Authors Sheree Renée Thomas and Malka Older will host the 2021 Hugo Awards Ceremony the DisCon III committee announced today.
“In June, we made a statement speaking to our commitment to increased inclusivity, listening to marginalized communities, and looking towards the future of Worldcon,” said Colette H. Fozard and Bill Lawhorn, co-chairs of DisCon III. “Now that DisCon III is the seated Worldcon, we are delighted to announce two amazing individuals like Sheree and Malka bringing their spirit and energy to such a prestigious ceremony as the Hugo Awards.”
Sheree Renée Thomas is an award-winning short fiction writer, poet, and editor with fellowships and residencies from the Millay Colony of Arts, Bread Loaf Environmental, VCCA, Cave Canem Foundation, and Smith College. She is the author of Nine Bar Blues: Stories from an Ancient Future (Third Man Books, May 26, 2020), her first fiction collection, and two multigenre/hybrid collections, Sleeping Under the Tree of Life (Aqueduct Press), longlisted for the 2016 Otherwise Award and honored with a Publishers Weekly Starred Review and Shotgun Lullabies (Aqueduct). Her widely anthologized works and essays have appeared in places such as the New York Times and The Big Book of Modern Fantasy. She edited the World Fantasy Award- winning speculative fiction volumes, Dark Matter, that first introduced W.E.B. Du Bois’s work as science fiction and was the first black author to be honored with the World Fantasy Award since its inception in 1975. She serves as the Associate Editor of Obsidian: Literature & Arts in the African Diaspora (Illinois State University, Normal).
Malka Older is a writer, aid worker, and sociologist. Her science-fiction political thriller Infomocracy was named one of the best books of 2016 by Kirkus, Book Riot, and the Washington Post. Infomocracy was also shortlisted for the 2019 Neukom Institute Literary Arts Award. With the sequels Null States (2017) and State Tectonics (2018), she completed the Centenal Cycle trilogy, a finalist for the Hugo Award for Best Series in 2018. She is also the creator of the serial Ninth Step Station, currently running on Serial Box, and her short story collection …And Other Disasters was published in November 2019. Named Senior Fellow for Technology and Risk at the Carnegie Council for Ethics in International Affairs for 2015, she has more than a decade of field experience in humanitarian aid and development.
“As we move forward,” Fozard and Lawhorn concluded, “we will continue to listen to the Worldcon community’s needs and concerns. We also acknowledge broad, general statements can ring hollow. With CoNZealand now over, we are focusing our efforts on specific, concrete plans and initiatives for making our Worldcon inclusive and diverse.”
DisCon III is the third World Science Fiction Convention (Worldcon) held in Washington DC, USA. Previous DC-based Worldcons were DisCon I in 1963 and DisCon II in 1974. DisCon III will be held at the Washington Marriott Wardman Park and Omni Shoreham from August 25-29, 2021.
DisCon III is sponsored by the Baltimore-Washington Area Worldcon Association, Inc. (BWAWA, Inc.), a 501(c)3 non-profit organization based in Maryland. For more information on DisCon III, Worldcon, and how to become a member of the 79th Worldcon, visit http://www.discon3.org.
Dragons, demons, kings, queens, and the occasional farm boy (with a special destiny, of course): Fantasy literature has it all! To celebrate our favorite fictional worlds and characters, we went on a quest for the 100 most popular fantasies of all time on Goodreads, as determined by your fellow members.
Of course, as fantasy readers know, the journey itself matters just as much as the destination. To create our list, we first sought out the most reviewed books on our site. Additionally, each title needed at least a 3.5-star rating to join our fellowship of titles. And, since fantasy is known for its epic sagas, in the case of multiple titles from the same series we chose the one with the most reviews.
Here are the top fantasy books on Goodreads, listed from 1 to 100.
(2) VIRTUAL SPACE AND SFFCON. CosmoQuest, a citizen science research organization, is holding a virtual con Friday, July 17 through Sunday, July 19 focused on space and science fiction. CosmoQuest-a-Con’s main events are free to watch at https://www.twitch.tv/cosmoquestx, but you can also buy a $20 ticket for other space talks, author readings, concerts, and demos. The funds go to providing benefits to CosmoQuest’s part-time staff. The con’s home page is here.
(3) HARASSMENT REPORTED. Extreme horror author Tim Miller was called out as a harasser by M.M. Schill and others. Thread begins here. Miller’s social media is no longer available (Facebook, Twitter, Instagram). His website remains online. (Note: It’s not the director of the same name.)
Schill also indicated this callout could be shared.
Sheree has more knowledge on the topic of the history of Afrofuturism than anyone we ever met, not to mention an incredible ability to bring it to life through nothing less than magic and wonder. Also coming on the show will be Andrea Hairston, Pan Morigan, and Danian Darrell Jerry. This Saturday, the 18th of July.
We will explore the magic of storytelling and music, and the power of community and art to affect personal and prophetic change.
Suppose for the moment that one is a science fiction or fantasy author, and further suppose that one wanted to posit a past great civilization whose existence comes as a complete surprise to modern folk. Let us also suppose that one wanted overlooking this lost civilization to be plausible… How might one go about this?
I’d tend to reject the “a secretive cabal always knew but kept it secret” explanation. People gossip. People love to show off their insider knowledge. People sometimes accidentally cut and paste entire sections of texts they’d really rather the world not know about into their tweets. Even valuable trade secrets tend to leak out given enough time. So where to hide a lost civilization? Here are five possibilities, to be used together or in concert….
(6) SOME TRUTH IS OUT THERE. “I recently discovered that—unlike in my twenties—at 46 years old I am able to spend innumerable hours watching The X-Files unassisted by marijuana.” “I don’t want to believe” at Affidavit.
… Over the last three months, two things have happened to me. Firstly, I’ve come to recognize my younger self in the character of Agent Fox Mulder, and feel shame appropriate to such an identification. Secondly, I’ve entered that most dangerous of all psychological terrain: nostalgia.
You reference Chekhov’s Gun, but adhere more scrupulously to the original quote than commonly seen: What’s your favorite advice to writers? Is there advice you commonly flout?
My favorite advice to writers is to wring the emotional reaction from yourself, first. When writing humor, you need to barely stand how witty you’re being; when you’re writing tragedy, you need to weep; when writing horror, you need to be appalled that this monstrous stuff is coming out of you. Hell, if you’re writing a thriller, you need to fear for your characters. Honestly, if you don’t react yourself, if it’s just a technical exercise, no one else is going to care either.
(9) GÖRG OBIT. Galyn Görg, a dancer and actress who appeared on such shows as Twin Peaks and The Fresh Prince of Bel-Air and in films including Point Break and RoboCop 2, has died of cancer at the age of 55.
… Görg starred as police detective Leora Maxwell on the 1994-95 Fox sci-fi drama M.A.N.T.I.S., co-created by Sam Raimi, and played Nancy O’Reilly, the sister of One Eyed Jacks madam Blackie O’Reilly (Victoria Catlin), on three episodes of ABC’s Twin Peaks in 1990.
(10) MEDIA BIRTHDAY.
July 16, 1955 — Commando Cody: Sky Marshal of the Universe serial first aired. This black-and-white movie serial from Republic Pictures, originally began life as a proposed syndicated television series. It was written by Ronald Davidson and Barry Shipman, and was directed by Harry Keller, Franklin Adreon and Fred C. Brannon. The cast was Judd Holdren as Commando Cody, Aline Towne as Joan Gilbert, William Schallert as Ted Richards and Richard Crane as Dick Preston . There would be twelve twenty five episodes. You can see the first episode, ‘Enemies of the Universe” here.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born July 16, 1723 – Sir Joshua Reynolds. First President of the Royal Academy of Arts. Famed as a portraitist. Intellectual enough to keep company with Burke, Goldsmith, Johnson. Painting mythological subjects calls for fantasy: here is Juno Receiving the Cestus from Venus, here is Diana Disarming Cupid, here is Theory. (Died 1792) [JH]
Born July 16, 1882 — Felix Locher. He is considered the oldest Star Trek actor of all time by birth year, appearing in “The Deadly Years” episode. 0ther genre appearances included Curse of the Faceless Man, The Twilight Zone, Frankenstein’s Daughter, The Munsters, House of the Damned, The Man from U.N.C.L.E. and Mission Impossible. His entire acting career was from 1957 to 1969. (Died 1969.) (CE)
Born July 16, 1916 – Paul Freehafer. Joined the SF League in 1934, thus part of First Fandom (active at least as early as the first Worldcon, 1939) although 1F was not organized, if the word may be used, until much later. So helpful to his local club the LASFS (L.A. Science Fantasy Soc.) that its service award is the Evans-Freehafer (after E. Everett Evans and PF). Fanzine, Polaris. More here. (Died 1944) [JH]
Born July 16, 1920 – Stan Woolston. Printer and fan. Life member of the Nat’l Fantasy Fan Fed’n (N3F), edited Tightbeam, served on Welcommittee, earned the Kaymar. Lifelong friend of Len Moffatt (published SF Parade with him), Rick Sneary. Big Heart (our highest service award, community-wide). (Died 2001) [JH]
Born July 16, 1928 — Robert Sheckley. I knew that his short story “Seventh Victim” was the basis of The 10th Victim film but I hadn’t known ‘til now that Freejack was sort of based of his Immortality, Inc. novel. I’ve read a lot by him with Bring Me the Head of Prince Charming (written with Zelazny) and Babylon 5: A Call to Arms being my favorite works by him. Sheckley is very well stocked on the aKindle store but not in the iBook store. H’h. (Died 2005.) (CE)
Born July 16, 1943 – Bruce Boston, 77. Two novels; a hundred shorter stories in Amazing, Asimov’s, Realms of Fantasy, SF Age, Strange Horizons; poems dusting our skies like strange stars. Seven Rhyslings; Pushcart Prize; first Grand Master of the SF Poetry Ass’n. Has chaired the Nebula Award jury for novels, the Philip K. Dick Award jury. [JH]
Born July 16, 1951 – Sue Thomas, 69. Coined the term “technobiophilia” and wrote a book about it. Two novels; anthology Wild Women. Correspondent, reviewer, in Focus, Foundation, Matrix, Paperback Inferno, Vector. [JH]
Born July 16, 1951 — Esther Friesner, 69. She’s won the Nebula Awards for Best Short Story twice with “Death and the Librarian” and “A Birthday”. I’m particularly fond of The Sherwood Game and E.Godz which she did with Robert Asprin. She’s better stocked in the Kindle store than in the iBooks Store. (CE)
Born July 16, 1956 — Jerry Doyle. Now this one is depressing. Dead of acute alcoholism at sixty, his character Michael Garibaldi was portrayed as an alcoholic, sometimes recovering and sometimes not on Babylon 5. Damn. (Died 2016.) (CE)
Born July 16, 1963 — Phoebe Cates, 57. Ok, do her entire genre appearance credit is as Kate Beringer in Gremlins and Gremlins 2: The New Batch. It’s two films that I have an inordinate fondness for that the Suck Fairy cannot have any effect upon them what-so-ever. (CE)
Born July 16, 1967 — Will Ferrell, 53. His last film was Holmes & Watson in which he played Holmes. It won Worst Picture, Worst Director, Worst Screen Combo and, my absolute favorite Award, Worst Prequel, Remake, Rip-off or Sequel. Wow. He was also in Land of the Lost which, errrr, also got negative reviews. Elf however got a great response from viewers and critics alike. He also was in two of the Austin Powers films as well. (CE)
Born July 16, 1975 – Lucian Dragos Bogdan, 45. Author, caricaturist (the ”s” in his name should have a tiny comma under it for the sound English spells ”sh”). Likes rock music and the Tao Tê Ching (or, if you’d rather, Daodejing). A dozen novels, thirty short stories, in our field; also mystery & thriller, romance. Website in English, French, Romanian. [JH]
When people ask me if I like comic books I always have a split-second reaction. The answer is no. But it’s a nuanced no. I don’t like superhero comic books, but I grew up reading plenty of other stuff.
While in the United States “comic book” can be read as a synonym for “superhero,” such a correlation has not traditionally existed in Mexico. Mexican artists during their Golden Age were more interested in other kinds of content. This doesn’t mean there weren’t any superheroes—Fantomas, El Santo and Kalimán come to mind—but you were more likely to find other sorts of local comic books. And when people thought comic books, they probably thought historietas, monitos, una de vaqueros, all of which conjure something very far from Superman, Batman or the X-Men….
… “There has been never the slightest danger of running out of inspiration — Trump serves up a banquet of lies, obfuscation and cruelty almost daily,” says Trudeau, whose new material runs every Sunday. “Steve Allen once said that comedy is tragedy plus time, but in Trump’s case, the passage of time is wholly optional.”
… Back when this pandemic thing first began, several economic relief packages were floated as part of the CARES Act, including small business loans known as PPP (Payment Protection Program) loans. The loans were to help with payroll to keep people employed – with the loans forgivable if 60% of the money went to payroll.
… It’s also not anything to be ashamed of – applying for aid during an economic shutdown is a smart move to keep people on the payroll and keep companies afloat, and it’s good that these comics companies were able to receive aid.
Now, we did hear that many actual small businesses, including comics shops, had a harder time getting loans, and there are lots of stories about billionaires getting payouts, from Kanye West to Soho House. And of course there was fraud, like using PPP money to pay for a new house in the case of the CEO of Wendy’s. Nice one!
…“I’m sure you’ve heard this a lot over the last couple of the days, but let me be the next one to tell you: Pal, you’re a hero,” Evans said. “What you did was so brave, so selfless, your sister is so lucky to have you as a big brother. Your parents must be so proud of you.”
The world’s best hot dog eaters could outeat a grizzly bear or a coyote, but would fall far behind a wolf or a Burmese python, a new study finds.
Over the Fourth of July weekend, with streams of sweat pouring down his face, Joey Chestnut broke his own world record for hot dog eating, by downing 75 hot dogs (with buns) in 10 minutes at the Nathan’s Famous Hot Dog Eating Contest. It was his 13th win at the annual contest. And Miki Sudo set a women’s record, 48.5 hot dogs, to grab her seventh straight Nathan’s win.
Because of the coronavirus crisis, the event was held virtually this year, and Dr. James Smoliga was glued to his screen, rooting for new records. For the past few months, Dr. Smoliga, a veterinarian and exercise scientist, had been working on a mathematical analysis of the maximum number of hot dogs that a human could theoretically consume in 10 minutes.
“The answer is 83,” said Dr. Smoliga, a professor at High Point University in North Carolina.
He has now published the full analysis, which calculated this number based on 39 years of historical data from the Nathan’s contest, as well as on mathematical models of human performance that consider the potential for extreme athletic feats.
“It’s a great paper,” said Dr. Michael Joyner, a physician at the Mayo Clinic who studies human performance, adding that the analysis shows the classic fast rise in performance followed by more gradual improvements that happen when an event becomes professionalized. The best part, he said, is that Dr. Smoliga wrote it with a straight face.
… When she began tackling the material, she adds, her identity as an African American woman informed nearly every decision she made. “The things that I influenced, that I noticed, that I corrected, that I amplified, absolutely come from a black female lens,” she says firmly. Although she was thrilled with Rucka’s original script, she asked him to flesh out Nile’s backstory, adding layers having to do with her family and experience in the military (where, not incidentally, her colleagues are women of color, much like the institution itself). Even the film’s many fight scenes bear the signature of someone who is coming from a different angle than the usual white male gaze. One in particular, between Andy and Nile on a cargo plane, was particularly sensitive for Prince-Bythewood.
I was eight years old when Lois Lowry’s The Giver was released in 1993, and it became an instant turning point for me, not only for my relationship to books in general, but to science fiction in particular. Anti-authority narratives for children are extremely common—it’s pretty much the basis for all of Nickelodeon’s marketing—but narratives for young children tend to have cartoonishly evil authority figures who are obviously in the wrong. The Giver, in contrast, presents us with what appears to be a utopia, challenging the young reader with a simple, comforting authority structure that over the course of the narrative the protagonist Jonah learns not only has sapped his community’s members of their humanity, but does monstrous things in its bid to maintain control.
One of the main hallmarks of science fiction is the use of social constructs, technologies, and futures that do not yet exist—and may never exist—as a means of exploring our present. In the case of The Giver, it was the first book I read that used science fiction to create (to an eight year old, anyway) mind-blowing revelations about the nature of society and the individual’s relationship to it. The Giver is one of those books that serves as a perfect gateway for children who are just beginning to learn that change is inevitable, that well-meaning people can be wrong, and that solutions to problems are not always obvious. …
(23) LEFANU ON TV. “Carmilla–Official UK Trailer” on YouTube is a trailer for a “reimagined” version of J.S. LeFanu’s great horror novella which is now being streamed in the U.S.
Isolated from the outside world, fifteen-year-old Lara (Hannah Rae, “Broadchurch”, Fighting with My Family) lives in seclusion on a vast country estate with her father and strict governess Miss Fontaine (Jessica Raine, “Patrick Melrose”, “Jericho”). Late one evening, a mysterious carriage crash brings a young girl (Devrim Lingnau) into their home to recuperate. Lara immediately becomes enchanted by this strange visitor who arouses her curiosity and awakens her burgeoning desires.
[Thanks to Stephen Granade, John King Tarpinian, Martin Morse Wooster, Mike Kennedy, JJ, John Hertz, Cat Eldridge, Andrew Porter, Lise Andreasen, Joey Eschrich, Michael Toman, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Xtifr.]
Washington D.C.’s unopposed bid to host the 2021 Worldcon was officially voted in this weekend at Dublin 2019. The name of the convention will be DisCon III. Bill Lawhorn and Colette H. Fozard are the co-chairs.
The committee announced their current guests are: Nancy Kress, Author GoH; Malka Older, Special Guest; Sheree Renée Thomas, Special Guest; Toni Weisskopf, Editor GoH; and Ben Yalow, Fan GoH.
Total valid votes: 878
DC in 2021
None of the Above
The complete details (with all write-ins) are here [PDF file.]
We discussed why she probably won’t take LSD on her deathbed, what made her a fan of Marvel rather than DC when she was a kid, her unusual fee for writing term papers back in college, the true meaning of Man’s Search for Meaning, the unfortunate occupational hazard of book reviewing, who was the best science fiction writer of all time (and why), plus more.
(2) MAD PLASTIC DISEASE. Cedar Sanderson raises the spectre of hostile Nature in “Take two aspirin”:
Toni Weisskopf shared a photo on Facebook of a computer module absolutely infested with an ant nest, seething with eggs, and her comment was that she’d like to see more stories like that in science fiction. It’s an excellent point. I can’t tell you how many stories I’ve read ( and written) where the tech performs flawlessly. Which does happen. There are also stories where it doesn’t, but how many can you think of where the characters have to deal with an infestation? How would we prevent that, control it, and what kind of adaptations will we see?
I’d run across an article recently about bacteria which will break down plastics that were formerly thought invulnerable. Then there was another one speculating about why less plastic (by an order of magnitude) is found in the ocean than projected, and the discovery of novel bacteria on that plastic. The concern was focused on reducing pollution, but what happens when bacteria evolve to eat stuff we want to stay intact and functional? The stories about nanotech making gray goo aren’t that far off from what bacteria are already capable of — only fortunately they are not so fast to act.
Universal’s first foray into the depths of its Dark Universe probably would have benefitted from a brighter guiding light.
After spending over three decades dazzling audiences across large-scale action-adventures on the big screen, Tom Cruise’s latest genre spectacle, The Mummy, is set to unravel in theaters this Friday. Movie critics, however, got a peek under wraps this week, as movie reviews for the blockbuster project debuted online Wednesday morning. The consensus? According to a vast majority of them, perhaps this romp should’ve remained buried.
If you were already fired up for HBO’s upcoming movie adaptation of Ray Bradbury’s classic novel Fahrenheit 451, then prepare to throw a couple more books on the barbie, cause this cast is starting to cook.
Just ahead of her titular turn in this weekend’s The Mummy, Sofia Boutella has signed on to join Michael B. Jordan (Chronicle, Creed, Fantastic Four) and Michael Shannon (Batman v Superman: Dawn of Justice, 99 Homes) as the core players in the film from writer/director Ramin Bahrani (99 Homes).
According to THR, Boutella will play the female lead Clarisse, “an informant caught between” Jordan’s Montag — a fireman whose job it is to burn books, but who ends up rebelling against such a scorching notion after meeting free-spirited Clarisse — and Shannon’s Fire Chief Beatty, Montag’s mentor.
(5) ROSARIUM OPENS ANTHOLOGY. Rosarium Publications invites submissions of science fiction, fantasy, horror, interstitial, and unclassifiable works to Trouble the Waters: Tales from the Deep Blue, edited by Sheree Renée Thomas, Pan Morigan, and Troy L. Wiggins.
TROUBLE THE WATERS: Tales from the Deep Blue will be a new anthology of water-themed speculative short stories that explore all kinds of water lore and deities, ancient and new as well as unimagined tales. We want stories with memorable, engaging characters, great and small, epic tales and quieter stories of personal and communal growth. Science fiction, fantasy, horror, interstitial, and unclassifiable works are welcome. We are seeking original stories in English (2500 — 7000 words; pays 5-6 cents per word) from writers of all walks of life from this beautiful planet and will accept some select reprints (pays 2-3 cents per word). Deadline: November 1, 2017. Projected publication: November 2018, Rosarium Publishing, www.rosariumpublishing.com. Please send submissions as a .doc, .docx, or .rtf file in standard mss formatting with your name, title, and word count to: TroubletheWaters2018@gmail.com
(6) DYSTOPIAS. The Financial Times’ Nilanjana Roy, in “Future Shocks”, reviews Jeff VanderMeer’s Borne and Hao Jingfang’s “Folding Beijing” to see if our love of dystopias as something to do with the continued decline in urban life around the world.
The nightmare near-future city that a writer like Prayaag Akbar, by contrast, summons in his first novel, Leila (2017), rests on a distinctly South Asian set of fears. About a mother’s search for the daughter she was separated from, it is set in a frightening world where cities are segregated into zones of Purity, citizens sorted by their community, surnames, castes and religion.
This background came out of his discomfort with the way Indian cities have developed. “They are segmented, self-enclosing,€ he told me recently. “We practise a kind of blindness — you teach yourself not to see the tragedies that unfold in public spaces.”
These concerns — about cities splitting into walled enclaves, residents separated from each other’s lives by fears of pollution, contamination, or a striving after purity — find startling expression in Hao Jingfang’s Hugo award-winning “Folding Beijing”….
While I hate to ruin surprises, here are four places you might find yourself in his presence, sometimes peripherally, sometimes looking him right in the bespectacled eye.
Star Trek (aka “Star Track”, as my grandma called it)
Too obvious? Maybe. He and Gene Roddenberry, the fella who dreamed the franchise up, were pals who sat at the same midcentury science fiction table in the cafeteria. Bradbury famously loved all things space and rocket related, and it is fitting that he gets a couple of nods as the namesake of a Federation star ship. In the saucily-named episode of Star Trek: The Next Generation “Menage a Troi”, for instance, which ship is bestowed the great honor of relieving the pain of fandom everywhere by arriving to whisk away Wesley Crusher to Starfleet Academy? The U.S.S. Bradbury, the first of its class.
Wesley missed the space bus by saving the day in that episode, much to the chagrin of a large swath of viewers at home who were sick of having a kid on the Bridge. (Wil Wheaton, I was cheering for you. Please know that.) (Mostly because I kept hoping Wesley would scream TRAAAAIIIIIN in slow motion, which as far I know never happened.)
(8) ORPHAN BLACK. Carl Slaughter advises, “If you haven’t watched Tatiana Maslany portray as many as 14 cones in Orphan Black, you’re missing a treat.”
(9) STREET MEMORIAL. Here’s Pat Evans’ photo of the mementos being left today on Adam West’s star on the Hollywood Walk of Fame. West died on Friday from leukemia.
(10) TODAY IN HISTORY
June 10, 1692 — Bridget Bishop was the first person to be hanged at the Salem Witch trials.
(11) TODAY’S BIRTHDAY CREATORS
Born June 10, 1928 — Where the Wild Things Are author Maurice Sendak.
Born June 10, 1952 — Kage Baker
(12) FAMOUS BOOKSTORE HAS A BACKUP PLAN. The original Books of Wonder, inspiration for the bookstore owned by Meg Ryan’s character in the 1998 comedy You’ve Got Mail, is opening a second location as a contingency plan in case it can’t afford the coming rent hike — “Books of Wonder to Open Upper West Side Location”.
Books of Wonder, the renowned children’s bookstore on 18th Street in New York City, announced Thursday that it would open a second location, on West 84th Street, sometime this summer.
According to the store’s founder and owner, Peter Glassman, the 18th Street store’s lease will expire at the end of 2019. “Given the rise in retail rents along 18th Street, I am not optimistic about our ability to renew the lease,” he said. Though he said he planned to seek a new location in that area, the impending uncertainty was part of his decision to open another branch on the Upper West Side.
“I wanted to make sure we had another location open and well established before the current store’s lease expires, so if we have difficulty finding a new location and have to close for a few months we would have another location to serve our customers, not be out of business for any period of time, and not have to lay off my wonderful staff,” he said.
Andrew Porter adds,
When they opened, originally on Hudson Street in the lower Village, they were primarily an SF/fantasy-oriented store. They took out full-page ads in my Algol/Starship, then in SF Chronicle. The store regularly has readings and signings by SF/F YA and children’s authors, for example, with Sarah Beth Durst. It has also published numerous books by and about L. Frank Baum.
Peter Glassman. Photo by Andrew Porter:
Sarah Beth Durst and Bruce Coville at her signing in 2015. Photo by Andrew Porter.
(13) TOMBSTONE TERRITORY. This just in from the Australian National Convention.
(14) DEADPOOL’S NEXT RAMPAGE. Marvel pulls back the shroud, er, curtain.
If you’re Deadpool and you kill the entire Marvel Universe, why not eat some chimichangas…and then kill all over again? Proving there’s nothing like revenge, the superstar team of Cullen Bunn (X-Men Blue, Venomverse) and Dalibor Talajic (Deadpool Kills The Marvel Universe, Redwolf) reunite to bring you Deadpool Kills The Marvel Universe Again, and the Merc with the Mouth has never been more ready to return to that katana.
“This is not a sequel to the original story,” warns series writer Cullen Bunn. “This is an all new murderous rampage. The Marvel Universe has changed a great deal since the first series. So, of course, Deadpool had to up his game and change his tactics.”
(15) WONDER MOTHER. Marguerite Bowling, in a Daily Signal piece called “Wonder Woman Can Get the Job Done Pregnant, So Can You” says that Gal Gadot’s reshooting fight scenes while five months pregnant should be an inspiration to women. (The Daily Signal is a news website run by the Heritage Foundation.)
But here’s another fun fact that shows you can proudly be pro-mom and pro-career woman: Israeli actress Gal Gadot was five months pregnant with her second child when she did reshoot scenes for the movie that included a climactic battle scene.
To get around her then-visible baby bump, costumers cut an ample triangle on her iconic suit and replaced it with a bright green cloth that allowed the movie’s special effects team to change her figure post-production.
Given the prevailingnegativenews that shows women facing all sorts of career challenges by wanting to have a baby, it’s refreshing to see a successful woman embrace her pregnancy and still do an exceptional job.
If you didn’t figure it out from the title, or the cover, Lieutenant Colonel is Military Sci-Fi (Mil-SF for short), a genre devoted to chronicling how and why people are gonna shoot at each other in the future. And, also unsurprisingly, Lieutenant Colonel is the fifth book in Shelley’s “DMC” series, with each earlier book having sequential titles like Lieutenant, then Major, then Captain, and so on. Not exactly creative, but what can you do.
In any case, this series centers around a dude named Lon Nolan as he works his way up through the ranks in the Dirigent Mercenary Corps (from which we get the “DMC” acronym). Lon is your typical officer– professional, honorable, and — kind of boring. Dude makes Honor Harrington seem like Hamlet. Wait, no, that’s not a good analogy, ‘cause Harrington gets shit done. But I digress.
…Thankfully, Lieutenant Colonel doesn’t delve into super preachiness. Though it did inspire me to create MIL-SF BINGO! Just print this off next time you read about space-soldiers shooting space-lasers at space-commies, and check off the boxes as you go along!
It’s Pride Month! And every year, around this time, a certain kind of pundit hops on a soapbox to complain about how the term “LGBTQA” just keeps getting longer, and isn’t that just ludicrous?
Actually, it isn’t. In fact, it’s not nearly long enough. And a campaign from Wieden + Kennedy New York highlights why.
For Equinox and the LGBTQA Community Center, the agency has produced “The LGBTQAlphabet,” whose chill and choreographed film goes down the list of not six letters but 26. The goal is to show that a handful of labels isn’t remotely sufficient to encompass the complex identities of the world’s 7 billion people.
(18) SHARKES KEEP NIBBLING. Here are more recent reviews from the Shadow Clarke jury, and a guest post by the actual Clarke Award director.
This is the future we were promised. This is what all those science fiction novels from way back told us to expect: silver-finned rocket ships taking us out to the frontier towns of Mars and beyond; clanking metal robots wanting to be human; people transformed into something monstrous by whatever is out there.
And Tidhar, whose work has always displayed an over-fond preference for intertextual references to other science fictions, makes absolutely certain we recognise that these are other writers’ futures. The digital vampire is called a Shambleau, a pointed reference to the first of C.L. Moore’s Northwest Smith adventures. There are repeated references to someone called Glimmung on Mars, which of course recalls Philip K. Dick’s children’s novel, Nick and the Glimmung, which is, of course, set on Mars. And the presiding spirit that dominates the whole novel is probably Cordwainer Smith, with the way space is repeatedly described as the “Up and Out”, as well as casual references to C’Mell and Mother Hitton. There are more, some less familiar than others; I’m pretty sure that there are references to Edward Whittemore’s little-known but brilliant Jerusalem Quartet scattered throughout this novel. Someday, I suspect, someone might produce a concordance for Central Station, teasing out all of the echoes of and references to other works of science fiction. It will be a thick volume.
Of course, no one has gone broke by playing to the geeky self-regard of the science fiction fan. In recent years, self-referential science fiction books, novels like Among Others by Jo Walton that deliberately draw attention to other science fiction works, have proved especially popular.
If not for my commitment to the Sharke process I wouldn’t have chosen to write about Occupy Me; it’s unlikely that I would have finished reading it at all. My immediate response was akin to a toddler presented with something green and fresh and healthy: stampy feet; scowly face; a protesting shriek of ‘I don’t like it!’. I bounced off the book hard and repeatedly, and continued to do so despite dosing myself with Gareth’s blazingly positive review and Nina and Paul’s balanced perspectives at the midway point. Whatever the book’s thematic qualities, whatever its madcap quirks — and often because of them — I couldn’t stomach it. I find it impossible to see or be fair to the better parts of the novel because I’m painfully fixated on the fundamental ways in which it fails for me. Under usual circumstances I would think it ill-advised to throw a hat into the critical ring when I have so little critical perspective to share but I will try to explain.
While the Clarke Award can never guarantee having every potentially eligible book submitted, we are able to offer a reasonably comprehensive ‘state of the nation’ snap shot via our lists, not only of the books themselves but also for deeper analysis into the numbers of submitting publishers, the demographic breakdowns of authors and similar should people want to take those numbers and run with them.
More immediately, after my first couple of spins in the director’s chair I was starting to learn all of the ongoing debates, criticisms and wishes that surrounded the award’s announcements every year.
The award was, in no particular order, overly predictable, willfully unpredictable as a tactic to generate PR controversy, trying too hard to be the Booker, ignoring the heartlands of SF, full of wrongheads (a lovely fannish term that one), and so on and so on — Business as usual for a book award in other words.
In the ads, Wilkins — who bears a striking resemblance to Kermit the Frog — tries to convince another proto-Muppet, Wontkins to drink Wilkins Coffee. Wontkins almost always refuses. In retaliation, Wilkins shoots him, stabs him, or otherwise inflicts physical harm upon him.
[Thanks to Cat Eldridge, Martin Morse Wooster, Mark-kitteh, JJ, John King Tarpinian and Lace for some of these stories. Title credit goes to File 770 contributing editor of the day Xtifr, with a little help from his friends.]
“The Apex Book of SF series has proven to be an excellent way to sample the diversity of world SFF and to broaden our understanding of the genre’s potentials.”
—Ken Liu, winner of the Hugo Award and author of The Grace of Kings
The Apex Book of World SF, Vol. 1, edited by Lavie Tidhar, features award-winning science fiction and fantasy short stories from Asia, Eastern Europe and around the world.
The world of speculative fiction is expansive; it covers more than one country, one continent, one culture. Collected here are sixteen stories penned by authors from Thailand, the Philippines, China, Israel, Pakistan, Serbia, Croatia, Malaysia, and other countries across the globe. Each one tells a tale breathtakingly vast and varied, whether caught in the ghosts of the past or entangled in a postmodern age.
Among the spirits, technology, and deep recesses of the human mind, stories abound. Kites sail to the stars, technology transcends physics, and wheels cry out in the night. Memories come and go like fading echoes and a train carries its passengers through more than simple space and time. Dark and bright, beautiful and haunting, the stories herein represent speculative fiction from a sampling of the finest authors from around the world.
TABLE OF CONTENTS
S.P. Somtow (Thailand) —“The Bird Catcher”
Jetse de Vries (Netherlands) —“Transcendence Express”
Guy Hasson (Israel) —“The Levantine Experiments”
Han Song (China) —“The Wheel of Samsara”
Kaaron Warren (Australia/Fiji) —“Ghost Jail”
Yang Ping (China) —“Wizard World”
Dean Francis Alfar (Philippines) —“L’Aquilone du Estrellas (The Kite of Stars)”
Nir Yaniv (Israel) —“Cinderers”
Jamil Nasir (Palestine) —“The Allah Stairs”
Tunku Halim (Malaysia) —“Biggest Baddest Bomoh”
Aliette de Bodard (France) —“The Lost Xuyan Bride”
Kristin Mandigma (Philippines) —“Excerpt from a Letter by a Social-realist Aswang”
Aleksandar Ziljak (Croatia) —“An Evening In The City Coffehouse, With Lydia On My Mind”
Anil Menon (India) —“Into the Night”
Melanie Fazi (France, translated by Christopher Priest) —“Elegy”
Zoran Zivkovic (Serbia, translated by Alice Copple-Tosic) —“Compartments”
Editor: Lavie Tidhar
In The Apex Book of World SF 2, editor Lavie Tidhar collects short stories by science fiction and fantasy authors from Africa and Latin America.
An expedition to an alien planet; Lenin rising from the dead; a superhero so secret he does not exist. In The Apex Book of World SF 2, World Fantasy Award-nominated editor Lavie Tidhar brings together a unique collection of stories from around the world. Quiet horror from Cuba and Australia; surrealist fantasy from Russia and epic fantasy from Poland; near-future tales from Mexico and Finland, as well as cyberpunk from South Africa. In this anthology one gets a glimpse of the complex and fascinating world of genre fiction—from all over our world.
Featuring work from noted international authors such as Will Elliot, Hannu Rajaniemi, Shweta Narayan, Lauren Beukes, Ekaterina Sedia, Nnedi Okorafor, and Andrzej Sapkowski.
These stories run the gamut from science fiction, to fantasy, to horror. Some are translations (from German, Chinese, French, Spanish, and Swedish), and some were written in English. The authors herein come from Asia and Europe, Africa and Latin America. Their stories are all wondrous and wonderful, and showcase the vitality and diversity that can be found in the field. They are a conversation, by voices that should be heart. And once again, editor Lavie Tidhar and Apex Publications are tremendously grateful for the opportunity to bring them to our readers.
TABLE OF CONTENTS
Introduction — Lavie Tidhar
Courtship in the Country of Machine-Gods — Benjanun Sriduangkaew (Thailand)
A Hundred Ghosts Parade Tonight — Xia Jia (China)
Act of Faith — Fadzilshah Johanabos (Malaysia)
The Foreigner — Uko Bendi Udo (Nigeria)
The City of Silence — Ma Boyong (China)
Planetfall — Athena Andreadis (Greece)
Jungle Fever — Iko Koeck (Malaysia)
To Follow the Waves — Amal El-Mohtar (Lebanon/Canada)
Ahuizotl — Nelly Geraldine García-Rosas (Mexico)
The Rare Earth — Biram Mboob (Gambia)
Spider’s Nest — Myra Çakan (Germany)
Waiting with Mortals — Crystal Koo (Philippines)
Three Little Children — Ange (France)
Brita’s Holiday Village — Karin Tidbeck (Sweden)
Regressions — Swapna Kishore (India)
Dancing on the Red Planet — Berit Ellingsen (Korea/Norway)
Cover art and design by Sarah Anne Langton.
Editor: Mahvesh Murad
Now firmly established as the benchmark anthology series of international speculative fiction, volume 4 of The Apex Book of World SF sees debut editor Mahvesh Murad bring fresh new eyes to her selection of stories.
From Spanish steampunk and Italian horror to Nigerian science fiction and subverted Japanese folktales, from love in the time of drones to teenagers at the end of the world, the stories in this volume showcase the best of contemporary speculative fiction, wherever it’s written.
“Important to the future of not only international authors, but the entire SF community.” —Strange Horizons
Vajra Chandrasekera (Sri Lanka) — “Pockets Full of Stones”
Yukimi Ogawa (Japan) — “In Her Head, In Her Eyes”
Zen Cho (Malaysia) — “The Four Generations of Chang E”
Shimon Adaf (Israel) — “Like A Coin Entrusted in Faith” (Translated by the author)
Nene Ormes (Sweden) — “The Good Matter” (Translated Lisa J Isaksson and Nene Ormes)
JY Yang (Singapore) — “Tiger Baby”
Isabel Yap (Philippines) — “A Cup of Salt Tears”
Usman T Malik (Pakistan) — “The Vaporization Enthalpy of a Peculiar Pakistani Family”
Kuzhali Manickavel (India) — “Six Things We Found During the Autopsy”
Elana Gomel (Israel) — “The Farm”
Haralambi Markov (Bulgaria) — “The Language of Knives”
Sabrina Huang — “Setting Up Home” (Translated by Jeremy Tiang)
Sathya Stone (Sri Lanka) — “Jinki and the Paradox”
Johann Thorsson (Iceland) — “First, Bite a Finger”
Dilman Dila (Uganda) — “How My Father Became a God”
Swabir Silayi (Kenya) — “Colour Me Grey”
Deepak Unnikrishnan (The Emirates) — “Sarama”
Chinelo Onwualu (Nigeria) — “The Gift of Touch”
Saad Z. Hossain (Bangaldesh) — “Djinns Live by the Sea”
Bernardo Fernández (Mexico) — “The Last Hours of the Final Days” (Translated by the author)
Natalia Theodoridou (Greece) — “The Eleven Holy Numbers of the Mechanical Soul”
Samuel Marolla (Italy) — “Black Tea” (Translated by Andrew Tanzi)
Julie Novakova (Czech Republic) — “The Symphony of Ice and Dust”
Thomas Olde Heuvelt (Netherlands) — “The Boy Who Cast No Shadow” (Translated by Laura Vroomen)
Sese Yane (Kenya) — “The Corpse”
Tang Fei — “Pepe” (Translated by John Chu)
Rocío Rincón (Spain) — “The Lady of the Soler Colony” (Translated by James and Marian Womack)
Cover art and design by Sarah Anne Langton.
DARK MATTER: A CENTURY OF SPECULATIVE FICTION FROM THE AFRICAN DIASPORA
by Sheree Renée Thomas
This volume introduces black science fiction, fantasy, and speculative fiction writers to the generations of readers who have not had the chance to explore the scope and diversity among African-American writers.
OCTAVIA’S BROOD: SCIENCE FICTION STORIES FROM SOCIAL JUSTICE MOVEMENTS
Editors: Walidah Imarisha, adrienne maree brown
Whenever we envision a world without war, prisons, or capitalism, we are producing speculative fiction. Organizers and activists envision, and try to create, such worlds all the time. Walidah Imarisha and adrienne maree brown have brought 20 of them together in the first anthology of short stories to explore the connections between radical speculative fiction and movements for social change. These visionary tales span genres—sci-fi, fantasy, horror, magical realism—but all are united by an attempt to inject a healthy dose of imagination and innovation into our political practice and to try on new ways of understanding ourselves, the world around us, and all the selves and worlds that could be. Also features essays by Tananarive Due and Mumia Abu-Jamal, and a preface by Sheree Renée Thomas.
“Those concerned with justice and liberation must always persuade the mass of people that a better world is possible. Our job begins with speculative fictions that fire society’s imagination and its desire for change. In adrienne maree brown and Walidah Imarisha’s visionary conception, and by its activist-artists’ often stunning acts of creative inception, Octavia’s Brood makes for great thinking and damn good reading. The rest will be up to us.” —Jeff Chang, Who We Be: The Colorization of America
“Conventional exclamatory phrases don’t come close to capturing the essence of what we have here in Octavia’s Brood. One part sacred text, one part social movement manual, one part diary of our future selves telling us, ‘It’s going to be okay, keep working, keep loving.’ Our radical imaginations are under siege and this text is the rescue mission. It is the new cornerstone of every class I teach on inequality, justice, and social change….This is the text we’ve been waiting for.” —Ruha Benjamin, professor of African American Studies at Princeton University and author of People’s Science: Bodies and Rights on the Stem Cell Frontier
“Octavia once told me that two things worried her about the future of humanity: The tendency to think hierarchically, and the tendency to place ourselves higher on the hierarchy than others. I think she would be humbled beyond words that the fine, thoughtful writers in this volume have honored her with their hearts and minds. And that in calling for us to consider that hierarchical structure, they are not walking in her shadow, nor standing on her shoulders, but marching at her side.” —Steven Barnes, Lion’s Blood
“Never has one book so thoroughly realized the dream of its namesake. Octavia’s Brood is the progeny of two lovers of Octavia Butler and their belief in her dream that science fiction is for everybody…. Butler could not wish for better evidence of her touch changing our literary and living landscapes. Play with these children, read these works, and find the children in you waiting to take root under the stars!” —Moya Bailey and Ayana Jamieson, Octavia E. Butler Legacy