Pixel Scroll 12/30/20 Is There Nothing I Can Take? Doctor! To Relieve This TARDIS-Quake?

(1) ALL IN THE FAMILY. Cora Buhlert has announced the winner of the 2020 Darth Vader Parenthood Award for Outstandingly Horrible Fictional Parents. This year, she has a Retro Darth Vader Parenthood Award winner as well.

… This year also marks the 40th annual Darth Vader Parenthood Award for Outstandingly Horrible Fictional Parents.

Let’s have a bit of background: I have been informally awarding the Darth Vader Parenthood Award since sometime in the 1980s with the earliest awards being retroactive. Over the years, the list of winners migrated from a handwritten page to various computer file formats, updated every year. Last year, I finally decided to make the winners public on the Internet, because what’s an award without some publicity and a ceremony? The list of previous winners (in PDF format) up to 2017 may be found here, BTW, and the 2018 winner and the 2019 winner were announced here.

And there is no danger of spoiling this year’s result, for as Cora herself says —

This is another winner where many members of our esteemed audience will go, “Who?”

(2) ON SECOND THOUGHT. “Michael Sheen Hands Back OBE From Queen Elizabeth II” – in a report today Deadline says the Good Omens actor did it in 2017. But it’s news to me!

…Speaking in a YouTube interview with Guardian columnist Owen Jones, the Welsh actor said he handed back an Order of the British Empire (OBE) that he received in 2009 for services to drama.

He quietly returned the honor in 2017 after conducting research on Wales’ relationship with England as part of delivering the Raymond Williams Society lecture. He referenced his unease with practices such as handing the Prince of Wales title to the heir to the throne, despite that individual being English.

(3) STALLING SPEED. The Guardian reports on the woes of the famous bookstalls along the banks of the Seine in Paris: “Through gilets jaunes, strikes and Covid, Paris’s 400-year-old book stalls fight to survive”.

…One recent Sunday, though, Jérôme Callais made €32. And there was a day that week when he made €4: a single paperback, he can’t even recall which. It has not, Callais said, sheltering from driving rain on an all but deserted Quai de Conti, been easy.

“In fact, it’s been terrible,” he said, surveying a long, long row of shuttered boxes. “The culmination of three disastrous years. First the gilets jaunes and their protests. Then the transport strikes last winter. And now Covid: travel bans, lockdowns, curfews. In financial terms, a catastrophe.”

Not that anyone ever became a bouquiniste for the money. Even in non-pandemic times, small-scale, secondhand bookselling in the era of smartphones, e-readers and Amazon is never going to be much of a money-spinner….

(4) PIXEL ADJACENT. [Item by Daniel Dern.] Learned by having just watched 10 Things You Didn’t Know About ‘A Christmas Story.

(The movie based on Jean Shepherd’s stories from his collection In God We Trust, All Others Pay Cash, which many folks of my greying years listened  to Shep read on his radio show over the years):

1, One of the 8,000 kids who auditioned for the role of Ralphie (Shep’s younger self) was Wil Wheaton. (This fact makes it sufficiently sf-adjacent to be a Scroll item.)

2, One of the auditioners for the role of the father was Jack Nicholson.

(5) THOMAS ON BRADBURY. This is from an interview with new F&SF editor Sheree Renée Thomas in the December Locus:

I really loved Ray Bradbury because he often wrote about small towns.  Even though I’ve lived in New York, I don’t really think of Memphis as a small town–it’s a big city with lots of different little towns in it–but I liked that Bradbury wasn’t patronizing and dismissive.  He recognized, like so many other writers, that in these places great complexity, mystery, and human drama can be found.  He had some problematic things in his work, but he was more progressive than some of his peers at the time.  I loved his language and his characters,

There’s a big excerpt of the interview at the link (although this paragraph admittedly isn’t part of it.)

(6) STAGING FRANKENSTEIN. The New York Times revisits “A ‘Frankenstein’ That Never Lived”. Tagline: “On Jan. 4, 1981, the effects-heavy production opened and closed on the same night. Forty years later, the creators revisit a very expensive Broadway flop.”

The show’s human stars included John Carradine, in what would be his last stage role, as the blind beggar.

GIALANELLA Carradine had been doing such crap — B movies, commercials. He was an old man, but he still had that deep, rich, whiskey voice. During previews, Joe rented a screening room and showed us “Frankenstein” and “Bride of Frankenstein” [from 1935, in which Carradine had an uncredited bit part]. Someone turned to him and said: “That’s such a great film. What’s your memory of it?” He stood for a minute and said, “Two days’ work.”

CARRIE ROBBINS, costume designer His hands were so riddled with arthritis he could not dress himself. I had a lovely small-of-stature dresser who was able to hide in the “fireplace” of the old man’s hut and help him out.

The role of Victor Frankenstein went to William Converse-Roberts, a recent Yale Drama School graduate who would be making his Broadway debut. After extensive auditions of other actors, the part of the Creature went to Keith Jochim, who had originated the role in St. Louis.

GIALANELLA Nobody was nailing it. I went to Joe and said, “You’ve got to bring in Keith.” They didn’t want to do it. They wanted someone with at least New York credibility.

MARTORELLA Keith’s audition was incredibly moving. We had 10 minutes, and he ended up reading for a half an hour. Then he came back in the afternoon in the makeup he had designed [for St. Louis]. I wrote in my diary, “He had totally transformed himself into a heap of horror.” I can still see the faces of Tom, Joe and Victor. They were in awe.

The show, began loading in at the Palace on Oct. 23, 1980. The crew started with 15 stagehands, which quickly swelled to three dozen. The start of previews was delayed by the complexity of Douglas Schmidt’s sets, which rotated on a giant turntable, and by issues with effects like the Tesla coil, whose full intensity was ratcheted up over the course of rehearsals.

JOHN GLOVER, actor The first time [the Tesla coil] went off, it scared the crap out of me. Instead of falling into the orchestra pit, I jumped all the way over it.

(7) WELLS OBIT. Deadline reports “Dawn Wells Dead: ‘Gilligan’s Island’ Star Dies From Covid Compilations At 82”. She did a lot of TV work in addition to her iconic role as Gilligan’s Mary Ann, but that series’ animated spinoff transformed her character into a genre voice acting role in Gilligan’s Planet (1982-1983) —

Gilligan’s Planet is based on the premise that the Professor had managed to build an operational interplanetary spaceship to get the castaways of the original series off the island. This series creates a different timeline for the Gilligan franchise, rendering the two Universal Television film sequels necessarily in a different continuity, as those films had integrated the cast back into society….

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born December 30, 1865 Rudyard Kipling. Yea Kipling. He’s written enough of a genre nature such as the Just So Stories for Little Children stories like “How the Camel Got His Hump“ and “The Cat That Walked By Himself“ being wonderful stories with a soupçon of the fantastic in them that he deserves a Birthday. Or there’s always The Jungle Book which runs to far more stories than I thought. Yes, he was an unapologetic Empire loving writer who expressed that more than once but he was a great writer. (Died 1936.) (CE) 
  • Born December 30, 1869 – Stephen Leacock, Ph.D.  Forty short stories for us; he called some “nonsense novels”, but as to their length that is numerically nugatory.  Lorne Pierce Medal.  Governor General’s Award.  Mark Twain Award.  Eponym of the Leacock Memorial Medal.  Admirer of Robert Benchley, admired by Groucho Marx and Jack Benny.  A complicated conservative, a consummate comic.  Let us at his left write so well.  (Died 1944) [JH] 
  • Born December 30, 1935 – David Travis, Ph.D.   Bowler and mathematician.  Five stories.  Correspondent of AmazingSF ReviewStarship, hello Andy Porter.  (Died 2011) [JH]
  • Born December 30, 1931 – Ilene Meyer.  Artist Guest of Honor at Rustycon 3.  Here is the Norwescon 8 Program Book.  Here is the Jul 88 Magazine of Fantasy & Science Fiction.  Here is the May 90.  Here is the Jan 94.  Here is Vance’s Chateau D’If.  Here is the Fenners’ artbook on her.  Covers for six volumes of P.K. Dick’s letters; here is 1980-1982.  Here is The World Below; she did not live to complete The World Above.  (Died 2009) [JH]
  • Born December 30, 1950 Lewis Shiner, 70. Damn his Deserted Cities of the Heart novel was frelling brilliant! And if you’ve not read his Wild Cards fiction, do so now. He also co-wrote with Bob Wayne the eight-issue Time Masters series starring Rip Hunter which I see is on the DC Universe app. Yea! Anyone here that’s read the Private Eye Action As You Like It collection of PI stories I see listed on usual suspects  with Joe Lansdale?  It looks interesting. (CE) 
  • Born December 30, 1951 – Avedon Carol, age 69.  TAFF (Trans-Atlantic Fan Fund) delegate and thus Fan Guest of Honour at Eastercon 34, whereupon she married Rob Hansen (see her report here) and both were Fan Guests of Honour at Eastercon 40.  AC also FGoH at Wiscon 11, Corflu 32 (fanziners’ con; corflu = mimeograph correction fluid; the FGoH is determined, um, idiosyncratically).  Many fanzines, see here.  [JH]
  • Born December 30, 1952 – S.P. Somtow, age 68.  Thirty novels, ninety shorter stories, many interwoven, interdependent, international.  Forty poems; a hundred essays (thirty in Fantasy Review), letters, messages, reviews, introductions to introductions – I’m not making this up, he is.  Here is his cover for The Other City of Angels.  Campbell Award (as it then was) for Best New Writer.  Locus Award.  World Fantasy Award.  Composer, conductor (Golden W from the Int’l Wagner Society), founder of performing companies, and in fact a prince of a man.  In person I last saw him playing piano four-hands with Laura Brodian Kelly-Freas (as she then was).  Website.  [JH]
  • Born December 30, 1959 Douglas A. Anderson, 61. The Annotated Hobbit, for which he won the Mythopoeic Award, is one of my favorite popcorn readings. I’m also fond of his Tales Before Narnia: The Roots of Modern Fantasy and Science Fiction which has a lot of great short fiction it, and I recommend his blog as it’s one of the better ones on fantasy literature out there: Tolkien and Fantasy (CE)
  • Born December 30, 1976 Rhianna Pratchett, 44. Daughter of Terry who now runs the intellectual property concerns of her father. She herself is a video game writer including the recent Tomb Raider reboot. For her father, she’s overseen and being involved several years back in The Shepherd’s Crown, the last Discworld novel. She’s a co-director of Narrativia Limited, a production company which holds exclusive multimedia and merchandising rights to her father’s works following his death. They of course helped develop the Good Omens series on Amazon. (CE)
  • Born December 30, 1980 Eliza Dushku, 40. First genre role was Faith in the Buffyverse. Not surprisingly, she’d star in Whedon’s Dollhouse. I think her Tru Calling series was actually conceptualized better and a more interesting role for her. She voices Selina Kyle, Catwoman, in the animated Batman: Year One which is quite well done and definitely worth watching.  She done a fair of other voicework, one of which I’ll single out as of note which is the character of Holly Mokri in Torchwood: Web of Lies. (CE)
  • Born December 30, 1986 Faye Marsay, 34. Shona McCullough In a Twelfth Doctor story, “The Last Christmas”. She also was on A Game of Thrones for several seasons as The Waif. (Who that is I know not as I didn’t watch that series.) She also played Blue Colson in Black Mirror’s “Hated in the Nation” tale. Her theater creds include Hansel & GretelPeter Pan and Macbeth — all definitely genre. (CE) 
  • Born December 30, 1993 – Kaley Bales, age 27.  Visual artist.  Illustrations for Michael Ezell, Peter Madeiros.  Here is Why She Wrote.  “My biggest sources of inspiration are the Pacific Ocean coastline, fresh produce, and any mainstream media made before the 1970s.”  [JH]

(9) COMICS SECTION.

(10) TRADITIONAL GALLIFREYAN HOLIDAY CELEBRATION. “Doctor Who best Christmas episode revealed by fans” in a Radio Times poll.

…“God bless us, every one! A decade on, A Christmas Carol is still the Doctor Who festive special liable to turn even the greatest TV Scrooge into a true Christmas convert,” said Huw Fullerton, RadioTimes.com’s Sci-Fi and Fantasy Editor.

“Filled with Who-letide cheer, adventure, flying sharks and even a Katherine Jenkins solo, this episode really does have it all. Is it any wonder it’s still at the top of any Whovian’s Christmas list?”

Also starring Michael Gambon, Karen Gillan and Arthur Darvill alongside Smith and Jenkins, the Steven Moffat-penned episode sees Smith’s Doctor try to evoke Charles Dickens’ classic tale to warm the heart of an old miser (Gambon), whose greed and apathy threaten the lives of countless people.

…Interestingly, the poll also recorded a high result for William Hartnell festive one-off The Feast of Steven (1965), which was actually the seventh part of the Daleks’ Master Plan serial, and saw the First Doctor break the fourth wall to wish everyone at home a Merry Christmas.

Considering this episode was irretrievably lost soon after broadcast and very few will have been able to see it, it seems likely fans were intending to show a general support for Hartnell’s Time Lord, and note his often-overlooked status as the first Doctor (and the only for 40 years) to have a Christmas special.

  1. A Christmas Carol (2010) 13 per cent
  2. The End of Time (2009/10) 11 per cent
  3. The Christmas Invasion (2005) 10 per cent (higher vote)
  4. The Feast of Steven (1965) 10 per cent
  5. Resolution (2019) 8 per cent (higher vote)
  6. The Husbands of River Song (2015) 8 per cent
  7. Voyage of the Damned (2007) 8 per cent
  8. Twice Upon a Time (2017) 7 per cent
  9. The Runaway Bride (2006) 6 per cent
  10. The Time of the Doctor (2013) 5 per cent
  11. Last Christmas (2014) 5 per cent
  12. The Snowmen (2012) 3 per cent (higher vote)
  13. The Next Doctor (2008) 3 per cent
  14. The Doctor, the Widow and the Wardrobe (2011) 2 per cent
  15. The Return of Doctor Mysterio (2016) 1 per cent

(11) GETTING READY FOR DISNEY+’S WANDAVISION SERIES.  [Item by Daniel Dern.]  This alone is enough to have me ready to subscribe to Disney+ (Yes, Loki also looks interesting, and as long as I (will) have a subscription, I will no doubt dip a mutant-clawed iron-armored toe into the other Marvel series). (And we’ll finally watch Hamilton: The Movie.)

Here’s the trailers. Yes it looks like it’s going to be a hopefully long strange trip.

In case you aren’t already sold, here’s a bit of background etc: (I assume there’s no spoilers, but can’t guarantee it.)

The show takes place after Avengers: Endgame (during which Vision died).

It takes (some of its) inspiration from Marvel’s House Of M event/story line (where W & V have young kids), and from Tom King’s superlative, heart-wrenching Vision 12-issue (2-15-2016) comic mini-series.

(King also, among other things, wrote the recent equally but differently moving Mr Miracle mini-series, for DC.)

And here’s several ways to get/read King’s series — worth doing for its own sake.

1, Buy the individual issues, or “graphic novels” (issues collected into book format), either The Vision (all 12 issues), or the done-in-two collections:

  • The Vision. 1, Little worse than a man (1-6)
  • The Vision. 2, Little better than a beast (7-12)

2, Read via Marvel’s Unlimited  comics streaming service (https://www.marvel.com/unlimited). (All twelve issues are there — on the mobile app, easy to find via BROWSE/SERIES/VISION. I’m having trouble finding it via the web interface.)

(FREE) 3, Digital borrow from HooplaDigital.com (well, 2 borrows), assuming your library offers Hoopla as one of its digital services.

(FREE) or as a library book borrow, either as a single volume,

Or as two volumes, like Hoopla

  • The Vision. 1, Little worse than a man
  • The Vision. 2, Little better than a beast

(12) TAKE A TRIP BACK IN TIME. A group of fans on Facebook painstakingly colorized all the comics in this 1944 photo of magazine covers on a newsstand. Click to see the image.  

(13) FIRST FIFTH. PBS program NOVA names “The top 5 science stories of 2020”.

…Despite facing coronavirus-related setbacks, researchers made profound discoveries and helped people understand some startling realities. NASA’s OSIRIS-REx probe grabbed a piece of an asteroid, and the Japan Space Agency’s Hayabusa2 spacecraft returned samples of another asteroid to Earth. Scientists found signatures of water on the moon and nearby space rocks, and an obscure gas on our celestial neighbor, Venus. Meanwhile, other scientific endeavors—like climate change research at the poles—faced a freeze as the pandemic brought “normal” life here on Earth to a halt

(14) VIDEO OF THE DAY. In “Honest Trailers 2020,” the Screen Junkies say last year was “a live action version of The Book of Revelation, featuring fires, famine, rain, and other signs of the End Times.”  Special Guest Patton Oswalt adds to the mirth.

[Thanks to JJ, Mike Kennedy, Daniel Dern, Cat Eldridge, Michael Toman, John Hertz, John King Tarpinian, Martin Morse Wooster, Bill, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Joe H.]

Pixel Scroll 11/25/20 Pixel To Elf Queen’s Midsummer Knight’s Four

(1) CAPTAIN JACK SIGHTINGS. You’ll be seeing Captain Jack again soon — the question is, how often? Radio Times asks “Is John Barrowman’s Captain Jack in Doctor Who series 13?”

It’s official – Captain Jack is back for the Doctor Who Christmas special, with John Barrowman’s immortal Time Agent set to join the TARDIS team in Revolution of the Daleks.

Of course, this isn’t as big a shock as it might have been. Jack Harkness already popped up once after a decade away from Doctor Who in series 12’s Fugitive of the Judoon, and fans had long suspected this could be followed by a larger onscreen return. After all, he hasn’t even met Jodie Whittaker’s Doctor yet!

But now that his festive presence has been confirmed, we have to wonder… is this just the start of Jack’s new era in the TARDIS? Does John Barrowman already have a key cut for Roath Lock Studios in Cardiff? Is Jack’s coat currently being dusted off for another adventure?

(2) RESISTANCE IS FUTILE. “Penguin Random House to Buy Simon & Schuster” reports Shelf Awareness.

Bertelsmann, owner of Penguin Random House, is buying Simon & Schuster from ViacomCBS and will make it part of PRH, the company announced. The deal should close in the second half of next year, subject to the usual closing procedures as well as regulatory approval. The deal is reportedly for more than $2 billion. PRH is the largest trade book publisher in the world, and both it and S&S have substantial distribution operations.

ViacomCBS had put S&S up for sale in March, saying the publisher was “not a core asset.” At the time, ViacomCBS was reportedly asking at least $1.2 billion for S&S. Bertelsmann publicly expressed interest in September; News Corp., owner of HarperCollins, was also interested in the company.

In a memo to staff, PRH CEO Markus Dohle said in part, “I have long admired the team at Simon & Schuster and the books they publish, and I am incredibly excited to welcome our new colleagues to Penguin Random House. Simon & Schuster’s distinguished legacy of publishing notable authors, perennial bestsellers, and culture-shaping blockbusters is a natural complement to our publishing programs and catalogs around the world.”

Referring to the merger of Penguin and Random House and other PRH acquisitions, he said, “As we have demonstrated, we can successfully unite company cultures and prestigious publishing teams while preserving each imprint’s identity and independence. Simon & Schuster aligns completely with the creative and entrepreneurial culture that we nurture by providing editorial autonomy to our publishers, funding their pursuit of new stories, ideas, and voices, and maximizing reach for our authors….”

(3) 100 MORE TBR. The New York Times’ “100 Notable Books of 2020” has plenty of good reading even if there are just a few titles that register as genre — and of those, none I’ve heard of. Mind you, I’m generally not impressed to see the dismissive phrase, “Well, I never heard of it,” and I’m counting on you to remain equally unmoved when I say it; I’m just reporting. Besides, some of you probably have heard of them and can say something on their behalf.

(4) 2021 NEBULA CONFERENCE. SFWA announced that 2021 Nebula Conference Online Registration is now open. The virtual event will take place June 4-6. Registration is $125.

The SFWA Airship Nebula will be returning in June 2021… Captaining the ship this year, SFWA is also very pleased to announce that L.D. Lewis is joining the Nebula Conference team.

Lewis is an award-winning SF/F writer and editor, and serves as a founding creator, Art Director, and Project Manager for the World Fantasy Award-winning and Hugo Award-nominated FIYAH Literary Magazine. She primarily writes stories of ordinary Black women and femmes with extraordinary powers in equally extraordinary worlds.

Coming off the success of helming FIYAHCON last month, L.D. will be acting as the project manager for all of the exciting year-round events associated with the Nebula Conference. We hope you join us in welcoming L.D. aboard.

With smaller events leading up to our main conference, the team is working on elevating our content and offerings again this year, and celebrating the best that science fiction and fantasy have to offer with our annual Nebula Awards ceremony.

So, please join us for another weekend full of professional development, workshops, and opportunities to network in one of the coolest virtual spaces there is. There will be more dance parties, karaoke, and social meet-ups around special interests. We’ll also be bringing back our conference-specific mentorship program and office hours.

(5) ABOUT THE SFF COMMUNITY. Cat Rambo considers how to advance the democratization of sff, particularly the programming of conventions, in “Moving Beyond Diversity: A Conversation We Need To Have In SFF” at Strange Horizons.

…Diversity is about getting the most differently informed points of view on a panel because that is a valuable thing. Because it means we all get a chance to learn new and interesting aspects to a topic.  And sometimes it is about making sure that the voices that have not been able to contribute in the past for one reason or another get a chance to take part in the conversation by reaching out to them.

We need to rethink the ways we create [convention] programming. Consider this art form, the quilt. A practical item made beautiful, and often a way to use up excess fabric or recycled rags. One variant is the “crazy quilt,” which uses up odds and ends in irregularly shaped patches, sometimes with embroidered details. Crazy quilts can be beautiful, but not by nature. When they are it is the result of serendipitous accident or the creation of someone experienced and talented at putting those scraps together. Programming should not be a crazy quilt made up of the varied scraps of material different participants pull out of their pockets.

Quilts with deliberately created patterns can be extraordinarily beautiful, and this is where our programming metaphor comes in. The Multiverse [Con in Atlanta] was such a quilt, pulling from those eight tracks and interspersing them in a rhythm that made the convention’s quilt far greater than the sum of its yardage. Partially because they realized the world is not binary—a thing that’s hard to do sometimes in America in a political scene which doesn’t acknowledge that people can agree on one thing and not another.

The democratisation of conventions created by the move online has been heartening, because conventions have previously been limited to the people of means and those who the first group was willing to club together and help. The Hugos are voted on by people who have the money to afford the membership fee; the Nebulas, while voted on by F&SF writers, are still limited to those writers with the money for a membership fee. (One reason why I worked to find ways to reduce or ameliorate that fee when holding SFWA office.) One of the things that has come out of 2020, in fact, has been this democratisation, which has made the conventions available to people who historically and geographically were barred from them due to factors over which they had no control….

(6) CHANGING OF THE GUARD AT F&SF. On The Coode Street Podcast Jonathan and Gary K. Wolf devote Episode 538 to a parlay with the incoming and outgoing editors of F&SF, Sheree Renée Thomas and Charles Coleman Finlay.

Charles Coleman Finlay, who for more than five years has carried on the grand tradition of editing The Magazine of Fantasy and Science Fictionand Sheree Renée Thomas, who picks up the mantle as new editor beginning with the March/April 2021 issue. We talk about the magazine’s distinguished history, the challenges of maintaining an iconic magazine in a radically changing short fiction field, and their own experiences as SF readers, writers, and editors.

(7) BE A MEDIEVAL SURVIVALIST. In “A Survival Guide to Medieval Fairy Tales” at Medievalists.net, Marta Cobb looks at great medieval romances such as Sir Orfeo and Sir Gawain And The Green Knight to discover the moral lessons these romances convey, particularly in dealing with the supernatural.

Rule 1: Know the signs

The border between the supernatural world and our own can be extremely permeable. Sometimes it’s easy to tell when the supernatural has intruded upon more normal life, such as when the Green Knight barges into a holiday feast (it is not that the Green Knight wears green clothing but that his skin and hair and even his horse are completely green). Sometimes, however, the signs are more subtle, such as a deer that leads a knight away from his friends and into the unknown or a boat that sails away in the absence of sailors. In the case of Sir Lanval, it can be a mysterious woman in an opulent tent….

(8) KOBAYASHI OBIT. Japanese author Yasumi Kobayashi (1962-2020) died November 23 at the age of 58. His short story “The Man Who Watched the Sea” won the Hayakawa Award for best short story in 1998.Two more were nominated for the Seiun Award for best short story in 2003 and 2004. He was nominated as “Best Foreign Author” in the Chinese-language Galaxy Awards in 2009.

(9) MEDIA ANNIVERSARY.

  • November 25, 1998 Babylon 5 ended its five year run with the “Sleeping in the Light” finale. In the year 2281, twenty years since Sheridan died on Z’ha’dum and twenty years since the Interstellar Alliance was formed, Sheridan realises his time is running out and calls his old friends for one last get-together before embarking on one final journey. In the process, he learns that his fate and that of Babylon 5 remain interconnected. Trivia note: The worker who throws the final switch to shut down the station is played by Straczynski. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born November 25, 1904 – Amelia Reynolds Long.  Pioneer female SF author; one novel, a score of short stories for us.  “Reverse Phylogeny” is in Conklin’s fine SF Adventures in Dimension.  Also detective fiction, poetry.  Here is a tribute site.  (Died 1978) [JH]
  • Born November 25, 1920 Ricardo Montalbán. Khan Noonien Singh and the first Mr. Rourke. Armando and Grandpa Valentin Avellan as well. I’m picking those as four most memorable roles he’s played and they just happen to all be genre in nature. Oh, and is Khan Noonien Singh the only occurrence of a non-crew character carrying over from the original series into the films? I suspect not but I can’t think of anyone other. If there is, I’m sure one of you will tell me. (Died 2009.) (CE) 
  • Born November 25, 1926 Poul Anderson. My favorite ones by him? Orion Shall Rise for the mix of personal scale story with his usual grand political stories, and all of the Flandry and van Rijn stories. I also enjoy his Time Patrol stories as well, and the two Operation Luna tales are quite fun. He was quite honored with seven Hugo Awards and three Nebula Awards. I’m currently reading the first two volumes of his NESFA short fiction series which I will review here soon. (Died 2001.) (CE)
  • Born November 25, 1926 Jeffrey Hunter. Best known for his role as the first Captain Christopher Pike in the original pilot episode of Star Trek and the later use of that material in “The Menagerie” episode.  Other genre work included Dimension 5A Witch Without A BroomStrange Portrait (never released, no print is known to exists), Alfred Hitchcock HourJourney into Fear and The Green Hornet. (Died 1969.) (CE) 
  • Born November 25, 1941 – Sandra Miesel, 79.  Two novels, half a dozen shorter stories; anthologies; Myth, Symbol, and Religion in “The Lord of the Rings”Against Time’s Arrow (Poul Anderson); more than a hundred essays, forewords and afterwords, letters, reviews; collection of fanwriting, Sweetmeats (Jerry Kaufman, ed.); much other work outside our field.  Guest of Honor at Rivercon III.  [JH]
  • Born November 25, 1953 – Michael “Orange Mike” Lowrey, 67.  Why orange?  So he dresses – inside and out: he has sixty pairs of orange underwear.  Fanzine, Vojo de Vivo; he is also an Esperantist.  Fan Guest of Honor at ICON 25.  Elected the 2020 TAFF (Trans-Atlantic Fan Fund) delegate.  Often seen here.  In case you wonder, he doesn’t wear orange on St. Patrick’s Day – but only then.  [JH]
  • Born November 25, 1953 Mark Frost, 67. He’s best known as a writer for Hill Street Blues (I know it’s not genre but superb nonetheless) and as the co-creator with David Lynch of Twin Peaks in which he’s been involved with in other roles as well. He had a hand in writing both of the not well regarded Fantastic Four films. He was also one of the Executive Producers of the very short lived All Souls series. (CE) 
  • Born November 25, 1963 – Tony Daniel, 57.  A dozen novels, forty shorter stories, a dozen poems.  “The Infuence of ‘The Song of the South’ on Lucius Shepard” in NY Review of SF.  Interviewed in Lightspeed.  “Life on the Moon” was a Readers’ Choice in Asimov’s.  [JH]
  • Born November 25, 1972 – D.A. Adams, 48.  Five books about the Brotherhood of Dwarves; others outside our field.  Likes C.S. Lewis and Toni Morrison.  Has read The Glass Bead Game and Absalom, Absalom!  [JH]
  • Born November 25, 1974 Sarah Monette, 46. Under the pen name of Katherine Addison, she published The Goblin Emperor which garnered the Locus Award for Best Fantasy Novel and was nominated for the NebulaHugo and World Fantasy Awards. She won the Spectrum Award in 2003 for her short story “Three Letters from the Queen of Elfland”.  Her first two novels Mélusine and The Virtu are quite wonderful and I highly recommend her Iskryne series that she co-wrote with Elizabeth Bear. (CE) 
  • Born November 25, 1980 – Licia Troisi, 40.  Astrophysicist; she is currently the best-selling Italian fantasy author.  Fifteen novels.  “If you don’t read, you cannot write.  Read everything, not only your favorite genre.”  [JH]
  • Born November 25, 1986 Katie Cassidy, 34. Best remembered as Laurel Lance / Black Canary in the Arrowverse, primarily on Arrow but also Flash and Legends of Tomorrow. She was also Ruby on Supernatural, Patricia “Trish” Washington on Harper’s Island and Kris Fowles on A Nightmare on Elm Street. (CE) 

(11) COMICS SECTION.

(12) RACE AND SF. The Fifth Annual City Tech Science Fiction Symposium on the topic of Race and SF was held on November 19 via Zoom. (See the full program here.) You can watch the videos of each session, access links to expanded presentations, and hear SF writers reading their stories in this roundup of the event — “Videos from The Fifth Annual City Tech Science Fiction Symposium on Race and Science Fiction” at the New York City College of Technology, CUNY website.

(13) DESTROY TO CREATE. This post contains the whole recipe for reproducing classic silent film actor Buster Keaton’s trademark hat — “’How To Make a Porkpie Hat’ by Eleanor Keaton” – published nine years ago, but it’s news to me!

…My favorite memory of Buster making his hat is when we were in Germany in 1962 to promote the screenings of The General. He needed a new hat. Buster went to a little hat shop next to our hotel in Frankfurt and pointed out the hat he wanted to the little elderly man who ran the shop. Buster pantomimed everything, as he did not speak German and the shopkeeper did not speak English. Buster tried on the fedora and liked it. He then pantomimed scissors, and the shopkeeper handed Buster a pair of shears. Buster proceeded to tear the entire hat lining out, fold down the crown and cut the brim. The old man looked like he was about to have a stroke because Buster had not yet paid for the hat. When Buster finished and placed the hat on his head to test it, the old man recognized who Buster was and what was taking place in his hat shop.

(14) STUNNING PRICE. “Pokémon: First edition cards net $360,000; Team Rocket pack found in Colorado”SYFY Wire makes it sound like to catch ‘em all you have to spend it all:

Never underestimate the popularity of Pocket Monsters. A box of unopened, first edition base set Pokémon trading cards recently sold for a whopping $360,000 at Heritage Auctions’ Comics & Comic Art Auction. The item, which is over 20-years-old, was purchased by Thomas Fish, president of Blowoutcards.com. “I am thrilled to purchase this pedigree box,” Fish said in a statement.

His winning bid shattered the previous world record, also held by Heritage Auctions, which sold a similar set last September for $198,000. Demand for the still-shrink wrapped box was reportedly so heated, that online offers broke the record before bidding even officially began.

(15) VIDEO OF THE DAY. In “Honest Trailers: The New Mutants” on YouTube, the Screen Junkies say that the final X-Men movie “looks like a long pilot episode for a series the CW passed on” and where the producers saved money by not having a dialect coach and by having the mutants rarely use their powers.”

[Thanks to JJ, Cat Eldridge, Bill, John Hertz, Mike Kennedy, Michael Toman, Martin Morse Wooster, John King Tarpinian, John A Arkansawyer, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Sheree Renée Thomas Is F&SF’s New Editor

Sheree Renée Thomas

Sheree Renée Thomas has been named the new editor of The Magazine of Fantasy & Science Fiction, taking over with the March/April 2021 issue. She replaces C.C. Finlay, who will be stepping down to devote more time to writing. Gordon Van Gelder remains the magazine’s publisher.

Fantasy & Science Fiction closed its online submissions form in early October in preparation for this editorial transition. The few remaining stories in queue will receive replies shortly. Thomas plans to re-open F&SF to submissions in January 2021.

The Magazine of Fantasy & Science Fiction was launched in 1949, and has been one of the leading magazines in the field for more than seventy years. For more on the history of F&SF, see its entry in the Encyclopedia of Science Fiction or Wikipedia.

Sheree Renée Thomas is the award-winning writer and editor of Dark Matter: A Century of Speculative Fiction from the African Diaspora (2000) and Dark Matter: Reading the Bones (2004), which earned the 2001 and 2005 World Fantasy Awards for Year’s Best Anthology. She has also edited for Random House and for magazines like ApexObsidian, and Strange Horizons. She is a member of SFWA, HWA, SFPA, and Cave Canem. Thomas is an author and poet with three collections, Nine Bar Blues: Stories from an Ancient Future (Third Man Books, 2020), Sleeping Under the Tree of Life (Aqueduct Press, 2016) and Shotgun Lullabies: Stories & Poems (Aqueduct Press, 2011). Widely anthologized, her work also appears in The Big Book of Modern Fantasy and The New York Times. She was honored as a 2020 World Fantasy Award Finalist for her contributions to the genre. Thomas will be the tenth editor in The Magazine of Fantasy & Science Fiction‘s history. Her first appearance on the masthead will be in the March/April 2021 issue.

C.C. Finlay’s writing career began with frequent appearances in Fantasy & Science Fiction, publishing more than twenty stories in the magazine between 2001 and 2014, earning Hugo, Nebula, Sturgeon, and Sidewise Award nominations, along with four novels, a collection, and stories in numerous other magazines and anthologies. He guest-edited the July/August 2014 issue of F&SF, which included Alaya Dawn Johnson’s Nebula-winning novelet “A Guide to the Fruits of Hawai’i.” In January 2015, he was announced as the new editor of the magazine and took over officially with the March/April issue. His tenure as editor is the fourth longest in the magazine’s history, following Ed Ferman, Gordon Van Gelder, and Anthony Boucher. He was a Hugo finalist for Best Editor Short Form in 2020, a finalist for the Locus Award for Best Editor in 2020, and a finalist for the World Fantasy Award for editing F&SF in 2017, 2018, 2019, and 2020. The January/February 2021 issue will be his last.

[Based on a press release.]

Sheree Renée Thomas and Malka Older to Host 2021 Hugo Awards at DisCon III

Authors Sheree Renée Thomas and Malka Older will host the 2021 Hugo Awards Ceremony the DisCon III committee announced today.

“In June, we made a statement speaking to our commitment to increased inclusivity, listening to marginalized communities, and looking towards the future of Worldcon,” said Colette H. Fozard and Bill Lawhorn, co-chairs of DisCon III. “Now that DisCon III is the seated Worldcon, we are delighted to announce two amazing individuals like Sheree and Malka bringing their spirit and energy to such a prestigious ceremony as the Hugo Awards.”

Sheree Renée Thomas is an award-winning short fiction writer, poet, and editor with fellowships and residencies from the Millay Colony of Arts, Bread Loaf Environmental, VCCA, Cave Canem Foundation, and Smith College. She is the author of Nine Bar Blues: Stories from an Ancient Future (Third Man Books, May 26, 2020), her first fiction collection, and two multigenre/hybrid collections, Sleeping Under the Tree of Life (Aqueduct Press), longlisted for the 2016 Otherwise Award and honored with a Publishers Weekly Starred Review and Shotgun Lullabies (Aqueduct). Her widely anthologized works and essays have appeared in places such as the New York Times and The Big Book of Modern Fantasy. She edited the World Fantasy Award- winning speculative fiction volumes, Dark Matter, that first introduced W.E.B. Du Bois’s work as science fiction and was the first black author to be honored with the World Fantasy Award since its inception in 1975. She serves as the Associate Editor of Obsidian: Literature & Arts in the African Diaspora (Illinois State University, Normal).  

Malka Older is a writer, aid worker, and sociologist. Her science-fiction political thriller Infomocracy was named one of the best books of 2016 by Kirkus, Book Riot, and the Washington Post. Infomocracy was also shortlisted for the 2019 Neukom Institute Literary Arts Award. With the sequels Null States (2017) and State Tectonics (2018), she completed the Centenal Cycle trilogy, a finalist for the Hugo Award for Best Series in 2018. She is also the creator of the serial Ninth Step Station, currently running on Serial Box, and her short story collection …And Other Disasters was published in November 2019. Named Senior Fellow for Technology and Risk at the Carnegie Council for Ethics in International Affairs for 2015, she has more than a decade of field experience in humanitarian aid and development.

“As we move forward,” Fozard and Lawhorn concluded, “we will continue to listen to the Worldcon community’s needs and concerns. We also acknowledge broad, general statements can ring hollow. With CoNZealand now over, we are focusing our efforts on specific, concrete plans and initiatives for making our Worldcon inclusive and diverse.”

DisCon III is the third World Science Fiction Convention (Worldcon) held in Washington DC, USA. Previous DC-based Worldcons were DisCon I in 1963 and DisCon II in 1974. DisCon III will be held at the Washington Marriott Wardman Park and Omni Shoreham from August 25-29, 2021.

DisCon III is sponsored by the Baltimore-Washington Area Worldcon Association, Inc. (BWAWA, Inc.), a 501(c)3 non-profit organization based in Maryland. For more information on DisCon III, Worldcon, and how to become a member of the 79th Worldcon, visit http://www.discon3.org.

[Based on a press release.]

Pixel Scroll 7/16/20 I Been In The Right Pixel—But It Must Have Been The Wrong Scroll

(1) THE COUNT OF MOUNT TSUNDOKU. “100 Most Popular Fantasy Books on Goodreads”. I’ve read 16 of 100 – I’m not a voracious fantasy fan. See how well you do. Here’s what ranks at the top of the heap:

Dragons, demons, kings, queens, and the occasional farm boy (with a special destiny, of course): Fantasy literature has it all! To celebrate our favorite fictional worlds and characters, we went on a quest for the 100 most popular fantasies of all time on Goodreads, as determined by your fellow members.

Of course, as fantasy readers know, the journey itself matters just as much as the destination. To create our list, we first sought out the most reviewed books on our site. Additionally, each title needed at least a 3.5-star rating to join our fellowship of titles. And, since fantasy is known for its epic sagas, in the case of multiple titles from the same series we chose the one with the most reviews.

Here are the top fantasy books on Goodreads, listed from 1 to 100.

(2)  VIRTUAL SPACE AND SFFCON. CosmoQuest, a citizen science research organization, is holding a virtual con Friday, July 17 through Sunday, July 19 focused on space and science fiction. CosmoQuest-a-Con’s main events are free to watch at https://www.twitch.tv/cosmoquestx, but you can also buy a $20 ticket for other space talks, author readings, concerts, and demos. The funds go to providing benefits to CosmoQuest’s part-time staff. The con’s home page is here.

(3) HARASSMENT REPORTED. Extreme horror author Tim Miller was called out as a harasser by M.M. Schill and others. Thread begins here. Miller’s social media is no longer available (Facebook, Twitter, Instagram). His website remains online. (Note: It’s not the director of the same name.)

Schill also indicated this callout could be shared.

(4) AFROFUTURISM. Essence of Wonder with Gadi Evron will offer “Sheree Renée Thomas and Friends on Afrofuturism and the Magic of Storytelling and Music” on July 18. Register at the link.

Sheree has more knowledge on the topic of the history of Afrofuturism than anyone we ever met, not to mention an incredible ability to bring it to life through nothing less than magic and wonder. Also coming on the show will be Andrea Hairston, Pan Morigan, and Danian Darrell Jerry. This Saturday, the 18th of July.

We will explore the magic of storytelling and music, and the power of community and art to affect personal and prophetic change.

(5) NOTHING UP MY SLEEVE. James Davis Nicoll comes up with “Five Strategies for Hiding a ‘Lost’ Civilization” at Tor.com.

Suppose for the moment that one is a science fiction or fantasy author, and further suppose that one wanted to posit a past great civilization whose existence comes as a complete surprise to modern folk. Let us also suppose that one wanted overlooking this lost civilization to be plausible… How might one go about this?

I’d tend to reject the “a secretive cabal always knew but kept it secret” explanation. People gossip. People love to show off their insider knowledge. People sometimes accidentally cut and paste entire sections of texts they’d really rather the world not know about into their tweets. Even valuable trade secrets tend to leak out given enough time. So where to hide a lost civilization? Here are five possibilities, to be used together or in concert….

(6) SOME TRUTH IS OUT THERE. “I recently discovered that—unlike in my twenties—at 46 years old I am able to spend innumerable hours watching The X-Files unassisted by marijuana.” “I don’t want to believe” at Affidavit.

… Over the last three months, two things have happened to me. Firstly, I’ve come to recognize my younger self in the character of Agent Fox Mulder, and feel shame appropriate to such an identification. Secondly, I’ve entered that most dangerous of all psychological terrain: nostalgia.

(7) PRO TIP. Ligtspeed’s “Author Spotlight” is on Adam-Troy Castro:

You reference Chekhov’s Gun, but adhere more scrupulously to the original quote than commonly seen: What’s your favorite advice to writers? Is there advice you commonly flout?

My favorite advice to writers is to wring the emotional reaction from yourself, first. When writing humor, you need to barely stand how witty you’re being; when you’re writing tragedy, you need to weep; when writing horror, you need to be appalled that this monstrous stuff is coming out of you. Hell, if you’re writing a thriller, you need to fear for your characters. Honestly, if you don’t react yourself, if it’s just a technical exercise, no one else is going to care either.

(8) IMAGINARY PAPERS 3. Today the Center for Science and the Imagination published the third issue of Imaginary Papers, their quarterly newsletter on science fiction worldbuilding, futures thinking, and imagination. This issue features writing from SF author Troy L. Wiggins and the science writer Kate Greene. Here is a direct link, and here is a link to subscribe for future issues.

(9) GÖRG OBIT. Galyn Görg, a dancer and actress who appeared on such shows as Twin Peaks and The Fresh Prince of Bel-Air and in films including Point Break and RoboCop 2, has died of cancer at the age of 55.

… Görg starred as police detective Leora Maxwell on the 1994-95 Fox sci-fi drama M.A.N.T.I.S., co-created by Sam Raimi, and played Nancy O’Reilly, the sister of One Eyed Jacks madam Blackie O’Reilly (Victoria Catlin), on three episodes of ABC’s Twin Peaks in 1990.

(10) MEDIA BIRTHDAY.

  • July 16, 1955 Commando Cody: Sky Marshal of the Universe serial first aired. This black-and-white movie serial from Republic Pictures, originally began life as a proposed syndicated television series. It was written by Ronald Davidson and Barry Shipman, and was directed by Harry Keller,  Franklin Adreon and Fred C. Brannon. The cast was Judd Holdren as Commando Cody, Aline Towne as Joan Gilbert, William Schallert as Ted Richards and Richard Crane as Dick Preston . There would be twelve twenty five episodes. You can see the first episode, ‘Enemies of the Universe” here.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born July 16, 1723 –  Sir Joshua Reynolds.  First President of the Royal Academy of Arts.  Famed as a portraitist.  Intellectual enough to keep company with Burke, Goldsmith, Johnson.  Painting mythological subjects calls for fantasy: here is Juno Receiving the Cestus from Venushere is Diana Disarming Cupidhere is Theory.  (Died 1792) [JH]
  • Born July 16, 1882 Felix Locher. He is considered the oldest Star Trek actor of all time by birth year, appearing in  “The Deadly Years” episode. 0ther genre appearances included Curse of the Faceless Man,  The Twilight ZoneFrankenstein’s Daughter, The Munsters, House of the DamnedThe Man from U.N.C.L.E. and Mission Impossible. His entire acting career was from 1957 to 1969. (Died 1969.) (CE)
  • Born July 16, 1916 – Paul Freehafer.  Joined the SF League in 1934, thus part of First Fandom (active at least as early as the first Worldcon, 1939) although 1F was not organized, if the word may be used, until much later.  So helpful to his local club the LASFS (L.A. Science Fantasy Soc.) that its service award is the Evans-Freehafer (after E. Everett Evans and PF).  Fanzine, Polaris.  More here. (Died 1944) [JH]
  • Born July 16, 1920 – Stan Woolston.  Printer and fan.  Life member of the Nat’l Fantasy Fan Fed’n (N3F), edited Tightbeam, served on Welcommittee, earned the Kaymar.  Lifelong friend of Len Moffatt (published SF Parade with him), Rick Sneary.  Big Heart (our highest service award, community-wide).  (Died 2001) [JH]
  • Born July 16, 1928 Robert Sheckley. I knew that his short story “Seventh Victim” was the basis of The 10th Victim film but I hadn’t known ‘til now that Freejack was sort of based of his Immortality, Inc. novel.  I’ve read a lot by him with Bring Me the Head of Prince Charming (written with Zelazny) and Babylon 5: A Call to Arms being my favorite works by him. Sheckley is very well stocked on the aKindle store but not in the iBook store. H’h. (Died 2005.) (CE)
  • Born July 16, 1943 – Bruce Boston, 77.  Two novels; a hundred shorter stories in AmazingAsimov’sRealms of FantasySF AgeStrange Horizons; poems dusting our skies like strange stars.  Seven Rhyslings; Pushcart Prize; first Grand Master of the SF Poetry Ass’n.  Has chaired the Nebula Award jury for novels, the Philip K. Dick Award jury.  [JH]
  • Born July 16, 1951 – Sue Thomas, 69.  Coined the term “technobiophilia” and wrote a book about it.  Two novels; anthology Wild Women.  Correspondent, reviewer, in FocusFoundationMatrix, Paperback InfernoVector.  [JH]
  • Born July 16, 1951 Esther Friesner, 69. She’s won the Nebula Awards for Best Short Story twice with “Death and the Librarian” and “A Birthday”.  I’m particularly fond of The Sherwood Game and E.Godz which she did with Robert Asprin. She’s better stocked in the Kindle store than in the iBooks Store. (CE) 
  • Born July 16, 1956 Jerry Doyle. Now this one is depressing. Dead of acute alcoholism at sixty, his character Michael Garibaldi was portrayed as an alcoholic, sometimes recovering and sometimes not on Babylon 5. Damn. (Died 2016.) (CE)
  • Born July 16, 1963 Phoebe Cates, 57. Ok, do her entire genre appearance credit is as Kate Beringer in Gremlins and Gremlins 2: The New Batch. It’s two films that I have an inordinate fondness for that the Suck Fairy cannot have any effect upon them what-so-ever. (CE)
  • Born July 16, 1967 Will Ferrell, 53. His last film was Holmes & Watson in which he played Holmes. It won Worst Picture, Worst Director, Worst Screen Combo and, my absolute favorite Award, Worst Prequel, Remake, Rip-off or Sequel. Wow. He was also in Land of the Lost which, errrr, also got negative reviews. Elf however got a great response from viewers and critics alike. He also was in two of the Austin Powers films as well. (CE)
  • Born July 16, 1975 – Lucian Dragos Bogdan, 45.  Author, caricaturist (the ”s” in his name should have a tiny comma under it for the sound English spells ”sh”). Likes rock music and the Tao Tê Ching (or, if you’d rather, Daodejing).  A dozen novels, thirty short stories, in our field; also mystery & thriller, romance.  Website in EnglishFrenchRomanian. [JH]

(12)COMICS SECTION.

(13) NOW A SHADOW OF ITS FORMER SELF. Silvia Moreno-Garcia sketches “A Brief History of Mexican Horror Comic Books” at Tor.com.

When people ask me if I like comic books I always have a split-second reaction. The answer is no. But it’s a nuanced no. I don’t like superhero comic books, but I grew up reading plenty of other stuff.

While in the United States “comic book” can be read as a synonym for “superhero,” such a correlation has not traditionally existed in Mexico. Mexican artists during their Golden Age were more interested in other kinds of content. This doesn’t mean there weren’t any superheroes—Fantomas, El Santo and Kalimán come to mind—but you were more likely to find other sorts of local comic books. And when people thought comic books, they probably thought historietas, monitos, una de vaqueros, all of which conjure something very far from Superman, Batman or the X-Men….

(14) TIME AFTER TIME. In the Washington Post, Michael Cavna interviews Garry Trudeau about his new book Lewser! More Doonesbury In The Age Of Trump.  Trudeau discusses how he satirizes Trump, including how he draws the president’s hair, and how “for the most part, I’ve stayed away” from satirizing Trump’s children “and I’m not sure why.” “Garry Trudeau is spoofing the Trump presidency by treating it as ‘a hostile takeover’”.

… “There has been never the slightest danger of running out of inspiration — Trump serves up a banquet of lies, obfuscation and cruelty almost daily,” says Trudeau, whose new material runs every Sunday. “Steve Allen once said that comedy is tragedy plus time, but in Trump’s case, the passage of time is wholly optional.”

(15) THEY HAVE A LITTLE LIST. “So which comics companies got PPP loans?” ComicsBeat will satiate your curiosity on this score.

… Back when this pandemic thing first began, several economic relief packages were floated as part of the CARES Act, including small business loans known as PPP (Payment Protection Program) loans. The loans were to help with payroll to keep people employed – with the loans forgivable if 60% of the money went to payroll.

… It’s also not anything to be ashamed of – applying for aid during an economic shutdown is a smart move to keep people on the payroll and keep companies afloat, and it’s good that these comics companies were able to receive aid.

Now, we did hear that many actual small businesses, including comics shops, had a harder time getting loans, and there are lots of stories about billionaires getting payouts, from Kanye West to Soho House. And of course there was fraud, like using PPP money to pay for a new house in the case of the CEO of Wendy’s. Nice one!

(16) HEROES ASSEMBLE. In “Chris Evans Sends Captain America Shield to Young Boy Who Saved His Sister From Dog Attack”, Variety reports that Evans joined a bunch of other actors who play superheroes to cheer up Bridger Walker, a nine-year-old who got 90 stitches after protecting his four-year-old sister from a charging dog.

…“I’m sure you’ve heard this a lot over the last couple of the days, but let me be the next one to tell you: Pal, you’re a hero,” Evans said. “What you did was so brave, so selfless, your sister is so lucky to have you as a big brother. Your parents must be so proud of you.”

(17) IG NOBEL NOMINEE. Snakes! It has to be snakes – who can out-eat hot dog chugging humans. “Scientists Have Finally Calculated How Many Hot Dogs a Person Can Eat at Once”.

The world’s best hot dog eaters could outeat a grizzly bear or a coyote, but would fall far behind a wolf or a Burmese python, a new study finds.

Over the Fourth of July weekend, with streams of sweat pouring down his face, Joey Chestnut broke his own world record for hot dog eating, by downing 75 hot dogs (with buns) in 10 minutes at the Nathan’s Famous Hot Dog Eating Contest. It was his 13th win at the annual contest. And Miki Sudo set a women’s record, 48.5 hot dogs, to grab her seventh straight Nathan’s win.

Because of the coronavirus crisis, the event was held virtually this year, and Dr. James Smoliga was glued to his screen, rooting for new records. For the past few months, Dr. Smoliga, a veterinarian and exercise scientist, had been working on a mathematical analysis of the maximum number of hot dogs that a human could theoretically consume in 10 minutes.

“The answer is 83,” said Dr. Smoliga, a professor at High Point University in North Carolina.

He has now published the full analysis, which calculated this number based on 39 years of historical data from the Nathan’s contest, as well as on mathematical models of human performance that consider the potential for extreme athletic feats.

“It’s a great paper,” said Dr. Michael Joyner, a physician at the Mayo Clinic who studies human performance, adding that the analysis shows the classic fast rise in performance followed by more gradual improvements that happen when an event becomes professionalized. The best part, he said, is that Dr. Smoliga wrote it with a straight face.

(18) SPACE: 1999 REDUX. “Nuclear blast sends star hurtling across galaxy”. Looking for a gas station?

A star has been sent hurtling across the galaxy after undergoing a partial supernova, astronomers say.

A supernova is a powerful explosion that occurs when some stars reach the ends of their lives; in this case, the blast was not sufficient to destroy it.

Instead, it sent the star hurtling through space at 900,000 km/hr.

Astronomers think the object, known as a white dwarf, was originally circling another star, which would have been sent flying in the opposite direction.

When two stars orbit each other like this, they are described as a “binary”. Only one of the stars has been detected by astronomers, however.

The object, known as SDSS J1240+6710, was previously found to have an unusual atmospheric composition.

Discovered in 2015, it seemed to contain neither hydrogen nor helium (which are usually found), appearing to be composed instead of an unusual mix of oxygen, neon, magnesium and silicon.

(19) WRINKLES IN TIME. “Desert telescope takes aim at ageing our Universe” – BBC has the story.

Another telescope has entered the debate about the age and expansion rate of the Universe.

This topic has recently become the subject of an energetic to and fro among scientists using different astronomical facilities and techniques.

The new entrant is the Atacama Cosmology Telescope in Chile.

It’s been studying the “oldest light” on the sky and has concluded the Big Bang occurred 13.77 billion years ago, give or take 40 million years.

That’s almost exactly the same number we got from Europe’s flagship Planck space observatory mission, which mapped the ancient light in the early 2010s.

But therein lies the problem because other telescopes using different methods have come out with ages that are a few hundred million years younger.

What they’ve all been trying to do is measure what’s known as the Hubble Constant – the value used by astronomers to describe cosmic expansion.

(20) OLD GUARD, NEW LOOK. The Washington Post’s Ann Hornaday interviews The Old Guard director Gina Prince-Bythewood, the first Black director of a superhero movie, about what it was like to direct the film and the choices she made in directing women that were different than what male directors would do. “Gina Prince-Bythewood is the first black woman to direct a major comic-book movie. It looks like the future.”

… When she began tackling the material, she adds, her identity as an African American woman informed nearly every decision she made. “The things that I influenced, that I noticed, that I corrected, that I amplified, absolutely come from a black female lens,” she says firmly. Although she was thrilled with Rucka’s original script, she asked him to flesh out Nile’s backstory, adding layers having to do with her family and experience in the military (where, not incidentally, her colleagues are women of color, much like the institution itself). Even the film’s many fight scenes bear the signature of someone who is coming from a different angle than the usual white male gaze. One in particular, between Andy and Nile on a cargo plane, was particularly sensitive for Prince-Bythewood.

(21) COGNITIVE DISSONANCE TIME. What’s gotten into Tor.com’s headline writers? “Let Henry Cavill Show You Parts You’ve Never Seen Before… As He Assembles This Gaming PC”. But Emmet Asher-Perrin says —

It’s not what you think, promise.

In fact, Cavill used this opportunity to play some very sexy music while he… assembled his gaming PC…. 

Does it seem strange to see such humor in a headline after reading one of the items above?

(22) DEBUT NOVELIST. From Goodreads: “Lindsay Ellis: How Science Fiction Makes Sense of the Present”.

Until this summer, Lindsay Ellis was mainly known as a super smart and witty film critic and YouTube essayist… This month, Ellis’ debut science fiction novel, Axiom’s End, arrives….

I was eight years old when Lois Lowry’s The Giver was released in 1993, and it became an instant turning point for me, not only for my relationship to books in general, but to science fiction in particular. Anti-authority narratives for children are extremely common—it’s pretty much the basis for all of Nickelodeon’s marketing—but narratives for young children tend to have cartoonishly evil authority figures who are obviously in the wrong. The Giver, in contrast, presents us with what appears to be a utopia, challenging the young reader with a simple, comforting authority structure that over the course of the narrative the protagonist Jonah learns not only has sapped his community’s members of their humanity, but does monstrous things in its bid to maintain control.

One of the main hallmarks of science fiction is the use of social constructs, technologies, and futures that do not yet exist—and may never exist—as a means of exploring our present. In the case of The Giver, it was the first book I read that used science fiction to create (to an eight year old, anyway) mind-blowing revelations about the nature of society and the individual’s relationship to it. The Giver is one of those books that serves as a perfect gateway for children who are just beginning to learn that change is inevitable, that well-meaning people can be wrong, and that solutions to problems are not always obvious. …

(23) LEFANU ON TV. “Carmilla–Official UK Trailer” on YouTube is a trailer for a “reimagined” version of J.S. LeFanu’s great horror novella which is now being streamed in the U.S.

Isolated from the outside world, fifteen-year-old Lara (Hannah Rae, “Broadchurch”, Fighting with My Family) lives in seclusion on a vast country estate with her father and strict governess Miss Fontaine (Jessica Raine, “Patrick Melrose”, “Jericho”). Late one evening, a mysterious carriage crash brings a young girl (Devrim Lingnau) into their home to recuperate. Lara immediately becomes enchanted by this strange visitor who arouses her curiosity and awakens her burgeoning desires.

[Thanks to Stephen Granade, John King Tarpinian, Martin Morse Wooster, Mike Kennedy, JJ, John Hertz, Cat Eldridge, Andrew Porter, Lise Andreasen, Joey Eschrich, Michael Toman, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Xtifr.]

2021 Site Selection Confirms Washington DC

Washington D.C.’s unopposed bid to host the 2021 Worldcon was officially voted in this weekend at Dublin 2019. The name of the convention will be DisCon III. Bill Lawhorn and Colette H. Fozard are the co-chairs.

The committee announced their current guests are: Nancy Kress, Author GoH; Malka Older, Special Guest; Sheree Renée Thomas, Special Guest; Toni Weisskopf, Editor GoH; and Ben Yalow, Fan GoH.

Total valid votes: 878

DC in 2021 798
None of the Above 18
Miscellaneous write-ins 26
No Preference 36
Invalid ballots 2

The complete details (with all write-ins) are here [PDF file.]

Pixel Scroll 6/10/17 The Scrollish Pixelman’s Union

(1) FISHING FOR COMPLIMENTS. Share a grilled snook to die for with Elizabeth Hand in Episode 40 of Scott Edelman’s podcast Eating the Fantastic.

Elizabeth Hand

We discussed why she probably won’t take LSD on her deathbed, what made her a fan of Marvel rather than DC when she was a kid, her unusual fee for writing term papers back in college, the true meaning of Man’s Search for Meaning, the unfortunate occupational hazard of book reviewing, who was the best science fiction writer of all time (and why), plus more.

(2) MAD PLASTIC DISEASE. Cedar Sanderson raises the spectre of hostile Nature in “Take two aspirin”:

Toni Weisskopf shared a photo on Facebook of a computer module absolutely infested with an ant nest, seething with eggs, and her comment was that she’d like to see more stories like that in science fiction. It’s an excellent point. I can’t tell you how many stories I’ve read ( and written) where the tech performs flawlessly. Which does happen. There are also stories where it doesn’t, but how many can you think of where the characters have to deal with an infestation? How would we prevent that, control it, and what kind of adaptations will we see?

I’d run across an article recently about bacteria which will break down plastics that were formerly thought invulnerable. Then there was another one speculating about why less plastic (by an order of magnitude) is found in the ocean than projected, and the discovery of novel bacteria on that plastic. The concern was focused on reducing pollution, but what happens when bacteria evolve to eat stuff we want to stay intact and functional? The stories about nanotech making gray goo aren’t that far off from what bacteria are already capable of — only fortunately they are not so fast to act.

(3) STINKS ON DRY ICE. Entertainment Weekly has the roundup: “‘The Mummy’ reboot slammed as ‘worst Tom Cruise movie ever’ by critics”.

Universal’s first foray into the depths of its Dark Universe probably would have benefitted from a brighter guiding light.

After spending over three decades dazzling audiences across large-scale action-adventures on the big screen, Tom Cruise’s latest genre spectacle, The Mummy, is set to unravel in theaters this Friday. Movie critics, however, got a peek under wraps this week, as movie reviews for the blockbuster project debuted online Wednesday morning. The consensus? According to a vast majority of them, perhaps this romp should’ve remained buried.

(4) 451 CASTING. Probably fortunate, then, that this bit of promotion came out before The Mummy opened: “HBO’s Fahrenheit 451 casting heats up as The Mummy’s Sofia Boutella boards”

If you were already fired up for HBO’s upcoming movie adaptation of Ray Bradbury’s classic novel Fahrenheit 451, then prepare to throw a couple more books on the barbie, cause this cast is starting to cook.

Just ahead of her titular turn in this weekend’s The Mummy, Sofia Boutella has signed on to join Michael B. Jordan (Chronicle, Creed, Fantastic Four) and Michael Shannon (Batman v Superman: Dawn of Justice, 99 Homes) as the core players in the film from writer/director Ramin Bahrani (99 Homes).

According to THR, Boutella will play the female lead Clarisse, “an informant caught between” Jordan’s Montag — a fireman whose job it is to burn books, but who ends up rebelling against such a scorching notion after meeting free-spirited Clarisse — and Shannon’s Fire Chief Beatty, Montag’s mentor.

(5) ROSARIUM OPENS ANTHOLOGY. Rosarium Publications invites submissions of science fiction, fantasy, horror, interstitial, and unclassifiable works to Trouble the Waters: Tales from the Deep Blue, edited by Sheree Renée Thomas, Pan Morigan, and Troy L. Wiggins.

TROUBLE THE WATERS: Tales from the Deep Blue will be a new anthology of water-themed speculative short stories that explore all kinds of water lore and deities, ancient and new as well as unimagined tales. We want stories with memorable, engaging characters, great and small, epic tales and quieter stories of personal and communal growth. Science fiction, fantasy, horror, interstitial, and unclassifiable works are welcome. We are seeking original stories in English (2500 — 7000 words; pays 5-6 cents per word) from writers of all walks of life from this beautiful planet and will accept some select reprints (pays 2-3 cents per word). Deadline: November 1, 2017. Projected publication: November 2018, Rosarium Publishing, www.rosariumpublishing.com. Please send submissions as a .doc, .docx, or .rtf file in standard mss formatting with your name, title, and word count to: TroubletheWaters2018@gmail.com

Complete submission guidelines can be found here.

(6) DYSTOPIAS. The Financial Times’ Nilanjana Roy, in “Future Shocks”, reviews Jeff VanderMeer’s Borne and Hao Jingfang’s “Folding Beijing” to see if our love of dystopias as something to do with the continued decline in urban life around the world.

The nightmare near-future city that a writer like Prayaag Akbar, by contrast, summons in his first novel, Leila (2017), rests on a distinctly South Asian set of fears. About a mother’s search for the daughter she was separated from, it is set in a frightening world where cities are segregated into zones of Purity, citizens sorted by their community, surnames, castes and religion.

This background came out of his discomfort with the way Indian cities have developed. “They are segmented, self-enclosing,€ he told me recently. “We practise a kind of blindness — you teach yourself not to see the tragedies that unfold in public spaces.”

These concerns — about cities splitting into walled enclaves, residents separated from each other’s lives by fears of pollution, contamination, or a striving after purity — find startling expression in Hao Jingfang’s Hugo award-winning “Folding Beijing”….

(7) BRADBURY. BookRiot’s Andy Browers is your guide to “A Friend In High And Low Places: Finding Ray Bradbury Where You May Not Expect Him”.

While I hate to ruin surprises, here are four places you might find yourself in his presence, sometimes peripherally, sometimes looking him right in the bespectacled eye.

Star Trek (aka “Star Track”, as my grandma called it)

Too obvious? Maybe. He and Gene Roddenberry, the fella who dreamed the franchise up, were pals who sat at the same midcentury science fiction table in the cafeteria. Bradbury famously loved all things space and rocket related, and it is fitting that he gets a couple of nods as the namesake of a Federation star ship. In the saucily-named episode of Star Trek: The Next Generation “Menage a Troi”, for instance, which ship is bestowed the great honor of relieving the pain of fandom everywhere by arriving to whisk away Wesley Crusher to Starfleet Academy? The U.S.S. Bradbury, the first of its class.

Wesley missed the space bus by saving the day in that episode, much to the chagrin of a large swath of viewers at home who were sick of having a kid on the Bridge. (Wil Wheaton, I was cheering for you. Please know that.) (Mostly because I kept hoping Wesley would scream TRAAAAIIIIIN in slow motion, which as far I know never happened.)

(8) ORPHAN BLACK. Carl Slaughter advises, “If you haven’t watched Tatiana Maslany portray as many as 14 cones in Orphan Black, you’re missing a treat.”

View Entertainment Weekly’s photo gallery, “‘Orphan Black’ A to Z: Dive Into the Show’s DNA Before Its Final Season”.

(9) STREET MEMORIAL. Here’s Pat Evans’ photo of the mementos being left today on Adam West’s star on the Hollywood Walk of Fame. West died on Friday from leukemia.

(10) TODAY IN HISTORY

  • June 10, 1692 — Bridget Bishop was the first person to be hanged at the Salem Witch trials.

(11) TODAY’S BIRTHDAY CREATORS

  • Born June 10, 1928 Where the Wild Things Are author Maurice Sendak.
  • Born June 10, 1952 — Kage Baker

(12) FAMOUS BOOKSTORE HAS A BACKUP PLAN. The original Books of Wonder, inspiration for the bookstore owned by Meg Ryan’s character in the 1998 comedy You’ve Got Mail, is opening a second location as a contingency plan in case it can’t afford the coming rent hike — “Books of Wonder to Open Upper West Side Location”.

Books of Wonder, the renowned children’s bookstore on 18th Street in New York City, announced Thursday that it would open a second location, on West 84th Street, sometime this summer.

According to the store’s founder and owner, Peter Glassman, the 18th Street store’s lease will expire at the end of 2019. “Given the rise in retail rents along 18th Street, I am not optimistic about our ability to renew the lease,” he said. Though he said he planned to seek a new location in that area, the impending uncertainty was part of his decision to open another branch on the Upper West Side.

“I wanted to make sure we had another location open and well established before the current store’s lease expires, so if we have difficulty finding a new location and have to close for a few months we would have another location to serve our customers, not be out of business for any period of time, and not have to lay off my wonderful staff,” he said.

Andrew Porter adds,

When they opened, originally on Hudson Street in the lower Village, they were primarily an SF/fantasy-oriented store. They took out full-page ads in my Algol/Starship, then in SF Chronicle. The store regularly has readings and signings by SF/F YA and children’s authors, for example, with Sarah Beth Durst. It has also published numerous books by and about L. Frank Baum.

 

Peter Glassman. Photo by Andrew Porter:

Sarah Beth Durst and Bruce Coville at her signing in 2015. Photo by Andrew Porter.

(13) TOMBSTONE TERRITORY. This just in from the Australian National Convention.

(14) DEADPOOL’S NEXT RAMPAGE. Marvel pulls back the shroud, er, curtain.

If you’re Deadpool and you kill the entire Marvel Universe, why not eat some chimichangas…and then kill all over again? Proving there’s nothing like revenge, the superstar team of Cullen Bunn (X-Men Blue, Venomverse) and Dalibor Talajic (Deadpool Kills The Marvel Universe, Redwolf) reunite to bring you Deadpool Kills The Marvel Universe Again, and the Merc with the Mouth has never been more ready to return to that katana.

“This is not a sequel to the original story,” warns series writer Cullen Bunn. “This is an all new murderous rampage. The Marvel Universe has changed a great deal since the first series. So, of course, Deadpool had to up his game and change his tactics.”

 

(15) WONDER MOTHER. Marguerite Bowling, in a Daily Signal piece called “Wonder Woman Can Get the Job Done Pregnant, So Can You” says that Gal Gadot’s reshooting fight scenes while five months pregnant should be an inspiration to women. (The Daily Signal is a news website run by the Heritage Foundation.)

But here’s another fun fact that shows you can proudly be pro-mom and pro-career woman: Israeli actress Gal Gadot was five months pregnant with her second child when she did reshoot scenes for the movie that included a climactic battle scene.

To get around her then-visible baby bump, costumers cut an ample triangle on her iconic suit and replaced it with a bright green cloth that allowed the movie’s special effects team to change her figure post-production.

Given the prevailing negative news that shows women facing all sorts of career challenges by wanting to have a baby, it’s refreshing to see a successful woman embrace her pregnancy and still do an exceptional job.

(16) MIL-SF. Jeffrey C. Wells says “I Can’t Believe it’s not Baen: Rick Shelley’s Lieutenant Colonel” — and throws in a funny bingo card as a bonus.

If you didn’t figure it out from the title, or the cover, Lieutenant Colonel is Military Sci-Fi (Mil-SF for short), a genre devoted to chronicling how and why people are gonna shoot at each other in the future. And, also unsurprisingly, Lieutenant Colonel is the fifth book in Shelley’s “DMC” series, with each earlier book having sequential titles like Lieutenant, then Major, then Captain, and so on. Not exactly creative, but what can you do.

In any case, this series centers around a dude named Lon Nolan as he works his way up through the ranks in the Dirigent Mercenary Corps (from which we get the “DMC” acronym). Lon is your typical officer– professional, honorable, and — kind of boring. Dude makes Honor Harrington seem like Hamlet. Wait, no, that’s not a good analogy, ‘cause Harrington gets shit done. But I digress.

…Thankfully, Lieutenant Colonel doesn’t delve into super preachiness. Though it did inspire me to create MIL-SF BINGO! Just print this off next time you read about space-soldiers shooting space-lasers at space-commies, and check off the boxes as you go along!

(17) WIDER SPECTRUM. An Adweek story tells how “Equinox Extends LGBTQA from A to Z With a New Alphabet for Pride Month”.

It’s Pride Month! And every year, around this time, a certain kind of pundit hops on a soapbox to complain about how the term “LGBTQA” just keeps getting longer, and isn’t that just ludicrous?

Actually, it isn’t. In fact, it’s not nearly long enough. And a campaign from Wieden + Kennedy New York highlights why.

For Equinox and the LGBTQA Community Center, the agency has produced “The LGBTQAlphabet,” whose chill and choreographed film goes down the list of not six letters but 26. The goal is to show that a handful of labels isn’t remotely sufficient to encompass the complex identities of the world’s 7 billion people.

(18) SHARKES KEEP NIBBLING. Here are more recent reviews from the Shadow Clarke jury, and a guest post by the actual Clarke Award director.

This is the future we were promised. This is what all those science fiction novels from way back told us to expect: silver-finned rocket ships taking us out to the frontier towns of Mars and beyond; clanking metal robots wanting to be human; people transformed into something monstrous by whatever is out there.

And Tidhar, whose work has always displayed an over-fond preference for intertextual references to other science fictions, makes absolutely certain we recognise that these are other writers’ futures. The digital vampire is called a Shambleau, a pointed reference to the first of C.L. Moore’s Northwest Smith adventures. There are repeated references to someone called Glimmung on Mars, which of course recalls Philip K. Dick’s children’s novel, Nick and the Glimmung, which is, of course, set on Mars. And the presiding spirit that dominates the whole novel is probably Cordwainer Smith, with the way space is repeatedly described as the “Up and Out”, as well as casual references to C’Mell and Mother Hitton. There are more, some less familiar than others; I’m pretty sure that there are references to Edward Whittemore’s little-known but brilliant Jerusalem Quartet scattered throughout this novel. Someday, I suspect, someone might produce a concordance for Central Station, teasing out all of the echoes of and references to other works of science fiction. It will be a thick volume.

Of course, no one has gone broke by playing to the geeky self-regard of the science fiction fan. In recent years, self-referential science fiction books, novels like Among Others by Jo Walton that deliberately draw attention to other science fiction works, have proved especially popular.

If not for my commitment to the Sharke process I wouldn’t have chosen to write about Occupy Me; it’s unlikely that I would have finished reading it at all. My immediate response was akin to a toddler presented with something green and fresh and healthy: stampy feet; scowly face; a protesting shriek of ‘I don’t like it!’. I bounced off the book hard and repeatedly, and continued to do so despite dosing myself with Gareth’s blazingly positive review and Nina and Paul’s balanced perspectives at the midway point. Whatever the book’s thematic qualities, whatever its madcap quirks — and often because of them — I couldn’t stomach it. I find it impossible to see or be fair to the better parts of the novel because I’m painfully fixated on the fundamental ways in which it fails for me. Under usual circumstances I would think it ill-advised to throw a hat into the critical ring when I have so little critical perspective to share but I will try to explain.

While the Clarke Award can never guarantee having every potentially eligible book submitted, we are able to offer a reasonably comprehensive ‘state of the nation’ snap shot via our lists, not only of the books themselves but also for deeper analysis into the numbers of submitting publishers, the demographic breakdowns of authors and similar should people want to take those numbers and run with them.

More immediately, after my first couple of spins in the director’s chair I was starting to learn all of the ongoing debates, criticisms and wishes that surrounded the award’s announcements every year.

The award was, in no particular order, overly predictable, willfully unpredictable as a tactic to generate PR controversy, trying too hard to be the Booker, ignoring the heartlands of SF, full of wrongheads (a lovely fannish term that one), and so on and so on — Business as usual for a book award in other words.

(19) DRINK IT OR ELSE. Atlas Obscura recalls a series of 1950s commercials for Wilkins Coffee that featured violent Muppets prototypes.

In the ads, Wilkins — who bears a striking resemblance to Kermit the Frog — tries to convince another proto-Muppet, Wontkins to drink Wilkins Coffee. Wontkins almost always refuses. In retaliation, Wilkins shoots him, stabs him, or otherwise inflicts physical harm upon him.

 

[Thanks to Cat Eldridge, Martin Morse Wooster, Mark-kitteh, JJ, John King Tarpinian and Lace for some of these stories. Title credit goes to File 770 contributing editor of the day Xtifr, with a little help from his friends.]

Global Authorship

By Carl Slaughter:

THE APEX BOOK OF WORLD SF, VOL. 1

Editor: Lavie Tidhar

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“The Apex Book of SF series has proven to be an excellent way to sample the diversity of world SFF and to broaden our understanding of the genre’s potentials.”

—Ken Liu, winner of the Hugo Award and author of The Grace of Kings

The Apex Book of World SF, Vol. 1, edited by Lavie Tidhar, features award-winning science fiction and fantasy short stories from Asia, Eastern Europe and around the world.

The world of speculative fiction is expansive; it covers more than one country, one continent, one culture. Collected here are sixteen stories penned by authors from Thailand, the Philippines, China, Israel, Pakistan, Serbia, Croatia, Malaysia, and other countries across the globe. Each one tells a tale breathtakingly vast and varied, whether caught in the ghosts of the past or entangled in a postmodern age.

Among the spirits, technology, and deep recesses of the human mind, stories abound. Kites sail to the stars, technology transcends physics, and wheels cry out in the night. Memories come and go like fading echoes and a train carries its passengers through more than simple space and time. Dark and bright, beautiful and haunting, the stories herein represent speculative fiction from a sampling of the finest authors from around the world.

TABLE OF CONTENTS

  • S.P. Somtow (Thailand) —“The Bird Catcher”
  • Jetse de Vries (Netherlands) —“Transcendence Express”
  • Guy Hasson (Israel) —“The Levantine Experiments”
  • Han Song (China) —“The Wheel of Samsara”
  • Kaaron Warren (Australia/Fiji) —“Ghost Jail”
  • Yang Ping (China) —“Wizard World”
  • Dean Francis Alfar (Philippines) —“L’Aquilone du Estrellas (The Kite of Stars)”
  • Nir Yaniv (Israel) —“Cinderers”
  • Jamil Nasir (Palestine) —“The Allah Stairs”
  • Tunku Halim (Malaysia) —“Biggest Baddest Bomoh”
  • Aliette de Bodard (France) —“The Lost Xuyan Bride”
  • Kristin Mandigma (Philippines) —“Excerpt from a Letter by a Social-realist Aswang”
  • Aleksandar Ziljak (Croatia) —“An Evening In The City Coffehouse, With Lydia On My Mind”
  • Anil Menon (India) —“Into the Night”
  • Melanie Fazi (France, translated by Christopher Priest) —“Elegy”
  • Zoran Zivkovic (Serbia, translated by Alice Copple-Tosic) —“Compartments”

VOLUME 2

Editor: Lavie Tidhar

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In The Apex Book of World SF 2, editor Lavie Tidhar collects short stories by science fiction and fantasy authors from Africa and Latin America.

An expedition to an alien planet; Lenin rising from the dead; a superhero so secret he does not exist. In The Apex Book of World SF 2, World Fantasy Award-nominated editor Lavie Tidhar brings together a unique collection of stories from around the world. Quiet horror from Cuba and Australia; surrealist fantasy from Russia and epic fantasy from Poland; near-future tales from Mexico and Finland, as well as cyberpunk from South Africa. In this anthology one gets a glimpse of the complex and fascinating world of genre fiction—from all over our world.

Featuring work from noted international authors such as Will Elliot, Hannu Rajaniemi, Shweta Narayan, Lauren Beukes, Ekaterina Sedia, Nnedi Okorafor, and Andrzej Sapkowski.

VOLUME 3

Editor: Lavie Tidhar

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In The Apex Book of World SF, Volume 3, editor Lavie Tidhar collects short stories by science fiction and fantasy authors from Africa, Asia, South America, and Europe.

These stories run the gamut from science fiction, to fantasy, to horror. Some are translations (from German, Chinese, French, Spanish, and Swedish), and some were written in English. The authors herein come from Asia and Europe, Africa and Latin America. Their stories are all wondrous and wonderful, and showcase the vitality and diversity that can be found in the field. They are a conversation, by voices that should be heart. And once again, editor Lavie Tidhar and Apex Publications are tremendously grateful for the opportunity to bring them to our readers.

TABLE OF CONTENTS

  • Introduction — Lavie Tidhar
  • Courtship in the Country of Machine-Gods — Benjanun Sriduangkaew (Thailand)
  • A Hundred Ghosts Parade Tonight — Xia Jia (China)
  • Act of Faith — Fadzilshah Johanabos (Malaysia)
  • The Foreigner — Uko Bendi Udo (Nigeria)
  • The City of Silence — Ma Boyong (China)
  • Planetfall — Athena Andreadis (Greece)
  • Jungle Fever — Iko Koeck (Malaysia)
  • To Follow the Waves — Amal El-Mohtar (Lebanon/Canada)
  • Ahuizotl — Nelly Geraldine García-Rosas (Mexico)
  • The Rare Earth — Biram Mboob (Gambia)
  • Spider’s Nest — Myra Çakan (Germany)
  • Waiting with Mortals — Crystal Koo (Philippines)
  • Three Little Children — Ange (France)
  • Brita’s Holiday Village — Karin Tidbeck (Sweden)
  • Regressions — Swapna Kishore (India)
  • Dancing on the Red Planet — Berit Ellingsen (Korea/Norway)
  • Cover art and design by Sarah Anne Langton.

VOLUME 4

Editor: Mahvesh Murad

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Now firmly established as the benchmark anthology series of international speculative fiction, volume 4 of The Apex Book of World SF sees debut editor Mahvesh Murad bring fresh new eyes to her selection of stories.

From Spanish steampunk and Italian horror to Nigerian science fiction and subverted Japanese folktales, from love in the time of drones to teenagers at the end of the world, the stories in this volume showcase the best of contemporary speculative fiction, wherever it’s written.

“Important to the future of not only international authors, but the entire SF community.” —Strange Horizons

FEATURING:

  • Vajra Chandrasekera (Sri Lanka) — “Pockets Full of Stones”
  • Yukimi Ogawa (Japan) — “In Her Head, In Her Eyes”
  • Zen Cho (Malaysia) — “The Four Generations of Chang E”
  • Shimon Adaf (Israel) — “Like A Coin Entrusted in Faith” (Translated by the author)
  • Celeste Rita Baker (Virgin Islands) — “Single Entry”
  • Nene Ormes (Sweden) — “The Good Matter” (Translated Lisa J Isaksson and Nene Ormes)
  • JY Yang (Singapore) — “Tiger Baby”
  • Isabel Yap (Philippines) — “A Cup of Salt Tears”
  • Usman T Malik (Pakistan) — “The Vaporization Enthalpy of a Peculiar Pakistani Family”
  • Kuzhali Manickavel (India) — “Six Things We Found During the Autopsy”
  • Elana Gomel (Israel) — “The Farm”
  • Haralambi Markov (Bulgaria) — “The Language of Knives”
  • Sabrina Huang — “Setting Up Home” (Translated by Jeremy Tiang)
  • Sathya Stone (Sri Lanka) — “Jinki and the Paradox”
  • Johann Thorsson (Iceland) — “First, Bite a Finger”
  • Dilman Dila (Uganda) — “How My Father Became a God”
  • Swabir Silayi (Kenya) — “Colour Me Grey”
  • Deepak Unnikrishnan (The Emirates) — “Sarama”
  • Chinelo Onwualu (Nigeria) — “The Gift of Touch”
  • Saad Z. Hossain (Bangaldesh) — “Djinns Live by the Sea”
  • Bernardo Fernández (Mexico) — “The Last Hours of the Final Days” (Translated by the author)
  • Natalia Theodoridou (Greece) — “The Eleven Holy Numbers of the Mechanical Soul”
  • Samuel Marolla (Italy) — “Black Tea” (Translated by Andrew Tanzi)
  • Julie Novakova (Czech Republic) — “The Symphony of Ice and Dust”
  • Thomas Olde Heuvelt (Netherlands) — “The Boy Who Cast No Shadow” (Translated by Laura Vroomen)
  • Sese Yane (Kenya) — “The Corpse”
  • Tang Fei — “Pepe” (Translated by John Chu)
  • Rocío Rincón (Spain) — “The Lady of the Soler Colony” (Translated by James and Marian Womack)
  • Cover art and design by Sarah Anne Langton.

DARK MATTER: A CENTURY OF SPECULATIVE FICTION FROM THE AFRICAN DIASPORA

by Sheree Renée Thomas

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This volume introduces black science fiction, fantasy, and speculative fiction writers to the generations of readers who have not had the chance to explore the scope and diversity among African-American writers.

OCTAVIA’S BROOD: SCIENCE FICTION STORIES FROM SOCIAL JUSTICE MOVEMENTS

Editors: Walidah Imarisha, adrienne maree brown

octavias-brood

  • Whenever we envision a world without war, prisons, or capitalism, we are producing speculative fiction. Organizers and activists envision, and try to create, such worlds all the time. Walidah Imarisha and adrienne maree brown have brought 20 of them together in the first anthology of short stories to explore the connections between radical speculative fiction and movements for social change. These visionary tales span genres—sci-fi, fantasy, horror, magical realism—but all are united by an attempt to inject a healthy dose of imagination and innovation into our political practice and to try on new ways of understanding ourselves, the world around us, and all the selves and worlds that could be. Also features essays by Tananarive Due and Mumia Abu-Jamal, and a preface by Sheree Renée Thomas.
  • “Those concerned with justice and liberation must always persuade the mass of people that a better world is possible. Our job begins with speculative fictions that fire society’s imagination and its desire for change. In adrienne maree brown and Walidah Imarisha’s visionary conception, and by its activist-artists’ often stunning acts of creative inception, Octavia’s Brood makes for great thinking and damn good reading. The rest will be up to us.” —Jeff Chang, Who We Be: The Colorization of America
  • “Conventional exclamatory phrases don’t come close to capturing the essence of what we have here in Octavia’s Brood. One part sacred text, one part social movement manual, one part diary of our future selves telling us, ‘It’s going to be okay, keep working, keep loving.’ Our radical imaginations are under siege and this text is the rescue mission. It is the new cornerstone of every class I teach on inequality, justice, and social change….This is the text we’ve been waiting for.” —Ruha Benjamin, professor of African American Studies at Princeton University and author of People’s Science: Bodies and Rights on the Stem Cell Frontier
  • “Octavia once told me that two things worried her about the future of humanity: The tendency to think hierarchically, and the tendency to place ourselves higher on the hierarchy than others. I think she would be humbled beyond words that the fine, thoughtful writers in this volume have honored her with their hearts and minds. And that in calling for us to consider that hierarchical structure, they are not walking in her shadow, nor standing on her shoulders, but marching at her side.” —Steven Barnes, Lion’s Blood
  • “Never has one book so thoroughly realized the dream of its namesake. Octavia’s Brood is the progeny of two lovers of Octavia Butler and their belief in her dream that science fiction is for everybody…. Butler could not wish for better evidence of her touch changing our literary and living landscapes. Play with these children, read these works, and find the children in you waiting to take root under the stars!” —Moya Bailey and Ayana Jamieson, Octavia E. Butler Legacy