The second issue of Spectrum Fantastic Art Quarterly from Arnie and Cathy Fenner is available. “The introduction explains our tardiness,” notes Arnie. Copies are being sold through Bud Plant, Stuart Ng, Dreamhaven Books, and Forbidden Planet NYC.
Jeffrey Catherine Jones is the featured artist in an all new 39-page examination. George Pratt, Todd Adams and model Carol Zaloom share their memories and we are treated to page after page of paintings and new details of Jones’ life and work.
Also: Fantastic art painter Ed Binkley is interviewed and featured on the cover. His work is stunning.
Donato Giancola explains how inspiration shows up for him, with wonderful examples from Lord of the Rings paintings. Gregory Manchess shares insights and pointers. Sara Frazetta shares memories of her grandfather Frank Frazetta. Art Director Irene Gallo offers tips to illustrators in a 20-questions feature. Arnie writes poignant memoriams for James Bama, Neal Adams, Ken Kelly, George Perez, Tim Sale and Marshall Arisman—“six masterful members of our art community who left us in 2022.”
Arnie had a serious health issue which was the cause for this issue being delayed (it IS called Spectrum Quarterly). He touches on that in his typically insightful and thoughtful editorial, and reveals the next Spectrum Annual Volume 28 will be out in 2023 after a hiatus since Volume 27.
Carol Zaloom modeled for Jeffrey Jones herself but more importantly, she was a close friend with Joners’ most famous muse and model Sandi Zinaman (1952-2015). She figures in many paintings and this includes photos of her modeling for Jones. She was the inspiration for the voluptuous heroine of the Idyl series.
(1) SPECTRUM FANTASTIC ART QUARTERLY. Cathy and Arnie Fenner have finished the first volume: “Spectrum Fantastic Art Quarterly *Update*” at Muddy Colors. It will be released December 20. Meantime, Arnie explains they are still at work on changes to the Spectrum competition and annual:
Remember awhile back when I mentioned that Cathy and I were planning to do a quarterly Spectrum bookazine? Guess what: the first volume is done. And what do I mean by “bookazine?” Well, I guess it’s something of a marriage of design, editorial, and graphics in a format that reads like a magazine but sits happily with the books on your shelf. It’s not exactly a new concept: if you hop in the way-back machine and take a look at Herb Lubalin’s Avant Garde or at Ralph Ginzburg’s hardcover Eros (which was also designed by Lubalin) you’ll see just how neat the idea is.
So while we’ve been figuring out all the minutia that goes into reorganizing the Spectrum competition and annual (and, lemme tell you, there are some cool discussions going on…if we can only figure out the logistics) and preparing to open #28 for entries, we put our heads together with some friends and decided to create the Spectrum Fantastic Art Quarterly to stay engaged with the community while the competition/book gets rebuilt—and have some fun in the process. And “fun” is the key word here: as we mention in the introduction to Vol 1, it’s sort of a throw-back to my days publishing fanzines (or “semiprozines” or “boutique magazines” or whatever you want to call them), that are produced out of love with making a buck, though important, secondary. SFAQ is a 12?x12?, perfect-bound, full-color softcover; it’s about and for fantastic artists of all sensibilities—and that includes illustrators, gallery painters, sculptors, art directors, calligraphers, comics artists, and more—and for everyone interested in the people and history of our field. Is it perfect? Nope. Did we probably make some dumb mistakes or let some typos slip by us? Undoubtedly. But it was most certainly fun to put together and we’ve got all kinds of ideas for features and designs percolating in our noggins—all ideas that work better for a “bookazine” rather than a traditional magazine or book, if you know what I mean. If it works, it works; if it doesn’t, we’ll at least have had a good time trying.
Anyway, Spectrum Fantastic Art Quarterly Vol. 1 will be released (according to the printer) December 20th—yes, this year. Merry Christmas! If you’re interested, here’s where you can order your copy. It’ll probably still be a week or so before they have them listed, but…you heard it here first.
Several of the bid committee also practiced in an informal Q&A session on their YouTube channel earlier this year. The raw unedited session, held back in July, can be viewed here.
(3) FREE READ. Issue 4 of Whetstone: Amateur Magazine of Pulp Sword and Sorcery (which actually is a semiprozine according to Hugo rules) is out: Cora Buhlert says, “Good modern sword and sorcery fiction and it’s free, too.”
(4) TURNAROUND. Neon Hemlock Press launched a Kickstarter to fund the anthology Luminiscent Machinations: Queer Tales of Monumental Inventionedited by Rhiannon Rasmussen and dave ring, “a speculative anthology exploring the limits of machinery, the fragility and power of queer bodies, and mecha in all their forms.” Social media controversy has arisen because one of the contributors to the anthology is Neon Yang, who criticized Isabel Fall’s “Helicopter Story” (originally titled “I Sexually Identify as an Attack Helicopter.”) Some defenders of Isabel Fall are condemning Yang’s promotion of their own queer mech story.
Emily VanDer Werff’s Vox article “How Twitter can ruin a life: Isabel Fall’s complicated story” published in summer 2021 refreshed memories about Neon Yang’s stance on Twitter 18 months earlier when “I Sexually Identify as an Attack Helicopter” first appeared:
“When the story was first published, we knew nothing about Isabel Fall’s identity, and there was a smattering of strange behavior around the comments and who was linking to it that led people to suspect right-wing trolls were involved in this,” says science fiction author Neon Yang. They were publicly critical of the story on Twitter….
Publisher Neon Hemlock has made this statement:
We stand by the inclusion of the authors invited to our anthology. We oppose transphobia and harassment in all its forms and hope you do too. Our intent is to support queer & trans voices in speculative fiction and to keep learning better ways to do that.https://t.co/CaHwPLQZSB
Meanwhile, Neon Yang’s Twitter account is labeled “temporarily restricted” with a message that says, “You’re seeing this warning because there has been some unusual activity from this account. Do you still want to view it?” although one can still click through the warning and access it.
Doris V. Sutherland’s post “On Neon Yang’s Toxic Reputation” reviews the original 2020 controversy in some detail, searching for an explanation why Yang is experiencing this backlash:
…Yet, despite the flimsiness of the accusation, Neon Yang retains a reputation as the person who did the most to bring down Isabel Fall. As far as I can tell, the misconception can be traced back to the aforementioned Vox article, in which Yang is the only person quoted as justifying the backlash against the story. Nowhere does the article state, or even imply, that Yang was the main aggressor; yet nonetheless, it seems to have established Yang as the face of the anti-Fall movement….
Those that live by the censor’s scissors are liable to end up being snipped at themselves. There is, perhaps, a degree of karma in a person who rolled along with the erasure of Isabel Fall’s story — simply because it made some of the readers uncomfortable — being placed in a position where their own presence in an anthology is deemed uncomfortable, to the extent where at least one collaborator has decided to pull out….
(5) ALL HAIL. AudioFile Magazine’s latest “Behind the Mic Podcast” interviews Ray Porter, who narrated the Project Hail Mary audiobook.
Narrator Ray Porter joins AudioFile’s Michele Cobb to tell listeners about his experience narrating PROJECT HAIL MARY, Andy Weir’s newest sci-fi bestseller. PROJECT HAIL MARY is one of AudioFile’s 2021 Best Science Fiction & Fantasy Audiobooks, and it’s a thrilling interstellar adventure. Ray gives Michele an inside glimpse into preparing the many voices deployed in this space opera and tells her what has stayed with him about bringing it to life. Read the full review of the audiobook at audiofilemagazine.com. Published by Audible, Inc. Curious listeners can take a peek into Ray’s recording studio in his narrator video on PROJECT HAIL MARY.
The episode starts with Commander Cliff Alister McLane (Dietmar Schönherr) receiving his latest orders from General Wamsler (Benno Sterzenbach). It’s yet another routine mission (and we all know how well those tend to go for the Orion 8): Collect space dust in order to investigate the panspermia theory, which causes Wamsler’s aide Spring-Brauner (Thomas Reiner) to drone on and on about the panspermia theory, i.e. the theory that life did not originate on Earth, but is distributed through the universe via spores hitching a ride with space dust, asteroids, meteorites, etc… The theory is the brainchild of Swedish scientist Svante Arrhenius, who also developed the theory of a global greenhouse caused by industrial carbon dioxide emissions, which played a role in the Orion episode “The Battle for the Sun”. One of the writers is apparently a fan….
(7) KGB SCHEDULE CHANGE. Fantastic Fiction at KGB reading series in New York has changed the lineup for their December 15 event.
This month, Mercurio D. Rivera will be reading with David Leo Rice. N.K. Jemisin will be reading for them in February.
David Leo Rice’s info was part of the original announcement. The brief bio for Mercurio D. Rivera follows.
Mercurio D. Rivera
Mercurio D. Rivera’s short fiction has been nominated for the World Fantasy Award and has won the annual readers’ award for Asimov’s and Interzone magazines, respectively. His work has also appeared in venues such as Analog, Lightspeed, io9, Nature, Black Static, and numerous anthologies and Year’s Best collections.
His new novel Wergen: The Alien Love War tells stories of unrequited love set against the backdrop of humanity’s complicated relationship with enigmatic aliens afflicted with a biochemical infatuation for humanity. His story “Beyond the Tattered Veil of Stars,” was recently podcast by Dust Studios, and features Gillian Jacobs (Community) and Justin Kirk (Weeds).
The readings are Wednesday, December 15 starting at 7:00 p.m. Eastern in the KGB Bar. (Address at the link.)
… “I met some of my greatest friends at the Dickens Fair,” says Tooles, who went on to join the event’s volunteer cast, taking on bigger roles and more responsibility each year.
Her history with the tight-knit fair community is what makes the past two years so heartbreaking for Tooles, who is one of a small number of Black cast members at the Great Dickens Christmas Fair. What started as a goodwill effort to help rectify what is seen as the event’s failure to protect its volunteers and guests from racist and sexist behavior has turned ugly. Now, more than 200 cast members and thousands of guests have pledged to boycott this year’s fair, which is set to return to the Cow Palace on Saturday, Dec. 4, in a scaled-down, drive-through experience for the next three weekends.
“I want people to recognize what their values are and decide if the Dickens Fair aligns with them,” says Tooles, founder of an affinity group for the fair’s Black performers called Londoners of the African Diaspora, or LoAD….
1979 — [Item by Cat Eldridge.] Forty-two years ago on this date, Star Trek: The Motion Picture had an exclusive premiere in Washington, D.C. It is directed by Robert Wise from the screenplay by Harold Livingston which in turn is based on the story by Alan Dean Foster and I’m surprised he didn’t novelize it. You know who was in the movie so I won’t detail the cast here. Reception was decidedly mixed though Roger Ebert called it “a good time”. The box office was exceedingly good as it made one hundred forty million against forty million in production costs. Audience reviewers at Rotten Tomatoes currently give it a so-so rating of just forty-two percent. It was nominated for a Hugo at Noreascon Two, the year that Alien was chosen as the Best Film.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born December 6, 1893 — Sylvia Townsend Warner. Do yourself a favor and look up a bio of her as she’s a fascinating person. This site is a good place to do that. Her first novel, Lolly Willowes or, The Loving Huntsman, is definitely genre. ISFDB lists four genre collections by her, but Kingdoms of Elfin and Lolly Willowes are available on the usual suspects. (Died 1973.)
Born December 6, 1911 — Ejler Jakobsson, Finnish-born Editor who worked on Astonishing Stories and Super Science Stories butbriefly as they were shut down due to paper shortages. When Super Science Stories was revived in 1949, Jakobsson was named editor until it ceased publication two years later. Twenty years later, he took over Galaxy and If, succeeding Frederik Pohl. His first credited publications were The Octopus and The Scorpion in 1939, co-edited with his wife, Edith Jakobsson. (Died 1984.)
Born December 6, 1918 — William P. McGivern. Once in a while, I run across an author I’ve never heard of. So it is with McGivern. He was a prolific writer of SFF stories for twenty years starting from the early Forties. ISFDB only lists one genre novel by him, The Seeing, that he wrote with his wife Maureen McGivern. The digital has been good for him with the usual suspects having pretty much everything by him that he did except oddly enough the long out of print The Seeing. (Died 1982.)
Born December 6, 1923 — Wally Cox. Ok, who can resist the voice of the Underdog series which ran from 1964 to1967? I certainly can’t. He was in Babes in Toyland, The Twilight Zone, Mission: Impossible, Lost in Space, Get Smart, The Girl from U.N.C.L.E., Quarantined, Night Gallery and Once Upon a Mattress. (Died 1974.)
Born December 6, 1953 — Tom Hulce, 68. Oscar-nominated screen and stage actor and producer. His first genre role was in a highly-praised performance as the lead in the American Playhouse broadcast of The Rise and Rise of Daniel Rocket, about a young boy who discovers that he can fly. Although the bulk of his career has been in the theater, his most notable genre film role was as Henry Clerval in Kenneth Branagh’s Saturn-nominated Mary Shelley’s Frankenstein. He was nominated for an Annie Award for his voice performance of Quasimodo in Disney’s The Hunchback of Notre Dame, and appeared in the films Stranger than Fiction and Jumper.
Born December 6, 1957 — Arabella Weir, 64. A performer with two Who appearances, the first being as Billis in “The Doctor, the Widow and the Wardrobe”, a superb Eleventh Doctor story, before being The Doctor Herself in “Exile”, a Big Audio production. She’s had one-offs on genre and genre adjacent series such as Shades of Darkness, Genie in the House, Randall & Hopkirk (Deceased) and even a genre adjacent Midsomer Murders.
Born December 6, 1962 — Colin Salmon, 59. Definitely best known for his role as Charles Robinson in the Bond films Tomorrow Never Dies, The World Is Not Enough and Die Another Day. He played Dr. Moon in “Silence in the Library” and “Forest of the Dead”, Tenth Doctor stories, and was Walter Steele on Arrow. He most recently played General Zod on Krypton He was, alas, Ben in that clunker of films, Mortal Engines.
Born December 6, 1969 — Torri Higginson, 52. I had forgotten that she had a role in the TekWar movies and series as Beth Kittridge. I like that series a lot. Of course, she portrayed Dr. Elizabeth Weir in one episode of Stargate SG-1 and the entire Stargate Atlantis series. Her most recent genre roles was as Dr. Michelle Kessler in Inhuman Condition, where she plays a therapist who focuses on supernatural patients, and Commander Delaney Truffault in the Dark Matter series.
…Speaking to The Big Issue, Sheen described how he stepped in to bankroll the Homeless World Cup when funding for the £2m project fell through at the last moment.
“I had committed to helping to organise that and then suddenly, with not long to go, there was no money,” he said.
“I had to make a decision – I could walk away from it and it wouldn’t happen.
“I thought, I’m not going to let that happen. So, I put all my money into keeping it going.
“I had a house in America and a house here and I put those up and just did whatever it took.
“It was scary and incredibly stressful. I’ll be paying for it for a long time.
“But when I came out the other side, I realised I could do this kind of thing and, if I can keep earning money, it’s not going to ruin me.”
(12) GREYSKULL SESSION. [Item by Cora Buhlert.] On my own blog, I wrote a lengthy rumination of Masters of the Universe: Revelation, which does some really interesting things and was so much better than a sequel to a cartoon designed to sell toys has any right to be: “The Power of Greyskull – Some Reflections on Part 2 of Masters of the Universe: Revelation” This one will go on my Hugo ballot, which I for one did not expect at all.
The second half of Masters of the Universe: Revelation, Kevin Smith’s continuation of the original cartoon from the 1980s, just became available and I opted to watch that over the new Hawkeye show (which I will watch eventually) and Star Trek Discovery (which is apparently available in Europe now, though I still haven’t figured out how), because I enjoyed the first half a lot more than I expected. Besides, part 1 ended on one hell of a cliffhanger, so of course I wanted to know how Teela, Andra, Duncan and the rest of gang are going to get out of that one….
(13) RECOMMENDEDKICKSTARTERS. Cora Buhlert also sent links to a pair of Kickstarters worthy of attention:
Changa #2 Cover by: Matteo Illuminati and Loris Ravina
Blazing Blade of Frankenstein 1, a comic featuring Frankenstein’s monster as a wandering sword and sorcery hero, is also looking for funding. I had never heard of these people before, but the concept is simply too cool to ignore: “Blazing Blade of Frankenstein #1 by FRIED Comics”.
(14) THE CLASS OF 2021. The New York Times is there when “NASA Introduces Class of 10 New Astronaut Candidates”. Their names: Nichole Ayers, Christopher Williams, Luke Delaney, Jessica Wittner, Anil Menon, Marcos Berríos, Jack Hathaway, Christina Birch, Deniz Burnham and Andre Douglas.
NASA on Monday inaugurated 10 new astronaut candidates who could walk on the moon within the next decade, or carry out research on the International Space Station.
The new astronaut candidate class is NASA’s 23rd since 1959, when seven astronauts were picked by the military for Project Mercury, the first American human spaceflight program. The latest astronaut candidate group comes as NASA prepares for its most daunting challenges in space since Americans landed on the moon during the Apollo program of the 1960s and ’70s. The agency’s growing focus is on Artemis, its program to return astronauts to the moon….
The builders of Stonehenge ate sweet treats including foraged fruit and nuts, English Heritage has revealed.
Previously it was thought they had consumed pork, beef and dairy.
But excavations of the Durrington Walls settlement, inhabited by the builders of the monument in about 2,500 BC, suggest they collected and cooked hazelnuts, sloes and crab apples too.
Researchers said evidence of charred plant remains suggest they might have followed recipes to preserve the food….
[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Cora Buhlert, Meredith, Bill, Olav Rokne, Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn. Update: The excerpts of Doris V. Sutherland’s comments were added a couple hours after the Scroll was posted.]
