The Speculative Literature Foundation is now accepting applications for the Working Class Writers Grant. Applications will be open through September 30, 2021.
The $1,000 Working Class Writers Grant is awarded annually to assist working class, blue-collar, poor, and homeless writers who have been historically underrepresented in speculative fiction, due to financial barriers. Grant funds can be used as each writer determines will best assist his or her work. For more information about the Working Class Writers Grant, or to apply, click here.
Each grant is intended to support the SLF’s mission of promoting literary quality in speculative fiction. Grants are awarded by a jury of SLF staff on the basis of merit. Additional information about all of the SLF’s grants, including specific application guidelines, can be found at speculativeliterature.org/grants. Grant applications are open to all: you do not need to be a member of SLF to apply for or receive a grant.
Founded in January 2004 to promote literary quality in speculative fiction, the all-volunteer Speculative Literature Foundation is led by Mary Anne Mohanraj and 30 other committed volunteers. The Foundation maintains a comprehensive website offering information for readers, writers, editors and publishers of speculative fiction, develops book lists and outreach materials for schools and libraries, and raises funds for redistribution to other organizations in the field, as well as five awards made annually to writers. For more information, visit speculativeliterature.org.
The Speculative Literature Foundation is partially funded by a grant from the Oak Park Area Arts Council, Village of Oak Park, Illinois Arts Council, National Endowment for the Arts and Oak Park River Forest Community Foundation.
(1) MASSIVE DOCTOR WHO POLL. Herald of Creation today finished releasing the results of its poll of the best Doctor Who episodes, a Twitter marathon that began in July with number 296 “The Battle of Ranskoor av Kolos” (a Thirteenth Doctor episode, unfortunately.) Here are the top five, with apologies that WordPress won’t display single tweets. (And since Herald of Creation revealed them in last to first order, that shuffles things up, too.)
This is one of those bad news but not the worst news posts, which is to say that I’ve been diagnosed with early stage breast cancer and am in the process of scheduling surgery and radiation for it.
This means that The Folded Sky will probably be a little delayed, because at least two months of my life are going to vanish in a puff of waiting rooms and lasers. The good news on that front is that I’m working on the copy edits for The Origin of Storms right now and those should be handed back very soon. And I think I’ll get the short story I’m working on finished by deadline, too…
Don’t fret about me too much: I’ve got a great care team and a great group of local family and friends, and the odds are in my favor. The survival rate for early detected breast cancer is 99% these days.
I expect to be crushingly bored and annoyed and somewhat terrified for three months or so, and then suffer through biannual mammograms for the rest of my life, however long that is….
The magically amazing artwork of Rowena is known to people everywhere in the world. She painted literally hundreds of book covers and illustrations for many different publications. She won many awards during her career, including the British Fantasy Award for Best Artist in 1984, and was a four-time Hugo finalist for Best Professional Artist. Her professional peers made her a 1999 Chesley Award nominee. And the World Fantasy Conventions awarded her a lifetime achievement award in 2020.
Sadly, Rowena passed away in February 2021 and the art world experienced a profound loss.
And that means, of course that there will be no more Rowena art produced…ever. However, legends never die and here is the opportunity to keep her legend alive. This new book of her artwork contains many pieces that were never published before. And will also include several pieces that were never published in Rowena’s previous art books. Over 100 pages of paintings and drawings and even some poetry are contained within this hard cover volume.
This beautiful book is being lovingly designed and edited by Kim DeMulder, who had lived with Rowena for approximately the last 18 years.
This has been a difficult year for the conventions that have long been the lifeblood of our field. The SLF is pleased to announce a new Convention Support Grant for 2021-2022.
We’ll be giving out $10,000 over the course of the year, in grants of $500 – $1000 each, to science fiction and fantasy conventions. (Literary conventions that have significant speculative literature content are also welcome to apply.)
These grants are intended to support conventions both in developing their online presences (through the purchase of tech, training costs, hosting costs, etc.) and making in-person gathering safer once it’s appropriate, perhaps in the last quarter of 2021 (through purchase of cleaning supplies, masks, renting additional rooms for better spacing, etc.). Non-profit organizations preferred.
Applications will be reviewed on a rolling basis. Open for submissions: Conventions taking place between January 1 and May 31, 2022, application period: August 15 – September 15, 2021
…Essentially, reports Le Monde and WorldCrunch, the French Military of Defense is working with the University of Paris Sciences and Lettres to train their military on sci-fi-esque ideas. The science fiction writers, already in the business of thinking of futuristic technology and social innovations, come up with futuristic scenarios that could possibly endanger France between 2030 and 2060. Once the sci-fi writers, called the “Red Team,” fact-check with “The Purple Team,” academics working in AI and tech, and the “Blue Team,” military, the military uses those ideas as practice scenarios.
The Red Team also has a YouTube channel filled with what are essentially commercials for themselves.
(6) IN A HOLE IN THE GROUND. [Item by Martin Morse Wooster, Designated Financial Times Reader.] In the August 28 Financial Times (behind a paywall), Lorien Kite discusses a vacation she took with her family in Iceland, organized by Black Tomato “Take me on a Story” based on Jules Verne’s Journey To The Centre Of The Earth.
The action begins almost as soon as we make it through the melee of duty-free shopping and Covid-related bureaucracy at Keflavik arrivals only to be greeted by our guide for the next four days, Arnar Olafsson. Outside, loading the vehicle, we find an envelope wedged under the windscreen wiper, which opens to reveal a letter with certain words rendered in Scandinavian runes together with part of a runic-to-roman key–though not a big enough part for us to make much headway. Later, after we are dropped off at our base for the first two days, the stylish Hotel Husafell near the Lankjokull glacier, a parcel including the missing section is delivered to our door.
The packages keep coming, all containing puzzles or messages that whet the appetite for the next day’s activities and sustain the narrative of a mysterious uncle with the initials “GH” who has discovered a way to the centre of the Earth and is now on the run: It’s a kind of treasure hunt, borrowing from the 1959 and 2008 films as well as from the book.
(7) DHALGREN IN DEPTH. On Samuel R. Delany’s Dhalgren, edited by Bill Wood, and put together with a great deal of assistance from Delany himself, will be released by Fantastic Books on September 9.
This book—full of reviews, critical essays, and in-depth analyses of Dhalgren as a novel, and as commentary on life and the world—is an excellent companion to the novel itself. There are also discussions of how to read the novel, and clues to unraveling some of the mysteries hidden therein. Dhalgren is a difficult novel to read—playing with the reader’s perception through the use of circular text, interior echoes, multistable perception, and repeated imagery—but it is a worthwhile read. The book includes nine full-color illustrations (and more spot black-and-white illos), as well as an essay on “The Making of Hogg,” Delany’s infamous and nearly unpublishable novel.
Samuel R. Delany is the winner of two Hugos and four Nebula Awards. He has been honored with lifetime achievement awards, including SFWA’s Grand Master, the Eaton Award, the Lambda Pilgrim Award, and the Gaylactic Spectrum Award, and was inducted into the Science Fiction Hall of Fame. Dhalgren, his most popular and most controversial novel, was first published in 1975. It was nominated for the Nebula Award, remains in print to this day, and has sold close to two one million copies in a variety of editions.
Contributors include Douglas Barbour, Mary Kay Bray, Rudi Dornemann, Harlan Ellison, Robert Elliot Fox, Jean Marc Gawron, Kenneth R. James, Gerald Jonas, John Nizalowski, Steven Paley, Darrell Schweitzer, Steven Shaviro, K. Leslie Steiner, Theodore Sturgeon, and Samuel R. Delany himself.
2003 – Eighteen years on this date, Seven Seasons of Buffy: Science Fiction and Fantasy Writers Discuss Their Favorite Television Show was published by BenBella Books. It’s a look by Buffy the Vampire Slayer and Angel by genre writers who are very obviously fans of those series. I won’t list all of the authors and their essays who are here so I’ll single out just a few such as David Brin who wrote “Buffy vs. the Old-Fashioned ‘Hero'”, Laura Resnick’s “The Good, the Bad, and the Ambivalent” and Sherrilyn Kenyon “The Search for Spike’s Balls”. It’s available should you want to read it from the usual suspects for a mere four dollars and ninety nine cents.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 3, 1940 — Pauline Collins, 81. She played Queen Victoria in the Tenth Doctor story, “Tooth and Claw”, a most excellent tale, but she first showed up on Who over thirty years earlier as Samantha Briggs in “The Faceless Ones”, a Second Doctor story. She’s appears in Tales of the Unexpected, The Three Musketeers, Julian Fellowes’ From Time to Time film and the Merlin series.
Born September 3, 1943 — Valerie Perrine, 78. She has an uncredited role as Shady Tree’s sidekick in Diamonds Are Forever, her first film appearance. Her first credited film role is as Montana Wildhack in Slaughterhouse-Five. She’s Eve Teschmacher in Superman and Superman II. She showed up as Tins in “The Three Little Pigs” episode of Faerie Tale Theatre, and was April Flowers in “Who’s Who: Part 3” of Ghostwriters.
Born September 3, 1943 — Mick Farren. Punk musician who was the singer with the proto-punk band the Deviants. He also wrote Hawkwind lyrics who several genre writers have included in their novels. His most well-known genre work was the The Renquist Quartet about an immortal vampire. His late Eighties novel The Armageddon Crazy was set in a post-Millennium States dominated by fundamentalists who toss the Constitution away. (Died 2013.)
Born September 3, 1954 — Stephen Gregg. Editor and publisher of Eternity Science Fiction which ran 1972 to 1975 and 1979 to 1980. It had early work by Glen Cook, Ed Bryant, Barry N Malzberg, andrew j offutt and Roger Zelazny. (Died 2005.)
Born September 3, 1959 — Merritt Butrick. He played Kirk’s son, David, in The Wrath of Khan and again in The Search for Spock. Note the very young death. He died of toxoplasmosis, complicated by AIDS to be precise. (Died 1989.)
Born September 3, 1969 — John Picacio, 52. Illustrator who in 2005 won both the World Fantasy Award for Best Artist and the Chesley Award for Best Paperback Cover for James Tiptree Jr.’s Her Smoke Rose Up Forever. He won the Hugo for Best Professional Artist at LoneStarCon 3 and at CoNZealand. He’s nominated this year for the same Award.
Born September 3, 1974 — Clare Kramer, 47. She had the recurring role of Glory, a god from a hell dimension, that was the main antagonist of the fifth season of Buffy the Vampire Slayer. She’s been a lot of horror films including The Skulls III, The Gravedancers, The Thirst, Road to Hell, Road to Hell, Big Ass Spider! and Tales of Halloween.
… The book I wish I’d written The Man Who Was Thursdayby GK Chesterton. It’s an extraordinary novel, funny and clever. It is subtitled A Nightmare. But it’s an odd sort of nightmare – one where terror keeps dissolving into cheerfulness (which is the opposite way round from most nightmares, and from a lot of contemporary fiction). Chesterton describes scenes and objects and colours with an almost heraldic vividness – or, looked at another way, as if they were pages in a modern graphic novel. He makes London feel like a fairytale, which to him I think it was. I have read The Man Who Was Thursday many, many times, but I still don’t understand it. I’ll keep going.
A word of warning: it is a book of its times. There are no women characters. Well, there might be one, but she says three things and vanishes immediately….
(12) DUELING KAIJU. John Scalzi’s tweet brings to mind something I saw during the 1986 Worldcon, possibly in the same hotel. (How many downtown Atlanta hotels have these glass-walled elevators?) Quote follows.
…At other times, the illusion of flight and the view of other elevator cars hurtling past inspired new fannish stunts. Late Friday night the car I was riding stopped at the 38th floor, admitting Jerry Pournelle and Barbara Clifford. Seconds later, another car stopped beside us on the 38th floor. Staring from its window was a 3-foot-tall inflatable Godzilla held upright by two laughing fans. Both elevators left the 38th floor together, and raced downward on a parallel course. Like a tailgunner sighting bogies through his perspex dome, Pournelle jackhammered his arms from the recoil of imaginary twin-.50s and yelled, “Die, monster, die!” Godzilla’s bodyguards imitated Jerry and they shot each other down into the lobby….
(13) MORE NEWS. Petréa Mitchell returns to the con reporting field with the launch of her new Substack newsletter SMOF News. Issue 1 is live here.
SMOF News aims to be a newsletter covering fan conventions and related topics of interest. Please send your press releases, your news tidbits, and your outraged letters to firstname.lastname@example.org.
Each issue will have 4 parts:
Discussion of the big news of the week. If there is no big news, the space will be filled by editorializing, helpful tips for congoers, Q&As, or whatever else seems appropriate to the moment. Like this introduction, for instance.
News in brief from around the convention world.
Convention listings for the next five weekends.
One interesting link that may or may not have anything at all to do with geek fandoms.
Newsletters will be published every Wednesday evening, Pacific Time.
(14) OCTOTHORPE. Episode 39 of the Octothorpe podcast is now up. John Coxon, Alison Scott, and Liz Batty are at their computers for the first time in ages, and spend awhile catching up on locs before talking about convention COVID-19 policies. Listen here: “Bar Cookies”.
On TikTok, the hashtag #disneyhouse currently has over 120 million views. Here, you can see everything from handles shaped like the talking doorknob in Alice In Wonderland to princess beds to Aladdin rugs to doors decaled to look like Boo’s from Monsters, Inc. In recent years, much has been made of ‘Disney adults’ – often childless millennials with an all-consuming love of Walt’s wares. Disney adults subtly dress like Disney characters, they holiday in the parks multiple times a year and they fill their homes with Disney décor.
(16) TEN PERCENTER. Powell’s Books has picked a list of 50 Books for 50 Years. I’ve read five. (Sometime I’m going to make my own list so for once I can have a good score.)
Which books have foretold the present, lit our paths, warned us back, egged us on? What books stand with us now, reflecting the present?
Read why we picked each of these remarkable volumes of fiction, nonfiction, poetry, and comics for our anniversary list — and share your favorites with us using the hashtag #50Books50Years.
(Click for larger image.)
(17) MADE OF CHEESE. The moon, maybe, the movie for sure. Moonfall comes to theaters February 4, 2022.
In Moonfall, a mysterious force knocks the Moon from its orbit around Earth and sends it hurtling on a collision course with life as we know it. With mere weeks before impact and the world on the brink of annihilation, NASA executive and former astronaut Jo Fowler (Academy Award® winner Halle Berry) is convinced she has the key to saving us all – but only one astronaut from her past, Brian Harper (Patrick Wilson, “Midway”) and a conspiracy theorist K.C. Houseman (John Bradley, “Game of Thrones”) believes her. These unlikely heroes will mount an impossible last-ditch mission into space, leaving behind everyone they love, only to find out that our Moon is not what we think it is.
(18) VIDEO OF THE DAY. Mark Hamill talks to Star Wars Coffee about his role in The Mandalorian. This is actually quite interesting and only four minutes long.
[Thanks to Mike Kennedy, Andrew Porter, Martin Morse Wooster, JJ, SF Concatenation’s Jonathan Cowie, Ian Randal Strock, Michael Toman, John King Tarpinian, and Cat Eldridge for some of these stories. Title credit belongs to contributing editor of the day Jack Lint. Or Kendall. I’m not sure.]
…Titled Black Stars, the collection showcases some of the biggest names writing science fiction today, highlighting their visions of what the future might look like for the human race and the issues we might have to tackle. The six authors forming this all-star lineup include Chimamanda Ngozi Adichie (We Should All Be Feminists), C. T. Rwizi (Requiem Moon), Victor LaValle (The Changeling), Nnedi Okorafor (Binti), Nalo Hopkinson (The House of Whispers), and Nisi Shawl (Everfair), who also edited the entire collection, along with co-editor Latoya Peterson.
“Freedom is the overarching theme among the stories,” Shawl tells SYFY WIRE, while discussing the throughline that connects all six stories. “Freedom to explore new star systems, to develop new economies, to break away from stale stereotypes.”
Part of what makes Black Stars so special is the fact that it is showcasing speculative science fiction from Black authors from around the world.
“I want readers to take away the dazzling diversity that is the Black experience,” Shawl says. “I want us all to realize how our dreams and fantasies, our supposings and nightmares and aspirations are so very varied. Blackness is not a monolith! I’ve learned this, and I want to share with our readers the enormous wealth that is Black heritage and the many possible Black futures.” …
(2) YORK SOLAR SYSTEM. NickPheas, inspired by Ingvar’s photos of Sweden’s epic model, shot photos of the solar system model running for ten miles south of York, UK. Twitter thread starts here.
(3) STAR TREK EXPLORER. If you aren’t getting enough Star Trek news, Titan Comics promises to fix that for you when Star Trek Explorer – The Official Magazine Issue #1 hits stores on November 2.
EXPLORER is the no. #1 destination for everything Star Trek – filled with in-depth interviews and features taking you behind-the-scenes of all your favorite shows and movies.
The new-look EXPLORER magazine also includes two brand-new exclusive Star Trek short stories, and a bonus 16-page themed supplement bound inside each issue. The hotly anticipated premier issue features a definitive guide to Captain Kirk!
Subscribers of STAR TREK EXPLORER – THE OFFICIAL MAGAZINE will also receive an exclusive digital magazine, direct to their inbox with every quarterly issue. Each digital magazine will feature bonus short stories, printables, activities and much more!
The Speculative Literature Foundation needs jurors to help read applications for the Working Class Writers’ Grant Ideally, we’re looking for people who are well read in speculative fiction, but we’d also like a mix of readers, writers, librarians, teachers, editors, etc. who are capable of judging literary quality in a work.
If interested, please send a brief note to Catherine Lin (email@example.com) with the subject line: JUROR.
Please include the grant you wish to be a juror for and a paragraph about what your qualifying background is to serve as a juror: for example, your interest in / connection to the field. (i.e., “I’m an ardent reader!” or “I’ve been writing SF/F for seven years…”). Please feel free to ask any questions you may have as well.
(5) AMAZING STORIES RETRENCHES. Following the announcement “Amazing Stories Special All Canadian Issue Now Available” comes a statement that “Amazing Stories has had a rough past year, mostly owing to the fact that our former Licensee – NBC/Universal Television – has failed to meet their contractual obligations” and how their publishing program is changing in response:
…Beyond denying you a regular issue of the magazine up till now, in order to continue publishing the magazine we have had to take the following steps as well:
Owing to the previously stated, Amazing Stories must change the way it produces issues, while at the same time attempting to do what is right by our subscribers. These are necessary, budget-related changes that represent our only option for keeping the magazine in publication. Those changes are as follows:
First, Amazing Stories will be changing to an annual format, producing one (over-sized) issue per year rather than quarterly (four) issues per year.
Second, we are eliminating the print edition as a regularly available option. Print copies of each issue will remain available as a separately purchased Print On Demand (POD) product. All current print subscriptions will be converted to Electronic Editions moving forward. In addition, former print subscribers may select one of the Amazing Select titles, electronic edition, for each year of subscription that is being converted.
Please know that we are not happy with having to make these changes, but following long discussion, we believe that these changes offer us our best chance of moving forward. Those with questions, please feel free to get in touch with the publisher, Steve Davidson, via Steve (at) amazingstories (dot) com.
There are perfectly legitimate reasons not to have read works widely regarded as science fiction and fantasy classics. Perhaps the most compelling is that the field is far too large for any one person to have read all of it, even if they were to limit themselves to works other readers enthusiastically recommend. However, there are other reasons, some quite silly, to have left promising books unread. Here are five of my stupidest reasons for not having read a widely-praised book cover to cover….
(7) STORIES THAT ARE THE FOUNDATIONS FOR RPG. Goodman Games, an RPG publisher, occasionally features interesting articles on their site. Here are two:
Appendix N of the original Dungeon Masters Guide has become a Rosetta Stone for the study of the literary roots of D&D. One figure carved on that stone is Andrew J. Offutt, who is cited not for his own writing, but for editing the Swords Against Darkness heroic fantasy anthology series. Oddly, only the third volume of the five-book series is singled out and none of the other four books are even mentioned. Who then is Andrew Offutt, and why is he enshrined with the other Appendix N luminaries? …
Robert E. Howard’s sword and sorcery tale “Red Nails,” published as a three-part serial in Weird Tales in 1936, tells the story of the city of Xuchotl, the enduring, blood-soaked war between the Tecuhltli and the Xotalanc, and the dehumanizing effect of sustained hatred and violence. “Red Nails” engages with several ancient literary tropes, but the one that centers “Red Nails” is what I term “the stalemate war.” By focusing on the stalemate war between the murderous Tecuhltli and insane Xotalanc, I hope to bring into focus a surprising facet of Robert E. Howard’s most famous sword and sorcery character, Conan of Cimmeria: the way the barbarian maintains his humanity through compassion….
(8) A KEY INVENTION. The Typewriter Revolution exhibit can be seen at the National Museum of Scotland through April 17, 2022. Or you can view photos of over 100 typewriters in their connection at the website.
The impact of the typewriter has been much wider than simply speeding up the way we write. It helped revolutionise the world of work and change the lives of working women in particular. Typewriters helped them launch their own businesses at a time when female employers were rare and became a vital weapon in the fight for the vote.
The typewriter’s social and technological influence is revealed in this new exhibition and looks at its role in society, arts and popular culture. It traces the effect and evolution of typewriters across more than 100 years, from weighty early machines to modern style icons. And despite being erased from many offices by the rise of computers, the typewriter has remained a beloved design icon that is still in use today.
Drawing on our outstanding typewriter collection, the exhibition features a range of machines, including an 1876 Sholes and Glidden typewriter which was the first to have a QWERTY keyboard; a 1950s electric machine used by Whisky Galore author Sir Compton Mackenzie; and the 1970s design icon, the Olivetti Valentine.
Writer, activist and broadcaster Walidah Imarisha presents the untold story of black sci-fi and its vital role in redefining the present and imagining the future.
This documentary explores the power – and the rich history – of speculative, visionary fiction by black authors in the UK, USA and Africa, and how activists around the world have been inspired by science fiction as they strive to build new worlds. Walidah Imarisha unravels the idea that all organisation and activism is a form of “science fiction” – and how bringing new realities into being is itself a creative act.
Interviewees include multidisciplinary artists Moor Mother and Rasheedah Philips, Nigerian-American writer Nnedi Okorafor, and British feminist writer and researcher Lola Olufemi.
Dr. Eric Leif Davin teaches labor and political history at the University of Pittsburgh. He wrote “Pioneers of Wonder: Conversations with the Founders of Science Fiction.” as well as “Partners in Wonder: Women and the Birth of Science Fiction, 1928-1965.”
John Grayshaw: What is the Gernsback era?
[Davin] Although Hugo Gernsback briefly published an SF magazine in the 1950s, “SF Plus,” the Gernsback Era is actually referring to the period 1926-1934. In 1926 Gernsback launched “Amazing Stories,” the first SF magazine. It was the only SF magazine until 1929, when he launched “Wonder Stories.” In 1934 he sold the latter magazine to the Thrilling group, with it becoming “Thrilling Wonder Stories.” With that, he exited the SF magazine world until the 1950s
…In the late 1980s when I first met Lorna, the Spaced Out Library was on the second floor of the Boys and Girls House at Beverly and College Streets. Not climate-controlled. Not accessible. As ad-hoc a library as its name might suggest.
I’d come in as a journalist, ostensibly working with another writer on an article about the Canadian science fiction community for a local alternative paper – but really, dipping my toe into a world that I very much wanted to enter.
Lorna helped me do both. First, she gave me a who’s-who rundown of sources I might speak to, suggested I hit Ad Astra, the local science fiction convention to find those sources in one place.
Those sources included Judith Merril herself, who after a very professional interview, told me very candidly, about a writer’s workshop that might be looking for members – and introduced me to one of the founding members, Michael Skeet. Lorna’s husband….
(12) MEMORY LANE.
2007 – Fourteen years ago today, Masters of Science Fiction, an anthology science fiction series, finished its very brief run on ABC. And I do mean brief as only four of its six episodes actually aired. It was presented by Stephen Hawking which is why when it broadcast later on the Science Channel in its entirety that it was called Stephen Hawking’s Sci-Fi Masters. The six stories were all by SF writers, to wit John Kessel, Howard Fast, Robert Heinlein, Harlan Ellison, Walter Mosley and Robert Sheckley. The few critics that actually noticed it liked it. Like so many similar short-run series, it has no Rotten Tomatoes audience rating. The trailer is up here. (Several YouTubers attempted to host the videos, however, they aren’t available as, of course, the series is under copyright.)
(13) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 25, 1909 — Michael Rennie. Definitely best remembered as Klaatu in The Day the Earth Stood Still. He would show up a few years later on The Lost World as Lord John Roxton, and he’s got an extensive genre series resume which counts Lost in Space as The Keeper in two episodes, The Batman as The Sandman, The Time Tunnel, The Man from U.N.C.L.E. and The Invaders. (Died 1971.)
Born August 25, 1913 — Walt Kelly. If you can get them, Fantagraphics has released Pogo in six stunning hardcover editions covering up to 1960. They’re planning to do all of his strips eventually. Did you know Kelly began his career as animator at Walt Disney Studios, working on Dumbo, Pinocchio and Fantasia? (Died 1973.)
Born August 25, 1930 — Sir Sean Connery. Best film overall? From Russia with Love. Best SF film? Outland. Or Time Bandits you want go for silly. Worst film? Zardoz. These are my choices and yours no doubt will be different. (Died 2020.)
Born August 25, 1940 — Marilyn Niven, 81. She was a Boston-area fan who lives in LA and is married to writer Larry Niven. She has worked on a variety of conventions, both regionals and Worldcons. In college, she was a member of the MITSFS and was one of the founding members of NESFA. She’s also a member of Almack’s Society for Heyer Criticism.
Born August 25, 1955 — Simon R. Green, 66. I’ll confess that I’ve read pretty much everything he’s written. Favorite series? The Nightside, Hawk & Fisher and Secret History are my all-time favorite ones with Drinking Midnight Wine the novel I’ve re-read the most. He’s got three active series now of which the Ishmael Jones and the Gideon Sable series are the best.
Born August 25, 1958 — Tim Burton, 63. Beetlejuice is by far my favorite film by him. His Batman is kind of interesting. Read that comment as you will. Charlie and the Chocolate Factory is definitely more Dahlish than the first take was, and Sleepy Hollow is just damn weird. Not really true to the source material though.
Born August 25, 1970 — Chris Roberson, 51. Brilliant writer. I strongly recommend his Recondito series, Firewalk and Firewalkers. The Spencer Finch series is also worth reading. He’s also written two Warhammer novels, Dawn of War and Sons of Dorn, and is publisher with his wife Allison Baker of Monkey Brain Books which has twice been nominated for World Fantasy Awards. He won two Sidewise Awards for Alternate History, for his novella O One (2003), and novel The Dragon’s Nine Sons (2008).
Born August 25, 1987 — Blake Lively, 34. She was Adaline Bowman in The Age of Adaline, a neat mediation upon life and death. She also played Carol Ferris in that Green Lantern film but the less said about it the better. Her very first role was as Trixie / Tooth Fairy in The Sandman at age eleven.
It’s finally here! And it was worth the wait. Fantastic Voyage has reached the big screen, and it’s spectacular.
Fantastic Voyage may be the most advertised science fiction film ever made, with intriguing articles in Life and Look, a novelization published in The Saturday Evening Post and about a zillion articles in Famous Monsters in Filmland. And despite this endless campaign – or maybe because of it – I’m delighted to tell you this audacious film deserves its media ubiquity.
(15) YOU’LL SHOP HERE SOONER OR LATER. A business in LA’s Echo Park neighborhood has the fascinating name Time Travel Mart. Here are just a few of the items they sell there.
…Just to make sure that she isn’t imagining things, Mona calls over Ellen, the maid, and asks her what she sees in the puddle of spilled water. Ellen confirms that the puddle looks like a dog, but not just any old dog either, but the little dogs on which the leprechauns ride on moonlit nights. For Ellen just happens to be Irish and therefore a fount of Irish folklore…..
(18) IT CAUSES ME TO TINGLE. Not only is love real, so is Chuck.
(19) R.L. STINE REMEMBERS. [Item by Martin Morse Wooster.] I listened to this podcast that Leonard and Jessie Maltin did with R.L. Stine. “Maltin on Movies: R.L. Stine”. The Maltins began by remembering how they would chat with Stine in the Los Angeles Times Book festival green room, where they would also say hello to Ray Bradbury and Harlan Ellison. Stine then explained how he, born in 1943, was first influenced by radio comedians (remember Mortimer Snerd?) He also loved E.C. comics and after his parents refused to let him buy the comics he made sure to get a haircut every Saturday because the local barbershop had a plentiful supply. Stine then worked his way up at Scholastic Books, and became a YA horror author because an editor got mad at Christopher Pike and they wanted someone to write YA horror novels. Stine said he was a hands-on producer of the Goosebumps TV series, which “gave every child actor in Canada a job” including 11-year-old Ryan Gosling. Stine also explained that he had kids come up to him and say they learned how to use typewriters because they saw Jack Black use a typewriter playing Stine in the Goosebumps movie.
(20) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: Monster Hunter Stories” on YouTube, Fandom Games says Monster Hunter Stories is a dinosaur-fighting game that has gone through “Pokemonification,.” and includes a scene here you fight a dinosaur with a bagpipe and another where a talking cat spends too much time explaining how she enjoys donuts.
[Thanks to John King Tarpinian, Cat Eldridge, Mike Kennedy, Cora Buhlert, James Davis Nicoll, SF Concatenation’s Jonathan Cowie, Andrew Porter, Martin Morse Wooster, JJ, and Michael Toman for some of these stories. Title credit belongs to contributing editor of the day Daniel Dern.]
The Speculative Literature Foundation has announced its first four convention grant winners.
The SLF is awarding $10,000 over the course of 2021-2022 on a rolling basis to science fiction and fantasy conventions. Grant amounts range from $500 – $1000 each. The application and additional criteria can be found here. $3,860 has been awarded so far to four different conventions. Read on for more information about how each convention will use the funding.
Astronomicon (October 29-31, 2021). Run by the Rochester Fantasy Fans non-profit, Astronomicon is looking to make a return after 8 years of not holding the con. They will use the funds to get more rooms for their breakout sessions at the con, as well as purchase extra sanitizing supplies like wipes and masks. They received $1000.
FIYAHCON (September 16-19, 2021). FIYAHCON is a virtual con dedicated to the members of the BIPOC community who’ve contributed to speculative fiction. Their first con was last year, with 1200 participants and a Hugo nomination for Best Related Work. They will use the funds to expand their programming, including a “Dealers Row” element for art exhibitors, vendors, and sponsors. They received $1000.
Loscon (Nov 26-28, 2021). This con is being run by The Los Angeles Science Fantasy Society (LASFS), “the world’s oldest continuously active science fiction and fantasy club (founded Oct. 27, 1934)”! They’re expecting around 1000 participants, so the funding will help ensure they have enough sanitizing supplies, as well as temporal thermometers, tape to mark off social distanced lines, and signage to use for the con. Loscon is looking to put on a family-friendly programming with “panels, discussions, activities, a film festival, an art show, and shopping with a focus on the science and people involved with the genre.” They received $860.
Estcon Estcon: (July 16-18, 2021). Estcon will be taking place in Estonia, and it will be put on by the Estonian Science Fiction Association, which has been active since 1995. “It’s about literature, comic books, LARP, films, animations and having a good time during a weekend in July with friends and barbecue.” They received $1000.
Founded in January 2004 to promote literary quality in speculative fiction, the all-volunteer Speculative Literature Foundation is led by Mary Anne Mohanraj and 30 other committed volunteers. The Foundation maintains a comprehensive website offering information for readers, writers, editors and publishers of speculative fiction, develops book lists and outreach materials for schools and libraries, and raises funds for redistribution to other organizations in the field, as well as five awards made annually to writers, including the A.C. Bose Grant. For more information, visit SpeculativeLiterature.org.
The SLF is a 501(c)3 non-profit, entirely supported by community donations. If you’d like to be involved with our efforts, please consider joining as a member for $2/month, at speculativeliterature.org/membership.
This program is partially supported by a grant from the Illinois Arts Council Agency.
Mood can take two forms – the mood of the story or novel you abandoned and the mood you’re in when you try to get back into it – that is, your emotional state of mind. As any writer can tell you, the mood you’re in makes a great difference when you tackle any work of fiction. But let’s say this project’s been gathering dust for several years. Are you charged up enough to take it on? Do you have the right inspiration?
Lois McMaster Bujold, speculative fiction writer and four-time winner of the Hugo Award, can speak to these very questions. She returned to an abortive novella after a seven-year hiatus. In 2011, she had completed 15,000 words on a “high-concept tale” about bioengineering, which she nicknamed Radbugs! Then she ran into a brick wall: “Radbugs, and then what?”
Plot-wise she had drawn up short: “The internal problem was that of making the Radbug bioengineering project central, as semi-realistic science (fiction) – it didn’t have a novella-like time frame or structure.” She considered two options, the first being a story that concentrated more on the research. “But scientific research like that is just a whole lot of tedious back-and-forthing on experiments and data collection for several years until the concept either becomes viable or is proved not to work.” Her second option didn’t seem viable, either. “Letting the story focus instead on some of the human problems encountered in those first 15,000 words seemed too much like another story I’d written. I eventually stopped and went on to other things, thinking I’d finally own a trunk story. But it itched. It was half done.”
In 2018, she was in the right frame of mind to return to it….
…This year’s summer reader poll was also shaped by a series of “what ifs” — most importantly, what if, instead of looking at the entire history of the field the way we did in our 2011 poll, we only focused on what’s happened in the decade since? These past 10 years have brought seismic change to science fiction and fantasy (sometimes literally, in the case of N.K. Jemisin’s Broken Earth series), and we wanted to celebrate the world-shaking rush of new voices, new perspectives, new styles and new stories. And though we limited ourselves to 50 books this time around, the result is a list that’s truly stellar — as poll judge Tochi Onyebuchi put it, “alive.”…
How We Built This
Wow, you’re some dedicated readers! Thanks for coming all the way down here to find out more. As I said above, we decided to limit ourselves to 50 books this year instead of our usual 100, which made winnowing down the list a particular challenge. As you may know, this poll isn’t a straight-up popularity contest — though, if it were, the Broken Earth books would have crushed all comers; y’all have good taste! Instead, we take your votes (over 16,000 this year) and pare them down to about 250 semifinalists, and then during a truly epic conference call, our panel of expert judges goes through those titles, cuts some, adds some, and hammers out a final curated list….
(4) DODGY PRACTICES. Smashwords informed Nigerian writer and editor Oghenechovwe Donald Ekpeki that they cannot pay him outstanding e-book royalties, because he doesn’t have a PayPal account – which is due to PayPal not operating in Nigeria.
In this clip, author Paolo Bacigalupi discusses how he writes fictional solutions into the personas and experiences of the characters that populate his novels
(1) Ecological message fiction provides a space for authors to imagine inspired, inventive technology for the future. Bacigalupi believes that crafting these ideas for a better life within dystopian settings ultimately creates a more powerful message for his readers. Do you agree? Why or why not? Can you think of any examples of message fiction that are not set within a dystopian context?
(2) The focus on a ‘chosen one’ or set of heroes as the solution to the problems presented in values fiction can be limiting for a narrative’s overall message. Why do you think this would be? Are there any broader societal implications for ‘chosen one’ style-plots? Is there a situation in which this narrative structure would be useful?
(3) Bacigalupi says that writing fully “lived-in”, interesting characters with varied perspectives on the topic at hand is more effective in getting your message across than creating characters who specifically espouse your values. Do you agree with Bacigalupi? As a reader, what do you find you relate most to in the characters you read?
(4) Bacigalupi cites Gene Wolfe’s claim that those who want to write values fiction need to be able to argue all sides of the argument they’re engaging with in order to make their own point as strong as possible. Can you think of any topic in which arguing all sides would completely contradict your own values as a writer? Would you do it anyway?
“Not for sale,” reads the fine print on the back of an advance reader copy (ARC) of Sally Rooney’s forthcoming novel, Beautiful World, Where Are You, which days ago sold on eBay for $79.99 (with tote bag). Another advance copy sold earlier this summer for around $200—roughly 10 times what it costs to preorder the hardcover. An ARC of Jonathan Franzen’s forthcoming Crossroads was recently listed on eBay for $165.
Free copies of forthcoming books—in the form of ARCs, galleys and uncorrected proofs—are typically sent by publishing houses to authors, reviewers, bookstores and, increasingly, celebrities and influencers months before publication. The copies can draw a bidding frenzy, especially inside the literary world. One publicist described Rooney’s galleys, along with Ottessa Moshfegh’s, as “almost like trading cards” among junior publishing employees.
Early, unfinished versions of classic novels have long been collectible, with some fetching astronomical prices. This is especially true for early-20th-century books, when advance copies were rare and tended to be made with higher-quality materials. They can also provide a window into a canonical author’s process—highlighting revisions made between drafts, say—and may include handwritten corrections.
An uncorrected advance copy of John Steinbeck’s Cannery Row is currently available for $35,000; an early version of Hemingway’s The Old Man and the Sea is on sale for $28,000. More recent releases from bestselling authors—such as an uncorrected proof of Stephen King’s first novel, Carrie, on sale for $3,000—typically sell for less. And then there’s Harry Potter. This May, an uncorrected version of Harry Potter and the Philosopher’s Stone sold for over $29,000….
(7) NEW B5 COMMENTARY. J. Michael Straczynski has released another Babylon 5 commentary, on the episode “Signs and Portents”. These commentaries originally were only available through his Patreon page.
…In 1960 she married Robert G. Youngson, a renowned movie producer and historian, and that same year she launched a career as an independent filmmaker, winning numerous prizes as an animator. She also produced medical documentaries, including “My Name Is Debbie,” about the life of a post-operative male to female transsexual. The film is still being shown at Gender Identity conferences in tandem with a Canadian documentary featuring the actual operation.
The idea for a Dracula Club came to Youngson in 1965 while on a trip to Romania. Society Headquarters were set up in London, England, and New York City upon her return; and by the beginning of the 1970s the club had become a growing concern. In the meantime she found it necessary to give up filmmaking to devote her energies to the Dracula and Bram Stoker genres….
(9) MEMORY LANE.
1950 – Seventy-one years ago on this date, Destination Moon, produced by George Pal, premiered in the United Kingdom. It would be voted a Retro Hugo for Best Dramatic Presentation at the Millennium Philcon. It was directed by Irving Pichel from the screenplay by Alford Van Ronkel and Robert A. Heinlein and James O’Hanlon. It’s based off Robert A. Heinlein‘s Rocketship Galileo novel. It starred John Archer, Warner Anderson, Erin O’Brien-Moore, Tom Powers and Dick Wesson. Mainstream critics usually didn’t like it but Asimov said In Memory Yet Green that it was “the first intelligent science-fiction movie made.” Audience reviewers at Rotten Tomatoes give it a mediocre 48% rating though the critics overall give a sixty four percent rating there. It is not in the public domain but the trailers are and here is one for you.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 18, 1925 — Brian Aldiss. Fiction wise, I’ll single out his Helliconia series, Hothouse and The Malacia Tapestry as my favorites. He won a Hugo at Chicon III for “The Long Afternoon of The Earth”, another at Conspiracy ’87 for Trillion Year Spree which he co-authored with David Wingrove. He’s edited far too many collections to know which one to single out. (Died 2017.)
Born August 18, 1929 — Joan Taylor. Her first genre role was Earth vs. the Flying Saucers as Carol Marvin, and she followed that with 20 Million Miles to Earth as Marisa Leonardo. Her last genre role was as Carol Gordon in Men into Space, a late Fifties series about a USAF attempt to explore and develop outer space. She retired from acting in the early Sixties. (Died 2012.)
Born August 18, 1931 — Grant Williams. He is best remembered for his portrayal of Scott Carey in The Incredible Shrinking Man though he did have the role of the psychopathic killer in Robert Bloch’s The Couch. Of course he shows up in Outer Limits where he plays Major Douglas McKinnon in “The Brain of Colonel Barham”. And he’s Major Kurt Mason in The Doomsday Machine. (Died 1985.)
Born August 18, 1934 — Michael de Larrabeiti. He is best known for writing The Borrible Trilogy which is noted by several sources online as being an influence on writers in the New Weird movement. Ok folks, I’ve not read it so please explain how The Borrible Trilogy influences that literary movement as it doesn’t seem like there’s any connection. (Died 2008.)
Born August 18, 1954 — Russell Blackford, 67. Writer resident in Australia for awhile but now in Wales. Author of Terminator 2: The New John Connor Chronicles, and editor of the Australian Science Fiction Review in the Eighties. With Van Ikin and Sean McMullen, he wrote Strange Constellations: A History of Australian Science Fiction, and Science Fiction and the Moral Imagination: Visions, Minds, Ethics which is just out.
Born August 18, 1958 — Madeleine Stowe, 63. She’s in the Twelve Monkeys film as Kathryn Railly, and she’s in the Twelve Monkeys series as Lillian in the “Memory of Tomorrow” episode. Her only other genre work was a one-off in The Amazing Spider-Man which ran for thirteen episodes nearly forty years ago. She was Maria Calderon in “Escort to Danger” in that series, and she also played Mia Olham in Impostor which scripted off Philip K. Dick’s “Impostor” story.
Born August 18, 1966 — Alison Goodman, 55. Australian writer who’s won three Aurealis Awards for Excellence in Speculative Fiction for Singing the Dogstar Blues, The Two Pearls of Wisdom and Lady Helen and the Dark Days Pact. The Two Pearls of Wisdom was nominated for an Otherwise Award.
Born August 18, 1967 — Brian Michael Bendis, 54. He’s both writer and artist, a still uncommon occurrence. Did you know he’s garnered five Eisner Awards for both his creator-owned work and Marvel Comics? Very impressive! He’s the primary force behind the creation of the Ultimate Marvel Universe, launching Ultimate Spider-Man which is an amazing series which I read on the Marvel Unlimited app.
…Anya Combs, director of games outreach at Kickstarter, says one of the key reasons that 2020 was such an explosive year of growth for tabletop gaming was the Covid pandemic, which forced everyone indoors for months on end.
But to chalk up all of tabletop’s recent success to the pandemic would be shortsighted. Tabletop gaming has been enjoying expansion for years. In 2019, Grand View Research estimated that the playing cards and board games market would reach $21.56 billion by 2025.
“Tabletop has been having a moment for a long time,” Combs says. “A lot of it stems from this retro nostalgic aspect, and many point to Stranger Things and the resurgence of role-playing games such as Dungeons & Dragons. Tabletop provides a level of play that people needed during Covid. There’s something very genuine about sitting with your friends and sharing in a communal way.”…
Presenting the Star Trek the Next Generation Bluetooth Communicator Badge! Since its debut in 1987 the TNG Communicator Badge has been a sought-after future tech we all wish we had. Now available, a few centuries early, connect to your phone, tablet or computer to enjoy hands and ear. The Star Trek TNG ComBadge features an accurate on-screen matte gold with black outline & silver delta plate. High quality ABS & Zinc materials.
The Star Trek Communicator connects to all phones or tablets that have Bluetooth (any modern phone) with Bluetooth version 5 for longer range and extended payback time. It features a built-in Microphone and Speaker for phone calls and music playback. Strong magnet backplate so no holes in your clothes! | 2 hours constant music or phone usage / 48 hours Cos-play “Chirp” mode.
HIGH QUALITY SOUND | Plays the classic Star Trek TNG ComBadge chirp sound effect when you press it for Cosplay, when you receive phone calls or enable Siri, Google, Cortana or Alexa! With 30 to 300 foot Bluetooth “Badge to phone” range you can keep your phone in your pocket while you make phone calls, listen to music or use voice your voice assistant.
(14) FLIPPER. A pair of Boston Dynamics robots run a complicated course.
Parkour is the perfect sandbox for the Atlas team at Boston Dynamics to experiment with new behaviors. In this video our humanoid robots demonstrate their whole-body athletics, maintaining its balance through a variety of rapidly changing, high-energy activities. Through jumps, balance beams, and vaults, we demonstrate how we push Atlas to its limits to discover the next generation of mobility, perception, and athletic intelligence.
NASA’s tiny Mars helicopter, which has a fuselage about the size of a small toaster, has successfully flown above the planet for the 12th time.
Nearly half a year after the Perseverance rover landed on Mars, the Ingenuity helicopter is still going strong on the surface of the planet. The small flyer has done so well that it has been separated from Perseverance for some time as it scouts ahead on the red planet….
(16) VIDEO OF THE DAY. [By Martin Morse Wooster.] In the spoiler-filled “Old Pitch Meeting” on YouTube, the producer, when he learns that the aging powers of the mysterious beach enables two six-year olds to mature so fast that they have a baby that dies 20 minutes after it is born, says “I could have been a doctor!” The shocking third act plot twist is SO ridiculous that George makes you very glad you didn’t spend any money on this stinker.
[Thanks to John King Tarpinian, Cat Eldridge, Mike Kennedy, Olav Rokne, Cliff, Chris Barkley, Andrew Porter, Martin Morse Wooster, JJ, and Michael Toman for some of these stories. Title credit belongs to contributing editor of the day Jon Meltzer.]
(1) SPECULATIVE LITERATURE FOUNDATION. In the Mohanraj and Rosenbaum Are Humans podcast, episode 15, “An Interview with Farah Mendelsohn”, Mary Anne Mohanraj’s icebreaker question opens the way for an exchange with Farah Mendlesohn about the challenges of coming to a country from somewhere else, and some immediate worries for Mendlesohn about the consequence of Brexit. There follows discussion about international science fiction and Mendlesohn’s book The Pleasant Profession of Robert A. Heinlein.
(2) HARRYHAUSEN AWARDS CREATED. The Ray and Diana Harryhausen Foundation have announced a new film awards program — The Ray Harryhausen Awards — “established in honor of the legendary master of stop-motion animation.’ Beginning January 1, 2022 they will be accepting entries under the following categories:
Best Feature Film Animation
Best Short Film Animation
Best Student Film Animation
Best Commercial Film Animation
Best Online Film Animation
Best Television Animation
Harryhausen Hall of Fame Award
(3) FREE DOWNLOAD FROM TAFF. Rob Hansen collects the rare and esoteric convention reportage of … Rob Hansen! – in American Trips, the latest addition to the selection of free ebook downloads at David Langford’s unofficial Trans-Atlantic Fan Fund site, where they hope you’ll make a little donation to the fund if you please.
Following the 1984 TAFF trip described at length in On the TAFF Trail, Rob Hansen attended a number of other US conventions and wrote further reports collected in this ebook – covering multiple Corflus (1986, 1989, 1990, 2013), two Disclaves (1992, 1995) and the 1997 Boskone/Fanhistoricon at which Rob, as Britain’s leading fan historian, was a special guest.
The cover art is by Rob Hansen. 41,000 words.
Here is a brief extract:
The conversation turned to convention reports and I outlined my conreport writing philosophy for them.
“D. West says they should be ‘the truth, the whole truth, and a few lies to make it interesting’. My reports are the truth,” I explained, “but enhanced. I give the truth a little nip and tuck, and maybe a nose job, but I never go as far as breast implants.”
(4) LGBT PUBLISHING CONTROVERSY IN HUNGARY. AP News that Hungarian authorities have issued a fine over a book featuring ‘rainbow families’. The book in question is by Lawrence Schimel, who started out in the sff genre. His work has received the Science Fiction and Fantasy Poetry Associaton’s Rhysling and Dwarf Stars awards, the Gaylactic Spectrum Award, and also has twice received the Lambda Literary Award for non-genre work.
Hungarian authorities have fined the distributor of a children’s book that features families headed by same-sex parents, relying on a law prohibiting unfair commercial practices and fueling a debate over recent government steps seen as limiting the rights of LGBT people.
The fine comes as Hungary’s government is already under widespread scrutiny over legislation it passed last month that prohibits the depiction of homosexuality or gender reassignment to minors. The law, which is set to take effect on Thursday, was described by rights groups as an attack on the LGBT community, and rebuked by high-ranking European officials as a violation of the European Union’s values.
Speaking to the European Parliament in Strasbourg on Wednesday, European Commission President Ursula von der Leyen called the law “a disgrace” and warned Hungary that the EU’s executive arm would use all its powers to uphold European law.
It was amid this escalation over Hungary’s policies that a local government fined the distributor of “What a Family” – a combined Hungarian translation of American author Lawrence Schimel’s books “Early One Morning” and “Bedtime, Not Playtime!”— $830. Each of Schimel’s books depicts the daily routines of a child, one with two mothers and one with two fathers.
The fine was imposed by the Pest County Government Office — the local authority responsible for the county surrounding Hungary’s capital, Budapest….
A Pest County official told commercial television station HirTV Tuesday that the book’s Hungarian distributor, the Foundation for Rainbow Families, had violated rules on unfair commercial practices by failing to clearly indicate that “What a Family!” contained “content which deviates from the norm.”
“The book was there among other fairytale books and thus committed a violation,” Pest County Commissioner Richard Tarnai said. “There is no way of knowing that this book is about a family that is different than a normal family.”…
(5) MEMORY LANE.
2009 – Twelve years ago this week the Warehouse 13 series premiered on Syfy. It was produced by Jacks Kenny, David Simkibs and Drew Greenberg. It was created by Jane Espenson, writer and producer on Buffy the Vampire Slayer, and Brent Mote who had little genre writing experience at all. The original cast was Eddie McClintock, Joanne Kelly and Saul Rubinek. It would run for five seasons and sixty four episodes. Almost all critics really liked it although one who didn’t called it, and I quote, “An unholy cross between The X-Files, Bones, and Raiders of the Lost Ark.” WTF?!? Audience reviewers at Rotten Tomatoes currently really like it, giving it a rating of eighty eight percent. You can watch it on the Peacock streaming service where I plan on watching it. (CE)
(6) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 8, 1906 — Walter Sande. He’s best remembered for being on Red Planet Mars, The War of the Worlds and Invaders from Mars, but he also showed up playing a heavy in such serials as The Green Hornets Strikes Again! and Sky Raiders, the latter being at least genre adjacent. He’s had a recurring role as Col. Crockett on The Wild Wild West, and one-offs on Voyage to the Bottom of The Sea, The Man from U.N.C.L.E., Lost in Space and Bewitched. (Died 1971.)
Born July 8, 1944 — Jeffrey Tambor, 77. I first encountered him on Max Headroom as Murray, Edison’s editor. Later on, he’s Mayor Augustus Maywho in How The Grinch Stole Christmas. Finally I’ll note he was in both of the only true Hellboy films that there was playing Tom Manning, director of the Bureau of Paranormal Research and Defense.
Born July 8, 1953 – Mark Blackman, 68. Mark frequently writes about the Fantastic Fiction at KGB and New York Review of Science Fiction readings series for File 770. He was a member of Lunarians and chaired Lunacon 38 in 1995. He was a member of the New York in 1989 Worldcon bid. (OGH)
Born July 8, 1955 — Susan Price, 66. English author of children’s and YA novels. She has won both the Carnegie Medal and the Guardian Prize for British children’s books. The Pagan Mars trilogy is her best known work, and The Sterkarm Handshake and its sequel A Sterkarm Kiss, will please Outlander fans.
Born July 8, 1970 — Ekaterina Sedia, 51. Her Heart of Iron novel which was nominated for a Sidewise Award for Alternate History is simply awesome. I’d also recommend The Secret History of Moscow as well. It’s worth noting that both the usual suspects list several collections by her, Willful Impropriety: 13 Tales of Society, Scandal, and Romance and Wilful Impropriety. They’re quite superb it turns out as is Paper Cities: An Anthology of Urban Fantasy anthology she edited which won a World Fantasy Award. I note that’s she not published anything for a half decade now.
Born July 8, 1978 — George Mann, 43. Writer and editor. He’s edited a number of anthologies including the first three volumes of Solaris Book of New Science Fiction. Among my favorite books by him are his Newbury & Hobbes series, plus his excellent Doctor Who work. The Affinity Bridge, the first in the Newbury & Hobbes series, was nominated for a Sidewise Award.
Born July 8, 1988 — Shazad Latif, 33. If you watched Spooks, you’ll remember him as Tariq Masood. (Spooks did become genre.) He was Chief of Security Ash Tyler in Discovery,andDr. Jekyll and Mr. Hyde in Penny Dreadful. He voiced Kyla in The Dark Crystal: Voice of Resistance. And he was in the Black Mirror episode “The National Anthem” as Mehdi Raboud.
(7) COMIC-CON SCHEDULE. Comic-Con@Home 2021 will run for three days from July 23-25. The online event is free to attend. The Program Schedule dropped today. All panels will be available to stream on the Comic-Con International YouTube page. Most will be pre-recorded.
…Jokingly calling the stuffed alligator a “real diva” on set, Herron explains that the series’ first AD “actually stuck googly eyes on it. It was like a Muppet character on set.” But Alligator Loki wasn’t all just fun and games, as he was useful for the actors who had to interact with him, especially Jack Veal (Kid Loki), who frequently carries Alligator Loki from location to location.
“You put [the stuffed alligator] in there, and the actors can interact with it and get a sense of how heavy or how large the alligator would be,” notes Herron. “[It was filmed] in the world of imagination with our cast because sometimes they were acting to a blade of grass.”
Like all characters, Alligator Loki also went through a few different looks before settling on the version viewers see on-screen.
“We had some early versions when we were doing visual effects that probably were a bit too cute, in the sense of it was a bit more like a cartoony kind of alligator,” Herron explains. “But it just became funnier and funnier the more it looked like a real alligator that just happened to be wearing the horns. That was the sweet spot. Once we landed in that spot where it felt like a real alligator, but with a kind of slightly jaunty horns on, that’s where we were like, ‘Oh, there he is.’”
However, this doesn’t answer the most pressing question: Is Alligator Loki really a Loki?
Enter the multiverse of unlimited possibilities. Watch the exciting trailer for Marvel Studios’ first animated series, What If…? “What If… ?” features fan-favorite characters, including Peggy Carter, T’Challa, Doctor Strange, Killmonger, Thor and more. The new series, directed by Bryan Andrews with AC Bradley as head writer, features signature MCU action with a curious twist. What If…? starts streaming August 11, 2021, with new episodes Wednesdays on Disney+.
“Big week for #BlackAdam shooting my ‘champion’ scenes with my shirt off and showing my body” reads the caption. “Been working extremely hard dieting, training and conditioning unlike any other role of my entire career.” Johnson goes on to explain his training strategy, from manipulating his electrolytes and incorporating more intense cardio to push-and-pull resistance training in order to get the “dense, dry, detailed muscle” definition that he wanted for his role. The new photo comes weeks after Johnson gave fans the tiniest hint of his Black Adam costume in a similar social media post.
…But as the trailer (below) proves, this version of the beloved holiday figure is anything but jolly, and the only gift he’ll be bringing this year is the baseball bat he seems to be wielding. (No word yet if it makes a difference whether you’re naughty or nice.)
(12) TRAILERS AND CLIPS. Recently unveiled, a featurette about King’s Man: Legacy, coming in December, and a trailer for The Addams Family 2, in theaters October 1
As a collection of history’s worst tyrants and criminal masterminds gather to plot a war to wipe out millions, one man must race against time to stop them. Discover the origins of the very first independent intelligence agency in The King’s Man.
[Thanks to Mike Kennedy, Andrew Porter, Martin Morse Wooster, Meredith, Michael J. Walsh, Daniel Dern, David Langford, JJ, Michael Toman, John King Tarpinian, and Cat Eldridge for some of these stories. Title credit belongs to contributing editor of the day Peer.]
Since 2014, SLF has annually offered two diversity-centered grants, Diverse Writers and Diverse Worlds, both intended to foster the creation of speculative fiction work rich in diversity.
The $500 Diverse Writers grant is intended to support writers of speculative fiction who are from underrepresented and underprivileged groups, such as writers of color, women, queer writers, disabled writers, etc. — those whose marginalized identities may present additional obstacles in the writing / publishing process.
The $500 Diverse Worlds grant is intended for work that best presents a diverse world, regardless of the writer’s background.
Writers may apply for either or both grants. SLF adds: “Please note: your project does not need to center on identity issues. We also do not expect or want work that simply attempts to check off all the boxes in a tokenistic way, but rather are looking for writing that offers deep characterization, complex cultural landscapes, and strong literary quality overall. The submitted project, however, must be a work of speculative fiction.”
Each grant is intended to support the SLF’s mission of promoting literary quality in speculative fiction. Grants are awarded by a jury of SLF staff on the basis of merit. All SLF grants are free to apply, and are designed as ‘gateway’ grants, with easy and straightforward applications that should be quick to complete. SLF hopes their grants will both serve the community directly, and also encourage genre writers to explore the wide variety of grants, awards, and residencies available in the larger writing community.
Founded in January 2004 to promote literary quality in speculative fiction, the all-volunteer Speculative Literature Foundation is led by Mary Anne Mohanraj and 30 other committed volunteers. The Foundation maintains a comprehensive website offering information for readers, writers, editors and publishers of speculative fiction, develops book lists and outreach materials for schools and libraries, and raises funds for redistribution to other organizations in the field, as well as five awards made annually to writers. For more information, visit Speculative Literature Foundation.
The SLF is a 501(c)(3) non-profit, entirely supported by community donations. This program is partially supported by a grant from the Illinois Arts Council Agency.
The Speculative Literature Foundation is accepting applications for the 2021 Older Writers Grant through May 31, 2021. The complete guidelines are here.
The SLF $1000 Older Writers Grant is awarded annually to a writer who is fifty years of age or older at the time of grant application, and is intended to assist such writers who are just starting to work at a professional level. The grant may be used as each writer determines will best assist his or her work.
The grant supports SLF’s mission of promoting literary quality in speculative fiction and will be awarded by a committee of SLF staff members on the basis of merit. If awarded the grant, the recipient agrees to provide a brief excerpt from their work, and an autobiographical statement describing themselves and their writing (500-1000 words) for SLF’s files, and for possible public dissemination on the SLF website.
Additional information about all of the SLF’s grants, including specific application guidelines, can be found at speculativeliterature.org/grants. Grant applications are open to all: you do not need to be a member of SLF to apply for or receive a grant.
The Older Writers Grant, as with all SLF grants, is intended to help writers working with speculative literature. Speculative literature is a catch-all term meant to inclusively span the breadth of fantastic literature, encompassing literature ranging from hard science fiction to epic fantasy to ghost stories to horror to folk and fairy tales to slipstream to magical realism to modern myth-making — and more. Any piece of literature containing a fabulist or speculative element would fall under SLF’s aegis, and potentially would be work that SLF would be interested in supporting.
Founded in January 2004 to promote literary quality in speculative fiction, the all-volunteer Speculative Literature Foundation is led by Mary Anne Mohanraj and 30 other committed volunteers. The Foundation maintains a comprehensive website offering information for readers, writers, editors and publishers of speculative fiction, develops book lists and outreach materials for schools and libraries, and raises funds for redistribution to other organizations in the field, as well as five awards made annually to writers.
The SLF is a 501(c)3 non-profit, entirely supported by community donations. Those interested in becoming involved in their efforts are invited to consider joining as a member for $2/month – see Membership – Speculative Literature Foundation.
This program is partially supported by a grant from the Illinois Arts Council Agency
The Speculative Literature Foundation, noting that “This has been a difficult year for the conventions that have long been the lifeblood of our field,” today announced a new Convention Support Grant for 2021-2022.
SLF will be giving out $10,000 over the course of the year, in grants of $500 – $1000 each, to science fiction and fantasy conventions. Literary conventions that have significant speculative literature content are also welcome to apply.
These grants are intended to support conventions both in developing their online presences (through the purchase of tech, training costs, hosting costs, etc.) and making in-person gathering safer once it’s appropriate, perhaps in the last quarter of 2021 (through purchase of cleaning supplies, masks, renting additional rooms for better spacing, etc.). Non-profit organizations are preferred. Applications will be reviewed on a rolling basis.
Open for submissions:
Conventions taking place between June 1 and December 31, 2021, application period: May 15 – June 15, 2021
Conventions taking place between January 1 and May 31, 2022, application period: August 15 – September 15, 2021
More specific information on the application process is available on the convention support grant page of the SLF website.
Founded in January 2004 to promote literary quality in speculative fiction, the all-volunteer Speculative Literature Foundation is led by Mary Anne Mohanraj and 30 other committed volunteers. The Foundation maintains a comprehensive website offering information for readers, writers, editors and publishers of speculative fiction, develops book lists and outreach materials for schools and libraries, and raises funds for redistribution to other organizations in the field, as well as five awards made annually to writers, including the Working Class Writers Grant. For more information, visit speculativeliterature.org.
The SLF is a 501(c)3 non-profit, entirely supported by community donations.
This program is partially supported by a grant from the Illinois Arts Council Agency.
A task force made up of science fiction and fantasy, romance, crime and horror authors has been formed in an attempt to persuade Disney into paying authors outstanding royalties for novelisations and comics relating to their properties, including Star Wars, Alien and Indiana Jones.
The so-called DisneyMustPay Joint Task Force includes major writers Neil Gaiman, Tess Gerritsen, Mary Robinette Kowal and Chuck Wendig among its members. It has been formed by the Science Fiction and Fantasy Writers of America in partnership with the Author’s Guild, Horror Writers Association, National Writers Union, Novelists, Inc., Romance Writers of America, and Sisters in Crime.
The author organisations came together after the SFWA became involved in the author Alan Dean Foster’s battle to get Disney to pay him royalties for his bestselling novelisations of Star Wars and Alien. Foster was asked to write his novelisation of Star Wars: A New Hope by George Lucas himself, which was published in 1976. When Disney acquired Lucasfilm in 2012, it bought the rights to the Star Wars novel, while Disney’s acquisition of 20th Century Fox in 2019 meant it also bought rights to Foster’s novelisations of Alien, Aliens and Alien 3….
But despite the books still being in print, Foster claimed that Disney was not paying him royalties for them and that he’d had to go public after the company ignored multiple queries from his agents, legal representatives and the SFWA. The latter claimed that Disney had argued that it had purchased the rights, but not the obligations of the contract.
(2) SLF OLDER WRITERS GRANT. The Speculative Literature Foundation will be taking applications for the SLF $1000 Older Writers Grant from May 1-31. Complete guidelines here.
The SLF $1000 Older Writers Grant is awarded annually, since 2004, to a writer who is fifty years of age or older at the time of grant application, and is intended to assist such writers who are just starting to work at a professional level. We are currently offering a $1000 grant annually, to be used as each writer determines will best assist his or her work.
This grant will be awarded by a committee of SLF staff members on the basis of merit. If awarded the grant, the recipient agrees to provide a brief excerpt from their work, and an autobiographical statement describing themselves and their writing (500-1000 words) for our files, and for possible public dissemination on our website.
This grant, as with all SLF grants, is intended to help writers working with speculative literature. Speculative literature is a catch-all term meant to inclusively span the breadth of fantastic literature, encompassing literature ranging from hard science fiction to epic fantasy to ghost stories to horror to folk and fairy tales to slipstream to magical realism to modern myth-making — and more. Any piece of literature containing a fabulist or speculative element would fall under our aegis, and would potentially be work that we would be interested in supporting.
(3) IT’S ABOUT TO HATCH. Melinda Snodgrass invites readers to look over her shoulder as she explains “How I Plot”.
I mentioned on Twitter that I was getting ready to outline or break two new novels, and a follower asked if I could describe my process. It ended up being a really looong Tweet thread so I thought I would pull it all together here for folks who might not be on Twitter. I always outlined from the time I first started writing, I think it was a function of having been a lawyer and knowing that a brief has to take a judge or a jury to a certain conclusion so structure is important. I’m also the type of person who likes to have an itinerary when I travel and hotels booked in advance. But it wasn’t until I got my first job in Hollywood that I truly learned how to “break a story”. Ira Behr, Rick Manning and Hans Beimler were my teachers and they were very good ones. So without further ado….
First, I never start anything unless I know the ending. I don’t mean the wrap up, falling action, but the actual exciting climax. The next thing I ask myself is “What is the theme of this book?” What is it I want to impart about the human condition? The human heart in conflict with itself as William Faulkner wrote.
My short hand for this is “Plot is the shit that happens. Theme is why it matters.”…
(4) CHRIS GARCIA’S SFF FILM PODCASTS. Chris Garcia says he’s rediscovered a ton of episodes of his old podcasts and has started posting them on a new series of feeds.
Fantasy Film 101 is available from Pinecast or Apple. Its 16 episodes cover fantasy film history, emphasizing short films, foreign works, and the super-artsy.
(5) JOHN HODGMAN WEIGHS IN ON TIME TRAVEL CONTROVERSY. [Item by Martin Morse Wooster.] This is John Hodgman’s column from the April 18 New York Times Magazine.
Tony; “My son read that the director James Gunn’s favorite time-travel movie is A Christmas Carol. That isn’t time travel! Please find against Scrooge, my son, and James Gunn, just to be sure. (P.S. I was mistaken. Apparently, it was Robert Zemeckis who said this.”
Hodgman: “I had never thought of Scrooge’s big night as time travel! And for that reason I find against you. Back To The Future is wonderful but only one template for time travel in movies. There’s the multiple timelines concept, as in Avengers: Endgame, which would account, say, for an alternate universe in which Robert Zemeckis, director of Back To The Future, could be wrong about time travel. But as with all these stories, they are designed to inspire imagination, not stamp it out as you seek to do with your own Tiny Tim. G Buy your son the biggest goose in town as damages.”
(6) AND THAT’S NOT ALL! [Item by Daniel Dern.] The new season (starts May 2) of DC Legends Of Tomorrow looks like a wild whacky ride! Watch the trailer even if you currently don’t plan to watch the show! And io9’s post “Legends of Tomorrow Season 6 Trailer: Aliens, Disney, Reality TV” says that beyond what the trailer shows, the season will include other references —
… And that’s not all! Entertainment Weekly confirms there will also be a Clue episode, an ALF episode (because of course there is), and, according to showrunner Phil Klemmer, “another episode that’s virtually all Constantine (Matt Ryan) in the Spanish Civil War, and that could just as well be from the Constantine TV show,” which sounds completely awesome….
(7) FIRM GRASP ON THE CATNIP. In“Timothy Reviews The Dispossessed by Ursula Le Guin” at Camestros Felapton, Timothy the Talking Cat propounds literary truths about a great classic that were previously unsuspected by any human being. But fairly obvious to a cat, evidently.
Greetings, salutations and the assorted lyrics of Hello, Goodbye by the mop-headed foursome from Liverpool to you all. I am, once again, your inimitable host and master of ceremonies, Timothy the Talking Cat esquire, who shall be taking you on a journey into the foundational texts of modern scientifiction….
Doctor Who‘s John Barrowman and David Bradley are set to reprise their roles for the theatrical event Time Fracture.
The pair, who play Captain Jack Harkness and the First Doctor on the BBC sci-fi series respectively, have recorded cameo appearances for the Immersive Everywhere event.
… Time Fracture is set to take place at Immersive | LDN in London and will put fans in the middle of a new Doctor Who story set at the time of the Blitz.
(9) COLLINS OBIT. Apollo 11 astronaut Michael Collins died April 28. Acting NASA Administrator Steve Jurczyk had this to say:
“Today the nation lost a true pioneer and lifelong advocate for exploration in astronaut Michael Collins. As pilot of the Apollo 11 command module – some called him ‘the loneliest man in history’ – while his colleagues walked on the Moon for the first time, he helped our nation achieve a defining milestone. He also distinguished himself in the Gemini Program and as an Air Force pilot.
“Michael remained a tireless promoter of space. ‘Exploration is not a choice, really, it’s an imperative,’ he said. Intensely thoughtful about his experience in orbit, he added, ‘What would be worth recording is what kind of civilization we Earthlings created and whether or not we ventured out into other parts of the galaxy.’…”
(10) TODAY’S DAY.
April 28 – National Superhero Day. Marvel, naturally, celebrated by advertising a forthcoming production.
(11) MEDIA BIRTHDAY.
April 28, 1946 — On this night in 1946, The Shadow’s “Dreams of Death” episode first aired. It starred Lloyd Lamble (of Quatermass2 fame) as Lamont Cranston and The Shadow with Lyndall Barbour as Margot Lane and Lloyd Berrill as The Announcer. The Shadow in the radio series was quite different from the printed version as he was given the power to “cloud men’s minds so they cannot see him”. This was at odds with the pulp novel character who relied solely on stealth and his guns to get the job done. Likewise Margo Lane was a radio creation that would later be added to the pulps. You can hear the episode here.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born April 28, 1840 — Palmer Cox. He was known for The Brownies, his series of humorous books and comic strips about the troublesome but generally well meaning sprites. The cartoons were published in several books, such as The Brownies, Their Book for some forty years starting in the 1870s. Due to the immense popularity of his Brownies, one of the first popular handheld cameras was named after them, the Eastman Kodak Brownie camera. (Died 1924.) (CE)
Born April 28, 1910 – Sam Merwin. Edited Fantastic, Startling, Thrilling, Wonder, later Fantastic Universe; for a while editor of Satellite, associate editor of Galaxy; his letter columns were lively; he generally improved our field. Six novels, six dozen shorter stories for us; also romance and detective fiction, under various names. (Died 1996) [JH]
Born April 28, 1914 – Phil High. Working thirty years as a bus driver did not prevent, may have helped, his writing a dozen novels, fourscore shorter stories. See here. (Died 2006) [JH]
Born April 28, 1917 — Robert Cornthwaite. Actor in such Fifties films as The Thing From Another World, The War of the Worlds, Men Into Space and Destination Space. He would be active well in the Twentieth Century in such productions as The Twilight Zone, Voyage to the Bottom of the Sea, Colossus: The Forbin Project , The Six Million Dollar Man, Buck Rogers in the 25th Century and White Dwarf. (Died 2006.) (CE)
Born April 28, 1926 – Jim Bama, age 95. Fourscore covers, a few interiors for us; interviewed by Vincent Di Fate in SF Chronicle. Outside our field, Westerns, sports, commercial art. Here is The 480. Here is V.Here is He Could Stop the World. Illustrators Hall of Fame. Artbooks The Art of JB; The Western Art of JB; JB, American Realist with introduction by Harlan Ellison. [JH]
Born April 28, 1926 – Bill Blackbeard. One short story that I know of; correspondent of Amazing, Fantasy Times, Riverside Quarterly, Weird Tales; fanziner, in various apas including The Cult. Extraordinary collector of comics in newspapers and otherwise, eventually 75 tons; he produced 200 books, and that ain’t the half of it. See here (note by Our Gracious Host), here (Fancyclopedia 3), here (The Comics Journal). (Died 2011) [JH]
Born April 28, 1930 — Carolyn Jones. She began played the role of Morticia Addams (as well as her sister Ophelia and the feminine counterpart of Thing, Lady Fingers) in The Addams Family. Though she had an uncredited role in the original The War of the Worlds which was her first genre role as a Blonde Party Guest, and she was Theodora ‘Teddy’ Belicec in the Invasion of the Body Snatchers. She had a recurring role as Marsha, Queen of Diamonds on Batman. (Died 1983.) (CE)
Born April 28, 1948 — Terry Pratchett. Did you know that Steeleye Span did a superb job of turning his Wintersmith novel into a recording? You can read the Green Man review here as reviewed by Kage’s sister Kathleen. My favorite Pratchett? Well pretty much any of the Watch novels will do for a read for a night when I want something English and really fantastic. (Died 2015.) (CE)
Born April 28, 1959 – Fran Dowd, age 62. Chaired Eastercon 49; with husband John Dowd active in Eastercons and Novacons; F & J both Fan Guests of Honour at Eastercon 61. Sofa, i.e. chair when we need one, of the Sheffield Science Fiction and Fantasy Society. Posted her Books Read in 2020 here. [JH]
Born April 28, 1970 – Danielle Ackley-McPhail, age 51. Nine novels, five dozen shorter stories, a dozen poems; a score of anthologies with various co-editors. Member and supporter of Broad Universe. Was at the last known Lunacon in 2017, then in 2019 HELIOsphere. She and husband Mike McPhail publish ESpec Books. [JH]
Born April 28, 1971 — Chris Young, 50. Bryce Lynch in the Max Headroom series which I still hold is of the best SF series ever done. The only other genre I think he’s are two horror films, The Runestone and Warlock: The Armageddon. Unless you call voice roles in The Brave Little Toaster Goes to Mars and The Brave Little Toaster to the Rescue genre… (CE)
Born April 28, 1982 — Samantha Lockwood, 39. Daughter of Gary Lockwood of 2001: A Space Odyssey fame. And she apparently was in yet another video Trek fanfic though this may not have ever gotten done before Paramount squashed them, Star Trek Equinox: The Night Of Time. There’s a trailer but no actual episode that I can find, so her role in Sci-Fighters which as Girlfriend is her only genre role. (CE)
(13) COMICS SECTION.
The Far Side involves what happens when aliens are the ones posing a familiar nature question.
Dracula said, “I never drink…wine.” The zombies in Bliss say something else.
… Jupiter’s Legacy is based on Millar and artist Frank Quitely’s 2013 cross-generational saga about rifts in a super-powered family, whose conflicting politics and ideologies manifest themselves as a global power struggle, causing significant collateral damage. “People expected it to be like Kick-Ass or Kingsman,” he says, “which are quite nihilistic, really violent and ironic, whereas this show is very sincere. Kick-Ass is a pastiche of superheroes, but Jupiter’s Legacy is a love letter. The big question is: is it ethically correct, if you have the power to save the world, to stand back and do nothing?”
… The series contains what Millar calls a “boomer versus millennial argument”. This is reflected mostly through the Sampson family: Sheldon (AKA The Utopian) and Grace (AKA Lady Liberty) are the elder, age-defying leaders of The Union, a paramilitary team that has symbolised the American ideal ever since they gained their superpowers during the Great Depression of the 1930s. Cut to the present day and we find their children, Chloe and Brandon, are increasingly disillusioned by their parents’ code and expectations. “Superman is the best guy you could possibly have,” says Millar, “but imagine if he was your dad? That’s the idea with The Utopian, who the whole world loves. But what does that mean for your children? Because the pressures are incredible.”
Daniel P. Dern adds:
Like many-to-most supercapes these days, the issues of power/authority along with “hard to have a life when you’re a cape” fuel this. It’s not as extreme as The Boys.
Mark Millar has written bunches of superhero comics (including an entire publishing brand of his own creations).
Frank Quitely is one of my favorite comic artists. For example, All-Star Superman (1-12), Flex Mentallo (1-4), a great run on New X-Men.
Jupiter’s Legacy is based on a manageable-to-read # of comics — 24 issues across 5 books/volumes, plus 10 issues of JUPITER’S CIRCLE, a prequel series.
Buy the individual comic issues or the collected-into-books
Borrow the books from your library
Buy & e-read via Kindle, ComiXology.
I enjoyed the comics; I’m ready to watch the show and see how it goes.
(15) STRETCH RUN. [Item by Michael Kennedy.] After achieving all the basic goals on flights 1–3, Ingenuity is now ready for a little stretch. Stretch goal, that is. Flight 4 will go further, faster, and take more photos than ever before. As for what might happen on flight 5, project Chief Engineer Bob Balaram said, “We have been kicking around several options regarding what a flight five could look like. But ask me about what they entail after a successful flight four.” “With Goals Met, NASA to Push Envelope with Ingenuity Mars Helicopter”.
… The fourth Ingenuity flight from Wright Brothers Field, the name for the Martian airfield on which the flight took place, is scheduled to take off Thursday, April 29, at 10:12 a.m. EDT (7:12 a.m. PDT, 12:30 p.m. local Mars time), with the first data expected back at NASA’s Jet Propulsion Laboratory in Southern California at 1:21 p.m. EDT (10:21 a.m. PDT).
“From millions of miles away, Ingenuity checked all the technical boxes we had at NASA about the possibility of powered, controlled flight at the Red Planet,” said Lori Glaze, director of NASA’s Planetary Science Division. “Future Mars exploration missions can now confidently consider the added capability an aerial exploration may bring to a science mission.”
The Ingenuity team had three objectives to accomplish to declare the technology demo a complete success: They completed the first objective about six years ago when the team demonstrated in the 25-foot-diameter space simulator chamber of JPL that powered, controlled flight in the thin atmosphere of Mars was more than a theoretical exercise. The second objective – to fly on Mars – was met when Ingenuity flew for the first time on April 19. The team surpassed the last major objective with the third flight, when Ingenuity rose 16 feet (5 meters), flying downrange 164 feet (50 meters) and back at a top speed of 6.6 feet per second (2 meters per second), augmenting the rich collection of knowledge the team has gained during its test flight campaign.
“When Ingenuity’s landing legs touched down after that third flight, we knew we had accumulated more than enough data to help engineers design future generations of Mars helicopters,” said J. “Bob” Balaram, Ingenuity chief engineer at JPL. “Now we plan to extend our range, speed, and duration to gain further performance insight.”…
The moon’s surface is pockmarked with craters, the relics of violent impacts over cosmic time. A few of the largest are visible to the naked eye, and a backyard telescope reveals hundreds more. But turn astronomical observatories or even a space probe on our nearest celestial neighbor, and suddenly millions appear.
Bettina Forget, an artist and researcher at Concordia University in Montreal, has been drawing lunar craters for years. Ms. Forget is an amateur astronomer, and the practice combines her interests in art and science. “I come from a family of artists,” she said. “I had to fight for a chemistry set.”
Moon craters are named, according to convention, for scientists, engineers and explorers. Some that Ms. Forget draws have familiar names: Newton, Copernicus, Einstein. But many do not. Drawing craters with unfamiliar names prompted Ms. Forget to wonder: Who were these people? And how many were women?
“Once this question embeds itself in your mind, then you’ve got to know,” she said.
Ms. Forget pored over records of the International Astronomical Union, the organization charged with awarding official names to moon craters and other features on worlds around the solar system. She started underlining craters named for women.
“There was not much to underline,” Ms. Forget said.
Of the 1,578 moon craters that had been named at that time, only 32 honored women (a 33rd was named in February)….
A new trailer has been released for the upcoming documentary In Search of Tomorrow, which taps into the nostalgia of the sci-fi films of the 80s. For any of you who grew up in the 80s and enjoyed these films, this is the kind of doc that you can truly appreciate.
The film comes from journalist and filmmaker David A. Weiner and it’s a “four-hour-plus retrospective of ’80s sci-fi movies featuring interviews with actors, directors, writers, SFX experts, and composers.” They have over 75+ interviews and there are a lot of stories and revelations that come to light….
(19) COLBERT (ON FRESH AIR) TALKS ABOUT HIS INTRO TO SF & F. [Item by Daniel Dern.] Among other things. The SF stuff starts around minute 30, where he names a handful of authors that many Filers will know, including a few that you rarely hear in mainstream conversations, like A.E. Van Vogt Also, how Joe Biden is arguably (my word not his or Terri’s) part of his “origin” story going from playing a character to being a (night show) host as himself. “Stephen Colbert On Missing His Live Audience And Making Comedy A Family Business” on NPR.
On why he turned to sci-fi and fantasy in his grief when his brothers and father were killed in a plane crash when he was a kid
Anything is possible [in fantasy stories]. Often it’s a young man who finds himself with extraordinary powers that he didn’t have at the beginning of the story. There’s a “chosen one” in fantasy stories. Often there’s a missing father figure — if they’re not just orphans outright. … I think being able to make…an alternate world where there are new rules, or the character who you identify with can make his own rules, maybe even bring back the dead or make things impossible possible … I think that’s related to being in a constant state of grief and anxiety and needing a place to be able to escape to.
[Thanks to John King Tarpinian, Mike Kennedy, JJ, BravoLimaPoppa, Martin Morse Wooster, IanP, Andrew Porter, Cat Eldridge, John Hertz, Daniel Dern, and Michael Toman for some of these stories. Title credit goes to File 770 contributing editor of the day Lenora Rose.]