Audio entertainment company Serial Box is becoming Realm, expanding beyond its roots in immersive audio fiction to become a globally distributed podcast network. Among the shows launching this month as free podcasts are Orphan Black: The Next Chapter written by Malka Older and starring Tatiana Maslany, Beatrix Greene written by New York Times best-selling writer Rachel Hawkins, and Memory Lane written by Sara Shepard (Pretty Little Liars). New titles will be released every month.
The newly rebranded Realm builds upon Serial Box’s 1.3 million listeners across 120 countries, and more than a thousand hours of wholly-owned audio content.
Realm will continue to collaborate with the world’s best-selling writers and award-winning talent, including George Takei, William Jackson Harper, and John Carpenter, in addition to Maslany, to create expansive and immersive shows featuring diverse voices, characters and stories.
“Our new name better communicates that our Realm delivers stories that are truly a portal to another world—a place where all are welcome,” said Realm co-founder and CEO Molly Barton.
In addition to free, ad-supported podcast distribution, Realm shows are available through the Realm Unlimited subscription, on Realm.fm and in the Realm apps. The subscription features ad-free, early access to the complete library of Realm Originals, access to bonus content, community perks, and a dual-format experience in Realm’s proprietary Flow Reader (simultaneous audio + text).
Realm shows launching across all podcast platforms include:
ORPHAN BLACK: THE NEXT CHAPTER– The official continuation of Orphan Black picks up the story eight years in the future and features many of the same characters. Since their victory, the sestras—Sarah, Alison, Cosima, and those they love, have been free to live quiet, anonymous lives. Everything changes when the sestras discover that there are more clones out there. Written by Malka Older, Madeline Ashby, Mishell Baker, Heli Kennedy, E.C. Myers, and Lindsay Smith. Narrated by Tatiana Maslany.
MEMORY LANE – Desperate for answers about her father’s identity, Alex Bryant agrees to participate in an experimental procedure to receive her mother’s memories. But when the memories reveal a repressed secret, Alex and her mother must outrun someone who’d like to bury the family’s past for good. Written by Sara Shepard and Ellen Goodlett. Available April 21, 2021. Narrated by Emily Woo-Zeller, Lianne Marie Dobbs and Elliot Schiff and also features Chris Ciulla, Sheree Wichard, and Tiana Camacho.
GODS & LIES – An investigator with a damaged reputation reluctantly teams up with a disgraced son of a Goddess to solve the murder of a mortal. Created and written by Elizabeth Vail. Narrated by Cary Hite and Sarah Mollo-Christensen.
CTRL-ALT-DESTROY – Starring Firefly’s Summer Glau, a video game designer discovers that the game she created has been stolen as part of a top secret project—and might be the only thing keeping the world from plunging into war. Written by Andrea Phillips, Maurice Broaddus, Jacqueline Koyanagi, and E.C. Myers. Narrated by Firefly star Summer Glau.
MACHINA – Two rival tech companies compete for the chance to bring AI to Mars in this workplace drama full of corporate espionage, high-stakes science, and yes, robot dogs. Created by Fran Wilde. Written by Fran Wilde, Malka Older, and Curtis C. Chen, with Martha Wells. Narrated by Natalie Naudus.
BEATRIX GREENE– Written by New York Times bestselling author Rachel Hawkins, this historical horror follows Beatrix Greene who makes her living from fake seances. Financial freedom for a single woman in Victorian England is hard to come by, so when notorious scientist James Walker makes her a well-paid proposition— prove that ghosts are real, once and for all— she can’t resist the temptation. Written by Rachel Hawkins, Ash Parsons, and Vicky Alvear Shecter. Narrated by Shiromi Arserio and Alister Austin.
THE TRIANGLE– The mysticism and intrigue of the Bermuda Triangle has just turned personal for Admiral David Segarra: his former ship, the USS Wasp, has gone missing in the area without a trace. Created by Dan Koboldt. Written by Dan Koboldt, MindyMcGinnis, and Sylvia Spruck Wrigley. Narrated by Neil Hellegers.
… Though her presidency ended last year, the legacy of her work was on full display during a vibrant awards ceremony and conference, a gathering forced online due to the COVID-19 pandemic.
“She’s the reason that SFWA was able to do this pivot because she put the organization on such firm financial footing,” said Mary Robinette Kowal, SWFA president, during the awards, adding: “She was such an amazing president for five years. Let me say that again. She was president of SFWA for five years. Five.”
Asked to give a speech that Saturday night, the webcast from her delightfully book-cluttered office turned into a toss-the-script moment.
“I had a pretty speech all prepared, but the news this morning convinced me to throw that all away,” she said of the developing clashes around the country between protesters and law enforcement after George Floyd was killed by arresting police in Minneapolis last week.
She noted that the SFWA was started by a small group of writers who wanted to look out for their fellow writers. The need for that mission has only been reinforced in a time of pandemic and pandemonium.
(2) THE NOT RIGHT SPEAKS OUT. Alt-right blog Bounding Into Comics did a roundup of the opinions of writers Jon Del Arroz, Jennifer Marie Brissett, Kit Sun Cheah, Yakov Merkin, and Louie Lozano. who condemned plans SFWA announced yesterday in “A Statement from SFWA on Black Lives Matter and Protests”.
…Earlier this week, the Toybook published the copy of an email sent to affiliates by the marketing network Rakuten LinkShare. “In light of recent events, Lego has requested the below products to be removed from sites and any marketing ASAP,” the letter begins. The list of more than 30 products includes such playsets as Sky Police Air Base, Police Highway Arrest, Police Handcuffs & Badge and Police Pursuit, as well as a Lego version of the White House, which has been the site of several clashes between police and protesters.
In a statement provided to Yahoo Entertainment, Lego stresses that these playsets are not being pulled from sale in stores or online, but confirms that they are part of an ongoing marketing pause. No end date was specified as to when the brand would resume marketing. (Read the full statement below.)…
…There is no place for racism in our society. We stand with the black community against racism and inequality. Our mission is to inspire and develop the builders of tomorrow, and that includes inspiring them to be tolerant, inclusive and kind. There is more to do and as one small step, we are donating US$4 million to organizations in the U.S. dedicated to organizations that support black children and others that educate all children about tolerance and racial equality. …
…DC’s comics will be available through Lunar Distribution and UCS Comics Distributors, the companies that were set up during Diamond’s downtime, as well as Penguin Random House, which has been DC’s book distributor for many years.
…Asked for confirmation, a DC spokesperson sent this statement:
“After 25 years, DC and Diamond Comic Distributors are ending their long-standing relationship. Moving forward, comic book retailers can obtain their DC books from Penguin Random House, or their books and periodicals through Lunar or UCS comic book distributors. DC continues to be committed to providing the Direct Market with best in class service and the fans with the world’s greatest comic books.”
The mailer included this answer to “Why is DC Doing This?”
DC has been analyzing its Direct Market distribution for some time, long before COVID, specifically in light of sustained stagnant market growth. The timing of the decision to move on from Diamond was ultimately dictated by the fact that DC‘s contract with Diamond has expired, but incidentally, the disruption by COVID to the market has required DC to forge ahead with its larger growth strategies that will benefit both the Direct Market and DC.
… Diamond has just released a response from owner Steve Geppi….
Today, DC sent out a retailer communication indicating they are ending their long-standing relationship with Diamond. In April, we were informed that DC was going to begin distributing products through additional partners. At that time, they asked us to submit a proposal for a revised agreement with the understanding that Diamond would continue to be one of their distributors. Which we promptly did. They then requested an extension to June 30 which we also accommodated. Last week, DC requested an additional extension through July. We responded with questions and DC indicated they would reply today, June 5. Instead of receiving a response, today we received a termination notice. While we had anticipated this as a possible outcome, we, like so many others in the industry, are disappointed by their decision to end our partnership so abruptly at this time.
Marvel’s Jessica Jones: Playing With Firelaunched on Serial Box on May 28th, with new episodes available every Thursday. Jessica Jones’ dry sense of humor, her brand of “self care”, and a simple missing person case, what could possibly go wrong? (well, everything of course, and that’s what makes this so addictively entertaining!).
The 16 episode season was written by Lauren Beukes, Vita Ayala, Sam Beckbessinger, Zoe Quinn, and Elsa Sjunneson, and narrated by Fryda Wolff. …
NOAF: How did the team decide who was going to write which episodes? Any funny stories about how particular scenes were plotted out or designed?
LB: We settled it with an old-fashioned rage-in-the-cage, home-made weapons, anything goes, no backsies. No, that’s not right. We used our words and talked it out. What was interesting was how particular episodes really resonated with different writers. It was very organic and democratic. Elsa was excited to write the Matt Murdock chapters because it’s the first time the blind Daredevil has been written by an actual blind writer. Vita called dibs on the big fight scene, and Zoe wanted to delve into the psychological trauma and head games. I wanted to kick it off, set the tone and then we brought in another wonderful South African writer, Sam Beckbessinger, post-writers room, to write some of the later chapters.
(7) TODAY IN HISTORY.
June 5, 1956 — X Minus One’s “Project Mastodon” first aired. Based off multiple Hugo Award wining author Clifford D. Simak’s novella from the March 1955 issue of Galaxy Science Fiction, Three adventurers return to prehistoric times, found a country called Mastodonia, and try to establish diplomatic relations with the United States with somewhat mixed results. The script is by Ernest Kinoy. The cast members were Floyd Mack, Dick Hamilton, Charles Penman, Raymond Edward Johnson, Frank Maxwell, Bob Hastings, John Larkin and Joe Julian. You can listen to it here.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born June 5, 1844 — L. T. Meade. Author of series aimed generally at girls but who wrote several genre series as well, to wit Stories of the Sanctuary Club, The Brotherhood of the Seven Kings and The Sorceress of the Strand. All of these were co-written by Robert Eustace. Meade and Eustace also created the occult detective and palmist Diana Marburg in “The Oracle of Maddox Street” found initially in Pearson’s Magazine in 1902. (Died 1924.) (CE)
Born June 5, 1899 – Boris Artzybasheff. Prolific graphic artist in and out of our field; 200 covers for Time (one was Craig Rice – pen name of Georgiana Craig – first mystery-fiction writer shown there, 28 Jan 46). Here is his cover for The Circus of Dr. Lao – he did its interiors too; here is The Incomplete Enchanter. Here is a commercial illustration, “Steel”; here is Buckminster Fuller. Don’t miss him in Vincent Di Fate’s Infinite Worlds. Book of his artwork, As I See (rev. 2008). (Died 1965) [JH]
Born June 5, 1908 – John Fearn. British author of SF, crime fiction, Westerns; fairground assistant, cinema projectionist; wrote under two dozen names. Two hundred books in our field, two hundred eighty shorter stories. Guest of honor at Supermancon (the second Eastercon – British national SF con – to be held at Manchester). (Died 1960) [JH]
Born June 5, 1928 — Robert Lansing. He was secret agent Gary Seven in the “Assignment: Earth” episode of Trek. The episode was a backdoor pilot for a Roddenberry series that would have starred him and Teri Garr, but the series never happened. He of course appeared on other genre series such as The Twilight Zone, Journey to the Unknown, Thriller and Alfred Hitchcock Presents. (Died 1994.) (CE)
Born June 5, 1931 – Barbara Paul, 89. She says, “I did not grow up reading science fiction…. I was one of those smug mundanes who thought ‘sci-fi’ was all death-rays and aluminum-foil spacesuits and Robby the Robot. (Well, maybe sci-fi is, but not SF.) It wasn’t until my son, eleven at the time, handed me a book f short stories by Robert Sheckley that I began to realize what I’d been missing.” For us, six novels (I’m counting Liars and Tyrants and People who Turn Blue, which depends upon a psychic character), a dozen and a half shorter stories; more of other kinds e.g. detectives. [JH]
Born June 5, 1946 — John Bach, 74. Einstein on Farscape (though he was uncredited for most of the series), the Gondorian Ranger Madril in the second and third movies of The Lord of the Rings film trilogy, also a British bodyguard on The Chronicles of Narnia: Prince Caspian. And he was the body double for shooting Saruman in place of Christopher Lee, who was unable to fly to New Zealand for principal photography on The Hobbit film series. (CE)
Born June 5, 1949 – Ken Follett, 71. Five novels, as many shorter stories, in our field, under this and other names; translated into Dutch, Finnish, German, Hungarian, Italian, Spanish; dozens more, some international best-sellers; The Pillars of the Earth, about building a 12th Century cathedral, sold 27 million copies as of 2019; film and television adaptations. Non-fiction On Wings of Eagles about rescuing men from Iranian prison. Four honorary doctorates. Bass balalaika with folk group Clog Iron. [JH]
Born June 5, 1953 — Kathleen Kennedy, 67. Film producer responsible for E.T. the Extra-Terrestrial, her first film, and later produced the Jurassic Park franchise. She’s been involved in over sixty films, I’d say at least half genre, starting with Raiders of the Lost Ark as an associate to Steven Spielberg. Amblin Films with her husband and Spielberg has produced many of the genre’s best loved films. (CE)
Born June 5, 1960 – Margo Lanagan 60. A dozen novels, six dozen shorter stories, in our field; among the two dozen contributors to “Celebrating 50 Years of Locus” in Locu s687. Two Ditmars, three World Fantasy awards. Recent collection, Singing My Sister Down. [JH]
Born June 5, 1964 – P.J. Haarsma 56. Author, photographer. Co-founder of Kids Need to Read. Four Rings of Orbis books, two Spectrum comics (with Alan Tudyk, Sarah Stone) in that world, and an electronic role-playing game. Crowd-funded $3.2 million to start Con Man (television). Redbear Films commercial production. [JH]
Born June 5, 1971 — Susan Lynch, 49. Northern Irish actress whose career in film started off by being a selkie in The Secret of Roan Inish with her next role being an unnamed Paris Vampire in Interview with a Vampire. Film wise, her last role to date is Aunt Alice in Ready Player One. She’s got one series credit to date playing Angstrom In the Thirteenth Doctor story, “The Ghost Monument”. (CE)
Born June 5, 1976 — Lauren Beukes, 44. South African writer and scriptwriter. Moxyland, her first novel, is a cyberpunk novel set in a future Cape Town. Zoo City, a hardboiled thriller with fantasy elements is set in a re-imagined Johannesburg. It won both the Arthur C. Clarke Award and a Kitschies Red Tentacle for best novel. And The Shining Girls would win her a August Derleth Award for Best Horror Novel. (CE)
Do you need a dose of optimism and joy in such uncertain and turbulent times? We’ve got just the thing with a wonderful Jimmy Kimmel Live segment in which Mark Hamill (Luke Skywalker himself!) surprises a California healthcare worker who also happens to be a massive Star Wars fan. That’s Chloé Ducos, a registered nurse who works in a coronavirus testing tent in San Diego.
“I’m a pretend hero, you’re the real hero. Thank you for your service,” Hamill told Ducos, who burst into genuine tears of shock and happiness when the actor appeared on the virtual call and removed his Jedi-like hood. Her heartwarming reaction alone makes the video below worth watching.
Kimmel’s YouTube intro adds:
…We are also giving her $10,000 from our friends at PayPal, who will also be sending PayPal vouchers to all of her coworkers as well.
The 25-year-old teacher was helping archaeologists excavate an 800-year-old log cabin, high above the Arctic Circle on the northern coast of Alaska.
They had pitched tents right on the beach. Over the course of a month, Peterson watched a gigantic pod of beluga whales swim along the beach, came face-to-face with a hungry polar bear invading their campsite and helped dig out the skull of a rare type of polar bear.
But the most memorable thing happened right at the end of that summer trip.
“I noticed a red spot on the front of my leg,” Peterson says. “It was about the size of a dime. It felt hot and hurt to touch.”
The spot grew quickly. “After a few days, it was the size of a softball,” he says.
Peterson realized he had a rapidly spreading skin infection. And he thought he knew where he might have picked it up: a creature preserved in the permafrost….
Police officers and staff are being “terrorised” by a family of crows that is nesting at its headquarters.
Essex Police Deputy Chief Constable Pippa Mills warned visitors to the site to “beware” and “keep calm and keep walking” in a tweet about the issue.
She shared a photo of a warning sign which has been put up at Essex Police HQ.
It advises people to “take an alternative route” or “wear a hat or use an umbrella”.
The sign urges people to “not act aggressive as they will feel threatened”.
(15) IT REALLY BUGS THEM.The Harvard Gazette finds the worst problem with a lack of sleep might not center where you’d think: “Sleep, death, and… the gut?”
The first signs of insufficient sleep are universally familiar. There’s tiredness and fatigue, difficulty concentrating, perhaps irritability or even tired giggles. Far fewer people have experienced the effects of prolonged sleep deprivation, including disorientation, paranoia, and hallucinations.
Total, prolonged sleep deprivation, however, can be fatal. While it has been reported in humans only anecdotally, a widely cited study in rats conducted by Chicago-based researchers in 1989 showed that a total lack of sleep inevitably leads to death. Yet, despite decades of study, a central question has remained unsolved: Why do animals die when they don’t sleep?
Now, Harvard Medical School (HMS) neuroscientists have identified an unexpected, causal link between sleep deprivation and premature death.
In a study on sleep-deprived fruit flies, published in Cell on June 4, researchers found that death is always preceded by the accumulation of molecules known as reactive oxidative species (ROS) in the gut.
When fruit flies were given antioxidant compounds that neutralize and clear ROS from the gut, sleep-deprived flies remained active and had normal lifespans. Additional experiments in mice confirmed that ROS accumulate in the gut when sleep is insufficient.
The findings suggest the possibility that animals can indeed survive without sleep under certain circumstances. The results open new avenues of study to understand the full consequences of insufficient sleep and may someday inform the design of approaches to counteract its detrimental effects in humans, the authors said.
(16) VIDEO OF THE DAY. “Looking for Mr Bond, 007 at the BBC–James Bond Documentary” on YouTube is a 2015 BBC documentary,, directed by Matthew Thomas, that includes 50 years of behind-the-scenes footage from the BBC of Bond movies, including interviews with Ian Fleming, John le Carre, and Roald Dahl, who wrote the screenplay for From Russia With Love.
[Thanks to John Hertz, John King Tarpinian, JJ, Mike Kennedy, Michael Toman, Martin Morse Wooster, Chip Hitchcock, Cat Eldridge, and Andrew Porter for some of these stories. Title credit goes o File 770 contributing editor of the day Tom Becker.]
The writer’s final issue of the acclaimed series will be released in June.
Ta-Nehisi Coates will be leaving Marvel’s Black Panther this summer with the 25th issue of the title’s current run. The news, announced Saturday at Chicago’s C2E2 comic book convention, will leave the titular character — and his position inside Marvel in both fictional and real-world incarnations — significantly different.
Black Panther No. 25, to be released in June and illustrated by Daniel Acuna, will wrap up the storylines Coates has been telling since he started writing the character with the first issue of a series that ran from 2016-2018.
SUN: Before we go, I have to ask about your adventures in fund raising, the live pledge drives like the four hours you will be doing Sunday on your final night on MPT.
FEIKIN: Let me tell you one story. A long time ago, we used to work late into the night until 1 o’clock sometimes. And on Saturday nights, they had this program that I never watched, “Dr. Who.” I disliked the program, never watched it, so they never asked me to pledge it, and I never worked on Saturday nights.
But one time they had an emergency, and they asked me to please work on a Saturday night, and I did. And, of course. we had to pledge “Dr. Who.” So, I go out for the first break and do whatever I do and say whatever I say with whomever I was working with that night, and the phones are really dead. And there is nothing more miserable than to have no phones ringing.
So, you go back to the green room and wait for the second break. And I go out, it’s the same thing. It’s painful. So then, the third break comes and I’m tired now and annoyed that I have to be there, and again the phones aren’t ringing. And, finally, I just say, “You know what? I have to tell you, I’m going to really level with you, I don’t like this show. In fact, I never watch this show. And I don’t care if they take this show off the air. I really don’t. But if you like it, then you have to do something to keep it on the air. And you know what that is. You have to call in, you have to make a pledge.
Well, the phones went crazy. We got so much money in one break, it was just wonderful. Now, I never did do it again, I will say. Of course, when you get the book on how you’re supposed to do pledge, you’re never ever supposed to that.
Designed to fit today’s fast-paced lifestyle, Serial Box is available on all mobile devices. Users can read or listen to each weekly installment, switching between ebook and audio in just one click, without losing their place in the narrative. There will be SB-related gifts to all who come.
Jay Edidin is a reasonably professional writer, editor, and podcaster; an occasional performer; and a fledgling New Yorker. He co-wrote Thor: Metal Gods for Serial Box. Elsewhere in the Marvel multiverse, he’s the writer of the upcoming X-Men: Marvels Snapshot, a minor villain on Earth-92131, and marginally Internet famous as half of the podcast Jay & Miles X-Plain the X-Men.
Steve Marcarelli is a screenwriter and television producer living in Brooklyn with his wife, two rescue cats and record collection. He enjoys horror movies and romantic comedies. You can find him on Twitter @stevemarcarelli. He is the co-writer of Serial Box’s upcoming series LOW LIFE, together with Billy Lalor.
E. C. Myers is the author of six YA novels, including the Andre Norton Award-winning Fair Coin. He was assembled in the U.S. from Korean and German parts and raised by a single mother and a public library in Yonkers, New York. His work for Serial Box includes episodes of ReMade, Alternis, and Orphan Black: The Next Chapter. He lives with his wife, son, and three doofy pets in Pennsylvania.
K Arsenault Rivera is the author of The Tiger’s Daughter, a novel the Washington Post calls “thoughtfully rendered and palpably felt.” She immigrated to New York City from Puerto Rico as a toddler and has been complaining about the cold ever since. When not working with a non-profit organization, K spends her time at home in Brooklyn with her partners playing tabletop games. She is the lead writer on Serial Box’s supernatural noir series, KNOX.
event takes place Tuesday, March 3 at The Brooklyn Commons Café, 388 Atlantic
Avenue (between Hoyt & Bond St.). Doors open at 6:30 — event begins
(5) AHH, ROMANCE. The
Romantic Novelists’ Association revealed the winners for the 2020
Romantic Novel Awards on March 2. [Via Locus Online.]
Fantasy Romantic Novel Award
Ruth Hogan, Queenie Malone’s Paradise Hotel, Two Roads
The grant awards $3,000 to mid-list
authors and aims to help raise awareness about their current
works-in-progress. [Via Locus Online.]
(7) TODAY IN HISTORY.
March 2, 1984 — Repo Man premiered. It was written and directed by Alex Cox. It was produced by Jonathan Wacks and Peter McCarthy with the executive producer being Michael Nesmith. It starred Harry Dean Stanton and Emilio Estevez. It is widely considered to be one of the best films of 1984, genre or otherwise. Ebert in his review said that “Repo Man comes out of left field, has no big stars, didn’t cost much, takes chances, dares to be unconventional, is funny, and works. There is a lesson here.” It currently holds a 98% rating among the Rotten Tomatoes audience. You can watch it here .
March 2, 1988 — Gandahar (aka Light Years) premiered. It is a French animated science fantasy film. It was directed by René Laloux as based on Jean-Pierre Andrevon’s novel Les Hommes-machines contre Gandahar (The Machine-Men versus Gandahar). Notable English language voice actors include Glenn Close, John Shea, Penn Jillette and Teller. (Both speak.) Asimov made the revision for the translation. Audience reviewers at Rotten Tomatoes like it giving it a 73% rating. See it here on YouTube.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born March 2, 1904 — Theodor “Dr. Seuss” Geisel. My favorite books by him are Horton Hears a Who!, Green Eggs and Ham, and The Cat in The Hat. I adored the original How the Grinch Stole Christmas, can’t stand the Jim Carrey one and haven’t seen the most recent version. Oh, and let’s not forget the splendid The 5,000 Fingers of Dr. T. For which he wrote the story, screenplay and lyrics. (Died 1991.)
Born March 2, 1939 — Hugh Walters. He showed up three times on Who, first in a First Doctor story, “The Chase” playing Shakespeare, next as Runcible in “ The Deadly Assassin”, a Fourth Doctor story and finally as Vogel in “ Revelation of the Daleks”, a Sixth Doctor story. He’s also Carruthers on Jules Verne’s Rocket to the Moon, and has one-offs in New Avengers, The Ghosts of Motley Hall and She-Wolf of London. (Died 2015.)
Born March 2, 1943 — Peter Straub, 77. Horror writer who won the World Fantasy Award for Koko and the August Derleth Award for Floating Dragon. He’s co-authored several novels with Stephen King, The Talisman, which itself won a World Fantasy Award, and Black House. Both The Throat and In the Night Room won Bram Stoker Awards as did 5 Stories, a short collection by him. Ok, you know I’m impressed by awards, but this is reallyimpressed!
Born March 2, 1960 — Peter F. Hamilton, 60. I read and quite enjoyed his Night’s Dawn trilogy when it first came out and I’m fairly sure that I’ve read Pandora’s Star and Judas Unchained as they sound really familiar. (Too much genre fiction read over the years to remember everything…) What else have y’all read by him?
Born March 2, 1966 — Ann Leckie, 54. Ancillary Justice won the Hugo Award for Best Novel and the Nebula Award, Kitschies Award Golden Tentacle, Locus Award for Best First Novel, the Arthur C. Clarke Award, and the BSFA Award. The Ancillary Sword and Ancillary Mercy did not win awards but are no less impressive.
Born March 2, 1968 — Daniel Craig, 52. Obviously Bond in the present-day series of films which I like a lot, but also in Lara Croft: Tomb Raider as Alex West, Lord Asriel In the film adaptation of Philip Pullman’s The Golden Compass, in SF horror film The Invasion as Ben Driscoll, in the very weird Cowboys & Aliens as Jake Lonergan,voicing Ivan Ivanovitch Sakharine / Red Rackham in The Adventures of Tintin and an uncredited appearance as Stormtrooper FN-1824 In Star Wars: The Force Awakens.
Born March 2, 1992 — Maisie Richardson-Sellers, 28. A most believable Vixen on Legends of Tomorrow for the first three seasons in my opinion as I’ve always liked that DC character. (Season four onward, she’s been Clotho.) Prior to that role, she was recurring role as Rebekah Mikaelson / Eva Sinclair on The Originals, andshe had a cameo as Korr Sella in Star Wars: The Force Awakens.
(10) NYC BOOK FAIR. On March 6 and 7, the New York
City Book and Ephemera Fair will take place in Wallace Hall at St. Ignatius
Church, 980 Park Ave at 83rd. There will be 60 dealers from 20
states, Canada, and Italy.
Marvel Entertainment’s Netflix television partnership, which produced shows such as “Daredevil” and “Jessica Jones,” might be dead, but fans can acquire a piece of the superhero franchise’s history at an upcoming auction.
On Friday, Marvel and Prop Store announced a June auction that will feature a variety of items from “The Punisher” and “The Defenders.” Bidding opens in May though the event, which does not have a specific date, will take place in Los Angeles, fans will be able to bid via telephone or online.
Props expected to be auctioned off include the Punisher’s (Jon Bernthal) vest and skull-clad armor, and a handful of masks from the series’ second season. Several other superhero costumes, including the red Daredevil mask and Colleen Wing’s (Jessica Henwick) katana will also be auctioned off.
“Inspired by the Big Brothers Big Sisters’ mission of creating and supporting one-to-one mentoring relationships that ignite the power and promise of youth, Dragon Con challenges its fans to support the charity and get involved,” the release reads.
But the partnership goes well beyond encouraging support. In the past five years, Dragon Con says it has raised more than $566,000 for its charity beneficiaries. Last year’s charity, the American Heart Association, was given more than $142,000, according to Dragon Con.
(13) THEORY OF ROCKETRY. Those science films may have been useful; in “From YouTube to your school” the Harvard
Gazette reports that research shows online STEM demonstrations can be as
effective as classroom teaching.
YouTube has become the go-to for quick tutorials on almost any topic, from how to replace a zipper to how to install a water heater. But could some of the most memorable parts of a STEM course — live demonstrations — be brought to the screen effectively? In a new paper, Harvard researchers show for the first time that research-based online STEM demonstrations not only can teach students more, but can be just as enjoyable.
Researchers hope these findings will help spur the creation of a catalogue of free online STEM video demonstrations to supplement lectures at institutions that cannot conduct their own. “We have an incredible group of scientists who present live demos for our students, but very few schools have these dedicated resources,” said co-author Logan McCarty, director of science education in the Department of Physics, who oversees Harvard’s Lecture Demonstration team. “With YouTube and other online channels, we can share Harvard’s technical and pedagogical expertise with the world.”
The research was based on previous literature by Kelly Miller, a lecturer in applied physics and co-author with McCarty. The previous article, published in 2013 by Miller and Eric Mazur, Balkanski Professor of Physics and Applied Physics, showed that students often misunderstand lecture demonstrations. They turned to science demos after hearing time and again that they are students’ favorite part of the lecture. After all, who could forget a ball levitating on a sound wave or a laser bending into a tank of water?
“Our research suggests that when live demos are unavailable, videos can provide students with an equally effective — or possibly even more effective — learning experience,” said co-author Louis Deslauriers, director of science teaching and learning in the Faculty of Arts and Sciences. “Even when live demonstrations are available, it may be helpful to supplement them with high-quality videos.”
Their paper in the February issue of Physical Review, Physics Education Research was spun into motion by first author Greg Kestin, a preceptor in physics who produces a series with NOVA called “What the Physics?!”
This latest anomaly — as explosions tend to be called in the space business — appears to be doing little to set back Starship’s development. Elon Musk showed off the company’s stockpile of nose cones at Boca Chica last month, and prototype SN2 continued to come together on one side of the site this weekend, even as the remains of SN1 were being cleaned up nearby.
Researchers have discovered a huge snowman-shaped star with an atmospheric composition never seen before.
It is more massive than our Sun but only two-thirds the Earth’s diameter.
The object is thought to have resulted from the merger of two so-called white dwarf stars that often explode as powerful supernovas.
Dr Mark Hollands, of Warwick University, said the team’s discovery could help scientists better understand how this process occurs.
“The most exciting aspect of this star is that it must have just about failed to explode as a supernova. There aren’t that many white dwarfs this massive.
“There remains much uncertainty about what kind of stellar systems make it to the supernova stage. Strange as it may sound, measuring the properties of this ‘failed’ supernova, and future look-alikes, is telling us a lot about the pathways to thermonuclear self-annihilation.”
(16) SOUND FAMILIAR? In the Washington Post, Max
Brooks says in a Perspectives piece that his 2006 novel World War Z was
banned in China because he predicted that the zombie pandemic began in China
and how he refused to change the name of China to an imaginary country in order
for his novel to have a Chinese edition. “China
barred my dystopian novel about how its system enables epidemics”.
I refused. Having an open society, where the government operates transparently and information circulates freely, is the bedrock of public health. Censoring those chapters would play into the very dynamics that endanger citizens. Even with the best of intentions, a government that operates secretively and without accountability is ill-equipped to contain an epidemic. Lacking trust in the authorities, or dependable sources of knowledge about how to protect themselves — whether from infection or from abuses of power — citizens are left more vulnerable to both.
As much as I’d like to take creative credit for coming up with this scenario in my book, the one that inadvertently foreshadowed today’s crisis, I didn’t: I based the spread of my virus on the real-life spread of SARS. Cases emerged in China in late 2002, but for months, the Chinese government did not warn the public about the new and deadly pathogen.
Following the announcement that Captain Picard’s adventures would continue in CBS All Access’ Picard, fans wondered whether Patrick Stewart’s return to the franchise meant that other Star Trek alum could also get their own series. Last year, William Shatner said he “would not be interested” in doing a Kirk TV series, citing how “debilitating” it was to shoot a series due, in large part, to the long working hours. Fast forward a year later and Shatner provides an update when a fan posed the question on Twitter. The answer is, unsurprisingly, still a big nope. In his words:
No. I think Kirk’s story is pretty well played out at this point.
[Thanks to Cat Eldridge, Mike Kennedy, JJ, Martin Morse Wooster, Michael Toman, Chip Hitchcock, Andrew Porter, Lise Andreasen, Jeffrey Smith, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Bill.]
Conspiracy theories used to be seen as bizarre expressions of harmless eccentrics. Not any more. Gone are the days of outlandish theories about Roswell’s UFOs, the “hoax” moon landings or grassy knolls. Instead, today’s iterations have morphed into political weapons. Turbocharged by social media, they spread with astonishing speed, using death threats as currency.
…Their growing reach and scale is astonishing. A University of Chicago study estimated in 2014 that half of the American public consistently endorses at least one conspiracy theory. When they repeated the survey last November, the proportion had risen to 61%. The startling finding was echoed by a recent study from the University of Cambridge that found 60% of Britons are wedded to a false narrative.
The segment on Brianna Wu begins:
An accurate floor plan of her house was assembled and published online, along with her address and pictures of her car and license plate. And then there were the death threats – up to 300 by her estimate. One message on Twitter threatened to cut off her husband’s “tiny Asian penis”. The couple evacuated their house and took refuge with friends and in hotels.
Wu now devotes her time to running for Congress from her home in Dedham, Massachusetts. She sees her candidacy as a way of pressing federal authorities to take the problem of online conspiracy theories and harassment seriously. “The FBI employs about 30,000 agents in the US. As best as I can tell there’s no division that is specifically tasked with prosecuting extreme threats online – it’s simply not a priority for them,” she says.
Yesterday, 100 passionate Planetary Society members joined us on Capitol Hill for our Day of Action. They discussed the importance of space science and exploration with their congressional representatives and advocated for NASA’s continued growth. It was a huge success!
Through their efforts, we reached more than 127 congressional offices in 25 different states. We are grateful for the passion and dedication of these members.
…After all of that, Captain Marvel is in the unenviable position of having to introduce a new character to the MCU, lay out her origin story, tie her in with the current MCU timeline, create backstories for several previously established characters, and set up even more significant elements for Avengers: Endgame. But Captain Marvel mostly bears the weight of those expectations. It rises to the occasion with strong performances and with its directors’ willingness to slow down and take their story seriously, balancing humor, action, and exposition in a carefully calibrated package.
Captain Marvel (Brie Larson) is initially introduced as Vers, a Starforce Agent for the alien Kree race. Vers isn’t a character from the original Captain Marvel comics, but Marvel readers may recognize her fellow Starforce members: Korath the Pursuer (Djimon Hounsou, Guardians of the Galaxy), Minn-Erva (Gemma Chan, Crazy Rich Asians), Bron-Char (Rune Temte, The Last Kingdom), Att-Lass (Algenis Pérez Soto, Sugar), and their leader Yon-Rogg (Jude Law). Vers has powerful Kree abilities: super strength, physical endurance, and the ability to shoot blasts of energy from her fingertips. But she can’t remember how she got those powers, or what her life was like before the Kree found her and brought her to their homeworld of Hala.
DOZEN. Sarah Mangiola posted this last year at The Portalist — “13
Must-Read Hugo Award-Winning Books”. Some of these are short
story collections where the title story was the Hugo winner.
Ill Met in Lankhmar and Ship of Shadows
By Fritz Leiber
The 1971 Hugo Award winner for Best Novella, “Ill Met in Lankhmar” recounts the meeting and teaming up of Fafhrd and the Grey Mouser—serving as a prequel of sorts to Leiber’s The Fafhrd and the Gray Mouser book series. Featured alongside four other stories in Swords and Deviltry, “Ill Met in Lankhmar” starts when Gray Mouser and Fafhrd simultaneously ambush the Thieves’ Guild and steal valuable jewels that they themselves had just stolen. Realizing they make a good team, Gray Mouser and Fafhrd join forces and attempt to infiltrate the headquarters of the Thieves’ Guild.
…This book started out simply as a biography of Milicent Patrick, an influential artist whose legacy has been purposely obfuscated for decades. She was an illustrator, a concept artist, one of the first female animators at Disney and the designer of the iconic monster from the 1954 science fiction film CREATURE FROM THE BLACK LAGOON.
The press and attention that Milicent got as the designer of the Creature was the pinnacle of her career. It also caused her downfall. Her boss at the time was so jealous of her being in the limelight with the Creature that he fired her. Milicent never worked behind the scenes in Hollywood again and no one knew what became of her.
While I was researching and investigating her life, it became clear to me that I couldn’t write about what happened to Milicent Patrick without writing about why it happened to her. It’s easy to hear a sad story about a woman dealing with sexism in the 1950s and think, “Man, what a bummer. That’s just how things were back then!”
But it wasn’t just how things were back then. What happened to Milicent Patrick is still happening. It’s happening right now….
It all started when a circle of Tintin fans in the Netherlands, de Herge Genooschap, ran a few strips in their internal newsletter. They were dragged to court, facing a penalty of up to €100,000 ($154,000).
They are only the latest party to have fallen foul of Nick Rodwell, self-proclaimed “the least popular man in Belgium”.
Mr Rodwell is the British-born manager of Moulinsart, the company that holds the rights to the Herge estate. Students, scholars, admirers and collectors alike have been harshly prosecuted at the faintest sign of a Tintin drawing, with Moulinsart demanding arrests, confiscations and colossal sums out of all proportion with the alleged offences.
My friend, longtime fan, author, fanzine publisher and comics researcher Steven Ogden died on March 1st, 2019 after a lengthy battle with leukemia and everything that goes along with its treatment.
Steve – along with his wife, Vicki – published fanzines and mini-comics through Spotted Zebra Press/New Spotted Zebra Press since the ’80s (or perhaps slightly earlier). Publications included Ouroborus, the mammoth Brad W. Foster Checklist of Published Works from the 20th Century (1972-2000), Edgar’s Journal, Metaphysical Pornographic Funnies and many others. He was also a longtime member of FAPA (The Fantasy Amateur Press Association).
His wife Vicki asks that instead of flowers donations
be made to the Leukemia & Lymphoma Society:
(8) TODAY IN
5, 1944 — Captain America premiered theatrically in theaters as a serial.
by Cat Eldridge.]
Born March 5, 1874 — Henry Travers. Only two genre roles to my knowledge, he appeared in The Invisible Man as Dr. Cranley and he was in Death Takes a Holiday as Baron Cesarea. (Died 1965.)
Born March 5, 1894 — Henry Daniell. His most famous role is SF film was as a Morgana in From the Earth to the Moon. He has more obscure roles over the decades in films such as playing William Easter in Sherlock Holmes in Washington or Dr. Wolfe ‘Toddy’ MacFarlane in The Body Snatcher where he’d have been upstaged by it being the last film of both Karloff and Lugosi. (Died 1963.)
Born March 5, 1936 — Dean Stockwell, 83. I remember him best as Admiral Al Calavicci, the hologram that advised Sam Beckett on Quantum Leap. Other genre roles included being in The Dunwich Horror as Wilbur Whateley, in The Time Guardian as simply Boss, Doctor Wellington Yueh In Dune, a role I had completely forgotten, and voiced Tim Drake in the excellent Batman Beyond: Return of the Joker. Series work beyond Quantum Leap includes Twilight Zone, Alfred Hitchcock Presents, Mission: Impossible, Night Gallery, Quinn Martin’s Tales of the Unexpected (pay attention class, this has showed up before), Star Trek: Enterprise, Battlestar Galactica and Stargate SG-1.
Born March 5, 1942 — Mike Resnick, 77. It’s worth noting that he’s has been nominated for 37 Hugo Awards which is a record for writers and won five times. Somewhat ironically nothing I’ve really enjoyed by him has won those Hugos. The novels making my list are Stalking the Unicorn, The Red Tape War (with Jack L. Chalker & George Alec Effinger), Stalking the Dragon and, yes, it’s not genre, Cat on a Cold Tin Roof.
Born March 5, 1952 — Robin Hobb, 67. Whose full legal name is the lovely Margaret Astrid Lindholm Ogden hence her two pen names. I reasonably sure the first thing I read and enjoyed by her was Wizard of the Pigeons, but The Gypsy with Steven Brust was equally enjoyable and had the added bonus of a Boiled in Lead soundtrack.
Born March 5, 1955 — Penn Jillette, 64. Performed on Babylon 5 in the episode scripted by Neil Gaiman titled “Day of The Dead” as part of Penn & Teller who portrayed comedians Rebo and Zooty. It’s one of my favorite episodes of the series. Also he had a recurring role on Sabrina the Teenage Witch as Drell, the head of the Witches’ Council. He’s been in Fantasia 2000, Toy Story, Futurama: Into the Wild Green Yonder, Sharknado 3: Oh Hell No!, Lois & Clark: The New Adventures of Superman, VR.5, Space Ghost Coast to Coast and most recently Black Mirror.
Born March 5, 1975 — Jolene Blalock, 44. Best known for playing T’Pol on Enterprise. Genre wise, she’s also been in Jason and the Argonauts as Medea, Stargate SG-1 as Ishta, Starship Troopers 3: Marauder as Captain Lola Beck and as the Legend of the Seeker as Sister Nicci.
(9) COMICS SECTION.
It’s not only authors who want to GET PAID, so do devices — Bizarro.
Garfield is about a fellow who will never have a Mount TBR.
… How would Simmons’ Jameson react to the dusty ending of Avengers: Infinity War? How would he potentially act, if he was to survive, during Avengers: Endgame? Would he finally cut Spider-Man some slack? Would the web-slinger finally earn his respect?
Thanks to a new spoof made by Lights, Camera, Pod, we don’t have to just sit and wonder. J.K. Simmons himself returned to voice Jameson for this animated video, and, well, see for yourself:
…The way they managed to get us was that we had promised that RSR would be politics-free: focused on the stories alone. But I had been using my reviews to express my annoyance with the use of “non-binary ‘they’” in stories and making it fairly clear I didn’t take the whole non-binary thing seriously. As a long-standing member of the LGBT community, I certainly have the right to voice my opinion of the non-binary movement (although it quickly became clear that I was very out-of-date and should have at least talked to a few non-binary people), but RSR was not the place to have that discussion. Worse, the first my husband (and co-editor) learned of this was when our enemies produced a horrendous “open letter” that was a mix of half-truths and outrageous lies but supported with links to my own reviews. He was, understandably, rather upset with me.
Most embarrassing was that Locus asked me to withdraw from the panel that selects their annual recommended reading list, and issued a press release about it.
We recognized that our enemies wouldn’t be satisfied by anything we did. “If we committed suicide, they’d just say we did it wrong.” So we apologized to our readers for what we genuinely believed I had done wrong, and I went through the old reviews and comments and carefully removed everything that we agreed shouldn’t be there, based on our own principles. They made fun of our apology, of course, but we didn’t care; we didn’t do it for them.
Then we waited to see what happened. We agreed that if volume to the site fell in half, we’d shut it down and find something else to do. It had been a miserable, humiliating experience, and it’s not like we make any money from Rocket Stack Rank. (We brag that we change no fees, run no ads, use no affiliate codes, and never beg for donations.) We think of it as our gift to fandom, and if fans didn’t want it, we wouldn’t keep doing it.
But, volume increased.
During the hullabaloo, volume more than doubled (by all measures) for about a month, based on year-on-year comparisons. But the next few months showed that we kept 20% of that. If we lost any readers, they were more than made up for by the ones who learned about us through this thing. (Maybe it really is true that all publicity is good publicity.) Year-on-year growth has continued, and we’re now actually bigger than some of the semiprozines that Locus reports on (although nowhere near the size of the ones we actually review).
(12) HAGER WINS AGAIN. Storylines Margaret Mahy Medal and Lecture Award for 2019
goes to Mandy Hager for
life-time achievement and a distinguished contribution to New Zealand’s literature
for young people. Her Singing Home
the Whale, about a teenaged boy who
befriends a baby orca, won the 2015 New Zealand Book
Awards’ Margaret Mahy Book of the Year (see a review here.)
Her near-future dystopia The Nature of Ash won the 2013 LIANZA
YA Fiction Award (Library and Information Association of New Zealand Aotearoa).
Valve did not immediately respond to a request for comment, but on the game’s website, the developer seems aware that its creation is controversial.
“You can’t reasonable [sic] consider banning rape in fiction without banning murder and torture,” the developer says.
“Most people can separate fiction from reality pretty well, and those that can’t shouldn’t be playing video games,” the developer continues.
Technically, Rape Day does not appear to violate Steam’s current content rules, but the developer appears unsure if the game will make it to the final release without getting banned off the platform. Already, the game has been modified to avoid potential content issues — in one news update, the creator says they got rid of a “baby killing scene” in case it gets marked as child exploitation. Rape Day’s website also lists out a couple of plans of action for what may happen to the game, and the developer, should anything get taken down.
“I have not broken any rules, so I don’t see how my game could get banned unless Steam changes their policies,” the developer wrote. “My game was properly marked as adult and with a thorough description of all of the potentially offensive content before the coming soon page went live on Steam.”
In K. Chess’ debut novel, Famous Men Who Never Lived, at some point in the past, reality diverged, and an alternate timeline played out alongside our own. Then, that world was devastated by a nuclear attack, and extradimensional refugees started showing up in our own reality. As Chess follows the lives of refugees from that alternate world, she delivers a story about immigration and how those who lose everything they’ve ever known are able to cope with their new reality.
Serial Box’s new space opera is an action-packed, politically-driven adventure written by an impressive author lineup.
…Together, they take on a space opera that touches on the strengths of all four of these works, while being something very different. Welcome to the system home to Khayyam, Gan-de and Hypatia, where the careless extraction of hydrogen by wealthy inner planets is causing the slow collapse of the sun and the death, over centuries, of all inhabitable worlds – beginning, of course, with the blameless, impoverished outer worlds. Mix in a hardened soldier-for-hire who is herself an escapee from the dying worlds, and her naive non-binary sidekick, and you’ve got an indisputable recipe for success, right?
How does the world get from the police we know today to Judge Dredd? JUDGES Volume 1 brings us closer to the answer with a trio of short stories set in the Judge Dredd universe. It doesn’t quite reach the bombast of that source material though.
…But if you’re not familiar with the Judges program or the Judge Dredd world, these stories aren’t going to do you a lot of favors in the way of building this world.
To say that the saga of Binti is a modern masterwork is obvious. Despite the tragedy throughout the series, the physical tragedies, the emotional baggage Binti brought with her when we first met her to the profound affect those physical tragedies had on Binti, one thing was even more clear. Hope. This is very much a forward-thinking series with a charmingly brilliant and empathetic protagonist. Okorafor impressively packs these short novels/novellas with an incredible amount of emotion, fantastical ideas, and philosophical ideals in and of themselves. That the trilogy (plus short story) is under 400 pages and is so powerful is a marvel of storytelling.
(18) THE VERDICT. Camestros Felapton wrote individual reviews of the six
2018 Nebula Awards short story nominees, and now deals with how they work
collectively on the literary award’s ballot: “Nebula
Shorts: Summing Up”.
I’d contend that there are three clearly exceptional short stories in the Nebula short story finalists. There is a fourth I can see an argument for, there is another that I don’t get but others clearly did and there’s a sixth which, while having many positive qualities, probably shouldn’t be a finalist.
(19) MANY MONSTERS. Ultraman is coming to Netflix (like everything
Years ago, the famous giant of light Ultraman worked to protect peace on Earth. Now, a new champion arises: Shinjiro Hayata, a high-school student who must don the Ultra Suit and the worries that come with it. The son of the former Ultraman, he will become this generation’s new hero! Netflix Original Anime Ultraman starts streaming worldwide April 1st, only on Netflix.
(20) GENRE PLAT. Matthew
Johnson left another masterwork in
All books can be SFnal books, though recent books are bolder You never know when Dick and Jane might meet with a Beholder The correct double entrendre Can make anything genre You can give a ray gun to Atticus Finch Let Lennie and George cast a spell in a pinch.
JJ, rcade, John King Tarpinian, Cat Eldridge, Chip Hitchcock, Mike Kennedy,
Martin Morse Wooster, Hampus Eckerman, Carl Slaughter, and Andrew Porter for
some of these stories. Title credit goes to File 770 contributing editor of the
day Matthew Johnson.]
L to R: Joel Derfner, Michael Swanwick, Max Gladstone, Matthew Cody, Lindsay Smith, Ellen Kushner, Amy Goldschlager.
By Mark L. Blackman: On the spring evening of Tuesday, May 2, the New York Review of Science Fiction Readings Series, in a special event, showcased Serial Box, a publisher of serialized fiction in text and audio delivered in weekly episodes; it currently runs five ongoing series. In this innovative – or perhaps retrograde – publishing platform, as with television, the serials are collaboratively written by author teams. Representing four of the serials, and reading from their projects, were authors Michael Swanwick, Max Gladstone, Lindsay Smith, Matthew Cody, and Joel Derfner. (Ellen Kushner participated in the events, though did not read.) The stories were as diverse as the “writers rooms,” touching upon Urban Fantasy, Mannerpunk, Magical Espionage, and Young Adult Science Fiction.
Welcoming the audience to the Series’ venue, the Brooklyn Commons in transit-accessible Brooklyn, executive curator Jim Freund, host of WBAI-FM’s Hour of the Wolf radio program on sf and fantasy, shared the sad news of the death of Ama Patterson, who had been an integral part of Andrea Hairston’s performance at the Series. He thanked members of his own team, hinted at a possible special event later in the month, and announced that the 26th Season would likely close on Tuesday, June 6 with readings by Sam J. Miller and Lara Elena Donnelly. He then turned the stage over to the evening’s guest host/guest curator (and curator emerita) Amy Goldschlager.
Amy Goldschlager, an editor, proofreader and book/audiobook reviewer, related that serialized fiction began in the 19th century (notably with Dickens), and shared worlds with Thieves World and Wild Cards; Serial Box, she saw as “a wonderful confluence of it all.” With that, she introduced the first reader of the night, Joel Derfner, representing the Mannerpunk Tremontaine.
Joel Derfner is the author of Gay Haiku, Swish: My Quest to Become the Gayest Person Ever and What Ended Up Happening Instead, and Lawfully Wedded Husband: How My Gay Marriage Will Save the American Family. (Indeed, he does live, “alas, in Brooklyn, along with his husband and their small, fluffy dog.” He never did explain that “alas,” however.) His selection, from the prequel to – set 15 years before – Swordspoint, and preceding the writing of On the Causes of Nature (which figures in that novel), was characterized by Goldschlager as a “delightfully snarky bit of foreshadowing,” and contained many double entendres – intentional and not – about sausages. (His sex scenes, he said, were too long.)
Next to read was Lindsay Smith, who offered a scene from the “urban fantasy Cold War thriller” (Goldschlager) The Witch Who Came in From the Cold. There are, Smith explained, two factions of witches, the Fire and the Ice (so “the Cold” is not just the Cold War), fighting a war (here in 1970s Prague) alongside the one with American, British and Soviet spies.
Like Smith, Matthew Cody is a YA author; his published works include the award-winning Powerless and the Supers of Noble’s Green series, the Robin Hood re-imagining Will in Scarlet, and his current series The Secrets of the Pied Piper. His Serial Box series, ReMade, is about resurrected teens who are kidnapped and sent to the future; the action takes place in the future and in flashbacks (the present), and the scene that he chose was one of the latter. The boy, Holden (yes, named after you-know-who), who played a fairy (the only boy one) with no lines in A Midsummer Night’s Dream, nervously offers a ride to the cast party to its star (Titania), which does not end as he might have hoped.
During the intermission, a raffle drawing was held for donors in the audience, and two won a season of the Serial Box serial of their choice.
Max Gladstone, co-creator of The Witch Who Came in From the Cold and creator of Bookburners, describes himself as having “been thrown from a horse in Mongolia, drunk almond milk with monks on Wudang Shan, and wrecked a bicycle in Angkor Wat.” He is also the author of the Craft Sequence of books about undead gods and skeletal law wizards, Full Fathom Five, Three Parts Dead, Two Serpents Rise, Last First Snow., and the forthcoming Ruin of Angels (which doesn’t have a number in the title!). Bookburners is, he explained, a “supernatural procedural” about secret agents from the Vatican who pursue demons and black magic. For his reading, he offered the audience a choice between the first season and a preview of the third, which is launching in June, and the latter won out (the vote was not “rigged”). (What happened in Belfast?)
Back on stage, Goldschlager said that she and Freund had asserted that there can’t be a NYRSF Readings season without a reading by Michael Swanwick, and he writes for Serial Box. Swanwick has written nine novels – the latest of which is Chasing the Phoenix – 150 short stories, and countless flash fictions, and has received the Nebula, Theodore Sturgeon, World Fantasy and Hugo Awards. He returned us to The Witch Who Came in From the Cold, prefacing his reading by noting that, as if there aren’t already too many characters in it, he had brought in two more, the Russian general Bitovsky and the Norwegian Magnus. (They must be spies – they’re meeting in “a spy bar.”)
There was a recess as the stage was reset with all of the readers – joined by Kushner – for an interview by Goldschlager. She opened by asking about the process of collaboration, which Gladstone called “a Frankenstein process.” There are a lot of story breakdowns. (As on tv, the editor/publisher equivalent is a “showrunner.”) Smith said that Witch is “more puzzle-piecey,” with people gravitating toward their own characters. Derfner disagreed, and jokingly called her a liar. There are a lot of personal meetings over Tremontaine. Gladstone noted his writers retreats. What struck him, said Swanwick, was how many times a story goes through the editorial process, somewhere between six and 123 (he cited a debate over whether it’s duct tape or duck tape – as in a film or tv show, there has to be consistency, or continuity). There is a “house voice.” Derfner said that he liked “having structure, and not having to make things up.” In Season 1, he said, he had trouble getting Diane’s (the Duchess Tremontaine) voice right and asked Kushner to revise him. She said that she was doing Joel doing herself; the process was “metaphysical” (I offered the word). They had to invent a new way of doing a narrative.
Cody said with his background in theater (he holds a Master’s Degree in Theater, with a focus on Shakespeare), he enjoyed the collaborative process. People would fight for their idea, but only up to a point. Alluding to ReMade, Goldschlager noted that we figure things out (that they’re in the future) before the characters do, and wondered about how “genre-savvy” the readers are, particularly in YA. Whatever the genre, replied Cody, soap opera is the “underpinning” of YA. Finally, she asked Gladstone if The Witch Who Came in From the Cold and Bookburners take place in the same universe. “Stay tuned,” he intoned, providing a perfect conclusion to the interviews.
In the Q&A that followed, an audience member asked how they select people to be “in their zone.” Gladstone looks for writers “who are going to jump on and run with it” and had a “willingness to speak the same language.” Kushner said that she had it easier, had the advantage of everyone being a Swordspoint fan, knowing and loving the Riverside books, and knowing that they can “play well with others.” The writers, she continued, “have to be flexible, open to their ideas being changed.” There are gay men in the story, and so she has “an actual gay man” writing episodes. His theatrical background also helps. (Derfner has, as his biography states, composed the score to musicals that “have played in New York, London, and various cities in between [going counterclockwise].”) Her Tremontaine team, she observed, was “queer or writers of color, or both.”
The next questioner asked if the long form was easier to play with than a shorter form. Gladstone said that it made it easier to “compartmentalize.” Smith said that they have to create an “atmosphere;” she can tell which writer wrote which episode, yet the story unifies and flows. The final questioner asked about how much work goes into the “Series Bible” (again, a tv term). Cody said that it gave “everyone a level playing field,” but, as Gladstone agreed, it changed quickly and almost immediately as everyone gave input.
The customary Jenna Felice Freebie Table returned and there were copies of Tremontaine offered for sale. The audience, which approached 70, included Melissa C. Beckman (the Readings’ “official photographer”), Richard Bowes, Rob Cameron, Lynn Cohen Koehler, Barbara Krasnoff (the House Manager and a Nebula Award nominee), John Kwok, Lissanne Lake, Marianne Porter, James Ryan, Terence Taylor (Tech Director), Paul Witcover, and Serial Box co-founders Molly Barton and Julian Yap. Throughout the course of the evening and afterward, members of the audience availed themselves of the Café’s fare.