candles, put on a coat once worn by a dead brother in the Stardust movie, and I read Edgar Allan Poe’s poem THE RAVEN by candlelight. You can donate to Worldbuilders at worldbuilders.org. And you should.
In the last ten years or so, a brand new way of looking at Jupiter has been developed. Light comes in a wide range of wavelengths, only a very small spectrum of which can be detected by the human eye. Radio waves are actually a form of light, just with wavelengths much longer than we can see. Not only can radio be used to communicate over long distances, but sensitive receivers can tell a lot about the universe. It turns out all sorts of celestial objects emit radio waves.
Jupiter is one of those sources. After this discovery, in 1955, astronomers began tracking the planet’s sporadic clicks and hisses. It is a hard target because of all of the local interference, from the sun, our ionosphere, and man-made radio sources. Still, scientists have managed to learn that Jupiter has an ionosphere, too, as well as a strong magnetic field with broad “Van Allen Belts.” It also appears to be the only planet that broadcasts on the radio band.
Using radio, we will be able to learn much about King Jove long before the first spacecraft probes it (perhaps by 1970 or so). It’s always good to remember that Space Age research can be done from home as well as in the black beyond. While I am as guilty as the next fellow of focusing on satellite spectaculars, the bulk of astronomy is done with sounding rockets and ground-based telescopes – not to mention the inglorious drudgery of calculations and report-writing, universal to every science.
Steven Gould returns to the world of his classic novel Jumper in Impulse.
Cent has a secret. She lives in isolation, with her parents, hiding from the people who took her father captive and tortured him to gain control over his ability to teleport, and from the government agencies who want to use his talent. Cent has seen the world, but only from the safety of her parents’ arms. She’s teleported more than anyone on Earth, except for her mother and father, but she’s never been able to do it herself. Her life has never been in danger.
Until the day when she went snowboarding without permission and triggered an avalanche. When the snow and ice thundered down on her, she suddenly found herself in her own bedroom. That was the first time.
I did not expect to read another Star Wars novel in my lifetime; the expanded universe of books was never wholly my thing. I liked the Han Solo novels (A.C. Crispin) well enough, but could not get into the Thrawn books, or anything tackling Leia. And then, Bloodline showed up. Bloodline spends some time with Leia after Jedi and before The Force Awakens and let me say, I never realized how much I missed not seeing Leia be allowed to grieve over the loss of Alderran. Gray gives us that and much more, unpacking and exploring Leia’s marriage with Han Solo, and yes, her relationship to Darth Vader. Such a satisfying read.
A cable that’s as long as six football fields has been launched into orbit — and when it’s deployed, it’ll test an idea to knock out orbital debris. Japan’s space agency sent the electrodynamic tether into space along with supplies for the International Space Station.
Reels aboard the Japan Aerospace Exploration Agency’s Kounotori 6 craft will deploy the 700-meter (2,296 feet) tether, essentially unspooling a clothesline in space that could help clean up the roughly 20,000 pieces of potentially hazardous space debris that are tracked by systems on Earth.
Those pieces of junk are dangerous enough on their own — but they can also generate thousands more smaller pieces of debris if they collide, creating even more risk to the space station and satellites orbiting the Earth.
With the official acronym of EDT (for electrodynamic tether), the Kounotori’s cable “is a promising candidate to deorbit the debris objects at low cost,” JAXA says.
Though a few of the stories — Alhaboby’s “Baghdad Syndrome,” Hassan’s “The Here and Now Prison,” and Ibrahim al-Marashi’s “Najufa” — are warm and hopeful, focused on love, family, and friendship, overall the collection hurts. Underlying these pieces are exhaustion, disgust, contempt, disillusionment, all of which Western readers of speculative fiction will no doubt find alienating; built into our narrative of fiction’s usefulness is a sense of healing, catharsis, nourishment that this collection resists. Thoughts of the future are rooted in the recent past and present, leeching poison from its earth, and what grows can’t be separated from that soil, as when Alhaboby writes “I knew that soon my vision would start to go the way the lights once did over Baghdad all those years ago … You see, if you’re a sufferer of Baghdad Syndrome, you know that nothing has ever driven us, or our ancestors, quite as much as the syndrome of loving Baghdad.”
(10) THE LONG WATCH. Former LASFS President, now thriving commercial actor, Ed Green appears in this spot beginning at :14 —
(11) TODAY IN HISTORY
December 10, 2009 –Avatar makes its world premiere.
(15) CHRISTMAS HORROR AND SHATNER – TOGETHER! Hampus Eckerman, inspired by a link in the last Pixel Scroll, decided to check online for more Christmas Horror movies. And he found the most horrific of al – one starring William Shatner(!)
Interwoven stories that take place on Christmas Eve, as told by one festive radio host: A family brings home more than a Christmas tree, a student documentary becomes a living nightmare, a Christmas spirit terrorizes, Santa slays evil.
(16) STAR TREK CHRISTMAS. Here’s how the franchise paid tribute to the Christmas season.
Captain Sisko & the DS9 Ensemble sing “Wonderful Deep Space Nine”
In the grand tradition of Star Trek captains singing holiday standards, for your consideration: “Wonderful Deep Space Nine” sung by Captain Sisko, Major Kira, Constable Odo, Lieutenant Commander Worf, Chief O’Brien, Congenial Barkeep Quark, Plain Simple Garak, and the rest of the Star Trek: DS9 ensemble. Special appearances by Morn, Martok, Moogie, and Vorta Iggy Pop.
Star Trek Voyager – Christmas 2008
The Voyager crew give their take on the 12 days of Christmas.
(17) ANIMAL MAGNETISM. The Jimmy Kimmel Show ran videos in which “Pets React to Star Wars Rogue One Trailer.”
[Thanks to JJ, Chip Hitchcock, Eva Whitley, Martin Morse Wooster, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Anna Nimmhaus.]
The expenses include discretionary reimbursements for program participant memberships and committee meeting costs that collectively amount to slightly more than the declared surplus, which shows that Sasquan did very well.
Sasquan’s report also includes a summary of the amounts spent on each specific Guest of Honor, which I’ve never noticed in one of these reports before (although I’ve never gone looking for it either, so I don’t know whether this is a true first.)
The report also summarizes donations made from the surplus:
Post-Convention Distributions/Grants
Lucy Huntzinger, DUFF Donation $2,000.00
ASFA Donation $2,500.00
Bill Burns, Efanzines Donation $1,000.00
MACII, grant for NASA related costs $5,000.00
2 SMOFCon Scholarships $4,000.00
Worldcon History Organization $5,000.00
Con or Bust Donation $2,000.00
Int’l Costumers Guild Donation $5,000.00
TAFF $2,000.00
Space Agency Fan Fund $15,000.00
FANAC.org $1,000.00
Westercon 69 $5,000.00
Westercon 70 $5,000.00 Total $54,500.00
MidAmeriCon II reports over 4,000 nominating ballots were received for the 2016 Hugo Awards, nearly doubling the previous record of 2,122 ballots set last year by Sasquan, the 73rd Worldcon held in Spokane, WA.
This is the eighth consecutive year the record has been broken. Prior to Sasquan, Loncon 3 (2014) received 1,923 ballots; LoneStarCon 3 (2013) 1,343; Chicon 7 (2012) 1,101; Renovation (2011) 1,006; Aussiecon 4 (2010) 864; Anticipation (2009) 799 — each a new high-water mark at the time.
MidAmeriCon II reports there were 12,715 eligible nominators, also a record. These consisted of the members of Sasquan, and all the members of MidAmeriCon II and Worldcon 75 who had joined by January 31.
The finalists for the 2016 Hugo Awards, John W. Campbell Award for Best New Writer, and the 1941 Retro Hugo Awards will be announced on Tuesday, April 26 via MidAmeriCon II’s social media.
The finalists will be released category by category, beginning at Noon CDT (1 p.m. EDT, 10 a.m. PDT, 6 p.m. London, 7 p.m. Western Europe), through the convention’s Facebook page (www.facebook.com/MidAmeriCon2/) and Twitter feed @MidAmeriCon2
The announcement will begin with the 1941 Retro Hugo Awards then continue with the 2016 Hugo Awards and Campbell Award.
The full list of finalists will be made available on the MidAmeriCon II website directly after the completion of the live announcement, and will also be distributed as a press release to all MidAmeriCon II press contacts.
Syd Weinstein announces he has finished work on the Sasquan Masquerade recording. You can order it here, in either of the two common formats.
Sasquan Masquerade – Available in Blu-Ray or DVD version
The Masquerade disc contains all of the presentations, including the young fans, as well as the awards and the Tom Smith half time concert for over three hours of content. The presentations and the awards have been edited to add more views, stills, and complete credits for each costume.
The Blu-Ray version is NTSC 1080i High Definition as recorded on-site. The DVD version is a down convert to standard definition. Combo Packs include the DVD and the Blu-Ray copy.
He is also working on a Hugo Awards Ceremony DVD.
Information about pricing, shipping, and combo deals are available at his website.
Sasquan passed its nominating data to MidAmeriCon II for analysis in the EPH process. Neither Glenn [Glazer], John [Lorentz], Ruth [Lorentz] nor I were involved in the analysis.
Tammy Coxen. MidAmeriCon II WSFS Division Head, explained what was done with the data:
After EPH passed at Sasquan, the MidAmeriCon II Hugo Administration team publicly committed to testing the system so that real data about its efficacy could be made available to WSFS members before the business meeting where ratification would take place. As part of that testing, MidAmeriCon II was collaborating with two researchers (Bruce Schneier and Jameson Quinn) in evaluating the system. As previously announced, it was determined that the data was unable to be sufficiently anonymized for a general release, so the researchers were provided data under a non-disclosure agreement.
There was to have been a coordinated release of the research findings between MidAmeriCon II and the researchers, which would have made clear the circumstances under which the data had been shared. Planning was already underway regarding that release, but as noted, analysis is still occurring. Our intention is to jointly share the research findings when they are complete, which will be well in advance of the business meeting at MidAmeriCon II.
