Compiled by Carl Slaughter:
- Generations movie documentary
More videos after the jump.
Compiled by Carl Slaughter:
More videos after the jump.
Compiled by Carl Slaughter:
Warning! This article contains spoilers for the latest episode of Star Trek: Discovery. Read at your own risk!
Star Trek: Discovery continued its Mirror Universe story arc on “The Wolf Inside,” and there were many reveals that surprised both Michael Burnham and fans of the entire franchise. Among other reveals, Star Trek fans got to see Mirror Sarek, who had a stylin’ goatee much like his son, Mirror Spock. The nod to the classic Star Trek episode “Mirror, Mirror” definitely didn’t escape fans, but there was one additional crazy reference that might have. The episode revealed that Mirror Spock, like Original Series Spock, also went against his father’s wishes, but in a way some fans should be thinking hard about….
- The Mystery of the Spore Drive
As noted in an earlier entry, Star Trek: Discovery has multiple starships with “spore drive,” a displacement-activated propulsion system that utilizes an organic mycelial network that exists throughout the universe in a subspace mycelial plane.
By integrating tardigrade DNA into a human host, the USS Discovery was able to use this genetically-modified “navigator” to successfully traverse the mycelial network and enable the ship to move across great distances instantaneously.
It’s curious, then, that the spore drive has never been mentioned anywhere else in the 50-plus years of Star Trek, even as a failed experiment….
According to “Star Trek: Discovery” co-showrunner Gretchen Berg, legendary TV producer Aaron Spelling is the reason why no major character dies in the season finale of “Star Trek: Discovery.”
“We worked on the original ‘Beverly Hills 90210,’” she told IndieWire, “And somebody was going to die or not going to die, and his attitude came back down that he didn’t want the person to die and I was like, ‘Why? Come on, that’s life!’”
TVLINE | Let’s start at the end, with the Enterprise reveal. What kind of storytelling avenues does that open up for you in Season 2?
AARON HARBERTS | I think one of the biggest things it’s going to allow us to do is start to develop how Discovery fits into canon. One of the big things that’s been polarizing for fans is, “We’ve never heard about Discovery! How does it fit? She’s related to Spock?” All those things. And what it’ll allow us to do is hit that straight-on. We see it as an exciting opportunity to say, “This is exactly how Discovery fits into the timeline. This is exactly how we can reconcile the choices we have made.” Because at this period in time, the Discovery and the Enterprise are the crown jewels in the fleet, so they should be face-to-face.
The “Star Trek” franchise has spent a lot of time developing concepts about alien physiology across its many shows and movies, but one longtime fan theory about Klingon sexual anatomy has never been confirmed. That is, until Sunday night’s “Star Trek: Discovery” season finale.
“Star Trek” shows like “The Next Generation” and “Voyager” have established that Klingons evolved numerous anatomical redundancies, including two livers, an eight-chambered heart, and two stomachs. Unsurprisingly, science fiction fans being what they are, Trekkers have long speculated that this means Klingons have two of everything. Yes, we mean speculated that they have two penises.
According to “DS9” showrunner Ira Steven Behr, the writers initially tried to make the show similar to other “Trek” series, but the results were not satisfying. Behr and David Zappone are co-directors of the documentary “What We Left Behind: Looking Back at ‘Star Trek: Deep Space Nine.’” The film, currently in post-production at Paramount, marks the series’ 25th anniversary and is slated for release in summer, 2018.
“We tried all these different types of things and none of them really seemed to work,” says Behr. “The standalone episodes just kind of bored the hell out of us for the most part. We were struggling. Then the episode that seemed to work at the end of season one had the double whammy of ‘Duet’ and ‘In the Hands of the Prophets.’ So by the end of season one, I felt that I had a handle on what the strength of this show was, which was building on this complicated backstory [creators] Michael [Piller] and Rick [Berman] had given the show.”
On December 8, news broke that Tarantino was in talks with Paramount Pictures to direct a new, potentially hardcore Star Trek project. Since then, the in-development film has purportedly hired Revenant scribe Mark L. Smith to write the script. And Frakes has one big reminder for the Tarantino project, should it actually materialize.
“Don’t forget the heart,” Frakes told Inverse in a phone interview. “Before you eat it, don’t forget the heart!” Though Frakes’s Star Trek: First Contact was considered a pretty brutal Trek movie when it was released in 1996, it still contains perhaps some of the most heartwarming scenes of hope and friendship in any Star Trek story ever. The Vulcans made contact with the human race, Picard learned to let go of his Captain Ahab rage, and Data admitted he only thought about betraying the Enterprise for like half a second.
The paper’s author, a biologist for 30 years and a fan of “Star Trek,” wrote up a research paper based on the “Voyager” episode. He submitted it to 10 open-access journals known or suspected of charging authors publication fees without providing the editorial services associated with legitimate journals, such as careful peer review and vetting of the paper’s claims. Four accepted it, though only one, the American Research Journal of Biosciences, published the paper.
(1) SPACED OUT LIBRARY. The Toronto Star remembers how it all began — “Sci-fi author Judith Merril and the very real story of Toronto’s Spaced Out Library”.
As the Vietnam War raged on, science-fiction author and editor Judith Merril — disgusted with the violence hurled against anti-war demonstrators during the 1968 Democratic National Convention in Chicago — packed her books and bags and immigrated to Canada.
Already well-respected in the science-fiction writing world, Merril was in her mid-40s when she landed in Toronto in 1969 with an extensive personal collection of books and unpublished manuscripts of science fiction. She settled into Rochdale College, the 18-storey hippie haven at Bloor and Huron Sts. with her grown daughter, Ann Pohl. Merril taught nondegree subjects in exchange for room and board at the free university, which was an experiment in student-run education and co-operative learning.
Merril became known as Rochdale’s resource person in publishing and writing. She founded the Rochdale library, which later was called the Spaced Out Library.
She lived in Rochdale for a year. One year later, in 1970, she would donate the Spaced Out Library and its 5,000 items to the Toronto Public Library….
(2) LIBRARY STATS. Here are links to the Boston Public Library’s report of most-borrowed books for 2017:
– Adult: (genre at 3 and 9, Underground Railroad and Handmaid’s Tale)
– Teen: (media-related genre at 1, 3, and 10)
– Childrens: (media-related genre at 1 and 4; Dr. Seuss at 8 & 10)
(3) HOLY FATHER, BLESS MY MIDICHLORIANS. From American Thinker we get an impassioned Catholicism-rooted jeremiad by Ojel L. Burgos against the movie The Last Jedi as an attack by the New Atheism movement against all that’s holy — “The Last Jedi and the New Atheism”
Some may say atheism does indeed give hope, but it’s a hope constrained within scientism and empiricism – better explained, a hope placed solely in what humanity can control. As Pope Benedict XVI in his encyclical Saved by Hope argued, despite failure, a sense of purposiveness, and suffering, the power of hope in God sustains us. Luke Skywalker’s initial hopelessness and the subsequent revival of the power of hope give us the strongest indication that atheism’s triumph is society’s downfall.
(4) GETTING PAST JEDI. After The Guardian’s Ben Child suggests that The Last Jedi was —
a smart, intelligently curated yet ever so slightly soulless example of machine-honed franchise film-making. It ticked every box for fans of the venerable space saga, without ever really pushing the envelope; a movie that eventually made the Kessel Run, but 40 years or so after Han Solo and Chewie had already achieved that legendary feat.
— he gives thought to what movies will push the SF envelope in the coming year. The suggestions, with justification and some trailers, are Alex Garland’s “heart of darkness” Annihilation in February, Steven Spielberg’s virtual reality Ready Player One in March, Josh Boone’s superhero The New Mutants in April, Rupert Wyatt’s post-alien invasion Captive State in August, Christian Rivers’ steampunk Mortal Engines in December, and Duncan Jones’ “Moon” successor Mute sometime in 2018. — “Future shock: unearthing the most cutting-edge sci-fi movies of 2018”.
(5) WHICH HE DIDN’T ACTUALLY WRITE. Smithsonian.com reminds us about “Thomas Edison’s Forgotten Sci-Fi Novel”.
When Thomas Edison died in 1931, he held more than 1,000 patents in the United States alone. He was credited with inventing, or significantly advancing, electric lighting, storage batteries, the motion picture camera, the phonograph and even cement making—among many other things.
Edison nearly added another item to his résumé that’s all but forgotten today: Progress, a science-fiction novel he began working on around 1890. Although the inventor abandoned the project before it could be finished, he wrote pages and pages of notes that a collaborator, George Parsons Lathrop, would eventually turn into a work of futuristic fiction, In the Deep of Time, published in 1896.
…According to the 1908 biography Thomas Alva Edison: Sixty Years of an Inventor’s Life by Francis Arthur Jones, Edison told Lathrop that he “would rather invent a dozen useful things, including a mechanical novelist who would turn out works of fiction when the machinery was set in motion, than go any further with the electrical novel.”
Lathrop proceeded all the same, and In the Deep of Time, now more novella than full-length novel, appeared as a serial in several U.S. newspapers in December 1896. The English Illustrated Magazine ran it in two installments the following spring. It was bylined “by George Parsons Lathrop in Collaboration with Thomas A. Edison.”
(6) UNLIKE PREVIOUS TREKS. Variety profiles DS9 — “‘Star Trek: Deep Space Nine’ at 25: Through the Wormhole With the Cast and Creators”.
“DS9” allowed “Trek” writers the chance to delve into that conflict like never before. Over the course of its run, the show tackled complex subject matter including the ethics of war, faith, cultural identity and the often subtle distinction between a freedom fighter and a terrorist in dark and surprising ways that the previous two series had not.
(7) ANANSI BOYS. Over Christmas, Radio 4 broadcast a new, six-part adaptation of Neil Gaiman’s mythical fantasy “Anansi Boys” about the trickster God Anansi and his unsuspecting son Fat Charlie. The episodes are available here. (But for how long?)
(8) SOME CAMPBELL-ELIGIBLE WRITERS. Rocket Stack Rank’s 2018 Campbell Award-Eligible Writers page is up now. It is not intended to be all-encompassing (as it says at the post) —
Here are 166 short fiction writers reviewed by Rocket Stack Rank who are eligible for the 2018 Campbell Award. They were selected from the 746 stories reviewed by RSR in 2017 as well as the 821 stories reviewed in 2016. There are many more new writers than the ones in this list, but their stories weren’t reviewed by RSR so they’re not included here.
Greg Hullender writes:
As ever, it only includes writers whose stories appeared in the magazines and anthologies that we reviewed, and the eligibility dates were calculated using isfdb.org. We welcome and appreciate any error reports!
(9) CANDLE POWER. Steven H Silver announced his new project —
I’m posting a series of short story reviews on Black Gate. Each day (well, most days, some days I can’t find anyone who fits the requirements), I’ll be posting a review of a short story by an author whose birthday it is.
He began New Year’s Day with “Birthday Reviews: E.M. Forster’s ‘The Machine Stops’”.
It’s the end of 2017, but we’ll spend this episode living, imaginatively, in the 2080s, on the first lunar city, called Artemis. Artemis is the invention of Andy Weir, the author of The Martian and another of the great science fiction writers to have come through UC San Diego. We welcomed him back to campus earlier this month, and we have the live conversation to share with you today.
(11) RAW SCIENCE. And the Arthur C. Clarke Center for Human Imagination is a partner of the 4th annual Raw Science Film Festival, to be held this year in Santa Barbara, CA, on January 6 and 7th, 2018.
The festival honors the best media centered on science and technology from around the world. The mission of the festival is to celebrate science media and ensure fact-based experts stay at the forefront of popular culture. This “Bridge between Science and Media” will honor luminaries and celebrities in science, technology, media, and entertainment and showcase best-in-class films.
The culmination of the three day event is a black-tie red carpet awards ceremony on Saturday, January 6 at the Lobero Theater in Santa Barbara, CA. The 100th birthday of Sir Arthur C. Clarke will be celebrated with inspiring experts on interstellar travel, human longevity, scalable healthcare, the ethics of space travel, and lunar colonization! Recent Nobel Prize winner Kip Thorne will roll down the red carpet via Beam robot to present the annual Kip Thorne Gravity Award. The three day event also includes a VIP reception, film screenings, exhibitions, lab tours, and sci-comm workshops. The festival brings science fiction to life and to work in an inspiring weekend of fun, entertainment, and public service.
(12) INDUSTRY BIAS. In a BBC interview, “Rosamund Pike says actors won’t ‘play second fiddle’ to actresses”.
Pike continued: “Many, many actors are coming out saying we want more female-driven stories, we want fantastic roles for women… so the next consequence is, if you want those to come, then the boys have to play second fiddle.
“That’s just the way it is. Until that happens, there will be fewer films with female leads made,” she added.
Films with leading female stars and supporting male actors are not as common as the other way round.
But there are some well-known examples, including 2013’s Oscar-winning film Gravity, with Sandra Bullock playing the lead alongside George Clooney, and sci-fi flick Arrival (2016), with Jeremy Renner in a supporting role alongside Amy Adams.
Note that the two exceptions cited are both genre.
(13) ACROSS THE STRAITS. NPR reports In “Alaskan infant’s DNA tells story of ‘first Americans'”.
Genetic analysis of the child, allied to other data, indicates she belonged to a previously unknown, ancient group.
Scientists say what they have learnt from her DNA strongly supports the idea that a single wave of migrants moved into the continent from Siberia just over 20,000 years ago.
NPR observes that the excavation was done with the cooperation of Native American groups — “Ancient Human Remains Document Migration From Asia To America”.
They conclude that the ancestors of these infants started out in East Asia about 35,000 years ago. As they traveled east, they became genetically isolated from other Asians. At some point during the last ice age they crossed a frozen land bridge from Siberia to Alaska called “Beringia.”
Potter says during this great migration, either before or after they crossed the land bridge, this group (which the researchers call the founding population for all Native Americans) split again, into two populations. Scientists had suspected this and surmised that one group stayed put in and around Beringia. They call them Ancient Beringians.
The two infants are the first hard evidence that they did indeed do that.
The ice age was still on, but these people hunkered down and made the best of what was there in this arid, frigid landscape, says Potter. “Bison, horses, mammoth. Big grazers were very common.”
The other group moved down into North and South America and are believed to be the direct ancestors of current Native Americans.
(14) APPLY FOR CLARION. Applications are now open for the 2018 Clarion Science Fiction and Fantasy Writers’ Workshop! Eighteen students will be selected to spend six weeks at UC San Diego, writing, studying, and workshopping with leading writers from the field. The deadline to apply is March 1.
The 2018 writers in residence: will be Christopher Barzak, Holly Black, Mat Johnson, Kij Johnson, Kelly Link, and Gavin Grant.
(15) THE PEN. How writing destroyed civilization as they knew it…. Arthur Chu’s thread begins here —
You could absolutely do a BLACK MIRROR type thing about a preliterate civilization freaking out about how writing will destroy society and human relationships
— Arthur Chu (@arthur_affect) January 2, 2018
(16) NOTES FROM A HIGHER POWER. Nick Confalone, in “Are The Aliens Wearing Life Jackets? And Other Questions From Kids’ Network Standards and Practices” on Slate, has some inane comments from Standards and Practices types, including, “When we first see the aliens along the beach, we should see that they are clearly wearing life jackets.”
Equating a raccoon’s family’s misfortune to a real-life human scenario that begins with unemployment and escalates to homelessness, lack of funds for medicine, and a child having to drop out of school to help support the family seems inappropriate, despite their admission that they love living in a garbage can. We don’t want to give the misperception that we are making light of or trying to derive humor from a tragic, human situation.
(17) BEWARE FALLING GODS. Here’s The New Legends of Monkey: Extended Trailer.
Inspired by the 16th Century Chinese fable Journey to the West, ABC ME’s The Legend of Monkey is 10-part half-hour series that follows a teenage girl and a trio of fallen gods on a perilous journey to bring an end to a demonic reign of chaos and restore balance to their world. Coming to ABC ME January 28.
[Thanks to Chip Hitchcock, John King Tarpinian, JJ, Rick Moen, Darrah Chavey, Bill, Cat Eldridge, Rose Embolism, Andrew Porter, Martin Morse Wooster, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Jamoche.]
(1) PRONOUNS AND ROCKET STACK RANK. Bogi Takács wrote a series of tweets criticizing Greg Hullender’s statements in reviews about the usage of pronouns for non-binary characters in stories reviewed at Rocket Stack Rank, adding many screenshots of examples. Takács also pointed out the reviews are given a certain implied authority because Rocket Stack Rank is linked from the official The Hugo Awards site as a “Third Party Recommendation Site.”
Get into the thread here:
I will say it again in my main feed because this is important.
If a reviewer repeatedly states that nonbinary pronouns in a story are an automatic -1 star, that reviewer does NOT get to claim to be a trans ally.
That's not how any of this works.
— Bogi Takács PERSON (@bogiperson) November 26, 2017
The Hugo connection is illustrated here:
I would not bother if this was a random dude who spouts random dudedom.
This is a site EXPLICITLY promoted by the Hugo award website.
I highlighted it for you: pic.twitter.com/uMzq1DJFxN
— Bogi Takács PERSON (@bogiperson) November 26, 2017
The comments on the Hugo linkage include one from Patrick Nielsen Hayden:
I did not know that the official Hugo Awards site links to a tiny selection of "third party recommendation sites." Now that I do, I've written to the site administrators to opine that this is a terrible idea.
— P Nielsen Hayden (@pnh) November 26, 2017
For those who are unfamiliar, here is Bogi Takács’ brief bio from Patreon:
I’m Bogi Takács, a Hungarian Jewish agender trans person (e/em/eir/emself or singular they pronouns) currently living in the US as a resident alien. I write speculative fiction and poetry – I have had work published in various professional venues like Clarkesworld, Lightspeed, Apex and Strange Horizons.
Other comments on RSR, Hullender’s views, and their impact included —
Second of all, @bogiperson's long thread shows this is not new. This is not a case of "I messed up, whoops" but an ongoing trend of using an increasingly important platform to consistently downgrade stories that correctly use non-binary pronouns for non-binary characters
— Razorblade Snowflake (@Keffy) November 26, 2017
(2) COCO CASHES IN. On opening weekend in the U.S., “Pixar’s ‘Coco’ feasts on ‘Justice League’ at box office”.
Pixar’s “Coco” sang its way to the fourth best Thanksgiving weekend ever with an estimated $71.2 million over the five-day weekend, a total that easily toppled Warner Bros.’ “Justice League.”
“Coco” rode strong reviews and an A-plus CinemaScore from audiences to the top spot at the domestic box office. According to studio estimates Sunday, it grossed $49 million from Friday to Sunday. Centered on the Mexican holiday Dia de Los Muertos (Day of the Dead), “Coco” has already set box office records in Mexico, where it has made $53.4 million in three weeks.
(3) BSFA AWARDS. The British Science Fiction Association invites members to “Nominate for the BSFA Awards” between now and December 31:
The BSFA awards are presented annually by the British Science Fiction Association, based on a vote of BSFA members and – in recent years – members of the British national science fiction convention Eastercon. They are fan awards that not only seek to honour the most worthy examples in each category, but to promote the genre of science fiction, and get people reading, talking about and enjoying all that contemporary science fiction has to offer.
…Nominations are open until 31st December. This will be the first round. Then from 1st January to 30th January the opportunity for members to vote for their shortlist from the collated suggestions will be provided. This will be the second round.
To nominate in the first round, fill in the form here: http://tinyurl.com/BSFA2017nominations
or email your nominations to email@example.com. A form and process for the second round will be made available on this page after the first round has closed.
(4) FLORIDA EXPANDS RIGHT TO CHALLENGE TEXTBOOKS. The Associated Press has the story: “New Florida law expected to increase textbook challenges”.
A parent in Florida is citing profanity and violence in trying to get the local school to ban Ray Bradbury’s “Fahrenheit 451” — itself a cautionary tale on the banning of books. Another wants to remove Walter Dean Myers’ “Bad Boy” for using the word “penis” and a homophobic slur.
Elsewhere in Florida, some say global warming and evolution are a hoax and should not be taught in textbooks unopposed. Others say their local school’s textbooks shortchange Islam’s role in the world, while their opponents argue it’s the danger posed by Muslim terrorists that’s underexposed.
Under a bill passed by the Florida Legislature this year, any district resident — regardless of whether they have a child in school — can now challenge material as pornographic, biased, inaccurate or a violation of state law and get a hearing before an outside mediator.
The mediator advises the local school board, whose decision is final. Previously, challenges could only be made by parents to the school or district. There was also no mediator and fewer mandates. Districts must now also post online a list of all new books and material by grade level to make monitoring easier.
(5) THANKSGIVING AT THE ISS. A day like any other day, only turkey was there: “Happy Space Thanksgiving: How the Food-Stuffed Holiday Went Orbital”.
One Thanksgiving party will literally look down upon them all, as the crew of the International Space Station (ISS) continues its longstanding tradition of observing the festive harvest holiday from orbit. This year’s menu includes irradiated smoked turkey, rehydratable cornbread dressing, green beans and mushrooms, broccoli au gratin, mashed potatoes, candied yams, sweet tea, and thermostabilized cherry blueberry cobbler for dessert.
“They don’t actually have the day off on Thursday,” NASA spokesman Dan Huot told Space.com in an email, adding that the crew has “a lot of cargo-unloading tasks to complete” with the Cygnus spacecraft that arrived last Tuesday (Nov. 14). However, the astronauts will at least have Friday off, Huot said.
Along with over 7,700 lbs. (3,500 kilograms) of supplies and science equipment, the Cygnus cargo craft delivered the crew their Thanksgiving dinner and some other tasty treats, like pizza and ice cream. Holiday gifts and care packages from the astronauts’ families also shipped with Cygnus. With that trove of holiday goodies just waiting to be unpacked, the astronauts have plenty of incentives for working through the holiday
(6) AFTER THE STUFFING. Here’s how it looks from the Batcave:
— Heavy Metal Magazine (@HeavyMetalInk) November 24, 2017
(7) ANTHOLOGY APPEARANCE. Cora Buhlert highlights her recently-published story: “New science fiction anthology with a new “In Love and War” story available: The Guardian, edited by Alasdair Shaw”.
The Guardian includes eleven science fiction stories by international authors, all featuring guardians of some kind. My own story in the anthology, “Baptism of Fire” is a prequel story to my In Love and War space opera romance series, so all you fans of Anjali and Mikhail (come on, I know there are some of you out there) rejoice.
(8) ALAS, POOR ALANTIM. Motherboard invites you to “Watch a Robot Eulogize Its ‘Brother’ at Moscow’s New Cemetery for Dead Machines”; video at the link.
The sad news is that this Alantim could not be revived after the attack. But the silver lining is that its death inspired Olga Budnik, a spokesperson for the Muscovite tech hub Phystechpark, to create the world’s first dedicated robot cemetery.
“Alantim was a really good robot,” Budnik told me in an email. “It was supportive, always polite, always happy to see you. You know, like a pet. And [the cemetery] was an idea to bury it like a pet. Not disassemble or carry it to the trash. To say good-bye.”
On October 31, Alantim’s Earthly remains were placed at the Phystechpark cemetery site next to a box for collecting other dead robots. He was eulogized by another Alantim, who honored his dearly departed “brother” for being “very useful to your people and Russian science,” according to a Russian-to-English translation of the ceremony as seen at the top of this article.
(9) COURT IS IN SESSION. Lauren Davis briefs io9 readers about “Six Strange Cases of Science Fiction Trademarks”.
Ownership Claimed by: The J.R.R. Tolkien Estate
The J.R.R. Tolkien Estate owns numerous trademarks based on Tolkien’s works, as well as registered trademarks on Tolkien’s name. Last year, a fellow who sold buttons reading “While you were reading Tolkien, I was watching Evangelion” through Zazzle was contacted by Zazzle, who said that they were removing the buttons at the Tolkien Estate’s request. Later, Zazzle restored the buttons, saying that they had been removed erroneously due to a miscommunication, but it shined a light on the estate’s ownership of Tolkien’s name and left lots of folks wondering where the line was. When are you invoking Tolkien the brand and when are you referring to Tolkien the man?
The estate also owns the right to publicity for Tolkien’s name and image, which they used to challenge the publication of Steve Hillard’s historical fiction book, Mirkwood: A Novel About JRR Tolkien. Eventually Hillard and the estate settled, with Hillard agreeing to make some changes to the book’s appearance to make it look less like one of Tolkien’s novels. A Mirkwood movie is in the works.
Bonus Round: Like any other trademark holder, the Tolkien Estate has to be vigilant about enforcing their trademarks. But some are stranger than others. In 2004, the estate issued a cease and desist letter to the owner of the domain Shiremail.com, claiming the estate owned the trademark on the word “shire.” The word “shire,” which means an administrative subdivision, such as a county, has been around since the 12th century.
(10) BOARDMAN OBIT. Perdita Boardman (1931-2017) died November 26 after a long illness. Mark Blackman writes:
Perdita was best-known in Northeast Fandom for hosting Lunarians meetings and running the Lunacon Con Suite for many years, and with her husband, John, hosting a monthly fannish gathering called First Saturday. For their long service, she and John were voted Honorary Members of the Lunarians.
Her younger daughter, Deirdre, shared the following on Facebook:
I wanted to share with family (& friends) about the passing of my mom this morning peacefully in her sleep.
Many know she has been suffering from severe dementia well over a decade now, but she became very sick about two weeks ago and moved to hospice care.
Born Dec 27, 1931 in Baxter Springs, KS she grew up outside of Detroit, bounced around a bit living in Chicago, San Francisco, Virginia and finally settling in New York City about 1960, first in Manhattan, then Park Slope and finally her well known home in Flatbush. She spent her final years in Frederick, MD to be closer to Karina & I.
She has loved science fiction & fantasy (as well as mysteries & regency romances) novels since the 50s and was an avid reader.
She was a talented artist, master seamstress and knitted the most amazing sweaters!
I could go on all.
One of her funny quotes from the other day after being annoyed by nurses prodding her was, “I am Perdita Ann Lilly Nelson Boardman and I am going to sleep”
Good night mom.
(11) LE GUIN AS CRITIC. Ursula K. Le Guin reviews “You Should Come With Me Now by M John Harrison – stories “for the uncommon reader” in The Guardian:
One of these brilliantly told stories, “The Walls”, begins: “A man, let’s call him D, is seen digging his way out through the wall of his cell. To help in this project, D has only the thinnest and least reliable tools: two dessert spoons (one stainless steel, one electro-plated nickel silver); half of a pair of curved nail scissors; some domestic knives lacking handles; and so on. The cell wall, constructed from grey, squarish cinder blocks about a foot on a side has been carelessly mortared and laid without much attention to detail. But this lack of artifice makes no difference; none of the knives is long enough to reach the last half inch of mortar at the back of each block, and the more D uses them the shorter they get. Each block must, eventually, be loosened and removed by hand, a task which can take several months, and which leaves him exhausted.”
A close attention to detail characterises this story and contributes much to its effectiveness, and yet, like the careless mortaring of the cinder blocks, it makes no difference in the end. Why and how does D have two dessert spoons? What does he live on during these months (which become years)? Who brings it to his cell? We have nothing with which to fill in unstated facts, as we’re used to doing when reading fiction, because the story is consistent only in pulling the carpet out from under its own feet. It is a play of imagination in a void. Its power is that of a dream, in this case a bad one, the kind that keeps repeating itself with variations in an endless loop of frustration.
This holds for all the stories collected in You Should Come With Me Now. Some of them are surrealistic, some are spoofs, some are fables; many are funny, all are inventive; none entirely escapes the loop….
(12) 25 WAYS TO RUB YOUR LAMP. A Yahoo! Movies piece, “Disney’s ‘Aladdin’: 25 magical fun facts for 25th anniversary”, has lots of trivia about Aladdin, including how Patrick Stewart nearly played Jafar but couldn’t get out of his Star Trek: The Next Generation commitments and how there is a hidden Aladdin reference in Hamilton.
The animators crafted the Genie around Williams’s rapid-fire improv. Co-director Ron Musker said Williams did 25 takes for the movie’s first scene, “and they were all different.” The entertainer would stick to the script for the first few takes, “then he would riff.” Musker said Williams recorded 16 hours’ worth of material, forcing the creative team to piece the character together “like a ransom note.”
(13) COMICS SECTION.
(14) HE’S DEAD ED. The Smithsonian covers nine theories about “The (Still) Mysterious Death of Edgar Allan Poe” (2014 article.)
On September 27  —almost a week earlier—Poe had left Richmond, Virginia bound for Philadelphia to edit a collection of poems for Mrs. St. Leon Loud, a minor figure in American poetry at the time. When Walker found Poe in delirious disarray outside of the polling place, it was the first anyone had heard or seen of the poet since his departure from Richmond. Poe never made it to Philadelphia to attend to his editing business. Nor did he ever make it back to New York, where he had been living, to escort his aunt back to Richmond for his impending wedding. Poe was never to leave Baltimore, where he launched his career in the early 19th- century, again—and in the four days between Walker finding Poe outside the public house and Poe’s death on October 7, he never regained enough consciousness to explain how he had come to be found, in soiled clothes not his own, incoherent on the streets. Instead, Poe spent his final days wavering between fits of delirium, gripped by visual hallucinations. The night before his death, according to his attending physician Dr. John J. Moran, Poe repeatedly called out for “Reynolds”—a figure who, to this day, remains a mystery.
(15) MISSING FROM THE MARQUEE. The project loses some name cachet as “Adam Nimoy Steps Down From Directing Deep Space Nine Doc, Release Pushed Back” – story at TrekMovie.com.
On Saturday there were two announcements from What We Left Behind, the upcoming crowd-funded Star Trek: Deep Space Nine documentary. Adam Nimoy, while remaining involved, will no longer be directing, and the release date is likely being pushed back.
Nimoy stepping back
In a statement posted on Facebook Saturday, Adam Nimoy revealed he was stepping down as director for What We left Behind, but he will continue to be a producer and advisor on the doc. The reason given for the change was that he needed more time to focus on other responsibilities. From the statement:
“The real creative force behind the DS9 documentary was well in place before I came along. I was happy to lend them support and guidance to push the project along so that it could be completed in time for the 25th anniversary of the show which is coming up in 2018. I wish the creative team all good things as they Boldly Go!”
(16) WINDOW ON THE UNIVERSE. Motherboard’s article about the “Casting of a Giant Mirror for the First Extremely Large Telescope” has a good infographic comparing the relative sizes of all the existing large telescopes, as well.
(17) HARD SF. Down these mean starlanes a man must go…. A Twitter conversation begins here:
there are so many dumb hard sf bros in my mentions. y'all hard sf is fine. I got no beef with it. "soft" sf just isn't an actual useful category descriptor.
— dongwon (@dongwon) November 26, 2017
(18) COMPLETE HORSESHOE. Here’s another statistic I never knew anyone kept – the record for world’s largest horseshoe sculpture: “Camberley artist’s dragon ‘could obliterate’ world record”.
Mr Poolman’s sculpture is described as “not just a dragon but a tableau”, telling the story of a village bringing a dragon from the sky with arrows and stones.
“It’s partly collapsed,” Mr Powell said, “brought to the ground, in its death throes.”
Tens of thousands of old horseshoes were provided by farriers in Hampshire – some of them were used whole and others cut into smaller pieces.
“A complete horseshoe is quite limiting in what it can be made into,” Mr Poolman said.
(19) NEW YORK TIMES BESTSELLER. Brandon Sanderson isn’t just on the list, he’s #1 —
I'm humbled and honored to say that because of all you wonderful readers out there, Oathbringer is the #1 New York Times bestselling hardcover book on the 12/03 list. I hope you've enjoyed reading it! pic.twitter.com/MLnLQcwv7I
— Brandon Sanderson (@BrandSanderson) November 22, 2017
(20) UNDER THE TREE. We continue our cavalcade of holiday presents with –
perfect holiday gift is here! HANDSOME HOLIDAY SWEATER great for proving love and getting hard by the fireside with a bud. also good for big time sweater parties where you want to be the talk of the dang town https://t.co/EY0T6l4ZtG pic.twitter.com/xAC4y735MB
— Chuck Tingle (@ChuckTingle) November 24, 2017
(21) MULTITASKING. It’s a Jedi thing: “Elle UK Interviews Daisy Ridley While She Builds A Lego Millennium Falcon”.
She’s talented and beautiful and she plays Luke Skywalker’s new padawan, Rey, in one of the most anticipated “Star Wars” films of all time, but now comes the true test: Can Daisy Ridley build the Millennium Falcon with Legos?
Elle UK interviewed the “Star Wars: The Last Jedi” actress, asking her things like when was the last time she cried, what color her lightsaber would be, and if her father still prefers “Star Trek” (ouch) ? all while she’s tasked with building the Millennium Falcon out of Legos.
(22) VIDEO OF THE DAY. Happiness by Steve Cutts is a cartoon on Vimeo about rats trying to survive the rat race as commuters, consumers, and at work. I’m having trouble getting it to embed, so here’s the link — https://vimeo.com/groups/motion/videos/244405542
[Thanks to JJ, John King Tarpinian, DMS, Carl Slaughter, Cat Eldridge, Martin Morse Wooster, Mark Blackman, and Andrew Porter for some of these stories, Title credit goes to File 770 contributing editor of the day Andrew.]
Compiled by Carl Slaughter: (1) Star Trek scandals. ScreenRant lists “Star Trek: 15 Dark Behind-The-Scenes Secrets You Never Knew”.
- The series creator tried to ruin Wrath of Khan
Star Trek: The Motion Picture was over-budget and underwhelming. In response, Paramount removed Gene Roddenberry as Executive Producer and made him a consultant. They brought in Nicholas Meyer and Harve Bennett to shepherd the sequel, The Wrath of Khan. Only, Leonard Nimoy was going through a phase all Trek actors have: he was sick of playing the character and wanted out. To appease him, it was decided that Spock would be killed off early on.
Then, “somehow,” the script was leaked, and fans had a shared nervous breakdown. The source of the leak was never truly revealed, but the actors and producers largely accept that Gene himself leaked the pages of the script. He was vocal about not wanting Spock killed off and was frustrated with the darker plot, as well as the theme of growing into middle age. He wanted to sabotage the project, or at least have Spock’s death taken out of the script. In the end, it was just rearranged, and, if anything, it made the film even better.
(2) Star Trek controversies: Next, ScreenRant totes up the “15 Most Controversial Things Star Trek Has Done”. Call this the controversial kiss compilation.
- Trill Wives Kiss
For all of its inclusiveness regarding things like race and class, Star Trek has always been a bit skittish about portraying gay characters. One of the reasons for this might be how much their simple explorations of any kind of same-sex romance riled audiences up. We can see that at play with Deep Space Nine’s episode “Rejoined”.
While they were introduced in Star Trek: The Next Generation, DS9 let us fully explore the aliens known as Trills. Science Officer Jadzia Dax is one such alien, and she hosts a symbiote that has inhabited generations of previous Trills. In “Rejoined”, Dax is reunited with another Trill who used to be her wife in a previous life. Despite cultural laws forbidding it, the two resume their old relationship, giving us our first onscreen, same-sex kiss in Trek history.
The moment was sweet, but very controversial, with some TV stations refusing to air the episode and others editing the kiss out. Paramount was inundated with negative phone calls regarding the episode, forcing staff to work back-to-back shifts just to deal with the volume of calls. While the episode has aged well, Trek hasn’t done much more in terms of gay representation.
(3) Undeveloped Star Trek episodes: Memory Alpha knows about the “Undeveloped Star Trek episodes”.
In his introduction to the 1994 book Lost Voyages of Trek and The Next Generation (p. 3), Edward Gross commented, “Perhaps most surprising in the Star Trek mythos is the sheer quantity – and in many cases quality – of unfilmed adventures that have spanned from the original through various aborted attempts at revival throughout the 1970s and right in to The Next Generation. In many cases, these scripts and treatments were left unfilmed due to political reasons, studio indecisiveness or ego. In others, they just weren’t up to snuff and probably wouldn’t have made a decent episode of Lost in Space.
(4) Star Trek writers talk about the unsold spec stories they wrote and pitched. Vulture talks to the writers about “8 Star Trek Spec Scripts That Never Saw the Light of Day”.
Almost every episode of Star Trek: The Original Series begins, “Space: the final frontier. These are the voyages of the starship Enterprise. Its five-year mission: to explore strange new worlds, to seek out new life and new civilization. To boldly go where no man has gone before.” The opening promised a whole new world of adventure and discovery. And this utopia of exciting new ideas expanded beyond the screen all the way to its writers room: Star Trek had a famous open-submission policy, meaning any writer, anywhere, could submit a script.
The Next Generation, Deep Space Nine, and Voyager helped launch the careers of several great TV writers. Ron D. Moore (Outlander, Battlestar Galactica), Bryan Fuller (Hannibal, American Gods), and René Echevarria (Teen Wolf, Terra Nova, The 4400) all got their start pitching for the show. But spec writing, obviously, didn’t always lead to success (not the first time at least). Sometimes your episode would get produced, sometimes it would get you in the door to pitch, and sometimes, well, you just had to keep trying….
Jane Espenson (Buffy the Vampire Slayer, Once Upon a Time, Husbands, Battlestar Galactica)
The only [spec] whose plot I recall at the moment was the one that got me invited in to pitch at the show. It was about Data using the holodeck to put himself in situations calculated to evoke strong emotions, hoping to feel happiness or love … but when the simulation goes awry (someone reprogrammed it? I forget), he does get a taste of emotion, but it ends up being anger. He has to confront the downside of being like a human being — not all emotions are positive. It reads like it sounds — a fun little thought experiment, certainly not enough to provide the spine of an episode. But it got me in the door!
(5) Jason Isaacs interview: The incoming captain tells Entertainment Weekly how much he admires the archetype — “Star Trek’s Jason Isaacs explains why William Shatner is a genius”.
Yeah, what he’s doing with really tough dialogue in those scenes, the way he knows which lines to just casually throw away and others where he just really sells it.
It’s so tough. He sells everything. People who think he’s hammy are people responding to other people doing funny impressions of him. If you watch the original he’s utterly brilliant. He was one of Canada’s top Shakespearian actors. He brings that level of commitment and epic high stakes to what could have been ridiculous dialogue. He and [Leonard] Nimoy together were a genius double. Anyone who thinks they’re hammy should try to do it themselves. I’m trying to do it now and, I’m telling you, it’s not easy.
(0) TRAINING COMPLETED. Thanks to you who wished me a good trip to New Mexico for my mother’s 91st birthday celebration. I’d say your wishes were effective, not only because we had a fine reception and dinner, but because my Amtrak experience was far superior to that of the folks who left Los Angeles aboard the previous day’s Southwest Chief. The Santa Fe New Mexican has the story —
Passengers and crew aboard a Chicago-bound Amtrak train spent the night stopped in Northern New Mexico hill country after the lead engine struck a boulder and partially derailed.
No serious injuries were reported, but the two engineers in the lead engine were taken to a hospital for evaluation, Amtrak spokesman Marc Magliari said Friday from Chicago.
The incident occurred Thursday evening on Burlington Northern Santa Fe tracks in a rural area near Watrous about 105 miles northeast of Albuquerque.
…The train’s second engine and all the cars remained on the tracks and the train still had power, heating and toilet service while it remained at the derailment site, the Amtrak spokesman said.
Not to overstate things — I would have missed the excitement anyway, since my destination was one of the last stops before they hit the rock, however, it still felt like a narrow escape.
(1) RUH ROH! Last month Amazing Stories’ Steve Davidson shared the long history behind “Why Amazing Stories Isn’t Back on NBC”. However, over the weekend the media reported “Steven Spielberg will revive ’80s NBC series ‘Amazing Stories’ for Apple”.
Apple is making a major statement on its television ambitions as it nears an acquisition of an original series from filmmaker Steven Spielberg.
The tech giant is close to a deal to buy a new version of Spielberg’s “Amazing Stories,” the Emmy-winning sci-fi anthology series that ran on NBC from 1985 to 1987.
NBCUniversal, which co-owns the rights to the property, confirmed that an agreement is imminent. Apple declined to comment. The Wall Street Journal first reported the deal Tuesday.
A scripted series with the imprimatur of Spielberg, one of Hollywood’s most-heralded producer-directors thanks to “E.T. the Extra-Terrestrial,” “Raiders of the Lost Ark,” “Schindler’s List” and the “Jurassic Park” franchise, and his company Amblin Television, will be a demonstration of the tech giant’s clout as it enters the television business…
More as the story develops.
(2) PUPPY LOVE. Yahoo! says get your Kleenex ready — “Carrie Fisher’s dog watching the new ‘Star Wars’ trailer will destroy you”.
(3) WHO ARE YOU? Jim C. Hines, in “A Plea to Conventions About Name Badges”, asks conventions to fix a problem that people have been complaining about the entire time I’m been in fandom.
I have a favor to ask of conventions: please design your badges so that names can be easily and clearly read.
I’ve never been good with names. It’s frustrating as hell, and it’s become a bigger problem as I travel to more conventions. I get introduced to so many people, and within 24 hours, a lot of those names escape my brain like Batman villains from Arkham Asylum.
Jim provides illustrations of what works for him, and what doesn’t.
(4) A NEW YORK COMIC CON STATE OF MIND. The Washington Post’s Aaron Gregg, in “Marvel cancels comic book deal with Northrop Grumman after Twitter backlash”, says that Marvel cancelled a proposed partnership with Northrop Grumman (whose “Northrop Grumman Elite Nexus” superheroes were supposed to team up with The Avengers) after lots of fans objected, noting, among other things, that Tony Stark gave up his defense contracts.
Marvel teased the partnership Friday morning in a tweet that promised more details in a presentation the following day at the New York Comic-Con festival. A retro-style comic book cover temporarily posted on Marvel’s website featured a team of “Northrop Grumman Elite Nexus” super heroes fighting alongside Marvel’s popular Avengers superheroes. The cover was quickly scrubbed from the company’s website, but not before it went viral on Twitter.
Twitter users ridiculed Marvel, accusing it of partnering with “death merchants.” Some pointed out that the Marvel character Iron Man, alias Tony Stark, had been the billionaire CEO of a company that built advanced weaponry but had turned his back on the weapons business after seeing its effects. Angry fans called out specific Marvel executives, and at least one suggested publicly protesting the issue at Marvel’s Comic-Con booth.….
(5) SZECHUAN LETDOWN. Meanwhile, another corporation was breaking hearts in the culinary arena. Michael Cavna and Maura Judkis, in “McDonald’s botched its ‘Rick and Morty’ Szechuan sauce stunt, and fans are not happy”, report that McDonald’s has disappointed thousands of viewers of the Cartoon Network show Rick and Morty. After 45,000 people signed a Change.org petition inspired by the show calling on the company to bring back Szechuan Sauce (originally created to promote Mulan in 1998), McDonalds promised select locations would have the sauce, but only a few did.
One Washington Post reporter was among those “Rick and Morty” fans who went questing Saturday for the fabled sauce, driving to three Maryland locations — one of them listed as an official “participating” outlet — and none had received a Szechuan shipment. One restaurant tried to pawn off Sriracha sauce. Another tried to sell the tangy Signature sauce. And a third outlet’s shift manager came to the drive-thru window to apologize profusely — clearly this wasn’t her first “Rick and Morty”-related apology of the day.
(6) REMEMBER WHEN? The Atlantic bills this article as “Revisiting Star Trek’s Most Political Episode” – which is saying something about a series that often delivered messages.
“It’s not that they don’t care. It’s that they’ve given up.” This was how Commanding Officer Benjamin Sisko, played by Avery Brooks, described early 21st-century Americans in an episode from Star Trek: Deep Space Nine. When it aired in 1995, “Past Tense” spoke to contemporary concerns about homelessness by telling a story set in 2024—the near future for viewers, but the distant past for characters. In the two-part episode, Sisko and two of his companions from the U.S.S. Defiant find themselves stranded in San Francisco, where they’re reminded that the federal government had once set up a series of so-called “Sanctuary Districts” in a nationwide effort to seal off homeless Americans from the general population. Stuck in 2024, Sisko, who is black—along with his North African crewmate Dr. Julian Bashir and the fair-skinned operations officer Jadzia Dax—must contend with unfamiliar racism, classism, violence, and Americans’ apparent apathy toward human suffering.
(7) TRIVIAL TRIVIA
Tiaan Jerjerrod was the project manager of the second Death Star, which was destroyed at the end of Star Wars: Episode VI – Return of the Jedi. Supervising Jerjerrod was Emperor Palpatine’s right-hand man, Darth Vader. (Source: Death Star II: A Project Management Case Study.)
(8) TODAY’S DAY
Ada Lovelace Day
Ada Lovelace Day, whose goal is to “… raise the profile of women in science, technology, engineering, and maths.” (Wikipedia)
(9) TODAY IN HISTORY
(10) TODAY’S BIRTHDAY EXPLORER
(11) COMIC SECTION.
Martin Morse Wooster approves this “old school groaner” in today’s Frank and Ernest.
(12) SCI-FI SWINGS LIKE A PENDULUM DO. In “‘Blade Runner 2049’: Why some science fiction writers are tired of dystopias”, a recent article by the Christian Science Monitor, several sff authors suggest that they are tired of the wave of grim visions of humanity’s future. Is it time to create more works around an optimistic future based on expanding technology and human understanding?
In “Blade Runner 2049,” which opens Friday, post eco-disaster Los Angeles has built a massive coastline wall to fend off rising ocean levels. Few of the overpopulated city’s human or android occupants have ever seen a tree or a real animal. The incessant rain is as dour as Harrison Ford’s facial expressions. Worst of all? One character bemoans the fact that there’s no more cheese in the world.
Recent dystopian blockbusters seem to be jostling in a grim race to be the first to reach the seventh circle of hell in Dante’s “Inferno.” But some science-fiction writers are tired of the sorts of pessimistic futures depicted in movies and TV shows such as “The Hunger Games,” “Mad Max: Fury Road,” “Black Mirror,” and “The Handmaid’s Tale.”
In response, influential authors Neal Stephenson, Cory Doctorow, David Brin, and Kim Stanley Robinson argue that futuristic fiction should, instead, offer an inspiring outlook about mankind’s ability to shape its destiny. But do the kinds of stories we tell ourselves have a cultural impact on shaping a better tomorrow?
“I want to nod at something that Jill Lepore wrote in The New Yorker about the dangers of drowning ourselves in dystopian stories,” says Christopher Robichaud, who teaches a class at Harvard Extension School on Utopia and Dystopia in fiction and philosophy. “The utility dystopian fiction used to serve was to bring problems to our attention and seek solutions. But the danger is that these stories can become a collective act of despair in response to current events.”
(13) SPACE TUTOR. In “Astronaut encourages kids to flip for STEM”, the Washington Post’s Marylou Tousignant says that the Air and Space Museum recently hosted a webcast with astronaut Randy Bresnik on the International Space Station where he had floating candy and showed kids an official NASA barf Bag.
If you could ask an astronaut orbiting in space any question, what would it be?
Students from several Washington-area schools got to do that recently at the Smithsonian National Air and Space Museum as part of its “STEM in 30” program.
Among other things, they wanted to know: Is it hard to move around up there? Can you watch TV? How do you know when it’s time for bed? What if you get sick?
(14) GRIM TIDINGS PODCAST SEEKS SUPPORT. The hosts of the Grim Tidings Podcast have invited fans to support them via Patreon. Rob Matheny and Philip Overby focus on interviewing authors, editors, and agents working within the Grimdark sub-genre. They have recorded over 100 episodes including luminaries from the field such as Joe Abercrombie, C.T. Phipps, Anna Smith Spark, Brian Stavely, Michael R. Fletcher, Sebastien De Castell, Laura M. Hughes, and Deborah A. Wolf.
(15) HAIR APPARENT. Is singing songs like this the real reason John Scalzi constantly needs to think up new names for his band?
I LIKE EWOKS AND I CANNOT LIE
YOU OTHER REBELS CAN'T DENY
WHEN A 'WOK WALKS IN WITH A FURRY LITTLE FACE
AND GETS ALL YUB NUB IN THE PLACE https://t.co/mwTc4mioUE
— John Scalzi (@scalzi) October 10, 2017
(Just kidding – I laughed….)
(16) A RIVER RUNS THROUGH IT. Alex Acks finds more to criticize about fantasy maps in a post for Tor.com — “Tolkien’s Map and the Perplexing River Systems of Middle-earth”.
…So what is it about the mighty Anduin that makes me tilt my head like a dog hearing a high-pitched noise? There are four main factors, in ascending order based on how easily I’m able to mentally excuse each point.
It cuts across two mountain ranges.
There is one fact you really need to understand to grasp the basics of how rivers work. Ready? Water flows downhill. That’s it. That’s the secret. Water flows downhill, and as it flows it tends to erode sediment and transport it downstream, and over long enough periods of time, that gets us our classic V-shaped river valleys and a ton of other morphological features. Which is why, when a river is on a collision course with mountains—normally places where the elevation goes up—you have to stare at it for a minute.
This is the easiest oddity for me to find an excuse for—because it is actually something that happens in reality! For example, the Colorado River cuts pretty much perpendicularly through the entire Basin and Range Province of North America. And the reason this works is because the Colorado was here before all that extensional tectonic silliness happened and the basins started dropping down from the ranges—and that process of down-drop was slow enough, relative to the ability of the Colorado to cut its own channel, that the river didn’t get permanently trapped in one of the basins.
So if we make the assumption that the Anduin existed before the mountains—and assume that the mountains uplifted in a natural way, thank you—it’s very possible for it to have cut down fast enough to maintain its course despite uplift. (Keep this in mind, we’ll be coming back to it later…)
(17) KEEP ON SWIMMING. And over the weekend Camestros Felapton gave us “Even More Plot Elements of Fantasy Maps”.
In Earthsea islands are large and numerous, in Lord of the Rings, on the other hand, islands barely appear and are small. In both cases they are locations and destinations and themselves contain terrain.
In Tolkien’s wider work, Númenor is the most notable island – a version of Atlantis, which itself gives us a classic inspiration for islands in Western literature. Oceanic islands can be countries with their own terrain but cut off from surroundings. Le Guin depicts the islands of Earthsea more like medieval era city-states with a wider common culture but no central authority.
It is interesting to me that Tolkien, who draws on many aspects of Britain and Britishness in building Middle Earth, avoids the island quality of Britain. This despite a tendency to mythologize the insular quality of Britain in English propaganda-history both in high-culture (Shakespeare’s ‘sceptered isle’) and low-culture (‘fog in the channel, continent cut off’). George R.R. Martin’s Westeros does this by having it be an eratz England circa the War of the Roses (with Scotland being another place full of ice zombies). Westeros’s scale seems flexible but it’s primary plot role as an island is to be a container. Events are within Westeros (up to the Wall) or beyond (either over the wall or on another continent).
The point being – oceanic islands are treated as political units rather than as terrain.
(18) JUXTAPOSITION. The title of Max Florschutz’ latest post halted me in my tracks — “Being a Better Writer Delayed” — until I remembered “Being a Better Writer” is a recurring topic at his Unusual Things blog.
(19) HOLY BLEEP. Camestros Felapton subjected his precious bodily fluids to a famous corporation’s bizarre new offering, “Coca-cola with coffee”.
…There is also a weird slimy quality to it. It’s like drinking coke but a bit more unpleasant.
The coffee is “real” and from Brazil. If I was Brazil I might object to the free advertising.
(20) X-FILES SEASON 11 TRAILER. The truth etc. etc.
[Thanks to John King Tarpinian, Christian Brunschen, Chip Hitchcock, Dann, Carl Slaughter, Cat Eldridge, and Martin Morse Wooster for some of these stories, Title credit goes to File 770 contributing editor of the day ULTRAGOTHA.]
(1) VAMPIRE DIARIES GOES GENTLE INTO THAT GOOD NIGHT. As the series goes off the air, The Guardian asks “Better than Buffy? Spare a thought for the Vampire Diaries”.
The eight-season run of the Vampire Diaries ended quietly on Friday night, without a hint of the outsized media fanfare so liberally bestowed on series finales in television’s so-called golden age. The glossy adaptation of LJ Smith’s young-adult novel series, even before its latter-season decline in form and ratings, never did inspire the type of sophisticated critiques reserved for the major-network or cable darlings. But even amid a landscape that’s only been further crowded by the emergence of Netflix and Amazon, there is a place for the pure concentrated entertainment that was offered up for years by the CW’s deliciously pulpy supernatural soap opera. Television will be poorer – and a less fun place – without it.
(2) HUGO REMINDER. Worldcon 75 sent members an alert that the deadline to nominate for the Hugos is only days away.
Even if you have already submitted nominations, you may update your selections as long as the nomination period continues. But we recommend that you do so in advance of the deadline to avoid any problems in the final hours when the system will be very busy.
You may make changes to your nominations until 17 March 2017 at 11:59pm Pacific Daylight Time (2:59am Eastern Daylight Time, 06:59 Greenwich Mean Time, 08:59 in Finland, all on 18 March), by using the following link to sign in again:
(3) FOLLOW THAT CAT. Timothy the Talking Cat has stolen the keys to Camestros Felapton’s blog and posted his own “appalling” Hugo slate
Remember that this year the rules have changed! The social justice witches have put their broomsticks together and decided that you can no longer just vote for Dune over and over again. But no fear! As a grandmaster of non-euclidean hyperbolic 7-dimensional chequers, I can adjust my plans accordingly. See below!
(4) DEEP POCKETS. The Deep Space: Nine Documentary by Ira Steven Behr, David Zappone and Adam Nimoy hit 420% of its Indiegogo goal. The extra money will be used to add 50% more latinum minutes to the video, and lots of bonus features. Space.com has the story — “’Star Trek: Deep Space Nine’ Doc Warps Way Beyond Crowdfunding Goal”.
After nearly quadrupling their Indiegogo goal to produce a new documentary on “Star Trek: Deep Space Nine” (DS9), the creators are busy trying to figure out how to best deploy their newfound wealth.
Today (March 10) is the final day of the campaign to produce “What We Left Behind,” and backers on the crowdfunding site have raised more than $575,000 for the film. The show is co-led by DS9 showrunner Ira Steven Behr, produced by David Zappone and directed by Adam Nimoy. Zappone and Nimoy are known for the 2016 documentary “For The Love of Spock,” and Zappone also produced the 2011 “Star Trek” documentary “The Captains.”
In an interview with Space.com, Behr and Nimoy, who is the son of the first “Star Trek” series’ actor Leonard Nimoy, said they are reconfiguring their plans for the now 90-minute documentary, which is 30 minutes longer than their original vision, because of the extraordinary response to the crowdfunding effort.
(5) CHEATERS EVER PROSPER. Naked Security analyzes “How online gamers use malware to cheat”.
“We typically think of malware as something used to steal data from corporations or knock down websites in politically motivated attacks. But if you’re a gamer, sometimes it’s simply a tool for winning. “SophosLabs threat researcher Tamás Boczán has been studying this trend, and recently gave a talk about it at BSides Budapest. This article reviews his findings and offers us a chance to share some of his presentation slides.”
…As cases of cheating have risen, so have the examples of anti-cheat technology from various companies. As various sides have upped the ante, both sides have drawn in people of greater skill. He said:
Hacking an online game is not that easy any more. In the old days, script kiddies could to do it, but now hacking is a serious game that requires a skilled attacker. So why would a skilled attacker waste their time and skill on a video game?
He mapped out the sequence of events this way:
- All this was originally about having fun.
- Then the gaming industry grew.
- The games went online.
- People began to cheat for profit, just as hackers often do when targeting companies.
- In response, an anti-cheating movement has sprouted up that mirrors security companies….
(6) FORGEHAM OBIT. John Forgeham (1941-2017): British actor, died Friday, aged 75. Best-known for a long-running role in the UK soap Crossroads, other screen appearances included The Avengers (one episode, 1965), The Stone Tape (1972), Sheena (1984), T-Bag and the Rings of Olympus (one episode, 1991).
(7) TODAY IN HISTORY
(8) LE GUIN’S NEXT BOOK. Ursula K. Le Guin’s essay collection No Time to Spare comes out December 5.
Her next book, No Time to Spare, will be a collection of recent essays. It comes with an introduction from Karen Joy Fowler, who, like Le Guin, knows a thing or two about writing across genres.
As Fowler notes in her introduction to the collection, Le Guin is currently enjoying a moment of mainstream cultural appreciation: Filmmaker Arwen Curry recently raised funds on Kickstarter for a documentary on the author, The Worlds of Ursula K. Le Guin, and back in October, The New Yorker ran a profile on Le Guin and her enduring influence.
You can read an excerpt from Fowler’s introduction at the linked post.
(9) BURIAL IN SPACE. At Krypton Radio, Thaddeus Howze reviews the long history of Star Trek, then dares to ask: Is it time to retire the franchise?
My point of all of this review is this: Since Star Trek: Enterprise as well as the three Kelvin Timeline Star Treks, (Star Trek (2009), Star Trek: Into Darkness and Star Trek: Beyond) we have stopped looking to the future. Star Trek has become as lame as the political rhetoric many of us despise in our real lives…
“Make America Great Again” is the rallying cry used to talk about the past as if it were some great thing to be reclaimed and returned to. When the truth of the matter is the past is never as good as it seems and to seek refuge in the past is to deny the present and refute the future altogether.
CBS’ latest television series Star Trek: Discovery also takes place in the past (presumably the original timeline past, not the Kelvin Universe past) some time after Archer but before (or maybe during Kirk’s Enterprise) period. What we do know is this is not a far future Star Trek.
It is not an extrapolation of all we can be. It is not a look at the future of Humanity at our best and our worst. It is a remix of Treks, mashing costumes, designs, ships, and probably stories.
(10) SHADOW CLARKE DOINGS. The Shadow Clarke Jury’s latest activity includes two reviews and a FAQ.
N.K. Jemisin’s The Fifth Season casts a long shadow on the Clarke submissions list, having won the Hugo Award for Best Novel last year and having been shortlisted for almost everything else. Thousands of words have already been spent praising it, critiquing it, speculating about it online since it came out in the US in 2015 and I imagine few people reading this are encountering it for the first time. In spite of its pedigree I was sceptical going in. The only other book by Jemisin I’d read – The Killing Moon – wasn’t a highlight. I thought its excellent world-building came at the expense of almost everything else. Then there was the thorny issue of eligibility and whether or not The Fifth Season conforms to the Clarke requirement that books be science fiction rather than more broadly speculative. When I shortlisted it I did so partly because it offers an opportunity to wade into the eligibility question and partly as a test for myself, to see if I would admire it as much as everyone else. I almost hoped I wouldn’t because, let’s be honest, it’s easier to talk about what doesn’t work in fiction than what does. Also, dissent prompts debate and this project is all about that. But, sorry folks, I’m afraid I’m about to tell a familiar story. The Fifth Season is just as good as everyone said it was and the genre controversy is dead in the water. It’s perfectly eligible for the Clarke Award.
Johanna Sinisalo’s The Core of the Sun is a tale about loss, in the form of a gender-stiffening social experiment wrapped in a family drama murder mystery, suffused with oppressive norms, self-delusional recounting, and fabulist nostalgia for a world that once was that actually never was. It’s the kind of novel that joins the ranks of extreme, performative, sociological SF, in the vein of Brunner, Ballard, and Pohl, and the feminist dystopias of Atwood, Russ, and Tiptree. It’s the kind of book that people will say doesn’t belong because a.) it isn’t needed in this age of post-women’s lib, b.) its agenda involves too much agenda, and c.) it isn’t science-y enough. But, as the list of authors cited above indicates, precedence invalidates these kinds of arguments.
What is the Arthur C. Clarke Award Shadow Jury?
An initiative developed by Nina Allan and hosted by the Centre for Science Fiction and Fantasy beginning in 2017, the Shadow Jury is a panel of talented, passionate members of the SF community who come up with their own personal shortlists and winners for a given year.
(11) CRITICAL MASS. Charles Payseur analyzes the nature of book reviewing and his own reasons for doing it.
Let me say that there’s a great many reasons why people review. Some want to become authorities on a particular form or genre. They want to be engaged in creating a canon or they want to help determine the boundaries of genres or any number of other things that essentially boil down to gatekeeping. They want to be able to say what is and what is not, what should and what should not be considered when talking about science fiction or literary fiction or horror. When they review they might refuse to look at certain works because they don’t cleave close enough to what they expect and enjoy. This is not the kind of reviewer I hope to be. And there are reviewers out there who just want to express their opinions as honestly as they can. They want to go onto Goodreads and Amazon and rank what they liked good and what they didn’t bad and concentrate mostly on their immediate reaction to a story or work. This is actually much closer to what I do but it’s not quite what I aim for….
(12) KONG KILLED AGAIN. Reader’s Digest version – Locus film reviewer Gary Westfahl says the new Kong movie sucks little black rocks – “Bungle in the Jungle: A Review of Kong: Skull Island”.
Kong: Skull Island actually begins quite promisingly, as we are introduced to a diverse and generally appealing cast of characters, and they gather together to journey to the mysterious Skull Island and confront the enormous, and initially hostile, King Kong (also glimpsed in a prologue). One briefly imagines that director Jordan Vogt-Roberts has finally achieved what John Guillermin (in 1976) and Peter Jackson (in 2005) could not achieve – namely, a King Kong film that recaptures the charm and élan of Merian C. Cooper’s classic 1933 production. Unfortunately, the film devolves into an iterative, and increasingly unpleasant, series of variations on the two basic set pieces observed in all giant monster movies: humans vs. monster, and monster vs. monster; and the only suspense involves which character will next be dispatched to a gory demise….
(13) RED PLANET RADIO. It’s Mars Season on BBC Radio 4, with fiction, interviews, documentaries, and quizzes.
William Shatner introduces the “We Are The Martians” series, which explores the Mars of imagination, science and history.
[Thanks to Michael O’Donnell, Cat Eldridge, JJ, Mark-kitteh, Steve Green, John King Tarpinian, and David K.M.Klaus for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W.]
By Carl Slaughter: Supernatural is still on the air after 12 seasons.
(1) CON CRUNCH. Crunchyroll has announced it will launch a new anime convention called Crunchyroll Expo (CRX). The con will be held August 25-27 in Santa Clara, California at the Santa Clara Convention Center.
Assuming CRX is repeated in 2018 on a comparable weekend, it would take place in Santa Clara on the weekend following Worldcon 76 in the San Jose McEnery Convention Center on August 16-20, 2018.
It would be worse if CRX was going to precede the Worldcon (and far worse if it was on the same weekend), but there’s always a question of how much time and money fans in an area have to devote to conventions, and which one they’ll choose.
(2) ALWAYS TO CALL IT RESEARCH. Paste Magazine names “6 Classic Sci-Fi Stories That Inspired This Week’s Supergirl“.
- Invasion of the Body Snatchers Are your friends and loved ones acting strangely? Are they acting a bit too much like themselves? Are they too understanding, too calm, too patient, too willing to listen to you whine about how they’ve let you down without defending themselves? Bad news, my friend: They’ve been body snatched.
The Invasion of the Body Snatchers franchise encompasses several movies, thematic connections to multiple authors—including Robert Heinlein, whose 1951 novel The Puppet Masters provided the loose inspiration for the film version—and even a Bugs Bunny cartoon. (It’s called Invasion of the Bunny Snatchers, and it’s perfect.) All revolve around the paranoia that the people we know could one day be replaced by identical alien life forms with no discernable difference. So when M’gann, Winn, and later Alex turn out to be white Martians in disguise, those feelings of uncertainty and paranoia come straight out of the Body Snatchers bag of tricks.
Originally meant as a metaphor for communism and the Cold War—and, really, when was anything not originally meant as a metaphor for communism and the Cold War—Supergirl ups the ante on Snatchers by taking a more personal route. It’s a horrifying idea: That you could be spilling your most difficult-to-process and embarrassing feelings to a person you think is your closest friend, only to find out that the person literally isn’t who you think he is. Try hard not to think about it the next time you’re talking to your crush.
(3) OUTSIDE THE MILSF BOMB BAY. “Military science fiction doesn’t have to just be about space battles and glory,” says the blurb. “It can examine why we, as a culture, choose to make war—and how we can change.” Elizabeth Bonesteel discusses “The Future of War, Peace, and Military Science Fiction” at Portalist.
…And paradoxically, when we define soldiers as bigger than life, it makes it easier for us to point fingers if something goes wrong. They’re trained. They should know better. It can’t possibly be our fault.
It is our fault. It’s always our fault. War is a choice. But the more we blunt our perception of the people we send to do this work, the easier it is for us to abdicate responsibility for how serious the decision really is.
Fiction of all types is a game of what-ifs. Military science fiction takes a particular angle: What if this was what a futuristic military force looked like? What if this is what it was used for? What is it like for the soldiers themselves? Even the most jingoistic military science fiction puts the reader in the mind of a soldier, and that in itself is a humanizing act.
But I think more than humanizing the soldiers themselves, military science fiction has a role to play in illuminating why we choose war. As with all speculative fiction, the power lies in being able to set up an impossible scenario, and ask concrete questions about it. Government and military can be structured in any way at all, or even be at odds with each other—weapons are, after all, a uniquely dispassionate way of upsetting the balance of power. Add to this a government with complex motives for choosing to deploy their defenses, and you can examine our current society through an infinite number of lenses.
(4) MORE ON WAR. David Brin and Catherine Asaro respond to the question “Can science fiction help prevent a nuclear war?” at PRI.
Long before David Brin became a scientist and author, he practiced duck-and-cover drills in his elementary school classroom. And because the threat of nuclear war hung over his childhood, it has become a big part of his fiction.
“The teacher would be talking away, and suddenly, in the middle of a sentence, say, ‘Drop!’” Brin recalled. “That’s how much time you’d have if you noticed the flash of a nuclear blast.” He was so conscious of nuclear risks that he wanted his own fallout shelter. “I wanted my mother to buy a used tanker car from the railroad, and bury it in our backyard.”
In a recent conversation with Catherine Asaro, a physicist and sci-fi writer, Brin said his most famous book, “The Postman,” brought about a kind of catharsis for him. “I used that book, deliberately, to discharge a lot of the stress of having grown up all my life, wondering — is this the day mushroom clouds appear on the horizon?” Brin said.
…“I don’t think that fear has gone away,” said Asaro, who has written many “hard science fiction” novels about space, technology and the military. In her opinion, readers today are even more aware of the dangers that society faces. But she believes the fear of catastrophe no longer centers on nuclear weapons.
“It’s increased, to the point where it’s not just nuclear winter anymore,” Asaro said. In recent years, many sci-fi writers have explored the dangers of climate change, cyberwarfare and advanced artificial intelligence.
(5) PRATCHETT SPECIAL AIRS SATURDAY. Boing Boing has the story — “The BBC will air a docudrama on Terry Pratchett’s life and his struggle with Alzheimer’s” .
Paul Kaye plays Pratchett in Back in Black, based on Pratchett’s unfinished autobiography; it will air on Saturday.
The doc covers the frustrations, discrimination and discouragement that Pratchett encountered as a working class pupil with a variety of speech impediments, and on what Neil Gaiman called Pratchett’s ‘quiet rage’, which fuelled him to literary stardom and enabled him to write seven novels even as Alzheimer’s stole his mind.
The irreverent trailer hints at a programme that will treat Pratchett with the kind of anger and compassion he brought to his own work and life.
(6) ASK HURLEY. Kameron Hurley participates in a Reddit “Ask Me Anything” session today at 8 p.m. EST, which will be over by the time you read this but the transcript will be online.
— Kameron Hurley (@KameronHurley) February 9, 2017
(7) JUST SAY KNOW. And Hurley has a new blog post – “Yes, You Can Say No to Your Editor(s)”. Well, if you’ve negotiated your contract correctly…
Listen. I’m going to tell you a secret, which you should already know if you’re a pro writer, but is especially useful for new writers to hear. Nobody tells you what to write in this business. They may say, “Hey, I’d like to see a space opera from you,” or “Hey, you know, the gay guy dies here and that’s not a great trope. Sure you want to do that?” but no one will make you change anything. I mean, if you really can’t come to an agreement, you can publish that shit up on Amazon tomorrow, easy peasy. I know writers who actually argue with their copyeditors in the manuscript comments, and this always makes me roll my eyes. Why are you arguing? You’re the author. It will say in your contract, if you and your agent are diligent, that no changes can me made to the manuscript which you don’t approve of. That’s a pretty standard clause that has been in all of my contracts. Now, if you’re like, “I totally want to load a bunch of typos in this book!” you could also, even, do that for stylistic reasons! I know, it’s amazing.
(8) CRAWFORD AWARD. Charlie Jane Anders has won the 2017 Crawford Award for All the Birds in the Sky.
The award will be presented at the 38th International Conference on the Fantastic in the Arts taking place March 22-26 in Orlando, Florida.
(9) DS9 REMEMBERED. The makers of a documentary about Star Trek: Deep Space Nine are crowdfunding some production costs through Indiegogo. They’ve raised $114,777 of their $148,978 goal with a month to go.
Now, over twenty years later, fans all over the world are rediscovering Deep Space Nine and embracing the show with an enthusiasm rivaling the affection they feel for any other Star Trek series. Critics are even calling the show the Jewel in the Crown and the best of the Star Trek franchise. A devoted sci-fi fan might rightly ask themselves; “What the hell happened?”
Our documentary film, What We Left Behind: Looking Back at Star Trek: Deep Space Nine, will take a detailed look at this historic series and consider the reasons Deep Space Nine went from a family outcast to a Star Trek mainstay. The film will also contain a “what if” segment in which the original writers brainstorm a theoretical 8th season of the show.
Spearheaded by original show-runner Ira Steven Behr, directed by Adam Nimoy (For the Love of Spock), and with a handful of key interviews already ‘in the bag,’ the #DS9Doc now needs YOUR HELP to reach completion by finishing filming, editing, and post-production.
(10) TODAY’S DAY
Crack cultural researcher John King Tarpinian assures me this is Pizza Day. Quoting his source —
History of Pizza Day
You can say that Pizza Day started in the 10th century in Naples, Italy. This is when records first show the presence of pizza….
Pizza made its mark on America in 1905. In New York City, a pizzeria called Lombardi’s created the spark that would light hearts across the country from then until now — and with no conceivable end in sight! Amazingly, they are still in business! If you want to taste that first real pizza to hit American shores, head over to Little Italy in Manhattan and check them out.
(11) TODAY’S BIRTHDAY BOY
(12) FROM PHONE AGE TO STONE AGE. The BBC asks “What if the internet stopped working for a day?”. Sounds tempting to me… And I love that the name of the researcher is “Borg.”
…For a start, the impact to the economy may not be too severe. In 2008, the US Department of Homeland Security asked Borg to look into what might happen if the internet went down. Borg and his colleagues analysed the economic effects of computer and internet outages in the US from 2000 onwards. Looking at quarterly financial reports from the 20 companies that claimed to be most affected in each case, as well as more general economic statistics, they discovered that the financial impact of an outage was surprisingly insignificant – at least for outages that lasted no more than four days, which is all they studied.
“These were instances where enormous losses were being claimed– in the hundreds of millions and even billions of dollars,” Borg says. “But while some industries like hotels, airlines and brokerage firms suffered a bit, even they didn’t experience very big losses.”
(13) ENDLESS REPLAY. Be your own “grateful dead” concert. Nerdist reports “A Company Will Press Your Ashes into a Working Vinyl Album”. Sounds like something Connie Willis would list in that section of her GoH speech about things science fiction predicted (that everyone in the audience recognizes it didn’t.)
When the final track of your life finishes playing, how would you like to be remembered? Do you want to be buried and forgotten like a bad solo album? Or would you like to be encased for posterity like a big platinum record? Or maybe you hope to continue being heard, like a legendary musician that lives on forever. Well, if you hope to have your song play long after you’ve left the recording studio of life, there’s a way for that to happen–literally–by having your ashes pressed into a vinyl record.
(14) LATE SHOW SF NAME-DROPPING. While bantering with Paul Giamatti, Colbert reels off a library’s worth of his favorite sf writers – begins at the 6:28 mark in this clip from The Late Show with Stephen Colbert (CBS-TV). Authors mentioned include Asimov, de Camp, Dick, Ellison, Heinlein, Kuttner, Niven, Cordwainer Smith, Tolkien, Vance…
(15) BILL IS BACK. And Netflix has got him.
Bill Nye – science guy, educator, mechanical engineer, and curator of curiosity – returns with a new show. Each episode of Bill Nye Saves the World tackles a specific topic or concept through lively panel discussions, wide-ranging correspondent reports from a crackerjack team, and Bill’s very special blend of lab procedure and sly personality.
[Thanks to John King Tarpinian, Petréa Mitchell, JJ, Standback, Chip Hitchcock, Andrew Porter, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Stoic Cynic.]