Full instructions can be found on the 2025 Site Selection web page. Eligible voters using the PDF form (download it here) can vote by email or paper mail.
The committee says this is how the ballots will be handled:
Eligible members can send your completed electronic ballots in PDF format to the email address of the 2025 Site Selection Administrator ([email protected]) before October 7, 2023, 8 am China Standard Time (CST, UTC+8)/October 6, 2023, 5 pm Pacific Standard Time (PST, UTC-7).All the ballots will be printed, folded, sealed, and brought to the convention venue for counting by the Administrator. Members can also vote by mailing your completed paper ballots to the provided address before October 6, 2023, China Standard Time (CST, UTC +8).
Members can also vote in person at the convention:
On-site voting will take place during the 2023 Chengdu Worldcon, from October 18 to October 20, 2023. Eligible members can visit the “Site Selection Voting” booth at the convention, where the staff will verify your membership information. Then members can purchase voting rights by credit cards, WeChat or Alipay, and proceed to cast the votes. If you are unable to attend the convention in person, you can also entrust the ballot to the designated attendee to vote on your behalf.
The only bid on the ballot is for Seattle, Washington (USA). Write-ins are also allowed. In order to win, a write-in bid must file the constitutionally-required paperwork with Chengdu Worldcon before the close of voting.
ONLINE Q&A SESSION. There will be an online Question & Answer session with members of the Seattle in 2025 Bid on Saturday, August 26 at 9:00 a.m. Pacific Time. Details on how to join the online session will be sent out closer to the date. The session will be recorded and put on the Chengdu website, if you can’t make it live.
If you have questions you would like the moderator to ask the Bid, please send them to Helen Montgomery, the Site Selection Administrator: [email protected]
Below are the instructional graphics from the Chengdu Worldcon website.
(1) SERGEY LUKYANENKO WILL BE WORKING ON THE RAILROAD. Starting tomorrow, Chengdu Worldcon GoH Sergey Lukyanenko will join a whistlestop tour of Russia “Book beacons of Russia. Reading August 2023”. The TASS publicity release says:
“Reading August” [is] a book expedition from Murmansk to Vladivostok, which will be held for the first time from August 1 to August 20. The book expedition will light up the “Book Beacons of Russia” in cities along its way.
… For the first time in history, a unique book expedition by train and other means of transportation will travel with a cultural program throughout Russia and cover more than 30 regions of the Russian Federation, including St. Petersburg, Moscow, Nizhny Novgorod, Kazan, Yekaterinburg, Tyumen, Omsk, Novosibirsk, Krasnoyarsk, Irkutsk, Ulan-Ude, Chita, Khabarovsk, Vladivostok….
The neural network reached the final of the literary competition for authors and readers of audiobooks “Project of Special Importance”. It is not yet known which text from among the finalists belongs to artificial intelligence, the [ChatGPT] neural network. The name of the laureate will be announced at the award ceremony in October in St. Petersburg.
The works of the participants are evaluated by science fiction writers Sergey Lukyanenko, Andrey Vasiliev, Vadim Panov, Max Glebov, professional audiobook readers and dubbing actors Kirill Golovin, Marina Lisovets, Dmitry Cherevatenko, Inga Brik and others. A total of 644 applications were received for the competition, 50 readers and 39 writers reached the final, stories in the genres of production novel, post-apocalypse, science fiction and cyberpunk were accepted for participation. The evaluation took into account the plot, intrigue, language style and emotional impact on the reader. The full list of finalists can be found on the website.
… The winner of the competition – the author of the text, who took 1st place, receives 250,000 rubles, 2nd place – 150,000 rubles, 3rd place – 100 thousand rubles. A prize fund of 400,000 rubles is distributed among the finalists. Among the readers, 10 winners are determined, who receive 50,000 rubles each.
(2) HELP SEATTLE IN 2025 WORLDCON BID RAISE FUNDS FOR CANCER RESEARCH. The Seattle in 2025 Worldcon Bid has formed a Base2Space team to climb the Space Needle on October 1 and raise funds for cancer research. The climb is 832 steps from street level to the observation deck, rising 0.1 miles high, or about 1/620 of the distance to space. They promise to take pictures from the top, showing the city which members of the science fiction community will have the chance to visit if Seattle wins the (so far uncontested) site selection vote to host the 2025 Worldcon. The black and white image shows what the Space Needle looked like in 1961, the last time Seattle hosted a Worldcon. 100% of donations go to the Fred Hutchinson Cancer Center. Please give generously: Seattle in 2025 Worldcon Bid – Base 2 Space.
The city of Lake Forest Park, Wash., dedicated a section of 37th Avenue NE to science fiction and fantasy author Octavia E. Butler on Saturday, July 29. Admirers of the author, who died in 2006, can now walk a three-block stretch known as Octavia Butler Avenue, passing the midcentury modern home where the author lived from 1999–2006 and wrote her final novel, Fledgling.
Lake Forest Park city councilmembers Phillippa Kassover and Tracy Furutani led the initiative to establish the honorary landmark, which covers three residential blocks, from NE 162nd to NE 165th Street. In the shade of an oak tree at the dedication ceremony, Kassover explained that Butler had moved to the Seattle suburb because she “wanted a home with a garden from which she could walk to a grocery store and had access to a cultural center and a good bookstore via bus, as she did not drive.” (Third Place Books Lake Forest Park is a short walk away.)
Kassover acknowledged Butler’s visionary fiction, “her prescient warnings about authoritarian leaders, and her many accolades, including being the first science fiction author to receive a Macarthur Genius Award.” Furutani called Butler’s novels “more Orwellian than we might suppose,” noting Butler’s Afrofuturist and social justice vision. Butler wrote Kindred, Parable of the Sower, Parable of the Talents, and the Xenogenesis trilogy, and received Hugo, Locus, and Nebula awards.
Those honoring Butler at the ceremony included Kassover and Furutani, along with Lake Forest Park deputy mayor Tom French, councilmember Semra Riddle, Clarion West science fiction and fantasy workshop writer Caren Gussoff Sumption, scholar Sheila Liming, and musician Terry Morgan, who befriended Butler after she moved to the neighborhood.
(4) MEDICAL UPDATE. Sff author Michael Flynn, who was hospitalized with an infection early this month, was released from the hospital yesterday he announced on Facebook. Good news!
(5) CHENGDU AND UNCANNY MAGAZINE. Michael Damian Thomas and Lynne M Thomas, Editor-in-Chief/Publisher of Uncanny Magazine report that Uncanny Magazine was invited to send a representative to the Chengdu Worldcon “on the convention’s dime, but none of our team will be attending the convention.”
Of course, notes Michael, “In the case of Lynne and me, we are no longer able to attend any conventions that require flying or are too far away from a children’s hospital due to our daughter Caitlin’s palliative care.”
…. After fracturing the Sacred Timeline at the end of the first season, Loki has lots of issues, including the fact that he’s “time slipping.” Unfortunately, the Time Variance Authority’s repairs guy (Ke Huy Quan) can’t fix it, although he does make for a delightful addition to the cast.…
(7) POOL PARTY FOR MICHIGAN FALSE ELECTORS. Michigan’s Grand New Party PAC announced a fundraising pool party in Oakland County this week for the false electors facing felony charges. There is no mention of Michele Lundgren by name in the publicity.
(8) ABOUT TODAY’S TITLE. [Item by Daniel Dern.] Heinlein’s Kip Russell wanted interoperable oxygen tank fittings, among other things. Larry Niven’s Belters [[IIRC, notes DPD]]] had designs painted on theirs. What would you add to yours?
The Giving Tree A story of handouts. Flat-out socialism. Not to mention the climate-thumper extremism of giving the tree feelings. “Oh no, a tree is sad. It turns into a pathetic little stump. Whatever will we do?” Ridiculous.
(10) PAUL REUBENS (1952-2023). Paul Reubens, the actor and comedian who gained fame in character as Pee-wee Herman, died July 30 of cancer.
An Instagram released after his death quotes him: “Please accept my apology for not going public with what I’ve been facing the last six years. I have always felt a huge amount of love and respect from my friends, fans and supporters. I have loved you all so much and enjoyed making art for you.”
The Los Angeles Times’ obituary describes his iconic character:
…Accompanied by a talking chair and pterodactyl named Pterri, Reubens established his place in the pop-culture zeitgeist with a maniacal laugh, form-fitting gray suit and red bow tie while embodying the man-child who ran amok on Saturday mornings during the TV run of “Pee-wee’s Playhouse.” The CBS series aired from 1986 to 1990 and then yielded the big-screen adaptations “Pee-wee’s Big Adventure,” directed by Tim Burton, and “Big Top Pee-wee” in the 1980s. Stage shows followed in more recent years., as did Netflix’s 2016 follow-up “Pee-wee’s Big Holiday,” produced by Judd Apatow….
However, Reuben’s’ career was derailed by criminal charges, first in 1991 — he ended up pleading no contest to a misdemeanor charge of indecent exposure — then in 2004, when he pleaded guilty to a misdemeanor obscenity charge in a plea bargain with prosecutors who agreed to drop charges concerning child pornography.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 31, 1932 — Ted Cassidy. He’s best known for the role of Lurch on The Addams Family in the mid-1960s. If you’ve got a good ear, you’ll recall that he narrated The Incredible Hulk series. And he played the part of the android Ruk in the episode “What Are Little Girls Made Of?” on Trek and provided the voices of the more strident version of Balok in the “The Corbomite Maneuver” episode and the Gorn in the “Arena” episode. In The Man from U.N.C.L.E. “The Napoleon’s Tomb Affair” episode (SPOILERS), he was Edgar, who kidnapped, tortured, and repeatedly attempted to kill Napoleon and Illya. And failed magnificently. I watched a few months back. (Died 1979.)
Born July 31, 1950 — Steve Miller, 73. He is married to Sharon Lee, and they are the creators of the vast and throughly entertaining Liaden universe. (And where would one would start? And go from there? Do tell.) I was surprised though they’ve won both a Golden Duck and Skylark that they have never been nominated for a Hugo.
Born July 31, 1955 — Daniel M. Kimmel, 68. His essays on classic genre films were being published in The Internet Review of Science Fiction from 2005–2010 and are now in the Space and Time magazine. He is the 2018 recipient of the Skylark Award given by the New England Science Fiction Association. He was a finalist for the Compton Crook Award for Shh! It’s a Secret. And he was nominated for a Hugo for Best Related Work at Chicon 7 for Jar Jar Binks Must Die… and Other Observations About Science Fiction Movies.
Born July 31, 1956 — Michael Biehn, 67. Best known in genre circles as Sgt. Kyle Reese in The Terminator and Terminator 2: Judgment Day, Cpl. Dwayne Hicks in Aliens and Lt. Coffey in The Abyss. He was also The Sandman in a single episode of Logan’s Run. Though not even genre adjacent, he was Johnny Ringo in the magnificent Tombstone film. Likewise he was in The Magnificent Seven series as Chris Larabee.
Born July 31, 1959 — Kim Newman, 64. Though best known for his Anno Dracula series, I’d like to single him out for his early work, Nightmare Movies: A critical history of the horror film, 1968–88, a very serious history of horror films. It was followed up with the equally great Wild West Movies: Or How the West Was Found, Won, Lost, Lied About, Filmed and Forgotten.
Born July 31, 1962 — Wesley Snipes, 61. The first actor to be Blade in the Blade film franchise where I thought he made the perfect Blade. (There’s a new Blade actor though their name escapes me right now.) I also like him as Simon Phoenix in Demolition Man. And he was Aman in Gallowwalkers, a Western horror film that is really, really bad. How bad? It gets an eleven percent rating by audience reviewers at Rotten Tomatoes.
Born July 31, 1976 — John Joseph Adams, 49. Anthologist of whom I’m very fond. He did The Improbable Adventures of Sherlock Holmes and Dead Man’s Hand: An Anthology of the Weird West. He was the Assistant Editor at The Magazine of Fantasy & Science Fiction for nearly a decade, and he’s been editing both Lightspeed Magazine since the early part of the previous decade. He is the series editor of The Best American Science Fiction and Fantasy. Nominated for the Hugo many times, he won for the Lightspeed prozine at Loncon 3 (2014) with Rich Horton and Stefan Rudnicki, and at Sasquan (2015) with Horton, Rudnicki, Wendy N. Wagner and Christie Yant.
(12) HORROR WRITING GENERATIONS. Brian Keene hosts a panel sponsored by the Horror Writers Association, “Back in the Day (part 1)”.
Back In The Day (Part 1) hosted by Brian Keene, he speaks with panelists about what has changed in publishing and horror fiction over the years… and what hasn’t
He’s joined by David J. Schow, John Skipp, Chet Williamson, and Douglas E. Winter.
Its portrayal of the first atomic bomb detonation, for example, lacked the “violet hues” and heat wave of the real thing.
“Some characters even made comments like ‘quantum mechanics is hard’, which I disagree with – it’s only hard if someone hasn’t explained it properly,” says Dr Kirrily Rule, an instrument scientist who works with the thermal triple-axis spectrometer Taipan at the Australian Nuclear Science and Technology Organisation (Ansto).
“As a physicist watching the movie, I think they could have been much clearer on the science involved … I believe Nolan used such high-level jargon as a confusing element to the film intentionally….
In an article where people complain about making science look too hard, it’s comical to see this as the last line:
This article was amended on 28 July 2023. An earlier version incorrectly stated that the sound wave boom resulting from the 1945 Trinity detonation travelled at the speed of light.
We saw Christopher Nolan’s movie Oppenheimer last night as it was meant to be seen: in 70 mm IMAX.
It’s a very good film; I recommend it. That said, is it the best cinematic treatment of the subject? No, that’s still the 1989 movie Day One.
And is Cillian Murphy going to win the Academy Award for Best Actor? No, I don’t think so; his is an awfully one-note version of Oppie, who was much more complex (and much more charming) than Murphy’s portrayal would indicate….
However, a week later he told his newsletter subscribers that his enthusiasm has cooled:
…For all of Christopher Nolan’s posturing that his Oppenheimer is an important film, and how, in his own words, it “poses the most unsettling questions,” he completely cops out, showing us only the Trinity test explosion in New Mexico and not the dropping of the bombs on the living, breathing cities of Hiroshima and Nagasaki. Yes, Nolan portrays the famous moment in which Oppenheimer says he fears he has “blood on his hands” to Harry S. Truman in the Oval Office, but, in his film, we never get any real sense of Oppenheimer’s regret or of the horrors of nuclear war. Sadly, despite the IMAX format, most scenes in Oppenheimer aren’t very memorable either visually or emotionally.
(15) EARLY DISNEYLAND. Shorpy recently posted “Moonliner: 1960”. Image at the link.
Circa 1960, the TWA “Moonliner” rocket at Disneyland’s Tomorrowland in Anaheim, California. (With Richfield Oil’s “Autopia” in the background.) At 76 feet, the Moonliner was the tallest attraction in the park. This medium format transparency is part of a recent donation to Shorpy from the family of California photographer Mary Baum (1925-2012). View full size.
I remember that rocket. And the ride — which was a circle of theater seats around a circular screen. The “launch” was b&w film taken by a camera on a V-2.
Queen guitarist Brian May and Dante Lauretta, the chief scientist of NASA’s asteroid-sampling OSIRIS-REx mission, have collaborated on a book about the asteroid Bennu — and it’s not a PR stunt.
OSIRIS-REx snagged a sample of Bennu in October 2020 and is currently speeding toward Earth with the precious space-rock material, which is scheduled to touch down here on Sept. 24.
Unbeknownst to the world, May, voted the greatest guitarist of all time by readers of Total Guitar magazine earlier this year, had actually been hard at work for years leading up to the sampling attempt, helping to process images captured by NASA’s flagship space rock explorer to find a suitable landing spot on the treacherous surface of asteroid Bennu. The work proved harder than Lauretta and May had expected, as the 1,722-feet-wide (525 meters) Bennu turned scientists’ understanding of asteroids upside down….
OSIRIS-REx wasn’t fitted with a stereo camera. May, however, knew a way around this limitation, as he had previously produced 3D images of Comet 67P, the target of the Rosetta mission, and of Pluto as seen by New Horizons, by carefully selecting and aligning images taken by a single camera from different angles.
The OSIRIS-REx cooperation, however, put the musician’s commitment to science through a test. As data from OSIRIS-REx started pouring in, the scientists realized that Bennu’s surface was not at all what they had expected and designed their mission for. Instead of mostly smooth, beach-like plains of sand occasionally strewn with smatterings of bigger rocks, they found a body covered in boulders that sometimes rose against the asteroid’s barely existent gravity in formations tens of feet tall. Understanding what the researchers were truly facing from the two-dimensional snapshots captured by OSIRIS-REx’s cameras was nigh impossible. And so May quickly got to prove his scientific worth.
…What sets CFS’s technology apart is its use of high-temperature superconducting tape, which is layered and stacked to create extremely strong electromagnets that will shape and confine the unruly plasma and keep the bulk of the charged particles away from the tokamak’s walls. The company believes that this novel approach will allow it to build a high-performance tokamak that is much smaller and less expensive than would be possible with previous approaches….
Daniel Dern asks, “Yeah, but would it keep the Ringworld from breaking?”
[Thanks to Chris Barkley, Michael Toman, Daniel Dern, Kevin Black, Dann, Michael Damian Thomas, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
(1) 2025 WORLDCON SITE SELECTION UPDATE. The Seattle 2025 Worldcon Bid News for June reports theirs was the only bid filed, and the only one that will be on the official ballot. (If another one appears it could still be a write-in.)
Seattle filed its site selection paperwork in April which was acknowledged and approved! According to the World Science Fiction Society (WSFS) Constitution, bid documents for opposing bids must be filed no later than 180 days before the opening of the administering convention. No other bids were filed, so Seattle will be the only bid on the printed ballot. We could not be more excited! Supporting memberships are still on sale through our website, and we hope to have strong voter turnout in October.
… Watch for announcements on how to vote in site selection remotely. Barring an unlikely loss to a write-in campaign, we also plan to sell upgrades to supporting members who do not participate in site selection which allow them to purchase attending memberships to the Seattle Worldcon for a similar cost. Stay tuned for more!
…Agents parting ways with agencies is not uncommon; however, it is inexcusable for an agency of New Leaf’s caliber to lack clear internal and external protocols for such situations….
…The panel was very interesting and went into what distinguished East German science fiction from West German and Western science fiction in general. One of the points made was that since East Germany has an official vision of what the future would look like, namely a Socialist utopia, the questions East German science fiction asked was not so much, “What will the future look like?”, because they already knew, but “How do we get there?” and “How do we do this?” The above-mentioned novel Andymon by Karlheinz and Angela Steinmüller is actually a good example for this, because it’s about some young people landing on a planet they’re supposed to colonise, only that the planet is not as advertised, so they have to figure out how to make it habitable anyway.
Emma Braslavsky pointed out that by the 1980s, when East Germany was visibly declining and falling apart (which tracks with what Aunt Metel told me, namely that East Germany continued improve and progress, albeit slowly, into the 1970s, then it stagnated and gradually fell apart), the Socialist Utopia was more of a promise, much like Christmas. Just sleep one more night and Christmas – Socialism is here and everything will be wonderful. Emma Braslavsky also noted that when she watched things like Star Trek on West German TV (a large part of East Germany could and did watch West German TV), someone muttered some complete nonsense like “Reverse the polarity” and it actually worked.
Even though the panelists grew up in two very different countries and systems, there were some things that united all of them. For example, it was never easy to be a budding SF fan in a small rural village or town, whether in East or West Germany, because library selections were limited and books or comics not always easily available in local shops….
(4) CATHERINE LUNDOFF Q&A. Oliver Brackenbury’s So I’m Writing a Novel… podcast devotes episode 66 to the “Queen of Swords Press”.
When most of us think about publishing we tend to think of one of the Big Five (Four? How many are we down to now?), but there is a whole world of smaller, independent publishers to explore!
Wanting to learn more about that world, Oliver spoke with Catherine Lundoff about her own experiences launching and running Queen of Swords Press.
(5) AUTHORS GUILD RECOMMENDS NEW AI CONTRACT CLAUSES. The Authors Guild is introducing four new model clauses concerning AI to its Model Trade Book Contract and Model Literary Translation Contract. “AG Introduces New Publishing Agreement Clauses Concerning AI”.
…In addition to the recent clause preventing the use of books in training generative AI without an author’s express permission, the new clauses require an author’s written consent for their publisher to use AI-generated book translations, audiobook narration, or cover art. These clauses can benefit publishers and the publishing industry at large by maintaining the high quality craftsmanship that consumers are used to.
The Authors Guild also urges publishers to identify any books that contain a significant amount of AI-generated text. This summer, the Guild will be publishing AI guidelines for authors and publishers containing each of these conditions.
The purpose of these demands is to prevent the use of AI to replace human creators. The Authors Guild strongly believes that human writing, narration, and translation are vastly superior to their AI mimics. Moreover, as an ethical matter, the Authors Guild opposes relying on these tools to replace human creators, in part because current AI content generators have largely been trained on pre-existing works without consent. The Guild stands in solidarity with human creators in other industries, who like authors, face professional threats from AI-generated content flooding the markets for their work….
We encourage publishers to adopt these clauses and authors and agents to request that they be added to their contracts.
Clause Relating to Authors’ Use of AI Author shall not be required to use generative AI or to work from AI-generated text. Authors shall disclose to Publisher if any AI-generated text is included in the submitted manuscript, and may not include more than [5%] AI-generated text.
Audio Book Clause (For Use With Audiobook Grants) With respect to any audiobook created or distributed under this Agreement, Publisher shall not permit or cause the Work to be narrated by artificial intelligence technologies or other non-human narrator, without Author’s prior and express written consent.
Translation Clause (For Use With Grants of Translation Rights) With respect to any translations created or distributed under this Agreement, Publisher shall not translate or permit or cause the Work to be translated into another language with artificial intelligence technologies or other non-human translator, without Author’s prior and express written consent. For purposes of clarification, a human translator may use artificial intelligence technologies as a tool to assist in the translation, provided that the translation substantially comprises human creation and the human translator has control over, and reviews and approves, each word in the translation.
Cover Design Clause (For Book Contracts) Publisher agrees not to use AI-generated images, artwork, design, and other visual elements for the book cover or interior artwork without Author’s prior express approval. For purposes of clarification, a human designer may use artificial intelligence technologies as a tool to assist in the creation of artwork for the Work, provided that the human artist has control over the final artwork and the artwork substantially comprises human creation.
Why should SFF fans in general and Hugo voters in particular read this book?
Because no matter what the theme is, they will see themselves in the personal essays. That’s the beauty of these books, I think, that we all have these shared experiences and we like to see echoes of our own lives in what we read. Beyond that, if you love RPGs and began playing as a kid, you’re going to love this book.
As is now traditional, we’re publishing below the full list of eligible titles received by the Clarke Award from which our official shortlist selection is decided.
This is released as an open-source resource to showcase the breadth and diversity of UK science fiction literature as part of its ongoing commitment to self-accountability and supporting equity, diversity and inclusion (EDI) across the publishing industry and science fiction community.
This year’s judging panel received 97 eligible titles submitted by 40 UK publishing imprints and independent authors.
The judging panel for the Arthur C. Clarke Award 2023 are:
The Vulcan known as Spock was one of the most important characters in Star Trek, and many of his family members also played key roles in the franchise. Ever since his debut in Star Trek: The Original Series, Spock has been an integral part of Star Trek lore, and so has his kin. As the series progressed, more and more of Spock’s family tree began to be fleshed out, and it was clear that Spock was one of the most connected individuals in the Alpha Quadrant. From villains to ambassadors, Spock’s family was just as important as he was in shaping the franchise….
Here’s one member you might have overlooked.
Perrin
When Sarek returned in The Next Generation, he was accompanied by a new wife who filled much the same role that Amanda did. Because of the large gap in the Star Trek timeline between TOS and TNG, it could be assumed that Amanda died of old age, and Perrin, a human woman, eventually married Sarek. Because of Sarek’s advanced age, she was a companion and caretaker to him, and she was very protective of his important image as he began to succumb to Bendii syndrome in TNG season 3, episode 23, “Sarek”. Unlike Amanda though, Perrin did not get personally involved in Sarek and Spock’s affairs.
… The forthcoming film, which opens in Japan on July 14, is easily the most anticipated movie coming to Japanese theaters in years — and exceedingly little is known about it. (U.S. and international release dates for the film have not yet been set.)
Ghibli previously described the film as “a grand fantasy” loosely inspired by Japanese author Genzaburo Yoshino’s 1937 novel How Do You Live?, a coming-of-age story about the emotional and philosophical development of a young boy after the death of his father….
In the interview, [lead producer Toshio] Suzuki also contrasted Ghibli’s approach for How Do You Live? with the usual marketing methods of Hollywood.
“There’s an American movie — ah, I almost said the title out loud! — coming out this summer around the same time [as How Do You Live?],” he said. “They’ve made three trailers for it, and released them one at a time. If you watch all three, you know everything that’s going to happen in that movie. So how do moviegoers feel about that? There must be people, who, after watching all the trailers, don’t want to actually go see the movie. So, I wanted to do the opposite of that.”…
(10) MEMORY LANE.
2007 – [Written by Cat Eldridge from a choice by Mike Glyer.]
Elizabeth Bear’s “Tideline” reminds me how great the short stories are by a writer whose novels I usually am reading, such as the ever so excellent White Space series.
This story was first published in Asimov’s Science Fiction in their June 2007 issue. It’s been reprinted a number of times and Primes Books published it in the Shoggoths in Bloom collection they released which is available from the usual suspects at a very nice price.
It’s also in The Best of Elizabeth Bear from Subterranean Press which I need not say will set you back many a penny.
The audio series StarShipSofa in their number thirty-nine production has it as the lead piece here.
And now the Beginning to this story…
Chalcedony wasn’t built for crying. She didn’t have it in her, not unless her tears were cold tapered glass droplets annealed by the inferno heat that had crippled her.
Such tears as that might slide down her skin over melted sensors to plink unfeeling on the sand. And if they had, she would have scooped them up, with all the other battered pretties, and added them to the wealth of trash jewels that swung from the nets reinforcing her battered carapace.
They would have called her salvage, if there were anyone left to salvage her. But she was the last of the war machines, a three-legged oblate teardrop as big as a main battle tank, two big grabs and one fine manipulator folded like a spider’s palps beneath the turreted head that finished her pointed end, her polyceramic armor spiderwebbed like shatterproof glass. Unhelmed by her remote masters, she limped along the beach, dragging one fused limb. She was nearly derelict.
The beach was where she met Belvedere.
Butterfly coquinas unearthed by retreating breakers squirmed into wet grit under Chalcedony’s trailing limb. One of the rear pair, it was less of a nuisance on packed sand. It worked all right as a pivot, and as long as she stayed off rocks, there were no obstacles to drag it over.
As she struggled along the tideline, she became aware of someone watching. She didn’t raise her head. Her chassis was equipped with targeting sensors which locked automatically on the ragged figure crouched by a weathered rock. Her optical input was needed to scan the tangle of seaweed and driftwood, Styrofoam and sea glass that marked high tide.
He watched her all down the beach, but he was unarmed, and her algorithms didn’t deem him a threat. Just as well. She liked the weird flat-topped sandstone boulder he crouched beside.
The next day, he watched again. It was a good day; she found a moonstone, some rock crystal, a bit of red-orange pottery, and some sea glass worn opalescent by the tide.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born June 5, 1908 — John Russell Fearn. British author and one of the first British writers to appear in American pulp magazines. A prolific author, he also published novels as Vargo Statten and with various pseudonyms such as Thornton Ayre, Polton Cross, Geoffrey Armstrong and others. As himself, I see his first story as being The Intelligence Gigantic published in Amazing Stories in 1933. His Golden Amazon series of novels ran to over to two dozen titles, and the Clayton Drew Mars Adventure series that only ran to four novels. (Died 1960.)
Born June 5, 1928 — Robert Lansing. He was secret agent Gary Seven in the “Assignment: Earth” on StarTrek. The episode was a backdoor pilot for a series that would have starred Lansing and Teri Garr, but the series never happened. He of course appeared on other genre series such as The Twilight Zone, Journey to the Unknown, Thriller and Alfred Hitchcock Presents. (Died 1994.)
Born June 5, 1931 — Barbara Paul. Writer of mysteries, some twenty or so, and a handful of genre novels. Her novels feature in-jokes such as her Full Frontal Murder mystery novel which uses names from Blake’s 7. Genre wise, she’s written five SF novels including a Original Series Trek novel, The Three-Minute Universe, which is available at the usual suspects. (Died 2022.)
Born June 5, 1946 — John Bach, 77. Einstein on Farscape, the Gondorian Ranger Madril in the second and third movies of The Lord of the Rings film trilogy. Also a British body guard on The Chronicles of Narnia: Prince Caspian. And he was the body double for shooting of Saruman in place of Christopher Lee, who was unable to fly to New Zealand for principal photography on The Hobbit film series.
Born June 5, 1953 — Kathleen Kennedy, 70. Film producer responsible for E.T. the Extra-Terrestrial, her first film, and later produced the Jurassic Park franchise. She’s been involved in over sixty films, I’d say of which at least half are genre, starting with Raiders of the Lost Ark as an associate to Steven Spielberg. Amblin Films with her husband and Spielberg has produced many of the genre’s best loved films.
Born June 5, 1960 — Margo Lanagan, 63. Tender Morsels won a World Fantasy Award for best novel, and Sea-Hearts won the same for Best Novella. She’s an alumna of the Clarion West Writers Workshop In 1999 and returned as a teacher in 2011 and 2013.
Born June 5, 1976 — Lauren Beukes, 47. South African writer and scriptwriter. Moxyland, her first novel, is a cyberpunk novel set in a future Cape Town. Zoo City, a hardboiled thriller with fantasy elements is set in a re-imagined Johannesburg. It won both the Arthur C. Clarke Award and a Kitschies Red Tentacle Award for best novel. (I love the name of the latter award!) And The Shining Girls would win her an August Derleth Award for Best Horror Novel. Afterland was on the long list for a NOMMO. Much of her short fiction is collected in Slipping: Stories, Essays, & Other Writing.
(12) COMICS SECTION.
Sheldonwitnesses an Uber reservation being placed for “Mister Gandalf”.
(13) IT’S CRACKERS. Although visiting Space Cowboy Books might be a better reason for driving to Joshua Tree, while you are in town you could pick up a snack: “Cheez-It Gas Station Pops Up in California Desert” at Food & Wine.
…From Monday, June 5 through Sunday, June 11, anyone who needs a road trip snack-break can visit the Cheez-It Stop to pick up several bags of orange crackers. The Cheez-It Stop has been equipped with the world’s first (and so far, its only) Cheez-It Pump which will spray bags of Cheez-Its through your open car window. And best of all, it’s completely free to take advantage of the pump and feed your Cheez-It cravings.
Regardless, you just have seven days to visit the Cheez-It Stop before it disappears into the desert’s memory. It can be found at 61943 Twentynine Palms Highway, Joshua Tree, California and will be open between 10 a.m. and 6 p.m. PT every day between now and Sunday.
…The Delaware-based beermaker has brewed up its own homage to the film called Asteroid City Lager, and it collaborated with the director himself to design the label. According to Dogfish Head, Asteroid City Lager was brewed with a combination of regeneratively grown pilsner malt, Tuxpeno corn malt, and Michigan-grown Zuper Saazer hops. The beer was then finished with a Pennsylvania lager yeast, which the brewery says is “a nod to the 1950s era during which Asteroid City takes place.”
… The beer’s eye-catching label pays tribute to the film’s desert landscapes and to the Asteroid City billboard that shows the fictional town’s biggest tourist attraction, a giant crater left by a meteor….
The Dogfish Head collaboration will be available during screenings at select Alamo Drafthouse cinemas. https://t.co/0zs97D6cid
Baaaad news? How big is the asteroid coming toward Earth in 2023?
Asteroid 2023 HO18 is estimated by NASA to have a diameter of as much as 50 meters. In imperial measurements for American readers, that would be 164 feet or just under 55 yards.
But to use a more creative metric, consider the humble domesticated sheep (Ovis aries). These animals are widespread throughout the world and while there are a wide number of breeds, they are all still part of the same species.
Three years ago, a Chinese farmer made an unusual donation to a university museum—a giant, nearly intact human skull with strange proportions and an unusual backstory. The man’s family had been hiding the fossil since it was unearthed at a construction site in Harbin nearly 90 years ago.
After geochemical detective work to locate where the fossil was likely found, and painstaking comparison of its distinctive features with those of other early humans, some of the scientists investigating the find believe the cranium from Harbin could represent an entirely new human species—Homo longi or “Dragon Man.” If so, they further suggest it might even be the human lineage most closely related to ourselves.
“The discovery of the Harbin cranium and our analyses suggest that there is a third lineage of archaic human [that] once lived in Asia, and this lineage has [a] closer relationship with H. sapiens than the Neanderthals,” says Xijun Ni, a paleoanthropologist at the Chinese Academy of Sciences and Hebei GEO University. If so, that would make the strange skull a close relative indeed since most humans today still have significant amounts of Neanderthal DNA from repeated interbreeding between our species….
Bigger brains may not equate to higher intelligence after all, according to a remarkable discovery about an early hominin.
Homo naledi, a hominin discovered in the Rising Star cave system in Africa’s Cradle of Humankind in 2013, had human-like hands and feet but a brain a third of the size of humans — a characteristic researchers previously attributed to a marker of far less intelligence than its Homo sapien relatives.
But the assertion that bigger brains make for a smarter species may have been disestablished now that scientists have made a harrowing journey into the Rising Star cave and discovered that the species — which lived about 335,000 to 236,000 years ago — buried its dead and marked the graves. It is the first non-human species in history known to do so, paleoanthropologist and National Geographic Explorer in Residence Lee Berger told ABC News.
…The researchers began to hypothesize that Homo naledi buried its dead during continued excavations in 2018 and in July 2022, those hunches were not only proven but amplified once Berger and his team found skeletal remains of Homo naledi and then carvings on the wall above them to mark those laid to rest there.
The symbols included triangles, squares and a sort-of “hashtag” sign, as in two cross-hatching equal signs, Berger said. However, it is unclear what these carvings meant, and researchers will be delving into whether there is a “random chance” that Homo naledi used the same symbols as humans or if they were obtained from some sort of shared ancestry.
(19) REH SCHOLARSHIP. A video of the “Glenn Lord Symposium”, i.e. the academic track of the 2023 Robert E. Howard Days, is available for viewing on YouTube.
1)Dr. Dierk Gunther, Professor of English Literature at Gakushuin Women’s College, Tokyo His presentation: “Through the Eyes of an Ophirean Woman: Thoughts Concerning the Racism of Robert E. Howard’s The Vale of Lost Women.” 2) Brian Murphy, Howard Scholar His presentation: “Far Countries of the Mind: The Frontier Fantasy of Robert E. Howard.” 3) Dr. Willard Oliver, Professor of Criminal Justice at Sam Houston State University, Huntsville His presentation: “Robert E. Howard and Oil Booms: Crime, Disorder and Reality.”
…After Collider’s special screening, a member of the audience asked Dos Santos how hard it was to put the LEGO dimension together. Surprisingly, Dos Santos revealed the whole scene was created by the 14-year-old Youtuber LegoMe_TheOG, known for recreating movies and TV shows trailer and full scenes with LEGO pieces. A few months before Across the Universe hit theaters, LegoMe_TheOG made a viral recreation of the movie’s first teaser. After that, producers Phil Lord and Christopher Miller brought him to the project….
[Thanks to SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, Cora Buhlert, John King Tarpinian, Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]
(2) 2025 WORLDCON BID STATUS. According to the Chengdu Worldcon PR#1, the deadline for submission of materials for biding for the 2025 Worldcon was April 21, 2023.
Kathy Bond, Co-Chair of the Seattle 2025 Bid, says “We filed our documents in March and received confirmation that they were received by the Chengdu team.”
However, all are waiting on the Chengdu committee to confirm whether that was the sole filed bid.
As of April 1, the average entry-level salary for publishing employees located in New York City at the Big Five trade publishers and Scholastic was $47,583, up from $38,583 before the Covid-19 pandemic, according to a recent survey conducted by PW. That marks an increase of 23.3%, during a period when prices rose 12.4%, according to the U.S. Bureau of Labor Statistics.
Publishers raced to increase starting salaries beginning in 2020, after the onset of the pandemic and the murder of George Floyd by Minneapolis police prompted book business workers to call attention to social justice causes, including the need for publishing employees to make a living wage. Another round of salary increases occurred earlier this year across the Big Five—including at HarperCollins, where union members ended a three-month strike in February.
According to the publishers polled in this survey, staffers work between 35 and 40 hours a week, depending on the company, and all are eligible for overtime. Respondents to the industrywide 2022 PW salary survey said they were working an average of 42 hours per week—including time outside the office—the same number of hours they reported working in 2021. The survey also found that median compensation for staff with less than five years of experience was $46,000 for editorial, $48,000 for sales and marketing, and $61,500 for operations and production….
(4) SEE ENDEAVOUR AWARD WINNER INTERVIEW. The Endeavour Award for science fiction and fantasy published by Pacific Northwest authors is announcing a new series of interviews and readings featuring winners, finalists, judges, and other PNW luminaries. The first interview will be with 2021 Endeavour Award winner Erica L. Satifka, who won the prize for her short story collection How to Get to Apocalypse and Other Disasters. The event will be held Friday, April 28 at 4:00 p.m. Pacific (7:00 p.m. Eastern), and will include an interview and a reading from her book. To join, visit the Endeavour Award’s Facebook page.
The award administrator is currently seeking entries for books published in 2022. Entries are free. Please contact Jim Kling at [email protected] for more information.
Since 1999, The Endeavour Award has recognized science fiction or fantasy works of 40,000 words or more, or single-author collections of short fiction. The author(s) must have had legal or physical residence in the Pacific Northwest (Alaska, Oregon, Washington, Idaho, The Yukon, and British Columbia) when the publisher accepted the book, and must affirm that they wrote the majority of the book while living in the Pacific Northwest. The books must have been published in the United States or in Canada.
(5) THE TRUTH IS OUT THERE. Craig Miller tells a fascinating story on Facebook about working on publicity for Oliver Stone’s first feature as a director, a little-known film called The Hand.
…A couple final comments about the film. When I was a publicist, I would not lie. I would not tell people something was great if I didn’t think it was. When I was repping “The Hand”, I used to describe it as “one of the best disembodied hand movies ever”. And on that metric, I think I’m correct….
(6) BULGACON 2022 RECORDINGS ON LINE. [Item by Valentin D. Ivanov.] Bulgacon is the annual national Bulgarian SFF convention. The 2022 hybrid edition took place in Kardzhali on Sept 2-6, 2002. The event gathered some international participation (including Peter Watts, Paul MacAuley, Julie Novakova and Lavie Tidhar, among others.
A bilingual Bulgarian/English booklet with the program and the list of panelists can be seen in pdf format here.
Recently, the recordings of 16 panels (most in English with Bulgarian translation) were made available on a dedicated YouTube channel.
(7) DENNY LIEN MEMORIAL PLANNED. The family obituary — “Obituary of Dennis Kieth Lien” – includes details of the planned memorial. There is also a link to a page full of tributes and reminiscences about him.
A memorial celebration of life is planned for Friday June 2, 5–8 pm, at the Como Park Streetcar Station. See Denny’s online memorial board for further information as well as tributes, personal anecdotes, and photos: www.kudoboard.com/boards/xRExNJQo/dennylien
(8) HOW TO TRAIN YOUR BOT. The Washington Post’s analysis of a dataset that may be used to train AI bots like ChatGPT, linked in the April 21 Scroll, inspired Jonathan Cowie to check on some other SF sites “including my personal Science-com one I’ve not updated since CoVID…” (To refresh your memories, File 770 ranked 3,445th with 2.5 million “tokens”.) Here are screencaps of the results for Locus.com, Ansible, SF2 Concatenation, and Science.com.
…Mr McCarthy wrote a novel in which nearly everything is dead. He doesn’t say that a cat did it but I think we can infer that. When you read literature, the author doesn’t always explain everything….
(10) MEMORY LANE.
1997 – [Compiled by Cat Eldridge.]
Before her short life was drawn to a close by cancer, Angela Carter was fond in her writings of using folklore themes. Her best remembered story I think is A Company of Wolves which got turned into a film but there were others as well but not limited to including a woman with wings, werewolves, the erl-king, and reworkings of Snow White and Sleeping Beauty.
What we have for our Beginning tonight is her “Puss-in Boots” story which she wrote specifically for The Bloody Chamber and Other Stories collection which was published by 1997.
The Bloody Chamber was often described as a series of retellings’ of classic children’s fairy tales. Not true. Carter said she was actually writing new tales which revealed the intrinsic violence which included sexual violence towards women of those old folk tales.
This tale, and I don’t consider this a spoiler, is based off the Italian commedia dell’arte tradition.
This story, as is The Bloody Chamber and Other Stories collection, simply stellar.
And now for our rather delightful Beginning…
“Figaro here; Figaro, there, I tell you! Figaro upstairs, Figaro downstairs and–oh, my goodness me, this little Figaro can slip into my lady’s chamber smart as you like at any time whatsoever that he takes the fancy for, don’t you know, he’s a cat of the world, cosmopolitan, sophisticated; he can tell when a furry friend is the Missus’ best company. For what lady in all the world could say ‘no’ to the passionate yet toujours discret advances of a fine marmalade cat? (Unless it be her eyes incontinently overflow at the slightest whiff of fur, which happened once, as you shall hear.)
A tom, sirs, a ginger tom and proud of it. Proud of his fine, white shirtfront that dazzles harmoniously against his orange and tangerine tessellations (oh! what a fiery suit of lights have I); proud of his bird-entrancing eye and more than military whiskers; proud, to a fault, some say, of his fine, musical voice. All the windows in the square fly open when I break into impromptu song at the spectacle of the moon above Bergamo. If the poor players in the square, the sullen rout of ragged trash that haunts provinces, are rewarded with a hail of pennies when they set up their makeshift stage and start their raucous choruses, then how much more liberally do the citizens deluge me with pails of the freshest water, vegetables hardly spoiled and, occasionally, slippers, shoes and boots.
“Do you see these fine, high, shining leather boots of mine? A young cavalry officer made me the tribute of, first, one; then, after I celebrate his generosity with a fresh obbligato, the moon no fuller than my heart–whoops! I nimbly spring aside–down comes the other. Their high heels will click like castanets when Puss takes his promenade upon the tiles, for my song recalls flamenco, all cats have a Spanish tinge although Puss himself elegantly lubricates his virile, muscular, native Bergamasque with French, since that is the only language in which you can purr.
“Merrrrrrrrrrrci!’
Instanter I draw my new boots on over the natty white stockings that terminate my hinder legs. That young man, observing with curiosity by moonlight the use to which I put his footwear, calls out: ‘Hey, Puss! Puss, there!’
‘At your service, sir!’
‘Up to my balcony, young Puss!”
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born April 24, 1910 — Albert Zugsmith. American film producer, film director and screenwriter who specialized in really low-budget exploitation films such as Sex Kittens Go to College and Female on the Beach through the Fifties and Sixties. So why am I giving him a Birthday, you ask? Why it’s because he produced The Incredible Shrinking Man which won a Hugo at Solacon. (Died 1993.)
Born April 24, 1946 — Don D’Ammassa, 77. Considered to be one of the best and fairest long-form reviewers ever. His Encyclopedia of Science Fiction (2005) covers some five hundred writers and as can two newer volumes, Encyclopedia of Fantasy and Horror Fiction (2006) and Encyclopedia of Adventure Fiction (2009) are equally exhaustive. I can’t comment on his fiction as I’ve only ever encountered him as a reviewer.
Born April 24, 1947 — Michael Butterworth, 76. Author with Michael Moorcock of, naturally, two Time of the Hawklords novels, Time of the Hawklordsand Queens of Deliria. He also wrote a number of Space 1999 Year 2 novels, too numerous to list here. He also edited Corridor magazine from 1971 to 1974. He also wrote a number of short fiction pieces including one whose title amuses me for reasons I’m not sure, “Circularisation of Condensed Conventional Straight-Line Word-Image Structures”.
Born April 24, 1950 — Michael Patrick Hearn, 73. Academic who has some of the best annotated works I’ve had the pleasure to encounter. I wholeheartedly recommend both The Annotated Wizard of Oz and The Annotated Christmas Carol, not to overlook Victorian Fairy Tales which is simply the best collection of those tales.
Born April 24, 1953 — Gregory Luce, 70. Editor and publisher of both the Science Fiction Gems and the Horror Gems anthology series, plus such other anthologies as Citadel of the Star Lords / Voyage to Eternity and Old Spacemen Never Die! / Return to Earth.
Born April 24, 1955 — Wendy S. Delmater, 68. She was nominated at Sasquan for a Best Semiprozine Hugo for editing the exemplary Abyss & Apex webzine. It’s particularly strong in the areas of speculative poetry and small press genre reviews. She herself has written a lot of genre centered essays, plus a handful of genre stories and poems.
Born April 24, 1983 — Madeline Ashby, 40. California-born Canadian resident writer whose Company Town novel created an entire city in an oil rig. Interestingly In 2013, she was a finalist for the Astounding Award for Best New Writer but recused herself on the grounds that her pro career started with her ‘09 publication of a short story in Nature, so her eligibility period had expired in ‘11. And her Machine Dynasties series is simply brilliant, and resonates with the later Murderbot series.
(12) FINAL SPACE RECEIVING A CONCLUSION AS A GRAPHIC NOVEL. [Item by N.] Final Space, the beloved cult sci-fi animated series, after it was given an unceremonious cancellation and tax write-off, is able to conclude its story next year via graphic novel as Olan Rogers has received a license.
I can finish Final Space. This isn't a joke. After two years of trying Warner Brothers Discovery gave me a license for a graphic novel. THE FINAL CHAPTER begins today! PRE-ORDER NOW: https://t.co/4tBUZrvfKWpic.twitter.com/0uvDLtrVQn
That’s the good news. The bad news, in a bit of a monkey’s paw for fans of the show outside of the US, is no digital release and what appears to be extremely high shipping costs (though Rogers, as of writing, is working with Shopify to reduce these). See these tweets for examples of the shipping costs: (1), (2), (3).
(13) THE ORIGINAL WAR ON COMICS. Unlike some Filers, there are readers even now approaching retirement age who know nothing about Seduction of the Innocent and the related efforts to censor comics. So CrimeReads’ Keith Roysdon is stepping in to provide “A Brief History of America Freaking Out About Horror Comics”.
Fourteen-year-old David Drew was the poster boy for horror comics in the 1950s, in the worst possible way….
…A wire service story widely published in newspapers beginning May 19 reported that Drew had told Douglas Kelley, a University of California psychiatrist, that he read horror comics and especially liked comics that “depict torture and throwing people off cliffs.”
As the young killer moved through the California legal system – he pleaded guilty in November 1955 – newspapers and wire services quickly found a memorable label for his crime: “the comic book hatchet slaying.”
Authorities and newspapers were already primed to cite comic books as a bad influence on young people. A year before, in the spring of 1954, the Congressional Subcommittee to Investigate Juvenile Delinquency had held public hearings. Among those testifying was Frederic Wertham, a psychiatrist whose book, “Seduction of the Innocent,” posed the theory that comic book heroes like Batman and Robin were gay and a bad influence on children.
Months before young Stanley Frank was killed, in October 1954, the Code of the Comics Magazine Association of America had been adopted by comics industry publishers. The comics industry had waved a white flag in the war on comics.
How far would you go to defeat an evil A.I.? That’s the question at the heart of Mrs. Davis, the new Peacock original series that premiered this week after a wave of positive reviews and early buzz that’s set it up as one of the most intriguing new genre shows of the year.
Now, there are a lot of twists and turns built into this show, but the basic setup is this: There’s a massively popular, potentially dangerous A.I. out there that calls itself “Mrs. Davis,” and a nun named Simone (Betty Gilpin) who wants to shut it down for the good of mankind. Simone is convinced that getting Mrs. Davis to deactivate is the right thing to do, but Mrs. Davis isn’t exactly just sitting by a plug that’s waiting for the nun to pull it. So … how is she supposed to get it done?
SPOILERS AHEAD
In the series premiere, it’s revealed that Mrs. Davis has made a promise to Simone: The A.I. will shut down if Simone can track down, and eventually destroy, the Holy Grail.
(15) ADA HOFFMANN COLLECTION ANNOUNCED. Apex Book Company has acquired first North America English rights to the collection Resurrections by Ada Hoffmann. The deal was brokered by agent Hannah Bowman of Liza Dawson Associates.
Ada Hoffmann’s work has been a finalist for the Philip K. Dick Award (2020, The Outside), the Compton Crook Award (2020, The Outside), and the WSFA Small Press Award (2020, “Fairest of All”). She is the winner of the Friends of the Merrill Collection Short Story Contest (2013, “The Mother of All Squid Builds a Library”) and a two-time Rhysling award nominee (2014 for “The Siren of Mayberry Crescent” and 2017 for “The Giantess’s Dream”).
Apex Book Company is a small press owned and operated by Jason Sizemore.
This film was made in 2013 as a joke, for WW1’s 100th anniversary.
(17) VIDEO OF THE DAY. Ryan George tells us what it would be like “If Cats Had Podcasts” – and it’s barely an inconvenience!
[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, N., Jim Kling, Valentin D. Ivanov, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]
Do you enjoy gambling—but, you know, in a cultured way? None of that racetrack nonsense or three card monte for you? Well you’re in luck: the 2022 Nobel Prize in Literature will be announced next Thursday, October 6, and the bookies have begun taking bets. (You know literary prize season has truly begun when the Lit Hub editors start lurking on online betting sites.)
Here are a few names of genre interest among the 44 listed.
Salman Rushdie – 8/1 Stephen King — 10/1 Haruki Murakami — 14/1 Margaret Atwood — 16/1 Maryse Condé — 16/1
(2) FUTURE TENSE. The latest short story in the Future Tense Fiction series, published this past Saturday, is “Yellow,” by B. Pladek, a story about risk-assessment technology, protest, and future conflicts over water.
If a medical treatment for a life-threatening disease had a 60 percent chance of success, but another treatment with a 50 percent success rate had a lower risk of bankrupting your family, which would you choose? What if the success rates were 95 and 90 percent? Would you change your answer?
How we use probabilities like these to guide our choices is at the heart of “Yellow,” a new Future Tense Fiction story written by B. Pladek. The story’s main character, Chase, works for a private company that helps people navigate these numbers…
Here is my truly arrogant answer that will embarrass me but is still the truth: every artist who has ever pursued a career with passion and commitment believes their art has the power to change everything. That’s why we all do it. I read no shortage of nonfiction climate change books. I watched no shortage of earnest environmental documentaries. Many of them I don’t even remember because you read about potential catastrophe, and sure, it sounds like a bummer, but it leaves no lasting emotional impact. The point of narrative, of art, is that it can reorient us emotionally. If done well, it can make vivid what is abstract. Given the enormity of the task ahead of everyone alive on this planet, we desperately need that reorientation.
(4) WOLVERINE, COME FORTH. Ryan Reynolds answers people who say, “”How can Wolverine be in Deadpool 3 when he died in Logan?” “Deadpool Update, Part Hugh”.
Quick #Deadpool explainer video that tackles… 1) Timeline questions 2) Logan canon 3) MCU FAQ 4) Whether we can do this all day or not
(5) SEATTLE WORLDCON BID NEWS. SWOC, the Seattle Westercon Organizing Committee has awarded a grant of $5000 to the Seattle Worldcon in 2025 bid.
This grant will be used to promote, advertise, and recruit for the Seattle Worldcon Bid; to assist members of the bid in covering the costs of attending this year’s SMOFCon in Montréal; and to co-sponsor a night of the SMOFCon hospitality suite.
(6) THAT’S HIM. This time Nick Stathopoulos is on the receiving end of an award-winning portrait. His friend Xavier Ghazi’s artwork “Nick 2” won the Joshua Smith Memorial Award for Best in Show at a Drummoyne Art Society exhibition.
From starring in Stand by Me to playing Wesley Crusher on Star Trek: The Next Generation to playing himself, in his second (third?) iconic role of Evil Wil Wheaton in The Big Bang Theory, to becoming a social media supernova, Wil Wheaton has charted a career course unlike anyone else, and has emerged as one of the most popular and well respected names in science fiction, fantasy and pop culture.
Back in 2001, Wil began blogging on wilwheaton.net. Believing himself to have fallen victim to the curse of the child actor, Wil felt relegated to the convention circuit, and didn’t expect many would want to read about his random experiences and personal philosophies.
Yet, much to his surprise, people were reading. He still blogs, and now has an enormous following on social media with well over 3 million followers.
In Still Just a Geek, Wil revisits his 2004 collection of blog posts, Just a Geek, filled with insightful and often laugh-out-loud annotated comments, additional later writings, and all new material written for this publication. The result is an incredibly raw and honest memoir, in which Wil opens up about his life, about falling in love, about coming to grips with his past work, choices, and family, and finding fulfillment in the new phases of his career. From his times on the Enterprise to his struggles with depression to his starting a family and finding his passion–writing–Wil Wheaton is someone whose life is both a cautionary tale and a story of finding one’s true purpose that should resonate with fans and aspiring artists alike.
1964 – [By Cat Eldridge.]The Munsters premiered fifty-eight years ago this past weekend on CBS and I could hardly not write their series coming into existence, could I, after just doing the Addams Family? No, I could not.
I think that The Munsters had a better, sweeter family than the Addams Family. Every character here from Fred Gwynne as the sort of monster created by Frankenstein who was the head-of-the-household Herman Munster; Yvonne De Carlo as his vampire wife Lily; Al Lewis as Lily’s father, Grandpa, the somewhat over-the-hill vampire; Beverley Owen (later replaced by Pat Priest) as their college-age niece Marilyn, who was a conventional human but the “ugly duckling” of the family; and Butch Patrick as their werewolf son Eddie, all worked perfectly.
On paper, it’s a lot of movie tropes into one series and hope they work, but Allan Burns and Chris Hayward did a stellar job here. Burns had nothing before and Hayward had been responsible for the Dudley Do-Right of the Mounties segment of The Rocky and Bullwinkle Show. Yes, I remember both the segment and the series very fondly.
The creators intended it to be a satire of American suburban life, the wholesome TV family fare of the era, and traditional monster movies. It certainly was a satire of the first and the latter, but I’ll be damned how it was a satire of the wholesome TV family fare of the early Sixties.
It achieved much higher ratings than the similarly themed Addams Family, which aired concurrently on ABC. Though seventy episodes were produced over its two years, it would be cancelled after ratings dropped to a series low due to competition from ABC’s Batman.
It was rebooted as The Munsters Today in 1988 withJohn Schuck as Herman Munster and Lee Meriwether as Lily Munster. It lasted three seasons and seventy episodes. And then there was the very, very weird Mockingbird Lanepilot of a decade ago. I liked but it didn’t go to series. And there’s Rob Zombie’s The Munsters which is on Netflix and gets a rave review here.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 28, 1913 — Ellis Peters. Nom de plume of the writer of The Cadfael Chronicles, which I’ll admit I broke my rule of never watching a video adaption of a print series that I like. Derek Jacobi as Cadfael was damn perfect. She is here because she was the writer of two excellent haunting aka ghost novels, The City Lies Four-Square and By This Strange Fire, under her real name of Edith Pargeter. (Died 1995.)
Born September 28, 1923 — Erle Korshak. He’s a reminder of how old fandom is. He discovered SF in 1934 with the August Astounding magazine and became a very serious collector in 1937 according to several sources. By 1939 he was a well-known fan and one of the leaders of the Moonstruck Press which was created to publish a bibliography of all fantasy books. He was part of the leadership triumvirate of Chicon 1, the 1940 Worldcon. He later founded a publishing house whose first major work was Everett F. Bleiler’s The Checklist of Fantastic Literature in the late Forties, a pioneering work of SF bibliography. This was followed by major works by Heinlein, Bester, Fredric Brown and other SF suthors. He was absent from fandom from the late 50s for thirty years, then rejoined fandom and was attending cons with his children. He was inducted into the First Fandom Hall of Fame in 1996, and won the Barry R. Levin Science Fiction and Fantasy Literature Lifetime Collectors Award in 2001. He was a guest of honor of Chicon 8, however he died before the convention.(Died 2021.)
Born September 28, 1923 — William Windom. Commodore Matt Decker, commander of the doomed USS Constellation in “The Doomsday Machine” episode, one of the best Trek stories told. Norman Spinrad was the writer. Other genre appearances include being the President on Escape from the Planet of the Apes, The Major in “Five Characters in Search of an Exit” episode of Twilight Zone and Ben Victor in the “The Night of the Flying Pie Plate” story of The Wild Wild West. This is a sampling only! (Died 2012.)
Born September 28, 1932 — Michael G. Coney. British-born writer who spent the last half of his life in Canada. He’s best remembered for his Hello Summer, Goodbye novel. I’m very fond of The Celestial Steam Locomotive and Gods of the Greataway which might be set on what could be Vancouver Island. His only Award was from the BSFA for Brontomek!, one of his Amorphs Universe works, although he was a 1996 Nebula nominee for his “Tea and Hamsters” novelette, and a five-time finalist for the Aurora Award. (Died 2005.)
Born September 28, 1935 — Ronald Lacey. He’s very best remembered as Gestapo agent Major Arnold Ernst Toht in Raiders of the Lost Ark. (A series where they should’ve stopped with first film.) He’s actually in Indiana Jones and the Last Crusade asHeinrich Himmler though it’s an uncredited role. One of his first genre appearances was as the Strange Young Man in The Avengers episode “The Joker”. In that same period, he was the village idiot in The Fearless Vampire Killers which actually premiered as The Fearless Vampire Killers, or Pardon Me, But Your Teeth Are in My Neck. And he’s in The Adventures of Buckaroo Banzai Across the 8th Dimension as President Widmark. This is but a thin wafer of his genre roles so do feel free to add your favorite. (Died 1991.)
Born September 28, 1938 — Ron Ellik. Writer and Editor, a well-known SF fan who was a co-editor with Terry Carr of the Hugo winning fanzine, Fanac, in the late 1950s. Ellik was also the co-author of The Universes of E.E. Smith with Bill Evans, which was largely a concordance of characters and the like. Fancyclopedia 3 notes that “He also had some fiction published professionally, and co-authored a Man from U.N.C.L.E. novelization.” The Encyclopaedia of Science Fiction says he died in an auto accident the day before his wedding. (Died 1968.)
Born September 28, 1966 — Maria Pilar Canals-Barrera, 56. She’s getting Birthday Honors for being the voice of Hawkgirl on Justice League and Justice League Unlimited. She’s also voiced Commissioner Ellen Yindel in Batman: The Dark Knight Returns, and voiced Rio Morales, the mother of the Spider-Man, Miles Morales, on the Ultimate Spider-Man series. I just picked this to watch as it looks very good.
Born September 28, 1982 — Tendai Huchu, 40. Zimbabwean author who’s the editor along with Raman Mundair and Noel Chidwick of the 2020 issue of Shores of Infinity zine. He’s also written a generous number of African centric stories of which “The Marriage Plot” won an African Speculative Fiction Society Nommo Award for African Speculative Fiction for Best Short Story (2017), as did his novel The Library Of The Dead (2022). That issue of Shoreline of Infinity (Issue 18, Summer 2020) is available from the usual digital suspects. His newest novel, Our Lady of Mysterious Ailments, came out in April this year.
An incredible project aiming to document the history of British comic fanzines and fandom, both as an online archive and in print, has a new home on the web.
Founded back in 2015 as the Classic UK Comic Zines site, artist and comic archivist David Hathaway-Price has been constantly adding to what is now The Fanscene Project.
Now residing at comicsfanzines.co.uk, the project is an online, read-only archive of British comic fanzines, published across the last 50 years, including, with the permission of their original editors, titles such as BEM, Comic Media News, Fantasy Trader, Infinity, Speakeasy, and many more. It even includes incredibly rare digital editions of very early zines such as Ka-Pow, published by Phil Clarke and Steve Moore back in 1967/68.
… The aim of The Fanscene Project is to create a digital repository of as many of the Comics Fanzines published in the UK as possible; fan publications containing work by artists and writers who would sometimes later move into, and shape, the industry that they loved….
(12) JEOPARDY! Unlike the contestants, Andrew Porter knew the right question to go with this answer on tonight’s episode.
Category: Cliff Notes
Answer: “Dizzy sunless cliffs above the Great Abyss” paints a picture in H.P. Lovecraft’s “At the Mountains of” this.
No one could ask, “What is Madness”?
(13) SMALL BANG THEORY. In the Washington Post, Planetary Society editorial director Rae Paoletts says the asteroid-smashing DART mission was an important achievement because it shows that planetary defense against asteroids is possible. “Three cheers for NASA’s asteroid smasher”.
…Asteroids are a notoriously sticky wicket. On one hand, they’re remnants from the birth of our solar system; relics from the beginning of everything — or whatever our slice of that is. On the other, asteroids have caused inconceivable damage to our planet. Roughly 66 million years ago, a 6-mile-wide asteroid slammed off the coast of what is now Mexico’s Yucatán Peninsula. A single asteroid robbed us of the chance to see pterodactyls soar across the sky, or to have them use us for food, depending on which way you look at it.
DART can’t undo the damage of past asteroid impacts, but it can help us prevent them in the future. With DART’s collision, scientists tested a planetary defense strategy known as the “kinetic impactor technique,” which aims to move — but not destroy — an object….
Edward Norton played Bruce Banner for the Marvel Cinematic Universe in 2008, starring in Louis Leterrier’s “The Incredible Hulk.” When it was revealed that Norton would not continue his journey in the growing multiverse, Marvel’s Kevin Feige released a statement citing “the need for an actor who embodies [creativity and a] collaborative spirit.” Norton has since said he had a great time doing the project and holds no ill-will toward Feige. Mark Ruffalo went on to play the lovable green giant in seven films with more to come.
Other notable MCU recastings include War Machine, originated by Terrence Howard in “Iron Man” and taken over by Don Cheadle; as well as Howard Stark, played by Gerard Sanders (in a non-speaking role), John Slattery, and Dominic Cooper.
The Self-Published Science Fiction Contest (“SPACEFIC”) is underway, and my group is going through one of my favorite parts of the contest: sorting through a slush pile. Basically, we get a stack of books and need to sample them all to narrow down our selections for quarter- and semi-finalists. Here, I’ll be going over my first impressions of some of these books. Please note my “Yes,” “No,” or “Maybe” vote is only indicative of my opinion and may not reflect the opinion of our whole group. Since we advance books as a group, it’s possible a “Yes” from me may end up a “No” overall and vice versa. Let me know what you think of the books in the comments!
“Futurism” is what people believed the future would be like at a given time. Similarly, “retrofuturism” is futurism of the past. Most people think of Victorian futurism (steampunk) and 1950s/1960s futurism (atompunk). 1920s futurism sits right in the middle, mostly forgotten. Technically, it’s grouped in with “dieselpunk,” which extends into the WWII period, but I think the aesthetic of the 1920s is a bit different. For example, in the 1920s version of the future, zeppelins and airships are all over the place, though by WWII, zeppelins were a thing of the past. In this video, I’ll explain a little bit about the 1920s conception of the future, then show a lot of examples from a 1920s science and technology magazine called “Science And Invention.”
[Thanks to John King Tarpinian, Andrew Porter, Chris Barkley, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Ingvar.]
(1) IN THE YEAR 2025. Kathy Bond, Seattle 2025 Worldcon Bid Co-Chair, has announced there will be a Seattle 2025 Bid Volunteer Meeting on Sunday, March 6, at 10:00 a.m. Pacific. A link to the Facebook event can be found here.
We’d like to invite the community to come find out more about the state of our bid and where we are looking for help. We are actively looking for volunteers from around the world so anyone should feel free to attend this on-line meeting.
(2) FUGITIVE DOCTOR GETS COMIC BOOK. “Fugitive Doctor Series Announced” reports Comicbook.com. FCBD 2022 Doctor Who #1 releases on Free Comic Book Day, May 7, and Doctor Who Origin #1 will follow on May 18.
The Fugitive Doctor will finally get the spotlight in a new Doctor Who series. Jo Martin’s mysterious incarnation of the Time Lord makes her comic book debut on Free Comic Book Day in Titan Comics’ FCBD 2022 Doctor Who #1. The familiar Doctor Who Comic creative team of writer Jody Houser and artist Roberta Ingranata tell a tale that offers a glimpse at the Fugitive Doctor’s earlier years. Titan Comics has since confirmed that FCBD Doctor Who #1 will lead into the next Doctor Who Comic miniseries arc. The story is titled Doctor Who: Origins, telling a new adventure set during the Doctor’s time working for the Division.
(3) LIBRARY LOVERS MONTH. Jason Aukerman tells subscribers to The Bradbury Beat:
…Public libraries helped Bradbury develop into one of the best known writers of our time, and he never forgot that his success was rooted in the book stacks—the contents of which were widely available to the public. Bradbury’s passion and support for public libraries never wavered. He frequently spoke at public library events, and he never charged those libraries for his services. For Bradbury, the debt he owed to the public library could never be repaid, but he spent his entire professional career trying….
…ZOOM, which ran from 1972 to 1978, was a Boston show (produced by local affiliate WGBH), but it was distributed to around 200 PBS stations around the country, and won an Emmy award in 1973. Historian Leslie Paris wrote an online exhibit on ZOOM’s history for the American Archive of Public Broadcasting that went up earlier this year. In February and March of 1975, Paris said in an interview, if you go by Nielsen ratings, “more kids were watching ZOOM than watching Sesame Street” in major cities. “That makes sense,” she said, “because the age range of potential ZOOM viewers was larger than that of Sesame Street, so kids watched over a greater number of years.” In the archives of the show, Paris found mail from kids so young they had dictated letters to their parents, and also from teenagers who confessed they sensed that the show was now too young for them, but they just couldn’t stop watching….
At least one kid who sent in a story to ZOOM went on to be a writer. “The Color-Eyed Dragon,” a short story about a dragon who could change the color
of his eyes, and hides inside a traffic light to teach people a lesson about the value of his strange talent, was read out loud on the show in Season 2, Episode 3. The tale was sent in by young Jonathan Lethem, of New York City, who would later become . Jonathan Lethem….
(5) MEDIA BIRTHDAY.
1988 — [Item by Cat Eldridge] Thirty-four years ago on this evening, Ray Bradbury Theatre’s “Gotcha” first aired on HBO.
In the episode, a lonely man dressed as Oliver Hardy at a masquerade party meets a lonely woman dressed as Stan Laurel, it seems nothing short of a match made in heaven. But a game of Gotcha! may just test their new found romance a little too much. It was based off his short which was published in Terry Carr’s The Year’s Finest Fantasy, Volume 2 but the romance shown here wasn’t in that story.
The cast was Saul Rubinek and Kate Lynch, and it was directed by Brad Turner who has done a lot of genre series work including seventeen episodes of The Outer Limits.
Reception for it is excellent. As Heroic Times, a review site, puts it: “The vast majority of episodes are just not very good. So much of what defines a great Ray Bradbury story, is the words, is the sublime, haunting use of language, and in this case a picture is decidedly not greater than the words. GOTCHA! is one of those exceptions, a good Ray Bradbury Theater episode. Some innovative and even stylish direction, complemented with an intriguing script and earnest performances really make this a quite engrossing and compelling watch.”
(6) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 20, 1906 — Theodore Roscoe. A mere tasting of his pulp stories, The Wonderful Lips of Thibong Linh, which are sort of based on a member of the French Foreign Legion, was published by Donald M. Grant. The complete stories, The Complete Adventures of Thibaut Corday and the Foreign Legion, are available digitally in four volumes on Kindle. The Wonderful Lips of Thibong Linh only contain four of these stories. (Died 1992.)
Born February 20, 1912 — Pierre Boulle. Best known for just two works, The Bridge over the River Kwai and Planet of the Apes. The latter was was La planète des singes in French, translated in 1964 as Monkey Planet by Xan Fielding, and later re-issued under the name we know. Obviously, the origin work for the film as well. (Died 1994.)
Born February 20, 1925 — Robert Altman. I’m going to argue that his very first film in 1947, The Secret Life of Walter Mitty, based off the James Thurber short story of the same name, is genre given its premise. Some twenty-five years later Images was a full-blown horror film. And of course, Popeye is pure comic literature at its very best. (Died 2006.)
Born February 20, 1943 — Diana Paxson, 79. Did you know she’s a founder of the Society for Creative Anachronism? Well, she is. Genre-wise, she’s best known for her Westria novels, and the later books in the Avalon series, which at first, she co-wrote with Marion Zimmer Bradley then, after Bradley’s death, took over sole authorship. All of her novels are heavily colored with paganism — sometimes it works for me, sometimes it doesn’t. I like her Wodan’s Children series more than the Avalon material.
Born February 20, 1954 — Anthony Head, 68. Perhaps best known as Librarian and Watcher Rupert Giles in Buffy the Vampire Slayer, he also made an impressive Uther Pendragon in Merlin. He also shows up in Repo! The Genetic Opera as Nathan Wallace aka the Repo Man, in Ghost Rider: Spirit of Vengeance as Benedict, and in the awesomely great Batman: Gotham by Gaslight voicing Alfred Pennyworth.
Born February 20, 1964 — Rodney Rowland, 58. His best-remembered roles to date are 1st Lieutenant Cooper Hawkes in Space: Above and Beyond and P. Wiley in The 6th Day. He’s also Corey Mahoney in Soulkeeper, a Sci Fi Pictures film. He’s got one-offs in X-Files, Welcome to Paradox, Dark Angel, Seven Days, Angel, Charmed and Twin Peaks.
(7) TODAY IN SPACE.
February 20, 1962 — Astronaut John Glenn became the first American to orbit the earth. He made 3 trips around the earth in his Mercury-Atlas spacecraft, Friendship 7, in just under 5 hours.
He has an essay, “The Fireflies,” in Arthur C. Clarke’s The Coming of The Space: Famous Accounts of Man’s Probing of the Universe, first published in 1967. The story behind those fireflies is detailed here. Also, “Astronaut John Glenn Was First Person to Eat in Space”.
The books that changed me as a teenager On my weekly trips to Calamity Comics in Harrow town centre I would sit at the back of the shop, reading Spider-Man comics. Peter Parker is me. I am Peter Parker. Which means I could be Spider-Man. Those comic books made me feel less alone.
(10) THE CLICKS OF YESTERDAY. What is John talking about? It’ll come back to you if you concentrate. Keep clicking your heels together til it does.
Don’t you talk about shroompunk like that! It’s coming back to the Discourse!
(11) LITTLE KNOWN FACTS. MSN.com calls this Reddit thread of mind-blowing science facts “the craziest thing you’ll read all week.” Or maybe it won’t be – you read the Scroll, after all! Here’s an example.
(12) OCTOTHORPE. Octothorpe 51 is up, which encourages us to “Make TAFF a Four-Way Tie”. (Enjoy Alison’s art below.)
John Coxon is a spoilsport, Alison Scott is promoting and Liz Batty might come to Eastercon. We listen to Become the Teapot and The Incomparable before discussing the now-available Game Hugo proposal (championed by Ira Alexandre). Listen here!
…The Lego pieces aboard the Tokio Express were among 62 shipping containers that tumbled off the vessel. The ship was en route to New York after it loaded its cargo in Rotterdam, the Netherlands, when an unpredictable 28-foot wave smashed into a cargo ship 20 miles off the mainland, reports Jackie Butler for Cornwall Live. Other items swept to sea included 10,000 disposable lighters, superglue, and other hazardous chemicals.
Ever since, collectors have gone out to look for “rare” pieces like octopuses and green dragons. Tracey Williams—a Cornwall local, beachcomber, and environmental campaigner—has documented the Lego spill for years on “Lego Lost at Sea” social media pages via Facebook,Instagram, and Twitter. More recently, she published Adrift: The Curious Tale of Lego Lost at Sea, a book detailing the Lego incident.
Though the wayward novelties may inspire wonder, the tiny bricks highlight plastic pollution’s impact on oceans. Out of the 4,756,940 Lego pieces on board, about 3,178,807 were light enough to float and are what is commonly found across 40 beaches in Cornwall, eported Mario Cacciottolo for the BBC in 2014. For example, small plastic flowers and mini diver’s flippers are regularly seen along the shores….
[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Chris Barkley, Andrew (not Werdna), Steven French, Andrew Porter, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Danny Sichel.]
Next year fans will choose the site of the 2023 Worldcon: Chengdu, China and Memphis, TN (USA) are currently in contention. Beyond that? An abundance of new Worldcon bids have responded to SMOFCon 37-1/4’s call for questionnaires — Israel, Los Angeles, and Orlando joining the others already in the field. You’ll find all their Q&As here.
(In addition, the seated Worldcons – DisCon III (2021) and Chicon 8 (2022) have submitted answers.)
Proposed Site: Jeddah, Saudi Arabia Proposed Date: To Be Determined, 2026 Bid chair: Yasser M. Bahjatt Facebook: JeddiCon (created for the 2022 bid) SMOFCon 37-1/4 Questionnaire: Jeddah for 2026
LOS ANGELES IN 2026
Proposed Site: Anaheim, Long Beach, or Los Angeles, CA Proposed Date: August 2026 Bid chair: Joyce Lloyd Facebook: SMOFCon 37-1/4 Questionnaire: LA for 2026
NICE, FRANCE IN 2026
Proposed Site: Nice-Côte d’Azur, France Proposed Date: August 12-16, 2026
Smofcon 37, the convention for conrunners, taking place December
6-8 in Albuquerque, NM, asked Worldcon, and Smofcon bidders, and seated
Worldcon and Westercon committees to answer a questionnaire. The responses have
been posted at Smofcon’s website under Fannish Inquisition.
There
will also be a Q&A
session at
the con on December 7 – publishing these questionnaires in advance helps keep
that time from being taken up with basic information. If you want to submit a
question, see the information at the end of this post.
The
following FAQs have been received from Bids and seated conventions:
Seven Worldcon committees and bidders (all except Nice in 2023) cosigned a statement (which many inserted at the beginning of their questionnaires) criticizing the Smofcon 37 committee for the short response deadline, the dramatic increase in number of questions asked from last year’s form, and use of Google Docs to communicate, which cannot be accessed in China. Smofcon 37’s chair Ron Oakes responded with a lengthy justification of what happened, while the FAQ coordinator apologized.
Submitting Questions to the Fannish
Inquisition: Here are the
committee’s instructions:
This event is our traditional time for bids for future SMOFCon, Worldcons and NASFiCs. Our usual highlight event, and will mostly be run as it has been in the recent past with written questions through our able moderators. Those wishing to submit questions in advance may do so by sending email to [email protected], up to 6:30pm MST December 7, 2019 to ensure that we receive it prior to the convention.
[Update 12/07/2019: After this post was drafted last night, several more questionnaires were added to the website. The new links have been added here.]
Next year fans will choose the site
of the 2022 Worldcon for which Chicago is currently running unopposed. Beyond that?
Dublin 2019’s Fannish Inquisition session witnessed a changing of the guard. A Memphis in 2023 bid was revealed, and the Chengdu in 2023 bid declared it was official. The New Orleans bid for 2023 fell off the radar. Spokane in 2023 and Perth in 2025 took themselves out of the running, the latter temporarily — there’s more about them at the end of the post.
Proposed Site: Chengdu, China
Proposed Dates: In August
Bid Leadership:
We are a non-profit organization called Galaxy Science Fiction Alliance, which mainly consists of Sichuan Science Fiction Association and Chinese Sci-fi fans. Sichuan Science Fiction Association focuses on academic researches on Science fiction and fantasy literature,films, computer games and so on
Proposed Site: Nice, in the south of France Proposed Dates: August 2-6, 2023 Bid Leadership: (From the website)
The board of directors is: Albert Aribaud, Alex Garcia (president), Alain Jardy, Arnaud Koëbel, Sybille Marchetto (treasurer), Thomas Menanteau and Patrick Moreau.
SPOKANE IN 2023 – CLOSED. A bid for Spokane was prepared to step into the gap left by the moribund New Orleans bid to assure there would be a North American option, but it has vacated the field in favor of Memphis.
Mike Willmoth shares the story:
I started the Spokane in 2023 Bid pre-Worldcon since it appeared that New Orleans in 2023 had fizzled. Although I was New Orleans’ Facilities Liaison once they announced, I had to resign this January after taking over the Facilities DIvision for Westercon-NASFiC in Layton, UT, after the original facilities team resigned. I had heard nothing from New Orleans and no one else seemed to as well. I had had several conversations with fans concerned about their absence and the apparent weak positions of both Chengdu and Nice. So Spokane was an Emergency Holographic North American Bid.
After reaching out to Visit Spokane (their CVB) they confirmed that their convention center was wide open for all of August. I resolved one outstanding issue from Sasquan with the Davenport chain (non-standard attrition clause which is now standardized on Marriott’s corporate one). I then reached out to past Sasquan DHs/DDHs/AHs for support for a bid team. I then notified Colette Fozard who was coordinating Dublin’s bid questionnaires. She sent me one to complete. I did so after arriving in Dublin, but learned that she had received one from Memphis which I was unaware of.
During the Dublin Business Meetings I had several chats with the Memphis Bid Co-Chairs and it was apparent to me that they were farther along than we were, had a slightly larger team already, etc. I notified our bid team and the consensus was that we should punt since we were only there because no other NA bid was visible. I made the final decision to pull the Spokane bid on Day 5 of Dublin, notifying Memphis and others as well as Visit Spokane. We may do another one in the future, but for now we are on hiatus. I would have been the official bid chair if elected by the team, but we never got that far. I was just the instigator.
So officially the Spokane in 2023 Worldcon Bid is closed because Memphis stepped up to the plate and appears to have their excretions coagulated 🙂
PERTH IN 2025 – ON HIATUS. PRK confirms, “Yes, at the Fannish Inquisition I announced that the Perth bid was going on hiatus, and no longer bidding for 2025. We may return in the early 20s and announce for a new year.” [Twitter: Perth in 2025]
