On June 1, the 2019 Science Fiction & Fantasy Poetry Association (SFPA) Poetry Contest opens and will be accepting entries from all poets, including non-members of the SFPA. Poets may enter in three categories:
All sub-genres of speculative poetry are welcome in any form.
Entries will be read blind. Winners will receive a $100 First Prize, $50 Second
Prize, and $25 Third Prize in each category, as well as publication on sfpoetry.com.
The contest fee is $2 to enter.
Entries must be submitted by August 31.Winners will be announced
by October 1. To enter or learn more, see the submission
guidelines on the official SFPA contest website at sfpoetry.com/contests.html.
This year’s contest judge is Nicole Oquendo, a writer and visual
artist who combines these two elements to craft multimodal nonfiction, poetry,
and fiction. Their work can be found in literary journals like BOAAT, CutBank,
DIAGRAM, and Gulf Stream, among others. They are the author of
the hybrid memoir Telomeres, as well as five chapbooks. Their most
recent book of illustrated speculative poetry is Space Baby: Episodes I-III.
They are currently an Assistant Editor for Sundress Publications who are
publishing their curated anthology, Manticore: Hybrid Writing from Hybrid
Identities, in 2019.
The Rhysling Award is given in two categories. “Best Long Poem” is for poems of 50+ lines, or for prose poems, of 500+ words. “Best Short Poem” is limited to poems of no more than 49 lines, or prose poems of no more than 499 words.
SFPA members have until June 15 to vote on the winners.
David C. Kopaska-Merkel is the 2019 Rhysling Chair. He edited Star*Line in the late ’90s and later served as SFPA President. His 29th book, the speculative-poetry collection Metastable Systems, was nominated for the Elgin award. He edits and publishes Dreams and Nightmares, a genre poetry zine in its 33rd year of publication. In 2017 he was named an SFPA Grandmaster.
I don’t know where to start. There was this writer of short science fiction stories in ’60s and ’70s who was very feted, and of the level of Philip K. Dick, or Ursula Le Guin. He was really creating the most powerful stories of gender and of being an outsider. But they were so potent, very prescient; because it’s almost the world we’re living in now. So they were written 50 years ago. They’re incredibly relevant still, and then he was sort of well known. His stories were well known, but no one knew who he was for 10 years, and then eventually someone uncovered his identity to be a woman in her 60s, in I think Virginia. This woman’s story is unbelievable. Unbelievable. And she was a genius. So I want to tell her story.
So you’ll make something episodic at a network?
Yeah, but including her short stories within. It’s not a straight biopic; so aliens from her stories inhabit her true world, and then she will be in the world of her stories, and it’s so exciting to me. It’s science fiction, which I love. I came across that because I was being given a lot of science fiction scripts. And I thought, “Where are the female science fiction stories?” So I Googled “female science fiction”, and I came across her! It was so hard to get the rights. And then I got all the rights to these stories, so it’s just meant to be. I could sit for hours and tell you how we got these rights. I’m working with producer Brian Kavanaugh-Jones, who is wonderful. He’s engaged with a company called Imperative, and so that’s the deal at the moment. But Imperative has thrown some money at the development, but we want to keep control of it. So we didn’t want to go to HBO and have it sit on a shelf and not get made, for example. So, we want to come with a pilot and a bible, so I’m working on that at the moment.
Taking place in Scarborough, just down the coast from Whitby – the town that provided so much of the inspiration for Stoker’s iconic Dracula – this is an event not to be missed for writers and readers of horror fiction.
The event is delighted to confirm its Mistress of Ceremonies for the weekend will be author A.K. Benedict, who will be launching the weekend’s proceedings. A.K. Benedict was educated at Cambridge, University of Sussex and Clown School. Described by the Sunday Express as ‘one of the new stars of crime fiction with a supernatural twist’, AK Benedict’s debut novel, The Beauty of Murder, was shortlisted for an eDunnit award and is in development for TV by Company Pictures. Her second novel from Orion, The Evidence of Ghosts, is a love song to London and shows her obsession with all things haunted. Her radio drama includes Doctor Who and Torchwood plays for Big Finish and a modern adaptation of M.R. James’ Lost Hearts for Bafflegab/Audible.
(3) ODYSSEY WORKSHOP
SCHOLARSHIPS. Here is an overview of “2019
Odyssey Writing Workshop Scholarship Opportunities”. The Odyssey Writing Workshop is an acclaimed, six-week
program for writers of fantasy, science fiction, and horror held each summer in
New Hampshire. Writers apply from all over the world; only fifteen are
George R.R. Martin sponsors the Miskatonic Scholarship, awarded each year to a promising writer of Lovecraftian cosmic horror, a type of fiction Martin loves and wants to encourage. The scholarship covers full tuition, textbook, and housing. Martin says, “It’s my hope that this new scholarship will offer an opportunity to a worthy applicant who might not otherwise have been able to afford the Odyssey experience.” Applicants must demonstrate financial need in a separate application. Full details at the link.
Bestselling author and Odyssey graduate Sara King is sponsoring the Parasite Publications Character Awards to provide financial assistance to three character-based writers wishing to attend this summer’s Odyssey. The Parasite Publications Character Awards, three scholarships in the amounts of $2,060 (full tuition), $500, and $300, will be awarded to the three members of the incoming class who are deemed extraordinarily strong character writers, creating powerful, emotional characters that grab the reader and don’t let go. No separate application is required.
The new Chris Kelworth Memorial Scholarship will be offered to a Canadian writer admitted to Odyssey. This scholarship, funded by alumni and friends of Chris, will cover $900 of tuition.
One work/study position is also available. The work/study student spends about six hours per week performing duties for Odyssey, such as photocopying, sending stories to guests, distributing mail to students, and preparing for guest visits. Odyssey reimburses $800 of the work/study student’s tuition.
The stories explore climate chaos, its aftermath, and possible ways forward through a variety of genres and styles, from science fiction and fantasy to literary fiction and prose poetry. It’s free to download in a variety of digital formats (HTML, EPUB, MOBI, and via Apple iBooks).
Table of Contents:
Kim Stanley Robinson, Foreword
Angie Dell and Joey Eschrich, Editors’ Introduction
Monarch Blue, by Barbara Litkowski
The Last Grand Tour of Albertine’s Watch, by Sandra K. Barnidge
Half-Eaten Cities, by Vajra Chandrasekera
Darkness Full of Light, by Tony Dietz
Luna, by David Samuel Hudson
Tuolumne River Days, by Rebecca Lawton
The Most Beautiful Voyage in the World, by Jean McNeil
Orphan Bird, by Leah Newsom
The Office of Climate Facts, by Mitch Sullivan
Losing What We Can’t Live Without, by Jean-Louis Trudel
About the Contributors
Honorable Mention: 2018 Contest Semifinalists
(5) HUGO VOTER ELIGIBILITY. Dublin 2019 is fixing this –
(6) MY KINGDOM FOR CANON. [Item by Mike Kennedy.] Retcons are king. Or kinda want to be. The Daily Dot stares into the abyss at the
changing look of Klingons over the various Star
Trek series and movies—and especially the significant changes between the
first two seasons of Star Trek: Discovery
(“Here’s Why the Klingons Look Different
in ‘Star Trek: Discovery’ Season 2”).
In the grand tradition of sci-fi retcons, there’s a canon explanation for the Klingons’ new look. While the humanoid Original Series Klingons were retroactively explained as victims of a genetic disease, Discovery’s bald Klingons [in season 1] were apparently making a fashion statement.
According to actress Mary Chieffo (L’Rell), designer Glenn Hetrick decided that the Klingons weren’t “bald” in season one—they just shaved their heads. Speaking at New York Comic Con last year, Chieffo said Hetrick was inspired by the Next Generation episode “Rightful Heir.”
“There is a reference to when [legendary Klingon hero] Kahless is brought back as a clone. The way he proves himself is he tells the story of how he cut off a lock of his hair and dipped it into a volcano and made the first bat’leth, with which he killed Molor, the terrible tyrant who was running Qo’noS at the time. We took that one little beautiful seed… and kind of expanded on that, and we see that in a time of war the Klingons would shave their heads, and in a time of peace, we start to grow it back out. I really love the symbolism of that.”
Star Trek: Discovery could finally explain one of the franchise’s biggest discrepancies: why do the Klingons in The Original Series look human? The answer might be the former Starfleet Lieutenant Ash Tyler, who is the surgically altered Klingon named Voq.
[…] It’s possible Star Trek: Discovery season 1’s transformation of Voq into Ash Tyler is the forerunner to why the Klingons Captain Kirk faced in The Original Series didn’t have the ridged brows and wild hair of later Klingons. Voq was the former Torchbearer of T’Kuvma who underwent surgery to become human in a horrifically painful process that damaged his mind. His lover L’Rell oversaw the procedure to turn Voq into Ash Tyler, a Starfleet Lieutenant who was captured during the Battle at the Binary Stars. Voq ended up believing he really was Ash and fell in love with Michael Burnham but his inner Klingon kept fighting his way to the forefront.
[…] By the time Captain Kirk faced the Klingons for the first time in the Star Trek: The Original Series’ episode “Errand of Mercy”, the warrior race looked and behaved human, albeit with darker, exotic skin. Kor, the Klingon Commander, even told Kirk “our races aren’t so different”. He meant that both humans and Klingons are war-like species, but his words could also now have a deeper context: the Klingons have 24 Great Houses and it’s possible this group of Klingons underwent the same (perfected) procedure that turned Voq into Ash Tyler.
You’ll find it on the wall of nearly every school chemistry laboratory in the land.
And generations of children have sung the words, “hydrogen and helium, lithium, beryllium…” in an attempt to memorise some of the 118 elements.
This year, the periodic table of chemical elements celebrates its 150th birthday.
…The United Nations has designated 2019 as the International Year of the Periodic Table to celebrate “one of the most significant achievements in science”.
In March, it will be 150 years since the Russian scientist, Dmitri Mendeleev, took all of the known elements and arranged them into a table.
Most of his ideas have stood the test of time, despite being conceived long before we knew much about the stuff that makes up matter.
On Tuesday, the year will be officially launched in Paris. So, what’s so special about this iconic symbol of science?
(8) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born January 29, 1923 – Paddy Chayefsky. In our circles known as the writer of the Altered States novel that he also wrote the screenplay for. He is the only person to have won three solo Academy Awards for Best Screenplay. The other winners of three Awards shared theirs. He did not win for Altered States though he did win for Network which I adore. (Died 1981.)
Born January 29, 1940 – Katharine Ross, 79. Yes, you know her as Elaine Robinson in The Graduate but that’s hardly genre, do shall we see what she done in our area of interest? Her first such work was as Joanna Eberhart in The Stepford Wives –scary film that. She shows up next as Helena in The Swarm and plays Margaret Walsh in The Legacy, both horror films. The Final Countdown sees her in the character of Laurel Scott. And Dr. Lilian Thurman is her character in the cult favorite Donnie Darko. I’m fairly sure that the only genre series she’s done is on The Wild Wild West as Sheila Parnell in “The Night of the Double-Edged Knife” episode. I did debate if the I should could I count Alfred Hitchcock Presents aa genre or not as she did an episode there as well.
Born January 29, 1977 – Justin Hartley, 42. Performer in the series as Green Arrow and Oliver Queen characters, season six on. Also director of the “Dominion” episode and the writer of the “Sacrifice” episode on that series. He’s also Arthur “A.C.” Curry in the unsold Aquaman television pilot. The latter is up on YouTube here. He’s also lead cast in a web series called Gemini Division.
Born January 29, 1978 – Catrin Stewart, 31. Jenny Flint in five episodes of Doctor Who. She was friends with Madame Vastra and Strax (informally known as the Paternoster Gang) who appeared first during the Eleventh Doctor and last during the Twelfth Doctor. Big Finish has continued them in their audiobooks. She also played Stella in two episodes of the Misfits series, and was Julia in a performance of Nineteen Eighty-Four done at London Playhouse several years back.
Not everybody gets off the ground at Hogwarts according to Berkeley Mews.
A super warning about the cold and flu season at Off the Mark.
(10) ELGIN AWARD
NOMINATIONS OPEN. The Science Fiction and Fantasy Poetry Association is
taking nominations for the Elgin Award through May
15. Charles Christian will be the 2019 Elgin Awards Chair.
Only SFPA members may nominate; there is no limit to how many they can nominate, but they may not nominate their own work. Send title, author, and publisher of speculative poetry books and chapbooks published in 2017 and 2018 to firstname.lastname@example.org by mail to the SFPA secretary: Renee Ya, P.O. Box 2074, San Mateo, CA 94401 USA. Books and chapbooks that placed 1st, 2nd, or 3rd, in last year’s Elgin Awards are not eligible.
IDW Publishing’s big 20th anniversary celebration rolls on this month as the mini-major refreshes five of their major licensed titles with a time-traveling series of oversized one-shot releases.
The January party sparkles with some of pop culture’s most treasured properties as Ghostbusters, Jem and the Holograms, My Little Pony, Star Trek, and Teenage Mutant Ninja Turtles uncover characters’ secrets and mysteries shot 20 years into the future or tugged back to the past.
Timothy the Talking Cat, billionaire CEO of publishing multinational “Cattimothy House” entered the 2020 Presidential fray, with a shock announcement on Tuesday. At a book launch in Borstworth Library, the outspoken cat and business guru laid out his vision for a new kind of US President.
CONTENT WARNING: This review discusses gun violence throughout, and includes references to child death. Also, we’re discussing the whole novella, so BEWARE SPOILERS.
Vigilance, the new novella from Robert Jackson Bennett, is out today and it’s a searing look at gun violence in the US. In this near future dystopia, John McDean is tasked with running “Vigilance”, the nation’s favourite reality programme, which releases real shooters are released on unsuspecting locations with military-grade armaments, and the resulting carnage is broadcast as a “lesson” in how to protect oneself. McDean and his crew at ONT station think they have the variables of Vigilance down to a fine art, but in the novella’s ensuing escalation find themselves taken down by one of McDean’s own blindspots, to dramatic effect.
We’ve got a lot of Bennett fans on our team here at Nerds of a Feather and when this novella came to our attention, lots of us were interested in reading it to review. That’s why, instead of taking it on alone, today I, Adri, am joined by Paul Weimer, Brian, and Joe Sherry to unpack Bennett’s highly topical novella and our reactions to it.
Margot Robbie’s next take on Harley Quinn is steeped in ’80s music video sensibilities. Gotham City’s newest protectors have arrived. Tuesday morning, following an Instagram post by Margot Robbie teasing her return as Harley Quinn, Warner Bros. released the first official behind-the scenes look at Cathy Yan’s Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn). The first look teases viewers with quick glimpses of the main characters, who, alongside Robbie’s Harley Quinn, are comprised of Huntress (Mary Elizabeth Winstead), Black Canary (Jurnee Smollett-Bell), Renee Montoya (Rosie Perez), Cassandra Cain (Ella Jay Basco), Victor Zsasz (Chris Messina), and Black Mask (Ewan McGregor). Birds of Prey follows the events of Suicide Squad and finds Gotham City in a very different place following an apparent disappearance of Batman, and Quinn’s separation from the Joker. Harley finds herself on a continued path of redemption when she seeks to help a young girl, Cassandra Cain, escape the wrath of Black Mask by recruiting a force of Gotham heroines.
Kin Stewart used to be a time-traveling secret agent from 2142.
Now, stranded in suburban San Francisco since the 1990s after a botched mission, Kin has kept his past hidden from everyone around him, despite the increasing blackouts and memory loss affecting his time-traveler’s brain. Until one afternoon, his “rescue” team arrives—eighteen years too late.
(17) FROG STUFFING. Jon Del Arroz’ Happy Frogs lists are callbacks to what JDA thinks were the good old days of the Sad and Rabid Puppies. How much pull does he actually have? We’ll know if any of these names from “The Happy Frogs Hugo Award list” [Internet Archive link] show up on the 2019 ballot. (Well, it wouldn’t be a complete shock if David Weber got a nod for Best Series on his own – but that still leaves the rest of them.)
New footage from the lead-up to NASA’s first manned trip to the moon (and the landing itself) features in the upcoming documentary Apollo 11, which premiered at the Sundance Film Festival.
“Crafted from a newly discovered trove of 65mm footage, and more than 11,000 hours of uncatalogued audio recordings, Apollo 11 takes us straight to the heart of NASA’s most celebrated mission—the one that first put men on the moon, and forever made Neil Armstrong and Buzz Aldrin into household names,” distribution company Neon said of the film.
“Immersed in the perspectives of the astronauts, the team in Mission Control, and the millions of spectators on the ground, we vividly experience those momentous days and hours in 1969 when humankind took a giant leap into the future.”
(19) LAST THOUGHTS ABOUT
BROADWAYCON. [Item by Martin Morse
Wooster.] On “Three
on The Aisle: Broadway Cosplay” at Americantheatre.org,
Elisabeth Vincentelli gives a BroadwayCon report, which begins at sixteen
minutes into the podcast and ends at 34 minutes. She did see some
cosplayers, such as a woman from West Virginia who sat on a bus wearing her
costume as the Angel from Angels in
America, and she occasionally did see fans wanting to get too close to the
stars (which in the theatre world is known as “stagedooring.”)
But she also appreciated the substantive panels, such as one on Oklahoma where cast members sang songs
they didn’t sing on stage, and noted that BroadwayCon is important enough that
stars like Kristen Chenoweth show up there unannounced. Wall Street Journal drama critic Terry
Teachout said he wanted to go next year and that “A critic incapable of
being a fan is a critic that needs therapy.”
John King Tarpinian, Chip Hitchcock, Cat Eldridge, Martin Morse Wooster, JJ,
Mike Kennedy, Carl Slaughter, and Andrew Porter for some of these stories.
Title credit goes to File 770 contributing editor of the day Kip Williams.]
The winners were chosen by Judge Laurel Winter, past recipient of SFPA’s Rhysling Award, Asimov’s Reader’s Poll Awards, and a World Fantasy Award. Her Growing Wings was a finalist for the Mythopoeic Award.
Speculative poets from around the world sent contest chair Holly Lyn Walrath 335 entries — 80 dwarf-length, 191 short, and 64 long poems.
Winner: “Walkers 1” by Jerri Hardesty
Second Place: “At Last” by Sandra J. Lindow
Third Place: “in-laws at the door” by Julie Bloss Kelsey
SHORT FORM CATEGORY
Winner: “tick more slowly” by Meg Freer
Second Place: “Tin-Head Soliloquy” by M. C. Childs
Third Place: “Seeking Exemption Status?” by Claire Bateman
LONG FORM CATEGORY
Winner: “Magic Lessons” by Shannon Connor Winward
Second Place: “Om Economics by Sandra J. Lindow
Third Place: “Ars Timore (a Wreath of Sonnets)” by Frank Coffman
The 2018 winners are residents of North America.
Jerri Hardesty lives in the woods of Alabama with husband, Kirk, also a poet. They run the nonprofit poetry organization, New Dawn Unlimited, Inc. (NewDawnUnlimited.com) Jerri has had over 400 poems published and has won more than 1300 awards and titles in both written and spoken word poetry.
Meg Freer grew up in Montana and now lives in Kingston, Ontario. She has worked as an editor and teaches piano and music history. She enjoys being outdoors year-round, playing the piano and running. Her award-winning poems and photos have been published in various North American journals and anthologies.
Shannon Connor Winward is the author of the Elgin-award winning chapbook Undoing Winter and winner of a 2018 Delaware Division of the Arts Fellowship. She is also the founding editor of Riddled with Arrows. Her first full-length collection, The Year of the Witch, was released from Sycorax Press in September 2018.
The poets will receive $100, $50, and $25 cash prizes for first, second, and third place respectively.
All placing poems have been published on the SFPA website along with the judge’s comments.
The 2018 Rhysling Anthology can be ordered through the SFPA website. The editor and 2018 contest chair is Linda D. Addison. The book design is by F.J. Bergmann, Cover image is “Dark Mermaid” by Rowena Morrill.
(1) 2017 HUGO VIDEO. Worldcon 75 Hugo Ceremony video has been posted. Due to technical difficulties, it omits the first 15 minutes of the event and the first winner presented (Best Fan Artist). They did capture the remaining two-plus hours of the ceremonies. (Oor Wombat’s “Whalefall” acceptance speech begins at 1:48.)
How did you get started as a writer?
When I was about five, the family took a train trip to Florida during winter vacation. Looking out the train window at the full moon shining on a lagoon, I felt that it was so beautiful that had to compose a poem about it. As I did not know how to write, I dictated the result to my oldest brother to write down for me so that I could keep it until I could read. (No, I won’t quote it. Five-year-olds don’t compose very good poetry.)
Who are some of your favorite science fiction and fantasy influences?
The members of the Twin Cities Sf Poetry writing group and of the Aaardvaark writing group. Anthony Boucher, Poul Anderson, Ursula K. LeGuin, J.R.R. Tolkien, Diana Wynne Jones, Avram Davidson, Terry Pratchett, Fritz Leiber, L. Frank Baum, Lewis Carroll.
What keeps you going as a writer?
Sometimes nothing does. But at some point when I haven’t had any ideas for a long time, something will set me off again, so I try not to worry during the dry spells. I read a lot of non-fiction in the fields of mythology, folktales, history, and science, looking for ideas — sometimes find some in the process, sometimes not. Also sometimes get ideas from other people’s fiction, especially if I disagree with a story. Sometimes, if the situation calls for characters to have coats of arms, it helps to stop and ask myself what a character’s coat of arms is — which I seem to find more helpful than the more usual prompts of asking what music the character likes or hates, what foods, books, clothes — that sort of thing.
LEO SZILARD’S short story “The Voice of the Dolphins,” published in 1961, imagines a history of the world written in 1990. The story begins with the sentence, “On several occasions between 1960 and 1985, the world narrowly escaped an all-out atomic war.” One of the 20th century’s greatest physicists, Szilard knew whereof he spoke: along with Enrico Fermi, he was responsible for creating the first nuclear chain reaction in 1942. Szilard understood very well the history, physics, and destructive power of the Bomb. He could have chosen to write a tense record of the 1945 explosion at Hiroshima, along the lines of John Hersey’s classic study, or he might have related the history of the Bomb’s invention à la Richard Rhodes. Instead, he chose to write a piece of fiction — dry almost to the point of tedium — about the geopolitical future of the Atomic Age.
His choice is fascinating, not least because it suggests that Szilard’s interests as a man of science extended far beyond the domain of physics into the social and political spheres. His actions belie the sort of caricature of scientists found in Kurt Vonnegut’s Cat’s Cradle (1963) and other midcentury texts — an autistic tinkerer who leads the world to the brink of destruction by solving a military problem without any thought for the consequences. On the contrary, Szilard’s fiction is a serious attempt to grapple with the ethico-political impact of the epochal invention he in large part helped to author.
(5) CLAIM TO FAME. Kim Huett says, “Time to take it down a notch after writing such a serious post last week. You will note that I am the first person to ever combine Walt Willis and Mystery Science Theater 3000. (I’m possibly the only person who could.)”
Okay, so now we all know that MST3K is a TV show that revolves around showing a movie of dubious quality and providing a humorous commentary which, in this, the future world of today, is a little thing we like to call riffing. I doubt riffing is a new or revolutionary practise, I imagine people have been moved to talk back to the screen ever since the very first bad movie was shown in front of an audience. I even have evidence of a primitive form of movie riffing happening at a British science fiction convention. Consider this quote from Walt Willis writing about the Loncon in Quandry #22 (edited by Lee Hoffman, August 1952). This particular Loncon (there has been more than one SF convention called this) was held 31 May & 1 June, 1952 and in London of all places:
The final event was a showing of Metropolis, which in a way was the best part of the official programme. This was because there was no incidental music to drown fan comment on the action, some of which was brilliant. Dan Morgan shone especially. When the hero suddenly mimed exaggerated alarm the way they do in silent films and dashed madly for the door Dan remarked “FIRST ON THE RIGHT”. That started it and the whole worthy but rather dull film was enlivened by a ruining commentary from the audience which I wish I had space to quote…
(6) LAST RESTING PLACE. Atlas Obscura has photo features of a number of gravesites, including those of two Inklings —
The bones of C.S. Lewis, one of the 20th century’s literary greats, rest within a peaceful cemetery. Nearby, an etched glass window bearing characters from his most famous fantasy world adds a whimsical touch of childhood magic to the churchyard….
The grave of C.S. Lewis lies within the cemetery of the Holy Trinity Church in Headington Quarry just outside of Oxford. He was buried there in November of 1963, and even today it’s common to find flowers placed atop his tombstone.
The names Lúthien and Beren can be found inscribed on the shared grave of the famous writer and his beloved wife and muse.
The final resting place of John Ronald Reuel Tolkien (1892–1973) and Edith Mary Tolkien (1889-1971) is covered in an abundance flowers, plants, and offerings from fans in the verdant cemetery of Wolvercote in Northern Oxford. They are buried together in a single grave in the Catholic section of the cemetery.
(7) TODAY IN HISTORY
February 16, 1923 — In Thebes, Egypt, English archaeologist Howard Carter enters the sealed burial chamber of the ancient Egyptian ruler King Tutankhamen.
“I went to the comic book shop that was by my school and asked if they had any black characters,” Coogler recalled.
That was the moment Coogler discovered the Black Panther.
While in film school at University of Southern California, where he graduated in 2011, that love of comics remained — and after Marvel Studios started its connected cinematic universe with 2008’s box office hit “Iron Man,” Coogler began imagining that one day he might direct a superhero movie.
Imagine waiting a lifetime for a hero, at times thinking he’ll never come. Imagine being there when he finally shows up.
That’s the feeling for many of us — fans of color who love superhero culture — as we anticipate the live-action movie debut of the Black Panther, indisputably the greatest black superhero of all time.
In Marvel Cinematic Universe years, it’s only been a decade since 2008’s “Iron Man” introduced a new era of epic, interconnected storytelling on-screen. But for those of us who discovered Black Panther in the comics — the character first appeared in 1966 — the wait has been much longer.
Iceland is facing an “exponential” rise in Bitcoin mining that is gobbling up power resources, a spokesman for Icelandic energy firm HS Orka has said.
This year, electricity use at Bitcoin mining data centres is likely to exceed that of all Iceland’s homes, according to Johann Snorri Sigurbergsson.
He said many potential customers were keen to get in on the act.
(12) SEVENTH DOCTOR WHO RETURNS. BBC Worldwide Americas and Titan Comics are bringing back the Seventh Doctor for a new three-part comic series stars the Seventh Doctor, as played by Sylvester McCoy, alongside classic companion Ace (Sophie Aldred).
Hitting stores and digital platforms in June 2018 with a double-sized first issue, DOCTOR WHO: THE SEVENTH DOCTOR #1, written by Seventh Doctor script editor and showrunner Andrew Cartmel, and writer Ben Aaronovitch (Rivers of London). Doctor Who: The Seventh Doctor expands Titan Comics’ hugely popular and critically acclaimed Doctor Who comics line.
Actor Sylvester McCoy starred as the Seventh Doctor from 1987 to 1989 anchoring hundreds of novels and comic strips before regenerating in the 1996 TV movie. As well as this new comic, the Seventh Doctor’s era lives on in a tremendously successful series of audios from Big Finish. McCoy’s portrayal as the Doctor was, at first, a light-hearted eccentric who darkened into a secretive, mysterious, and cunning planner across the course of his tenure.
In Titan Comics’ new mini-series, an unknown alien intelligence in orbit around the Earth. Astronauts under attack. A terrifying, mysterious landing in the Australian interior. The future of the world itself at stake. Counter Measures activated. The Seventh Doctor and Ace are slap bang in the middle of it all! This is OPERATION VOLCANO!
The retro ’80s mash-up short Kung Fury made the improbable leap from kitschy Kickstarter project to the Cannes Film Festival, and now it will be getting a feature-length sequel starring Prometheus and Steve Jobs star Michael Fassbender. Variety reports that the creator and star of the original Kung Fury, David Sandberg, is also set to appear in the movie as the titular hero. David Hasselhoff, who had a role in the short, is also expected to return.
[Thanks to John King Tarpinian, JJ, Cat Eldridge, Martin Morse Wooster, Chip Hitchcock, Will R., Rev. Bob, Daniel Dern, Carl Slaughter, Kim Huett, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Niall McAuley.]
Named for SFPA founder Suzette Haden Elgin, the awards are presented in two categories, Chapbook and Book. To be considered, chapbooks must contain 10-39 pages of poetry and full-length books must contain 40 or more pages of poetry. The books must have been published in 2016 or 2017.
E-books and self-published books are eligible, as well as print.
Books must be in English, but translations are eligible. In the case of translations that also contain the poems in the original language, those pages will not count toward the total page count.
Books that won first–third place in the previous year’s Elgin Awards are ineligible, but an eligible title may be nominated two years in a row.
Josh Brown returns as the 2018 Elgin Awards Chair with the endorsement of SFPA President Bryan Thao Worra: “Josh Brown was a talented and effective chair of the Elgin Awards in 2017, helping to organize one of our biggest nominating periods to date. We have no doubt that he will be just as capable as the Science Fiction and Fantasy Poetry Association observes our 40th anniversary this year. We are grateful to have his services for this important award for our community.”
In what’s a first for the Kings, three out of five members of the family are all on the New York Times bestseller list as of this week.
Stephen King and his youngest son, Owen, collaborated on the highly entertaining horror yarn “Sleeping Beauties,” about a mysterious mystical occurrence that puts all the women of the world to sleep — and if they wake up, well, watch out. That book came out on Sept. 26 and immediately shot to the top of the hardcover fiction list; it still remains at number four, five weeks in.
Meanwhile, Joe Hill, the eldest of the King kids, last week released “Strange Weather,” a collection of four novellas about the supernatural and horrific. It debuted this week at number nine on the hardcover fiction charts.
Blanket statement that remained true for the entire weekend: No volunteer anywhere could answer any questions. They were confused, lost, disjointed, or had incorrect information. In fact, a Facebook friend of mine tried to attend on Saturday- and was given so many incorrect directions to registration that he gave up and left without entering the con! Think about that: a paying attendee, who wants to come in and spend his money, can’t even get directed to the proper entrance due to absolute incompetence and ignorance. How many people do you think gave up? How much in terms of potential earnings was lost due to stupidity?
Followed by lots more like that.
(4) THIS JUST IN. Meanwhile, back at World Wombat HQ….
DAD: *sends photos of deer he bagged* MOM: I wrote about a pageant in a slaughterhouse. ME: In retrospect, “normal” was never on the table.
This idea of leaving but bringing and then becoming more is at one of the hearts of Afrofuturism, or you can simply call it a different type of science fiction. I can best explain the difference between classic science fiction and Afrofuturism if I used the octopus analogy. Like humans, octopuses are some of the most intelligent creatures on earth. However, octopus intelligence evolved from a different evolutionary line, separate from that of human beings, so the foundation is different. The same can be said about the foundations of various forms of science fiction.
In the Center for Ray Bradbury Studies today I discovered the original release version of SOMETHING WICKED THIS WAY COMES, previously considered lost. The film previewed badly in 1982, and the Disney studios panicked and decided to rework the film. The lost version has never been released, and is believed never to have been screened since that preview.
(7) PARK PLACE. There was a summer groundswell of public support to name a Tacoma park after Dune author Frank Herbert. Metro Parks Tacoma Public Information Officer Michael Thompson answered Andrew Porter’s request for an update with this statement:
Still under consideration, still no decision. Our planning department is dealing with several construction projects, so the decision probably will be pushed back to later in the year instead of “fall.”
Herbert was born in Tacoma in 1920 and lived there as an adult. The idea to name a newly developed park for him was first suggested in 2013.
(8) RUSSELL OBIT. Pioneering television director Paddy Russell (1928-2017) has died at the age of 89. Doctor Who News paid tribute:
Patricia Russell, known to all as Paddy, had a long and distinguished career as one of the first female Directors in British television….
In the 1950’s Television was crying out for theatre staff to work in the new medium and Russell was recruited as a production assistant, working with the famed director Rudolph Cartier. Acting as the director’s eyes and ears on the studio floor, Russell worked on some of the most innovative and pioneering dramas of the day including the Quatermass science-fiction serials as well as the 1954 adaptation of George Orwell’s novel Nineteen Eighty-Four starring Peter Cushing. …Her first encounter with Doctor Who came in 1966 when she became the first female Director to work on the show. She helmed the First Doctor story The Massacre of St Bartholomew’s Eve.
…It was eight years later that Russell returned to the show working on the six-part Jon Pertwee story Invasion of the Dinosaurs. It was a story fraught with technical difficulties in the attempt to bring dinosaurs to London using the primitive methods available in the early 1970’s. While not always successful it was a story Russell was very proud of.
…Two more stories followed, both staring the Fourth Doctor, Tom Baker. In 1975 she directed the fan favourite Pyramids of Mars, followed in 1977 by the Horror of Fang Rock. She had a prickly relationship with the lead actor whom she found increasingly difficult to work with….
International Speculative Poetry Day seeks to highlight the vibrant legacy and extraordinary achievement of speculative poets. It seeks to introduce communities to the delights and benefits of reading and writing speculative poetry as well as make speculative poetry an important and innovative part of our cultural life. Speculative poetry has produced some of the nation’s leading creative artists and influential books, performances, and exhibitions, inspiring other artists, educators, and community builders around the world.
(10) TODAY IN HISTORY
November 3, 1957 – Laika becomes the first dog in space.
And the bards of the Science Fiction and Fantasy Poetry Association have put up a page of verse honoring the pioneer, “Remembering Laika”.
This year, November 3rd coincides with the 60th anniversary of Laika’s historic mission into outer space. (That’s 420 in space dog years!) She advanced Earth’s knowledge and paved the way for space exploration and much of our modern world today. Several of our SFPA members recently shared poems inspired by Laika and our canine companions to mark the day. A special thanks to them and Dr. Suzie GeeForce for illustrating the occasion! You can also find additional poems by our members in our list-serv.
November 3, 1976 — The original Carrie debuted
(11) TODAY’S BIRTHDAY KAIJU
Born November 3, 1954 – Godzilla. (I think this means it’s the day the film was released.)
I’m probably going to get into serious trouble with this post, as it touches on third wave feminism. Various people have urged me to address the topic before and I’ve just not gotten to it. Up front, let me say I’m a second wave feminist, and I have opinions that sometimes diverge sharply from the current platform.
Roberts related her personal experience with Weinstein as a 20-year-old and her subsequent decision that she wasn’t cut out for work in Hollywood. The panel then went on to define sexual harassment in the workplace to include compliments on appearance and beauty. Hm. Okay, second wave question here: Roberts looks professional. She’s got on a boxy jacket and restrained hair and makeup, but the other women look like they’ve spent hours on their appearance, plus a big chunk of change. They have on form-fitting clothing, heavy make-up and trendy hair styling. Why?
If we assume appearance is expression and therefore a type of speech, what are they saying?…
Another Margaret Atwood novel is getting the Hollywood treatment, this time on Netflix.
In “Alias Grace,” a six-episode Netflix miniseries starring Sarah Gadon, an Irish immigrant working as a maid in Canada in the 1840s is accused of murdering her boss and his mistress. Her case is covered with breathless scrutiny, making the young woman infamous.
Based on Atwood’s historical novel, Gadon plays Grace, who recounts her life story to a young psychiatrist trying to help jog her memory.
The second season of Stranger Things—or, if we must, Stranger Things 2—effectively recaptures the meme-spawning magic of its first. But for a season that mostly follows the template of “What if that thing you liked, but more?” the new episodes make a pronounced departure in splitting Millie Bobbie Brown’s Eleven off from her group of demogorgon-fighting pals, most of whom think she’s disappeared or dead. As the series’ breakout character, played by its strongest young actor, Eleven is a natural candidate to carry her own largely self-contained storyline, but the strain of building a new world for her to inhabit taxes the Duffer brothers’ self-mimicking skills to the limit, and finally exhausts them altogether in its seventh episode, “The Lost Sister.” The result is an unmitigated embarrassment…
Ragnarok, an incontrovertibly bitchin’ word that refers in Norse myth to the final, winner-take-all smackdown between good and evil, is an awfully heavy subtitle for a movie as affably insubstantial as The Mighty Thor’s mighty third.
Catching us up on what your friendly neighborhood Thunder-God (and your friendly neighborhood Incredible Hulk) were doing while they were absent from last year’s Captain America: Civil War, the movie earns the backhanded compliment of being the best Thor picture by an Asgardian mile, and the more sincere one of being not in the least a chore to sit through. It’s funnier and prettier than most of the other Marvel movies, having figured out that adopting the visual palette of Frank Frazetta’s glossy swords n’ monsters n’ muscles fantasy paintings — rather than trying to cross that uncanny valley into photorealism — is a good way to make the wall-to-wall CGI less fatiguing. Half the frames in this film would look right at home airbrushed on the side of a 1978 Ford Econoline “shaggin’ wagon” van, which would almost certainly be blasting Led Zeppelin’s “Immigrant Song,” a vintage headbanger that the Thor 3 soundtrack Ragna-rocks twice. (I am getting choked up thinking about all the 10-year-olds who will see this thing and shortly thereafter download their very first Led Zep.)
New levels, man — new levels. In the never-ending quest to escalate campiness to heights that beggar irony, here comes a movie. A movie, based on a Commodore Amiga video game from the late 1980s, about giant ants; ants that live in the desert; ants who enjoy beer straight from the keg and can only be vanquished — at great personal cost — by a mostly-expendable cast of libidinous teens.
You know how these things make us feel.
If you gamed in the ‘80s, you may remember It Came from the Desert, an Amiga title that drew heavy inspiration from Them! and other B-horror flicks from the 1950s. As the game’s protagonist, Dr. Greg Bradley traversed the Nevada desert landscape, staging desperate battles against radioactively-mutated ants in a variety of interesting locations.
Now Cinemaware, the game’s original developer, is teaming with Finnish VFX effects studio Roger! Pictures to revive the goofy premise in a live-action format. The trailer for the eponymous movie seems to lie somewhere between a proof of concept and an enticing synopsis of what we’re (admittedly) hoping will end up as a finished product.
[Thanks to John King Tarpinian, JJ, Cat Eldridge, Andrew Porter, Chip Hitchcock, and Carl Slaughter for some of these stories. Title credit belongs to File 770 contributing editor of the day Matthew Johnson.]
The Science Fiction & Fantasy Poetry Associationannounced the results of the 2017 SFPA Speculative Poetry Contest on September 28. The contest raises awareness about speculative poetry and the SFPA, internationally, and rewards writers of extraordinary speculative poems. Entries are taken in three categories:
Speculative poets from around the world sent Contest Chair Mary McMyne nearly 350 entries (75 dwarf-length, 192 short, and 79 long poems). From those entries, JudgeNikia Chaney selected first- through third-place winning poems in each length category.
1st place: “flight” by Kanika Agrawal
2nd place: “Archivore” by Adam Veal
3rd place: “Lace at the Throat” by Holly Walrath
Honorable Mention: “Hate Escapes” by Alicia Payne
1st place: “On First Looking Into the Sculpture of the Song” by Jake Sheff
2nd place: “Rescue Mission” by Patricia Gomes
3rd place: “Schroedinger’s Lover” by B. Lynch Black
Honorable Mention: “Persephone” by Emma Gibbon
1st place: “The Fragmented Poet Files of a Police Report” by Stewart C. Baker
2nd place: “Auto-Biography of a Trans-dimensional Extraterrestrial” by Gary Lee Nihsen
3rd place: “Your Doppleganger’s Afterlife Dreams” by J.J. Steinfeld
Honorable Mention: “witches” by Holly Walrath
All placing poems will be published the SFPA website and on the Poetry Planet StarShipSofa podcast. The poets will receive $100, $50, and $25 cash prizes for first, second, and third place respectively.
The 2017 winners include a city poet laureate, natives of three continents, and residents of North America and Europe.
Dwarf Category first-place winner, Kanika Agrawal, is a doctoral student in English, a temporary alien of Indian origin, and a book hoarder. She lives with her toy fox terrier, Django, in Denver, Colorado.
First-place Short Category winner, Jake Sheff, is a major and pediatrician in the US Air Force. He currently resides in the Mojave Desert with his wife, daughter and four pets. His poetry chapbook is Looting Versailles (Alabaster Leaves Publishing).
The first-place Long Category winner, Stewart C Baker, is an academic librarian and author of speculative fiction and poetry. He was born in England and currently lives in Oregon with his family—although if anyone asks, he’ll usually say he’s from the Internet.
Bios for the runners up can be found at the SPECPO blog.
Nikia Chaney, this year’s judge, is the current Inlandia Literary Laureate in San Bernadino, California. The author of two chapbooks, Sis Fuss (Orange Monkey Publishing, 2012) and ladies, please (Dancing Girl Press, 2012), Her manuscript bite down, hum was the winner of the Marsh Hawk Robert Creeley Award in 2015. She has won grants and fellowships from the Barbara Deming Memorial Fund for Women, Poets & Writers, Squaw Valley and Cave Canem.
The Science Fiction & Fantasy Poetry Association (SFPA) has announced the winners of the 2017 Elgin Awards for best collections of speculative poetry published in the previous two years. Named after SFPA founder Suzette Haden Elgin, awards are given in two categories: best chapbook and best full-length book.
2017 Elgin Award Results:
Full-Length Book Category
First:Field Guide to the End of the World • Jeannine Hall Gailey (Moon City Press, 2016)
Second (tie):A History of the Cetacean American Diaspora • Jenna Le (Anchor & Plume, 2016)
Second (tie):Small Spirits: Dark Dolls • Marge Simon (Midnight Town Media, 2016)
First Place:Leviathan • Neil Aitken (Hyacinth Girl Press, 2016)
Second Place:Radio Heart, or; How Robots Fall Out of Love • Margaret Rhee (Finishing Line Press, 2016)
Third Place:Apocalypse • John C. Mannone (Alban Lake, 2015)
This year’s Elgin Awards had 21 nominees in the chapbook category and 31 nominees in the full-length category, one of the largest years since the awards were first established in 2013.
The Science Fiction and Fantasy Poetry Association was established in 1978 and has an international membership representing over 19 nations and cultures including United States, Italy, Canada, Brazil, United Kingdom, Ireland, Romania, Poland, Denmark, Germany, France, Spain, Israel, South Africa, Singapore, Thailand, Laos, the Hmong, South Korea, Australia, and New Zealand.
Elgin Award chair Josh Brown is a writer of fiction, non-fiction, and poetry. A graduate of the University of Minnesota–Duluth with a degree in English Literature, he has spent the past fifteen years in the publishing industry working for and with award-winning publishers and best-selling authors. An active member of SFPA, his work can be found in numerous anthologies as well as in Star*Line, Scifaikuest, Mithila Review, Fantasy Scroll Magazine, and more. His essay, “Poems and Songs of The Hobbit” was recently featured in Critical Insights: The Hobbit (Salem Press, 2016). He served as editor for issue 20 of Eye to the Telescope, the official online journal of the SFPA. He currently lives in Minneapolis with his wife and two sons.