Gardner Dozois and Sheila Williams Win SFWA Kate Wilhelm Solstice Award

The Science Fiction and Fantasy Writers of America have named Gardner Dozois and Sheila Williams the recipients of the Kate Wilhelm Solstice Award to honor their editing careers in support of science fiction and fantasy.

The Kate Wilhelm Solstice Award is given by SFWA for distinguished contributions to the science fiction and fantasy community. Dozois and Williams join the ranks of previous Solstice Award winners, including Octavia E. Butler, James Tiptree, Jr., Tom Doherty, Carl Sagan, and Stanley Schmidt. The award will be presented at the 53rd Annual Nebula Conference in Pittsburgh, May 17-20.

In addition to an honored career as a science fiction author, Gardner Dozois has edited science fiction since the 1970s. In 1977, he took over editing the Best Science Fiction of the Year series from Lester Del Rey, editing volumes 6-10 until 1981. He began editing a new series of The Year’s Best Science Fiction in 1984, and 2018 will see the release of the 35th annual volume of that series. From 1984 to 2004, he served as the editor of Asimov’s Science Fiction Magazine. He has also co-edited anthologies with Jack Dann, George R.R. Martin, and Sheila Williams, among others.

Sheila Williams

Sheila Williams took over the helm of Asimov’s from Dozois in 2004 and is the magazine’s current editor. In addition to her work on the magazine, Williams has edited and co-edited numerous anthologies, sometimes in collaboration with Cynthia Manson, Charles Ardai, and Connie Willis. Williams co-founded the Dell Magazines Award for undergraduate Excellence in Science Fiction and Fantasy in 1982 and continues to administer the award.

SFWA President Cat Rambo has noted, “Two of the most influential editors of our time, both Dozois and Williams have shaped our field through encouraging, growing, and spreading word of new voices. Honoring them for their contribution to our community seemed like a great use of the Kate Wilhelm Solstice Award.”

[Based on a press release.]

Help Pick the 32nd Annual Asimov’s Readers’ Awards

Voting is open in the 32nd Annual Asimov’s Readers’ Awards. You’ve got a little time left to submit your online ballot — the form must be completed by February 1.

From short stories and novellas to novelettes and poems – and even best covers! – let us know your Asimov’s favorites this year.  Winners join the pantheon of Asimov’s authors who represent the Who’s Who of science fiction writers over the past thirty years.

Editor Sheila Williams has penned a lengthy overview of the eligible work. She begins —

As I looked over our index of 2017 stories, it struck me that I find something special in every story that I purchase for the magazine. A highly personal annotated list of the work that will be on this year’s ballot grew from those musings. Be warned that there are spoilers here. I’ve divided this essay into short stories, novelettes, and longer works, but the rest of the order is mostly controlled by whim…

[Thanks to Standback for the story.]

Pixel Scroll 1/12/18 If You’ll Be My Pixel, I Can Be Your Long Lost Scroll

(1) TERRAN AWARD. George R.R. Martin, in “Aliens In Taos”, announces he has created a scholarship to bring an sf writer from a non-English speaking country to Taos Toolbox.

When astronauts look down on Earth from orbit, they don’t see borders, national boundaries, or linguistic groups; they see one world, a gorgeous blue globe spinning in space, streaked with clouds. I don’t know if humanity will ever reach the stars (though I hope we will), but if we do, it won’t be Americans who get there. It won’t be the Chinese or the Russians or the British or the French or the Brazilians or the Kiwis or the South Africans or the Indians or the folk of any other nation state either. It will be humanity; in the language of the SF of my youth, it will be Terrans or Earthlings or Earthmen. The future belongs to all the peoples of the world.

With that in mind, I want to announce that I am sponsoring a new scholarship, to bring an aspiring SF writer from a non-English-speaking country to the Taos Toolbox, the graduate level writing workshop that Walter Jon Williams and Nancy Kress run every summer in the mountains of northern New Mexico. The TERRAN AWARD, as I am calling it, will be given annually, and will cover all tuition and fees to the Toolbox (travel and meals not covered, alas). Applicants will need to speak and write in English, but must be from from a country where English is not the primary language. Walter Jon and Nancy and the Toolbox staff will select the winner. For more information on applying for the workshop, and the scholarship, contact WJW at wjw@taostoolbox.com

(2) MARKET REPORT. David Steffen has compiled the “SFWA Market Report for January” for the SFWA Blog,

(3) VISIT QO’NOS. The first Klingon tourist center has opened in Sweden.

Humans! tlhlngan maH [we are Klingons]

The Klingon Institute of Cultural Exchange demand your presence at our Terra-Friendly© presentation of Klingon culture and customs at Turteatern on Terra, Alpha Quadrant.

You will get the possibility to try cuisine, listen to opera, and a chance to acquire useful lifesaving tips in your everyday interaction with Klingons and Klingon customs, so that you may plan your holiday to our great empire and the First City on the planet Qo’noS without risking any discomfort and/or premature death.

This live-act presentation is brought to you by Visit Qo’noS, the tourist department of the Klingon high council.”

(4) OPINION RECONSIDERED. Teresa Jusino goes in an unexpected direction at The Mary Sue with “Internalized Sexism and Star Wars: My Long-Overdue Apology to Luke Skywalker”.

It would be tempting to “blame” all this on the prequels adding in new information after the fact, but as the video essay goes to great lengths to point out, Obi-Wan Kenobi and Yoda teach Luke the same lessons about burying his feelings in the original trilogy. The difference between Anakin and Luke?

Luke consistently bucks his Jedi training in favor of giving in to his emotions and saving people.

Luke cares about others, even if they’ve “fallen to the Dark Side,” and so whether it’s to save his sister and his friends or to try to redeem Darth Vader, he follows his emotions in spite of the warnings he gets from his mentors, and he’s heroic because of it. This is why, to me, the Luke we meet in The Last Jedi is Peak Luke. He’s at his most emotional, his most vulnerable … and ultimately, at his most heroic

(5) WHEATON. Think Tank tells about supernovas in “When Stars Go Boom.”

Why do some stars end their lives in a supernova explosion? And how does that lead to forming planets and life like us? A science expert (Jerrika Hinton) explains by hooking her hapless assistant (Wil Wheaton) up to a Thought Visualizer, a machine that allows anyone to see his thoughts. With Ed Wasser.

 

(6) MORE VIDEO ARCHEOLOGY. Fanac.org has posted the restored video of the “Weird and Horror Genre Luncheon Panel” from MidAmeriCon, the 1976 Worldcon.

MidAmeriCon, the 34th World Science Fiction Convention, was held in Kansas City in 1976. This excerpt from the discussion held at the Weird and Horror Genre Luncheon features (L-R) Poul Anderson, Charles Grant, Ted White, Kirby McCauley (mod), Tom Reamy and Stuart Schiff talking about ghost stories, fairy tales, and why they are attracted to the genre. There are some spots where the film is damaged. Video and video restoration provided by David Dyer-Bennet and the Video Archeology Project.

 

(7) FLAME ON. HBO dropped a teaser trailer for Fahrenheit 451.

HBO Films presents Fahrenheit 451. In a terrifying care-free future, a young man, Guy Montag, whose job as a fireman is to burn all books, questions his actions after meeting a young girl…and begins to rebel against society. Starring Michael B. Jordan, and Michael Shannon.

 

(8) EATING THE FANTASTIC. Scott Edelman invites listeners to share flash-fried cauliflower with Sheila Williams in episode 57 of the Eating the Fantastic podcast.

Sheila Williams

Sheila has worked for Isaac Asimov’s Science Fiction Magazine since 1982, became its editor in 2004, and went on to win the Hugo Award for Best Short Form Editor in 2011 and 2012. She also co-edited A Woman’s Liberation: A Choice of Futures by and About Women with Connie Willis, as well as numerous other anthologies.

We chatted about her first day on the job more than a third of a century ago, meeting Isaac Asimov at an early Star Trek convention when she was only 16, which writer intimidated her the most when she first got into the business, what she learned from working with previous Asimov’s editors Shawna McCarthy and Gardner Dozois, the most common problems she sees in the more than 7,000 stories that cross her desk each year, the identities of the only writers she’s never rejected, what goes through her mind in that moment she reads a manuscript and arrives at “yes,” and much more.

(9) TODAY IN HISTORY

  • January 12, 1933:  Dr. Moreau adaptation Island of Lost Souls opens in New York City.
  • January 12, 1940:  Universal’s Invisible Man returns in The Invisible Man Returns! The Department of Redundancy Department approves.

(10) TODAY’S BIRTHDAY EYEBALL

  • Born January 12, 1992 or 1997 – HAL 9000. In the film 2001, HAL became operational on this date in 1992. The Wikipedia says the activation year was 1991 in earlier screenplays and changed to 1997 in Clarke’s novel.

(11) COMICS SECTION.

(12) MASSIVE EFFORT. Pornokitsch reviews all ten Self-Published Fantasy Blog-Off 2017 finalists in a single glorious post – “SPFBO2017: The Finalists Reviewed (All of ’em!)”.

But, for now, here are this year’s ten finalists, in no particular order, with my – somewhat arbitrary – scores. Thanks again for all the writers, readers, judges and administrator (singular!) for participating, and please check out the other judges for other perspectives!

(13) CON OR BUST. Kate Nepveu’s Con or Bust newsletter lists many opportunities for fans of color/nonwhite fans to get memberships and other assistance to attend upcoming sf events. For example —

The following cons have recently donated assistance or memberships to Con or Bust:

  • JoCo Cruise 2018, February 18-25, 2018, departing from San Diego, CA, USA. JoCo Cruise has donated at least five cabins, which accommodate two to four people, and which come with lodging, meals and drinks (except not alcohol or soft drinks), and access to all programming. Please see the blog post for important details.
  • The 2018 SFWA Nebula Conference, May 17-20, 2018, Pittsburgh, PA, USA. The SFWA Givers Fund has awarded $4,000 to Con or Bust to enable people of color/non-white people attend SFWA Nebula Conference; funds can be requested during February 1-10, 2018.
  • Beach City Con, October 12 – 14, 2018, Virginia Beach, VA, USA (@beachcitycon). Beach City Con is a Steven Universe fan convention; it donated four weekend passes, which can be requested during February 1-10, 2018.
  • Scintillation, October 5-7, 2018, Montréal, Quebec, Canada. Scintillation is a small literary focused SF convention with program by Jo Walton; details at its Kickstarter page. It donated three memberships and $100, which can be requested during February 1-10, 2018

(14) LAST JEDI ANALYZED. Under some circumstances, Foz Meadows might like to take a red pen to “Star Wars: The Last Jedi”. BEWARE SPOILERS, if you still need to.

Based on this, it seems clear that The Last Jedi is intended to parallel The Empire Strikes Back, both structurally and thematically. All the same elements are in play, albeit recontextualised by their place in a new story; but where Empire is a tight, sleek film, The Last Jedi is middle-heavy. The major difference between the two is Poe’s tension-and-mutiny arc, which doesn’t map to anything in Empire.

And this is the part where things get prickly. As stated, I really love Rose Tico, not only because she’s a brilliant, engaging character superbly acted by Kelly Marie Tran, but because she represents another crucial foray into diverse representation, both in Star Wars and on the big screen generally. There’s a lot to recommend Vice-Admiral Holdo, too, especially her touching final scene with Leia: I still want to know more about their relationship. I am not for a moment saying that either character – that either woman – doesn’t belong in the film, or in Star Wars, or that their roles were miscast or badly acted or anything like that. But there is, I suspect, a truly maddening reason why they were paired onscreen with Finn and Poe, and that this logic in turn adversely affected both the deeper plot implications and the film’s overall structure.

(15) NO EMISSION CONTROL. NPR says “Researchers Spot Massive Black Hole In Double ‘Burp'”.

A giant black hole located at the center of a galaxy 800 million light-years from Earth has been caught on camera letting out not one, but two massive “burps” of highly charged particles.

It is the first time astronomers have viewed the phenomenon twice in the same black hole.

Images released Thursday and credited to the Hubble Space Telescope and the Chandra X-ray Observatory were presented at the American Astronomical Society’s winter meeting in National Harbor, Md., outside Washington, D.C.

“Black holes are voracious eaters, but it also turns out they don’t have very good table manners,” Julie Comerford, an astronomer at the University of Colorado Boulder, said during a news conference Thursday, according to Space.com. “We know a lot of examples of black holes with single burps emanating out, but we discovered a galaxy with a supermassive black hole that has not one, but two burps.”

(16) PADDINGTON 2 VERDICT. NPR’s Andrew Lapin sees “‘Paddington 2’: A Story That Bears Repeating”.

If only all of us could see the world the way Paddington sees London. The furry little bear in a raincoat looks around his adopted home and finds, in the smiling faces of his neighbors, nothing but joyful spirits and good intentions. There are no “no-go zones”; even a prison full of roughnecks can be a chance to help people in need. Forget the fact that he’s a talking bear from Darkest Peru. It’s Paddington’s impenetrable spirit, his striving to do right by the world, to “always see the good in people,” even those who wish him harm, that is the biggest wish-fulfillment of 2018.

(17) SHE GETS MAIL. Ursula Vernon cannot comfort the youth of America —

(18) MORE EYES IN THE SKY. BBC reports on a UK satellite, launched by India, to make movies from space, (first of a planned cluster, like ICEYE satellites sent yesterday).

A British satellite has gone into orbit on an Indian rocket to acquire full-colour, high-definition video of the surface of the Earth.

The demonstrator is expected to pave the way for a series of at least 15 such spacecraft, which will be operated by the Guildford-based company Earth-i.

The small, low-cost UK mission was one of 31 payloads riding on the Indian Polar Satellite Launch Vehicle.

It lifted off from the Satish Dhawan spaceport in Andhra Pradesh.

(19) BLACK WIDOW APPROACHING. According to Variety, “Marvel’s Standalone ‘Black Widow’ Movie Gains Momentum With Jac Schaeffer Writing”.

Marvel is finally pushing ahead with the highly anticipated “Black Widow” standalone movie starring Scarlett Johansson, with Jac Schaeffer penning the script.

Sources say this is still very early development, as the film has no greenlight, but naming a writer is the closest the studio has come to moving forward on a standalone pic. Marvel President Kevin Feige met with several candidates before tapping Schaeffer, and Marvel execs met with Johansson to discuss what they wanted from a “Black Widow” writer.

In case you need a reminder, watch this scene from Iron Man 2 of Scarlett Johansson’s Black Widow in action.

(20) BLUE MAN CULTIST. Here’s the official trailer for Cold Skin.

[Thanks to John King Tarpinian, JJ, Cat Eldridge, Chip Hitchcock, Hampus Eckerman, Andrew Porter, Kathodus, and Carl Slaughter for some of these stories. Title credit belongs to File 770 contributing editor of the day Steve Davidson.]

Pixel Scroll 11/15/16 The Manhunt Extended Across More Than One Hundred Pixels And Eight Box Tick Scrolls

(1) NAMING CALLS. Katie Rask announced that the YA Award Survey has had over 1,200 entries so far.

(2) THE SHIRT OFF YOUR BACK. The gift-giving season approaches, so it’s time to pay another visit to the Litographs store, where you can pick up something from The Princess Bride movie, or Daniel Jose Older’s Shadowshaper, or quite a few other genre authors from Diana Gabaldon and Ellen Kushner to Kurt Vonnegut and H. P. Lovecraft.

princess-bride-t-shirtdaniel-jose-older-t-shirt

(3) LINGUISTICS IN SF. Rowan Hooper’s piece for New Scientist looks at the use of linguistics in Arrival to give a survey of how sf films have treated linguistics, with references to Contact and Interstellar — “The science behind the twisting alien linguistics of Arrival.

Science fiction thrillers usually send in gun-toting heroes like Will Smith or Tom Cruise to kick invading alien butt. Arrival is completely, wonderfully different: it sends in a linguist, played by Amy Adams.

“Language,” one character says, “is the first weapon drawn in a conflict.” The big question to ask the aliens: what is their purpose on Earth?

In Contact, the aliens used prime numbers as a Rosetta stone that could be used to decrypt their communication; in Close Encounters of the Third Kind they helpfully used five musical tones in a major scale, presumably because vibrating strings have the same harmonics in other parts of our galaxy.

(4) MR. SCI-FI NEEDS SPACE. Storage space, that is — anybody want to store a spaceship?

Writer-Director-Producer Marc Zicree needs your help! Part of the hero set of Space Command (half the floor) needs a free home! (The rest is in storage). He’s been working to get overhead down on costs such as rent, while he’s busy at work completing the two-hour pilot of Space Command and selling the show. Have some of your garage or yard free to give us some space for our spaceship floor? You can help!

 

(5) INTO THE WEST ONCE MORE. HBO has renewed Westworld reports the New York Times.

“Westworld,” an expensive sci-fi drama, had been sidetracked by development problems and its October debut was later than expected. Before it had its premiere, HBO executives were privately saying they were unsure if it would land with its audience. But landed it has. “Westworld” has regularly been the No.-3-highest-rated scripted TV show in cable, drawing nearly three million viewers each week. HBO said on Monday that after adding up additional metrics like DVR, HBO Go and HBO Now views, the show is averaging 11.7 million viewers per episode, a figure they said is higher than “Game of Thrones” and “True Detective” at similar points in their freshman seasons. And like the first season of “True Detective,” it has ignited a lot of commentary online.

(6) SERIES BASED ON ATWOOD NOVEL. Hulu is planning a 10-episode adaptation of The Handmaid’s Tale.

Taking a cue from Netflix, Hulu isn’t slowing down with its original programming. Today, the streaming service announced that it’s ordered a full series adaptation of The Handmaid’s Tale, Margaret Atwood’s seminal sci-fi novel. It centers on a totalitarian society where the birth rate is falling, and fertile women are placed in sexual slavery as “handmaids” to help humanity repopulate. Elisabeth Moss (Mad Men, Top of the Lake) will star as Offred, a handmaid working in the home of a government official named The Commander. Her main goal? To find her daughter, all the while trying to deal with her low place in society.

(7) OUTRÉ LIMITS. Sheila Williams explains why the current issue of Asimov’s consists of all fantasy stories.

Welcome to our annual slightly spooky issue. The fall double issue is always long in the making. Throughout the year, we see stories that land a little outside Asimov’s, admittedly rather soft, parameters. While we do publish one or two stories in each issue that could be called fantasy, surreal fiction, or slipstream, our focus is primarily on science fiction. Of course I get a lot of traditional science fiction story submissions, but I see a lot of uncanny submissions, too. The average issue of Asimov’s rarely features ghosts, witches, or werewolves, so during the year I tend to set aside many of my favorite outré tales while I wait to lay out the October/November issue.

(8) I KNOW. The actress kept this news on ice for 40 years — “Carrie Fisher Reveals She Had an Affair With Harrison Ford on ‘Star Wars’: ‘It Was So Intense’”.

Carrie Fisher is finally going public with a secret she has guarded closely for 40 years: When she was 19, she and Harrison Ford, then a 33-year-old married father of two, had a whirlwind three-month affair while filming the original Star Wars in 1976.

“It was so intense,” the actress-author, 60, tells PEOPLE exclusively of the real-life romance die-hard fans of the franchise have wished for since Han Solo and Princess Leia captured hearts on-screen.

(9) POP CULTURE QUEST. The actor who convinced California to pass a law about authenticating collectibles now has turned his interest into a TV show — “Mark Hamill on Turning Professional Toy and Collectibles Explorer”.

Hamill has launched a new series, Mark Hamill’s Pop Culture Quest, on the recently-launched Comic-Con HQ subscription service – you can watch the first episode right now via DC Comics’ YouTube channel.

On the series, Hamill — an avid toy and memorabilia collector himself — travels to see different notable collections, from classic Godzilla and other Japanese-created toys kept in a fan’s home to the iconic Batman comics and items on display at DC Comics’ headquarters. I spoke to Hamill about how the series came to be, what it’s like for him to interview the subjects, and more, including his own personal history as a collector….

IGN: As we’re doing an interview right now, I’m curious, doing this show, do you enjoy getting to be the interviewer, having been on the other side of it so many times?

Hamill: Oh yes, absolutely. That’s part of the fun. I thought, “Boy, I could really get used to this.” You’re right. It’s role reversal. One thing that I discovered… Because you look at the schedule and it’s like, “We’re going to do a show about a guy who collects shoes!?” That doesn’t really grab me, but then you meet the person and it’s really the shared trait that all collectors have that you relate to and then you hear the personal stories of how they got started on whatever collection they have and that’s the connective tissue. So that’s part of the fun. I don’t personally collect some of these things, but I love seeing other people who do.

(10) NAME CHANGE. Seattle’s EMP is now Museum of Pop Culture—MoPOP.

As of Saturday, November 19, EMP will officially be named Museum of Pop Culture—MoPOP. As you know, our museum encompasses so much more than music, and as we look toward the future, MoPOP reflects the entirety of the museum and where we are headed.

Spanning science fiction, fantasy, horror, fashion, sports, and video games, MoPOP reflects our vision for curating, exploring, and supporting the creative works that shape and inspire our lives. While the name of the museum is evolving, our mission remains the same: to bring genuine human experience and perspective to pop culture through our exhibits, programs, and events that invite exploration and inspire creativity.

We are so excited to showcase the breadth of the museum and celebrate pop culture in all its diversity with our Pop Culture Party, an all-day fest that is free to the public this Saturday. Admission includes entry to all MoPOP galleries—including Star Trek: Exploring New Worlds—and will feature live music, architectural tours, pop culture games, and more fun for guests of all ages.

(11) SUBSTANDARD DANCE. Cemetery Dance has been delisted by SFWA.

Please note that, as of November 1, 2016, Cemetery Dance is no longer a SFWA-qualifying market. In 2014, SFWA increased the standard of payment from 5¢/word to 6¢/word, and this publication has not increased its pay rate to keep pace. In addition, payment for stories is capped at $250, regardless of length. Cemetery Dance was alerted in September about the issue and their upcoming de-listing and has declined to raise its rates or change the story cap. Should the magazine change its policy to meet SFWA standards, it will be reinstated to our qualifying list.

(12) THE EXPLANATION. Charles Stross thinks there are no coincidences and all the disparate parts should fit together, rather like a Tim Powers novel played out in real life.

What happened last week is not just about America. It was one move—a very significant one, bishop-takes-queen maybe—in a long-drawn-out geopolitical chess game. It’s being fought around the world: Brexit was one move, the election and massacres of Dutarte in the Philippines were another, the post-coup crackdown in Turkey is a third. The possible election of Marine Le Pen (a no-shit out-of-the-closet fascist) as President of France next year is more of this stuff. The eldritch knot of connections between Turkey and Saudi Arabia and Da’esh in the wreckage of Syria is icing on top. It’s happening all over and I no longer think this is a coincidence.

Part of it is about the geopolitics of climate change (and mass migration and water wars). Part of it is about the jarring transition from an oil-based economy (opposed by the factions who sell oil and sponsor denial climate change, from Exxon-Mobil to the Kremlin) to a carbon-neutral one.

Part of it is the hellbrew of racism and resentment stirred up by loss of relative advantage, by the stagnation of wages in the west and the perception that other people somewhere else are stealing all the money—Chinese factories, Wall Street bankers, the faceless Other. (17M people in the UK have less than £100 in savings; by a weird coincidence, the number of people who voted for Brexit was around 17M. People who are impoverished become desperate and angry and have little investment in the status quo—a fancy way of saying they’ve got nothing to lose.)

But another big part of the picture I’m trying to draw is Russia’s long-drawn out revenge for the wild ride of misrule the neoconservatives inflicted on the former USSR in the 1990s.

(13) GRIM FAIRY TALE. Easier to understand is M.A.M.O.N. (Monitor Against Mexicans Over Nationwide), “a satirical fantasy sci-fi shortfilm that explores with black humor and lots of VFX the outrageous consequences of Donald Trump´s plan of banning immigration and building an enormous wall on the Mexico – US border.”

(14) FIRST ROBOTS. Jim Meadows writes:

A college radio station in my town is airing a student production adapted from the play “R.U.R.” by Karel Capek, credited for coining the word ‘robot’.

The play, “Airing Robots” is being broadcast today and tomorrow (Tuesday & Wednesday) on WPCD, 88.7 FM in Champaign, Illinois. The station streams at its website, http://wpcd.parkland.edu/index.html

The play aired today at 10 AM Central Time, and will repeat today at 6 PM and Wednesday at 12 PM and 8 PM.

The production is the culmination of two different Communications classes at Parkland College, a public community college in Champaign.

Here’s a link to an article in Parkland’s student newspaper, the Prospectus, which actually does a fair job of summarizing key elements of the play

One aspect of “Airing Robots” and its source material Geiken finds interesting is the type of robots featured: androids as opposed to cog-and-gear machines.

“[T]he robots of R.U.R are not your typical mechanical robots that you might imagine for this sort of early sci-fi story, but more akin to cyborgs or androids made from organic matter. The robots of R.U.R. are more like the ‘Cylons’ of the 2004 version of ‘Battlestar Galactica,’ or the cyborgs of the ‘Terminator’ movie series,” he said.

?apek, who was a highly-political writer, wrote “R.U.R.” in 1920, when Europe was feeling the effects of the Russian civil war and the end of World War I. According to Czech writer and biographer Ivan Kilma, ?apek wrote the play in response to many of the societal and technocratic utopian ideas that were spreading around Central Europe at that time.

R.U.R. was first performed in 1921, Kilma states.

(15) ROSEWATER. Rosewater by Tade Thompson is a new release from Apex Publications. Thompson lives and works in the south of England. His first novel Making Wolf won the 2016 Kitschies Golden Tentacle award for best debut novel.

apex-rosewater-cover-final-v1-covercrop

Between meeting a boy who bursts into flames, alien floaters that want to devour him, and a butterfly woman who he has sex with when he enters the xenosphere, Kaaro’s life is far from the simple one he wants. But he left simple behind a long time ago when he was caught stealing and nearly killed by an angry mob. Now he works for a government agency called Section 45, and they want him to find a women known as Bicycle Girl. And that’s just the beginning.

An alien entity lives beneath the ground, forming a biodome around which the city of Rosewater thrives. The cities of Rosewater are enamored by the dome, hoping for a chance to meet the beings within or possibly be invited to come in themselves. But Kaaro isn’t so enamored. He was in the biodome at one point and decided to leave it behind. When something begins killing off other sensitives like himself, Kaaro defies Section 45 to search for an answer, facing his past and comes to a realization about a horrifying future.

[Thanks to John King Tarpinian, Martin Morse Wooster, Andrew Porter, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Niall McAuley.]

Baltimore SF Club Hosts State of SF Roundtable 2/21

A free, public roundtable on “The State of Short Fiction” will be held by the Baltimore Science Fiction Society on February 21 featuring editors Neil Clarke (Clarkesworld), Scott Andrews (Beneath Ceaseless Skies), Sheila Williams (Asimov’s), Lesley Connor (Apex), and writer Sunny Moraine. The discussion will be led by author Day Al-Mohammed.

The event begins at 8 p.m. at the BSFS clubhouse, 3310 East Baltimore Street.

  • Neil Clarke, editor and publisher of three-time Hugo-winning semiprozine Clarkesworld Magazine, is also a two-time nominee for the Best Editor Short Form Hugo.
  • Scott H. Andrews is a chemistry lecturer, an editor, and a writer. His genre short fiction has appeared in venues such as Weird Tales, Space and Time, and Heroic Fantasy Quarterly. He was a 2013 finalist for the World Fantasy Award for editing and publishing Beneath Ceaseless Skies.
  • Sheila Williams is the multiple Hugo-award winning editor of Asimov’s Science Fiction Magazine. She has also edited 26 anthologies.
  • Lesley Conner is Social Media and Assistant Editor at Apex Publications. When she is not working for Apex, she also writes her own stories, which are available here.
  • Sunny Moraine writes novels and short fiction. Sunny’s stories have been published in venues such as Strange Horizons, Daily Science Fiction, and Shimmer. Sunny’s newest novel, Labrynith, was released January 20.

The panelists will survey the field’s past, present, and future. What trends are happening in publication? What authors should people be reading? How do you fund a magazine or anthology? What makes a story work for podcast? The event is especially recommended for writers who want to get published.

Preceding the roundtable discussion, The Dangerous Voices Variety Hour will be held from 6:30 p.m. to 7:30 p.m.

Inspired by NPR’s quiz show Wait Wait Don’t Tell Me, and Orson Welles’ War of the Worlds broadcast, hosts Sarah Pinsker and Michael Underwood will interview and quiz Nebula Award-winner Andy Duncan.

Dangerous Voices also is open to the public and free.

The full press release follows the jump.

Continue reading

Capclave 2009

Capclave logoCapclave – where reading is not extinct! – will run next year the weekend of October 16-18. The con, sponsored by the Washington Science Fiction Association, has selected Harry Turtledove as Author Guest of Honor and Sheila Williams as Editor Guest of Honor.

Capclave 2009 will take place at the Hilton Washington DC/Rockville, Executive Meeting Center, 1750 Rockville Pike, Rockville, Maryland 20852.

Membership rates are: $35 through 31 December 2008; $45 from 1 January to 30 June 2009; $55 from 1 July to 30 September 2009; $60 from 1 October to 11 October 2009.