Pixel Scroll 1/8/18 Calculating Witticisms And Generating Sarcastic Comebacks At The Algorithm Round Table

(1) BRAM STOKER AWARDS. Horror Writers Association President Lisa Morton reminds members they have until January 15 to recommend works for the 2017 Bram Stoker Awards.

– ALL members may recommend works, including Supporting.
– ALL members may recommend works in ALL categories.
– If you’re trying to get your work considered, please review the Bram Stoker Awards etiquette page
– We’ve already seen a few examples of authors whose works appear on the Recommendations page claiming to be “nominated.” Please do NOT refer to your work as “nominated” unless you are listed on the Final Ballot.

The Bram Stoker Awards® Etiquette Rules begin with these general principles, then go into detail.

If there is a single thought to keep in mind here, it is the difference between promoting and soliciting.

Promoting (acceptable) is the business of spreading the word about your work and making sure anyone who wants to can read it.

Soliciting (unacceptable) is the practice of wheeling and dealing, whining and wheedling, in order to get yourself an award that you may not deserve.

Works that are truly worthy of the award tend to rise to the top without help if enough people read them. If you have to go out and beg for recommendations or votes, that says something rather uncomplimentary about both you and the work. So you’re doing yourself a service if you refrain.

(2) THE BDO. James Davis Nicoll provides “A Brief History of the Big Dumb Object Story in Science Fiction” at Tor.com.

I was recently reminded of the golden age of Big Dumb Object stories (hat tip to reviewer Roz Kaveny for coining the phrase). As this is not yet commonly accepted genre shorthand, perhaps a definition is in order.

Contrary to the name, BDOs are not necessarily dumb. In fact, most of them have rather sophisticated infrastructure working away off-stage preventing the story from being a Giant Agglomeration of Useless Scrap story. What they definitely are is large. To be a BDO, the Object needs to be world-sized, at least the volume of a moon and preferably much larger. BDOs are also artificial. Some…well, one that I can think of but probably there are others…skirt the issue by being living artifacts but even there, they exist because some being took steps to bring them into existence.

(3) INTERNET ARCHIVE INFRINGEMENT CHARGED. SFWA’s “Infringement Alert” warns —

The Internet Archive (Archive.org)  is carrying out a very large and growing program of scanning entire books and posting them on the public Internet. It is calling this project “Open Library,” but it is SFWA’s understanding that this is not library lending, but direct infringement of authors’ copyrights. We  suspect that this is the world’s largest ongoing project of unremunerated digital distribution of entire in-copyright books. An extensive, random assortment of books is available for e-lending—that is the “borrowing” of a digital (scanned) copy.  For those books that can be “borrowed,” Open Library allows users to download digital copies in a variety of formats to read using standard e-reader software. As with other e-lending services, the books are DRM-protected, and should become unreadable after the “loan” period. However, an unreadable copy of the book is saved on users’ devices (iPads, e-readers, computers, etc.) and can be made readable by stripping DRM protection. SFWA is still investigating the extent to which these downloadable copies can be pirated. Unlike e-lending from a regular library, Open Library is not serving up licensed, paid-for copies, but their own scans.

The post includes guidance about how writers can deal with infringement issues.

(4) FAWLTY REASONING. Doctor Strangemind’s Kim Huett sent a link to “Jack Vance & Fawlty Towers” with the warning: “I have to admit the logical progression of this installment is a little unexpected. I’m sure you’ll manage though. I have every confidence in you all.” The metaphor addresses William Atheling Jr.’s misguided review of a Jack Vance book, both written in the 1950s.

It’s with Vance’s next point however that we encounter what surely his Basil Fawlty moment. I’m willing to bet the restrained sarcasm Vance employed in order to agree with Atheling that the short stories contained in The Dying Earth collection made for a terrible novel is as nothing to how he felt when he first read Atheling’s complaint. As somebody who has read The Dying Earth collection, albeit many years ago, the thought that anybody could miss the assorted changes in plot, location, and characters is an astounding one. As the author of these assorted stories and thus more intimately involved with then than any reader could be the Atheling complaint was surely a source of intense frustration for Jack Vance. How do you deal with being told you have failed when the basis of the claim is as demonstrably wrong as this? There are things that should not need explanation, that are a chore, an undeserved burden to set right. If it had been me in Vance’s place the sheer frustration of Atheling’s comments would have had me curling up Basil Fawlty style.

(5) YOU’RE GRACE PARK. Io9’s Jill Pantozzi digs into The Magicians new season and asks “Could You Have an Entire Conversation in Pop Culture References? The Magicians Challenges Us All”.

Eliot’s entire conversation with Queen Margo is perfection but hits a high note by kicking things off referencing another Syfy series: Battlestar Galactica. Take a look (unless you want to go into the episode fresh, of course). And don’t worry if you’re not entirely versed in pop culture; there are helpful subtitles to explain some of the references.

 

(6) CALIFORNIA BOOK FAIR. The 51st California International Antiquarian Book Fair will be held on February 9-11, 2018 at the Pasadena Convention Center.

Featuring the collections and rare treasures of over 200 booksellers from over 30 different countries the California International Antiquarian Book Fair is recognized as one of the world’s largest and most prestigious exhibitions of antiquarian books. The California International Antiquarian Book Fair gives visitors the opportunity to see, learn about, and purchase the finest in rare and valuable books, manuscripts, autographs, graphics, photographs, print ephemera, and much more.

(7) FOR THOSE SCORING AT HOME. Rocket Stack Rank’s Greg Hullender reports, “We’ve created the 2018 version of our page that helps people nominate for the Hugo Awards. In addition to our reviews, this incorporates feedback from six other prolific short-fiction reviewers to produce a sorted list of the best-reviewed short SFF of 2017.” — “2018 Hugo Awards”.

New this year: they have highlighted which stories were most recommended in different categories.

Hullender continues: “As in the past, the pages offer nomination help several different ways. The list of stories is helpful for readers looking for stories to read, but it’s also helpful to people who need help remembering the stories they’ve already read. The Campbell page identifies everyone eligible for the Campbell (based only on short stories we reviewed).”

(8) HUT CUISINE. New fiction from Mad Scientist Journal: “Excerpts from the Diary of Theodore Miro, Competitor on CryptoChefs Season 2”. The artwork makes it rather irresistible —

Here’s the opening paragraph:

May 6th

I understand that TV audiences want to see a little more showmanship than I’m used to providing on the line back at Lilette, but this is ridiculous. They trucked in a six-foot tall burlap sack with “HOUSE FEED” painted on the side, and we had to spend two hours getting shots of me and some crew pouring it out onto a giant plate. They kept having to refill the bag between takes, and I had nothing to do but sit around in the freezing-ass Russian afternoon. The only wifi reception out here is a 1980-looking suitcase laptop with one of those inch-thick rubber antennas. I think all it does is let Chaz keep in touch with the producers through some kinda HAM radio satellite or whatever. No apps or anything. I’d tried making small talk with him in between takes, but I think the only thing he’s ever actually read is liner notes from Smash Mouth albums. Album, singular? I don’t even know. He sure would though.

(9) TODAY’S BIRTHDAY BOYS

  • Born January 8, 1862 — Frank Nelson Doubleday (publisher)
  • Born January 8, 1908 — The first Doctor Who. actor William Hartnell
  • Born January 8, 1942 – Stephen Hawking

(10) SEVEN CENTURIES OF CAPTAIN AMERICA. A Marvel comics milestone is approaching —

This spring, OUT OF TIME will culminate with the release of CAPTAIN AMERICA’s milestone 700th issue, concluding the arc in an oversized story from creators Mark Waid and Chris Samnee!

Frozen in time, awakened in a decimated future and once again a man out of his era, there is only one way for Steve Rogers to restore order and rebuild civilization—and that’s to rule it as King Captain America!

“No dream, no hoax, no lie, this IS Cap and this IS happening!” said SVP and Executive Editor Tom Brevoort. “Guest-starring the Thing and the Hulk (or as much as is left of them), it’s a celebration of 700 issues of star-spangled adventure! Plus, Mark Waid delivers an untold tale from Captain America’s past, featuring the classic artwork of Jack Kirby!”

(11) MILES MORALES. In “Jason Reynolds Is Revolutionizing the Art of Writing Characters”, Washington City Paper’s Kayla Randall profiles Jason Randall, an experienced African-American YA author whom Marvel picked to write Miles Morales: Spider-Man, a YA novel which appeared late in 2017.

When Marvel Comics calls, people answer. That seems to be a general rule. But local author Jason Reynolds was hesitant when he got his call. Marvel had plans to publish a young adult novel about Spider-Man, specifically Miles Morales, an immensely popular iteration of the character and the first black boy to don the spider suit in the comics. Reynolds was the author the bosses wanted.

That he would be on Marvel’s radar as it identified authors to write about a black Puerto Rican teenager coming of age in Brooklyn comes as no surprise. The Oxon Hill native, who now lives in Northeast D.C., has written nine books and become widely known over the past few years for writing complex young black characters, mostly boys. His book Ghost was a finalist for the 2016 National Book Award for Young People’s Literature and As Brave As You was a 2017 Coretta Scott King Author Honor Book.

“I’ve written a gazillion books about black boys in Brooklyn, so it was kind of like ‘Look dude, this is your wheelhouse, will you take this on?’” Reynolds says.

His initial answer was “I don’t know.” He was afraid the stranglehold of a corporation with huge intellectual properties to protect and monitor would stifle his writing. Then there was the immense pressure he’d feel to properly represent a beloved superhero in his own words.

(12) SMALL WORLD. Yahoo! shares “A portrait of Earth and the Moon from 3 million miles away”:

Sometimes you need to step back to see the big picture, and if your subjects are 249,000 miles apart, you need to step waaay back. Luckily, the spacecraft OSIRIS-REx is moving rapidly away from us and was recently just in the right position, around 3.1 million miles away, so it trained its MapCam instrument towards its former home and captured this poignant portrait of the Earth and the Moon.

(13) LESSON FROM AN EXPERT. Mad Genius Club’s Dave Freer, in “‘Hold-my-beer’ Precedent”, criticizes practices like —

‘De-platforming’ – Another precedent set and accepted and much beloved by the modern Left – those in power should be able to effectively silence any dissent, and isolate dissenters by denying them a public place – be that a convention, Twitter, or a book for sale to the public. The puppy-kickers and indeed SJW’s believe de-platforming an important and completely justified tool… in their hands. They’re in power and think it a great idea.

I know Dave can speak about de-platforming from experience, having banned me from MGC’s comments section.

And what explosive thing did I say to trigger him? My last comment there responded to their site redesign by asking them to make the bylines larger and more readable. No, no, this wasn’t concern trolling. It just seemed an obvious thing to fix as long as they were doing a makeover anyway.

(14) JON PINOCCHIO. Yesterday he was telling the world File 770 has no readers. In February he tweeted the figure below as a taunt. Which was true? Neither. Isn’t that a surprise. There has never been anything remotely like that number of outbound clicks from here to his site.

(15) JDA’S NEXT CHESSMOVE. Jon Del Arroz has posted “An Open Letter to Worldcon GoH Spider Robinson”.

In an unprecedented move, Worldcon pre-banned me, an action they haven’t taken since 1964 with Walter Breen, a convicted pedophile. Unlike Walter, I’m no criminal, just a family man and professional in the field. I’m an outspoken conservative and Christian, which sets me in the “other, not human” category for some people in science fiction writing, and I’ve been a target of a hate campaign because of my worldviews since coming on the scene. It’s about the opposite of what I imagined a loving, tolerant group would be.

I’ve been given no information to why I’m banned other than I “intend to violate the code of conduct” which I’ve stated several times I don’t. As a popular writer in the field, it seems a move solely based on hate and discrimination of people like me. I wish we could all get along despite differences like in Callahan’s, but it appears some in our world aren’t ready for that.

(16) GAME OVER. John C. Wright begins his January 8 post, “Love Crimes and Hate Crimes”, with this news –

Milo Yiannopoulos’ DANGEROUS website, for reasons, so they reassure me, that are no reflection on my writing, have suspended my column there, temporarily, or so they hope.

(17) INSPIRATION. There was a famous composer who answered the question “Where do you get your inspiration” with the remark, “When the check arrives.” Ridley Scott would like somebody to inspire him that way — “‘Blade Runner 2049’ Sequel: Ridley Scott Already Has Plans for a Third Chapter”.

Director Ridley Scott has an idea for a new “Blade Runner” film and is hoping to get it off the ground. Although he recently vocalized some strong opinions about why the second chapter, “Blade Runner 2049,” underperformed at the box office (“It’s slow. It’s slow. Long. Too long. I would have taken out half an hour,” Scott told Al Arabiya), he seems to be eager to return to the series.

When asked about continuing the saga, Scott told Digital Spy, “I hope so. I think there is another story. I’ve got another one ready to evolve and be developed, so there is certainly one to be done for sure.”

(18) A CHECK OF MONEY. Subterranean Press did inspire Harlan Ellison that way, and he allowed Jason Davise to put together the collection Blood’s A Rover. The Ellison-signed edition is already sold out ($500 a pop). Unsigned copies are available at $40.

Harlan Ellison introduced you to Vic and Blood in 1969’s Nebula Award-winning novella, “A Boy and His Dog.” You thrilled to their on-screen adventures in the 1975 Hugo Award-winning feature film adaptation billed as “a kinky tale of survival.” 1977 and 1980 brought brief reunions in “Eggsucker” and “Run, Spot, Run,” and the promise of another story—and a third solo, Spike, to make the Dystopian Duo a Tribulation Trio—but only audiobooks and comics followed, revisiting the same tales.

Now, nearly fifty years after they first set off across the blasted wasteland, Vic and Blood are back.

Harlan Ellison and his editor, Jason Davis, have painstakingly assembled the whole story of Vic and Blood and Spike from the author’s files, using revised-and-expanded versions of the novella and short stories, interstitial material developed for Richard Corben’s graphic adaptation, and—for the first time—never-before-published material from the aborted 1977 NBC television series Blood’s a Rover to tell the complete story of A Boy and His Dog, and a Girl who is tougher than the other two combined.

(19) IN HOC. Not genre, but too snarky to ignore — “New Latin State Mottoes for the 21st Century” from McSweeney’s. Examples:

Massachusetts
Tacete, scimus nos asperos esse
“Shut up, we know we are rude”

Ohio
Nostra flumina non iam ardent
“Our rivers no longer catch on fire”

(20) GOOD GOVERNMENT JOB. Seal of approval?: “SpaceX Rocket Launches Secret Government Payload Into Orbit”.

SpaceX’s Falcon 9 rocket successfully launched a top secret U.S. government payload into orbit, while returning its first-stage booster to the ground for reuse.

The Falcon lifted off at 8 p.m. ET Sunday from Cape Canaveral Air Force Station. As the first-stage of the Falcon returned to Earth for an upright landing, the upper stage lofted the mysterious Zuma, presumed to be a spy satellite or military communications satellite, into an undisclosed orbit.

(21) HEAVY METAL. Beating swords into stereos? “Headphones made from recycled firearms”.

Sweden’s Yevo Labs has unveiled a set of wireless headphones that incorporate metal made from seized illegal guns.

The charging case and a band on the headphones themselves are made of a material branded Humanium.

It is created by the Humanium Metal Initiative, also based in Sweden, and used by a number of Scandinavian manufacturers.

One analyst said the idea should help the headphones stand out in a crowded market.

(22) MIRROR, MIRROR. Cora Buhlert evaluates a popular episode of Black Mirror — “‘USS Callister’ and the Successful Mutiny Against Toxic Masculinity”.

…In the end, it turns out that “USS Callister”, the “Star Trek” episode of Black Mirror is only superficially about Star Trek. This shouldn’t really come as a huge surprise, since Black Mirror normally focusses on “five minutes into the future” tech dystopias and not far future space opera. And indeed, my initial reaction to the “USS Callister” scenes in the general season 4 trailer was, “Huh. Now that doesn’t look like Black Mirror at all.”

And indeed it quickly turns out that the scenes in the trailer of a day-glo 1960ish Star Trek type space adventure are just an immersive virtual reality game created by a programmer named Robert Daley, where he can forget his sad everyday existence and instead live in the world of his favourite TV show, a Star Trek clone called “Space Fleet”, as the heroic captain leading an adoring crew to explore the unknown. At first glance, this seems to be harmless enough, though it is notable that the crew of the USS Callister look very much like his co-workers. Things take a turn towards the seriously creepy when Daley steals the coffee cup of a new employee, swabs it for DNA and pushes a sample into a device attached to his computer…

(23) CW SUPERHEROES. The super season returns starting Monday, January 15 on The CW. Very amusing trailer.

[Thanks to JJ, Martin Morse Wooster, Chip Hitchcock, John King Tarpinian, Daniel Dern, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Nigel.]

Pixel Scroll 9/19/17 These Are A Few Of My Favorite Seven Impossible Things Before Breakfast

(1) DARMOK AND JALAD AT THE TIKI BAR. ThinkGeek invites you to get your “Star Trek The Next Generation Geeki Tikis”.

La Forge, Picard, Worf, Cardassian, Borg, Ferengi

Allow us to raise a toast to your taste in housewares with these Star Trek The Next Generation Geeki Tikis. A set of six, these tiki mugs let you drink with Captain Picard, Geordi La Forge, Worf, a Cardassian, a Ferengi, and the Borg. Yes, all of the Borg since they’re a collective consciousness. Best not to play trivia against that one. These tiki mugs hold around 14 oz. each, and they’ll look great next to your Horga’hn fertility statue.

 

(2) BOOK DONATIONS REQUESTED. John Joseph Adams posts:

Got any books you’d like to donate to a good home? My sister’s looking for donations for her school’s library:

In “Nothing to Read”, teacher Becky Sasala explains the need.

I recently assigned my juniors to independently read a book every nine weeks. We took part of a class period and visited the media center to ensure that every student had access to a variety of books. I was absolutely floored by the emptiness of the building. I guess I shouldn’t have been surprised; the county that I work (and live) in is a poor rural county. The average wage in Hoke County is $18,421. Most households’ combined income is less than $50,000. Less than 15% of adult residents hold a degree beyond high school. I also discovered that the library has not had any money to purchase new books since 2009. 2009!

Books appropriate for high school students can be sent to the following address:

  • Hoke County High School
  • c/o Rebecca Sasala
  • 505 Bethel Rd.
  • Raeford, NC 28376

More information at the linked post. There’s also a related Amazon wish list.

(3) HEINLEIN UNBOUND. Farah Mendlesohn, a historian, critic and fan who is a Hugo, BSFA, and BFA winner, and WFA, Mythopoeic, and Locus Award finalist for her scholarly non-fiction works on science fiction and fantasy, is crowdfunding the publication (by Unbound) of her critical study of the writings of a giant of the SF genre.

Dear Friends,

As you all know, I had to withdraw my book on Heinlein from the original publisher due to length. As I explored other options it became clear that no academic publisher could take it without substantial cuts, and no one who read it, could suggest any. So I am utterly delighted to be able to say that Unbound, a crowdsourcing press, have agreed to take the book.

Robert A. Heinlein began publishing in the 1940s at the dawn of the Golden Age of science fiction and carried on writing until his death in 1988. His short stories contributed immensely to the development of science fiction’s structure and rhetoric, while his novels (for both the juvenile and adult markets) demonstrated that you could write hard SF with strong political argument. His vision of the future was sometimes radical, sometimes crosswise, and towards the end in retrenchment. He continues to influence many writers whether in emulation or reaction. Recent controversies in science fiction have involved fighting over Heinlein’s reputation and arguing about what his legacy is and to whom he belongs…

The key thesis of the book is a challenge to the idea of Heinlein as a libertarian and resituating him as a classical Liberal in the terms he understood; a man who prized the individual highly but understood the individual as at their best when enmeshed in the complex structure of a nurturing society.

Support levels start at £12 for the e-book, and higher levels include hardback copies, critiques of supporters’ non-fiction, workshops, and afternoon tea plus a tour of the personal library of Mendlesohn and SF critic Edward James.

(4) THE STORIES YOU WANT. Like everyone, Liz Bourke has her own specific set of interests, however, most readers have privately asked themselves the question in the title of her latest column, Sleeps With Monsters: Why Can’t More Books Pander To Me?” at Tor.com.

I’m a queer woman (bisexual, and to a degree genderqueer, if precision matters). Much of my reading experience, particularly with new-to-me authors, and even more so with male authors, involves bracing for things that are tiresome, wearying, and/or hurtful. Whether it’s active misogyny, background sexist assumptions, gratuitous sexual assault of women (which may or may not be used to motivate the character arc or development of male protagonists), Smurfettes, women without communities that include other women, transphobia, Buried Gays, or just the general sense that the world the author’s created has no room for people like me in it, there’s frequently a level of alienation that I need to overcome in order to be able to enjoy a new book—or film, or television show, or videogame, etc.—and constantly being braced for that alienation is exhausting.

And that’s even before we get to books that are outright badly done, alienating in ways that aren’t aimed at me (but fuck racism), or just aren’t to my tastes (a lot of comedy, most horror, certain themes that need to be really well done to work for me).

But I’m so used to experiencing this alienation, or to expecting it, that it’s a wrenching shock when I find books that just… welcome me in. That don’t place any barriers in my way. I don’t notice the amount of effort overcoming this alienation requires until I don’t have to make that effort—like not really knowing how much pain you were in until it stops.

(5) THE HOME STRETCH. Artist Gary Gianni’s Kickstarter to publish Hellboy: Into the Silent Sea, Gianni’s book with Mike Mignola, has gotten a great reception – in fact, they’ve just added their FOURTH stretch goal reward –

FOURTH STRETCH GOAL ANNOUNCED! Free all-new fully illustrated The Call of Cthulhu book by Gianni with 100 pencil drawings to all Kickstarter supporters who pledge $50 or more if we reach our Stretch Goal #4, 80K goal!

Gianni’s many credits include illustrating George R.R. Martin’s A Knight of the Seven Kingdoms.

(6) 21ST CENTURY AIR TRAVEL. The title promises “WorldCon 2017, aka The Best, Most Tedious Disaster Story Ever” and Anaea Lay delivers. And yet I read it all. Highly illogical!

When that broke up and it was time to head home, several of the people I’d been hanging out with very kindly and English-ly refused to go on to their hotel before making sure I could find where I was staying, despite my insistence that this was unnecessary.  The joke was on them, though, because I managed to have a fail-tastic adventure anyway.  You see, I knew the address of where I was staying, and I had the keys for getting in.  What I didn’t have was the apartment number.  In a building with eight floors.

(7) MARKETING TECHNIQUE. RedWombat explains a new piece to her agent:

(8) HE LOOKS BEFORE HE LEAPS. Arnie Fenner interviewed John Fleskes at Muddy Colors earlier this week. How many bungee-jumping publishers do you know?

People don’t normally equate daredevils with art books: how does doing death-defying stunts segue into becoming a publisher?

Well, the risk of doing a stunt and that of running a business is very similar, really. So, people have the tendency to call us “extreme” or “daredevils” but in reality each stunt is very calculated and planned far in advance. It’s not like we would just hook up a random bungee cord to anything and just jump off. I worked for a pair of brilliant engineers who would include us in the planning stages and I really learned to appreciate the analytical process of working for those who set up highly complicated stunts where peoples lives were on the line. By the time the actual stunt would happen, sure, if you went off script you could die, but there really wasn’t anything to seriously worry about. Oh, man, jumping out of a hot air balloon at 500 feet and falling 300 feet, now that is a feeling of absolute freedom to fly like that!

But, my real point is that it is a calculated risk when doing a stunt. Days, or weeks, or months of planning can go into what we did. It’s exactly the same with Flesk. Everything that I do is a risk. Instead of risking my life, I’m risking all of my finances, my company, and my livelihood.

The Call For Entries for Spectrum 25 will go out in a few weeks: can you share some of your perspective after having led the competition, judging, and annual for the past 4-going-on-5 years?

The greatest part of Spectrum, without a doubt, has been its community. It’s the people that make it worthwhile year after year. We’re all in it together, it’s here because of the generosity, the support and the downright goodwill of everyone involved. It’s so much bigger than me, it’s not about me whatsoever, but like I’ve mentioned before, it lets me play a role in doing for others. If I do things right, my name never comes to the front or is in the spotlight. I want it to be about the artists. That’s the part at the end of the day that satisfies me the most. That’s my drive. I prefer to work in the background as much as possible, only coming out when absolutely necessary and only when it is to serve others. This community, these artists, it’s one of the greatest things I’ve ever been a part of. That you and Cathy would tap me on the shoulder, that they would see something in me, I’m forever grateful. You’ve treated me like family. I’m truly blessed to know you both and be a part of Spectrum. You know, I’m still a bit shocked by where I am today? I never would have expected any of this.

(9) TODAY’S DAY

Talk Like A Pirate Day

(10) TODAY IN ALLEGED HISTORY

September 19, 1961 – Betty and Barney Hill were abducted for two hours by a UFO.

(11) TODAY IN REGULAR OLD HISTORY

  • September 19, 2000 – Michael Chabon’s Amazing Adventures of Kavalier & Clay, a novel about the glory years of the American comic book, was published. It won the 2001 Pulitzer Prize for fiction.

(12) TODAY’S BIRTHDAY WIZARD

  • Born September 19, 1979 — Hermione Jean Granger

(13) TODAY’S BIRTHDAY CAPED CRUSADER

  • Born September 19, 1928 – Adam West

(14) TODAY’S BIRTHDAY U.N.C.L.E. AGENT

  • Born September 19, 1933 – David McCallum

(15) LIVING PROOF. Remember when the Worldcon’s new YA Award couldn’t be called the Tesseract out of courtesy to an existing Canadian anthology series? If you weren’t already acquainted with it, now’s your chance. Compostela (Tesseracts Twenty) edited by Spider Robinson and James Alan Gardner will be released in the U.S. on October 9. (It’s already available in Canada.)

Compostela (Tesseracts Twenty) is an anthology of hard and soft science fiction stories that best represent a futuristic view of the sciences and how humanity might be affected (for better or worse) by a reliance in all things technological.

The stories contained within the pages of Compostela are a reflection of the world we live in today; where science produces both wonders and horrors; and will leave us with a future that undoubtedly will contain both. Journeys to the stars may be exhilarating and mind-expanding, but they can also be dangerous or even tragic. SF has always reflected that wide range of possibilities.

Featuring works by these Canadian visionaries:

Alan Bao, John Bell, Chantal Boudreau, Leslie Brown, Tanya Bryan, J. R. Campbell, Eric Choi, David Clink, paulo da costa, Miki Dare, Robert Dawson, Linda DeMeulemeester, Steve Fahnestalk, Jacob Fletcher, Catherine Girczyc, R. Gregory, Mary-Jean Harris, Geoffrey Hart, Michaela Hiebert, Matthew Hughes, Guy Immega, Garnet Johnson-Koehn, Michael Johnstone, Cate McBride, Lisa Ann McLean, Rati Mehrotra, Derryl Murphy, Brent Nichols, Susan Pieters, Alexandra Renwick, Rhea Rose, Robert J. Sawyer, Thea van Diepen, Nancy SM Waldman.

(16) THE EIGHTIES WERE STRANGER. Adweek is enthusiastic: “Netflix Is Making Stranger Things Versions of Classic ’80s Movie Posters, and They’re Amazing”.

Netflix is pulling out all the stops on social media in the weeks leading up to Season 2. Last month, the show’s official Twitter account began giving fans more of what they want by launching a weekly recap of each episode of the first season under the hashtag #StrangerThursdays, and tying each episode to a classic ’80s film.

Even more impressive, the art team at the show has paid homage to each film’s original poster art while placing the Stranger Things cast members in its universe. The tweets also include copy referencing the movies that inspired them.

The post has all of them, but here’s one example.

A fan has been inspired to make another —

(17) UHHH. A comic linked from File 770 prompted Steve J. Wright to refer to his Lego-playing days as “Grotesque Sexual Deviancy”.

At least, we thought we were just having fun.  It turns out, though, that we were transgressing the boundaries of gender as laid down by God and marketing departments.  We should never have engaged in the heinous perversion of unsegregated Lego.  Our Lego should have been sorted into strong, potent, manly Lego (mine) and soft, gentle, feminine Lego (my sister’s), and the division should have been rigorously maintained.  All these years I thought we were just playing with Lego, and instead we were promoting an insidious non-binary genderqueer agenda that subverts all the established notions of masculinity and femininity, that causes confusion and actual harm to children who are too young to handle the idea of boys playing with girls’ Lego, that will probably pollute our precious bodily fluids and hasten the downfall of Western civilization.

thought we’d just got a sensible arrangement, so that if, say, my sister wanted to hold a state funeral for one of the Crater Critters, she could grab a bunch of black Legos and build a hearse without any arguments.  Now I know that we were, in fact, undermining the very foundations of all that is good and decent and true.

(18) FRESH OUTBREAK OF TROLLS. Gwynne Watkins of Yahoo! Movies, in “‘Star Wars’ fan petition seeking removal of J.J. Abrams from ‘Episode IX’ picks up steam”, writes that 3,000 people have signed a petition demanding that J.J. Abrams be removed as director of Episode IX because they feel that Disney promised a fresh director for every installment.

The petition at Change.org begins:

Star Wars fans abroad were upset with the result of J.J. Abrams’ directing of Star Wars Episode VII: The Force Awakens. Although not reflected in the box office sales, most fans agree that Abrams’ vision for Episode VII resulted in a rehash of Star Wars Episode IV: A New Hope. There was virtually no creativity, and no risks taken. Such complacency cannot be the trajectory of this sequel trilogy. More specifically, the metric for success in a Star Wars movie cannot be box office sales. Lucasfilm and Disney *need* to listen to fan criticism. Star Wars fans deserve better. They demand better.

Almost 3,500 people have signed it so far.

(19) BONES. New books by the late Michael Crichton continue to appear. Fantasy Literature’s Ryan Skardal renders a verdict on one that came out this past May in Dragon Teeth: Palaeontologist wars”

Johnson is stranded in Deadwood with his bones, which everyone assumes is a cover for gold. Some readers may be pleased to learn that the Bone Wars between Cope and Marsh are drawn from history. Robert Louis Stevenson and Wyatt Earp also appear.

I did not find very much information on how finished Dragon Teeth was before publication, but, unlike Micro, there is no mention of another author who finished this work. It’s tempting to point out that this novel about fossils seems more skeletal than most of Crichton’s novels. The characters are flat, their interactions seem rushed, and every chapter is very short. There are moments of historical detail that are a bit more developed, such as when devout Christians express doubt about fossils and whether a perfect god could create something flawed — let alone something so flawed that it might go extinct. Even these details, however, feel like sketches.

(20) CON CEASES FOR SAFETY REASONS. The staff has put an end to an Ohio convention in the wake of the chair’s criminal conviction. Nerd & Tie has the story: “Anime Punch Disbands After Con Chair Michael Beuerlein Pleads Guilty to Sexual Battery”.

Columbus, OH based convention Anime Punch has been disbanded and will no longer hold any more events. The convention staff announced that they would be ceasing all future operations on in a statement on their official Facebook page on September 14…

The crime was prosecuted in Virginia, so probably was not committed at the convention.

(21) A SPECIALIZED NEED. Erika Satifka, in “Difference of Mind” at the SFWA Blog, points to a problem with most fictional treatments of mental illness.

According to the World Health Organization, one out of every four people will be affected by mental illness at some point in their lives. Considering this, it’s important that when characters with mental illness are featured in one’s writing, the subject is treated with sensitivity and accuracy. Novels that portray such disorders well can make a huge difference.

Em Kalberg, the protagonist of my debut novel Stay Crazy, has paranoid schizophrenia. As I researched the novel, I found that there were very few positive representations of people with schizophrenia, and not just in speculative fiction, but everywhere. The vast majority of the time, characters with psychotic disorders are monsters or killers….

Besides her own Stay Crazy, Satifka recommends fourteen other novels, novellas, and short story collections that prominently feature characters with mental illnesses or trauma.

(22) TIS THE SEASON. Time to be reminded about “The REAL Legend Behind the Halloween Tree at Disneyland”:

Learning about Disneyland’s storied history is as fun as spending a day getting your thrills on at all of the attractions. From true tragic stories inspiring haunting legends to secrets and facts only the biggest park fans know, there’s always something else to discover about the Happiest Place on Earth – the legend of the Halloween Tree included.

Now, fans are probably familiar with the tree. The oak is located in front of the Golden Horseshoe Saloon in Frontierland. Every Halloween since 2007, the tree is decorated in a special way with jack-o’-lanterns hanging from its branches – but have you ever wondered why? The story goes that author Ray Bradbury, famous for Fahrenheit 451 and countless other fantasy, science fiction, mystery, and horror works, loved Halloween – and had a long history with Disney. Bradbury was a huge proponent of the Walt Disney Company and made his support for it clear throughout the years.

(23) SETTING THEM STRAIGHT. Camestros Felapton has been dismantling “Vlad James’” attack on the science in an Ursula Le Guin novel The Lathe of Heaven.

James wrote:

Unfortunately, she was less self-aware than [Harry Harrison], and injected phenomenally idiotic, pseudo-scientific explanations in her stories constantly.

Also:

She also claims that it would take the atmosphere “several hundred years to get rid of the CO2”. While I understand Le Guin found math difficult, if humans completely stopped producing CO2, it would take 9-12 days for the atmosphere to rid itself of the amount presently there. Or, if you believe global warm…err “climate change” hysterics, it will take…several years. A few hundred years is baseless ignorance.

But young Felapton, in “Science and Le Guin Part 2”, shows —

The quote from Le Guin is genuine and from The Lathe of Heaven published in 1970. It is also scientifically correct (more or less) whereas the criticism is scientific nonsense – indeed it is error piled on error….

A thorough takedown follows.

(24) THE SMELL IS OUT THERE. This is pretty damn funny – Anime Conventions: An Honest Guide.

(25) A MAGICAL TIME. IMDB says Andy the Talking Hedgehog is up 778% in popularity this week. Articles like The Guardian’s are the reason.

When Reid tweeted the Andy the Talking Hedgehog poster on Friday, the internet went nuts. That was partly because the poster featured a hedgehog, two cats, Dean Cain, Tara Reid’s Twitter profile pic manipulated to look slightly more wholesome and an unattributed quote calling it “a magical good time”. But it was also because the IMDb plot summary for the film read “Tara Reid brings her Oscar award-winning prowess to this documentary about a hedgehog that Dean Cain farted on giving it the ability to talk. It’s a fun-loving family movie that will for sure make you say “WOWZA. That’s a stinky fart!”’ That summary, incidentally, was attributed to Scott Baio.

Obviously, like the rest of the world, I desperately wanted to know the story behind Andy the Talking Hedgehog. Although we can rule out the summary as nothing more than internet high jinks, it would appear that the film is real. Back in November actress Maria Wasikowski tweeted a photo from the Andy the Talking Hedgehog set, alongside Dean Cain and, one month later, Tara Reid Instagrammed a shot of her character, Fairy BFF.

[Thanks to John King Tarpinian, Hampus Eckerman, JJ, Arnie Fenner, Martin Morse Wooster, Andrew Porter, Karl-Johan Norén, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Worldcon Wayback Machine: Saturday at MagiCon (1992) Day Three

The 1992 Hugo Award. Each of the MagiCon Hugo awards was hand crafted by Phil Tortorici from a design by Phil and Joe Siclari. A certificate on the back of each award explained that the orange grating came from the actual NASA gantry used for the first successful launch of a U. S. orbiting satellite. Photo found at Aaron Pound’s “Dreaming About Other Worlds” website.

INTRODUCTION: Twenty-five years ago MagiCon was held in Orlando, Florida. A great con, and I thought it would be fun to reprint the report I ran in File 770. Here is the third of five daily installments.

The Worldcon was held in the Orange County Convention and Civic Center, The Peabody Hotel, and The Clarion Hotel.

PASSING IN THE HALLS: Saturday morning in the Green Room I noticed that Jay Kay Klein, of all people, had yet to pick up his “Past Worldcon Guest of Honor” ribbon. Yet he was the fellow who’d taken me aside at ConFiction to say he wanted Worldcons to start distributing them. Janice Gelb did give him a VIP ribbon. He already had a “lost kid” ribbon from a theme park, and said he hoped to get one for “Meritorious Eating At Worldcon Banquets.”

Highlighting “The Spanish Inquisition” panel of Worldcon bidders was an exchange between NESFAns. Tony Lewis said a 1998 Worldcon in Boston “is not going to be Noreascon 3 mark 2.” Ann Broomhead agreed, “Mark wouldn’t stand for it.” Deb Geisler said, “We won’t make the same mistakes.” Tony Lewis enthusiastically agreed, “We’ll make a whole new lot of mistakes, in new areas. We’re going to be the first people to make mistakes in these areas.”

Tony Lewis at MagiCon. Photo by Lenny Provenzano.

POCKET PROGRAM: Kathryn Daugherty snorted: “Did you actually carry around that mammoth publication in your pocket? Even my purse wasn’t big enough and somewhere in there is the map to the Lost Dutchman Mine and Judge Crater’s phone number.”

It was a great line, but doesn’t withstand close inspection. Nothing more ambitious than a barebones list of titles and times could encompass the Worldcon in anything that would fit in a pocket. Laurie Mann’s “pocket program” delivered program information, function area maps, lists of participants, a dealer’s room guide and film and video schedules in a lightweight zine that was both easier to carry than the Program Book and much more accurate than if it had been sent to press with the Program Book.

Pam Fremon, Laurie Mann, and Jim Mann in the MagiCon concourse. Photo by Mark Olson.

HUGO AWARDS CEREMONY: Eve Ackerman was in the Green Room distributing Hugo Award nominee ribbons and gold-colored nominee rocket pins to people waiting to march in at the start of the ceremony. Alexis Gilliland, in a peach-colored jacket, sat at a table presiding over regiments of plastic dinosaurs marching abreast on the tablecloth: he looked like a Devonian-era Doctor Doolittle.

George “Lan” Laskowski at Chicon V with his 1991 Best Fanzine Hugo.

Many other fans also looked like they could “talk to the animals.” Diana Harlan Stein arrived in a green jumpsuit wearing a blue cap with horns. George Laskowski kept his raccoon hat stashed nearby.

Gardner Dozois had graduated to a salt-and-pepper gray sports jacket, more befitting the leading magazine editor. Mark Owings wore a paisley tie, and said, “My ‘power tie’, I call it, but what it gives me power over I don’t know.”

The crowd was called to order so that artist Phil Tortorici could display the 1992 Hugos, gold-plated, on his beautifully-made bases. He’d hand-painted an astronomical scene on each black stone backdrop; the rockets rested on little squares of orange grating which came from the actual Pad 29 that was used to launch America’s first satellite. Tortorici’s bases are the finest since 1976, and only he and Tim Kirk have achieved the goal of making the awards real works of art.

Spider and Jeanne Robinson at MagiCon. Photo by Lenny Provenzano.

After the procession of the nominees, emcee Spider Robinson was on the job again in top hat, tails and with a walking stick. “They misunderstood: they thought I some kind of comedian, but that’s ‘Canadian’.”

No, they were right — he is a comedian. Robinson charmed the audience with two-liners like: “When cordless phones went on sale I bought one because it had one feature I liked — a button to turn off the ringer. It’s in my house somewhere…” In fact, that wasn’t the only thing in the house he needed help finding. “I need a VCR that when you switch it on the remote control announces where it is.”

Spider called for the audience to applaud the three GoH’s, “all of whom declined to give a speech.” Then the awards began.

Andre Norton presented the Gryphon Award for Beginning Women Writers to Eleanor Scabin, and gave honorable mention to Terry McGarry.

Andre Norton at the 1987 World Fantasy Con.

The Big Heart Award, presented annually by Forrest J Ackerman in memory of E. Everett Evans, has been assured of surviving its septuagenarian founders Ackerman and Walt Daugherty. Forry has arranged that in the future the Order of St. Fantony will co-sponsor the presentation. The 1992 award went to Samantha Jeude, a founder of Electrical Eggs (concerned about handicap access at cons) and one of the award’s rare women winners. Exasperatedly, Samantha said it’s the second award she’s won and again her husband, Don Cook, wasn’t there to see it. “He’s off doing Worldcon garbage,” she explained: chair of the Atlanta bid, Cook was counting site selection votes. [Photo below: Samanda Jeude in 2010, by Don Cook.]

Samanda Jeude

Dave Kyle presided over the First Fandom Hall of Fame Awards. If only by coincidence, in 1991 only a single First Fandom award was given at Chicon following controversy over the way multiple awards inject an unwanted 15-minute delay before the Hugos. But in 1992 the group slipped its bridle and announced three.

Kyle said the Hall of Fame awards are given to people for accomplishments in sf before the creation of the Hugos in 1953. There is a preference for giving them to the oldest deserving candidates in hopes of avoiding posthumous awards, and all but twice the group has succeeded.

Forry Ackerman presented a Hall of Fame Award to Art Widner. Jack Williamson announced one for Nelson Bond, who wasn’t present. Julie Schwartz announced an award for J. Harvey Haggard, which was accepted by Sam Moskowitz.

Forrest J Ackerman, Dave Kyle, and Michael Whelan, at a MagiCon post-Hugo party. Photo by Lenny Provenzano.

Then again, there was no hurry to start announcing Hugos anyway because on deck was a 15-minute retrospective slide show.

“50 Worldcons Remembered” was a brilliant image collage of Program Book covers, ads, photos and illustrations, Hugo trophies, winning Best Novel covers and other memorabilia presented in chronological order and paced by dramatic music. At the outset there was a trickle of applause for recurring motifs — Dave and Ruth Kyle’s clever ads in each Program Book — that built as more fans recognized cons they personally attended or helped run. It was an outstanding retrospective.

Now came the main awards. Stanley Schmidt kicked things off by giving the John W. Campbell Award for best new writer to Ted Chiang. The award was accepted by Eileen Gunn, who got a laugh claiming to be using a speech left over from the last time she accepted an award (for Howard Waldrop), which was: “Howard says — buy his books!”

The committee showed slides of the nominees’ names on the auditorium screen intended to be synchronized with Spider Robinson’s reading. But Spider appeared completely unrehearsed in this. After cycling through the Best Fanartist images twice while Robinson stood by obviously confused, Marty Gear as the “voice from above” had to explain the concept. It was an omen.

Brad Foster, Best Fanartist Hugo winner, noted it was the first time he had been present to receive one of his Hugos.

Dave Langford’s Best Fanwriter Hugo was accepted by Martin Hoare. He had done this before and knew when he called Dave in England with the news the appreciative response would be: “You bastard — I was fast asleep!”

[Dave Langford wrote me later that the way it really went down was: “He rang from a party in Florida to say, ‘Crackle crackle bleep British double belch fade click Hugo crackle crackle Glasgow whirr click can’t afford to talk to you any longer, Dave!’ Gosh wow.”]

Martin Hoare at MagiCon. Photo by Mark Olson.

The ceremonies derailed when Spider ripped open an envelope and read that Lan’s Lantern won the Best Fanzine Hugo. While Robinson was placing the trophy in George Laskowski’s hands, on the screen behind him flashed a slide that the winner was Mimosa, edited by Dick and Nicki Lynch. Beside me, Janice Gelb cringed just like at Raiders of the Lost Ark when I warned her the face-melting scene was coming. Laskowski briefly said, “Thank you,” and got offstage because he’d seen Mimosa on the award plaque, too.

As Joe Siclari and others excused themselves from the audience and headed backstage to investigate, several more Hugos were given. Locus won Best Semiprozine. Michael Whelan accepted the Best Professional Artist Hugo, confessing “With so many artists in the field doing so much excellent work I feel like a thief taking this award. Nevertheless I accept it.” Gardner Dozois received another Best Professional Editor Hugo.

Now, a shaken Spider Robinson revealed that Mimosa was the correct Hugo-winning fanzine and was joined by Laskowski to turn over the trophy to Dick and Nicki Lynch. The mistake was reminiscent of the year Asimov accidentally announced Gene Wolfe’s “Island of Dr. Death” had won the Nebula, disbelieving that No Award (the correct result) had finished first and naming instead the second item listed. The only remotely comparable mistake at any other Hugo ceremonies happened in 1985 when the slide operator (of course) flashed that John Varley’s short story won before the emcee even announced the nominees. Laskowski has won two Hugos in the past — and showed extreme grace in surrendering MagiCon’s Hugo to the Lynches.

Not that the comedy of errors was over. Completely in shock, Dick Lynch reached the stage alone and gazed at the shadowy auditorium doors hoping to see his wife, Nicki, who had made a quick trip out of the room after the fanzine Hugo had been given. “I wish my wife could be here. What do I do?” Dick seemed even more lost without his spouse than did Samantha Jeude, which permanently endeared him to women who commented about it later.

Another couple of Hugos were given. A representative of James Cameron’s company accepted the Best Dramatic Presentation Hugo on behalf of Terminator 2. Michael Whelan claimed another Hugo in the Best Original Artwork category for the cover of Joan Vinge’s The Summer Queen.

“The Summer Queen” by Michael Whelan.

When Spider Robinson paused to find his place our claque of fanzine fans sitting in the VIP seats noticed Nicki Lynch was back. “Bring back Nicki Lynch!” shouted Moshe Feder, and Janice Gelb. Some stood up to yell. My God, even Andy Porter stood up and shouted through cupped hands, “Bring up Nicki Lynch!” It was like a Bud Greenspan documentary, like the end of It’s a Wonderful Life. Spider agreed, “That’s an excellent idea,” and both editors of Mimosa finally had their proper moment together at the Hugo Awards.

Rich Lynch, “Lan” Laskowski, and Nicki Lynch after the MagiCon Hugo ceremony. Photo by Lenny Provenzano.

When the Best Nonfiction Book Hugo went to The World of Charles Addams Spider tried to recover his humorous stride. “The award will be accepted by ‘Hand’….”  Yelled the audience, “That’s ‘Thing’!”

The main fiction Hugos came last. Best Short Story went to Geoffrey Landis’ “A Walk in the Sun.” Best Novelette was posthumously accepted for Isaac Asimov’s “Gold” by Janice Jeppson Asimov. Nancy Kress’ “Beggars in Spain” won Best Novella and Moshe Feder told us, “I voted for a winner — that never happens!”

Kress’ speech was both endearing and emotional. She recalled George R.R. Martin’s acceptance speech at the 1980 Hugos and how he described sitting in some even more ancient Hugo audience and receiving inspiration to strive to win his own. She admonished those in the back of the audience to listen to their heart, as she had, and “Go for it!” themselves.

Finally, Lois McMaster Bujold was rewarded once again with a Best Novel Hugo, for Barryar.

Nancy Kress and Lois McMaster Bujold at MagiCon. Photo by Lenny Provenzano.

People surged out of the awards looking for Laskowski, the Lynches and Spider, to console, congratulate or cross-examine. Robinson spent the evening wearing the erroneous card, listing Lan’s Lantern, around his neck on a string to prove it wasn’t his fault. Reportedly, calligraphers had specially prepared cards with every nominee’s name and title. They were told to do all of them, since the actual winners were a secret — and somehow the wrong card got included in the award-winner envelopes delivered to Spider.

Hugo Award winners. l-r: Toastmaster Spider Robinson (tux), Hugo Award designer Phil Tortorici, Charles N. Brown, Janet Jeppson for Isaac Asimov, Gardner Dozois, unidentified accepter for James Cameron, Michael Whelan, Martin Hoare for Langford, Nicki & Dick Lynch. Seated: Geoffrey Landis, Nancy Kress, Lois McMaster Bujold, and Eileen Gunn for Ted Chiang. Photo by Lenny Provenzano.

1992 Hugo Winners

Best Novel

  • Barrayar by Lois McMaster Bujold [Analog Jul,Aug,Sep,Oct 1991; Baen, 1991]

Best Novella

  • “Beggars in Spain” by Nancy Kress [Asimov’s Apr 1991; Axolotl, 1991]

Best Novelette

  • “Gold” by Isaac Asimov [Analog Sep 1991]

Best Short Story

  • “A Walk in the Sun” by Geoffrey A. Landis [Asimov’s Oct 1991]

Best Related Non-Fiction Book

  • The World of Charles Addams by Charles Addams [Knopf, 1991]

Best Dramatic Presentation

  • Terminator 2: Judgment Day (1991) [Carolco/Lightstorm/Pacific Western] Directed by James Cameron; Written by James Cameron and William Wisher, Jr.

Best Professional Editor

  • Gardner Dozois

Best Professional Artist

  • Michael Whelan

Best Original Art Work

  • Cover (The Summer Queen by Joan D. Vinge) by Michael Whelan

Best Semiprozine

  • Locus ed. by Charles N. Brown

Best Fanzine

  • Mimosa ed. by Dick Lynch and Nicki Lynch

Best Fan Writer

  • Dave Langford

Best Fan Artist

  • Brad W. Foster

CONTINUES: Worldcon Wayback Machine Sunday at MagiCon (1992) Day Four

Oscar Gaffe Brings Back Memories of SF Award Blunders

Bonnie & Clyde’s 50th anniversary moment at the Oscars was overshadowed when Best Picture presenters Warren Beatty and Faye Dunaway announced La La Land instead of Moonlight, the correct winner.

Beatty told the audience that they had read the wrong envelope, saying that he saw that Emma Stone won for La La Land, who was actually the winner for best actress. Dunaway had read the winner before Beatty could stop her.

“I opened the envelope and it said ‘Emma Stone, La La Land.’ That’s why I took such a long look at Faye, and at you. I wasn’t trying to be funny,” Beatty assured everyone, after admitting to the mistake and explaining that they had the wrong envelope

Fans immediately took to Facebook telling their friends it reminded them of the big mistake made during the Hugo ceremonies at Magicon in 1992.

As I wrote in my Worldcon report:

…The committee showed slides of the nominees’ names on the auditorium screen intended to be synchronized with Spider Robinson’s reading. But Spider appeared completely unrehearsed in this. After cycling through the Best Fanartist images twice while Robinson stood by obviously confused, Marty Gear as the “voice from above” had to explain the concept. It was an omen….

The ceremonies derailed when Spider ripped open an envelope and read that Lan’s Lantern won the Best Fanzine Hugo. While Robinson was placing the trophy in George Laskowski’s hands, on the screen behind him flashed a slide that the winner was Mimosa, edited by Dick and Nicki Lynch. Beside me, Janice Gelb cringed just like at Raiders of the Lost Ark when I warned her the face-melting scene was coming. Laskowski briefly said, “Thank you,” and got offstage because he’d seen Mimosa on the award plaque, too.

As [convention chair] Joe Siclari and others excused themselves from the audience and headed backstage to investigate, several more Hugos were given. Locus won Best Semiprozine. Michael Whelan accepted the Best Professional Artist Hugo, confessing “With so many artists in the field doing so much excellent work I feel like a thief taking this award. Nevertheless I accept it.” Gardner Dozois received another Best Professional Editor Hugo.

Now, a shaken Spider Robinson revealed that Mimosa was the correct Hugo-winning fanzine and was joined by Laskowski to turn over the trophy to Dick and Nicki Lynch. The mistake was reminiscent of the year Asimov accidentally announced Gene Wolfe’s “Island of Dr. Death” had won the Nebula, disbelieving that No Award (the correct result) had finished first and naming instead the second item listed. The only remotely comparable mistake at any other Hugo ceremonies happened in 1985 when the slide operator (of course) flashed that John Varley’s short story won before the emcee even announced the nominees. Laskowski has won two Hugos in the past — and showed extreme grace in surrendering Magicon’s Hugo to the Lynches.

Not that the comedy of errors was over. Completely in shock, Dick Lynch reached the stage alone and gazed at the shadowy auditorium doors hoping to see his wife, Nicki, who had made a quick trip out of the room after the fanzine Hugo had been given. “I wish my wife could be here. What do I do?” Dick seemed even more lost without his spouse than did Samantha Jeude [when she received the Big Heart Award], which permanently endeared him to women who commented about it later.

Another couple of Hugos were given. A representative of James Cameron’s company accepted the Best Dramatic Presentation Hugo on behalf of Terminator 2. Michael Whelan claimed another Hugo in the Best Original Artwork category for the cover of Joan Vinge’s The Summer Queen.

When Spider Robinson paused to find his place our claque of fanzine fans sitting in the VIP seats noticed Nicki Lynch was back. “Bring back Nicki Lynch!” shouted Moshe Feder, and Janice Gelb. Some stood up to yell. My God, even Andy Porter stood up and shouted through cupped hands, “Bring up Nicki Lynch!” It was like a Bud Greenspan documentary, like the end of It’s a Wonderful Life. Spider agreed, “That’s an excellent idea,” and both editors of Mimosa finally had their proper moment together at the Hugo Awards.

When the Best Nonfiction Book Hugo went to The World of Charles Addams Spider tried to recover his humorous stride. “The award will be accepted by ‘Hand’….”  Yelled the audience, “That’s ‘Thing’!”

…People surged out of the awards looking for Laskowski, the Lynches and Spider, to console, congratulate or cross-examine. Robinson spent the evening wearing the erroneous card, listing Lan’s Lantern, around his neck on a string to prove it wasn’t his fault. Reportedly, calligraphers had specially prepared cards with every nominee’s name and title. They were told to do all of them, since the actual winners were a secret — and somehow the wrong card got included in the award-winner envelopes delivered to Spider.

The 1992 drama reminded everyone of what happened to Gene Wolfe at the 1971 Nebulas because it was a well-known story, having been retold by Harlan Ellison in Again, Dangerous Visions. A few years ago I pulled together people’s accounts of that night

However, nothing can rival Isaac Asimov’s ghastly mistake at the 1971 Nebula Awards ceremony. Nor has any other gaffe worked out better for the injured party in the long run.

On Saturday, April 3, 1971 the leading science fiction professionals were seated around banquet tables in New York’s Les Champs Restaurant watching Asimov hand out the Nebulas.

Asimov had been pressed into service at the last minute. While that was not a problem for anyone who loved an audience as much as the Good Doctor, it meant that he had little time to study the handwritten list of results. In those days the emcee was not only given the names of the winners, but the names of the runners-up, which he also announced.

When Asimov came to the Short Story category his eyes slipped over “No Award” and he read the first real name on the list — which was Gene Wolfe, author of “The Island of Doctor Death and Other Stories.”

As Wolfe stood up a SFWA officer promptly whispered a correction to Asimov. Asimov went pale and announced he’d made an error. There was “No Award” in the Short Story category. Wolfe sat back down.

Eyewitness Harlan Ellison (writing in Again Dangerous Visions) says everyone felt awful –

Around him everyone felt the rollercoaster nausea of stomachs dropping out of backsides. Had it been me, I would have fainted or screamed or punched Norbert Slepyan of Scribner’s, who was sitting next to me. Gene Wolfe just smiled faintly and tried to make us all feel at ease by a shrug and a gentle nod of his head.

Fortunately, the mistake was eventually redeemed. As the author explained:

A month or so after the banquet I was talking to Joe Hensley, and he joked that I should write “The Death of Doctor Island,” saying that everyone felt so sorry for me that it was sure to win. I thought about that when I got home and decided to try, turning things inside out to achieve a different story.

He did, and his novella “The Death of Doctor Island” won a Nebula in 1974.

While we now know how Asimov made his mistake, we probably don’t have the full and complete explanation for the Oscar mixup because Beatty’s on-camera explanation is being disputed.

Backstage, Stone claimed she had the card that announced her as best actress win “the entire time.”

“I don’t mean to start stuff,” she said. “But whatever story that was … I had that card. I’m not sure what happened.”

Pixel Scroll 7/7/16 Where the Filed Things Are

(1) STAR TREK CATCHES UP WITH THE PRESENT. The BBC story “Star Trek character Hikaru Sulu revealed as gay” says the Star Trek Beyond development is a salute to actor George Takei.

One of Star Trek’s best known characters, Hikaru Sulu, has been revealed as gay.

The character, played by John Cho in the current franchise, will be shown as having a same sex partner in the forthcoming Star Trek Beyond.

Cho told the Herald Sun the move was a nod to George Takei, the gay actor who played the character in the original 1960s television series.

The decision was taken by British star Simon Pegg, who wrote the screenplay.

(2) TAKEI UNIMPRESSED. Takei himself is not enthusiastic about the idea, he told The Hollywood Reporter.

The idea came from Simon Pegg, who plays Scotty in the new films and penned the Beyond screenplay, and director Justin Lin, both of whom wanted to pay homage to Takei’s legacy as both a sci-fi icon and beloved LGBT activist.

And so a scene was written into the new film, very matter-of-fact, in which Sulu is pictured with a male spouse raising their infant child. Pegg and Lin assumed, reasonably, that Takei would be overjoyed at the development — a manifestation of that conversation with Gene Roddenberry in his swimming pool so many years ago.

Except Takei wasn’t overjoyed. He had never asked for Sulu to be gay. In fact, he’d much prefer that he stay straight. “I’m delighted that there’s a gay character,” he tells The Hollywood Reporter. “Unfortunately, it’s a twisting of Gene’s creation, to which he put in so much thought. I think it’s really unfortunate.”

He explains that Roddenberry was exhaustive in conceiving his Star Trek characters. (The name Sulu, for example, was based on the Sulu Sea off the coast of the Philippines, so as to render his Asian nationality indeterminate.) And Roddenberry had always envisioned Sulu as heterosexual.

 

George Takei with Buzz Aldrin

George Takei with Buzz Aldrin

(3) MEANWHILE, BACK AT THE HETEROSEXUAL FRONTIER. In the link above, Takei also discusses the Kirk/Uhura kiss, to which the BBC devoted several paragraphs in an article about classic Star Trek’s handling of black/white race issues.

In 1968, US television broadcast what many claim was the first interracial kiss on American airwaves. It occurred between two of the sexiest characters alive: Captain Kirk and Lieutenant Uhura, on Star Trek. According to Nichelle Nichols, who played Uhura, “We received one of the largest batches of fan mail ever, all of it very positive, with many addressed to me from girls wondering how it felt to kiss Captain Kirk, and many to him from guys wondering the same thing about me.

(4) THE IDEA FOR FOLDING. The author of “Folding Beijing”, “Hugo-nominated Chinese author Hao Jingfang talks sci-fi, inner journeys and inequality” with the South China Morning Post.

For me it was heartbreaking to read about how people in different “spaces” had different amounts of time when they had access to daylight. That sounds like the most basic thing. How did you think about illustrating those discrepancies?

We always think that time is the only thing we share equally. So if time is divided unequally by social status, then inequality is complete. For me it was artistically striking to create this setting.

The other reason is perhaps economic because unemployment is always a problem in the US, in Europe, as well as in China. The Chinese government is afraid of unemployment, so sometimes it will maintain a plant or a factory to avoid huge unemployment. But in the future as technology develops, how will people deal with unemployment? Perhaps the easiest and cruellest method is to limit the time (they are awake), and then they will not create problems. So this setting provides an extreme solution to a social problem. I hope that we can find better solutions in real life, but in stories you can just push things to the extreme.

(5) MORE HUGO REVIEWS. Doris V. Sutherland, having completed her long series comparing the 2014 and 2015 Hugo nominees, moves on to discuss this year’s contenders – “2016 Hugo Reviews: Novelettes” at Women Write About Comics.

(6) SF ART IN SCOTLAND. The Adventures in Time and Space exhibit runs July 7-October 2 at The Lighthouse in Glasgow.

Science fiction films exert a powerful grip on the human imagination. This innovative exhibition, curated by Berlin based leading Scots designer, Jon Jardine and The Royal Incorporation of Architects in Scotland will offer insights into the architecture of science fiction. It will compare the ideas of architectural visionaries with startling representations of buildings and cities from the birth of cinema to the present day.

Over 180 new works of art have been specially commisioned by Artists Ian Stuart Campbell, Douglas Prince, Ciana Pullen and Piotr Sell for the exhibition.

The Festival of Architecture 2016 is a year-long, Scotland-wide celebration of design, creativity and the built environment, led by The Royal Incorporation of Architects in Scotland.

(7) TODAY’S BIRTHDAY BOY

July 7, 1907 – Robert Anson Heinlein would have been 109 years old today.

Robert A. Heinlein

Robert A. Heinlein

(8) QUOTE OF THE DAY

According to Spider Robinson, the closing quotation for today’s edition of the emailed morning headline-summary The Economist Espresso is by Robert Heinlein: “Progress isn’t made by early risers. It’s made by lazy men trying to find easier ways to do something.”

(9) ABSTAIN. At Mad Genius Club, Kate Paulk looks over the nominees in the two editor categories —  “Hugo Category Highlights – The Finalists – Best Editor, Short Form and Long Form”. She finds only Jerry Pournelle worthy of consideration in Short Form, and as for Long Form:

I think I’m going to have to sit out this category. There simply isn’t enough in it that’s caught my attention over the year for me to make a judgment, and I personally refuse to simply say “Oh, X is a good person and they’ve done a lot of good over the years”. That’s not what the award is for.

That’s pretty amazing, to think Paulk invested a whole year promoting the Sad Puppy cause while being bored by the output of nine of its ten Hugo-nominated editors.

(10) HUGOGAMI. Lisa Goldstein weighs in on Hugo nominated Novelette: “Folding Beijing” at inferior4+1.

“Folding Beijing” by Hao Jingfang, translated by Ken Liu, is on the Rabid Puppies slate, but it also seems to be a popular story in its own right.  There are other popular stories on the slate as well, in an attempt, I think, to confuse Hugo voters.  Apparently we’re supposed to react like Harcourt Mudd’s robots in Star Trek: — “But it’s a Puppy choice! — But I like it! — But it’s a Puppy choice!” — and then our logic circuits overheat and our brains shut down.

(11) 2016 SHORT FICTION REVIEWS. “Gardner Dozois reviews Short Fiction, June 2016” at Locus Online.

He covers Asimov’s 4-5/16, Tor.com 1/6/16 – 4/13/16, Lightspeed 4/16, and Slate 4/26/16.

(12) WORLDCON NEWS. MidAmeriCon II has released several updates.

Fan Tables – deadline for reserving is July 15.

Worldcons traditionally offer complimentary Fan Tables to non-profit groups organized by members of a particular science fiction/fantasy fandom or convention. Fan Tables are an opportunity for attendees to get information about other fan groups and for fan groups to introduce themselves to fans from around the world. MidAmeriCon II has a limited number of tables available for fan groups to promote themselves and to sell memberships or club paraphernalia. (If you would like to sell more than memberships and T-shirts, please investigate the Creators Alley or Dealers Room).

The following conventions, convention bids, clubs, and societies have already reserved or are expected to reserve a Fan Table at MidAmeriCon II: …

Childcare

Please remember that your $60 child membership comes with 5 FREE hours of childcare, the earlier you book those hours the better to ensure we still have enough space. At the door convention rates for children are: Wed $15, Thurs-Sat each day $25, and $15 for Sunday. Onsite childcare, if there is still room, will be $15 per hour (pre-reg is $10 online).

We are thrilled to be working with KiddieCorp as the professional childcare provider for MidAmeriCon II. KiddieCorp has worked regularly with Worldcon in recent years ­including in Spokane, San Antonio, Los Angeles, Denver, Montreal, Reno, and Chicago ­and have an excellent understanding of our needs and interests. Childcare will be held in the Kansas City Marriott which is close to the convention center and also connected to it via underground tunnel. More information about our hotels and room bookings can be found on our hotel information page.

Children’s Programming

Our children’s program is for children aged 6 to 12 and also their parents. Some items are suitable for older kids and teenagers who are also welcome. We plan to have a program for the full weekend involving crafts, games, toys, mini-projects, books, comics, and a bit of space for children to enjoy. We want to create a room where there is always something to do, where science and engineering meet fiction, film, books, comics, and the fantastic, and where kids will enjoy themselves and have fun!

YA Programming

MidAmeriCon II will also have some great YA programming including workshops, panels, and more for the young and young at heart. From steampunk to romance, action, and film, our YA programming explores the fun in fiction while also tackling some tough questions about ethics, love, and nontraditional families.

Panelists include Guest of Honor Tamora Pierce, Gail Carriger, Stina Leicht, Rebecca Moesta, Cerece Rennie Murphy, Greg van Eekhout, and other fabulous authors in science fiction, fantasy, horror, and more.

(13) ALWAYS. From The Guardian: “Tesla driver killed while using autopilot was watching Harry Potter, witness says”

The Tesla driver killed in the first known fatal crash involving a self-driving car may have been watching a Harry Potter movie at the time of the collision in Florida, according to a truck driver involved in the crash.

The truck driver, Frank Baressi, 62, told the Associated Press that the Tesla driver Joshua Brown, 40, was “playing Harry Potter on the TV screen” during the collision and was driving so fast that “he went so fast through my trailer I didn’t see him”.

The disclosure raises further questions about the 7 May crash in Williston, Florida, which occurred after Brown put his Model S into Tesla’s autopilot mode, which is able to control a car while it’s driving on the highway.

The fatal crash, which federal highway safety regulators are now investigating, is a significant setback and a public relations disaster for the growing autonomous vehicle industry.

(14) FAILED PREDICTIONS ABOUT REAL TECHNOLOGIES. The BBC ginned up a five-things article about transportation technologies that never became centerpieces of a glorious future.

WITH EVERY JULES VERNE NOVEL, James Bond film or World’s Fair came new, fantastical ways of getting around. They packed our near-future with science-fiction promises: walkways that did the walking for us, pod cars built for one, jet-powered backpacks that let humans fly. Today, although these things exist, they’re hardly commonplace. Why did these transportation moonshots fall by the wayside, and short of their pledges to revolutionise the world? ….

Monorail

Then: There is likely no discarded transportation relic that sums up the past’s vision of the future better than the monorail. Inventors had been toying with the idea of an elevated, single rail line since the 1800s, and by 1956, Houston, Texas saw the first trial run of a monorail in the US, in all its shiny, glass-fibre glory. The otherworldly, curvy carriages that zoomed high above the ground popped up piecemeal around the world in places like Japan, but the turn of the century’s rise of the automobile proved too much for the sky high train of tomorrow.

Now: Today, monorails are chiefly the chariots of airport terminals and amusement parks. Disney World in Florida has a monorail system that shuttles Mickey lovers from car park to theme park — including a line that runs directly through the soaring lobby of Disney’s Contemporary Resort hotel.

(15) AVOIDING THE OBVIOUS ANSWER. They’re pretty sure Tunguska was a meteorite, but don’t let that stop you from enjoying these other interesting theories.

Some suggested the Tunguska event could have been the result of matter and antimatter colliding. When this happens, the particles annihilate and emit intense bursts of energy.

Another proposal was that a nuclear explosion caused the blast. An even more outlandish suggestion was that an alien spaceship crashed at the site on its search for the fresh water of Lake Baikal.

[Thanks to John King Tarpinian, David K.M. Klaus, Spider Robinson, Chip Hitchcock, Mark-kitteh, Lisa Goldstein, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W.]

Jackson Accepts Forry Award

Charles Lee Jackson II.

Charles Lee Jackson II.

Forry Award winner Charles Lee Jackson II, who received his plaque during ceremonies at Loscon on November 27, sent along his acceptance speech:

Forry Ackerman would have been pleased that I’ve received this. He and I were friends for nigh on to forty-five years; in the ‘sixties I was a fan of his publications, and in the ‘nineties he was a fan of mine.

I expect I am receiving this not for the depth but for the breadth of my contributions to science fiction: the cartoons, comic books, short stories, novels, magazine articles, convention appearances, and work around the LASFS.

I consider this as both an honor and a challenge: I don’t want someone fifty years from now looking at the list of Forry laureates and saying, “I know Bradbury, and Heinlein… but who’s this pretentious  jerk?” So I’ve got ten more books lined up for next year.

Thank you, Matthew, and my thanks to the LASFS, and to all of you for that fine round of applause.

Jackson’s books and stories are available on Amazon. To find out more about the fannish CLJII Empire of Entertainment, click here.

This year’s Forry Award was a tie between Jackson and Spider Robinson.

Spider Robinson

Spider Robinson

Robinson earlier posted his acceptance statement on his website:

I am grattered and flatified to be able to report that I have tied with Charles Lee Jackson II for this year’s Forry Award, given out in memory of the late great Forrest J. Ackerman since 1966 by the members of LASFS, the Los Angeles Science Fiction Society.

It’s a lifetime-achievement honour, and the list of previous winners is so impressive I can’t resist reproducing it here… [Click for list.]

I have to say I’m in some damn fine company. Most of the gods of my personal pantheon are there. My only regret is that Jeanne can’t be here to share this with me.

My profound, sincere thanks to the members of LASFS. I look forward with great eagerness to receiving the plaque that I have read comes with the award, and I hope one day I’ll have an opportunity to view the special plaque in LASFS HQ on which I understand my name will now be inscribed with those above.

Spider Robinson Commits to Next Year’s VCON

R. Graeme Cameron has stepped in as chair of next year’s VCON. Happily, as one of his first acts, was able to announce that Spider Robinson, prevented by illness from attending VCON 40 this past weekend, has agreed to be Master of Ceremonies for VCON 41 in 2016. Cameron says, “I know I speak for all local fen (fen everywhere for that matter) that we are glad he is recovering his health and we can hardly wait to see him again. Always good times when he is present at VCON!”

And how came The Graeme to chair next year’s con? He tells the tale after the jump….

Continue reading

Spider Robinson Cannot Attend Westercon

Spider Robinson

Spider Robinson

Spider Robinson has withdrawn as one of Westercon 68’s guests of honor. Chair Ron Oakes released this statement from Spider:

Tell folks I had to tap out due to recent undisclosed health problems. That’s the shortest and truest I can say it. If anybody argues, tell ‘em I’m 66, I’ve been hospitalized six times in the last six months, and we’re working on it. And tell them I apologize.

Oakes responded, “Our thoughts and best wishes go with Spider for a speedy diagnosis and complete recovery.”

Westercon 68 takes place July 2-5 in San Diego.

Bring “God is an Iron” to Worldcon

god is an iron posterBlack Box Montreal, an independent theatre company that produces and adapts classic science fiction stories for the stage, wants to perform its version of Spider Robinson’s story God is an Iron at this year’s Worldcon in Spokane.

Money would help.

They’re lining up donors and seeking grants, and they’ve also turned to Indiegogo to find another $2,000 for travel expenses and publicity, as well as costume and prop building and sourcing.  The Indiegogo appeal is here.

Robert J. Sawyer backs the fundraiser:

I saw the Montreal Fringe version of this play in 2014, and it blew my socks off. Seeing it again at Worldcon will be fabulous.

Matthew David Surridge outlines the basic story in his Black Gate review of the 2014 Montreal production:

In the near future, a young man, Joe, enters an apartment and finds a woman, Karen, near death. She’s plugged into a machine stimulating the pleasure centre of her brain, an addictive high common in this future, and one that often leads to death as the addict comes to prefer the ongoing pleasure to food or drink. Joe gets Karen out of the machine and tries to lead her back to health. Who is she? Why did she plug herself into pleasure, knowing it could lead to her own death? Who is he, and why does he care? The set-up gives us questions, and over the course of the story we come to find out the answers. Some are profound, and the last is almost a punch-line: like a punch-line, it collapses all the pathos of the story and the themes into a sudden and surprising realisation.

The tale’s a meditation on empathy and pleasure; more precisely, on empathy and hedonism. Living for pleasure is self-directed. So what drives us — as human beings seem to be driven — to be social animals? Is there some merit to living for others beyond pleasure? Cano’s script, a faithful adaptation of the story using much of the original text, tries to probe these questions.

Donors are offered an escalating series of perks. If someone ponies up $500 —

We can offer one very lucky person the opportunity to be a part of the show! In addition to all the above perks, we’ll cast you in a high-visibility non-speaking role in one of the longer video segments. You’d be credited in the program amongst the cast as “Wireheading Patient”, and you’d have our eternal thanks. Also, we’ll buy you dinner.

They have raised $545 of the $2000 goal as of this writing.