Compiled by Carl Slaughter:
- Bootleg Star Wars comic book in China takes liberties
- Baylo: the officer who stood up to Darth Vader and Emperor Palpatine
More items follow the jump.Continue reading
Compiled by Carl Slaughter:
More items follow the jump.Continue reading
(1) PICARD. Entertainment Weekly got the word from Alex Kurtzman: “Star Trek producer explains how Picard spin-off will be ‘extremely different'”.
“It’s an extremely different rhythm than Discovery,” [writer-director Alex] Kurtzman told EW exclusively. “Discovery is a bullet. Picard is a very contemplative show. It will find a balance between the speed of Discovery and the nature of what Next Gen was, but I believe it will have its own rhythm.”
Continued Kurtzman: “Without revealing too much about it, people have so many questions about Picard and what happened to him, and the idea we get to take time to answer those questions in the wake of the many, many things he’s had to deal with in Next Gen is really exciting. ‘More grounded’ is not the right way to put it, because season 2 of Discovery is also grounded. It will feel more…real-world? If that’s the right way to put it.”
(2) NO BUCKS, NO BUCK ROGERS. Also,Variety says the Picard series will be made in California to take advantage of state tax benefits: “New‘ Star Trek’ Series to Shoot in California, Selected for Tax Credit”.
The California Film Commission announced Monday that the untitled “Star Trek” series and eight other TV series have been selected for the latest tax credit allocations totaling $90 million under the state’s expanded Film & TV Tax Credit Program 2.0.
Six recurring series already in the tax credit program and picked up for another season of in-state production have also been set for allocations — Fox’s third season of “The Orville” with $15.8 million, CBS’s second season of “Strange Angel” with $10 million, Fox’s ninth season of “American Horror Story” ($8.9 million), and the second seasons of “MayansMC” ($7.6 million), “Good Trouble” ($6.6 million) and “The Rookie” ($4.5million).
(3) LULZINE. John Coxon and España Sheriff have launched a new online fanzine called Lulzine, focused on comedy, and comedy in science fiction and fantasy. Check out Lulzine Issue 1. The editors are still looking for material that suits the first issue’s theme. (Adding stuff makes sense because Lulzine presents as a blog. But don’t tell anyone I said so.)
We’re hoping to add more articles to the first issue before we start the second issue just before Ytterbium (the next Eastercon). The theme of the first issue is comedy in television, so if anyone wants to pitch us articles, they can contact us at firstname.lastname@example.org.
(4) BREAKFAST WITH EINSTEIN. At Whatever, Chad Orzel explains “The Big Idea” behind his book Breakfast with Einstein: The Exotic Physics of Everyday Objects.
Quantum mechanics is one of the most amazing theories in all of science, full of stuff that captures the imagination: zombie cats, divine dice-rolling, spooky actions over vast distances. Maybe the single most amazing thing about it, though, is that we think it’s weird.
That probably seems a strange thing to say, because quantum physics is so weird, but that’s exactly the point. These are the fundamental principles governing the behavior of everything in the universe, and yet they run completely counter to our intuition about how the world works. If these are the basic rules underlying everything, shouldn’t they make sense? How can the entire universe behave according to strictly quantum laws, and yet we’re not intuitively aware of it?
(5) GLOBAL VIEW. Here’s Mortal Engines’ fascinating “Explore London 360” video –
(6) STUDY IN THIS WORLD’S HOGWARTS. Buzzfeed displays photos of “16 Libraries That Look Like Hogwarts IRL”. One of them is —
2.The University of Washington Library in Seattle, Washington
(7) CREATING AN IMPRESSION. Dave Addey takes up book covers as part of his column’s “Typeset in the Future” sub theme at Tor.com: “Designing the Future: Deconstructing Five Sci-Fi Book Covers”. He doesn’t restrict the conversation to Tor publications, I just thought this one made a good excerpt for the Scroll —
“Loss of Signal” by S. B. Divya (A Tor.com Original,2018)
…The cover’s inverted planetary relationship evokes “Earthrise”, a famous NASA photograph taken onboard Apollo 8 by astronaut Bill Anders….
Like “Earthrise” and Loss of Signal, 2001’s intro shows our home planet far in the distance, small and insignificant when compared to the moon’s barren surface in the foreground. Both images require viewers to consider their place in the universe from an entirely alien vantage point, far from the comforts of home. It’s an entirely appropriate feeling for S. B. Divya’s story of the first human mind to circle the moon without a body in tow.
(8) UNSTINCTION. Shelf Awareness calls attention to Torill Kornfeldt’s “The Re-Origin of Species: A Second Chance for Extinct Animals”.
“There is no way in which a lost species can really be brought back to life,” writes Swedish science journalist Torill Kornfeldt in her fascinating debut, The Re-Origin of Species: A Second Chance for Extinct Animals. “The nearest thing we can manage is a substitute.” But as each chapter reveals, the “substitutes” that many scientists think are possible would be nearly identical to–and just as astonishing as–the originals.
Kornfeldt travels the world to meet scientists who are attempting “de-extinction,” the practice of bringing extinct animals back to life. In Siberia, she meets Sergey Zimov, a Russian scientist attempting to revive mammoths. And in California she speaks with Ben Novak, a young scientist trying to resurrect the passenger pigeon. Other scientists are working on the northern white rhino, a Spanish ibex called a bucardo and, yes, even a dinosaur. There are still advancements to be made in genetic research before any of these experiments could result in actual resurrected animals but, according to the scientists Kornfeldt interviews, breakthroughs are happening at an unprecedented pace. De-extinction is only a few years away from becoming reality.
(9) BUT THEN I TURNED ON THE TV, AND THAT’S ABOUT THE TIME SHE WALKED AWAY FROM ME. [Item by Olav Rokne.] Looks like Gerard Way’s The Umbrella Academy won’t be the only science fiction TV show based on a comic book by a famous Emo band member. Blink 182 guitarist Tom DeLonge’s sci-fi graphic novel Strange Times is being turned into a show for TBS. The show will follow all-American teen Charlie Wilkins who starts investigating when his dad is abducted by aliens. He’s helped by his skateboarding friends and the ghost of a girl. Of the show, DeLonge says: “My love for all things paranormal and skateboarding are sometimes only superseded by my love for offensive humor. This series combines them all into one.” “Blink 182’s Tom DeLonge is making his own sci-fi TV series” – NME has the story:
…The show is in development at US network TBS and will follow “five dirty teenage skateboarders who solve paranormal mysteries while being chased by Deep State government agents.”
(10) WHEN IT ABSOLUTELY, POSITIVELY HAS TO BE THERE OVERNIGHT. “Mark Hamill reveals script for Star Wars IX will be flown to him and then immediately taken back amid intense plot leak fears” — Daily Mail has the story.
If you can’t trust a Jedi Master, who can you trust? Mark Hamill has revealed the script for Star Wars Episode IX will be flown to him and he must immediately hand it back after reading it.
Security around the finale is so tight that the 67-year-old is no longer allowed to keep a copy. He has yet to shoot his scenes.
The actor, who plays Luke Skywalker in the sci-fi saga, is currently in Prague where he is shooting the History Channel’s Knightfall.
(11) LIGHTSABER AUCTION CANCELLED. Profiles in History responded to the controversy reported in an earlier Scroll by withdrawing the item: “Star Wars lightsaber auction pulled over origin dispute”.
…However, the Original Prop Blog posted a series of videos raising doubts about the weapon, including alleged discrepancies between the lightsaber shown in that letter and the lightsaber in the auction catalogue.
There were also claims this might be a replica or prototype prop.
But Mr Roger Christian told the BBC it was one of five original lightsabers made for the film, saying: “It is real – I’ve got the Oscar to prove it.”
(12) TODAY’S BIRTHDAYS
[Compiled by Cat Eldridge.]
(13) COMICS SECTION.
(14) TONIGHT’S JEOPARDY! Andrew Porter has his eye on the tube. Tonight’s Jeopardy!, in the category “Posthumous Books,” gave the answer as: “After death, this horror author still talked about the Necronomicon in his novel, ‘The Case of Charles Dexter Ward.'”
Wrong question: “Who is Asimov?”
(15) SKY’S THE LIMIT. In his latest Nerds of a Feather contribution,“Microreview [Book]: The Fated Sky, by Mary Robinette Kowal”, Joe Sherry declares —
The Fated Sky stands well on its own but, when coupled with The Calculating Stars, is a masterpiece.
After reading The Calculating Stars (my review) earlier this year, I wrote about how Mary Robinette Kowal did more than achieve a sense of wonder, she brought the dream of spaceflight beyond the page and directly into readers hearts. The Calculating Stars was a masterful novel that will surely find a place on many Year’s Best lists and a number of awards ballots. It’s a lot to live up to, but the near perfection of The Calculating Stars only serves to whet the appetite for The Fated Sky.
The Fated Sky picks up a few years after the end of The Calculating Stars. There is a fledgling base and colony on the moon, regular round trip missions from the earth to the moon, and the IAC (International Aerospace Coalition) is planning for its first Mars mission. Each of the two books are tagged as “Lady Astronaut” novels and Mary Robinette Kowal won a Hugo Award for her story “The Lady Astronaut of Mars“. We know how the progression of Elma’s story, where she ends up. It isn’t about spoiling the ending, the beauty of The Fated Sky is in the journey. In this case, a journey to Mars.
(16) BATWOMAN IN CW CROSSOVER. The Hollywood Reporter tells“How Batwoman Fit Into The CW’s DC Comics World in ‘Elseworlds'”.
Batwoman has finally arrived on The CW. Ruby Rose’s iconic lesbian superhero officially made her debut during Monday’s Arrow, part two of The CW’s three-part superhero crossover “Elseworlds.”
With Earth-1 impacted by a magical book that altered reality, Monday’s Arrow installment of The CW’s big “Elseworlds” superhero crossover found The Flash’s Barry (Grant Gustin), Arrow’s Oliver (Stephen Amell) and Supergirl’s Kara (Melissa Benoist) in Gotham to try and get to the bottom of things. Unfortunately for the heroes, a mugging (and their inability to stand down) landed the trio in jail, where they were bailed out by a mysterious figure — Kate Kane (Orange Is the New Blackgrad Rose), aka Batwoman.
(17) JUST DO IT. Mars Society president Robert Zubrin argues in the Washington Post that “We have the technology to build a colony on the moon. Let’s do it.” The author of The Case For Mars takes aim at current NASA plans to build a mini-space station that would orbit the moon, and instead suggests that the time has come to set up a permanent habitable structure on the lunar surface.
…As for landing people on the moon, NASA is vague about that, too. Apparently, if we wanted to build a lander sometime in the future, it would rendezvous with the Gateway for some reason and then attempt a landing.
This is all just plain weird. It’s like building a big, expensive aircraft carrier, positioning it off the European coast and requiring passengers going from New York to Paris to land there first and do something (although what isn’t known) until another airplane is built to pick them up to carry them to their destination. This, we suspect, is not the best way to get to France.
Rather than build this murky Gateway, which we frankly doubt the American people will understand or support, we believe the best expenditure of time and money is to simply make it a national goal to build a base on the lunar surface. Such a base would be similar to the U.S. South Pole Station and constructed for the same reasons: science, exploration, knowledge, national prestige, and economic and technological development for the benefit of the U.S. taxpayer.
…If we’re serious about going to the moon, let’s just go there. Next year will mark the 50th anniversary of the first moon landing, reminding us of the sort of things we as a nation once accomplished. We should resolve now to do no less.
(18) STOP AND GO. First story isn’t good news: Himalayan glaciers are slowing because they’ve thinned enough that there’s less mass to move them downhill, and their outflows provide inland water. Second story also isn’t good news: Satellite images show Antarctic glaciers getting more lubrication on their way to the ocean, where they’ll melt and raise ocean levels.
The glaciers that flank the Himalayas and other high mountains in Asia are moving slower over time.
Scientists have analysed nearly 20 years of satellite images to come to this conclusion.
They show that the ice streams which have decelerated the mostare the ones that have also thinned the most.
The region has long been considered stable and unaffected by some of the more dramatic changes occurring elsewhere on the continent.
But satellites have now shown that ice streams running into the ocean along one-eighth of the eastern coastline have thinned and sped up.
If this trend continues, it has consequences for future sea levels.
There is enough ice in the drainage basins in this sector of Antarctica to raise the height of the global oceans by 28m – if it were all to melt out.
(19) GAME CENSORS. From BBC we learn that “China’s new games censors take tough stance”.
A panel of censors set up to vet mobile video games in China has signalled it will be hard to please.
State media reports that of the first 20 titles it assessed, nine were refused permission to go on sale.
The Xinhua news agency added that developers of the other 11 had been told they had to make adjustments to remove “controversial content”.
There has been a clampdown on new video game releases in the country since March.
The authorities have voiced concerns about the violent nature of some titles as well as worries about the activity being addictive.
President Xi Jinping has also called for more to be done to tackle a rise in near-sightedness among the young – something that the country’s ministry of education has linked to children playing video games at the cost of spending time on outdoor pastimes.
(20) FILMING IN NEW ZEALAND. The Hollywood Reporter shows how Peter Jackson’s pioneer efforts have paid off for New Zealand: “‘Avatar’ to ‘Mulan’: Hollywood Movies Are Keeping New Zealand Busier Than Ever”.
…In addition to recently hosting summer blockbusters like Tom Cruise’s Mission Impossible — Fallout and the giant shark thriller The Meg, the New Zealand production uptick is indeed evidenced by the volume of high-profile projects that are in varying stages of production right now.
James Cameron is gearing up for the monumental task of shooting all three of the Avatar sequels there simultaneously early in 2019. The films were brought to New Zealand via a government deal that requires 20thCentury Fox to spend no less than NZ $500 million (about $345 million)in-country and to hold at least one of the world premieres there.
Meanwhile, Disney is just wrapping production on its live-action adaptation of Mulan, with a budget north of $100 million and Kiwi director Niki Caro at the helm. The project shot on the new stages at Kumeu Film Studios in West Auckland as well as on locations across the country. Netflix, of course, also is active in New Zealand, having recently begun filming the family fantasy series The Letter for the King in Auckland; Amazon Studios, meanwhile, is shooting the YA series The Wilds in Auckland nearby. Also courtesy of Amazon, the franchise that made New Zealand synonymous with Middle Earth is tipped to be coming back to the island nation — for many in the local industry, it’s simply unthinkable that the streamer’s Lord of the Rings TV series, with a rumored budget of $500 million, won’t shoot there.
(21) BEST RESOURCE. Congratulations to Mark Kelly who has added contents of 15 best-of-year anthology series to his Science Fiction Awards Database site, with single-page composite tables of contents for each series, and all stories included on their authors’ individual pages. (He still has more such series yet to do, for example, the Datlow/Windling series.) See “Anthologies & Collections Directory”. The first 15 “bests” include–
1939 – 1963 • Asimov/Greenberg • The Great SF Stories (DAW, 1979 – 1992)
1948 – 1957 • Bleiler/Dikty • The Best Science-Fiction Stories and Novels (1949 – 1958)
1955 – 1967 • Judith Merril • Year’s Best S-F (1956 – 1967)
1964 – 1970 • Wollheim/Carr • World’s Best Science Fiction (Ace, 1965 – 1971)
1967 – 1975 • Harrison/Aldiss • Best SF (1968 – 1976)
1974 – 1975 • Lester del Rey • Best Science Fiction Stories of the Year (Dutton, 1972 – 1976)
1971 – 1989 • Donald A. Wollheim • Annual World’s Best SF (DAW, 1972 – 1990)
1971 – 1986 • Terry Carr • Best Science Fiction of the Year + Fantasy (1972 – 1987)
1976 – 1980 • Gardner Dozois • Best Science Fiction Stories of the Year (Dutton, 1977 – 1981)
1983 – 2017 • Gardner Dozois • Year’s Best Science Fiction (St. Martin’s, 1984 – 2018)
1995 – 2012 • Hartwell/Cramer • Year’s Best SF, Year’s Best Fantasy (1996 – 2013)
2001 – 2004 • Silverberg/Haber/Strahan • Science Fiction Best of, Fantasy Best of (ibooks: 2002 – 2005)
2003 – 2017 • Jonathan Strahan • The Best Science Fiction & Fantasy of the Year (2004 – 2018)
2005 – 2017 • Rich Horton • The Year’s Best Science Fiction & Fantasy (Prime, 2006 – 2018)
2015 – 2017 • Neil Clarke • The Best Science Fiction of the Year (Night Shade, 2016 – 2018)
[Thanks to John King Tarpinian, Chip Hitchcock, Martin Morse Wooster, JJ, Olav Rokne, Cat Eldridge, Mike Kennedy, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Olav Rokne.]
(1) WRITING IDENTITY. Lara Elena Donnelly discusses the challenges to a writer in an industry with entrenched genre labels and sublabels. Thread starts here.
As I wrote it, I felt ashamed for playing that game. Why couldn’t I just say “I’m a fantasy writer?”
But it’s more complicated than that. There are all these weird boundaries and labels for fiction, all with value judgements attached.
— Lara Elena Donnelly (@larazontally) December 4, 2018
(2) “I’M SHOCKED”: The Wrap begins its story —
We sense a great disturbance in the Force, as if millions of bank accounts suddenly cried out in terror, and were suddenly emptied.
…Hollywood auction house Profiles in History is offering the original lightsaber prop used by Mark Hamill in 1977’s “Star Wars: A New Hope” at the estimated value of $150,000 – $200,000.
But is it the real McCoy? BBC reports that “Mark Hamill questions Luke Skywalker lightsaber auction”.
[On] Twitter, Mr Hamill explained it may not be a one-off.
Be Advised-There was no ONE lightsaber I used in the films, but many, MANY, both for myself & my stunt-double. Multiple duplicate back-up props are commonplace during production-When the handle ridges were cutting my hands, they even made a few w/ soft sponge ridges! #BuyerBeware https://t.co/C6Tv4TGIPy
— Mark Hamill (@HamillHimself) December 4, 2018
But the Academy Award-winning production designer for the original Star Wars film, Roger Christian, told the BBC the lightsaber is an original.
“There are five originals I handmade myself, and this is one of them,” he said. “It is real – I’ve got the Oscar to prove it.”
(3) ON THE FRONT. “How I became a book cover designer: Chip Kidd” at USA Today.
Q: What has been your biggest career high and your biggest career low?
Kidd: High: “Jurassic Park.” That will be the first line of my obituary, and I’m extremely proud of that. I have absolutely no regrets.
Low: There’s nothing where I think, oh my God, I’m so ashamed I did X or Y- I mean, I’m really not. There are books that you work on that you are hoping are going to do really well, but that’s not the same – that’s not saying ‘oh my God, I’m so ashamed of that,’ it’s just like saying, ‘well, we did our best and that didn’t work.’
(4) THE BOOK OF KINGFISHER Camestros Felapton chimes in with “Review: Swordheart by T. Kingfisher”.
This book positively sparkles with snappy dialogue as if it were a 1940s romantic comedy…but with swords, talking badger people and a possibly demonic bird.
We are back to the world of the Clockwork Boys, a few years on since the end of the Clocktaur wars. There are no shared characters but the shared fantasy setting relieves the story from having to spend time on additional world building. There are hints of broader trouble brewing but unlike the Clockwork Boys this is a less conventional fantasy quest.
(5) AUDIBLE.COM BEST OF THE YEAR. Audible.com has announced the audiobooks picked in various categories as the Best of the Year 2018.
Tade Thompson’s Rosewater is the Sci-Fi Winner.
Sci-Fi Winner: Rosewater
Rosewater is one of the most unique sci-fi books I’ve listened to in the past few years, let alone 2018. Author Tade Thompson—who won the inaugural Nommo Award (Africa’s first speculative fiction award) for this novel—describes his concept as a Frankenstein of influences, a phrase that calls to mind a monster cobbled together with mismatched parts. But in reality, the pieces all fit together in near-perfect synchronicity. A completely original alien invasion story with neocolonialist themes, combined with top-notch world-building make this series as unpredictable as it is unputdownable. And enhancing the experience is new narrator Bayo Gbadamosi, who was personally chosen by the author, and whose effortless performance of various characters and accents immerse the listener in this twisty, enthralling world. —Sam, Audible Editor
The other finalsists were Ball Lightning by Cixin Liu, Level Five by William Ledbetter, The Calculating Stars by Mary Robinette Kowal, and Binti: The Night Masquerade by Nnedi Okorafor.
Naomi Novik’s Spinning Silver is the Fantasy Winner.
Fantasy Winner: Spinning Silver
Spinning Silver is unexpectedly epic. The spell of it sneaks up on the listener. Yes, it’s a fairytale retelling of Rumplestiltskin, only with six different character perspectives and a fully fleshed-out world that’s familiar, but imbued with magic. At its center are two main heroines, Miryem and Wanda. Together, they carry complicated and relatable problems on their shoulders, making this an easily accessible fantasy for those who might be daunted by the genre. The land around them is bewitching and enchanting, made all the more so from Lisa Flanagan’s subtly accented narration. Simply put, it led us away to a wintry fantasy land and trapped us there, firmly cementing its place in our minds. —Melissa, Audible Editor
(6) EXPANDING UNIVERSE. Awareness of science-fiction’s blossoming of cultural inclusivity seems to be reaching the mainstream, as the BBC culture writer Tom Cassauwers looks at a variety of literary movements that are making the genre more meaningful to more people: “What Science Fiction Says About The Cultures That Create It”.
— Tom Cassauwers (@TCassauwers) December 4, 2018
Well-known artistic depictions of the future have traditionally been regarded as the preserve of the West, and have shown a marked lack of diversity. Yet new regions and authors are depicting the future from their perspectives. Chinese science fiction has boomed in recent years, with stand-out books like Cixin Liu’s The Three-Body Problem. And Afrofuturism is on the rise since the release of the blockbuster Black Panther. Around the world, science fiction is blossoming.
Susana Morris, Associate Professor at Georgia Institute of Technology says:
“People often think Afrofuturism is a genre, while really it’s a cultural movement. It isn’t just black science fiction. It’s a way for black folks across the diaspora to think about our past and future.”
(7) THE OTHER FIRST PERSON. “Jonathan Lethem on First-Person Narrators: When Men Write Women and Women Write Men” on Bookmarks has a conversation between Lethem and Jane Ciabattari about novels with first-person narration from the opposite gender. Among the books discussed are Philip K. Dick’s The Transmigration of Timothy Archer and Anna Kavan’s Ice.
JL: …One of the things that’s striking about Dick’s work is that for such a wildly imaginative writer, he also frequently uses material from his own life quite directly, and the two nestle side-by-side very easily.
(8) BLACK MIRROR HINTS. Get yer red hot wild guesses here — “‘Black Mirror’ Season 5 Date and Episode Title Leak, Prompting Fan Theories” at Yahoo! Entertainment.
The wait for new “Black Mirror” is almost over, maybe. As reported by Entertainment Weekly, Netflix’s science-fiction Twitter account @NXonNetflix accidentally leaked the Season 5 premiere date and first episode title. If the tweet is to be believed, then “Black Mirror” returns December 28 with an episode called “Bandersnatch.” The tweet was deleted off Twitter but not before fans captured it via photo and sent it around the web.
…The “Bandersnatch” is a fictional creature in Lewis Carroll’s “Through the Looking-Glass” and his 1874 poem “The Hunting of the Snark,” but, as one eagle-eyed Twitter user uncovered, it was the name of a video game listed on the cover of a fictional magazine in the Season 3 episode “Playtest,” directed by Dan Trachtenberg and starring Wyatt Russell.
The “Bandersnatch” game, as it turns out, is real. The UK-based Imagine Software developed the project in 1984 but it was never released to the public…
(9) STAYS MAINLY ON THE PLAIN. Cat Rambo livetweeted highlights of theRambo Academy for Wayward Writers’ December 1 class “Highspeed Worldbuilding for Games and Fiction” with James L. Sutter. Thread starts here.
— Cat Rambo (@Catrambo) December 1, 2018
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and JJ.]
(11) COMICS SECTION.
(12) PRIME SUSPECTS. Christopher Sandford, in “Who Was the Real Sherlock Holmes?” on CrimeReads, has an excerpt from his book The Man Who Would Be Sherlock where he looks at the people who inspired Sherlock Holmes, including Dr. Joseph Bell and Conan Doyle’s rich imagination.
Although Conan Doyle, like most authors, deplored the habit of identifying ‘real-life’ models for his characters, he also took the opportunity to pay Dr Joseph Bell (1837–1911) the compliment of calling him the “true Holmes.”
The frock-coated Bell was 39 years old when Doyle, an impoverished medical student, first attended one of his lectures at Edinburgh University. Described as a “thin, white-haired Scot with the look of a prematurely hatched bird, whose Adam’s apple danced up and down his narrow neck,” the doctor spoke in a piping voice and is said to have walked with a jerky, scuttling gait “suggestive of his considerable reserves of nervous energy.” Bell was a keen observer of his patients’ mental and physical characteristics—”The Method” as he called it—which he used as an aid to diagnosis. A lecture in the university’s gaslit amphitheater might, for example, open with Bell informing his audience that the subject standing beside him in the well of the auditorium had obviously served, at some time, as a non-commissioned officer in a Highland regiment in the West Indies—an inference based on the man’s failure to remove his hat (a Scots military custom) and telltale signs of tropical illness, among other minutiae. Added to his impressive powers of deduction, Bell also liked to bring an element of drama to his lectures, for instance by once swallowing a phial of malodorous liquid in front of his students, the better to determine whether or not it was a deadly poison. (He survived the test.) For much of the last century, Bell has been the individual most popularly associated with the “real Holmes.”
(13) GAME OF STRAPHANGERS. Gothamist says commuters will have a chance to buy collectible prepaid fare cards: “Limited Edition ‘Game Of Thrones’ MetroCards Available At Grand Central Starting Tuesday”.
Last week, the MTA announced that there would be a delay on a set of limited edition Game Of Thrones-emblazoned MetroCards planned for release in advance of the hotly-anticipated final season of the show. Today, we’ve learned that the MetroCards will be available starting tomorrow (Tuesday, 12/4) at Grand Central Terminal—and you can get a first look at them up above.
There will be 250,000 copies of the four MetroCards available at in the Grand Central subway station while supplies last.
(14) WHO’S ON FIRST. Galactic Journey was there in November 1963 for the series premiere: “[Dec. 3, 1963] Dr. Who? An Adventure In Space And Time”.
Produced by Verity Lambert (the BBC’s youngest and only woman producer), Doctor Who is the new science fiction series from the BBC, about the mysterious eponymous old man and his machine that allows him to travel through time and space. Along with him are his granddaughter, Susan, and two of her school teachers, Ian Chesterton and Barbara Wright. Together, they’ll travel backwards and forwards through history, and upside down and sideways through the universe. According to the Radio Times, each adventure may bring them to the North Pole, distant worlds devastated by neutron bombs (well, THERE’S a relevant story for you!), and even the caravan of Marco Polo. I also hear this show is to have a bit of an educational element, so I’ll be looking forward to seeing how that goes.
(15) BELIEVABLE FANTASY. Marion Deeds and Terry Weyna, in their review of Alexandra Rowland’s novel at Fantasy Literature, “A Conspiracy of Truths: Interesting debut novel from a writer to watch”, point out that Chant is an unreliable narrator – but maybe not that unreliable:
For a story that takes place mostly within prison cells, where it seems pretty likely the first person narrator has not been executed, A Conspiracy of Truths becomes surprisingly suspenseful. Partly this is because there are characters at risk, particularly Ylfing and Consanza, but the suspense comes also not from “what will happen,” but “how will it happen?”
(16) A BIT MUCH. Fantasy Literature’s Taya Okerlund wrote a headline that made me read her review — “Legendary: If you like The Cheesecake Factory, this book might be for you” – and wrote a review that talked me out of reading the book:
The CARAVAL series has been very well received among YA readers; I guess I wanted to see what all the fuss was about. Critics call it sweeping and immersive, and I’ll go with that. The writing is quite rich, and conjures to mind a world that might have been decorated by a cooperative design team from The Cheesecake Factory and Victoria’s Secret. It is gilded, rich and sugar crusted — which may be just the thing for an escapist read, but it wasn’t for me.
(17) SUPERCALI-WHAT? “Odeon defends £40 hi-tech cinema prices” — per an image, ticket prices for a show of Mary Poppins Returns started at £25.75; average price in the UK is £7.49. Just how much better than a typical cinema is this one? (And does this mean the bankers are the heroes in the Poppins sequel?)
Mary Poppins Returns is now on sale at the newly revamped Odeon Leicester Square, at the bargain price of— HOW MUCH?! pic.twitter.com/OI6Bu6qAcV
— Chris Presswell (@ChrisPresswell) December 4, 2018
Odeon has responded to criticism over the prices it is charging for seats at its new hi-tech cinema in London, where tickets will cost up to £40 ($51).
It told the BBC the prices were similar to tickets for theatre or live sports.
The newly refurbished Odeon Leicester Square will re-open later this month, showing Mary Poppins Returns.
It has had a multi-million pound facelift in partnership with Dolby, which is providing cutting-edge audio-visual technology.
(18) SHATNER CLAUS. Cleopatra Records would love to sell you a copy —
A very special gift of the holidays – the first ever Christmas album from the godfather of dramatic musical interpretations and a legend of stage and screen, Mr. William Shatner!
(19) FURSUITS AND LAWSUITS. Nerd & Tie’s Trae Dorn says a well-known Chicago-region vendor “Lemonbrat Has Filed Suit Against Former Employee (and Con-Runner) Corey Wood “. (They specialize in costumes and gear of interest to furries.)
The Cook County Record story lists the allegations:
According to the complaint, Wood has been employed by the plaintiffs since January 2013 as a financial manager and prepared payroll and the company’s books. The plaintiffs allege they discovered Wood established separate Square accounts for Lemonbrat and its predecessor that diverted credit card payments that belonging to the plaintiffs to Wood personally. The plaintiffs allege Wood diverted more than $40,000 to himself via his false Square account or accounts and has written more than $15,000 in bogus checks.
What makes it even more important though is Wood’s prominence in the con running community. Wood is the convention chair for Anime Milwaukee (Wisconsin’s largest anime convention), and owns and operates other events including the upcoming furry convention Aquatifur.
(20) PICKING HELLBOY. In an episode of PeopleTV’s video series Couch Surfing, Ron Perlman says that director Guillermo del Toro had to work a long time to get Perlman cast in Hellboy. Entertainment Weekly has the story (“Guillermo del Toro fought 7 years for Ron Perlman to star as Hellboy”), transcribing part of the video. It wasn’t until del Toro’s success with Blade II that producers would listen to him.
Before actor Ron Perlman played the titular role in Oscar-winning director Guillermo del Toro’s 2004 unconventional superhero flick Hellboy, he was a typecast character actor, successful but with little hopes of ascending to leading man status. Luckily for Perlman, del Toro had a very specific vision for the film, with Perlman front and center.
“I said to him from the get-go, ‘That’s a great idea and god bless you, I love you for entertaining the idea, but it’ll never happen,’” Perlman says in the latest episode of PeopleTV’s Couch Surfing, recalling his disbelief that he’d ever excite studios enough to be cast. “Sure enough, for seven years he’d go to these meetings at these studios, and he’d say, ‘Ron Perlman.’”
(21) MISSION-CRITICAL. Another first world problem: “Research worms ‘too old’ to go to space station”.
Thousands of worms being blasted into space could be “too old” for research when they get to the International Space Station (ISS).
The launch of a SpaceX rocket was delayed after mouldy food was found among another research team’s kit.
Teams from Exeter, Nottingham and Lancaster universities are hoping the microscopic worms could lead to new treatments for muscular dystrophy.
The worms were meant to be “just turning into adults” at the launch.
The SpaceX Falcon 9 rocket was due to launch from the NASA Kennedy Space Centre in Cape Canaveral, Florida, on Tuesday evening, but has now been rescheduled for 18:16 GMT on Wednesday.
(22) PASSING THE POST. Congratulations to Adri Joy for reaching a specialized kind of milestone with “Microreview [Book]: A Bad Deal for the Whole Galaxy by Alex White” at Nerds of a Feather.
Hurrah! With this review, I have officially reached my “sequeliversary” for Nerds of a Feather: Alex White’s A Big Ship at the Edge of the Universe was one of the first books I reviewed on this site, and now here I am looking at its successor for your potential reading pleasure! Admittedly, there were only six months between the two, but I still think that’s cool. If you haven’t read White’s breakneck opener full of grumpy yet brilliant ladies and satisfying space magic, now’s the time to go check out that review and the book behind it…
A Bad Deal for the Whole Galaxy opens one year after we last saw the crew of the Capricious, having hunted down the big ship at the edge of the universe (also known as the Harrow) and started to uncover a galaxy spanning plot. Like it’s predecessor, Bad Deal doesn’t waste any time, throwing its audience right into the middle of things
(23) WHERE THERE’S SMOKE. Vance K adds James Tiptree Jr. to the dossier in “Feminist Futures: Her Smoke Rose Up Forever” at Nerds of a Feather.
In reading Tiptree, I couldn’t help but be reminded of Flannery O’Connor in that wherever the stories started or whichever direction they may start heading, they would always veer hard to death. Characters don’t get happy endings, hope is inevitably extinguished just when it seemed likely to pay off, and those misgivings nagging at the back of characters’ minds always turn out to be harbingers of a doom lurking just up ahead.
(24) GEM OF A DINO. National Geographic has a photo of this exotic find: “Sparkly, opal-filled fossils reveal new dinosaur species”.
In a dazzling discovery, fossils brought up from a mine in Wee Warra, near the Australian outback town of Lightning Ridge, belong to the newly named dinosaur species Weewarrasaurus pobeni. The animal, which was about the size of a Labrador retriever, walked on its hind legs and had both a beak and teeth for nibbling vegetation.
…But perhaps the most striking thing about this fossil—described today in a paper published in the journal PeerJ—is that it is made from opal, a precious gemstone that this part of the state of New South Wales is known for.
(25) ALL FINISHED. Gothamist tweaks the celebrated fantasy author: “George R.R. Martin Finally Finishes His Guide To NYC Pizza”.
Do you ever get the feeling that George R.R. Martin will do literally anything to get out of finishing the A Song Of Ice & Fire series? It’s been well over seven years since the release of A Dance Of Dragons, and in lieu of the long-awaited new GoT book, Martin has released spin-off books like Fire and Blood, he’s helped adapt his 1980 novella Nightflyers into a TV show, he’s started non-profits, he’s cameoed in Sharknado 3: Oh Hell No!, gone to some Dead shows, campaigned for Hillary Clinton, and he’s blogged way too much about the Jets.
The latest iteration of this phenomenon: to promote Fire & Blood, Martin gave his guide to NYC pizza. Did we really need the creator of Game Of Thrones to confirm what we all already know, that NYC pizza is by far the best in the world?
[Thanks to JJ, Mike Kennedy, Andrew Porter, Carl Slaughter, John King Tarpinian, Chip Hitchcock, Martin Morse Wooster, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Olav Rokne.]
(1) BACK TO BACK. The Hollywood Reporter asked, the fans answered: “Which Movie Franchise Should Return? ‘Back to the Future’ Tops New Poll”. They don’t care that director Robert Zemeckis declared three years ago that he would try to block a reboot of the franchise, “even after his death.”
Of the 2,201 adults surveyed between Nov. 8 and 11, 71 percent said that they’d be likely to watch another outing for Marty McFly and Doc Brown ahead of other franchises like Pixar’s Toy Story (69 percent), Lucasfilm’s Indiana Jones (68 percent) and Universal’s Jurassic Park (67 percent).
Back to the Future also polled well when it came to the question of which franchise has been most closely followed by the public. Fifty-four percent of those polled reported having watched the entirety of the series, compared with just 36 percent for the ever-growing Star Wars series. As with the earlier question, both Toy Story and Indiana Jones performed well, with 47 percent of those responding having followed each series faithfully.
(2) FIREFLY. The Verge’s Andrew Liptak tells Firefly fans where to find more of the good stuff: “Big Damn Hero is a familiar trip back to Joss Whedon’s Firefly universe”.
In December 2002, Fox gave the ax to a little-known science fiction show from Joss Whedon called Firefly. The series gained a cult status when it hit DVD the following year, and its story continued in the 2005 film Serenity and a handful of comic books — but a planned massively multiplayer game based on the series never materialized, and Firefly has been weirdly left out of the recent surge of rebooted TV shows. Now, for fans who have been missing the franchise, there’s a new glimmer of hope — or at least an opportunity to revisit the ‘Verse, with James Lovegrove and Nancy Holder’s new novel Big Damn Hero.
Big Damn Hero is the first of three novels being published by Titan Books in the coming months, under the guidance of Whedon, who serves as a “consulting editor.” Like Firefly, the book follows the crew of the spaceship Serenity, led by Captain Malcolm Reynolds, a veteran of a failed rebellion against the authoritarian Alliance government. The result is a new bona fide adventure in the story — one that could be an extended episode from the series, but which also fleshes out the characters and world just a bit more.
(3) WOKE ON A COLD HILL SIDE IN GALLIFREY. The Daily Mail (of course!) is all over this story: “Exterminate! Fans’ backlash over Doctor Who’s latest transformation- into TV’s most PC show”
One fan wrote: ‘There should be a clever story line, not a rehash of history. There’s also an underlying feeling the focus has been forcing inclusiveness by having such obviously diverse characters.’
Another said: ‘Please keep the PC stuff for documentaries and serious drama and let the Doctor help us escape to a fantasy world.’
Has Doctor Who become too politically correct?
— Jeremy Vine On 5 (@JeremyVineOn5) November 8, 2018
(4) SAYS WHO? Stylist tells how “Jodie Whittaker brilliantly hits back at all those saying Doctor Who is “too PC””.
Now, Whittaker – who’s the first ever female Doctor – has addressed the backlash.
“What’s the point of making a show if it doesn’t reflect society today?,” Whittaker said while switching on the Christmas lights at London’s Regent Street on Monday 19 November. “We have the opportunity with this show like no other to dip to future, to past, to present, to new worlds and time zones. There is never going to be a drought in the stories you can tell.”
Whittaker continued: “It’s always topical. Chris is a very present-minded person who is very aware of the world he lives in and is passionate about storytelling. It would be wrong of him to not have used the past. He does it in a really beautiful way.”
(5) BOMBS AWAY. Those of you who don’t think Robin Hood is sff can skip this review, and those who do may want to skip this movie after reading what The Hollywood Reporter says about it in “‘Robin Hood’: Film Review”.
Taron Egerton, Jamie Foxx and Ben Mendelsohn lead the cast in the latest big-screen iteration of the classic adventure story.
Guy Ritchie’s idiotic, leathered-up, fancy-weaponed take on King Arthur worked out so wonderfully for all involved last year ($149 million worldwide box office on a $175 million budget) that someone still evidently thought it would be a good idea to apply the same preposterous modernized armaments, trendy wardrobe and machine-gun style to perennial screen favorite Robin Hood.
Well, it’s turned out even worse than anyone could have imagined in this all-time big-screen low for Robin, Marian, Friar Tuck, Guy of Gisbourne and the Sheriff of Nottingham, not to mention for Jamie Foxx as an angry man from the Middle East who’s gotten mixed up on the wrong side of a Crusade, or maybe just in the wrong movie. Leonardo DiCaprio can rest easy in the knowledge that this fiasco will come and go so quickly that few will remember that it even existed, much less that he produced it. In a just world, everyone involved in this mess would be required to perform some sort of public penance.
(6) RESOURCES FOR AN IRISH WORLDCON. Fanac.org’s Joe Siclari turns the site’s attention to Retro-Hugo-eligible zines and classic Irish fanwriting.
Retro Hugos: We have a guide to 1943 fannish publications online for your Retro Hugo nominating pleasure. We’re not done adding links to it, so there’ll be even more to read. The guide shows all the 1943 fanzines, including the ones we don’t have, and will let you know what’s eligible for best fanzine. Even if a fanzine had too few issues to be eligible, it can give insight for nominations in the Best Fan Writer and Best Fan Artist categories. In addition to FANAC.org hosted zines, there are links to materials on efanzines and the University of Iowa’s Rusty Hevelin collection. The printed fanzines are rare, not readily available, and physically frail, so we’re especially glad we can make them available to you online.
The Irish Project: As part of our effort to promote our fannish history, FANAC makes a priority of adding material that is pertinent to current fan events (like our push to make fan source material available for the Retro Hugo Awards). With the very first Irish Worldcon scheduled for 2019, we are making available classic Irish fan publications from such luminaries as Walt Willis, Bob Shaw, James White, and the Englishmen often identified with Irish Fandom (IF), John Berry, Chuck Harris, Arthur Thomson (Atom), etc.
The Wheels of IF had extensive interaction and influence in fandom, and so we are including English and American zines where that influence was often seen. There are publications included by Lee Hoffman (Quandry), Shelby Vick (Confusion), Vin¢ Clarke, Ken Bulmer (Steam), and others.
We have fanzines, apazines, trip reports and fabulous one-shots (like John Berry’s “This Goon For Hire”). Publication dates range from the 50s to the 90s, with more current pieces coming. Our
Wheels of IF directory (http://www.fanac.org/fanzines/Irish_Fandom/) now has nearly 200 zines available with dozens more in the pipeline.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and JJ.]
(8) COMICS SECTION.
(9) BOOK TWO. Camestros Felapton does a “Proper Review of the Consuming Fire”.
…There’s a lot of talking and plotting and counter-plotting that is important because this is supposed to be a world of plotting and counter-plotting. However, it feels inconsequential even at the time. Of course it is MEANT to be futile in the face of a systemic collapse of the hyperspace routes that hold the Empire together. Meanwhile, the story is plotting a new course and warming up its engines….
(10) IMPERIAL WALKER TOLD TO TAKE A HIKE. Some people just have no sensawunda. Officials in Devon have ordered a 14 foot replica of a Star Wars All-Terrain Scout Transport (AT-ST) be taken away from its spot near the A38 (Hollywood Reporter: “Officials Order Englishman to Remove ‘Star Wars’ AT-ST Replica”).
The 14-foot homage will no longer be on display. […]
A Star Wars fan living in the southeast county of Devon, England, has been ordered by the local government to remove a 14-foot-tall AT-ST replica that he hoped would bring attention to his town.
The monstrous attack vehicle, which sits near a road, was initially built by Dean Harvey for his children.
“The reason why I built it was a den for my daughters,” he told the BBC. “It’s all made of out [steel] and weighs about two-and-a-half tons.”
After his kids outgrew the AT-ST, he gave it to a man named Paul Parker, who is now being ordered to get rid of it.
(11) SPACE HAWAIIAN STYLE. The side of Mauna Loa have been the home, these past few years, of a Mars habitat simulation. Now, after a major glitch in the sim, it’s being repurposed as a Moon habitat simulation. (The Atlantic: “Hawaii’s Mars Simulations Are Turning Into Moon Missions”)
For the last five years, a small Mars colony thrived in Hawaii, many miles away from civilization.
The Hawaii Space Exploration Analog and Simulation, or HI-SEAS, was carried out in a small white dome nestled along the slope of a massive volcano called Mauna Loa. The habitat usually housed six people at a time, for as long as eight months. […]
In February of this year, something went wrong. The latest and sixth mission was just four days in when one of the crew members was carried out on a stretcher and taken to a hospital, an Atlantic investigation revealed in June. There had been a power outage in the habitat, and some troubleshooting ended with one of the residents sustaining an electric shock. The rest of the crew was evacuated, too. There was some discussion of returning—the injured person was treated and released in the same day—but another crew member felt the conditions weren’t safe enough and decided to withdraw. The Mars simulation couldn’t continue with a crew as small as three, and the entire program was put on hold.
But the habitat on Mauna Loa was not abandoned. While officials at the University of Hawaii and NASA investigated the incident, the wealthy Dutch entrepreneur [Henk Rogers] who built the habitat was thinking about how the dome could be put to use.
[…] Under Rogers’s direction and funding, the HI-SEAS habitat will reopen this year—not as a Mars simulation, but a moon one.
(12) STAYIN’ ALIVE. “Elon Musk renames his BFR spacecraft Starship” Why? Your guess is as good as mine.
Elon Musk has changed the name of his forthcoming passenger spaceship from Big Falcon Rocket (BFR) to Starship.
The entrepreneur would not reveal why he had renamed the craft, which has not yet been built, but added its rocket booster will be called Super Heavy.
In September, Mr Musk’s SpaceX company announced that Japanese billionaire Yusaku Maezawa had signed up to be the first passenger to travel on the ship.
The mission is planned for 2023 if the spaceship is built by that time.
It is the craft’s fourth name – it started out as Mars Colonial Transporter (MCT) and then became Interplanetary Transport System (ITS) before becoming BFR.
(13) SHARPER IMAGE. Japan is on the cutting edge of space technology: “A samurai swordsmith is designing a space probe”.
If you wanted to slice stuff up in space, what would you bring with you? ‘Samurai’ swords, which have been made in Japan for centuries, might be on your list because the tempered steel used in them is notoriously tough. There are plenty of videos online showing these Japanese swords, also called ‘katana’, cutting up everything from thick boards of wood to metal pipes.
Now, a trio of engineers have teamed up with a master Japanese swordsmith to design a rock-sampling device made with the same steel used in these blades – and the plan is to use it on an asteroid.
Japan’s Hayabusa missions have so far sent spacecraft, rovers and sampling tools to a one kilometre-wide asteroid called Ryugu, which orbits the sun between Earth and Mars. Hayabusa2’s rovers recently sent back stunning images of the asteroid’s black, rocky surface. But bringing fragments of Ryugu back to Earth is an enormously tricky task, which is why novel ideas are being suggested for how to do it
(14) SAY WHAT? Brenton Dickieson tells what a shock it is to go a lifetime assuming a word you’ve only seen in print would be pronounced a certain way – and then someone actually says it out loud another way… “C.S. Lewis’ ‘Dymer’… or is it Deemer? (or Can Someone from the Buffyverse be Wrong?)” (He has a lot more to say about the poem, of course.)
After five years of avoiding the book, I decided to reread Alister McGrath’s biography of Lewis. I am listening to it as an audiobook this time, and Robin Sachs pronounces Dymer as “Deemer.” It has shattered my vision of the entire piece. All along, I have been pronouncing Dymer as “Daimer,” so that “Dym” rhymes with “rhyme.” McGrath’s bio of Lewis is one of the last things that Sachs read in a long career of acting. Who am I to question someone who studied at the Royal Academy of Dramatic Art? More than anything, Robin Sachs had a recurring role on Buffy the Vampire Slayer.
Clearly, I must be wrong. After all, Robin Sachs is British. How could he be wrong?
(15) DOOMED TO GO BOOM. [Item by Mike Kennedy.] A new article in Nature (caution, paywall: “Anisotropic winds in a Wolf–Rayet binary identify a potential gamma-ray burst progenitor”) about a pinwheel-shaped star system that may go boom in a big way has received a good bit of notice in the press. (CNN: “First-known ‘pinwheel’ star system is beautiful, dangerous and doomed”; Popular Mechanics: “Two Young Stars On a Death Spiral Are Acting Very Strangely”)
The close binary star system has the stars in a death spiral of sorts creating an image that in the infrared looks startlingly like a child’s toy pinwheel. This one, though, would be no fun at all to any being close enough to really experience it. The PM story explains:
The stars, located about 7,800 light years away, are in what’s called a Wolf-Rayet stage. That’s when massive stars begin to shed their hydrogen, burning certain elements in their atmosphere like carbon and nitrogen. A sort of nebula that forms around the stars makes them easy to spot.
But something peculiar is happening here: These two Wolf-Rayet stars are causing the nebula to move a bit like a pinwheel in interactions that are also producing gamma ray bursts—high energy events usually generated by massive objects like black holes. By finding a source of the particular kinds of gamma ray bursts produced in these stars, astronomers have a laboratory right in our backyard to test long duration gamma ray bursts.
The system was named Apep after the Egyptian deity of chaos, often depicted as a snake. One of the co-author of the study, Dr. Peter Tuthill (University of Sydney), is quoted in the CNN article as saying, “The curved tail is formed by the orbiting binary stars at the center, which inject dust into the expanding wind creating a pattern like a rotating lawn sprinkler. Because the wind expands so much, it inflates the tiny coils of dust revealing the physics of the stars at the heart of the system.” Another co-author, Benjamin Pope (New York University), was quoted as saying, “The only way we get such a system to work is if the Wolf-Rayet star is spewing out gas at several speeds. One way for such different winds to happen is via critical rotation. One of the stars in Apep is rotating so fast that it is nearly ripping itself apart. On its equator, the rotational forces make the gas basically weightless, so it slowly floats off the equator.”
(16) SERIES INTERRUPTUS. The following tweet struck me as a poorly constructed defense.
I know so many authors who bust out work after work, series after series. What they do is remarkable. So it frustrates me when they get less attention for what they've done, than these men get for what they haven't
— Pablo Naruto (@NotLikeFreddy) November 20, 2018
The cultural impact of George R.R. Martin’s series is huge. Of course its fans are invested in seeing it finished. “Entitlement” doesn’t enter into it. And despite being kindly intended, Naruto’s idea that attention should instead be paid to authors who do finish their series is identical to the logic Dave Freer and Richard Paolinelli used when they attacked Martin to gain attention for themselves.
Anyway, we all know Martin is perfectly capable of speaking for himself, as he has done in several recent interviews to publicize his new Westeros history book Fire and Blood. Here’s what he told Entertainment Weekly —
Before we go, here’s a standard question I missed asking you at the start: What excites you most about Fire and Blood?
The book is a lot of fun. The people who are open to reading an imaginary history and not a novel — which I realize is not everybody — have enjoyed it so far. But honestly, the single thing that excites me most is that I finished it. I know there are a lot of people out there who are very angry with me that Winds of Winter isn’t finished. And I’m mad about that myself. I wished I finished it four years ago. I wished it was finished now. But it’s not. And I’ve had dark nights of the soul where I’ve pounded my head against the keyboard and said, “God, will I ever finish this? The show is going further and further forward and I’m falling further and further behind. What the hell is happening here? I’ve got to do this.” I just got the [Fire and Blood] copy and, holding it in my hand, it’s a beautiful book. The illustrations by Doug Wheatley are great. It’s been a long while since I had a new Westeros book and nobody knows that as well as I do. I know that just as much as the angriest of my hardcore fans. And I have continued to publish other things. It’s not like I’ve been on a seven-year vacation. I have Wild Cards books coming out every six months. But not like this, one that’s entirely my writing. So to finish a book that I’m proud of and excited by was emotionally a big lift for me.
And an hour-long video “In Conversation: George R. R. Martin with John Hodgman” was posted today on YouTube.
George R. R. Martin talks with John Hodgman about his new book FIRE & BLOOD, the first volume in a two-part history of the Targaryens in Westeros. Filmed at the Loews Theater in Jersey City, NJ.
[Thanks to Chip Hitchcock, Cat Eldridge, JJ, John King Tarpinian, Martin Morse Wooster, Mike Kennedy, Carl Slaughter, and Andrew Porter for some of these stories Title credit goes to File 770 contributing editor of the day the fantabulous Andrew.]
(1) THE NEXT DAY. That’s got to smart. No sooner did Arisia announce its move to the Boston Park than the strike that forced the change came to an end. Boston’s CBS affiliate reports “Marriott Hotel Workers In Boston Reach Deal To End Strike”.
The union representing them, Unite Here Local 26, confirmed Saturday they “reached a tentative agreement” on a new contract. A few hours later, a ratification vote at Hynes Convention Center officially ended the strike.
“We can confirm we have a tentative agreement. We look forward to welcoming our associates back to work,” a Marriott International spokesperson said in an e-mail.
(2) WFC 2019 FALLOUT. Adam-Troy Castro is arguing that critics of Robert Silverberg, in trouble for his disdainful remark about N.K. Jemisin’s Hugo acceptance speech, should pull their punches:
This is how much a racially charged statement can affect status: the World Fantasy Convention is making public apologies for, among other things, inviting Robert Silverberg. Close to seventy years a fixture of the field, hundreds of novels and nonfiction books and short stories, an influence and footprint that cannot be denied; really, a giant, or the word “giant” doesn’t mean anything and never has. (DYING INSIDE, alone.) And now he’s in danger of having this become his entire legacy in eyes of the next generation, and…damn.
I understand why people are mad at him. I really do. I believe they should be. I am, whether you believe me or not….
… I have given the only reply that makes sense to me: that someday, your splendid, woke, brilliantly sensitive perfect generation will have this happen to you too. The attitudes you think natural will seem neanderthalic to those who come after you. The icons of your current cultural starscape will someday be torn down, for missteps or beliefs central to their work. Maybe it should happen, but when it does happen, it will hurt and you will protest and you will be condemned for any affection you still possess for those figures.
However, in Marta Randall’s comment there (screencapped by rcade), she casts doubt on this being a one-time lapse.
Robert Silverberg edited 10 editions of the acclaimed SF anthology New Dimensions. When he handed the reins to Marta Randall in the early 1980s, she said he told her "if my title page had only women's names on it, he'd remove his name from the anthology." https://t.co/gZCqLXryi4 pic.twitter.com/H5d0xQJXAc
— Rogers Cadenhead (@rcade) November 17, 2018
(3) NOT SO BAD. Today’s the 40th anniversary of the airing of one of TV’s negative icons – but The Hollywood Reporter had nice things to say about it at the time: “‘The Star Wars Holiday Special’: THR’s 1978 Review”.
If the prospect of a two-hour Star Wars Holiday Special conjured up visions of “May the force be with you” repeated ad nauseam in your head, this show on CBS was a welcome surprise….
For the most part the special was [an] inventive diversion that stood on its own merits.
(4) INFO DUMPSTER FIRE. Slate’s Dan Kois isn’t nearly as forgiving of this movie’s flaws s other critics: “The New Fantastic Beasts Is So Bad It Actually Makes the Other Books and Movies Worse”.
…Instead of building upon the story, characters, and conflicts that Fantastic Beasts torturously established, The Crimes of Grindelwald layers on further exposition and introduces yet more new characters. Even a character I thought was safely dead is once again alive! Remember poor Credence (Ezra Miller), the moody teen who sometimes turns into a screaming cloud of smoke? I swear he got disintegrated in the New York City subway at the end of the previous movie, but now here he is moping around Paris rooftops, trying to find his mom. In my opinion he should chill out; he’s got cheekbones to die for and a hot girlfriend who’s also a huge snake, which seems like a scenario out of any goth teen’s dreams….
(5) NO WRITER, NO SERIES. Funny how that works. Knock-on effects of Chuck Wendig’s exit from Marvel are still happening. Gizmodo’s io9 says that “Marvel Comics Scraps New Darth Vader Series After Chuck Wendig’s Controversial Exit”.
Almost a month and a half after it was first announced at New York Comic-Con, Marvel has pulled the plug on its latest Star Wars miniseries, Shadow of Vader, bringing an awkward end to the saga the publisher created by booting writer Chuck Wendig from the book in the first place.
Wendig made waves last month when he explained in a lengthy series of tweets that he had been fired from the Shadow of Vader title—at that point mere days after the series had been publicly unveiled—with the writer pinning the reasoning as allegedly down to an editor citing Wendig’s coarse language on social media, combined with the writer’s discussion of U.S. politics online. When initially asked, a Marvel Comics representative would not confirm why Wendig was suddenly off the book. It was the latest in a line of recent incidents in the pop culture space over hollow calls for civil discourse in the wake of targeted campaigns of harassment.
(6) IN TIMES TO COME. Congratulations to WIndycon 2019’s guests!
Windycon 46 will be held November 15-17 in Westin Lombard, IL. The guests are:
Author GoH: Elizabeth Moon
Artist GoH: Mitchell Bentley
Fan GoH: Chris Barkley
Toastmistress: Lee Martindale
Next year’s theme is “Space Opera”
[Compiled by Cat Eldridge and JJ.]
(8) BY BIRTHDAY CANDLELIGHT. Rich Horton, in “Birthday Review: Stories of Raymond F. Jones”, gives reasons that name should not be forgotten.
Raymond F. Jones would have been 103 today. He’s not much remembered these days, but he was an interesting writer of the Golden Age of Science Fiction. His career continued into the 1970s — his last story appeared in Ted White’s Fantastic in 1978. In his memory I’ve compiled this set of reviews of his stories, that I wrote based on reading several old magazines in my collection.
(9) TRIMBLES TAKE THE HIGH ROAD. Bjo and John Trimble responded on Facebook to Steve Davidson withdrawing Amazing Stories sponsorship of their GoH expenses at the 2019 NASFiC after they decided to continue as Arisia 2019 GoHs.
This is Steve Davidson’s reaction to our decision to attend Arisia. He makes some assumptions that we don’t agree with, but we’re not about to get into a “he said” “they said” conversation here. Suffice it to say that we feel strongly that Arisia is making an attempt to deal with their former transgressions, including offering space at the 2019 con to discuss this with people willing to do so. We look forward to that meeting. It may be a worthwhile contribution to something that has not yet been openly addressed in fandom.
(10) JOURNEY PLANET CALLING. Chuck Serface says the Journey Planet theme issue he’s working on is looking for contributors:
A reminder to all that Christopher J Garcia and I are co-editing an issue of Journey Planet dedicated to Silicon Valley. We’re looking for articles, creative writing, and art based on anything related to this part of the world — technology, history, the arts, cultures, peoples, politics, stories, poetry, whatever strikes your interest. Our deadline for submissions is December 10, 2018, and we’ll get the issue out before the end of the calendar year. Send your entries to email@example.com!
(11) ACE SEXTET. That’s what you get when Galactic Journey reviews three fresh-off-the-shelf (in 1963) Ace Doubles. In the first book, Leigh Brackett is on one side, and on the other –
Legend of Lost Earth, by G. McDonald Wallis
It’s common practice in SFF for women to initialize their first names (or flat-out take on male pseudonyms). I have been told vociferously by one of my readers that this practice has nothing to do with any bias against women in the genre; nevertheless, it is puzzling that men don’t seem to do it. In any event, the “G.” stands for Geraldine, and this is her second Ace Double, the first being The Light of Lilith, which I have not read.
(12) SUBSTANDARD COMPENSATION FOR SUBWAY ARTISTS. The ghost of Harlan Ellison was invoked by Toronto columnist Cliff Goldstein in “Drawing the line on a sketchy TTC ad campaign”.
I was on the subway recently, enjoying some of the lovely art created by local artists as part of the TTC’s Sketching The Line campaign. Curious to find out if the artists were paid for their contributions, I submitted a query through the artintransit.ca website listed on the posters and got a timely answer from Antonina MacDonald, sponsorships and events specialist for Pattison, the outdoor advertising giant.
“They are not compensated… in the form of money. It [compensation] is provided in the form of exposure on our subways and buses.”
This was not the answer I had expected from Canada’s largest outdoor advertising company that’s part of an international corporation with 39,000 employees worldwide and annual sales that have grown to $8.4 billion annually.
…One of my favourite authors, Harlan Ellison, said it best in the documentary Dreams With Sharp Teeth: there is no value in publicity for starving artists.
(13) WRITE MYSELF A LETTER. Cool idea — “Shrinking Swiss glacier hosts world’s largest postcard”.
Laid out on the shrinking Aletsch Glacier, this huge mosaic is actually made from 125,000 drawings and messages about climate change.
They measure 2,500 sq m (26,910 sq ft), and were created by children from all over the world.
“WE ARE THE FUTURE GIVE US A CHANCE,” urged one poster, standing out against the snow.
Seen from above, the whole picture read: “STOP GLOBAL WARMING #1.5 DEGREES C”
(14) HWA YA. The Horror Writers Association announced the Table of Contents for its next anthology for young readers, New Scary Stories to Tell in the Dark edited by Jonathan Maberry
1. “The Funeral Portrait” by Laurent Linn
2. “The Carved Bear” by Brendan Reichs
3. “Don’t You See the Cat?” by Gaby Triana
4. “The Golden Peacock” by Alethea Kontis
5. “Strange Music” by Joanna Parypinski
6. “Copy and Paste Kill” by Barry Lyga
7. “The House on the Hill” by Micol Ostow
8. “Jingle Jangle: by Kim Ventrella
9. “The Knock-Knock Man” by Brenna Yovanoff
10. “The Weeping Woman” by Courtney Alameda
11. “The Neighbor” by Amy Lukavics
12. “Tag, You’re It” by Nancy Lambert
13. “The Painted Skin” by Jamie Ford
14. “Lost to the World” by John Dixon
15. “The Bargain” by Aric Cushing
16. “Lint Trap” by Jonathan Auxier
17. “Cries of the Cat” by Josh Malerman
18. “The Open Window” by Christopher Golden
19. “The Skelly Horse by Trisha Wooldridge
20. “The Umbrella Man by Gary N. Braunbeck
21. “The Green Grabber” by D.J. MacHale
22. “Brain Spiders” by Luis Alberto Urrea and Rosario Urrea
23. “Hachishakusama” by Catherine Jordan
24. “Light as a Feather, Stiff as a Board” by Margaret Stohl
25. “In Stitches” by Michael Northrop
26. “The Bottle Tree” by Kami Garcia
27. “The Ghost in Sam’s Closet: by R. L. Stine
28. “Rap Tap” by Sherrilyn Kenyon
29. “The Garage” by Tananarive Due
30. “Don’t Go into the Pumpkin Patch at Night” by Sheri White
31. “Pretty Girls Make Graves” by Tonya Hurley
32. “Whistle Past the Graveyard” by Zac Brewer
33. Title TBD by James A. Moore
34. “Mud” by Linda Addison
35. “The Tall Ones” by Madeleine Roux
(15) CALLING SANTA. Congratulations to Juniper Books for finding a way to make Harry Potter even more expensive to buy! These Harry Potter Sets in a luxurious traveling case sell for $275.
(16) A KIND OF SHREK QUILT. [Item by Mike Kennedy.] Movie remakes, right? Gotta love ‘em, right? (Or maybe I was looking for a different word.) Well, apparently someone loves them; about 200 someones in the case of Shrek Retold—a retelling of the first movie by a large group of artists, each using her or his own style. The Verge ( “Over 200 artists got together to remake Shrek”) has the story and the Retold trailer. The release is coming 29 November on on the 3GI website.
The internet’s favorite ogre may already be headed for another Hollywood-backed installment, but fans of the fantasy parody aren’t waiting around for its release. Instead, hundreds of artists have collaborated on their own scene-by-scene retelling of the first Shrek movie. Produced by Wisconsin comedy group 3GI, each artist brings their own style into the mix, meaning there’s everything from live-action bits to CGI and pixel art thrown into the same film. The project looks absurd in the best possible way, like a viral eBaum’s World video for 2018.
(17) HISTORIC PARK MAKES RECOVERY PLAN. These sets were on National Park land, and new ones may take their place: “Paramount Ranch, Western Town, will rise from the Woolsey fire’s ashes, officials vow” — Daily News has the story.
Friday’s media event also announced the launch of The Paramount Project to rebuild the ranch’s Western Town. The 24-month projected rebuilding effort is organized by the Park Service’s nonprofit partner the Santa Monica Mountains Fund. You can get more information on the Project and contribute at www.samofund.org/2018/11/15/the-paramount-project/.
“This was a very emotional, iconic place, it captured history of the area and of Los Angeles,” Fund board president Sara Horner noted. “It’s globally significant, it is locally significant and culturally significant.
“Park Services, as you can imagine, is reeling from the losses,” she added. “So they will put together an assessment of their losses, and then we will refine the direction of the plan in place – which will probably change. But there is a plan of what we would like and a schedule for how it will get built, and the Santa Monica Mountains Fund will spearhead the fundraising for that.”
Horner said several movie studios have already called the fund inquiring about how they can help. Her organization is also planning meetings with location managers and other industry professionals to do informal surveys of what they would like to see in the rebuilt Western Town. Due to rigorous Park Service guidelines on what can and cannot be built on their land, she can’t say exactly, but Horner expects a combination of the setting looking somewhat like it did before the fire and new facilities to help the film industry to be up two years from now
LAist has a gallery of photos of the fire damage.
Today, the National Parks Service gave LAist a tour of the ranch post-fire. Little except smoldering piles of wood and cleared land remained of what was once a backdrop to legendary TV shows like The Cisco Kid and Dr. Quinn, Medicine Woman.
[Thanks to Cat Eldridge, rcade, Chip Hitchcock, Mike Kennedy, JJ, John King Tarpinian, Martin Morse Wooster, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Rick Moen.]
This is why I say diversity needs to be baked into the cake-making process long before the cake is frosted. If you invite a Latinx author (as an example) and they decline, then you can't just say 'ok we tried!' and leave it at that.
— Silvia Moreno-Garcia (@silviamg) November 16, 2018
(2) IN DETAIL. NPR’s Glen Weldon gets specific: “‘Fantastic Beasts: The Crimes Of Grindelwald’: Beasts? Check. Crimes? Check. Fantastic? Not Quite.”
The Crimes of Grindelwald is better than the first Beasts film, and not just because that turns out to be such a low bar to clear, but because it has a firmer grasp on what kind of movie it wants to be. It feels more familiarly Potter-y, in that it assumes the distinctive narrative shape of Harry Potter stories.
Once again: Structurally, it’s familiar, not, you know: good.
Can we all admit, here, that the plots of Harry Potter books and movies were always frustrating in the extreme? Rowling’s characters delighted in keeping vital information from Harry — and by extension, the reader — turning every tale into an ersatz, low-rent mystery where the goal was never to uncover whodunnit, but to eke out even the most basic understanding of whatthehellsgoingon? Inevitably, we’d discover the answers — well, “discover” is inaccurate. We’d be told, when Rowling would finally sit Harry down to have him listen to an extended monologue, filled with secret history to which neither he nor we could have been expected to be privy.
That’s the kind of plotting The Crimes of Grindelwald serves up, down to a hilariously out-of-nowhere pseudo-climactic scene in which characters who’ve spent the movie scheming to murder one another just stand around listening patiently to a series of monologues like they’re sleepy kindergartners at storytime.
(3) JUST PINING FOR THE FJORDS. In the midst of this excitement let’s not overlook that Unbound Worlds ends its life as a blog this month:
Today we’re announcing that the conversation with our readers is ready to evolve in new and exciting ways. In the new year, the articles, interviews, and lists you have enjoyed on Unbound Worlds will have a new home within penguinrandomhouse.com. That means we’ll no longer be publishing new content on Unbound Worlds after this month, but we’re excited to be able to deliver even more of the very best in science fiction, fantasy, and horror books, curated collections, and offers through our email programs.
(4) A BETTER LIGHTSABER. Don’t just sit there – spend money on Star Wars toys! “Disney Designs New Lightsaber That Extends and Retracts Just Like the Film Versions”.
For some of us out there, society’s technical advancements can all be measured by answering one question: How close are we to a real lightsaber?
While the model outlined in Disney’s newest patent application may not cut through solid steel, it will have an advantage over previous toys and replicas. Published today by Disney Enterprises, Inc., “Sword Device with Retractable, Internally Illuminated Blade” outlines a lightsaber design which allows the “energy blade” to shoot forth and retract in a way that properly mimics the iconic weapon’s use in the Star Wars franchise.
Currently, if you want to walk the path of the Jedi you’ve got two basic options. The cheaper choice involves purchasing a toy with a telescoping blade, with larger segments near the hilt and smaller segments near the tip, creating a triangular — and not very film accurate — shape. For more money you get more accuracy, so you could also purchase a fixed blade that looks closer to the movie ones when lit, but can’t extend or retract at all. Remember that iconic scene where Mace Windu stopped to screw in his purple blade before battle? Nope, neither do we.
(5) BRINGING THE HAMMER. Marvel is ready for another climactic moment —
This April, the war that has exploded across the Ten Realms finally blasts into the last realm standing…ours.
WAR OF THE REALMS IS COMING!
Starting in April, the award-winning creative team of Jason Aaron, Russell Dauterman and Matthew Wilson will usher in an event of unparalleled scale! And like the mega-event Secret Wars, no corner of the Marvel Universe will be untouched!
“I have been building towards WAR OF THE REALMS for the entire duration of my Thor run. So we’re talking six years and 80-something issues and counting,” teased Jason Aaron. “This is a war that covers the entire globe and involves the biggest heroes of the Marvel Universe, as you can see in this amazing promo piece by my MIGHTY THOR collaborators, Russell Dauterman and Matthew Wilson, who I’m so thrilled to be working with again on WAR OF THE REALMS.”
(6) GOING TO THE WORLDCON. The Shimmer Program announced that the winners of the Dublin 2019 Attending Funding for Chinese fans offered by Storycom are Constance Hu and Amelia Chen. Each will get RMB 10,000 for use in attending and staffing the con. They are expected to gain experience in the Worldcon organizational work and help with future Chinese bids.
Tammy Coxen & Adam Beaton, Member and Staff Services DH & DDH of Dublin 2019, and Colin Zhang, winner of Worldcon 75 Attending Funding & Hospitality DDH of Worldcon 75, worked as judges for the selection.
There are photos and introductions to the two winners at the link.
(7) DEVORE COLLECTION FOR SALE. The daughters of the late Howard Devore are selling the remainder of his collection/stock at ScienceFictionSales.com. Many interesting items going on the block, including Gene Roddenberry’s thank-you letter to 1966 Worldcon chair Ben Jason. Howard got one, too, but it’s not for sale —
Bjo [Trimble] wrote the following in honoring Howard as he received the Science Fiction World Convention Fan Guest of Honor award (posthumously) in 2006:
“How Howard helped save Star Trek”
When NBC decided to cancel Star Trek after its second season in 1967, the Trimbles decided to organize a write-in campaign to the network. “This was before computers and the Internet, so we had to rely on obtaining mailing lists. We asked but were turned down by several people who had mailing lists, but Big-Hearted Howard DeVore gave us his list to start the campaign. He also talked others into letting us use their mailing lists. He never got credit for this, though the [sic] we (John and Bjo Trimble) mentioned his name in interviews.” So it may surprise many fans to know that without Howard, the Save Star Trek campaign might not have succeeded.
(See also the letter written by Roddenberry to thank a good friend of Dad’s, Ben Jason, for the letter writing campaign which we offer for sale in the Oddities and Curiosities section of the website. Our letter is not for sale.)
(8) FURTHER DEVELOPMENTS AT WHITE WOLF. Corporate management has taken drastic action to deal with problems at White Wolf:
My name is Shams Jorjani, VP of Business Development at Paradox Interactive and interim manager at White Wolf Publishing. I wanted to inform you of some changes that will be implemented at White Wolf, starting immediately.
Sales and printing of the V5 Camarilla and Anarch books will be temporarily suspended. The section on Chechnya will be removed in both the print and PDF versions of the Camarilla book. We anticipate that this will require about three weeks. This means shipping will be delayed; if you have pre-ordered a copy of Camarilla or Anarchs, further information will follow via e-mail.
In practical terms, White Wolf will no longer function as a separate entity. The White Wolf team will be restructured and integrated directly into Paradox Interactive, and I will be temporarily managing things during this process. We are recruiting new leadership to guide White Wolf both creatively and commercially into the future, a process that has been ongoing since September.
Going forward, White Wolf will focus on brand management. This means White Wolf will develop the guiding principles for its vision of the World of Darkness, and give licensees the tools they need to create new, excellent products in this story world. White Wolf will no longer develop and publish these products internally. This has always been the intended goal for White Wolf as a company, and it is now time to enact it.
The World of Darkness has always been about horror, and horror is about exploring the darkest parts of our society, our culture, and ourselves. Horror should not be afraid to explore difficult or sensitive topics, but it should never do so without understanding who those topics are about and what it means to them. Real evil does exist in the world, and we can’t ever excuse its real perpetrators or cheapen the suffering of its real victims.
In the Chechnya chapter of the V5 Camarilla book, we lost sight of this. The result was a chapter that dealt with a real-world, ongoing tragedy in a crude and disrespectful way. We should have identified this either during the creative process or in editing. This did not happen, and for this we apologize….
(9) SPACE COLLECTIBLES CASH IN. HA’s recent Space Exploration Auction set records:
The “star of the show” was my personal favorite piece, the Apollo 11 Lunar Module Flown Spacecraft ID Plate. When the fierce bidding was over, it had sold for $468,500 to a bidder in the room. Four lots tied for “second place” at $275,000 each: two Apollo 11 LM Flown Wright Flyer Propeller Pieces (Lot 52284 and Lot 52285); the Apollo 11 Flown Largest Size American Flag; and the Apollo 11 LM Flown Apollo 1 Fliteline Medal. This last lot was particularly poignant as Neil Armstrong and Ed White II were close friends; the medal was taken to the moon as a tribute to White who perished in the Apollo 1 training fire. A special thanks to the dedicated staff at Collectibles Authentication Guaranty (CAG) who worked tirelessly to authenticate and encapsulate or certify every single item in The Armstrong Family Collection™. Another sincere “thank you” goes out to Rick and Mark & Wendy Armstrong who were always available to help in any way needed.
This auction also featured an incredible selection of material from several dozen regular and new consignors. One thing I noted was that Gemini-flown Fliteline medals were particularly strong in the early Friday session. The examples we offered all had incredible provenance from various astronauts and many were graded by NGC. We set new price records for the following missions: Cooper’s Gemini 5 ($35,000); Schirra’s Gemini 6 ($8,750); Lovell’s Gemini 7 ($10,625); Cooper’s Gemini 8 ($30,000); Stafford’s Gemini 9 ($32,500); Young’s Gemini 10 ($5,750); Conrad’s Gemini 11 ($12,500); Lovell’s Gemini 12 Silver-colored and Gold-colored ($9,375); and Chaffee’s Apollo 1 ($20,000). Oh, by the way, the Gemini 3 ($16,250) and Gemini 4 ($9,375) records were set the previous day by lots from The Armstrong Family Collection™. That makes it a “clean sweep.”
(10) GOLDMAN OBIT. William Goldman, author of The Princess Bride, has died. Deadline has the story — “William Goldman Dies; Oscar Winning Writer Of ‘Butch Cassidy And The Sundance Kid’ Was 87”.
Goldman began as a novelist and transitioned to writing scripts with Masquerade in 1965. While his greatest hits were the indelible pairing of Robert Redford with Paul Newman in the George Roy Hill-directed Butch Cassidy and the Sundance Kid, and Redford and Dustin Hoffman in the Alan Pakula-directed toppling of President Richard Nixon drama All The President’s Men, he wrote the scripts for many other great movies. The list includes the Hoffman-starrer Marathon Man (Goldman also wrote the novel, which made dentist visits even more undesirable),as well as The Princess Bride, The Stepford Wives, The Great Waldo Pepper, A Bridge Too Far, Chaplin and Misery. He also did a lot of behind the scenes script doctoring without taking a screen credit, as on films that included A Few Good Men and Indecent Proposal.
(11) TODAY’S BIRTHDAYS.
(12) MISTAKES WERE MADE, INFO WAS DUMPED. Beware! Paralysis (from laughter) may ensue when you read “The Concerning Fine by Tim Catzi: Part 2 of the Colluding Umpire” at Camestros Felapton.
Brunomars Nicechap stood in front of the crowd of angry looking space geologists.
“Please,” he pleaded, “you have to believe me that the whole Interminabledependnecy is going to collapse!”
“Of course we believe you,” said the scientists, “your math checks out and anyway the whole thing started to collapse in the last book. We aren’t idiots.”
“But, but, we’ve a whole chapter to fill with you guys not believing me.” said Brunomars Nicechap.
“Maybe we could just all sit here and check our emails instead?” suggested the scientists.
Which is what they did.
(13) INTERNATIONAL LIFE. Other languages have words for “10 Personality traits English Can’t Name”. Chip Hitchcock marvels, “Who knew Greek had a word for ‘schlimazel’?”
Learning other languages offers insights into the way that other cultures see the world. For someone like myself, gaining those insights can become addictive, and that fixation has led me to study 15 different languages. My recent book, ‘From Amourette to Zal: Bizarre and Beautiful Words from Around Europe’, explores some of the words that other languages have, but that English doesn’t. The following 10 words, for example, describe character traits and behaviours that may be familiar to us all, but that the English language struggles to succinctly express.
(14) HONOR ROLL. BBC snaps pics as “Tom Hardy made a CBE by Prince Charles”. (Fortunately, they didn’t blame him for the Venom script.)
Film star Tom Hardy has been made a CBE for services to drama by Prince Charles at Buckingham Palace.
The Mad Max and Venom actor is a friend of Princes William and Harry and was among the guests at Harry’s wedding to Meghan Markle in May.
(15) CURRENT AFFAIRS. It’s official: “Kilogram gets a new definition”. But Chip Hitchcock says, “I hope some other Filer can explain why this works, or what the BBC has left out. ISTM that they’re measuring weight rather than mass, which means that the same object would have different results depending on where on Earth the measurement happened — on a mountain or at sea level, at the equator vs. the pole.”
How does the new system work?
Electromagnets generate a force. Scrap-yards use them on cranes to lift and move large metal objects, such as old cars. The pull of the electromagnet, the force it exerts, is directly related to the amount of electrical current going through its coils. There is, therefore, a direct relationship between electricity and weight.
So, in principle, scientists can define a kilogram, or any other weight, in terms of the amount of electricity needed to counteract the weight (gravitational force acting on a mass).
Here’s the tricky part
There is a quantity that relates weight to electrical current, called Planck’s constant – named after the German physicist Max Planck and denoted by the symbol h.
But h is an incredibly small number and to measure it, the research scientist Dr Bryan Kibble built a super-accurate set of scales. The Kibble balance, as it has become known, has an electromagnet that pulls down on one side of the scales and a weight – say, a kilogram – on the other.
The electrical current going through the electromagnet is increased until the two sides are perfectly balanced.
By measuring the current running through the electromagnet to incredible precision, the researchers are able to calculate h to an accuracy of 0.000001%.
This breakthrough has paved the way for Le Grand K to be deposed by “die kleine h“.
(16) OTHER CURRENT EVENTS. This week’s BBC News Quiz (and closes) with a gift for Filers. A good thing, because I got the rest of the quiz wrong!
(17) COLLECTIVE MAMATAS. Fantasy Literature delivers a parallax view of Nick Mamatas’ short fiction: “The People’s Republic of Everything: An experimental collection”.
Jana Nyman —
On the whole, though, the stories within The People’s Republic of Everything often feel like they’re lacking something (narrative/thematic focus, clarification of details or character motivation, sometimes even just character voice) that would bring all of the elements together into a cohesive whole. I found myself relying heavily on Mamatas’ notes after each story in order to parse out what his goals and mindsets were for each work.
Marion Deeds —
I enjoyed Nick Mamatas’s story collection The People’s Republic of Everything more than Jana did. My experience with Mamatas’s work is his novel I am Providence, which I enjoyed very much, a few short stories, and his role as a gadfly on Twitter. I had a pretty good idea what to expect from this 2018 collection and I was not disappointed.
(18) SHARED UNIVERSE. Adri Joy makes this sound pretty good — “Microreview [Books]: Redemption’s Blade by Adrian Tchaikovsky and Salvation’s Fire by Justina Robson” at Nerds of a Feather.
Oh hey, a shared universe! In books! Perhaps I’m not reading the right things, but this feels like a pretty rare occurrence, and aside from George R. R. Martin’s Wildcards series (which I haven’t read) and the occasional posthumous series continuation, I’m struggling to think of any intentional collaborations of this kind. Redemption’s Blade and Salvation’s Fire are a sequential pair which together open the “After the War” series. Redemption’s Blade – and, I believe, the concept for the whole world – was written by Adrian Tchaikovsky, who is fast on his way to becoming one of my favourite authors; Salvation’s Fire continues with Justina Robson, whose work I hadn’t read before.
…The fantasy world here is probably best described as “Legend of Zelda except society makes sense”. Humans share their world not with Tolkien-issue elves and dwarves but with the (formerly) winged Aethani, the water-dwelling Shelliac, forests full of ethereal Draeyads (some of which are now eternally on fire), some spider people (a Tchaikovsky special!), and most prominently, the Yorughans….
(19) LOST IN TRANSLATION. If alternative history with John Adams battling giant snakes is SF/Fantasy, then this is a good thread — starts here.
Here is Washington and his wife "Carol" meeting an extremely youthful Benjamin Franklin, who has an impressive squat. 5/ pic.twitter.com/hBAx12rBRF
— Nick Kapur (@nick_kapur) November 14, 2018
(20) NOT GENRE, JUST WEIRD. The 41st Pasadena Doodah Parade steps off Sunday, November 18.
Known as the twisted sister of the conventional Rose Parade, the Occasional Pasadena Doo Dah Parade began as a grassroots event in 1978 to gain national attention for its eccentric and, often, irreverent satire. The parade which has spawned numerous off-beat replicants across the country was even highlighted in last year’s Wall Street Journal. It was also named by Readers Digest as “America’s Best Parade,” and was recently featured in the book 50 Places You Must Visit Before You Die.
[Thanks to Mike Kennedy, Joel Zakem, Cat Eldridge, John King Tarpinian, JJ, Chip Hitchcock, Martin Morse Wooster, Carl Slaughter, Reuben, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Ingvar.]
(1) REALLY AND SINCERELY DEAD. [Item by Bill.] Harry Houdini died 92 years ago today:
The Official Houdini Seance will be held this year in Baltimore at the Jewish Museum of Maryland. The event will feature talks by Houdini experts and performances by magicians. The museum is currently home to the exhibition Inescapable: The Life and Legacy of Harry Houdini. Note: This event is SOLD OUT.
Although his fame was based on his magic and escapes, he was genre-adjacent:
(2) WEAR YOUR HALLOWEEN COSTUME TO WORK. This won the Internet today:
— SuccessIntheMaking? (@XoPinkHellooX) October 31, 2018
(3) CANDY CONVERTER. Here’s what you all are going to be looking for later tonight – from Adweek, “Reese’s Halloween Vending Machine Lets You Exchange Trash Candy for the Good Stuff”.
According to the Food Network, the machines had their maiden voyage on October 27 in Tarrytown, New York, birthplace of the Legend of Sleepy Hollow, at the town’s big annual Halloween parade. And on Halloween, October 31, Reese’s will set up a Candy Exchange Vending Machine in New York City, so New Yorkers can ditch whatever candy they’re not that into for Reese’s Peanut Butter Cups.
(4) SERIOUS SCIENTIFIC CANDY TALK. From LAist, “LAist’s Ultra Scientific Halloween Candy Ranker Proves Reese’s Is The Best Candy Bar Ever”.
(5) BLACK PANTHER ON HALLOWEEN. Michael Cavna and David Betancourt in the Washington Post ask if it’s all right for white kids to dress as characters from Black Panther for Halloween, with many white parents bothered by this but African-Americans such as director Reg Hudlin and Black Panther costume director Ruth E. Carter told him, “Yes, any kid can wear a Black Panther costume, say creators who helped shape the character”.
SINCE FEBRUARY, when Disney/Marvel’s smash “Black Panther” first captured not only audience attention but also the cultural zeitgeist, reporters have been asking the question: Which kids are permitted to don the superhero costume from the fictional African nation of Wakanda?
Or as Joshua David Stein wondered in a column at the time for Fatherly: “Should I allow my white son to dress as a black superhero?”
Jen Juneau wrote on People.com this month: “Parents of white children may want to think twice before purchasing a Black Panther Halloween costume this year.” And Steph Montgomery, writing this month for the online publication Romper, said: “I don’t think it’s appropriate for my white children to dress up as main characters T’Challa and Shuri, or the members of Dora Milaje — the badass women special forces of Wakanda.
…But in interviews with The Washington Post, several creators who have helped shape the Black Panther character, along with other prominent authors who have written characters of color, are adamant: Any kid can dress as Black Panther.
“The idea that only black kids would wear Black Panther costumes is insane to me,” said Reg Hudlin, the Oscar-nominated filmmaker who has worked on Wakanda-set projects for both the page and screen, including the animated TV miniseries “Black Panther.” “Why would anyone say that?”
…Ruth E. Carter, the Oscar-nominated costume designer (“Malcolm X,” “Amistad”), created the beautifully intricate attire for Ryan Coogler’s “Black Panther,” drawing inspiration from not only the comics but also from real-world designs in Africa.
She says the point in creating such Afrofuturistic art is to build not barriers but, rather, cultural bridges — and so fans should embrace that the world of Black Panther is “taking its royal place in the vast Comic-Con and cosplayer universe.”
So why are people posing this question over T’Challa now, Carter says rhetorically.
“The only reason we’re asking that question now is because the Black Panther is a black man. And I think that’s what’s wrong with people — that’s what’s wrong with parents,” Carter said. “Because I see kids far and wide embracing the concept of a superhero. I believe they see him as someone who is majestic and powerful and doing good, and has a kingdom and a legacy and is pretty cool. I don’t think they see a black guy — I think they see the image of a superhero,” she added, and “it happens to be the Black Panther just as it happens to be Superman.”
(6) FUTURE TENSE. Each month in 2018, Future Tense Fiction—a series of short stories from Future Tense and ASU’s Center for Science and the Imagination about how technology and science will change our lives— is publishing a story on a theme.
This month’s entry in the Future Tense Fiction series is: “Burned-Over Territory” by Lee Konstantinou.
I’m halfway through a plate of soggy risotto, giving my opinion about the Project Approval Framework, when my phone buzzes. I thought I’d muted notifications. I’m tempted to check the alert, but 30 faces are watching me, all Members, some from Zardoz House, the rest from other Houses around Rochester. We’re at a table made from reclaimed wood, which is covered with food and drink. It’s freezing. Everyone’s wearing sweaters, hats, coats, scarves, mittens; I’m in a blue blazer over a T-shirt, jeans, and leather boots. My hair is buzzed into a crew cut, and even though it makes me feel like an ass clown, I’m wearing makeup….
It was published along with a response essay, “What Problem Is Universal Basic Income Really Trying to Solve?”, by UBI advocate Sebastian Johnson.
…Many policy advocates and technologists have promoted universal basic income, or UBI, as one way to cope with the specter of joblessness wrought by advances in artificial intelligence. UBI would provide each individual with a no-strings-attached payment each month to cover basic needs and prevent individuals from falling below the poverty line. The benefits of UBI, according to proponents, would include the elimination of poverty, the fairer distribution of technologically generated wealth, and human flourishing. Critics are less sanguine, variously seeing in UBI a Trojan horse for dismantling the welfare state, an ill-considered policy that will sap humans of the self-actualization and pride derived from work, and a wholly inadequate response to the structural problems with late capitalism….
(7) WATCH THE WATCH. Deadline reports “Terry Pratchett’s ‘Discworld’ Adaptation ‘The Watch’ Lands At BBC America”.
The U.S. cable network describes the show as a “punk rock thriller” inspired by the City Watch subset of Discworld novels. The character-driven series centers on Terry Pratchett’s misfit cops as they fight to save a ramshackle city of normalized wrongness, from both the past and future in a perilous quest.
The Watch features many Discworld creations including City Watch Captain Sam Vimes, the last scion of nobility Lady Sybil Ramkin, the naïve but heroic Carrot Ironfoundersson, the mysterious Angua and the ingenious forensics expert Cheri together with Terry Pratchett’s iconic characterization of Death…
(8) KEPLER OBIT. Phys.org bids farewell to an exoplanet pioneer: “Kepler telescope dead after finding thousands of worlds”.
NASA’s elite planet-hunting spacecraft has been declared dead, just a few months shy of its 10th anniversary.
Officials announced the Kepler Space Telescope’s demise Tuesday.
Already well past its expected lifetime, the 9 1/2-year-old Kepler had been running low on fuel for months. Its ability to point at distant stars and identify possible alien worlds worsened dramatically at the beginning of October, but flight controllers still managed to retrieve its latest observations. The telescope has now gone silent, its fuel tank empty.
“Kepler opened the gate for mankind’s exploration of the cosmos,” said retired NASA scientist William Borucki, who led the original Kepler science team.
Kepler discovered 2,681 planets outside our solar system and even more potential candidates.
(9) TODAY IN HISTORY
They were out there on Halloween 1936 to try what few people at the time had tried: lighting a liquid rocket engine. It took them four attempts to get a rocket to fire for a glorious three seconds — though an oxygen hose also broke loose and sent them scampering for safety as it thrashed around.
(10) TODAY’S BIRTHDAYS
[Compiled by Cat Eldridge and JJ.]
(11) WIMPY BOOK TOUR. Christina Barron in the Washington Post says that Diary of a Wimpy Kid author Jeff Kinney, rather than a traditional book tour, is having “Wimpy Kid Live: The Meltdown Show,” with “costumes, cartooning, and the chance to stump the author on Wimpy Kid trivia: “Jeff Kinney puts on a show to launch new ‘Wimpy Kid’ book”.
Considering “The Meltdown” is Number 13 in the series, you might expect Kinney’s next book to be “Diary of a Weary Writer.” But instead of slowing down, the author is changing up what he does when he meets his many fans. He’s doing a few typical talks and book signings, but Kinney is also putting on a show.
“We thought it would be really fun to change the idea of what a book signing is,” Kinney said in a recent phone conversation.
(12) AGITPROP. The Hollywood Reporter takes note when a “’Rehire James Gunn’ Billboard Appears Near Disneyland”:
On Monday, a digital billboard popped up in Garden Grove, California, at an intersection just over four miles away from Disneyland in Anaheim. The billboard, which reads “Save the Galaxy: James Gunn for Vol. 3,” was paid for via a GoFundMe campaign that has raised nearly $5,000 since launching last month. The campaign sprang from the minds of a group of fans who organized online soon after Disney fired Gunn as director of Guardians 3 on July 20, after conservative personalities resurfaced old tweets in which the filmmaker joked about rape and pedophilia.
(13) SUMMER SCARES. The Horror Writers Association announced its “Summer Scares Reading Program”.
The Horror Writers Association (HWA), in partnership with United for Libraries, Book Riot, and Library Journal/School Library Journal, has launched a reading program that provides libraries and schools with an annual list of recommended horror titles for adult, young adult (teen), and middle grade readers. The goal is to introduce new authors and help librarians start conversations with readers that will extend beyond the books from each list and promote reading for years to come.
Each year, a special guest author and a committee of four librarians will select 3 recommended fiction titles in each of 3 reading levels (Middle Grade, Teen, and Adult), for a total of 9 Summer Scares selections. The goal of the program is to encourage a national conversation about the entire horror genre, across all age levels, at libraries all over the country and ultimately get more adults, teens, and children interested in reading. Official Summer Scares designated authors will also be available to appear, either virtually or in person, at public and school libraries all over the country, for free.
The committee’s final selections will be announced on February 14— National Library Lover’s Day. Some or all of the authors of those titles will appear on kickoff panels during Librarian’s Day at StokerCon each year.
(14) CIXIN LIU ADAPTATION. At The Verge, Weekend Editor Andrew Liptak seems to be taken with the teaser trailer for the Chinese film The Wandering Earth, an adaptation of a Cixin Liu story. (“The Wandering Earth could be China’s breakout sci-fi blockbuster film”) The movie appears to be the first in a proposed six-film franchise.
China isn’t typically known for its science fiction blockbusters, but a new trailer for an upcoming film called The Wandering Earth has all the hallmarks of a big, Hollywood-style genre movie: it features a dramatic story of the Earth in peril, complete with eye-popping scenes of spaceships escaping Earth.
The Wandering Earth is based on a story by Cixin Liu, the author best known for The Three-Body Problem, and, more recently, Ball Lightning. In the original story, scientists discovered that the sun is on the verge of turning into a red giant, and when it does, it’ll expand beyond the orbit of Mars, incinerating all of the solar system’s potentially habitable planets. They concoct a desperate plan to move Earth out of the solar system to a new star, Proxima Centauri.
(15) NOT GOING AT NIGHT. Popular Science raised a cheer because “NASA’s Parker Solar Probe just smashed two all-time records on its way to the sun”. The Parker Solar Probe has broken records as the fastest moving manmade object (relative to the Sun) and the closest manmade object to the Sun. Over a series of orbits, the perihelion will get progressively closer to the Sun, until the PSP dips into the solar corona.
The corona paradoxically burns millions of degrees hotter than the surface of the star itself, despite extending millions of miles into space. NASA expects that Parker will directly sample this unexplored zone on its 22nd orbit, which will take place in about six years.
Until then it will continue to best its own speed and closest approach records, which McDowell says is a fitting update to the largely overlooked legacy of Helios 1 and 2. “The great 1970s space probes, the really ambitious ones, there were three pairs: Viking, Voyager, and Helios. You’ve heard of Viking and Voyager, but you’ve never heard of Helios,” [astrophysicist Jonathon] McDowell says. Its measurements of the solar wind and magnetic field didn’t capture the public’s imagination in the same way as its camera-bearing cousins did, he suggests, but its speed record stood for nearly 42 years nonetheless.
(16) THE OLD EQUATIONS. Geek Tyrant can’t wait: “Anna Kendrick Heads To Mars in a New Sci-Fi Film Called STOWAWAY”.
Anna Kendrick is set to star in a new sci-fi thriller from XYZ Films called Stowaway. We’ve never really seen Kendrick in a sci-fi film before, so it’s cool to see her try something new.
Stowaway follows “the crew of a spaceship headed to Mars that discovers an accidental stowaway shortly after takeoff. Too far from Earth to turn back and with resources quickly dwindling, the ship’s medical researcher (Kendrick) emerges as the only dissenting voice against the group consensus that has already decided in favor of a grim outcome.”
(17) WOMEN OF THE GALAXY. A new book shows off badass female characters from the Star Wars universe (Polygon: “New art showcases the badassest women in the Star Wars universe”). The hardcover is a 30 October release from Chronicle Books and features a foreword by producer Kathleen Kennedy. It lists for $29.95.
Women of the Galaxy, a new art book examining female characters from every corner of the Star Wars universe, is exactly the kind of thing I would have read cover to cover twice in one sitting if you’d given it to me when I was nine.
From Jedi Master Aayla Secura to bounty hunter Zam Wesell, each alphabetical entry features art from a group of 18 women illustrators, as well as an explanation of the character’s history from Nerdist and StarWars.com writer Amy Ratcliffe. And with more than 70 characters in the book, there’s bound to be someone in here you’ve never heard of, but wish you had.
(18) DINO SUIT. Here’s our chance to test who are the most ferocious predators, Jurassic Park dinos or Hollywood lawyers: “‘Jurassic World’ Campaign to “Save the Dinos” Sparks $10M Lawsuit”
The Jurassic World: Fallen Kingdom campaign to “Save the Dinos” has sparked a $10 million trademark infringement and breach of contract lawsuit against producers.
Frederick Zaccheo of The Dinosaur Project claims filmmakers breached their contract with him by using the slogan on merchandise.
According to the complaint filed Tuesday in New York federal court, lawyers for Universal and Steven Spielberg’s Amblin Entertainment contacted Zaccheo requesting his consent to use his trademarked phrase. They paid him $50,000 for the right to use it in advertising for the film and promised not to use it in connection with clothing or to promote any charity, specifically animal rights, endangered species and environmental causes. They also agreed that the slogan must always be used with Jurassic Park franchise branding.
“In the months leading up to the release of Jurassic World: Fallen Kingdom, Defendants launched a multi-faceted advertising and marketing campaign centered around the theme of saving the fictional dinosaurs on the fictional island from the fictional volcano,” writes attorney Hillel Parness in the complaint. “To that end, Defendants created the ‘Dinosaur Protection Group,’ a fictional organization run by the character of Claire Dearing from the first Jurassic World film and portrayed by Bryce Dallas Howard.”
The campaign included a Dinosaur Protection Group website and social media sites and featured an Adopt-A-Dinosaur contest which offered Save the Dinos merchandise as prizes. (See the complaint below for screenshots.)
(19) ORLY? Camestros Felapton was surprised to hear the founder of Infogalactic touting it as a success: “Voxopedia Again”.
…What had caught my interest was that much of the content was actually about Voxopedia, the vanity Wikipedia project that’s just like Wikipedia but out of date and with nonsense attached. I was curious because manifestly as a project it has failed and clearly at some point it will be abandoned. I had assumed that it had already slipped into a zone of lack-of-interest as newer, shinier projects competed for attention*. But it seems not. rather Vox was holding up Voxopedia as a shining example of how he has all the experience he needs to run a social network.
Now note, currently Voxopedia has about 6-10 active editors or whom only two really are doing any work, two of whom are just feuding conspiracy theories maintaining their own separate (and incompatible) conspiracy pages, one of whom is engaged in a personal campaign to document all things about Englebert Humperdinck (and nothing else) and one of whom is doing nothing but write hate pieces about transgender people….
(20) VIDEO OF THE DAY. In “Halloween: John Locke vs. The Zombies” on YouTube, American Enterprise Institute fellow Jonah Goldberg explains why political philosopher John Locke would support killing zombies during a zombie apocalypse.
[Thanks to Bill, John King Tarpinian, Joey Eschrich, Mike Kennedy, Chip Hitchcock, JJ, Cat Eldridge, Martin Morse Wooster, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Lise Andreasen.]
(1) ARISIA AGAIN. A second account where someone tells how Arisia unsatisfactorily handled her reported rape — Maura Taylor in “Arisia and #MeToo (TW: Rape)”.
I believe Crystal Huff, in part because a very similar thing happened to me.
Arisia ’15, I was raped. And Arisia did nothing in response…
(2) NOVEL VERDICT. SF Bluestocking weighs in on an anticipated sequel: “Book Review: Bloody Rose by Nicholas Eames”.
Nicholas Eames’ freshman novel, Kings of the Wyld, was one of my favorite reads of 2017, a well-written, cleverly observed and often hilariously funny adventure fantasy pastiche that adhered to genre forms while gently poking fun at well-worn tropes and presenting a refreshingly positive and downright heartwarming portrait of non-toxic masculinity in action. So I was pretty hyped to see what Eames would make of this sequel, which showcases a mixed-gender cast from the point of view of a queer teenage girl. Unfortunately, Bloody Rose doesn’t quite rise to the level of excellence of its predecessor, although it’s also by no means a complete failure at the perhaps-too-many things it sets out to accomplish…
(3) HERE’S LOOKING AT WHO, KID. ScienceFiction.com calls it “sour grapes”: “Steven Moffat Is Afraid Of ‘Doctor Who’ Looking ‘Cheap’”.
While on an episode of the podcast Sitcom Geeks, Moffat revealed that he thinks more money should be spent on ‘Doctor Who’ in order to keep the show competitive. The interviewer made a comment about the ‘Who’ of his childhood, saying:
“My memory of ‘Doctor Who’ is very much a piece of cardboard that he is standing behind.”
To which Moffat replied:
“That’s the big challenge of ‘Doctor Who’ now… running the risk of looking as cheap now as it did then, compared to what the rest of TV is doing, unless they put a whole lot more money into it. And it’s still an inexpensive show. A show that generates as much money as ‘Doctor Who’ should be getting more of it back.”
(4) A THEOLOGICAL CONTROVERSY. Popsugar throws down: “Is the Nightmare Before Christmas a Halloween Movie or a Christmas Movie? Let’s Settle This”.
Yes, a lot of the movie takes place in Halloween Town and main character Jack Skellington is the Pumpkin King, but there are also plenty of Christmas elements once Jack travels to Christmas Town. Is it a Christmas movie that happens to take place around Halloween, or is it a Halloween movie with strong Christmas themes? The debate between which is which has raged on among fans ever since the film’s release in 1993 (in late October, it should be noted), so much so that director Henry Selick finally had to step into the fray.
Click to find out how the director answered the question.
(5) FAST FOOD CONFRONTATION. N.K. Jemisin’s thread starts here.
I walked into the taco place and "the Final Countdown" started playing. Now I really want to fight a climactic battle with someone for these tacos.
— N. K. Jemisin (@nkjemisin) October 26, 2018
Shit, this margarita is too strong. I am defeated, Twitter. But we'll finish this… IN FANFIC.
— N. K. Jemisin (@nkjemisin) October 26, 2018
“Badassfully” — that cracks me up.
(6) FOR THE RECORD. Video researcher Echo Ishii’s latest two finds include one of the recent past and another from 20 years ago.
HUMANS is a UK science fiction television series that began in 2015. There are three series broadcast thus far. The theme revolves around a modern world in which anthropomorphic androids called ‘synths’ are part of daily life. Synths can be purchased for family/personal use but there are also synths contracted by companies and synths contracted by government health services. HUMANS is an SF drama show-the focus being on how the exists of synths explores human relationships to technology and each other….
…Thomas Veil’s life has been erased. His friends don’t know him and his identity seems to be erased from all record. He figures out that the people responsible for his erasure negatives of a photograph he took of rebels being hanged by US soldiers in South America. Someone wants the negatives to erase all the evidence. Veil believes it’s part of a coverup of government activities. He tries to identify the military unit involved using evidence from the photos, yet, each step takes him deeper into a an ever, menacing conspiracy. He follows a trail of clues with lead him to several other anomalies: one town controlled by subliminal programming; another town in which people are being abducted by UFO’s; yet another town comprised entirely of people who’ve been erased like Tom. Veil himself is often captured, tracked, and subject to further experiments.
(7) THE PLOT THICKENS. WIRED’s coverage of Kim Stanley’s Robinson’s new book, Red Moon, begins in his community garden plot — “The Climate-Obsessed Sci-Fi Genius of Kim Stanley Robinson”.
Robinson’s little town, crisscrossed by bike paths, is full of artists and scientists. (The guy who works the next garden plot over is a researcher at Monsanto; Robinson says everyone can tell that neighbor secretly threw down some RoundUp to clear a pathway.) Robinson tried to build a perfect ecosystem within the constraints of scientific and political realities. It went wrong. Now, only a polymerization of advanced superscience and hardcore diplomacy will fix it—and ignoring those realities will make things worse.
In other words, Kim Stanley Robinson is living inside a Kim Stanley Robinson novel….
(8) LE GUIN THE POET. David Naimon, who interviewed Ursula K. Le Guin for Ursula K. Le Guin: Conversations on Writing, discusses in “Always Beginning”, a post at the Poetry Foundation website, how Le Guin’s she continued to work on poems throughout her career.
…Despite her formal playfulness, Le Guin’s poems aren’t considered experimental or avant-garde. She wasn’t interested in what was or was not en vogue—formally, stylistically, or otherwise—in contemporary poetry. She found more freedom in the constraints of metrically rhyming verse than in free verse. And there is a way in which Le Guin’s poetry feels, if not out of time, then as if it arises from a longer span of time. I first noticed this elongated perspective, this drawing from a longer timeline of influence, when discussing the craft of writing fiction with her. She cautioned against getting swept up in whatever was in fashion given how many fashions she had seen come and go in publishing, as well as how the commodification of books shapes many of these fashions….
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and JJ.]
(10) COMICS SECTION.
(11) INPUT REQUESTED. Do you have an opinion about what magazines Featured Futures should cover? Jason wants to know: “Poll: What Magazines Should Featured Futures Cover?”
(12) BACK IN THE ZONE. Whew! Galactic Journey’s Natalie Devitt says in the new fall (1963) season The Twilight Zone has redeemed itself: “[October 26, 1963] [Return to Form] (Twilight Zone, Season 5, Episodes 1-4)”.
In case you have been living under a rock or moved on to newer programs, like The Outer Limits, The Twilight Zone returned to television for a fifth season. The series has also returned to a half-hour format and is once again airing on Friday nights. Back in May, I wrote that I hoped the program would be renewed for at least another season, because I just could not bear the thought of a once great series ending its run with an episode like The Bard. Well, it seems as if the television gods must have been listening because my wish has come true. If you have not been tuning in consistently for the past month, here is what you may have missed:
(13) PANNED. NPR’s Chris Klimek reviews “‘Suspiria’: A Cult-Horror Remake Dances To A Confusing Beat”.
Suspiria, Luca Guadagnino’s reimagining of Dario Argento’s gnarly Italian cult film about a haunted dance academy in Germany, is vulgar, shamelessly pretentious, and frequently opaque. But enough about its virtues.
Set in 1977, the year Argento unleashed Suspiria Prime upon the world, this “cover version” (in the words of Guadagnino’s longtime collaborator Tilda Swinton, who plays three of the new film’s major roles, under varying tonnages of prosthetic makeup) is, tonally and visually, muted and somber where its inspiration was vibrant and operatic. A title card at the opening warns us that it comprises “Six Acts and an Epilogue in a Divided Berlin,” and sure enough, this Suspiria, at 152 minutes, runs just shy of an hour longer than Argento’s. Even without those title cards at the top of each act, you would. Notice. The. Time.
(14) PECUNIAM PRO ARTIS. Monetizing: at London’s “Comic Con, Cosplayers explain how they support their art”.
She has found her niche within the community, but only through trial and error.
“It’s still brand new to all of us,” she says.
“I have a line of cosplay accessories that I designed back in the early 2000s. I have been selling online as well as at conventions as a vendor or exhibitor.
“People saw me at conventions for years, and this was how I built my name and brand recognition.
“I did all of this without knowing what I was doing. I just wanted to live at cons [conventions].
(15) OLD FILM SERVICE TO BE SHUTTERED. FilmStruck, a subsection/streaming service for old movies, will be closed before the end of November says Gizmodo: “Warner Bros. and Turner Are Killing One of the Internet’s Last Good Things”.
… Variety reports that AT&T subsidiaries Warner Bros. Digital Network and Turner are shuttering FilmStruck, the Netflix-like streaming service for older films. If you’ll remember AT&T acquired Turner, Warner Bros., and HBO in a major deal in June.
FilmStruck, for the sadly uninitiated, is a service that allowed you to stream thousands of old movies and documentaries for less than the price of Netflix. For old movie lovers, this was an absolute boon; between the catalogs of Warner Bros., Turner, and Criterion, FilmStruck had the largest library of early films available to a mass audience. There are movies on the service that are virtually impossible for the public to view any other way—no VHS release, no readily available spools of film, and only the slightest chance of a screening on TCM.
(16) CEASELESS SURVEILLANCE. Camestros Felapton discusses the trilogy — “Review: The Centenal Cycle by Malka Older”.
Comprising three books (Infomocracy, Null States and State Tectonics), the Centenal Cycle examines a near future world with a radical form of global democracy. With most of the globe carved up into roughly equal population sized mini-states, Older’s thought-experiment novels takes the ‘marketplace of ideas’ seriously with a world where people might move a few blocks in a big city to change their government. The grout in the tiles of worldwide micro-democracy is information and Information. The latter is an organisation that is a cross between a nationalised Google, a surveillance state, a non-partisan civil service, the ‘deep state’ and a benevolent version of a Wikipedia of everything….
(17) FRANK AT 200. At Nerds of a Feather, Adri analyzes a thematic collection — “Microreview [Book]: Creatures: The Legacy of Frankenstein”.
I’m looking today at a timely volume from Abaddon books, which explores the mythology two centuries on through a new set of stories edited by David Thomas Moore. Creatures: The Legacy of Frankenstein is a collection of five long novelettes and/or short novellas exploring the legacy of Victor Frankenstein and his creation through a series of shared universe stories, dealing with other creators in other situations, all of which circle the same themes of life, death, autonomy and monstrosity that the original text evokes so effectively.
…Put together, this is a very strong collection: what the stories as a whole lack in inter-relatedness and consistency, they make up for in terms of the sheer breadth of the Frankenstein experience that they cover between them.
(18) STYLE SAVINGS. Silly, but they are authorized. “A Sweet Offer: The Last Unicorn Nail Wraps” at Support Peter S. Beagle.
Interested in some neat The Last Unicorn themed product that’s been personally endorsed by Peter and benefits him as well? Well do I have a very sweet deal for you!
Peter says to tell mr to share code UNICORN10 with you which will grant you 10% off of all The Last Unicorn nail wraps and you can go here to view all neat designs you can purchase.
(19) DEATH ON A HOLIDAY. The “15th Annual Halloween Mourning Tours” educate people about death in Los Angeles a century ago.
It’s 1918, there’s been a death in the family and you are invited to the funeral. Will you cry? What will you wear? Will you attempt to contact the dearly departed?
Get the answers as you join the funeral party and see how Edwardians grieved their dead at Heritage Square Museum’s popular Mourning Tours from noon – 4pm on October 27 and 28, 2018. Throughout the weekend, funeral-goers will be immersed in mourning etiquette, participate in a reenactment ceremony inside a historic home and other activities including:
- The year is 1918 and that means the Spanish Flu is wreaking havoc! Will you defy the gathering bans to attend the funeral? Or, if you are deemed “sick,” what will you discover as you are escorted into a flu-ridden home?
- Learn about the turn-of-the-century movement of Spiritualism and the lure of séances complete with a reenactment and a discussion on the “tricks of the trade.”
- Experience a re-creation of Phantasmagoria, a phenomenon that shocked and exhilarated its Victorian audiences.
(20) MOONBASE. An open access article at Nature — “How to build a Moonbase” [PDF file].
Researchers are ramping up plans for living on the Moon.
Next year, astronaut Matthias Maurer expects to walk on the surface of the Moon — but without the hassles of a rocket flight, zero-gravity nausea and a risky landing. Instead he’ll stroll close to home in a leafy meadow near Cologne, Germany, which is set to host the largest Moon mock-up ever made. On a pit of artificial lunar dust covering more than 1,000 square metres, Maurer and other scientists will be attached to crane-and-pulley systems that allow them to leap as if experiencing the Moon’s weaker gravity, and work under adjustable lamps that simulate lighting at different lunar sites. Sometimes, they will retreat to lunar-style living quarters: an airlock-connected module the size of a shipping container.
(21) BYE BYE BOBA. There won’t be a Boba Fett movie and this writer for The Verge seems to think it is a Good Thing™: “Lucasfilm canceling its Boba Fett film could be good news for Star Wars’ future”.
…We also know what happens with the other characters in the other rumored projects: Boba Fett gets eaten by a Sarlacc in Return of the Jedi, and Obi-Wan Kenobi bites it after helping a terrorism suspect escape from a secure facility in A New Hope. These backstory movies flesh out the larger world of Star Wars, but they’re not advancing the larger story or advancing toward the kind of ending that builds anticipation and story loyalty.
This isn’t to say that prequel stories can’t be useful or interesting. Lucasfilm’s animated TV shows have done solid work in looking at older time periods in the franchise and telling intriguing, engaging, successful stories…
[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Mike Kennedy Carl Slaughter, Chip Hitchcock, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jayn.]
(1) HORROR HUMBLE BUNDLE. “The Tales of Horror Humble Bundle” is now up with horror anthologies edited by Ellen Datlow (Darkness, Nightmares, Lovecraft’s Monsters), also: The Ultimate Werewolf, The Ultimate Undead, and The Ultimate Dracula, plus books by Lisa Goldstein, Ellen Klages, Nancy Kress, Kelley Armstrong, and Joe R. Lansdale. Plus graphic novels like From Hell, by Moore/Campbell, Parasyte by Hitoshi Iwaaki, Devil’s Line by Ryo Hanada, Until Your Bones Rot by Yae Utsumi, Locke & Key Vol. 1: Welcome To Lovecraft by Joe Hill and Gabriel Rodriguez, and others.
(2) PATTINSON IN SPACE. The BBC’s Claire Davis reviews Robert Pattinson in High Life: 4 stars, but won’t please nearly everyone.
Robert Pattinson, sci-fi and sex in outer space – if ever the audacious, brilliant French director Claire Denis were making a bid for a mainstream audience, High Life would seem to be it. It turns out, the reverse is true. Before and especially after his Twilight years, Pattinson has sought out roles in smaller, artistic films, apparently on a mission to establish himself as a serious actor. The plan is working….
High Life, Denis’ first film in English, is set on a spaceship full of prisoners sent on an almost certain suicide mission to explore a black hole.
(3) ROSSUM’S UNIVERSAL TWEETERS. A lot of Twitter bot activity preceded and followed Chuck Wendig’s firing by Marvel says Bethan Lacina:
Updated data on Twitter before/after @ChuckWendig being fired from @Marvel/@StarWars. The new part is the number of bots (fully automated accounts) tweeting about Wendig. I'm amazed by how many bots there were. pic.twitter.com/SIfpYynvVx
— Bethany Lacina (@bethany_lacina) October 18, 2018
(4) AT THE FRONT. Cedar Sanderson has quite a bit of interest to say about book covers in “7 Rules for Cover Design” at Mad Genius Club.
It’s not just that I’m an artist and designer and I enjoy the process of book creation. It’s that even though people will say they don’t care about a book cover, they actually do. They will totally judge your book by it’s cover. And your book cover signals a lot about your book, whether you are conscious of it, or not. Every little choice, from font to color focus, says something about the book. I think by now everyone reading this knows the cardinal rule of a book cover: cover art is a marketing tool, not a scene from the book.
(5) TOMORROW’S THE FIFTH. Happy fifth anniversary, Galactic Journey!
— Galactic Journey (@journeygalactic) October 20, 2018
In “[October 20, 1963] Science Experiments (November 1963 F&SF and a space update)”, The Traveler celebrates the occasion —
Five years ago tomorrow, I created the Journey to detail the day-by-day adventures of a science fiction magazine fan who just happened to also be a space journalist. In the passage of five circuits around the sun, the scope of this project has expanded tremendously to cover books, movies, tv shows, comics, politics, music, fashion, and more. The Journey has grown from a solo project to a staff of twenty spanning the globe. Two years ago, we won the Rod Serling Award, and this year, we were nominated for the Hugo.
(6) DINOBITES. BBC finds “Jurassic-era piranha is world’s earliest flesh-eating fish”.
“We were stunned that this fish had piranha-like teeth,” says Martina Kölbl-Ebert, of Jura-Museum Eichstätt, who led the study.
“It comes from a group of fishes (the pycnodontids) that are famous for their crushing teeth. It is like finding a sheep with a snarl like a wolf. But what was even more remarkable is that it was from the Jurassic.
“Fish as we know them, bony fishes, just did not bite flesh of other fishes at that time. Sharks have been able to bite out chunks of flesh but throughout history bony fishes have either fed on invertebrates or largely swallowed their prey whole. Biting chunks of flesh or fins was something that came much later.”
(7) PERSONS OF INTEREST. Steve Shives investigates who did it —
(8) TOLKIEN LETTER OFFERED. A rare bookdealer is offering a long letter from JRRT for $48k. That’s not news — people can list their property for any price they like. But the listing includes images of all four pages, so you can read it in its entirety — “J.R.R. Tolkien. Autograph Letter Signed” at The Manhattan Rare Book Company.
-insists that The Lord of the Rings is “in no way an ‘allegory’”, but “mythical-historical” based on “deeply rooted ‘archetypal’ motifs”
-reveals his motivations for writing The Lord of the Rings (“I merely tried to write a story that would be ‘exciting’ and readable, and give me a scope for my personal pleasure in history, languages, and ‘landscape’”)
-bemoans certain analyses of The Lord of the Rings that focus on symbolism (“they miss the point and destroy the object of their enquiry as surely as a vivisectionist destroys a cat or rabbit”)
(9) SELF-PUBBERS ARE LEARNING. At Writer Beware, Victoria Strauss charts “The Continued Decline of Author Solutions”. Strauss observes, “costly and often deceptive ‘assisted self-publishing’ services that proliferated in the early days of digital publishing are gradually being supplanted by better options.”
What I want to focus on, though, is Author Solutions–where ISBN output is a useful measure of overall activity, since all AS publishing packages include ISBN assignment.
In previous posts, I’ve followed AS’s steady decline, from an all time high of 52,548 ISBNs in 2011 (one year before Pearson bought it and folded it into Penguin), to less than half that in 2015 (the same year that Penguin unloaded it to a private equity firm called Najafi Companies*).
In the latest version of Bowker’s report, that slide continues. 2016 did see a small post-Najafi uptick, from 24,587 to 30,288; but in 2017 the freefall resumed, with ISBNs dropping to 25,971–just slightly above 2015’s output. A few of the individual imprints do show negligible increases, but for the most part they all go down (by four figures in the case of AuthorHouse).
(10) CALL FOR BOOKSTORE ACTIVISM. Electric Literature points readers to Lexi Beach’s Twitter thread which tells “Why Buying Books Will Not Save Our Beloved Bookstores” and what to do instead. The thread starts here.
So what can you do? Talk to your hyper local elected officials. Community board, city council. Tell them how these locally owned, independently run businesses make your life in their district so much better.
— Lexi Beach (@lexiatwork) October 9, 2018
(11) BOL OBIT. Little Free Library creator Todd Bol died October 18 — “Todd Bol, creator of the Little Free Library movement, dies at 62”.
Todd Bol hammered together the first Little Free Library. Then he built a movement around it.
Bol believed the now-ubiquitous little boxes of books — and the neighbors who cared for them — could change a block, a city, the world. So he brought them to front yards all over, often installing them himself. Known for his wild optimism and keen business sense, the Little Free Library founder died Thursday morning, just weeks after he was found to have pancreatic cancer.
…Bol set a goal of 2,150 — to beat the number of Carnegie Libraries in the country. Less than a decade later, more than 75,000 dollhouse-size libraries have sprouted on front lawns in 88 countries…
(12) TODAY IN HISTORY
(13) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and JJ.]
(14) APRIL FOOLISHNESS. Gábor Takacs sff-related April’s fools prank is in Hungarian, but you can enjoy the covers of these fictitious upcoming books, e. g. a Culture-novel by Alastair Reynolds and Peter F. Hamilton, and so on. With covers!
(15) ANOTHER ONE BITES THE DUST. A second superhero series marked for death: “Netflix cancels ‘Luke Cage’ a week after dropping ‘Iron Fist'”.
When Marvel and Netflix announced Iron Fist wouldn’t return for a third season, there were reports Luke Cage was close to being renewed. That is not the case, however, as they announced tonight that the show will end after two seasons, even though additional seasons for Jessica Jones and The Punisher are already on order. In a statement, the companies said “Unfortunately, Marvel’s Luke Cage will not return for a third season. Everyone at Marvel Television and Netflix is grateful to the dedicated showrunner, writers, cast and crew who brought Harlem’s Hero to life for the past two seasons, and to all the fans who have supported the series.”
(16) FIRST PERSON. Saga tells it all to The Guardian: “I pulled a 1,500-year-old sword out of a lake”.
I was crawling along the bottom of the lake on my arms and knees, looking for stones to skim, when my hand and knee felt something long and hard buried in the clay and sand. I pulled it out and saw that it was different from the sticks or rocks I usually find. One end had a point, and the other had a handle, so I pointed it up to the sky, put my other hand on my hip and called out, “Daddy, I’ve found a sword!”
I felt like a warrior, but Daddy said I looked like Pippi Longstocking. The sword felt rough and hard, and I got some sticky, icky brown rust on my hands. It started to bend and Daddy splashed up to me, and said I should let him hold it. It was my sword and now he was taking it away! I gave it to him in the end.
(17) NEED GAS. Brian Gallagher, in “So Can We Terraform Mars Or Not?” at Nautilus, argues the question of whether or not terraforming Mars will be successful depends on how much carbon dioxide is stored in the Martian rocks, with NASA arguing that there isn’t enough carbon dioxide to do the job, while Robert Zubrin argues that NASA dramatically underestimates that amount of carbon dioxide that would be available.
This is where, to Zubrin and McKay, Jakosky seems to contradict the known data. 0.5 bar of atmospheric CO2 loss is a fair—even if not conclusive—assessment, McKay and Zubrin told me. (McKay: “There is some debate if they are actually measuring CO2 loss or just O2 loss.” Zubrin: “That claim is controversial, but we’ll let it pass because at least in that case [Jakosky] is arguing from data.”) What they disagree with is Jakosky’s carbon isotope analysis. Zubrin said it is impossible for the 0.5 bar of atmospheric CO2 loss to represent 75 percent or more of Mars’ original atmospheric total because, “based on the available data on liquid water on ancient Mars, Mars must have had at least 2 bar of CO2” enveloping the planet (the ground-based amount at that time is unknown). If so, contrary to Jakosky, there would be well over a bar left in shallow ground deposits somewhere—enough to trigger a runaway greenhouse effect if vaporized.
(18) STILL READING RICE. Princess Weekes, in “Why Our Love for Anne Rice’s Vampires Is Undying” at The Mary Sue, explores why people still read Anne Rice’s The Vampire Chronicles 40 years after Interview with the Vampire was first published.
The desire to be loved, to understand what it means to be human when your humanity is stripped away from you, those are beautiful themes and questions to raise in a novel about vampires. Rice showed the poetry in the genre and also gave women a stronger place in vampire literary lore. She wrote vampires for a female audience while creating a brutal and dark novel with Interview, but it was dark not just through violence but through emotion—and that is why the series means so much to people even now.
(19) MAKING OF THE EMPIRE STRIKES BACK. Polygon spotlights the rediscovery: “The Empire Strikes Back’s long-lost making-of documentary surfaces on YouTube”.
The Making of the Empire Strikes Back, a documentary partially referenced on the internet but otherwise believed incomplete and lost, has made it to YouTube in full.
The film lingers on the special effects required for the Hoth battle opening the 1980 flick, but also includes backstage interviews with Mark Hamill, Harrison Ford and the late Carrie Fisher. At this point in history, all three were bought into the love triangle set up in the original Star Wars, before everyone figured out Luke’s parentage — and then Leia’s, as well.
(20) KILLER MOVES AND KILLER TUNES. The second trailer for Anna and the Apocalypse.
A zombie apocalypse threatens the sleepy town of Little Haven – at Christmas – forcing Anna and her friends to fight, slash and sing their way to survival, facing the undead in a desperate race to reach their loved ones. But they soon discover that no one is safe in this new world, and with civilization falling apart around them, the only people they can truly rely on are each other.
[Thanks to Martin Morse Wooster, Cat Eldridge, JJ, Chip Hitchcock, Mike Kennedy, John King Tarpinian, Carl Slaughter, Soon Lee, and Andrew Porter for some of these stories Title credit goes to File 770 contributing editor of the day Paul Weimer.]
(1) WHO NOVELIZATION. The Irish Times profiles Dave Rudden, an Irish writer of Doctor Who tie-in fiction: “Meet the Irish author who is reinventing Doctor Who”. The article includes a sweet story about how Rudden dedicated one of the first 13th Doctor stories to an elderly lady and longterm Who fan, who was bullied by the nuns at her school for her love and science and SF.
At the invitation of the franchise’s custodians at Puffin and the BBC, he has written a new anthology of Doctor Who stories for kids (he has no idea why he was chosen beyond hypothesising that someone must have felt he would do the franchise justice). Get even the tiniest detail wrong – he is, of course, confident he hasn’t – and the internet will emit a mighty howl of outrage.
“I know I am stepping into an established canon,” says Rudden. “People have a preconceived notion as to what a Doctor Who short story should be. And I am little nervous about that. There are people who will say, ‘that’s not how [iconic Fourth Doctor] Tom Baker would speak . . . I hope I get it right. If not, I’ll take the criticism on board.”
Doctor Who: Twelve Angels Weeping represents another feather in the cap of a writer who has built a fanbase with his Knights of the Borrowed Dark fantasy saga (a TV adaptation is in the works). The collection also makes a small piece of sci-fi history. It’s the first Dr Who book to feature Whittaker’s Thirteenth Doctor, rainbow braces and all.
(2) EMOTIONAL LIVES OF WRITERS. Peter M. Ball returns to the subject of “Writing and Shame” at Man Versus Bear.
…I’ve written about the connections between writing and shame before–the first time back in 2010, when I talked about the connection between shame, writing, and money, and more recently in 2013 when I pondered the narratives of shame that come with the gig of writing. I found myself hinting at it yesterday, talking about cohorts, and it comes up again and again when I start looking at my recurring anxieties.
I often talk about the fear inherent in being a writer, but often it should be phrased as shame: so much of the fear is a consequence of being ashamed at what’s achieved, or more often, what is hoped for.
It starts early, the moment you decide to start writing and the world conspires to tell you that decision is wrong. The terms by which your work will be valued are laid out for you in the rhetoric you hear as a constant refrain: There is no money in writing. Can i buy your work in a bookstore? You should try writing the next Harry Potter. Oh, what have you had published?
(3) NO PREMIO MINOTAURO IN 2018. Ediciones Minotauro has issued a statement that the XV edition of the Minotauro Award will be given in 2019.
The Minotauro Award has been awarded since 2004, and is the one with the highest endowment among fantastic genre awards in Spanish. In 2004, the winner (León Arsenal , with Mascaras de Matar) was awarded 18,000 Euros, although, due to the crisis, that amount was reduced to 6,000 that Pablo Tébar won in 2017 with Nieve en Marte.
(4) ‘TIS THE HWA SEASON. The Horror Writers Association blog is counting down to Halloween. Here are a few highlights:
One of the main things to remember when world building, especially for horror, is to strike a balance between the suspension of disbelief and logic. If you’re creating a serial killer or monster with supernatural powers, for instance, there should be some limitations on what they can and can’t do so their victims have somewhat of a fighting chance, even if the odds are never in their favor.
“My name is Victoria Winters and my journey is beginning…a journey that will take me to a strange, dark house, high atop Widows’ Hill. A house called Collinwood…”
So begins the first episode of “Dark Shadows” (DS), a popular 1960’s soap opera featuring an otherworldly cast of vampires, werewolves, ghosts, witches and other spooks germane to the Halloween season. As each episode opens with a monologue to set the scene, so it opens with a view of “Collinwood,” the sprawling chateau where the show’s action unfolds.
The image of Collinwood, with its tower, dormers, and multiple chimneys, is as iconic as the vampire Barnabas. Although the interiors of the great estate were stage sets, the exterior of the house and the grounds belong to Seaview Terrace, a mansion in Newport, RI, where I have been privileged to spend Halloween in the company of other DS fans. This Halloween will be our tenth in the house. Over time, party attendance has grown from two-dozen people to nearly 100.
Before there were TV horror hosts, haunted houses, and the Rocky Horror Picture Show, there were spook shows. Now a nearly forgotten bit of Americana, these once incredibly popular shows toured around the country on the movie theater circuit from the 1940’s through the 1960’s. In some ways the last vestige of vaudeville, they featured comedy, spooky magic, a little burlesque and often a séance. A half-century before it was a term, the spook shows were also on the cutting edge of “immersive” theater. The climax of every show was a “blackout sequence,” in which the audience was placed in total darkness, surrounded by supernatural phenomena they could see, hear and feel. They had all kinds of tricks to make that happen.
(5) HEAR KRUGMAN. Tyler Cowen interviews Paul Krugman in an episode of the “Conversations With Tyler” podcast — “Paul Krugman on Politics, Inequality, and Following Your Curiosity (Ep. 51)”. The episode has a lot of sfnal content. Krugman talks about a paper on interstellar travel he wrote in the early 1990s, and answers the question of “Star Trek or Star Wars?” by saying he doesn’t particularly like either show, but likes some of the speculation in Star Trek. Krugman also discusses his love of Isaac Asimov, and said he became an economist because he wanted to be a psychohistorian, and then explains why Asimov’s psychohistory won’t work. Finally, he says his favorite contemporary sf writer is Charles Stross, and his favorite Stross series are the Merchant Princes novels, which he says is “a type of development economics.”
(6) DEATH BY CHOCOLATE. Adweek promises “These Brazilian Candy Ads Are Undeniably Dark Yet Surprisingly Entertaining”.
“Chocolate World” for the Lacta 5Star bar is a series of ads where this community of confection is under siege by a raft of cookies, cocoa and caramel, the three ingredients in the candy. All of the spots grab your attention pretty quickly and, despite their graphic nature and dark storylines, are compelling to watch—but be forewarned, this might not be the candy advertising you’re used to.
In one ad, asteroids, in the form of delicious cookies, destroy everything in sight, resulting in rivers of caramel.
In another, an astronaut attempts to flee a massive baked boulder to no avail as a planet explodes into celestial caramel goodness.
And, in probably the most graphic spot in the set, a skier tries to outmaneuver an angry squirrel, only to have his head snipped by a tree before falling into a lake of caramel.
(7) TODAY IN HISTORY.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and JJ.]
(9) RUN AWAY! Mashable issues a warning with this news item — “Jon Favreau teases his Star Wars TV series with an alarming set photo”.
It’s time to pack it in, my fellow Star Wars fans. The atrocious(ly amazing) Holiday Special is officially canon.
Jon Favreau treated Instagram followers to a teasing visual nugget tied to his upcoming TV series, The Mandalorian. You might look at the photo and think, “So what? It’s just a funky Star Wars blaster, right?”
Right. And wrong. This image contains multitudes. Look upon it and weep, Star Wars faithful.
That’s not just any blaster, you see. That blaster contains multitudes. It bears a striking resemblance to the one an animated version of the notorious bounty hunter carried around in the infamous Star Wars Holiday Special, a made-for-TV assault on the senses driven by hilariously bad writing and excessive holiday schmaltz.
(10) MIB. SYFY Wire boosts the signal — “Tessa Thompson shares photo from new Men in Black set”.
With the sneak peeks Tessa Thompson and Chris Hemsworth are giving us of the upcoming Men in Black film, we have to hope no one with a neuralyzer shows up at our door any time soon. The two have been doing an excellent job of teasing the film, from sharing their travels from the set to that of Avengers 4 to giving us an initial image of themselves as MIB agents. Now we have an even better idea of what the two will look like in the movie thanks to a photo Thompson shared on Instagram Friday from the set.
(11) SCREAM QUEEN. Leonard Maltin interviews “Jamie Lee Curtis on Her Return to Halloween“.
At one point, she recalls making a conscious effort to leave the horror genre behind. Then the son of late producer Moustapha Akkad, who launched the Halloween films, convinced her in 2011 to attend an event to benefit a children’s charity called sCare dedicated to corralling horror fans, and stars, to fight poverty and homelessness among America’s youth.
She agreed and met her fans en masse for the first time. It made her realize she’d made the right decision, movie-wise, and that being scared could, indeed, be a good thing, with very positive vibes.
“I had a bucket,” she recalls. “People would come up with a hundred bucks and say, ‘I believe in what you’re doing. Thank you for those movies.’ It was crazy. It was fantastic. What I ended up getting back from that group is love—pure, beautiful love of the genre. Love of Laurie, love of the story, love of it all.”
(12) REFASHIONING SCI-FI. Dazed, in “New zine Vagina Dentata is exploring sci-fi through a feminist lens”, speaks to founder Smin Smith “about the importance of representation, reclaiming science fiction from the cis, white hands of Hollywood and how minorities are biting back in a post-Trump world.”
Hey Smin, can you start by telling us a bit about where you interest in sci-fi and fashion came from?
Growing up, I didn’t watch any science fiction or fantasy, but I loved designing as a child and would watch Alexander McQueen catwalks on YouTube, so this probably all stems back to the Plato’s Atlantis collection. I was 15 at the time and can remember having it in every sketchbook at school, finding a way I could incorporate it into every project – that’s how I discovered science fiction.
I went on to study at UCA (Epsom) and one of my first projects at university was a zine inspired by film culture, so I drew my favourite characters in collections from that season – Tom Ripley in Commes Des Garçons, Barbarella in Vivienne Westwood and Princess Leia in McQueen. Science fiction, fashion, and feminism have always been the biggest influences upon my creative practice (whether as a stylist or writer), and the concept evolved over the next few years and became the much more collaborative and photographic zine that you see today.
So what was your mission when launching Vagina Dentata Zine?
I wanted to explore the symbiotic relationship I saw between science fiction, fashion and feminism. Recent theories like Xenofeminism have proposed a shift in technology production away from white, cis men, and into the hands of minorities. This feels particularly poignant when you realise that sci-fi film employs less women than any other film genre (both in front and behind of the camera). The zine provides a platform for those excluded by Hollywood (women, LGBTQIA+, POC and non-binary creatives) to interact and engage with science fiction – so it’s both a love letter and a burn book to the genre that shaped me.
(13) BARREL OF LAUGHS. “Whisky Wonka-style tour creates a boozy wonderland” – the Calgary Herald tells an LA story.
… Hidden behind a Queen of Hearts painted wall where the eyes rotate to see who is walking into the warehouse-come-distillery in the heart of the Los Angeles Arts District is a wonderland of amusements and whisky….
…As we continue our journey, we enter the vast lab to hear about “Project One Night Stand.” In the middle of the room sits a lonely nightstand made in the 1880s from a now-extinct American chestnut. The team of beakerheads are trying to recreate a whisky that was aged in barrels matured in that American chestnut. To do that, they scour antique stores to find old furniture to chip into the reactor.
We move on to taste more spirits in a tent with first edition novels by H.G. Wells lining the walls, then to another room to drink from ornate tea cups. But then, the tour takes a spin. Serious … we spin on a carousel where someone in the dark starts reciting that creepy Willy Wonka Tunnel song … ”there’s no way of knowing … which direction we are going …” As it borders on creepy, the curtain opens to a new land and, yeah … more booze and it’s tasting better all the time.
(14) BURNING BOOKS. Carolyn Kellogg finds the mystery irresistible: “Who started the 1986 fire at the Los Angeles Library? Susan Orlean investigates in her new book” in the Los Angeles Times.
Hundreds of L.A. firefighters fought the devastating fire.at downtown’s Central Library on April 29, 1986. Thousands of people contributed to the Save the Books campaign afterward. Millions heard the news that the library was burning and then that it was caused by arson. But more than three decades later, only Orlean was asking who did it and why, and wondering whether anyone today should care. In a reverse “Fahrenheit 451,” Orlean took a fire and turned it into a book.
Titled — aptly and ingeniously — “The Library Book,” it tells the story of the mysterious fire that burned 400,000 books while also tracing Orlean’s love of libraries, from trips with her mother to taking her son….
Tapping a concrete wall, she explained where the fire had started, in the stacks. Built as two secure concrete chutes within the original 1926 building, the stacks held hundreds of thousands of books and were connected by a catwalk for librarians. After the fire started — leaping across the catwalk from the first stack to the second — the chutes served as dual furnaces, books trapped inside with the fire.
“Their covers burst like popcorn. Pages flared and blackened and then sprang away from their bindings, a ream of sooty scraps soaring on the updraft. The fire flashed through fiction, consuming it as it traveled,” Orlean writes in her book. “It reached for the cookbooks. The cookbooks burned up. The fire scrambled to the sixth tier and then to the seventh. Every book in its path bloomed with flame.”
(15) SUPERHERO SPECTRUM. Here’s an interesting concept – where else would you find Watchmen’s Doctor Manhattan, the Genie from Disney’s Aladdin, and Sadness from Inside Out teamed together? “This Artist Sorted Famous Characters By Color And Here’s What She Found Out” at deMilked.
The artist said she tried to classify these pop culture characters to see how different shades and tones interact in a group of characters of supposedly the same color. “Unlike humans, fictional characters are very different from one another – they have different, sometimes very odd, forms, they are made of different unearthly substances, and lastly, they are, undeniably, different colors – even when they seem the same. Is the blue color of a Smurf the same as Megaman’s? I don’t think so,” said Linda about her project.
Check out the color-coded characters in the gallery below!
[Thanks to Cora Buhlert, Chip Hitchcock, Mike Kennedy, John King Tarpinian, JJ, Cat Eldridge, Martin Morse Wooster, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jamoche.]