Right after the Fourth of July might not be when I shop for Christmas ornaments, but somebody does, because that’s when Hallmark runs its Keepsake Ornament Premiere.
If the timing is for the convenience of retailers, there is also a certain logic in picking a spot on the calendar that is as far away as you can get from a date associated with Christmas trees. It’s plain some of these ornaments are intended for a Halloween or Thanksgiving tree, while others probably are destined never to decorate a tree at all but to remain pristine in their original wrapping on collectors’ shelves.
Although this first one has nothing to do with the Christmas season other than that’s when four of the Harry Potter movies came out, if you believe there’s an omniscient Santa Claus who knows when you’ve been bad or good, then this might work for you, too:
“There’s nothing hidden in your head the Sorting Hat can’t see…” Relive the Sorting Ceremony, one of the most eagerly anticipated traditions for first-year students at the Hogwarts School of Witchcraft and Wizardry. This Christmas tree ornament features the famous Hogwarts Sorting Hat, which moves and says lines about each house: Gryffindor, Slytherin, Ravenclaw and Hufflepuff (battery-operated).
And Hallmark also caters to a sort of counter-Christmas clientele with these next two items.
Be sure to give Old Man Parker’s “major award” a glorious spot on the tree this year! With its lampshade fringe and fishnet stockings, this premium porcelain Christmas tree ornament will have you reminiscing about the hit holiday movie “A Christmas Story” all season long. Year dated 2021.
Spread the spirit of Halloween Town to even the smallest of Christmas trees with this miniature ornament. The stylized design features Sally holding one of her potion ingredient jars. For a spooktacular display, pair it with our coordinating Lil’ Jack and Lil’ Oogie Boogie mini ornaments (each sold separately).
Then, if you call yours a Halloween or Thanksgiving tree, Hallmark has you covered.
Make it a Halloween of legendary proportions when you display this cute ornament! The diorama-style jack-o’-lantern design features an adorable Bigfoot creature with its iconic pose wandering in front of a moonlit forest.
Yes, it’s hard to imagine a more sacred holiday memory than this —
Relive one of the most hilarious moments from “Friends” when you display this Christmas tree ornament. In an effort to cheer up Chandler, Monica wears a turkey on her head—complete with a fez and sunglasses. When you press the button to play the audio clip from the show, you’re sure to proclaim your love…just as Chandler did on that fateful Thanksgiving Day.
But it’s a complete mystery what occasion Hallmark thinks people are celebrating when they buy creeptastic ornaments like these two:
After her sister’s demise, the Wicked Witch of the West harbored villainous hope for getting her hands on the Ruby Slippers. Relive the climactic scene inside her castle as the Wicked Witch of the West demands that a frightened Dorothy turn over the enchanted footwear. Fans of the classic movie “The Wizard of Oz” will love adding this Christmas tree ornament to their collection.
And I think the most suitable tree for decorating with the next ornament would be something like Old Man Willow, who tried to turn the hobbits into mulch.
Considered one of the most powerful Disney villains, the dark and sinister Chernabog first reared its wicked head in the classic 1940 film “Fantasia.” Pay tribute to good versus evil with this striking likeness of the menacing character ferociously emerging from Bald Mountain with his giant wings extended. Insert the bulb of a standard miniature light string through the rubber grommet on the ornament to create a special lighting effect.
Otherwise there are literally dozens of Keepsake Ornaments that commemorate popular movies and TV shows.
If they’re serious about selling these, quit fooling around, call him “Baby Yoda.”
The legend continues with The Child named Grogu (often called “Baby Yoda” by fans) from the Disney+ original series The Mandalorian. This Christmas tree ornament features the mysterious Force-sensitive alien playing with a shifter knob—from Din Djarin’s ship, The Razor Crest—as he sits atop a Stormtrooper helmet from remnants of the Galactic Empire.
Ordinarily, when I see a robot it’s not my first response that “He needs a few square meals under his belt” like I do with this one:
Loyal to the Rebel Alliance, K-2SO carried the markings of his former programming as an Imperial security droid, allowing him to effectively infiltrate Imperial installations and outposts. Rebellion hero Cassian Andor undertook the difficult task of reformatting K-2SO’s personality, leaving him with a blunt disposition that cemented his place as a favorite character. Fans of Rogue One: A Star Wars Story will love displaying this metal Christmas tree ornament of the versatile droid.
There are quite a few sci-fi TV shows with ornaments. There’s even an entire series of alternate-universe crew from Star Trek: TOS’ “Mirror, Mirror” episode, including the iconic Spock.
A striking departure from his prime-universe self, Spock’s discipline toward logic and science not only made him an inscrutable presence aboard the I.S.S. Enterprise but also led him to discern Captain Kirk’s most dangerous secret. Plug the ornament into Hallmark’s Keepsake Power Cord (sold separately) for constant illumination, then press the button to start a sound and light show based on the classic original Star Trek series episode “Mirror, Mirror.” Connect all of the Star Trek Storytellers ornaments—Captain James T. Kirk, Lieutenant Hikaru Sulu, Lieutenant Nyota Uhura, First Officer Spock and Ensign Pavel Chekov—and the U.S.S. Enterprise Tree Topper (each sold separately) to unlock additional interactive performances.
Likewise, many movies and other characters. I think it’s the inclusion of the comic book that I like best about this one.
Eighty years ago, “Man’s World” changed forever with the first appearance of Wonder Woman. This Christmas tree ornament celebrates the legacy of one of DC Comics’ most powerful and beloved Super Heroes—a steadfast symbol of truth, justice and equality—alongside cover art from the Wonder Woman No. 1 comic book.
Want to bet there are a couple of Filers who will soon own this item?
Originally constructed from a single enchanted stone in the shape of a giant Power Skull, Castle Grayskull protects the hidden power of the Universe and the secrets of Eternia. He-Man and his foes struggle to hold the mysterious, timeless powers of the mighty fortress. This Christmas tree ornament is a nostalgic tribute to “He-Man and the Masters of the Universe” for fans of all ages.
In the end I admit that this ornament, which relates to no holiday and needs no tree to justify its existence, affords me so much amusement that if I’m not careful I’ll wind up owning it.
He’s not Sheldon Cooper, he’s The Flash! Relive the hilarious events as the gang dresses up like the Justice League of America for a New Year’s Eve costume party with this Christmas tree ornament. Press the button to play some of Sheldon’s phrases from that unforgettable episode of “The Big Bang Theory” (battery-operated).
Award-winning writer Veronica Schanoes and I shared Indian food though there were hundreds of miles between us — hers from Brooklyn, New York’s Masala Grill, me from Hagerstown, Maryland’s Sitar of India.
Veronica Schanoes has published fiction in the magazines Lady Churchill’s Rosebud Wristlet, Sybil’s Garage, and Fantasy; the anthologies The Doll Collection, Queen Victoria’s Book of Spells: An Anthology of Gaslamp Fantasy, The Mammoth Book of Cthulhu: New Lovecraftian Fiction; and online at Strange Horizons and Tor.com. Her novella “Burning Girls” was nominated for the Nebula Award and the World Fantasy Award, and won the Shirley Jackson Award for Best Novella in 2013. Her first scholarly monograph, Fairy Tales, Myth, and Psychoanalytic Theory: Feminism and Re-telling the Tale, was published by Ashgate in 2014. Her collection Burning Girls and Other Stories was published earlier this year.
We discussed what it’s been like trying to write her first novel during a pandemic, why she can only read Jane Yolen’s intro to her new collection half a page at a time, how she makes sure her fairy tale-inspired fiction works even for those who don’t catch the allusions, the joy which comes from putting the right words in the right order, how Kelly Link convinced her she should take herself seriously as a writer, whether research inspires stories or stories inspire research (and how writers make sure they don’t force readers to suffer for that research), the way fairy tales take place “outside of historical space-time,” the importance of Joe Strummer and the Clash, and much more.
What is this concept of Modernity, and why did it haunt/inspire you to write a thesis on it?
Modernity is one of those concepts with a rich intellectual history, and people spill a lot of ink over it, but it is not very complicated (in my opinion): sometimes around the 1780s, the world changed. Feudalism gave way to democracy. New technologies upset how human economies and cities were organized. Religious belief waned and changed. We stopped believing (for the most part) in the supernatural. Let me cite Max Weber again: with modernity, the world became “disenchanted.” This, of course, is only part of the story. Though this story is myopic in its Eurocentrism, it is not less valid for its narrow purview. The story of modernization outside of Europe can be told, but it will be different, with maze-like branching conversations that posit multiple “modernities.” Anyway, modernity really intrigues me.
(3) VINDICATION. In “confirmation”, former Hugo Awards administrator David Bratman tells how he once found himself at loggerheads with Locus’ Charles N. Brown.
When I was administrator for the Hugo Awards in 1996, one of the Best Novel finalists* was Remake by Connie Willis. By that time, SF novels were tending very long, but Remake was short. Though published as a standalone volume, it made a small one.
Charles Brown of Locus,** the newsletter of the SF field, insisted to me that Remake was under 40 thousand words and thus, by Hugo rules (which were shared in this respect by most other awards in the field), it fell in the Novella category, not Novel. And indeed, in the Locus awards it was put in the Novella category, which it won (not surprisingly, being one of the longest in the category as well as being by Connie Willis)….
“Translators are like ninjas. If you notice them, they’re no good.” This quote, attributed to Israeli author Etgar Keret, proliferates in memes, and who doesn’t love a pithy quote involving ninjas? Yet this idea – that a literary translator might make, at any moment, a surprise attack, and that at every moment we are deceiving the reader as part of an elaborate mercenary plot – is among the most toxic in world literature.
The reality of the international circulation of texts is that in their new contexts, it is up to their translators to choose every word they will contain. When you read Nobel laureate Olga Tokarczuk’s Flights in English, the words are all mine. Translators aren’t like ninjas, but words are human, which means that they’re unique and have no direct equivalents. You can see this in English: “cool” is not identical to “chilly”, although it’s similar. “Frosty” has other connotations, other usages; so does “frigid”. Selecting one of these options on its own doesn’t make sense; it must be weighed in the balance of the sentence, the paragraph, the whole, and it is the translator who is responsible, from start to finish, for building a flourishing lexical community that is both self-contained and in profound relation with its model….
(5) MARTIN ON MALTIN. [Item by Martin Morse Wooster.] I listened to this 2018 podcast Leonard and Jessie Maltin did with Floyd Norman, a pioneering Black animator and cartoonist (Maltin on Movies: Floyd Norman).
Norman started working for Walt Disney in the mid-1950s, and remembers being at Disneyland during its opening week (but not opening day, a legendary disaster). He recalls what it was like producing feature-length animation before computers and how everyone involved in animated film “worked like Marines” until the job was done, although Walt Disney insisted everyone leave the studio at 9 to spend some time with their families. People who remember the “string of pearls” sequence in Mary Poppins should realize that was a sequence that stressed out the animators.
Norman talked about how he was hired and quit Disney several times, and was involved in developing the stories for PIxar’s Toy Story 2 and Monsters Inc. He also self-published his own books of cartoons, including one entirely devoted to making fun of Disney CEO Michael Eisner, who Norman thinks a major egotist. Norman says Eisner didn’t mind the criticism, “as long as the book was about him.”
This may be too DIsney-centric for some but I enjoyed this episode.
The sudden shift to e-books had enormous practical and financial implications, not only for OverDrive but for public libraries across the country. Libraries can buy print books in bulk from any seller that they choose, and, thanks to a legal principle called the first-sale doctrine, they have the right to lend those books to any number of readers free of charge. But the first-sale doctrine does not apply to digital content. For the most part, publishers do not sell their e-books or audiobooks to libraries—they sell digital distribution rights to third-party venders, such as OverDrive, and people like Steve Potash sell lending rights to libraries. These rights often have an expiration date, and they make library e-books “a lot more expensive, in general, than print books,” Michelle Jeske, who oversees Denver’s public-library system, told me. Digital content gives publishers more power over prices, because it allows them to treat libraries differently than they treat other kinds of buyers. Last year, the Denver Public Library increased its digital checkouts by more than sixty per cent, to 2.3 million, and spent about a third of its collections budget on digital content, up from twenty per cent the year before….
(7) UP ALL NIGHT. It so happens the only time I ever watched Adult Swim was sitting in a hospital waiting room after driving someone to ER — but that’s not a knock, what I saw was pretty amusing. The New York Times celebrated the program block’s 20th anniversary with an oral history: “Adult Swim: How an Animation Experiment Conquered Late-Night TV”.
By all accounts, it was a minor miracle that Adult Swim ever made it off the drawing board 20 years ago. Money was next to nonexistent. The editor of Cartoon Network’s first original series worked from a closet. A celebrity guest on that series, unaware of the weirdness he had signed up for, walked out mid-taping.
In retrospect, it seems right that one of modern TV’s most consistent generators of bizarro humor — and cult followings — had origins that were, themselves, pretty freewheeling.
…WILLIS The idea for “Aqua Teen Hunger Force” started with a [expletive] fast food restaurant that tried to use all the scraps of meat they weren’t allowed by the F.D.A. to put into a hamburger, wadded together. We saw Meatwad as this poor, neglected creature — I think his line in his first script was like [in Meatwad voice], “Please, God, kill me.” I did the voice, and I can’t tell you how many times people said, “I don’t understand what he’s saying; you need to recast him.” But we stuck to our guns. I always thought of it like Willie Nelson, who sings real quietly, and so everyone is on the edge of their seat trying to listen to what he’s saying. As a result, you’re more into it. At least, that was my excuse! [Laughs.]
(8) LIFE OF LEWIS. A trailer dropped for the C.S. Lewis biopic titled The Most Reluctant Convert: The Untold Story Of C.S. Lewis that arrives in theaters November 3.
(9) TIME HAS BEEN BROKEN. So they tell us. The new season of Star Trek: Picard premieres February 2022 on Paramount+.
…At the end of WWII, 60–70% of the American aerospace industry was based in Southern California. The good climate and open land that helped draw aviation to the region also helped lure the motion picture industry. When Roddenberry began developing Star Trek, 15 of the 25 largest aerospace companies were located in the greater Los Angeles area. Many were situated close to Paramount’s Desilu Studios where the series was made.
Roddenberry drew upon the most current spaceflight technology then available to incorporate into Star Trek. He read, wrote, phoned and even dumpster-dived to get material for his new series.
A direct example of how the aerospace industry influenced Star Trek appears in the episode “The Trouble With Tribbles.” In this episode furry little creatures that “coo” and have a tremendous desire for eating and breeding overrun the Federation’s K-7 space station.
The principal elements of the K-7 as it is shown in the episode first appeared in a report done by Douglas Aircraft. The 1959 study outlined the operational requirements of an extendable orbiting space station. Constructed on Earth then launched atop a “Saturn-type missile,” the station was designed to automatically unfold in space into a donut-shape with a conical reentry vehicle at its center.
Richard Datin, a model maker who helped build the original production model Enterprise, described how the K-7 design materialized. “I was told upon viewing the original model, and maybe by Roddenberry, that he obtained it [the Douglas space station model] from Douglas Aircraft whose main office was in nearby Santa Monica. Apparently, Gene had a following from people in the space industry, particularly Caltech in Pasadena.”
(11) MICHAEL K. WILLIAMS (1966-2021). Actor Michael K. Williams died September 6 at the age of 54 reports the New York Times. While famous for his work in cop and crime series including The Wire and Boardwalk Empire, sff fans knew him as the lead in Lovecraft Country, and saw him in the 2014 RoboCop remake, The Purge: Anarchy (2014), and Ghostbusters (2016).
(12) MEDIA BIRTHDAY.
1977 – Forty-four years ago this evening on CBS, Space Academy, a Filmation children’s series, first aired. (Jason of Star Command would come out of it.) It was created by Allen Ducovny who previously only done such animated shows as The New Adventures of Superman and Aquaman. The program starred Jonathan Harris in the lead role; co-starring were Pamelyn Ferdin, Ric Carrott, Maggie Cooper, Brian Tochi, Ty Henderson, and Eric Greene. There was a cute robot as well named Peepo. Would I kid you? It would last for just fifteen half-hour episodes.
(13) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 10, 1914 — Robert Wise. Film director, producer, and editor. Among his accomplishments are directing The Curse of The Cat People, The Day the Earth Stood Still, The Haunting, The Andromeda Strain and Star Trek: The Motion Picture. Though not at all genre, he also directed West Side Story and edited Citizen Kane, two exemplary accomplishments indeed. (Died 2005.)
Born September 10, 1937 — Spencer Milligan, 84. He’s best known for playing Rick Marshall, the father of Will and Holly Marshall, on the first two seasons of Land of the Lost. (He left because he didn’t get a cut of the merch sales.) Genre wise, he’d previously been in Woody Allen’s Sleeper as Jeb Hrmthmg, and later appeared in an episode of The Bionic Woman. That’s it.
Born September 10, 1952 — Gerry Conway, 69. He’s known for co-creating the Punisher (with artists John Romita Sr. and Ross Andru) as well as the first Ms. Marvel and scripting the death of the character Gwen Stacy during his run on The Amazing Spider-Man. He shares the story credit for Conan the Destroyer with Roy Thomas. At DC, he created a number of characters including Firestorm, Count Vertigo and Killer Croc. Not genre at all, but he wrote a lot of scripts for Law and Order: Criminal Intent, one of my favorite series.
Born September 10, 1953 — Stuart Milligan, 68. He first shows up as Walters on the Sean Connery-led Outland and a few years later we see him as a Police Sergeant on Sky Captain and the World of Tomorrow. He’ll play Richard Nixon in Doctor Who for two Eleventh Doctor stories, “The Impossible Astronuat” and “Day of The Moon”. His latest genre role is in Wonder Woman 1984 as the U.S. President.
Born September 10, 1953 — Pat Cadigan, 68. Tea from an Empty Cup and Dervish is Digital are both amazing works. And I’m fascinated that she has co-written with Paul Dini, creator of Batman: The Animated Series, a DCU novel called Harley Quinn: Mad Love. Her only Hugo win was at LoneStarCon 3 for the “The Girl-Thing Who Went Out for Sushi” novelette. Her latest work is the novelization of the first-draft Alien 3 screenplay by William Gibson. She’s well stocked at the usual suspects.
Born September 10, 1955 — Victoria Strauss, 66. Author of the Burning Land two novel series, and she should be praised unto high for being founder along with AC Crispin of the Committee on Writing Scams. She maintains the Writer Beware website and blog.
Born September 10, 1959 — Nancy A. Collins, 62. Author of the Sonja Blue vampire novels, some of the best of that genre I’ve ever had the pleasure to read. She had a long run on Swamp Thing from issues 110 to 138, and it is generally considered a very good period in that narrative. She also wrote Vampirella, the Forrest J Ackerman and Trina Robbins creation, for awhile.
Born September 10, 1968 — Guy Ritchie, 53. Director of Sherlock Holmes and its sequel Sherlock Holmes: A Game of Shadows, both of each I rather liked, and the live-action Aladdin. He did also directed / wrote / produced the rebooted The Man from U.N.C.L.E. which got rather nice reviews to my surprise as well as King Arthur: Legend of the Sword which apparently is quite excellent as audience reviewers at Rotten Tomatoes give it a seventy percent rating.
The sale of Amazing Fantasy no. 15, featuring the first appearance of Spider-Man, has set the record for the most expensive comic ever sold.
The comic sold Thursday for $3.6 million as part of Heritage Auction’s Signature Comics & Comic Art auction being held Sept. 8 to 12.
The senses-shattering sale beat out the previous record, Action Comics no. 1, published in 1938 and featuring the first appearance of Superman, which sold privately for $3.25 million earlier this year.
With just 90, or thereabouts, shopping days to Christmas, time to see what SF will be published. The SF² Concatenation seasonal news page’s forthcoming books listings are an amalgamation of the titles in the catalogues sent by major UK publishers.
As they these titles already in the catalogues, they can be ordered, or advance-ordered, now either from the publisher directly or – if you are outside the UK – from specialist SF bookshops and their related retail websites.
The books are listed alphabetically by author.
(16) SPEAKER FOR THE READ. The next episode of Essence of Wonder with Gadi Evron is “You’re Not Ender Wiggins, and That’s Okay – A Show on Strategy, Leadership, and Modern Conflict by Way of Scifi.” Streams Saturday, September 11 at 3:00 p.m. Eastern via YouTube, Facebook Live, and Twitch.
Steven Leonard, Max Brooks, Major General Mick Ryan, and Jon Klug, join us to discuss strategy, leadership, and modern conflict from the perspective of science fiction.
One of the chapters in the book is called “You’re Not Ender Wiggins, and That’s Okay” (by Will Meddings). Be still, my heart.
Researchers have discovered a new species of dinosaur that loomed over Tyrannosaurus Rex.
The Calgary Herald reports that University of Calgary scientists helped identify the massive new species named Ulughbegasaurus, which roamed the earth as an apex predator 90 million years ago.
Researchers were able to identify the new species — which was five times bigger than the fearsome T-Rex — through the dinosaur’s fossilized jaw, which was likely first found by a Russian paleontologist during a dig in the 1980s.
…The researchers found that the dinosaur was between 7.5 to eight meters (24 to 26 feet) in length and likely weighed over 1,000 kilograms (2,204 lbs). At the time Ulughbegasaurus roamed the earth, the T-Rex wasn’t fully evolved and was much smaller in comparison, weighing less than 200 kilograms (440 lbs).
Comparing the two species, Zelenitsky said Ulughbegasaurus “was like a grizzly bear” if T-Rex had been a coyote….
The failure of Nazi Germany’s nuclear program is well established in the historical record. What is less documented is how a handful of uranium cubes, possibly produced by the Nazis, ended up at laboratories in the United States.
Scientists at the Pacific Northwest National Laboratory and the University of Maryland are working to determine whether three uranium cubes they have in their possession were produced by Germany’s failed nuclear program during World War II.
The answer could lead to more questions, such as whether the Nazis might have had enough uranium to create a critical reaction. And, if the Nazis had been successful in building an atomic bomb, what would that have meant for the war?
Researchers at the laboratory believe they may know the origins of the cubes by the end of October. For the moment, the main evidence is anecdotal, in the form of stories passed down from other scientists, according to Jon Schwantes, the project’s principal investigator.
The lab does not have scientific evidence or documentation that would confirm that Nazi Germany produced the black cubes, which measure about two inches on each side. The Nazis produced 1,000 to 1,200 cubes, about half of which were confiscated by the Allied forces, he said.
“The whereabouts of most all of those cubes is unknown today,” Dr. Schwantes said, adding that “most likely those cubes were folded into our weapons stockpile.”…
Sam once again dons her trench coat to take one small step for man and one giant leap for a late night television host with an “Unsolved Mysteries” obsession. That’s right…she’s trying to figure out WTF is up with UFOs!
[Thanks to Mike Kennedy, Andrew Porter, Martin Morse Wooster, JJ, Cora Buhlert, SF Concatenation’s Jonathan Cowie, Michael Toman, John King Tarpinian, and Cat Eldridge for some of these stories. Title credit belongs to contributing editor of the day Jayn.]
(1) TAKEI PAYS TRIBUTE TO BJO. [Item by David Doering.] If you didn’t catch it, last night the Paramount+ network put on a Star Trek Day special. They included short retrospectives on past Star Trek series from cast members. For TOS, they had George Takei. He described how the series was rescued for a third season, but then went out of his way with the short time he had to mention Bjo Trimble as the force behind it. His mention received a roar of applause and cheers from the crowd. I was deeply touched by both his highlighting Bjo and the audience’s response.
He went on to say that thanks to the third season, TOS could go into syndication, which is what cultivated a whole world of fans which led…and so on. Today we will have FIVE simultaneous Trek series on TV. Woah. So, SO glad to live to this era!
(2) WATCH STAR TREK DAY SPECIAL. A recording of the three-hour-plus Star Trek Day livestream celebration is available at Facebook Live today.
(3) YOU WON’T EAT LUNCH IN THIS TOWN AGAIN. They controlled the vertical. They controlled the horizontal. The 1965 Worldcon committee even found a way to tune out Harlan Ellison, writer of Outer Limits’ “Soldier” episode. The Hugo Book Club Blog replays that bit of history in “How I Learned to Stop Worrying and Love the Bombastic Ego”.
…Though he backed down from that attempt, Ellison was adamant that there should be a Hugo for Best Dramatic Presentation in 1965, and encouraged other fans to write in nominations for the category … with the apparent belief that if the category was being considered that year, his Outer Limits episode would be a shoe-in.
But the 1965 Hugo Awards operated under a unique set of rules that have not been used since; as per the convention committee, the shortlist was created via “nomination by a panel of experts, selecting from suggestions offered by the membership at large.” In practice, this meant that no matter how many voters included “Soldier” on their nominating ballot, the Hugo Committee could omit it if they so chose….
From visionary filmmaker Lana Wachowski comes “The Matrix Resurrections,” the long-awaited fourth film in the groundbreaking franchise that redefined a genre. The new film reunites original stars Keanu Reeves and Carrie-Anne Moss in the iconic roles they made famous, Neo and Trinity.
So you just watched the new Matrix Resurrections trailer and you’re wondering where Laurence Fishburne character Morpheus is. I’ve got bad news for you: Canonically, he’s been dead since the mid 2000s.
As part of an ambitious plan to continue The Matrix franchise after the films, the Wachowskis gave their blessing to a massively multiplayer online game based on the franchise, which launched in 2005. Victim of an overcrowded MMO market, The Matrix Online was canceled only four years later in 2009, and had less than 500 active players by that point. That this game is little known and now impossible to play does not also stop the following from being true: Technically, everything that occurred in that game is canon. The Matrix’s fan wiki considers The Matrix Online canon, and the Wachowskis were heavily involved in the creation of some of the Matrix games. They even appeared inThe Matrix: Path of Neo.
Things got a little salty on the playa at this year’s rogue Burning Man, according to the sheriff who has been overseeing the annual festival since 2015.
Pershing County Sheriff Jerry Allen described this year’s event — held outside the official auspices of the Burning Man organization — as “people packed in a small space in the heat, no shade or cooling other than nighttime, little respect for your fellow man, and this year add the thick amounts of smoke and no (organized group) to attempt to diffuse situations.”
In addition to an increase in car crashes and open acts of speeding, there was a general “lack of care for fellow participants” over gathering that culminated Monday, Allen said.
He estimated more than 15,000 people flocked to what was dubbed “Renegade” Burning Man after organizers canceled the event for the second year in a row amid the COVID-19 pandemic. https://www.usatodaynetworkservice.com/tangstatic/html/pren/sf-q1a2z3be0d353f.min.html Typically, the annual event attracts more than 80,000 people to the playa about two hours north of Reno.
Last year it was estimated that about 5,000 people gathered in the Black Rock Desert even though the arts festival was cancelled.
… She started selling them on Depop — a site often used to list “pre-loved” items — but realized, after receiving nearly 80 requests in her first day, that she’d need to scale up. So, she bought a web domain, BUGGIRL200.com (after her TikTok user name), and built her own online store. She has since sold more than 15,000 shirts, each of them reflecting tongue-in-cheek nostalgia for cultural touchstones from the last two decades.
…This shirt — one of several “Twilight”-themed items Ms. Sinclair has made — was posted by Olivia Rodrigo on Instagram.
Her work has not gone unnoticed by the celebrity class: Olivia Rodrigo, for instance, tagged her friend Iris Apatow — daughter of Judd — in a photo on Instagram of a BUGGIRL200 original that reads as follows: “I think the Twilight movies are AWESOME!!!!! If you don’t think that makes me SEXY and COOL, DON’T FREAKING TALK TO ME!!!!! I am not even kidding.”
The image caught the eye of Dulce Clara, 21, a student in San Marcos, Calif. “‘Twilight’ will forever have a special place in my heart because not only did I grow up watching the movies, but it was actually my first teen romance film,” she said. When she saw Ms. Rodrigo’s post, she said, “I instantly fell in love with the shirt and bought it.”
(8) CHUNG MEDICAL UPDATE. Winchell Chung of Atomic Rocketshas announced he is battling cancer.
1978 – Forty-three years ago this week, the Jason of Star Command series was first seen on CBS. It was created and produced by Arthur H. Nadel who was previously responsible for Shazam!, The Secrets of Isis and Space Academy which this is a spin-off of. (The only series of these which I’ve seen is the first. I really liked it at the time. No idea what the Suck Fairy would make of it.) It would last but two seasons of twenty eight episodes. (The first season episodes were fifteen minutes long and formed one story, the second were thirty minutes long.) James Doohan would be in the cast as Commander Canarvin for the first season before leaving to film Star Trek: The Motion Picture, and the chief villain here was Sid Haig who had appeared on Star Trek as the First Lawgiver in “The Return of the Archons”.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 9, 1922 — Pauline Baynes. She was the first illustrator of some of J. R. R. Tolkien’s lesser known works such as Farmer Giles of Ham and Smith of Wootton Major and of C. S. Lewis’s Chronicles of Narnia. With the help of cartographers from the Bordon military camp in Hampshire, Baynes created a map that Allen & Unwin published as a poster in 1970. Tolkien was generally pleased with it, though he didn’t particularly like her creatures especially her conception of a spider. (Died 2008.)
Born September 9, 1929 — Joseph Wrzos, 92. He edited Amazing Stories and Fantastic under the name Joseph Ross from 1965 through early 1967. With Hannes Bok, he edited in 2012, Hannes Bok: A Life in Illustration. He won First Fandom Hall of Fame Award, and its Sam Moskowitz Archive Award twice.
Born September 9, 1935 — Topol, 86. He’s best remembered for his role of Tevye the Dairyman in Fiddler on the Roof, on both stage and screen, but that’s not why he’s getting a Birthday. No, that’s because it’s because he was Dr. Hans Zarkov in the 1980 Flash Gordon film. He’s got just two other genre appearences, once in Tales of the Unexpected as Professor Max Kelada in the “Mr. Know-All” episode, and in the Bond film, For Your Eyes Only.
Born September 9, 1943 — Tom Shippey, 78. Largely known as a Tolkien expert, though I see he wrote a scholarly 21-page introduction to Flights of Eagles, a collection of James Blish work. Under the pseudonym of John Holm, he is also the co-author, with Harry Harrison, of The Hammer and the Cross trilogy of alternate history novels. And early on, he did a lot of SF related non-fiction tomes such as Fiction 2000: Cyberpunk and the Future of Narrative (edited with George Slusser). He edited The Oxford Book of Science Fiction Stories thirty years ago.
Born September 9, 1952 — Angela Cartwright, 69. Fondly remembered as Penny Robinson on the original Lost in Space. She, like several of her fellow cast members, made an appearance in the Lost in Space film. In her case, it was as Shelia Harris in the “Echoes” episode. She appeared in the Logan’s Run series in “The Collectors” episode as Karen, and in Airwolf as Mrs. Cranovich in the “Eruption” episode.
Born September 9, 1955 — Janet Fielding, 66. Tegan Jovanka, companion to the Fifth Doctor. The actress had a rather short performing career starting with the Hammer House of Horror series in 1980 where she was Secretary Mandy on the “Charlie Boy” episode” before landing the Doctor Who gig through 1984 before her career ending in the early Nineties. She was part of the 2013 50th Anniversary The Five(ish) Doctors Reboot. Her last acting role was voicing Dr. Mendez in the “Breakout” episode of the Australian Prisoner Zero series.
Born September 9, 1960 — Hugh Grant, 61. He appeared in The Lair of the White Worm as Lord James D’Ampton and in the remake of The Man from U.N.C.L.E. as Mr. Waverly. And he was the Handsome Doctor in Doctor Who: The Curse of Fatal Death, the 1999 Doctor Who special made for the Red Nose Day charity telethon. He’s in the forthcoming Dungeons & Dragons as Forge Fletcher.
Born September 9, 1971 — Henry Thomas, 50. Elliot in E.T. the Extra-Terrestrial. Let’s just say that he’s had a busy post-E.T. acting career for which I will single out his rather good work in Nightmares & Dreamscapes: From the Stories of Stephen King and The Haunting of Hill House series. He’s playing Doctor Mid-Nite in the ongoing Stargirl series which I really need to see.
(11) COMICS SECTION.
Lise Andreasen supplies a Danish/English translation for the Wulffmorgenthaler 7/9 cartoon published at Politiken.
Good news! Now that the apocalypse is over, we actually have the resources to rebuild the whole society, just as it was before! What do you say!?
How about we don’t! How do you think we ended up here? Think, Lars!
Inside an unremarkable warehouse near Palm Springs, Calif., hundreds of pinball machines once beckoned arcade game aficionados from far and wide, their blinking lights and coin slots a throwback to a time long before Xbox.
But then came the coronavirus pandemic, and the game, one that the museum’s owner said was already a losing proposition because of the economic climate and the cost of real estate and insurance, was over. No flippers could keep the ball in play.
Now, the Museum of Pinball in Banning, Calif., one of the largest museums devoted to pinball machines, is about to do something that once might have seemed inconceivable: It will start on Friday to auction off more than 1,700 arcade games.
The collection could be worth as much as $7 million, according to the auctioneer handling the sale, which includes some machines more than 60 years old. The holy grail of the sale could be a “Pirates of the Caribbean” collector’s edition pinball machine from 2018, associated with the Disney franchise, which the auction house said could fetch up to $35,000….
(13) MEET THE CREW. Star Trek: Strange New Worlds cast announcement does major fan service. See the video at StarTrek.com.
… Once the exclusive province of science fiction films, space colonization has been moving closer to becoming a reality thanks to major advances in astronautics and astrophysics; rocket propulsion and design, robotics and medicine. Trekkies, along with the otherworldly technology featured in the Star Trek series, have helped define the science fiction universe. One of the most mind-boggling of these technologies from those shows is the “Impulse Drive,” a propulsion system used on the spaceships of many species to get across the galaxy in amazingly short timeframes measured in months or a few years rather than centuries or millennia.
And now scientists have unveiled the Holy Grail of Space Travel: A real-life Impulse Drive system able to achieve sub-light velocities using zero fuel propellants. After 30 years of tinkering and fine-tuning, a pair of scientists might finally be close to turning science fiction into science fact.
And, NASA is taking the idea seriously.
Conventional spaceships burn rocket fuel to achieve escape velocities, maneuver, and even land, in the case of SpaceX rockets. But what if you could build a spaceship that runs entirely on electricity?
Jim Woodward, a physics professor emeritus at California State University, Fullerton, and Hal Fearn, a physicist at Fullerton, have developed the Mach Effect Gravity Assist (MEGA) Drive propulsion based on what they say is peer-reviewed, technically credible physics.
U.S. federal judge Leonie Brikema ruled this week that an AI can’t be listed as an inventor on a U.S. patent under current law. The case was brought forward by Stephen Thaler, who is part of the Artificial Inventor Project, an international initiative that argues that an AI should be allowed to be listed as an inventor in a patent (the owner of the AI would legally own the patent).
Thaler sued the U.S. Patent and Trademark Office after it denied his patent applications because he had listed the AI named DABUS as the inventor of a new type of flashing light and a beverage container. In various responses spanning several months, the Patent Office explained to Thaler that a machine does not qualify as an inventor because it is not a person. In fact, the machine is a tool used by people to create inventions, the agency maintained.
Brikema determined that the Patent Office correctly enforced the nation’s patent laws and pointed out that it basically all boils down to the everyday use of language. In the latest revision of the nation’s patent law in 2011, Congress explicitly defined an inventor as an “individual.” The Patent Act also references an inventor using words such as “himself” and herself.”
Developed by Emmy Award-winners Kevin and Dan Hageman (“Trollhunters” and “Ninjago”) the CG-animated series STAR TREK: PRODIGY is the first “Star Trek” series aimed at younger audiences and will follow a motley crew of young aliens who must figure out how to work together while navigating a greater galaxy, in search for a better future. These six young outcasts know nothing about the ship they have commandeered – a first in the history of the Star Trek Franchise – but over the course of their adventures together, they will each be introduced to Starfleet and the ideals it represents.
[Thanks to Cat Eldridge, Mike Kennedy, Andrew Porter, N., Lise Andreasen, Chris Barkley, James Davis Nicoll, Martin Morse Wooster, JJ, Michael Toman, and John King Tarpinian for some of these stories. Title credit belongs to contributing editor of the day Daniel Dern.]
(1) ABOUT TIME. At Young People Read Old SFF, James Davis Nicoll has one he’s sure the panel will like. Can that actually happen?
This month, the Old Hugo Finalist the Young People read was Samuel R. Delany’s “Time Considered as a Helix of Semi-Precious Stones”, which was first published in New Worlds, #185 December 1968. Despite my track record of guessing wrong about what older SFF will appeal to younger people, I am pretty confident about this one. Not only did “Time” win both the Nebula and the Hugo in its category, but Delany’s fiction is objectively popular. The Bantam edition of Delany’s crowd-pleasing Dhalgren, for example, went through 19 editions and sold over a million copies. Success in this matter is therefore utterly assured….
Type “Edgar Allan Poe” into your preferred image search engine, brace for impact, and press Enter. Instantly you hit a wall of chalk-white faces, each conveying a mixture of despair, dyspepsia, grief, wonderment, and wounded pride. Some are actual daguerreotypes, while the rest are fan art or movie stills inspired by those antique likenesses. In every case, one has the distinct feeling that misery could not ask for better company. This is Poe.
Now try searching “Poe Osgood portrait” instead. What comes up this time is a face totally different from those in the previous set. It can’t be the same person. There is color in his cheeks and light in his eyes, and his brow looks quite unburdened. The expression registers as neither menacing nor miserable, but magnanimous. This too is Poe.
It is Samuel Stillman Osgood’s more human version of the poet, novelist, and critic that interests us here. That the portrait has become emblematic of a close friendship between Poe and Frances Osgood, the artist’s wife, makes it still more surprising, because Poe is not supposed to have had friends….
… In an apparent bid to make the historiography of the Debarkle easier, multiple members of 2014’s Evil League of Evil banded together to publish an anthology entitled “Forbidden Thoughts”. The title, evocative of Harlan Ellison’s never fully completed Dangerous Visions anthologies, was predicated on the idea that the last bastion of transgressive ideas in speculative fiction is reactionary conservatism….
City planners in this civilization rely on fungus to help them do their jobs.
(5) THE END IS NEAR. Leonardo DiCaprio is part of a celebrity ensemble cast in Don’t Look Up, which tells the story of two low-level astronomers who must go on a giant media tour to warn mankind of an approaching comet that will destroy planet Earth. On Netflix on December 24.
(6) MEDIA BIRTHDAY.
1966 – Fifty-five years ago on NBC, Star Trek premiered. Roddenberry had pitched a brief treatment to Desi Arnaz and Lucille Ball’s Desilu Productions, producers of Mission: Impossible, three years previously, calling it “a Wagon Train to the stars”. I won’t go into details here as y’all know them all too well but will note that it would spawn eleven television series to date, thirteen films, and numerous books, games, and more toys than you can possibly keep count. The series won two Hugos, one at NyCon 3 for “The Menagerie”, and another at Baycon for “The City on the Edge of Forever”.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 8, 1925 — Peter Sellers. Chief Inspector Clouseau in the Pink Panther films which are surely genre, aren’t they? Of course he had the tour de force acting experience of being Group Captain Lionel Mandrake, President Merkin Muffley and Dr. Strangelove in Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. Amusingly he was involved in a number of folk tale productions in various mediums (film, radio, stage) including Cinderella, Tom Thumb, Mother Goose and Jack and The Beanstalk. (Died 1980.)
Born September 8, 1937 — Archie Goodwin. Comics writer and editor with a very long career. He was the writer and editor of the horror Creepy and Eerie anthologies, the first writer on the Iron Man series, wrote comic book adaptations for Marvel of the two Star Wars sequels and edited the Star Wars line for them. For DC, he edited Starman which Robinson said he was inspiration for. (Died 1998.)
Born September 8, 1945 — Willard Huyck, 76. He’s got a long relationship with Lucas, first writing American Graffiti and being the script doctor on Star Wars before writing Indiana Jones and the Temple of Doom before being the writer and director on Howard the Duck which, yes, is a Lucasfilm. It’s the lowest rated on Rotten Tomatos Lucasfilm production ever at 15% followed by Radioland Murders, the last script he’d write for Lucasfilm.
Born September 8, 1952 — Linda D. Addison, 69. First Black winner of the Stoker Award which she has won five times. Amazingly, The first two awards were for her poetry collections Consumed, Reduced to Beautiful Grey Ashes and Being Full of Light, Insubstantial. All five of her Awards were for poetry collections. She does write more than poetry as her story, “Shadow Dreams”, was published in the Black Panther: Tales of Wakanda anthology.
Born September 8, 1954 — Mark Lindsay Chapman, 67. Sorry DCU but the best Swamp Thing series was done nearly thirty years ago and starred the late Dick Durock as Swamp Thing and this actor as his chief antagonist, Dr. Anton Arcane. Short on CGI, but the scripts were brilliant. Chapman has also shown up in Poltergeist: The Legacy, Bram Stoker’s Legend of the Mummy, The New Adventures of Superman, The Langoliers and Max Headroom to name a few of his genre appearances.
Born September 8, 1965 — Matt Ruff, 56. I think that his Sewer, Gas & Electric: The Public Works Trilogy is his best work to date though I do like Fool on The Hill a lot. Any others of his I should think about reading? And of course there the adaptation of Lovecraft Country which I’ve not seen as I don’t have HBO. He won an Otherwise Award for Set This House in Order: A Romance of Souls, and an Endeavour Award for The Lovecraft Country.
Born September 8, 1966 — Gordon Van Gelder, 55. From 1997 until 2014, he was editor and later publisher of The Magazine of Fantasy & Science Fiction, for which he was awarded twice, and quite well deserved they were, with the Hugo for Best Editor Short Form at Nippon 3 and at Devention 3. He was also a managing editor of The New York Review of Science Fiction from 1988 to 1993, for which he was nominated for the Hugo a number of times.
Born September 8, 1975 — C. Robert Cargill, 46. He, along with Scott Derrickson and Jon Spaihts, worked on the script for Doctor Strange. More intriguingly they’re writing the script for The Outer Limits, a movie based on the television show. The film, produced by MGM, will be adapted from just the “Demon with a Glass Hand” episode begging the question of what they’re writing for a script given that Ellison did write the Writers Guild of America Awards winning Outstanding Script for a Television Anthology script.
(8) TRAILER PARK. A new DCEU animated film trailer: “Injustice”.
Inspired by Injustice: Gods Among Us, NetherRealm Studios’ popular video game, and the best-selling DC graphic novel based on the video game, Injustice: Gods Among Us: Year One by Tom Taylor, the animated film Injustice finds an alternate world gone mad – where The Joker has duped Superman into killing Lois Lane, sending the Man of Steel on a deadly rampage. Unhinged, Superman decides to take control of the Earth for humanity’s own good. Determined to stop him, Batman creates a team of like-minded, freedom-fighting heroes. But when Super Heroes go to war, can the world survive?
(11) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: The Great Ace Attorney Chronicles” on YouTube, Fandom Games says this steampunk series “has almost nothing to do with what actually goes on in a courtroom” and featrues Sherlock Holmes as “an arrogant moron.” “So strap on that katana and get ready to make objections!”
[Thanks to John King Tarpinian, Cat Eldridge, Mike Kennedy, Andrew Porter, Martin Morse Wooster, JJ, and Michael Toman for some of these stories. Title credit belongs to contributing editor of the day Andrew (not Werdna).]
Star Trek Day 2021, a free live-streamed celebration of Star Trek, begins Wednesday, September 8 at 5:30 p.m. Pacific/ 8:30 p.m. Eastern.
Live from the Skirball Cultural Center in Los Angeles, California, Star Trek Day will feature back-to-back in-person conversations with cast members and creative minds from the Star Trek Universe, “legacy moments” with iconic cast, and other announcements and reveals.
I’ve read the entire script, and I’m about to leave for rehearsal, so I know most of the OMGAREYOUSERIOUS stuff that will be revealed. I’m not going to spoil anything, but I will tell you that if you love Star Trek the way I love Star Trek, you won’t want to miss it.
Mica Burton is LeVar Burton’s daughter, an actor and cosplayer who is well known to fans of D&D webseries Critical Role and the Overwatch League.
A mass market 30th anniversary reprint of Local Custom, a Liaden Universe® novel by Sharon Lee and Steve Miller, is coming November 30, 2021.
A Sharon Lee and Steve Miller Liaden holiday story is slated for mid-November at Baen.com, title and exact release date TBD.
Sooner than that: The mass-market version of Trader’s Leap by Sharon Lee and Steve Miller will be released September 28, 2021 — it is currently available in hardback and ebook.
Sharon Lee and Steve Miller are the Guests of Honor at Albacon 2021 in September — held over from last year. This year it’ll be a virtual con held September 17-18.
Their chapbook Bad Actors, was published July 31, 2021 from the authors’ Pinbeam Books imprint and is widely available in ebook and paper. That’s their 33rd “Adventures in the Liaden Universe” chapbook.
Also, on July 26, Sharon Lee and Steve Miller turned in Fair Trade, a Liaden Universe novel (#24), which is due to be published next year by Baen. The follow-up novel is under contract and started, due to be turned in next year. Two more Liaden novels are under contract thereafter.
Working on season one of Y: The Last Man was one of the coolest experiences of my life. I got to be in a writer’s room with some of the smartest minds in the biz, and learned a ton about story structure — and how to think on your feet when your episode has to change completely for the ninth time, because we rethought the endgame of the season. But I also got a crash course in how to adapt and update a beloved classic.
In Y: The Last Man, a mysterious event kills every mammal with a Y chromosome, except for one dude named Yorick Brown, and his pet monkey Ampersand. This is the setup for an epic journey across a shattered United States with the mysterious Agent 355 and the brilliant scientist Dr. Allison Mann. It’s also a vehicle for talking about what a world without patriarchy would look like, and how the survivors would rebuild, and expand to fill the spaces left by cis men. I love the comic’s playful approach to genre and the madcap verve with which it keeps reinventing itself, and I’m here for the “found family” aspect with the central trio. This is the comic that made me a fan of both writer Brian K. Vaughan and artist Pia Guerra.
There’s just one problem: the comic largely ignores the existence of trans people (and when it does mention us, the treatment is much worse than I had remembered.) Like many other classics, Y: The Last Man reflects the time when it was created — and when we adapt the things we love, we also have an obligation to update and improve them, especially where they have the potential to do harm to a marginalized community here and now….
(3) MOVING RIGHT ALONG. In conjunction with the new Amazon Prime TV show, Orbit UK is releasing the entire set of The Wheel of Time books in paperback with new covers, all of them showcased in a nifty animated GIF (which I’ll link to rather than embed so the strobe effect won’t drive us all to distraction.)
(4) A FOCUS ON NATURE. The South Pasadena (CA) Public Library is calling for patrons to Vote for One City One Story. This year’s theme is “Navigating Nature.” Two of the five titles proposed by the staff are genre. A video about the program is here. Voting ends at midnight on September 10, 2021. The winning title will be announced on September 27, 2021.
Entangled Life: How Fungi Make Our Worlds, Change Our Minds & Shape Our Futures by Merlin Sheldrake
The Hidden Life of Trees by Peter Wohlleben
Dune by Frank Herbert
Parable of the Sower by Octavia E. Butler
Salvage the Bones by Jesmyn Ward
(5) NO SECOND FIFTH. Chapter 61 of Camestros Felapton’s Debarkle is called “The Sad Demise of the SP5” but I remember laughing more than crying. Because when Declan Finn tried to commandeer the Sad Puppy steering wheel, Sarah Hoyt and Amanda Green smacked him with a rolled-up internet.
…While not mentioning Declan Finn by name, the post title identified his post as the issue. By using the name “Sad Puppies” Finn had apparently crossed a line, even though his open campaigning during Sad Puppies 4 had not visibly caused offence.
Green was clear though. Sad Puppies 5 was coming soon….
Green was also clear that she would be helping Hoyt with SP5 and also be taking over the reins (leads?) for SP6.
Facing a sudden and unexpected backlash to his list Declan Finn came to the only possible conclusion he could make. The negative reaction he was receiving must be coming from the comment section of the popular fanzine File 770!…
(6) AN OUNCE OF PREVENTION. R. Talsorian Games is bowing out of Gen Con, which is happening September 16-19: “RTG Exiting Gen Con 2021”.
After considerable internal discussion, R. Talsorian Games has decided to exit Gen Con 2021. We don’t do this lightly. We had planned on our biggest Gen Con yet this year, with more events than ever, more booth space than ever, and a larger crew than ever.
And that’s why, in good conscience, we cannot attend the convention. The health and safety of our crew comes first and the numbers in Indiana are abysmal. The vaccination rates are too low, the positivity rates and new case rates too high, and the social mandates designed to protect people too few. If even one member of our crew caught COVID-19 while attending Gen Con or carried it home to their loved ones and their local community, that would be one too many.
At R. Talsorian Games, we write about Dark Futures for fun, but we also believe we have a responsibility to try and prevent them from happening.
We want to make it clear, we do not blame the staff of Gen Con 2021 or the Indiana Convention Center in any way.
The Aurealis Awards, Australia’s premier awards for speculative fiction, are for works created by an Australian citizen or permanent resident, and published for the first time between 1 January 2021 and 31 December 2021.
Full Award Rules and FAQ can be found on the Aurealis Awards website.
The Aurealis Awards judges welcome electronic entries in all categories, including novels, short stories, novellas, illustrated work / graphic novels, collections, anthologies, children’s and young adult fiction.
Finalists of all award categories will be announced early in 2022 and winners announced at a ceremony to take place in the first half of the year. For more information on the awards or for the entry form, visit the Aurealis Awards website at https://aurealisawards.org/.
This is awarded at the discretion of the convenors for a particular achievement in speculative fiction or related areas in the year that cannot otherwise be judged for the Aurealis Awards.
(8) MEDIA BIRTHDAY.
1974 – Forty-seven years ago today, Jefferson Starship’s Dragon Fly was released on Grunt Records, a vanity label founded in 1971 by themselves. It was the debut album for the recently renamed Jefferson Airplane. The entire album is somewhat SF in nature, particularly “All Fly Away” and “Hyperdrive”. Two years later, the latter song would be used in the opening ceremonies at MidAmeriCon.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 1, 1875 — Edgar Rice Burroughs. Bradbury declared him “the most influential writer in the entire history of the world.” Now I’d not necessarily disagree or agree with that statement but I said last year that he has largely fallen out of public notice and I’ll stand by that claim. So what’s your favorite works by him? The Barsoom stories are mine. (Died 1950.)
Born September 1, 1942 — C. J. Cherryh, 79. I certainly think the Hugo Award-winning Downbelow Station and Cyteen are amazing works but I think my favorite works by her are the Merchanter novels such as Rimrunners. Anyone familiar with “Cassandra“, the short story she won a Hugo for at Seacon ‘79? What’s it part of?
Born September 1, 1943 — Erwin Strauss, 79. I’m not sure I can do him justice. Uberfan, noted member of the MITSFS, and filk musician. He frequently is known by the nickname “Filthy Pierre” which I’m sure is a story in itself that one of you will no doubt tell me. Created the Voodoo message board system used at a number of cons and published an APA, The Connection, that ran for at least thirty years. Do tell me about him.
Born September 1, 1952 — Timothy Zahn, 69. Apparently he’s known more these days for the Thrawn series of Star Wars novels, but oh, ok, so it is perhaps better written and more interesting than his mainstream genre sf. His sole Hugo Award was at L.A.Con II for his “Cascade Point” novella, and he get a nomination at Aussiecon Two for “Return to the Fold” novelette.
Born September 1, 1952 — Brad Linaweaver. Alternate history Moon of Ice is one of his better works and it won the Prometheus Award for Best Libertarian SF Novel. It was nominated for a Nebula though oddly as a novella which it was originally published as. He owned the brass cannon which was the property of the Heinleins and which Virginia bequeathed to him in her will. (Died 2019.)
Born September 1, 1964 — Martha Wells, 57. She’s won two Nebula Awards, three Locus Awards, and two Hugo Awards. Impressive. And she was toastmaster of the World Fantasy Convention in 2017 where she delivered a speech called “Unbury the Future”. Need I note the Muderbot Diaries are truly amazing reading?
Born September 1, 1967 — Steve Pemberton, 54. He’s on the Birthday List for being Strackman Lux in the most excellent Eleventh Doctor stories of “Silence in the Library” and “Forest of the Dead” but he has other genre credits including being Drumknott in Terry Pratchett’s Going Postal, Professor Mule in the Gormenghast series and Harmony in the Good Omens series as well.
Born September 1, 1968 — Zak Penn, 53. He wrote the script for The Incredible Hulk, co-wrote the scripts for X2, X-Men: The Last Stand, and the story but not the script for The Avengers. With Michael Karnow, Penn is the co-creator of the Alphas series. He contributed to the script of The Men in Black.
…It’s kind of funny. You were well known for doing a lot of well-received classical and period film, TV and stage work. But just before Dune, you’d also done Peter Yates’ Krull, which was another massive-budget sci-fi adventure movie. People don’t know the movie well these days but it was a big production. And sadly, another big flop…
Yes, it’s been a shame for me — or maybe it was a hidden blessing — that the few very big-budget things I’ve done didn’t take off, otherwise I would have risen with them…
When you first read the script for Dune did it seem complicated or convoluted? People have always said how difficult the novels would be to adapt…
I’ll tell you, when I first went to see the film at the premiere — and I’ve only seen it once – as soon as Princess Irulan started to talk in voice-over at the beginning, explaining the story, I thought “Uh oh, this film is in trouble.” Any Hollywood film that has to explain itself in detail at the beginning is in trouble…
My experience of working on Dune was that if David Lynch had been able to make his own film, it would have been brilliant, but unfortunately Dino oversaw every single tiny thing. Dino was already thinking about the video sales. David had wanted to make the scenes very dark, all the underworlds very dark and look very sinister. Dino wouldn’t allow it. It had to be lit brightly so that it would transfer well to video, where I think at that time things went down a shade. David and DoP Freddie Francis were constantly being hamstrung and I don’t think David made the film he wanted to make.
I was a big David Lynch fan. I thought he was terrific. But Dino was a huge personality. He had tapped David to do multiple films….
The exhibition is aptly named “Toil & Trouble” as a homage to a poem spoken by the witches in William Shakespeare’s Macbeth, which was first performed in 1606 – a time when accusations of witchcraft were rife.
Examining and compiling the dark history of witchcraft into an online experience, the students focused specifically on the period between the 16th and 18th centuries.
…The origin of the distinct sideburn pointiness came after filming the second pilot for the series, Where No Man Has Gone Before, which is the last episode you can find of Kirk and the crew sporting normal sidebdurns. “Normal” being a lot bushier for the 60’s mind you.
With the series being picked up, Gene Roddenberry wanted the cast to commit to having a futuristic hairstyle going forward. For the sole reason of wanting a social life outside the set without having to look like men of the future, the cast disagreed….
(14) HONEST GAME TRAILERS. Fandom Games says “NEO: The World Begins With You” lets you reenter a world where “Spiky-haired protagonists with terrible fashion sense” enter “history’s hippest purgatory.”
(15) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “The Marvel Leak Protection Tutorial” on Screen Rant and written by Seb Decter, Jack Eastcott plays C.I Foreman., MCU Leak preventer, who warns “those nerds are everywhere” and if you see an MCU actor on the set squirming, it’s because this guy has cue cards telling the guy not to leak.(This dropped today and Ryan George doesn’t have anything to do with this one.)
[Thanks to John King Tarpinian, Cat Eldridge, Mike Kennedy, Jeffrey Smith, SF Concatenation’s Jonathan Cowie, James Davis Nicoll, Steve Miller, Andrew Porter, Martin Morse Wooster, JJ, and Michael Toman for some of these stories. Title credit belongs to contributing editor of the day Jon Meltzer.]
(1) FINAL GIRLS CONSIDERED. Stephen Graham Jones cheers on the “final girls” of slasher movies at CrimeReads: “Let’s All Be Final Girls”.
…Part of the final girl’s DNA, after all, is the scream queen, typified in Fay Wray’s performance in King Kong. She wasn’t necessarily the first of her kind, but talkies were relatively new in 1933, so her scream was especially loud—loud enough to carry across the whole century.
However, final girls may come from the tradition of scream queens, but that doesn’t mean scream queens are final girls themselves. Yes, scream queens are menaced by horror, and yes, they survive their ordeals, but what their screams tend to do, actually, is bring the men in to deal with this bully. These scream queens are, after all, “white women in peril,” usually from some “dark” monstrosity—a giant gorilla, say. Their main function in the story is to cringe and run, and be abducted. Scream queens are damsels, perpetually in distress.
The final girl is no damsel. She doesn’t scream to call a man in to help her. No, she takes this lumbering beast down herself….
If you’ve tried going to the WMG website the past week or so, you’ll discover that it seems to no longer have any content. This is a result of an issue with our website hosting platform, Bluehost, that we are still trying to get them to resolve. They accidentally deleted it…all 1,500 or so pages of it (we have backups, of course, but they can’t seem to restore the site even using those…it’s a long, frustrating story). At this point, we have no idea how long our website will be down, so in this newsletter, all of the links we direct you to are external. Please send some positive tech vibes our way that Bluehost resolves this issue soon.
Who are the people behind your podcast or channel?
I host, screenwriter Chris Dickie is the producer, and ultimately the Friends of Merril volunteer group are behind the show. The Friends of Merril are dedicated to spreading awareness of, and otherwise supporting, the Merril Collection of Science Fiction, Speculation & Fantasy – located on the 3rd floor of the Lillian H. Smith branch of the Toronto Public Library system. With over 80,000 spec fic texts going back over two hundred years, it’s a tremendous asset for writers, scholars, and readers, one I’ve benefited from greatly.
Why did you decide to start your podcast or channel?
Well, Chris had just joined the Friends and when I asked him if he had anything specific he’d like to try in promoting the Merril, he said he’d been wanting to try podcasting. I’d been wanting to create some kind of shareable promotional content for the Merril, and had plenty of experience with hosting from my old Youtuber days. So, we figured we’d give it a whirl and see if it helped spread awareness of the Merril!
As far as I can tell, it’s certainly helped spread the good word. But we can always do more!
Step into the pages of beloved author and illustrator Eric Carle’s Very series of picture books—including the iconic Very Hungry Caterpillar… Co-organized by Children’s Museum of Pittsburgh and The Eric Carle Museum of Picture Book Art in Amherst, MA, Very Eric Carle is the first North American traveling exhibit for children inspired by the work of Eric Carle.
At this play-and-learn exhibit, visitors step into the pages of Eric Carle’s colorful picture books. His classic “Very” series, all illustrated in his hand-painted tissue paper collage technique, introduces five special insects who take journeys of discovery. Each story is a testament to Eric Carle’s love of nature, his respect for the emotional lives of children, and his recurring themes of friendship, creativity, and the power of imagination….
(5) RAY’S HOMETOWN GETS A CONVENTION. Wauke-Con, Waukegan’s First Comic Book Convention, will be held October 16-17 at the Ray Bradbury Experience Museum, located at lucky 13 N. Genesee, from 12-6 p.m. both days.
The series bibles for TNG, DS9, Voyager, and Enterprise have been floating around the internet in various iterations for a while, but in a new piece by Rob Wieland today, the official Star Trek website provided a fresh look at the foundations of the first four major Star Trek TV continuations. Thanks to these documents, fans can see how these iconic shows were first imagined, what changed on the road to the small screen, and what ideas were the ones writers decided were the most-thought provoking and exciting to sell these shows on to networks….
…In February of 2016 former soldier, actor and writer Nick Cole announced that he had been “banned by the publisher”. Cole had already published a few books with Harper Collins including a trilogy of post-apocalyptic books and a novel Soda Pop Soldier in which gamers fight a virtual reality war for corporations. It was the sequel (or rather prequel) to Soda Pop Soldier that led to the dispute. Cole had planned for the story to feature a Terminator-style AI rebellion and for motivation, he had decided that the AI at the source of the rebellion would deduce that humanity would kill it after watching a reality TV show in which a character has an abortion….
(8) FILE 007. The next James Bond movie, No Time To Die, comes to U.S. theaters on October 8.
(9) MEDIA BIRTHDAY.
1979 – Forty-two years ago on this date, Time After Time premiered. (It would lose out to Alien for Best Dramatic Presentation at Noreascon Two.) It was directed by Nicholas Meyer who wrote the screenplay from a story by Karl Alexander and Steve Hayes, and produced by Herb Jaffe. The primary cast was Malcolm McDowell, David Warner and Mary Steenburgen. Reception by critics was unambiguously positive, the box office was good and the audience reviewers at Rotten Tomatoes currently give it an excellent sixty-eight percent rating.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 31, 1914 — Richard Basehart. He’s best remembered as Admiral Harriman Nelson in Voyage to the Bottom of the Sea. He also portrayed Wilton Knight in the later Knight Rider series. And he appeared in “Probe 7, Over and Out”, an episode of The Twilight Zone. He showed up on The Island of Dr. Moreau as Sayer of the Law. (Died 1984.)
Born August 31, 1933 — Robert Adams. He’s remembered for the Horseclans series, his overall best-known works though he wrote other works. While he never completed the series, he wrote 18 novels in the Horseclans series before his death. (Died 1990.)
Born August 31, 1949 — Richard Gere, 72. He was Lancelot in First Knight, which starred Sean Connery as King Arthur, and he was Joe Klein in The Mothman Prophecies. That’s it for genre film work. First Knight for me is more than enough to get Birthday Honors, but he also was in live performances of Rosencrantz and Guildenstern Are Dead in the Sixties. Though definitely not genre, one of my roles by him was as defense attorney Billy Flynn in Chicago.
Born August 31, 1958 — Julie Brown, 63. Starred with Geena Davis in the cult SF comedy, Earth Girls Are Easy. She’s been in genre films such as The Incredible Shrinking Woman, Bloody Birthday (a slasher film), Timebomb and Wakko’s Wish. She’s had one-offs in Quantum Leap and The Addams Family. She’s voiced a lot of animated characters included a memorable run doing the ever so sexy Minerva Mink on The Animaniacs. She reprised that role on Pinky and The Brain under the odd character name of Danette Spoonabello Minerva Mink.
Born August 31, 1969 — Jonathan LaPaglia, 52. The lead in Seven Days which I’ve noted before is one of my favorite SF series. Other than playing Prince Seth of Delphi in Gryphon which aired on the Sci-fi channel, that’s his entire genre history as far as I can tell unless you count the Bones series as SF in which he’s in “The Skull in the Sculpture” episode as Anton Deluca.
Born August 31, 1971 — Chris Tucker, 50. The way over the top Ruby Rhod in Luc Besson’s The Fifth Element, a film I really, really like. His only other genre credit is as a MC in the Hall in The Meteor Man.
Born August 31, 1982 — G. Willow Wilson, 39. A true genius. There’s her amazing work on the Sasquan Hugo Award-winning Ms. Marvel series starring Kamala Khan which I recommend strongly, and that’s not to say that her superb Air series shouldn’t be on your reading list as well. Oh, and the Cairo graphic novel with its duplicitous djinn is quite the read. The only thing I’ve by her that I’ve not quite liked is her World Fantasy Award winning Alif the Unseen novel. I’ve not yet read her Wonder Women story but should soon. Her Invisible Kingdom, vol 2: Edge of Everything is nominated at DisCon III for a Best Graphic Story Hugo.
Born August 31, 1992 — Holly Early, 29. She was Lily Arwell in the Eleventh Doctor story, “The Doctor, the Widow and the Wardrobe.” She was also Kela in Beowulf: Return to the Shieldlands, Agnes in Humans, and Hermia in A Midsummer Night’s Dream.
Mike Richards is out as executive producer of “Jeopardy!”, days after he exited as the quiz show’s newly appointed host because of past misogynistic and disparaging comments.
Richards is also no longer executive producer of “Wheel of Fortune,” according to a memo to staff that was confirmed by Sony Pictures Television, which produces both of the shows.
“We had hoped that when Mike stepped down from the host position at Jeopardy! it would have minimized the disruption and internal difficulties we have all experienced these last few weeks. That clearly has not happened,” Suzanne Prete, an executive with the game shows, said in the memo.
…In her memo, Prete said she will work with Richards’ interim replacement, Michael Davies, until further notice. Davies produces ABC’s “Who Wants to Be A Millionaire.”
Interstellar salesman Ethan Frome Fortune made one small mistake when he traveled to the desolate ice-world of Tran-ky-ky. He boarded the same starship as the fantastically wealthy and eminently kidnappable Hellespont du Kane, and du Kane’s daughter Colette. An attempted kidnapping ensues.
The kidnapping fails. A single kidnapper survives. He and his prospective kidnappee and several innocent bystanders (including Fortune) end up marooned on Tran-ky-ky.
The castaways are a diverse lot; at least one of them, adventurer Skua September, is suited to survival on a backward, frozen world. Other off-worlders could save them…if the stolen shuttle had not crashed on the other side of the world from the trading post.
Providentially, a nearby community of indigenes are willing to assist the odd-looking off-worlders. There is just one minor complication. Even now, a nomad horde is bearing down upon the town. Perhaps the off-worlders can help the desperate townsfolk repel the attack. If not, the humans will die alongside the townsfolk.
…It’s been four decades since William Gibson’s short story “Johnny Mnemonic” appeared in the May 1981 issue of Omni magazine. He’d already published a couple of pieces, but “Johnny” was a landmark feat of fiction: in a matter of eight magazine pages, Gibson roughed out the contours of an entire world.
The world Gibson was building was a wormhole away from most science fiction—from space-opera optimism and the sort of intergalactic intrigue that’s settled by laser sword. Gibson’s heroes were hustlers, their turf the congested city. They used substances, skirted the law, and self-edited via surgery (see Molly’s nails). He provided more detail, the following year, in the story “Burning Chrome,” which coined the term cyberspace: a boundless 3-D grid, “an abstract representation of the relationships between data systems”—a kind of web. And then, in 1984, he went even deeper with Neuromancer. His zeitgeist-rattling debut novel was about a hacker for hire who navigated cyberspace using a modem and an Ono-Sendai Cyberspace 7 deck, a Gibson confection that rests on his hacker’s lap (and sounds a lot like a modern-day laptop)….
(14) DOUBLING DOWN. In “Tales Twice Told”, episode 60 of the Two Chairs Talking podcast, Perry Middlemiss and David Grigg discuss recent award winners, the nominees for the Short Story category of this year’s Hugos, and the books they’ve been reading.
David was particularly impressed by “The End of the World is Bigger Than Love” by Davina Bell, winner of this year’s Children’s Book Council of Australia Book of the Year for Older Readers: “Probably the best piece of SF I’ve read all year”.
Arthur’s Stone, an enigmatic rock burial in Herefordshire, England, is one of the United Kingdom’s most famous Stone Age monuments. Now, reports Carly Cassella for Science Alert, excavations carried out near the tomb—named for its supposed ties to King Arthur—have shed light on its beginnings, revealing that Neolithic people built it as part of an intricate ceremonial landscape.
“Although Arthur’s Stone is an iconic … monument of international importance, its origins had been unclear until now,” says dig leader Julian Thomas, an archaeologist at the University of Manchester, in a statement. “Being able to shine a light on this astonishing 5,700-year-old tomb is exciting and helps to tell the story of our origins.”
(16) METAVERSE. [Item by Martin Morse Wooster.] In the Washington Post, Dalvin Brown says for a Ready Player One-style metaverse to happen, tech companies not known for cooperation will have to work together and virtual reality headsets will have to be much more popular than they are now (the Entertainment Software Association says only 29 percent of America’s 169 million gamers have a virtual reality system). “What is the metaverse? Microsoft, Facebook want to build next version of the Internet”.
What is the metaverse?
The term was coined by writer Neal Stephenson in the 1992 dystopian novel “Snow Crash.” In it, the metaverse refers to an immersive digital environment where people interact as avatars. The prefix “meta” means beyond and “verse” refers to the universe. Tech companies use the word to describe what comes after the Internet, which may or may not be reliant on VR glasses.
Think of it as an embodied Internet that you’re inside of rather than looking at. This digital realm wouldn’t be limited to devices: Avatars could walk around in cyberspace similar to how people maneuver the physical world, allowing users to interact with people on the other side of the planet as if they’re in the same room.… But for a robust virtual universe, everyone needs to want and afford VR headsets. The technology would need to be stylish and minimal enough to interest more people and sophisticated enough to work seamlessly. That hasn’t happened yet.
Nimble wireless headsets, like Facebook’s Oculus Quest 2, take a hit on image quality, while bulky VR goggles, like the HTC Vive Pro 2, enable more computing power with their wires. Facebook’s Oculus Quest 2 is among the most affordable at $299, while the HTC Vive Pro 2 headset starts at $799 plus the cost of controllers.
In celebration of Marvel’s Birthday today, Marvel Comics revealed its first look at eight new tentpole titles that will shape the future of the Marvel Universe in the months to come.
Here’s one of them —
Marvel Comics’ Avengers Forever pulls together archaeologist Tony Stark aka the Invincible Ant-Man and Avengers from across the multiverse to bring order to timelines where ‘hope’ is a four letter word. Jason Aaron and Aaron Kuder present an all-new series that will redefine the Avengers as…the Multiverse’s Mightiest Heroes.
(18) VIDEO OF THE DAY. Brian And Charlesis a short film about a lonely farmer who decides to build a robot to be his friend and what happens when the robot starts having issues.
[Thanks to Michael Toman, John King Tarpinian, Cat Eldridge, Cora Buhlert, Mike Kennedy, Andrew Porter, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to contributing editor of the day Jack Lint.]
Are you interested in writing and submitting fiction to both “literary” and “speculative” markets? This class will cover submission practices and expectations for both fields, and will discuss key differences and similarities. Along with resources on how to find journals and magazines to submit to, the class will also discuss career-related topics such as MFA programs, speculative writing workshops, and how to apply for writing residencies, grants, awards, and conferences.
The struggle of every short story is time. How can anyone tell a gripping, heart-wrenching story in so few words?
One way is to create emotionally engaging characters—someone who will pull the reader into the story and won’t let go, even after the story ends.
In this class, we will discuss how to create these types of characters in the space of a short story. We will cover topics such as voice, empathy, and reliable narration, as well as what characters can get away with in short fiction that they could not in a novella or novel.
If you’ve listened to an audiobook or a podcast, then you’re familiar with how audio as a medium can truly transform a story, adding new dimensions and intricacies to what is “on the page.” Relatedly, audiobooks, audio dramas, and podcasting have seen an explosion in growth over the last decade in publishing. Still, the ways in which we experience oral storytelling have remained largely static, even if platforms have changed rapidly. This moment presents a unique opportunity for writers to expand their stories into a market hungry for audiobooks, including short-form stories, novels, and everything in between.
In this workshop, Zelda Knight will cover step-by-step instructions on what to do and what not to do, common pitfalls, great resources, recommendations for distribution, and an overall insider’s look at how to transform your stories into audio with immersive SFX and narration.
From Lord of the Rings to Star Wars, trilogies are a tried and true way to tell an extended story, and it seems a majority of current science fiction and fantasy series follow the rule of three. However, writing a trilogy isn’t quite as simple as extending the principle of the three act structure. We’ll talk about how to set up your novel for trilogy potential and what to do when your publisher says, “We want a trilogy.” We’ll examine lessons from successful and unsuccessful trilogies and consider when a trilogy is and isn’t appropriate for the story you want to tell. We’ll then discuss how to plan out a story across three books, how to create satisfying narrative arcs within each book as well as over the entire trilogy, and what each book needs to accomplish. And we’ll also cover common pitfalls, such as how to avoid “second book syndrome,” how to create a sense of epic scale without losing focus, how to cover large time jumps, and more.
(2) AN AMAZING EDITOR IN EVERY WAY. [Item by Cora Buhlert.] Brian Murphy, author of Flame and Crimson – A History of Sword and Sorcery, shares his appreciation for Cele Goldsmith Lalli, the underrated editor Amazing Stories and Fantastic in the 1960s who rescued Fritz Leiber’s Fafhrd and Gray Mouser from oblivion, discovered John Jakes and Roger Zelazny (and David R. Bunch) and helped to usher in the sword and sorcery boom of the 1960s: “The Fantastic S&S contributions of Cele Goldsmith” at The Silver Key.
…Goldsmith had a reputation for bucking commercial trends throughout her career and so published Leiber’s less-fashionable S&S. In so doing she improved the climate and conditions that allowed sword-and-sorcery to reach full flower later in the decade with the publication of the unauthorized The Lord of the Rings, the republication of Edgar Rice Burroughs’ A Princess of Mars, and the publication of the Lancer Conan Saga….
Nora shut herself in the dorm suite’s bathroom, the inhaler clutched in her fist. Once she was within range of the ProtectFlo toilet sensor, her eight-digit campus identification code flashed across its display. The light flared from yellow to green, where it would remain until Nora exited. There was no way to circumvent the system unless, of course, one peed outside, maybe in the campus woods, but that would render vital health data inaccessible.
…But there always are those questions we need to ask, again and again: What information is OK to collect? How many people’s human waste needs to be mixed to make the data we collect anonymous? Who owns the data, and who deserves to learn about what it says? If a changing climate or global tourism bring new pathogens into your city and neighborhood, we work to be the first to tell you.
Powerful tools are neither good nor bad; it just depends how they are applied. Wastewater-based epidemiology and other health monitoring tools are no exception….
…The name Dorothea Gibbons will not mean anything to most people. However, Dorothea Gibbons is a very well known author, probably one of the most famous mainstream authors ever to publish in Weird Tales next to Tennessee Williams as a sixteen-year-old debut author (and I should really review his debut story some day). For Dorothea Gibbons was none other than British novelist, poet and journalist Stella Gibbons, author of Cold Comfort Farm (which is absolutely genre, even if most people don’t realise it). …
(5) HIJACK THE STARSHIP AGAIN. Rescheduled from 2019 – a live performance of 1971 Best Dramatic Presentation Hugo finalist Blows Against the Empire will take place October 23 at The Newton Theater in New Jersey.
The Airplane Family & Friends reunites Jefferson Airplane, Jefferson Starship, Hot Tuna, Grateful Dead, Bob Weir’s Rat Dog & David Crosby alumni to perform the 50th Anniversary of Paul Kantner / Jefferson Starship masterpiece “Blows Against the Empire”, in celebration of the late Hall of Fame musician’s birthday-next March. The album was recorded in San Francisco in 1970, the results derive from a period of cross-collaboration during late 1969 through 1971 by Jefferson Airplane, Grateful Dead & Crosby, Stills, Nash & Young recording at the time in the city.
The credit to Jefferson Starship reflected many things: the ad-hoc all-star line-up; the album being an evolutionary progression from Jefferson Airplane; and finally the narrative concept that tells the story of a counter-culture revolution against the oppressions and a plan to steal a starship from orbit and journey into space in search of a new home. It was the first album to ever be nominated for literary science fiction’s Hugo Award in the category of Best Dramatic Presentation.
…In a piece for Vittles, Lee takes inspiration from writer Ursula Le Guin, whose work “Always Coming Home” anchors her fanciful cuisine to the hyperrigional dishes of her native Northern California upbringing. In her first novel “A Strange and Brilliant Light,” Lee delves into her past to create foods in her invented world. Referencing her beekeeper mother’s honey, Lee describes her imaginary dulac cake, allowing the reader to attach their own personal food history and emotions to her fiction.
(7) WALDROP TO THE SCREEN. “The Cooters Are Coming!” announces “The Big Cooter” George R.R. Martin, at Not A Blog. He’s helped produce a film based on a Howard Waldrop story.
…The producers of NIGHT OF THE COOOTERS — in no particular order — are Vincent D’Onofrio, Justin Duval, Joe Dean, Taylor Church, Martin Sensmeier, L.C. Crowly, Greg Jonkajtys, Elias Gallegos, Lenore Gallegos, Amy Filbeck, Joe Lansdale, and Howard Waldrop His Own Self.
And me… though I rather think I may credit myself as The Big Cooter.
When and where will you be able to see NIGHT OF THE COOTERS?
Well, that’s hard to say. We shot everything on green screen, so the post production process is going to be a lengthy one. The ball has now been passed to our friends at Trioscope, who will supply the backgrounds and special effects. We are thinking the final cut won’t be ready until early next year. And once the film is complete… well, alas, I doubt it will be showing at a multiplex near you. It’s a short film, as I said, and shorts just don’t get the distribution of full-length features. They hardly get any distribution at all, sad to say. I expect we will enter COOTERS in some film festivals here and there. Maybe some streamer will pick it up. Maybe we can release it on DVD or Blu-Ray. Maybe we can make a few more Waldrop movies and assemble them all into an anthology of sorts, like CREEPSHOW or TWILIGHT ZONE. One thing I can promise: we will be having a premiere somewhere down the line at the Jean Cocteau Cinema in Santa Fe.
Howard never made much money off his stories. I expect his film won’t make much money either. But that’s not point.
Some stories just need to be told. Some movies just need to be made. Call it a labor of love.
… COVID-19 did more than delay the museum — it also canceled the in-person Comic-Con two years in a row. Not only was it a hit to the pocketbook of the nonprofit that runs the convention, but also San Diego’s tourism industry. The launch of the museum is welcome news to many in the community.
“With the museum’s construction under way,” San Diego Mayor Todd Gloria said in a statement, “we’re closer than ever to welcoming a global audience to get a taste of the Comic-Con experience in the middle of our city’s crown jewel, Balboa Park.”
Visitors to the new museum Thanksgiving Week will be only seeing the first phase of the project, which will include exhibits of comic book art, part of an education center, an atrium and artwork from past conventions. Other parts of the three-floor museum, which Comic-Con said will be completed by July 2022, will be worked on as the museum stays open….
(9) MEMORY LANE.
1998 – Twenty-three years ago, The New Addams Family premiered on Fox Family. It’s considered a revival of the Sixties series The Addams Family. (To date, it is the last Addams Family television series done, with only a computer-animated feature following it twenty years later.) With the exception of Ellie Harvie who portrayed Morticia Addams here and later was Dr. Lindsey Novak in Stargate SG-1 and Stargate Atlantis, the cast will not be familiar to you. (Though John Astin would show up in a guest role as Grandpapa Addams.) She won two Leo Awards, given out by the British Columbia film and television industry for her work on this series. It would last two seasons, consisting of seventy-eight thirty-five minute episodes in total.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 28, 1916 — Jack Vance. I think I prefer his Dying Earth works more than anything else he did, though the Lyonesse Trilogy is damn fine too. And did you know he wrote three mystery novels as Ellery Queen? Well he did. And his autobiography, This Is Me, Jack Vance!, won the Hugo Award, Best Related Book at Aussiecon 4. He won two other Hugos, one for his short story “The Dragon Masters” at DisCon 1, another at NyCon 3 for “The Last Castle” novelette.” (Died 2013.)
Born August 28, 1917 — Jack Kirby. Responsible for a goodly part of modern comics from Captain America and the X-Men to Challengers of the Unknown and the New Gods. I’m very much looking forward to the New Gods film being worked on now that delayed by the Pandemic. He would have been up for a Retro Hugo at MidAmeriCon II for Captain America Comics #1 but it was ineligible, not having been published in 1940, but in 1941. (Died 1994.)
Born August 28, 1948 — Vonda N. McIntyre. I’ve read a number of her works including Dreamsnake and The Moon and the Sun which are all phenomenal. Dreamsnake won a Hugo at Seacon ‘79 as well a Locus Award for Best SF Novel and a Nebula nomination. The Moon and the Sun which won a Nebula was based on a short story of hers done has a faux encyclopaedia article “The Natural History and Extinction of the People of the Sea,” that was illustrated by Le Guin. Way cool. (Died 2019.)
Born August 28, 1949 — Charles Rocket. A memorable recurring role on Max Headroom as the sleazy corporate executive Grossberg. His genre appearance otherwise are extensive and include Quantum Leap, Wild Palms, Lois & Clark: The New Adventures of Superman, Star Trek: Voyager, X-Files and a lot of voice work including the Batman franchise of course. (Died 2005.)
Born August 28, 1951 — Barbara Hambly, 70. Author of myriad genre works including the James Asher, Vampire Novels, The Windrose Chronicles, and the Sun Wolf and Starhawk series. Some Trek work. Her only Award was a Locus Award for Best Horror Novel for Those Who Hunt the Night. She was married for some years to George Alec Effinger.
Born August 28, 1965 — Amanda Tapping, 56. She’s best known for portraying Samantha Carter on Stargate SG-1 and Stargate Atlantis. She also starred as Helen Magnus on Sanctuary which I never managed to see. Anyone seen it? She was in The Void which also starred Adrian Paul and Malcolm McDowell.
Born August 28, 1978 — Rachel Kimsey, 43. She voices Wonder Woman on Justice League Action, yet another series that proves animation, not live, is the DC film strong point. Here’s a clip of her voice work from that show. She was Zoe, the old imaginary friend of Frances, on Don’t Look Under The Bed, a supposed horror film that ran on Disney. Disney, horror? And she was a zombie in the “Don’t Let Her Pull You Down” musical video by New Found Glory.
(11) COMICS SECTION.
It’s a bird! It’s a plane! It’s a superhero! – Ehh, it’s Garfield.
What kind of fool of a film-maker would proceed with part one of a major fantasy epic without first establishing that the studio backing it will stump up the cash for part two? That was the position Ralph Bakshi found himself in when his divisive 1978 animated take on JRR Tolkien’s Lord of the Rings failed to wow critics, and it’s the one Denis Villeneuve finds himself in with regard to his forthcoming take on Frank Herbert’s space fantasy Dune, which arrives in cinemas and on the streaming service HBO on 22 October.
There is no doubt that the first big-screen take on this tale of interstellar rivalries since David Lynch’s 1984 misfire has hype in spades. Early trailers featuring Timothée Chalamet as the messianic Paul Atreides, as well as a stellar cast including Zendaya, Rebecca Ferguson, Oscar Isaac, Josh Brolin, Stellan Skarsgård, Charlotte Rampling and Javier Bardem, wowed sci-fi fans. But then, Villeneuve’s previous sci-fi spectacular, Bladerunner 2049, was similarly a fan favourite and earned rapturous reviews, yet ended up with a middling box-office take. All talk of a third movie swiftly evaporated….
Tim Russ, who played Lieutenant Commander Tuvok on the sci-fi show “Star Trek: Voyager” is going back to his space roots. On his latest mission, he’s helping detect asteroids for NASA.
Russ and five other citizen astronomers contributed to the detection of Patroclus, an asteroid orbiting Jupiter.
The purpose of detecting the asteroid is to serve NASA’s upcoming mission in October where it will launch a probe named Lucy into space, according to Russ. NASA said in a statement posted to their website that Lucy will complete a 12-year journey to eight different asteroids: a Main Belt and seven Trojans.
“These Trojan asteroids were captured in Jupiter’s orbit, probably from farther out in the solar system, so they’re more rare and more pristine in terms of what information they might have in their chemical makeup,” Russ tells USA TODAY.
According to NASA, the Trojan asteroids are “stabilized by the Sun and its largest planet in a gravitational balancing act. …These primitive bodies hold vital clues to deciphering the history of the solar system, and perhaps even the origins of organic material on Earth.”
Russ helped detect Patroclus using a Unistellar eVscope and eQuinox telescope, a computerized telescope with a built-in GPS that connects to any cellphone.
“It will simply find a starfield on its own and it will figure out where it is. You just punch in the object you want to go see,” Russ says.
When a Northrop Grumman Cygnus cargo spacecraft arrived at the International Space Station (ISS) this week, it carried a very special piece of equipment from Earth: A 3D printer that uses moon dust to make solid material.
NASA is testing out the printing system from company Redwire for use in its upcoming Artemis moon missions, hoping to make use of the moon’s dusty soil (technically known as regolith) as raw material for printing. The idea is to use readily available materials on the moon to make what is required instead of having to haul lots of heavy equipment all the way from Earth.
Engineers have been considering how to 3D print using moon regolith for some time and have demonstrated the process on Earth. But sending a 3D printer into the microgravity environment of the ISS for testing is a big new step in getting the technology ready to use….
We’ve been monitoring the progress of the Alan Moore/Mitch Jenkins brain-bender The Show for nearly a year now. And, as it finally secures a release date, the full trailer for the trippy film has arrived….
[Thanks to Andrew Porter, Martin Morse Wooster, JJ, Rob Thornton, Lise Andreasen, Michael J. Walsh, Cora Buhlert, Michael Toman, John King Tarpinian, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to contributing editor of the day Ingvar.]
Not only is the iconic science-fiction series Star Trek living long and prospering — it’s having a pretty great time while it does. To help celebrate the series 55th year around the sun, CBS has announced the network is hosting a live-streamed Star Trek day celebration on September 8 starting at 5:30 pm PT. According to the description uploaded alongside the event’s trailer, the show will not only be a celebration of Star Trek’s legacy but will also provide fans with some “surprise announcements and reveals” as well as some exclusive new footage.
The Star Trek Day celebration will be hosted by The Next Generation star Wil Wheaton and actress/host/all-around geek icon Mica Burton. Together, the pair will hold “back-to-back in-person conversations” with members of the cast and crew of Star Trek shows, past and present, with particular emphasis on the future of the franchise. The event will also include a live orchestra performance by Jeff Russo, some big reveals, and, you guessed it, a whole lot of panels….
(2) LE GUIN FELLOWSHIP AWARDED. Joan Lubin is the 2021 winner of the Le Guin Feminist Science Fiction Fellowship sponsored by UO Libraries’ Special Collections and University Archives at the University of Oregon. [Via Locus Online.].
The intention of the Le Guin Feminist Science Fiction Fellowship is to encourage research within collections in the area of feminist science fiction. The UO Libraries Special Collections and University Archives (SCUA) houses the papers of authors Ursula K. Le Guin, Joanna Russ, James Tiptree, Jr., Kate Wilhelm, Suzette Haden Elgin, Sally Miller Gearhart, Kate Elliot, Molly Gloss, Laurie Marks, and Jessica Salmonson, along with Damon Knight. SCUA is also in the process of acquiring the papers of other key feminist science fiction authors.
Fellowship description: This award supports travel for the purpose of research on, and work with, the papers of feminist science fiction authors housed in SCUA. These short-term research fellowships are open to undergraduates, master’s and doctoral students, postdoctoral scholars, college and university faculty at every rank, and independent scholars working in feminist science fiction. In 2022, $3,000 will be awarded to conduct research within these collections. The fellowship selection committee will include representatives from the UO Libraries Special Collections and University Archives (SCUA) and selected UO faculty.
(3) HEARING FROM THE SOURCE. Cora Buhlert has unveiled a Fancast Spotlight for So I’m Writing a Novel, an SFF-writing-focused podcast.
Tell us about your podcast or channel.
Well, as I like to say at the start of each episode:
“So I’m Writing a Novel is the show where you join me, Oliver Brackenbury, on the journey of writing my next novel, from first ideas all the way to publication & promotion.
In this one-man-reality show I’ll share with you my ever evolving thoughts and feelings on how I write, being a writer, and everything that entails at each stage of the process. I’ll also answer listener questions and, sometimes, interview people who write fiction.
If you’re the kind of person who likes to learn how things are made, and get to know the people making them, then this is the show for you.”
The novel is a sword & sorcery short story cycle, meaning it’s a bunch of short stories following a fifteen year period in my protagonist’s life. Each story can stand alone, but readers are rewarded for reading from first to last.
Similarly I do my best to make each podcast episode work in isolation, providing short recaps as necessary, but starting from the beginning and working your way up will yield greater rewards.
…In Season 2 of Neflix’s “Love, Death & Robots,” the adult animated anthology from executive producers David Fincher and Tim Miller (“Deadpool”) continued its embrace of survival and immortality in strange dystopian environments. However, there were eight shorts instead of 18 and a greater emphasis on philosophizing, with some directors stepping out of their comfort zones.
Indeed, the sci-fi anthology, produced by Blur Studio for Netflix, so impressed the TV Academy that it was awarded four juried prizes on Wednesday: Robert Valley, production designer (“Ice”); Patricio Betteo, background artist (“Ice”); Dan Gill, stop-motion animator (“All Through the House”); and Laurent Nicholas, character designer (“Automated Customer Service”)….
“Reminiscence,” a recent science fiction movie starring Hugh Jackman, takes place in a future Miami that has been transformed by rising sea levels into a new Venice. And yet, “Reminiscence” isn’t really about climate change or the response to it. Instead, the movie fixates on an addictive machine that lets users travel back into their memories. It’s about escape — not adaptation.As such, “Reminiscence” is a great illustration of how strangely passive and defeatist an industry full of Prius early adopters has been about the biggest challenge of our time….
(6) LEARN ABOUT LIGHTSAIL. Planetary Society CEO Bill Nye and members of the LightSail 2 mission team will do a Q&A following the Sailing the Light premiere event on Saturday, August 28, 2021, at 10:00 a.m. Pacific on YouTube.
Sailing the Light tells the story of the LightSail mission, a crowdfunded space science project from The Planetary Society. This groundbreaking mission showed that solar sailing — using the sun’s light to push a spacecraft through space — is a viable propulsion technology for CubeSats. These small, standardized spacecraft are part of a global effort to lower the cost of space exploration. Our LightSail 2 spacecraft, launched 25 June 2019, uses sunlight alone to change its orbit, and is currently operating under an extended mission to further advance solar sailing technology.
(8) ON THE SPOT. In “Maggie’s World 093: Credit” for Comic-Con International: San Diego, Maggie Thompson tracks down the original, non-Disney art that illustrated a story she remembers from long ago:
I was 13. Mom used to buy Woman’s Day magazine (7 cents! cheaper than a comic book!) at the grocery store, and at some point I’d read her copy. The June 1956 issue cover-featured Danny Kaye—but there was also a cover notice about a serial starting in the issue: “Part 1 of a new novel: The GREAT DOG ROBBERY.”
I enjoyed the heck out of that first part—and the three that followed. However, when the novel was later published in book form, I noticed that the pictures I’d loved were missing and that the copyright page had this notice: “The Hundred and One Dalmatians appeared in serial form, with different illustrations, as ‘The Great Dog Robbery’ in Woman’s Day.”
What I didn’t know was who that original artist had been or why the art wasn’t in the book….
Thompson sent these notes along with the link to her post:
Disney’s animated version of Cruella first appeared in 1961’s One Hundred and One Dalmatians, in which she is voiced by Betty Lou Gerson and animated by Marc Davis who together crafted her into an iconic and memorable character. Disney based its version of Cruella on the personality and mannerisms of Tallulah Bankhead, and her long, lanky physical design came from Mary Wickes, who served as her live-action model.
When it came to Cruella, one of the only characters to ever be completely controlled by a single animator, Davis claimed his greatest inspiration was the vocal performance of Betty Lou Gerson. Gerson commented in an interview how Davis incorporated her high cheekbones into Cruella’s face and how closely she had to work with him to perfect “the laugh.”
Marc Davis was the sole animator on Cruella De Vil. During production, Davis claimed her character was partly inspired by Bette Davis (no relation), Rosalind Russell, and Tallulah Bankhead. He took further influence from her voice actress, Betty Lou Gerson, whose cheekbones he added to the character. He later complimented, “[t]hat [her] voice was the greatest thing I’ve ever had a chance to work with. A voice like Betty Lou’s gives you something to do. You get a performance going there, and if you don’t take advantage of it, you’re off your rocker”. While her hair coloring originated from the illustrations in the novel, Davis found its disheveled style by looking “through old magazines for hairdos from 1940 till now”. Her coat was exaggerated to match her oversized personality, and the lining was red because “there’s a devil image involved”
(9) MEMORY LANE.
1957 – Sixty-four years ago, How the Grinch Stole Christmas by Dr. Seuss was published. The story was published as a book by Random House, and at approximately the same time in two issues of Redbook. The book has been adapted many times, first as an animated film narrated by Boris Karloff who also provided the Grinch’s voice. Eleven years later, a Halloween prequel titled Halloween Is Grinch Night aired with the Grinch voiced by Hans Conried better known as Snidely Whiplash in Jay Ward’s Dudley Do-Right cartoons. Since then, there’s been the film starring Jim Carrey, a musical, an animated film with Benedict Cumberbatch voicing him, and a live television adaptation of the musical starring Matthew Morrison.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 26, 1904 — Christopher Isherwood. I’ll first note, though not genre, that he wrote Goodbye to Berlin, the semi-autobiographical novel which was the inspiration for Cabaret. Genre wise, he co-wrote Frankenstein: The True Story with Don Bachardy, The Mortmere Stories with Edward Upward, and one short story in the Thirties, “I am Waiting.” (Died 1986.)
Born August 26, 1904 — Peter Lorre. Genre appearances included roles in the Verne-inspired movies Around the World in 80 Days, 20,000 Leagues Under the Sea, and Five Weeks in a Balloon. In the Voyage to the Bottom of the Sea film he was Comm. Lucius Emery, and in an Americanized version of Casino Royale done as a Fifties episode of the Climax! he played LeChiffre. (James Bond was called Jimmy. Shudder!) He was in Tales of Terror as Montresor in “The Black Cat” story, The Raven as Dr. Adolphus Bedlo and The Comedy of Terrors as Felix Grille. (Died 1964.)
Born August 26, 1911 — Otto Oscar Binder. He’s best remembered as the co-creator with Al Plastino of Supergirl and for his many scripts for Captain Marvel Adventures and other stories involving the entire Marvel Family. He was extremely prolific in the comic book industry and is credited with writing over four thousand stories across a variety of publishers under his own name. He also wrote novels, one of which was The Avengers Battle the Earth Wrecker, one of the series created by writer-editor Stan Lee and artist and co-plotter Jack Kirby. (Died 1974.)
Born August 26, 1940 — Peter Cave, 71. Author of three New Avengers novels (House of Cards, Last of the Cybernauts and Hostage) and an Invasion: Earth novel as well, The Last Echo.
Born August 26, 1958 — Wanda De Jesus, 63. She’s Estevez in Robocop 2, a film that had its moments but rarely, and she has two other film genre roles, Lexie Moore in Captain Nuke and the Bomber Boys, and Akooshay in Ghosts of Mars. Series wise, she has a number of one-offs including Babylon 5, Tales from The Darkside, SeaQuest DSV, Happily Ever After: Fairy Tales for Every Child and voicing a character on one of the Spider-Man series.
Born August 26, 1970 — Melissa McCarthy, 51. Yes, I know she was in the rebooted Ghostbusters. Fanboys across the net are still wetting their pants about that film. I’m much more interested in Super Intelligence in which she is playing a character that has an AI who has decided to take over her life. It reminds me somewhat of Naomi Kritzer’s Hugo Award winning “Cat Pictures Please” premise. (And we are not talking about The Happytime Murders in which she was involved. No, we’re not.)
Born August 26, 1980 — Chris Pine, 41. James T. Kirk in the current Trek film franchise; also Steve Trevor in the Wonder Woman film franchise as well as voicing Jack Frost in Rise Of The Guardians. He was Peter Parker / Spider-Man in Spider-Man: Into the Spider-Verse which won a Hugo at Dublin 2019.
Heading to bookshops, soon, hopefully, from Korero Press is Rayguns and Rocketships, a celebration of 1950s and and 1960s British SF paperback cover art, compiled by ace artist, designer and author Rian Hughes.
(12) JOCULARITY. Aaron Starr is “Treading Carefully” at Black Gate. So is this supposed to be an example of a successful or unsuccessful lighthearted send-up of a familiar set of social media concerns?
…“Well,” she responded, “what you did write, however well-intentioned, is almost certain to come off as condescending and simplistic to the people in question.” My representative snorted dismissively at this, rolling his eyes silently as she continued. “Many of these cultures rightly feel misrepresented, and might see this as cultural appropriation.”
“I can appreciate that,” I said carefully, as my representative shook his head in open disbelief at her words. “I do try to find a way to have people of the cultures I write about review a later draft, to clear up the biggest mistakes. But I’m also writing in a world that isn’t exactly ours, so there are bound to be cultural differences anyway, right?” Her look was dubious, but she cut off her own retort and listened as I continued.
“Even a fantasy story in the most stereotypical medieval European setting is usually full of inaccuracies. Ask any historian. And even they don’t fully agree on lots of specifics. So it’s not just vastly different cultures from around the world that writers get wrong. It’s the roots of their own culture, as well. I’m going to bet that writers all over the world do the same thing. We’re writing fantasy and science fiction here, not historical textbooks.”…
(13) ORIGIN STORY. This trailer for The King’s Man dropped today, and has a red band for swearing and gore. It can only be viewed at YouTube.
As a collection of history’s worst tyrants and criminal masterminds gather to plot a war to wipe out millions, one man must race against time to stop them. Discover the origins of the very first independent intelligence agency in The King’s Man.
…Today, Earth’s orbit is not exactly 365 days, but 365 days and a fraction, which is why our calendars have leap years, as a correction. In the new study, the most accurate estimate that can be made is in a whole number of days a year, said lead author Neils de Winter, a geochemist from Vrije Universiteit Brussel,
“We are pretty sure this number (372) is very accurate because of our new method of looking at multiple chemical records and multiple years. However, the exact number could be, for example, 372.25 or 371.75, just like it is approximately 365.25 days nowadays (when we count the leap days),” de Winter said, by email….
(16) VIDEO OF THE DAY. This episode of How It Should Have Ended about Black Widow (with Batman as guest star) dropped yesterday.
[Thanks to Cat Eldridge, Mike Kennedy, Andrew Porter, Martin Morse Wooster, JJ, Michael Toman, and John King Tarpinian, for some of these stories. Title credit belongs to contributing editor of the day Miles Carter.]
…Titled Black Stars, the collection showcases some of the biggest names writing science fiction today, highlighting their visions of what the future might look like for the human race and the issues we might have to tackle. The six authors forming this all-star lineup include Chimamanda Ngozi Adichie (We Should All Be Feminists), C. T. Rwizi (Requiem Moon), Victor LaValle (The Changeling), Nnedi Okorafor (Binti), Nalo Hopkinson (The House of Whispers), and Nisi Shawl (Everfair), who also edited the entire collection, along with co-editor Latoya Peterson.
“Freedom is the overarching theme among the stories,” Shawl tells SYFY WIRE, while discussing the throughline that connects all six stories. “Freedom to explore new star systems, to develop new economies, to break away from stale stereotypes.”
Part of what makes Black Stars so special is the fact that it is showcasing speculative science fiction from Black authors from around the world.
“I want readers to take away the dazzling diversity that is the Black experience,” Shawl says. “I want us all to realize how our dreams and fantasies, our supposings and nightmares and aspirations are so very varied. Blackness is not a monolith! I’ve learned this, and I want to share with our readers the enormous wealth that is Black heritage and the many possible Black futures.” …
(2) YORK SOLAR SYSTEM. NickPheas, inspired by Ingvar’s photos of Sweden’s epic model, shot photos of the solar system model running for ten miles south of York, UK. Twitter thread starts here.
(3) STAR TREK EXPLORER. If you aren’t getting enough Star Trek news, Titan Comics promises to fix that for you when Star Trek Explorer – The Official Magazine Issue #1 hits stores on November 2.
EXPLORER is the no. #1 destination for everything Star Trek – filled with in-depth interviews and features taking you behind-the-scenes of all your favorite shows and movies.
The new-look EXPLORER magazine also includes two brand-new exclusive Star Trek short stories, and a bonus 16-page themed supplement bound inside each issue. The hotly anticipated premier issue features a definitive guide to Captain Kirk!
Subscribers of STAR TREK EXPLORER – THE OFFICIAL MAGAZINE will also receive an exclusive digital magazine, direct to their inbox with every quarterly issue. Each digital magazine will feature bonus short stories, printables, activities and much more!
The Speculative Literature Foundation needs jurors to help read applications for the Working Class Writers’ Grant Ideally, we’re looking for people who are well read in speculative fiction, but we’d also like a mix of readers, writers, librarians, teachers, editors, etc. who are capable of judging literary quality in a work.
If interested, please send a brief note to Catherine Lin (firstname.lastname@example.org) with the subject line: JUROR.
Please include the grant you wish to be a juror for and a paragraph about what your qualifying background is to serve as a juror: for example, your interest in / connection to the field. (i.e., “I’m an ardent reader!” or “I’ve been writing SF/F for seven years…”). Please feel free to ask any questions you may have as well.
(5) AMAZING STORIES RETRENCHES. Following the announcement “Amazing Stories Special All Canadian Issue Now Available” comes a statement that “Amazing Stories has had a rough past year, mostly owing to the fact that our former Licensee – NBC/Universal Television – has failed to meet their contractual obligations” and how their publishing program is changing in response:
…Beyond denying you a regular issue of the magazine up till now, in order to continue publishing the magazine we have had to take the following steps as well:
Owing to the previously stated, Amazing Stories must change the way it produces issues, while at the same time attempting to do what is right by our subscribers. These are necessary, budget-related changes that represent our only option for keeping the magazine in publication. Those changes are as follows:
First, Amazing Stories will be changing to an annual format, producing one (over-sized) issue per year rather than quarterly (four) issues per year.
Second, we are eliminating the print edition as a regularly available option. Print copies of each issue will remain available as a separately purchased Print On Demand (POD) product. All current print subscriptions will be converted to Electronic Editions moving forward. In addition, former print subscribers may select one of the Amazing Select titles, electronic edition, for each year of subscription that is being converted.
Please know that we are not happy with having to make these changes, but following long discussion, we believe that these changes offer us our best chance of moving forward. Those with questions, please feel free to get in touch with the publisher, Steve Davidson, via Steve (at) amazingstories (dot) com.
There are perfectly legitimate reasons not to have read works widely regarded as science fiction and fantasy classics. Perhaps the most compelling is that the field is far too large for any one person to have read all of it, even if they were to limit themselves to works other readers enthusiastically recommend. However, there are other reasons, some quite silly, to have left promising books unread. Here are five of my stupidest reasons for not having read a widely-praised book cover to cover….
(7) STORIES THAT ARE THE FOUNDATIONS FOR RPG. Goodman Games, an RPG publisher, occasionally features interesting articles on their site. Here are two:
Appendix N of the original Dungeon Masters Guide has become a Rosetta Stone for the study of the literary roots of D&D. One figure carved on that stone is Andrew J. Offutt, who is cited not for his own writing, but for editing the Swords Against Darkness heroic fantasy anthology series. Oddly, only the third volume of the five-book series is singled out and none of the other four books are even mentioned. Who then is Andrew Offutt, and why is he enshrined with the other Appendix N luminaries? …
Robert E. Howard’s sword and sorcery tale “Red Nails,” published as a three-part serial in Weird Tales in 1936, tells the story of the city of Xuchotl, the enduring, blood-soaked war between the Tecuhltli and the Xotalanc, and the dehumanizing effect of sustained hatred and violence. “Red Nails” engages with several ancient literary tropes, but the one that centers “Red Nails” is what I term “the stalemate war.” By focusing on the stalemate war between the murderous Tecuhltli and insane Xotalanc, I hope to bring into focus a surprising facet of Robert E. Howard’s most famous sword and sorcery character, Conan of Cimmeria: the way the barbarian maintains his humanity through compassion….
(8) A KEY INVENTION. The Typewriter Revolution exhibit can be seen at the National Museum of Scotland through April 17, 2022. Or you can view photos of over 100 typewriters in their connection at the website.
The impact of the typewriter has been much wider than simply speeding up the way we write. It helped revolutionise the world of work and change the lives of working women in particular. Typewriters helped them launch their own businesses at a time when female employers were rare and became a vital weapon in the fight for the vote.
The typewriter’s social and technological influence is revealed in this new exhibition and looks at its role in society, arts and popular culture. It traces the effect and evolution of typewriters across more than 100 years, from weighty early machines to modern style icons. And despite being erased from many offices by the rise of computers, the typewriter has remained a beloved design icon that is still in use today.
Drawing on our outstanding typewriter collection, the exhibition features a range of machines, including an 1876 Sholes and Glidden typewriter which was the first to have a QWERTY keyboard; a 1950s electric machine used by Whisky Galore author Sir Compton Mackenzie; and the 1970s design icon, the Olivetti Valentine.
Writer, activist and broadcaster Walidah Imarisha presents the untold story of black sci-fi and its vital role in redefining the present and imagining the future.
This documentary explores the power – and the rich history – of speculative, visionary fiction by black authors in the UK, USA and Africa, and how activists around the world have been inspired by science fiction as they strive to build new worlds. Walidah Imarisha unravels the idea that all organisation and activism is a form of “science fiction” – and how bringing new realities into being is itself a creative act.
Interviewees include multidisciplinary artists Moor Mother and Rasheedah Philips, Nigerian-American writer Nnedi Okorafor, and British feminist writer and researcher Lola Olufemi.
Dr. Eric Leif Davin teaches labor and political history at the University of Pittsburgh. He wrote “Pioneers of Wonder: Conversations with the Founders of Science Fiction.” as well as “Partners in Wonder: Women and the Birth of Science Fiction, 1928-1965.”
John Grayshaw: What is the Gernsback era?
[Davin] Although Hugo Gernsback briefly published an SF magazine in the 1950s, “SF Plus,” the Gernsback Era is actually referring to the period 1926-1934. In 1926 Gernsback launched “Amazing Stories,” the first SF magazine. It was the only SF magazine until 1929, when he launched “Wonder Stories.” In 1934 he sold the latter magazine to the Thrilling group, with it becoming “Thrilling Wonder Stories.” With that, he exited the SF magazine world until the 1950s
…In the late 1980s when I first met Lorna, the Spaced Out Library was on the second floor of the Boys and Girls House at Beverly and College Streets. Not climate-controlled. Not accessible. As ad-hoc a library as its name might suggest.
I’d come in as a journalist, ostensibly working with another writer on an article about the Canadian science fiction community for a local alternative paper – but really, dipping my toe into a world that I very much wanted to enter.
Lorna helped me do both. First, she gave me a who’s-who rundown of sources I might speak to, suggested I hit Ad Astra, the local science fiction convention to find those sources in one place.
Those sources included Judith Merril herself, who after a very professional interview, told me very candidly, about a writer’s workshop that might be looking for members – and introduced me to one of the founding members, Michael Skeet. Lorna’s husband….
(12) MEMORY LANE.
2007 – Fourteen years ago today, Masters of Science Fiction, an anthology science fiction series, finished its very brief run on ABC. And I do mean brief as only four of its six episodes actually aired. It was presented by Stephen Hawking which is why when it broadcast later on the Science Channel in its entirety that it was called Stephen Hawking’s Sci-Fi Masters. The six stories were all by SF writers, to wit John Kessel, Howard Fast, Robert Heinlein, Harlan Ellison, Walter Mosley and Robert Sheckley. The few critics that actually noticed it liked it. Like so many similar short-run series, it has no Rotten Tomatoes audience rating. The trailer is up here. (Several YouTubers attempted to host the videos, however, they aren’t available as, of course, the series is under copyright.)
(13) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 25, 1909 — Michael Rennie. Definitely best remembered as Klaatu in The Day the Earth Stood Still. He would show up a few years later on The Lost World as Lord John Roxton, and he’s got an extensive genre series resume which counts Lost in Space as The Keeper in two episodes, The Batman as The Sandman, The Time Tunnel, The Man from U.N.C.L.E. and The Invaders. (Died 1971.)
Born August 25, 1913 — Walt Kelly. If you can get them, Fantagraphics has released Pogo in six stunning hardcover editions covering up to 1960. They’re planning to do all of his strips eventually. Did you know Kelly began his career as animator at Walt Disney Studios, working on Dumbo, Pinocchio and Fantasia? (Died 1973.)
Born August 25, 1930 — Sir Sean Connery. Best film overall? From Russia with Love. Best SF film? Outland. Or Time Bandits you want go for silly. Worst film? Zardoz. These are my choices and yours no doubt will be different. (Died 2020.)
Born August 25, 1940 — Marilyn Niven, 81. She was a Boston-area fan who lives in LA and is married to writer Larry Niven. She has worked on a variety of conventions, both regionals and Worldcons. In college, she was a member of the MITSFS and was one of the founding members of NESFA. She’s also a member of Almack’s Society for Heyer Criticism.
Born August 25, 1955 — Simon R. Green, 66. I’ll confess that I’ve read pretty much everything he’s written. Favorite series? The Nightside, Hawk & Fisher and Secret History are my all-time favorite ones with Drinking Midnight Wine the novel I’ve re-read the most. He’s got three active series now of which the Ishmael Jones and the Gideon Sable series are the best.
Born August 25, 1958 — Tim Burton, 63. Beetlejuice is by far my favorite film by him. His Batman is kind of interesting. Read that comment as you will. Charlie and the Chocolate Factory is definitely more Dahlish than the first take was, and Sleepy Hollow is just damn weird. Not really true to the source material though.
Born August 25, 1970 — Chris Roberson, 51. Brilliant writer. I strongly recommend his Recondito series, Firewalk and Firewalkers. The Spencer Finch series is also worth reading. He’s also written two Warhammer novels, Dawn of War and Sons of Dorn, and is publisher with his wife Allison Baker of Monkey Brain Books which has twice been nominated for World Fantasy Awards. He won two Sidewise Awards for Alternate History, for his novella O One (2003), and novel The Dragon’s Nine Sons (2008).
Born August 25, 1987 — Blake Lively, 34. She was Adaline Bowman in The Age of Adaline, a neat mediation upon life and death. She also played Carol Ferris in that Green Lantern film but the less said about it the better. Her very first role was as Trixie / Tooth Fairy in The Sandman at age eleven.
It’s finally here! And it was worth the wait. Fantastic Voyage has reached the big screen, and it’s spectacular.
Fantastic Voyage may be the most advertised science fiction film ever made, with intriguing articles in Life and Look, a novelization published in The Saturday Evening Post and about a zillion articles in Famous Monsters in Filmland. And despite this endless campaign – or maybe because of it – I’m delighted to tell you this audacious film deserves its media ubiquity.
(15) YOU’LL SHOP HERE SOONER OR LATER. A business in LA’s Echo Park neighborhood has the fascinating name Time Travel Mart. Here are just a few of the items they sell there.
…Just to make sure that she isn’t imagining things, Mona calls over Ellen, the maid, and asks her what she sees in the puddle of spilled water. Ellen confirms that the puddle looks like a dog, but not just any old dog either, but the little dogs on which the leprechauns ride on moonlit nights. For Ellen just happens to be Irish and therefore a fount of Irish folklore…..
(18) IT CAUSES ME TO TINGLE. Not only is love real, so is Chuck.
(19) R.L. STINE REMEMBERS. [Item by Martin Morse Wooster.] I listened to this podcast that Leonard and Jessie Maltin did with R.L. Stine. “Maltin on Movies: R.L. Stine”. The Maltins began by remembering how they would chat with Stine in the Los Angeles Times Book festival green room, where they would also say hello to Ray Bradbury and Harlan Ellison. Stine then explained how he, born in 1943, was first influenced by radio comedians (remember Mortimer Snerd?) He also loved E.C. comics and after his parents refused to let him buy the comics he made sure to get a haircut every Saturday because the local barbershop had a plentiful supply. Stine then worked his way up at Scholastic Books, and became a YA horror author because an editor got mad at Christopher Pike and they wanted someone to write YA horror novels. Stine said he was a hands-on producer of the Goosebumps TV series, which “gave every child actor in Canada a job” including 11-year-old Ryan Gosling. Stine also explained that he had kids come up to him and say they learned how to use typewriters because they saw Jack Black use a typewriter playing Stine in the Goosebumps movie.
(20) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: Monster Hunter Stories” on YouTube, Fandom Games says Monster Hunter Stories is a dinosaur-fighting game that has gone through “Pokemonification,.” and includes a scene here you fight a dinosaur with a bagpipe and another where a talking cat spends too much time explaining how she enjoys donuts.
[Thanks to John King Tarpinian, Cat Eldridge, Mike Kennedy, Cora Buhlert, James Davis Nicoll, SF Concatenation’s Jonathan Cowie, Andrew Porter, Martin Morse Wooster, JJ, and Michael Toman for some of these stories. Title credit belongs to contributing editor of the day Daniel Dern.]