The Science Fiction and Fantasy
Writers of America (SFWA, Inc.) have announced the finalists for the 55th
Annual Nebula Awards, including the Ray Bradbury Award for Outstanding Dramatic
Presentation, and the Andre Norton Award for Outstanding Young Adult Science
Fiction or Fantasy Book. The awards will be presented in Woodland Hills, CA at
the Warner Center Marriott during a ceremony on the evening of May 30.
Marque of Caine, Charles E. Gannon (Baen)
The Ten Thousand Doors of January, Alix E. Harrow (Redhook; Orbit UK)
A Memory Called Empire, Arkady Martine (Tor)
Gods of Jade and Shadow, Silvia Moreno-Garcia (Del Rey; Jo Fletcher)
Gideon the Ninth, Tamsyn Muir (Tor.com Publishing)
A Song for a New Day, Sarah Pinsker (Berkley)
“Anxiety Is the Dizziness of Freedom”, Ted Chiang (Exhalation)
The Haunting of Tram Car 015, P. Djèlí Clark (Tor.com Publishing)
This Is How You Lose the Time War, Amal El-Mohtar & Max Gladstone (Saga)
Her Silhouette, Drawn in Water, Vylar Kaftan (Tor.com Publishing)
The Deep, Rivers Solomon, with Daveed Diggs, William Hutson & Jonathan Snipes (Saga)
Catfish Lullaby, A.C. Wise (Broken Eye)
“A Strange Uncertain Light”, G.V. Anderson (F&SF 7-8/19)
“For He Can Creep”, Siobhan Carroll (Tor.com 7/10/19)
“His Footsteps, Through Darkness and Light”, Mimi Mondal (Tor.com 1/23/19)
“The Blur in the Corner of Your Eye”, Sarah Pinsker (Uncanny 7-8/19)
Carpe Glitter, Cat Rambo (Meerkat)
“The Archronology of Love”, Caroline M. Yoachim (Lightspeed 4/19)
“Give the Family My Love”, A.T. Greenblatt (Clarkesworld 2/19)
“The Dead, In Their Uncontrollable Power”, Karen Osborne (Uncanny 3-4/19)
“And Now His Lordship Is Laughing”, Shiv Ramdas (Strange Horizons 9/9/19)
“Ten Excerpts from an Annotated Bibliography on the Cannibal Women of Ratnabar Island”, Nibedita Sen (Nightmare 5/19)
“A Catalog of Storms”, Fran Wilde (Uncanny 1-2/19)
“How the Trick Is Done”, A.C. Wise (Uncanny 7-8/19)
The Andre Norton Award for
Outstanding Young Adult Science Fiction or Fantasy Book
Sal and Gabi Break the Universe, Carlos Hernandez (Disney Hyperion)
Catfishing on CatNet, Naomi Kritzer (Tor Teen)
Dragon Pearl, Yoon Ha Lee (Disney Hyperion)
Peasprout Chen: Battle of Champions, Henry Lien (Holt)
Cog, Greg van Eekhout (Harper)
Riverland, Fran Wilde (Amulet)
Outer Wilds, Kelsey Beachum (Mobius Digital)
The Outer Worlds, Leonard Boyarsky, Megan Starks, Kate Dollarhyde, Chris L’Etoile (Obsidian Entertainment)
The Magician’s Workshop, Kate Heartfield (Choice of Games)
Disco Elysium, Robert Kurvitz (ZA/UM)
Fate Accessibility Toolkit, Elsa Sjunneson-Henry (Evil Hat Productions)
The Ray Bradbury Award for
Outstanding Dramatic Presentation
Avengers: Endgame, Christopher Markus & Stephen McFeely (Marvel Studios)
Captain Marvel, Anna Boden & Ryan Fleck & Geneva Robertson-Dworet (Marvel Studios)
Good Omens: “Hard Times”, Neil Gaiman (Amazon Studios/BBC Studios)
The Mandalorian: “The Child”, Jon Favreau (Disney+)
Russian Doll: “The Way Out”, Allison Silverman and Leslye Headland (Netflix)
Watchmen: “A God Walks into Abar”, Jeff Jensen & Damon Lindelof (HBO)
The Nebula Awards will be presented during the
annual SFWA Nebula Conference, which will run from May 28-31 at the Warner
Center Marriott Woodland Hills. The Awards Ceremony will be held on the evening
of May 30.
Mass Autographing: On May 31, a mass autograph session will take place, which is free and open to the public.
The Nebula Finalist Assistance Fund exists to help defray the costs of
travel to the Nebula Conference for Nebula Award finalists (including Norton,
Bradbury, and Game Writing finalists) who would otherwise be unable to
attend. Donations may be made at: www.sfwa.org/donate
— choose Nebula Finalist Assistance in
the drop down menu.
…As some of you may be aware, over the course of several weeks, trolls created dozens of false accounts as part of a harassment campaign against some writers. We reached out to Goodreads to ask for assistance in stopping those attacks and they were, thankfully, responsive. Goodreads was as committed to solving this as SFWA was. If readers lose their faith with the site because of false reviews, that’s a problem for all of us.
During the course of the conversation, we shared with them some ideas that they might use to block this form of targetting. They are working on implementing some of those, although I hope you’ll understand that we won’t be able to share the details of those particular efforts….
There are also some existing tools on Goodreads that were not immediately apparent. We offered to highlight those to our members while Goodreads puts the other measures into place.
Flagging reviews – Goodreads does not allow Ad Hominem reviews or attacks on an author. They made it clear to us that when reviews become about the author, not about the book, authors are able to flag uses of harmful language or when the intent is to harm the person, not to review the book. If an author is receiving an avalanche of those, they may send a link to firstname.lastname@example.org or send a link via Goodreads’ contact form.
Reporting entire accounts – Sometimes, a single actor will create negative reviews of an author’s entire body of work. In those cases, any author may send a link to email@example.com.
(2) RIPPED BODICE. Since Courtney Milan is one of them, the Scroll will
report all the winners of the inaugural Ripped Bodice Awards for Excellence in
Romantic Fiction. The award was launched last year by Leah and Bea Koch,
co-owners of the
Ripped Bodice bookstore
in Culver City, Calif., and is sponsored by Sony Pictures Television. Chosen by
a panel of industry experts, each honoree receives $1,000 plus a $100 donation
to the charity of their choice.
The winning titles are:
Xeni by Rebekah Weatherspoon
Mrs. Martin’s Incomparable Adventure by Courtney Milan
If Doctor Who seems like a show that has been disappointing its devotees for 56 years and counting, perhaps that is to be expected. After all, no other TV series in history has shown such a wilful disregard for anything approaching a house style, happily pressing the re-set button every week and leaping between planets and time zones, comedy and tragedy, psychodrama and space opera.
More people want a new Back to the Future film than want a new instalment in any other franchise. But one of its creators says doing another movie would be like “selling your kids into prostitution” – so it’s been rebooted as a stage musical instead.
Walking though the Manchester Opera House foyer a week before the first performance of Back to the Future: The Musical means picking your way through piles of props and kit that are waiting to be slotted into place before opening night.
A skateboard and some of the Doc’s scientific equipment are lying around, and a crew member walks past carrying what look like dancers’ 1950s dresses. The components of the Doc’s nuclear-powered flux capacitor are probably spread around somewhere.
…Thursday’s first performance will mark the end of a 12-year journey to bring one of the best-loved films to the stage. Another journey will start – the show is set to go to the West End after Manchester, and then perhaps Broadway.
“It’s the same story of the movie,” says Bob Gale, who has scripted the stage show and co-wrote the movies. “But there are things that you can do and can’t do on stage that differ from cinema.”
So in the show, Marty plays more music, and new songs take us deeper into the characters’ emotions and back stories. But some of the action (like the skateboard chase and the gun-toting Libyan terrorists) has been changed. And, sadly, there’s no Einstein the dog.
“Lots of people were clamouring, ‘Why don’t you guys do Back to the Future part 4? Why don’t you do a reboot of Back to the Future?'” Gale says.
‘The wrong thing to do’
But he and Robert Zemeckis, director and co-writer of the three films, had it written into their contracts with Universal that no new film could be made without their say so. Studio bosses have tried their best to persuade them.
…”We don’t want to ruin anybody’s childhood, and doing a musical was the perfect way to give the public more Back to the Future without messing up what has gone before.”
(6) DUNCANN OBIT. Geraldine Duncann died
February 2 at the age of 82, her daughter
Leilehua reported on Facebook. Duncann announced to FB readers in
January that she had been diagnosed with stage 4 lung cancer. Astrid Bear described Duncann in these terms:
As Mistress Geraldine of Toad Hall, she was a major force in the Society for Creative Anachronism from its very early days, excelling in all she tried, whether cooking, sewing, embroidery, pottery, singing, writing, or anything else. Her generosity, wit, intelligence, and zest for life were wonderful.
Her memorial/celebration of life will be on her
birthdate, May 9, at the Golden Gate Bridge and include a Bridge Walk. Details
will be posted on her FaceBook page and her Questing Feast Patreon blog.
(7) SHRAPNEL OBIT. [Item by Steve Green.] John Shrapnel (1942-2020): British actor,
died February 14, aged 77. Genre appearances include Space: 1999 (one episode, 1975), Fatherland (1994), Invasion:
(three episodes, 1998), Spine Chillers (one episode, 2003), Alien Autopsy (2006), Apparitions (five episodes, 2008), Mirrors
(2008), The Awakening (2011), Merlin (one episode, 2012), Macbeth
(2013), Hamlet (2015).
(8) TODAY IN HISTORY.
February 15, 1955 — Captain Midnight aired “Saboteurs Of The Sky”. Captain Midnight began September 9, 1954, on CBS, continuing for thirty-nine episodes until January 21, 1956. This was the twenty-fifth episode of the program’s first season. Captain Midnight itself started as a serial film, became this show, and later was both a syndicated newspaper strip and a radio show. The series starred Richard Webb who was not the actor of the Captain Midnight role , Robert O’Brien, from the film serial. (Two actors, Sid Melton and Olan Soule, were retained from the serial.) When the TV series went into syndication in 1958 via Telescreen Advertising, several changes happened. First a change in advertisers happened as Ovaltine was no longer involved. More importantly Wander Company owned all rights to use of Captain Midnight which meant that Screen Gems had to change Captain Midnight to Jet Jackson, Flying Commando, and all references in the episodes to Captain Midnight to Jet Jackson, Flying Commando, both text and sound wise. You can watch this episode here.
February 19, 1978 — The Project U.F.O. pilot: “Sighting 4001: The Washington D.C. Incident” first aired on NBC. It was created. by that Jack Webb Harold Jack Bloom, was based rather loosely on the real-life Project Blue Book. It starred William Jordan, Caskey Swaim and Edward Winter. Most of the UFOs were by Brick Price Movie Miniatures that were cobbled together from the usual model kits. You can see the pilot here.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 19, 1893 — Sir Cedric Webster Hardwicke. His first SFF role was a plum one — in 1937‘s Solomon’s Mines as Allan Quatermain. He’s been in a lot of genre films: On Borrowed Time, The Hunchback of Notre Dame, The Invisible Man Returns, The Ghost of Frankenstein, Invisible Agent, A Connecticut Yankee in King Arthur’s Court and The War of the Worlds (the voice doing providing commentary). (Died 1964.)
Born February 19,1912 — Walter Gillings. UK fan. He edited Scientifiction, a short lived but historic fanzine. Shortly thereafter he edited Tales of Wonder, regarded as the first UK SF zine. Clarke made his pro debut here. He’d edited a number of other genre zines later on, and ISFDB lists him as having two genre stories to his credit whereas Wiki claims he has three. (Died 1979.)
Born February 19, 1930 — John Frankenheimer. Depending on how widely you stretch the definition of genre, you can consider his first SFF film as director to be Seven Days in May. Certainly, The Island of Dr. Moreau is genre as is Prophecy and Seconds. He also directed an episode of Tales from The Crypt, “Maniac at Large”, and directed Startime’s “Turn of The Screw” with Ingrid Bergman in the lead role off the Henry James ghost story of that name. (Died 2002.)
Born February 19, 1937 — Lee Harding, 83. He was among the founding members of the Melbourne Science Fiction Club along with Bertram Chandler. He won Ditmar Awards for Dancing Gerontius and Fallen Spaceman. In the Oughts, the Australian Science Fiction Foundation would give him the Chandler Award in gratitude for his life’s work. It does not appear that any of his work is available fir the usual digital sources.
Born February 19, 1937 — Terry Carr. Well-known and loved fan, author, editor, and writing instructor. I usually don’t list awards both won and nominated for but his are damned impressed so I will. He was nominated five times for Hugos for Best Fanzine (1959–1961, 1967–1968), winning in 1959, was nominated three times for Best Fan Writer (1971–1973), winning in 1973, and he was Fan Guest of Honor at ConFederation in 1986. Wow. He worked at Ace Books before going freelance where he edited an original story anthology series called Universe, and The Best Science Fiction of the Year anthologies that ran from 1972 until his early death in 1987. Back to awards again. He was nominated for the Hugo for Best Editor thirteen times (1973–1975, 1977–1979, 1981–1987), winning twice (1985 and 1987). His win in 1985 was the first time a freelance editor had won. Wow indeed. Novelist as well. Just three novels but all are still in print today though I don’t think his collections are and none of his anthologies seem to be currently either. A final note. An original anthology of science fiction, Terry’s Universe, was published the year after his death with all proceeds to his widow. (Died 1987.)
Born February 19, 1944 — Donald F. Glut, 76. He’s best known for writing the novelization of the second Star Wars film, The Empire Strikes Back. I’m more fascinated that from the early Fifties to the late Sixties, he made a total of forty-one amateur films including a number of unauthorized adaptations of such characters as Superman, The Spirit and Spider-Man. Epoch Cinema released a two-DVD set of all of his amateur films titled I Was A Teenage Moviemaker.
Born February 19, 1963 — Laurell K. Hamilton, 57. She is best known as the author of two series of stories. One is the Anita Blake: Vampire Hunter of which I’ll confess I’ve read but one or two novels, the other is the Merry Gentry series which held my interest longer but which I lost in somewhere around the sixth or seventh novel when the sex became really repetitive.
Born February 19, 1964 — Jonathan Lethem 56. His first novel, Gun, with Occasional Music, a weird mix of SF and detective fiction, is fantastic in more ways that I can detail briefly here. I confess that I lost track of him after that novel, so I’d be interested in hearing what y’all think of his later genre work particularly his latest, The Feral Detective.
Born February 19, 1966 — Claude Lalumière, 54. I met him once here in Portland at a used bookstore in the SFF section. Author, book reviewer and editor who has edited numerous anthologies. Amazing writer of short dark fantasy stories collected in three volumes so far, Objects of Worship, The Door to Lost Pages and Nocturnes and Other Nocturnes. Tachyon published his latest anthology, Super Stories of Heroes & Villains.
…But his reverie was broken by the phone 12 minutes later. “I picked it up and thought, ‘Please don’t let this be a credit card offer.’ Can you imagine? I would have just burst into tears.”
On the other end of the line, Newbery committee chair Krishna Grady told Craft that his graphic novel New Kid (HarperCollins) had been chosen as winner of the 2020 Newbery Medal. “Then the people in the background started screaming and then I started screaming, then I screamed more and they screamed more,” Craft said. “It was pretty amazing.” It is also historic, as New Kid is the first graphic novel to win the Newbery Medal.
New Kid introduces African-American seventh grader Jordan Banks, an aspiring artist who leaves his home in Washington Heights each morning and takes the bus to his new, private, mostly white school in the Bronx. In his sketchbook, he chronicles what it’s like for him to navigate his two different worlds, the ups and downs of middle school, and the various micro-aggressions he faces each day. The book was inspired by Craft’s own school experiences, as well as those of his two sons, and has been a hit since its release last February. Prior to ALA Midwinter, New Kid had already earned starred reviews in the major review journals, landed on numerous best-of lists for 2019, became a New York Times bestseller, and won the Kirkus Prize for Young Readers’ Literature.
Craft was still riding high from the Newbery call when his phone rang again at 7:07 a.m. “I thought, ‘OK, that’s weird,’” Craft said. “I saw area code 215, which is Philadelphia [where ALA Midwinter was being held], and I thought, if they’re calling me up to say, ‘Hi, we thought you were Jerry Pinkney when we called earlier. Sorry about that—we hope you didn’t tell anyone,’ that would have made me cry even more.” But, of course, there was no such mix-up. The second call alerted Craft to the fact that he had also won the Coretta Scott King Author Award. “I was stunned,” he recalled, noting that he hadn’t heard any buzz, or seen anything like a mock Coretta Scott King Award poll.
Hands over hearts, folks. On February 12, NASA announced that Vanguard 1 had gone silent, and the agency was finally turning off its 108 Mhz ground transceivers, set up during the International Geophysical Year. The grapefruit-sized satellite, launched March 17, 1958, was the fourth satellite to be orbited. It had been designed as a minimum space probe and, had its rocket worked in December 1957, would have been America’s first satellite rather than its second. Nevertheless, rugged little Vanguard 1 beat all of its successors for lifespan. Sputniks and Explorers came and went. Vanguards 2 and 3 shut off long ago. Yet the grapefruit that the Naval Research Laboratory made kept going beep-beep, helping scientists on the ground measure the shape of the Earth from the wiggle and decay of Vanguard’s orbit.
(12) THE TINGLE WAY. Now that you’ve explained it, I
(13) POUNDED BY YOUR CREDIT CARD. But wait! There’s all
kinds of Chuck
Tingle merchandise available. Like this hoodie, or this towel.
“The Scream” is fading. And tiny samples of paint from the 1910 version of Edvard Munch’s famous image of angst have been under the X-ray, the laser beam and even a high-powered electron microscope, as scientists have used cutting-edge technology to try to figure out why portions of the canvas that were a brilliant orangeish-yellow are now an ivory white.
Since 2012, scientists based in New York and experts at the Munch Museum in Oslo have been working on this canvas — which was stolen in 2004 and recovered two years later — to tell a story of color. But the research also provides insight into Munch and how he worked, laying out a map for conservators to prevent further change, and helping viewers and art historians understand how one of the world’s most widely recognized paintings might have originally looked….
If you’ve never heard of the board game Settlers of Catan, you aren’t alone.
Marcus Smart hadn’t. Neither had Kemba Walker. Nor Brad Stevens.
If you have heard of it, you’re in good company, too.
The game is a favorite of Celtics rookie Grant Williams.
Williams was introduced to Settlers of Catan — Catan, for short — when he was a sophomore on the basketball team at Tennessee. He walked in on Riley Davis, the team’s video coordinator, playing the classic strategy game with players Lucas Campbell, Brad Woodson, and Yves Pons. A self-proclaimed nerd, Williams wanted to learn.
“They’re like, ‘Oh dear, we have to teach Grant now,’ ” Williams recalled. “Next thing you know, we played and I won my first game.”
Williams was hooked. The group kept a board at the training facility, where they would play at least twice a week, as well as one in each of their dorm rooms. There also was a “road-trip board” that would travel with the team.
…The objective of the game sounds simple: Collect resources to build roads, settlements, and cities on the island of Catan. The implementation is a bit more complicated.
Krispy Kreme and Adult Swim have teamed up for a limited line of sweet R &M-inspired products, including a donut modeled after Pickle Rick. Don’t worry, though, the green pastry isn’t salty and sour like a brined cucumber. That would be nasty. Instead, it’s filled with “mouth-watering lemon crème, dipped in white choc truffle, with a white choc ‘Pickle Rick.'”
[Thanks to Michael Toman, Mike Kennedy, Olav Rokne, Nina Shepardson, Martin Morse Wooster, John King Tarpinian, Andrew Porter, Chip Hitchcock, JJ, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Peer, plus a crowdsourced aspostrophe.]
He’s been a great friend and companion, helping me through the loss of my wife to cancer and being a “great guy”.
Bo has some issues: he’s had chronic pancreatitis and has been diagnosed with Chron’s disease.
…With the loss of my wife a couple of years ago, my personal financial picture has changed dramatically (loss of one entire income, health care, etc) and, while I’ve kept up with the bills (barely) and gotten some help from the family, I anticipate that expenses for treatment will continue for a while and I simply can not afford them.
At the current time, the outstanding balance on his bill is approximately $1300.00 – and that does not include the bill for emergency vet care when I had to bring him in at 11:30 pm on 2/16/20 [sic]. I expect that we are currently looking at around $2500 all told, and that’s just going to increase with additional office visits, tests and medications.
Bo is an extremely intelligent, vibrant, engaged silky terrier; the image shown here appeared on the cover of the Sunday Concord Monitor (NH) showing his involvement with Amazing Stories magazine.
And Bo is the last remaining connection I have with my wife as we adopted him together and he is in many ways the child of our marriage.
I simply don’t want him to suffer, regardless of what the eventual diagnoses ends up being and I don’t want him to suffer simply because the bills can’t be paid.
(3)HWA INTERVIEW SERIES. Horror Writers of America is celebrating Women in Horror Month by interviewing some of the top women in the horror field in a series called Females of Fright. Here’s what’s online so far —
Based on the novels Parable of the Sower and Parable of the Talents by Octavia E. Butler, this genre-defying work of political theater featuring a powerhouse ensemble of 20 singers, actors and musicians harnesses 200 years of Black music to give musical life to Butler’s acclaimed science fiction novel. Parable of the Sower, set in 2024 and published in 1993, presciently grapples with many of the same issues we face today—global warming, corporate influence over government, a destabilized economy, water scarcity, food scarcity, the privatization of social services, homelessness, public safety, a return of long forgotten diseases and the profit-making machine that runs the medical industry. Written by singer, composer and producer Toshi Reagon in collaboration with her mother, Dr. Bernice Johnson Reagon (song leader, composer, scholar, social activist and founder of Sweet Honey In the Rock), Parable Of The Sower is a mesmerizing theatrical work of rare power and beauty that reveals deep insights into gender, race and the future of human civilization.
My latest lunch on which you get to eavesdrop is with John Edward Lawson, the author of 16 books of fiction and poetry, plus numerous chapbooks. His short stories have been collected in such titles as Pocketful of Loose Razorblades, Discouraging at Best, and most recently Devil Entendre, while his poetry can be found in multiple titles, including The Plague Factory, The Scars Are Complimentary, Bibliophobia, and the Bram Stoker Award finalist The Troublesome Amputee.
He’s the founding editor of Raw Dog Screaming Press, which was given a Specialty Press Award by the Horror Writers Association in 2019. He currently serves as vice president of Diverse Writers and Artists of Speculative Fiction, and also manages the Broadkill Writers Resort, which he founded in 2016.
We met for lunch recently on a rainy day in Washington D.C. at Dolan Uyghur restaurant. It was my first taste of Uyghur cuisine, and I was quite impressed, particularly by the hand pulled noodles in my Laghman.
We discussed the birth of the bizarro horror subgenre (and the surprisingly democratic way in which it was named), the reason Alien both repelled and attracted him, how trying to sell screenplays led to him publishing his first short fiction instead, the story of his which was the most emotionally difficult to write, how he won a poetry award only after giving up on poetry, the unexpected gift he was given when starting his own publishing company, his initial doubts about naming his press Raw Dog Screaming, how he survived the 2008 financial meltdown which sank so many small presses, why he loves watching people bicker, the reason he became known as “the forgotten black man of horror,” and much more.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 15, 1883 — Sax Rohmer. Though doubtless best remembered for his series of novels featuring the arch-fiend Fu Manchu, I’ll also single out The Romance of Sorcery as he based his mystery-solving magician character Bazarada on Houdini who he was friends with. (Died 1959.)
Born February 15, 1907 — Cesar Romero. Joker in the classic Batman TV series and film. I think that Lost Continent as Major Joe Nolan was his first SF film, with Around the World in 80 Days as Abdullah’s henchman being his other one. He had assorted genre series appearances on series such as The Man from U.N.C.L.E., Get Smart, Fantasy Island and Buck Rogers in the 25th Century. (Died 1994.)
Born February 15, 1914 — Kevin McCarthy. Best remembered as Dr. Miles Bennell in The Invasion of the Body Snatchers. He would later have recurring roles in Twilight Zone and is in the Twilight Zone movie as well having a cameo in the Seventies remake of The Invasion of the Body Snatchers. Other SF credits include The Howling, Innerspace, Addams Family Reunion and Looney Tunes: Back in Action in which he had a cameo as Dr. Miles Bennell. (Died 2010.)
Born February 15, 1916 — Ian Ballantine. He founded and published the paperback line of Ballantine Books from 1952 to 1974 with his wife, Betty Ballantine. The Ballantines were both inducted by the Science Fiction Hall of Fame in 2008, with a joint citation. During the Sixties, they published the first authorized paperback edition of Tolkien’s books. (Died 1995.)
Born February 15, 1917 — Meg Wyllie. She was the Talosian “Keeper” in the Trek pilot episode, “The Cage”. She would show up later in Batman as Grandma in the “Black Widow Strikes Again” episode and earlier in her career, she was in Twilight Zone episode “The Night of the Meek” as Sister Florence. She’s Granny Gordon in The Last Starfighter. (Died 2002.)
Born February 15, 1935 — Paul Wenzel, 85. Disney illustrator responsible for such works as the Mary Poppins posters, the Walt Disney commemorative stamp and concept art of The Haunted Mansion. For those of you asking why he’s here, I’ll note that during the Sixties, he did both covers and interiors for Fantastic Stories of Imagination, If ,Galaxy, Space Travel and Worlds of Tomorrow
Born February 15, 1945 — Jack Dann, 75. Dreaming Down-Under which he co-edited with Janeen Webb is an amazing anthology of Australian genre fiction. It won Ditmar Award and was the first Australian fiction book ever to win the World Fantasy Award. If you’ve not read it, go do so. As for his novels, I’m fond of High Steel written with Jack C. Haldeman II, and The Man Who Melted. He’s not that well stocked digitally speaking though Dreaming Down-Under is available on Kindle.
Born February 15, 1948 — Art Spiegelman, 72. Author and illustrator of Maus which if you’ve not read, you really should. He also wrote MetaMaus which goes into great detail how he created that work. And yes, I know he had a long and interesting career in underground comics but I’ll be damn if I can find any that are either genre or genre adjacent.
Born February 15, 1958 – Cat Eldridge, 62, is the publisher of Green Man Review and Sleeping Hedgehog. Cat, who’s had some severe health problems, likes to remind people, “Technically I died in 2017 and was revived in the same year.”
Born February 15, 1971 — Renee O’Connor, 49. Gabrielle on Hercules: The Legendary Journeys and Xena: Warrior Princess. I’m reasonably that I watched every damn episode of both series when they aired originally. Quite fun stuff. Her first genre role was first as a waitress in Tales from the Crypt andshe’s had some genre film work such as Monster Ark and Alien Apocalypse. She’s also played Lady Macbeth in the Shakespeare by the Sea’s production of Macbeth.
(8) PEAK TELEVISION IS HERE. [Item by Olav Rokne.] Watching television in the modern era is
like trying to drink from a fire hose: According to Nielsen, there were 646,152
unique programs available to view on television in 2019. This is the first time
that there’s been a full survey done of available content, but they also ran
numbers for the previous few years, and found that 2019 saw 10 per cent more
content available than any previous year. From WIRED: “There Were 646,152 Things to Watch on TV Last Year”
From the report: “We are at the flash point of the “streaming wars,” with an array of new subscription and ad-supported platforms seeking to capitalize on what is a massive global opportunity for consumer attention and value.”
About 50,000 years ago, ancient humans in what is now West Africa apparently procreated with another group of ancient humans that scientists didn’t know existed.
There aren’t any bones or ancient DNA to prove it, but researchers say the evidence is in the genes of modern West Africans. They analyzed genetic material from hundreds of people from Nigeria and Sierra Leone and found signals of what they call “ghost” DNA from an unknown ancestor.
Our own species — Homo sapiens — lived alongside other groups that split off from the same genetic family tree at different times. And there’s plenty of evidence from other parts of the world that early humans had sex with other hominins, like Neanderthals.
That’s why Neanderthal genes are present in humans today, in people of European and Asian descent. Homo sapiens also mated with another group, the Denisovans, and those genes are found in people from Oceania.
The findings on ghost DNA, published in the journal Science Advances, further complicate the picture of how Homo sapiens — or modern humans — evolved away from other human relatives. “It’s almost certainly the case that the story is incredibly complex and complicated and we have kind of these initial hints about the complexity,” says Sriram Sankararaman, a computational biologist at UCLA.
Going into space is a dream shared by children and adults around the world.
Although humans have not stepped foot on the Moon in almost half a century, Nasa hopes to change this. It plans to land the first woman – and the next man – on the lunar surface by 2024.
And now the US space agency is looking for candidates to take part in its future missions.
So with applications opening from 2 to 31 March, what does it take to become an astronaut?
Since the 1960s, Nasa has selected 350 candidates to train as astronauts, with 48 currently in the active astronaut corps.
But as it is a US federal agency, the first requirement to join Nasa is American citizenship, although dual nationals are also eligible to apply.
This rule has not put everyone off: late British astronaut Piers Sellers left the UK and became a US citizen as part of his dream to become an astronaut, and later flew on three space shuttle missions.
Israeli defense technology company Rafael Advanced Defense Systems Ltd recently released a demo of their special “Drone Dome” counter-drone defense system. A car-mounted anti-drone solution that can fry unwelcome drones from miles away using a high-powered laser beam.
[Thanks to Cat Eldridge, Mike Kennedy, Olav Rokne, Andrew Porter, Chip Hitchcock, JJ, Martin Morse Wooster, John King Tarpinian, Scott Edelman, and Michael Toman for some of these stories. Title credit goes to File 770 contributing editor of the day Ingvar.]
Fiction and Fantasy Writers of America’s Board of Directors has informed members
that they will be asked to vote on an array of bylaws changes.
In California, where SFWA is incorporated, changes in the law relating to nonprofits invalidated some of the bylaws language about the Past Presidential Advisor position. After they became aware of this, the SFWA Board had their lawyer perform a review of the bylaws and the Operating Policies and Procedures Manual to find what other sections might require updates. These recommended amendments to the bylaws require votes of the membership,
PAST PRESIDENTIAL ADVISOR. The Board notes that the Past Presidential Advisor is a one-year position crafted to help with institutional memory and carry-over of ongoing initiatives when a new President is elected. The Past Presidential Advisor is listed in the bylaws as an Ex Officio Board Member without a vote. Under California nonprofit law, there is no such thing.
options here are:
the Past Presidential Advisor position as an advisor, but remove the “Ex
Officio Board Member” language, or
the Past Presidential Advisor an official Board member, with a vote. (This does
increase the possibility of a tie vote on the Board, as there would then be an
even number of people voting.)
PURPOSE OF ORGANIZATION. The purpose of SFWA, as written in the bylaws, is more expansive than that included in the Articles of Incorporation. It needs to be changed to match.
CLASSES AND RIGHTS. To
comply with California law, the bylaws need to include precisely how many
classes of members the corporation has and how they differ among “rights,
privileges, preferences, restrictions and conditions.”
lawyer advised, “if the Bylaws do not distinguish these characteristics among
different classes of members, they are the same for all members.” This means:
There needs to be a vote to include all of the current classes of membership, along with their rights and conditions, in the bylaws.
New classes of membership that the Board has been discussing will be proposed individually in separate votes for the membership to vote on.
to the membership classes, “Active members” has a specific meaning in law;
using that as the name of a member class can lead to confusion, so this class
will be renamed. Suggestions and comments can be made this month in the Forum. At
the beginning of March, the thread will be closed, and the top suggestions will
be used for a survey sent to all members.
corporate law reserves some rights to members. SFWA will need to remove the
language about how Directors may be removed from office and how empty Board
positions may be filled. According to the Board, “We could change the language
to show that these rights are reserved for members, but then if the law
changes, we would have to change the language again.”
COMICS AND GRAPHIC NOVEL WORK QUALIFY FOR MEMBERSHIP? Additionally, there will be a
referendum vote. Almost thirty years ago, SFWA’s membership voted to not allow
comics and graphic novel work as qualification for membership. When the new California
corporation was formed and the bylaws written, the Board felt they should be
bound by the will of the members, even though it was an older vote. The current
Board and many of the members believe this should be changed; accordingly, they
will hold a simple Yes/No vote for whether to accept these forms of fiction for
membership qualification purposes.
members will be kept current about which votes are open, and the results.
Jeanne Gomoll, whose art, design, and organizing energy has propelled and sustained the Award for the last 25 years, is retiring from the Otherwise Motherboard at the end of 2019. The remaining members of the Motherboard are incredibly grateful for Jeanne’s tireless, brilliant work and look forward to celebrating her contributions at WisCon in 2020.
Up until 1991 it felt to me as though the efforts of the Madison SF Group, Janus and Aurora fanzines, and WisCon, to encourage and celebrate feminist science fiction were largely restricted to a single place and to those who came to this place and attended WisCon. Indeed, by the late 1980s, it felt to me as if our efforts to foster feminist SF were increasingly being met with opposition and might possibly have been in danger of flickering out, as the backlash to feminism in general and feminist SF in specific gained strength. Pat Murphy’s 1991 announcement of the Tiptree Award thrilled me and gave me renewed strength. It was as if a small group of us, following a narrow, twisty path had merged with a much wider, well-traveled path. After the Tiptree Award began handing out annual awards and raising funds, and had sparked a massive juggernaut of community activism, I stopped worrying about the viability of the movement.
I will be forever grateful to the Tiptree Award and proud of my work on it. I chaired two Tiptree juries—one in 1993, which chose Nicola Griffith’s Ammonite as the winner; and the other in 2016, which presented the award to When the Moon Was Ours, by Anna-Marie McLemore. I served on the Motherboard for 25 years, 1994-2019, and worked behind-the-scenes on most of the auctions during those years, and as an artist creating logos, publications, and Tiptree merchandise. I will be forever grateful to the Motherboard for the work we did together and the friendships we created along the way. I am awed by and very proud of the community of writers and readers who supported and were nurtured by the award, even as they guided the award further along the path toward greater diversity and scope.
The Tiptree Award, and now the Otherwise Award will always have my heartfelt support. But it is time for me to step back and make space for a new generation of activists. I want to thank my fellow motherboard founding mothers and members, past and present—Karen Joy Fowler, Pat Murphy, Jeff Smith, Alexis Lothian, Sumana Harihareswara, Gretchen Treu, Debbie Notkin, Ellen Klages, Delia Sherman—for all they have done and for their friendship, which I will value forever.
(2) THIS IS HORROR. Public nominations are being accepted
through January 8 for the This
Is Horror Awards.
The public nominations are now open for the ninth annual This Is Horror Awards. This year we’ve retained all the categories from last year and added one more, ‘Cover Art of the year’. Here are the categories: Novel of the Year, Novella of the Year, Short Story Collection of the Year, Anthology of the Year, Fiction Magazine of the Year, Publisher of the Year, Fiction Podcast of the Year, Nonfiction Podcast of the Year, and Cover Art of the Year.
Readers can e-mail in their nominations for each category. Taking into consideration the nominations for each category This Is Horror will then draw up a shortlist.
We invite you to include one sentence as to why each nomination is award-worthy.
Jason: How much of an increase in your budget would be required to pay all editorial and publishing staff a living wage?
Scott: Estimating using a salary of $15/hour for the work our staff does, we would need a $45,000 increase in our annual budget to pay all staff a living wage. That’s double what our annual budget is to pay for the stories we publish. To cover that, our monthly donations through Patreon would have to increase by 7000%….
Jason: Neil Clarke of Clarkesworld has said some of the problems experienced by genre magazines come about because “we’ve devalued short fiction” through reader expectations that they shouldn’t have to pay for short stories. Do you agree with this? Any thoughts on how to change this situation?
LDL: …I think the issue is one of exhaustion on the part of volunteer staff and a strained supporter base. In my observation, the people who contribute to zine crowdfunds also contribute to crowdfunds for individuals in emergency situations. There are a lot of emergencies or people in general need, just within the SFF community and funds are finite. If you’re supporting your four favorite zines every year, donating to three medical funds, two Kickstarters, a moving fund, and also taking on costs associated with at least one fandom-related convention every year, it’s not sustainable for a lot of readers, especially the marginalized ones….
Jason: In addition to paying your writers, Asimov’s also pays all of your staff, something which is not common among many of today’s newer genre magazines. Is it possible to publish a magazine like Asimov’s without the support of a larger company, in this case Penny Publications?
Sheila: An anecdotal review of the American market doesn’t really bear that out. F&SF is published by a small company. Analog and Asimov’s are published by a larger (though not huge) publishing company. Being published by a larger company does have its advantages, though. While only one and a half people are dedicated to each of the genre magazines, we do benefit from a support staff of art, production, tech, contracts, web, advertising, circulation, and subsidiary rights departments. I’m probably leaving some people out of this list. While the support of this infrastructure cannot be underestimated, Asimov’s revenue covers our editorial salaries, and our production and editorial costs. We contribute to the company’s general overhead as well.
Jason: Strange Horizons also helped pioneer the idea that a genre magazine could be run as a nonprofit with assistance from a staff of volunteers. What are the pros and cons of this publishing model?
Vanessa: With volunteer staff, the con is simple: no pay. Generally, working for no pay privileges people who can afford to volunteer time, and devalues the work we do as editors. I’d like to think that at SH, we have partially balanced the former by making our staff so large and so international that no one need put in many hours, and folks can cover for you regardless of time zone. Despite having 50+ folks, we’re a close group. Our Slack is a social space, and we bring our worst and best days there for each other. Several members (including me) have volunteered right through periods of un- and underemployment because of the love of the zine and our community….
(4) NEBULA CONFERENCE EARLYBIRD RATE. The rate has been extended
another week —
HelenKay Dimon, a past RWA president, previously told The Guardian that she regularly received letters from white RWA members expressing concern that “now nobody wants books by white Christian women”.
There is “a group of people who are white and who are privileged, who have always had 90% of everything available, and now all of a sudden, they have 80%. Instead of saying: ‘Ooh, look, I have 80%,’ they say: ‘Oh, I lost 10! Who do I blame for losing 10?’” Dimon said.
The tweets that sparked the ethics complaints against Milan, which were posted this August, were part of a broader conversation on romance Twitter about how individual racist beliefs held by gatekeepers within the publishing world have shaped the opportunities available to authors of color.
The…next installment of Frank Herbert’s Dune World saga has been staring me in the face for weeks, ever since I bought the January 1965 issue of Analog. I found I really didn’t want to read more of it, having found the first installment dreary, though who am I to argue with all the Hugo voters?
And yet, as the days rolled on, I came up with every excuse not to read the magazine. I cleaned the house, stem to stern. I lost myself in this year’s Galactic Stars article. I did some deep research on 1964’s space probes.
But the bleak desert sands of Arrakis were unavoidable. So this week, I plunged headfirst into Campbell’s slick, hoping to make the trek to the end in fewer than two score years. Or at least before 1965. Join me; let’s see if we can make it.
In September 1963, Tolkien drafted yet another of a number of letters responding to questions about Frodo’s “failure” at the Cracks of Doom. It’s easy to imagine that he was rather exasperated. Few, it seemed, had really understood the impossibility of Frodo’s situation in those last, crucial moments: “the pressure of the Ring would reach its maximum,” Tolkien explained; it was “impossible, I should have said, for any one to resist, certainly after long possession, months of increasing torment, and when starved and exhausted” (Letters 326). Even had someone of unmatched power, like Gandalf, claimed the Ring, there would have been no real victory, for “the Ring and all its works would have endured. It would have been the master in the end” (332).
It would have been the master.
From humble beginnings as a mere trinket bartered in a game of riddles (see the original Hobbit), the Ring grew in power and influence until it did indeed include all of Middle-earth in its simple band of gold. “One Ring to rule them all” wasn’t just meant to sound intimidating—it was hard truth. Even Sauron couldn’t escape the confines of its powers. It was his greatest weakness.
But how did the Ring become the thing around which the entirety of the Third Age revolved (Letters 157)?…
(8) JANUARY 2. Get ready – tomorrow is “National
Science Fiction Day”. It must be legit – “National Science Fiction Day
is recognized by the Hallmark Channel and the Scholastic Corporation.”
National Science Fiction Day promotes the celebration of science fiction as a genre, its creators, history, and various media, too. Recognized on January 2nd annually, millions of science fiction fans across the United States read and watch their favorites in science fiction.
The date of the celebration commemorates the birth of famed science fiction writer Isaac Asimov. An American author and Boston University professor of biochemistry, Isaac Asimov was born Isaak Yudovich Ozimov on January 2, 1920. He was best known for his works of science fiction and his popular science books.
(9) TODAY IN HISTORY
January 1, 2007 — The Sarah Jane Adventures premiered starring Elizabeth Sladen who had been in the pilot for K-9 and Company which the Beeb didn’t take to series. The program, which as you well know was a spin-off of Doctor Who, lasted five series and fifty-four episodes. It did not make the final Hugo ballot for Best Dramatic Presentation, Short Form in either 2007 or 2008.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born January 1, 1854 — James George Frazer. Author of The Golden Bough, the pioneering if deeply flawed look at similarities among magical and religious beliefs globally. He’s genre adjacent at a minimum, and his ideas have certainly been used by SFF writers a lot both affirming and (mostly) critiquing his ideas. (Died 1952.)
Born January 1, 1889 — Seabury Quinn. Pulp writer now mostly remembered for his tales of Jules de Grandin, the occult detective, which were published in Weird Tales from the Thirties through the Fifties. (Died 1969.)
Born January 1, 1926 — Zena Marshall. She’s Miss Taro in Dr. No, the very first Bond film. The Terrornauts in which she’s Sandy Lund would be her last film. (The Terrornauts is based off Murray Leinster‘s The Wailing Asteroid screenplay apparently by John Brunner.) She had one-offs in Danger Man, The Invisible Man and Ghost Squad. She played Giselle in Helter Skelter, a 1949 film where the Third Doctor, Jon Pertwee, played Charles the Second. (Died 2009.)
Born January 1, 1933 — Joe Orton. In his very brief writing career, there is but one SFF work, Head to Toe which the current publisher says “is a dream-vision allegory of a journey on the body of a great giant or ‘afreet’ (a figure from Arabic mythology) from head to toe and back, both on the body and in the body.” Like his other novels, it’s not available digitally. (Died 1967.)
Born January 1, 1954 — Midori Snyder, 66. I was most impressed with The Flight of Michael McBride, the Old West meets Irish myth novel of hers and hannah’s garden, a creepy tale of the fey and folk music. She won the Mythopoeic Award for The Innamorati which I’ve not read. With Yolen, Snyder co-authored the novel Except the Queen which I do recommend. (Yolen is one of my dark chocolate recipients.) She’s seems to have been inactive for a decade now. Anyone know why?
Born January 1, 1957 — Christopher Moore, 63. One early novel by him, Coyote Blue, is my favorite, but anything by him is always a weirdly entertaining read. I’m hearing good things about Noir, his newest work which I’m planning on listening to soon. Has anyone read it?
Born January 1, 1971 — Navin Chowdhry, 49. He’s Indra Ganesh in a Ninth Doctor story, “Aliens of London.“ I also found him playing Mr. Watson in Skellig, a film that sounds really interesting. Oh, and I almost forgot to mention that he was Nodin Chavdri in Star Wars: The Last Jedi.
Born January 1, 1976 — Sean Wallace, 44. Anthologist, editor, and publisher known for his work on Prime Books and for co-editing three magazines, Clarkesworld Magazine which I love, The Dark which I’ve never encountered, and Fantasy Magazine which is another fav read of mine. He has won a very, very impressive three Hugo Awards and two World Fantasy Awards. His People of the Book: A Decade of Jewish Science Fiction and Fantasy co-edited with Rachel Swirsky is highly recommended by me. He’s not well represented digitally speaking which surprised me.
Born January 1, 1984 — Amara Karan, 36. Though she’s Tita in an Eleventh Doctor story, “The God Complex”, she’s really here for being involved in a Stan Lee project. She was DS Suri Chohan in Stan Lee’s Lucky Man, a British crime drama series which is definitely SFF. Oh, and she shows up as Princess Shaista in “Cat Among Pigeons” episode of Agatha Christie’s Poirot but even I would be hard put to call that even close to genre adjacent.
Before Dean Parisot signed on to direct Galaxy Quest, Harold Ramis was supposed to helm the movie, which was initially titled Captain Starshine. However, according to Tim Allen, if Ramis directed the film, it wouldn’t have just been titled differently — it would have looked quite different as well.
[…] “Katzenberg pitched me the idea of the commander character and then they started talking and it became clear that Ramis didn’t see me for the part,” Allen said. “It was pretty uncomfortable.”
[…] Interestingly, Sigourney Weaver also wouldn’t have gotten her role as Gwen DeMarco in Galaxy Quest if Ramis had directed the film, despite their relationship from Ghostbusters. “I had heard that Harold was directing a sci-fi movie but he didn’t want anyone who had done sci-fi in the film,” she said. “Frankly, it’s those of us who have done science fiction movies that know what is funny about the genre.”
…I’ll start with this reddit AMA from a few years back, and an interview with Tingle on Nothing in the Rulebook. His answers reveal a consistent approach to the writing life that mirrored the habits of authors who are, possibly, even more well-known than our favorite erotica author.
Asked about a typical writing day, Tingle replies:
yes average day is getting up and having two BIG PLATES of spaghetti then washing them down with some chocolate milk then i get out of bed and meditate to be a healthy man. so when i am meditating i think ‘what kind of tingler would prove love today?’. if nothing comes then i will maybe trot around the house or go to the park or maybe walk to the coffee shop with my son jon before he goes to work. if i have a good idea i will just write and write until it is all done and then I will have son jon edit it and then post it online.
OK, so to translate this a bit out of Tingle-speak, we have a recommendation that you fuel your writing with carbs (and also an unlikely alliance with Haruki Murakami’s spaghetti-loving ways) with a bit of a boost of sugar….
(14) GREASED LIGHTNING. [Item by Daniel Dern.] From one of the CES 2020 press
releases I got today…
Subject: [CES NEWS] Experience a Roomba-Like Device that Navigates the Home Charging ALL Devices
…I want to put an innovative device on your radar: RAGU, a Roomba-like robot that navigates the home charging ALL of your devices.
GuRu is the first company to crack the code on totally untethered, over-the-air charging.
discounting remote mal-hackers, this sounds like a recipe for either a droll TV
episode, or Things Going Horribly Wrong. (Fires, fried gear, tased/defibrilated
pets and sleeping people, etc.)
Spare a thought for the poor fat rat of Bensheim, which became stuck in a German manhole in February. She was eventually freed, but not before passers-by took embarrassing photos of her plight. “She had a lot of winter flab,” one rescuer said, compounding the humiliation.
In this case, the animals were the rescuers rather than the rescued (sort of).
Anticipating the threat of wildfires later in the year, staff at the Ronald Reagan Presidential Library in California hired a hungry herd of 500 goats to eat flammable scrub around the building in May.
And so, when fires did strike in October, the library was saved because of the fire break the goats had created by eating the flammable scrub. Nice one, goats.
As always, the existential wisdom of Werner Herzog prevails. “You are cowards,” the director castigated on set of The Mandalorian, upon realizing the producers intended to shoot some scenes without the Baby Yoda puppet in case they decided to go full CGI with the character. “Leave it.”
Herzog, who guest-starred on a few episodes of the Disney+ Star Wars spinoff series, was one of Baby Yoda’s earliest champions. And indeed, Baby Yoda — a colloquial epithet referring to the mysterious alien toddler merely known as “The Child” in the script — was designed for maximum neoteny. The gigantic saucer-like dilated eyes; the tiny button nose; a head that takes up nearly half his body mass; the hilariously oversized brown coat; the peach fuzzy hairs tufted around his head; and the pièce de résistance of his custardy little green face: that minuscule line of a mouth that could curve or stiffen in an instant and erupt a thousand ancient nurturing instincts in any viewer. (He’s the only thing my normally stoic husband has ever sincerely described as “cute.”) Heck, there may very well be a micro generation of Baby Yoda babies about eight months from now, thanks to this frog-nomming, lever-pulling, bone-broth-sipping little scamp.
And all because Jon Favreau and company finally recognized that rubber-and-fabric practical effects will almost always have a greater emotional impact than plasticky digital ones.
The recent success of The Mandalorian, thanks to the adorable face that launched a thousand memes, and Netflix’s fantasy-adventure epic The Dark Crystal: Age of Resistance, recently nominated for a WGA Award and a Critic’s Choice Award, prove that we still need puppetry and mechanical effects in the age of CGI….
(18) PERRY MASON. My fellow geezers may enjoy this quick
[Thanks to Jo Van Ekeren, Cat Eldridge, Mike Kennedy, JJ, Chip
Hitchcock, John King Tarpinian, Martin Morse Wooster, Daniel Dern, Contrarius, Darrah
Chavey, and Andrew Porter for some of these stories. Title credit goes to File
770 contributing editor of the day Kip W.]
(1) WELCOME WAGON. SFWA President Mary Robinette Kowal responded
to the Romance
Writers of America meltdown by tweeting, “As president of SFWA, please
accept my invitation to consider our organization if you feel your work has a
kinship with SFF, even a tenuous tie.” Thread starts here.
This Cele Lalli discovery, just 24 years old, garnered three Galactic Stars this year.
He narrowly beats out Harry Harrison (and Harrison might have been on top, but he came out with clunkers as well as masterpieces this year).
And bless the Journey staff for recognizing newzines in
this category —
Starspinkle gave up the ghost last month, though it has a lookalike sequel, Ratatosk. They were/are both nice little gossip biweeklies.
(3) CLASSIC IRISH FANWRITING. The Willis
Papers by Walt Willis is the latest free download produced by David
Langford in hopes of inspiring donations to the Trans-Atlantic Fan Fund.
A collection covering the first decade (and a bit) of Walt Willis’s fanzine writing, from his 1948 debut in Slant to 1959, edited by George W. Field and published by Ted Johnstone in August 1961. As well as twenty-two classic Willis articles, there are Prefaces by both editor and publisher, while Vin¢ Clarke and John Berry provide not entirely serious tributes to the great man.
The text of The Willis Papers was long ago transcribed into HTML by Judy Bemis for Fanac.org, and this Ansible Editions ebook is gratefully based on that version. The cover photograph of Walt Willis at the 1957 London Worldcon was taken by Peter West. (From the Ethel Lindsay photo archive, courtesy of Rob Hansen.) Ebook released on 25 December 2019. 31,500 words.
Walt Willis was born in October 1919, and his centenary in 2019 has been little remarked in science fiction fandom.
…Publishers inside and outside China say the release of American books has come to a virtual standstill, cutting them off from a big market of voracious readers.
“American writers and scholars are very important in every sector,” said Sophie Lin, an editor at a private publishing company in Beijing. “It has had a tremendous impact on us and on the industry.” After new titles failed to gain approval, she said, her company stopped editing and translating about a dozen pending books to cut costs.
The Chinese book world is cautiously optimistic that the partial trade truce reached this month between Beijing and Washington will break the logjam, according to book editors and others in the publishing industry who spoke to The New York Times.
… Still, publishing industry insiders describe a near freeze of regulatory approvals, one that could make the publishing industry reluctant to buy the rights to sell American books in China.
“Chinese publishers will definitely change their focus,” said Andy Liu, an editor at a Beijing publishing company, adding that the United States was one of China’s most frequent and profitable sources of books.
“Publishing American books is now a risky business,” he said. “It’s shaking the very premise of trying to introduce foreign books” as a business.
While China is known for its censorship, it is also a huge market for books, including international ones. It has become the world’s second-largest publishing market after the United States, according to the International Publishers Association, as an increasingly educated and affluent country looks for something engrossing to curl up with.
This time around, you get to take a seat at the table with Bob Proehl, who published his first novel in in 2016. A Hundred Thousand Worlds is about the star of a cult sci-fi TV show and her nine-year-old son making a cross-country road trip with many stops at comic book conventions along the way, and was named a Booklist best book of the year.
His latest novel, The Nobody People, about the emergence of super-powered beings who’ve been living among us, came out earlier this year…
We slipped away to Sabatino’s Italian restaurant …where we chatted over orders of veal parmigiana and eggplant parmigiana. (I’ll leave it to you to guess which of us was the carnivore, though I suspect that if you’re a regular listener, you’ll already know.)
We discussed how it really all began for him with poetry, the way giving a non-comics reader Watchmen for their first comic is like giving a non-novel reader Ulysses as their first novel, why discovering Sandman was a lifesaver, the reason the Flying Burrito Brothers 1968 debut album The Gilded Palace of Sin matters so much to him, why he had a case of Imposter Syndrome over his first book and how he survived it, the reasons he’s so offended by The Big Bang Theory, what he meant when he said “I actually like boring books,” his love for The X-Files, Buffy the Vampire Slayer, and the X-Men, whether it’s hard to get a beer in New York at six o’clock in the morning, why he wasn’t disappointed in the Lost finale, and much more.
…Of course the tweet is simply just that a tweet, and doesn’t mean anything will come it. However, Chu is a hot name in the industry after directing the 2018 hit Crazy Rich Asians, he would be a fantastic choice to develop a Rose Tico series. Chu is currently working on the film adaptation of In The Heights based on the hit broadway musical, and will return to direct China Rich Girlfriend.
You also mentioned that your time at New Worlds was an exciting one as it provided you with the possibility to read the manuscripts of Ballard’s stories even before they were printed. What’s interesting to me is that, while writers like Aldiss or Moorcock, who loved SF and fantasy genre and helped revitalize it (although Aldiss later disowned his participation in the new wave “movement”), Ballard seemed to quickly abandon the genre (except, maybe, for Hello America).
I think it took Ballard a long time to “abandon” the genre, if he can be said to have done that, and that the process began much earlier than people admit. From the beginning his relationship to science fiction was modified by his personality, his needs as a writer, and his many cultural influences outside SF. So from the outset of his career he was working his way towards the idiopathic manner we associate with short stories like “The Terminal Beach” and novels like The Drought and The Atrocity Exhibition. It was not so much an “abandonment” as a steady evolutionary process. This happens with writers. They develop.
Today, based on a suggestion from reader Stephen R., we take a look at the time that Clark Kent had to help Kurt Vonnegut finish a novel!
The story appeared in 1974’s Superman #274 by Gerry Conway, Curt Swan and Vince Colletta, where Clark Kent and Kurt Vonnegut are both on a talk show together…
The “Wade Halibut” name is a reference to Vonnegut’s famous fictional writer, Kilgore Trout, who appeared in many of Vonnegut’s classic works, like Breakfast of Champions and Slaughterhouse Five…
(9) TODAY IN HISTORY.
December 27, 1904 –J. M. Barrie’s play Peter Pan premiered in London.
December 27, 1951 — Captain Video: Master of the Stratosphere premiered on film screens. It was directed by Spencer Gordon Bennet and Wallace A. Grissel with a script by Royal G. Cole, Sherman I. Lowe and Joseph F. Poland. Judd Holdren, in what was only his second starring screen role, plays Captain Video, the leader of a group of crime-fighters known as the Video Rangers. This fifteen-part movie serial is unusual as it’s based off a tv series, Captain Video and His Video Rangers. Like most similar series, critical reviews are scant and there is no rating at Rotten Tomatoes. It was popular enough that it aired repeatedly until the early Sixties. There’s a few episodes up on YouTube – here’s one.
December 27, 1995 — Timemaster premiered on this date. It was directed by James Glickenhaus and starred his son Jesse Cameron-Glickenhaus, Pat Morita and Duncan Regehr. It also features Michelle Williams in one of her first film roles, something she now calls one of the worst experiences of her acting career. The film got universally negative, if not actively hostile, reviews and has a 0% rating among reviewers at Rotten Tomatoes.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born December 27, 1888 — Thea von Harbou. She penned the novel Metropolis based upon her uncredited screenplay of that film for husband Fritz Lang. She also collaborated with him on other projects, none of which save her 1922 Phantom screenplay appear to be genre. (Died 1954.)
Born December 27, 1917 — Ken Slater. In 1947, while serving in the British Army, he started Operation Fantast, a network of fans which had eight hundred members around the world by the early Fifties though it folded a few years later. Through Operation Fantast, he was a major importer of American SFF books and magazines into the U.K. – an undertaking which he continued, after it ceased to exist, through his company Fantast up to the time of his passing. He was a founding member of the British Science Fiction Association in 1958. (Died 2008.)
Born December 27, 1938 — Jean Hale, 81. If you’ve watched Sixties genre television, you’ve likely seen her as she showed up on My Favorite Martian, In Like Flint (at least genre adjacent), Alfred Hitchcock Presents, My Brother the Angel, Wild Wild West, Batman and Tarzan.
Born December 27, 1948 — Gerard Depardieu, 71. He’s in Kenneth Branagh’s Hamlet which we all agree (I think we agree) is genre. He plays Obélix in the French film Asterix & Obélix and Asterix at the Olympic Games: Mission Cleopatra and is Cardinal Mazarin in La Femme Musketeer.
Born December 27, 1951 — Robbie Bourget, 68. She started out as an Ottawa area fan, where she became involved in a local Who club and the OSFS before moving to LA and becoming deeply involved in LASFS. She was a key member of many a Worldcon and Who convention over the years (she was the co-DUFF winner with Marty Cantor for Aussiecon) before she moved to London in the late Nineties.
Born December 27, 1951 — Charles Band, 68. ExploItation film maker who’s here because some of his source material is SFF in origin. Arena was scripted off the Fredric Brown “Arena” short story which first ran in the June 1944 Astounding, and From Beyond which was based on H P Lovecraft’s short story of the same name, first published in June 1934 issue of The Fantasy Fan.
Born December 27, 1960 — Maryam d’Abo, 59. She’s best known as Kara Milovy in The Living Daylights. Her first genre role was her screen debut in the very low-budget SF horror film Xtro, an Alien rip-off. She was Ta’Ra in Something Is Out There, a miniseries that was well received and but got piss poor ratings. Did you know there was a live Mowgli: The New Adventures of the Jungle Book? I didn’t. She was Elaine Bendel, a recurring role in it.
Born December 27, 1969 — Sarah Jane Vowell, 50. She’s a author, journalist, essayist, historian, podcaster, social commentator and actress. Impressive, but she gets Birthday Honors for being the voice of Violet Parr in the Incredibles franchise. I say franchise as I’ve no doubt that a third film is already bring scripted.
Born December 27, 1977 — Sinead Keenan, 42. She’s in the Eleventh Doctor story “The End of Time” as Addams, but her full face make-up guarantees that you won’t recognize her. If you want to see her, she’s a Who fan in The Five(ish) Doctors Reboot. Her final Who work is a Big Finish audio drama, Iterations of I, a Fifth Doctor story. And she played Nina Pickering, a werewolf, in Being Human for quite a long time.
Born December 27, 1987 — Lily Cole, 32. Been awhile since I found a Who performer and so let’s have another now. She played The Siren in the Eleventh Doctor story, “The Curse of The Black Spot”. She’s also in some obscure film called Star Wars: The Last Jedi as a character named Lovey. And she shows up in the important role of Valentina in The Imaginarium of Doctor Parnassus. Not mention she’s in Snow White and The Huntsman as Greta, a great film indeed.
Born December 27, 1995 — Timothée Chalamet, 24. First SF role was as the young Tom Cooper in the well received Interstellar. To date, his only other genre role has been as Zac in One & Two but I’m strongly intrigued that he’s set to play Paul Atreides In Director Denis Villeneuve forthcoming Dune. Villeneuve is doing it as a set of films instead of just one film which will either work well or terribly go wrong.
This week, Richard sits down with duo Daniel Abraham and Ty Franck, who write science fiction together under the name James SA Corey. Their bestselling space-opera series, The Expanse, which started in 2012 and is due to end in 2021, is set in the middle of the 24th century, when humanity has colonised the solar system. Human society is now beyond race and gender, and is instead divided on a planetary level: those living on Earth, on Mars and on various asteroids, moons and space stations called Belters.
The eighth book in the series, Tiamat’s Wrath, is the latest, while the fourth season of the award-winning TV adaptation [is] on Amazon Prime on 13 December.
And Claire, Richard and Sian discuss the 20 books up for the 2019 Costa awards shortlists.
Vinyl album sales hit yet another record week in the U.S., according to Nielsen Music.
In the week ending Dec. 19, the data tracking firm reports 973,000 vinyl albums were sold in the U.S. — marking the single biggest week for vinyl album sales since the company began electronically tracking music sales in 1991.
…Another incident happened that same day at the Magic Kingdom, the world’s busiest theme park.
It started innocently when a 36-year-old Disney employee who portrays Minnie Mouse posed for pictures with a man and his wife from Minnesota in the park’s circus-themed meet-and-greet area.
Afterward, Minnie Mouse gave the man a hug. Then without saying a word, he groped her chest three times, according to the sheriff’s incident report.
The employee alerted her supervisors. On Dec. 6, she identified pictures of the 61-year-old man from Brewster, Minn.
She decided against pressing charges.
It wasn’t the first time the man had done something wrong at Disney World on his trip.
The man also had “an inappropriate interaction with a cast member” Dec. 5 at the Magic Kingdom, according to the sheriff’s office incident report that didn’t provide any additional details on what happened. Disney declined to elaborate.
(15) RAPPED GIFT.Bad Lip Reading dropped a bizarre “A Bad Lip Reading of The Last Jedi”
[Thanks to JJ, Chip Hitchcock, Hampus Eckerman, Mike Kennedy,
Andrew Porter, SF Concatenation’s Jonathan Cowie, Martin Morse Wooster, Cat
Eldridge, and John King Tarpinian for some of these stories. Title credit
belongs to File 770 contributing editor of the day Robert Whitaker Sirignano.]
This has been a banner year for John Crowley fans — not one but two new collections published, and the ink still wet on 2017’s enchanted “Ka: Dar Oakley in the Ruin of Ymr.” Alas, the banner is likely to read “Who is John Crowley?” Championed by heavyweights — Ursula Le Guin, Harold Bloom, Michael Chabon, Peter Straub, Neil Gaiman — Crowley inspires devotion among a fortunate but modest readership.
Crowley’s “Little, Big,” published in 1981, is my favorite novel. It is, I think, a lot of people’s favorite novel. I’ve owned several copies in various editions and conditions over the decades, most of which have found their way into the hands of friends whom I hoped to convert. I’ll never surrender my original copy, a dilapidated mass market paperback from 1987 now barely held together by packing tape. Its back cover reads:
This is the saga of the remarkable Drinkwater family, the sparkling inhabitants of Edgewood, and the ever-changing house that sits on the border between what we know is real and what we’ve always hoped is real. To this alluring place a young man comes to be wed.
No mention of fairies. The title page reads “Little, Big,” and it is not until the table of contents is reached that we learn of the novel’s alternative title: “Or, The Fairies’ Parliament.” Upon learning that fairies were involved, one reader of my acquaintance read no further. “If we put fairies on the cover,” the original publisher told Crowley, as the author recounts in his new collection of essays and reviews, “Reading Backwards,” “this book’s going right down the toilet.”…
(2) SFWA NEBULA CONFERENCE. Twelve days left to get the
…This is the very simple print-and-fold-and-cut-and-tape The Child tree ornament created by one of the artists working on The Mandalorian and shared on Twitter by series creator Jon Favreau. Simple enough. I guess maybe Disney feels kinda guilty (LOLOL) about not getting the Baby Yoda merchandise machine up and running in time for Christmas. *shrug* Maybe Mickey chewed through an ignition wire or something.
Keep going for several example of Baby Yoda hanging out in trees like an Ewok.
A team at Lancaster University subjected some Lego to ultra-cold temperatures…mostly just to see what happened. It turned out the ABS plastic bricks were good thermal insulator in the microKelvin range—something which may be useful in designing future generations of ultra low temp refrigerators.
…Universal wanted to get a trailer out for the film timed to the release of The Lion King, which was opening over Comic-Con weekend, to appeal to mass family audiences. Note overall it was a challenge for Uni to market this movie because Cats footage was never ready. In fact, Hooper was still working on the film up until the night of the pic’s world premiere in NYC on Dec. 16 and exhibition received a note over the weekend that future prints with better VFX are on the way. So, the proper lead-up time to campaign was never on Uni’s side, heck the new Lloyd Webber song performed by Swift “Beautiful Ghosts” didn’t even make the Oscar shortlist, though it received a Golden Globe nom. I understand that while VFX were improved following the social media backlash to the 100M-plus viewed trailer back in July, the whole notion of dancing actor-felines continued to divide, if not freak out audiences. I hear that even Cats EP Steven Spielberg didn’t get a chance to see a final cut of Cats given the pic’s down-to-the minute post production. Still, I don’t care what anyone says about how awful the cats look in the movie, it’s a damn improvement upon the stage show’s tacky disco fluff collar costumes.
Netflix’s The Witcher is a TV show born from the most bitter of marriages. Starring Henry Cavill as grizzled monster hunter Geralt of Rivia, it is adapted from the fantasy books of Polish author Andrzej Sapkowski – yet the Witcher franchise is undoubtably known to most people through the non-canon video game sequels. This is a quirk that famously infuriates Sapkowski, who never foresaw what a success the games would become. Hence why, when he sold the licence in the early 00s, he demanded a one-off lump sum rather than a percentage of the profits. 2015’s The Witcher 3: Wild Hunt, considered by many to be one of the greatest role-playing games ever made, has to date sold 20 million units alone. There has since been legal action.
This tension between the legitimacy of the source material and the popularity of the video games is something that showrunner Lauren Schmidt Hissrich, known for her work on Netflix’s Marvel shows Daredevil and The Defenders, has played down in interviews. If you’re a fan of the games, she argues, then there’s no reason why you wouldn’t be a fan of the TV show adapting the books that inspired the games. And this is true. The Witcher’s problem is not to do with the richness of Sapkowski’s books, nor the baggage it carries from being associated with an RPG. It is that while the books ground you in Geralt’s head, and the video games ground you in Geralt’s world, the TV show does neither. That’s due to both a jarringly paced, convoluted script, and a colourless lead performance from Cavill, which often leaves the impression that he’s the handsomest cosplayer at Comic Con.
(9) SUESS OBIT. The New
York Times reports “Randy
Suess, a computer hobbyist who helped build the first online bulletin board,
anticipating the rise of the internet, messaging apps and social media, died on
Dec. 10 at a hospital in Chicago. He was 74.”
In the late 1970s and on into the ’80s, as word of their system spread through trade magazines and word of mouth, hobbyists across the country built their own online bulletin boards, offering everything from real-time chat rooms to video games. These grass-roots services were the forerunners of globe-spanning social media services like Twitter, Facebook and YouTube.
“Everything we do in terms of communicating with other people online can be traced back to Randy and his bulletin board,” said Jason Scott, a computer history archivist who made an online documentary about the creation of C.B.B.S. “The only difference is that now it is all a little slicker.”
(10) TODAY IN HISTORY.
December 23, 1947 — Beauty And The Beast Which was released in Paris in 1946 premiered in NYC. It was directed by Jean Cocteau, and stars Josette Day as Belle and Jean Marais as The Beast, it was generally well-received by the critics and audiences alike. Beauty and the Beast is now recognized as a classic of French cinema. The film has an amazing 90% rating among reviewers at Rotten Tomatoes!
December 23, 1958 — The 7th Voyage Of Sinbad premiered. The feature starred Kerwin Mathews and Kathryn Grant, and was directed by Nathan H. Juran. It was produced by Charles H. Schneer and Ray Harryhausen, one of three such Sinbad films. This film was selected for preservation in the United States National Film Registry by the Library of Congress.
December 23, 1960 — Twilight Zone’s “The Night of the Meek” first aired. This was a Christmas themed story with Art Carney as a Santa Claus fired on Christmas Eve who finds a mysterious bag that gives an apparently unlimited stream of gifts. The script would be used over in the Eighties version of this series and on the radio program as well. Serling ended the original broadcast with the words, “”And a Merry Christmas, to each and all”, but that phrase was deleted in the Eighties and would not be back until Netflix started streaming the series.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born December 23, 1896 — Máiréad Ní Ghráda. She’s the author of Manannán, a 1940 novel which is regarded as the first such science fiction work in Irish. Several years previously, she translated Peter Pan in Irish, Tír na Deo, the first time it had been done. (Died 1971.)
Born December 23, 1919 — Peggy Fortnum. She’s an English illustrator beloved for illustrating Michael Bond‘s Paddington Bear series. She first illustrated him in A Bear Called Paddington. One of Fortnum’s Paddington illustrations is part of a series of stamps that was issued by the Royal Mail in 2006 celebrating animals from children’s literature. Somehow it seems appropriate to Christmas to me to share that stamp here. (Died 2016.)
Born December 23, 1919 — Robert McCall. He was an illustrator for Life magazine in the 1960s, created the promotional artwork for 2001: A Space Odyssey. He was also production illustrator on Star Trek: The Motion Picture. And he was one of the art directors on The Black Hole (along with John B. Mansbridge and Al Roelofs). (Died 2010.)
Born December 23, 1927 — Chuck Harris. A major British fan, active in fandom from the Fifities until his passing. He ran the infamous money laundering organization Tentacles Across the Sea with Dean Grennell, and was a well-loved British member of Irish Fandom. He was involved in myriad Apas and fanzines; he indeed got nominated multiple times for the Best Fanzine Hugo in the Fifties but never won. (Died 1999.)
Born December 23, 1945 — Raymond E. Feist, 74. Best known for the Riftwar series. The only novel I’ve read by him is was Faerie Tale, a dark fantasy set in the state of New York, which is one damn scary work.
Born December 23, 1949 — Judy Ann Strangis, 70. She’s one of the leads, Judy / Dyna Girl, on a Seventies show I never heard of, Electra Woman and Dyna Girl, which was a Sid and Marty Krofft (H.R. Pufnstuf) live action SF children’s television series from 1976. She had one-offs on Twilight Zone and Bewitched, and appeared twice on Batman courtesy of her brother who was a production manager there. She’s also done voice work in The Real Ghostbusters and Batman: The Animated Series.
Born December 23, 1958 — Joan Severance, 61. She’s on the Birthday list because she was Darcy Walker, the Black Scorpion in Roger Corman’s Black Scorpion. She then starred in and co-produced Black Scorpion II: Aftershock and The Last Seduction II.
Born December 23, 1984 — Alison Sudol, 35. She’s known for being Queenie Goldstein on Fantastic Beasts and Where to Find Them and Fantastic Beasts: The Crimes of Grindelwald. I do so like those titles. She’s also has a recurring role as Kaya in Transparent, a series which is at least genre adjacent for its genre content and certainly SJW in content.
Born December 23, 1986 — Noël Wells, 33. Solely here as I’m excited that she’s one of the voice on Star Trek: Below Decks, the forthcoming animated series on CBS All Access being that of Ensign Tendi. It should rather fun time. She was also Theresa in Infinity Baby, an SF comedy.
(12) COMICS SECTION.
Holiday reading from Incidental Comics’ Grant Snider.
Google and Apple have removed an Emirati messaging app called ToTok amid claims that it is used for state spying.
Not to be confused with China’s TikTok, ToTok markets itself as an easy and secure way to chat by video or text.
However, The New York Times (NYT) has reported allegations that the WhatsApp-lookalike is a spy tool for the United Arab Emirates government.
ToTok has told users that it will be back in the app stores soon.
In a blog, it wrote that it is “temporarily unavailable” on the Apple App Store and the Google Play Store because of a “technical issue”.
Citing American officials as sources, the NYT reported that ToTok gives UAE spies access to citizen’s conversations, movements, and other personal information like photos.
Google removed the app last Thursday and Apple pulled it the following day. However, ToTok users, who already have the app on their phone, can carry on using it.
…The NYT reports that the app’s publisher, Breej Holding Ltd, is affiliated with DarkMatter, which is an Abu Dhabi-based intelligence and hacking firm that is allegedly under investigation by the FBI for possible cyber-crimes.
DarkMatter employs Emirati intelligence officials, former National Security Agency employees and former Israeli military intelligence operatives, according to the NYT.
ToTok, DarkMatter, and the Embassy of United Arab Emirates in London did not immediately respond to a request for comment.
Boeing’s Starliner spacecraft returned to Earth on Sunday, landing safely in the New Mexico desert.
The journey is being hailed as a major achievement despite failing to complete a core objective: docking at the international space station.
Engineers and scientists are now analyzing data from the trip ahead of a plan to send U.S. astronauts to space in 2020. It would mark the first American-launched space travel since NASA retired its space shuttle fleet in 2011.
The Sunday landing of the test flight – which did not include any crew members – concluded with three red, white and blue parachutes opening up and gliding into the Army’s White Sands Missile Range.
It, however, did not go without a hitch.
The capsule was carrying holiday presents, clothes and food, cargo that was supposed to be dropped off at the International Space Station.
Because of an internal clock snafu that made the spacecraft operate as if it were at a different point in its journey, it went on the wrong orbit and never docked at the space station as planned.
Nonetheless, NASA Administrator Jim Bridenstine said the test flight was an overall success — including a rare ground landing. All other U.S. capsules have ended in the ocean
(18) VIDEO OF THE DAY. Rule Britannia on Vimeo is a steampunk take on Brexit by Jeroen Kofferman and Ernest
Jan van Melle.
[Thanks to Chip Hitchcock, Cat Eldridge, JJ, Martin Morse Wooster,
John King Tarpinian, Hampus Eckerman, Mike Kennedy, and Andrew Porter for some
of these stories. Title credit goes to File 770 contributing editor of the day Lis
Trota is the The Science Fiction and Fantasy Writers of America’s new Editor-in-Chief.
is a four-time Hugo Award winner, British Fantasy Award winner, and the first
Filipina to win a Hugo Award. She also has over 25 years of editorial and
production experience in publishing and communications. Trota is co-editor of
the upcoming WisCon Chronicles Vol. 12 with Isabel Schechter (May 2020)
and served as Uncanny: A Magazine of Science Fiction and Fantasy’s
Managing Editor (2014-2019) and Nonfiction Editor (2019). Her nonfiction has
been published in The Book Smugglers, Invisible: An Anthology of
Representation in SF/F, and Chicago Magazine, and she was the
exhibit text writer of Worlds Beyond Here: Expanding the Universe of APA
Science Fiction (2018-2019) at the Wing Luke Museum in Seattle, WA.
succeeds Neil Clarke, who stepped down earlier this year.
President Mary Robinette Kowal welcomed the new editor:
After a candidate search, the board selected Michi Trota to head our publications. We were all impressed with her vision and understanding of how the magazine could serve, not just the SFWA members, but the larger science-fiction and fantasy community. I am very much looking forward to working with her as we revitalize the Bulletin.”
Editor-in-Chief is the official publisher of one of SFWA’s key communications
vehicles, The SFWA Bulletin, and provides oversight and direction
regarding SFWA publications and communications that help shape and maintain the
organization’s reputation. This critical position is responsible to help
facilitate SFWA’s goals and mission statement of informing, supporting,
promoting, defending and advocating for its members.
I’m thrilled by this incredible opportunity to take the helm of SFWA’s publications. It’s an honor to step into the role of SFWA Editor-in-Chief and I look forward to working with Mary Robinette Kowal and the rest of the SFWA Board and staff.
She will be the 20th Editor-in-Chief in SFWA’s 54-year history, and is the first person of color to serve as the organization’s Editor-in-Chief.
The Science Fiction and Fantasy Writers of America (SFWA, Inc.) has
named Lois McMaster Bujold the 36th Damon Knight Grand Master for her
contributions to the literature of Science Fiction and Fantasy.
Lois McMaster Bujold was born in 1949, the daughter of an
engineering professor at Ohio State University, from whom she picked up her
early interest in science fiction. She now lives in Minneapolis, and has two
grown children. Her fantasy from HarperCollins includes the award-winning Chalion
series and the Sharing Knife tetralogy; her science fiction from Baen
Books features the perennially bestselling Vorkosigan Saga. Her work has
been translated into over twenty languages and has won seven Hugo Awards and
three Nebula Awards.
SFWA President Mary Robinette Kowal commented:
Lois McMaster Bujold has had an undeniable influence on the field of science- fiction and fantasy. From the the Vorkosigan Saga, to the Chalion series and the Sharing Knife series, she finds new ways to explore the genre, mixing and matching everything from regency to science fiction. With dozens of books in multiple languages, while continuing to write, she is one of the most prolific authors working today. Importantly, she also serves as a role model for many writers, including me. In A Civil Campaign, she wrote, “Reputation is what other people know about you. Honor is what you know about yourself.” There is no doubt about Lois McMaster Bujold’s honor and becoming SFWA’s newest Grand Master only underlines her sterling reputation.
Damon Knight Memorial Grand Master Award will be presented along with the
Nebula Awards® during the annual SFWA Nebula Conference, which will run from May 28-31
and features seminars and panel discussions on the craft and business of
writing, SFWA’s annual business meeting, and receptions. During that weekend, a
mass autograph session will also take place at the Warner Center Marriott
Woodland Hills and is open to the public.
Nebula Awards®, presented annually, recognize the best works of science fiction
and fantasy published in the United States as selected by members of the
Science Fiction and Fantasy Writers of America. The first Nebula Awards® were
presented in 1966.
SFWA members and other individuals who are interested in the field of science fiction and fantasy are welcome to attend SFWA’s Nebula Conference. Attendees may participate in workshops, programming and special events throughout the weekend.
You do not need to be a member of SFWA to attend. We encourage anyone with a connection to the field to join us.
And SFWA members can now cast nominating ballots for the Nebulas.
It’s that time of year again! Editors, publishers, and authors’ minds turn toward Year’s Best list, and awards. Which also means it’s time for said authors, editors, and publishers to get out there and self-promote. It can feel icky or uncomfortable, but it’s a valuable service to those who nominate for awards, and those who just want to catch up reading what they might have missed during the year. So step forward, take a deep breath, and shout about what you wrote this year. While you’re at it, shout about the things you loved too! No one can read everything that comes out in a given year, but together we can help each other find excellent things to read, and perhaps even nominate.
(3) WORDS & MUSIC. The lyric video of Taylor Swift
singing “Beautiful Ghosts” from the motion picture Cats is online.
(4) UPON REFLECTION. Some who commented about a new YA
Twitter donnybrook linked in yesterday’s
Scroll (item #16) have adopted a new perspective, including N.K. Jemisin
whose thread starts here.
(5) RAPID CONTRACTION. The B&N Sci-Fi & Fantasy
Blog reportedly has severed ties with all its freelancers:
I was one of Mike Ford’s friends and editors, and I want to go on record with this: Martha Fry was extremely helpful when we wanted to keep his Liavek stories in print. The breakdown in communication between his original family, his fannish family, and his agent has many reasons, but there are no villains in that story. There are only gossips who love drama, as there are in any community. If anyone claims his first family tried to make his work unavailable, I will point to the Liavek anthologies as evidence that’s not true.
(7) KSR STUDY. The University of Illinois Press has
Stanley Robinson by Robert Markley, the Trowbridge Professor of English
at the University of Illinois at Urbana-Champaign.
Award-winning epics like the Mars trilogy and groundbreaking alternative histories like The Days of Rice and Salt have brought Kim Stanley Robinson to the forefront of contemporary science fiction. Mixing subject matter from a dizzying number of fields with his own complex ecological and philosophical concerns, Robinson explores how humanity might pursue utopian social action as a strategy for its own survival.
Robert Markley examines the works of an author engaged with the fundamental question of how we—as individuals, as a civilization, and as a species—might go forward. By building stories on huge time scales, Robinson lays out the scientific and human processes that fuel humanity’s struggle toward a more just and environmentally stable world or system of worlds. His works invite readers to contemplate how to achieve, and live in, these numerous possible futures. They also challenge us to see that SF’s literary, cultural, and philosophical significance have made it the preeminent literary genre for examining where we stand today in human and planetary history.
At the bottom of the description for Disney’s 1940 classic animation Fantasia on the studio’s newly minted Disney+ service, there is a line that is garnering attention from viewers: “This program is presented as originally created. It may contain outdated cultural depictions.”
The disclaimer can be found in the streaming platform’s synopsis of many of Disney’s classic animated titles, including 1941’s Dumbo, 1967’s The Jungle Book, 1953’s Peter Pan and 1955’s Lady and the Tramp, as well as other offerings like 1960’s Swiss Family Robinson and 1955’s Davy Crockett.
Disney+ features the studio’s massive library that dates back over eight decades, and the verbiage serves as a caution against some racist and culturally insensitive depictions and references in Disney’s older offerings.
While Lady and the Tramp features Siamese cats depicted as East Asian stereotypes and Peter Pan includes a song titled “What Makes the Red Man Red?,” it is unclear what the criterion is for Disney titles to receive the “outdated cultural depictions” disclaimer. Aladdin, which has been critiqued for its racist depictions of Middle Eastern and Arab culture, does not feature the disclaimer in its synopsis.
Disney has not returned The Hollywood Reporter‘s request for comment.
One feature entirely absent from the streaming platform is the 1946 live-action animation hybrid Song of the South. The movie, which inspired the Disneyland ride Splash Mountain, has been widely criticized for its portrayal of African-Americans and apparent glorification of plantation life. It has been the studio’s policy to keep the film from theatrical and home entertainment rerelease.
Disney did not respond to multiple requests for comment as to why the episode is missing and who made the call.
It is assumed “Stark Raving Dad” is off Disney+ because Michael Jackson (not officially credited) was the guest star. Jackson voiced Leon Kompowsky, a man Homer meets while in a mental institution who sounds like Jackson. The episode was a favorite among fans for several years.
In March of this year, “Stark Raving Dad” was pulled from broadcast circulation following the release of the HBO documentary film Leaving Neverland, in which the late pop star was accused by multiple men of molestation when they were boys.
(9) TODAY IN HISTORY.
November 16, 1977 — Close Encounters of the Third Kind premiered. Directed by Steven Spielberg and starring Richard Dreyfuss, Teri Garr, Melinda Dillon and François Truffaut, the film is both a financial and critical success. It currently has a hundred percent rating at Rotten Tomatoes.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born November 16, 1907 — Burgess Meredith. Brief though his visit to genre be, he had two significant roles. The first was in Twilight Zone: The Movie as Narrator although initially he was uncredited. One of his other genre role was a delightful take as The Penguin in original Batman series. He also shows up in Tales of Tomorrow, an anthology sf series that was performed and broadcast live on ABC from 1951 to 1953, and on The Invaders, The Twilight Zone, Faerie Tale Theatre: Thumbelina (with Carrie Fisher!) and The Wild Wild West. Did I mention he voiced Puff the Magic Dragon in a series of the same name? Well he did. Ok, so his visit to genre wasn’t so brief after all… (Died 1997.)
Born November 16, 1952 — Shigeru Miyamoto, 67. Video game designer and producer at Nintendo. He is the creator of some of the best-selling game franchises of the company, such as Mario, Donkey Kong and The Legend of Zelda.
Born November 16, 1952 — Robin McKinley, 67. Beauty: A Retelling of the Story of Beauty and the Beast was her first book. It was considered a superb work and was named an American Library Association Notable Children’s Book and an ALA Best Book for Young Adults. Rose Daughter is another version of that folktale, whereas Spindle’s End is the story of Sleeping Beauty, and Deerskin and two of the stories that you can find in The Door in the Hedge are based on other folktales. She does a superb telling of the Robin Hood legend in The Outlaws of Sherwood. Among her novels that are not based on folktales are Sunshine, Chalice and Dragonhaven. Her 1984 The Hero and the Crown won the Newbery Medal as that year’s best new American children’s book. She was married to Peter Dickinson from 1991 to his death in 2015, they lived together in Hampshire,UK. They co-wrote two splendid collections, Water: Tales of Elemental Spiritsand Fire: Tales of Elemental Spirits. I’d be very remiss not to note her Awards, to wit a Newbery Honor for The Blue Sword, then a Newbery Medal for The Hero and the Crown, a World Fantasy Award for Anthology/Collection for Imaginary Lands, as editor, a Phoenix Award Honor Book for Beauty and a Mythopoeic Fantasy Award for Adult Literature for Sunshine. Impressive indeed!
Born November 16, 1958 — Marg Helgenberger, 61. She was Hera in Wonder Woman, and also appeared in Conan: Red Nail, Species and Species II, not to mention Tales from the Crypt. Oh, and two Stephen King series as well, The Tommyknockers and Under the Dome.
Born November 16, 1967 — Lisa Bonet, 52. First genre work was isEpiphany Proudfoot in Angel Heart, a decidedly strange horror film. More germane was that she was Heather Lelache in the 2002 A&E adaptation of Le Guin’s Lathe of Heaven. She later played Maya Daniels in the Life on Mars series as well.
Born November 16, 1967 — Eva Pope, 52. Genre is a slippery thing to define. She was a one-off in Adventure Inc. (might be genre) as well the Splinter film (horror with SF pretensions), Life on Mars (SF maybe) and Spooks: Code 9 (alternate UK history). Is she genre?
Born November 16, 1972 — Missi Pyle, 47. Laliari in Galaxy Quest which is one of my fave SF films of all time. Also has been in Percy Jackson: Sea of Monsters, A Haunted House 2, Jumanji: Welcome to the Jungle, Star Trek: The Next Generation, Roswell, The Tick, Pushing Daisies and Z Nation.
Born November 16, 1977 — Gigi Edgley, 42. Though her genre experiences are varied, I think she’ll be best remembered for her role as a Nebari who was a member of the crew on Moya on the Farscape series. Other genre appearances include Beastmaster, The Lost World, Quantum Apocalypse and she has a role in the web series Star Trek Continues in the “Come Not Between the Dragons” episode.
Born November 16, 1977 — Maggie Gyllenhaal, 42. She’s had some impressive genre appearances in such works as Donnie Darko, The Dark Knight, voice work in the superb Monster House and the equally superb Nanny McPhee and the Big Bang.
(11) ELLISON REMEMBERED. Fanac.org has uploaded an
audio recording of the Worldcon 76 (2018) “In Memoriam: Harlan Ellison” panel.
Worldcon 76 was held in San Jose, CA in 2018. This Memoriam panel (audio, with pictures) features memories and anecdotes from Tom Whitmore, Robert Silverberg (who was a friend of Harlan’s for 65 years), Chris Barkley, David Gerrold, Christine Valada and Nat Segaloff (Harlan’s biographer). Each of the panelists had a close relationship with Harlan, and these loving but clear-eyed reminiscences are a comfort to those that miss him, and hopefully to those readers who never had a chance to meet him. Harlan was an enormous presence in science fiction. His stories, his scripts, his kindnesses and his sometimes unbelievable missteps will be long remembered. Recording provided by Karen G. Anderson and Richard Lynch.
9. Lewis’s first book was a collection of poetry he wrote as a teenager. Before he planned to be a philosopher, the teenage Lewis hoped to become a great poet. He wrote poetry with the hope of publishing his work and gaining fame. He returned to England after being injured in France during World War I and published his collection as Spirits in Bondage under the pen name of Clive Hamilton.
The No. 1 New York Times best-selling author best known for his blockbuster thrillers has signed a major seven-figure deal with Tor Books for Moon Fall, a fantasy series that’s been eight years in the making.
Moon Fall opens a riven world trapped between fire and ice, merging his fascination with the natural world, his love of adventure, and his knowledge of the wonders found at the evolutionary fringes of scientific exploration. It centers on a young girl who foretells a new apocalypse approaching, one that will end all life for all time. Her reward is a charge of grave heresy, punishable by death. As she flees, she gathers an unlikely alliance of outcasts to join her cause to save their world. The journey will take them into lands both burning bright and eternally frozen, to face creatures unimaginable and enemies beyond reason. All the while, hostile forces will hunt them. Armies will wage war around them.
The movie, starring Joaquin Phoenix in the titular role, has surpassed $1 billion in gross sales at box offices world wide, Entertainment Weeklyreports. The milestone makes the blockbuster the first R-rated movie to hit the $1 billion mark, according to the outlet.
It also means that the movie, which tells the tale of the rise of Batman’s arch-nemesis, has now officially beat out Deadpool as the highest-grossing R-rated movie of all time. The Ryan Reynolds-stared film made $783 million.
(16) WELL-KNOWN BRAND. Martin Morse Wooster assures us, “I normally wouldn’t write about Tanya
Edwards’s Yahoo! Lifetstyle story ’10
Gifts That Will Impress The Ultimate Star Wars fan’ because it is an Ebay infomercial. BUT the Darth
Vader Helmet 2-Slice Toaster is definitely worth a photo!”
(17) PREPARE FOR TAKEOFF. Starlux Airlines is an actual company that begins
operations in Taiwan in 2020, with all new Airbus planes. They just launched
their safety video:
[Thanks to Cat Eldridge, Andrew Porter, Martin Morse Wooster, JJ,
Chip Hitchcock, John King Tarpinian, mlex, and Mike Kennedy for some of these
stories. Title credit goes to File 770 contributing editor of the day Kip W.]