Pixel Scroll 11/15/19 Looks Like The Time Machine’s Getting Stuck Between Floors. There’s Just A Blank Where The Chronograph Should Be

(1) JOHN M. FORD RETURNING TO PRINT. Isaac Butler’s research for “The Disappearance of John M. Ford” at Slate led to an unexpected benefit: “I wanted to learn why a beloved science fiction writer fell into obscurity after his death. I didn’t expect that I would help bring his books back to life.”

It would take me 18 months to answer my questions. My quest would bring me to the vast treasure trove of Ford’s uncollected and unpublished writing. It would introduce me to friends and relatives of Ford who hadn’t spoken to each other since his death in 2006. And, in an improbable ending worthy of a John M. Ford novel, my quest would in fact set in motion the long-delayed republication of his work, starting in the fall of 2020. How did this happen? More importantly, why was he forgotten in the first place? More importantly than that: How did he write those amazing books?

…And so, after months of investigation, I found myself in an Iceberg Passage, seeing only some of the story while, lurking beneath the surface, other truths remained obscure. I do not share Ford’s horror at obviousness, but there are simply things that we will never know. We will never know why Mike and his family grew apart, or, from the family’s perspective, how far apart they were. We will never know who anonymously tried to edit the Wikipedia page to cut out Elise Matthesen. (The family denies any involvement.)

But I reconnected Ford’s family and editors at Tor, and after a year of delicate back-and-forth spearheaded by Beth Meacham, Tor and the family have reached an agreement that will gradually bring all of his books back into print, plus a new volume of stories, poems, Christmas cards, and other uncollected material. First up, in fall 2020, is the book that introduced me to Ford, The Dragon Waiting. Then, in 2021, Tor will publish—at long last—the unfinished Aspects, with an introduction by Neil Gaiman.

(2) A LOOK AT CHIZINE CONTRACTS. Victoria Strauss’ roundup “Scandal Engulfs Independent Publisher ChiZine Publications “ at Writer Beware includes this analysis of CZP’s exploitative hold on royalty payments:

CZP’s contract boilerplate empowers the publisher to set a “reasonable” reserve against returns. There are no specifics, so it’s basically up to the publisher to decide what “reasonable” is.

For CZP, “reasonable” seems to mean 50%. This seemed high to me, so I did a mini-canvass of literary agents on Twitter. Most agreed that smaller is better–maybe 25-30%, though some felt that 50% was justifiable depending on the circumstances. They also pointed out that the reserve percentage should fall in subsequent reporting periods (CZP’s remains at 50%, unless boilerplate has been negotiated otherwise), and that publishers should not hold reserves beyond two or three years, or four or five accounting periods (CZP has held reserves for some authors for much longer).

(If you’re unclear on what a reserve against returns is, here’s an explanation.)

– Per CZP’s contract, royalties are paid “by the first royalty period falling one year after publication.” What this means in practice (based on the royalty statements I saw) is that if your pub date is (hypothetically) April of 2016, you are not eligible for payment until the first royalty period that follows your one-year anniversary–which, since CZP pays royalties just once a year on a January-December schedule, would be the royalty period ending December 2017. Since publishers often take months to issue royalty statements and payments following the end of a royalty period, you’d get no royalty check until sometime in 2018–close to, or possibly more than, two full years after publication.

In effect, CZP is setting a 100% reserve against returns for at least a year following publication, and often much more. This gives it the use of the author’s money for far too long, not to mention a financial cushion that lets it write smaller checks, since it doesn’t have to pay anything out until after returns have come in (most sales and most returns occur during the first year of release).

I shouldn’t need to say that this is non-standard. It’s also, in my opinion, seriously exploitative.

– And…about that annual payment. It too is non-standard–even the big houses pay twice a year, and most small publishers pay quarterly or even more often. It’s also extra-contractual–at least for the contracts I saw. According to CZP’s boilerplate, payments are supposed to be bi-annual after that initial year-or-more embargo. The switch to annual payment appears to have been a unilateral decision by CZP owners for logistical and cost reasons, actual contract language be damned (I’ve seen documentation of this).

(3) ANIMATED TREK. Tor.com has assembled a wealth of “New Details and Trailers Out for Star Trek‘s Animated ‘Short Treks’”.

Before the end of 2019, Star Trek will boldly do something it has never done in the 21st century before: Tell stand-alone stories in an animated format. It’s been known for a while that the final two Short Treks of 2019 would be animated, but we didn’t know what they’ d be about, or how they would even look…until now!

(4) TRANSCRIPTS FROM THE UNDERGROUND. Ursula V’s dungeon party reports in. Thread starts here.

(5) CAPTAIN FUTURE. Amazing Selects™ will launch with the release of Allen Steele’s Captain Future in Love, a novella originally serialized in Amazing Stories magazine that “continues the adventures of Edmond Hamilton’s pulp adventure hero Curt Newton, aka Captain Future, rebooted and updated in Allen Steele’s inimitable Neo Pulp style.”

Amazing Selects ™ is a new imprint from Experimenter Publishing Company LLC that will feature stand-alone novella-length works, in both print and electronic formats.

The new Captain Future, originally introduced in Steele’s Avengers of the Moon (Tor, 2017),  “brings golden age science fiction into the modern era presenting classic space opera adventure with modern sensibilities.”

The edition features concept art by Rob Caswell, interior illustrations by Nizar Ilman and non-fiction features by Allen Steele.

Captain Future in Love is available through Amazon in paperback and ebook and through the Amazing Stories store.

(6) NOBODY’S KEEPING SCORE. The new edition of the BBC Radio 4 Film Programme “Emma Thompson” is mainly about the Last Christmas film, but includes two other segments of genre interest. Hear it online for the next four weeks.

Emma Thompson has written 6 films in which she also stars. Last Christmas is the latest. She explains why she sometimes has to bite her tongue when actors deliver her lines in ways that she hadn’t quite imagined.

Neil Brand reveals how the ground-breaking score to cult classic Forbidden Planet was a last minute replacement and why the original composer decided to destroy his rejected score.

“Apocalypse Now meets Pygmalion”. Matthew Sweet pitches a long forgotten science fiction novel to film industry experts Lizzie Francke, Rowan Woods and Clare Binns.

(7) TUNE IN AGAIN. Also on BBC Radio 4 is a production of Doris Lessing’s The Good Terrorist. Available for the next 11 days.

First-ever dramatisation of Doris Lessing’s 1985 satire of incompetent revolutionaries in a London squat. Starring Olivia Vinall and Joe Armstrong, dramatised by Sarah Daniels.

(8) EATING THE FANTASTIC. Scott Edelman invites listeners to nibble naan with artist Paul Kirchner in Episode 109 of the Eating the Fantastic podcast.

Paul Kirchner.

I’ve been attending the Maryland-based indie comics convention SPX — that is, the Small Press Expo — for 15 or so of its 36 years, and this time around took the opportunity to dine with artist Paul Kirchner, who breathed the same comic industry air I did during the ’70s.

Paul broke into comics in the early ‘70s through a fortuitous series of events which had him meeting the legendary comics artist Neal Adams, who introduced him to DC Comics editor Joe Orlando, and within the week getting a gig as assistant to Tex Blaisdell helping him out on the Little Orphan Annie comic strip and stories for DC’s mystery books. He also worked for awhile as assistant to the great EC Comics artist and Daredevil innovator Wally Wood. He moved on from mainstream comics to draw two wonderfully surrealistic strips — “Dope Rider” for High Times and “the bus” for Heavy Metal. His wide-ranging creative resume also includes a graphic novel collaboration with the great writer of detective novels Janwillem van de Wetering, designs for such toy lines as Dino-Riders and Spy-Tech, and much more.

(9) RAINBOW OVER AND UNDER. Will this Andy Weir collaboration make it to the screen? The Hollywood Reporter covers the deal: “Amblin, Michael De Luca Tackling ‘Martian’ Author’s Fantasy Graphic Novel ‘Cheshire Crossing'”.

…The fantasy mashup tells the story of Dorothy from The Wonderful Wizard of Oz, Alice of Alice’s Adventures in Wonderland and Peter Pan‘s Wendy, who meet in boarding school for troubled young ladies. They each believe they’ve traveled to a fantastical world but no one else does. When their world-hopping sees Captain Hook and the Wicked Witch of the West team up to combine their magical villainy, the trio must band together to thwart them.

The graphic novel began life as a piece of fan fiction that Weir wrote prior to finding best-selling and Hollywood success with Martian…

(10) TODAY IN HISTORY.

  • November 15, 1968 Star Trek’s “The Tholian Web” premiered on NBC.  In a two-part episode of Enterprise titled “In a Mirror, Darkly”, the Tholians will be back with a story continuing this story.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 15, 1877 William Hope Hodgson. By far, his best known character is Thomas Carnacki, featured in several of his most famous stories and at least partly based upon Algernon Blackwood’s occult detective John Silence. (Simon R. Green will make use of him in his Ghost Finders series.)  Two of his later novels, The House on the Borderland and The Night Land would be lavishly praised by H.P. Lovecraft.  It is said that his horror writing influenced many later writers such as China Miéville, Tim Lebbon and Greg Bear but I cannot find a definitive source for that claim. (Died 1918.)
  • Born November 15, 1929 Ed Asner, 90. Genre work includes roles on Alfred Hitchcock Presents, The Outer Limits,  Voyage to the Bottom of the Sea, The Girl from U.N.C.L.E., The Invaders, The Wild Wild West, Mission: Impossible, Shelley Duvall’s Tall Tales & Legends, Batman: The Animated Series and I’ll stop there as the list goes on for quite some while.
  • Born November 15, 1930 J. G. Ballard. I’ll frankly admit that I’ve not read enough of him to render a coherent opinion of him as writer. What I’ve read such as The Drowned World is more than a bit depressing. Well yes, but really depressing. (Died 2009.)
  • Born November 15, 1933 Theodore Roszak. Winner of the Tiptree Award for The Memoirs of Elizabeth Frankenstein, and the rather excellent Flicker which is superb. Flicker is available at Apple Books and Kindle though no other fiction by him is. Odd. (Died 2011.)
  • Born November 15, 1934 Joanna Barnes, 85. She’s Jane Parker in Tarzan, the Ape Man with Danny Miller in the title role. It’s not until she’s Carsia in the “Up Above the World So High” episode of The Planet of The Apes series that she does anything so genre again. And a one-off on classic Fantasy Island wraps up her SFF acting.
  • Born November 15, 1939 Yaphet Kotto, 80. Assuming we count the Bond films as genre and I do, his first genre performance was as Dr. Kananga / Mr. Big in Live and Let Die. Later performances included Parker in Alien, William Laughlin in The Running Man, Doc in Freddy’s Dead: The Final Nightmare, Ressler in The Puppet Masters adapted from Heinlein’s 1951 novel of the same name and a horrid film, and he played a character named Captain Jack Clayton on SeaQuest DSV.
  • Born November 15, 1942 Ruth Berman, 77. She’s a writer mostly of speculative poetry. In 2003, she won the Rhysling Award for Best Short Poem for “Potherb Gardening“.  She was also the winner of the 2006 Dwarf Stars Award for her poem “Knowledge Of”.  She’s also written one YA fantasy novel, Bradamant’s quest. And 1973, she was a finalist for the first Campbell Award for Best New Writer. 

(12) COMICS SECTION.

  • Bizarro gets laughs from the thought-life of Batman’s sidekick.

(13) PALEO POSTAGE. I think I missed the news when these T.Rex stamps were issued in August. Fortunately, they are Forever stamps….

The four distinct stamps depict the long-extinct beast in various forms of its life from a hatchling to a skeleton in a museum.

In two of the stamps, the young adult depicted in skeletal form with a young Triceratops and in the flesh emerging through a forest clearing is the “Nation’s T. Rex,” whose remains were discovered on federal land in Montana and is considered one of the most important specimens of the species ever found, it said.

The four stamps were designed by art director Greg Breeding from original artwork by scientist and paleoartist Julius T. Csotonyi.

Here’s the USPS link to T.Rex products.

(14) NYCON 3. Andrew Porter shared three photos from the 1967 Worldcon, NyCon 3, you aren’t likely to have seen before.

Ted White, Dave Van Arnam, chairs of NYCon 3, at the convention. Photo by and © Andrew Porter.

Ted White pastes up display about NyCon 3, as Robin White looks on: Photo by and © Andrew Porter.

Sam Moskowitz, Norm Metcalf (foreground), Ed Wood at NyCon 3. Photo by and © Andrew Porter.

(15) DRONING AWAY. “DJI makes app to identify drones and find pilots” – but only if the drone self-identifies…

Drone maker DJI has demonstrated a way to quickly identify a nearby drone, and pinpoint the location of its pilot, via a smartphone.

The technique makes use of a protocol called “Wi-Fi Aware”, with which the drone essentially broadcasts information about itself.

The company said it would help prevent security threats and disruption, and give members of the public peace of mind.

But experts believe sophisticated criminals would still be able to circumvent detection.

“It’s going to be very useful against rogue drones,” said Ulrike Franke, a policy fellow at the European Council on Foreign Relations, who studies the impacts of the drone industry.

“But it’s not going to be enough to fight people with real bad intentions, because these are going to be the first people to hack this system.”

DJI told the BBC it could add the functionality to drones already on the market via a software update.

…“If Gatwick staff had a smartphone enabled with this capability in their pockets,” explained Adam Lisberg, from DJI, “they could have taken it out, seen a registration number for the drone, seen the flight path, and the location of the operator.

(16) YA TWITTER. Vulture will fill you in about a new YA Twitter kerfuffle: “Famous Authors Drag Student in Surreal YA Twitter Controversy”. They include gene authors.

Young-adult book Twitter took an especially surreal turn this week when the best-selling novelist Sarah Dessen took offense at a brief critique of her work, inciting a minor Twitter riot, with some of the most famous writers in the world jumping into the fray to defend her.

(17) HOW DID THEY KNOW? I couldn’t help laughing when I read this line in Jon Del Arroz’ blog:

(18) ANOTHER OUTBREAK. USA Today’s Don Oldenburg has kind things to say about Daniel H. Wilson’s novel: “‘The Andromeda Evolution’ an infectious sequel to Michael Crichton’s classic best-seller” – although the reviewer sounds reluctant to admit the book isn’t by Chrichton, who died in 2008.

A new team of four Project Wildfire scientists is sent to the Amazon to investigate how to stop the unexplainable anomaly. A fifth scientist is tracking the crisis from the International Space Station (ISS) orbiting Earth. Meanwhile, a deadly, self-replicating, microparticle structure is growing exponentially, eating the jungle and killing nearby tribal habitants.

(19) NOOO! Those who fail to learn from Jedi history… “Jon Favreau Already Has a Star Picked for His ‘Star Wars’ Holiday Special”.

… “Oh I would definitely be interested in doing a holiday special,” Favreau told Variety at “The Mandalorian” fan event. “And I’m not going to say who I would be interested in. But one of the people is the member of the cast in an upcoming episode of the show. So we’ll leave it at that for now.”

When pressed to see if he was serious, the director doubled down. “I’ve been thinking about it. It’s ready, the ideas are ready. I think it could be really fun. Not as part of this, but there’s an excitement around it because it was so fun and weird, and off and not connected to what ‘Star Wars’ was in the theater. ‘The Mandalorian’ cartoon, the Boba Fett cartoon, from the holiday special was definitely a point of inspiration for what we did in the show.”

(20) WALLACE & GROMIT. The Drum finds a seasonal commercial featuring two popular characters is at the top of the charts: “A week in Christmas ads: big retailers lose out as Wallace & Gromit gives Joules a boost”.

Joules’ heavily-branded Wallce & Gromit-fronted spot from Aardman topped the rankings this week with a star score of 5.4 and a spike rating of 1.51 – indicating sales will follow.

The film shows Wallace, in his typically inventive style, bringing Christmas to West Wallaby Street all at ‘the click of a button’.

Joules’ festive products decorate the living room and there’s no escape for Wallace’s loyal side-kick, Gromit, who becomes the pièce de résistance as the fairy crowning the top of the Christmas tree.

[Thanks to John King Tarpinian, Cat Eldridge, Chip Hitchcock, JJ, Mike Kennedy, Susan de Guardiola, Martin Morse Wooster, Danny Sichel, Steven H Silver, SF Concatenation’s Jonathan Cowie, John A Arkansawyer, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Patrick Morris Miller.]

Pixel Scroll 10/27/19 We Keep Scrollin’ Most Of Our Lives, Filing In A Pixel’s Paradise

(1) A DRAGON POET. Maria Popova of Brain Pickings contemplates “Ursula K. Le Guin’s Playful and Profound Letter-Poem to Children About the Power of Books and Why We Read”.

…Most dragons don’t know how to read. They hiss and fume and guard their hoard. A tasty knight is what they need
For dinner (they spit out the sword),
Then go to sleep on heaps of treasure. They’ve no use for the written word….

(2) CLOUDY, WITH A CHANCE OF GENRE. Last night on Saturday Night Live there were three sketches with fantasy in them:

  • Spooky Song is about a ghost who really doesn’t want to explain the tasteless way in which he died.
  • Space Mistakes shows what happens when you make mistakes in space.
  • Dance Rehearsal asks, “What happens if you’re taking a dance class and your instructor is a werewolf?”

(3) ‘BOT AND SOULED. The LA Review of Books’ Patrick House considers the writing of robots in “I, Language Robot”.

I was hired to write short fiction at OpenAI, a San Francisco–based artificial intelligence research lab. I would be working alongside an internal version of the so-called ‘language bot’ that produces style-matched prose to any written prompt it’s fed. The loss that I feared was not that the robot would be good at writing — it is, it will be — nor that I would be comparatively less so, but rather that the metabolites of language, which give rise to the incomparable joys of fiction, story, and thought, could be reduced to something merely computable.

(4) PULLMAN’S RETORT. The author’s post appeared atLit Hub on October 8 and the link has made the rounds, but still may be news to some of us: “Philip Pullman on Children’s Literature and the Critics Who Disdain It”.

…The model of growth that seems to lie behind that attitude—the idea that such critics have of what it’s like to grow up—must be  a linear one; they must think that we grow up by moving along a sort of timeline, like a monkey climbing a stick. It makes more sense to me to think of the movement from childhood to adulthood not as a movement along but as a movement outwards, to include more things. C. S. Lewis, who when he wasn’t writing novels had some very sensible things to say about books and reading, made the same point when he said in his essay “On Three Ways of Writing for Children”: “I now like hock, which I am sure I should not have liked as a child. But I still like lemon-squash. I call this growth or development because I have been enriched: where I formerly had only one pleasure, I now have two.”

But the guards on the border won’t have any of that. They are very fierce and stern. They strut up and down with a fine contempt, curling their lips and consulting their clipboards and snapping out orders. They’ve got a lot to do, because at the moment this is an area of great international tension. These days a lot of adults are talking about children’s books. Sometimes they do so in order to deplore the fact that so many other adults are reading them, and are obviously becoming infantilized, because of course children’s books—I quote from a recent article in The Independent—“cannot hope to come close to truths about moral, sexual, social or political” matters. Whereas in even the “flimsiest of science fiction or the nastiest of horror stories . . . there is an understanding of complex human psychologies,” “there is no such psychological understanding in children’s novels,” and furthermore “there are nice clean white lines painted between the good guys and the evil ones” (wrote Jonathan Myerson in The Independent, 14 November 2001).

(5) GOALS AND PURPOSES. Robert J. Sawyer draws the title of his article in the July edition of Galaxy’s Edge, “What SFWA Was Supposed to Be”, from the contrast he perceives between founder Damon Knight’s stated purpose for the organization and the SFWA mission statement of 2018.

…Of course, times change; of course, publishing is different now than it was then. But in the thirty-six years I’ve been a member of SFWA, I’ve seen—and, indeed, foreseen—all the changes that people are talking about now and more (I was writing in 1998 as SFWA president about “the post-publisher economy”).

For instance, it used to be that giant print runs were required to get economical per-copy pricing; that’s no longer true. It used to be there were many thousands of bookstore accounts for publishers to service in North America; sadly, that’s no longer true. It used to be that audiobooks were only made in eviscerated abridgments and only of the biggest print sellers; wonderfully, that’s no longer true. And it used to be that the only effective way to publish a book was on paper. That’s no longer true, either (and I’ve got a bunch of my own older titles out in self-published e-book editions).

Whatever you might think of these changes, every single one of them came with enormous cost savings for publishers, but no portion of that was ever passed on to the authors. I remember at one convention this decade hearing the late David G. Hartwell brag that Tor, the publisher he worked for, had just had its best year ever, while one of his authors—with Hugos galore—confided to me that he didn’t know how he was going to heat his house that coming winter.

Among the most egregious things that have happened during my career: literary agents going from ten-percent commissions to a fifteen percent; publishers locking in a 3:1 split of e-book royalties—three dollars for them to every one for the writer; and publishers using print-on-demand and the mere notional existence of an e-book edition to keep from reverting rights to authors for titles the publisher is no longer promoting or selling in any meaningful quantity. SFWA rolled over on every one of these.

But never let it be said that SFWA is without achievements. They recently—and I’m not making this up—produced an official SFWA secret decoder ring. I didn’t pony up to get one; I doubt Damon Knight would have wanted such a thing, either.

(6) CHAPMAN OBIT. Scholar and regular attendee of the International Conference on the Fantastic Arts Edgar Chapman (1936-2019), a Professor Emeritus in the English Department at Bradley University, died October 11 at the age of 83. He authored numerous articles and books including The Magic Labyrinth of Philip Jose Farmer (1984) and The Road to Castle Mount: The Science Fiction of Robert Silverberg (1999). He also co-edited Classic and Iconoclastic Alternate History Science Fiction (2003).

(7) TRIVIAL TRIVIA.

Don’t tell Harlan but Ray Bradbury gets credit for Terminator first.  Ray was on the Oscar nominating committee for documentaries, in 1977.  The next screening for the committee was listed as a muscle building movie, Pumping Iron.  Without even screening it the committee basically said NEXT.  Ray spoke up and said they had to screen it because his brother, Skip, was a body builder and worked out on Venice’s Muscle Beach.  After watching the documentary it was nominated.  Making the career for Arnold Schwarzenegger.  Heck, we got Lou Ferrigno as the Hulk, too. [Source: John King Tarpinian.]

(8) TODAY IN HISTORY.

  • October 27, 1967 Star Trek’s “Catspaw” was first aired. Written by Robert Bloch who said it was based on his 1957 story, “Broomstick Ride” published in Super Science Fiction. It was their Halloween episode.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 27, 1922 Ruby Dee. Her first genre role is in Cat People. No name there but she has the wonderful name of Mother Abagail Freemantle in The Stand series. (Died 2014.)
  • Born October 27, 1937 Steve Sandor. He made his first genre appearance on Trek playing Lars in the second season episode “The Gamesters of Triskelion”. He also did one-offs on Knight Rider, Fantasy Island and The Six-Million Dollar Man. He did a choice bit of horror in The Ninth Configuration. (Died 2017.)
  • Born October 27, 1938 Lara Parker, 80. Best known for her role as Angelique on Dark Shadows which aired from 1966 to 1971. She also played Laura Banner in The Incredible Hulk pilot, and Madelaine in the Kolchak: The Night Stalker “The Trevi Collection” episode. And she was on Galactica 1980 in “The Night The Cylons Landed” two-parter. 
  • Born October 27, 1939 John Cleese, 80. Monty Python of course, but also Time BanditsMary Shelley’s Frankenstein, two Bond films as Q and even two Harry Potter films as Nearly Headless Nick. He’s definitely deep into genre film roles. And let’s not forget he shows up as an art lover on the “City of Death” story, a Fourth Doctor story.
  • Born October 27, 1948 Bernie Wrightson. Artist with who with writer Len Wein, he’s known for co-creating Swamp Thing. He did a lot of illustrations from Cemetery Dance magazine to Stephen King graphic novels to DC and Marvel comic. Ell me what you liked about his work. (Died 2017.)
  • Born October 27, 1953 Robert Picardo, 66. He debuted in genre as Eddie Quist, the serial killer werewolf in The Howling. He’d be in Dante’s Explorers, Looney Tunes: Back in Action, Gremlins 2: The New Batch, Small Soldiers and Innerspace. And then of course he played the role of the Emergency Medical Hologram (EMH) on Voyager. And even managed to show on on Stargate SG-1. Busy performer! 
  • Born October 27, 1963 Deborah Moore, 56. English actress and the daughter of actor Roger Moore and Italian actress Luisa Mattioli. She’s an Air Hostess in Die Another Day, a Pierce Brosnan Bond film. And she was a secretary in Goldeneye: The Secret Life of Ian Fleming. Her very first role was as Princess Sheela in Warriors of the Apocalypse.
  • Born October 27, 1970 Jonathan Stroud, 49. His djinn-centered Bartimaeus series is most excellent. Though considered children’s novels, I think anyone would enjoy them. I’ve also read the first two in his Lockwood & Co. series as well — very well done. 

(10) COMICS SECTION.

  • Shoe finds out why a character is not a Tolkien fan.
  • How To Cat hears Zarathustra speaking, if you know what I mean.

(11) PREFERRED HORROR. At IndieWire, “Quentin Tarantino, Guillermo del Toro, and 30 More Directors Pick Favorite Horror Movies”.

Quentin Tarantino, on “Audition”

Takashi Miike’s 1999 horror movie “Audition” is often cited as one of the most disturbing films ever made. Ryo Ishibashi stars as a widow named Shigeharu Aoyama who stages auditions for men in hopes of meeting a new husband or life partner. Aoyama falls for Asami (Eihi Shiina), but her dark past has unexpected and brutal consequences. Tarantino called the movie one of his favorites since he’s been a director, referring to it as a “true masterpiece” in a 2009 interview.

 (12) DIRECTOR TO VIDEO. “Fan Video Imagines Tarantino’s Once Upon a Time in STAR TREK”Nerdist tell you where to find this micro-epic.

Once Upon a Time In Hollywood, a.k.a. “the 9th film from Quentin Tarantino,” made quite the splash upon release when it hit theaters this past summer. It had all of Tarantino’s signature trademarks — a couple of cranky male leads, excessive violence, and a rockin’ retro soundtrack. And it’s left QT fans salivating for whatever his 10th (and possibly final?) movie will be. Rumors abound that it could in fact be a Star Trek film. Leading many fans to ponder just what the heck a “Pulp Fiction-esque Star Trek” movie would even look like.

Well, one fan has combined the well known Quentin Tarantino sensibilities and aesthetics with some old school Star Trek footage, and the result is “Once Upon a Time in Star Trek.”

(13) A TREE GROWS IN ANAHEIM. The Orange County (CA) Register makes sure all the locals know: “History & Heritage: The Legend of the Halloween Tree “.

…Bradbury’s novel “The Halloween Tree” tells the story of a group of trick-or-treaters who learn about the origins of Halloween while on an adventure to find their missing friend. Bradbury dreamed of having a Halloween Tree at Disneyland park, and on the 35th anniversary of the novel, his dream was brought to life.

“I belong here in Disneyland, ever since I came here 50 years ago. I’m glad I’m going to be a permanent part of the spirit of Halloween at Disneyland,” the author said at the tree’s dedication. Bradbury would visit the tree before he passed away in 2012.

Today, the Halloween Tree delights guests of all ages and honors Bradbury’s many contributions to Disney. A plaque at the base of the tree commemorates the night of its dedication: “On the night of Halloween 2007, this stately oak officially became ‘The Halloween Tree,’ realizing famed author Ray Bradbury’s dream of having his symbol for the holiday become a part of Disneyland.”

(14) TANGLED UP IN BLUE. CNN finds the way to Sesame Street: “The entrance to this Pennsylvania house is monstrous. Cookie monstrous”.

In the words of Cookie Monster: “Home is where heart is. Heart where cookie is. Math clear: Home is cookie.”

For a Pennsylvania homeowner, Cookie Monster’s logic sounds just about right.

Lisa Boll from York County turned the entrance of her house into Cookie Monster. Literally.

(15) WATCHMEN. In the Washington Post, David Betancourt profiles Regina King, who plays Sister Night in Watchmen.  Betancourt discusses King’s background with showrunner Damon Lindelof and how she signed on  to the part because of Watchmen’s anti-racist themes. “‘Watchmen’ gives Regina King her first superhero role — and takes a bold look at race relations in 2019”.

Showrunner Damon Lindelof was planning to give the “Watchmen” story quite a twist — so he told King to use her unfamiliarity to her advantage. It’s a different approach compared with many actors who land superhero roles and are immediately handed a stack of comics.

“He didn’t want me to confuse how he saw this world,” said King, who worked with Lindelof on HBO’s “The Leftovers.” “He was right.”

“Because I did watch the film after [filming the pilot], and I would have been confused,” she added. “They stand on their own. They don’t even feel related to me in any way. Which I think is a great thing. I think that’s the beauty of Damon making the choice of using the [comics] as canon instead of trying to duplicate, from my understanding, something that was already great.”

(16) HEAVY LIES THE HEAD. Io9’s James Whitbrook says afterwards he was ready for Jedi chiropractic — “I Wore Hasbro’s Ridiculous New Star Wars Replica Helmet for a Day, and All I Got Was Some Neck Ache”.

One of the more expensive offerings Hasbro had for this year’s Triple Force Friday extravaganza was the latest helmet in its Star Wars: The Black Series line of “roleplay” items. Joining a line that already had everything from Darth Vader’s helmet to more Stormtrooper variants than you can shake an Incinerator Trooper at, the Luke Skywalker X-Wing Battle Simulation Helmet is a 1:1 replica of the same helmet worn by everyone’s favorite Rebel-turned-Jedi-turned-Milk-Swigging-Curmudgeon in both A New Hope and The Empire Strikes Back.

Packed with lights and sounds to replicate Luke’s experiences at the battles of Yavin and Hoth, the main draw is it’s…well, a Star Wars helmet you can put on your head.

(17) NO REMATCH! Ethan Alter, in the Yahoo! Entertainment story “MVPs of Horror: Simon Pegg on the existential terror of zombies and whether Chris Martin really cameos in ‘Shaun of the Dead'”, has an interview with Simon Pegg on the 15th anniversary of Shaun of the Dead where he reveals that Coldplay’s Chris Martin is not in the film and there will never be a sequel to Shaun of the Dead because “it’s a complete story:  it has a beginning, a middle, and an end.”

1. There’s a reason slow-moving zombies are terrifying.

When Romero was making his pioneering zombie favorites, the walking dead only moved at a slow and steady pace. But by the time that Wright, Pegg and Frost were making Shaun, zombies had acquired frightening busts of speed in films like 28 Days Later and Zack Snyder’s Dawn of the Dead remake. Previously a zombie originalist, Pegg now says that’s he’s come around on their lightning-quick descendants. “I’m not the purist I used to be — I’ve seen fast-zombie things that I’ve enjoyed,” the actor says, pointing to the 2016 South Korean cult favorite Train to Busan. But there was never a world in which Shaun would have made the switch, and not just because they were trying to remain true to Romero’s vision. Pegg argues that quicker creatures would have undermined the dramatic metaphor of a person — and entire society — caught in the grip of stagnation, which runs beneath the movie’s comedy. “There’s something incredibly creepy about the shambling dead. They’re more of an effective metaphor for death when they just sort of come slowly. That’s what death is — death doesn’t always just run at you.”

[Thanks to Martin Morse Wooster, Chip Hitchcock, JJ, Michael Toman, Cat Eldridge, John King Tarpinian, Mike Kennedy, Lenore Jean Jones, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Xtifr.]

Pixel Scroll 10/5/19 I Don’t Want A Pixel, I Just Wanna File On My Scrollercixel

(1) THE EXPANSE. The Season 4 trailer debuted today at New York Comic Con.

The greater our knowledge increases, the greater our ignorance unfolds. Behold what awaits the pioneers of Ilus. Full Season Coming December 13, 2019.

(2) LOST ON THE GROUND, TOO. Netflix also dropped the trailer for the second season of Lost in Space.

Have you seen our Robot? Lost in Space Season 2 returns December 24th. Only on Netflix.

(3) BOOK TARIFFS. Shelf Awareness surveys the damage to various markets in “Newest Tariffs, on the E.U., to Include Books”.

The newest tariffs to be imposed by the Trump administration, against the European Union and amounting to $7.5 billion on a range of goods, will include books, the Bookseller reported.

…Last year, the Bookseller wrote, U.K. publishers exported printed books worth £128 million ($158 million) in invoiced value to North America.

The new tariffs follow the World Trade Organization’s decision on Wednesday that the U.S. could tax $7.5 billion of E.U. goods to recoup damages after the WTO had determined in May that the E.U. illegally subsidized Airbus. The tariffs cover all kinds of goods, which the New York Times described as, in part, “a gourmet shopping list, with the administration planning to place a 25% tax on imports of Parmesan cheese, mussels, coffee, single malt whiskeys and other agricultural goods from Europe.” Oddly the tariff on airplanes will be only 10%.

The Times noted that the WTO is considering a parallel case brought by the E.U. against the U.S. for subsidizing Boeing, for which the E.U. has a list of $20 billion of U.S. products it might impose tariffs on. That case should be decided early next year.

(4) TRADEMARK TROUBLE NORTH OF THE BORDER. “CN Tower’s management company claims that any picture of the landmark building is a trademark violation” – let Boing Boing tell you how not impressed they are with the argument.

…James Bow is a Canadian fantasy writer whose small-press fantasy novel The Night Girl features a cover-art collage that includes a Creative Commons-licensed image of the CN Tower. Bow was getting ready for his book launch when the CN Tower’s management company wrote to him to insist that he not publish the book with the cover, on the grounds that people who encountered his novel might mistakenly believe that it was commercially affiliated with the CN Tower.

The Canadian Parliament has actually taken up the question of whether the owners of buildings can control the reproduction of their likenesses: Section 32.2(1) of the Copyright Act states that “It is not an infringement of copyright… for any person to reproduce, in a painting, drawing, engraving, photograph or cinematographic work…an architectural work, provided the copy is not in the nature of an architectural drawing or plan.”

In other words, you can’t stop people from reproducing the likeness of your building.

The CN Tower’s management clearly knew about this, so their threat to Bow invoked trademark law, advancing the bizarre theory that any commercial reproduction of the Tower’s likeness is intrinsically deceptive, since anyone who sees such a reproduction would automatically assume that the CN Tower endorsed the product that bore the reproduction (that is, people who encountered Bow’s book would immediately leap to the conclusion that the CN Tower had launched a line of fantasy novels).

(5) TREK VINO VERITAS. Never mind pictures of the bottles, how does the wine actually taste? Ars Technica says “Definitely better than synthehol.” “Boldly going where no palate has gone before: A Star Trek wine tasting”.

But arguably the most anticipated Trek happening of 2019 involved the announcement of a new series—Star Trek: Picard. Slated to debut in early 2020, the show picks up with the beloved captain retired to his vineyards before life intervenes. So naturally, in honor of the series and Picard’s true passion, we now have Star Trek Wines, a collaboration between CBS Consumer Products and Wines That Rock.

Obviously, Ars had to sample these wines—for you, our readers, because we’re selfless like that. We recently ordered a bottle each of the two featured wines, even snagging the last of the sold-out limited edition Collector’s Pack. From there, we put out some cheeses and charcuterie, and the Los Angeles-based Ars Technica contingent set about putting our palates to work.

(6) NEW PULLMAN FANTASY. NPR’s Jessica P. Wick’s review tells how “Philip Pullman Pushes The Limits Of His World In ‘The Secret Commonwealth'”.

Philip Pullman’s The Secret Commonwealth is a big novel full of big ideas, big characters and big sorrows. It is a tale of spies and philosophies and wit, of factions vying for control of the truth — or the public’s opinion of the truth. It’s an adventure, global in scope and epic in shape, but it’s also a story about being unsettled in one’s life, about living with consequences, of what happens to us when we are estranged from ourselves. I was fascinated, occasionally contemptuous as the story had me siding with one character over another, and always curious to know more about the world and what would happen and always in awe of Pullman. This book feels like a response to the darkness in our time as Lord of the Rings feels like a response to the darkness in J. R. R. Tolkien’s. (Though Pullman might find that comparison paltry.)

Yes, the story is big. But The Secret Commonwealth’s greatest strength is the care it takes to center the story in the individual; the importance it grants to what’s in our heroes’ hearts….

(7) TODAY IN HISTORY.

  • October 5, 1990 Super Force debuted. Intended it was designed to be a companion series to Superboy, it ran for two seasons. It featured G. Gordon Liddy as villain and had Timothy Leary and former porn stars Traci Lords and Ginger Lynn as guest stars. 
  • October 5, 2002 — In Japan, Mobile Suit Gundam Seed aired “False Peace”, the first episode of this anime. It ran for five years and fifty episodes.  The series spawned three compilations films and was adapted into a manga as well as light novels. A sequel series, Mobile Suit Gundam SEED Destiny followed in 2004. It later was released in an English dubbed version. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 5, 1902 Larry Fine. Yes, he’s known as a member of the comedy act The Three Stooges. And they did a lot of genre films including Have Rocket – Will Travel, a 1959 film in which the Stooges, including him, are janitors working at a space center who accidentally blast off to Venus. (Died 1975.)
  • Born October 5, 1905 John Hoyt. He was cast as Dr. Philip Boyce in the original pilot episode of Star Trek (“The Cage”) and he appeared twice during the second season of The Twilight Zone in the episodes “Will the Real Martian Please Stand Up?” and “The Lateness of the Hour”.  He would also be the KAOS agent Conrad Bunny in the Get Smart episode “Our Man in Toyland”, and show up as General Beeker in Voyage to the Bottom of the Sea’s episode “Hail to the Chief,” (Died 1991.)
  • Born October 5, 1919 Donald Pleasence. He was Doctor Samuel Loomis in the Halloween franchise and the President in Escape from New York. He also had a plethora of parts in other genre properties, a few of which include the main role in the movie Fantastic Voyage which was novelized by Isaac Asimov, roles in episodes of the The Twilight Zone, The Outer Limits, and The Ray Bradbury Theater, a part in George Lucas’ first foray into filmmaking, THX 1138, John Carpenter’s The Prince of Darkness, and the role of Merlin in the TV movie Guinivere. My favourite film title for a work he was in? Frankenstein’s Great Aunt Tillie in which he played the dual roles of Victor Frankenstein  and Old Baron Frankenstein.  (Died 1995.)
  • Born October 5, 1930 Skip Homeier. He appeared on Trek twice, once as Melakon in “Patterns of Force”, and as Dr. Sevrin in “The Way to Eden”.  I’ll single out two other genre roles, the first being his Dr. Clinton role in The Outer Limits episode “Expanding Human”; the other being of his last roles which was a one-liner in The Wild Wild West Revisited as a senior Secret Service official. (Died 2017.)
  • Born October 5, 1949 Peter Ackroyd, 70. His best known genre work is likely Hawksmoor which tells the tale of a London architect building a church and a contemporary detective investigating horrific murderers involving that church. Highly recommended. The House of Doctor Dee is genre fiction as is The Limehouse Golem and The Casebook of Victor Frankenstein.  I thought Hawksmoor had been turned into a film but it has not but he has a credit for The Limehouse Golem which is his film work. 
  • Born October 5, 1952 Karen Allen, 67. She’s best known for being Marion Ravenwood in Raiders of the Lost Ark, a role she reprised for Indiana Jones and the Kingdom of the Crystal Skull. She also co-starred in Starman and Scrooged. She shows on Alfred Hitchcock Presents as Jackie in “The Creeper” episode. 
  • Born October 5, 1952 Clive Barker, 67. Horror writer, series include the Hellraiser and the Book of Art which isnot to overlook The Abarat Quintet which is quite superb. Though not recent, The Essential Clive Barker: Selected Fiction published some twenty years ago contains more than seventy excerpts from novels and plays and four full-length short stories. His Imaginer series collects his decidedly strange art.  There has been a multitude of comic books, both by him and by others based on his his ideas.  My personal fave work by him is the Weaveworld novel.
  • Born October 5, 1959 Rich Horton, 60. Editor of three anthology series — Fantasy: Best of The Year and Science Fiction: Best of The Year both now longer being published, and The Year’s Best Science Fiction & Fantasy which is ongoing since 2009. He has been a reviewer for Locus for over a decade.
  • Born October 5, 1975 Marshall Lancaster, 44. He‘s best known for playing DC Chris Skelton in the superb BBC time-travel police series, Life on Mars and Ashes to Ashes. He played Buzzer in “The Rebel Flesh” and “The Almost People”, both Eleventh Doctor stories. 
  • Born October 5, 1975 Kate Winslet, 44. A longer and deeper genre record than I thought starting with being Prince Sarah in A Kid in King Arthur’s Court before playing Ophelia in Branagh’s Hamlet a few years later. She shows next as Clementine Kruczynski in the superb Eternal Sunshine of the Spotless Mind, and was Sylvia Llewelyn Davies in the equally superb Finding Neverland. She’s Jeanine Matthewsin Divergent and Insurgent, and is slated to be Ronal in the forthcoming Avatar 2. She’s the voice of Miss Fillyjonk in the English dub of the Swedish Moominvalley series. Finally I’d like to note she narrated the audiobook version of Roald Dahl’s Matilda.

(9) TROPE TIME. James Davis Nicoll knows all the “SF Stories in Which Earth Is Liberated by an Alien Empire” but is willing to confine himself to the best at Tor.com.

In fact, I find myself wondering if it isn’t suspicious that Borisov is so remarkably unremarkable. How likely is it that one of the objects spotted tumbling in from deepest space would be arriving more or less where we’d expect it, with more or less the composition we would expect of a natural object? Isn’t that exactly how some inquisitive galactic civilization would cloak a probe, so as not to attract undue attention from locals? Perhaps the reason we’re suddenly seeing what seem to be mere space-rocks, comets, whatever, is not thanks to tech improvements on our side, but is because something is carefully looking us over.

(10) THE UNCONSIDERED SLIGHT. Nerdist observes that Disney is giving Avengers: Endgame a big “for your consideration” push in 13 different categories, including Best Picture and Best Director, while surprisingly skipping fan favorites:

The biggest shock here is that they aren’t putting forward any of the cast for acting nods. Audiences were sure that Robert Downey Jr. and possibly Chris Evans would be in the running for Best Actor at next year’s competition. From this line-up, it’s clear that Disney is more focused on technical awards.

(11) THE BIG BANG OF CRIME. Engadget adds it to the calendar: “‘Harley Quinn’ series debuts on DC Universe November 29th”.

The Harley Quinn animated series DC promised way back in 2017 finally has a premiere date for DC Universe — as the character said in the show’s trailer, “Unlike that Deadpool cartoon, it’s actually coming out.” Harley Quinn will land on DC’s streaming service on November 29th, the comic book giant has announced at New York Comic Con. The Big Bang Theory’s Kaley Cuoco will voice the newly single “criminal Queenpin,” who’s out to make it on her own in Gotham City.

(12) LUNCH AT MR. FOX. Scott Edelman lunches in Dublin with Cheryl Morgan in Episode 106 of the Eating the Fantastic podcast.

Cheryl Morgan

This time around, you’re invited to lunch with Cheryl Morgan, who’s a four-time Hugo Award-winning science fiction critic and publisher — first as the editor of Emerald City, which won for Best Fanzine in 2004, followed by another for Best Fan Writer in 2009. She has also been the non-fiction editor of Clarkesworld magazine, for which she won her third and fourth Hugo Awards in 2010 and 2011. She is a director of San Francisco Science Fiction Conventions Inc., and a founder of the short-lived Association for the Recognition of Excellence in SF & F Translation. She is a co-chair of Out Stories Bristol and lectures regularly on both trans history and science fiction and fantasy literature. She’s also a Director of The Diversity Trust for whom she run trans awareness courses. She’s the owner of Wizard’s Tower Press.

(13) CUT AND PASTE. NPR learns the way “Ancient Greek Scroll’s Hidden Contents Revealed Through Infrared Imaging”.

More than 200 years ago, scholars glued the remains of an ancient papyrus scroll onto cardboard to preserve it. But the scroll, a history of Plato’s Academy, also had writing on the back. Now scholars have deployed imaging technology to read what’s been concealed.

This scroll came from a library in Herculaneum, near Mount Vesuvius. And it was caught in the famous eruption of that volcano nearly 2,000 years ago — the same eruption that buried the city of Pompeii.

The scroll doesn’t look like much now. It’s blackened and in tatters. In fact, it looks like what you’d find at the bottom of your barbecue.

But the same processes that charred the scroll and the rest of that library also preserved it, according to papyrus scholar Graziano Ranocchia from the Italian National Research Council.

…Ranocchia said the huge spectrum range allowed them to penetrate the layers of the papyrus. “So with a huge penetration capacity, this is why we are able to read what our predecessors weren’t able to read through conventional multispectral imaging or infrared photography.”

What they found are bits of text that Philodemus wanted to insert into his book, such as quotes from other sources he was considering using in the history. Classicist Kilian Fleischer from the University of Würzburg, who is putting together a new edition of Philodemus’ history using these images, says it provides a unique view of an ancient philosopher’s writing process.

“We have here more or less the only case where we can really see how an ancient author worked and composed his book,” Fleischer says.

(14) SOMEONE IS WRONG ON THE INTERNET. BBC knows the reason why “China and Taiwan clash over Wikipedia edits”.

Ask Google or Siri: “What is Taiwan?”

“A state”, they will answer, “in East Asia”.

But earlier in September, it would have been a “province in the People’s Republic of China”.

For questions of fact, many search engines, digital assistants and phones all point to one place: Wikipedia. And Wikipedia had suddenly changed.

The edit was reversed, but soon made again. And again. It became an editorial tug of war that – as far as the encyclopedia was concerned – caused the state of Taiwan to constantly blink in and out of existence over the course of a single day.

“This year is a very crazy year,” sighed Jamie Lin, a board member of Wikimedia Taiwan.

“A lot of Taiwanese Wikipedians have been attacked.”

(15) THEY’RE STILL HERE. And so are we… “Pagers, faxes and cheques: Things that might seem obsolete, but aren’t”.

The roughly one thousand people who still used pagers in Japan might have shed a tear this week when they were finally discontinued. Wait, you may say… pagers are still a thing?

Even though you won’t find them in Japan any more, pagers are still used elsewhere. And they’re not the only “outdated” item still being employed around the world.

(16) DRESS FOR EXCESS. Isaac Arthur’s latest is on “Spacesuits & Extreme Environment Gear.”

There’s many dangerous places on Earth, and everywhere off Earth is downright lethal, from the emptiness of space to the airless and radiation soaked Moon to the smoldering inferno of Venus, humanity can’t visit them without protection. We’ll see what options for spacesuits are under works and what options might emerge for even better ones in the distant future.

(17) BAR FIGHT. Yahoo! News is handy with a link as “Regular Clowns Fight Joker And Pennywise In Brutally Funny Bozo Brawl With James Corden”.

… The bozos take their beef outside, into the streets. One regular clown (James Corden) threatens to shove his size 38 shoe up Joker’s rear end. Another (Cedric the Entertainer) tells the evil clowns: “Are you a scary clown or just a scared clown?”

[Thanks to Chip Hitchcock, Andrew Porter, Cat Eldridge, JJ, Martin Morse Wooster, James Davis Nicoll, SF Concatenation’s Jonathan Cowie, Mike Kennedy, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Matthew Johnson.]

Discovery, Picard Teaser
Trailers Shown at NYCC

Two Star Trek teaser trailers debuted at New York Comic Con during the “Star Trek: Universe” panel.

Star Trek: Discovery Season 3

This season, coming soon exclusively to CBS All Access, the crew finds itself further into the future than any other Star Trek story.

Star Trek: Picard

Premieres January 23, only on CBS All Access.

Star Trek: Short Treksalso posted today on YouTube:

Ensign Spock’s (Ethan Peck) first day aboard the U.S.S. Enterprise doesn’t go as planned when he and Number One (Rebecca Romijn) are unexpectedly stuck together in a turbo lift.

Pixel Scroll 9/6/19 The Soylent Green Hills of Earth

(1) EATING THE FANTASTIC. Scott Edelman invites listeners to chow down on chowder with the award-winning Jack Dann in episode 104 of his Eating the Fantastic podcast.

Jack’s an old friend I see far too infrequently ever since he moved to Australia. I was privileged to publish a story of his in Science Fiction Age back in the ’90s, but that’s the least of his accomplishments. His first novel, The Man Who Melted, was nominated for a 1984 Nebula Award, and since then he’s gone on to win a Nebula Award, two World Fantasy Awards, three Ditmar Awards, and the Peter McNamara Award for Excellence. His short story collections include Timetipping, Jubilee: the Essential Jack Dann, and Visitations. His 1998 anthology Dreaming Down-Under (co-edited with his wife Janeen Webb) is a groundbreaking work in Australian science fiction.

He’s also created some amazing stories in collaboration with the likes of Michael Swanwick, Gardner Dozois, Barry Malzberg, and others, and since you know from listening to Eating the Fantastic that collaboration completely baffles me, we dove into a discussion of that as well.

We stepped out to The Chowder House, which has been in operation since 1985, but has a history which goes all the way back to 1920, when Darcy’s Irish Pub opened — and over the decades expanded into a row of family-owned restaurants. It was a comfortable spot, with good food, and the perfect place for us to catch up after far too long apart.

We discussed the novel he and Gardner Dozois always planned to write but never did, how a botched appendectomy at age 20 which left him with only a 5% chance of survival inspired one of his most famous stories, why he quit law school the day after he sold a story to Damon Knight’s Orbit series, the bad writing advice he gave Joe Haldeman early on we’re glad got ignored, the secrets to successful collaborations, the time Ellen Datlow acted as referee on a story he wrote with Michael Swanwick, how it felt thanks to his novel The Man Who Melted to be a meme before we began living in a world of memes, why he’s drawn to writing historical novels which require such a tremendous amount of research, the time he was asked to channel the erotica of Anaïs Nin, the gift he got from his father that taught him to take joy in every moment — and much more.

Jack Dann

(2) RSR LAUNCHES IMPROVEMENT. Rocket Stack Rank announces “New Filtering and Simplified Highlighting” in an article that analyzes the most awards won, award nominations earned, and inclusion in year’s best TOC for short fiction from 2015-2018 by using the new filtering features added to RSR.

You can now filter stories in a table to show only the ones recognized with SF/F awards, year’s best anthologies, or prolific reviewers. Click the “Show:” drop-down list in the table header and choose one of the options (see image on the right). This is an easy way to dis-aggregate scores to see which stories received the most recognition by each type of recommendation for readers who favor one type over a combined score of all three.

(3) THE DELTA QUADRANT PRIMARY. [Item by Olav Rokne.] Senator Cory Booker is trying to acquire the votes of undecided Trekkies by showing off his nerd cred. The 50-year-old challenger for the Democratic nomination spoke to the New York Times today about his love for all things Star Trek, and how the show has influenced his politics: “How ‘Star Trek’ Pushed Cory Booker to Make It So”.

What did your father see in Trek?

It was hope.

“Star Trek” was more than just an escape. It was a portal to say the future is going to be different. It’s incredibly hopeful and a belief that we’re going to get beyond a lot of these lines. We’re going to unite as humanity. It’ll be a place where your virtue guides you, the highest of human aspirations. I think there’s something about that he found really powerful.

Do you think you took it in differently as a person of color?

I took it in through that lens because I really believe that was the lens that compelled my father. My dad loved UFOs. When that television series “Project Blue Book” came out, that was another thing. He was fascinated by the universe and excited about it.

This idea that we as humans, where we are right now, are literally just not even at the foothills yet of the mountains of discovery that are out there. He was a man of infinite hope. “Star Trek” gave him that. It showed him that we are going to overcome so much of the stuff that rips at humanity now.

(4) SNEAK PREVIEW. Unusual drama and security accompanied The Testaments’ submission to Booker Prize judges the New York Times reports: “Judging Margaret Atwood’s Top Secret New Novel”.

In July, the author Xiaolu Guo was expecting the delivery of a book that would not be published until September: Margaret Atwood’s “The Testaments,” the highly anticipated follow-up to “The Handmaid’s Tale.”

Guo was getting her copy so early because she is a judge for this year’s Booker Prize, Britain’s most prestigious literary award. There was just one problem, Guo said in an interview on Tuesday: When the courier turned up, she was late getting home from the airport. The courier refused to give the book to her brother and sister-in-law, who were visiting from China.

Guo missed the courier’s visit the next day, too, as she was out running errands. By the time she finally got the book, she was furious, she said.

“For me, it was quite over the top, the whole security issue,” Guo added, laughing.

The secrecy around Atwood’s new novel, which is on the Booker Prize shortlist that was announced this week, has complicated the judging process this year. The prize’s organizer had to sign a nondisclosure agreement on behalf of all the judges, said Peter Florence, the chairman of the judging panel.

Secrecy agreements were not required for the 150 other novels that judges read to create an initial list of books in the running that was announced at the end of July. They then reread and argued over those thirteen titles to choose the final six.

At the shortlist announcement on Tuesday, all six books were piled on a table in front of the judges, among them Salman Rushdie’s “Quichotte” and Lucy Ellmann’s “Ducks, Newburyport.” But the copy of “The Testaments” was actually a dummy.

“That’s not the real Atwood, by the way, in case anyone’s thinking of stealing it,” Gaby Wood, the prize’s literary director, told reporters.

(5) GAY KISS GETS COMIC BANNED IN RIO. “‘Avengers’ Comic Featuring Gay Kiss Banned by Rio de Janeiro Authorities”The Hollywood Reporter has the story.

The collected edition of ‘Avengers: The Children’s Crusade’ has come under fire for featuring a kiss between two male characters.

In an unexpected move, Rio de Janeiro mayor Marcelo Crivella has announced that the translated edition of the Marvel comic book series Avengers: The Children’s Crusade would be removed from the literary festival Riocentro Bienal do Livro so as to protect the city’s children from what he described as “sexual content for minors.”

The so-called sexual content in question is an on-panel kiss between two male characters, Wiccan and Hulkling, who are in committed relationship. Both characters are clothed in the scene.

(6) STAR WARS SOUVENIR OKAYED TO FLY. A press release on the TSA.gov web site called “UPDATED: Statement on Star Wars Galaxy’s Edge themed soda bottles” says the TSA has relented on the “thermal detonator” soda bottles at Disneyland’s Star Wars: Galaxy’s Edge and is now treating the bottles like “oversized liquids” —

 “The issue concerning Star Wars Galaxy’s Edge-themed soda bottles has recently been brought to our attention by the general public, as these items could reasonably be seen by some as replica hand grenades. We appreciate the concerns being raised, because replica explosives are not permitted in either carry-on or checked bags. We have completed our review, and instructed our officers to treat these as an oversized liquid. Because these bottles contain liquids larger than 3.4 ounces (100 milliliters), they should be put in checked baggage or emptied to be brought on as carry-on item. TSA officers will maintain the discretion to prohibit any item through the screening checkpoint if they believe it poses a security threat.”

(7) DUFF FUNDRAISER. Paul Weimer says, “I am auctioning a print of one of my photos to raise money for DUFF” – the Down Under Fan Fund. See it at eBay: 10″x13″ matboarded metallic print of Mt. Taranaki, New Zealand.

(8) GRAPHIC DETAILS. Joshua Corin begins Big Thrill’s “Getting Graphic: Sequential Crime” with “An Introduction to Crime-Inspired Graphic Novels and Comics.”

It’s 1962 in Milan and a former fashion model, Angela Guissana, is looking for material for a small publishing house she and her sister Luciana have opened.  She studies the reading tastes of the local commuters and concludes that thrillers—such as those featuring criminal mastermind Fantomas—are in.

Rather than hire someone else to forge ahead with their new thriller, she and her sister write the book themselves. To increase its appeal, they present the book as a fumetto, an Italian variation on the comic book format that has recently proven so popular in Europe with Tintin and Tex Willer—also thrillers. They make sure that each volume can fit inside a businessman’s coat pocket.

Thus, the Guissana sisters create Diabolik, which has in the 60 years since its inception, sold more than 150 million copies.

(9) TODAY IN HISTORY.

  • September 6, 1953  — Hugo awards first presented at Philcon II (the second Philadelphia Worldcon).
  • September 6, 1956  — Fire Maidens from Outer Space premiered. A group of astronauts lands on a moon of Jupiter only to find it inhabited with sexy maidens. Well, and a hideous monster of course.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 6, 1904 Groff Conklin. He edited some forty anthologies of genre fiction starting The Best of Science Fiction from Crown Publishers in 1946 to Seven Trips Through Time and Space on Fawcett Gold in 1968. The contents are fairly a mix of the obscure and well known as Heinlein, Niven, Simak, Dahl, Sturgeon, Lovecraft and Bradbury show up here. (Died 1968.)
  • Born September 6, 1943 Roger Waters, 76. Ok, I’m stretching it. Is Pink Floyd genre? The Wall maybe. Or The Division Bell with its themes of communication. Or maybe I just wanted to say Happy Birthday Roger!
  • Born September 6, 1946 Hal Haag. Baltimore-area fan who found fandom in the early Eighties and who chaired Balticon 25 and Balticon 35 and worked on Balticon and quite a number of regionals.  He Co-founded BWSMOF (Baltimore/Washington SMOFs) along with Inge Heyer from Shore Leave, a regional organization whose purpose it is to discuss running regional conventions of all types. The Baltimore Science Fiction Society put together a very touching memorial site which you can see here. (Died 2006.)
  • Born September 6, 1953 Patti Yasutake, 66. Best-known for her portrayal of Nurse Alyssa Ogawa in the Trek universe where she had a recurring role on Next Generation and showed up in Star Trek Generations and Star Trek First Contact. In doing these Birthdays, I consult a number of sites. Several of them declared that her character ended her time as a Doctor. Not true but made for a nice coda on her story. 
  • Born September 6, 1958 Michael Winslow, 61. Though he might bear as the comically voiced Radar Technicianin Space Balls, I’m more interested that his first genre role of significance was giving voice to Mogwai and the other gremlins in Gremlins, a role he didn’t reprise for the second Gremlins film. 
  • Born September 6, 1972 China Miéville, 47. My favorite novels by him? The City & The City is the one I’ve re-read the most, followed closely by Kraken. Scariest by him? Oh, that’d King Rat by a long shot. And I’ll admit the dialect he used in Un Lun Dun frustrated me enough that I gave up on it. I’ll hold strongly that the New Crobuzon series doesn’t date as well as some of his other fiction does. 
  • Born September 6, 1972 Idris Elba, 47. Heimdall in the Thor franchise, as well as the Avengers franchise. First genre role was as Captain Janek in Ridley Scott’s Prometheus and later he was in Pacific Rim as Stacker Pentecost. And let’s not forget him as the Big Bad as Krall in Star Trek: Beyond
  • Born September 6, 1976 Robin Atkin Downes, 43. Though he’s made his living being a voice actor in myriad video games and animated series, one of his first acting roles was as the rogue telepath Byron on Babylon 5. He later shows up as the Demon of Illusion in the “Chick Flick” episode of Charmed and he’s got an uncredited though apparently known role as Pockla in the “Dead End” episode of Angel. Ditto for Repo Men as well. He does get as the voice of Edward in Hansel & Gretel: Witch Hunters.
  • Born September 6, 1976 –Naomie Harris, 43. She’s Eve Moneypenny in Skyfall, Spectre and the forthcoming No Time to Die. This was the first time Moneypenny had a first name. She also appeared in Pirates of the Caribbean: Dead Man’s Chest and Pirates of the Caribbean: At World’s End as Tia Dalma. And lastly I’ll note she played Elizabeth Lavenza in Mary Shelley’s Frankenstein at the National Theatre. 

(11) COMICS SECTION.

  • Molly Ostertag drew a K&S comic strip for Sam and Frodo. Hampus Eckerman says, “I think a lot of filers might enjoy this little comic.” Thread starts here.
  • A new Tales From The Slushpile at Publishers Weekly.

(12) PREVIOUSLY UNSUSPECTED SCIENCE. Really?

(13) NOT DISNEY. BBC tells how “Team plans colour film of black hole at galaxy’s center”.

The team that took the first ever image of a black hole has announced plans to capture “razor sharp” full colour video of the one at the centre of our galaxy.

Satellites would be launched to supplement the existing network of eight telescopes to make this movie.

The researchers say the upgraded network will be able to see the supermassive black hole consuming the material around it.

The team has been awarded the Breakthrough Award for Physics.

Prof Heino Falcke, of Radboud University in the Netherlands, who proposed the idea of the so-called Event Horizon Telescope (EHT), told BBC News that the next step was to see a black hole in action.

“Just like planets, a black hole rotates. And because of its incredibly strong gravity, it distorts space and time around it. And so seeing this very weird effect of space itself being rotated is one of the holy grails of astrophysics.”

(14) A LITTLE LIST. At CrimeReads, John Marks points out “Seven Techno-Thrillers to Read as Our World Crumbles”.

Tristan Da Cunha is the most remote yet inhabited island in the world. With just 297 people living on the volcanic enclave, it’s more than 1,750 miles away from its nearest coast of South Africa. There are no airports, hotels, or bars and it is only reachable following a six-day boat ride. Yet for all it lacks, the island still has access to the internet. There is virtually nowhere on earth where you can truly escape from technology.

Authors, like me, who write speculatively about tech, are only limited by our imaginations. And that’s why we are fascinated by it, because it offers limitless potential.

Often it is far more of a challenge to create characters and worlds that are overshadowed by tech that goes askew than tech that gets it right.

(15) 20/20 HINDSIGHT. I was soon won around to the name changes, but feel a bit jaded to read such confident reassurances from people who a month ago had no more idea than anyone else that this was coming:

Nancy Jane Moore in “Against Nostalgia” at Book View Café.

…Given the list of winners at the Hugos — which are fan awards and therefore a good marker of what the people who love their SF/F think is important — times have changed dramatically. I see no reason why Ng or anyone else needs to pay homage to Campbell, who is clearly going to be a marginal person in the genre if he’s mentioned at all fifty years from now.

…Many of the stories published in the 1950s gave us those possibilities, but they did so in the trappings of their times. Confusing those trappings with science fiction makes us misunderstand what the genre is truly about. And being nostalgic about the trappings is silly.

The world that gave us those stories has changed, and stories set in outdated realities, even good ones, often don’t make sense to anyone who doesn’t live in that period. There are a lot of times when you need context, which doesn’t mean saying someone is a “product of their times” and skipping over what they did, but looking at other layers in the story (assuming it’s a story that’s worth spending that much time on).

These days the audience for science fiction is much broader than the mythical 13-year-old (white) boys the Golden Age fiction was supposedly aimed at. We have a strong need for science fiction that breaks us out of the misogyny and racism and colonialism on which so much of western culture has been built. And the audience is worldwide, drawing from their own cultures and experiences.

If you believe storytelling is a vital part of being human – and I do – you have to realize that there are a lot of ways to tell a story and a lot of different ideas of who might be the hero.

John Scalzi in “The Gunn Center Makes a Change, and Further Thoughts on the Reassessment of John W. Campbell” at Whatever.

…This will no doubt start another round of anguished wailing from certain quarters about the erasure of John W. Campbell from the annals of science fiction history. The answer to this is he’s not being erased, he’s merely being reassessed. And the reassessment is: His extensive paper trail of bigotry, reactionary thought and pseudo-scientific nonsense wasn’t a great look at the time — a fact amply detailed by a number of his contemporaries in the field — and it’s even less of a great look now. As a result, his name is being taken off some things it was on before, because it staying on them means those things (and the people administering those things) would then have to carry the freight of, and answer for, his bigotry, reactionary thought and pseudo-scientific nonsense. And they would rather not.

…People aren’t perfect and you take the good and the bad together — but every generation, and every person, gets to decide how to weigh the good and the bad, and to make judgments accordingly. In the early seventies, in the wake of Campbell’s passing, such was Campbell’s reputation in the field of science fiction that he could be memorialized by two separate awards in his name, and apparently nobody batted an eye (or if they did, they didn’t count). Nearly fifty years later and at the end of the second decade of the 21st century, such is Campbell’s reputation in the field of science fiction that Campbell’s name is off one award, and may be off the other soon enough. In another 50 years, Campbell’s reputation in the field may be different again, or may simply be what so many things are after a century, which is, a historical footnote.

(16) SCAVENGER’S FEAST. Meanwhile, Richard Paolinelli is hastening to fill the sudden vacuum of Campbell-named awards by adding one to his personal collection of honors: “New Category Added To The Helicons in 2020” [Now links to toxic original blog].

“The Helicon Society is proud to announce that the 2020 Helicon Awards will also feature the inaugural John W. Campbell Diversity In SF/F Award.

The Society looks forward to honoring the award’s first-ever recipient next spring.”

I don’t know about you folks, but I’m pretty interested in finding out who this will be. Aren’t you?

These antics apparently help Paolinelli sell books. When he inaugurated his Helicon Awards earlier this year, Paolinelli also announced a pair of awards whose namesakes had recently been removed from awards by the American Library Association: the Melvil Dewey Innovation Award and Laura Ingalls Wilder Best New Author Award.

(17) BATTLE OF THE BULGE. In this week’s Science (the US version of Nature), Rosemary Wyse discusses “Galactic archaeology with Gaia”.

The past and present merger activity of the Milky Way galaxy has recently been put into sharp focus through the analysis of data from the Gaia astrometric satellite.

The emerging picture created is one of persistent disequilibrium, with high merger activity some 10 billion years ago that plausibly created the stellar halo and thick disk (see the figure), followed by a lull during which only lower-mass satellite galaxies were accreted. The Milky Way is now acquiring the Sagittarius dwarf galaxy, which is likely sculpting the galaxy’s thin disk….

…The first data release (DR1) from Gaia provided the position on the sky and apparent brightness for over a billion stars. One result stands out from Gaia DR1: the discovery by Belokurov et al. (3) of a population of stars with distinctive motions, which were identified as debris from a massive satellite that merged into the Galaxy a long time ago. These stars are moving on unexpectedly radially biased orbits and they dominate the stellar halo, particularly close to the peak of its chemical abundance distribution. 

(18) MEET YOUR WATERLOO. James Davis Nicoll wants you to know about “SFF Works Linked by One Canadian University”.

You might not immediately identify Ontario’s University of Waterloo as a hotbed of speculative fiction writing. The establishment is far better known for its STEM programs, baffled-looking first-year students, the horrifying things in the tunnels, and vast flocks of velociraptor-like geese. So you may be surprised to learn that the University has produced a number of science fiction and fantasy authors over the years

[Thanks to JJ, John King Tarpinian, Eric Wong, Hampus Eckerman, Chip Hitchcock, SF Cocatenation’s Jonathan Cowie, Michael Toman, Mike Kennedy, Martin Morse Wooster, Olav Rokne, Andrew Porter, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 9/4/19 The Filer Who Climbed Mount Tsundoku, But Came Down From Mount Read

(1) TIPTREE AWARD UPDATE. The Motherboard has added this note to their “Alice Sheldon and the name of the Tiptree Award” post:

Update: Wednesday September 4, 2019.

We’ve seen some people discussing this statement and saying we’re refusing to rename the award. Of course it’s easy to read what we’ve written in that way; our apologies. While this post focuses on the reasons why we have not immediately undertaken to rename the award, our thinking is ongoing and tentative, and we are listening carefully to the feedback we are receiving. We are open to possibilities and suggestions from members of our community as we discuss how best to move forward. You can contact us at feedback@tiptree.org.

(2) WORLDBUILDING. “R.J. Theodore on Secondary Worlds Without Monocultures: POV, Cultural Perspective, and Worldbuilding” is a guest post on Cat Rambo’s blog.

My favorite part of writing SFF is inviting the reader to explore new worlds with unearthly mechanics, magic systems, or zoology that entrance the imagination. But what imprints a story on the reader’s soul is the ability to relate to the experience. The real world contains multitudinous experiences, cultures, and viewpoints. It’s important to reflect that in our stories, even if we are zooming in on a more intimate story.

Avoiding monoculture by creating characters who have different experiences makes a story feel vibrant, more faithful, and realistic. When those characters interact, it adds conflict, tension, and opportunities to create real magic.

(3) UNPERSUASIVE. NPR’s Glen Weldon sums up “Dark Crystal: Age Of Resistance’: Gorgeous, Multi-Faceted, Hollow At Its Center”.

Let’s get the cheap joke out of the way up top:

Look, if I wanted to watch dead-eyed, expressionless creatures sniping at one another over backstories I can’t follow without consulting the Internet, I’d watch Real Housewives.

Okay, that’s done. Now let’s get serious. Let’s talk Gelflings.

…Real talk: Gelfling are … bad. Boring. Lifeless. Dull.

On their own, they’d be generic enough — a first-pass attempt at your garden-variety Tolkien-adjacent high-fantasy race. But as soon as you place them — as do both the original 1982 The Dark Crystal film and Netflix’s new, 10-episode prequel series — at the center of a world as gorgeously wrought, breathtakingly detailed and astonishingly elaborate as that of The Dark Crystal, they become something even worse: They’re basic.

…When Henson and Co. create wildly inhuman, or un-human, creatures, we’ll blithely accept them, whether their eyes are ping-pong balls (C. Monster, K.T. Frog) or their mouth’s that of a toucan with a skin condition (assorted Skeksis). Pigs, podlings, bears or bog monsters — it doesn’t matter. We cheerfully buy into the illusion, not only because these women and men are so skilled in the art of design and puppetry, but because we know that we’re tourists wandering through someone else’s imagination — we assume things look and act different, there.

But Gelfling? They’ve got disturbingly human-like faces, and we know how those work. And even though the art of Gelfling-animatronics has evolved in the 37 years since the film — eyebrows now knit, cheeks now dimple — Gelfling as a race remain permanent residents of the darkest depths of the uncanny valley.

(4) ATWOOD’S NEW BOOK. NPR’s Danielle Kurtzleben reports that “‘The Testaments’ Takes Us Back To Gilead For A Fast-Paced, Female-Centered Adventure”

What do the men of Gilead do all day?

We learn very little about it in The Testaments. We hear of one who mostly shuts himself in his study, away from his family, to work all day. We learn that a high-ranking government official serially kills off each of his teenage wives once they get too old for his tastes, then seeks out new targets. We learn that another respected man is a pedophile who gropes young girls.

So. We know that Gilead men are at best nonentities, at worst monstrous. Beyond that, they are chilly, dull, uninterested in the women around them — to the point that they also seem kind of dim. Mostly, they lurk just outside the frame, threatening to swoop in at any moment to wreak havoc.

And that absence only emphasizes that the women of Gilead are more fascinating than ever. The Testaments, Margaret Atwood’s follow-up to her classic novel The Handmaid’s Tale, returns to that dystopic theocracy 15 years later via three protagonists: Agnes, a girl in Gilead who from a young age rejects marriage, though her parents intend to marry her to a powerful Commander. Daisy is a Canadian girl repulsed by Gilead, raised by strangely overprotective parents. And Aunt Lydia — yes, that Aunt Lydia — has near-godlike status as one of Gilead’s founding Aunts and spends her days quietly collecting dirt on Commanders and fellow Aunts.

Telling much more about how the lives of Agnes, Daisy and Aunt Lydia do and don’t intersect would be to spoil the fun of The Testaments. The book builds its social commentary on gender and power into a plot-driven page turner about these women’s machinations as they deal with their stifling circumstances.

“Fun” is a loose term here, of course. As with The Handmaid’s Tale, The Testaments contains a lot of gut punches (as one may have gathered by now, what with all the murderous, pederastic men everywhere).

And a lot of the time, it’s women administering these gut punches to each other. Despite the awful men everywhere, one of the main themes The Testaments explores is how women hurt one another — whether it’s friend versus friend, Aunt versus student, or even mother versus daughter.

(5) AND A BONUS. At NPR,“Hear Margaret Atwood Read From ‘The Testaments,’ Her Sequel To ‘The Handmaid’s Tale'” — audio, with transcript.

…Handmaids are in the public eye again thanks to the hit TV series — and the frequent appearance of silent, red-robed protesters at political events. Now, Atwood is returning to the world of Gilead, the repressive theocracy she created out of the ruins of present-day America. The Testaments opens 15 years after the events of the first book, and follows an old familiar character as well as introducing some new voices. As for what happens to Offred … well, no spoilers here.

(6) INSIDE HOLLYWOOD. “Kristen Stewart was told to stop holding ‘girlfriend’s hand in public’ if she wanted a Marvel movie”Yahoo! Entertainment quotes the actress:  

… She continued, “I have fully been told, ‘If you just like do yourself a favor, and don’t go out holding your girlfriend’s hand in public, you might get a Marvel movie.'” The writer noted how the actress looked “almost amused at the memory.” Although Stewart kept it vague about where that directive came from, she added, “I don’t want to work with people like that.” (Marvel did not immediately respond to Yahoo Entertainment’s request for comment.)

“Literally, life is a huge popularity contest,” she added.

The 29-year-old credited a younger generation with helping give her the confidence to step out publicly with a romantic partner. “I just think we’re all kind of getting to a place where — I don’t know, evolution’s a weird thing — we’re all becoming incredibly ambiguous,” she explained. “And it’s this really gorgeous thing.”

(7) HUGO WINNING SERIES BECOMES GAME. ComicBook.com reports “Award-Winning Broken Earth Fantasy Series to Become a Tabletop RPG”.

The award-winning Broken Earth books by N.K Jemisin will be adapted into a roleplaying game. Earlier this month, Green Ronin Publishing, the maker of tabletop RPGs based on The Expanse, Lazarus, Dragon Age, and A Song of Ice of Fire, announced that had signed a licensing agreement with Jemisin to publish a new game based on her Hugo Award-winning series. The new game will use a modified version of Green Ronin’s Chronicle System, the same game system used by A Song of Ice and Fire Roleplaying. Tanya DePass and Joseph D. Carriker will co-develop The Fifth Season RPG, which will be released in Fall 2020.

(8) TODAY IN HISTORY.

History records that it was on this fateful day back in the year 1966 that Gene Roddenberry — believing he had captured lightning in a bottle — took a copy of Star Trek‘s “Where No Man Has Gone Before” to play for the crowds gathered at the World Science Fiction Convention in Cleveland, Ohio.  How was the program first received?  Well, let’s just say that Gene couldn’t sate their appetites, and — before the event was all over — crowds also demanded to view the black-and-white print the man also brought along of the original Trek pilot, “The Cage.”  So it goes without saying that many folks credit September 4th as the serendipitous birth of the franchise.

  • September 4, 1975 Space:1999 premiered on this day.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 4, 1905 Mary Renault. ISFDB only counts her Theseus novels as genre (The King Must Die, and The Bull from the Sea). Is that right? I’m not familiar with her full body of work to say if it is or is not correct. (Died 1983.)
  • Born September 4, 1916 Robert A. W. Lowndes. He was known best as the editor of Future Science Fiction, Science Fiction, and Science Fiction Quarterly (mostly published late Thirties and early Forties) for Columbia Publications. He was a principal member of the Futurians. A horror writer with a bent towards all things Lovecraftian ever since he was a young fan, he received two letters of encouragement from H. P. Lovecraft. And yes, he’s a member of the First Fandom Hall of Fame. (Died 1998)
  • Born September 4, 1924 Joan Aiken. I’d unreservedly say her Wolves Chronicles were her best works. Of the many, many in that series, The Wolves of Willoughby Chase featuring the characters of Bonnie Green, Sylvia Green and Simon is I think the essential work to read; even though The Whispering Mountain is supposed to a prequel to the series I don’t think it’s essential reading. The Wolves of Willoughby Chase is certainly the one in the series I see stocked in my local bookstores. (Died 2004.)
  • Born September 4, 1924 Ray Russell. His most famous story is considered by most to be “Sardonicus” which was published first in Playboy magazine, and was then adapted by him into a screenplay for William Castle’s Mr. Sardonicus. In 1991 Russell received the World Fantasy Award for Lifetime Achievement. (Died 1999.)
  • Born September 4, 1928 Dick York. He is best remembered as the first Darrin Stephens on Bewitched. He was a teen in Them!, an early SF film which is considered the very first giant bug film. He showed up in myriad Alfred Hitchcock Presents, several episodes of Twilight Zone and has a one-off on Fantasy Island. He voiced his character Darrin Stephens in the “Samantha” episode of The Flintstones. (Died 1992.)
  • Born September 4, 1957 Patricia Tallman, 62. Best known as telepath Lyta Alexander on Babylon 5, a series I hold that was magnificent but ended somewhat annoyingly. She was in two episodes of Next Generation, three of Deep Space Nine andtwo of Voyager. She did uncredited stunt work on further episodes of the latter as she did on Voyager. H’h to the latter. Oh, and she shows up in Army of Darkness as a possessed witch. 
  • Born September 4, 1975 Kai Owen, 44. Best known for portrayal of Rhys Williams in Torchwood, the Doctor Who spin-off I stopped watching after the first two series. He reprised his characters in the Big Audio auidiodramas. 
  • Born September 4, 1999 Ellie Darcey-Alden, 20. She’s best known for playing young Lily Potter in Harry Potter and the Deathly Hallows – Part 2. She’s also celebrated here for being  Francesca “Franny” Latimer in the Doctor Who  Christmas special “The Snowmen”, an Eleventh Doctor story. 

(10) COMICS SECTION.

  • Bizarro gets silly with a classical literary reference.
  • The Argyle Sweater gets silly with a pop culture TV reference. (Do you detect a trend?)

(11) PAYING THE FREIGHT. Arc Manor has begun a Kickstarter appeal, seeking $30,000 to publish “Robert Heinlein’s Unpublished Novel”.  They have already announced the ebook and a hardcover will be released in March 2020. 

We now have the unique opportunity to publish a brand new novel by this great author titled The Pursuit of the Pankera , A ‘parallel’ book written about the parallel universes introduced in book The Number of the Beast, published in 1980….

The Pursuit of the Pankera is an 185,000 word novel with the same characters as The Number of the Beast. The two books share a similar beginning, but where the existing book  goes off on a totally unrelated tangent (almost becoming a satire of science fiction and neglecting the original conflict), The Pursuit of the Pankera  remains focused on the original conflict and works itself towards a much more traditional Heinlein ending. In many ways, it hearkens back to some of the earlier Heinlein novels.

(12) YOUTUBE HIT WITH BIG PENALTY. BBC has the story — “YouTube fined $170m in US over children’s privacy violation”.

YouTube has been fined a record $170m (£139m) by a US regulator for violating children’s privacy laws.

Google, which owns YouTube, agreed to pay the sum in a settlement with the Federal Trade Commission (FTC).

The video-streaming site had been accused of collecting data on children under 13, without parental consent.

The FTC said the data was used to target ads to the children, which contravened the 1998 Children’s Online Privacy Protection Act (Coppa).

“There’s no excuse for YouTube’s violations of the law,” said FTC chairman Joe Simons.

He added that when it came to complying with Coppa, Google had refused to acknowledge that parts of its main YouTube service were directed at children.

However, in presentations to business clients, the company is accused of painting a different picture.

(13) BATMAN BY TWILIGHT. Ramin Setoodeh, in the Variety story “Robert Pattinson on Becoming Batman and Why ‘The Lighthouse’ Is Just Weird Enough”, has a long interview with Pattinson (it was Variety’s cover story) where he says he loved the Tim Burton movies as a kid and “You feel very powerful immediately” when you don the Batsuit.

…“Rob definitely has a darker side and is comfortable working in that space,” says Robert Eggers, the director of A24’s “The Lighthouse,” which screens this week at the Toronto Intl. Film Festival and opens in theaters on Oct. 18. “And he has good taste in cinema. I think a lot of directors he likes are doing stuff that isn’t run-of-the-mill Hollywood.”

But in the past few months, Pattinson’s career has taken another turn as he’s begun gravitating back toward the stormy clouds of movie stardom. He spent most of his summer in Estonia making the Nolan film, which arrives in theaters in July 2020. And of course, despite his concerns, he was cast in “The Batman,” the Warner Bros. tentpole from director Matt Reeves that will start shooting this winter and debuts in June 2021.

(14) CHANGING OF THE GUARD. Meanwhile in the actual comic books, Bleeding Cool’s Rich Johnston speculates “DC Comics is About to Give Us a Black Batman”. He says it’s likely DC will introduce a black Batman in 2020 although it’s unclear who will don the Batsuit.

The hot gossip coming out of comic book shows this weekend from a number of prominent sources, is that in the summer of 2020 leading into 2021, DC Comics is planning to bring us a black Batman. Not Bruce Wayne, but someone else donning the cowl and cape.

Who this new Batman will be, I don’t know. All I have been told is that it won’t be Duke Thomas, the young man previously teased as taking on the role of Robin and Batman to come.

Marvel Comics has given us a black/Latino Spider-Man with Miles Morales, popularised in the Into The Spider-Verse movie. Sam Wilson took on the role of Captain America, reflected in the Avengers: Endgame movie. And Nick Fury has been replaced in the Marvel Universe by his black son, Nick Fury, Jr, reflecting the casting of Samuel L Jackson in the Marvel movies. While in Doomsday Clock, DC Comics’ unauthorised sequel to Watchmen, the new Rorschach is a black man, and son of the original Rorschach’s psychiatrist. It looks like the mainstream DC Comics Universe may be heading in a similar direction with Batman.

(15) DISNEY ROTATES PARTY THEMES. LAist urges readers to “Embrace The ‘Nightmare’ Of Oogie Boogie Bash, Disney’s New Halloween Event At California Adventure”. (Why does this remind me that I came in second to Oogle Boogle in LASFS’ Fugghead of the Year Contest in 1976?)

Mickey’s Halloween Party is retiring to Florida. Disneyland’s wholesome, long-running, kid-focused, trick-or-treating event was a favorite for Disney fans (of all ages, we don’t judge) who were allowed to go to the parks IN COSTUME, which is normally against the rules.

This year, Disney is replacing the SoCal event with something slightly more sinister: the Oogie Boogie Bash, themed around Nightmare Before Christmas villain Oogie Boogie. It’s also switching parks, with the monster taking over California Adventure. Don’t worry, you can still dress up.

It’s a darker take on Halloween, with a focus on villains, and a storyline that involves Oogie Boogie casting a spell to take over the park.

The change may help keep both parks full, since Disneyland will no longer have to shut down early on event nights. It’s also a chance to age up the vibe from just being for the tykes, according to Disney show director Jordan Peterson, with some spookier attractions meant to appeal to the tween and even teen audience.

(16) SPECULATIVE THRILLER NEWS. John Marks, in “Seven Techno-Thrillers To Read As Our World Crumbles” on CrimeReads, says that there’s no better way to prepare for global environmental or technological collapse than reading a novel by Ernest Cline, Michael Crichton, or Andy Weir.

Authors, like me, who write speculatively about tech, are only limited by our imaginations. And that’s why we are fascinated by it, because it offers limitless potential.

Often it is far more of a challenge to create characters and worlds that are overshadowed by tech that goes askew than tech that gets it right.

What happens when automation that has been designed to assist humanity starts working against it? That question has been the basis of two of my six novels, The One and most recently, The Passengers.

(17) SMOKE GETS IN YOUR REPLICANT EYES. From 2013, the Blade Runner trailer redone in classic black-and-white noir style.

[Thanks to JJ, Cat Eldridge, Chip Hitchcock, John King Tarpinian, Martin Morse Wooster, Mike Kennedy, Brian Z., Rich Horton, David Doering and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Hampus Eckerman.]

Pixel Scroll 8/30/19 The Past Is Long And Full Of Writers

(1) BACK IN THE SHED. The tower for Artemis is being hauled under cover: “Kennedy Space Center bracing for Hurricane Dorian”.

NASA civil servants and contractors at the Kennedy Space Center in Florida are bracing for high winds and rain from Hurricane Dorian. Ahead of the storm, they are securing rocket stages, spacecraft assembly areas and even hauling a 6.7-million-pound mobile launch tower, designed for the huge rocket being built for the Artemis moon program, back to the cavernous Vehicle Assembly Building for safekeeping.

The 355-foot-tall gantry structure, carried atop a squat Apollo-era crawler-transporter, is scheduled to begin the 4.2-mile trip from launch complex 39B back to the protection of the VAB at dawn Friday — a journey that’s expected to take more than eight hours to complete.

(2) DUBLIN UP. Two more Worldcon write-ups.

Noelle Ameijenda, in “The Fantastic comes Home”, tells how she juggled attending and working the con:

Thursday (15th August) was the first full day – I spent a while in the morning doing some running for the Chair’s office  – up and down the elevator with bits and pieces – highly important bits and pieces, of course! Then I got to attend two brilliant panels –  ‘Invasions and the Irish Imagination’ and ‘When scientists write science fiction’ – before a quick bite for lunch with my friend Karina, and then a 3-hour Writers’ Workshop with the amazing Diane Duane. What was great about this workshop was the amazing DD, and the other fantastic participants – I made 2 lovely new friends  – Eliana all the way from Paraguay, and Caoilfhionn from Kilkenny – we hung out at the bar lots together. There was an ‘interesting’ bit in the middle of the workshop when I was terribly rude and had to answer a phone call from my Featured Artist, Jim, who was having technical difficulties at his presentation – SO SO sorry to interrupt the flow of the workshop, but we got it sorted.  The opening ceremony then was great, including the Retro Hugos. And seeing 3 members of my (real-life, work) company onstage with the rousing choir at the close : ‘where the strawberry fields…’.

Sara at Not Another Book Blogger penned one of the sweetest conreports I ever saw: “Dublin 2019 My First WorldCon”. Lots of photos of her and her kids.

GRRM The Irish Connection with Colm Lundberg (Moderator) William Simpson, Peadar O’Guilin and Parris McBride Martin. It was a really enjoyable panel on their Irish Connections and great to have it confirmed that Westeros is indeed a map of Ireland upside down!

Afterwards he walked right by me and I said hello which is probably the closest I’ll ever get to him! We got chatting with William Simpson who is absolutely lovely, very passionate about climate change as is Abigail. William drew all of the storyboards for Game of Thrones and while we were chatting he drew a dragon for Abigail in her notebook! So very cool.

(3) NEXT YEAR’S WORLDCON. CoNZealand invites everyone to view their promotional video from the Dublin 2019 closing ceremony, featuring their Author Guests of Honour, Mercedes Lackey and Larry Dixon, NZ Artist Guest of Honour, Greg Broadmore, and special guests, Tania Taylor, Sir Richard Taylor, and the Prime Minister of New Zealand, the Right Honourable Jacinda Ardern.

(4) KEEP COOL WITH THE CREW. Don’t we all need one of these for Christmas? — “Star Stre V Auto Sun Shades”.

(5) THANK YOU. Mike Resnick posted another update to his GoFundMe “Help Mike Resnick pay off a near-death experience”.

“I just want to thank all the people who have contributed to my GoFundMe appeal. I’m still weak, but I can walk about 50 feet without a cane or a walker. Carol and I have been overwhelmed by your numbers, and by the absolute love we read in your messages. I’m back to work — not as fast as I’d wish — but I did sell 3 short stories in the last two weeks, so at least you know your good wishes and outporing of affection aren’t going into a black hole. I have been moved beyond belief.”

The donations passed $19,000 today.

(6) ROBOTS AND KNIGHTS. Jewish in Seattle recently published two items of interest to Filers. The first is a short story entitled “Next Year In” by Merridawn Duckler. It won the magazine’s short story competition.

…The day of Team meeting for the spring robot fashion launch, it was raining hard. Other protectorates have man-made precipitation but here in New Cascadia we still have the real thing, from little eyelash dusters, to the full, sideways sliding downpour. I like real rain. I’ve experienced the human-made stuff and it’s just not the same; too uniform, each drop perfect, dries too fast. Plus, it stops. Still, I complain about the rain like everyone else. The last thing we need is for more people to emigrate here…. 

The second is “How Yiddish Writers Influenced Arthurian Legend” by Emily Boynton, a non-fiction article.

…And Yiddish? One Arthurian figure, Wigalois, has piqued the interest of Annegret Oehme, a University of Washington assistant professor of Germanics who specializes in pre-modern literatures and languages. She argues that the story of Wigalois (pronounced vee-gah-loy) is an intercultural production between medieval German and Jewish societies. Not only does Wigalois appear in Yiddish, but Oehme argues that it interacted with and influenced Germanic versions of the story.

“It’s really important to see that the Jewish community was familiar with courtly literature, they participated with transmission, and didn’t just read and produce religious texts,” Oehme says.

The son of prominent Arthurian knight Gawain, Wigalois grows up in a fairylike land with his mother before setting off to find his father in Camelot. While at court, he accepts the quest of a maiden seeking aid for her kingdom, which is under siege. Battling dragons and giants along the way, Wigalois successfully defeats the usurper and frees the kingdom, becomes a knight, and marries a princess.

The tale packs enough action for an HBO series, yet Oehme argues the real stakes of the story lie in what it tells us about early modern Yiddish culture….

(7) HINES’ SAD ANNOUNCEMENT. Jim C. Hines told Facebook readers that his wife, Amy, died yesterday after a nine-month fight with cancer. Read more on Facebook.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 30, 1797 Mary Shelley. Author of the Gothic novel Frankenstein; or, The Modern Prometheus which I’ll admit that I’ve not read. Who here has read it? It certainly has spawned a multiverse of novels and films since it came, some quite good, some quite bad. (Died 1851.)
  • Born August 30, 1896 Raymond Massey. In 1936, he starred in Things to Come, a film adaptation by H.G. Wells of his own novel The Shape of Things to Come. Other than several appearances on Night Gallery forty years later, that’s it for genre appearances. (Died 1983.)
  • Born August 30, 1942 Judith Moffett, 77. She won the first Theodore Sturgeon Award  with her story “Surviving” and the John W. Campbell Award for Best New Writer at the Nolacon II for her Pennterra novel. Asimov wrote an introduction for the book and published it under his Isaac Asimov Presents series. 
  • Born August 30, 1943 Robert Crumb, 76. He’s here because ISFDB lists him as the illustrator of The Religious Experience of Philip K. Dick which is likely they say an interview that Dick did with Gregg Rickman and published in Rickman’s The Last Testament. They’re also listing the cover art for Edward Abby’s The Monkey Wrench Gang as genre but that’s a very generous definition of genre.
  • Born August 30, 1955 Jeannette Holloman. She was one of the founding members of the Greater Columbia Costumers Guild and she was a participant at masquerades at Worldcon, CostumeCon, and other conventions. Her costumes were featured in The Costume Makers Art and Thread magazine. (Died 2019.)
  • Born August 30, 1963 Michael Chiklis, 56. He was The Thing in two first Fantastic Four films, and Jim Powell on the the No Ordinary Family series which I’ve never heard of.  He was on American Horror Story for its fourth season, American Horror Story: Freak Show as Dell Toledo. The following year he was cast as Nathaniel Barnes, in the second season of Gotham, in a recurring role. And he voiced Lt. Jan Agusta in Heavy Gear: The Animated Series
  • Born August 30, 1965 Laeta Kalogridis, 54. She was an executive producer of the short-lived excellent Birds of Prey series and she co-wrote the screenplays for Terminator Genisys and Alita: Battle Angel. She recently was the creator and executive producer of Altered Carbon. She also has a screenwriting credit for Lara Croft: Tomb Raider, a film the fanboys hate but which I really like.
  • Born August 30, 1967 Frederique van der Wal, 52. She appeared in exactly one genre film — Wild Wild West as Amazonia. Oh well. 
  • Born August 30, 1972 Cameron Diaz, 47. She first shows as Tina Carlyle in The Mask, an amazing film. She voices Princess Fiona in the Shrek franchise. While dating Tom Cruise, she’s an uncredited Bus passengers in Minority Report. Oh and she’s Lenore Case in the cringingly awful Green Hornet.
  • Born August 30, 1980 Angel Coulby, 39. She is best known as Gwen (Guinevere) in the BBC’s Merlin. She also shows up in Doctor Who as Katherine in the “The Girl in the Fireplace”, a Tenth Doctor story. She also voices Tanusha ‘Kayo’ Kyrano in the revived Thunderbirds Are Go.

(9) COMICS SECTION.

  • Incidental Comics by Grant Snider – “Reader’s Block”

(10) TIPTREE AWARD NAME CHALLENGED. According to the award’s Motherboard, they’ve taken under advisement a request to drop the name because in her last acts the author shot her invalid husband before killing herself.

(11) SUPERREALISM. In “Review: The Boys (Amazon)”, Camestros Felapton indicates the show suffers from certain inconsistencies in storytelling.

…Hughie Campbell (Jack Quaid) is a young man whose girlfriend is brutally killed accidentally by the superhero A-Train — a Flash like superhero whose superspeed essentially explodes Campbell’s girlfriend in front of him. This early scene sets the confused tone of the series: gory, comical and shocking, with events often set up like jokes but then played out for emotional impact.

A distraught Hughie is recruited by Billy Butcher — Karl Urban sporting the accent he used as Skurge in Thor: Ragnarok. Butcher is a foul-mouthed cockney rogue CIA agent on his own personal mission of revenge against the seven….

(12) WAVING HELLO. NPR reports “After Months In A Dish, Lab-Grown Minibrains Start Making ‘Brain Waves'”

By the time a fetus is 6 months old, it is producing electrical signals recognizable as brain waves.

And clusters of lab-grown human brain cells known as organoids seem to follow a similar schedule, researchers reported Thursday in the journal Cell Stem Cell.

“After these organoids are in that six-to-nine-months range, that’s when [the electrical patterns] start to look a lot like what you’d see with a preterm infant,” says Alysson Muotri, director of the stem cell program at the University of California, San Diego.

The finding suggests that organoids can help scientists study the earliest phase of human brain development and perhaps reveal the earliest biological beginnings of conditions such as schizophrenia and autism.

But the presence of humanlike brain waves in a dish is also likely to focus attention on the ethical questions surrounding this sort of research.

(13) SAUCE FOR THE GANDER. “Twitter CEO and co-founder Jack Dorsey has account hacked” – BBC has the story.

The co-founder and chief executive of Twitter had his own account on the service briefly taken over by hackers.

A group referring to itself as the Chuckling Squad said it was behind the breach of Jack Dorsey’s account.

The profile, which has more than four million followers, tweeted out a flurry of highly offensive and racist remarks for about 15 minutes.

Twitter said its own systems were not compromised, instead blaming an unnamed mobile operator.

(14) SHERLOCKIAN FALLACY. BBC details “The two illusions that tricked Arthur Conan Doyle”.

Two real-life hoaxes managed to fool the creator of Sherlock Holmes – and they help to reveal our own ‘metacognitive illusions’ that influence our memory and perception.

On 21 March 1919, a committee including a paranormal investigator, a viscountess, a mind reader, a Scotland Yard detective, and a coroner were all assembled in a small flat in Bloomsbury, London. “I have spent years performing with fake mediums all over the world in order to disprove spiritualism,” declared their host. “Now at last, I have come across a genuine medium.”

The woman who entered the room was wearing a veil that concealed the lower half of her face. She began with a séance which involved a demonstration of “clairvoyance”. Each member of the committee had been instructed to bring with them a small personal item or written letter. Before the medium arrived all the objects were placed into a bag, which was then locked inside a box.

The medium held the locked box in her lap, and while the committee watched carefully, she proceeded to not only name the objects within, but to describe them in vivid detail. She divined that one of the objects was a ring belonging to the deceased son of the paranormal investigator, and even read the faded inscription.

…The creator of Sherlock Holmes declared that he was highly impressed with the clairvoyant demonstration, although he said he would need to see the ghost again before he would attest to its paranormality.

Today, Conan Doyle is best known for his detective stories, but the good doctor was also an illustrious paranormal investigator who often failed to see the frauds in front of his eyes. He famously fell for the photographs of the Cottingley Fairies, for instance, faked by two children – Frances Griffiths and Elsie Wright. He attended séances, too. As a spiritualist, Conan Doyle also asserted that he witnessed mediums make direct contact with the spirits of the dead.

…Conan Doyle’s reactions to these hoaxes are clearly problematic, but they are also an illustration of psychological phenomena known as “metacognitive illusions”.

“Metacognition” is the idea of thinking about thinking. By extension, metacognitive illusions occur when people hold mistaken beliefs about their own cognitive systems. We all tend to feel like we are experts about the nature of our own perceptions and memories. After all, we generally perceive things and remember things successfully throughout most of our day-to-day lives. However, in many cases our intuitions about our own cognitive systems can be surprisingly unreliable – we are not always nearly as observant as we think we are and our memories can be surprisingly malleable.

(15) TERMINATOR, BUT NEVER THE END. Yahoo! Entertainment: “Linda Hamilton delivers a classic ‘Terminator’ line in new ‘Dark Fate’ trailer”.

In case there were any lingering doubts, Sarah Connor is most definitely back. Reprising her signature role for the first time in nearly 30 years, Linda Hamilton asserts her authority in the latest trailer for Terminator: Dark Fate by delivering the franchise’s most famous line … you know the one. (Watch the trailer.)

[Thanks to John King Tarpinian, Cat Eldridge, JJ, Danny Sichel, Andrew Porter, Martin Morse Wooster, Mike Kennedy, Michael Tolan, Jerry Kaufman, and Chip Hitchcock, for some of these stories. Title credit belongs to File 770 contributing editor of the day Nigel.]

Pixel Scroll 8/1/19 The Last Fan On Earth Was Reading A Pixel Scroll When Suddenly A New Comment Was Posted

(1) BRADBURY SCULPTURE. The Waukegan (IL) Public Library says the triumphant moment is at hand — “Ray Bradbury Sculpture: We’re Under Construction!”

…For the past four years, active community arts leaders have campaigned and fundraised to install a new piece of public art in downtown Waukegan: Zachary Oxman’s Fantastical Traveler. The sculpture features an elder Bradbury astride a rocket ship, waving a book as he journeys forth.

…As part of the sculpture installation, Oxman also designed a small plaza around the statue, so you’ll be seeing hard hats and fencing at the Library’s front entrance very soon. Construction will not impact the Library’s operating hours, and our main entrance should remain easily accessible throughout the process.

…And mark your calendars – our sculpture is set to be unveiled to the public at a special dedication ceremony on Thursday, August 22. That’s Ray’s 99th birthday! We’ll celebrate with family-friendly activities right outside the Library at the corner of County & Clayton Sts. The fun will begin at 6:30pm, and all ages are welcome!

…We are very grateful to the local contractors who are donating their services as part of the construction effort, as well as all those whose donations have made the sculpture’s arrival in Waukegan a reality!

Check out this post on the library’s Facebook page for a peek inside the sculptor’s studio.

(2) INTERNET HIGHWAY ROBBERY. In an LA Times op-ed, Douglas Preston tells how “Online book-selling scams steal a living from writers”.

…Author doppelganging, for example, occurs when someone starts publishing books just like yours, using your name, in order to game Amazon’s search algorithms. I write a series of thrillers with a partner named Lincoln Child, and our nom de plume is “Preston & Child.” Half a dozen years ago, an entity named “Preston Child” started publishing thrillers amazingly like ours, with strikingly similar covers and titles.

For years, Amazon’s algorithms mingled the books of “Preston Child” along with our books, as if they were by the same author. Our publisher investigated and was unable to confirm the existence of Preston Child. (It’s next to impossible to prove someone doesn’t exist.) It took Amazon several years before it adjusted its algorithms to distinguish “Preston Child” from “Preston & Child.”

Title cloning, like author doppelganging, is legal, since you typically cannot copyright a title. Duplicate book titles are an old problem, now exacerbated by Amazon’s search algorithms. Seven months after my nonfiction book “The Lost City of the Monkey God,” about an expedition that discovered a lost city in the Honduran jungle, was published in 2017, a novel appeared, titled “Lost City of the Monkey God,” published using Amazon’s CreateSpace platform. It was also about an “expedition to discover a lost city in the Honduran jungle.” The last time I searched for my bestselling book on Amazon, the other one popped up in the number 3 position — above some editions of my book.

The cheats get weirder. Nora Roberts, the author of romance novels, discovered that books were being sold on Amazon containing extensive passages lifted from her books. She found a person in Brazil who appeared to be running a plagiarism factory, in which she took Roberts’ books and those of other romance authors, cut, pasted, rearranged and rewrote them to make new books to be sold on Amazon….

(3) LET US SAY IT AGAIN. Arwen Curry’s Worlds of Ursula K. Le Guin documentary is being broadcast on PBS at 9 p.m.on Friday, August 2 as part of its American Masters series.

The film dives into Le Guin’s childhood, steeped in the myths and stories of Native Americans she heard growing up in Berkeley, California, as the daughter of prominent 19th century anthropologist Alfred Kroeber and writer Theodora Kroeber, author of the influential book “Ishi in Two Worlds.” This deep childhood understanding of cultural relativism infused her work with a unique perspective; her otherworldly societies are all in some way reflections of our own.

At the heart of the film is Le Guin’s intimate journey of self-discovery as she comes into her own as a major feminist author. “What I was doing was being a woman pretending to think like a man,” she says, reflecting on why her early novels put men at the center of the action. But as second-wave feminism crashed into the science fiction world in the 1970s, Le Guin recognized her own internalized notions about heroism and power. Initially defensive, she found truth in the criticisms of her work. When revisiting the realm of “Earthsea,” she turned her gaze to its women, instead of powerful male wizards. The result was a transformation that echoed throughout the rest of her oeuvre. By embracing her own identity and learning to write as a woman, she eventually rose to the height of her literary power. Working across many genres, Le Guin received numerous honors, including the National Book Award, Hugo Award, Nebula Award, PEN-Malamud, and she was voted into the American Academy of Arts and Letters.

Worlds of Ursula K. Le Guin had its world premiere at the Sheffield Documentary Festival and has shown internationally at dozens of festivals, garnering numerous awards.

(4) THUNDER WITHOUT A LIZARD. Camestros Felapton does a fine analysis of a story which lacks any literal dinosaurs, anyway: “Hugosauriad 3.3: Dinosaurs by Walter Jon Williams”.

…Dinosaurs has a distinctly not dinosaur-like alien species being visited by a human diplomat. The aliens are justly outraged by human attempts to terraform their worlds. They have assumed this was a pre-meditated attack by humanity against them. The diplomat has been despatched to broker a peace agreement….

(5) TAKING A READING. The Brooklyn Book Festival blog has posted “The BKBF Interview: Marlon James”.

The BKBF Interview with literary giant Marlon James, author of Black Leopard, Red Wolf.

Where is your favorite place to read?

On the G train.

What is your favorite book to give an adult or a child?

An Adult: Dogeaters, by Jessica Hagedorn. Child: Anything by Walter Moers.

Tell us your best book-receiving experience.

My friends are way too intimidated to buy me books. So I just tell them what to get me….

(6) DUVERNAY’S DC PROJECT. The Hollywood Reporter eavesdropped on this Twitter Q&A: “Ava DuVernay Confirms Villains for DC’s ‘New Gods’ Movie”.

Ava DuVernay’s big-screen version of DC’s New Gods is years away from release, but the writer-director teased the project — and offered small updates — Tuesday afternoon during a Twitter Q&A.

In response to fans’ questions, DuVernay confirmed that both Darkseid and the Female Furies will appear in the movie. The former is no surprise, as Darkseid is the main antagonist of the Jack Kirby-created comic book mythology DuVernay and co-writer Tom King will be drawing from. The latter, DuVernay suggested, is the result of her fandom of the character Big Barda, the leader of the all-woman fighting force. “I’m looking forward to [the Furies] so much,” she said.

(7) NOT SO FAST. NPR’s Chris Klimek summarizes Fast & Furious Presents: Hobbs & Shaw as “Better Stunts & Actors, Just As Derivative”. (Classified as genresque due to cyborg badguy.)

While we were all arguing whether Idris Elba should be the new 007, he opted to become the next T-800 instead.

In Fast & Furious Presents: Hobbs & Shaw, the most agreeable of the innumerable Fast & Furious presentations, The Wire’s Stringer Bell plays a straight-up Terminator, with stainless steel innards, glowing orange eyeballs, and a Google-glass-like POV datastream that gives him helpful notifications such as ATTACK IMMINENT whenever bickering-buddy good guys Dwayne Johnson (aka Hobbs) or Jason Statham (aka Shaw) cock a fist in his direction.

But he has also got more than a little Darth Vader in him, in that he’s shown to be doing the bidding of a unseen superior with a digitally scrambled voice who scolds Brixton for his failures while his more-machine-now-than-man-body is welded back together, post-battle. The disembodied voice of Supreme Leader Snoke or whatever even orders Brixton to attempt to turn Hobbs & Shaw to the Dark Side instead of simply rubbing them out! There’s petty larceny, there’s grand theft auto.

(8) AUTHOR READINGS ON THE AIR. The New Jersey freeform radio station WFMU started a new show, Radiovert with Nicole, in June (Weds. 7-8 p.m.) which features readings from science fiction writers such as Tobias S. Buckell , Maureen F. McHugh, etc. (“Far out stories from fantastic authors “) Here’s a link to the archive page: Radiovert with Nicole: Playlists and Archives. Jack Adkins promises, “It’s a great show!” And here is their masthead art – tell me, Filers, can there be any doubt this show is for you?

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 1, 1862 M.R. James. Writer of some of the best ghost stories ever done. A Pleasing Terror: The Complete Supernatural Writings, released in 2001 from Ash-Tree Press has forty stories which includes the thirty stories from Collected Ghost Stories plus the 3 tales published after that, and the seven from The Fenstanton Witch and Others. It’s apparently the most complete collection of his stories to date. (Died 1936.)
  • Born August 1, 1904 Russell R. Winterbotham. Writer of both Western and SF novels under various names. His SF novels were all written between the late Fifties and mid Sixties and had such pulpish titles as The Space Egg and The Puppet Planet.  He wrote a lot of short fiction but almost none of it nor his novels is available digitally. (Died 1971.)
  • Born August 1, 1910 Raymond A. Palmer. Editor of Amazing Stories from 1938 through 1949. He’s credited, along with Walter Dennis, with editing the first fanzine, The Comet, in May 1930. The secret identity of DC character the Atom as created by genre writer Gardner Fox is named after Palmer. Very little of his fiction is available in digital form. (Died 1977.)
  • Born August 1, 1914 Edd Cartier. Illustrator who in 1992 received the World Fantasy Award for lifetime achievement, being the first artist to receive that honor. His artwork was first published in Street and Smith publications, including The Shadow, to which he provided many interior illustrations, and Astounding Science Fiction, Doc Savage Magazine and Unknown as well. (Died 2008.)
  • Born August 1, 1930 Geoffrey Holder. Best remembered for his performance as Baron Samedi in Live and Let Die but he’s also the narrator in Tim Burton’s Charlie and The Chocolate Factory. He was Willie Shakespeare in Doctor Doolittle but it’s been so long since I saw the film that I can’t picture his character. And he was The Cheshire Cat in an Alice in Wonderland that had Richard Burton as The White Knight. (Died 2014.)
  • Born August 1, 1954 James Gleick, 65. Author of, among many other books, Genius: The Life and Science of Richard Feynman and What Just Happened: A Chronicle from the Electronic Frontier, and he is one of us, which is that he writes genre reviews — collected in Time Travel: A History. Among the works he’s reviewed are Le Guin’s “Another Story or A Fisherman of the Inland Sea” and Heinlein ‘s “By His Bootstraps”.
  • Born August 1, 1955 Annabel Jankel, 64. Film and TV director who  was first  a music video director and then the co-creator and director of Max Headroom. She and her partner Rocky Morton first created and directed The Max Talking Headroom Show, a mix of interviews and music vids which aired on Channel 4 and HBO. Jankel and Morton would go on to direct Super Mario Bros. And they’re both responsible for the Max Headroom movie and series.
  • Born August 1, 1979 Jason Momoa, 40. I knew it seen before he showed up as Aquaman in the DC film universe and I was right as he was Ronon Dex on Stargate Atlantis for five seasons. He was also Khal Drogo in the first season of A Game of Thrones. And not surprisingly, he was the title character in Conan the Barbarian

(10) ANCIENT LIBRARY. In Mauretania is a largely forgotten ancient desert library — the thread starts here.

(11) WILL YOU DARE TO WEAR A SHIRT OF RED? “Sandbox VR to Launch “Star Trek” Location-Based Reality Experience”Variety has the story.

San Francisco-based virtual reality startup Sandbox VR has teamed up with CBS Interactive to launch a new “Star Trek” virtual reality (VR) experience this fall. “Star Trek: Discovery Away Mission” will allow up to 6 friends to enter the world of the series, complete with phasers and tricoders, and a holodeck to boot.

The new location will first be available at existing Sandbox VR locations in Hong Kong, the San Francisco Bay Area and Los Angeles, and come to new locations in New York, Austin, San Diego and Chicago soon after.

(12) SOURCE OF CRAZY IDEAS. Behind a paywall in the July 27 Financial Times, famous people were asked how they were spending their summers.  Guillermo Del Toro said he was scouting locations and working on a script for his remake of Pinocchio.

FINANCIAL TIMES:  “What’s your best memory of childhood summer holidays?”

DEL TORO:  “Reading Ray Bradbury in a hammock, by an avocado tree in Lake Chapala, Mexico.”

(13) SIGNED BRADBURY PRINTS. Gauntlet Press is running a Bradbury Oil Painting Special:

To celebrate the Ray Bradbury’s birthday (August 22) when he would be 99-years old, we are offering a special on Bradbury prints.

Besides being an acclaimed author he was also well-known for his oil paintings, a number of which we used for the covers of his signed limited editions. We have two we’re making available to commemorate his birthday, both SIGNED by Bradbury.

His oil painting from IT CAME FROM OUTER SPACE & His oil painting from SOMEWHERE A BAND IS PLAYING.

(14) DARK VIEWING. For your information, there’s a Netflix Official Site for The Dark Crystal: Age of Resistance with the latest trailer and other videos.

In this prequel to the fantasy classic, three young Gelfling inspire a rebellion against the cruel Emperor when they discover a horrifying secret.

(15) HUNTING THE 99 PERCENT. Slate’s Matthew Dessem introduces a film’s trailer — “Capturing the Zeitgeist: The Hunt Is About Rich People Hunting Poor People for Sport”.

It’s a truism that horror, science fiction, and exploitation films often wrestle with a society’s ills earlier and more frankly than other genres, even if they dress the problem up in a Godzilla suit. We’re facing our fair share of brand new, atom-bomb-class impending catastrophes today, but one of America’s biggest problems was already ancient when Paul sat down to drop Timothy a line, and, judging from the trailer, The Hunt is aiming to shoot it in the lungs with an arrow. The rest of cinema hasn’t exactly ignored greed or money as a subject: from President Business all the way back to Eisenstein’s smoke-filled rooms, cinema’s got no shortage of greedy capitalist villains. But there have been far fewer films that have played around with the unpleasant fact that, as a general rule, the wealthiest people in the world don’t see, think about, or treat the rest of us like human beings. Boots Riley’s Sorry to Bother You recently literalized this for a science-fiction take in which capitalists develop an alarming solution to building the workforce of tomorrow, and now director Craig Zobel and screenwriters Nick Cuse and Damon Lindelof are chiming in from the horror section, as the trailer for The Hunt makes clear:

(16) DON’T BOGART THAT CREDIT. BBC reports claims that “AI system ‘should be recognised as inventor'”.

An artificial intelligence system should be recognised as the inventor of two ideas in patents filed on its behalf, a team of UK academics says.

The AI has designed interlocking food containers that are easy for robots to grasp and a warning light that flashes in a rhythm that is hard to ignore.

Patents offices insist innovations are attributed to humans – to avoid legal complications that would arise if corporate inventorship were recognised.

The academics say this is “outdated”.

And it could see patent offices refusing to assign any intellectual property rights for AI-generated creations.

As a result, two professors from the University of Surrey have teamed up with the Missouri-based inventor of Dabus AI to file patents in the system’s name with the relevant authorities in the UK, Europe and US.

(17) PRESS ENTER. NPR’s profile “Our Language Is Evolving, ‘Because Internet'” should be good for a few arguments…

The Internet has become a place where we cultivate relationships. Through quick messages that we type with our thumbs on our phones, we keep in touch with friends and family; we flirt and fall in love.

And the potential for miscommunication abounds. Who among us hasn’t wondered whether a message in ALL CAPS meant it was especially urgent? Furious? Or just enthusiastic?

The linguist Gretchen McCulloch aims to clear some things up with her new book, Because Internet: Understanding the New Rules of Language. The “new” rules, she says in an interview, are “emergent.”

“So the old rules are these top-down, ‘here’s how you use an apostrophe,’ ‘here’s how you use a semicolon’ type of thing,” McCulloch says. “The new rules are about: How are other people going to interpret your tone of voice? … The old rules are about using language to demonstrate intellectual superiority, and the new rules are about using language to create connection between people.”

McCulloch says a lot of the confusion stems from the fact that people read Internet writing differently, depending on when they first went online. She gives NPR a few examples.

The author also features at Whatever today in “The Big Idea: Gretchen McCulloch”.

In 2014, I started writing a book about internet language. Every so often, while I was working on it, I would look at myself and think, surely this is a fool’s errand. How could I possibly sum up the entirety of the living, breathing language of the internet within a couple hundred static pages? 

[Thanks to Cat Eldridge, John King Tarpinian, Martin More Wooster, Jack Adkins, Chip Hitchcock, Mike Kennedy, StephenfromOttawa, Rob Thornton, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Soon Lee and Greg Hullender in magnificent collaboration.]

The Original William Shatner ‘Star Trek’ Fanzine Interview Origin

By Steve Vertlieb: It was fifty years ago this month that I interviewed William Shatner for the British magazine L’Incroyable Cinema in July1969 (later re-printed in The Monster Times in early 1972) at The Playhouse In The Park. Star Trek was still in the final days of its original network run on NBC.

My old friend Allan Asherman, who joined my little brother Erwin and I for this once in a lifetime meeting with Captain James Tiberius Kirk, astutely commented that I had now met all three of our legendary boyhood “Captains,” which included Jim Kirk (Bill Shatner), Flash Gordon/Buck Rogers (Larry “Buster” Crabbe), and Buzz Corry (Ed Kemmer). It’s funny how an often charmed life can include real life friendships with childhood heroes.

Steve Vertlieb, William Shatner, and Erwin Vertlieb (1969).

L’Incroyable Cinema Issue 3 Centre Spread for what may have been the first fanzine interview ever conducted with William Shatner while “Star Trek” was still airing over the NBC Television Network.

L’Incroyable Cinema No. 3 Wrap round cover for their special Star Trek interview issue.

Here is the cover for The Monster Times 1972 “Star Trek issue featuring my published 1969 interview with William Shatner from L’Incroyable Cinema Magazine.

Pixel Scroll 7/12/19 Pixel Less, Scroll More

(1) CELEBRATING “BLOB FEST” THIS WEEKEND. [Item by Steve Vertlieb.] This weekend, fans from all over the world will converge upon The Colonial Theater in Phoenixville, Pennsylvania to commemorate the arrival upon our planet of a gelatinous intruder whose ravenous appetite inspired the birth of girth, and shamed The Cookie Monster into both seclusion and retirement. The historic theater, itself a performer in the classic Paramount release, plays host each Summer to “Blob Fest,” and will be the preferred destination for all self-respecting horror fans from Friday to Sunday, July 12th, 13th, and 14th.

Some years ago, I was invited by my beloved friend, Wes Shank, to his home to meet his nefarious tenant. Wes left us, sadly, a year ago … but his protege continues to mystify, charm, and entertain millions of adoring fans.

What follows is the link to a hopefully entertaining chronicle of one of my less successful show business associations…with one of filmdom’s “largest” screen personalities, and a creature that only Jenny Craig could love. Celebrating the sixty first anniversary of “The Blob.” — “How I Met… The Blob” at The Thunderchild.

(2) “HIGHLY CLASSIFIED” TV COMMERCIAL. Ad Astra comes to theaters September 20.

Astronaut Roy McBride (Brad Pitt) travels to the outer edges of the solar system to find his missing father and unravel a mystery that threatens the survival of our planet. His journey will uncover secrets that challenge the nature of human existence and our place in the cosmos.

(3) THE MAD MEN WHO SOLD THE MOON. FastCompany lines up “The best and worst ads that celebrated the Apollo 11 Moon landing”:

…The most interesting ad on July 21, 1969, came from Brillo steel-wool scrubbing pads. Brillo offered Times readers a poster-size color map of the Moon, from Rand McNally. The ad was a striking one-third of a page, showing the Moon, with a coupon. It was a typical late sixties promotion: Fill in your address and mail the coupon, with two “proofs of purchase” clipped from boxes of Brillo pads to get that map. “This map is only available from Brillo,” the ad touted. “Let Brillo send you the Moon. Free.”

Brillo, to be clear, had no connection to the Moon landings.

The advertising blossomed on the day after Michael Collins, Buzz Aldrin, and Neil Armstrong successfully and safely splashed down in the Pacific Ocean. On that day, in fact, the ratio of news coverage to advertising in the New York Times completely reversed.

The paper itself was 88 pages that Friday, July 25, 1969. It contained 15 full-page ads about Apollo, and another half-dozen ads that were a half-page or bigger. In all, there were more than 22 pages of advertisements about the Moon landings. The coverage itself that day was only six pages.

(4) PREPPING FOR DUBLIN. The third in Anne-Louise Fortune’s series “What is Worldcon” aims to enlighten the YouTube generation. “Three Essential Elements” covers the business meeting and site selection, among other things.

(5) I AM NO MAN. Nicole Rudick reviews The Future Is Female anthology in “A Universe of One’s Own” at The New York Review of Books.

“Write me a creature who thinks as well as a man, or better than a man, but not like a man.” This was the challenge the influential science-fiction editor John Campbell famously issued his authors in the 1940s. It was aimed at producing aliens as fully formed as the interstellar human travelers who encounter them. Isaac Asimov thought the best example was a creature named Tweel from Stanley Weinbaum’s “A Martian Odyssey,” a story from 1934 that preceded the dictum. But the instruction also has the feel of a riddle, and neither Campbell nor Asimov considered its most obvious answer: a woman.

Three years before Weinbaum’s Martian adventure, Leslie F. Stone published “The Conquest of Gola” in the April 1931 issue of the science-fiction pulp magazine Wonder Stories. This was not Stone’s first published story, but it became her best known. Gola is a planet ruled by a gentle civilization of telepathic nonhumanoid females with movable eyes and sensory functions available on all parts of their round, golden-fur-covered bodies. The males of the planet are docile pleasure-consorts. Into this edenic world plunges a cadre of Earth men who desire “exploration and exploitation.” The queen rejects their plea for trade and tourism. She isn’t just dismissive of what she feels are the Earthlings’ barbarian mentality and low-grade intelligence; she simply can’t be bothered to take them seriously. “To think of mere man-things daring to attempt to force themselves upon us,” she says. “What is the universe coming to?” Rebuffed, the Earth men launch a full invasion; the Golans (who narrate the tale) obliterate them. End of story. A case study in thinking better than men but not like men.

“The Conquest of Gola” is one of the twenty-five SF tales written by women that are collected in the enjoyable new anthology The Future Is Female, edited by Lisa Yaszek…

(6) BEGGING THE QUESTION. BookRiot thinks readers should already know the answer: “So You Want To Bring Back Dystopian YA? Well, Here’s Why It Never Left”.

With the announcement of a prequel to Suzanne Collins’s popular young adult trilogy The Hunger Games, there has been a wealth of discourse on why it’s finally time to bring back dystopian YA. It’s a trend that dominated both the YA scene and the box office in the early 2010s, with the success of The Hunger Games seeing major film production companies competing in a fierce battle for the next big blockbuster hit.

…But what about the books? Is Suzanne Collins bringing back dystopian YA? Is the trend finally rising from the ashes, allowing us all to relive our best 2012 selves? Well, you can’t bring back something that never really left.

Despite the apparent decline of dystopian YA movies in Hollywood, a steady stream of young adult novels in recent years has kept the genre afloat for teens who still wanted to consume these stories outside of the adaptations.

Some of the most popular series, like An Ember In The Ashes by Sabaa Tahir and Shatter Me by Tahereh Mafi, both written by authors of colour, were first published during the dystopian craze of the early 2010s, and subsequent books continue to be published without the marketing push that saw the likes of The Hunger Games and Divergent driven to success.

(7) FLAME OUT. At a Warner Bros. studio in the UK, fire claimed a set used in numerous genre productions: “Warner Bros Studios fire: Crews tackle blaze for 15 hours”.

Crews were called to the site in Leavesden, Hertfordshire, at 23:29 BST on Wednesday.

The fire service said the set involved was not being used at the time and there had been no reported injuries.

All eight Harry Potter films as well as other movies including James Bond, Fast and Furious and the Mission Impossible franchises have filmed at the studios.

The fire service confirmed shortly before 15:00 on Thursday the fire was out, although some crews remain at the scene.

A spokesman for Warner Bros said the fire had occurred on a sound stage being used for the television production Avenue 5, but all productions were able to continue working.

Avenue 5 is an HBO space tourism comedy by The Thick of It creator Armando Iannucci.

(8) TODAY IN HISTORY.

July 12, 1969  — [Item by Steve Green.] Today marks the fiftieth anniversary of Star Trek‘s debut on British television, where it occupied the Saturday afternoon slot on BBC1 traditionally occupied by Doctor Who. Unlike NBC and its US affiliates, the BBC opened with ‘Where No Man Has Gone Before’, the second pilot and the first to feature William Shatner as James T Kirk. As one of those captivated viewers, this means July 12, 2019 is also the fiftieth anniversary of my becoming a Star Trek fan.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 12, 1895 Buckminster Fuller. Genre adjacent and I don’t believe that he actually wrote any SF though one could argue that Tetrascroll: Goldilocks and the Three Bears, A Cosmic Fairy Tale is sort of genre. You will find his terminology used frequently in genre fiction. (Died 1983.)
  • Born July 12, 1912 Joseph Mugnaini. An Italian born artist and illustrator. He is best known for his collaborations with writer Ray Bradbury, beginning in 1952. Through an amazing piece of serendipity, there’s an interview with him talking about working with Bradbury which you can listen to here. (Died 1992.)
  • Born July 12, 1923 James E. Gunn, 96. H’h, what have I read by him? Well there’s The Joy Makers and Future Imperfect, not to mention The Magicians. I’m sure there’s more but those are the ones I fondly remember. Which ones do you recall reading? 
  • Born July 12, 1933 Donald E. Westlake. No, I didn’t know he did genre but ISFDB says he, hence this Birthday note. Transylvania Station by him and wife is based on Mohonk Mountain House-sponsored vampire hunting mystery role-playing weekend. (Died 2008.)
  • Born July 12, 1945 James D. Allan, 74. A rather prolific writer and author on the subject of Tolkien linguistics. He is primarily known for his book, An Introduction to Elvish. His most recent contribution to the field is “Gandalf and the Merlin of the Arthurian Romances”, published in Tolkien Society’s Amon Hen number 251. 
  • Born July 12, 1946 Charles R. Saunders,73. African-American author and journalist currently living in Canada, much of his fiction is set in the fictional continent Nyumbani (which means “home” in Swahili). His main series is is the Imaro novels which he claims are the first sword and sorcery series by a black writer.
  • Born July 12, 1970 Phil Jimenez, 49. Comics illustrator and writer. He was the main artist of Infinite Crisis, a sequel to Crisis on Infinite Earths. He also did the awesome first issue of Planetary/Authority: Ruling the World, and was responsible for the first six issues of Fables spin-off, Fairest.
  • Born July 12, 1976 Anna Friel, 43. Her best remembered genre role is as played Charlotte “Chuck” Charles on Pushing Daisies, but she’s been Hermia in A Midsummer Night’s Dream and Elizabeth Bonny in Neverland, not to mention Lady Claire in Timeline, an SF virtually no one has heard of. 
  • Born July 12, 1976 Gwenda Bond,  43. Her Blackwood novel won a Locus Award for Best First Novel. (Strange Alchemy is the sequel.) She written three novels featuring DC character Lois Lane, and her Cirque American series with its magic realism looks interesting. She also wrote the “Dear Aunt Gwenda” column in the Lady Churchill’s Robot* Wristlet chapbooks that Gavin J. Grant and Kelly Link did for awhile over at Small Beer Press. 

(10) RESISTANCE ON HOLD. Hugo Martin, in “Disneyland delays 2nd ride at Star Wars land” at the LA Times, says “Rise of the Resistance will open Jan. 17 instead of this year.”

The Anaheim theme park had previously said the Rise of the Resistance ride would launch this year.

The ride is designed to put parkgoers in the middle of a fierce battle between resistance fighters and the evil forces of the First Order. An identical ride will open in December at Walt Disney World Resort in Florida.

Star Wars: Galaxy’s Edge , the largest expansion in the park’s history, opened May 31 with only one ride in operation, Millennium Falcon: Smuggler’s Run…

Bob Iger, chief executive of Walt Disney Co., had previously promised Disney fans that Rise of the Resistance would open in 2019.

Instead, Disney said on its website Thursday that the much-anticipated Rise of the Resistance will open first at the Florida park before the Christmas holiday vacation and then at Disneyland in January, when families will have returned to work and school after the winter break.

Disney’s website suggested that the California attraction would open later than the one in Florida because Disney engineers and ride developers can open only one ride at a time…

(11) JAPAN SCORES TOUCHDOWN. “Hayabusa-2: Japanese spacecraft makes final touchdown on asteroid” – BBC has the story.

A Japanese spacecraft has touched down on a faraway asteroid, where it will collect space rock that may hold clues to how the Solar System evolved.

The successful contact with the Ryugu asteroid was met with relief and cheering in the control room at Japan’s space agency, JAXA.

It is the second touchdown for the robotic Hayabusa-2 craft, which grabbed rocks from the asteroid in February….

(12) TRUE ACCOUNTABILITY. Somebody had to say it.

(13) TEA OR TOR. Bonnie McDaniel takes her turn at reviewing the lot: “Hugo Reading 2019: Best Novella”.

The novella (17,500-40,000 words) has had something of a resurgence in recent years, mainly due to Tor’s excellent novella line. (I know the ones I’ve bought are taking up nearly a full shelf in one of my bookcases.) This time around, five of the six nominees are from Tor; the only exception (Aliette de Bodard’s The Tea Master and the Detective) was published by Subterranean, a niche publisher that puts out lovely limited collectible editions. (Which also take up a not-inconsiderable amount of my own shelf space.) For a lot of stories, the novella is the perfect length, and I’m glad to see its growing popularity.

(14) AREA CODE. CNN reports “Thousands of people have taken a Facebook pledge to storm Area 51 to ‘see them aliens'”.

Stretch those quads and prep that tinfoil hat!

Over 300,000 people have signed on to a Facebook event pledging to raid Area 51 in Nevada in a quest to “see them aliens.”

The event, titled “Storm Area 51, They Can’t Stop All of Us,” is inviting users from around the world to join a “Naruto run” — a Japanese manga-inspired running style featuring arms outstretched backwards and heads forward — into the area.

“We can move faster than their bullets,” the event page, which is clearly written with tongue in cheek, promises those who RSVP for September 20.

(15) INVESTMENT OPPORTUNITY. It only takes one.

(16) CRAWL VARMINT, CRAWL ON YOUR BELLY LIKE A REPTILE. [Item by Mike Kennedy.] Is this movie—about oversized alligators terrorizing people trapped in a crawlspace during a massive storm—genre? Well, it is horror of a sort, perhaps only one or two steps removed from movies about shark-filled tornadoes.

Having seen a TV advert for Crawl, I absolutely knew I would never want to go see the movie in a  theater (though YMMV). On the other hand, the review itself is a hoot: The Hollywood Reporter: “’Crawl’: Film Review”

No sensible person goes to see a movie about killer alligators and then complains that it was silly and over the top. So it’s puzzling that Paramount would refuse to hold critics’ screenings for Alexandre Aja’s Crawl, a film that, despite some ludicrous action scenes and risible dialogue, might well have been helped more than harmed, on the whole, by reviews. After all, not every Snakes on a Flesh-Eating Sharknado delivers on its schlocky promises, and savvy consumers like to be told they won’t get burned this time. Consider this a measured endorsement for the kind of action-packed B picture where Serbia stands in for coastal Florida, and nobody notices, and they wouldn’t care if they did.

(17) KEEPING UP WITH THE PHILISTINES. In Science Advances, “Ancient DNA reveals the roots of the Biblical Philistines”. “The Philistines appear repeatedly in the Bible, but their origins have long been mysterious. Now genetic evidence suggests that this ancient people trace some of their ancestry west all the way to Europe.”

The ancient Mediterranean port city of Ashkelon, identified as “Philistine” during the Iron Age, underwent a marked cultural change between the Late Bronze and the early Iron Age. It has been long debated whether this change was driven by a substantial movement of people, possibly linked to a larger migration of the so-called “Sea Peoples.” Here, we report genome-wide data of 10 Bronze and Iron Age individuals from Ashkelon. We find that the early Iron Age population was genetically distinct due to a European-related admixture. This genetic signal is no longer detectible in the later Iron Age population. Our results support that a migration event occurred during the Bronze to Iron Age transition in Ashkelon but did not leave a long-lasting genetic signature.

(18) ON STRIKES. For your edification, ScreenRant screens the “Star Wars: Episode V – The Empire Strikes Back Pitch Meeting.”

Empire Strikes Back is known not only as one of the best Star Wars movies, but one of the best sequels of all time. Despite it’s amazing reputation it still raises a few questions. Like how did that Wampa freeze Luke’s feet to a cave ceiling? Why was Yoda making him do so many flips? What’s up with the AT-AT strategy on Hoth? Why did Leia kiss Luke? To answer all these questions and more, step inside the pitch meeting that led to The Empire Strikes Back!

[Thanks to Martin Morse Wooster, Mike Kennedy, John King Tarpinian, Chip Hitchcock, Cat Eldridge, JJ, Dann, SF Concatenation’s Jonathan Cowie, Michael Toman, Carl Slaughter, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Doug.]