There you can see Fox’s comment that I wouldn’t post here, rehearsing falsehoods, dodging significant questions, and working in some juvenile namecalling. He insists I should not have denied him the chance to defend himself at File 770. “I take the freedom of speech very seriously,” says Fox. He takes it very seriously — on other people’s blogs. Richard Fox doesn’t allow comments on his own blog.
Linking is not piracy. Fox’s deceptions start right in his
title. File 770 never hosted a copy of Fox’s story “Going Dark.” We
included a link to the Google Drive file, after seeing the URL on SFWA’s
public-facing Nebula Reading List.
How links are chosen. File
770 runs features like JJ’s “Where To Find The 2018 Nebula Finalists For Free
Online” as a reader
service, impartially listing all the works available. We aren’t going to have
people coming back to ask “Why didn’t you link to Richard Fox’s story on the
Many online magazines post fiction free online, asking for subscriptions or Kickstarter support. That’s their business model. Many self-published authors post sample stories to publicize their work, another traditional marketing strategy.
Likewise, to attract attention to members’ work from all quarters,
SFWA changed the Nebula Reading List to a public facing part of its site in
2015 (see the press
release). It’s been public for four years. Whatever is linked to from there
is visible to the public. That ranges from links to Amazon sales pages to links
of the full text of works, as determined by the SFWA member involved.
How links get on the Nebula Reading List. SFWA has
two ways for members to share work, as their FAQ explains.
Reading List. This is visible to the public. Members must be logged into the
SFWA discussion boards to add new entries to the list.
Members may also make work available in the SFWA Fiction section of
the Discussion Boards. This is accessible only to members who are logged in
to the Discussion Boards.
I asked Kate
Baker, SFWA’s Executive Director, how this works and was told —
A member or the author themselves can create a listing on both the public/private reading lists. This does not fall under SFWA Webmaster or the Nebula Award Commissioner’s duties.
The person who created it would not have the ability to remove it.
What was on the SFWA site was also just a link — they did not
host the file. They had no control over the files of “Going Dark” on the Google
However, the page listing the links could only be removed with
When this year’s Nebula Awards were getting attention, I shared my short story GOING DARK with the password protected site that was only for Science Fiction Writers of America. Sharing this was only for their consideration, and never for the general public as I had the story in an anthology that was for sale.
I deleted the post after the Nebulas, but I put on several different versions.
Where did the links on the public Nebula Reading List come from?
Somewhere in this milieu, a Google drive file of the story was created and made available for outside of the password protected site….
At Camestros Felapton’s post “Larry Correia Endorses Richard Fox’s Piracy Claims”, Fox has by now made over 40 comments and given a convincing impression that he doesn’t know how the internet works. How can anyone rely on his notion of what happened or might have happened when he can’t assess the most basic facts?
You know who agreed with my position that linking to the story was piracy? Glyer’s ISP. Are you more experienced with that realm of internet management?
That is a complete misrepresentation of the law. If you fill out
your DMCA takedown notice correctly, and the ISP you send that to sees they are
hosting the targeted content, they are obligated to take it down and notify the
customer of his rights, which includes the right to file a DMCA counter notice.
The ISP is not the arbiter of the charge. They simply comply with the DMCA
statute to avoid forfeiting the safe harbor they receive for obeying it.
I filed a DMCA counter notice, starting the clock running that
gave Fox up to 14 days to file “an action seeking a court order to
restrain the subscriber from engaging in infringing activity relating to the
material on the service provider’s system or network.”
He didn’t follow through with any legal action because his
takedown notice was a prank, and one he could do for free. My post went back
And it’s actually Fox who could be subject for damages under 17 U.S. 512(f) for his knowing misrepresentation that my link was infringing his copyright.
I’m ruler, said Yertle, of all that I see. Richard
Fox reasons, “It’s fairly evident
that I am the copyright holder of that story and if I say a link to something
is pirated…it really shouldn’t be much of a discussion.”
So then, should I have taken the action Richard Fox requested
anyway? I almost did. Then after I got a few more emails from him that amounted
to “Yes you #!@%! pirate stop stealing from me oh and by the way let me repeat
a few choice insults Larry Correia wrote about you, too” he convinced me it was
a better idea to keep enjoying my legal right to post a link to something on
If you want a result, you ask like
a human being. If you want a kerfuffle, you make false charges, namecall, and rope
in renowned internet liars to echo your story – and the people who love that
kind of thing will love Richard Fox.
Meanwhile, back at the ranch. You know who else must have thought that Google Drive link was a valid public copy of Fox’s “Going Dark”? The SFWA Webmaster. Every work that made the 2018 Nebula Awards ballot got a dedicated page on the SFWA site. And it’s still online, still displays the same Google Drive link (though broken now) used in JJ’s post. (Just in case the original disappears five minutes after my post goes online, here’s a copy at the Internet Archive). A screenshot taken today shows the meta data about the link. (Click on the image for a larger version.)
Writers applying for SFWA membership qualify on the basis of the per-word rate on the date of contract. For example, short fiction sold before September 1, 2019 at six cents per word continue to qualify a writer for SFWA membership, etc.
This change to the SFWA pro rate is the result of market analyses conducted by SFWA Board members, along with a review of the effects of inflation on author compensation. The SFWA pro rate was last changed in 2014, rising from five to six cents per word, and from three to five cents per word in 2004.
(2) AURORA VOTING DEADLINE. Canadian Science Fiction and Fantasy Association members have
until September 14 to vote in the Aurora
You must be logged in to the website with an active CSFFA membership in order to download the voter’s packages or to vote.
Vote results will be announced at Can-Con October 18 – 20, 2019 in Ottawa (http://can-con.org/) and will be available on the website soon after.
More than 10,000 fans cast ballots for Dragon Award winners, selected from among 91 properties in 15 categories covering the full range of fiction, comics, television, movies, video gaming, and tabletop gaming.
Margaret Atwood and Salman Rushdie are among the six authors shortlisted for this year’s Booker Prize.
Atwood is in contention again with The Testaments, her eagerly awaited follow-up to The Handmaid’s Tale, while Sir Salman makes the cut with Quichotte.
Bernardine Evaristo, Chigozie Obioma, Elif Shafak and US author Lucy Ellmann are also up for the prize.
Both Atwood and Rushdie have won the coveted prize before, in 2000 and 1981 respectively.
Atwood also made the shortlist with The Handmaid’s Tale in 1986….
The winner, whittled down from 151 submissions and a longlist of 13, will be announced on 14 October.
(5) KGB. The Fantastic
Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present
Sarah Beth Durst & Sarah Pinsker on Wednesday, September 18, 2019, 7 p.m. at the KGB Bar.
Sarah Beth Durst
Sarah Beth Durst is the author of nineteen fantasy books for adults, teens, and kids, including The Queens of Renthia series, Drink Slay Love, and The Girl Who Could Not Dream. She won an ALA Alex Award and a Mythopoeic Fantasy Award and has been a finalist for SFWA’s Andre Norton Award three times. She hopes to one day have her own telepathic dragon.
Sarah Pinsker is the author of over fifty stories as well as the collection Sooner or Later Everything Falls Into the Sea and the novel A Song For A New Day, both out in 2019. Her fiction has won the Nebula and Sturgeon awards, and been a finalist for the Hugo, Eugie Foster, Locus, and World Fantasy Awards.
The address of the KGB Bar is 85 East 4th Street (just off 2nd Ave, upstairs), New
(6) YOU COULD LOOK IT UP. Kenneth R. Johnson says he has “posted a mildly updated version of one of
my on-line indexes” — “FANTASY
GOTHICS”, subtitled, “A comprehensive bibliography of modern Gothics
with genuine fantasy elements.”
About forty years ago I visited a fellow Science Fiction collector who introduced me to the concept of collecting “on the fringes.” I thought I was fairly knowledgeable about the Science Fiction and Fantasy books that had been in published in paperback, but when I examined his collection I saw a large number of books that I had not known about because they had not been marketed as Fantasy. I was especially drawn to the books that had been issued in other genres, such as Mysteries and Romances.
I was particularly struck by the large number of Gothics that were spread throughout his collection. I began looking for these particular crossovers in my visits to second-hand bookstores. Within a few years I had amassed a couple hundred books, but by the early 1980s the Gothic craze had waned and most publishers had dropped the category. The existing books gradually disappeared from the second-hand market. …
Scope of Index
This bibliography is restricted to mass-market paperback books published in the U.S. between the 1960’s and the 1980’s. The deciding factor in whether a book appears here, besides a genuine fantasy element, is how the book was labeled when published. If a particular book had several editions from a given publisher and at least one of them was marketed as a Gothic, then all of that publisher’s editions are listed. Any editions from a publisher who never labeled it as a Gothic are omitted.
(7) BOK WAS ALSO A VERBAL ARTIST. Robert T. Garcia has launched
a Kickstarter appeal to fund publication of “The
Fantastic Fiction of Hannes Bok: Three Fantasies by Bok” with Hannes
Bok’s three published solo novels:
Starstone World, The Sorcerer’s Ship, and Beyond
The Golden Stair (the
unedited version of the novel Blue
Includes an all-new introduction for this collection by Charles de Lint.
For two years I’ve been working on a project that got more interesting the further I got into it. Hannes Bok was one of the 20th Century’s best sf-fantasy-weird fiction artists. He was a painter with an eye for beautiful colors and flowing compositions in a time when sf art was very literal and staid. His paintings featured stylized figures, colors by Parrish, and a creative imagination that could only be Bok’s. And he could not be confined to one discipline in his creativity, there were paintings and line work, poetry and sculpture, intricate wood carvings and—of special interest here—fantasy novels: The Sorcerer’s Ship, Beyond the Golden Stair and Starstone World.
These aren’t your conventional fantasies, although all the trappings are there. They have a sly humor with plots full of twists and turns, stories which take the reader on strange metaphysical paths, and glorious descriptions that could only come from someone with a painter’s eye. Certainly not the most smoothly told tales, but as Lester Del Rey wrote about Beyond the Golden Stair: “in spite of its faults, it has the sense of enchantment so rarely found in most market fantasy. And since our world needs the glamor at least as much as it ever did, let us lose no chance.”
Here’s your chance to experience that glamor. All three of these books have been out-of-print for at least 48 years. That’s too long. They have been left behind, and should be part of the legacy of Hannes Bok, and part of the discussion of early 20th Century fantastic fiction.
At this writing, Garcia has raised $6,623 of the $11,999 goal.
The reason Romana’s regeneration was so unique is that the new actress, Lalla Ward, had already played a different role on the series. In the Season 16 serial “The Armageddon Factor,” the first Romana (Mary Tamm) and the Doctor encountered a character named Princess Astra, who also happened to have been played by Ward. So, when Ward was later cast as the new version of Romana in Season 17, it required an onscreen explanation.
In the scene, the Doctor is freaked out that Romana suddenly looks like someone they both had recently met. “But you can’t wear that body!” he protests. “You can’t go around wearing copies of bodies!” The newly regenerated Romana insists it didn’t matter. She likes the way Princess Astra looks and says they probably aren’t going back to the princess’s home planet of Atrios anyway.
(9) TODAY IN HISTORY.
September 3, 1953 — The 3-D movie Cat-Women of the Moonpremiered. It starred Marie Windsor and Victor Jory who on a scientific expedition to the Moon encounters a race of cat-women.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 3, 1810 — Theodor von Holst. He was the first artist to illustrate Shelley’s Frankenstein; or, The Modern Prometheus in 1831. The interior illustrations consist of a frontispiece and title page engraved illustrations. (Died 1844.)
Born September 3, 1943 — Mick Farren. Punk musician was the singer with the proto-punk band the Deviants who wrote also lyrics for Hawkwind. His most well-known genre work was the The Renquist Quartet about an immortal vampire. (Died 2013.)
Born September 3, 1943 — Valerie Perrine, 76. She has uncredited role as Shady Tree’s sidekick is Diamonds Are Forever in her first film appearance. Her first credited film role is as Montana Wildhack in Sluaughterhouse-Five. She’s Eve Teschmacher in Superman and Superman II.
Born September 3, 1954 — Stephen Gregg. Editor and publisher of Eternity Science Fiction which ran 1972 to 1975 and 1979 to 1980. It had early work by Glen Cook, Ed Bryant, Barry N Malzberg, Andrew J Offutt and Roger Zelazny. (Died 2005.)
Born September 3, 1959 — Merritt Butrick. He played Kirk’s son, David, in The Wrath of Khan and again in The Search for Spock. Note the very young death. He died of AIDS. Well, he died of toxoplasmosis, complicated by AIDS to be precise. (Did 1989.)
Born September 3, 1969 — John Picacio, 50. Illustrator who in 2005 won both the World Fantasy Award for Best Artist and the Chesley Award for Best Paperback Cover for James Tiptree Jr.’s Her Smoke Rose Up Forever. He won the Hugo for Best Artist in 2012.
Born September 3, 1971 — D. Harlan Wilson, 48. Author of Modern Masters of Science Fiction: J.G. Ballard, Cultographies: They Live (a study of John Carpenter) and Technologized Desire: Selfhood & the Body in Postcapitalist Science Fiction. No, I’ve no idea what the last book is about.
Born September 3, 1974 — Clare Kramer, 45. She had the recurring role of Glory, a god from a hell dimension that was the main antagonist of the fifth season of Buffy the Vampire Slayer. She’s been a lot of horror films including The Skulls III, The Gravedancers, The Thirst, Road to Hell, Road to Hell, Big Ass Spider! and Tales of Halloween.
Plus this “Happy Book Birthday” – Congratulations to Ellen
(11) COMICS SECTION.
Brewster Rockit treats us to more “famous parting words from defeated aliens.” Ook ook!
Half Full delivers sff’s answer to Fred Astaire and Ginger Rogers.
(12) MOONWALKING. It isn’t easy anywhere to get local
government to fix the streets,
Indian actor Poornachandra Mysore joined artist Baadal Nanjundaswamy to document the conditions of the roads in Bengaluru, India. In a creative way and wearing a spacesuit, the man decided to walk on these crater-like potholes as if he was walking on the moon.
Black Mountain is a crime-horror hybrid that takes the most entertaining elements of both genres and mixes them into something new that pushes the boundaries of contemporary crime fiction. From horror Barron grabs the fear of death, the tensions of knowing there is a killer out there and on the hunt, the gore of mutilated bodies and serrated knives digging into soft flesh. From crime he pulls mobsters, the existence of secrets that, if revealed, would lead to many murders. He also works with a level of violence that is rarely found in crime novels from big publishers.
With those elements on the table, Barron uses his elegant prose as glue. There is brutish behavior, but the words describing it are beautiful, mercilessly obliterating the imagined line between genre and literary fiction on almost every page…
In news to file under “What could possibly go wrong,” two U.S. deterrence experts have penned an article suggesting that it might be time to hand control of the launch button for America’s nuclear weapons over to artificial intelligence. You know, that thing which can mistake a 3D-printed turtle for a rifle!
In an article titled “America Needs a ‘Dead Hand,’” Dr. Adam Lowther and Curtis McGiffin suggest that “an automated strategic response system based on artificial intelligence” may be called for due to the speed with which a nuclear attack could be leveled against the United States. Specifically, they are worried about two weapons — hypersonic glide vehicles and hypersonic cruise missiles — which reduce response times to mere minutes from when an attack is launched until it strikes.
They acknowledge that such a suggestion is likely to “generate comparisons to Dr. Strangelove’s doomsday machine, War Games’ War Operation Plan Response, and The Terminator’s Skynet. But they also argue that “the prophetic imagery of these science fiction films is quickly becoming reality.” As a result of the compressed response time frame from modern weapons of war, the two experts think that an A.I. system “with predetermined response decisions, that detects, decides, and directs strategic forces” could be the way to go.
Wallops Island—a remote, marshy spit of land along the eastern shore of Virginia, near a famed national refuge for horses—is mostly known as a launch site for government and private rockets. But it also makes for a perfect, quiet spot to test a revolutionary weapons technology.
If a fishing vessel had steamed past the area last October, the crew might have glimpsed half a dozen or so 35-foot-long inflatable boats darting through the shallows, and thought little of it. But if crew members had looked closer, they would have seen that no one was aboard: The engine throttle levers were shifting up and down as if controlled by ghosts. The boats were using high-tech gear to sense their surroundings, communicate with one another, and automatically position themselves so, in theory, .50-caliber machine guns that can be strapped to their bows could fire a steady stream of bullets to protect troops landing on a beach.
Something odd was bubbling beneath the surface of northwest Montana’s Flathead Lake this summer. It wasn’t lake monsters, but submarines. The subs’ pilots were there to help cash-strapped researchers explore the depths of Flathead Lake for free.
It can be hard for research divers to see what’s at the bottom of deep bodies of water like Flathead Lake without special equipment and experience. So, having a couple of submarines around this summer was helpful to the University of Montana’s Flathead Lake Biological Research Station.
…Riders met British Columbia resident Hank Pronk, who was standing on his two-man submarine bobbing on the lake’s crystal-clear surface.
A useful hobby
Pronk and his fellow enthusiasts build their subs mostly by hand. Pronk’s sub, named the Nekton Gamma, is smaller than a compact car; climbing in is a squeeze.
Pro-democracy protesters in Hong Kong have been turning to a new app to communicate – one that does not use the internet and is therefore harder for the Chinese authorities to trace.
Bridgefy is based on Bluetooth and allows protesters to communicate with each other without internet connection.
Downloads are up almost 4,000% in the past two months, according to measurement firm Apptopia.
Texts, email and messaging app WeChat are all monitored by the Chinese state.
Bridgefy uses a mesh network, which links together users’ devices allowing people to chat with others even if they are in a different part of the city, by hopping on other users’ phones until the message reaches the intended person.
The range from phone to phone is within 100m (330ft).
The app was designed by a start-up based in San Francisco and has previously been used in places where wi-fi or traditional networks struggle to work, such as large music or sporting events.
[Thanks to Mike Kennedy, JJ, John King Tarpinian, Rich Lynch, Martin
Morse Wooster, Robert T. Garcia, Michael Toman, Chip Hitchcock, Cat Eldridge, and
Andrew Porter for some of these stories. Title credit goes to File 770
contributing editor of the day Rob Thornton.]
Jon Del Arroz says that on Friday his latest application for SFWA
membership was denied:
Same form letter as last time. No one will respond, no one will call. Looks like nothing’s changed within the org. Still a bunch of unprofessional people. I couldn’t imagine people acting like this in my real job.
Immediately after Mary Robinette Kowal took office as SFWA’s new President in July, JDA blogged that his application for membership was is already in her inbox (“A New Dawn For SFWA!” [Internet Archive link]), and he posed as a supporter: ‘Things are changing at SFWA as my friend Mary Robinette Kowal has been installed as president, after I endorsed her candidacy early on.”
Over the weekend, I was pronounced banned from SFWA, an act which is both a heavy blow to me as a professional writer trying to make a name for myself, and an atrocious act as standards are applied to me, a Hispanic author, which are not applied to many of their white members….
In contrast to JDA’s first time around, SFWA hasn’t publicly addressed
its latest action. In January 2018, the organization said on the SFWA Blog that
they had denied
an unnamed person’s membership application, which Jon Del Arroz promptly identified
as his own. Their 2018 statement began:
Recently, a science fiction writer made a very public announcement of his application to join SFWA. SFWA Bylaws section VI.1.c.i gives discretion to the membership credentials committee “regardless of qualifications.” Based on the behavior of and online statements by this writer over the preceding year or so, which the credentials committee believes is inconsistent with the obligations that SFWA members have to one another, the committee has determined that it has good and sufficient cause to deny this membership.
The Horror Writers Association has formal guidelines that describe the right and wrong ways for members to promote work for the organization’s top award. In what were formerly called the “Etiquette Rules,” now the “Guidelines for Promoting Works for Bram Stoker Award Consideration” HWA gives positive examples of ways to publicize fiction to Stoker Award jurors and other members, some hosted on the organization’s own social media, and warns against unacceptable conduct that can disqualify a work from consideration.
HOW THE STOKER WINNERS ARE PICKED. The Stoker Award winners are chosen by a “partial jury system.” A dozen award categories each have their own small jury panel (and “You may not spam the Jury” is one of the rules.) There is a preliminary and a final ballot. The preliminary ballot lists 10 nominees in each category, five works that have received at least 5 recommendations during the year from members, if there are that many, and the rest of the slots filled by the jury. Members vote on the preliminary ballot for five works in each category to go on to the Final Ballot. The final round of voting determines the award winners.
THE GUIDELINES. The 2,200-word Guidelines begin with a list of
five acceptable ways to promote a work, for example —
A. PUBLICIZE: The very best way to promote a book for a Bram Stoker Award® is to publicize the book as widely as possible. Most HWA members who participate in the Bram Stoker Award process are voracious readers and enthusiastic film buffs, and subscribe to a variety of magazines, newsletters, and web sites that offer reviews and ads for horror-related material.
HWA also tells how to promote work through its own publications
and social media, within limits that promote a level playing field.
The rules end with 10 prohibitions, including —
You may not send unsolicited emails or other forms of contact (such as Twitter) promoting your work for a Bram Stoker Award®….
While individual SFWA officers over the years have written advice about appropriate ways to pursue the Nebula Award, the organization doesn’t have its own formal guidelines. Only SFWA members can answer if one would help.
As to how well HWA’s rules work for them — I decided to ask.
The co-chairs of the Bram Stoker Awards Committee, James Chambers, C.W. LaSart, and Rena Mason, kindly agreed to answer File 770’s questions about the Guidelines/Etiquette Rules.
1. What are some examples of the problems that caused HWA to formulate the Etiquette Rules?
The Etiquette Rules were created to provide a positive process for members to share their work for Stoker consideration and preserve the integrity of the Awards. They ended a number of unpopular tactics some people used to promote their work. This included e-mailing members who were not interested in receiving works for consideration (or even sending them print books before the e-book boom), spamming members with multiple e-mails, attempts at trading recommendations, and campaigning in general for recs and votes. As more and more business moved online it became much easier to reach people and cross the line of acceptable professional contact, and the Awards needed to adapt for that. It’s one thing to make works available for those who would like to read and consider them. It’s another to badger and promote. The Etiquette rules closed the door to promoting works for Award consideration but left open the door to making work available to other HWA members in a respectful way.
2. Did these problems primarily affect who became finalists, or (apart from getting on the ballot) did they influence who won the Bram Stoker Awards?
Generally, no. They might have affected what works appeared on the Recommended Works list and could’ve contributed to a work reaching the Preliminary Ballot, but they didn’t have much influence over actual voting which is limited to Active members, who are members with a professional publication history.
3. The preliminary ballot is the product of a “partial jury system,” containing some works recommended by members, and additional works recommended by the jurors. What are examples of problems that cannot be overcome even with the inclusion of a jury?
The two-tiered preliminary ballot system does a good job of eliminating or minimizing the problems that arise in any awards process. The one thing it doesn’t do as well as we would like is inform the perceptions of those who want something to criticize, but who are not involved with the process and so operate off of often-erroneous assumptions about how works land on the ballot.
4. Who helped draft the original Etiquette Rules, and what year did they come into existence?
The etiquette rules have been around since the inception of the awards, added to every year by HWA Member suggestions, the Awards Committee, HWA Officers, and the Board of Trustees. They’ve been fine-tuned and updated by many HWA members over the years.
5. Are these rules enforced? What is the process for detecting and addressing conduct that violates the rules?
The Rules are enforced. It’s understood that breaching them can lead to a work being disqualified or can work against it by creating negative feelings within HWA membership. We often field questions from authors who want to make sure they don’t breach the etiquette. They take it seriously as do the vast majority of our members and non-members presenting their work. Any HWA member can report a violation. Members of the Awards Committee also monitor conduct. Violations are addressed directly with whoever breached the etiquette in accordance with our bylaws. Cases are discussed and resolved by the Committee.
6. The rules emphasize “the difference between promoting and soliciting,” and define the difference between those behaviors. HWA has a lot of infrastructure in its official publications and social media to help members gain exposure for their work without violating the spirit of the rules. Were such provisions as taking ads in publications, and one-time Facebook announcements, added to support the rules, or did HWA do things like that all along?
One-time Facebook announcements and limits on e-mail contact are more recent developments to respond to changing technology and support the rules, but there have always been rules or accepted practices guiding the process. The infrastructure has evolved and become better documented over the years. It’s there to facilitate sharing news with our membership in a positive way. Most of our members follow genre news pretty closely so just promoting work in general often puts it on their radar.
7. In your opinion, is campaigning for a Bram Stoker Award effective? If the answer is yes, is it effective for anyone, or more effective for a subset of authors, and what would distinguish that subset — name recognition, publisher, something else?
It’s not really effective. While all HWA members can recommend works for Stoker consideration, only Active members may vote. A campaign effort that somehow slips past the general membership and the Committee might land a work on the Preliminary Ballot based on the number of recommendations it receives. There it will be one of ten, but very likely the members who recommended it in response to a campaign won’t be voting members (only Active Members with a proven publication history can vote) so those works are very likely to drop off the ballot. There’s no particular subset of authors or works that’s more likely to benefit over another in a campaigning sense. Big name authors, of course, have wider recognition and larger readerships that can help them but that’s different from campaigning. Stephen King and Joyce Carol Oates are not campaigning for a
Stoker, but they’re frequently recommended and nominated because a lot of HWA members read them.
8. What was the most recent improvement to the Etiquette Rules? Are there any proposed changes under consideration, and what are they about?
The most recent changes were the rules about posting on Facebook and providing links to works online via an Internet mailer that the HWA compiles and sends to members. An etiquette-related change is that we no longer display the number of recommendations a work has received on an ongoing basis, which removes a temptation for authors to try drumming up more recommendations when other works in the same category get ahead of them. There are no concrete proposed changes on the table right now, but the Committee and HWA officers are always observing the process and discussing refinements. Our membership has grown about threefold in the past eight years, too, so we’re always taking into consideration how that affects the Awards dynamic and looking for ways to improve it.
File 770 thanks the Bram Stoker Awards co-chairs for sharing
(1) IN OPINIONS YET TO COME. Brooke Bolander is the latest
sff author to pen a futuristic op-ed for the New York Times.
As Tor.com puts it –
Asking “Who Should Live in Flooded Old New York?” Bolander imagines a time in which it’s illegal to live in the flooded remains of NYC, with the only residents being those who are too poor to move elsewhere. In this future, Mr. Rogers’ theme song has turned into an “old folk song,” and “draconian federal regulations” punish those remaining, while millionaires running illegal tourism schemes in the city get off scot-free.
Sanford interviewed Fritz Foy, president and publisher of Tom Doherty Associates, the unit
of Macmillan that includes Tor, who shared “an unprecedented look at their
…To discover if library ebook lending was indeed hurting sales, Macmillan used their Minotaur imprint as a control group and Tor Books as an experimental group. The two groups have books which sold in similar patterns along with authors and book series which drove steady sales from year to year.
Foy was surprised by the experiment’s stark results.
“All but one title we compared (in the Tor experiment group) had higher sales after the four month embargo on ebook sales to libraries,” he said. “And the only title where we didn’t see this happen had bad reviews. And when you looked at the control group, sales remained the same.”
Amazon Studios’ high-profile The Lord of the Rings TV series has made a key hire. Jurassic World: Fallen Kingdom director Juan Antonio (J.A.) Bayona has been tapped to direct the first two episodes of the big-scope fantasy drama, following in the footsteps of Peter Jackson, who directed the feature adaptations of the classic J.R.R. Tolkien novels.
…Bayona’s first feature film, critically acclaimed thriller The Orphanage, executive produced by Guillermo del Toro, premiered to a 10-minute standing ovation at the 2007 Cannes Film Festival and later won seven Goya Awards in Spain, including best new director.
Bayona most recently directed Jurassic World: Fallen Kingdom, which grossed more than $1.3 billion worldwide last year. He also directed the features The Impossible, starring Naomi Watts and Ewan McGregor, and A Monster Calls, starring Sigourney Weaver, Liam Neeson and Felicity Jones, as well as the first two episodes of Showtime’s hit series Penny Dreadful.
Amazon’s $1.5 billion (£1.19bn) Lord of the Rings series looks set to begin filming in New Zealand this month, after producers reportedly got cold feet about shooting in Scotland.
The NZ Herald reports that a “huge” part of the series, said to be the most expensive TV show ever made, will be produced in Auckland, specifically at the Kumeu Film Studios and Auckland Film Studios, with an official announcement coming this month. The report states that pre-production on the Amazon show has been based at the two studios for the last year.
Producers were also said to be considering Scotland as a production base, but New Zealand’s public-service radio broadcaster Radio New Zealand (Radio NZ), claims “the tumultuous Brexit situation hindered Scotland’s pitch”.
(5) RESNICK RETURNS TO FB. Mike Resnick gave
Facebook readers a medical update about his frightening health news:
Sorry to be absent for a month. 4 weeks ago I was walking from one room to the next when I collapsed. Carol called the ambulance, and 2 days later I woke up in the hospital minus my large intestine. Just got home last night.
competition is open to original, unpublished short stories of not more than
6,000 words by non-professional writers. The award, established in 2000, offers
non-professional writers the opportunity to have their work published in Interzone, the UK’s leading sf magazine. The
deadline for submissions was June 28. The winner will be announced in August.
(8) JUMANJI. The next sequel
will be in theaters at Christmas.
In Jumanji: The Next Level, the gang is back but the game has changed. As they return to Jumanji to rescue one of their own, they discover that nothing is as they expect. The players will have to brave parts unknown and unexplored, from the arid deserts to the snowy mountains, in order to escape the world’s most dangerous game.
(9) TODAY IN HISTORY.
July 3, 1958 — Fiend Without A Face premiered.
July 3, 1985 – Back to the Future was released.
July 3, 1996 – Independence Day debuted in theaters.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 3, 1898 — E. Hoffmann Price. He’s most readily remembered as being a Weird Tales writer, one of a group that included Lovecraft, Robert E. Howard, and Clark Ashton Smith. He did a few collaborations, one of which was with H. P. Lovecraft, “Through the Gates of the Silver Key”. Another work, “The Infidel’s Daughter”, a satire on the Ku Klux Klan, also angered many Southern readers. (Died 1998.)
Born July 3, 1926 — William Rotsler. An artist, cartoonist, pornographer and SF author. Well, that is his bio. Rotsler was a four-time Hugo Award winner for Best Fan Artist and one-time Nebula Award nominee. He also won a “Retro-Hugo” for his work in 1946 and was runner-up for 1951. He responsible for giving Uhura her first name, created “Rotsler’s Rules for Costuming”, popularized the idea fans wore propeller beanies and well, being amazing sounding. (Died 1997.)
Born July 3, 1927 — Tim O’Connor. He was Dr. Elias Huer in Buck Rogers in the 25th Century for much of its run. Other genre appearances were on The Six Million Dollar Man, The Twilight Zone, The Outer Limits, Wonder Woman, Knight Rider, Star Trek: The Next Generation and The Burning Zone. (Died 2018.)
Born July 3, 1927 — Ken Russell. Altered States is his best known SF film but he’s also done The Devils, an historical horror film, and Alice in Russialand. Russell had a cameo in the film adaptation of Brian Aldiss’s novel Brothers of the Head by the directors of Lost in La Mancha. And, of course, he’s responsible for The Who’s Tommy. (Died 2012.)
Born July 3, 1937 — Tom Stoppard, 82. Screenplay writer, Rosencrantz and Guildenstern Are Dead which is adjacent genre if not actually genre. Also scripted of course Brazil which he co-authored with Terry Gilliam and Charles McKeow. He also did the final Indiana Jones and the Last Crusade final rewrite of Jeffrey Boam’s rewrite of Menno Meyjes’s screenplay. And finally Shakespeare in Love which he co-authored with Marc Norman.
Born July 3, 1943 — Kurtwood Smith, 76. Clarence Boddicker in Robocop, Federation President in Star Trek VI: The Undiscovered Country, and voiced Kanjar Ro in Green Lantern: First Flight. He’s got series appearances on Blue Thunder, The Terrible Thunderlizards, The X-Files, Star Trek: Deep Space Nine, Star Trek: Voyager, Men in Black: The Series, 3rd Rock from the Sun, Todd McFarlane’s Spawn, Judtice League, Batman Beyond, Green Lantern and Beware the Batman. His last role was as Vernon Masters as the superb Agent Carter.
Born July 3, 1962 — Tom Cruise, 57. I’m reasonably sure his first genre role was as Jack in Legend. Next up was Lestat de Lioncourt in Interview with the Vampire followed by being Ethan Hunt in the first of many Mission Impossible films. Then he was John Anderton in the abysmal Minority Report followed by Ray Ferrier in the even far more abysmal War of The Worlds. I’ve not seen him as Maj. William Cage in Edge of Tomorrow so I’ve no idea how good he or the film is. Alas then Nick Morton in, oh god, The Mummy.
The purpose of the Aurora Awards Voter Package is simple. Before you vote for the Aurora Awards this year, we want you to be able to read as much of the nominated work as possible, so you can make and informed decision about what is the best of the year. Please note: the package is only available while voting is open. Remember voting ends September 14, 2019 at 11:59:59 EDT!
The electronic versions of these Aurora Award nominated works are made available to you through the generosity of the nominees and publishers. We are grateful for their participation and willingness to share with CSFFA members. If you like what you read, please support the creators by purchasing their works, which are available in bookstores and online.
(14) EN ROUTE. John Hertz, while packing for his journey to Spikecon,
paused to quote from the classics:
Farewell my friends, farewell my foes;
To distant planets Freddy goes;
To face grave perils he intends.
Farewell my foes, goodbye my friends.
(16) JDA REAPPLIES TO SFWA. Mary Robinette Kowal took
office as SFWA’s new President at the start of the month. Jon Del Arroz says
his latest application for membership is already in her inbox: “A
New Dawn For SFWA!” [Internet Archive link].
Things are changing at SFWA as my friend Mary Robinette Kowal has been installed as president, after I endorsed her candidacy early on.
…As she has featured my books on her blog not once, but twice, I know that Ms. Kowal’s commitment to diversity and inclusivity is important to her, and she will be doing everything she can to change the perception that SFWA is a place where Conservatives and Christians are not welcome to be called professional authors.
As such, I have reapplied to SFWA as of yesterday, and let Ms. Kowal know, so we can begin the long journey of working together to ensure equality for Conservative and Christian authors. I’ve offered my services as an ambassador to the community, so she will directly be able to hear the grievances of such authors who have been treated as second class citizens — dare I say, 3/5ths of a professional author — for so long now within the science fiction community.
On Monday, a Russian submarine caught fire during a mission, killing 14 sailors on board.
But the public didn’t find out about the incident until the next day, when Russia finally released a statement about the accident — though two days after the event, the nation still wouldn’t say exactly what kind of sub caught fire or whether it was nuclear-powered.
A possible reason for Russia’s caginess? Multiple sources are now claiming the sub was an AS-12 “Losharik,” a nuclear-powered submarine some speculate was designed to cut the undersea cables that deliver internet to the world.
In Joe and Jack C. Haldeman’s There Is No Darkness, English is an obscure language, spoken only on backwater worlds and a few places on Earth. We don’t know exactly when the book takes place, as year zero has been set to the founding of the (future) Confederacion. We are told the year is A.C. 354.
What we see of a future Texas suggests that it’s still as recognizably American as Justinian’s Constantinople would have been recognizably Roman. While the region seems a bit down at heel, it’s also one of the more optimistic takes on a future America.
(19) SCALZI GIVEAWAY. Or maybe Christmas will come early and
you can read this:
Aigamo is a Japanese farming method that uses ducks to keep unwanted plants and parasites out of rice paddy fields. This duck crossbreed is able to keep the paddy clear without the use of herbicides or pesticides, and the fowls’ waste actually works as a pretty good fertilizer.
The method was first introduced in the 16th century but soon fell out of favor. It wasn’t reintroduced as a natural farming method until 1985 and it quickly became popular across the country as well as in China, Iran, France, and other countries.
About 15 ducks can keep a 1,000-square-meter area clear of insects, worms, and weeds, and they even enrich the water with oxygen by constantly stirring up the soil. But as humans are prone to do, an engineer from Nissan Motor, needed to build a better mousetrap, although this one may not have too many beating down a path to his door.
Created as a side project, the Aigamo Robot looks less like its namesake and more like a white, floating Roomba with eyes. While the ducks can be trained to patrol specific areas, the robot employs Wi-Fi and GPS to help the robot stir up the soil and keep bugs at bay, though no word yet on how much ground it can cover in a single day.
(21) SPIDER TO THE FLIER. Have you seen “United–Fly Like a
Superhero” on YouTube? The Spider-Man version of the United Airlines
safety video? Too bad it’s
not as much fun as the Air New Zealand hobbit videos.
(22) STRANGE VIDEO OF THE DAY. In “9 Ways To Draw A Person” on Vimeo, Sasha
Svirsky offers a strange video that doesn’t actually tell you how to draw a
[Thanks to Mike Kennedy, SF Concatenation’s Jonathan Cowie, Jason
Sanford, Martin Morse Wooster, JJ, Daniel Dern, John King Tarpinian, Chip
Hitchcock, Cat Eldridge, Greg Hullender, Carl Slaughter, and Andrew Porter for
some of these stories. Title credit goes to File 770 contributing editor of the
…It’s no surprise that I got the attention of trolls and irate fans for taking on this job. There was already backlash around the manner in which Bobby Drake aka Iceman came out, and Marvel needed to smooth that landing and put a “so what” to the decision. After a point, I could almost laugh off people making light of my death, saying they have “cancerous AIDS” from my book, or insinuating I’m capable of sexual assault… almost. Between Iceman’s cancellation and its subsequent revival, Marvel reached out and said they noticed threatening behavior on my Twitter account (only after asking me to send proof of all the nasty shit popping up online). An editor called, these conversations always happen over the phone, offering to provide “tips and tricks” to deal with the cyber bullying. I cut him off. All he was going to do was tell me how to fend for myself. I needed Marvel to stand by me with more work opportunities to show the trolls that I was more than a diversity hire. “We’ll keep you in mind.” I got so tired of that sentence.
Even after a year of the new editor-in-chief saying I was talented and needed to be on a book that wasn’t “the gay character,” the only assignment I got outside of Iceman was six pages along, about a version of Wolverine where he had diamond claws. Fabulous, yes. Heterosexual, yes. Still kind of the gay character, though.
We as creators are strongly encouraged to build a platform on social media and use it to promote work-for-hire projects owned by massive corporations… but when the going gets tough, these dudes get going real quick….
(2) SFWA SUPPORTS BEAGLE. Here’s one more instance where they lent a helping hand:
Everybody loves recommending science fiction books. It’s not just our friends at Tor.com, Kirkus Reviews, and The Barnes & Noble Sci-Fi & Fantasy Blog anymore. Last week at Dogtime (Dogtime?!) Jean Andrei recommended the 5 Best Fantasy And Science Fiction Books “where dogs play a part in the story.” Starting, of course, with one of the great classics of the genre, the 1944 fix-up novel City.
BMA fans are frequently taken to task for so-called “gatekeeping”. I think that some of that, perhaps even a large part of it, is not gatekeeping in the minds of those fans so much as it is an expression of fierce loyalty and protectiveness over something that they paid hard currency to help create. They value certain things because they’ve learned that those things are important to the maintenance of fandom (as they know it) and are suspicious and critical when AMA fans don’t exhibit the same respect, knowledge of or, worst-case-scenario, take it upon themselves to redefine things that are already settled law and enshrined in the fannish encyclopedia.
The powder known as Solein can be given texture through 3D printing, or added to dishes and food products as an ingredient.
It is produced through a process similar to brewing beer. Living microbes are put in liquid and fed with carbon dioxide and hydrogen bubbles, which have been released from water through the application of electricity. The microbes create protein, which is then dried to make the powder.
(6) LOCUS AWARDS. Here’s two photos from today’s fun:
The cast of Primeval came to the banquet looking for something good to eat.
And the traditional Hawaii shirt fun and games:
(7) WWII FANACK. Rob Hansen, curator of fanhistory site THEN,
tells about his latest additions:
In what I think concludes my recent deep dive into 1940s LASFS. I’ve just added a page on Ackerman’s War which is accompanied by a couple of photos you may not have seen before. I’ve also moved most of the clubroom stuff onto its own page ‘cos it makes more sense that way. The text includes the usual cornucopia of links, of course.
It’s mostly lighthearted, but not this part —
On New Year’s Day 1945 Alden Ackerman, a Pfc with the 42nd Tank Battalion 11th Armored Division and Forry’s kid brother, was killed in action in Belgium during the Battle of the Bulge. The news took several weeks to reach Forry, who reported the death in ‘The Alert’ and in VOM #39, which featured him on its cover. Ackerman later announced he would also be starting ALDEN PRESS, whose first offering in March was a memorial to Alden.
(8) BERGLUND OBIT. In another major loss for Lovecraftians, friends of Edward P. Berglund (1942-2019) reported on Facebook he died this week. In the words of Luis G. Abbadie:
Edward P. Berglund was a great editor, a great contributor to our beloved shared world of the Cthulhu Mythos, a great man, period. His anthology The Disciples of Cthulhu was the first original Mythos collection to follow August Derleth’s classic Tales of the Cthulhu Mythos and a classic in its own right. And his monumental website A Guide to the Cthulhu Mythos is a fondly remembered Ancient Pharos for so many of us.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born June 29, 1919 — Slim Pickens. Surely you remember his memorable scene as Major T. J. “King” Kong in Dr. Strangelove? I certainly do. And, of course, he shows up in Blazing Saddles as Taggart. He’s the uncredited voice of B.O.B in The Black Hole and he’s Sam Newfield in The Howling. He’s got some series genre work including several appearances on Alfred Hitchcock Presents, plus work on The Man from U.N.C.L.E. and Night Gallery. (Died 1983.)
Born June 29, 1920 — Ray Harryhausen. All-around film genius who created stop-motion model Dynamation animation. His work can be seen in The 7th Voyage of Sinbad (his first color film), Jason and the Argonauts, Mighty Joe Young and Clash of the Titans. (Died 2013.)
Born June 29, 1943 — Maureen O’Brien, 76. Vicki, companion of the First Doctor. Some 40 years later, she reprised the role for several Big Finish Productions Doctor Who audio works. She had a recurring role as Morgan in The Legend of King Arthur, a late Seventies BBC series. Her Detective Inspector John Bright series has been well received.
Born June 29, 1947 — Brian Herbert, 72. Son of Frank Herbert.
Born June 29, 1950 — Michael Whelan, 69. I’m reasonably sure that most of the Del Rey editions of McCaffrey’s Dragonriders of Pern series was where I first noticed his artwork but I’ve certainly seen it elsewhere since. He did Heinlein’s The Cat Who Walks Through Walls cover which I love and many more I can’t recall right now.
Born June 29, 1956 — David Burroughs Mattingly, 63. He’s an American illustrator and painter, best known for his numerous book covers of genre literature. Earlier in his career, he worked at Disney Studio on the production of The Black Hole, Tron, Dick Tracy and Stephen King’s The Stand. His main cover work was at Ballantine Books where he did such work as the 1982 cover of Herbert’s Under Pressure (superb novel), 2006 Anderson’s Time Patrol and the 1983 Berkley Books publication of E. E. ‘Doc’ Smith Triplanetary.
Born June 29, 1957 — Fred Duarte, Jr. His Birthday is today and this long-time Texas fan is eulogized by Mike here upon his passing several years back. (Died 2015.)
(10) 101. Anna-Louise Fortune is starting a short series about the Worldcon. After hearing her voice JJ says “I keep expecting her to pull out a ruler and whap me on the knuckles.”
…Two points form a line and following that line backward I could cut a rock sample through the Hugo Awards and expose the geologic layers. From there I could construct not a biography of the Hugo Awards but a dinography* — an account of a thing using the medium of dinosaurs.
A dinography requires some rules, specifically a rule as to what counts as a dinosaur. For my purpose the dinosaur eligibility includes
Actual dinosaurs as recognised by the paleontology of the time a work was written.
Prehistoric reptilian creatures from the Mesozoic era that in popular culture count as dinosaurs such as large marine reptiles and pterosaurs.
Fantastical creatures derived from dinosaurs such as creatures in Edgar Rice Burroughs Pellucidar series.
Aliens (intelligent or not) of a reptilian nature that humans would see as dinosaur like.
Dinosaurs as a metaphor for something either out of time or hanging on beyond their time.
In all her years working at Bodega Bay, the marine reserve research coordinator Jackie Sones had never seen anything like it: scores of dead mussels on the rocks, their shells gaping and scorched, their meats thoroughly cooked.
A record-breaking June heatwave apparently caused the largest die-off of mussels in at least 15 years at Bodega Head, a small headland on the northern California bay. And Sones received reports from other researchers of similar mass mussel deaths at various beaches across roughly 140 miles of coastline.
While the people who flocked to the Pacific to enjoy a rare 80F beach day soaked up the sun, so did the mussel beds – where the rock-bound mollusks could have been experiencing temperatures above 100F at low tide, literally roasting in their shells.
Sones expects the die-off to affect the rest of the seashore ecosystem. “Mussels are known as a foundation species. The equivalent are the trees in a forest – they provide shelter and habitat for a lot of animals, so when you impact that core habitat it ripples throughout the rest of the system,” said Sones.
The Campbell award is open to the best new writer, and is judged over their output regardless of length or quantity. Usually, the main thing to comment on is that it is not really a Hugo,1 but the interesting wrinkle of the Campbell award this year is that you can be eligible for it twice. The Campbell competition is often my favourite, because it usually the most diverse and novel category. This year however, five of the six nominees are in the second year of eligiblity, and four of those were on last years slate.2
This week’s Full Lid is here for all your bio-mechanical, classics of English literature and scrappy can-do cinema needs. I take a listen to the Dirk Maggs’ produced adaptation of William Gibson’s Alien III script, am impressed by the first episode of Catch-22 and ridiculously charmed by the minimal budget enthusiasm of Audax. Also this week, the DJBBQ5000, Journeyquest take us Cooking WIth Carrow and I look back on a demanding week.
The subject isn’t sff (is it?) but I’m going to excerpt Stuart’s
sharply-written Catch-22 review.
…Luke Davies and David Michôd’s adaptation of Joseph Heller’s classic novel does everything right. It doesn’t have hundreds of pages so instead of the slow burn agonizing unreleased terror of the novel’s absurd waits between missions, it focuses all the way in on Yossarian. Abbott is perfect for the role, simultaneously swaggering and cowed and his jokes are always a quarter second away from a scream. He’s not okay. No one cares. He gets worse. No one cares. That’s the marching tempo of the story, always accelerating, never quite breaking out into a run….
Modern crocodiles can trace their lineage back to when dinosaurs roamed the earth. If you picture that crocodile ancestor, way back in the Cretaceous period, what do you imagine it snacking on? Maybe a fish or a bird?
Think again. Scientists say it’s more likely it was chomping on prehistoric flowers or other plants. A new study in Current Biology has found these ancient crocodile cousins actually evolved into plant eaters at least three times, and probably more.
It started with a paleontology graduate student at the University of Utah puzzling over some strange-looking teeth of the crocodile cousins (known as crocodyliforms, or crocs for short).
“The fact that so many croc teeth look nothing like anything around today just absolutely fascinated me,” Keegan Melstrom tells NPR.
Back in January, it was announced that this season would be The Twilight Zone’s last. In the show’s five year run, Rod Serling’s brainchild has produced more than 150 episodes and brought a new level of sophistication to science fiction and fantasy entertainment on television. Even with some decline in the program’s quality, The Twilight Zone still remains incredibly impressive as a whole — as the series comes an end, the show still manages to deliver some strong performances…
[Thanks to Camestros Felapton, Andrew Porter, Chip Hitchcock, Cat
Eldridge, JJ, John King Tarpinian, Hampus Eckerman, Martin Morse Wooster, Mike
Kennedy, and Carl Slaughter for some of these stories. Title credit goes to
File 770 contributing editor of the day Soon Lee.]
As I’m composing them, I’m asking you for a favor. If there is some SFWA moment that has been particularly meaningful for you in the past five years, I’d love to hear about it. I’d also love to know if there is a SFWA volunteer or volunteers that have helped make your experiences with SFWA positive. This is YOUR chance to give them a shout-out; drop me an e-mail about it!
And Cat asked me:
Would you pass this along to the Filers?
I really very much would like to hear from the F&SF community at large about how they think SFWA is doing, if there’s been highlights for them, and what they’d like in the future from the organization.
File 770 has been one of the places I’ve gotten a lot of feedback and suggestions from during my time with SFWA and it’s been the source of so many titles that I added to the recommended reading lists each year. I’m doing a lot of writing up thank yous this final month and I definitely owe them one.
…Kingdoms of Elfin was first published as a collection in 1977 and comprises sixteen stories by Sylvia Townsend Warner; all but two of these had originally been published in The New Yorker earlier in that decade. Set in and around various, predominantly European, fairy courts, the stories were a consequence of Warner’s desire to write “about something entirely different [than the human heart]” following the death of her partner, Valentine Ackland, in 1969. The result is a set of stories that, Greer Gilman notes in her foreword to this new edition (Handheld Press, 2018, with an introduction by Ingrid Hotz-Davies), return constantly to images of “captivity and flight. The cages here are courts, Gormenghastly in their etiquette; but glittering.”
…Abigail Nussbaum: Well, I’ll take the easy answers and mention Clarke’s Jonathan Strange and Mr Norrell, for the way that it attaches class so strongly to the fairy realm, and Gormenghast, for the way that it stresses ossified rituals that govern the lives of even the most elevated members of the court (I thought the similarity was particularly notable in “The Five Black Swans”). And, of course, if you mention Clarke, you have to assume that Mirrlees and Dunsany are not far behind. They both see fairies as fundamentally irrational beings and tell stories about humans getting caught in their webs. One thing that I found interesting about the Elfland stories was how rarely humans figured into them at all, and how the arrow of irrationality tended to point the other way when they did—it’s the fairies who find humans bizarre and hard to parse.
Another connection that I made while reading and that I’ve been mulling over since then is to Tove Jansson’s Moomin books. There’s something about the way the fairy courts are constructed—hidden in the wilderness but so comfortable and hypercivilized (in a way that can be stifling as well as comfortable once you’re allowed in)—that reminds me of the Moomin house, and of the way the books, especially the later ones, reveal an undertone of wildness and danger that is only just held at bay by the Moomins’ fundamental goodness….
(3) PAY RAPT(OR) ATTENTION. Check in to Jurassic World: Camp Cretaceous,
an all-new animated series coming to Netflix in 2020. According to ScienceFiction.com:
Little is known about the series so far, but it will be set within the timeline from the 2015 release of ‘Jurassic World.’ The plot will have the show follow “a group of six teenagers chosen for a once-in-a-lifetime experience at a new adventure camp on the opposite side of Isla Nublar. But when dinosaurs wreak havoc across the island, the campers are stranded. Unable to reach the outside world, they’ll need to go from strangers to friends to family if they’re going to survive.”
The Cold Blue‘s director on his new doc, restoring William Wyler’s The Memphis Belle and propaganda and “fake news,” then and now.
“Of all the liars, the smoothest and most convincing is memory.” My pal Harlan Ellison used to say that all of the time (and he would also want you to know that that line wasn’t his. Harlan was picky about giving credit where due). How then is it possible to tell the truth about our shared past? We have recently seen the emergence of three documentaries that revolve around the restoration of archival footage to depict a forensic kind of truth. They Shall Not Grow Old takes us back to the devastating British experience of World War 1, Apollo 11 recreates a moment of technological triumph and the last call of American “can-do” optimism, and my film The Cold Blue celebrates the “last of the best,” the young men who flew suicidally dangerous combat missions in B-17s over Germany in World War II. All of these films spraying Windex onto the murky window of the past – and give it a good big-screen, immersive-sound-design wipe.
These three documentaries have all generated a surprising amount of critical attention and box-office success, clearly speaking to modern audiences in a way that has surprised many. Nostalgia for a lost past has never seemed so vital, which perhaps says more about the dysfunction and demoralization of our current life and times than we might care to admit.
As for myself, I have long been fascinated with the secret history of the 20th century. Not what is in the books, but what really happened behind the scenes and in the margins. All too often, history has been reduced to cliché, or black-and-white images that immediately distance us from the past, with the quotidian details that bring history to life obscured.
The Cold Blue was a chance for me to attend to those details, as well as pay homage to a generation that became inadvertently great, along with a filmmaker who worked very hard at staying great, William Wyler.
It started with a chance discovery of all 34 reels of the source material for Wyler’s classic documentary The Memphis Belle — filmed during the spring and summer of 1943 on 8th Air Force bases in England, and on bombing missions over Nazi occupied Europe. During production, one of Wyler’s cameramen, Harold Tannenbaum, was lost along with his plane over France. Since The Memphis Belle’s original release, all copies have deteriorated, and laboratory scratches inflicted on the original footage in 1943 remained. When I learned about the existence of the 15 hours of Wyler’s raw footage, in radiant color, that captured, home-movie style, the insanely risky missions flown by the 8th Air Force, I knew there was a new story that demanded to be told. But first, we replaced 500 individual shots of this raw footage over the 1944 The Memphis Belle’s existing soundtrack, and fully restored that film to pristine condition….
COLLABORATION. Neil Gaiman was interviewed by Pasadena radio station
Frame today about Good Omens.
Novelist and comic book creator Neil Gaiman is no stranger to writing for television — from episodes of “Babylon 5” and “Doctor Who” to bringing his own book, “American Gods,” to the Starz network. But for his latest mini-series for Amazon, “Good Omens,” starring Michael Seen and David Tennant, Gaiman had the added task of honoring the memory of the late Terry Pratchett. In 1990, Gaiman and Pratchett co- wrote the novel, “Good Omens: The Nice and Accurate Prophecies of Agnus Nutter, Witch.” Before Pratchett’s death in 2015, the two had hoped to bring the story to the screen but a production never came to light. In an interview at the Chateau Marmont in Hollywood, Gaiman told John Horn what it’s like to finally bring “Good Omens” to television all these years later without Pratchett as a writing partner.
(6) ON THE SHELF. Kim Huett analyzes what it takes to be “The
Next Big Thing” at Doctor Strangemind.
… I’m not sure that even book series such as Anne McCaffrey’s Dragonriders of Pern or Lois McMaster Bujold’s Vorkosigan Saga would work (even though I’m sure many people would be excited if they did, I’d certainly like to see the latter)….
The show will be shot in archaic Latin and feature 700 stunt people and thousands of extras occupying meticulously recreated historic locations.
Sky Italia is going back in history — way back to the eighth century B.C., and the creation of Rome — in its new series Romulus. Sky is producing the new 10-episode original with ITV Studio’s Cattleya and Groenlandia.
Director Matteo Rovere (Italian Race, Drifters) will serve as showrunner for the series, which will be shot in archaic Latin. His latest film, Romulus & Remus: The First King, debuted earlier this year in Italy, revealing the mythology of the two twin brothers whose turbulent story led to the founding of Rome. Michele Alhaique and Enrico Maria Artale are also slated to direct episodes.
…Howard believes the core fan base was interested in the product but it failed to spark the mainstream’s attention. “Whatever millions [‘Solo’] made worldwide, those were the core fans, but it didn’t hit that zeitgeist point, for whatever reason,” he told the “Happy Sad Confused” podcast. “Timing, young Han Solo, pushback from the previous movie, which I kept hearing was maybe something.”
And of course, “some trolling, definitely some trolling. Some actual aggressive… It was pretty interesting,” he shared. “It was especially noticeable prior to the release of the movie. Several of the algorithms, whether it was Metacritic or Rotten Tomatoes, there was an inordinate push down on the ‘want to see’ and on the fan voting.”
(9) DUBLIN 2019 DAY PASSES. Available soon.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born June 4, 1936 — Bruce Dern, 83. Here for Silent Running, a film I’d completely forgotten I’d seen until compiling this Birthday. It’s the directorial debut of Douglas Trumbull who went on to much more famous projects. He also shows up in a number of other genre films such as The Incredible 2-Headed Transplant, The Haunting, The Astronaut Farmer and Freaks. Needless to say, you’ll find him on series such as The Outer Limits, Alfred Hitchcock Presents and Land of the Giants.
Born June 4, 1951 — Wendi Pini, 68. With husband Richard, responsible for Elfquest. Over the years Elfquest has been self-published by the Pinis through their own company Warp Graphics, then Marvel Comics, then the Pinis again, more recently DC Comics and then Dark Horse Comics. Everything prior to 2013 is free online. Be prepared to spend hours lost in great reading!
Born June 4, 1953 — Kathleen Kennedy, 66. Film producer and current president of Lucasfilm. In 1981, she co-founded the production company Amblin Entertainment with Spielberg and husband Frank Marshall. If you’ve liked a major genre film, be it Raiders of the Lost Ark, Who Framed Roger Rabbit or The Secret World of Arrietty to give three very random examples, she most likely had a hand in it.
Born June 4, 1960 — Kristine Kathryn Rusch, 59. If you’ve not discovered the amazements of her Diving Universe series, you’re in for a treat — it’s that good. Her Retrieval Artist series is one that IIRC can be read in no particular order but is great deal of fun no matter where you start. Other than those two series, I’ve not read deeply of her, so recommendations are welcome.
Born June 4, 1964 — Sean Pertwee, 55. Let’s see, where did I see him first? Oh, of course playing Sheriff Hugh Beringar on Cadfael but that’s not really genre, is it? Captain Heinz in “Trenches of Hell, Part 2 “, The Young Indiana Jones Chronicles was his first genre role followed being Pilot Smith on Event Horizon and Macbeth in a UK film the same year. He did a bit of low budget horror playing Bradley Cortese in Tale of the Mummy and likewise in being Sergeant Harry G. Wells in Dog Soldiers. There were some fairly low budget SF as well, say Father in Equilibrium. Not to mention Brother Proteus in Ultramarines: A Warhammer 40,000 Movie! All of which gets redeemed by his Inspector Lestrade in Elementary, a stunning take on that character. And then there’s his Alfred in Gotham.
Born June 4, 1972 — Joe Hill, 47. I’ve met him once or twice down the years as he shows up here in Portland for signings. Nice guy. Locke & Key is an amazing series and I’m fond of all of his short stories, particularly those collected in 20th Century Ghosts.
Born June 4, 1975 — Angelina Jolie, 44. I really liked her two Tomb Raider films and thought Sky Captain and the World of Tomorrow was a really cool film. I never saw her early Cyborg 2 undertakingbut think Hackers and her role as Kate “Acid Burn” Libby was rather good. I’ve not seen, nor have any desire to see, her two Maleficent films.
(11) CARL BRANDON ON BRADBURY. This is from the pastiche “The Cacher In The Rye” by Carl Brandon (Terry Carr with Bhob Stewart), first published in 1956, and available again in Jeanne Gomoll’s collection Carl Brandon, recently published through Lulu.
Who the hell wants to see the program of a stfcon? But anyway, we went and heard goddam Bradbury.
Bradbury’s talk wasn’t as bad as some I’ve heard. I mean he wasn’t like old Ackerman with that toastmaster gag he pulls every convention. Bradbury just read one of his stories. It was kind of on the cruddy side. I know lots of fans think Bradbury is great and all, but I don’t. He writes real smooth and all, and he’s got good characterization and lots of goddam emotion in his stories…the only trouble is he writes too good. I mean, you don’t pay attention to what’s happening. You just notice how good he writes. But he was different, anyway. A hell of a lot better than old Ackerman pulling his toastmaster gig.
(12) BIG THREE. In contrast, Charlton Comics was much kinder toward Ray in this quick bio from
Haunted #61 (published in 1971).
(13) YOUNG ERB. According to True
West, a magazine that covers the history of America’s Old West, Edgar Rice
Burroughs’s stories were influenced by his two-year stint in the 7th U.S.
Calvary as they hunted for an elusive outlaw: “Edgar Rice Burroughs Hunted the Apache Kid”.
Dateline: Fort Grant, Arizona Territory, Saturday, May 23, 1896.
Edgar Rice Burroughs, age 20, arrived here today to begin a harrowing ten-month tour of duty with the 7th U.S. Cavalry. A graduate of Michigan Military Academy, Burroughs had recently failed the entrance exam to West Point. Yet youthful optimism led him to believe a commission might still be attained from the ranks. Enlisted at Detroit with consent of his father (former Civil War Maj. George Tyler Burroughs), underage Ed had now achieved his rather perverse but expressed desire to be sent to “the worst post in the United States.” At Fort Grant his high hopes for rapid advancement would soon be crushed upon hard Arizona rocks.
Unknown to Burroughs, those same jagged rocks concealed a living legend—the Apache Kid. Kid roamed ghost-like through the remote mountain vastness, a $5,000 bounty on his head on both sides of the border. Edgar Rice Burroughs, whose own legend was still unlit, would soon join the hunt for this famed phantom outlaw—thus tying his name forever to the Apache Kid saga.”
Rob Thornton sent the link with a note of warning: “Some
sexism here, including the use of the term ‘soiled dove’ when the article
refers to prostitutes).”
Victoria Girgis was leading a public outreach session at the Lowell Observatory in Flagstaff, Ariz., when one of her guests noticed a string of lights moving high overhead.
“Occasionally, you’ll see satellites, and they look kind of like shooting stars moving through the sky,” Girgis says. “But this was a whole line of them all moving together.”
The guest hadn’t spotted a UFO invasion. Rather, it was the first installment of billionaire Elon Musk’s vision for the future: a constellation of satellites known as Starlink that’s meant to provide Internet to the entire planet.
On May 23, Musk’s company SpaceX launched a rocket that carried 60 Starlink satellites into orbit. The 500-pound satellites fanned out like a deck of cards. From the ground, they looked like a glittering string whizzing across the arc of the sky.
The crowd watched as the satellites moved in front of the small telescope Girgis had trained on some distant galaxies. The bright satellites created over two dozen streaks across an image she was taking.
“My first immediate reaction was, ‘That’s visually kind of cool,'” she says. “But my second reaction was, ‘Man you can’t see a single galaxy.’ “
Winter may have arrived in Westeros, but that’s not going to stop our favorite “Game of Thrones” characters—the ones who are left, anyway—from indulging in their favorite sweets, meats, and goblets upon goblets of various boozes. (Or at least that’s what we assume. Not even a White Walker seems like it’d stand in the way of a Lannister, Stark, or Targaryen and his or her meal.)
[…] While waiting to see what the final episode has in store, we’ve rounded up some of the most notable dishes below, along with recipes that you can try for yourself.
Recipes are offered for Lemon Cakes; Kidney Pie;
Purple Wedding Pie; Pork Sausage, Oysters, Clams, and Cockles; Roast Boar;
Whole Roasted Chicken; and Mulled Wine.
The world’s largest rare book fair, this biennial event features more than 200 exhibitors from across the globe.
In 2020, we are celebrating the 100 years of national women’s suffrage with special exhibits, lectures, and panel discussions.
There will also be an additional exhibit and seminar in honor of the 100th anniversary of Ray Bradbury’s birth.
[Thanks to Cat Eldridge, John King Tarpinian, JJ, Chip Hitchcock,
Martin Morse Wooster, Mike Kennedy, Rob Thornton, Carl Slaughter, and Andrew
Porter for some of these stories. Title credit goes to File 770 contributing
editor of the day Paul Weimer.]
The Science Fiction and Fantasy Writers of America (SFWA, Inc.) announced the winners of the 54th Annual Nebula Awards in Woodland Hills, CA on May 18.
The Nebula Awards, given annually, recognize the best works of science fiction and fantasy published in the previous year. They are selected by members of the Science Fiction and Fantasy Writers of America. The first Nebula Awards were presented in 1966.
2018 NEBULA AWARD WINNERS
The Calculating Stars, Mary Robinette Kowal (Tor)
The Tea Master and the Detective, Aliette de Bodard
The Only Harmless Great Thing, Brooke Bolander (Tor.com
“The Secret Lives of the Nine
Negro Teeth of George Washington”, Phenderson Djèlí Clark (Fireside 2/18)
Black Mirror: Bandersnatch, Charlie Brooker (House of
Tomorrow & Netflix)
The Ray Bradbury Award for Outstanding Dramatic Presentation
Spider-Man: Into the Spider-Verse, Screenplay by: Phil Lord and
The Andre Norton Award for Outstanding Young Adult Science Fiction
or Fantasy Book
Children of Blood and Bone, Tomi Adeyemi (Henry Holt;
(1) NEBULA LIVESTREAM. You
can see it on SFWA’s YouTube channel at 8:00 p.m. Pacific.
The Science Fiction and Fantasy Writers of America are presenting the 2018 Nebula Awards for excellence in science fiction and fantasy writing, live from the Warner Center Marriott in Woodland Hills, CA.
The Starship Enterprise has travelled far and wide throughout the galaxy, encountering countless civilizations — and now it is sitting in a garage in eastern Toronto.
…Bill Doern, a 51-year-old who runs a boutique public relations and marketing firm in Toronto, watched reruns of the original Star Trek television series as a boy. His favourite character is Spock. His favourite captain is Picard. When his wife was pregnant with their first child, he hoped to name the boy Mr. Sulu (they ended up naming him Elijah).
Mr. Doern is, in other words, about as much of a Trekkie as a Trekkie can be.
The Saturday before Mother’s Day, he was driving home from doing some grocery shopping when he saw a scale replica of the Enterprise NCC-1701-A, last seen in the movie Star Trek VI: The Undiscovered Country, released in 1991, on a neighbour’s front lawn.
Mr. Doern stopped to get a picture of the ship, which is about as big as a small car. As he was snapping a pic, the homeowner came out with a “For sale” sign.
…It should come as no surprise then that a joint team comprised of members of MIT’s Media Lab (Artificial Intelligence Division) and Hanson Robotics was recently formed to address the need for Fanbots – electronic replacements for geeks and nerds.
“This project actually began in Hollywood”, said Dr. Calvin, Chief Administrator for the project. “Studio heads approached us a few years ago and asked us to blue-sky a response to the negativity that was surrounding, among other things, Disney’s evisceration of the Star Wars extended universe, not to mention Paramount’s problems with Star Trek fan films, the on-going complaints about Fox’s cancellation of Firefly, the regular eruption of re-make hysteria, the encroachment of real world politics into entertainment.”
Calvin went on to explain that the studios were expressing grave concern over the reliability of fans, and concern over the increasing sense of “ownership” fans were expressing regarding favored properties. One director stated that he was “sick and tired of being told what prior works he had stolen his ideas from; another expressed dismay over fan’s insistence that some degree of logicality accompany the plots of entirely fictional characters; marketing division heads complained about the complete and utter unreliability of fan audiences who seemed to select favorites and stinkers in an entirely arbitrary and fickle manner.”…
Three years before he died last year, the brilliant caricaturist, illustrator, animator and comic strip artist, Robert Grossman completed his as-of-then unpublished magnum opus, a decade long passion titled Life On The Moon: A Completely Illustrated Novel (Yoe Books). Grossman prided himself on illustrating “the un-illustratable” — an historical graphic novel based on the “Great Moon Hoax,” the most successful fake news story ever published.
Robert Grossman and the Moon
In 1835, The New York Sun published a series of six articles declaring the discovery of life–and advanced civilization–on the moon, which the newspaper attributed to the famous contemporary astronomer Sir John Herschel. According to the Sun, the lunar inhabitants included unicorns, bison, bipedal tail-less beavers, and intelligent humanoids with bat-like wings.
…Nor is the contagion confined to American authors. Last month John Boyne, best known for the Holocaust novel The Boy in the Striped Pyjamas, received such a barrage of abuse prior to the publication of his latest book, My Brother’s Name Is Jessica, which features a transgender central character, that he was briefly forced off Twitter. Critics labelled the book ‘transphobic’, suggesting that because Boyne is not transgender the story ‘lacked authenticity’ and its title ‘misgendered’ the fictional protagonist.
At almost the same moment that Boyne was deleting his Twitter account, Lincolnshire-based Zoe Marriott, a prolific writer of YA fiction, was also being hounded on the site over her new fantasy novel, The Hand, the Eye and the Heart, because it’s set in ‘fairy-tale China’. One prominent YA blogger warned: ‘White authors need to stay the hell away from the stories of people of color.’ Curiously, said blogger’s day job involves manning the tills at Foyles, one of London’s most revered bookshops — pity the poor sod who dares trouble her for a copy of Othello, or Tolkien for that matter. The father of fantasy fiction has come in for criticism for his portrayal of orcs in The Lord of the Rings. Some feel his work is ‘racialized’. And what’s a sensitive young bookseller to do if a young customer requests a C.S. Lewis, whose Narnia books were branded ‘blatantly racist’ and misogynistic by fellow fantasy author Philip Pullman? Pullman has since been labelled ‘transphobic’ himself after tweeting in October that he was ‘finding the trans argument impossible to follow’.
…Though the rule in question specifically targets the promotion or display of “fictitious Nazis or Nazi-like organizations,” Anime NYC has been highly inconsistent in its application of the rule. Tanya the Evil, a series specifically noted in the rules, features allusions to aspects of World War II (such as the appearance of the World War II-era MP40 submachine guns or a character based on Werner Von Braun) but is entirely set in a fictional country based heavily on World War I-era Europe.
Furthermore, in a move deemed hypocritical by some fans, the close professional partnership between LeftField Media and Crunchyroll led to Anime NYC promoting a special screening of The Saga of Tanya the Evil – the Movie:…
… The show did indeed take a turn for the worse, but the reasons for that downturn goes way deeper than the usual suspects that have been identified (new and inferior writers, shortened season, too many plot holes). It’s not that these are incorrect, but they’re just superficial shifts. In fact, the souring of Game of Thrones exposes a fundamental shortcoming of our storytelling culture in general: we don’t really know how to tell sociological stories.
At its best, GOT was a beast as rare as a friendly dragon in King’s Landing: it was sociological and institutional storytelling in a medium dominated by the psychological and the individual. This structural storytelling era of the show lasted through the seasons when it was based on the novels by George R. R. Martin, who seemed to specialize in having characters evolve in response to the broader institutional settings, incentives and norms that surround them.
After the show ran ahead of the novels, however, it was taken over by powerful Hollywood showrunners David Benioff and D. B. Weiss. Some fans and critics have been assuming that the duo changed the narrative to fit Hollywood tropes or to speed things up, but that’s unlikely. In fact, they probably stuck to the narrative points that were given to them, if only in outline form, by the original author. What they did is something different, but in many ways more fundamental: Benioff and Weiss steer the narrative lane away from the sociological and shifted to the psychological. That’s the main, and often only, way Hollywood and most television writers tell stories….
We’re pleased to see that an inter-city bus carrier has begun to sell tickets for intercity bus service Reno-Tonopah-Las Vegas-Phoenix, starting July 3, 2019. This should give people traveling to Tonopah by air to Reno or Las Vegas an additional way of getting to Tonopah without having to rent a vehicle or group with other people doing so.
Due to attempted vandalism, Social Justice Warriors may not travel on Streamliner. Social Justice Warriors include:
Persons self-proclaiming to be “Social Justice Warriors” or “SJWs”.
Persons supporting California regulations prohibiting or restricting Streamliner operations.
Persons supporting boycotts, sabotage, agitation, protests, and terrorism against Streamliner.
(9) SMITH OBIT. Artist Dennis Neal Smith, chair of the first WesterCon in San Diego in 1966, has died reports Greg Bear.
Fond farewell to Dennis Neal Smith, famous for many things, and scholar of many things, who inspired Harlan Ellison’s “I Have No Mouth and I Must Scream,” with his richly textured illustrations, and who illustrated my first story collection for Arkham House, as well as Joanna Russ’ collection.
Jackie Estrada says Smith died of
But his biggest claim to fame was his artwork. Harlan Ellison based several of his short stories on drawings by Dennis, including “Bright Eyes,” “I Have No Mouth and I Must Scream,” and “Delusions for a Dragonslayer.” He also did the art for the first progress report for the 1972 San Diego Comic-Con and served on the committee back then.
The 1966 San Diego Westercon hotel
inspired Poul Anderson to write the immortal filk “Bouncing Potatoes”.
(10) TODAY IN HISTORY
May 18, 1962 — The Twilight Zone aired “I Sing The Body Electric,” based
on a story by Ray Bradbury.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born May 18, 1930 — Fred Saberhagen. I’m reasonably sure I’ve read the entirety of his Berserker series. Some are outstanding, some less so. Of his Dracula sequence, the only one I think read is The Holmes-Dracula File which is superb. And I know I’ve read most of the Swords tales as they came out. (Died 2007.)
Born May 18, 1934 — Elizabeth Rogers. Trek geeking time. She had two roles in the series. She provided the uncredited voice for “The Companion” in the “Metamorphosis” episode. She also portrayed Lt. Palmer, a communications officer who took the place of Uhura, in “The Doomsday Machine”, “The Way to Eden”, and the very last episode of the series, “Turnabout Intruder”. She also had appearances on Time Tunnel, Land of The Giants, Bewitched, The Swarm and Something Evil. (Died 2004.)
Born May 18, 1946 — Andreas Katsulas. I knew him as Ambassador G’Kar on Babylon 5 but had forgottenhe played played the Romulan Commander Tomalak on Star Trek: The Next Generation. His first genre role on television was playing Snout in A Midsummer Night’s Dream and he had a recurring role in Max Headroom as Mr. Bartlett. He alsohad appearances on Alien Nation, The Death of the Incredible Hulk, Millennium, Star Trek: Enterprise and The Real Adventures of Jonny Quest. (Died 2006.)
Born May 18, 1948 — R-Laurraine Tutihasi, 71. She’s a member of LASFS and the N3F. She publishes Feline Mewsings for FAPA. Not surprisingly, she’s had a number of SJW credentials in her life and her website gives honour to them here.
Born May 18, 1949 — Rick Wakeman, 70. English musician who did a number of genre themed recordings including Journey to the Centre of the Earth, The Myths and Legends of King Arthur and the Knights of the Round Table and Nineteen Eighty-four.
Born May 18, 1952 — Diane Duane, 67. She’s known for the the Young Wizards YA series though I’d like to single her out for her lesser known Feline Wizards series where SJW creds maintain the gates that wizards use for travel throughout the multiverse.
Born May 18, 1958 — Jonathan Maberry, 61. The only thing I’ve read by him is a number of works in the Joe Ledger Series which has a high body count and an even higher improbability index. I see that he’s done scripts for Dark Horse, IDW and Marvel early on. And that he’s responsible for Captain America: Hail Hydra.
Born May 18, 1969 — Ty Franck, 50. Half of the writing team along with Daniel Abraham that s James Corey, author of the Expanse series. I’ll admit that I’ve fallen behind by a volume or two as there’s just too many good series out there too keep up with all of them, damn it!
(12) SCARES THAT CARE.[Item by
Dann.] Episode 219 of The Horror Show with Brian Keene
included an announcement of the 3rd Horror Show telethon to benefit the Scares That Care charity. The
first telethon in 2017 raised over $10,000, last year’s telethon raised over
$20,000. Both events took place in Pennsylvania and heavily featured
guests living on the east coast of the United States.
This year’s event will take place on September 27-28
at Dark Delicacies
located at 822 N. Hollywood Way located in Burbank, CA. This is a new
location for the bookstore that bills itself as the “Home of Horror”.
One feature of holding this year’s event in California
is the ability to draw on the talented people in the horror genre that live and
work on the west coast of the United States.
Unlike the first two telethons, this year’s event will
take place in a location with less room for live viewing. It is hoped
that attendees will circulate in and out of the viewing area that patrons of
the store will still be able to shop.
The telethon will be broadcast live via one of the
streaming services. Online fundraising will be performed via the Scares That Care website.
Fans wanting to participate in a Scares That Care event
on the east coast can attend the “Scares
That Care Weekend from August 1 to August 4 in Williamsburg, VA.
…The sword, Valofax, is a giant sentient blade that is the embodiment of all swords and knives throughout the universe. It changes the life of a small family: Grandfather Emmett Quinlan, his son, and his son’s wife and young daughter. The story takes us from Texas to Hell and finally to the far-off home of Valofax, whose creator wants the sword back even as his planet dies all around him….
Does that mean it’s supposed to be a long distance between Texas and Hell?
If you plunked down your $2 for a Worldcon membership (Pacificon II in San Francisco this year), then you probably sent in your nominations for the Hugo Awards, honoring the best works of 1963. Last month, you got the finalists ballot. Maybe, like me, you were surprised….
What do you think accounts for the recent boom in speculative fiction?
There’s been a trend over the last 20 years of “mainstream” literary authors dipping into speculative fiction — Margaret Atwood, John Updike. (But) we’re living in a time where everything is a little more science fictional. Technology has transformed lives in a short time, things like smartphones, medical technologies. A third thing is that speculative fiction is finally opening out and including authors who had previously been kept out of the genre: people of color, women, queer people, transgendered people, disabled people. That, I think, leads to an explosion of creativity and a ton of really interesting stories.
(18) NEBULA CONFERENCE VIDEOS.
SFWA has posted several panel discussions from this weekend’s event.
Shifting To Games. With Phoebe Barton, Kate Dollarhyde, Darusha Wehm, Natalia Theodoridou, and Kate Heartfield.
Now What? Emerging writers discuss life after their debut. With Rebecca Roanhorse, Peng Shepherd, Mike Chen, R.R. Virdi and R.F. Kuang
How do the writers of 2019 incorporate modern themes while writing in past settings? With Susan Forest, Connie Willis, Mary Anne Mohanraj, Kate Heartfield
(19) STAR WARS PITCH.ScreenRant lets you step inside the pitch meeting that led to Star Wars: Episode IV – A New Hope!
Carl Slaughter, Andrew Porter, John King Tarpinian, Cat Eldridge, JJ, Chip
Hitchcock, Jim Caughran, Dann, Nancy Sauer, Martin Morse Wooster, and Mike
Kennedy for some of these stories. Title credit goes to File 770 contributing
editor of the day Niall McAuley.]