The Rhysling Award is given in two categories. “Best Long Poem” is for poems of 50+ lines, or for prose poems, of 500+ words. “Best Short Poem” is limited to poems of no more than 49 lines, or prose poems of no more than 499 words.
SFPA members have until June 15 to vote on the winners.
Short Poems (103 poems)
“Summer Time(lessness)” • Linda D. Addison • Star*Line 43.4
“Timegeddon” • Francis Wesley Alexander • Illumen, Spring
Science Fiction & Fantasy Poetry Association (SFPA) members have honored Linda Addison as their 2020 Grand Master.
Addison accepted the award saying:
I’m speechless and overwhelmed with joy to be selected as the 2020 SFPA Grandmaster! I didn’t dare dream about this happening, because the other three candidates are so extremely talented and I personally love their work. All my gratitude to the Science Fiction & Fantasy Poetry Association officers and membership for this incredible honor.
Linda Addison is the award-winning author of five collections, including The Place of Broken Things, written with Alessandro Manzetti, and How To Recognize A Demon Has Become Your Friend.
She previously received the Horror Writers Association Lifetime Achievement Award, and is the first African-American recipient of the HWA Bram Stoker Award®. Addison is co-editor of Sycorax’s Daughters, an anthology of horror fiction & poetry by African-American women, poetry editor of Space & Time Magazine since 2000, and editor of the 2018 Rhysling Anthology and the HWA StokerCon Anthology 2019.
Addison is a founding member of the writer’s group Circles in the Hair (CITH), and a member of HWA, SFWA and SFPA.
She has a B.S. in Mathematics from Carnegie-Mellon University and currently lives in Arizona.
Voting continues as Science Fiction & Fantasy Poetry Association (SFPA) members decide who will be honored as Grand Master this year. Four candidates are under consideration: Linda Addison, F.J. Bergmann, Geoffrey A. Landis, and John Grey. SFPA members have until December 1 to cast their ballots.
Linda D. Addison is the award-winning author of five collections, including The Place of Broken Things, written with Alessandro Manzetti, & How To Recognize A Demon Has Become Your Friend, and a recipient of the HWA Lifetime Achievement Award. She is the first African-American recipient of the HWA Bram Stoker Award®, co-editor of Sycorax’s Daughters, an anthology of horror fiction & poetry by African- American women, poetry editor of Space & Time Magazine since 2000, and editor of the 2018 Rhysling Anthology and the HWA StokerCon Anthology 2019. Her work has made frequent appearances over the years on the honorable mention list for Year’s Best anthology. She has a B.S. in Mathematics from Carnegie-Mellon University and currently lives in Arizona. Addison is a founding member of the writer’s group Circles in the Hair (CITH), and a member of HWA, SFWA and SFPA. For further information please see Linda’s website.
F. J. Bergmann
F. J. Bergmann has a distinguished body of speculative poetry from the last 20 years, winning the Rhysling (Short and Long), the Elgin Chapbook (twice), the SFPA Poetry Contest (several), and other contests. Her service to SFPA includes editing Star*Line, designing publications, and serving as webmaster and VP. Nor is her service to poetry limited to the SFPA.
Geoffrey A. Landis
Geoffrey A. Landis has had a strong body of work published over the last thirty-plus years, noted by his winning the Rhysling Long twice, the Asimov’s Reader’s Award for best poem four times, and the Dwarf Stars Award. In addition to his excellence in writing poetry, he has contributed to the SFPA by editing Eye to the Telescope and co-editing the 2012 Dwarf Stars anthology. He is active in the Cleveland poetry community, and for many years has run the Clevelandpoetics blog, which distributes news and information about poetry in the Cleveland area; he has also been active in the Ohio Poetry Day celebrations. He has published two collections of poetry, Iron Angels (Van Zeno, 2009) and The Book of Whimsy (Night Ballet, 2015). For more for more about Geoffrey visit his website.
John Grey is Australian-born, U.S. resident, poet, short story writer, musician and playwright. He has had over 16,000 poems published throughout the world in magazines as diverse as Christian Science Monitor, Relix, Poetry East, Agni, Rhino, Rattle, Poet Lore and JAMA as well as numerous anthologies and books, including his latest, Leaves On Pages. A good percentage of those poems have been in genre magazines, (both sci-fi and horror, with the occasional fantasy) having grown up devouring the classic horror writers such as Blackwood, James, Bierce, Poe, etc. Publications in this field include work in Weird Tales, Space & Time, Dreams and Nightmares, The Pedestal, The Magazine Of Speculative Poetry, The Fifth Di, Leading Edge, Andromeda Spaceways, Not One Of Us, Strange Horizons, Chrome Baby and many many many more. Winner of the Rhysling Award (Short) in 1998. Was theater critic and poetry columnist for a local Providence, RI, weekly arts magazine and has had plays produced off-off Broadway and in Los Angeles.
By John Hertz: Results of the 2020 SF Poetry Ass’n Contest were posted here on September 25th.
I won 3rd Place in the Dwarf category (1-10 lines).
Two Filers’ comments congratulated me by name. Thanks.
Perhaps you’d like to see my entry. It’s an unrhymed stanza in 5-7-5-word lines.
That hill – a giant Green elephant asleep, lost On his way to Mars.
File 770 reported the Contest’s biographical notes about the winners. Mine was simply “John Hertz is”. This was due to no request, coyness, or like that, from me. No one asked. If the Contest called for any biography from entrants, I missed it. However, I’m content.
Walt Disney’s Snow White and the Seven Dwarfs (1937) was the first full-length cel-animated feature film. In Disney’s telling, Snow White meets dwarfs called Doc, Grumpy, Sleepy, Happy, Bashful, Sneezy, and Dopey.
Contest chair John Reinhart received 391 entries (133 dwarf-length, 197 short, and 61 long poems) from around the world.
The winners, selected by judge Neil Aitken, will receive a $150 First Prize, $75 Second Prize, and $25 Third Prize in each category, as well as publication on sfpoetry.com.
DWARF FORM WINNING POEM:
“Where Do We Go From Here?” by Ojo Taiye
Ojo Taiye is a young Nigerian poet who uses poetry as a handy tool to hide his frustration with the society. He also makes uses of collage & sampling techniques.
DWARF FORM SECOND PLACE:
“the last whisper” by Deborah P Kolodji
Deborah P Kolodji is a former president of the SFPA and the California Regional Coordinator for the Haiku Society of America. She has published over 1000 haiku and her first book of haiku and senryu won a Touchstone Distinguished Book Award from the Haiku Foundation.
DWARF FORM THIRD PLACE:
“That hill – a giant” by John Hertz
John Hertz is.
DWARF FORM HONORABLE MENTIONS:
“artificial singularity” by Meg Freer
“The Hypothesis” by Sheryl Hamilton
SHORT FORM WINNER:
“Skylarking” by F. J. Bergmann
F. J. Bergmann edits poetry for Mobius: The Journal of Social Change and (temporarily [again]) Star*Line, and imagines tragedies on or near exoplanets. She has competed at National Poetry Slam as a member of the Madison, WI, Urban Spoken Word team. Her mostly speculative work appears irregularly in Abyss & Apex, Analog, Asimov’s SF, and elsewhere in the alphabet. A dystopian collection of first-contact expedition reports, A Catalogue of the Further Suns, won the 2017 Gold Line Press poetry chapbook contest and the 2018 SFPA Elgin Chapbook Award.
SHORT FORM SECOND PLACE:
“The Indestructible Observer Admits” by Amie Whittemore
Amie Whittemore is the author of the poetry collection Glass Harvest (Autumn House Press), the 2020 Poet Laureate of Murfreesboro, Tennessee, and an Academy of American Poets Laureate Fellow. Her poems have won multiple awards, including a Dorothy Sargent Rosenberg Prize, and her poems and prose have appeared in The Gettysburg Review, Nashville Review, Smartish Pace, Pleiades, and elsewhere. She is the Reviews Editor for Southern Indiana Review and teaches English at Middle Tennessee State University.
SHORT FORM THIRD PLACE:
“The Archaeoastronomer Questions the Purposes of the Destroyed Neolithic Menhir” by T. D. Walker
T. D. Walker is the author of the poetry collections Small Waiting Objects (CW Books 2019) and Maps of a Hollowed World (Another New Calligraphy 2020). Her science fiction poems and stories have appeared in Strange Horizons, Apricity, The Future Fire, Web Conjunctions,The Cascadia Subduction Zone, and elsewhere. She curates and hosts Short Waves / Short Poems. After completing graduate work in English Literature, Walker began her career as a software developer. She draws on both her grounding in literary studies and her experience as a computer programmer in writing poetry and fiction. Find out more at tdwalker.net.
SHORT FORM HONORABLE MENTIONS:
Collection of Mouths by Ann DeVilbiss
My Life in the Bomb by Phil Tabakow
Aswang Mango: Santiago’s Fantasia by Vince Gotera
LONG FORM WINNER:
“Which is Which” by F. J. Bergmann
F. J. Bergmann lives in Wisconsin and likes to ride horses. She is pretty sure she’d like to ride unicorns, if only they’d cooperate.
LONG FORM SECOND PLACE:
“After the Decipherment” by FJ Doucet
Fatimah Jessica (FJ) Doucet’s poetry most recently appeared in Andromeda Spaceways Magazine, Beliveau Review, Yolk, Martin Lake Journal, and Literary Mama, while her work in Prometheus Dreaming magazine was nominated for a Pushcart Prize. Her speculative prose appears in the Retellings of the Inland Seas anthology from Candlemark and Gleam press, with more fiction forthcoming through Endless Ink Publishing House. She is a member of the SFPA, and is the newest president of the Brooklin Poetry Society, just outside of Toronto, Canada.
LONG FORM THIRD PLACE:
“Cityscape” by F. J. Bergmann
F. J. Bergmann is presently holed up in a 700-square-foot apartment with a husband and 7,000 books, most of which are science fiction.
LONG FORM HONORABLE MENTIONS:
“Stellar Scrap Sweep” by Richaundra Thursday
“The Archaeoastronomer Explains to the American’s Daughter Why a Compass Will Not Work on the Moon” by T. D. Walker
Contest judge Neil Aitken is the author of two books of poetry, Babbage’s Dream (Sundress 2017) and The Lost Country of Sight (Anhinga 2008), which won the Philip Levine Prize. His poetry chapbook Leviathan (Hyacinth Girl Press 2016) won the Elgin Award. Individual poems have appeared in The Adroit Journal, American Literary Review, Crab Orchard Review, Ninth Letter, Radar Poetry, Southern Poetry Review, and many other literary journals. He is the founding editor of Boxcar Poetry Review, curator of Have Book Will Travel, podcast host of The Lit Fantastic, and co-director of De-Canon: A Visibility Project.
[This story will be scraped by Locus Online in 5…4…3…]
The Science Fiction & Fantasy Poetry Association (SFPA) has announced the winners of the 2020 Elgin Awards for best collections of speculative poetry published in the previous two years. Named after SFPA founder Suzette Haden Elgin, awards are given in two categories: best chapbook and best full-length book.
FULL-LENGTH BOOK AWARD WINNERS
Winner: Soft Science • Franny Choi (Alice James Books, 2019)
Second Place: Elemental Haiku • Mary Soon Lee (Ten Speed Press, 2019)
The Comfort of Screams • G. O. Clark (Alban Lake Publishing, 2018)
The Demeter Diaries • Marge Simon & Bryan D. Dietrich (Independent Legions, 2019)
Winner:The Book of Fly • John Philip Johnson (Graphic Poetry Press, 2019)
Second Place:The Last Mastodon • Christina Olson (Rattle, 2019)
Third Place:Fragments from the Book of the After-Dead • Herb Kauderer (The Poet’s Haven, 2019)
This year’s Elgin Awards had 13 nominees in the chapbook category and 42 nominees in the full-length category.
The Science Fiction and Fantasy Poetry Association was established in 1978 and has an international membership. The 2020 Elgin Chair is Colleen Anderson, a Canadian author who has had over 170 poems published. She is a member of HWA and SFPA and a Canada Council grant recipient for writing. Her solo anthology Alice Unbound: Beyond Wonderland was published by Exile Books. She has served on both Stoker Award and British Fantasy Award juries. Her short-story collection, A Body of Work was published by Black Shuck Books, UK.
There are the really obvious ways to torch your career — rudeness to editors, for instance. And then there are the hidden trap doors. The one I am going to reveal today is truly obscure. It could be broadly described as meddling with the publication process. More specifically, you can enrage the publisher’s sales reps. Kill your book dead in one easy step! …
(2) AND DON’T BE THAT POET. F.J. Bergmann wrote and Melanie Stormm designed “How To Piss Off A Poetry Editor” for readers of SPECPO, the blog of the Science Fiction and Fantasy Poetry Association. Here’s the header —
(3) KGB READINGS ONLINE. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Benjamin Rosenbaum and Mike Allen Wednesday, July 15 in a YouTube livestream event. Starts at 7 p.m. Eastern.
Benjamin Rosenbaum’s short fiction has been nominated for the Nebula, Hugo, BSFA, Sturgeon, Locus, and World Fantasy Awards, and collected in The Ant King and Other Stories. His first novel, The Unraveling, a far-future comedy of manners and social unrest, comes out this October from Erewhon Books. His tabletop roleplaying game of Jewish historical fantasy in the shtetl, Dream Apart, was nominated for an Ennie Award. He lives near Basel, Switzerland with his family.
Mike Allen has twice been a finalist for the World Fantasy Award. His horror tales are gathered in the Shirley Jackson Award-nominated collection Unseaming, and in his newest book, Aftermath of an Industrial Accident. His novella The Comforter, sequel to his Nebula Award-nominated story “The Button Bin,” just appeared in the anthology A Sinister Quartet. By day, he writes the arts column for The Roanoke (Va.) Times.
Transmitted herewith are excerpts from statements provided by members of the Barsky family regarding the incident with Hayden Barsky, age 11.
The true origins of KHAOS remain unknown….
It was published along with a response essay, “How Not to Optimize Parenthood” by Brigid Schulte, director of the Better Life Lab and author of the book Overwhelmed: Work, Love, & Play When No One Has the Time.
Most parents are well-intentioned. We try to do the right thing, hoping to spare our children at least a measure of the pain or heartache we muddled through, to smooth the rough edges of life and give them every advantage to make it in an uncertain and often cruel world.
That’s at least the hope. In practice, no one really knows how to do that. So, particularly in America, where “winning” and the self-improvement dictate to “beat yesterday” are akin to sacred commandments, we have always turned to the experts for help. What does the science say? What are the neighbors doing? What book or podcast or shiny gadget will instantly make my child’s life easier? More joyful? Miraculous? And, perhaps most importantly, better than your kid’s?…
(5) LOCKDOWN MOVIE. “Quarantine Without Ever Meeting” – Vanity Fair profiles the filmmakers. Tagline: “The actors set up lights, did their own makeup, and ran the cameras. The filmmakers advised on Zoom. Somehow…it worked.”
…While Hollywood is struggling to figure out if it’s possible to make a feature-length movie in the grip of the coronavirus pandemic, this group of independent filmmakers and actors have already done it. “The whole movie has been written, produced, packaged, shot within quarantine. Now we’re in postproduction, and I had a first cut of the whole film done on Friday,” said director and cowriter Simon. As The Untitled Horror Movie nears completion, its producers are finally announcing the secret project and seeking a distributor. It appears to be the first movie created entirely within the parameters of the lockdown.
The horror comedy is about a group of needy and desperate young stars from a once-popular TV series who learn, via video conference, that their show has just been canceled. Fearing obscurity, they decide to stay in the spotlight by making a quickie horror film—but while shooting it, they perform a ritual that accidentally invokes an actual demonic spirit. Mayhem follows. “We kind of described it going into it as Scream meets For Your Consideration,” Simon said.
The card had been around since 1994, tagged “Invoke Prejudice” by the world’s most popular trading card game. It showed figures in white robes and pointed hoods — an image that evoked the Ku Klux Klan for many people.This month, the company behind “Magic: The Gathering” permanently banned that card and six others carrying labels like “Jihad” and “Pradesh Gypsies.” Wizards of the Coast, a subsidiary of toy giant Hasbro, acknowledged the images were “racist or culturally offensive.”
“There’s no place for racism in our game, nor anywhere else,” the company said in a statement announcing its action.
With the country roiled by tensions and protests over African Americans’ deaths at the hands of police, the issues entangling Magic and its creators are unlikely to subside soon. The fantasy game of goblins, elves, spells and more boasts some 20 million players, and in pre-pandemic times, thousands flocked to elite international tournaments with hefty prizes. Players of color say they have long felt excluded in the white- and male-dominated community from the game’s top echelons, as well as employment at the company….
(7) WHAT MIGHT HAVE BEEN. “A Better World ?” seems to be a kind of text-based game letting players choose among “Uchronies,” a French term that partakes of alternate history but is more fantastic in nature. I racked up a lot of karma in a hurry, sad to say.
I am monolingual, which limits me to reading works in English. One of the joys of this modern, interconnected world in which we’re living is that any speculative fiction work written in another language could (in theory) be translated into English. One of my frustrations is that, generally speaking, they haven’t been. Here are five works about which I know enough to know that I’d read them if only they were translated….
(9) I’M READY FOR MY CLOSE-UP. Olav Rokne says, “Sometimes, you just want to ask the question nobody wants.” He passed along some of the hilarious responses.
(10) CARL REINER OBIT. The creator of The Dick Van Dyke Show and straight man to Mel Brooks’ “2000 Year Old Man,” died June 29 at the age of 98. The duo won a Grammy in 1998 for their The 2000 Year Old Man in the Year 2000. (The New York Times eulogy is here.)
He shared the lead in The Russians Are Coming, the Russians Are Coming and appeared in It’s a Mad, Mad, Mad, Mad World. He directed numerous movies, including several starring Steve Martin. In recent years he voiced characters in several genre animated TV shows — and Carl Reineroceros in Toy Story 4.
John King Tarpinian remembers:
He is not genre but his passing reminds me of the good old days. Back in the 80s, I was president of the largest Atari club consortium in the US. One of the members owned the Vine Street Bar & Grill. It was between Hollywood & Sunset. The first Wednesday of the month the guest jazz singer was Estelle Reiner. Ron Berinstein, club member and club owner invited me to come on Estelle’s nights to make sure the club was always full. The first time I went her husband, Carl, was also there. I learned that he always came…and that he’d have friends join them. Over the years everybody from Sid Caesar, Buck Henry, Neil Simon, Dick Van Dyke, Mel Brooks & more.
During Estelle’s break between sets Carl & whomever was also there would get up and entertain. Carl & Mel would do their 2000 Year Old Man routine but not the Ed Sullivan version but the version they’d do a parties. My ribs would be sore the next morning from laughing so hard.
Sid Caesar would come to Ray Bradbury’s plays. Imagine somebody being able to upstage Ray…who also would be laughing so hard.
(11) MEDIA BIRTHDAY.
June 30, 1971 — Willy Wonka & the Chocolate Factory premiered. Based on Roald Dahl’s Charlie and the Chocolate Factory novel, it was directed by Mel Stuart, and produced by Stan Margulies and David L. Wolper. The screenplay was by Roald Dahl and David Seltzer. It featured Gene Wilder as Willie Wonka with a supporting cast of Jack Albertson, Peter Ostrum, Roy Kinnear, Julie Dawn Cole, Leonard Stone and Denise Nickerson. Some critics truly loved it while others loathed it. It currently holds an 87% rating among audience reviewers at Rotten Tomatoes. (CE)
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born June 30, 1905 — Nestor Paiva. Sometimes it only takes one film or series for a performer to get a Birthday write-up from me. Paiva makes it for Lucas the boat captain in The Creature from the Black Lagoon and its oft forgotten sequel Revenge of the Creature. Though that was hardly his only genre role as his first role was in the early Forties as an uncredited prison guard in Tarzan’s Desert Mystery and he’d be in many a genre film and series over the decades as Prof. Etienne Lafarge in The Mole People, as the saloon owner in (I kid you not!) Jesse James Meets Frankenstein’s Daughter, Felicity’s Father in The Spirit Is Willing, Captain Grimby in “The Great Treasure Hunt” of The Adamms Family and a Doorman in the “Our Man in Leotards” episode of Get Smart. (Died 1966.) (CE)
Born June 30, 1920 — Sam Moskowitz. SF writer, critic, and historian. Chair of the very first World Science Fiction Convention held in NYC in 1939. He barred several Futurians from the con in what was later called the Great Exclusion Act. In the Fifties, he edited Science-Fiction Plus, a short-lived genre magazine owned by Hugo Gernsback, and would edit several dozen anthologies, and a few single-author collections, most published in the Sixties and early Seventies. His most enduring legacy was as a historian of the genre with such works as Under the Moons of Mars: A History and Anthology of “The Scientific Romance” in the Munsey Magazines, 1912–1920 and Hugo Gernsback: Father of Science Fiction. (Died 1997.) (CE)
Born June 30, 1929 – Anie Linard, 91. Active from France, herself and with Jean Linard, in the 1950s and 1960s; fanzines Innavigable Mouth, Meuh, Vintkat, X-trap. Voted in the 1958 TAFF (Trans-Atlantic Fan Fund) campaign. She was, like many of us, a correspondent of Ned Brooks. I have not traced her more recently than June 1962. Anie, if you see this, salut! [JH]
Born June 30, 1935 – Jon Stopa, 85. Active with Advent publishing house, half a dozen covers including In Search of Wonder, The Eighth Stage of Fandom, and The Issue at Hand. Three stories in Astounding. Program Book for Chicon III the 20th Worldcon, and cover for its Proceedings; with wife Joni, Fan Guests of Honor at Chicon V the 49th, where I think they were in some of the Madeira tastings I assembled when I found four or five D’Oliveiras in the hotel bar. The Stopas were (Joni has left the stage) also great costumers, both as entrants and judges; there’s a YouTube of their work here. [JH]
Born June 30, 1959 — Vincent D’Onofrio, 61. Kingpin in that not terribly good or bad Daredevil film, Edgar the Bug in the only truly great Men in Black film and Vic Hoskins in Jurassic World. He also was Jason Whitney / Jerry Ashton in The Thirteenth Floor, loosely based upon Simulacron-3, a early Sixties novel by Daniel F. Galouye. (CE)
Born June 30, 1961 — Diane Purkiss, 59. I’ve not read her Corydon Trilogy she wrote with Michael Dowling, her son, but I can say that At the Bottom of the Garden: A Dark History of Fairies, Hobgoblins, Nymphs, and Other Troublesome Things is as splendid as the title suggests it is. She’s also written Fairies and Fairy Stories: A History. (CE)
Born June 30, 1961 – Nigel Rowe, 59. Published Timeless Sands history of New Zealand fandom, then moved to Chicago. Here is a 1994 photo of him with Russell Chauvenet (who coined the word fanzine) at Corflu 11 in Virginia. A 2019 photo of him is on p. 47 of Random Jottings 20 (PDF), the Proceedings of Corflu 36 in Maryland; he’s also on the cover (back right; you may be able to make out his badge “Nigel”). Very helpful relaying paper fanzines across the seas. [JH]
Born June 30, 1961 – carl juarez, 59. No capital letters in his name. Co-edited the fanzine Apparatchik with Andy Hooper (from Apak 62), later Chunga with Hooper and Randy Byers. Here is his cover for Chunga 8. He’s on the right of the cover for Chunga 17 (PDF). Chunga credited cj as designer, the results being indeed fine. He, Byers, and Hooper were such a tripod that with Byers’ death, Chunga tottered; should it fall, may cj find his feet. [JH]
Born June 30, 1963 — Rupert S. Graves, 57. Here because he played Inspector G. Lestrade on that Sherlock series. He also appeared on Doctor Who as Riddell in the Eleventh Doctor story, “Dinosaurs on a Spaceship”. He had one-offs in The Nightmare Worlds of H. G. Wells: The Moth, Twelve Monkeys, Krypton and Return of the Saint. (CE)
Born June 30, 1966 – Penny Watson, 54. Degrees in plant taxonomy, horticultural science, biology, and floral design; “there is nothing better than getting up in the morning, heading out to your garden and picking fresh basil, cherry tomatoes, cukes, and arugula greens for breakfast.” Obsessed with dachshunds. Has trained dolphins, coached field hockey and lacrosse. Nat’l Excellence in Romance Fiction Award. Eight novels, five of them and a novella for us. [JH]
Born June 30, 1966 — Peter Outerbridge, 54. Dr. David Sandström in what I think is the underrated ReGenesis series as well as being Henrik “Hank” Johanssen in Orphan Black anda recurring role on Millennium as Special Agent Barry Baldwin. He’s currently in two series, The Umbrella Academy with a recurring role as The Conductor, and as Calix Niklosin in V-Wars, yet another Netflix SF series. (CE)
Born June 30, 1972 — Molly Parker, 48. Maureen Robinson on the current Lost in Space series. One-offs in Nightmare Cafe, The Outer Limits, The Sentinel, Highlander: The Series, Poltergeist: The Legacy, Human Target and she appeared in The Wicker Man asSister Rose / Sister Thorn. (CE)
Born June 30, 1974 – Juli Zeh, 46. A dozen novels so far, three for us. Deutscher Bücherpreis, Solothurner Literaturpreis; doctorate in international law, honorary judge at the Brandenburg constitutional court. About Schilf (“reed”, name of a character – likewise an English surname), translated into English as Dark Matter (London) and In Free Fall (New York), when a Boston Globe interviewer asked “Are you asking the reader to reconsider the nature of reality?” JZ answered “Yes, I want to take the reader on an intellectual journey”; to “Can a novel of ideas be written today, without irony?” JZ answered “As long as mankind doesn’t lose its curiosity to think about the miracles of being.” [JH]
(13) COMICS SECTION.
Non Sequitur shows us the first science fiction writer — and true Hard SF, even as to the medium it’s composed on.
Today’s Bizarro is not an SF comic, but one with good advice for the privileged rich kid starting a literary career.
…With that said, there’s another aspect of it, too, which I think I’ve been minimizing: it’s not just time on social media, it’s engagement when I am on it, and how social media is making me feel when I use it. The term “doomscrolling” refers to how people basically suck down fountains of bad news on their social media thanks to friends (and others) posting things they’re outraged about. It’s gotten to the point for me where, particularly on Twitter, it feels like it’s almost all doomscrolling, all the time, whether I want it to be or not.
…The BLM movement are not terrorists. They are not thugs. They are peaceful protesters, marching against industrial discrimination and system-entrenched bigotry. The demonstrators have actually caught looters and rioters and delivered them to the police.
It doesn’t matter how much the limousine-liberals preach equality if there are no serious efforts to redress the grievances of the disadvantaged.
If we truly are all in this together, then it behooves all of us to reach out to each other and create partnerships and opportunities. This isn’t preferential treatment. It’s a necessary bit of repair work to a damaged genre.
If we don’t talk about it, if we don’t take steps, if we don’t address it, then we are guilty of complicity. If the racism of the past was a product of its time, then let our attempts to redress the situation be a product of our time.
… These sets are up for preorder now from Lego at $59.99 and are set to ship on April 19.
Stormtrooper Buildable Model Helmet ($59.99; lego.com)
Boba Fett Buildable Model Helmet ($59.99; lego.com)
TIE Fighter Pilot Buildable Model Helmet ($59.99; lego.com)
With the Stormtrooper, you’re getting a 647-piece helmet-building set, complete with the blacked-out visor, two nodes on the bottom for speaking and stickers to complete the look. Similarly, the Boba Fett helmet will let you pay homage to the original Mandalorian. This set is 21 centimeters tall (a little over 8 inches) and has 625 pieces. You’ll be constructing each detail of the helmet, including the fold-down viewfinder that lets Boba easily track down his targets. (He is a bounty hunter, after all.)
This in turn reminded me of one of my favorite songs by Chris Smither, “Henry David Thoreau” riffing on (same tune) Berry’s song. Oddly, even incomprehensibly, I find NO mention of it anywhere via DuckDuckGo nor Google, even though I’ve heard Smither sing it numerous times. (I also checked his discography.
It turns out that, while I have heard Chris Smither sing this song, he wasn’t the author. That was Paul Geremia, one of Boston/Cambridge’s wonderful acoustic blues musicians.
The song is on his Self Portrait In Blues album. (And on my ~2,800-song Spotify playlist, which is how, when it came around again this morning on the guitar, as it were, I realized my mistake.)
Flying snakes like Chrysopelea paradisi, the paradise tree snake, normally live in the trees of South and Southeast Asia. There, they cruise along tree branches and, sometimes, to get to the ground or another tree, they’ll launch themselves into the air and glide down at an angle.
They undulate their serpentine bodies as they glide through the air, and it turns out that these special movements are what let these limbless creatures make such remarkable flights.
That’s according to some new research in the journal Nature Physics that involved putting motion-capture tags on seven snakes and then filming them with high-speed cameras as the snakes flew across a giant four-story-high theater.
How far they can go really depends on how high up they are when they jump, says Jake Socha at Virginia Tech, who has studied these snakes for almost a quarter-century. He recalls that one time he watched a snake start from about 30 feet up and then land nearly 70 feet away. “It was really a spectacular glide,” Socha recalls.
Part of the way the snakes do this is by flattening out their bodies, he says. But the snakes’ bodies also make wavelike movements. “The snake looks like it’s swimming in the air,” he says. “And when it’s swimming, it’s undulating.”
The nation’s largest movie theater chain is delaying its U.S. reopening until the end of July because film companies have postponed release dates of two anticipated blockbusters.
AMC Theatres announced that a first round of approximately 450 locations will resume operations two weeks later than initially planned, to coincide with the updated August release dates of Warner Brothers’ Tenet and Disney’s Mulan.
“Our theatre general managers across the U.S. started working full time again today and are back in their theatres gearing up to get their buildings fully ready just a few weeks from now for moviegoers,” CEO Adam Aron said in a June 29 statement. “That happy day, when we can welcome guests back into most of our U.S. theatres, will be Thursday, July 30.”
The company said it expects its more than 600 U.S. theaters to be “essentially to full operation” by early August.
AMC Theatres made headlines earlier this month when it announced patrons will be required to wear masks, reversing course on a controversial reopening plan that had only encouraged them to do so.
For the first time, the familiar marble faces outside the New York Public Library will be obscured by masks.
Patience and Fortitude, the iconic lion sculptures guarding the 42nd Street library, are wearing face coverings to remind New Yorkers to stay safe and stop the spread of COVID-19.
The masks arrived on June 29, and measure three feet wide by two feet tall, according to a library statement.
New York Public Library President Anthony Marx emphasized the symbolism of the aptly named lions, and said New Yorkers are similarly strong and resilient.
(22) NEVERENDING SENDUP. The Screen Junkies continue their look at oldies with an “Honest Trailer” for The Neverending Story, where they show that gloomy Germans created “a world of neverending misery.” They discovered that star Noah Hathaway subsequently played Harry Potter Jr. in Troll (1986) with Michael Moriarty playing Harry Potter Sr.
[Thanks to John King Tarpinian, John Hertz, JJ, Joey Eschrich, Rich Horton, Mike Kennedy, Martin Morse Wooster, Michael Toman, Chip Hitchcock, Cat Eldridge, Daniel Dern, Darrah Chavey, Olav Rokne, and Andrew Porter for some of these stories. Title credit goes to wandering minstrel of the day Cliff.]
On June 1, the 2019 Science Fiction & Fantasy Poetry Association (SFPA) Poetry Contest opens and will be accepting entries from all poets, including non-members of the SFPA. Poets may enter in three categories:
All sub-genres of speculative poetry are welcome in any form.
Entries will be read blind. Winners will receive a $100 First Prize, $50 Second
Prize, and $25 Third Prize in each category, as well as publication on sfpoetry.com.
The contest fee is $2 to enter.
Entries must be submitted by August 31.Winners will be announced
by October 1. To enter or learn more, see the submission
guidelines on the official SFPA contest website at sfpoetry.com/contests.html.
This year’s contest judge is Nicole Oquendo, a writer and visual
artist who combines these two elements to craft multimodal nonfiction, poetry,
and fiction. Their work can be found in literary journals like BOAAT, CutBank,
DIAGRAM, and Gulf Stream, among others. They are the author of
the hybrid memoir Telomeres, as well as five chapbooks. Their most
recent book of illustrated speculative poetry is Space Baby: Episodes I-III.
They are currently an Assistant Editor for Sundress Publications who are
publishing their curated anthology, Manticore: Hybrid Writing from Hybrid
Identities, in 2019.
The Rhysling Award is given in two categories. “Best Long Poem” is for poems of 50+ lines, or for prose poems, of 500+ words. “Best Short Poem” is limited to poems of no more than 49 lines, or prose poems of no more than 499 words.
SFPA members have until June 15 to vote on the winners.
David C. Kopaska-Merkel is the 2019 Rhysling Chair. He edited Star*Line in the late ’90s and later served as SFPA President. His 29th book, the speculative-poetry collection Metastable Systems, was nominated for the Elgin award. He edits and publishes Dreams and Nightmares, a genre poetry zine in its 33rd year of publication. In 2017 he was named an SFPA Grandmaster.