Pixel Scroll 1/16/24 What Can You Say About Chocolate Covered Pixels?

(1) WHAT, ME WORRY? Should we share Jeffrey Davies’ concern about “Is Reimagining History Through Biofiction Ethical?”. His Book Riot post focuses on work that is not marketed as genre, although it arguably is alternate history.

…On the other side of the argument, the popularity of biofiction in the digital age, where information about the past lives of our favorite celebrities and public figures is available instantly at our fingertips, speaks to an appetite for the comfort and familiarity a fictionalized account of our favorite famous people offers. Take Daisy Jones & The Six, for example. While not considered biofiction because Daisy Jones and her friends are entirely fictional, no one can deny that they bear a remarkable resemblance to Fleetwood Mac.

Sure, Daisy Jones is a rip-off, but don’t we like it that way? Doesn’t some part of us crave a new adventure surrounding characters we pretty much already know? It’s like rewatching a movie you haven’t seen in a really long time, but you remember enough of it that it’s not asking your brain to continue engaging with new material at the end of a long day. The same can be said for Lucy Holliday’s A Night in With Audrey Hepburn, also not quite biographical fiction, but the same effect.

Then there’s Elizabeth Letts’ Finding Dorothy, a biofiction novel following L. Frank Baum’s wife in the present (1938), witnessing the production of the MGM film adaptation of her husband’s most famous novel The Wonderful Wizard of Oz. It then flashes back to the late 1800s, imagining the historical events that led to the inspiration for Oz. Because the author treats its history with respect, it’s a joy to read and fun for any fan of Dorothy Gale, big or small, even if some aspects of the narrative can be fictionalized….

(2) SPACE UNICORNS SOUND OFF. You have until February 12 to make your voice heard:

We’ve set up a poll for Uncanny readers to vote for their top three favorite original short stories from 2023. (You can find links to all of the stories here.)

The poll will be open from January 15 to February 12, after which we’ll announce the results. We’re excited for you to share which Uncanny stories made you feel!

snazzy certificate will be given to the creator whose work comes out on top of  the poll!

(3) WORLD FANTASY AWARDS 2024 SUBMISSIONS UPDATE. Peter Dennis Pautz today sent this change in the instructions for sending items to judge Thomas Olde Heuvelt:

Due to new customs practices in Europe and the UK, some packages that are still marked “GIFT” or “NO VALUE” or “NO COMMERCIAL VALUE” or “PROMOTIONAL” or “WORLD FANTASY AWARDS JURY MATERIAL” are requiring a duty or “landing fee” at the recipient’s end.

While some packages are getting through with those fees, there are no funds available from the WFC, WFA, or the jury member(s) to pay for or reimburse those costs.

Thus, please be aware that those submissions requiring a fee will be refused by WFA Judge Thomas Olde Heuvelt, with our agreement.

M. Olde Heuvelt still prefers hard copies of any submissions. However, I suggest backing up those submissions with PDF or EPUB to ensure your submissions receive their due attention.

(4) COLLECTIBLE CRAZE. “Pokémon pandemonium: did the Van Gogh Museum play its cards right?” asks the Guardian.

In early November, I was standing in a long line at the Van Gogh gift shop in Amsterdam waiting to purchase a Pokémon ballpoint pen. It was one of the few remaining items left in the store – this was the second month of the establishment’s Pokémon collaboration, but the clamour for the limited edition merchandise was ceaseless. Everything from T-shirts to notebooks to shoulder bags with an image of Pikachu on the front had been picked bare, leaving only prints and postcards behind the till. It was barely past midday but the number of people crammed into the shop meant the area was soon cordoned off with others now rejected entry until it calmed down.

This had become an all too familiar sight for attendees and staff. From the very start of the collaboration, which began in September for the museum’s 50th anniversary and was intended to introduce new audiences to the work of the Dutch artist, the Pokémon merch caused mayhem as eager fans – and scalpers – clamoured for the best stuff. But the main cause was a single item: a limited edition “Pikachu With Grey Felt Hat” trading card. As soon as the card was made available, it sold out online, while desperate gallery visitors had to enter scrums to try and pick one up. Footage of the Poké riots soon hit Twitter (now known as X), and later, eBay listings had the card on sale for up to $900. In mid-October, the card was discontinued….

Pikachu inspired by Self-Portrait With Grey Felt Hat, Naoyo Kimura (1960) at Pokémon x Van Gogh Museum exhibition, Amsterdam. Right: Self-Portrait with Grey Felt Hat, Vincent van Gogh, 1887. Photograph: The Pokémon Company International/Vincent van Gogh Foundation

(5) NEW HORROR UNIVERSITY WORKSHOPS. The Horror Writers Association has announced that from January 22 to April 8, 2024, Horror University will offer these live workshops to horror writers everywhere interested in refining their writing, learning new skills and techniques, exploring new writing formats, or better understanding the genre. Full descriptions and registration information is available at Teachable.com: “Horror University Online”. Registration now open.

The Winter 2024 Session includes:

  • January 22: An Evening with Ellen Datlow: A wide-ranging discussing with multiple-award-winner, Ellen Datlow, editor of the annual The Best Horror of the Year. 
  • January 29: Writing for Haunts with Kevin Wetmore: Learn tips and techniques for writing scripts for engaging and frightening live haunted house attractions.
  • February 5: Shifting Shapes: Writing the Transformation Scene with Michael Arnzen: Learn the scenecraft for depicting how a “normal” body mutates, a mind spirals into madness, or a human morphs into a monster.
  • February 11: Horror Archives at University of Pittsburgh with Benjamin T. Rubi, Linda Addison, Clay McLeod Chapman, Lisa Morton, Tim Waggoner, and L. Marie Wood: Join curator Ben Rubin and several horror authors for a discussion of the Horror Studies Collection at the University of Pittsburgh! THIS SESSION IS FREE!
  • February 12: Anti-Ableism in Horror with Callie Stoker: How to write accurately and avoid pitfalls when representing all abilities in the human spectrum.
  • February 26: Building Your Author Roadmap with JB Kish: An interactive workshop to help identify your goals and the steps to achieve them using techniques of project management.
  • March 4: Expanding Your Writing Horizons with Lisa Morton: Learn how to move beyond fiction into non-fiction, poetry, screenwriting, paid blogging, and more!
  • March 11: Writing the Witch with Stephanie Wytovich: Immerse yourself in the rich literary history of witchcraft and create fictional work inspired by our interpretation of witches over time.
  • March 18: Bringing Cosmic Horror Down to Earth with James Chambers: Explore techniques for developing grounded settings, well-developed characters, and troubling themes for effective cosmic horror stories.
  • March 25: The Horror Hero’s Journey with Tim Waggoner: Learn how to adapt the “hero’s journey” template to write epic horror fiction!
  • April 8: Marketing 101: Selling and Extending The Life of Your Work with Robert P. Ottone: Learn ways to market your work–and yourself–to better extend the life of your publications and more.

(6) HUMAN PREDICTABILITY. Dan Rockmore’s article in The New Yorker, “How Much of the World Is It Possible to Model?”, naturally includes an Asimov reference:

… But as scientific as all this sounds, it remains hopelessly messy: it’s a model not of a natural system but of a sentimental one. In his “Foundation” novels, the writer Isaac Asimov imagined “psychohistory,” a discipline that would bring the rigor of cause and effect to social dynamics through equations akin to Newton’s laws of motion…

(7) VINTAGE VIDEO. Michael J. Walsh mourns the passing of Howard Waldrop, adding: “I look back to the 2013 Capclave and am so glad we were able to pull this off.” Click through to watch “The Howard, George and Gardner Show”.

(8) WALDROP REMEMBRANCE. James Hollaman tells about the time he made Howard Waldrop the guest of honor at Room Con – his con inside a con at ConQuesT.

I was staying with a person and had woke up early like I normally do. I went to the library of books they had and picked up a book and read a story called “Thirty Minutes Over Broadway!” by Howard Waldrop. I really liked the style, there was something about it. This was my introduction to Howard’s work. I then found a few other things that Howard had wrote. I really enjoyed them all. They all had a flavor, a style that I loved. (I think the one word that comes close is vaudeville, but that doesnt do it justice. I would pick up anything that he worked on.

Cut a few years when Howard was a guest at a con in Oklahoma. Before the con Howard, Bradley Denton, the Murray/Bahm’s and I went to eat at a BBQ place. When it came to pay the check I paid for Howards meal (which was a barbecue bologna sandwich). I told him that I owed him for the joy his work brought me. I found out later this was the way to handle it. He normally didn’t like when people did this. getting to hear him read at the con was a joy. So great. He had wrote the story on his way up to the con, it was all hand written.

I started a party called Room Con. We was up to Room Con 6(66) and I wanted to really do something evil, but cool at the same time. It dawned on me that I liked the guest list that ConQuesT had, but i could do better. So I got a hold of Brad and got the info for Howard as I was going to ask him to be my guest of honor. I got his info and called him. A few rings of the phone and he picked up. There I was, talking to a legend. You don’t know how much that meant to me. He agreed to do so. I got his info, bought him a ticket, got him a room, paid him a per diem. He was all set up, all he had to do was show up.

Paula took and drove me to the airport to pick Howard up. We got there just as he was getting off the plane. There he was, just a small carry on in his hand. He was ready for the weekend. Got him to the hotel and in his room. He had a few panels (his pay for the membership to the con), one being the George and Howard show, 2 hours getting to hear Howard and George R.R. Martin talk. That was amazing. Over the weekend I got to eat with Howard several times, him and i would talk. I enjoyed every bit of the time I got to spend with him.

It was time to get Room Con started. Howard got to the party before we started and staid for the whole thing. He liked hearing Bland Lemon Denton and David Lee Anderson play music. Oh and he talked to everyone, just as nice as a human could be. During the party a person took and pulled me off to the side and told me that he had heard I had brought Howard in on my own, to which i said “yes, i did”. He was shocked. He had thought that ConQuesT had brought him in. This made my day. I found out that some others had thought the same, all was shocked I had brought him in.

I didn’t help get him to the airport, mainly because I was a little sad to see the weekend was done. I saw him at a few other cons after that, enjoyed any time I got to spend with him. We wrote each other mainly. I did call him a few times, but they was short calls. We talked about how he was doing and what was going on. While i did not have as close of a relationship with him as others did, I still had a closer relationship than others, and i am all the better for it.

Howard, you will be missed. Thank you for the friendship, thank you for all you have done. Thank you for your kindness.

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born January 16, 1970 Garth Ennis, 54. Garth Ennis is without no doubt one of my favorite comic writers. Born in Northern Ireland, though a rare individual who grew up with no religious background (and you are fully aware why I’m mentioning that), he’s now resident in the States.

Garth Ennis. Photo by and © Luigi Novi.

So as a six-year-old, his teacher told the class that God was a being who could see inside their hearts, was always around them, and would ultimately reward or punish them. It scared, as he says in an interview, the shite out of him, and that was the genesis of Preacher. I love that series, have read it multiple times and no, I have not seen the series. 

Next up on the list of series he wrote that he created and I seriously adore is Hellblazer with the supernatural detective John Constantine. I can’t say that I’ve read every issue of that series as I lost interest in it a decade or so ago but his work on it, mostly from issues forty to eighty three, was among the best undertaken in the series. 

He had a run on The Authority for the Wildstorm imprint, that run being possibly the most annoying run in the history of the series as it focused on a character called Kev; and the first arc of the Authority spin-off series Midnighter, a character he admits was conceived as an ainti-Superman by him and artist Brian Hitch. 

Before you ask, where’s the Marvel Comics, I looked at his work there and since I hadn’t read any of it, save random issues of his Punisher writing, I can’t say what is good and what isn’t. So do feel free to tell me what is good over there.

(10) COMICS SECTION.

  • Frazz admits another fandom interest.
  • Non Sequitur shows a side of public domain we never expected.
  • Hi and Lois illustrates why the difference between a Marvel superhero and Star Wars villain is just a little bit of sunshine.

(11) IT’S A BIRD! IT’S A PLANE! IT’S A ONE LINER! [Item by Mike Kennedy.] Just as we always suspected. That kid from Smallville wants to be a comedian. Faster than a speeding bullet, more powerful than a locomotive, able to make you laugh until your ribs hurt! Truth, Justice, and Impeccable Comedic Timing! “New Superman ‘Will Have a Sense of Humor,’ Says Lois Lane Actor Rachel Brosnahan: ‘Every Single Person Involved’ in the Film ‘Is a Perfect Nerd’” in Variety.

No surprise here. James Gunn is bringing comedy back to the Man of Steel, at least according to the director’s Lois Lane actor Rachel Brosnahan. The star recently told Entertainment Tonight that the new Superman (played by David Corenswet) will “have a sense of humor” and that her iteration of Lois Lane will be “feisty, marvelous and fiercely intelligent.”…

…Given that Gunn almost always infuses his work with comedy (see his “Guardians of the Galaxy” trilogy for Marvel), it’s not too surprising to hear his upcoming “Superman: Legacy” will be bringing out a more humorous side to the Man of Steel. It’s still a notable change given Superman’s last run on the big screen was defined largely by Zack Snyder’s ultra-serious and gritty tone. Henry Cavill played that iteration of the more super-serious Superman….

(12) EYE V. DRAGON. CBR.com wants to know “What If Smaug Had Survived The Hobbit?” Their thought experiment covers both the possibility that Sauron and Smaug would have allied, and that they would have become rivals.

Could Smaug Have Defeated Sauron?

…If Smaug and Sauron had gone to war with one another, the dragon would not have fared well. In The Lord of the Rings, Gandalf noted that dragon fire was capable of melting most Rings of Power, but not the One Ring. Smaug might have been able to destroy the Nazgûl’s rings, thus robbing Sauron of his most loyal servants, but without destroying the One Ring, Sauron would have persisted. Even if Smaug had annihilated Sauron’s army, the Dark Lord was an immortal Maia, so he could have retreated and rebuilt from the shadows as he did after his defeat in the Second Age. Additionally, Smaug’s weakness was far more exploitable than Sauron’s. Tolkien gave little information about the creation of the black arrow, but Sauron and Saruman were both master craftsmen with plentiful resources, so they surely could have reproduced it. From there, it would only have been a matter of time before an Orc archer got a lucky shot against Smaug….

(13) BACK IN THE ZONE. Interzone has published the January issue in EPUB form — Interzone #297. Costs 5 euros. Here’s the cover.

(14) WOULDN’T YOU RATHER VOTE FOR THEM? Atlas Obscura takes us inside the “Hall of Fake Presidents – Washington, D.C.” (Photos at the link.)

…Regally displayed in the cinema lobby, Alamo Drafthouse’s Hall of Presidents includes a dozen fictional U.S. Presidents from popular films. This is a bipartisan gallery that includes beloved leaders like Morgan Freeman in Deep Impact and Harrison Ford in Air Force One, to more polarizing Commanders-in-Chief like Peter Sellers in Dr. Strangelove and President Camacho himself: Terry Crews in Idiocracy. The hall’s centerpiece is a life-sized statue of President Whitmore (Bill Pullman) from Independence Day, framed by an engraving of his patriotic speech from that film….

(15) SMALL, CUTE ROBOTS. [Item by Mike Kennedy.] Gizmodo declares “These Were the Best, Cutest, Most Obscene Bots of CES 2024”. The cubist-face bot, the are-you-sure-this-isn’t-potentially-lethal industrial arm massage bot and the mini-Killdozer are particularly notable.

…Despite all the modern innovations, some of our favorite bots weren’t even meant to showcase the advancements of modern autonomous tech, one of our favorite displays was a simple, miniaturized Robot Wars demo layed out for tech press struggling after long days hoofing it through the halls of the Las Vegas Convention Center. Sometimes, the best way to unwind after listening to an obscene amount of robot promotion is to literally dismantle an opponent’s bot with large, serrated teeth.

(16) VIDEO OF THE DAY. Resident Alien’s third season gets under way on February 14 says SYFY Wire: “Resident Alien Season 3 Gets Premiere Date & New Trailer”.

Greetings, Earthlings, and welcome back to Patience, Colorado, for Resident Alien Season 3. When we last left our out-of-this-world hero Harry Vanderspeigle (Alan Tudyk), he was carving out his place in our world, struggling with his newfound humanity, and … learning that his alien race isn’t the only one determined to kill us all.

“The Grey Aliens, they are here to destroy the planet,” Harry explains in the first trailer for Resident Alien Season 3 (above). Now that he’s firmly set down roots on Earth, he seems ready and willing to fight for humanity — but not everyone trusts his motives….

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Andrew (not Werdna) Michael J. Walsh, Daniel Dern, Kathy Sullivan, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Patrick Morris Miller.]

Pixel Scroll 12/17/18 One Dream, One Soul, One File, One Scroll, One Pixeled Glance Of What Should Be

(1) NO ESCAPE CLAUS. John Scalzi reveals that when it comes to who’s been naughty and who’s been nice, litigation can play a role: “An Interview With Santa’s Lawyer”. There also are some surprising revelations about elvish labor law:

If elves don’t qualify as human under the law, what are they?

Under Canadian law, they’re technically animals.

Animals.

Yes. Just like reindeer. And technically, under Canadian law, Santa’s Workshop qualifies as a federally inspected farm, the oversight of which is handled by Canadian Food Inspection Agency.

So, technically, Santa’s elves have as many rights as veal.

I’m offended at this comparison, and also, yes.

 (2) IT’S MORTAL. Deadline saw the B.O. numbers and administered last rites — “‘Mortal Engines’ Conks Out At The B.O. And Is Poised To Lose At Least $100M+: Here’sWhy”.

There is nothing more daunting right now in the current franchise-obsessed box office marketplace than launching an original piece of sci-fi/fantasy. This weekend, we’re seeing the Peter Jackson-produced,$110M+ Mortal Engines a casualty of its own ambition to create a brand new world on screen, with a disastrous opening of $7.5M and a running worldwide total of $42.3M.

(3) THE ACADEMY AWARDS. Variety shares some preliminary 2019 Oscar nominee sorting — “Oscars: Film Academy Narrows the List of Contenders in Nine Categories”. Below are the contenders of genre interest. (Click on the link for the complete list.) The official nominations for the 91st annual Academy Awards will be announced on Tuesday, January 22, 2019.

MAKEUP AND HAIRSTYLING

“Black Panther”

MUSIC (ORIGINAL SCORE)

“Annihilation”

“Avengers: Infinity War”

 “Black Panther”

 “Fantastic Beasts: TheCrimes of Grindelwald”

“First Man”

 “Isle of Dogs”

“Mary Poppins Returns”

 “Ready Player One”

MUSIC (ORIGINAL SONG)

 “All The Stars” from“Black Panther”

 “The Place Where LostThings Go” from “Mary Poppins Returns”

“Trip A Little Light Fantastic” from “Mary Poppins Returns”

 “A Place Called SlaughterRace” from “Ralph Breaks the Internet”

SHORT FILM (ANIMATED)

“Age of Sail”

“Animal Behaviour”

“Bao”

“Bilby”

“Bird Karma”

“Late Afternoon”

“Lost & Found”

“One Small Step”

“Pépé le Morse”

“Weekends”

VISUAL EFFECTS

“Ant-Man and the Wasp”

“Avengers: Infinity War”

“Black Panther”

“Christopher Robin”

“First Man”

“Jurassic World: Fallen Kingdom”

“Mary Poppins Returns”

“Ready Player One”

“Solo: A Star Wars Story”

“Welcome to Marwen”

(4) LET THE YEAR’S BESTS BEGIN. Jonathan Strahan has announced the contents of The Best Science Fiction & Fantasy of the Year: Volume 13 and Jason has added links to the contents as the start of Featured FuturesCollated Contents of the Year’s Bests (2018 Stories, Links).

Welcome to the third annual linked collation of annuals or “year’s bests.” As the contents of the Afsharirad, BASFF,Clarke, Datlow, Guran, Horton, Shearman/Kelly, and Strahan science fiction, fantasy, and horror annuals are announced, they will be combined into one master list with links to the stories which are available online. Hopefully, you’ll enjoy some of them and that will help you decide which annual or annuals, if any, to purchase.

(5) HELLBOY ON THE WAY. IGN News has the scoop: “Hellboy: Check Out a Brand New Poster, Plus Trailer Debut Date – IGN Premiere”— 

Not only can you check out an exclusive new poster for the upcoming David Harbour-starring movie, but we can also confirm that — at long last! — the first trailer for Hellboy is coming this Thursday.

Additionally, IGN can confirm that Hellboy will be releasing in IMAX theatrically.

(6) PALEO ANKLEBITER. National Geographic, in “New species of incredible ‘living tank’ dinosaur unveiled”, assures readers, “Even fierce tyrannosaurs would have been afraid of Zuul, a club-tailed Cretaceous beast known as the ‘destroyer of shins.’”

On the second floor of Toronto’s Royal Ontario Museum, the skeleton of an older, ganglier cousin of Tyrannosaurusrex stands tall. But if the creature were alive today, it might be limping. More than 70 million years ago, this Gorgosauruswould have been an apex predator in what are now the badlands of Montana and western Canada. Apex doesn’t mean invincible, though. The animal’s right shin is a mess of broken bone that healed over in life.

What broke the poor tyrannosaur’s leg? Short of hopping in a time machine, researchers can’t be sure. But elsewhere in the same museum, visitors can get a glimpse of one of the best—and most exquisite—suspects in this Cretaceous cold case.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born December 17, 1945Ernie Hudson, 73. Best known for his roles as Winston Zeddemore in the original Ghostbusters films, and as Sergeant Darryl Albrecht in The Crow. I’m reasonably sure his first SF role was as Washington in Spacehunter: Adventures in the Forbidden Zone, a few years before the first Ghostbusters film. Depending on how flexible your definition of genre is, he’s been in a fair number of films including Leviathan, Shark Attack, Hood of Horror, Dragonball Evolution, voice work in Ultraman Zero: The Revenge of Belial, and, look there’s a DC animated movie in his resume!, Lucius Fox in Batman: Bad Blood.
  • Born December 17, 1944 Jack L. Chalker. I really, really enjoyed his Well World series, and I remember reading quite a bit of his other fiction down the years. I find it impressive that he attended every Worldcon from except one, from 1965 until 2004. One of our truly great members of the SF community. (Died 2005.)
  • Born December 17, 1953 Bill Pullman, 64. First SF role was as Lone Starr in Space Balls, a film I’ll freely admit I watched but once which was more than enough. He next appears in The Serpent and the Rainbow which is damn weird before playing the lead in the even weirder Brain Dead. Now we come to Independence Day and I must say I love his character and the film a lot. Post-Independence Day, he went weird again showing up in Lake Placid which is a lot of fun and also voiced Captain Joseph Korso in the animated Titan A.E. film. Which at least in part was written by Joss Whedon. He reprises his Thomas J. Whitmore character in  Independence Day: Resurgence
  • Born December 17, 1975 Milla Jovovich, 43. First genre appearence as Leeloo de Sabat in The Fifth Element, a film which still gets a WTF? from me when I watch it. She was also Alice in the Resident Evil franchise which is five films strong and running so far. I see she shows up as Miliday de Winter in a Three Musketeers I never heard of, and plays Nimue, The Blood Queen in the forthcoming Hellboy

(8) COMICS SECTION.

  • Paging Col. Mustard. Col. Mustard please report immediately to Brewster Rockit aboard the R.U. Sirius.

(9) HOW TO TROLL FOR FUN AND PROFIT. [Item by Mike Kennedy.]Somehow,when the title of the upcoming Avengers movie was announced, the studio had neglected to buy the domain names AvengersEndgame.com and AvengersEndgameMovie.com.That’s when Twitter user @AGuyInChair sprang into action, snapping up those domains and redirecting them… to the website for Once Upon a Deadpool. That, in turn, spurred Deadpool himself—well, OK, Ryan Reynolds—into action to send a reward to @AGuyInChair. CinemaBlend has the story (“Ryan Reynolds Sent The Coolest Gift To The Guy Who Redirected Endgame Domains To Deadpool”). Reynolds swag for@AGuyInChair was cool, and all, but not what the latter wanted.

So what did @AGuyInChair want? Why, a pair of tickets to the Avengers: Endgame premiere naturally. Apparently not having scored those, the two sites have since been re-redirected to “a video of Santa Claus (possibly the user himself?)addressing ‘that naughty boy’ [Marvel Studios president] Kevin Feige to trade the websites for those two golden tickets to Avengers: Endgame.”

(10) BLACK METAL HONORS. Summoning, a Tolkien-inspired Austrian black metal duo, has been recognized in “Bandcamp’s Best Metal Albums of 2018” for their latest album With Doom We Come:

Apart from maybe the Bible (the Satan parts, anyway), no work of literature has inspired more metal bands than J.R.R. Tolkien’s The Lord of the Rings. Middle-Earth has been the setting for all of the Austrian black metal duo Summoning’s albums, and their synth-driven, often minimalist songs truly sound like they could be echoing from an Uruk-hai cave. With Doom We Come is another superb entry in the band’s rock-solid discography. Guitarist Protector’s lo-fi tone is still straight out of the ’90s Second Wave, and he and bandmate Silenius have never sounded better as vocal foils for one another. Closing track “With Doom I Come” repurposes a verse of Tolkien’s poem Beren and Lúthien to create what’s arguably the catchiest vocal hook in Summoning’s career.

(11) THERE AND BACK AGAIN. This SJW Credential wasn’t named Bilbo, not quite, but Baloo did go There and Back Again. The Huffington Post has the story: “Cat Mistakenly Shipped More Than 700 Miles From Home After Sneaking Into Box.”

A curious cat named Baloo was mistakenly shipped more than 700 miles away from his home in Nova Scotia, Canada after crawling into a parcel destined for Alberta.

The tabby’s owner, Jacqueline Lake, told CTV News that the mischievous,1-year-old cat had secretly sneaked into the bottom of a package containing tire rims. The day after the parcel had been sent, Lake began searching for the missing family pet. 

“We knocked door-to-door, we searched the woods, we searched under decks, in garages, under steps … he was gone,” she said. 

Baloo was later discovered by a delivery driver in Montreal, 17-hours into his cross-country road trip. 

A local SPCA shelter managed to track down the feline stowaway’s owners using the parcel’s tracking code. 

Baloo returned to his family, safe and sound, on Saturday evening.

(12) MORE ABOUT CHRISTMAS DRAGONS. Diana Rowland’s “controversial” dragon lawn decorations reported in Sunday’s Pixel Scroll have attracted national attention (Vice: “These Dragon Christmas Decorations Are Tearing a Neighborhood Apart”).

A Louisiana woman’s unusual Christmas decorations have inadvertently ignited a beef on her street—because they’ve apparently got her boring-ass neighbors worried that she’s a member of a “demonic cult.”

Author Diana Rowland just wanted to celebrate the spirit of the holiday season by, naturally, setting up a bunch of inflatable dragons on her front yard. Of course, dragons are an appropriate and welcome addition to a lawn at any time of the year, bringing a nice Khaleesi vibe to an otherwise routine patch of grass—but one neighbor wasn’t having it. 

[…] “Your dragon display is only marginally acceptable at Halloween,” the note reads. “It is totally inappropriate at Christmas. It makes your neighbors wonder if you are involved in a demonic cult.”

[…] Thankfully, Rowland apparently did consider the true meaning of Christmas, and came to the conclusion that it meant “add more dragons to your lawn and give them halos for good measure,” because that’s exactly what she did

(13) LATE LOGGING IN. Just in time for Christmas Mike Kennedy discovered this… From 2016, but it’s news to me!

Do you need a Yule Log video to help lift everyone’s spirit when gathered for the family Christmas? Maybe this isn’t it. WarnerBros. Home Entertainment had helpfully(?) provided a 5-hour video of the “Eye of Sauron Yule Log” on YouTube, complete with the crackling noise one would expect from a nice(?) fire. There’s even a surprise(?) ending.

(14) PIXEL SCROLL ROCK. Camestros Felapton shared this instant classic in comments:

Pixel scroll, pixel scroll, pixel scroll rock
Pixel scrolls swing and pixel scrolls ring
Scrolling and linking up bushels of fan
Then the pixel hop had began

Pixel scroll, pixel scroll, pixel scroll rock
Pixel scrolls rhyme in pixel scroll time
Cosplaying and straying in pixel scroll land
To the sounds of the pixel scroll band

What a bright time, it’s the right time
To web surf the night away
Pixel scroll time is a swell time
To get caught up in a fandom array
Giddy-up pixel horse, pick up your feet
Scroll around the clock
Mix and a-mingle in the pixeling feet
That’s the pixel scroll,
That’s the pixel scroll,
That’s the pixel scroll, rock

[Thanks to Rob Thornton, Chip Hitchcock, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jayn.]

Pixel Scroll 6/17/18 Come Away, O Meredithed Book, To The Kindle And The Nook

(1) ADVICE AND DISSENT. When Elon Musk described himself as “…a utopian anarchist of the kind best described by Iain Banks” on Twitter he got plenty of pushback. Soon Lee and Rob Thornton report that the pushers included Charles Stross, Hal Duncan, Cory Doctorow, and —

For those who need an introduction, Edward Champion’s 2013 essay “The Culture Novels of Iain M. Banks” looks promising:

When not committing his considerable energies to such intense Bildungsromans as The Wasp Factory or bleak-humored narratives like The Crow Road, Banks inserts an M into “Iain Banks” and writes science fiction novels. Most of these speculative volumes concern the Culture, a utopian-anarchist society that extends across a sizable cluster of the universe. These Culture vultures gambol across the galaxy in ships with such eccentric names as Don’t Try This at Home and Serious Callers Only. Culture citizens live for centuries, and can even change their appearances if they grow discontent with their corpora. These conditions encourage these civilized sybarites to have more fun than a flighty Dalmatian discovering a chiaroscuro sea of spotty companions. Never mind that there’s always an intergalactic war going on.

(2) DOLLAR BLAST. Just as you’d expect superheroes to do: “‘Incredibles 2’ crushes animation box office record”.

The Disney and Pixar film premiered to an estimated $180 million at the domestic box office this weekend. The sequel to the popular 2004 computer animated film soared past the record for biggest animated film opening in box office history by $45 million.

That record belonged to another Pixar film, “Finding Dory,” which opened to roughly $135 million two summers ago.

So far the film brought in $231.5 million around the world.

(3) BIG CAT. Should an owner discourage the ambitions of an SJW credential?

(4) HARRY POTTER AND THE CURSED LEX. Some fantastic beasts who practice law in Hollywood are sowing darkness across the land: “Warner Bros. Crackdown Puts Dark Mark Over Harry Potter Festivals”.

Warner Bros. is cracking down on local Harry Potter fan festivals around the country, saying it’s necessary to halt unauthorized commercial activity. Fans, however, liken the move to Dementors sucking the joy out of homegrown fun, while festival directors say they wll transfigure the events into generic celebrations of magic.

“It’s almost as if Warner Bros. has been taken over by Voldemort, trying to use dark magic to destroy the light of a little town,” said Sarah Jo Tucker, a 21-year-old junior at Chestnut Hill College, which hosts a Quidditch tournament that has coincided with an annual Harry Potter festival in suburban Philadelphia.

Philip Dawson, Chestnut Hill’s business district director, said Warner Bros. reached out to his group in May, letting them know new guidelines prohibit festivals’ use of any names, places or objects from the film series. That ruled out everything from meet-and-greet with Dumbledore and Harry to Defense Against the Dark Arts classes.

(5) WELL ABOVE MINIMUM WAGE. Owen King tells readers of The New Yorker about “Recording Audiobooks For My Dad, Stephen King”.

My father gave me my first job, reading audiobooks on cassette tape. He had caught on to the medium early, but, as he explained later, “There were lots of choices as long as you only wanted to hear ‘The Thorn Birds.’ ” So, one day, in 1987, he presented me with a handheld cassette recorder, a block of blank tapes, and a hardcover copy of “Watchers,” by Dean Koontz, offering nine dollars per finished sixty-minute tape of narration.

This was an optimistic plan on my father’s part. Not only was I just ten years old, but when it came to reading aloud I had an infamous track record. My parents and I still read books together each night, and I had recently begun demanding an equal turn as narrator. Along our tour through Robert Louis Stevenson’s “Kidnapped,” I had tested their love with reckless attempts at a Scottish accent for the revolutionary Alan Breck Stewart, whom the novel’s protagonist, David Balfour, befriends. Even as they pleaded for me to stop, I made knee-deep haggis of passages like the following:

“Do ye see my sword? It has slashed the heads off mair whigamores than you have toes upon your feet. Call up your vermin to your back, sir, and fall on! The sooner the clash begins, the sooner ye’ll taste this steel throughout your vitals.”

Despite this, my father enlisted me to narrate “Watchers.”

(6) WHAT A RUSH. It’s not going to take long for Mark Lawrence’s Self-Published Fantasy Blog-Off 2018 to fill up –

(7) ARCHEOVIDEOLOGY. Echo Ishii returns to the history of TV sff in “SF Obscure: Ace of Wands.

Ace of Wands is an ITV fantasy show broadcast in 1971 to 1972. It’s technically a children’s/ family show, but it’s fairly sophisticated and one that held my interest. Ace of Wands ran for three series, however, only the third series remains. At the time, ITV wiped old series due to the high cost of production materials and storage.

(8) CATCHY TITLE. Anna-Marie Abell gave her novel an irresistible name — Holy Crap! The World is Ending!: How a Trip to the Bookstore Led to Sex with an Alien and the Destruction of Earth. For the next couple of days it’s a 99-cent special on Amazon. If somebody reads it they can tell the rest of us whether it lives up to the promise of the cover.

Anna-Marie Abell grew up in a trailer park. Well, several actually. Her trailer was on wheels so she got to experience the Pacific Northwest’s vast array of mobile home parks as her parents moved her from one to the other. Somewhere along the way, she got totally into UFOs. Probably because she was hoping extraterrestrials would come and abduct her. But they never did. Luckily for her she was smart, because her only hope of escaping trailer life was college and a full scholarship. Moving to sunny California on her almost full ride to Chapman University, she was well on her way to her new life. Two bachelor degrees later (Film and Television Production and Media Performance), and several honors and awards for her accomplishments, she managed to start working in an almost completely unrelated industry from her majors: infomercials.

It was in college that she got bit by the “ancient alien” bug after listening to Zecharia Sitchin on Coast to Coast AM. In her pursuit to uncover the truth, she has spent the last twenty years researching the ancient Sumerian culture—in particular their “gods” called the Anunnaki—and their connection to the creation of the human race. What she found changed her life, her beliefs, and her understanding of the universe and everything beyond. Her humorous science fiction trilogy, The Anunnaki Chronicles, is a culmination of all her research, her borderline obsession for all things paranormal, and approximately 2,300 bottles of wine.

(9) FRONT, PLEASE. Dorothy Grant’s “Cover caveats” at Mad Genius Club is a great introduction to the process.

So where do you find your cover art and cover designer? Well, you can search the premade options put together by artists and designers, so you know exactly what it’ll look like when you get the “Your Title” swapped out for your actual title, and “Author Name” swapped for your pen name or real name.

Or you can get one designed for you. If you have no idea what you want or need, this can involve writing up a short description of the book or sending the book to the designer. Be aware that a busy professional designer probably will not read your entire book, but is skimming for worldfeel, character descriptions, possibly an iconic scene.

Or, if you’re a little more artistically inclined, you’ll send the designer / artist basically three sets of URLs.

First, links to bestselling books in the same subgenre that have covers similar to what you want. (send 3, so they can get a feel for what’s standard to that subgenre vs. particular to that single cover.)

Second, Send them URLs from stock photo sites that say “models like this”

Third, URLs from stock photo sites saying “backgrounds like this”

Artists think in pictures, not words, so communicate in visuals as much as possible.

(10) IN THE ROOM WHERE IT HAPPENS. I watched the first part of Live Slush Session 2 and was intrigued to hear Baen’s publisher and a contributing editor give candid reactions to authors’ manuscripts.

Baen Books’ Publisher Toni Weisskopf and “Slushmaster General” Gray Rinehart read the openings of volunteer submissions to give writers some insight into the evaluation process.

 

(11) COMICS SECTION.

  • John King Tarpinian saw how Deadpool celebrates Father’s Day at Brevity.
  • And Ben Solo’s dad featured in yesterday’s Brevity.
  • Mike Kennedy sent along Pearls Before Swine’s suggestion for how to get people to read. (He didn’t say it was a good suggestion….)

(12) ALDEBURGH FESTIVAL. The Stage’s George Hall reviews the opera based on a Silverberg story: “To See the Invisible review at Britten Studio, Snape – ‘a musical patchwork’”.

New at this year’s Aldeburgh Festival, Emily Howard’s chamber opera To See The Invisible has been freely adapted by playwright Selma Dimitrijevic from a taut and distinctly Kafkaesque short story by the American sci-fi writer Robert Silverberg.

The central character has been found guilty of the crime of coldness and is sentenced to a year’s invisibility, during which he is completely ignored by (almost) everyone he meets.

In Dimitrijevic’s libretto the character’s isolation remains severe, though he now has a family consisting of a mother, father and sister. His encounters with them and other individuals – in court, in a public gardens and a brothel – ameliorate his plight while also allowing some of Silverberg’s focused purity to dissipate.

In the opera he also has a kind of shadow in the shape of what the libretto describes as The Other Invisible – Anna Dennis’ female soprano regularly in synch with Nicholas Morris’ baritonal male. The character’s dual vocality is undoubtedly one of the more successful features of Howard’s score….

(13) IT’S NOT EASY BEING MEAN. Olga Polomoshnova analyzes the villain who gave evil a bad name — “On Sauron’s motives” at Middle-Earth Reflections.

Being the chief villain of the Second and Third Ages, Sauron sparks numerous questions concerning his motives. How did he become the evil figure we know him to be? Why did he run the risk of transferring a great amount of his inherent power into the One Ring knowing that it could lead to his destruction? Let us look at his downfall and motives through Tolkien’s own stories and letters.

Having risen like the shadow of Morgoth, Sauron was nevertheless different from his former lord. His downfall arose out of good motives, nor was he the beginner of discord. Sauron belonged to the Maiar — spirits created from Ilúvatar’s thought. He came into existence before the physical world took shape. Originally Sauron, who was known as Mairon (the Admirable) at that time, was associated with the people of Aulë, so he was a very skillful smith….

(14) EATON PHOTOS ONLINE. Andrew Porter labors on, identifying people in Jay Kay Klein’s photos. At the 1967 Worldcon, NYCon 3, this shot of a panel audience showed Walt Liebscher, Ray Fisher, Arnie Katz, Lee Hoffman, and Bob Tucker:

(15) A PENNYFARTHING FOR YOUR THOUGHTS. Ninety years ago, when Frank R. Paul painted his cities of the future, he didn’t include any bicycles at all. Now the BBC is asking — “Tomorrow’s Cities: Will the bike become an urban must-have?”

Fifteen years ago there were just four bike-sharing schemes in cities around the world, but now there are close to 1,000.

Most require you to pick up and leave a bike at a designated area, but new “dockless” schemes from China are coming to cities around the world – and proving controversial.

(16) THE MUMMY DIET. There’s a blog devoted to mummies, and Michele Brittany’s Musing on Mummies is up to “Episode 11: Sokushinbutsu and the Mummification Method Not Often Discussed”.

Ii-wey! Natural or intentional is usually what comes to mind when discussing the process of mummification. Certain environments, deserts, high altitudes or arid cold for example, will naturally dry the deceased, arresting the process of decay as a result. Intentional mummification requires human intervention after a person has died and most often, the Egyptian mummies come to mind. However, there is a third process that is not as well known.

Sokushinbutsu is a Japanese term that refers to a Buddhist mummy that remained incorrupt, or without decay after death….

(17) RADIO FREE BRADBURY. Listen to Ray Bradbury’s Tales of the Bizarre on BBC Radio 4. Four episodes are available online, with three more to come.

(18) NOT THIS WAY. “Astronaut Chris Hadfield says the rockets from NASA, SpaceX, and Blue Origin won’t take people to Mars” — Hadfield told Business Insider why he’s skeptical.

…NASA’s Space Launch System, which is slated to debut in the 2020s, will power its engines with a combination of liquid hydrogen and solid chemical fuels. Blue Origin, the rocket company founded by Jeff Bezos, is also looking to use liquid hydrogen. SpaceX, founded by Elon Musk, is staking its future on burning liquid methane, which the company believes it can generate on the Martian surface.

Like other experts, Hadfield doesn’t doubt that any of the vehicles could actually get to Mars; his issue is about the safety of any humans on board. Explosions, radiation, starvation, and other problems would constantly threaten a mission.

“We could send people to Mars, and decades ago. I mean, the technology that took us to the moon back when I was just a kid, that technology can take us to Mars — but it would be at significant risk,” he said. “The majority of the astronauts that we send on those missions wouldn’t make it. They’d die. Because the technology is still quite primitive.”

(19) EMMY TREK. Star Trek: Discovery submitted a long list of material to the Academy of Television Arts & Sciences in over 20 categories. The full list is available at the linked GoldDerby story: ”’Star Trek: Discovery’ Emmy Submissions: How Many Will it Win?”.

That post also links to a separate story showing Trek Emmy winners from the past series.

The original “Star Trek” series ran from 1966-1969 and didn’t win any Emmys, but it was nominated 13 times, including twice for Best Drama Series (1967-1968). “Star Trek: The Next Generation” followed two decades later and aired for seven seasons from 1987 to 1994, during which time it won a whopping 19 Emmys, all in Creative Arts categories. “TNG” struggled in top races, however, and wasn’t nominated for Best Drama Series until 1994 for its final season.

(20) DON’T QUIXOTE. Terry Gilliam’s tragedy-plagued project is still plagued but it may not be his anymore. Io9 reports: “Terry Gilliam Has Lost the Rights to The Man Who Killed Don Quixote”.

Well, this is a strange new chapter in one of the strangest stories in modern film. For decades, famed genre director (and former Monty Python, uh, snake) Terry Gilliam struggled to make The Man Who Killed Don Quixote, his own surreal take on the classic Spanish novel. He succeeded, finally, with a rendition starring Adam Driver, and the film premiered this year at Cannes Film Festival.

Except, uh, apparently Terry Gilliam just lost the rights to it. Yes, that’s correct: as reported by Screen Rant, the Paris Court of Appeal just ruled in favor of the film’s former producer, Paulo Brancho, who sued for rights to the project on the grounds that Gilliam made the film illegally.

(21) OH NOOO…. When will they make an end? Comicbook.com is spreading the alarm, er, the — “Rumor: ‘Star Wars’ Actor Claims 9 Movies in Development, Including More ‘Story’ Stand-Alones”. Voice actor Tom Kane is said to have claimed there are nine Star Wars movies in some stage of development. Kane has provided voices for Star Wars video games (starting with Shadows of the Empire in 1996), TV shows (Star Wars: The Clone Wars and Star Wars Rebels), and several of the more recent movies (Star Wars: The Force Awakens, Rogue One, and Star Wars: The Last Jedi).

Only six of the projects are known:

Disney-owned Lucasfilm also has plans for fan-favorite Jedi Obi-Wan Kenobi and famed bounty hunter Boba Fett, who will reportedly receive his own stand-alone from 3:10 to Yuma and Logan director James Mangold.

Lucasfilm is also said to be developing an all-new trilogy under The Last Jedi writer-director Rian Johnson, which will be unconnected to the Skywalker saga depicted in the episodic installments and set in an unexplored corner of the galaxy.
Johnson’s producer, Ram Bergman, recently gave an update on the “completely new trilogy,” saying, “It’s all new characters. Everything is new.” The project, he added, is “just in the early stages.”

Abrams’ Episode IX, Johnson’s planned three-movie series, and two new anthologies in Obi-Wan and Boba Fett make six, leaving three supposed projects on the docket.

[Thanks to Dann, John King Tarpinian, JJ, Rob Thornton, Soon Lee, Chip Hitchcock, Cat Eldridge, Martin Morse Wooster, Mike Kennedy, Carl Slaughter and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Ky.]