Pixel Scroll 8/20/20 The Pixel Came Back From Nothing At Scroll

(1) NASFIC FAN FUND AUCTION. Michael J. Lowrey makes a last-minute appeal: We still need items for auction pretty desperately: books, fanzines, tuckerizations, fannish memorabilia, whatever, for the Virtual FanFund Auction at the virtual NASFIC on Facebook.” Post items there. The auction starts Friday. Lowrey says — 

An auction item post should include the following:

Item Name
Description
Minimum Bid

Please note that if your Fan Fund Auction Donation requires shipping, you are expected to pay for that shipping as an additional donation. If you wish to restrict shipping to your home country, say so up front.

This is a Silent Fan Fund Auction, to be held on behalf of TAFF (the Trans-Atlantic Fan Fund, http://taff.org.uk/), GUFF (the Get Up-and-over Fan Fund, https://taff.org.uk/guff.html), DUFF (the Down Under Fan Fund, https://downunderfanfund.wordpress.com/), and LAFF (The Latin American Fan Fund). These funds serve to enable fans to travel to other countries and continents to attend their major conventions and meet the local fans, people they may know only from letter columns, email, or chatty websites. And to get it all done, the funds depend on contributions of fans like you… and, of course, benefit auctions.

This is your chance to pick up any number of interesting things… art, books, fanzines, pulp magazines, t-shirts, things that somehow involve cats… the opportunity to be “Tuckerized” into a work of fiction… or other peculiar or “fannish” stuff.

Donations for the fan fund auction will be accepted via posts to this event, and we also accept monetary donations via paypal to n.a.taff.2020@gmail.com. If you would like the proceeds from your auction donation to go to a particular fan fund, indicate that in your post. The proceeds from donations without designations will be evenly split between the fan funds.

(2) SHIELDS UP. [Item by Martin Morse Wooster.] Chris Lindahl, in the Indiewire story “Embroiled In A Legal Battle, Nichelle Nichols’ Family Seeks GoFundMe Help For Star Trek Icon”, says that Nichols’s son, Kyle Johnson, is suing her manager, Gilbert Bell, saying that Bell is taking advantage of Nichols’s infirmity to abuse her fortune.  Nichols was diagnosed with dementia in 2013 and had a stroke in 2015.  The GoFundMe campaign which has raised $64,760 of its $100,000 goal is under “Shields Up Nichelle Nichols.”

Now allegedly suffering from dementia, Nichelle Nichols, 87, who played Uhura on the original “Star Trek” in the late 1960s, is embroiled in an ongoing legal battle involving her manager, Gilbert Bell. Alleging Bell took advantage of Nichols over the last decade, Nichols’ family has taken to GoFundMe to help raise money for the icon’s legal battle.

The most recent court action came earlier this month, when Kyle Johnson, Nichols’ son, filed a cross complaint against Bell. The complaint is in response to a 2019 lawsuit filed by Bell against Johnson, where Bell alleges that it is Johnson’s actions that are harming Nichols — while Bell has always had her best interests in mind.

Johnson has denied Bell’s allegations of wrongdoing against him. Bell has not yet responded in court to Johnson’s allegations. IndieWire has reached out to lawyers for Johnson, Bell, and a representative for Nichols….

(3) THE CAISSONS KEEP ROLLING ALONG. I would like to contest the claim in Steve Davidson’s title “The Science Fiction Cannon is Not a Thing; Canon is.”

…There’s also the contention that Science Fiction is a continuum, an on-going, centuries old dialogue of call and response, writers reacting to published works and offering up variations, counter-arguments, expansions in response. “We stand on the shoulders of giants” is an expression often used to acknowledge that without the work perfomed by previous generations of authors, editors, publishers, artists and fans, contemporary SF would not be where it is today.

That latter is often negatively receieved these days, and it shouldn’t be. Much is made about contemporary SF rejecting the all white heterosexual european male colonialist based SF of the 40s, 50s and 60s – but of course without the existence of such a body of work, there would be nothing to react to or reject. Call it a benign correction as the field expands to incorporate diverse voices or call it a war against patriarchy, in both estimations there is something that is being addressed and re-evaluated (if not pushed back against and excoriated).

Is there an SF Canon? Yes. But is it a moving scale? Is it inviolate? Is it mandatory?

No, no and no.

(4) CASTING THE CANON. And Doris V. Sutherland cannot resist trying to answer the question for another genre, “What is the Horror Canon?”

…Picture a bookshelf, completely empty and ready to have a tidy set of volumes lined up on it. Now imagine that someone has decided to fill it with the canonical works of horror literature. What would they start with? Frankenstein and Dracula would be obvious choices. These may well be followed with reasonably-sized collections of Poe and Lovecraft stories. Next, let’s add the complete ghost stories of M. R. James.

Now pause for thought. That’s five books – and already we’ve covered a pretty substantial chunk of the most influential horror fiction in the English language. Regardless of what else we put on the shelf – and it’s easy enough to think of further titles, from The Strange Case of Dr. Jekyll and Mr. Hyde to The Exorcist – it’s hard to deny that those above five books will cover a pretty big percentage of whatever horror canon we end up with.

Now try to imagine a bookshelf with the science fiction canon. It’s a taller order: off the top of my head, we’d have at least four books if we wanted to represent Isaac Asimov alone (I, Robot and the Foundation trilogy). When we factor in Verne, Wells, Heinlein, Clarke, Bester, Ellison, Le Guin… well, let’s just say we’re going to end up with more than five books.

So, the horror canon is smaller than the science fiction canon – or, to phrase that differently, more tightly-focused. Thinking about it, this makes sense. Horror is a genre where less is more – look at how many classics of horror fiction are short stories rather than novels, for one. And when I look back at our hypothetical bookshelf of canonical horror, I have to wonder if those books might be better described not as a horror canon, but as a set of horror archetypes.

(5) SPIRITUAL FORMATION. John Scalzi enters the confessional at Whatever and gets it all off his chest: “Okay, Sure, It’s My Fault Science Fiction is the Way It Is Right Now”.

The dimwitted bigot brigade finally came across my piece about the Science Fiction canon from a couple of weeks ago and had a predictable spasm about it, asserting how it was evidence that (I’m paraphrasing from various sources, here) a) science fiction and fantasy was dying, b) traditional publishing (the sf/f parts of it anyway) is dying too, c) I’m responsible in some measure for a) and b), despite d) the fact that apparently I don’t actually sell and/or only sell through byzantine sleight of hand by the publishing industry for reasons and also e) I suck, f) which is why I don’t want people to read older works because then they would realize that, and while we’re at it g) modern sf/f is infested with terrible work from people who aren’t straight white dudes, h) which I, a straight white dude, am also somehow responsible for, and so in short, i) everything is my fault, and j) I am simultaneously a nobody and also history’s worst monster.

It’s a lot! I think it must be tiring to be a dimwitted bigot, thinking about me….

(6) I’M BATMAN. Will there be as many of them as there were of Spartacus? Yahoo! Entertainment reports “Ben Affleck To Return As Batman In Upcoming ‘Flash’ Movie That Also Will Feature Michael Keaton As Dark Knight”.

…Affleck reportedly got the script for The Flash at the end of last week and agreed to board the project.

“He’s a very substantial part of the emotional impact of the movie. The interaction and relationship between Barry and Affleck’s Wayne will bring an emotional level that we haven’t seen before,” Muschietti tells Vanity Fair who broke the news. “It’s Barry’s movie, it’s Barry’s story, but their characters are more related than we think. They both lost their mothers to murder, and that’s one of the emotional vessels of the movie. That’s where the Affleck Batman kicks in.”

Another reason feature mythology-wise why Affleck’s Batman is coming back to The Flash, and that’s that Miller’s Flash considers him to be the original Dark Knight, the guy he fought alongside in Justice League. Hence, per Muschietti, it was necessary to have Affleck’s Batman as a starting point: “He’s the baseline. He’s part of that unaltered state before we jump into Barry’s adventure…There’s a familiarity there,” he further tells Vanity Fair.

(7) STORYBUNDLE. Available for the next three weeks: The Exclusive Dark Fantasy and SF Bundle – Curated by Douglas Smith.

2020 has been a scary year. Like some dark fantasy or horror story. Or a dystopian tale about the end of the world.

Why not embrace that spirit? Show this year from hell that you can take whatever it dishes out, because you know what dark fantasies and horror stories are really like. And you’ve seen more ends of the world than 2020 could even dream of.

…Read about curses and ghosts, about Norse gods on the Canadian prairies and what happens after Ragnarök and the end of the world. Read how life on Earth may end if we don’t stop killing our planet. Read twenty-one tales of personal apocalypses (because someone’s world is always ending), and stories from a very special and very strange bookstore. Read about post-human biopunk and day-after-tomorrow climate change adventure. Read about the boy who is either a scrawny, bullied, neglected son of insane parents or the imprisoned leader of a death cult dedicated to the goddess of discord.

…For StoryBundle, you decide what price you want to pay. For $5 (or more, if you’re feeling generous), you’ll get the basic bundle of four books in any ebook format—WORLDWIDE.

  • Picking Up the Ghost by Tone Milazzo
  • Wasps at the Speed of Sound by Derryl Murphy
  • The Door to Lost Pages by Claude Lalumière
  • Tombstone Blues by Chadwick Ginther

If you pay at least the bonus price of just $15, you get all four of the regular books, plus SEVEN more books, for a total of eleven!

  • Bullettime by Nick Mamatas
  • It’s Not the End and Other Lies by Matt Moore
  • Chimerascope by Douglas Smith
  • Over the Darkened Landscape by Derryl Murphy
  • Objects of Worship by Claude Lalumière
  • Too Far Gone by Chadwick Ginther
  • Wikiworld by Paul Di Filippo.

(8) DESEGREGATION DRAMATIZED. Series developers include Black Panther’s lead actor and the creator of The Orville: “Chadwick Boseman, Seth MacFarlane, Eisa Davis team up to develop series about Little Rock Nine”THV11 has the story.

Chadwick Boseman and Seth MacFarlane are teaming up with Eisa Davis to develop a drama based on the Little Rock Nine’s efforts to end racial segregation at Central High School in 1957.

Deadline reported the three will work on developing the project, based on Carlotta Walls LaNier’s memoir A Mighty Long Way: My Journey to Justice at Little Rock Central High.

The series will look at the desegregation of the high school and how 14-year-old LaNier and eight other students became the first Black people to attend the all-white school.

In a landmark decision, the U.S. Supreme Court ruled in 1954 that segregated schools were unconstitutional and called for the integration of all schools.

The nine students, along with Daisy Bates, became civil rights icons as they risked their lives to combat the racist school segregation policies in Arkansas.

(9) MEDIA ANNIVERSARY.

  • This week in 1950Dimension X aired a story out of Ray Bradbury’s The Martian Chronicles in which a Martian named Eala dreams of a visitor from a planet, Earth, where they know life is impossible. This episode was unusual in that Bradbury hosted it instead of the usual Dimension X host. The story was later renamed “Ylla” which is considered the canonical title for this story but it was first published as “I’ll Not Ask for Wine” in Maclean’s, January 1, 1950. Listen here.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born August 20, 1883 Austin Tappan Wright. Did you know that Islandia wasn’t published when he was alive? His widow edited his fifteen hundred page manuscript for publication, and following her own death in 1937 their daughter Sylvia further edited and cut the text yet more; the resulting novel, shorn of Wright’s appendices, was published in 1942, along with a pamphlet by Basil Davenport, An introduction to Islandia; its history, customs, laws, language, and geography, based on the original supplementary material. Is there a full, unedited version? (Died 1931.) (CE)
  • Born August 20, 1906 – Sheila Hawkins.  Wrote and illustrated fifty children’s books in the United Kingdom and Australia, many with animals, many fantastic.  Here is The Singing Chameleon.  Here is Taliesin.  Here is an interior for Long Ears.  Here is Wish and the Magic Nut, which won Picture Book of the Year.  Also landscapes and abstracts.  (Died 1999) [JH]
  • Born August 20, 1909 André Morell. Best remembered as Professor Bernard Quatermass in the Quatermass and the Pit series, and as Doctor Watson in the Hammer Film Productions version of The Hound of the Baskervilles which is quite excellent.  It’s also worth noting that he played O’Brien in BBC’s 1954 Nineteen Eighty-Four, opposite Peter Cushing as Winston Smith. (Died 1978.) (CE)
  • Born August 20, 1915 – Arthur Porges.  For us a hundred short stories, some under other names; half a dozen posthumous collections.  Many more for others e.g. detective fiction.  Translated into Croatian, Dutch, French, German, Italian, Japanese, Russian, Serbian, Spanish.  Here he is on the cover of the Sep 60 Fantastic (i.e. his story “The Shadowsmith”; cover artwork by John Duillo).  This Website is about AP and his brother Irwin.  (Died 2006) [JH]
  • Born August 20, 1942 – Joe Mayhew, F.N.  One of our finest fanartists; two Hugos for that.  Five short stories published, in AberrationsAboriginal, and Tomorrow; a score of reviews in Absolute Magnitude, more in the Washington Post.  A hundred seventy drawings in Asimov’sFlagFOSFAXThe Frozen FrogIt Goes on the ShelfJourney PlanetMimosaNY Rev. of SFPLOKTASquiggeldy HoyVojo de Vivo; various Worldcon and other con publications.  Radio-style plays for Disclaves and Boskones.  Fellow of NESFA (New England SF Ass’n; service award).  Chaired the 1987 Disclave.  Library of Congress Recommending Officer for SF.  Fan Guest of Honor at Novacon II, Albacon 3; Ghost of Honor at Capclave 2001, Balticon 49.  Here is his cover for the Nov 98 WSFA Journal (Washington, D.C., SF Ass’n).  Here is an illustration from Mimosa 17.  (Died 2000) [JH] 
  • Born August 20, 1943 Sylvester McCoy, 77. The Seventh Doctor and the last canon Doctor until the modern era of the official BBC Doctors when they revised canon. He also played Radagast in Peter Jackson’s Hobbit films, he’s The Old Man of Hoy in Sense8 and he voices Aezethril the Wizard in the “Endgame” episode of Thunderbirds Are Go.  (CE)
  • Born August 20, 1951 Greg Bear, 69. Blood Music which won both a Nebula Award for Best Novelette and a Hugo Award at L.A. Con II for Best Novelette is an amazing read. I’m also very fond of the Songs of Earth and Power duology, The Infinity Concerto and The Serpent Mage, and found his Queen of Angels a fascinating mystery. I confess that I’ve not read him over the past few decades. What’s he done as of late that I should consider reading? (CE) 
  • Born August 20, 1961 Greg Egan, 59. Australian writer who exists though he does his damnedest to avoid a digital footprint. His excellent Permutation City won the John W. Campbell Memorial Award  and “Oceanic” garnered a Best Novella Hugo at Ausiecon Three. I assume he wasn’t there given his stance against attending Worldcons? (CE) 
  • Born August 20, 1961 – Jim Clemens, 59.  Three dozen novels for us, half a dozen shorter stories, some with Rebecca Cantrell; action-adventure books under another name, some with Grant Blackwood; certified SCUBA (Self-Contained Underwater Breathing Apparatus) diver; Doctor of Veterinary Medicine under yet another name – if he wants to keep these careers separate, why shouldn’t we?  Translated into Dutch, French, German, Italian.  [JH]
  • Born August 20, 1962 Sophie Aldred, 58. She’s Ace, the Seventh Doctor’s Companion. (By the way Doctor Who Magazine: Costume Design: Dressing the Doctor from William Hartnell to Jodie Whittaker is a brilliant read and has a nice look at her costuming.) She’s reprised the role in the Big Finish audio adventures. (CE)
  • Born August 20, 1969 – Christina Diaz Gonzalez, 51. Three novels for us, three others.  Many awards for historical fiction The Red Umbrella (also in Spanish).  Born in Florida to Cuban parents.  Took a law degree, practiced law awhile.  Lives in Miami with husband, sons, a dog that can open doors.  [JH]
  • Born August 2, 1972 – Carolyn Cohagen, 48.  Four novels.  Conducts Girls With Pens, creative writing for girls 8-14.  Earlier, a stand-up comic in New York, Chicago, London, Amsterdam; studied physical theater at École international de théâtre Jacques Lecoq, Paris.  Ranks The Phantom Tollbooth about the same as Slaughterhouse-Five.  [JH]

(11) COMICS SECTON.

(12) HORRIBLE EXAMPLES. Earlier this month Titan Comics was handed a golden opportunity to publicize their collection of The Best of Hägar The Horrible by Dik Browne.

Joe Biden recently announced his choice of Kamala Harris as running mate, and in the official photograph by Adam Schultz also revealed that he keeps a framed cartoon strip on his desk – from Titan’s own Hägar the Horrible!

Bleeding Cool reported on the story, as well as quoting Biden saying that the strip had helped him through personal tragedies by reminding him “a lot of people are going through a lot worse than you’re going through, and the way they get through it is … they have people reach out, touch them, give them solace.”

This is the strip on Biden’s desk:

And here are some other examples Titan shared in its press kit, several with genre jokes.

(13) NINETEEN MINUTES OF FAME. At least, the nineteen-minute mark is where fame summons James Davis Nicoll in Isaac Arthur’s video The Fermi Paradox: Galactic Disasters. James notes, “He mispronounced my name but I am the Nicoll in Nicoll-Dyson Laser, which can reduce an Earth-sized world to vapour in a week at distances of up to a million light years.”

If anything, this video makes Cixin Liu’s Death’s End sound too cheerful.

(14) THE NAME OF MY LAST BAND. Just released on YouTube today — Live From the Space Stage: A HALYX Story is a full-length documentary.

For one glorious summer, an experimental, sci-fi band rocked Disneyland’s space stage. With a bass-playing Wookiee and an acrobatic frog, the band’s existence is nearly unbelievable, and the story behind its creation is just as incredible.

(15) TIME TO BREAK INTO THE PIGGY BANK. At Heritage Auctions, bidding is up to $180,000 for Frank Frazetta A Princess of Mars Painting Original Art (1970).

Possibly the most famous of all of the John Carter of Mars covers by Frazetta, the artist actually painted two versions in 1970, with the first being published as a Doubleday hardback dustjacket cover. Fearing that the original art would not be returned from the publisher, Frazetta immediately painted a version for himself – the stellar painting we’re offering – since he was so proud of the image. Frazetta personally related to Joe and Nadia Mannarino (see below), and presumably others, that he loved this second painting even more than the original (which he actually sold in the early 1970s). We’re showing the two paintings side-by-side online for review. Regardless of which version you prefer, both represent the quintessential heroic fantasy image, with the bold, strong hero, the voluptuous female at his legs, and surrounded by a dangerous alien environment.

(16) THE DOCTOR’S MONSTER. BBC shares some “Surprising secrets of writers’ first book drafts”.

…When Frankenstein first appeared in print in 1818, anonymously but with a preface by Percy Bysshe Shelley, plenty of readers assumed that the poet was its author. In Mary Shelley’s introduction to the 1831 edition, she wrote that people had asked her “how a young girl, came to think of, and to dilate upon, so very hideous an idea?” In keeping with the story’s eerie origins – the stormy nights and sunless summer days beside Lake Geneva – she put it down to a kind of visitation, the result of “imagination, unbidden, possessed”. Yet as the manuscript reveals, inky-fingered graft played a big role in allowing the doctor’s monster to evolve into the more tragic, nuanced creature that’s haunted our imaginations ever since. In fact, “creature”, Mary’s initial description, is later replaced by “being”, a being who becomes still more uncannily human thanks to other tweaks such as replacing the “fangs” that Victor imagines in his feverish delirium with “fingers” grasping at his neck.

Sadly, the refusal to believe that a woman barely out of girlhood could possibly have authored this transcendent Promethean fable has never quite gone away, and Percy’s notes on the manuscript have been used to bolster the theory that he at least co-authored Mary’s novel. While he’s certainly an astute line editor, the chief revelation here is domestic: the radical Romantic was a supportive, affectionate partner.

(17) FLUSHED WITH PRIDE. “Transparent Public Toilets Unveiled In Tokyo Parks — But They Also Offer Privacy”.

The idea of using a public bathroom with see-through walls may sound like the stuff of nightmares. But a famous Japanese architect is hoping to change that view, using vibrant colors and new technology to make restrooms in Tokyo parks more inviting.

“There are two things we worry about when entering a public restroom, especially those located at a park,” according to architect Shigeru Ban’s firm. “The first is cleanliness, and the second is whether anyone is inside.”

Transparent walls can address both of those worries, Ban says, by showing people what awaits them inside. After users enter the restroom and lock the door, the powder room’s walls turn a powdery pastel shade — and are no longer see-through.

“Using a new technology, we made the outer walls with glass that becomes opaque when the lock is closed, so that a person can check inside before entering,” the Nippon Foundation says.

The group is behind the Tokyo Toilet project, enlisting world-famous architects to create toilets “like you’ve never seen.”

(18) NOT COSPLAY. You couldn’t make this up: “Ninja museum: Thieves carry out heist at Japanese site”.

A ninja museum has been raided in Japan, with thieves making off with more than a million yen (£7,100).

The Iga-ryu Ninja Museum in central Japan is dedicated to the history of the famous Iga clan of ninja.

Police were called after an alarm was set off at 01:30 local time on Monday (16:30 GMT on Sunday), the museum said on Thursday.

Officers found the office door had been forced with what is thought to be a crowbar and the 150kg safe was missing.

(19) VIDEO OF THE DAY. Someone with time on their hands turns 2001 into 2020.

2020: an isolation odyssey is a reenactment of the iconic finale of 2001: A Space Odyssey (Stanley Kubrick, 1968). Restaged in the context of home quarantine, the journey through time adapts to the mundane dramas of self-isolation–poking fun at the navel-gazing saga of life alone and indoors.

[Thanks to John King Tarpinian, N., Martin Morse Wooster, John Hertz, Cat Eldridge, Mike Kennedy, JJ, Andrew Porter, Michael J. Walsh, Linda Deneroff, Chip Hitchcock, Paul DiFilippo, John A Arkansawyer, and Michael Toman for some of these stories. Title credit goes to File 770 contributing editor of the day Simon Bisson.]

MacFarlane, Stewart, Lee Interviews

Curated by Carl Slaughter:

SETH MACFARLANE

Wall to wall carpet, wood, leather, house plants.  “It looked like a really plush corporate office.  That makes it the most realistic portrayal what it’s like in space.  If you’re out there for years and years, you’d go crazy if you were in something that looks like a submarine.”   Pre-Discovery and pre-Orville interview with Seth MacFarlane.

 

“When I look at the television shows that I responded to, if I watch a cop show, if I watch a medical show, I’m going to see the murder of the week, I’m going to see the disease of the week.  Growing up, I liked things like ‘The Twilight Zone.’ I was a ‘Star Trek’ fan because I didn’t know if I was going to see and adventure story, or a quiet relationship story, or a story involving some sort of social and political commentary.  To turn on a show and not have any idea what it is you’re going to see.”  Plus Seth MacFarlane’s imitation of Captain Kirk.  Also pre-Discovery and pre-Orville.

 

PATRICK STEWART

  • Patrick Stewart didn’t think Next Generation would last

  • Patrick Stewart on the moment he knew he was finished playing Professor X

  • Patrick Stewart:  “Warning:  Unknown British Shaekespearian Actor”

  • Patrick Stewart –  Larry King interview

STAN LEE

  • Larry King – Stan Lee interview

 

Pixel Scroll 12/27/17 A Very Modest Scroll

(1) SFWA IN TIMES TO COME. Cat Rambo’s yearly recap of all her activities includes a look ahead for SFWA —

  • SFWA’s excellent Executive Director Kate Baker said a few years back, “I want to make the Nebula weekend -the- premiere conference for professional F&SF writers” and I said, “Tell me what you need to do it.” This year’s Nebulas were fantastic; next year’s will be even more, including having Data Guy there to present on the industry, an effort that’s taken a couple of years to get in place.
  • The SFWA Storybundle had its first year and was wildly successful, as was the Nebula-focused HumbleBundle. The Storybundle program will grow 150% in size in 2017, which sounds really impressive but just means 3 bundles instead of 2. Plus – SFWA’s Self-Publishing Committee has taken that effort over, so no work for me! (Last year I read a bajillion books for it.)
  • A long, slow revamp of Emergency Medical Fund stuff driven by Jennifer Brozek, Oz Drummond, and Bud Sparhawk is coming to its final stages. I just saw the EMF stewards in action: they received an appeal, evaluated it within 24 hours, and within a week, if I am correct, funds had been disbursed. The Grants Committee just wrapped up its 2017 work; next year it’ll have even more money to play with, thanks to the aforementioned Nebula HumbleBundle.

(2) A BIT ICKY. A nine-year-old got a lovely note from the outgoing Doctor Who. BBC has the story: “Doctor Who: Peter Capaldi reassures fan over regeneration”

(3) SIPS. Charles Payseur is back with “Quick Sips – Beneath Ceaseless Skies #241”

With its last issue of the year, Beneath Ceaseless Skies delivers two very dark fantasy stories about expectations and rules, curses and sacrifices. In both characters find themselves playing out roles that have been laid out for them, having to find ways to exist in stifling situations. In both, the main characters must contend with the weight of tradition and expectation. In both, the main characters are faced with strong willed women who want to change things. Who want to break the Rules. And in both stories the main characters have to face what the world is like, what their life might be like, should those Rules shatter. It’s an interesting issue that asks some very difficult questions and reveals some visceral hurts. To the reviews! …

(4) DOG STAR. The Storm Trooper K-9 division –

(5) CURTIS OBIT. The actor who famously played a disfigured Star Wars cantina criminal has died reports Yahoo! Entertainment.

Alfie Curtis, the British actor who earned a place in the Star Wars pantheon for playing the menacing Mos Eisley Cantina scofflaw with the “death sentence on 12 systems,” has died, according to the BBC. He was 87. News of Curtis’s death was first reported by the fan site Elite Signatures.

(6) TODAY IN HISTORY

  • December 27, 1904 — J. M. Barrie’s play Peter Pan premiered in London
  • December 27, 1951Captain Video: Master of the Stratosphere premiered.

(7) TODAY’S BIRTHDAY STARGAZER

  • Born December 27, 1571 — Johannes Kepler

(8) YOUNG SETH MACFARLANE’S STAR TREK VIDEO. David Klaus sent this video and made these comments about it on Facebook:

I presume this is only an excerpt of a longer fan film Seth MacFarlane made as a teen, a far better film than I could have made when I had thoughts about trying to do when I was a teen many years before this.

His space background is an artist’s conception of gases spiraling into the event horizon of a black hole, pretty cool, along with what appears to be an AMT model of the refit Enterprise. His voice occasional verges into sounding like Shatner’s instead of his own, and he uses sound effects and music from the original series. I’d get a kick out of seeing the whole thing.

 

(9) NUKE HOBBYIST. He told NPR it’s not that hard, compared to what else is done today in manufacturing: “North Korea Designed A Nuke. So Did This Truck Driver”

To make his models, he drove 1,300 miles to Los Alamos, N.M., the birthplace of the atomic bombs. The museum there has accurate, full-scale replicas of Little Boy and Fat Man that he could work from. As he designed his models, he decided he’d write a brochure to go with them.

“The brochure turned into a 431-page book,” he says.

Coster-Mullen never sold a single model, but he has been adding to his bomb brochure ever since, building up what are basically complete specs for America’s first nuclear weapons. He has traveled the country, and the world, to glean all sorts of supposedly secret details.

“Nobody leaked anything to me,”he says. “I found all this information was hiding in plain sight.”

(10) SOI DISANT DISNEY PRINCESS. She’s willing to take the promotion!

(11) BATTLESTAR GALACTICA. Chris Nuttall argues the case for the original — “Classic Battlestar Galactica – The Review” at Amazing Stories.

Battlestar did it’s level best to depict a society that was different from ours, even though it had points in common. Everything from the ranks and uniforms to the games and terminology smacked of an alternate universe, not men and women who could have walked off a modern day aircraft carrier. It wasn’t that far from America, I admit, but it was different – again, unlike the remake. It’s really a pity they didn’t put quite so much thought into their FTL drive concepts, as the exact nature of ‘light-speed’ is never really addressed.

Like most other shows from that era, Battlestar needed a good cast – the special effects could not carry the show by themselves. And Battlestar had some very good characters – Commander Adama, Apollo, Starbuck, Tigh and Boomer … and, on the other side, Baltar and Count Iblis. (Notably, Baltar was originally executed by the Cylons after betraying the Twelve Colonies, but he was later brought back because they needed someone as the face of the enemy, a problem the remake sought to solve with ‘skin-jobs.’)

[Thanks to John King Tarpinian, JJ, David K.M. Klaus, Will R. Cat Eldridge, and Chip Hitchcock. Title credit goes to File 770 contributing editor of the day OGH.]

Pixel Scroll 5/15/17 Scroll Sat Alone On His File Of Stone, And Pixeled And Godstalked A Bare Old Bone

(1) ADVANCED ALT-MARKETING. Jon Del Arroz is convinced you can sell more books if you fight with the right people. And the right people are on the left.

His business had a good day on Monday, as he garnered negative attention from Paul Weimer, and tangled on Twitter with SF Bluestocking’s Bridget McKinney.

Things got rolling after this Weimer tweet:

Jon took all that back to his blog and positioned himself as a staunch defender of Anne McCaffrey against a benighted feminist in “The Cult Of The New And Its Destruction Of Culture”.

…It started because I was talking to a Tordotcom reviewer. A Hugo Nominated Fanzine writer chimed in to tell me how irrelevant I am by referencing my last novel, how she looked up “Rescue Run” and found that there was “nothing in sci-fi that returned on a google search”.

I corrected, of course, stating not only is there my extremely highly regarded, award nominated and well-reviewed book, but that I chose the title intentionally as an homage to the late great Anne McCaffrey, who wrote a book by the same name. This work was demeaned by her first as “it’s only a short story” (It’s a novella, actually) and this person who is nominated for the Hugo Award for fanzine work, retorted to that by calling Anne Mccaffrey “old and irrelevant.”

… And of Hugos? This fanzine writer who writes self-described “feminist” commentary on science fiction is attacking the first woman ever to win the award! For shame! It boggles my mind to see this kind of lack of reverence for her.

When it comes to protecting the reputation of Anne McCaffrey, I didn’t know Jon had a dog in this fight. Now I know he’s got at least a puppy.

(2) HIGH ON KYLO. If you think the death of Han Solo might make people question having children at all, that’s because you haven’t met last year’s crop of new parents: “Turning to the Dark Side: Kylo is the fastest growing baby name in the US in honor of the latest Star Wars villain” — the Daily Mail has the story.

  • The name, inspired by Star Wars’ Kylo Ren, has jumped a massive 1,467 spaces
  • Popular culture also inspired parents to name their girls after popstar Kehlani
  • The most popular boys’ name is still Noah and it’s Emma for girls once again
  • Despite being in news every day, Donald and Hillary proved unpopular names

… The Social Security Administration released its annual list of the 1,000 most popular baby names for 2016 on Friday.

(3) ANOTHER CAPTAIN ON ANOTHER BRIDGE. This part is obvious – The Verge says “Seth MacFarlane’s upcoming TV series looks like a parody of classic space adventure shows” – but the idea that it takes inspiration from GalaxyQuest is hopeful.

(4) TRIVIAL TRIVIA

Why do the Imperial Stormtroopers all appear to be left-handed?  It’s because their ammunition magazines on their weapons are on the left side, so it’s easier to hold the guns left-handed.

So is this Lego Storm Trooper inaccurately showing a right-hander?

(5) BONUS TRIVIAL TRIVIA

And while we’re on the subject of Star Wars, did you know….? (Via Scifihistory.net.)

(6) BOOTHE OBIT. Powers Boothe, who appeared in Deadwood and Sin City died May 15 at the age of 68. Boothe also played Gideon Malick in the Marvel Cinematic Universe, first in The Avengers (2012), then on TV in ABC’s Agents of S.H.I.E.L.D.

(7) TODAY’S BIRTHDAY BOY

  • Born May 15, 1856 – L. Frank Baum

(8) HEADQUARTERS IN THE SADDLE. Gamer and comic owner lives the life as a jouster: “The boss who lives as a medieval knight”.

Given how Jason spends his weekends, you might imagine that his day job is equally daring, that he is some sort of professional stuntman.

Instead, he is the chief executive of one of the UK’s largest computer games companies – Rebellion Developments.

Jason set up the Oxford-based business with his younger brother Chris in 1992, and today it has an annual turnover of more than £25m.

Still wholly owned by the two siblings, its best-selling titles include Sniper Elite and Rogue Trooper.

For the past 17 years the company has also owned cult UK comic book series 2000 AD, and publishes a range of novels.

(9) CALLING DR. DYSON. Maybe there is a Ringworld? “The most mysterious star in the galaxy”.

The starlight dips in an irregular pattern, suggesting that something is intermittently blocking the star. This bizarre behaviour, first reported in autumn 2015 and not seen in any other star, has scientists baffled. Researchers have proposed a myriad of explanations, including black holes, comet swarms, and interstellar clouds. But a conclusive answer remains elusive. And one hypothesis in particular has raised eyebrows: aliens.

Yes, aliens.

Perhaps, researchers have posited, an advanced alien civilisation has constructed a vast structure encircling their star, maybe an enormous power plant that harnesses the star’s energy. When parts of the structure pass in front of the star, it creates dips in the starlight.

(10) I HEARD THE NEWS TODAY. A local Albuquerque TV station recently  devoted 1-minute video bio to — “George R.R. Martin Living and Loving New Mexico”.

(11) UNLUCKY STRIKE. The Chicxulub asteroid hit “the worst possible place”:

Scientists who drilled into the impact crater associated with the demise of the dinosaurs summarise their findings so far in a BBC Two documentary on Monday.

…It is becoming clear that the 15km-wide asteroid could not have hit a worse place on Earth.

The shallow sea covering the target site meant colossal volumes of sulphur (from the mineral gypsum) were injected into the atmosphere, extending the “global winter” period that followed the immediate firestorm.

Had the asteroid struck a different location, the outcome might have been very different.

“This is where we get to the great irony of the story – because in the end it wasn’t the size of the asteroid, the scale of blast, or even its global reach that made dinosaurs extinct – it was where the impact happened,” said Ben Garrod, who presents The Day The Dinosaurs Died with Alice Roberts.

(12) ORION DELAYED. And we’re getting farther from returning to the Moon — “NASA nixes Trump’s moonshot plan” reports The Register.

NASA will miss its deadline for the first flight of the Orion capsule and the Space Launch System, with the launch moved from 2018 to 2019.

The agency’s Bill Gerstenmaier also told media in a briefing last Friday that as well as delaying the first flight (designated Exploration Mission One, EM-1), the EM-2 mission that will carry astronauts will probably miss its original 2021 date.

In February, the new Trump administration asked NASA to assess the feasibility of changing the EM-1 mission, planned as an uncrewed jaunt into cislunar space between Earth and Luna, to instead carry human cargo around the moon.

NASA has concluded that it can’t justify the cost of such a change to the schedule.

(13) FLYING TOYOTA IN YOUR FUTURE? The car maker pushes in a big stack of chips: “Toyota ‘backs flying car project’ in Japan”.

Japanese carmaker Toyota has announced its backing for a group of engineers who are developing a flying car.

It will give 40 million yen (£274, 000) to the Cartivator group that operates outside Toyota city in central Japan.

The Nikkei Asian Review reports Toyota and its group companies have agreed in principle to support the project.

So far crowdfunding has paid for development of the so-called Skydrive car, which uses drone technology and has three wheels and four rotors.

(14) GIFTED CHILDREN. Here is the trailer for Fox’s series The Gifted, set in the X-Men universe. It will air this fall.

(15) INSTANT CLASSIC. Bill filed the numbers off an old earworm in this update to “Hello Muddah, Hello Faddah”

With apologies to Allan Sherman

Hello Scrolls and Hello Pixels
Many posts are just for ticks. You’ll
Find that some are entertaining.
But not those that end up being all mansplaining.

I follow daily the blog of Glyer.
And I’ve become a faithful Filer.
You remember Rabid Puppies?
Their campaign to win the Hugos got them bupkis.

Some folks come here to rant and foment
But I’d prefer a Meredith Moment
A nice movie for my Roku,
Or a book to put on top of Mount Tsudoku.

[bridge]
Let’s go scroll, we pixel filers
Let’s go scroll, my reading pile has
Climbed so high. It’s not so long til the
Ballots are due in Helsinki.

I see my comment is second fifth.
It’s regarding Bob Asprin’s Myth.
But it’s missing a URL link
So I shall leave and appertain myself a cold drink.

[Thanks to Lex Berman, Cat Eldridge, John King Tarpinian, and Chip Hitchcock for some of these stories. Title credit goes to  File 770 contributing editor of the day Andrew.]

Pixel Scroll 5/8/16 The Pixelshop of Isher

(1) CHINESE NEBULA AWARDS. Regina Kanyu Wang, linking to the Chinese-language announcement, informed Facebook readers about three people who will be guests at the Chinese Nebula Awards this year: Worldcon 75 co-chair Crystal Huff, SFWA President Cat Rambo and Japanese sf writer Taiyo Fuji.

Crystal Huff responded:

I am so very honored and pleased to reveal what I’ve been quietly psyched about for a while now:… I am thrilled to go to China for my first ever visit, and meet new friends in Beijing and Shanghai! So thrilled!

Cat Rambo told File 770 she’s more than excited about the trip:

I am super!! stoked!! about it and have been spending the last month and half trying to pick up a little conversational Mandarin. Post Beijing, another Chinese SF organization is taking me to Chengdu for a similar ceremony involving SFF film awards. This trip is – next to being able to tell Carolyn Cherryh she was a SFWA grandmaster — one of the biggest thrills of being SFWA president I’ve experienced so far, and I’m looking forward to getting to know the Chinese publishing scene a bit better in a way that benefits SFWA and its members.

(2) ANIME EXPO HARASSMENT POLICY. Sean O’Hara reported in a comment, “Anime Expo just went hardcore with a new Youth Protection program that requires all employees, volunteers, vendors and panelists to submit to a criminal background check and take an online courses.”

Read the policy here [PDF file].

SPJA Youth Protection Policy

  1. Purpose and Goals

The Society for the Promotion of Japanese Animation (SPJA) recognizes the importance of protecting youth participants in SPJA events and activities, including online activities. SPJA has adopted a zero tolerance policy with regard to actions or behaviors that threaten the safety of young people, including violence, bullying, sexual harassment, sexual assault, and other inappropriate or potentially harmful actions or behaviors. SPJA views the safety and security of all participants—especially young people— as a top priority.

All participants at SPJA events and activities (including online activities) are encouraged to report any unsafe or inappropriate behaviors, conditions, or circumstances, including any violation of this Youth Protection Policy or violation of any other policy or rule intended to promote a safe environment….

(3) LIVING HISTORY. Ted White, the Hugo-winning fanwriter, pro, and former editor of Amazing, was interviewed for his local paper, the Falls Church News-Press, on May 6 – “F.C.’s Ted White Reflects on Comics, Sci-Fi and the Little City”. The reporter asked about his interests in sf, jazz, writing, and comics.

N-P: How were you introduced to comic books?

White: They were there. I found them. I mean, I can’t remember what the first comic book I ever saw was but it was probably one that one of the neighborhood kids had and it very likely didn’t even have a cover….We’re talking the war years, the ‘40s, early on [and] comic books just sort of passed from hand-to-hand. It was a long time before I bought my first comic book.

There’s an interesting story involved in all of this….One day, I think it was between the first and second grade, the summer, and…Madison had a swimming program for the summer.

And I would walk over to the school, which was a mile away but it didn’t matter because I used to walk everywhere, at a certain time in the morning and join up with a motley crew of other kids and be taken into Washington, D.C. to 14th and K Streets where there was the Statler Hotel….At the end of that we were brought back to Madison and it was time for me to walk home.

But I didn’t walk directly home. For some strange reason I followed N. Washington Street north…I’m not sure where I was headed to but north of Columbia Street there is a bank that used to be a Safeway, a tiny Safeway…and I’m walking in that direction and I’m almost opposite that Safeway when I meet a friend of mine who is pushing his bicycle up the sidewalk…and in the basket of his bicycle he has several comic books.

And we stopped and we talked and he showed me the comic books and I don’t know how I did it, but I talked him out of them and he gave them to me and one of them was an issue of Wonder Woman.

Now I had never seen Wonder Woman before – this was a brand new comic book to me. And it was strange. The art was strange…it was almost Rococo and the writing was even stranger….I started reading this comic book as I was coming along Columbia Street to Tuckahoe and I’m just sort of very slowly walking, reading intensely. It would be the equivalent of someone obliviously reading their cell phone while walking down a sidewalk….I was about halfway home when I look up and I see my mother rapidly approaching and she does not have a happy look on her face.

I am hours late because I’ve been spending all my time dawdling, reading comic books. And my mother took the comic books out of my hand and took the ratty dozen or so that I already had, most of them coverless, and took them out to our incinerator and burned them all.

This profoundly upset me but it also changed me. I was six or seven then, and I decided two things which I was happy to share with my mother. One of them was that she was never ever going to destroy anything of mine again and she never did….and the other thing it did was make me into a collector…from that point on I became a comic book collector…and by time I was in high school…I was written up in a newspaper called the Washington News as the boy with 10,000 comic books.

(4) SF DRAMEDY. Seth MacFarlane will do an sf comedy/drama series reports Collider.

Between Family Guy, American Dad, and The Cleveland Show, prolific writer/producer/voice actor Seth MacFarlane has voiced a lot of characters on television and created even more, but now he’s heading into the live-action realm for his next TV series.

Fox announced today that MacFarlane is developing a new, though still untitled comedic drama for the network for which he’ll executive produce and star based off a script he wrote. Here’s what we know: the series will consist of 13 hourlong episodes and takes place 300 years in the future where the crew of the Orville, “a not-so-top-of-the-line exploratory ship in Earth’s interstellar Fleet,” deal with cosmic challenges on their adventures.

(5) MARKET OPENS. Sunvault: Stories of Solarpunk and Eco-speculation edited by Phoebe Wagner and Brontë Wieland, which was funded by a Kickstarter appeal, now is open for submissions.

Submissions for fiction and poetry are open until June 4th. Submissions for line art and coloring pages are open until June 30th.

We want this anthology to reach outside Western and Anglophone traditions of speculative fiction, showcasing the way environment and environmental issues are talked about and perceived in all parts of the world. We encourage and welcome submissions from diverse voices and under-represented populations, including, but not limited to, people of color, members of the LGBTQ community, those with disabilities, and the elderly. Authors of all walks of life should feel encouraged to send us stories and poems celebrating these diverse characters and settings all around us.

(6) NO SH!T. Here’s some more good news — the No Sh!t, There I Was – An Anthology of Improbable Tales Kickstarter has funded, reaching its $8,500 goal. The anthology is edited by Rachael Acks.

(7) TODAY IN HISTORY

(8) SELECTIVE QUOTE. A responsible blogger would have chosen a tweet about the writer’s Amazon sales, his con appearances, or his charitable causes. But noooo…!

(8) YOUR BARTENDER. Marko Kloos shares his recipe for “frontlines: the cocktail”.

Just in time for the upcoming Manticon (where I will be Guest of Honor), I present to you the first Frontlines-themed cocktail: the Shockfrost.

Those of you who have read ANGLES OF ATTACK will know that the Shockfrost is featured in the novel as the specialty of the bars on the ice moon New Svalbard, and that it’s supposed to pack quite a punch. Andrew mentions the look (blue) and the flavors of the drink when he tries one for the first time (notes of licorice, mint, and God-knows-what-else). So I made a trip to the liquor store for ingredients and experimented with the flavors a bit to create a real-world replica….

(9) A SMASHING TIME. The Traveler at Galactic Journey reviews a monster movie: “[May 8, 1961] Imitation is… (Gorgo)”.

…Is it art for the ages?  Absolutely not.  Though there is some morality tacked on, mostly of the “humanity mustn’t think itself the master of nature” sort of thing, it’s an afterthought.  Characterization is similarly abandoned around the halfway mark.  This is no Godzilla — it is knocking over of toy cities for the fun of it.

At that, it succeeds quite well.  Gorgo makes liberal and reasonably facile use of stock footage (though the planes all inexplicably bear United States markings!) The cinematography is well composed, the color bright, the screen wide.  The acting is serviceable, and for anyone who wants to see what London looks like in this modern year of 1961, there are lots of great shots, both pre and post-destruction…

(10) INTERPRETING AN ICON. In “Captain America and Progressive Infantilization” Jeb Kinnison replies to Amanda Marcotte’s widely-read post about Cap.

…In her piece, “Captain America’s a douchey libertarian now: Why did Marvel have to ruin Steve Rogers?”, Marcotte is upset because the Cap didn’t knuckle under to “reasonable, common-sense” restrictions on his freedom to act for good. It’s not worth a detailed fisking — generating clickbait articles for a living doesn’t allow much time for careful writing — but she does reveal the mindset of those who believe every decision should be made by a committee of the select. The “unregulated” and “uncontrolled” are too dangerous to tolerate. Some key bits:

Steve Rogers is an icon of liberal patriotism, and his newest movie turns him into an Ayn Rand acolyte…

Most corporate blockbuster movies would cave into the temptation to make the character some kind of generic, apolitical “patriot,” abandoning the comic tradition that has painted him as a New Deal Democrat standing up consistently for liberal values. Instead, in both the first movie and in “Captain America: Winter Soldier,” we get Steve the liberal: Anti-racist, anti-sexist, valuing transparency in government and his belief that we the people should hold power instead of some unaccountable tyrants who believe might makes right.

Steve is All-American, so he is classically liberal: believing in the rule of law, equality of opportunity, and freedom to do anything that doesn’t step on someone else’s rights and freedoms. Amanda does not believe in individual freedom — she believes in “freedom,” approved by committee, with individual achievement subordinated to identity politics aiming at equality of outcome. No one should be free to judge the morality of a situation and act without lobbying others to achieve a majority and gaining approval of people like her….

(11) AN ORIGINAL MAD MAN. Ben Yakas, an interviewer for Gothamist, spent some time “Hanging With Al Jaffee, MAD Magazine’s 95-Year-Old Journeyman Cartoonist”.

His career took off in earnest in the early 1940s, initially while he was still in the Army. He taught wounded airmen how to do figure drawing at a hospital in Coral Gables, Florida, then was recruited by the Pentagon to create posters, illustrated pamphlets, and exercise pieces for soldiers in hospitals around the country. Once he was discharged, he worked at Timely Comics and Atlas Comics (precursors of Marvel Comics) with his first boss, Stan Lee. “He had been discharged from the military and took over from a substitute editor,” Jaffee said. “He said, ‘Oh, come ahead.’ He even wrote a letter to tell them that I had a job to go to so they favored my release. That’s how my career really got going.”

Jaffee explained his unusual working relationship with Lee, whom he first met when he was just 20 years old: “Usually in the comic book business, someone writes a script, an artist is called in, the artist shows pencils, and if the pencils are approved, the artist is told to finish with ink,” he said. “Each step is edited by the editor who approves of each stage. I didn’t have that with Stan Lee. He and I apparently hit it off so well that he just told me, ‘Go ahead and write it, pencil it, and ink it and bring it in.’ It was never rejected. I was very fortunate because it was so smooth working and we enjoyed each other’s company and he was a very, very bubbling with ideas kind of guy.”

That loose set-up turned out to be the norm for Jaffee throughout his career, even as he left Lee and ventured out into the uncertain world of freelancing: “We were responsible for our own income and upkeep. What you do is you wake up every Monday morning and you say, ‘What am I going to produce now to make a buck?'”

(12) AUDIO TINGLES. Starburst’s The BookWorm Podcast hosted by Ed Fortune enters the Hugos debate. Mostly by laughing: “Enter the Voxman”.

Ed reviews Star Wars Bloodline by Claudia Gray and Ninfa returns to review Victoria Avayard’s The Glass Sword. Extended chatter about the awards season and the usual silliness.

(13) SHORT SF VIDEO. Hampus Eckerman says, “This nice little gem became available on Youtube just a few days ago:”

The Nostalgist A Sci-fi Short Based on a Story From the Author of Robopocalypse

In the futuristic city of Vanille, with properly tuned ImmerSyst Eyes & Ears the world can look and sound like a paradise. But the life of a father and his young son threatens to disintegrate when the father’s device begins to fail. Desperate to avoid facing his traumatic reality, the man must venture outside to find a replacement, into a city where violence and danger lurk beneath a beautiful but fragile veneer…

 

[Thanks to Andrew Porter, Sean O’Hara, Paul Weimer, Michael J. Walsh, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Doctor Science.]