Society of Illustrators 2023 Hall of Fame Recipients

The Society of Illustrators annually inducts to its Hall of Fame artists recognized for their “distinguished achievement in the art of illustration.” This year’s honorees include contemporary illustrators Seymour Chwast, Wendell Minor and Barron Storey as well as posthumous honorees Richard Amsel, Anna Whelan Betts, Reynold Brown and Helen Hokinson.

Artists are elected by a committee that includes former presidents of the Society and illustration historians. They are chosen based on their body of work and the impact it has made on the field of illustration.

The Society will be honoring this year’s inductees at a ceremony on September 9.

ABOUT THE ARTISTS.

The incredible career of influential and legendary designer Seymour Chwast (b. 1931) spans over six decades. He is afounding partner of the groundbreaking Push Pin Studios, established in 1954 by a group of college friends from Cooper Union in New York City. This group of highly talented designers and illustrators introduced a new, collaborative style to the design world, redefining visual culture and influencing artists for generations to come. Chwast moved into a Director role at the storied organization, later renaming it the Pushpin Group in 1985. His vast client list includes the New York Times, The New Yorker, The Wall Street Journal, Vanity Fair, The Atlantic, and Print, as well as leading corporations, advertising agencies, and publishers both in the United States and abroad. His work has been showcased all over the world in both retrospectives and one-man shows, including the exhibit “The Push Pin Style,” a two-month retrospective at the Louvre’s famed Musée des Arts Décoratifs. His posters reside in the permanent collections of the Museum of Modern Art, the Cooper Hewitt, Smithsonian Design Museum, the Philadelphia Museum of Art, the Library of Congress, and the Gutenberg Museum. In 2015, Washington University’s Modern Graphic History Library in St.Louis acquired Chwast’s complete archive including posters, which will soon be available for study by students and the general public.

Wendell Minor (b. 1944) began his career as a book cover designer, creating iconic covers for noted authors David McCullough and Pat Conroy among many others. His transition to children’s book illustrator and author of over 60 award winning books continues to be very rewarding. As a nature lover and history buff, Minor loves sharing those interests with children through the books he has authored or co-authored with Jean Craighead George, Tony Johnston, Robert Burleigh, Charlotte Zolotow, Margaret Wise Brown, Buzz Aldrin, Mary Higgins Clark, Jane Yolen, and last but not least, his wife Florence. Minor’s books have received the Cook Prize, Bank Street College of Education’s Best Children’s Books of the Year, Publishers Weekly Best Books of the Year, Kirkus Best Books of the Year, New York Public Library’s 100 Best Books for Kids, Junior Library Guild Gold Selections, Notable Social Studies Trade Books for Young Children, Outstanding Science Trade Books, Dolly Parton’s Imagination Library selection, Pennsylvania One Book Every Young Child selection, ALA Notable Book, John Burroughs List of Nature Books for Young Readers, and the John and Patricia Beatty Award. Minor was honored to be the 2018-2019 Artist Laureate of the Norman Rockwell Museum. He has an Honorary Doctorate Degree from the University of Connecticut. Minor has exhibited at the Art Institute of Chicago, Boston Public Library, New Britain Museum of American Art, Eric Carle Museum, and Norman Rockwell Museum, among many others. Wendell’s portrait of David McCullough’s “TRMAN” is in the permanent collection of the National Portrait Gallery.

Illustrator, graphic novelist, and educator Barron Storey (b. 1940) began his career as a commercial artist in the 1960s. Studying under Robert Weaver at the School of Visual Arts, Storey’s career took off with such notable clients as Boys’ Life, Reader’s Digest, and National Geographic. His most iconic images are now part of the collection of multiple prestigious museums. His cover portraits of Howards Hughes and Yitzhak Rabin for TIME magazine hang in the Smithsonian’s National Portrait Gallery, his famous painting of the Amazon rainforest can be found at New York’s American Museum of Natural History, and his 1979 portrayal of NASA’s space shuttle is part of the Air and Space Museum on the National Mall collection. In addition to his editorial work, Storey created the iconic images for several book covers, most notably the 1980 reissue of William Golding’s Lord of the Flies. His work for graphic novels includes his Eisner-award winning work on Neil Gaiman’s The Sandman: Endless Nights (DC/Vertigo) as well as Barron Storey’s WATCH Magazine (Vanguard), and his novel Life After Black. In 2001, Storey was awarded the Society of Illustrators’ Distinguished Educator in the Arts award for his years of service and influence at the San Diego California College of the Arts and San Jose State University.

The short career of Richard Amsel (1947 – 1985) has become one of the most influential of all time. His celebrity portraits from the 1970s and 1980s adorned the covers of TV Guide for thirteen years. Amsel landed his first major client with 20th Century Fox shortly after graduating from Philadelphia College of Arts. His poster of Barbra Streisand for Hello, Dolly! earned him immediate recognition, and he went on to create the album art for Bette Midler’s Divine Miss M. But it was his movie poster commissions that are perhaps his most iconic. With such titles as Chinatown, The Muppet Movie, Murder on the Orient Express, The Shootist, The Sting, The Dark Crystal, Raiders of the Lost Ark, Flash Gordon, Mad Max Beyond Thunderdome, among others, Amsel’s work became widely recognizable and applauded by the illustration, film and television community as well as the general public. In 1985, Amsel passed away at the young age of 37 due to complications from AIDS. He is the recipient of multiple awards both posthumously and while he lived, including several medals from the Society of Illustrators.

During a time when women had few rights and positions in society, highly educated and talented Anna Whelan Betts (1873 – 1959) broke barriers and established herself as a leading illustrator. She began her career studying when few women were even allowed to attend classes. A graduate of the Philadelphia Academy, Anna Whelan Betts furthered her education with instruction from artist Gustave-Claude-Etinenne Courtois during her time in France, followed by instruction from renowned illustrator Howard Pyle at Drexel University in the United States. In 1899 she landed her first commission for Collier’s, with further work appearing in such notable periodicals as Century Magazine, Harper’s Monthly, The Ladies’ Home Journal, Everybody’s Magazine, among others. Her work was also featured in several books including Sarah Orne Jewett’s Betty Leicester’s Christmas as well as Houghton Mifflin Company’s The Complete Writings of Nathaniel Hawthorne. After retiring from illustration due to poor eyesight, Betts would go on to teach art at a boy’s private school in Pennsylvania before her death in 1959.

Realist painter Reynold Brown (1917 – 1991) earned accolades and recognition in several genres of illustration during his lifetime. His career began right after high school while employed as a comic artist working (uncredited) under Hal Forrest on the Tailspin Tommy strip. After a stint at the Otis Art Institute in California and the emergence of WWII, Brown worked as a technical artist for North American Aviation where he created the first cut-away illustrations of fighter planes. With his heightened technical skills and artistic ability realizable, Brown relocated to New York City and began a freelance career earning commissions for periodicals like Argosy, Popular Science, Saturday Evening Post, Boys’ Life, Outdoor Life,and Popular Aviation. In addition, his work graced the covers of numerous paperbacks. In 1950, Brown and his family moved back to California where he began teaching at the Art Center College of Design. It was during this time that Brown’s career changed direction once again, and for the next twenty years Brown would create some of his most iconic work, appearing on film posters for MGM, Universal Pictures, Disney, Warner Bros., AIP, and others. During the 1970s, Brown switched gears yet again and dove into the Western genre with a focus on action shots and portraits. Today, his work remains highly collectible and influential.

Cartoonist Helen Hokinson (1893 – 1949) is best known for her New Yorker cartoons depicting the daily lives and social scenes of the 1920s and 1930s. Upon graduating from the Chicago Academy of Fine Arts, Hokinson earned an income by sketching for the city’s famous department stores. Soon after, Hokinson relocated to New York City, picking up fashion illustration jobs for B. Altman and Lord & Taylor while also completing a short-lived comic for the Daily Mirror. During this time, Hokinson attended the New York School of Fine and Applied Art (now Parsons School of Design) and studied under Howard Giles, whose influence guided her to discover and draw everyday characters and subject matters from around the city. In 1925, Hokinson earned her first commission from The New Yorker. She would go on to create over 68 covers and 1,800 cartoons for the storied magazine, earning her a comfortable and secure, independent lifestyle. In addition to her cartoons, Hokinson illustrated numerous books for others. She published three books of her own collected work during her lifetime, and three more were published following her death.

[Based on a press release.]

Pixel Scroll 3/30/23 Yes! We Have No Pixels, We Have No Pixels Today

(1) NEW FUTURE TENSE FICTION PODCAST. The first episode of the Future Tense Fiction podcast series dropped this week. Produced by Slate, it’s hosted by science journalist Maddie Stone, and each episode features a voice actor reading one of the Future Tense stories, followed by a conversation with the author about how their own experiences with technology informed their writing and vision. The first episode features Sturgeon Award–winning story “When Robot and Crow saved East St. Louis,” by Annalee Newitz. The podcast is free and is available through any podcast service that people use (including but not limited to Apple Podcasts, Spotify, Stitcher, and Radio Public).

(2) THE BIG EUROVISION READ. Catherynne M. Valente ecstatically told Facebook followers:

Decibel Jones and the Absolute Zeroes have finally made it to the blue carpet. WHAT.

I could not possibly be more excited to announce that Space Opera, the literary lovechild of @Eurovision & a drunk thesaurus, is officially part of the #BigEurovisionRead and #Eurofestival, sponsored by @bbcarts and @thereadingagency this year!

From a throwaway joke on Twitter to really being part of actual #Eurovision? Oh. My. God.

It truly isn’t possible to express how thrilling it is for an utterly cringe #Eurovision dork like me to be anywhere near the actual event, let alone a small official part of it. I am so honored, so grateful, and I hope Dess and the gang find a whole new galaxy of friends.

Space Opera has been such a ride, and the sequel is out this fall! Thank you so much to all the librarians that chose this book and everyone who has jumped on Mr. Jones’ Wild Ride over the last five years.

Life is beautiful and life is stupid. Truly.

(3) STARFLEET ACADEMY. “’Star Trek: Starfleet Academy’ Series Ordered at Paramount+” and Variety has details.

 “Admission is now open to Starfleet Academy! Explore the galaxy! Captain your destiny! For the first time in over a century, our campus will be re-opened to admit individuals a minimum of 16 Earth years (or species equivalent) who dream of exceeding their physical, mental and spiritual limits, who value friendship, camaraderie, honor and devotion to a cause greater than themselves,” Kurtzman and Landau said. “The coursework will be rigorous, the instructors among the brightest lights in their respective fields, and those accepted will live and study side-by-side with the most diverse population of students ever admitted. Today we encourage all who share our dreams, goals and values to join a new generation of visionary cadets as they take their first steps toward creating a bright future for us all. Apply today! Ex Astris, Scientia!”

The official logline for the series states that it “will introduce us to a young group of cadets who come together to pursue a common dream of hope and optimism. Under the watchful and demanding eyes of their instructors, they will discover what it takes to become Starfleet officers as they navigate blossoming friendships, explosive rivalries, first loves and a new enemy that threatens both the Academy and the Federation itself.”

… Production on “Star Trek: Starfleet Academy” will begin in 2024….

(4) GOODNIGHT MOON. Here’s a strange exercise: “Every Page of Goodnight Moon, Ranked” at McSweeney’s Internet Tendency. This page is ranked next to last – and the commentary is one reason I’m not sure this article succeeds at being funny.

21. And goodnight mouse (Page 16)
Separated from the toy house on page 3, we see this mouse for what it really is: a thinly constructed, two-dimensional character. What had once seemed whimsical now appears in stark reality: a mouse running around a child’s bedroom, the treatment of which should neither be celebrated nor encouraged.

(5) MIKE MIGNOLA’S VISION. On exhibit at the Society of Illustrators through July 8 is “Picturing Pinocchio: Mignola Makes a Marionette”.

Deep in the midst of pandemic lockdowns, a plan was hatched: a new illuminated edition of Carlo Collodi’s Pinocchio, engineered to unDisnify one of the strangest, most startling pieces of fiction ever to be beloved by generations of children worldwide.

The seed was planted by cartoonist and author Mike Mignola (Hellboy), who had been pondering his own take on the puppet for decades. With the world closed up due to COVID, he teamed up with idiosyncratic publisher Beehive Books and holed up in his studio to create a portfolio of over fifty original illustrations re-envisioning Collodi’s tale. When author Lemony Snicket (A Series of Unfortunate Events) got wind of the project, he couldn’t resist joining, offering elaborate hand-typed annotations of his own maddening encounter with this singular text.

Pinocchio, though one of the most popular literary works of all time, is somewhat paradoxically ill-remembered. Collodi originally published the story as serialized installments in a children’s magazine. The original series ended with Pinocchio hung from a tree, dead by the hands of assassins, and was continued only because of an outcry from readers who couldn’t stand to see such a beloved character reach such a dismal end.  This is the true nature of Collodi’s tale — who better than Mike Mignola to illustrate the unremitting darkness and strange whimsy that characterized this bizarre children’s classic?

This exhibition will feature his full portfolio of yet-to-be-published Pinocchio illustrations, including drawings, paintings, process work and other ephemera of Mignola’s pandemic Pinocchio project. The Land of Toys, the City of Catchfools, the Blue Fairy, Fire Eater, the feline Assassins – as seen through the eyes of a modern master of illustration and storytelling.

(6) SMALL WONDERS KICKSTARTER FUNDS. Stephen Granade reports that the “Small Wonders Magazine: Year One” Kickstarter has funded! As a result, he says, all of their Issue 0 stories and poems, including Beth Cato’s “She Seeks a Home” and Premee Mohamed’s “From the Journal of Sawyer L. Gibbs, Hero, Aged 13 1/2”  are available on the Small Wonders website. They will be opening for story and poem submissions on April 1, no joke.

(7) JOE GIELLA (1928-2023). Comics artist Joe Giella died March 21 at the age of 94 reports Heritage Auctions.

Joe Giella is best known for his work at DC in the 1950s and 60s as an inker. But his career spanned 60 years! He studied art at three different schools before his first gig at age 17 in 1946 where he did “Captain Codfish” for Hillman. After some free-lance at Fawcett, former classmate Mike Sekowsky helped him land a job at Timely as an inker. He met Frank Giacoia there and went with Frank when he took a job at DC in 1949. Over the next two decades, at one time or another, Joe inked nearly every feature that Julius Schwartz edited. 

By 1970, Joe had started working with the syndicates and drew or inked Batman, Flash Gordon, the Phantom, while still doing occasional work for DC. In 1991, he took over the Mary Worth strip, where he continued to work until his retirement in 2016. Joe passed away at age 94 on March 21, 2023.

(8) MEMORY LANE.

1972[Compiled by Cat Eldridge.]

Clifford Simak’s A Choice of Gods was published fifty-one years ago by G.P. Putnam & Sons with a simultaneous edition done by SFBC. The superb cover art was by Michael Hinge. 

Sixty years ago at Torcon II, it would be nominated for Best Novel though Isaac Asimov’s The Gods Themselves would take home the Hugo that year.

Without being explicit, I will say that I think it shares some similarity in themes to City

I think A Choice of Gods has one of the finest Beginnings that I’ve ever had the pleasure to read, so without further commentary on my part, here it is…

Aug. 1, 2185: So we begin again. Actually, we began again fifty years ago, but did not know it then. There was hope, for a time, that there were more people left and that we could pick up where we had left off. We thought, somehow, that we could hang onto what we had, once the shock was over and we could think more clearly and plan more cleverly. By the end of the first year we should have known that it was impossible; by the end of five we should have been willing to admit it, but we weren’t. At first we refused to face the fact and once we had to face it we became stubborn with a senseless sort of faith. The old way of life could not be revived; there were too few of us and none with special knowledge and the old technology was gone beyond all restoration. The technology had been too complex and too specialized and too regimented to be picked up and carried on without a large work force equipped with appropriate skills and knowledge that were necessary not only to operate the technology itself, but to produce the energy that went into it. We are now no more than scavengers feeding on the carcass of the past and some day we’ll be down to the bare bones of it and will be finally on our own. But over the years we have been recovering or rediscovering, whichever it may be, some of the older and more basic technology geared to a simpler way of life and these basic rudimentary skills should keep us from sinking into utter savagery.

There is no one who knows what really happened, which does not, of course, deter some of us from formulating theories that might explain it all. The trouble is that all the theories boil down to simple guesses, in which all kinds of metaphysical misconceptions play a part. There are no facts other than two very simple facts and the first of these is that fifty years ago last month the greater fraction of the human race either went somewhere or was taken somewhere. Out of more than eight billion of us, which was certainly far too many of us, there are now, at most, a few hundred left. In this house in which I sit to write these words, there are sixty-seven humans, and only that many because on the night it happened we had invited some young guests to help us celebrate the coming of age of our twin grandsons, John and Jason Whitney. Of the Leech Lake Indians there may be as many as three hundred, although we now see little of them, for they have taken up again, quite happily and to their great advantage, or so it would seem to me, their old tribal wanderings. At times rumors reach us of other little pockets of humanity still surviving (the rumors chiefly brought by some loose-footed robot), but when we’ve gone to hunt for them, they are never there, nor is there anything to indicate they ever had been there. This, of course, proves nothing. It stands to reason that elsewhere on the Earth there must be others left, although we have no idea where. We hunt for them no longer, even when the rumors come, for it seems to us that we no longer have any need of them. In the intervening years we have become content, settling down into the routine of a bucolic life.

The robots still are with us and we have no idea how many there may be. All the robots that were ever in existence must still remain. They did not go or were not taken as was the human race. Over the years a number of them have come to settle in with us, doing all the work and chores necessary for our comfortable existence, becoming, in all truth, a part of our community. Some of them at times may leave and go elsewhere for a while and there are occasions when new ones float in and stay, either for good or for varying periods. It might seem to someone unacquainted with the situation that in the robots we had the labor force we needed to keep at least a small sector of the more vital parts of the old technology alive. It is possible the robots could have been taught the necessary skills, but the rub here is that we had no one who was equipped to teach them. Even if we’d had, I have some well-founded doubt that it would have worked. The robots are not technologically minded. They were not built to be. They were built to bolster human vanity and pride, to meet a strange longing that seems to be built into the human ego—the need to have other humans (or a reasonable facsimile of other humans) to minister to our wants and needs, human slaves to be dominated, human beings over which a man or woman (or a child) can assert authority, thus building up a false feeling of superiority. They were built to serve as cooks, gardeners, butlers, maids, footmen (I have never got quite straight in mind what a footman is)—servants of all kinds. They were the flunkeys and the inferior companions, the yea-sayers, the slaves. In a manner of speaking, in their services to us, I suppose they still are slaves. Although I doubt the robots think of it as slavery; their values, while supplied by human agency, are not entirely human values. They serve us most willingly; thankful of a chance to serve, they press their services upon us, apparently glad to find new masters to replace the old. This is the situation as it applies to us; with the Indians it is different. The robots do not feel at ease with the Indians and the Indians, in turn, regard them with an emotion that borders upon loathing. They are a part of the white man’s culture and are readily acceptable to us upon the basis of our onetime preoccupation with machines. To the Indians they are unclean, something that is repulsively foul and alien. They will have no part of them. Any robot stumbling into an Indian camp is summarily hustled off. A few of the robots serve us. There must be many thousands more. Those that are not with us we have fallen into the habit of calling wild robots, although I doubt they, in any sense, are wild. Often, from our windows or while sitting on the patio, or while out walking, we see bands of wild robots hurrying along as if they had an urgent destination or were involved in some great purpose. We have never been able to determine where the destination or what might be the purpose. There are certain stories of them that we hear at times, but nothing more than stories and with no evidence, and not worth repeating here.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 30, 1904 Herbert van Thal. Editor of the Pan Book of Horror Stories series, twenty-four volumes that appeared from 1959 to 1983. Back From the Dead: The Legacy of the Pan Book of Horror Stories is a look at the series and it contains Lest You Should Suffer Nightmares, the first biography of him written by Pan Book of Horror Stories expert Johnny Mains. (Died 1983.)
  • Born March 30, 1928 Chad Oliver. Writer of both Westerns and SF, a not uncommon occupation at that time. He considered himself an anthropological science fiction writer whose training as an academic informed his fiction, an early Le Guin if you will. Not a terribly prolific writer with just nine novels and two collections to his name over a forty-year span. Mists of Dawn, his first novel, is a YA novel which I’d recommend as it reads similarly to Heinlein. (Died 1993.)
  • Born March 30, 1930 John Astin, 93. He is best known for playing Gomez Addams in Addams Family, reprising it on the Halloween with the New Addams Family film and the Addams Family animated series. A memorable later role would be as Professor Wickwire in The Adventures of Brisco County, Jr., and I’d like single out his delightfully weird appearance on The Wild Wild West as Count Nikolai Sazanov in “The Night of the Tartar” episode.  Years later I remember that episode and him in it. 
  • Born March 30, 1934 Dennis Etchison. As an editor, he received two World Fantasy Awards for Best Anthology, MetaHorror and The Museum of Horrors. As a writer, he’s best remembered as a short story writer of quite tasty horror. Talking in the Dark Is his personally selected collection of his stories. (Died 2019.)
  • Born March 30, 1948 Jeanne Robinson. She co-wrote the Stardance Saga with her husband Spider Robinson. To my knowledge, her only other piece of writing was ‘Serendipity: Do, Some Thoughts About Collaborative Writing‘ which was published in the MagiCon Program. (Died 2010.)
  • Born March 30, 1950 Robbie Coltrane. I first saw him playing Dr. Eddie “Fitz” Fitzgerald on Cracker way back in the Ninties. Not genre, but an amazing role none-the-less. He was Valentin Dmitrovich Zhukovsky in GoldenEye and The World Is Not Enough, with a much less prominent role as a man at an airfield in Flash Gordon being his first genre role. Being Rubeus Hagrid in the Potter franchise was his longest running genre gig. He’s also voiced both Mr. Hyde in the Van Helsing film and Gregory, a mouse, in The Tale of Despereaux film. (Died 2022.)
  • Born March 30, 1965 Maurice LaMarche, 58. Voice actor primarily for such roles as Pinky and The Brain (both of which Stross makes use of in The Laundry series) with Pinky modeled off Orson Welles, near as I can tell the entire cast of Futurama, the villain Sylar on Heroes, the voice of Orson Welles in Ed Wood, a less serious Pepé Le Pew in Space Jam, and, though maybe not genre, he’s voiced  Kellogg’s Froot Loops spokesbird Toucan Sam and  the animated Willy Wonka character in Nestlé’s Willy Wonka Candy Company commercials.

(10) COMICS SECTION.

  • Sheldon shows that the Vanishing Cabinet from Harry Potter may have had other uses of interest to Valdemort.
  • Sheldon, again, depicts Pippin explaining so clearly and simply why it’s time for another meal that even a future King should be able to understand.
  • Order of the Stick has a magic trap that makes it a bit difficult to determine when the trap has been tripped. 

(11) CAT CHAT. Did we do this before? Well, if so, let’s do it again. CatGPT. It seems to be a one-joke idea, so I won’t excerpt the answer I received to my question “What makes a good social justice credential?”

(12) MASSACRE IN THE EXECUTIVE SUITE. With great power comes sudden unemployment.“Marvel Entertainment Chairman Ike Perlmutter Out at Disney” reports Yahoo! and so are some other top Marvel brass.

Isaac “Ike” Perlmutter, chairman of Marvel Entertainment, has been laid off at Disney. Marvel Entertainment will be folded into the larger Disney business units, a Disney spokesperson confirmed.

The move comes as Disney looks to eliminate 7,000 jobs in multiple rounds of layoffs that kicked off this week, in what CEO Bob Iger calls part of a “strategic realignment.”

Rob Grosser, a longtime third-party Marvel security consultant who is also considered to be Perlmutter’s fixer, is also out, according to two insiders with knowledge of the situation. In addition, Disney has terminated the employment of Rob Steffens, who served as co-president of Marvel Entertainment, and John Turitzin, who held the position of chief counsel for the same division….

(13) KICKED OUT THE DOOR TO THE REAL WORLD. Another casualty of cutbacks is Disney’s metaverse division. TechCrunch has the story: “Disney cuts metaverse division as part of broader restructuring”.

…The metaverse division is headed by Mike White, who was promoted to the role from SVP of consumer experiences and platforms in February 2022 and charged with getting Disney deeper into the web3 space. The unit aimed to find ways to tell more interactive stories in immersive formats using Disney’s extensive library of intellectual property, according to WSJ. Aside from the Disney we all know and love, that extensive library includes Pixar, Marvel and all of the Star Wars movies and shows.

All 50 or so members of the team have lost their jobs, sources told WSJ. White will remain at the company, but it’s not clear in what capacity….

(14) WJW INTERVIEW. A 90-minute video interview with Walter Jon Williams has been posted on Tubi by the program “About the Authors TV”. The Q&A is conducted by author and biographer Jake Brown.

Williams posted the link along with a self-deprecating comment: “I’ve viewed only a few minutes of the interview, enough to be amused by the way Zoom’s filters kept making parts of my anatomy appear and disappear. If you’re looking for inadvertent hilarity, or possibly an epileptic seizure, this is the place for you!”

(15) RAISING THE BAR. “Man proposes to girlfriend using a personal version of ‘Everything Everywhere’ in viral TikTok” at NBC News. The TikTok video can be viewed at the link.

A wedding proposal in a movie theater went viral on TikTok for a creator’s rendition of A24’s “Everything Everywhere All at Once,” and viewers say they’re in awe of the effort.

“I rented out a theater room, did some photoshop, brought her inside, edited a fake video with trailers in the beginning,” TikTok user Daniel Le, who goes by @danyo_le, wrote.

The TikTok, which garnered over 2 million views and included a film Le named “Anniething Anniewhere All at Once” after his girlfriend, showed clips from the acclaimed film and parody versions edited in by Le…. 

(16) JEOPARDY! Andrew Porter did not touch that dial while contestant flailed on tonight’s episode of Jeopardy!

Category: Quoth the title

Answer: Philip Pullman quoted Milton, “Unless the Almighty Maker them ordain” these “to create more worlds”

Wrong questions: “What are men?” and “What are children of men?”

Correct question: “What is ‘His Dark Materials’?”

Answer: The title of this “Hainting” Noel Coward comedy comes from Shelley’s “To a Skylark”

No one could ask, “Shelley wrote, ‘Hail to thee, “Blithe Spirit’.”

(17) OCTOTHORPE. The eightieth episode of the Octothorpe podcast, “Four Constituent Blobs”, is now up!

John Coxon is jetlagged, Alison Scott is working, and Liz Batty is under pressure. We get excited about the upcoming Eastercon, barely even mention Chengdu at all, talk a bit about science fiction, and round it all out with Gaming Corner, sponsored by Mark Plummer. Art by the fabulous Sue Mason.

[Thanks to Cat Eldridge, Mike Kennedy, SF Concatenation’s Jonathan Cowie, Dann, Joey Eschrich, Stephen Granade, John King Tarpinian, Chris Barkley, Andrew Porter, and Michael Toman, for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 3/20/23 They’re Coming To Scroll Me Away, To The Pixel Farm, Where Life Is Beautiful All The Time

(1) EMBRACE THE MONOVERSE. [Item by Olav Rokne.] S.I. Rosenbaum (who was at the Hugo Awards in 2022 with their partner Abraham Reisman) writes in the New York Times about the seductive power of multiverses as a metaphor, and the danger of losing yourself in them. It’s a beguiling and interesting meditative piece that weaves together threads of politics, comic books, modern pop culture and personal reflection.  “I Fantasized About Multiple Timelines, and It Nearly Ruined My Life”.

…It’s easy to see the appeal of the multiverse, even as metaphor: the notion that we’re surrounded by a multitude of parallel selves, one of which might be living in a better timeline than the one we’re stuck in. It’s probably no coincidence that the idea has become so popular during an era of pandemic, climate change and political turmoil, when so many of us have felt helpless and trapped. Who doesn’t want to imagine a different world?

But it can also be a dangerous way of imagining the cosmos. Like the Capgras patient, we risk becoming detached from the world we can see and touch. Regardless of whether we can prove that the multiverse exists, the idea of it can distract us from doing the work we need to do to make this world better. This timeline is the only one we have access to, and it’s got to be enough.

As a species, we’ve long been haunted by spirit realms and ghostly domains. Plato conceived of an intangible world of forms realer than anything we can touch. Plutarch reported that Alexander wept when he heard the possibility of an infinite number of worlds, having not conquered all of this one.

C.S. Lewis was an early multiverse explorer with his Narnia books, in which siblings grow to adulthood as kings and queens on the other side of their magical wardrobe in a world that exists parallel to our own. He was also paying quite a bit of attention at the time to a new branch of science known as quantum physics. In 1957, a year after Lewis published his last Narnia book, a Princeton doctoral student, Hugh Everett III, published a dissertation bringing the ancient idea of the simultaneous existence of several worlds into the realm of modern science.

Everett was trying to solve a seeming paradox in quantum theory: Certain elementary particles (say, a photon) seemed to exist mathematically in many places at once but could be detected at only one location at a time.

Perhaps, Everett suggested, the act of detecting the particle splinters reality; perhaps the observer, and indeed the universe, splits into different possible timelines, one for each possible location of the particle. This would become known as the many-worlds interpretation. Physicists recoiled at the idea at the time.

…And that’s the peril of the multiverse; I was becoming unreal to myself, nostalgic not for a time before the death happened but for a timeline in which it never happened at all….

(2) APPROACH THE BENCH. “Publishers, Internet Archive Set for Key Hearing Today”Publishers Weekly gives a head’s up.

After nearly three years of legal wrangling, a federal judge today will hear cross motions for summary judgment in a closely watched lawsuit challenging the legality of the Internet Archive’s program to scan and lend print library books.

First filed in New York on June 1, 2020, by four major publishers (Hachette, HarperCollins, John Wiley & Sons, and Penguin Random House) and the Association of American Publishers, the copyright infringement lawsuit alleges that the Internet Archive’s scanning and lending of library books under an untested legal theory known as “controlled digital lending” is piracy on an industrial scale. The Internet Archive counters that it’s activities are legal, protected by fair use, and that the publishers’ action fundamentally threatens the core mission of libraries to own and lend collections in the digital age….

(3) TASTE OF MOCCA. The Society of Illustrators has release the programming schedule for the 2023 MoCCA Arts Festival, taking place April 1-2. Programming will take place at the SVA Flatiron Gallery, located at 133 West 21st Street (NYC), steps away from the Exhibitor Hall at Metropolitan Pavilion. Full details here: MoCCA Arts Fest. An excerpt from the program press release:

Featured guest Maia Kobabe, author of the award-winning and frequently-banned Gender Queer, will answer questions posed by writer Michele Kirichanskaya (Ace Notes) in a special spotlight session. Kobabe will also participate in a very special panel about comics and censorship moderated by PEN America’s Jonathan Friedman, and also including Mike Curato, author of Flamer, and Cathy G. Johnson, author of The Breakaways, who have all been affected by the wave of censorship currently sweeping parts of the United States. 

In other spotlight sessions, Barbara Brandon-Croft (Where I’m Coming From) will discuss her life and career as the first Black woman to write and draw a nationally syndicated daily comic strip. Colleen Doran (A Distant Soil) will appear in conversation with Neil Gaiman (Sandman) to discuss her career and their history of collaboration. This event is scheduled in conjunction with the exhibition “Colleen Doran Illustrates Neil Gaiman,” running from March 22nd to July 29th at the Society of Illustrators and curated by scholar Kim Munson, who will also moderate the conversation. Noah Van Sciver will discuss his prolific career in conversation with Gil Roth (Virtual Memories)….

(4) CULTURE CANCEL. [Item by Olav Rokne.] Research reported in Variety confirms what a lot of us already suspected about the current era of streaming; viewers won’t get attached to shows when they think they’re likely to get cancelled before their stories have a chance to be told. So Netflix’s 1899, and Amazon’s Papergirls may have been doomed before they began. Fear of streamers cancelling shows early leads to a self-fulfilling prophecy, and for dark times in media. “Survey Shows Frequent TV Series Cancellations Affect U.S. Viewership”.

Frequent TV show cancellations are starting to change how U.S. viewers decide what to watch. In fact, whether or not the show has concluded has a significant impact on whether people sample it, according to a survey from YouGov.

A quarter of U.S. adults wait for streaming originals’ finale before starting, citing fears over the show’s potential cancellation with an unresolved ending (27%) or because they do not want to wait for the next season after a cliffhanger (24%). Nearly half (48%) of the participants who said they prefer to wait until the series ends before starting it cited a preference for binge-watching shows.

Moreover, the survey showed that nearly half of Americans (46%) sometimes or always wait for the series finale before they even begin watching the show. The 18-to-34-year-old age group was the most likely to agree with that statement, with 25% saying always and 34% saying sometimes….

(5) VERSUS EBOOKS. On the BBC’s Hardtalk, Stephen Sackur speaks to the hugely successful bookseller James Daunt. “From Waterstones to Barnes & Noble he has fought off ebooks and online retail to revive bricks and mortar bookstores.” But – “Is the books industry a place where creativity and diversity truly thrive?”

(6) INDIE BOOKS RECOGNIZED. The finalists of the 2022 Foreword Indies Book of the Year Awards have been announced in lots of categories, including fantasy and science fiction.

As part of its mission to discover, review, and share the best books from university and independent publishers, Foreword Reviews is pleased to announce the finalists for the 2022 INDIES Book of the Year Awards.

More than 2,500 entries spread across 55 genres were submitted for consideration. The Finalists were determined by Foreword’s editorial team. Winners are now being decided by teams of librarian and bookseller judges from across the country.

Winners in each genre—along with Editor’s Choice Prize winners and Foreword’s Independent Publisher of the Year—will be announced June 15, 2023.

 (7) LORD RUTHVEN AWARDS ON HIATUS. The Lord Ruthven Assembly usually presents its vampire-themed awards during the International Conference on the Fantastic in the Arts, but not this year.

Amanda Firestone explained to File 770, “The LRA paused our awards for 2022 in order to re-evaluate how candidates are selected and voting procedures are conducted. We intend to ‘double up’ for next year’s presentation at ICFA 45.”

(8) A DOG’S BEST FRIEND. It’s a heartwarming article. “Can’t Explain” by Mad Genius Club’s Dave Freer. (Yes, I know!) Here’s the first paragraph.

We ended up dogsitting for an older friend of ours that had to go medical, off island. A long-ish treatment. She’s a widow, and the dog is her husband’s old hunting dog. When we arrived I thought it was a death watch. Not that his mistress is unkind or mistreats him in any way – she had gone to the trouble of getting us in dog-sit, and provides for him in every way… but, well dogs are not politically correct. And no one had told Bert he wasn’t allowed to be a man’s dog. He spent our entire time there basically on my feet. I pampered him, and fussed him a lot. He put on a bit of condition, and when his mistress came home… (and he was pleased to see her) I was left at the gate saying ‘see you in heaven, someday, Bert.’ It nearly broke my heart. Because you can’t explain….

(9) MEMORY LANE.

1977[Compiled by Cat Eldridge.]

Spider Robinson’s Callahan’s Place, his bar that exists everywhere in this universe and perhaps elsewhere, is one of those series that is great in places, and well, not so great in others. 

The Beginning below is that of Callahan’s Crosstime Saloon which was published by Ace Books in 1977 in paperback. It’s currently available from the usual suspects. 

Callahan’s Crosstime Saloon contains nine stories, Most of which were published in Analog Science Fiction and Fact with one in Vertex.

I’ve said it before and I’ll repeat here — I can now only absorb my written SF in small bites, so these stories are perfect for me.  Each has Robinson’s usual wry humor and more than a fair bit of sharp wit to them. . 

And now let’s have this Beginning…

The Guy With The Eyes. Callahan’s Place was pretty lively that night. Talk fought Budweiser for mouth space all over the joint, and the beer nuts supply was critical. But this guy managed to keep himself in a corner without being noticed for nearly an hour. I only spotted him myself a few minutes before all the action started, and I make a point of studying everybody at Callahan’s Place. 

First thing, I saw those eyes. You get used to some haunted eyes in Callahan’s—the newcomers have ’em—but these reminded me of a guy I knew once in Topeka, who got four people with an antique revolver before they cut him down.

 I hoped like hell he’d visit the fireplace before he left. 

If you’ve never been to Callahan’s Place, God’s pity on you. Seek it in the wilds of Suffolk County, but look not for neon. A simple, hand-lettered sign illuminated by a single floodlight, and a heavy oaken door split in the center (by the head of one Big Beef McCaffrey in 1947) and poorly repaired. 

Inside, several heresies. 

First, the light is about as bright as you keep your living room. Callahan maintains that people who like to drink in caves are unstable. 

Second, there’s a flat rate. Every drink in the house is half a buck, with the option. The option operates as follows: 

You place a one-dollar bill on the bar. If all you have on you is a fin, you trot across the street to the all-night deli, get change, come back and put a one-dollar bill on the bar. (Callahan maintains that nobody in his right mind would counterfeit one-dollar bills; most of us figure he just likes to rub fistfuls of them across his face after closing.) 

You are served your poison-of-choice. You inhale this, and confront the option. You may, as you leave, pick up two quarters from the always full cigarbox at the end of the bar and exit into the night. Or you may, upon finishing your drink, stride up to the chalk line in the middle of the room, announce a toast (this is mandatory) and hurl your glass into the huge, old-fashioned fireplace which takes up most of the back wall. You then depart without visiting the cigarbox. Or, pony up another buck and exercise your option again. 

Callahan seldom has to replenish the cigarbox. He orders glasses in such quantities that they cost him next to nothing, and he sweeps out the fireplace himself every morning. 

Another heresy: no one watches you with accusing eyes to make sure you take no more quarters than you have coming to you. If Callahan ever happens to catch someone cheating him, he personally ejects them forever.  Sometimes he doesn’t open the door first. The last time he had to eject someone was in 1947, a gentleman named Big Beef McCaffrey. 

Not too surprisingly, it’s a damned interesting place to be. It’s the kind of place you hear about only if you need to—and if you are very lucky. Because if a patron, having proposed his toast and smithereened his glass, feels like talking about the nature of his troubles, he receives the instant, undivided attention of everyone in the room. (That’s why the toast is obligatory. Many a man with a hurt locked inside finds in the act of naming his hurt for the toast that he wants very much to talk about it. Callahan is one smart hombre.) On the other hand, even the most tantalizingly cryptic toast will bring no prying inquiries if the guy displays no desire to uncork. Anyone attempting to flout this custom is promptly blackjacked by Fast Eddie the piano player and dumped in the alley.

But somehow many do feel like spilling it in a place like Callahan’s; and you can get a deeper insight into human nature in a week there than in ten years anywhere else I know. You can also quite likely find solace for most any kind of trouble, from Callahan himself if no one else. It’s a rare hurt that can stand under the advice, help, and sympathy generated by upwards of thirty people that care. Callahan loses a lot of his regulars. After they’ve been coming around long enough, they find they don’t need to drink any more. 

It’s that kind of a bar.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 20, 1902 David Lasser. From 1929 to 1933, he was the Managing Editor of Gernsback’s Stellar Publishing Corporation. He edited Science Wonder Stories and Wonder Stories Quarterly, as well working with writers on both zines. Lasser also edited Gernsback’s Wonder Stories from June 1930 to October 1933. As near as I can tell, The Time Projector novel is his only genre work. (Died 1996.)
  • Born March 20, 1932 Jack Cady. He won the Nebula Award, the World Fantasy Award, and the Bram Stoker Award, an impressive feat indeed. McDowell’s Ghost gives a fresh spin on the trope of seeing a War Between The States ghost, and The Night We Buried Road Dog is another ghost story set in early Sixties Montana. Underland Press printed all of his superb short fiction into two volumes, Phantoms: Collected Writings, Volume 1 and Fathoms: Collected Writings, Volume 2. (Died 2004.)
  • Born March 20, 1948 Pamela Sargent, 75. She has three exemplary series of which I think the Seed trilogy, a unique take on intergenerational colony ships, is the one I like the best. The other two series, the Venus trilogy about a women determined to terraform that world at all costs is quite good, and there is the Watchstar trilogy which I know nothing about. Nor have I read any of her one-off novels, so please do tell me about them. Her “Danny Goes to Mars” novelette won a Nebula and was also nominated for a Hugo at ConFrancisco. She was honored with the Kevin O’Donnell Jr. Service to SFWA Award. 
  • Born March 20, 1950 William Hurt. He made his first film appearance as a troubled scientist in Ken Russell’s Altered States, a career-making film indeed. He’s next up as Doug Tate in Alice, a Woody Allen film. Breaking his run of weird roles, he shows in Lost in Space as Professor John Robinson. Dark City and the phenomenal role of Inspector Frank Bumstead followed for him. He was in A.I. Artificial Intelligence as Professor Allen Hobby and performed the character of William Marshal in Ridley Scott’s Robin Hood. Up next was horror film Hellgate and his role as Warren Mills, and Jebediah from Winter’s Tale. He was in Avengers: Infinity War as Thaddeus “Thunderbolt” Ross. Two series roles of note, the first being in the SyFy Frank Herbert’s Dune as Duke Leto I Atreides. Confession: the digitized blue eyes bugged me so much that I couldn’t watch it. His other role worth noting is Hrothgar in Beowulf: Return to the Shieldlands. (Died 2022.)
  • Born March 20, 1955 Nina Kiriki Hoffman, 68. Her The Thread That Binds the Bones, won the Bram Stoker Award for first novel. In addition, her short story “Trophy Wives” won a Nebula Award for Best Short Story. Other novels include The Silent Strength of Stones (a sequel to Thread), A Fistful of Sky, and A Stir of Bones. All are excellent. Most of her work has a strong sense of regionalism being set in California or the Pacific Northwest. 
  • Born March 20, 1962 Stephen Sommers, 61. He’s responsible for two of my very favorite pulpish films, The Mummy and The Mummy Returns which he directed and wrote. He also did the same for Van Helsing, and the live action version of Rudyard Kipling’s The Jungle Book. No, I’ve not seen it, so how is it? Not that he’s perfect as he did all four of the Scorpion King films…
  • Born March 20, 1970 Cathy DeBuono, 53. If you were observant, you noticed her as M’Pella, a dabo girl who worked in Quark’s on Deep Space 9 during the last three seasons for an amazing fifty-two episodes. She also worked on the series as a stand-in, photo double, and body double for Terry Farrell. She received no on-screen credits until her final appearance in “The Dogs of War” episode
  • Born March 20, 1979 Freema Agyeman, 44. Best known for playing Martha Jones in Doctor Who, companion to the Tenth Doctor. She reprised that role briefly in Torchwood. She voiced her character on The Infinite Quest, an animated Doctor Who serial. She was on Sense8 as Amanita Caplan. And some years ago, she was involved in a live production of Terry Pratchett’s Discworld’s Lords and Ladies held in Rollright Stone Circle Chipping Norton, Oxfordshire. It was presented out of doors in the centre of two stone circles. She’s continued her Martha Jones role in the Big Finish audio productions. 

(11) JEDI COMIC RELIEF. “Obi-Wan Kenobi: Ewan McGregor Unexpectedly Reprised His Star Wars Role This Week” at Comicbook.com.

…As for [Ewan] McGregor, it’s unclear if he’ll be playing the fan-favorite Jedi again in an official capacity, but he did don the robe this week during a Comic Relief sketch, which aired on the BBC in the United Kingdom.

McGregor took part in a star-studded parody of Peacock’s The Traitors. The “contestants” included The Great British Bake Off‘s Mary Berry as well as Alison Hammond, who will soon be replacing Matt Lucas on The Great British Bake Off. It also featured Stephen Merchant (Logan), Danny Dyer (EastEnders), Jennifer Saunders (Absolutely Fabulous), and two real contestants from the first season of The Traitors. In the sketch, McGregor speaks about the dangers of the Dark Side and Merchant accuses him of being there only through a green screen. McGregor tells Merchant to “pipe down” since “it’s been a while” and he’s “just trying to stay in character.” The beloved Star Wars actor also gets in some good puns along the way. You can check out most of the sketch below…

(12) ROLL ‘EM. Speculiction favors us with comments about a Star Wars-themed board game: “Cardboard Corner: Review of Imperial Assault”.

Imperial Assault is a difficult game to categorize. Hovering at ceiling height above the table, it’s a miniatures game for 1-5 players that plays a campaign across varying scenarios using a modular map to recreate classic Star Wars environments. Tatooine deserts, Dagobah jungles, Imperial bunkers, and star destroyer bridges are just some of the places the wonderfully sculpted plastic minis portraying Rebel heroes and Imperial villains battle it out.

Down at the table level, one player takes on the mastermind role of the Imperials, controlling all of the stormtroopers, probe droids, officers, and other baddies in an attempt to prevent the Rebels from achieving their scenario goals. The other players take on the role of Rebel heroes, and depending on the scenario will fight off the Imperials to accomplish objectives; rescuing captives, stealing data, destroying bunkers—real Star Wars stuff. Linking these pieces together is a campaign that never plays the same way twice. Oh, and a set of custom dice developed specifically for resolving the game’s attacks and skill tests…..

(13) MORE GAME REVIEWS. And if you’re looking for other reviews of “analog” (i.e., not digital) games, Eric Franklin recommended these two sources to me:

  • Shut Up And Sit Down – https://www.shutupandsitdown.com – is a blog and podcast that does video reviews of games that include actual gameplay.  The team is very funny (and are super-good people), and they’re worth watching.
  • Rahdo Runs Through – https://www.youtube.com/user/rahdo – one of the best-known board game channels on YouTube. Originally a one-man show, he’s expanded and brought in a handful of other teammates for his video reviews.

Both of them do solid overviews of play during their reviews, including (usually) showing a few turns or rounds of play.

(14) SO IT’S LIKE SHREK? [Item by Mike Kennedy.] Scientists at Caltech have refined modeling of Io and say it’s likely to have a subsurface global magma ocean overlaying a solid core rather than a spongy mix of solids and magma. So, layers like an onion. Or an ogre. “Jupiter’s volcanic moon Io probably has a subsurface magma ocean” at Sky at Night.

The moon Io, the innermost of Jupiter’s Galilean moons, is a violent, tortured little world.

Despite being almost the same size as our own Moon, the two couldn’t be more different.

Our Moon is a cold, dead world, while Io is the most volcanically active body in the Solar System – even more so than Earth – and is constantly spewing itself inside out with intense eruptions.

The driving force behind all this activity is tidal heating. The powerful gravitational pull of Jupiter tugging on Io constantly distorts its shape.

This perpetual bending and flexing generates intense tidal heating in the interior of the moon, melting its silicate rock crust into hot magma….

(15) VIDEO OF THE DAY. Have you seen something strange in the sky lately? The first ones came to spy on us. Now, the Giant Bubbles attack!

Filmmaker Fabrice Mathieu says his film was “Inspired from the white balloons flying above some countries!”

[Thanks to John King Tarpinian, Chris Barkley, Andrew Porter, Olav Rokne, Eric Franklin, Fabrice Mathieu, Cora Buhlert, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 10/25/22 Mahna Mahna! Do Scroll The Pixels The Pixels Are The One Thing That Is True

(1) PULLING RANK. Amanda S. Green puts a blip on indie author’s radar screens. There’s been a change in what rankings Amazon displays to readers: “And so it goes” at Mad Genius Club.

…And Amazon has changed the rules without much fanfare when it comes to what rankings they show. According to another author who queried Amazon about what they were seeing, Amazon has shifted to a policy where only three category rankings will show on a product page. In other words, you can be in the top 10 in four or more categories but Amazon will only show three. As if that’s not bad enough, the categories I see might not be the same one you see because their bots choose which ones to show based on our browsing histories.

As a reader, I don’t see a big problem. As a writer, this is a huge problem….

(2) KINDLE STORYTELLER AWARD. The winner of Amazon UK’s 2022 Kindle Storyteller Award is a historical fantasy novel: King of War by Peter Gibbon.

The Kindle Storyteller Award is a £20,000 literary prize recognising outstanding writing. It is open to writers publishing in English in any genre, who publish their work through Kindle Direct Publishing. Readers play a significant role in selecting the winner, helped by a panel of judges including various book industry experts.

The 2022 Kindle Storyteller Award was open for entries between 1st May and 31st August 2022.

(3) SAY IT AIN’T SO! Syfy Wire has horrible news: “Disney+ lands future seasons of ‘Doctor Who’”.

If you want to watch the next incarnation of Doctor Who, you’re going to need a Disney+ subscription.

Disney announced Tuesday morning that it will be the new home for upcoming seasons of the classic BBC science fiction series in the United States and around the world, a major streaming acquisition for a streaming service that’s already home to major franchises like the Marvel Cinematic Universe and Star WarsNcuti Gatwa, who will play the Fifteenth Doctor on the series, confirmed the news during an appearance on Live with Kelly and Ryan this morning, according to a Disney press release…. 

(4) GATEWAY TO THE PAST. Young People Read Old SFF features a look at the Susan C. Petrey that ends her posthumous collection Gifts of Blood, which included essays by Le Guin, Vonda McIntyre, and Kate Wilhelm.  What do the panelists think of this Hugo finalist?

October 2022’s Young People Read Old Hugo Finalists offers a story unusual in several ways. Firstly, I was utterly unfamiliar with Susan C. Petrey’s Hugo finalist story ​“Spidersong1”. A glance at Petrey’s ISFDB entry offers a grim explanation: Susan Petrey died in her mid-thirties, 5 December 1980. Most of her work seems to have been published posthumously, largely in the Magazine of Fantasy and Science Fiction, a magazine that for no good reason I did not read. 

In addition to her Hugo nomination, in spite of having just three stories in print (1979’s ​“Spareen Among the Tartars”, 1980’s ​“Spidersong”, and 1980’s ​“Fleas”), Petrey was nominated for the Astounding Award for Best New Writer2. Petrey died before the results of the nomination were announced. In fact, Petrey was one of two authors present posthumously on the 1981 Astounding Award3; Robert Stallman died August 1, 1980. As far as I can tell, this is the only year any nominees, let alone two4, for the Astounding were nominated post-mortum. 

“Spidersong” is unusual in a third, far more positive way: it is still in print, for web-based values of in print. Spidersong can be read in Issue 54 of Light Speed Magazine….

(5) LIGHTS ON. Cora Buhlert calls this a “semi non-fiction spotlight” because it’s about an anthology that mixes fiction reprints with essays and commentary: Rediscovery: Science Fiction by Women Volume 2 (1953 to 1957), edited by Gideon Marcus”.

What prompted you to write/edit this book?

By 2018, I had read dozens of great stories by women in my trek through all the period science fiction magazines. That same year, I ran across A. J. Howells, who had started up a small press to republish The Office by Fredric Brown. His experience made me realize that it’s not too hard to start a press these days. Putting two and two together, it was obvious what my first project would be: a collection of all of my favorite stories by women from the era….

(6) THE NOT AT ALL JOLLY ROGER. According to this article from the Guardian, even Booker Prize winners have to deal with book piracy: “Booker prize winner urges people not to circulate pirated copies of his novel”.

Booker prize-winning author Shehan Karunatilaka has asked people not to circulate pirated versions of his novel.

Karunatilaka won the prize…for his second novel, The Seven Moons of Maali Almeida. In an Instagram story and a Facebook post two days after his win, Karunatilaka said it had “come to light that an unofficial and illegal” pdf version of his book was “doing the rounds on Sri Lankan social media”.

In his post, titled “Do not steal the moon”, the author wrote: “The book took seven years to write, with countless hours of research, craft and hard work poured into it. If you wish to support and honour Sri Lankan art, please do not forward pirated versions of the book and tell those who are circulating it to refrain from doing so.”…

(7) PREMEE MOHAMED Q&A: At the Unofficial Hugo Book Club Blog: “Interview with Premee Mohamed, author of the Beneath The Rising trilogy”.

UHBC Blog: …Do you think it’s possible to write near-future fiction and not include some time of climate change elements?

Premee Mohamed: Well, anything’s possible in fiction.

But suppose I wanted to write a murder mystery set in London in a fancy house in the middle of the city in 1942. In theory, I could write the entire book just about the murder mystery and these friends would have to solve it.

But in practice, if I didn’t mention World War II at any point or the Blitz or the bombs or people that they knew that had died in the war … it would feel very weird and I feel like the book would be kind of missing something enormous about the reality of London in 1942….

(8) KNOW THE TERRITORY. J. Dianne Dotson advocates for “The Ecology of World-Building“ at the SFWA Blog.

…Interactions between living organisms and their environments include abiotic and biotic factors. Abiotic factors are nonliving factors, such as the sun, wind, precipitation, slope, or substrate (whether rock or other substance). Biotic factors are those that are living, such as plants, fungi, protists, or animals. Think about how both living and nonliving elements in your world affect your characters.

Other considerations include predator–prey relationships in your worlds. An apex predator is a top predator in a food chain. If your world has creatures, assume that there are predator–prey interactions. Where does each creature in your world fit in a food chain? What happens when you take the top predator away? What sorts of population pressures do your characters face? Showcasing these factors in your fiction weaves a unique tapestry for your characters to inhabit….

(9) CALLING OUT FATPHOBIA IN SFF. [Item by Olav Rokne.] Writing at Tor.com, R. K. Duncan enumerates the ways in which SFF has been a space that marginalizes those who are large. “SFF’s Big Fat Problem” is an important piece for us to read and to think about, when we’re consuming and creating fiction. 

In my lifetime, SFF has become unimaginably more welcoming of my queer self than it was when I began to read. My fat self, not so much. This essay is a callout for everyone who feels they are a part of this community. Do better.

(10) FEARSOME FIVE. James Davis Nicoll counts up “Five Chilling Horror Novellas to Read This Fall” at Tor.com.

October is, as I noted in an earlier essay, a season for ghosts and ghouls.  Days are shortening, winter is coming (at least for us folks in the northern hemisphere). It’s a season for melancholy entertainment.

Of course, autumn is also a busy season—even if, like the overwhelming majority of my readers, you don’t have to worry about getting crops in. You might not have the time, or the inclination, to read something long (there will be plenty of time for that in the cold days ahead). Happily, novellas are there for you. You might want to try one or more of these five….

(11) MEMORY LANE.

1969 [By Cat Eldridge.] The Picasso Summer 

Back in the Summer of love or thereabouts, Mister Bradbury wrote the script for The Picasso Summer which by the time it was in the can had involved artist Pablo Picasso, French directors Francois Truffaut and Serge Bourguignon, cinematographer Vilmos Zsigmond,  animators Faith and John Hubley, composer Michel Legrand and Barbra Streisand. Even Bill Cosby was in the mix as his company produced it, as was another actor, Yul Brunner.

It’s based off his “In a Season of Calm Weather” short story which was first published in the January 1957 issue of Playboy. It was most recently, 2013, published by Bantam in his Medicine for Melancholy collection. 

SPOILERS OF A VERY PSYCHEDELIC NATURE FOLLOW. SENSITIVE MINDS SHOULD GO ELSEWHERE.

Bradbury wrote a most excellent script here. 

His story is that SF architect George Smith (as played by Albert Finney) is vacationing in France with his wife Alice (a very beautiful Yvette Mimieux) with the hopes of meeting Picasso. Why he wants to meet him is not explained. The back story is he is terminally weary of being an architect.

The young couple are turned away from the artist’s home, and a fight breaks out. George in a rather nasty mood goes off to Spain to meet Spanish bullfighting legend Luis Miguel Dominguín, who might be a friend of Picasso and might get him an introduction. He doesn’t. 

So Alice stays behind and alone in France, very miserable. Upon he returns, he apologizes for the quite bad vacation. They go for a final swim on the beach, utterly failing to notice Picasso playing in the sand with his family just a few hundred yards away as they stroll away from him into the sunset.

YOU COME BACK. WE’RE NOT DOING INTERESTING DRUGS ANYMORE. I THINK. 

I must stress that it includes some very trippy and quite lively animated sequences of Picasso’s work done up in the finest Sixties style possible. Groovy man!  It’s quite delightful and all goes superbly well for our couple in the end.

It was shot in 1969, partly re-shot and tooted into the vault in 1969, but not shown publicly until 1972. It doesn’t appear in the Warner Bros. release records because it never hit the theaters only to premiere in the States on CBS’s Late Nite Movie. Warner Bros put a clip from it up here. Please, please do not link to the many extended clips from the film including the animated sequences as they are clear violations of copyright as the film is still very much under copyright.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 25, 1902 Philip Wylie. Writer of SF snd mysteries alike. Co-author with Edwin Balme of When Worlds Collide, his most important work, which was first published as a six-part monthly serial (September 1932 through February 1933) in the Blue Book magazine with illustrations by Joseph Franké. The novel was the basis of the 1951 film  of the same name that was produced by George Pal. (Died 1971.)
  • Born October 25, 1909 Whit Bissell. You most likely know him as Station Manager Lurry on “The Trouble With Tribbles”, but his major contribution to the SFF genre was being in all thirty episodes of The Time Tunnel as Lt. Gen. Heywood Kirk. He also did one-offs on The InvadersI Dream of JeannieThe Man from U.N.C.L.E.Voyage to the Bottom of the SeaScience Fiction TheaterThe Incredible Hulk and The Outer Limits. And yes, in the Time Machine film. (Died 1996.)
  • Born October 25, 1928 Marion Ross, 94. Best remembered as Marion Cunningham on Happy Days but she does have some genre roles, including an uncredited appearance in The Secret of The Incas often cited as the inspiration for Raiders of the Lost Ark. Charlton Heston was adventurer Harry Steele. Anyone see it? Again uncredited, she’s in a Fifties version of Around the World in 80 Days. The Sixties are kinder to her as she starts getting credited for her work, first for being on The Outer Limits as Agnes Benjamin in “The Special One” episode followed by being Angela Fields in Colossus: The Forbin Project. To date, her last genre role was on the animated Galaxy as the voice of Doctor Minerva in “Gotta Get Outta This Place”. 
  • Born October 25, 1940 Janet Fox. Author whose stories appeared in countless genre zines and anthologies between the Seventies and mid-Nineties.  Her long fiction, mostly the Scorpio Rising series, was done as Alex McDonough. She’s also know for the Scavenger’s Newsletter which featured a number of noted writers during its run including Linda Sherman, Jeff VanderMeer and Jim Lee. (Died 2009.)
  • Born October 25, 1963 John Gregory Betancourt, 59. Writer known for his work in Zelazny’s Amber universe but who has written quite a bit of other franchise fiction including works in the Star TrekHerculesRobert Silverberg’s Time ToursDr. Bones and The New Adventures of Superman. Most of his original fiction was early in his career. He’s also edited in a number of magazines including Weird TalesAmazing StoriesH. P. Lovecraft’s Magazine of HorrorAdventure Tales and Cat Tales. He even co-edited with Anne McCaffrey, Serve It Forth: Cooking with Anne McCaffrey. His Wildside Press has been nominated three times for World Fantasy Awards. 
  • Born October 25, 1971 Elif Safak, 51. Turkish writer with three genre novels, one written originally in Turkish (Mahrem), The Gaze in its English translation, and two written in English, The Architect’s Apprentice (which was translated into Turkish as Ustam ve Ben)  and 10 Minutes 38 Seconds in This Strange World.
  • Born October 25, 1971 Marko Kloos, 51. Author of two MilSF series, Frontlines and The Palladium Wards. His Lines of Departure was nominated for Hugo Award for Best Novel at Sasquan on a slate organized by the Sad Puppies. In reaction to this, Kloos withdrew the novel from consideration for the award. He was subsequently honored by George R. R. Martin for this decision. And that gets him Birthday Honors. Five of his books have been Dragon Awards nominees in the Best Military SF or Fantasy category.

(13) SOI HALL OF FAME INDUCTEES. The Society of Illustrators’ 2022 Hall of Fame Ceremony and Awards will catch up two years’ worth of inductees.

Since 1958, the Society of Illustrators has elected to its Hall of Fame artists recognized for their distinguished achievement in the art of illustration. 

Artists are chosen based on their body of work and the impact it has made on the field of illustration. 

2021 Hall of Fame Laureates

  • Braldt Bralds
  • Craig Mullins
  • Floyd Norman
  • Margaret Brundage
  • Jean Alexandre Michel André Castaigne
  • Walter Percy Day
  • Dale Messick

2022 Hall of Fame Laureates

  • Charles Addams
  • George Booth
  • Emory Douglas
  • Wendy and Brian Froud
  • Reynold Ruffins

(14) HUGO SWAG. Cora Buhlert recently received her 2022 Hugo finalist certificate and pin. You can see a photo here: “Look What the Mailman Brought Me”.

(15) SCIENCE FICTION & FANTASY POETRY ASSOCIATION MILESTONE. Adele Gardner and Greer Woodward, Editors of the 2022 Dwarf Stars Anthology made a historic announcement about the poet who took second place in the 2022 Dwarf Stars Award for his poem “Colony.”

Jamal Hodge is the first black man to win or place in the competition. Though the editors are saddened that there have not been prior accolades for black men in the Dwarf Stars Award, we are so very glad that Jamal Hodge has broken this barrier and lifted us with the quality of his work.
 
Jamal Hodge is a multi-award-winning filmmaker and writer from Queens NYC who has won over 80 awards with screenings at Tribecca Film Festival, Sundance, and the Cannes Short Film Corner. As a writer, Hodge is an active member of the Horror Writers Association and the SFPA, being nominated for a 2021 & 2022 Rhysling Award for his poems “Fermi’s Spaceship” and “Loving Venus,” while placing second in the 2022 Dwarf Stars. His poetry is featured in the anthology Chiral Mad 5 alongside such legends as Stephen King and Linda Addison. His written work was featured in the historical all-black issue of Star*Line (43.4), Space and Time Magazine, Hybrid: Misfits, Monsters & Other Phenomena, Penumbric Speculative Fiction Magazine, Savage Planets, and many others. https://linktr.ee/directorh
 
Hodge’s 2022 Dwarf Stars poem “Colony” is a poignant observation of humanity. Although scientists have developed technology superb enough to send people to Mars and establish a colony, human nature has remained unchanged. The fact that murder is one of the things that marks our humanity is not only tragic, but may well damage prospects for a hopeful future. The editors admired the way this powerful message was expressed in only 29 words.

(16) MIGHTY DIALOG. Book Riot’s Kate Scottanoints these as “23 of the Best The Lord of the Rings Quotes”.

Choosing the best quotes from The Lord of the Rings is difficult, because there are so many amazing lines in this fantasy epic. Nevertheless, here are 23 of my favorite The Lord of the Rings quotes.

First out of the gate:

“‘Why was I chosen?’ ‘Such questions cannot be answered,’ said Gandalf. ‘You may be sure that it was not for any merit that others do not possess: not for power or wisdom, at any rate. But you have been chosen, and you must therefore use such strength and heart and wits as you have.’”

How can it be that my own favorite isn’t even on the list!

(17) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers: The Rings Of Power (Season 1),” the Screen Junkies say this Lord of the RIngs prequel has so many mysterious strangers show up in the first episodes that “It’s hard to keep up with the people who aren’t mysterious. Stop making me do homework to watch TV!” the narrator complains. He shows at least five clips where the cast are trying very very hard not to say they’re making rings that characters can be lords of. Noting this is an Amazon project, the narrator asks, “do the orc slaves get free two-day shipping?”

[Thanks to Chris Barkley, Michael Toman, Cat Eldridge, Cora Buhlert, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]

Pixel Scroll 7/8/22 Doctor Scroll In The Multipixel Of Madness

(1) IN SUIT OVER CONTROLLED DIGITAL LENDING PARTIES FILE FOR SUMMARY JUDGMENT. This week both parties to the lawsuit over “controlled digital lending” — four publishers on one side and the Internet Archive on the other — filed motions for summary judgment Publishers Weekly reports: “Publishers, Internet Archive File Dueling Summary Judgment Motions in Scan Suit”. A motion for summary judgment asks the court to render a decision on the record already submitted.

The battle lines have now been drawn in a potentially landmark lawsuit over the scanning and lending of books. In a motion for summary judgment filed this week, lawyers for Hachette, HarperCollins, Wiley, and Penguin Random House argue that the Internet Archive’s controversial program to scan and lend books under an untested legal theory known as “controlled digital lending” is a massive piracy operation “masquerading as a not-for-profit library.” And in a dueling motion for summary judgment, the Internet Archive counters that its scanning and lending program does not harm authors and publishers and is a public good protected by fair use.

Copies of both parties’ motions are available online, the publishers motion here, and the Internet Archive’s motion here.

The publishers contend Internet Archive’s practices violate copyright law:

…Yet Internet Archive assumes that all “information should be free” and has searched for years to find a legal rationale for its radical infringements. Around 2018, it helped manufacture and market a theory called “controlled digital lending” or “CDL,” which was developed with no input from authors or publishers and without the imprimatur of Congress. Directly contradicting the idea that copyright protects a bundle of divisible rights, IA posits that it is lawful for a library to make digital copies of any print book it acquires and distribute that digital copy over the internet, without a license, as long as (a) the library uses digital rights management (“DRM”) technology to prevent additional copying, and (b) the library “only loan[s] simultaneously the number of [print] copies that it has legitimately acquired.” SUMF¶436. Regardless of whether it actually complies with CDL – and it does not – Internet Archive’s practice of CDL violates fundamental principles of copyright law, and undermines market incentives necessary to spur the creation of new works…

The Internet Archive’s motion gives this explanation of Controlled Digital Lending:

…CDL is fundamentally the same as traditional library lending; it’s just a better way of getting the book to the one patron who borrowed it. Because every book in the Internet Archive’s print collection has already been bought and paid for, everyone agrees the Internet Archive could loan those books by handing or mailing them to a patron.  The only difference is that the Internet Archive is loaning the books over the Internet.  Either way, the books on loan are not available to other patrons until they are returned….

The Electronic Frontier Foundation issued a press release supporting the Internet Archive’s motion: “Internet Archive Seeks Summary Judgment in Federal Lawsuit Filed By Publishing Companies”.

“The publishers are not seeking protection from harm to their existing rights. They are seeking a new right foreign to American copyright law: the right to control how libraries may lend the books they own,” said EFF Legal Director Corynne McSherry. “They should not succeed. The Internet Archive and the hundreds of libraries and archives that support it are not pirates or thieves. They are librarians, striving to serve their patrons online just as they have done for centuries in the brick-and-mortar world. Copyright law does not stand in the way of a library’s right to lend its books to its patrons, one at a time.”

(2) IT CAUGHT ON IN A FLASH. Space Cowboy Books presents an “Online Flash Science Fiction Reading” on July 19 at 6:00 p.m. Pacific. Register for free here.

Join us online for an evening of short science fiction readings with authors Douglas A. Banc, Ricardo Victoria, and Adele Gardner. Flash Science Fiction Nights run 30 minutes or less, and are a fun and great way to learn about new authors from around the world.

(3) MUSK TO TWITTER: EJECT! “Elon Musk tells Twitter he wants out of his deal to buy it” reports CNN.

Elon Musk wants to terminate his $44 billion deal to buy Twitter — the latest in a whirlwind process in which the billionaire Tesla CEO became the company’s biggest shareholder, turned down a board seat, agreed to buy the social media platform and then started raising doubts about going through with the deal. The next chapter in the saga is almost certain to be a court battle.

Musk claimed in a letter to Twitter (TWTR)’s top lawyer that he is ending the deal because Twitter (TWTR) is “in material breach of multiple provisions” of the original agreement, which was signed in April, according to a regulatory filing Friday evening.

Musk has for weeks expressed concerns, without any apparent evidence, that there are a greater number of bots and spam accounts on the platform than Twitter has said publicly. Analysts have speculated that the concerns may be an attempt to create a pretext to get out of a deal he may now see as overpriced, after Twitter shares and the broader tech market have declined in recent weeks. Tesla (TSLA) stock, which Musk was planning to rely on in part to finance the deal, has also declined sharply since he agreed to the deal….

(4) SOCIETY OF ILLUSTRATORS. An exhibit of top African-American artists in the comic book industry, “The Artist’s Experience: from Brotherman to Batman”, is being hosted by the Society of Illustrators through October 29.

The Society of Illustrators has announced a dynamic installation on display in the museum that delves between the pages of comic books and explores the artists’ process. “The Artist’s Experience: From Brotherman to Batman” on display from June 15 through October 29, 2022. The exhibit celebrates some of the top African-American artists in the comic book industry, and was co-curated by renowned culture journalist and writer Karama Horne (Marvel’s Protectors of Wakanda: A History and Training Manual of the Dora Milaje) and Eisner Award-nominated artist and writer Shawn Martinbrough (How to Draw Noir Comics: The Art and Technique of Visual Storytelling, Thief of Thieves, Red Hood), whose work will be featured along with over sixteen other talented artists.

… Also featured are Eisner Award-winning artists Afua Richardson (Black Panther World of Wakanda, HBO’s Lovecraft Country), Alitha Martinez (Batgirl, World of Wakanda) and John Jennings (Octavia Butler’s Parable of the Sower), as well as veteran artists Larry Stroman (Alien Legion, X-Factor) and Darryl Banks (Green Lantern).

Artwork from award-winning artist Ronald Wimberly, founder of the experimental art magazine THE LAAB (whose Prince of Cats graphic novel is currently being adapted to film by Spike Lee), Khary RandolphJamal Igle, Micheline Hess, Sanford Greene, Eric Battle, Marcus Williams, Chuck Collins, Damion Scott and Robyn Smith will all be on display, as well.

(5) TOLL ON LIBRARY WORKERS. “Groundbreaking Study Explores Trauma, Stress in Frontline Library Workers”Publishers Weekly gives an overview.

The 2022 Urban Libraries Unite Trauma Study draws upon a wide-ranging literature review, survey responses from more than 435 urban library workers (conducted between August and September 2021), focus groups, and a two-day forum. The final report paints a vivid picture of the difficult working conditions facing many urban librarians and library workers, as well as a promising framework through which the library community can begin to address its needs.

“It is clear that there is a crisis of trauma in urban public libraries and the evidence for this is so overwhelmingly compelling that it seems likely that trauma impacts work in libraries of all types across the profession,” reads the report’s conclusion. “It is also clear from the literature search and the conversations that created this report’s conclusions that the library profession is starting to wake up to this deeply corrosive crisis.”

The report describes a range of violent or aggressive patron behavior toward library workers, including racist and sexist verbal abuse, harassment, physical assault including having guns and other weapons brandished, and drug and alcohol issues including overdoses. In addition, library workers reported significant instances of “secondary trauma” from constant interactions with community members (including children) struggling with poverty, homelessness, mental illness, or drug abuse….

(6) EATING THE FANTASTIC. Scott Edelman invites listeners to join David Gerrold for a breakfast buffet on episode 175 of the Eating the Fantastic podcast.

David Gerrold

Now it’s time for breakfast with David Gerrold, who I first encountered when I was 12, because I saw the Star Trek episode scripted by him, “The Trouble with Tribbles,” when it first aired in 1967. And they say 12 is the Golden Age of science fiction, right?

But David is so much more than that famed episode. He’s the author of more than 50 books, hundreds of articles and columns, and numerous hours of television. His TV credits include episodes from Star Trek (such as the aforementioned “The Trouble With Tribbles” and “The Cloud Minders”), Star Trek Animated (“More Tribbles, More Troubles” and “Bem”), Babylon 5 (“Believers”), Twilight Zone (“A Day In Beaumont” and “A Saucer Of Loneliness”), Land Of The Lost (“Cha-Ka,” “The Sleestak God,” “Hurricane,” “Possession,” and “Circle”), Tales From The Darkside (“Levitation” and “If The Shoes Fit”), Logan’s Run (“Man Out Of Time”), and others.

His novels include When HARLIE Was One (which I believe was the first prose of his I read, at age 17), The Man Who Folded HimselfThe War Against The Chtorr septology, The Star Wolf trilogy, and The Dingilliad young adult trilogy, the Trackers duology, and many more. The autobiographical tale of his son’s adoption, “The Martian Child,” won the Hugo and Nebula awards for Best Novelette of the Year and was the basis for the 2007 movie, Martian Child.  He was the 2022 winner of the Robert A. Heinlein Award, which was presented during Balticon.

We discussed what he means by “humility in the face of excellence,” the curse of fame and why J. D. Salinger may have had the right idea, how the more you know the slower you write, the challenge of living up to having won the Heinlein Award (and why Heinlein once called him “a very nasty man”), the scariest story he ever wrote, how Sarah Pinsker helped him understand what he really felt about Ursula K. Le Guin’s “The Ones Who Walk Away from Omelas,” the kind of person he might have been had he not moved to L.A. as a kid, the fannish way he found out he’d been nominated for a Hugo Award, how it feels to already know what the headline of his obituary will be, and much more.

(7) TOM FABER ON VIDEO GAMES. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Tom Faber recalls seeing Braveheart with his cousin, who asked, “Where are all the wizards?”

On surveying my collection of fantasy movies and video games the next day, I realized that almost all of them were set in a place that resembled 13th-century Scotland, from Lord Of The Rings to Skyrim to Game Of Thrones.  Given that fantasy is the only genre that gives writers unlimited creative licence to dream up the wildest worlds, why do we see the same tired cliches again and again?…

…This is finally starting to change with the emergence of game developers outside the conventional industry hubs who are weaving new fantasies from the threads of their own history and myths.  Earlier this year, Mexican studio Lienzo released Aztech:  Forgotten Gods, which imagines a sci-fi world in which the Aztecs were never conquered.  Rafi:  An Ancient Epic incorporates Hindu mythology and draws inspiration fro the Mahabharata and the Ramayana. Maori developer Naphtali Faulkner created the stylish Umurangi Generation, a photo game set in a near-future New Zealand. Meanwhile, Aurion:  Legacy of the Kori-Odan and the ambitious upcoming game The Wagada Chronicles both explore complex African mythologies.

(8) NOT JUST ANY STREAM. “Ben Aaronovitch’s Rivers of London novels are set for TV adaptation” – the Guardian tells about the deal.

A new partnership will bring together all nine of the novels, plus the accompanying short stories, novellas and graphic novels, for the screen.

Rivers of London is part urban fantasy, part police procedural, centring on detective constable Peter Grant. A newly graduated police officer from London, he is recruited in the first book by wizard and inspector Thomas Nightingale to the Folly, a police unit working on supernatural crimes, after an encounter with a ghost….

(9) DIRDA ON BOOKS OF INTEREST TO FANS. Michael Dirda reviews three volumes of Folio Society collections of Marvel comics and three volumes of Penguin Marvel collections. He also reviews a book called Cosplay which is a history of cosplayers going back to Worldcon masquerades. “Marvel comics in updated editions from Penguin and Folio, reviewed” in the Washington Post.

…All this past spring, then, I was eagerly looking forward to recapturing some of that ancient enchantment by immersing myself in six colorful volumes of Marvel superhero comics: three Penguin Classics collections of the early adventures of Spider-ManCaptain America and Black Panther, and three Folio Society best-of collections devoted to Spider-Man, Captain America and Hulk.

For fans, both series are desirable and contain little overlap. The general editor of the Penguin editions, Ben Saunders, a comics scholar from the University of Oregon, provides historical background on how Stan Lee, Jack Kirby, Steve Ditko and others co-created these modern legends. Contemporary writers such as Qiana J. Whitted, Gene Luen Yang, Jason Reynolds and Nnedi Okorafor contribute additional introductions or winningly personal forewords. Appendixes feature recommended reading lists and sometimes supplemental essays, such as Don McGregor’s memoir of how he wrote the multi-issue “Panther’s Rage,” which supplied some of the plot elements to the “Black Panther” movie. Each of these collectible Penguin hardbacks runs to roughly 350 pages and is priced at $50. Paperback editions cost $28.

The Folio Society volumes cost $125 apiece, but for purists they offer a slightly more authentic reading experience….

…At least, I continue to be childishly delighted by adult cosplay, the practice of dressing up as a favorite fictional or cinematic character. As our troubled superheroes know, donning a mask can be liberating, a way of releasing one’s deeper self. Appropriately, Andrew Liptak’s opens his chatty “Cosplay: A History” by looking at costume balls, historical reenactors, Halloween and the tradition of masquerade night at science-fiction conventions. Still, his heart really belongs to the Star Wars franchise.

(10) R. C. HARVEY (1937-2022). Cartoonist Robert C. Harvey, a respected comics historian and columnist, died July 7. His autobiographical intro at The Comics Journal sums up an incredible career.

Harv’s first foray into expository text was with a column in the fondly recalled Menomonee Falls Gazette (a weekly newspaper of comic strips) in the fall of 1973. A couple years later, he launched his Comicopia column in No.130 of the Rocket’s Blast – ComiCollector, which, by then, had been taken over by James Van Hise from Gordon Love, the founder. For RB-CC, he created a mock comicbook superhero, Zero Hero.

In March 1980, Harvey abandoned early columns and started writing for The Comics Journal, with a new effort, The Reticulated Rainbow, starting in No. 54 and continuing regularly under various titles for an insufferably long time. By the time he was in his eighties, Harv’d become, probably, the Journal contributor with the greatest longevity.

Bob also was a longtime contributor to Jud Hurd’s Cartoonist PROfiles magazine, The Thompson’s Comics Buyer’s Guide, Hogan’s Alley, and Nemo, the Classic Comics Library, among others. He also contributed to the early version of the scholarly comics publication Inks. The R.C. Harvey archives for The Comics Journal can be accessed here, and his recent Humor Times columns are here.

Harvey has written or collected and edited thirteen books on comics and cartooning, including his Milton Caniff: Conversations (2002) from the University Press of Mississippi, followed by a full biography of Caniff, Meanwhile… A Biography of Milton Caniff, Creator of Terry and the Pirates and Steve Canyon (2007) published by Fantagraphics. His most recent book is Insider Histories of Cartooning: Rediscovering Forgotten Famous Comics and Their Creators (2014) from UPM. A complete list of his books appears at his website.

Harvey still has two books scheduled to be released this Fall. He annotated the current Fantagraphics Complete Pogo series giving context to references in Walt Kelly’s comic strip, Volume Eight will arrive with R.C.’s contribution. He has also wrote and assembled The Art and History of Popeye due later this year.

(11) LARRY STORCH (1923-2022). Actor Larry Storch died July 8 at the age of 99. His most famous role was the scheming Corporal Agarn of F Troop (1965-1967). His genre work included co-starring with Bob Burns (who wore a gorilla costume) and Forrest Tucker on the Saturday morning children’s show The Ghost Busters. Storch appeared in more than 25 films, including The Monitors (1969, based on a Keith Laumer novel), and Without Warning (1980). He voiced characters in animated shows such as Merlin the Magic Mouse and Cool Cat. In Journey Back to Oz he voiced Aunt Em and Uncle Henry’s farmhand Amos.

(12) KAZUKI OBITIARY. Yu-Gi-Oh! creator Takahashi Kazuki hwas found dead at sea says Deadline. He was 60.

Takahashi Kazuki, the creative force behind manga trading card and Japanese entertainment franchise Yu-Gi-Oh!, has been found dead, according to local public broadcaster NHK.

It was reported Takahashi, whose real name is Kazuo Takahashi, was discovered floating while in snorkeling gear in near Okinawa Prefecture in Japan on Wednesday. A coast guard is looking into the cause of death.

Takahashi began as a manga artist in the 1980s and found success in 1996 when he created manga comic series Yu-Gi-Oh! and began serializing it in Weekly Shonen Jump magazine. He later outlined the rules for an accompanying trading card game.

The franchise grew to span several TV shows, manga spin-offs and video games and is now one of the highest-grossing of all time….

(13) MEDIA BIRTHDAY

2003 [By Cat Eldridge.] Some amazingly strange series come out of Canada. So it is with the Alienated series that debuted nineteen years ago this day on the Space network in Canada. It lasted for two seasons and a mere twenty-two episodes.

I’ve no idea who created it since, in true Heinleinian fashion, the serial numbers seem to have been completely filed off. 

It was a comedy centered on a stereotypical suburban family living in Victoria, British Columbia who undergo strange and often overtly sexual changes (all nudity was pixillated) after being abducted by aliens. The mother was played by Sarah-Jane Redmond best remembered  as Lucy Butler on the Millennium series and the father was played by Johnathan Whittaker who later shows on up The Expanse as Sec-Gen Gillis.

I think it was, to say the least, not aimed at all at being tasteful based on episode titles of the likes of “Where’s the Vagina?”, “Hard to Keep a Good Man Down” and “Where’s the Saltpeter?”. I have no idea what time of the evening it was broadcast in but I’m betting it was later on.

Critics, the few who actually bothered with reviewing it, found it entertaining. It never got a proper wrap-up as it was cancelled in the way so many of these low rated series are — in the middle of the night when no one is looking.

(14) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 8, 1914 Hans Stefan Santesson. Trifecta of editor, writer, and reviewer. He edited Fantastic Universe from 1956 to 1960, and the US edition of the British New Worlds Science Fiction. In the Sixties, he edited a lot of anthologies including The Fantastic Universe OmnibusThe Mighty Barbarians: Great Sword and Sorcery Heroes and Crime Prevention in the 30th Century. As a writer, he had a handful of short fiction, none of which is available digitally. His reviews appear to be all in Fantastic Universe in the Fifties. (Died 1975.)
  • Born July 8, 1933 — Michael Barrier, 89. One of the few actors not a regular crew member on the original Trek who shows in multiple episodes under the same name. He was DeSalle in “The Squire of Gothos”, “This Side of Paradise” and “Catspaw”. While he has the same name each time, he does not have the same shipboard job as he serves as a navigator in the first episode, a biologist in “This Side of Paradise” and assistant chief engineer in “Catspaw”. 
  • Born July 8, 1942 — Otto Penzler, 80. He’s proprietor of The Mysterious Bookshop in New York City who edits anthologies. Oh does he edit them, over fifty that I know of, some of genre interest including The Big Book of Sherlock Holmes Stories, Zombies! Zombies! Zombies! and The Black Lizard Big Book of Black Mask Stories which an original Lester Dent story in it. Back in the Seventies, with Chris Steinbrunner, he co-wrote the Encyclopedia of Mystery and Detection for which they won an Edgar Award.
  • Born July 8, 1951 Anjelica Huston, 71. I’m going to single her out for her performance as The Grand High Witch of All The World, or Eva Ernst in The Witches, a most delicious film. She was also wonderful as Morticia Addams in both of the Addams Family films, and made an interesting Viviane, Lady of the Lake in The Mists of Avalon miniseries. 
  • Born July 8, 1955 Susan Price, 67. English author of children’s and YA novels. She has won both the Carnegie Medal and the Guardian Prize for British children’s books. The Pagan Mars trilogy is her best known work, and The Sterkarm Handshake and its sequel A Sterkarm Kiss, will please Outlander fans.
  • Born July 8, 1958 Kevin Bacon, 64. The role I best remember him for is Valentine “Val” McKee in Tremors. He also played Jack Burrell in Friday the 13th, David Labraccio in the most excellent Flatliners and Sebastian Caine in Hollow Man

(15) TUTTLE’S PICKS. “The best recent science fiction and fantasy – review roundup” by Lisa Tuttle in the Guardian. Covers The Daughter of Doctor Moreau by Silvia Moreno-Garcia; Thrust by Lidia Yuknavitch; The Ballad of Perilous Graves by Alex Jennings; Life Ceremony by Sayaka Murata and Old Country by Matt and Harrison Query

(16) SUPER-PETS CASTING. “The Good Place star confirmed as Wonder Woman in new DC movie”Digital Spy knows her name.

DC has got itself a new Wonder Woman, with The Good Place‘s Jameela Jamil confirmed as the voice of Diana Prince’s super alter-ego in DC’s League of Super-Pets.

(17) BIG NUMBERS. “Six Flags Magic Mountain to debut record-breaking Wonder Woman coaster”KTLA has details.

WONDER WOMAN Flight of Courage will take riders on a thrilling adventure for the very first time next Saturday, July 16.

Riders will reach speeds of up to 58 mph and can expect a steep climb up a 131-foot hill, an intense 87-degree drop and three inversions (like a loop) along the coaster’s 3,300-foot track.

Before boarding, those waiting in the Greek-inspired ride queue will be treated to immersive storytelling and a deep dive of the comic book heroine’s history and greatest accomplishments…

(18) IT WILL TAKE YOU THERE. “‘Portals will be as important as the car’: the architects exploring gateways to new dimensions” at the Guardian.

…The examples range from the rabbit-hole in Alice in Wonderland and the wardrobe in the Narnia books, to Dr Who’s Tardis, Back to the Future’s DeLorean and Platform 9¾ in Harry Potter, via all manner of holes, mirrors, cracks, bridges and “energy frames” found in sci-fi and fantasy fiction. Their timeline tells an eye-opening story, charting the explosion of portals after the second world war, marked by the likes of The Sentinel by Arthur C Clarke (which formed the basis of the film 2001: A Space Odyssey), the Wayback Machine in Peabody’s Improbable History, and the tollbooth from the 1961 book The Phantom Tollbooth, written by architect Norton Juster.

The following period, leading up to the cold war and the space race, saw portals take the form of massive energy-intensive machines and weapons built in the battle for world domination. They highlight the 1960s TV series The Time Tunnel, where thousands of people work under the desert surface on a secret megastructure, which would allow the US military to travel in time, noting how its iconic spiral design went on to inspire countless portals in future stories. The period after the cold war, meanwhile, saw portals serve more satirical and comical roles in lowbrow sci-fi and family movies – such as the phone booth in Bill and Ted’s Excellent Adventure, or the people-eating television in the 1980s body horror film Videodrome.

They found one of the most recurring types of portal to be the “portable hole”, first featured in the Looney Toons cartoon The Hole Idea in 1955, in which a scientist demonstrates his device for rescuing a baby from a safe, cheating at golf and escaping from housework. It later appears in the Beatles’ film Yellow Submarine, in the form of the Sea of Holes, as well as in Who Framed Roger Rabbit, reaching a hole-studded peak in the 1985 Marvel cartoon character, Spot – whose body is covered in portals…

(19) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Stranger Things Season 4 Pitch Meeting”, Ryan Geroge, in a spoiler-packed episode, says the villain this season is a guy who is bald, strong, doesn’t have a nose, and is clearly not Voldemort,  Also several characters manage to remain alive by not explicitly dying in front of the camera during their death scenes.

[Thanks to Andrew Porter, Chris Barkley, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Lise Andreasen.]

Pixel Scroll 2/21/22 And The Scrolls That Mother Gives You Don’t Have Any Pixels At All

(1) WAVE FUNCTION. Jim Benford was interviewed in a double-segment of 60 Minutes about the “Havana Syndrome” that is sickening State Department staffers around the world. He was interviewed as an expert on microwaves and as the author of High Power Microwaves, a copy of which was shown on screen. He was asked if the syndrome could be caused by a microwave weapon. Here’s an excerpt from the transcript.

James Benford: I think the best explanation, the most plausible, is that it’s a high-power microwave weapon.

James Benford is a physicist and leading authority on microwaves. He was not part of the government studies, but he co-wrote the book on microwave transmission. These are portable microwave transmitters of the kind that could damage the tissues of the brain.

James Benford: There are many kinds, and they can go anywhere in size from a suitcase all the way up to a large tractor trailer unit. And the bigger the device, the longer the range. 

Scott Pelley: This would be able to transmit its microwave energy through the wall of a van, the wall of a home, something like that?

James Benford: Vans have windows, microwaves go through glass. They go through brick. They go through practically everything.

The technology, Benford told us, has been studied more than 50 years.

James Benford: It’s been developed widely in, perhaps, a dozen countries. The primary countries are the United States, Russia and China.

(2) VALE LOVECRAFT. From Joseph T. Major’s latest Alexiad I learned: “H. P. Lovecraft has stunned the world by announcing that this summer will see the end of his regular advice videos, ‘Ask Lovecraft’, on YouTube. How blasphemeously rugose and squamous! …Leeman Kessler, the real voice of Ask Lovecraft, has a second child and regular responsibilities as Mayor of Gambier, Ohio. After ten years, this additional activity has become more than he can handle. We will miss Ask Lovecraft.”

The latest video assures listeners things will wind down gradually —

And we’re not ending right away. Have no fear, we’re going to take things to the middle of the year so that we are right on our 10th anniversary. Until that time we will continue to answer your questions, dispense wisdom and offer up all the jackanapes you’ve come to expect.

(3) IT’S THE ECONOMY. Author Kyle Galindez asks “Why can’t Hollywood sci-fi and fantasy imagine alternatives to capitalism or feudalism?” at Salon.

… As a fantasy author myself, I’m intrigued as to how writers’ imagination hit a wall when imagining political alternatives. I am reminded of the oft-quoted remark from literary theorist Frederic Jameson, who quipped that it is easier to imagine the end of the world than it is to imagine the end of capitalism. Accordingly, the authors who are adept at imagining the end of capitalism are, more often than not, at the fringes….

(4) BY CROM, NOW THIS IS A MIGHTY ORGAN. [Item by Daniel Dern.] Found in my library’s sale pile, and purchased for a buck, because it didn’t occur to me to first check Hoopla, YouTube, etc:

Basil Poledouris’ soundtrack for the Conan The Barbarian movie, transcribed for organ, performed by Phillipp Pelster (on Amazon).

As opposed to the actual soundtrack: “Conan The Barbarian (Original Motion Picture Soundtrack)” (via Hoopla).

Here’s one of several tracks, via YouTube:

Here it is being played on piano

And here’s a live orchestra performance (not just the organ):

By Crom’s Cavitous Teeth, I wouldst happily sell my copye for that dollar plus shipping (media mail even), elstwhyse I mayeth slip the foul thing back into the library’s for-sale box.

(5) MOCCA. The Society of Illustrators released the visuals for the 2022 MoCCA Arts Festival to be held April 2-3 in New York.

Featuring work by over 500 creators, the weekend will also include live lectures, panels, and artist signings! In one of the first independent comics festivals of the season, this year’s Fest will truly be a momentous occasion with many happy reunions for the community!

To help announce and promote this year’s Fest, the Society asked creator Yadi Liu, previous MoCCA Arts Fest exhibitor and Award of Excellence gallery artist, to create a colorful, celebratory image. Liu’s art will grace the cover of the Souvenir Journal and will feature prominently on all advertising and promotional materials, as well as a selection of merchandise available to purchase at the SI Booth. “Yadi’s art really captures our excitement for the return of the Fest. After several years of challenges and disappointments, we are so happy to welcome everyone back!” said Executive Director Anelle Miller.

In addition to Liu’s art, the Society has also asked several notable artists to create work for the show. Natalie Andrewson’s whimsical creatures will be displayed on the badges, and Patrick McDonnell’s quirky MUTTS characters will be featured as spot illustrations found throughout the Fest. These featured artists will be attending the Fest, and their schedules and table locations will be released as the date approaches. 

(6) BLACK HISTORY MONTH CONTINUES. The Horror Writers Association blog continues its “Black Heritage HWA interview series” –

How have you seen the horror genre change over the years? And how do you think it will continue to evolve?

For sure in the 50 years that I’ve been writing I see changes. Per diversity: In the beginning there were so few Blacks (and others) in genre writing. Since then it has increased in horror and science fiction and fantasy, which is good. The birth of black publishers and self-publishing has created an outlet for Other authors to offer their work to readers, in addition to the traditional publishers. We need this expanding to include more Others to continue. There are many different kinds of stories to be told and and creators to be seen. A big part of making this happen is for the publishing field to increase awareness and be willing to work at including other voices and realize that decision makers need to include Others.

Who are some African diaspora horror authors you recommend our audience check out?

The incredibly talented Chesya Burke is a writer who first came to my attention when I was putting together 60 Black Women in Horror. Valjeanne Jeffers and Crystal Connor are two writers who have impressed me with their short story work. I love L.A. Banks’ highly entertaining Vampire Huntress series. I love anthologies that give the reader a sampling of various African Diaspora horror writers, and Sycorax’s Daughers, edited by Linda Addison, Kinitra Brooks, and Susanna Morris and Dark Matter edited by Sheree Renee Thomas are two I recommend.

What was it about the horror genre that drew you to it?

I was drawn to horror because I needed it. I needed the distraction, the escape. The truth is, I was sort of an outcast and a latch-key kid until high school, where I would settle into just being awkward. I’m the quintessential late bloomer. With that, all that we now label ‘nerd stuff’ drew my attention and helped keep my little mind off some of the more challenging aspects of my life. Because of my strange interests, the other kids didn’t get me, and to be fair, I may have handled it badly. To give you a sense of how early my problems started, the first fight I ever had in school was over a Planet of The Apes action figure which I mistakenly brought to school only to have someone try to steal it. That was second grade.

As far as horror was concerned, everything I was exposed to became part of this rich fantasy world I developed in my head. At any given moment my imagination let me either hunt Dracula or be just like them. Naturally, this was balanced out with fantasies about being Batman or Spider-Man but as I approached my teens, these fantasies became an addiction. I think that’s possible; being addicted to your own imagination. And mine is a beast. It’s been fed some of the best horror books and movies. There’s also been a lot of cross pollination within genres, like drama and comedy. That’s why there are certain things I cannot stop doing, like inserting humor into some of my work, or creating these dialogues that could easily be inserted into a family drama, if not for the fact it’s a vampire and a werewolf having the argument.

(7) THE FIRST DAY OF THE WEEK. The New York Times asked “How Marlon James, Novelist, Spends His Sundays”.

ON CALL When I come back here, I usually have to deal with people who don’t respect the sanctity of my Sunday, like the production team for this TV show I’m working on called “Get Millie Black,” a detective show set in the U.K. and Jamaica. It’s produced by HBO and hopefully will be out around this time in 2023. When you’re a writer, there’s no days off….

(8) WORLD VIDEO GAME HOF NOMINATIONS. You have until February 28 to submit a recommendation for the 2022 World Video Game Hall of Fame sponsored by The Strong National Museum of Play.

Do you have a favorite video game that deserves to join icons such as Pong, Pac-ManSuper Mario Bros., TetrisThe Legend of Zelda, and The Oregon Trail in The Strong’s World Video Game Hall of Fame? Video game lovers everywhere are urged to submit nominations for induction onlineSubmissions for nominations must be made by Monday, February 28, 2022. Finalists will be announced in March, 2022, and inductees will be revealed at a special ceremony at The Strong museum on May 5, 2022.

The World Video Game Hall of Fame at The Strong was established in 2015 to recognize individual electronic games of all types—arcade, console, computer, handheld, and mobile—that meet the following criteria: icon-status, the game is widely recognized and remembered; longevity, the game is more than a passing fad and has enjoyed popularity over time; geographical reach, the game meets the above criteria across international boundaries; and influence, the game has exerted significant influence on the design and development of other games, on other forms of entertainment, or on popular culture and society in general.

(9) WADE IN. [Item by Martin Morse Wooster.] In the Washington Post, Michael Cavna writes about “Homer At the Bat,” a classic episode of The Simpsons that first aired in February 1992 and was one of the first episodes to feature multiple celebrities in one episode.  Cavna reports the episode is packed with baseball lore (if you know who Cap Anson was, this is a show for you) and he interviews Wade Boggs, who says at autograph shows “I feel like I’m at a Comic-Con” because he has as many fans asking him to sign stills from The Simpsons as he does photos of him in a Red Sox, Yankees, or Devil Rays uniform. “’Homer at the Bat’ at 30: The ‘Simpsons’ baseball episode that pushed the show’s boundaries”.

…As Major League Baseball endures a lockout and faces a possible delay to this season, it’s an apt occasion to remember another time when ballplayers and management didn’t see eye to eye. Enter Homer, Mr. Burns and themighty lineup of imported pro ringers.

“Homer at the Bat,” which featured the voices of nine active major leaguers andmade its debutFeb. 20, 1992,was more than a quirky one-off in celebrity stunt casting. The 17th episode of Season 3 emboldened the minds behind “The Simpsons” to push the boundaries of what an animated half-hour series could do and show.

And from a ratings standpoint, it was a bellwether for the surging show: “Homer at the Bat” marked the first time that a new “Simpsons” episode beat an original episode of “The Cosby Show,” long an NBC juggernaut; on that prime-time Thursday night, “Simpsons” softball also topped CBS’s Winter Olympics coverage from Albertville, France….

(10) MEMORY LANE.

1967 [Item by Cat Eldridge] Fifty-five years ago, Raquel Welch starred in One Million Years B.C. which was financed by Hammer Film Productions and Seven Arts. It was a remake of One Million B.C., a film made twenty-seven years earlier. The original film was also known as Cave Man, Man and His Mate and Tumak. That film was produced by Hal Roach and D. W. Griffith who I know you’ll recognize. 

 It was directed by Don Chaffey from the screenplay by Michael Carreras which in turn was based off the screenplay for the first film written by Mickell Novack, George Baker and Joseph Frickert. 

The primary cast was Raquel Welch as Loana and John Richardson as Tumak with rest of the cast being Percy Herbert as Sakana, Robert Brown as Akhoba, Martine Beswick as Nupondi  and Jean Wladon as Ahot. 

Ray Harryhausen animated all of the dinosaur attacks using stop-motion animation techniques, and also coordinated all of the live action creatures used from turtles to crickets and iguanas. 

So what was the reception for it? Most critics liked it. The Monthly Film Bulletin said that while it was “Very easy to dismiss the film as a silly spectacle; but Hammer production finesse is much in evidence and Don Chaffey has done a competent job of direction. And it is all hugely enjoyable.” And TV Guide said “While far from being one of Harryhausen’s best films (the quality of which had little to do with his abilities), the movie has superb effects that are worth a look for his fans.”

It cost just two point five million to make and made four point five million, a solid profit at the time.

Audience reviewers at Rotten Tomatoes give it a really poor thirty-six percent rating which I admit surprised me.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 21, 1912 Peter Schuyler Miller. He wrote pulp fiction starting in the Thirties, and is generally considered one of the more popular writers of the period. His work appeared in such magazines as Amazing StoriesAstoundingThe Magazine of Fantasy and Science FictionMarvel TalesSuper Science Stories, and Weird Tales to name but a few of the publications he appeared in. He began book reviewing beginning initially for Astounding Science Fiction and later for its successor, Analog. The 1963 Worldcon presented him with a special committee award for book reviewing. He had but two novels, Genus Homo, written with L. Sprague de Camp, and Alicia in Blunderland. (Died 1974.)
  • Born February 21, 1914 H.L. Gold. Editor of Galaxy from 1951 to 1960 and If from 1959 to 1961. Before that, from 1939-41 he was an assistant editor on Captain FutureStartling Stories and Thrilling Wonder Stories. He also was a writer working for DC in the early Forties on BatmanBoy Commandos, Superboy, Superman and Wonder Woman. In the Thirties, he wrote two novels, A Matter of Form and None But Lucifer, the latter with L. Sprague de Camp. And he wrote a double handful of short fiction. Philcon II awarded him, along with John W. Campbell, Jr. for Astounding Science Fiction, the Hugo for Best Professional Editor for his work on Galaxy. (Died 1996.)
  • Born February 21, 1935 Richard A. Lupoff. His career started off with Xero, a Hugo winning fanzine he edited with his wife Pat and Bhob Stewart.  A veritable who’s who of writers were published there. He also was a reviewer for Algol. To say he was prolific as a professional writer is an understatement as he’s known to have written at least fifty works, plus short fiction, and some non-fiction as well. I’m fond of Sacred Locomotive Flies and The Universal Holmes but your tolerance for his humor may vary. The usual digital suspects stock him deeply at quite reasonable prices. (Died 2020.)
  • Born February 21, 1937 Gary Lockwood, 85. Best remembered for his roles as astronaut Frank Poole in 2001: A Space Odyssey and as Lieutenant Commander Gary Mitchell in the Trek episode “Where No Man Has Gone Before”. He’s also in The Magic Sword as Sir George which Mystery Science Theatre admitted was pretty good, a rare admission for them. He’s got a number of genre of one-offs including the Earth II pilot, Mission ImpossibleNight GallerySix Million Dollar Man and MacGyver.
  • Born February 21, 1946 Anthony Daniels, 76. Obviously best known for playing C-3PO in the Star Wars film series. To my knowledge, he’s the only actor to have appeared in all of the productions in the series, no matter what they are. He has scant other genre creds but they are being in I Bought a Vampire Motorcycle as a Priest, voicing C-3PO in The Lego Movie and the same in Ralph Breaks the Internet. Did you know that Season 4, Episode 17 of The Muppet Show is listed as “The Stars of Star Wars” and C-3PO apparently appears on it? 
  • Born February 21, 1946 Alan Rickman. I’ll single him out for his role in the beloved Galaxy Quest as Dr. Lazarus but he’s got an extensive acting resume in our community. Of course he played Professor Severus Snape in the Potter franchise, and his first genre role was in the Robin Hood: Prince of Thieves as the Sheriff of Nottingham. He voiced Marvin the Paranoid Android in The Hitchhiker’s Guide to the Galaxy, a role worthy of an Academy Award. Voicing Absolem in Alice Through the Looking Glass was his final role. (Died 2016.)
  • Born February 21, 1950 Larry Drake. I know him best as the over the top Robert G. Durant in the Darkman franchise. His other genre roles are largely in series one offs such as several appearances on Tales from the Crypt, an appearance on The Outer Limits and even an episode of Star Trek: Voyager. (Died 2016.)
  • Born February 21, 1961 David D. Levine, 61. Winner of the Hugo Award at L.A. Con IV for the Best Short Story for his story “Tk’tk’tk” which you hear thisaway. He has the Adventures of Arabella Ashby series which currently is four novels strong. To date, he has had one collection titled Space Magic.

(12) COMICS SECTION.

  • Bizarro with Batman and Robin – took me a moment to get it!
  • It’s The Argyle Sweater, but this one would be just as at home in Bizarro or The Far Side.
  • Dinosaur Comics’ creator tells the audience, “What this comic assumes is that the ninth and current Secretary-General of the United Nations, António Guterres, the former Prime Minister of Portugal, knows who Spider-Man is. I believe this to be an extremely fair assumption.”
  • Tom Gauld in the Guardian:

(13) EASTER EGGS. Each week Dan Piraro, the creator of the Bizarro newspaper comic, posts his Sunday comic, then a short essay. In “Pie Eyed” he explains all the extras in yesterday’s comic. There are plenty!

…Anyway, I’m fascinated by background jokes and hidden images. I’m saying all this because the Sunday cartoon above is a prime example of my obsession. There are so many background gags in this one it almost overwhelms the main joke. I’m aware of that but I can’t stop myself.

I’ve included Bunny’s Pie Repair as a business in the background of cartoons on city streets a bunch of times, but I think this one is the most elaborate version I’ve done. Here’s an enlargement for your convenience….

(14) ARCHIE’S NOTES. Bob Byrne turns another calendar page at West 35th Street: “Nero Wolfe’s Brownstone: Stay at Home – Day 37” at Black Gate.

So, in 2020, as the Pandemic settled in like an unwanted relative who just came for a week and is still tying up the bathroom, I did a series of posts for the FB Page of the Nero Wolfe fan club, The Wolfe Pack. I speculated on what Stay at Home would be like for Archie, living in the Brownstone with Nero Wolfe, Fritz Brenner, and Theodore Horstmann. I have already re-posted days one through thirty-six. Here is thirty seven (April 27). It helps if you read the series in order, so I’ve included links to the earlier entries.

Day Thirty Seven – 2020 Stay at Home

I was looking through some old notebooks today and came across this gem from a case I never finished writing up. There have been times when I think Inspector Cramer really did want to lock me up forever, and this was one of them…

(15) ONCE AND FUTURE AILUROPHILES. Mark Twain House & Museum will host a free virtual event “A Cat’s Tale: Dr. Paul Koudounaris and Baba the Cat on the History of Cats in America” on Thursday, February 24 at 7:00 p.m. Eastern. Register here.

The Mark Twain House & Museum is delighted to welcome fellow feline enthusiast, historian, and author Paul Koudounaris – a man who might just love cats as much as Mark Twain did.

Paul will discuss the history of America’s felines and their oft neglected contributions. Presented with a slideshow of historical images, the talk will take the audience on a wild and harrowing journey to reclaim the prodigious achievements of some of our nation’s greatest cats. Learn about cats in wartime and their role in the Wild West. Hear the extraordinary stories of cats like Clementine Jones, who traveled 1600 miles to find her family in a home and city she had never before been in. Or Pooli, a World War II US Navy cat who is the most decorated military animal in American history. Or Kiddo the flying cat, the world’s first celebrity feline. Or the amazing Colonel, the greatest (and highest ranking!) cat in US Army history.

(16) KEEP CALM.

Twitter would not give me the blue check, so I can assure everyone that standards are being upheld.

(17) COULD IT BE…CTHULHU? “Galaxy’s Centre Hosts Hundreds Of Strange Tendrils” reports Nature.

The Galaxy’s population of mysterious filaments that emit bright radio waves is at least ten times larger than scientists realised

Radio astronomer Farhad Yusef-Zadeh co-discovered the first of these filaments in the 1980s.  The structures consist of electrons travelling at nearly the speed of light, on trajectories that spiral around magnetic-field lines. Now, Yusef-Zadeh, who is based at Northwestern University in Evanston, Illinois, and his collaborators have used MeerKAT, an array of 64 antennas in South Africa’s Northern Cape region, to take a series of 20 shots of the Milky Way’s central region, an effort that took some 200 hours.

The resulting composite image reveals a number of striking features, including expanding shock waves generated by supernovae, or exploding stars, and almost 1,000 filaments. The filaments’ spectral features suggest that their origin is not related to supernovae.

One possible explanation is that they originated from past cycles of activity of Sagittarius A*, the supermassive black hole at the Galaxy’s centre. Mysteriously, some of the filaments seem to be clustered together and evenly spaced, like the teeth of a comb.

(18) WALLY FUNK AND INGENUITY AWARDED. The National Air and Space Museum’s 2022 Michael Collins Trophy has been awarded to Wally Funk and the Mars Ingenuity Helicopter Team.

Wally Funk will receive the 2022 Michael Collins Trophy for Lifetime Achievement. Funk embodies the adage of “never give up on your dreams.” Since her first flying lesson in 1948 at age 9 and enrollment in flight school at 16, Funk knew that she wanted to fly, despite societal biases against women in aviation. After earning multiple certificates and ratings, she set her sights even higher in the sky—space. She was one of the top-performing participants in the Lovelace Woman in Space Program and dedicated decades of her life to flight instruction and safety, having logged over 19,600 hours of flight time, while never abandoning her dream of going to space. In 2021, that dream came true when she launched on the first crewed suborbital mission of Blue Origin’s New Shepard capsule.

MiMi Aung and the Mars Helicopter Ingenuity Team will receive the 2022 Michael Collins Trophy for Current Achievement. In April 2021, a small robotic helicopter achieved the first powered flight on another planet. Delivered to the surface of Mars by the rover Perseverance, Ingenuity was a technology demonstration aboard the Mars 2020 mission and successfully proved that flight was possible on the Red Planet. It is also now serving as a helpful tool to aid rover exploration of Mars. Ingenuity completed increasingly challenging flights and scouted areas for the Perseverance rover’s upcoming treks. Ingenuity’s “Wright brothers moment” captured the attention of the public back on planet Earth and inspired everyone to imagine what could be next in planetary exploration.

Congratulations to these two worthy recipients! They will be honored at an event at the end of March. The event is sponsored by Atlas Air Worldwide, BAE Systems, Booz Allen Hamilton, The Claude Moore Charitable Foundation, Jacobs, Leidos, National Air Traffic Controllers Association, Pratt & Whitney, Sierra Nevada Corporation, and Thales.

(19) FLAME ON. [Item by Martin Morse Wooster.] This remake of Stephen King’s Firestarter is coming in May and has a kid “who can unleash a nuclear explosion simply by using the powers of her mind.”  Gosh wow!

(20) VIDEO OF THE DAY. This video, which dropped yesterday, has Ryan George playing an apprentice ghost who’s having a hard time learning not to haunt people: “Ghosts Are Bad At Revenge”.

[Thanks to JJ, John King Tarpinian, Andrew Porter, Chris Barkley, Lise Andreasen, SF Concatenation’s Jonathan Cowie, Daniel Dern, Michael Toman, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Tom Becker.]

Pixel Scroll 5/21/21 And The “Best Of” That Was Planted In My Brain Still Remains Atop The Very Lengthy Wishlist

(1) AUTHOR’S COMMENTS. Nghi Vo, the author, shared 16 notes and 16 highlights from The Empress of Salt and Fortune (The Singing Hills Cycle, #1) at Goodreads.

This novella has everything to do with the dead: the dead lost, the dead loved, and the dead by the wider world forgotten. These are the first dead people we meet, and it was important to me that they be nameless, rendered useful through some indifferent court sorcerer’s work decades ago. This is all we get of them, and they are far less glamorous than the ghost who shows up just a few paragraphs later, the one who has a name, a family line, and a title (the title of this novella, as a matter of fact).

(2) EATING THE FANTASTIC. Scott Edelman invites listeners to “Nibble prosciutto bread with Nebula and Hugo Award-nominated writer Nino Cipri” on Episode 145 of the Eating the Fantastic podcase.

Nino Cipri

Nino Cipri is on both the Nebula and Hugo Awards ballots for their novella Finna. Its sequel, Defekt, was released last month. Their 2019 story collection Homesick won the Dzanc Short Fiction Collection Prize, was a finalist for the World Fantasy and Shirley Jackson awards, and was chosen as one of the top 10 books on the ALA’s Over the Rainbow Reading List. Their fiction has been published in TordotcomFiresideNightmareDaily Science Fiction, and other places. Their YA horror debut, Burned and Buried, will be published by Holt Young Readers in 2022.

We discussed how they made peace with the heat death of the universe, the way their favorite endings also feel like beginnings, the false assumption things will always get better, how their award-nominated novella started out as a screenplay, their trouble with titles and fascination with trees, the many pleasures of ambiguity, how we almost lost them to mortuary science, why they’ve been called a verbal terrorist, and much more.

(3) GREENLIGHT. Hugh Howey tells how “The WOOL TV show” finally made it over the event horizon.

Well, the news is out. In fact, the news seems to be everywhere (VarietyDeadlineHollywood ReporterTorCollider). Which means I can finally talk about it.

WOOL is coming to Apple TV in partnership with AMC.

I’ve written about the origin of the WOOL novels in the past, so I won’t bore you with that. But the road to adapting the trilogy for the screen has been just as wild and twisty. It started back when I was still working in a bookstore, watching my sales take off, and I had to violate my boss’s policy of having cell phones at our desk because I was expecting a call from Ridley Scott and Steve Zaillian.

It was around this time that I put in my two-weeks notice. Not because I was fielding calls from legends of cinema, but I was starting to earn more from my book sales than I was from selling other people’s books. It was going to be a better use of my time to write more stories. Back then, all I wanted was to support myself with my art, rather than doing it on the side. I didn’t take the film deal seriously, because I knew that these projects don’t actually get made. I wrote a Twitter thread about this recently. Nothing ever gets made.

I was right, but it wasn’t for lack of trying. The folks at Fox produced two excellent scripts and attached a few directors, and we nearly crested the hill once or twice. But I kept my expectations low the entire time. I’ve watched others go through development hell over the years and knew how easily the wheels can come off. …

The long and short of it is that this isn’t a normal “hey this thing got optioned” announcement. It’s a “people are building sets and going over their lines” announcement. Sound stages are booked. Travel plans are being made. We might just be over the hill….

(4) BEYOND PANTSING. Calvin Fisher agrees that in generally just getting words down is the way to draft – but he says there are exceptions: “First Drafts – What is Important to Nail”.

Last week, I went over some elements of your draft that are easy to fix up in subsequent drafts; as a result, it is often more beneficial to just get words on the page for these elements, instead of fretting about them and letting them slow your progress down. On the flipside of the coin, there are a few story elements that are important to get right in your first draft. If they need changes down the line, they can be significantly more time-consuming to fix later on.

In Northfield, a large portion of my time into editing went into fixing logical inconsistencies and continuity errors. For instance, if characters went from A to B, the reasoning would sometimes be unclear, or there would be a more sensible option sitting right in my face. I then either had to clarify the reasoning, or I had to change the characters’ journey to follow a different route. Even minor changes were incredibly time consuming. Rewriting a passage is the least of it. Because something about the plot changed, I would often have to go and rewrite multiple other passages that referenced the plot point I changed. From there, I would have to re-read through the novel, to make sure every dialogue and narrative passage incorporated the change.

Because of this, I would highly suggest having a solid grasp of your plot. Not only on the bullet points of what happens, but the reasoning of WHY for each element….

(5) SOUNDS ABOUT RIGHT. Leonard Maltin interviews famed movie sound creator for Maltin on Movies: Ben Burtt.

Four-time Oscar winner Ben Burtt has crafted and created sounds we all know—from the heavy-breathing of Darth Vader to the pops and squeaks of R2D2, not to mention the voices of WALL-E and E.T. the Extra-Terrestrial. He’s been obsessed with sounds since he was a boy and has never lost that passion, which comes through in everything he does—including this interview with two of his biggest fans, Leonard and Jessie. (Did someone say Wilhelm?)

(6) TODAY’S DAY.

Today is May 21st, known to many as Empire Day, the anniversary of when The Empire Strikes Back opened in theaters.

Here’s an excerpt from my book, “Star Wars Memories”, about what happened that night.

Opening Night for The Empire Strikes Back

Officially, The Empire Strikes Back was opening on Wednesday evening, May 21st. But there were theaters which would have their first showings earlier that day. Mid-afternoon. Maybe even in the morning.

But the Egyptian Theater in Hollywood was going to be having its first showing at one minute after midnight Tuesday night. Technically very, very early Wednesday morning.

This was, of course, the theater that the fans were standing in line in front of on Monday morning.

A few of us from the publicity department went down early, to meet and mingle with the people in line. Or I should say “lines”. There were people in line for the 12:01 am screening. The 2:30 am screening. And the 5:00 am screening. The lines wrapped all the way around the block….

That’s just the beginning of the story. Some others claim today is —

To celebrate how?

Yoda, talk like. Simple, it is. Add verb and subject at the end of your sentence in the order of object-subject-verb.

(7) MEDIA ANNIVERSARY.

  • May 21, 1985 Ray Bradbury Theater premiered on HBO.  It ran for two seasons on there from 1985 to 1986, and then for four additional seasons on USA Network from 1988 to 1992. All 65 episodes were written by Bradbury and many were based on works he had previously written. The Ray Bradbury Theater site has the best look at the series. You can watch the first episode, “Marionettes, Inc.“ here.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born May 21, 1471 – Albrecht Dürer.  Engravings, paintings, watercolors, woodcuts; printmaker; theorist.  The 15 Apocalypse pictures, or Knight, Death, and the Devilor Melencolia I, are each enough to make him an immortal fantasist.  (Died 1528) [JH]
  • Born May 21, 1688 – Alexander Pope.  Secondmost quoted author in English (after Shakespeare); e.g. “damning with faint praise”.  Mock-heroic epic The Rape of the Lock (“lock” i.e. of hair; “rape” meaning “carry away by force”, same root as “raptor”) has sylphs.  Superb translations – if you are mainly looking for what wonderful English poetry AP could make, not accuracy, because you know enough Greek to read the original, as Sam Johnson did, or don’t care – of Homer’s Iliad and (with collaborators) Odyssey.  (Died 1744) [JH]
  • Born May 21, 1889 — Arthur Hohl. He’s Mr. Montgomery, the man who helps Richard Arlen and Leila Hyams to make their final escape in Island of Lost Souls, the 1932 adaptation of H.G. Wells’ The Island of Dr. Moreau which is considered the first such filming of that novel. Gene adjacent, he’ll show later in The Adventures of Sherlock HolmesThe Three Musketeers and The Devil-Doll. (Died 1964.) (CE)
  • Born May 21, 1903 — Manly Wade Wellman. I remember reading the John the Balladeer collection Karl E. Wagner did and then seeking out the rest of those stories. Amazing stuff! I liked the Complete John Thunstone when I read it a few years back. — strongly recommended. What else by him should I read?  (Died 1986.) (CE)
  • Born May 21, 1911 – Virginia Haviland.  Librarian, author, folklorist, student of children’s literature.  Reviewed for The Horn Book thirty years.  Sixteen volumes of Favorite Fairy Tales, one each for Czechoslovakia, Denmark, England, France, Germany, Greece, India, Ireland, Italy, Japan, Norway, Poland, Russia, Scotland, Spain, Sweden.  Founded Center for Children’s Literature, U.S. Lib’y of Congress.  Kate Greenaway Medal for The Mother Goose Treasury.  Regina Medal.  Grolier Award.  Simmons Univ. gives a Virginia Haviland scholarship.  (Died 1988) [JH]
  • Born May 21, 1915 — Bill Williams. He appeared on Science Fiction Theater in five different roles, and played The Millionaire on Batman in “Fine Finny Fiends” and “ Batman Makes the Scenes”. He also made an appearance on The Wild Wild West in “Night of the Casual Killer“ as Marshal Kirby. He also did a lot of seriously pulpish SF films such as Space Master X-7. (Died 1992) (CE)
  • Born May 21, 1918 — Jeanne Bates. She’s Diana Palmer in the Forties The Phantom serial, possibly the first one done. Her first genre was as Miss Norcutt in The Return of the Vampire, an unauthorized sequel to Lugosi’s 1931 Universal Studios film Dracula. Most of the films she’s known for are such horror films such as The Soul of a Monster and Back from the Dead. (Died 2007.) (CE)
  • Born May 21, 1945 — Richard Hatch. He’s best known for his role as Captain Apollo in Battlestar Galactica. He is also widely known for his role as Tom Zarek in the second Battlestar Galactica series. He also wrote a series of Battlestar Galactica franchise novels co-authored with Christopher Golden, Stan Timmons, Alan Rodgers and Brad Linaweaver. (Died 2017.) (CE)
  • Born May 21, 1951 – Broeck Steadman, age70.  Eighty covers, two hundred sixty interiors, for AnalogAsimov’s (see here), Realms of FantasySF Age; books, see herehere; postage stamps, see herehere; murals, see herehere.  Keeps bees. Twenty years running an art school with up to forty students a week.  Has done art for liquor bottles, soda cans, cars, jet planes, computers, toothpaste, chocolate.  [JH]
  • Born May 21, 1953 — Trevor Cooper, 68. He plays Takis in the Sixth Doctor story, “Revelation of the Daleks“, and then will show up as Friar Tuck in a Twelfth Doctor story, “Robot of Sherwood”.   He’s currently playing Colin Devis in Star Cops, and he was Simeon in the Wizards vs. Aliens series before that.(CE)
  • Born May 21, 1958 – Jeff Canfield.  Photographer, system-software specialist, Formula Vee racer (he drove a Viper, which ought to count).  Recruited Kevin Standlee.  One of four founding directors, San Francisco Science Fiction Conventions, Inc.  Deputy vice-chair of 51st Worldcon, editor of its Program Book, timekeeper of its Preliminary Business Meeting, and its Speaker to Dr. Evil.  See here.  (Died 2014) [JH]
  • Born May 21, 1984 – Jackson Pearce, age 37.  As You Wish, young-adult urban fantasy; four books based on Little Red Riding HoodHansel & GretelThe Little MermaidThe Snow Queen.  With Maggie Stiefvater, Pip Bartlett’s Guide to Magical Creatures, two more.  Tsarina (as by J. Nelle Patrick), historical fantasy.  YouTube channel with 200 videos, 12,000 subscribers.  Her Website says “Young Adult 58%, Middle Grade 42%, Baked Goods 85%, Glitter 100%”.  [JH]

(9) COMICS SECTION.

(10) PEACH MOMOKO. Titan Comics is bringing out a portfolio that showcases the covers of Peach Momoko from the best-selling Horizon Zero Dawn comic. Each cover is removable to display as a high-quality poster. Goes on sale September 7.  

PEACH MOMOKO is a Japanese illustrator who began exhibiting at US comic conventions back in 2014 and saw American publication with a couple of stories picked up by Grant Morrison when he was EIC of Heavy Metal Magazine. Since then, she has become the hottest cover art variant creator in the business, increasingly in demand, drawing over a dozen covers for American publishers every month.

Here is the portfolio cover and two interior pages.

(11) MARVEL REPRESENTATION. Men’sHealth’s cover story on Shang-Chi and the Legend of the Ten Rings interviews “Simu Liu on Playing Marvel’s First Asian Superhero Shang-Chi” and in the process gets some important quotes from Marvel Studios’ Kevin Feige.

WHEN MARVEL STUDIOS announced Shang-Chi in 2018, Liu uttered the same “WTF” as every other comic-book fan. He remembers staying up late and scouring the Marvel web to learn about the character, and the more he uncovered, the more he grew disenchanted. Instead of raiding the comics for an ultrastrong hero (like Amadeus Cho, the Korean Hulk) or superhero royalty (like Namor, Marvel’s version of Aquaman), Marvel found its first Asian lead in?.?.?.?a Bruce Lee clone. Shang-Chi was created in the 1970s because Marvel wanted a version of Lee, and he’s the son of Fu Manchu, perhaps the worst Chinese stereotype. Early stories had him speaking in broken-English phrases. His superpower? Kung fu. “I was almost disappointed,” Liu says. “I was like, how many opportunities do we have for Asian superheroes, and this one guy is, like, just a kung fu master? It just felt kind of reductive and, you know, not true to life and not anything that I could relate to.”

It seemed like another misstep from Marvel, which had repeatedly slighted Asians. Twice in the studio’s first decade, MCU films rewrote iconic Asian characters onscreen, first whitewashing the villainous Mandarin into Ben Kingsley in 2013’s Iron Man 3, then casting Tilda Swinton as the Ancient One in 2016’s Doctor Strange. Swinton’s casting, after ten years of films with next to no Asian representation, was especially vexing, since the film still placed her character in Nepal, a South Asian country. Marvel initially claimed it had chosen Swinton to prevent the character from fulfilling an Asian stereotype. Fans called bullshit. Five years later, Marvel head Kevin Feige doesn’t argue. “We thought we were being so smart and so cutting-edge,” he told me in a Zoom interview. “We’re not going to do the cliché of the wizened, old, wise Asian man. But it was a wake-up call to say, ‘Well, wait a minute, is there any other way to figure it out? Is there any other way to both not fall into the cliché and cast an Asian actor?’ And the answer to that, of course, is yes.”

Since Marvel Studios’ inception, Feige says, the studio has had a binder of “great characters who could make great movies regardless of how famous they were.” Shang-Chi was in that binder, because stereotypes aside, it’s a very Disney story: In the comics, the character discovers his father’s true nature, fakes his own death, and runs away. “You break through that and become a hero,” says Feige. “It was always a really, really great story.” Because of the character’s obscurity, Marvel could reinvent Shang-Chi in ways it couldn’t alter Spider-Man or Captain America. The MCU version can (and will) fight, but his new origin story cuts deeper. “It’s about having a foot in both worlds,” says Feige, “in the North American world and in China. And Simu fits that quite well.”

(12) THEY CHECK IN, BUT… How did Hotel California end up in Florida? “Disney’s Upcoming Star Wars Hotel Has 1 Small Caveat: You’re Not Allowed to Leave” reports Yahoo!

Before you blast off to Walt Disney World to stay in its Star Wars: Galactic Starcruiser hotel when it opens in 2022, there’s a little something you should know first: you’re not allowed to leave after check-in. 

Yup, the Disney Star Wars Hotel is an immersive three-day, two-night experience that involves operating a spaceship, going to battle, and much more. The hotel is anything but a vacation – in fact, you’re even given a space communicator that resembles a cell phone for “resistance meetings.” Similar to an escape room, you have to stay until the experience is complete (you’ll be in space, after all), so prepare for a fun (and perhaps exhausting) 60 hours. The good news is that the hotel has a lounge called the “Silver C” where you can sip on strong adult beverages from around the world and play a few rounds of Sabaac to unwind….

(13) SEA IT NOW. SYFY Wire tells why we should be surprised: “Ancient, alien-looking corals and crinoids are still living in symbiosis”.

If all the eldritch things that lurk at the bottom of the sea, crinoids, many of which appear to be submerged lilies from an alien world, have to be some of the weirdest. They only get weirder if they have many-tentacled corals sticking to them.

These creatures only sound fictional. Some 273 million years ago, any evidence of a symbiotic relationship between Metacrinus rotundus crinoids and non-skeletal coral species Abyssoanthus and Metridioidea hexacorals vanished from the fossil record. Now they have resurfaced out of nowhere (unless some intervention with the Great Old Ones was involved) — and not as fossils. These life-forms still exist in symbiosis (shown above), with the hexacoral catching an easy meal from whatever might come the crinoid’s way as it sways back and forth….

(14) EARLY SENDAK. Publishers Weekly reports:

Through July 10, readers of Maurice Sendak will have the opportunity to view original drawings by the acclaimed children’s book author and illustrator that have not previously been shown to the public at the exhibit and sale “Maurice Sendak: Genius of American Picture Books,” now open at the Society of Illustrators headquarters in New York and available via a virtual tour and catalogue on the Society’s website. Pictured here is one of the exhibit’s highlights: Sendak’s first published book illustration, created for his science teacher in 1946 as a high school project, titled ‘Seven Boys Pulling on a Horse.’

(15) VIDEO OF THE DAY. VFXcool: Flight of the Navigator analyzes the popular film’s special effects.

Sometimes a movie is objectively good and sometimes it’s subjectively amazing because you saw it at the right time and were the target audience. It ignited your imagination, shook you with possibilities. As far as I’m concerned, Flight of the Navigator is such a film.

It’s a classic tale. You know: a boy has a crush on a girl, gets kidnapped by an AI spaceship from another galaxy, returns eight years later having not aged a day, becomes the subject of intense study by the all-powerful… NASA, manages to escape their clutches, reunites with the spaceship, which needs navigation data it stored in his brain, and goes on a joyride around the world, never even thinking about his crush again!

If that doesn’t sound awesome, then you weren’t a kid in 1986. And that’s on you.

But as a… kind of adult now, I admit, the unusual tone of the movie may have partly been an accident, a result of two companies pulling in two different directions. For the American audience, Disney wanted heart-warming family drama. For the international market, PSO needed less dialogue, more action-driven spectacle.

And somehow, against all odds, despite a bunch of similar genre movies failing at the box office the previous year, the director, Randal Kleiser, pulled it off. He made a film that leaps effortlessly from wild flying chases to heart-to-heart chats, to moody musical interludes, composed by Alan Silvestri…

[Thanks to Michael Toman, John King Tarpinian, N., Will R., Cat Eldridge, John Hertz, Mike Kennedy, Andrew Porter, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to contributing editor of the day Joe H.]

Pixel Scroll 9/2/20 He’s Just A Poor Scroll From A Poor Pixelry, Spare Him Comments From This File 770

(1) MARGINALIZED BY STAR WARS. “John Boyega: ‘I’m the only cast member whose experience of Star Wars was based on their race'” – a British GQ interview.

With the Lucasfilm-branded elephant in the room acknowledged, it is even harder to ignore. This is Boyega’s first substantial interview since finishing the franchise – his first since last year’s The Rise Of Skywalker tied a highly contentious, hurried ribbon on the 43-year-old space saga. How does he reflect on his involvement and the way the newest trilogy was concluded?

“It’s so difficult to manoeuvre,” he says, exhaling deeply, visibly calibrating the level of professional diplomacy to display. “You get yourself involved in projects and you’re not necessarily going to like everything. [But] what I would say to Disney is do not bring out a black character, market them to be much more important in the franchise than they are and then have them pushed to the side. It’s not good. I’ll say it straight up.” He is talking about himself here – about the character of Finn, the former Stormtrooper who wielded a lightsaber in the first film before being somewhat nudged to the periphery. But he is also talking about other people of colour in the cast – Naomi Ackie and Kelly Marie Tran and even Oscar Isaac (“a brother from Guatemala”) – who he feels suffered the same treatment; he is acknowledging that some people will say he’s “crazy” or “making it up”, but the reordered character hierarchy of The Last Jedi was particularly hard to take.

“Like, you guys knew what to do with Daisy Ridley, you knew what to do with Adam Driver,” he says. “You knew what to do with these other people, but when it came to Kelly Marie Tran, when it came to John Boyega, you know fuck all. So what do you want me to say? What they want you to say is, ‘I enjoyed being a part of it. It was a great experience…’ Nah, nah, nah. I’ll take that deal when it’s a great experience. They gave all the nuance to Adam Driver, all the nuance to Daisy Ridley. Let’s be honest. Daisy knows this. Adam knows this. Everybody knows. I’m not exposing anything.”

(2) IN PLAIN SIGHT. On June 25 Gollancz (the SF/Fantasy/Horror imprint of Orion Books) released the first three books in McCaffery’s Dragonflight series as audiobooks. Artist Allison Mann noticed something about the art that was used. Thread begins here.

Someone else tweeted a possible source for the art on their Dragonflight audiobook as well.

(3) JETPACK CROSSING. The Los Angeles Times reports an incident near the airport: “A jet pack at LAX? Maybe. Jet packs are very real”.

It sounds like something out of a movie: An American Airlines pilot calls the control tower at Los Angeles International Airport to warn that his plane just flew past someone in midair — a person wearing a jet pack.

But the pilot really did give that warning Sunday night, and it wasn’t laughed off. The FBI is investigating….

JetPack Aviation Corp., based in Van Nuys, says it’s the only one to have developed a jet pack that can be worn like a backpack. The technology is real: Chief Executive David Mayman demonstrated it five years ago by flying around the Statue of Liberty, and his company has created five of them.

So it’s not out of the question that someone could have been soaring above the airport last weekend, giving pilots a scare.

Mayman was quick to say that if a jet pack was involved, it wasn’t one of his. JetPack Aviation keeps its five packs locked down, he said, and they’re not for sale. The company does offer flying lessons at $4,950 a pop, but he said students are attached to a wire and can’t stray too far.

None of the company’s competitors sell their products to consumers either, Mayman said.

The weekend incident “got us all wondering whether there’s been someone working in skunkworks on this,” he said, using a term for a secret project. Or maybe, he mused, the airline pilot saw some kind of electric-powered drone with a mannequin attached.

CNN reports the exchanges wth the tower went like this:

“Tower. American 1997. We just passed a guy on a jetpack,” the first plane called in. “Off the left side maybe 300 — 30 yards or so. About our altitude.”

About 10 minutes later, another plane spotted the man.

“We just saw the guy fly by us on the jetpack,” the crew told the traffic controller.

According to the communications, air traffic control warned a JetBlue flight to “use caution… person on a jetpack reported 300 yards south.”

After the plane acknowledged the instruction, the controller concluded with: “Only in LA.”

(4) YOUR OVERDUE FUTURE. The Irish Times constructed their checklist with the help of a 1974 sf collection: “Promises, promises: What is 2020 not delivering?” Everything besides jetpacks, I guess.

2020 is one of those years. No, not in that sense (well, obviously in that sense but that’s not what we’re talking about here…). No, 2020 is one of those years that tends to crop up in 20th century science fiction as a key year, a momentous one. A year by which time certain prophecies will have come true.

Back in the seventies, publisher Jerry Pournelle published an anthology book called 2020 Vision, for which he sought contributions from such noted sci-fi authors as Harlan EllisonLarry Niven, and Ben Bova. While some of the predictions, such as robot chefs, deep-space exploration by humans, and, erm, “An adult playground where law is enforced by remote control” haven’t come to pass (unless I’m missing something…) a few did. Several of the stories have mentions of mobile communication technology, while Prognosis: Terminal by David McDaniel posits a future where there is “a gigantic world brain to which everyone is infinitely connected.” Sounds like the internet to me…

(5) LOVECRAFT COUNTRY. At the Jewish Telegraphic Agency, Philissa Cramer asks “HBO’s ‘Lovecraft Country’ contains a plot point that resembles an age-old anti-Semitic lie. Why?”

Hiram Epstein, the episode reveals, was a University of Chicago scientist who conducted gruesome experiments on Black children and adults in the basement of the Winthrop House, a decrepit mansion in a white neighborhood that a main character, Leti Lewis, purchases and renovates. His spirit haunts the home, making it unsafe for Leti and her tenants and friends, until an exorcism summons the mutilated bodies of his victims and restores psychic order.

Epstein’s story calls to mind the way that Jews have been accused for centuries of stealing the blood of non-Jewish children to use in religious rituals, often to make matzah for Passover, in what is known as a “blood libel.” The blood libel charge was leveled routinely at Jews beginning in the Middle Ages, and it was used to justify countless deadly pogroms and vigilante actions. A blood libel charge tore apart an upstate New York town in 1928, and the trope featured prominently in Nazi propaganda.

Could “Lovecraft Country,” which deals so elegantly with the Black American experience, really have a blood libel embedded in its plot? On Twitter, I found a single reaction to Hiram Epstein’s name — one that matched my own.

Scholars who study anti-Semitism had more to say. The plot point “falls right into the category of a new version of the blood libel,” Elissa Bemporad, a scholar of Jewish history at Queens College who recently published a book about blood libels in the Soviet Union, told me. “The name Epstein gives it away. This clearly builds on the blood libel trope and narrative — the question of children as victims of the alleged crime, and the fact that the perpetrator is a man. Anti-Semitism, like racism, is so often gendered.”

The Epstein name isn’t present in the original novel on which the series is based, “Lovecraft Country” by Matt Ruff. There, the ghost that haunts the house Leti buys is named Hiram Winthrop — explaining the mansion’s name — and he isn’t a doctor. (He also isn’t nearly as scary.) The series adds a more recent owner who colluded with local police to facilitate abductions and experimentation.

…But intention is only part of the picture when assessing stereotypes in popular culture, according to Aryeh Tuchman, the associate director of the Anti-Defamation League’s Center on Extremism.

“I don’t want to say you can never have a villain in a movie or TV show have a stereotypically Jewish name,” Tuchman said. “But you need to educate yourself. When you’re dealing with a topic that is so fraught as allegations of ritual murder, then to know that these allegations have been leveled against Jews for thousands of years is something you need to pay attention to.”

(6) BEST PRACTICE? John Scalzi delivered “A Quick Note on the Malleting of Comments” to Whatever readers today.

I’ve recently begun to see an upswing in comments which begin with some variation of “I expect this comment to be deleted/malleted/otherwise expunged, but…” I think this is done for two reasons. About five percent of the time it’s someone genuinely not knowing whether what they’re about to write is going to cross the line with regard to my moderation policies. The rest of the time it’s a warding spell and/or pre-emptive smugness at transgression; either “not in the face!” or “see, I told you.”

Either way I find it passive-aggressive and annoying, so here’s a new guideline I’ve begun implementing: When I see some variation of “I expect this comment to get the Mallet,” I’m going to stop reading the comment there, and will most likely then Mallet the comment — not necessarily because the comment was in itself mallet-worthy (although it might have been, who knows), but simply because I’m a people-pleaser and don’t want to disappoint the person making the comment….

(7) BLACK SUN. “Rebecca Roanhorse’s Genre-bending New Novel” – a Publishers Weekly profile by Dhonielle Clayton.

…She encountered many half-Native characters in popular urban fantasy series, but noticed how those characters were divorced from their heritages. “They didn’t interact with the heroes and gods and monsters of Native cultures,” she explains. She says she started thinking: “Wouldn’t it be great if there was a story where a character was very Native? Very attached to her culture and surrounded by brown people, and in a world that I knew?”

She’d been practicing Indian law and living in the Navajo nation with her husband and daughter when she started thinking about writing more seriously. It was at this point that she began working on what would become her debut fantasy, the Locus-winning and Hugo-nominated novel Trail of Lightning (Saga Press), which was published in 2018, when Roanhorse was in her 40s.

“So I just decided to write it. I wrote it purely for myself and for the joy of writing, and to keep myself sane while being a lawyer,” she says. “I didn’t even know people like me could be writers. An editor asked me why I waited so long to start writing, and I said ‘I didn’t know that I could be a science fiction and fantasy writer.’ I didn’t come to see people like Octavia Butler and N.K. Jemisin until later, so I didn’t see anyone writing this genre that looked like me. So I didn’t even know it was an option.”

(8) WOMEN IN COMICS. When The Society of Illustrators in New York reopens on September 9, one of its exhibits will be “Women in Comics: Looking Forward and Back”. Afua Richardson, a Dublin 2019 Feautured Artist, is one of the many who will have work on display.

Over 50 women cartoonists from vintage comic strips to cutting edge graphic novels explore themes common to the female experience such as love, sexuality, motherhood, creativity, discrimination, and independence. 75 works drawn from the collection of the author and herstorian Trina Robbins show a progression of witty women from the Flapper era to the psychedelic women’s comix of the 1970s…

Building on this foundation, 20 contemporary women cartoonists will be showing work from new or upcoming publications…

By Afua Richardson.

(9) EX CATHEDRA. In Episode 35 of their Two Chairs Talking podcast, David Grigg and Perry Middlemiss say a sad farewell to John Bangsund, and discuss three quirky films of Terry Gilliam: Time Bandits, Brazil and 12 Monkeys: ?“The gifted grotesqueries of Gilliam”.

(10) MEDIA ANNIVERSARY.

September 2013 – NESFA Press published The Road to Amber: Volume 6: The Collected Stories of Roger Zelazny. It reprinted the first of the Francis Sandow series, “Dismal Light”, published in the May 1986 issue of If, where this character first appears. The story comes before Isle Of Dead, the prequel to To Die in Italbar. (Zelazny would narrate the audiobook version of this as he did Isle of Dead and Home is The Hangman but they were never digitized.) It would also include the not-previously-collected piece in the series, “Sandow’s Shadow (Outline)”. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born September 2, 1899 Martin Miller. He played Kublai Khan in the completed erased by the BBC First Doctor story, “Marco Polo.” He’s in the first Pink Panther film as Pierre Luigi, a photographer, and has roles in Danger ManDepartment SThe Avengers and The Prisoner. In the latter, he was number Fifty-four in “It’s Your Funeral”. The Gamma People in which he played Lochner is I think his only true genre film. (Died 1969.) (CE) 
  • Born September 2, 1911 Eileen Way. She shows up on Doctor Who twice, first as Old Mother in the First Doctor story, “The Forest of Fear,” and later in a major role as Karela in the Fourth Doctor story, “The Creature from the Pit”. She’d also shows up on the non-canon Daleks’ Invasion Earth 2150 A.D. as simply Old Woman at the age of fifty-five. Other genre appearances i think is limited to an appearance on Alcoa Presents: One Step Beyond. Well unless you count The Saint which is at best genre adjacent. (Died 1994.) (CE) 
  • Born September 2, 1918 – Allen Drury.  I came to Advise and Consent long after its years as a NY Times Best Seller; it’s first-rate; it’s moved by 1950s values – what else would people write in 1959? and I don’t read books to be agreed with.  Five SF sequels (Advise isn’t SF), a novel about a Mars mission, two about ancient Egypt, a dozen others outside our field, five nonfiction books. Two of the Advise sequels are mutually incompatible, each supposing a different assassination.  (Died 1998) [JH]
  • Born September 2, 1925 Peter Hunt. He was the Editor, yes Editor, on five of the better Bond films (Dr. NoFrom Russia with LoveGoldfingerThunderball and You Only Live Twice), and also the much lesser On Her Majesty’s Secret Service. He was also responsible for a Gulliver’s Travels and, I’m not kidding about the title, Hyper Sapien: People from Another Star which I’ve never heard of but gets a stellar 75% rating from audience reviewers at Rotten Tomatoes. He directed the title sequence of Chitty Chitty Bang Bang. (Died 2002.) (CE)
  • Born September 2, 1942 – Demi, 78.  Born in Massachusetts, M.A. from Univ. Baroda.  Seventy books she illustrated herself, e.g. Liang and the Magic PaintbrushDragon Kites and DragonfliesThe Magic BoatOne Grain of RiceThe Firebird; illustrated for others, e.g. Yolen’s Dragon Night, James’ Eucalyptus Wings.  [JH]
  • Born September 2, 1944 – Roland Green, 76.  Seventy novels, thirty shorter stories, some with co-authors e.g. wife Frieda Murray.  Three dozen reviews in Far Frontiers including Bridge of Birds and Heart of the Comet.  One anthology with Bujold, another with Turtledove.  Inconsequential SF Tales for the Worldcon bid that won and hosted Chicon 7 (70th Worldcon).  [JH]
  • Born September 2, 1946 Walter Simonson, 74. Comic writer and artist who’s best known I think for his run on Thor during the Eighties in which he created the character Beta Ray Bill. An odd character that one is. He’s worked for DC and Marvel, and a number of independent companies as well. His artwork on the RoboCop Versus The Terminator that Dark Horse did is amazing. (CE) 
  • Born September 2, 1951 Mark Harmon, 69. Much better known for his work on NCIS and yes, I’m a fan, but he’s done some genre work down the decades. An early role was as Gacel Sayah in Tuareg: Il guerriero del deserto, a Spanish-Italian pulp film. He was Jack Black in Magic in the Water, and voiced Clark Kent/Superman on Justice League: Crisis on Two Earths. He was in the Wally Schirra in the genre adjacent From the Earth to the Moon miniseries, and shows as Bob Markham in the “Tarzan and The Outbreak” episode of The Legend of Tarzan. (CE)
  • Born September 2, 1953 – Gary Lippincott, 67.  Thirty covers, a score of interiors.  Here is the Jan 95 F&SF.  Here is Little, Big.  Here is “Tori and Friends”.  Here is The Prince and the Pauper (M. Mayer adaptation).  Artbook Making Magic.  Three Chesleys.  [JH]
  • Born September 2, 1955 Steve Berry, 65. Author of the Cotton Malone series which is either genre or genre adjacent depending on where your personal boundaries fall. There’s five in the series now with the first being The Templar Legacy. He also self-published a Captain America novel, Never Forgotten, and a Star Wars story as well, “Crash Landing”, which makes him a fanfic writer as well. (CE) 
  • Born September 2, 1972 – Justine Musk, 48.  In a highly various life she’s written three novels for us, three shorter stories.  Taught English as a Second Language in Japan.  “Love without power is anemic, as Martin Luther King, Jr., pointed out, and power without love is tyranny….  We *cannot* … dismiss the subject altogether because it is distasteful to us.  The point is not to play the same old game, whether we’re buying into it or rebelling against it.”  [JH]
  • Born September 2, 1977 – Fuminori Nakamura, 43.  Kenzaburô Ôe Prize for The Thief, called a chilling philosophical novel.  Evil and the Mask is ours.  A dozen more novels (five translated into English so far), four collections of shorter stories.  David Goodis Award.  [JH]

(12) COMICS SECTION.

  • At The Far Side, all the mathematicians go: oh, the horror. 

(13) BUSIEK, AHMED HAVE STORIES IN SPIDER-MAN MILESTONE ISSUE. Spider-Man reaches another milestone this month with Amazing Spider-Man #850, the latest issue in writer Nick Spencer’s run on the title. The issue features the return of Spider-Man’s greatest villain, the Green Goblin. There’s a trailer for it here.

There will also be a trio of back-up stories by “Spidey legends of past, present and future to drive home that Spider-Man is the greatest character in all of fiction!”

Those back-up tales are by Kurt Busiek, Chris Bachalo, Tradd Moore, Saladin Ahmed, and Aaron Kuder. Amazing Spider-Man #850 hits stands September 30.

(14) SAVING THROW. “Neil Gaiman Endorses Petition To Save Constantine Comic”ScreenRant has the story.

The effort to save the Constantine comic book from cancellation just won a welcome ally; author Neil Gaiman. Not only has Gaiman shared a Change.Org petition regarding the endangered book on his social media, but he has allowed his name to be officially tied to the fan-driven effort to save John Constantine: Hellblazer.

The recent acquisition of Warner Bros. by AT&T has led to widespread turmoil across the entertainment industry. This is particularly true at DC Entertainment, which lost one-third of its staff in the wake of the latest round of lay-offs. This coincided with the cancellation of a number of low-selling titles, including John Constantine: Hellblazer, which had only seen eight issues hit the stands since its premiere in 2019

Despite not having a lengthy run on the original Hellblazer series, Gaiman is still closely associated with the character of John Constantine. Gaiman wrote a one-off story for Hellblazer, “Hold Me,” which was printed in Hellblazer #27 and centered around Constantine trying to put the spirit of a homeless man who froze to death to rest. “Hold Me” is widely considered to be one of the best one-shot stories to feature John Constantine ever written. Gaiman also gave Constantine a prominent role in the first Sandman graphic novel, Preludes and Nocturnes, with Dream of the Endless turning to Constantine for assistance in recovering his magical bag of sand, which Constantine had owned at one time.

(15) DISCOVERING DRESDEN. [Item by Daniel Dern.] Similar to my belatedly recentish reading of Lois McMaster Bujold’s Miles Vorkosigan series (only one more to go now, I think, waiting for library loan request to be fulfilled), I’d seen references to The Dresden Files — Jim Butcher’s Harry Dresden books — I hadn’t investigated (read) any until a year or two ago, when a friend recommended them, and lent me one, to prime the pump.

I enjoy this kind of thing in a limited amount, but enjoyed ’em enough to add Dresden to my reading list.

As of yesterday, having finished Peace Talks, the newest, I’m caught up —  until the end of this month, when Battle Ground comes out. (I’m like 30th in line on my library’s request queue, so hopefully I’ll get my loan fulfilled by Halloween.)

Harry’s a wizard. Not to be confused with that British kid, either. Dresden is a wizard operating as a PI in Chicago, in a world where there’s magic beings and stuff — fae, vamps, spirits, etc — although most of the world remains unaware of such. Like any PI, Dresden’s cases and other events means that he takes a lot of lumps, to say the least. Like Spenser (and, to be fair, >75% of PIs, it would seem), Dresden is a wise-cracking hard-ass, and he does it well.

If you’re already a Dresden fan, you’ve probably already read this newest book. If you haven’t, you’ll enjoy it. One non-spoiler note, Peace Talks doesn’t wrap up its events, so it’s a good thing Battle Ground is coming out soon.

If you like this kind of stuff, consider ’em. (Start in order, with Storm Front.)

BTW, here’s the video trailer from March 2020 announcement.

(16) REFERENCE DROPPED — FROM A GREAT HEIGHT. [Item by Martin Morse Wooster.] In the August 29 Financial Times, Guy Chazan interviews Italian astronaut Samantha Christoforetti, who was aboard the International Space Station in 2015.

The expedition her crew joined was number 42 — the answer to the Ultimate Question of Life, The Universe, and Everything in Douglas Adams’s classic Hitchhiker’s Guide To The Galaxy. Christoforetti describes the coincidence as ‘awesome.’  An avid Adams fan, she made sure the poster for Expedition 42 was modelled after the one for the Hitchhiker’s Guide movie, while her last tweet from the ISS said ‘So long and thanks for all the fish” — a reference to the message left by the dolphins in Adams’s book when they abandoned a shortly-to-be-demolished Planet Earth.

(17) FUTURE TENSE. The August 2020 entry in the Future Tense Fiction series is “How to Pay Reparations: a Documentary,” by Tochi Onyebuchi, a story about artificial intelligence, systemic racism, and reparations.

It was published along with a response essay by Charlton McIlvain, a historian of race and technology,  “Racism Cannot Be Reduced to Mere Computation” which begins –

Tochi Onyebuchi’s “How to Pay Reparations” spoke to me. Its themes rang virtually every note of my twentysomething-year-long career. In 1998, I made my first digital footprint with a signed online petition in support of reparations for the Tulsa race riots. I endured countless run-ins with Oklahoma good ol’ boys while crisscrossing the state, working for candidates representing a perpetually losing political party. As an academic, I researched Black politicians and white racial resentment, and testified as an expert in federal court about cases of reverse redlining and housing discrimination. And as a historian of technology, I’ve chronicled—like Onyebuchi—the stories of hope and despair wrought by computing technology on Blackness and Black people, in the service of an ever-triumphant white racial order.

(18) WHAT VASICEK STANDS FOR. Joe Vasicek’s title “White Science Fiction and Fantasy Doesn’t Matter” [Internet Archive] is far from the most hallucinatory claim uttered in his post, which conflates the Worldcon’s awards with the state of the sff field, and adds to a Lost Cause mythology that ignores Vox Day’s central (and Sad Puppy-sanctioned)  role in what happened in 2015.

The United States of America is currently engaged in a violent struggle that will determine whether this hyper-racist intersectional ideology will defeat the populist uprising that has its champion in Trump, or whether the country will reject this new form of Marxism and come back from the brink of insanity. But in science fiction and fantasy, the war is already over, and the intersectionalists have won. It is now only a matter of time before they purge the field of everything—and everyone—that is white.

The last chance for the SF&F community to come back from the brink was probably in 2015. The intersectionalists were ascendant, but they hadn’t yet taken over the field. (That happened in 2016, when N.K. Jemisin, an avowed social justice warrior and outspoken champion for anti-white identity politics, won the Hugo Award for best new novel for the next three consecutive years.) A populist uprising within fandom known as the Puppies attempted to push back, and were smeared as racists, sexists, misogynists, homophobes, and Nazis. Whatever your opinion of the Puppies (and there were some bad eggs among them, to be sure), they did not deserve to be silenced, ridiculed, shouted down, and threatened with all manner of violence and death threats for their grievances. After the Puppies were purged, the intersectionalists took over and began to reshape the field in their image.

The John W. Campbell Award for Best New Writer wasn’t renamed the Astounding Award because Campbell was a racist (even though he was). His name was stripped from the award because the people who renamed it are racists—not in the bullshit way the intersectionalists have redefined it, but in the true sense of the word: discrimination based based on race….

(19) SECOND LIFE LIMITS VIRTUAL CAMPAIGNS. After yesterday’s story about Biden-Harris yard signs in Animal Crossing it’s interesting to read New World Notes reporting “Second Life Bans Political Billboards From Public Lands After Pro-Trump & Anti-Trump Signs Choke The Virtual Sky”.

Another US Presidential election year, another clash of ideas in Second Life. As has been the case since 2004, the virtual world has recently been festooned with political billboards, much or most of them pro-Trump or anti-Trump — though as with Facebook, it seems like the pro-Trump forces have had the upper hand.

“There was a couple of people setting up lots of mini ad farms for Trump and some places had been plastered in far right slogans and adverts,” SL veteran “0xc0ffea” tells me. 

Some commonly trafficked areas in Second Life have devolved into a veritable battle of billboards, with “Re-elect Trump” and other Trump friendly signs such as “Police Lives Matter” having to share the same space with snarky rejoinders like: “Trump/Putin – Make America Hate Again”. 

This time, however, Second Life owner Linden Lab responded, updating its policy on virtual world advertising to prohibit ad content that are “political in nature” from the SL mainland, which the company maintains. (This policy does not apply to privately-owned regions and continents.)

(20) GHOSTS IN AMERICA. Brett Riley is “Searching For Haunted Fiction In American Literature” at CrimeReads.

Back in college, one of my American Literature professors once argued that the problem with trying to write American gothic fiction is that the country isn’t old enough to have any ruined castles or ancient bloodlines. She had a point, but with ghost stories, you don’t necessarily need ancient history or locales that haven’t changed in hundreds of years. You just need “unfinished business.” A character might die under mysterious circumstances. Foul play is suspected, but the perpetrators are never brought to justice. Or maybe an untimely death stops a character from completing a crucial task or realizing a lifelong goal. In general, something terrible or tragic happens, and the victim of these circumstances suffers so much pain, despair, or outrage that their essence cannot “move on.” A piece of themselves remains—sometimes benign, sometimes dangerous or even murderous.

When a work is labeled a “ghost story,” the reader likely assumes a certain set of tropes—the spectral figure floating through a darkened room or across a foggy landscape; a crumbling, moldy, dank, littered building set on a hill, or on the outskirts of town, or behind a rotting fence; a quirky harbinger of doom who tries to warn the protagonists of the dangers they will soon face; moonlit graveyards; and, perhaps most crucially, a particular history that weighs down the characters with specifically emotional tonnage….

(21) VIDEO OF THE DAY. The other day we introduced some ambience recordings. On Facebook John DeChancie pointed out another one — an hour’s worth of “Spaceship Nostromo Sounds.” Yeah, that will put me perfectly at ease!

In this video you can experience the digital recreation of the USCSS Nostromo from the game Alien Isolation. The main story of Alien Isolation is about Amanda Ripley who is searching for her missing mother Ellen. It takes place 15 years after the first Alien movie and the disappearance of the Nostromo. In the main story you don’t really come in contact with the ship but the DLC “Expandable Crew” lets you play an iconic scene from the first movie which takes place on the Nostromo. This video showcases the interior of that ship including space ship ambience sounds. So try to relax on a ship that might have a Xenomorph on board 🙂

[Thanks to Mike Kennedy, Martin Morse Wooster, John King Tarpinian, John Hertz, JJ, Cat Eldridge, Michael Toman, Lise Andreasen, Joey Eschrich, Rose Embolism, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Soon Lee.]

Society of Illustrators 2020 Hall of Fame Recipients

The Society of Illustrators annually inducts to its Hall of Fame artists recognized for their “distinguished achievement in the art of illustration.” This year’s honorees include contemporary illustrators Thomas Blackshear, Barbara Nessim, and Drew Struzan, as well as posthumous honorees Edmund Dulac, Jean Henri Gaston Giraud (Mœbius), and Jeffrey Catherine Jones. 

Artists are elected by a committee that includes former presidents of the Society and illustration historians. They are chosen based on their body of work and the impact it has made on the field of illustration.

The Society will be honoring this year’s inductees at a ceremony on June 12.

2020 Hall of Fame Inductee: Edmund Dulac

Edmund Dulac, Sleeping Beauty and Other Fairy Tales. Published by Hodder and Stoughton, Londong (1909).

French/British artist Edmund Dulac’s illustrations appeared in magazines, books, and stamps. A native of France, Dulac spent a brief period of time at the Académie Julian before moving to London in 1904. His first commissions were for the publisher J.M. Dent, appearing in the book Jane Eyre, and subsequently created the art for nine other volumes of work by the Brontë sisters. An early creator of fantasy art, he was a regular contributor of the Pall Mall Magazine, and prints of his work were published in illustrated gift books such as Stories of The Arabian Nights, William Shakespeare’s The Tempest, The Rubaiyat of Omar Khayyam, The Sleeping Beauty and Other Fairy Tales, Stories from Hans Christian Andersen, The Bells and Other Poems by Edgar Allen Poe, among others. During World War I, Dulac contributed to relief books. With the total destruction and enormous loss of life from the war, the demand for printed books declined, and Dulac found a lack  in publishing opportunities. His last titles included Edmund Dulac’s Fairy Book, Tanglewood Tales, and The Kingdom of the Pearl. He found work elsewhere in magazine illustrations and was featured in The American Weekly. His “Gods and Mortals in Love” appeared on the pages of Country Life. He also found work creating art for theater costumes and set design, bookplates, advertising, stamp design, and banknotes. 

2020 Hall of Fame Inductee: Jean Henri Gaston Giraud (Mœbius)

Jean Giraud, Blueberry’s Stardom, 1994.

French artist, writer, and cartoonist Jean Henri Gaston Giraud garnered worldwide acclaim under the pseudonyms Mœbius and Gir. Born in the suburbs of Paris in 1938, Giraud spent his youth navigating a post-World War II reconstructivist Europe, finding solace in a movie theater where he discovered American Westerns. After a short stint at art school followed by a stay in Mexico and time in military service, Giraud joined French publisher Fleurus. Among his titles published there are Le Roi des Bisons (King of the Buffalo), Un Géant Chez les Hurons (A Giant with the Hurons), among others. Giraud left the publisher to apprentice with Belgian artist Joseph “Jije” Gillain, an important milestone for the young artist’s career. Under the pseudonym Gir, Giraud created one of his best-known Western comic series for the publisher Pilote, a story centered around the anti-hero character Lieutenant Mike Blueberry. With the popularity of this series, Giraud soon found work creating concept art, character designs and storyboarding for such titles as Dune (Alejandro Jodorowsky version), Alien, Tron, Space Jam, and The Fifth Element, and his work strongly influenced additional titles like Blade Runner and Star Wars. After leaving Pilote, Giraud began producing work in a new aesthetic and under the name Mœbius. His work The Airtight Garage and Arzach, published by Métal Hurlant (Heavy Metal), a publication he helped form, are the best examples of this new style. The work created under the Mœbius name, best known by his American fans, showcased his skill in the science fiction and fantasy genre, commercial work, trading cards, video games, and musical productions. During the 1980s, Giraud relocated to California, and began creating art for the powerhouse Marvel Comics. His work appeared in Silver Surfer, Hardware, Static, and Marvel Tales. During his lifetime, Giraud received an endless list of accolades and awards, created art for countless titles, and exhibited at a number of galleries and museums. 

2020 Hall of Fame Inductee: Jeffrey Catherine Jones

Jeffrey Catherine Jones, Idyl. National Lampoon, 1974. Ink.

Jeffrey Catherine Jones was an artist ahead of their time. Born in Atlanta, Georgia, Jones escaped a tumultuous childhood, and attended college at Georgia State College, meeting fellow artist and then-wife Louise Simonson. Upon graduation, the growing, young family relocated to NYC and the two artists started their illustration and comic careers. Jones’ science-fiction, horror, and fantasy illustrations first appeared on magazine and paperback covers for books including Fritz Leiber’s Fafhrd and the Gray Mouser series, Ted White’s Fantastic, Andre Norton’s Postmarked the Stars, The Zero Stone, Uncharted Stars, among others. During the 1970s, Jones co-founded the collective “The Studio” with colleagues Bernie Wrightson, Barry Windsor-Smith and Michael Kaluta. During this time, Jones’ strip Idyl began appearing regularly in the newly formed National Lampoon, and in the 1980’s another strip, I’m Age, was featured regularly in Heavy Metal. Disenfranchised with the comics and commercial art scene, Jones would retire and focus on fine art, creating masterful oil paintings. At a time of self-reflection and discovery in art, Jones would also come to terms with their own identity. In 1998, with the support of daughter Julianna, Jones began transitioning using hormone replacement therapy, and changed their name to Jeffrey Catherine Jones. The last years of Jones’ life were complicated and difficult as Jones strived to understand her place in the world, artistically and personally. On May 19th, 2011, after battling illness, Jones passed away surrounded by friends and family. 

* Out of respect for the artist, we have chosen to use the neutral third person pronoun when referring to a time before Jones’ transition, as Jones is no longer with us to clarify what pronoun they would prefer.

2020 Hall of Fame Inductee: Drew Struzan

Drew Struzan, Back to the Future I, II & III. Acrylic paints and colored pencils on gessoed board, 1985. (© Copyright Universal Studios 1985-1990)

Drew Struzan is one of pop-culture’s most easily recognizable contemporary illustrators. His childhood was one of poverty. College did not change that cycle. Nevertheless, his talent earned him a full scholarship from Art Center College of Design straight out of high school. Painting for other students earned him occasional meals. After college, Drew accepted a job at a boutique ad agency that specialized in album covers. His work included The Beach Boys, Bee Gees, Roy Orbison, Black Sabbath, Glenn Miller, Bach, Earth, Wind and Fire, Liberace, and (his most famous cover) Alice Cooper’s Welcome to My Nightmare. The latter seized the attention of the movie industry and, thus, Drew’s career moved in a new direction. In 1977, Struzan was asked to co-create the poster art for the re-release of Star Wars. His co-creator showed him the marvel of the airbrush which Drew used to create a new technique for the high-demand and quick turnover world of movie art. His poster work includes such blockbuster titles as Star Wars (from episode 1 to episode 7), Blade Runner, Police Academy, Back to the Future, the Indiana Jones series, E.T., The Muppet Movie, Coming to America, Risky Business, An American Tail, The Goonies, Hook, Harry Potter and the Sorcerer’s Stone, and more. Struzan found success in additional genres of illustration including collectibles, postage stamps, and board games. His most recent project, a collaboration with his wife and author Dylan Struzan, features his illustrations in her book A Bloody Business, published in 2019. 

2020 Hall of Fame Inductee: Barbara Nessim

Barbara Nessim, The Bride As Groom & Groom As Bride. Ink and watercolor, 1968. 

Barbara Nessim briefly worked in the textile industry after graduating from Pratt Institute in 1960. That same year, Nessim entered the Society of Illustrators’ 2nd Annual, and received recognition for her monotype etchings “Man and Machine”. With this prestigious accolade, Nessim began receiving commissions and became a professional illustrator, appearing in such notable publications as Harper’s Bazaar, Esquire, Rolling Stone, TIME, Ms. Magazine, New York Magazine, and The Boston Globe, among others. Working as one of only a few women illustrators during the 1960s, Nessim paved the way for generations to come.  Nessim’s art was also featured on album covers, calendars, various corporate projects, and international magazine covers. In the 70’s alongside doing illustration she designed shoes for Carber, as well as her own line of clothing Lady Vantastic for Lady Van Heusen. In 1980, Nessim was one of the first illustrators ever to experiment with digital art and illustration, using TIME Inc’s Time Video Information Services’ computers, serving as their Artist in Residence. Nessim has taught at the School of Visual Arts, Fashion Institute of Technology, and Pratt Institute, and from 1991 to 2004 she served as the Chair of the Illustration Department at Parsons The New School For Design, introducing computers into her curriculum which launched a school wide initiative. In 2013, a body of Nessim’s work was featured in an extensive retrospective at the Victoria & Albert Museum in London. In 2015 she received Pratt Institutes’ Lifetime Achievement Award. In addition to her illustration and teaching work, Nessim has also created several large-scale installations for public buildings in New York City. She is now working on a major show of paintings for the Malin Gallery in NYC opening October 15, 2020. Throughout her professional career, Nessim continued to create personal work which greatly informed her illustrations. 

2020 Hall of Fame Inductee: Thomas Blackshear

Thomas Blackshear, Wild West Show. Oil.

After graduating from the American Academy of Art in Chicago, Thomas Blackshear worked for the Hallmark Card Company in Kansas City, Missouri. While there, he met the famous illustrator Mark English and became his apprentice. By 1980, he was working as head illustrator for Godbold/Richter Studio, and in 1982 went full-time as a freelance illustrator. Known for his dramatic lighting and sensitivity to mood, Blackshear has produced illustrations for advertising, books, calendars, collectors’ plates, greeting cards, magazines, postage stamps, and national posters. His clients range from Disney Pictures, George Lucas Studios, and Universal Studios to International Wildlife and National Geographic magazines. He has illustrated thirty US postage stamps and a commemorative stamp book titled I Have a Dream. Blackshear has also designed and executed illustrations for four collectors’ plate series. He is known for his best-selling Christian prints produced for DaySpring’s Masterpiece Collection. In 1995 he created Ebony Visions, which has been the number-one-selling black figurine collectible in the  United States for the past twenty years. He is the recipient of multiple awards and recognitions. In 2006, at a solo-show, Blackshear unveiled his painting of Pope John Paul II for the 25th Anniversary of the Pope John Paul II Foundation in Rome.

[Based on a press release.]

Pixel Scroll 6/18/19 I Started A Pixel, Which Started The Whole World Scrolling

(1) KLOOS SIGNS OFF TWITTER. Marko Kloos left Facebook seven months ago, and today deleted his Twitter account, too. He explains why in “Writing and the Internet”.

I have to come to realize that over the last few years, the Internet has had a profoundly corrosive effect on my professional output and occasionally even my emotional health.

This effect has been especially severe in two areas: social media and email, both of which basically constituted my consent to being easily and directly available to contact by anyone with an Internet connection. In Twitter’s case, that contact has also been fully public, which means that anyone with a Twitter account has been able to see and share any conversation I’ve had with people outside of direct messages.

As of today, I am withdrawing that consent by getting off social media and curtailing my availability via email.

Late last year, I got so tired of the constant necessity to curate my Facebook feed and the drama resulting from pruning my Friends list that I pulled the plug for good and deleted my account. In the seven months since then, I have not missed it, and beyond a few concerned messages from long-time Facebook acquaintances, my absence has been inconsequential to the world and a lot less aggravation and anxiety in my life. Last night, I deleted my Twitter account as well, for slightly different reasons that boil down to the strong feeling that it will have a similar life-improving consequence….

… To put it bluntly: I can no longer allow anyone with a smartphone and a data plan the potential ability to darken my day or interrupt my work by trying to pick an argument or fill my Twitter feed with aggravating stuff. Most emails and Twitter interactions with fans have been fun and positive, but there have been exceptions. And even the well-meaning emails from happy readers take a slice out of my writing time.

(2) FORTY WHACKS. Autopsies are so fun. Vulture’s Abraham Riesman wonders: “Marvel on Netflix: What Went Wrong?”

… And hoo boy, their expectations were met. That inaugural installment of Jessica Jones was a true humdinger. It was distinctive without being flashy, mature without being ponderous, ambitious without being self-satisfied, sexy without being exploitative, and just … good. I can’t tell you how much of a revelation a good superhero show was at that time. We were used to spandex outings that were inane, formulaic, and utterly uninterested in pushing a single envelope. But here was a tale that seemed like it was going to grapple with everything from PTSD to queerness and do it all with style. Showrunner Melissa Rosenberg and star Krysten Ritter genuinely seemed to be elevating the game. As soon as the screening was done, I rushed to the lobby to get reception and email my editor like an old-timey reporter clamoring for a pay phone just after getting a hot scoop. I have seen the future of superheroes, I thought, and it is Marvel Netflix.

If it ever was the future, it is now the past. This week sees the barely ballyhooed release of the third and final season of Jessica Jones, which is itself the final season of Marvel’s four-year Netflix experiment. Its death has been agonizingly and humiliatingly gradual: Over the course of the past few months, each of the five ongoing series that made it up has been given the ax, one after another. Daredevil, Jessica Jones, Luke Cage, Iron Fist, The Punisher; their fans saw them all go the way of the dodo — without fanfare….

(3) ENDS WITH A BANG. Fast Company’s article “The most expensive hyphen in history” unpacks an historic incident in the U.S. space program (that inspired a scene in Mary Robinette Kowal’s Calculating Stars.)

Mariner 1 was launched atop a 103-foot-tall Atlas-Agena rocket at 5:21 a.m. EDT. For 3 minutes and 32 seconds, it rose perfectly, accelerating to the edge of space, nearly 100 miles up.

But at that moment, Mariner 1 started to veer in odd, unplanned ways, first aiming northwest, then pointing nose down. The rocket was out of control and headed for the shipping lanes of the North Atlantic. Four minutes and 50 seconds into flight, a range safety officer at Cape Canaveral—in an effort to prevent the rocket from hitting people or land—flipped two switches, and explosives in the Atlas blew the rocket apart in a spectacular cascade of fireworks visible back in Florida.

… A single handwritten line, the length of a hyphen, doomed the most elaborate spaceship the U.S. had until then designed, along with its launch rocket. Or rather, the absence of that bar doomed it. The error cost $18.5 million ($156 million today).

(4) BATMAN AT 80. The Society of Illustrators is opening several momentous Batman exhibits at its New York museum.

Join us for a celebration of three momentous exhibits:

(5) DON’T PANIC. Now available on the Internet at the Strange Texts blog (after no small delay) is Lee Whiteside’s “A report on DON’T PANIC and DIRK GENTLY and their relation to Doctor Who”, written in 1988 to mark the US release of the Neil Gaiman / Douglas Adams book Don’t Panic and originally posted on the Magrathea BBS.

Starting out with Dirk Gently, Adams breaks away from the science-fiction/comedy genre a bit, creating a “ghost-horror-detective-time travel-romantic comedy epic” as the promotional copy on the hardback release claims.  It does combine several divergent plotlines that mostly come together at the end.  The main characters include a computer programmer, a mysterious detective, and an eccentric professor along with an Electric Monk, and an ancient ghost (as well as a more recent one).  Part of the plot line of the book is similar to the Doctor Who story “City Of Death” with the main characters involved with an alien being from the past and using a time travel machine to defeat it.  The time travelling done in Dirk Gently seems to be done by TARDIS.  The professor in the book is Professor Chronotis from the Doctor Who story Shada that was written by Douglas Adams but was never completed.  The setting of Cambridge, is also the same.  Overall, it is an enjoyable book, although a bit hard to follow at times.

With the release of the HHG Companion book, even more links with Doctor Who are made known.  Neil Gaiman has done a good job chronicling the history of the Hitchhiker’s Guide along with the rest of Douglas Adams career to date.

(6) CHANDLER AWARD. This is what the 2019 A. Bertram Chandler Award looks like – Edwina Harvey posted the photo.

(7) TREE OBIT. “The tree thought to have inspired Dr. Seuss’ ‘The Lorax’ has fallen”CNN has before and after photos:

The Lorax would be devastated to hear that the tree that inspired Dr. Seuss’ 1971 children’s book has fallen.

The Monterey Cypress tree was at Ellen Browning Scripps Park in La Jolla, California, the seaside community where author Theodor Seuss Geisel lived from 1948 until his death in 1991.

(8) TODAY IN HISTORY.

  • June 18, 1964 — The Twilight Zone aired its series finale: “The Bewitchin’ Pool”.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 18, 1908 Bud Collyer. He was voiced both the Man of Steel and Clark Kent on The Adventures Of Superman radio show in the Forties on the Mutual Broadcasting System. He also voiced them in the animated The New Adventures of Superman which was a Filmation production. Joan Alexander voiced Lois Lane in both shows. (Died 1969.)
  • Born June 18, 1917 Richard Boone. You likely know him as Paladin on Have Gun – Will Travel, but he does have some genre appearances including on The Last Dinosaur as Maston Thrust Jr. and in Rankin Bass’s The Hobbit the voice of Smaug. He also played Robert Kraft in I Bury the Living, a horror flick that I think has zombies and more zombies. (Died 1981.)
  • Born June 18, 1931 Dick Spelman. He was a fan who was a legendary book dealer that really hated being called a huckster. He was active at SF conventions from the late 1970s through the early 1990s. He was guest of honor at ICON (Iowa) 12. Fancyclopedia 3 says it was themed “money-grubbing capitalist con” in his honor. (Died 2012.)
  • Born June 18, 1942 Paul McCartney, 77. Well, I could include him for the Magical Mystery Tour which might be genre, but I’m not. He actually has a cameo in Pirates of the Caribbean: Dead Men Tell No Tales as a character named Uncle Jack in a cell playing poker singing “Maggie May”. A shortened version of the song is on the Let It Be album. 
  • Born June 18, 1945 Redmond Simonsen. Coined term ‘games designer’. Best remembered for his design of the Seventies games Starforce: Alpha Centauri, Battlefleet Mars and Sorcerer. He cofounded Simulations Publications Inc (SPI) with James Dunnigan. (Died 2005.)
  • Born June 18, 1947 Linda Thorson, 72. Best known for playing Tara King in The Avengers.  For her role in that series, she received a special BAFTA at the 2000 BAFTA TV Awards along with the other three actresses from the series, Honor Blackman, Joanna Lumley and Diana Rigg. She’s also been in Return of the SaintTales from the DarksideStar Trek: The Next GenerationKung Fu: The Legend ContinuesF/X: The Series and Monsters
  • Born June 18, 1949 Chris Van Allsburg, 70. He won two Caldecott Medals for U.S. picture book illustration, for Jumanji and The Polar Express, both of which were made into films. Guess which one I like? He illustrated A City in Winter by Mark Helprin which won the World Fantasy Award for Best Novella.
  • Born June 18, 1958 Jody Lee, 61. Illustrator with a long career in genre work. Her first cover art was Jo Clayton’s Changer’s Moon for Daw Books in 1985. Her latest was Michelle West’s First Born that came out this year on Daw Books which seems to be her primary client. Her rather excellent website is here.

(10) COMICS SECTION.

  • Close To Home is there when diplomas are handed out at the Academy of Paranormal Studies.

(11) POP CULTURE ERASURE. NPR examines the trend in “chauvinist cuts” — misogynist, homophobic and racist cuts of blockbuster films :“‘Avengers,’ But Make It Without Women, Or Men Hugging, Or Levity In General”.

Brie Larson has vanished.

A star of Avengers: Endgame, one of the biggest movies of all time, was completely excised from a modified pirated version of the film — along with everything else in the film seen as feminist or gay.

An anonymous fan edited out shots, scenes and characters in a “defeminized” version circulating now on an illegal streaming site. As well as losing Larson’s character, Captain Marvel, the defeminized edit is missing a scene where Hawkeye teaches his daughter to shoot. (“Young women should learn skills to become good wives and mothers and leave the fighting to men,” the editor opined in an accompanying document.) The role of Black Panther is minimized. (“He’s really not that important.”) Spider-Man doesn’t get rescued by women characters anymore. (“No need to.”) And male characters no longer hug.

(12) FULL FATHOM FIVE. In case you wondered what became of the craft: “‘Boaty McBoatface’ maps deep ocean water”.

Intrepid submarine Boaty McBoatface has made its first significant discovery, say UK scientists.

The autonomous underwater vehicle (AUV) has built a 3D map of deep ocean waters as they move away from Antarctica.

Researchers previously had limited data to show these currents were warming.

Boaty’s investigations can now confirm that turbulence is causing warm water at mid-depths to mix down and raise the temperature of the colder, denser water running along the ocean floor.

Scientists say they can link this behaviour to changing wind patterns.

…Boaty’s insights are important because they can now be used to fine-tune the models that describe the climate system and how it may change in the future.

(13) MONK-Y BUSINESS. BBC explains why “Belgium monks forced to sell prized beer online to beat resellers”.

Belgian monks who brew one of the world’s most coveted beers are launching a website to prevent unauthorised resellers profiting from their product.

St Sixtus Abbey in Westvleteren, Flanders, is one of the world’s 14 official Trappist beer producers.

Buyers can purchase a crate of its Westvleteren beer for around €45 (£40), around €1.80 per bottle.

As a rule, the monks ask customers not to sell their product to third parties.

The abbey’s sales have traditionally been limited to private customers who order by phone before collecting a maximum of two crates in person.

But profiteers have been ignoring their “ethical values” for selling the brew, forcing them to go online to dampen demand on the black market.

The monks were dismayed to find bottles of their beer being resold at an inflated price in a Dutch supermarket last year.

…Now the abbey is turning to an online reservation system, designed to better enforce the limit of two crates per 60 days.

(14) RETRO REVIEWS. Steve J. Wright has completed his Retro Hugo Graphic Story Finalist reviews:

Retro Hugo Best Graphic Story

(15) PITCH MEETING. Step inside the pitch meeting that led to the final season of Game of Thrones!

[Thanks to Cat Eldridge, Mike Kennedy, John King Tarpinian, JJ, Chip Hitchcock, Martin Morse Wooster, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day StephenfromOttawa.]