Register for 2019 Odyssey Online Writing Classes

Odyssey Writing Workshops is offering three live, intensive online classes this winter. Odyssey’s nonprofit mission is to help writers of fantasy, science fiction, and horror, however, writers of all genres are welcome to apply. Courses will cover issues relevant to writers of adult, young adult, and middle grade fiction. Full information can be found at their website or by emailing jcavelos@odysseyworkshop.org.

The three classes are:

Emotional Truth: Making Character Emotions Real, Powerful, and Immediate
Course Meets: January 10 – February 7, 2019
Instructor: Award-winning editor and publisher Scott H. Andrews
Level: Intermediate to Advanced
Application Deadline: December 12, 2018

Instructor Scott H. Andrews is the editor-in-chief and publisher of the fantasy magazine Beneath Ceaseless Skies, a six-time Hugo Award finalist and winner of the World Fantasy Award. When asked the most common weakness in the submissions he receives, Scott says, “Most writers fail to convey character emotions in a powerful way.”

How do you convey a character’s emotion? You might just tell readers what the character is feeling (“He was afraid”), which can convey that information clearly but fail to make the emotion real and immediate. You might try an internal life sign (“His heart pounded”), which can be more immediate but often feels clichéd. Or you might try an external action (“His eyes widened”), but this can sometimes feel like overacting, or if we’re in the character’s point of view, it can feel like we’ve jumped to a point of view outside the character.

Scott will explain the most effective techniques to convey character emotions realistically and powerfully on the page, so that moment by moment, you can create an authentic and evocative experience. He’ll show you which techniques work best for point-of-view characters, and which work best for non-point-of-view characters. He’ll also discuss how to handle multiple emotions, conflicting emotions, and complex emotions, because that’s when stories get really interesting.

More than that, the course will cover strategies for developing situations and stories with strong potential for emotional resonance, and how to use character emotions to make every page a gripping read. You’ll dig deep into your own emotional reservoir to find that emotional truth that will give readers an authentic, powerful, involving experience.

Riveting Descriptions: Bringing Your Story to Life in the Reader’s Mind
Course Meets: January 3 – 31, 2019
Instructor: Award-winnng author and editor Lucy A. Snyder
Level: Beginner to Intermediate
Application Deadline: December 5, 2018

For most writers, crafting strong, effective description is a major struggle. Some avoid description, fearing they’ll lose the reader’s attention, and instead they leave the reader lost in a vast, white nothingness. Some embrace description, drowning the reader in details so important ones are lost and unimportant ones create expectations that will never be fulfilled. Some use a hit or miss approach, throwing in a detail here or there and hoping they’ve magically made the right choices.

You don’t need to guess or struggle anymore. Award-winning fiction writer, poet, and editor Lucy A. Snyder will guide you through this critical and often-avoided subject. You’ll learn how to identify the key details that will immerse readers in your world, allow them to feel they know your characters, and put them in the middle of the action. Lucy will explain the qualities of strong description, how to know how much description is enough, which details to include, and where in the scene to include them. You’ll also learn how to use subtext so your description suggests deeper meanings, and how to write description with emotional impact.

More than that, this course will explore the role of point of view in description. How a character sees and describes his world can deepen personality, convey motivation, increase tension, and drive plot. Lucy will also discuss how to use poetic techniques in your description, and how to avoid common descriptive pitfalls. You’ll finish this course feeling much more assured about your description and knowing how to use description to make your story more impactful.

Getting the Big Picture: The Key to Revising Your Novel
Course Meets: January 2 – February 13, 2019
Instructor: Award-winning novelist Barbara Ashford
Level: Intermediate
Application Deadline: December 4, 2018

In response to many requests, we’re bringing back this course, one of our most highly rated. There are few things more difficult than revising a novel. You’ve worked on it for months, or years, and you’re so immersed in it you can’t step back and see the big picture. You might polish the draft and make minor changes, but you don’t really know what to change to turn that rough draft into a powerful, unified novel. And chances are, major changes are necessary. In this course, Barbara Ashford, one of our most popular instructors, will guide you in a deep examination of the “big picture” elements of your novel–premise, promise, theme, world, character, plot. Analyzing each of these building blocks and how well they are working together can give you new perspective on your novel, reveal weaknesses, and provide direction for major changes that will help you to maximize your novel’s potential.

Whether you’ve already completed your first draft, are still working on it, or are struggling with revisions, this course will provide invaluable insights into your novel through the lectures, assignments, and critiques. Barbara’s feedback on assignments has been widely praised for its depth and helpfulness.

Barbara’s course will be longer than the standard Odyssey online class, with four class meetings rather than our usual three, so you’ll be able to fully process and incorporate the important concepts discussed. If you’re participating in #NaNoWriMo, this course can show you the path from rough draft to completed novel.

In live class meetings, students learn specific, invaluable techniques, ask questions, and participate in discussions. Between meetings, they interact with each other and the instructor in a discussion group, complete demanding assignments, and give and receive in-depth feedback. Each student also has a one-on-one meeting with the instructor.

Odyssey Online offers only three online classes each year and admits only fourteen students per class, to keep quality high and ensure each student receives individual attention.

[Based on a press release.]

A Celebration of Beneath Ceaseless Skies 10th Anniversary Will Begin NYRSF Readings Season

The New York Review of Science Fiction Readings Series kicks off its 28th season on October 2 with an evening devoted to the 10th anniversary of online sff magazine Beneath Ceaseless Skies.

In ten years, BCS has published over 550 stories and 225 audio podcasts; the magazine or its stories have been finalists for seven Hugo Awards, nine World Fantasy Awards, three Nebula Awards, and numerous other short fiction, magazine, and podcast awards.

The evening’s host will be Scott H. Andrews. Featured authors will be: Fran Wilde, Martin Cahill, Seth Dickinson, Jonathan Edelstein, Rose Lemberg (read by C.S.E. Cooney), & Aliette de Bodard (read by Scott H. Andrews)


Scott H. Andrews

Scott H. Andrews

Scott H. Andrews is a writer, editor, chemistry lecturer, musician, woodworker, and connoisseur of stouts. His literary short fiction has won a $1,000 prize from the Briar Cliff Review, and his genre short fiction has appeared in Ann VanderMeer’s Weird Tales and in On Spec. He is editor-in-chief and publisher of the four-time Hugo Award-finalist fantasy e-zine Beneath Ceaseless Skies and its five-time Parsec Award finalist podcast. Scott lives in Virginia with his wife, two cats, 11 guitars, a dozen overflowing bookcases, and hundreds of beer bottles from all over the world.

 

 


Fran Wilde

Fran Wilde. Photo by Bryan Derballa

Fran Wilde writes science fiction and fantasy. She can also tie a bunch of sailing knots, set gemstones, and program digital minions. Her novels and short stories have been finalists for three Nebula Awards, a World Fantasy Award, and two Hugo Awards, and include her Andre Norton- and Compton-Crook-winning debut novel Updraft, its sequels Cloudbound, and Horizon, and the Nebula-, Hugo-, and Locus-nominated novelette The Jewel and Her Lapidary. Her short stories have appeared in Asimov’s, Tor.com, Beneath Ceaseless Skies, Shimmer, Nature, and the 2017 Year’s Best Dark Fantasy and Horror. Her poetry has appeared in The Marlboro Review, Articulate, and Poetry Baltimore. She holds an MFA in poetry and an MA in information architecture and interaction design. You can find her on Twitter, Facebook, and at FranWilde.net.


Martin Cahill

Martin Cahil

Martin Cahill is a writer working in Manhattan and living in Astoria, Queens. He is a graduate of the 2014 Clarion Writers’ Workshop and a member of the New York City based writing group, Altered Fluid. He has had fiction published in Fireside Fiction, Nightmare, Beneath Ceaseless Skies, Shimmer, and Lightspeed. Martin also writes non-fiction reviews, articles, and essays for Book Riot, Tor.com, the Barnes & Noble Sci-fi and Fantasy Blog, and Strange Horizons.

 


Seth Dickinson

Seth Dickinson’s debut novel The Traitor Baru Cormorant (2015), a hard fantasy expansion of a 2011 short story in Beneath Ceaseless Skies, is about a brilliant young woman who sets out to gain power to subvert an empire from within. It won praise from Publishers Weekly and NPR, and its sequel, The Monster Baru Cormorant, is forthcoming in October 2018. Seth’s short fiction has appeared in Clarkesworld, Lightspeed, Analog, Beneath Ceaseless Skies, and nearly every other major science fiction and fantasy market. He’s a lapsed student of social neuroscience, where he studied the role of racial bias in police shootings, and the writer of much of the lore and fictional flavor for Bungie Studios’ smash hit Destiny. In his spare time he works on the collaborative space opera Blue Planet: War in Heaven.


Jonathan Edelstein

Jonathan Edelstein is forty-six years old, married with cat, and living in New York City. His work has appeared in Strange Horizons, Escape Pod, Intergalactic Medicine Show, the Lacuna Journal, and multiple times in Beneath Ceaseless Skies, and he blogs occasionally at haibane.info/author/jonnaomi/. He counts Ursula Le Guin and Bernard Cornwell among his inspirations, and when he isn’t writing, he practices law and hopes someday to get it right.


Rose Lemberg

Rose Lemberg

Rose Lemberg is a queer immigrant from Eastern Europe. Their work has appeared in Strange Horizons, Interfictions, Uncanny, Sisters of the Revolution: A Feminist Speculative Fiction Anthology, and multiple times in Beneath Ceaseless Skies, among other venues, and their story “Grandmother-nai-Leylit’s Cloth of Winds” in Beneath Ceaseless Skies was a finalist for the Nebula Awards. Rose co-edits Stone Telling, a magazine of boundary-crossing poetry, with Shweta Narayan. They have edited Here, We Cross, an anthology of queer and gender-fluid speculative poetry from Stone Telling and The Moment of Change, an anthology of feminist speculative poetry. You can find Rose at roselemberg.net and @roselemberg, including links to their page on Patreon, where they post about Birdverse, the world in which their BCS stories and others take place. Rose Lemberg’s work will be read by C.S.E. Cooney. 


C.S.E. Cooney

C.S.E. Cooney

C.S.E. Cooney is an audiobook narrator, the singer/songwriter Brimstone Rhine, and author of World Fantasy Award-winning short fiction collection Bone Swans: Stories.

 

 

 

 

 

 


Aliette de Bodard

Aliette de Bodard

Aliette de Bodard lives and works in Paris. She is the author of the critically acclaimed Obsidian and Blood trilogy of Aztec noir fantasies, as well as numerous short stories which have garnered her two Nebula Awards, a Locus Award and two British Science Fiction Association Awards. Her space opera books include The Tea Master and the Detective, a murder mystery set on a space station in a Vietnamese Galactic empire and inspired by the characters of Sherlock Holmes and Dr. Watson. Recent works include the Dominion of the Fallen series, set in a turn-of-the-century Paris devastated by a magical war, which comprises The House of Shattered Wings (2015 British Science Fiction Association Award, Locus Award finalist) and its standalone sequel The House of Binding Thorns. Visit her at aliettedebodard.com for writing process and Franco-Vietnamese cooking. Aliette de Bodard’s work will be read by Scott H. Andrews.


Jim Freund is Producer and Executive Curator of The New York Review of Science Fiction Readings.

WHEN:
Tuesday, October 2nd
Doors open at 6:30 — event begins at 7

WHERE:
The Brooklyn Commons Café
388 Atlantic Avenue  (between Hoyt & Bond St.)

The New York Review of Science Fiction Reading Series provides performances from some of the best writers in science fiction, fantasy, speculative fiction, etc.  The series usually takes place the first Tuesday of every month.