2019 Sir Julius Vogel Award Nominees

The 2019 Sir Julius Vogel Awards nominees have been announced.

The awards recognize excellence in science fiction, fantasy and horror by New Zealanders.

The winners will be decided by a vote of the members of SFFANZ, the Science Fiction and Fantasy Association of New Zealand Inc., and of the national convention, GeyserCon, to be held May 31-June 2.

PROFESSIONAL AWARD NOMINEES

Best Novel

  • The Kingfisher’s Debt by Kura Carpenter (IFWG Publishing)
  • Restoration Day by Deborah Makarios (Oi Makarioi)
  • Into the Sounds by Lee Murray (Severed Press)
  • Teeth of the Wolf by Dan Rabarts & Lee Murray (Raw Dog Screaming Press)
  • The Voyage of the White Cloud by M. Darusha Wehm (In Portentia Press)

Best Youth Novel

  • When Gina Pressed Enter by Elise De Silva (EDS Publishing)
  • Ezaara, Riders of Fire, Book 1 by Eileen Mueller (Phantom Feather Press)
  • Lutapolii – White Dragon of the South by Deryn Pittar (Junction Publishing)
  • Quest by A.J. Ponder (Phantom Feather Press)
  • The Suburban Book of the Dead by Jamie Sands

Best Novella / Novelette

  • Where the Sun Does Not Shine by Paul Mannering (Adrenaline Press)
  • Skin Deep by Violet Penrose (Griffon Press)
  • The Glassblower’s Peace by James Rowland (Published in Aurealis #114, September 2018)
  • The Martian Job by M. Darusha Wehm (Choice of Games)

Best Short Story

  • “On the Run” by Kevin Berry in Te Korero Ahi K? (SpecFicNZ)
  • “Girls Who do not Drown” by A.C. Buchanan (Apex Magazine, December 2018)
  • “We Feed the Bears of Fire and Ice” by Octavia Cade (Strange Horizons)
  • “A Devoted Husband” by Melanie Harding-Shaw (Breach Zine)
  • “Dead End Town” by Lee Murray in Cthulu: Land of the Long White Cloud (IFWG Publishing)

Best Collected Work

  • The Fairies of Down Under and other P?keha Fairy Tales by Geoff Allen (Makaro Press)
  • Te Korero Ahi K? Edited by Grace Bridges, Lee Murray and Aaron Compton (SpecFicNZ)
  • 80,000 Totally Secure Passwords that no Hacker Would Ever Guess by Simon Petrie
  • Cthulu: Land of the Long White Cloud Edited by Steve Proposch, Christopher Sequiera and Bryce Stevens. (IFWG Publishing)

Best Professional Artwork

  • Cover for Te Korero Ahi K?, Created by Evelyn Doyle (SpecFicNZ)
  • Cover for Quest, Created by Craig Phillips (Phantom Feather Press)
  • Cover for Capricious 9, Created by Laya Rose (Capricious)
  • Cover for The Baker Thief, Created by Laya Rose (The Kraken Collective)

Best Professional Production/Publication

  • Breach Magazine, volumes 5-9 Edited by Peter Kirk
  • New Orbit Magazine Edited by Naomi Moore (New Orbit Productions)
  • Writing from a Dark Place by Lee Murray (Victoria University Press)
  • Overgrown by Laya Rose
  • Info Text subtitles for Earthshock, on Doctor Who: The Collection – Season 19 Blu-ray Box Set (BBC, 2018) by Paul Scoones (BBC)
  • Black Archive #15 by John Toon (Obverse Books)

Best Dramatic Presentation

  • Wellington Paranormal, Directed by Jermaine Clement and Jackie van Beek (New Zealand Documentary Board)
  • Mortal Engines, Directed by Christian Rivers (Universal Pictures)

FAN AWARD NOMINEES

Best Fan Artwork

  • The Thirteenth Doctor by Laya Rose

Best Fan Production/ Publication

  • The Future According to Mikey (Curdled Milk Productions)
  • Star Trek in the Park – The Trouble with Tribbles (Enterprise Entertainment)
  • Phoenixine Edited by John and Lynelle Howell (Phoenix Science Fiction Society)

Special Award Nominees

Best New Talent

(Nominations are numbered to aid clarity — the number has no other significance).

1. Kura Carpenter

The Kingfisher’s Debt is Kura Carpenter’s debut novel and very cleverly set in an Urban Fantasy world overlaying (or underlying, depending on your perspective) Dunedin, New Zealand. The writing is crisp, the plot excellently designed and executed. The work, I believe, clearly shows a writer who has taken the writing process seriously, from conception to drafting, to re-drafting, and producing a book that fits neatly into the Urban Fantasy genre while also having a strong Kiwi flavour.

2. Saf Davidson

With her unique and empathetic perspectives on disability, sexuality, and the human condition, Saf Davidson has quickly cemented herself as one of the foremost upcoming New Zealand SFF writers. Her work on serials “Tourist” and “Mountain Sound” has garnered broad praise, and as an award-winning comics writer and editor of games, it’s clear that she refuses to be put in a box—whether creatively or professionally.

3. M.W. Innes-Jones

As Concealment’s publisher, I nominate and highly recommend this fast paced, action packed and gripping Sci-Fi novel. The below precis speaks for itself.

Our genes: will they be our hope or our undoing?

Three centuries from now humanity has made its last stand – a city high in the Swiss Alps, a place of safety and security from a deadly past. This is the reality of Nathanial Paquette’s life and it has been this way for the whole of his sheltered twenty-three years. But with a knock at the family’s apartment door everything changes. Now he must face an uncertain future and unexpected truth – he is genetically altered, and what really matters is what lies hidden within his blood.

Together with eleven others, Nathanial discovers not only does he have to navigate the competing agendas of the city’s ruling council and a man of science but survive the rigorous training he and his fellow recruits are faced with.

It’s a world where friendships are forged, enemies are made, and death awaits – ever wanting to become everyone’s new best friend.

This is the first book of a six-book saga, I promise you, you will be on the edge of your seat from the beginning to the end. The author quickly draws you into the characters’ lives and their world and moves the story along at pace. Using compelling language, this new author reels you into the narrative and leaves you wanting for more.

4. Deborah Makarios

Deborah Makarios has produced a beautifully presented novel that is warm, laugh-out-loud funny, full of twists, and well-drawn characters. The fantasy has not only believable characters, but the land itself is a key character, possessing a magic of its own. She sticks to her genre, but the surprises are many along the way, and the ending is satisfyingly positive. Effortlessly woven into the fast-moving story, there are many current themes – the environment, justice, corporate greed and racism – even though the setting is old. I can’t wait to see what Makarios produces next.

The back-cover description of the novel is as follows:

“Princess Lily was born to be queen, but she leads a pawn’s existence in the shadow of her guardians’ control. She dreams of the day when she will take her rightful place in the world.

At last her chance arrives, with a quest for the three Requisites of Restoration Day, the royal rite which renews the life of the land. But she’s been hidden away too long, and Arcelia has changed.

Stripped of everything but the identity which has become a life-threatening liability, Lily will need to do more than cross the board if she is to emerge triumphant as the queen she knows she must be. The land she thought was hers becomes the field for a gripping game–and this time she’s playing for her life.”

5. Fraser Newman

6. Anna Ryan

Since writing and publishing her first novel (The Lady in the Coat) in 2017, Anna’s confidence of writing horror stories has been continually improving. She is a real enigma in the world of horror writing.

What astounds more than anything, is that Anna understands how the brain works; how we, as human beings cope/deal with fear, terror and paranoia.

After reading Deceptive Cadence, Anna’s collection of short stories, you will question the noises you hear as you drift off to sleep at night. Could there really be someone lurking outside you window, waiting?

And let’s not forget the monsters living in The Room at the End of the Hall. They cannot be real, can they?

You will seriously second guess yourself after you have read Deceptive Cadence. You will jump at every noise you hear.

Anna Ryan is an up and coming writer with imagination and writing skill to be a hugely successful horror writer

Pixel Scroll 8/13/18 I Can’t See Me Scrolling Nobody But You, For All My File

(1) SATURDAY AFTERNOON AT WORLDCON. Adam Rakunas is publicizing the availability of help for those who want it:

(2) NEWS CLIPPING. Barnes & Noble Sci-Fi & Fantasy reports that in 2019 Saga Press will publish Rivers Solomon’s novel inspired by a song from 2017 Hugo nominee Clipping,—a group that includes Tony-winner Daveed Diggs. Thread starts here.

(3) BEAM UP MORE GOLD. Borys Kit, in “Chris Pine and Chris Hemsworth ‘Star Trek 4’ Future In Doubt as Talks Fall Through (Exclusive)”  in The Hollywood Reporter says that both Pine and Hemsworth (who was supposed to play Captain James T. Kirk’s father) have said they won’t be in Star Trek 4 because of pay issues.

The deal points came down to the usual suspect: money. Pine and Hemsworth, among Hollywood’s A-list when starring in DC or Marvel movies, are said to be asking the studios to stick to existing deals. Paramount, according to insiders, contends that Star Trek is not like a Marvel or Star Wars movie and is trying to hold the line on a budget.

The actors, according to sources, insist they have deals in place and that the studios are reneging on them, forcing them to take pay cuts as they try to budget a movie that is following a mediocre performer.

Pine, at least, has had a deal in place for several years. The actor, now a key player in the Wonder Woman franchise, signed up for a fourth movie when he made his deal for 2016’s Star Trek Beyond. Hemsworth has been attached to Star Trek 4 since Paramount, then run by the previous regime headed by Brad Grey, announced the fourth installment in 2016, although his exact status remains murky.

(4) SIGNING STORIES. Delilah S. Dawson gets a lot of great answers. Thread starts here.

Includes a RedWombat sighting –

(5) IT’S THAT DAY. In Pogo, Walt Kelly had a running gag: “Be careful, Friday the 13th falls on a Sunday/ Monday/ Tuesday, etc. this month.” Friday the 13th falls on a Monday in August.

(6) A MODERN SAGA. Brought to you by Amal El-Mohtar.

(7) THE BEST OF. James Davis Nicoll looks back at Del Rey Books’ “Best of…” series in “A Survey of Some of the Best Science Fiction Ever Published (Thanks to Judy-Lynn Del Rey)” at Tor,com, although some of the humor made me wonder if he really liked all the collections. (Which I suppose he did, otherwise why write the piece?) Like this note:

John Brunner’s fiction covered a spectrum ranging from morose to intensely gloomy. Readers intrigued by this collection who want to enjoy his strengths at novel length should seek out Brunner’s thematically-related SF standalone novels: The Jagged Orbit, The Sheep Look Up, Stand on Zanzibar, and The Shockwave Rider. Each book tackles One Big Issue (racial conflict, pollution, overpopulation, and future shock, respectively).

(8) HUGHART OKAY. The query about author Barry Hughart’s well-being in the August 4 Scroll (item 5) has been answered, and the news is good. Bill Schafer of Subterranean Press replied today —

Dear Mr. Glyer,

In response to your recent thread about Barry Hughart’s whereabouts…

I am happy to report I just got off the phone with Barry Hughart, who is very much still with us. (He is terrible about responding to emails, which led me into my email archives to dig out his phone number.)

Oddly enough, we’ve been doing business for ten years or more, and this is the first time we’ve spoken.

Best,

Bill

(9) ROHAN OBIT. A note about the passing of Michael Scott Rohan (1951-2018) at the SF Encyclopedia.

Michael Scott Rohan died in hospital in his home town of Edlnburgh on 12 August 2018; he was 67. Although his first novel Run to the Stars (1983, pictured) was a lively science-fiction adventure, his considerable reputation rests mainly on the Winter of the World fantasy sequence beginning with The Anvil of Ice (1986) and the Spiral science-fantasies beginning with Chase the Morning (1990).

Speaking personally, Mike Rohan was an old and valued friend whose unexpected death leaves an aching hole in the world. — David Langford

(10) TODAY IN HISTORY

  • August 13, 1942 — Disney’s Bambi premiered in New York City.
  • August 13, 1953 — The original War Of The Worlds was released in New York City.

(11) TODAY’S BIRTHDAYS

  • Born August 13, 1899 – Alfred Hitchcock. Let’s see… The Birds and Psycho. Y’all think anything else might be loosely be genre which I include horror in?
  • Born August 13 – Kevin Tighe, 74. First genre role was in This Immortal series, nearly fifty years ago; appeared also in The Six Million Dollar Man, Tales from the Crypt, Escape to Witch Mountain, The Outer Limits, Star Trek: Voyager, Strange World, The 4400, Lost and Salem. 
  • Born August 13 –Danny Bonaduce, 59. First genre role was in The Ghost & Mrs. Muir; later roles included acting in Bewitched, Shazam!, Fantasy Island (original series), Sabrina, the Teenage Witch and Bigfoot. Voice work includes Dr. DolittleFred Flintstone and Friends and Goober and the Ghost Chasers.
  • Born August 13 – John Slattery, 56. Howard Stark in the MCU film franchise, appeared in The Adjustment Bureau film based loosely I suspect of the Philip K. Dick short story ‘Adjustment Team’, 3rd Rock, From the Earth to the Moon miniseries and Flashpoint.
  • Born August 13 – Michael De Luca, 53. Producer, second Suicide Squad film, Childhood’s End, Ghost Rider and Ghost Rider: Spirit of Vengeance, Dracula Untold, Lost in Space, Blade and Blade II, Pleasantville and Zathura: A Space Adventure which is not a complete listing. Also writer for an episode of Star Trek: Voyager, the first Dredd film (oh well), the Freddy’s Nightmares series and the Dark Justice series which though not genre was rather fun.
  • Born August 13 – Sebastian Stan, 36. Bucky Barnes / Winter Soldier in the MCU film franchise; also appeared in Once Upon a Time series, The Martian, The Apparition, Ares III, and Kings, a contemporary alternate-history series about a man who rises to become the King of his nation, based on the biblical story of King David.
  • Born August 13 – Sara Serraiocco, 28. Currently in Counterpoint, a cross-universe Cold War thriller. That’s it.

(12) COMICS SECTION.

(13) MEDICAL ADVICE. At Dorkly, “Two Doctors Figured Out How To Treat A Centaur Having a Heart Attack”. I hope Rick Riordan is taking notes.

Case in point: centaurs – what’s THEIR deal? Half man, half horse, and ALL anatomical mysteries. See, the way centaurs are broken down is that it’s the torso ‘n up part of a human combined with the whole body of a horse (minus the head and neck). But that presents a problem, because (anatomically-speaking) the two halves share a whole bunch of organs, namely the heart.

So a doctor (@FredWuMD) took to Twitter to ask fellow medical professionals an incredibly important question – if a centaur was in the midst of a cardiac arrest, where would you presume the heart is? Where would you use defibrillator pads?

(14) WHAT’S ON HIS MIND? Mike Alger says: “Weekend project: By combining a 3D scan with an MRI (don’t worry I’m fine), I can now step out of my body and legitimately look into my head at my own brain.”

Thread starts here. Mlex says, “This reminded me of Ted Chiang’s story, ‘Exhalation’, in Lightspeed Magazine.”

(15) COSTUMING HISTORY. The International Costumers Gallery continues its series, “Convention Costuming History: The Post WWII Years – 1946”.

…The Pacificon Convention News, issue #2 promised a Costume Ball, essentially acknowledging how much a part of the convention wearing costumes had become. Hearkening back to the pre-war events, it anticipated “BEMs and MONSTERS from every solar system and dimension; famous characters from the stories you have read and loved and every kind of costume that the fertile mentalities of fen (the best fertilized minds in existence) do be able to thunk up<sic>.”(2) Whether it was actually a “ball” or just a party is not clear.

Participants and costumes reported were Myrtle Douglas winning first prize for her Snake Mother dress (3)(4) and Arthur Joquel II (5) dressed as a “high priest”, winning a prize for “characterization”. Fan and fanzine writer Dale Hart’s “Gray Lensman” costume was judged “most ingenious”. (6)

(16) THE GREAT WALL OF HYDROGEN. The New Horizons probe is looking for evidence of it: “NASA spotted a vast, glowing ‘hydrogen wall’ at the edge of our solar system”.

There’s a “hydrogen wall” at the edge of our solar system, and NASA scientists think their New Horizons spacecraft can see it.

That hydrogen wall is the outer boundary of our home system, the place where our sun’s bubble of solar wind ends and where a mass of interstellar matter too small to bust through that wind builds up, pressing inward….

What New Horizons definitely sees, the researchers reported in a paper published Aug. 7 in the journal Geophysical Research Letters, is some extra ultraviolet light — the kind the researchers would expect such a wall of galactic hydrogen to produce. That replicates an ultraviolet signal the two Voyager spacecraft — NASA’s farthest-traveling probes, which launched in the late 1970s — spotted all the way back in 1992. [Images: Dust Grains from Interstellar Space]

However, the researchers cautioned, that signal isn’t a sure sign that New Horizons has seen the hydrogen wall, or that Voyager did. All three probes could have actually detected the ultraviolet light from some other source, emanating from much deeper in the galaxy, the researchers wrote.

(17) SEEING SPOTS. Lasers been berry berry good to me. NPR: “Growers Are Beaming Over The Success Of Lasers To Stave Off Thieving Birds”.

During every berry-picking season in the Pacific Northwest, blueberry and raspberry growers fight to prevent birds from gobbling up the crop before harvest. This year, some farmers are trying something new to scare away the thieving birds: lasers….

The lasers cross over in erratic patterns. The sweeping green laser beams emanate from what look like security cameras atop metal poles.

They also work during the daytime. But in sunlight, the human eye can only see green dots dancing across the berry-laden bushes.

(18) SFFANZ 500. Congratulations to the Science Fiction and Fantasy Association of New Zealand (SFFANZ) on their blog’s 500th post – “SF Writer at the Manawatu Writers Festival + 500th Post”.

A heads up for SF fans about the Manawatu Writers’ Festival (Sept 7 – 11, 2018). This year they have a session with one of NZ’s longest running successful writers, Lyn Mc Conchie.

Lyn McConchie is an internationally successful author, who has had 44 books published, 300+ short stories, and 150+ articles. Her work has appeared in English, Polish, Russian, Spanish, and from publishers there as well as in America, Australia, New Zealand, and the Irish Republic. Lyn isn’t in any ruts, she writes mysteries, SF/F, animal tales, post-apocalypse, YA, picture books, and humorous and scholarly non-fiction and she has no plans to stop any time soon. Lyn’s latest book, Coal & Ashes, is is one of her apocalyptic stories, set in Australia, one of a series.

(19) THERAPEUTIC POOH. The LA Times profiles Christopher Robin: “With ‘Christopher Robin,’ Winnie the Pooh faces his greatest challenge yet: A marriage in crisis”.

So many Disney films follow a child or young adult suddenly thrown into a grown-up world and forced to overcome all of its headaches. “Christopher Robin,” however, turns a childhood hero of those who grew up admiring A.A. Milne’s “Winnie the Pooh” tales into a depressed and overwhelmed adult — a man whose youthful imagination ultimately proved no match for the realities of war, fatherhood and a thankless job.

In the film, an old and familiar pal comes to the rescue, but is Winnie the Pooh — a plump stuffed bear whose biggest bothers often involved stealing honey from a bee — ready to fix the life of a workaholic whose marriage is entering crisis mode? Or, perhaps more accurately, are Pooh fans ready to see it?

Those who worked on “Christopher Robin” say the mission was to tap into the original Milne template, one that mixed comedy and complex emotions to deliver patient life lessons. The ultimate goal of the film: to dispel any notion that Winnie the Pooh is simply kid stuff.

“I wouldn’t be ashamed to be a grown man going to see a ‘Winnie the Pooh’ movie in the theater with no child next to me, so let’s make sure we’re making that movie,” said Alex Ross Perry, a filmmaker with several acclaimed indies under his belt and one of three credited screenwriters on the picture. “It has to be completely logical in that Pixar sense, where adults can go see it in a roomful of kids, but it doesn’t feel like you’re seeing a kids movie.”

(20) NOW YOU’RE TALKING. John Scalzi boosts a great idea —

(21) EYE-OPENING COLLECTIBLE. Something to find a Worldcon 76 –

(22) THE TRAVELER. Galactic Journey’s Gideon Marcus will interrupt his daily commute to 1963 in order to appear at Worldcon 76 –

(23) RADIO ACTIVITY. SF Concatenation’s Jonathan Cowie tuned into BBC Radio 4 this weekend. He picked out highlights you can access online.

Looks like Dan Dare is a full blown radio series consisting of a number of linked  two-part adventures. Next up next Sunday will be on Radio 4 Extra and shortly after for a month on BBC i-Player linked off here.

Episode 1

Dan Dare, The Red Moon Mystery Episode 1 of 2

4 Extra Debut. Infected by the Mekon’s virus, Dan’s crew orbit Earth until the Inter-Planet Space Force orders them to Mars. Stars Ed Stoppard

Next Sunday 18:00

BBC Radio 4 Extra

Also this weekend we had on BBC Radio 4

Open Book  “Claire Fuller, Neil Gaiman, Iranian fiction”

Claire Fuller talks to Mariella Frostrup about her new novel Bitter Orange and the appeal of the crumbling country house as a setting.

Neil Gaiman explains why forgotten classic Lud-in-the-Mist by Hope Mirrlees deserves a wider readership.

What does the combination of sanctions and censorship mean for Iran’s writers? The Guardian’s Saeed Kamali Dehghan and publisher Azadeh Parsapour discuss.

And Carrie Plitt, agent at Felicity Bryan Associates recommends Sally Rooney’s Normal People for our monthly Editor’s Tip.

This is available to listen to for next 4 weeks

[Thanks to JJ, David Langford, Jonathan Cowie, Chip Hitchcock, Mike Kennedy, Martin Morse Wooster, Carl Slaughter, Andrew Porter, Leo Doroschenko, and Cat Eldridge for some of these stories, Title credit goes to File 770 contributing editor of the day Soon Lee.]

2018 Sir Julius Vogel Award Winners

The winners of the 2018 Sir Julius Vogel Awards have been announced. The awards recognize excellence in science fiction, fantasy and horror by New Zealanders.

The winners were decided by a vote of the members of SFFANZ, the Science Fiction and Fantasy Association of New Zealand Inc., and of the national convention, Conclave 3, held March 30-April 2.

Best Novel

Hounds of the Underworld – Dan Rabarts and Lee Murray

Best Youth Novel

The Traitor and the Thief – Gareth Ward

Best Novella / Novelette

Matters Arising from the Identification of the Body – Simon Petrie

Best Short Story

“Crimson Birds of Small Miracles” – Sean Monaghan

Best Collected Work

Mariah’s Prologues – Grace Bridges

Best Professional Artwork

Cover for “Teleport” – Kate Strawbridge

Best Professional Production/Publication

Mistlands – Laya Rose

Best Dramatic Presentation

The Changeover – Stuart McKenzie, Miranda Harcourt, Emma Slade

Best Fan Artwork

John Toon

Best Fan Production/ Publication

Lexicon convention booklet – Darusha Wehm

Best Fan Writing

Jo Toon

Best New Talent

Gareth Ward

Services To Science Fiction, Fantasy And Horror

Darian Smith

Services To Fandom

Jan Butterworth

2018 Sir Julius Vogel Award Finalists

The finalists for the 2018 Sir Julius Vogel Awards have been announced. The awards recognize excellence in science fiction, fantasy and horror by New Zealanders.

The winners will be decided by a vote of the members of SFFANZ, the Science Fiction and Fantasy Association of New Zealand Inc., and of the national convention, Conclave 3, to be held March 30-April 2.

PROFESSIONAL AWARDS

Best Novel

  • In the Earth’s Embrace, by J.C. Hart (Etherhart Press)
  • Bastet’s Daughters, by Lyn McConchie (Wildside Press)
  • Tyche’s Flight, by Richard Parry (Independent)
  • Hounds of the Underworld, by Dan Rabarts and Lee Murray (Raw Dog Screaming Press)
  • Starlight’s Children, by Darian Smith (Wooden Tiger Press)

Best Youth Novel

  • Earthcore, Book 1: RotoVegas, by Grace Bridges (Splashdown Books)
  • The Locksmith, by Barbara Howe (IFWG Publishing)
  • A Dash of Belladonna, by J. Rackham (Lemon Ink)
  • The Kahutahuta, by Douglas A. Van Belle (Intergalactic Media Group)
  • The Traitor and the Thief, by Gareth Ward (Walker Books Australia)

Best Novella/Novelette

  • The Meiosis of Cells and Exile, by Octavia Cade, published in Asimov’s Science Fiction, Jan/Feb 2017 edition
  • Standard Hollywood Depravity, by Adam Christopher (Tor)
  • Beautiful Abomination, by Frances Duncan
  • Matters Arising from the Identification of the Body, by Simon Petrie (Peggy Bright Books)
  • Blood Money, by Chris Underwood

Best Short Story

  • Earthcore: Initiation” by Grace Bridges, published on http://www.gracebridges.kiwi.
  • Syren Song” by A.C Buchanan, published in Kaleidotrope.
  • The Stone Weta” by Octavia Cade, published in Clarkesworld, issue 131.
  • From the Womb of the Land, Our Bones Entwined” by A.J. Fitzwater, published in Pacific Monsters anthology (Fox Spirit Books).
  • Crimson Birds of Small Miracles” by Sean Monaghan, published in Asimov’s Science Fiction Magazine, Jan/Feb 2017.

Best Collected Work

  • Mariah’s Prologues, by Grace Bridges
  • Once Upon a Southern Star: A Collection of Retold Fairy Tales, edited by Shelley Chappell

Best Production/Publication

Best Artwork

  • Earthcore: Initiation, story poster by Grace Bridges
  • Cover for Teleport, by Kate Strawbridge
  • Cover for Beneath Broken Waves, by Kate Strawbridge
  • Cover for The Madman’s Bridge, by Patrick McDonald
  • Cover for In the Earth’s Embrace, by Kate Strawbridge

Best Dramatic Presentation

  • The Changeover, directed by Stuart McKenzie and Miranda Harcourt, produced by Emma Slade (Firefly Films)
  • The Cul de Sac, season 2, (Greenstone TV)
  • One Thousand Ropes, directed by Tusi Tamasese (Blueskin Films)

Best New Talent
(Platform descriptions for the nominees will be provided in the official list on the SFFANZ web site.)

  • Barbara Howe
  • Mark Johnson
  • J. Rackham
  • Gareth Ward

FAN AWARDS

Best Fan Artwork

  • John Toon, for cartoons in Phoenixine and 2017 LexiCon convention booklet.

Best Fan Production/Publication

  • Phoenixine, edited by John and Lynelle Howell
  • Lexicon convention booklet, produced by Darusha Wehm
  • Summer Star Trek – Journey to Babel, Enterprise Entertainment

Best Fan Writing

  • Alex Lindsay for SITREP (produced in Phoenixine)
  • Jo Toon for Pass the Rules (produced in Phoenixine)

Services to Fandom
(Platform descriptions for the nominees will be provided in the official list on the SFFANZ web site.)

  • Jan Butterworth

Services to Science Fiction, Fantasy and Horror
(Platform descriptions for the nominees will be provided in the official list on the SFFANZ web site.)

  • Andi Buchanan
  • Darian Smith

Sir Julius Vogel Awards Photos

Sir Julius Vogel Award set. Photo by Paul Weimer.

Paul Weimer’s DUFF trip took him to Lexicon in New Zealand this weekend, where he shot these photos of the 2017 Sir Julius Vogel Awards presentation.

  • Back row: Dan Rabarts, Lee Murray, Octavia Cade, Keith Smith, Lynelle Howell, Publisher Marie Hodgkinson accepting for Emma Weakley, and AJ Fitzwater
  • Front row: Jean Gilbert, Eileen Mueller, and Lynelle Howell’s daughter dressed as a “Living Sir Julius Vogel Award”.

Here are links to some more good photos in public posts on Facebook:

2017 Sir Julius Vogel Awards

The winners of the 2017 Sir Julius Vogel Awards were announced June 4 at Lexicon in Taupo, New Zealand. The awards recognize excellence in science fiction, fantasy and horror by New Zealanders.

The winners were chosen by a vote of the members of SFFANZ, the Science Fiction and Fantasy Association of New Zealand Inc., and of the national convention, Lexicon 2017.

Professional Award Nominees

Best Novel

  • Into the Mist by Lee Murray (Cohesion Press)

Best Youth Novel

  • Light in My Dark by Jean Gilbert and William Dresden (Rogue House Publishing)

Best Novella / Novelette

  • The Convergence of Fairy Tales by Octavia Cade (Book Smugglers)

Best Short Story

  • “Splintr” by A.J. Fitzwater, published in At the Edge (Paper Road Press)

Best Collected Work

  • At the Edge, Edited by Dan Rabarts and Lee Murray (Paper Road Press)

Best Professional Artwork

  • Cover artwork for At the Edge, Emma Weakley (Paper Road Press)

Best Professional Production / Publication

  • That Kind of Planet, Emma Weakley (Random Static)

Best Dramatic Presentation

  • This Papier Mache Boulder is Actually Really Heavy, Andrew Beszant and Christian Nicholson (Little Hero Productions)

Fan Award Nominees

Best Fan Production/ Publication

  • Summer Star Trek: Mirror, Mirror, Enterprise Entertainment

Best Fan Writing

  • Octavia Cade, For Food and Horror Column Series (Book Smugglers)

Best Fan Artist

  • Keith Smith, Contributions to Novazine

Special Award Nominees

Best New Talent

  • Eileen Mueller

Services To Science Fiction, Fantasy And Horror

  • Lee Murray

Services To Fandom

  • Lynelle Howell

The supporting statements for the Special Award winners can be read at the SFFANZ  website.

[Thanks to JJ for the story.]

2017 Sir Julius Vogel Award Finalists

The nominees for the 2017 Sir Julius Vogel Award have been announced.  The awards recognize excellence in science fiction, fantasy and horror by New Zealanders.

The winners will be decided by a vote of the members of SFFANZ, the Science Fiction and Fantasy Association of New Zealand Inc., and of the national convention, Lexicon 2017.

Professional Award Nominees

Best Novel

  • Innocents by Sarah Fayermann (FeedARead.com Publishing)
  • Den of Wolves by Juliet Marillier (Pan MacMillan Australia)
  • Into the Mist by Lee Murray (Cohesion Press)
  • Daybreak Rising (Embers of Redemption, vol 1) by Kiran Oliver (CreateSpace Independent Publishing)
  • Night’s Fall by Richard Parry (Mondegreen)

Best Youth Novel

  • Stranded Starship (You Say Which Way) by Kevin Berry (Fairytale Factory)
  • The Ghosts of Moonlight Creek by Sue Copsey (CreateSpace Independent Publishing)
  • Battlesaurus: Clash of Empires by Brian Falkner (MacMillan)
  • Light in My Dark by Jean Gilbert and William Dresden (Rogue House Publishing)

Best Novella / Novelette

  • The Convergence of Fairy Tales by Octavia Cade (Book Smugglers)
  • Babylon’s Song by Woelf Dietrich, published in Interspecies (Kosa Press)
  • The Sleeper’s Dance – A Novella by Mouse Diver-Dudfield (Pouakai Books)
  • Spindle by Dan Rabarts, published in Andromeda Spaceways Inflight Magazine issue 63
  • Tipuna Tapu by Dan Rabarts (Clan Destine Press)

Best Short Story

  • “Narco” by Michelle Child, published in At the Edge (Paper Road Press)
  • “Splintr” by A.J. Fitzwater, published in At the Edge (Paper Road Press)
  • “Wakers” by Sean Monaghan, published in Asimov’s Science Fiction, August 2016
  • “Call of the Sea” by Eileen Mueller, published in At the Edge (Paper Road Press)
  • “BlindSight” by A.J. Ponder, published in At the Edge (Paper Road Press)
  • “London’s Crawling” by Emma Pullar, published in Dark Minds Charity Collection (Bloodhound Books)

Best Collected Work

  • At the Edge, Edited by Dan Rabarts and Lee Murray (Paper Road Press)
  • Everything is Fine, Grant Stone (Racket House)

Best Professional Artwork

  • Cover artwork for Write Off Line 2016: Everyone’s a Winner by Kodi Murray (Rogue House Publishing)
  • Cover artwork for Beyond the Stars by Kodi Murray (Tauranga Writers Publishing)
  • Cover artwork for Chameleon Moon, by Laya Rose
  • Midnight Star, Laya Rose
  • Cover artwork for That Kind of Planet, Emma Weakley (Random Static)
  • Cover artwork for At the Edge, Emma Weakley (Paper Road Press)

Best Professional Production / Publication

  • That Kind of Planet, Emma Weakley (Random Static)

Best Dramatic Presentation

  • This Papier Mache Boulder is Actually Really Heavy, Andrew Beszant and Christian Nicholson (Little Hero Productions)
  • Chronesthesia, Directed by Hayden J. Weal, collaborator Simeon Duncombe
  • AFK: the webseries, episode 12, “ZERG”, Directed by Peter Haynes (Epically Casual Productions)

Fan Award Nominees

Best Fan Production/ Publication

  • Novazine, Edited by Jacqui Smith
  • Phoenixine, Edited by John and Lynelle Howell
  • Summer Star Trek: Mirror, Mirror, Enterprise Entertainment

Best Fan Writing

  • Alex Lindsay for SITREP, Published in Phoenxine
  • Jacqui Smith, For contributions to Novazine
  • Octavia Cade, For Food and Horror Column Series (Book Smugglers)

Best Fan Artist

  • Keith Smith, Contributions to Novazine

Special Award Nominees

Best New Talent

  • Eileen Mueller
  • Richard Parry
  • Laya Rose
  • Darian Smith

Services To Science Fiction, Fantasy And Horror

  • Lee Murray

Services To Fandom

  • Jan Butterworth
  • Lynelle Howell

The lengthy supporting statements for the Special Award nominees can be read at the SFFANZ  website.

[Thanks to JJ for the story.]

 

Pixel Scroll 12/31/16 We All Know That The Pixel Never Scrolls Twice

(1) ON ITS WAY TO BEING DEADJOURNAL? LiveJournal was purchased by a Russian company in 2007 but continued to operate on U.S.-based servers until this month. According to Metafilter

As of a few days ago, the IP addresses for blogging service LiveJournal have moved to 81.19.74.*, a block that lookup services locate in Moscow, Russia. Now users — especially those who do not trust the Russian government — are leaving the platform and advising others to leave.

For years, the online blogging community LiveJournal — popular in Russia, Belarus, and the Ukraine — has served as a key communications platform for Russian dissidents (the Committee to Protect Journalists earlier this month called on Russian authorities to release a LiveJournal user who has been sentenced to 2 years in prison for a critical blog post). Even after Russian company SUP bought it from California-based Six Apart in 2007 (previously), the fact that SUP continued to run the servers in the US meant that users felt relatively safe; a 2009 press release specifically said that LiveJournal, Inc.* would continue to run technical operations and servers in the United States (and claimed that 5.7 million LiveJournal users were Russia-based).

(2) REANIMATION NOW A HOLLYWOOD ISSUE. “Actors seek posthumous protections after big-screen resurrections” – Reuters has the story.

California law already gives heirs control over actors’ posthumous profits by requiring their permission for any of use of their likeness. As technology has improved, many living actors there are more focused on steering their legacy with stipulations on how their images are used – or by forbidding their use.

Robin Williams, who committed suicide in 2014, banned any use of his image for commercial means until 2039, according to court documents. He also blocked anyone from digitally inserting him into a movie or TV scene or using a hologram, as was done with rapper Tupac Shakur at Southern California’s Coachella music festival in 2012 – 16 years after his murder.

Virtual characters have been used when an actor dies in the middle of a film production, as when Universal Pictures combined CGI and previous footage for Paul Walker’s role in 2015’s “Furious 7” after Walker’s 2013 death in a car crash.

But “Rogue One” broke new ground by giving a significant supporting role to a dead star. A digital embodiment of British actor Peter Cushing, who died in 1994, reprised his role from the original 1997 “Star Wars” film as Tarkin.

Walt Disney Co recreated Tarkin with a mix of visual effects and a different actor.

A Disney spokeswoman declined to comment on whether Princess Leia would appear in films beyond “Episode VIII,” set for release in 2017. Fisher had wrapped filming for the next “Star Wars” episode before she died. She suffered a heart attack on a flight from London to Los Angeles.

(3) ALL ROMANCE EBOOKS CLOSES. Quoting from JJ in a comment on yesterday’s Scroll:

Kristine Kathryn Rusch has made a public posting on Patreon: “All Romance Ebooks and its sister website Omnilit did something incredibly awful on December 28, 2016. It sent out a handful of emails, letting writers, publishers, readers, and others know that it was shutting its doors four days later.”

This is a really well-thought-out and helpful piece. The TL;DR is: 1) if you’re an author who was using them as a distributor, get your rights reverted immediately; 2) if you’re a reader who bought books through them, get them copied to your computer immediately.

There’s a lot more helpful advice for affected authors in there. I really hope that no Filers are affected by this, and I feel bad for all authors who were involved with that business; they are almost certainly not going to get any money they are owed.

Part of what Rusch explained:

ARe is a distributor, mostly, and so it is dealing with its writers as suppliers and unsecured creditors. I’ve been through a bunch of distributor closings, many in the late 1990s, with paper books, and they all happen like this.

One day, everything works, and the next, the distributor is closed for good. In some ways, ARe is unusual in that it gave its suppliers and creditors four days notice. Most places just close their doors, period.

I’m not defending ARe. I’m saying they’re no different than any other company that has gone out of business like this. Traditional publishers have had to deal with this kind of crap for decades. Some comic book companies went out of business as comic book distributors collapsed over the past 25 years. Such closures have incredible (bad) ripple effects. In the past, writers have lost entire careers because of these closures, but haven’t known why, because the publishing house had to cope with the direct losses when the distributor went down.

The difference here is that ARe wasn’t dealing with a dozen other companies. It was dealing with hundreds, maybe thousands, of writers individually, as well as publishers. So, writers are seeing this distribution collapse firsthand instead of secondhand.

To further complicate matters, ARe acted as a publisher for some authors, and is offering them no compensation whatsoever, not even that horrid 10 cents on the dollar (which, I have to say, I’ll be surprised if they pay even that).

(4) NZ ORDER OF MERIT. Professor Anthony Phillip Mann,  a Sir Julius Vogel winner whose novel The Disestablishment of Paradise was a finalist for the Clarke and Campbell Awards, has been named a Member of the New Zealand Order of Merit, for services to literature and drama.

(5) NOMINATIONS OPEN FOR SIR JULIUS VOGEL. Nominations for the 2017 Sir Julius Vogel awards are being accepted until 8.00 p.m. on March 31, 2017.

The awards recognise excellence and achhievement in science fiction, fantasy, or horror works created by New Zealanders and New Zealand residents, and first published or released in the 2016 calendar year.

We are using a web-based system for nominations this year to aid our administrative processes. Full information about the awards, including the rules and criteria for the Sir Julius Vogel Award, can be found here.

Anyone can make a nomination and it is free! To make a nomination, go to http://www.sffanz.org.nz/sjv/sjvAwards.shtml  and fill out the web-based nomination form.

Get busy reading NZ authors and watching NZ movies to find work to nominate. We have a list of New Zealand works that may be eligible for nomination here.

(6) CAMPBELL AWARD. Mark-kitteh reports, “Writertopia have set their Campbell Award eligibility page to 2017 mode. It’s obviously very sparse on 1st year eligibility at the moment, but there are a few new entries already.”

The John W. Campbell Award uses the same nomination and voting mechanism as the Hugo, even though the Campbell Award is not a Hugo.

Like the Hugo Awards, the Campbell Award voting takes place in two stages. The first stage, nomination, is open to anyone who had a Supporting or Attending membership in the previous, current, or following year’s Worldcon as of January 31. For Worldcon 75 in Helsinki, this means members of MidAmeriCon II, Worldcon 75 itself, and Worldcon 76 can nominate any eligible author. This web page helps identify eligible authors for the Campbell Award.

The official nomination page will be posted when it is available on the Worldcon 75 website. Nominations will likely close on March 31, 2017.

To be able to vote for the award, you must be a member of Worldcon 75 in Helsinki. If you are not a member of Worldcon 75 and wish to vote, you must purchase a supporting membership or an attending membership before January 31.

(7) COVERS REVEALED. Greg Ruth’s cover art for Nnedi Okorafor’s Akata Witch  and Akata Warrior has debuted online. Ruth wrote —

We often in art mistake race for color, and what this taught me was a way to skip past those initial assumptions and get right to the heart of her structure rather than her tone. This meant a lot of research into what physical features are distinctively Nigerian, and bringing those to bear on this young woman. She had to, without leaning on skin color, be authentically Nigerian and herself as a true native of her culture in every bit as much the same way in which I might need to address and accomplish the same for a Cambodian scientist, or an Icelandic luthier. We all within our tribes carry specific physical marks that stem from our localized familial genetics. Folks of a Rwandan Tutsi heritage have different physical features even from Rwandan Hutu people due to the way we as people form our tribes via family and region. Whether or not my own self-aware whiteness drove me to paying especial attention to these subtle but significant differences, or whether it was just about cleaving close to that aforementioned ethic of art making to be its best and truly objective self, I can’t say. But I do confess to feeling as someone coming from a  different cultural experience, I owe a lot to research as a means to be the best scribe for the cultural truths and realities of one that is not mine. That means, int he case of INDEH, years of research, tracking tribal origins, genetic traits and societal issues so that the Apaches look like Apaches, especially to actual real Apaches. If I had done this first as part of this ongoing series, I am not sure I would have been able to if I were being honest. I think I needed to do the other three to fully grok what it was this pair of images needed to have done. It was entirely essential to this potential hubris that Nnedi had been so excited about the previous three- and particularly to have been so spot on with them both culturally and inherent in her mind to the characters as she see saw them. Her words brought great comfort to me in times of doubt- (Thanks Nnedi!).

(8) HINES AUCTION RESULTS. Jim C. Hines’ fundraiser for Transgender Michigan brought in $1,655.55.

We know transgender youth are at a higher risk of depression and suicide, and these coming months and years could be very difficult. So I’m proud and grateful to announce that with the help of some SF/F friends and the generosity of everyone who bid and donated, we raised a total of $1,655.55 to help Transgender Michigan continue their important work.

I wanted to pass along this thank you from Susan Crocker of Transgender Michigan:

Transgender Michigan would like to thank everyone involved with the fundraiser auctions run by Jim C. Hines. All of you are helping us provide services to the transgender communities of Michigan and beyond. This will help our help line, chapters, referral system, community building, and advocacy.

(9) RULES VARIATION. Cheryl Morgan has “Arabian Nights Questions”:

Something else I did over Christmas, as a bit of a break from the Wagnerthon, was remind myself of the rules for Arabian Nights, just in case I should end up in a game at Chance & Counters. There are solo play rules, and it didn’t take long to get back into the swing of things (not to mention crippled, enslaved, and ensorcelled). However, a couple of questions occurred to me along the way and I was wondering if anyone out there could enlighten me.

First up, I remember from playing the original version that you were not allowed to win if you were gender-swapped. Indeed, I wrote a whole blog post about that a couple of years ago. Checking the rules of the new edition it appears that rule has been dropped. The card for Geas still says you can’t win while you have that status, but no other statuses seem to have that effect. Can anyone confirm this, or have I missed something?

(10) WONG OBIT. Tyrus Wong (1910-2016) who worked on Disney’s Bambi, died December 30 according to the New York Times.

When Walt Disney’s “Bambi” opened in 1942, critics praised its spare, haunting visual style, vastly different from anything Disney had done before. But what they did not know was that the film’s striking appearance had been created by a Chinese immigrant artist, who took as his inspiration the landscape paintings of the Song dynasty. The extent of his contribution to “Bambi,” which remains a high-water mark for film animation, would not be widely known for decades

(11) TODAY IN HISTORY

  • December 31, 1931 — A doctor faces horrible consequences when he lets his dark side run wild in Dr.Jekyll and Mr. Hyde, seen for the first time on this day. This was the first horror movie ever to win an Academy Award, it was for Best Actor. The movie was also nominated for Best Writing Adapted Screenplay and Best Cinematography.

dr-jekyll

  • December 31, 1935 — C. B. Darrow received a patent for his Monopoly game.
  • December 31, 1958Cosmic Monsters, aka The Strange World of Planet X, opens.

(12) TODAY’S BIRTHDAY AMPHIBIAN

  • Born December 31, 1955  — Michigan J. Frog, pictured with his dad, Chuck Jones.

frog-and-chuck-jones

(13) PROGRAM BREAKERS. The BBC discusses examples of names that break computer systems.

Some individuals only have a single name, not a forename and surname. Others have surnames that are just one letter. Problems with such names have been reported before. Consider also the experiences of Janice Keihanaikukauakahihulihe’ekahaunaele, a Hawaiian woman who complained that state ID cards should allow citizens to display surnames even as long as hers – which is 36 characters in total. In the end, government computer systems were updated to have greater flexibility in this area.

Incidents like this are known, in computing terminology, as “edge cases” – that is, unexpected and problematic cases for which the system was not designed.

I remember cracking up when I read an Ann Landers column about the soldier who didn’t have a regular name, just two initials, and once the military had processed him he was legally stuck with the name “Bonly Nonly.”

(14) PRESTIDIGITIZATION. Rich Lynch announces, “From out of the mists of nearly 30 years past, the third issue of the fanzine Mimosa is now online.  You can view it here: Mimosa #3.”

“Like everything else on the Mimosa website, the issue has been put online in eye-friendly HTML format.  This will make it easier to view, as it was originally published in two-column format and you do not need to turn pages to read an article in its entirety.”

Rich has also launched the 17th issue of his personal fanthology My Back Pages at eFanzines.com.

Issue #17 is a year-end collection that starts with a long and at times strange journey, and includes essays involving teetering glass display cases, sweaty dinner expeditions, accusations of spying, protected sanctuaries, icy traverses, well-attired mountain climbs, earthquake epicenters, frigid hitchhikes, altitude-challenged terrain, river confluences, photography challenges, clear skies, city park pow-wows, employment outsourcing, focal-point fanzines, woodland views from on high, Viennese composers, good and bad winter weather, entertaining musicals, minimalist paintings, subway mosaics, and the New York City street grid.  This issue also, for the first time in the run, includes a previously unpublished essay.”

(15) LEGENDS OF THE FALL. Jo Lindsay Walton’s blog has an impressive origin story, but he may be throttling back in 2017.

Superadded to this general siege of opinion, I had started to feel that those closest to me would sometimes, in a real casual way, slip into conversation a chance remark, not obviously aimed at me, which intimated that to hide one’s l33t under a bushel might itself be construed as vanity, and that in a way wouldn’t you say that, like, the most ostentatious blog you can have as a white middle class western cis man is no blog at all — the eyes flick anxiously to mine, linger an unsettling instant, flick away. I caved. My caving is all around you. In the end it was probably the dramatis personae itself that did it: what was reiterated strategum by strategum, however laughable the local strategic design, was this bald provocation: if so many millions of entities, living, dead, exotic, imaginary, could draw together under this one bloggenic banner, if Alex Dally MacFarlane, Alice Tarbuck, and Aliette de Bodard, if Amal El-Mohtar, Amy Sterling Casil, and Ann Leckie, if Anna MacFarlane, Benjanun Sriduangkaew, and Brad R. Torgersen?, if Carol Emshwiller, Catherynne M. Valente, and China Miéville, if Christina Scholz, Chuck Tingle, and Connie Willis, if Elizabeth Jones, George O. Smith, and George RR Martin, if Gillian Anderson, Harlan Ellison, and Jack Vance, if Jim Butcher, John C. Wright, and John Scalzi, if Jonah Sutton-Morse, Joseph Tomaras, and Kate Paulk, if Kathy Acker, Kevin J. Anderson, and Kim Stanley Robinson, if Kir Bulychev, Lois McMaster Bujold, and L. Ron Hubbard, if Larry Correia, Laura J. Mixon, and Lavie Tidhar, if Margaret Cavendish, N.K. Jemisin, and Nalo Hopkinson, if Naomi Novik, Nick Mamatas, and Paul Weimer, if R.A. Lafferty, Renay, and Robert Heinlein, if Robert Jordan, Rochita Loenen-Ruiz, and Saladin Ahmed, if Sarah Hoyt, Sofia Samatar, and Sophie Mayer, if Steven Gould, Tricia Sullivan, and Vox Day, if countless others, could all make cause together to beg this one blog of me, if even Alice Bradley Sheldon and James Tiptree Jnr. could set aside their differences to ask this one thing, why then could I not set my false modesty aside, look into my historically-determined and socially-constructed heart, and blog? But now the PhD is kinda done, so … well, this will probably go a bit dormant now.

A volcano puffing out the odd mothball.

(16) PAGES TURNED. Abigail Nussbaum closes out with “2016,  Year in Reading: Best Reads of the Year” at Asking the Wrong Questions.

The Winged Histories by Sofia Samatar (review) I wrote several thousand words about Samatar’s second novel, the companion piece to her equally wonderful A Stranger in Olondria, earlier this year, and yet I still don’t feel that I’ve fully grappled with how special and revolutionary this book is.  This despite the fact that Histories initially feels a great deal more conventional, and much easier to sum up, than Olondria.  Its use of familiar epic fantasy tropes and styles is more pronounced than the previous novel, and whereas Olondria circled around the edges of a fantasyland civil war, Histories sets its story almost in the middle of it.  What ultimately becomes clear, however, is that just like the hero of A Stranger in Olondria, the four women who tell the story of The Winged Histories are trying to give shape to their lives by casting them into literary forms–in this case, the forms of epic fantasy, even if none of them are aware of that genre or would call it that.  And, one by one, they discover the limitations of those forms, especially where women and colonized people are concerned.  Not unlike Olondria, The Winged Histories is ultimately forced to ask whether it is even possible for people to tell their own stories using the tropes and tools left to them by their oppressors.  If the entire purpose of your existence is to be the Other, or the object, in someone else’s story, can you ever take their words, their forms, and make it a story about yourself?  For most of the novel’s characters, the solution is ultimately to fall silent, and yet The Winged Histories itself rings loudly.  As much as it is a rebuke of the fantasy genre, it is also a major work within it, and one that deserves more discussion and attention than it has received.

(17) KYRA LOOKS BACK AT 2016. In comments, Kyra sketched some mini-reviews of what she read this past year.

(18) SOME GOOD IN 2016 AFTER ALL. Creature Features, the Burbank collectibles store, put together a tribute to 2016 sff.

[Thanks to JJ, Andrew Porter, Kip W, Joe Rico, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Ken Richards.]

2016 Sir Julius Vogel Awards

The winners of the 2016 Sir Julius Vogel Awards have been announced. The awards are given for achievements by New Zealanders in the science fiction, fantasy and horror genres.

Voting was conducted at Au Contraire 2016, the 37th National Science Fiction convention held in Wellington over Queen’s Birthday Weekend. A record number of votes was cast this year.

Professional Awards Category Winners

Best Novel

  • Ardus by Jean Gilbert, Rogue House Publishing

Best Youth Novel

  • Dragons Realm by Eileen Mueller (Fairytale Factoy)

Best Novella

  • The Ghost of Matter by Octavia Cade, published in Shortcuts: Track 1 (Paper Road Press)

Best Short Story

  • “The Thief’s Tale” by Lee Murray

Best Collected Work

  • Write Off Line 2015: The Earth We Knew, Jean Gilbert/Chad Dick (eds)

Best Professional Artwork

  • Cover for Shortcuts: Track 1, by Casey Bailey

Best Professional Production/Publication

  • White Cloud Worlds Anthology 3, Paul Tobin (ed), published by Weta Workshop

Best New Talent

  • Jean Gilbert

Fan Award Category Winners

Best Fan Production/publication

  • Phoenixine, by John and Lynelle Howell

Best Fan Artwork

  • Keith Smith – for contributions to Novazine

Best Fan Writing

  • John Toon

Special Award Category Winners

Services to Science Fiction, Fantasy and Horror     

  • Marie Hodgkinson

Services to Fandom

  • Glenn Young

[Thanks to JJ for the story.]

2016 Sir Julius Vogel Award Nominees

SFFANZ logoThe 2016 Sir Julius Vogel Awards shortlist has been announced. These awards recognize excellence in science fiction, fantasy and horror by New Zealanders.

The winners will be decided by a vote of the members of SFFANZ, the Science Fiction and Fantasy Association of New Zealand Inc., and of the national convention, AuContraire 2016.

Professional Award Nominees

Best Novel

  • Ardus by Jean Gilbert (Rogue House Publishing)
  • Mariah’s Dream by Grace Bridges (Splashdown Books)
  • Vestiges of Flames by Lyn McConchie (Lethe Press USA)
  • Currents of Change by Darian Smith (Wooden Tiger Press)
  • Shards of Ice by Catherine Mede (Flying Kiwi Press)
  • Sun Touched by J.C. Hart (Etherhart Press)

Best Youth Novel

  • The Caretaker of Imagination by Z. R. Southcombe (Self Published)
  • Dragons Realm (You Say Which Way) by Eileen Mueller (Fairytale Factory)
  • Brave’s Journey by Jan Goldie (IFWG Publishing Australia )
  • Lucy’s Story: The End of the World by Z. R. Southcombe (Self Published)
  • Deadline Delivery by Peter Friend (Fairytale Factory)

Best Novella / Novelette

  • Pocket Wife by I. K. Paterson-Harkness (in Shortcuts – Track 1, Paper Road Press)
  • The Way the Sky Curves by J. C. Hart (Etherhart Press)
  • The Molenstraat Music Festival by Sean Monaghan (Asimov’s, September 2015 issue)
  • The Last by Grant Stone (in Shortcuts – Track 1, Paper Road Press)
  • The Ghost of Matter by Octavia Cade (in Shortcuts – Track 1, Paper Road Press)
  • Burn (Maiden, Mother, Crone, bk 1) by J. C. Hart (Etherhart Press)
  • Bree’s Dinosaur by A. C. Buchanan (in Shortcuts – Track 1, Paper Road Press)

Best Short Story

  • “The Thief’s Tale” by Lee Murray (Volume 1 of The Refuge Collection, Steve Dillon, ed.)
  • “Pride” by Jean Gilbert (In Contact Light, Timothy Zahn (ed.), Silence in the Library LLC)
  • “Floodgate” by Dan Rabarts (In Mammoth book of Dieselpunk, Burning Press)
  • “The Shelver” by Piper Mejia (In SpecFicNZ Shorts)
  • “The Harpsicord Elf” by Sean Monoghan (In Capricious Issue 2)
  • “Drag Marks” by Darian Smith (In Shifting Worlds, Wooden Tiger Press)

Best Collected Work

  • Shifting Worlds: a collection of short stories by Darian Smith (Wooden Tiger Press)
  • Shortcuts: Track 1, edited by Marie Hodgkinson (Paper Road Press)
  • The Survivors: Heroic Edition by V. L. Dreyer (Cheeky Kea Creations)
  • Write Off Line 2015: The Earth We Knew, Jean Gilbert (author)/Chad Dick (ed) (Rogue House Publishing)
  • SpecFicNZ Shorts (SpecFicNZ)
  • Beyond the Veil: A collection of Science Fiction and Fantasy edited by Lauren Haddock/Jessica Harvey

Best Professional Artwork

  • Cover of The Earth We Knew: A Collection of Science Fiction and Fantasy by Kodi Murray
  • Cover for Shortcuts – Track 1 by K.C. Bailey
  • Cover for Pisces of Fate by Henry Christian-Sloane
  • Cover for Miss Lionheart and the Laboratory of Death by Imojen Faith Hancock

Best Professional Production/Publication

  • “Ahead of her time and lost in time: on feminism, gender, and bisexuality” by AJ Fitzwater (In Letters to Tiptree, Twelfth Planet Press)
  • The Face of Oblivion, A LARP written by Catherine Pegg
  • White Cloud Worlds Anthology 3, Paul Tobin (ed), published by Weta Workshop

Fan Award Nominees

Best Fan Production/ Publication

  • Phoenixine, John & Lynelle Howell

Best Fan Writing

  • John Toon (Available in Phoenixine)
  • June Young (Available in Phoenixine)
  • Terri Doyle (Available in Novazine)

Special Award Nominees

Best New Talent

  • Jean Gilbert
  • Octavia Cade
  • Y. K. Willemse
  • Eileen Mueller

Services To Science Fiction, Fantasy And Horror

  • Marie Hodgkinson

While a student at the University of Otago Marie set up Semaphore Publications and for three years produced a quarterly magazine of genre short fiction and an annual year’s best compilation. These magazines were an interesting and exciting source of previously unknown genre authors living within New Zealand, some of which are now well established in the local consciousness.

Since graduating, Marie has established Paper Road Press and continued to publish and promote NZ speculative fiction. In its turn Paper Road Press has promoted new, unknown authorial talent with collections of shorter length fiction as well as novels.

Through these publishing efforts Marie has expanded the breadth and depth of New Zealand’s science fiction and fantasy landscape and for that that Marie should be honoured.

[Thanks to JJ for the story.]