Pixel Scroll 3/18/24 We Cannot Do With More Than 16, To Give A Tentacle To Each

(1) HOLLY BLACK Q&A. “Holly Black interview: The Cruel Prince author on the boom in faerie fantasy novels, BookTok, and sex scenes” at Slate.

What does it feel like now to be surrounded by all these other faerie fantasy books and, consequently, readers who potentially read only fantasy, who are not coming into the genre for the first time?

[Black] As a person who writes and reads a lot of fantasy, it’s been extremely gratifying to see fantasy move into a mainstream place. There are a lot of people who’ve grown up watching Lord of the Rings at a young enough age that it’s become part of their vocabulary of how the fantasy world works. Game of Thrones too. I think, for a lot of people, that barrier to entry is much lower than it was when there wasn’t so much exposure to fantasy.

I think the rise of romantasy is certainly in part because people do have the vocabulary of fantasy. Romance is one of the biggest genres in the world, so of course people want to see, or are able to read, fantasy romances in a way that might not have been true before. Romantasy is really two different genres kind of mushed together, probably in the same way that urban fantasy was. You have two streams: the romance-forward fantasy, where it’s really a romance novel with fantasy, and then you have fantasy that has romance. They’re paced really differently, and they have different focuses, but they live in the same genre. Then you had urban fantasy that came out of fantasy, and often those were the faerie books; for a long time urban fantasy was faerie, in the late ’80s.

(2) NEW WORLDS TURNING 60. Richard Glynn Jones told the New Worlds Facebook group on March 13 that an anniversary issues is in the works:

Michael Moorcock and some associates are preparing a new issue of New Worlds to commemorate the 60th anniversary of his becoming its editor. This will be in magazine format as before (A4, saddle-stitched) for publication in mid-summer. The contents are pretty much finalised, so please don’t send any unsolicited material: it’s by invitation only. A second book-format New Worlds is due from PS Publishing later in the year. More info soon.

(3) SOMETHING IS ROTTING IN HOLLYWOOD BITS. [Item by Mike Kennedy.] Digital is forever. Except when it isn’t. The movie industry has a data migration problem. From The Hollywood Reporter: “’It’s a Silent Fire’: Decaying Digital Movie and TV Show Files Are a Hollywood Crisis”.

Industry pros sweat the possibility that many digital files will eventually become unusable — an archival tragedy reminiscent of the celluloid era.

While David Zaslav and Bob Iger’s tax-optimization strategy of deleting films and TV shows from their streamers has triggered plenty of agita among creators, the custodians of Hollywood’s digital era have an even greater fear: wholesale decay of feature and episodic files. Behind closed doors and NDAs, the fragility of archives is a perpetual Topic A, with pros sweating the possibility that contemporary pop culture’s master files might be true goners, destined to the same fate as so many vanished silent movies, among them Alfred Hitchcock’s second feature, The Mountain Eagle, and Ernst Lubitsch’s Oscar-winning The Patriot.

It’s underscored by initiatives such as Martin Scorsese’s Film Foundation. “The preservation of every art form is fundamental,” the industry icon says on a video on the organization’s web site. For the business, these are valuable studio assets — to use one example, the MGM Library (roughly 4,000 film titles including the James Bond franchise and 17,000 series episodes) is worth an estimated $3.4 billion to Amazon — but there’s a misconception that digital files are safe forever. In fact, files end up corrupted, data is improperly transferred, hard drives fail, formats change, work simply vanishes. “It’s a silent fire,” says Linda Tadic, CEO of Digital Bedrock, an archiving servicer that works with studios and indie producers. “We find issues with every single show or film that we try to preserve.” So, what exactly has gone missing? “I could tell you stories — but I can’t, because of confidentiality.”

(4) FADING SCHOLARSHIP. [Item by SF Concatenation’s Jonathan Cowie.] The same fear holds true for scholarly publications. Nature this week has rung an alarm bell.  SF fans should note: this is another reason why fandom’s move away from paper publications is to be deplored. Digital is simply not for evermore. We need plurality and a diversity of solutions…. “Millions of research papers at risk of disappearing from the Internet” at Nature.

An analysis of DOIs suggests that digital preservation is not keeping up with burgeoning scholarly knowledge.

DOIs for the uninitiated are Digital Object Identifiers: every academic publication should have one so that if a publisher’s website changes and there is a new web-page address (URL) the DOI remains the same and links through. [Jonathan adds, “Fans need not worry about this (the only one they should remember is https://doi.org/10.1017/cbo9781139087735…” Guess whose book that link goes to…]

More than one-quarter of scholarly articles are not being properly archived and preserved, a study of more than seven million digital publications suggests. The findings, published in the Journal of Librarianship and Scholarly Communication on 24 January1, indicate that systems to preserve papers online have failed to keep pace with the growth of research output.

“Our entire epistemology of science and research relies on the chain of footnotes,” explains author Martin Eve, a researcher in literature, technology and publishing at Birkbeck, University of London. “If you can’t verify what someone else has said at some other point, you’re just trusting to blind faith for artefacts that you can no longer read yourself.”

Primary research is here.

(5) LEGACY WORRIES. Brian Keene muses about the disturbingly short half-life of author name recognition in “Letters From the Labyrinth 372”.

…On Tuesday of this past week, I took a rare day off and drove up to Asbury Park, New Jersey to visit my pal F. Paul Wilson. It occurs to me that I will need to explain to some of my younger readers just who Paul is, and therein lies the meat of this missive. Paul was one of the first horror novelists I read. (As I’ve written in OTHER WORDS, my evolutionary chain as a kid was comic books and Hardy Boys, then Stephen King and F. Paul Wilson). First thing I read by him was The Keep — a seminal, classic horror novel which, sadly, most of you under the age of forty have probably never read. The Keep was the third “grown up book” I ever read (right after King’s Night Shift and Salem’s Lot), and it is an essential part of my writer DNA.

Paul went on to become a giant in the fields of not just horror, but science-fiction, fantasy, thrillers, and other genres, as well. He was a stalwart, perennial New York Times bestseller, and his best-known IP — Repairman Jack — will carry on long after he’s gone. I guarantee you that right now, many of you who did not recognize the name F. Paul Wilson are now nodding and saying, “Oh, yeah, I’ve heard of Repairman Jack.”

It feels absurd to have to explain all of this to you. How could anyone not know this? But then, I think about this past Thursday in the store, when I overheard a mother explaining to her daughter who Brian Keene was, and that he owned the store they were currently shopping in, and that she (the mother) had started reading him in high school. The girl, high school age herself, was holding a book by Wile E. Young that she’d pulled off the shelf. Wile E. Young, was reading me in high school and my books are an essential part of his writer DNA the way Paul’s are a part of mine….

(6) FEAR THE LEFTOVERS. “Godzilla Minus One Director Releases New Kaiju Short, ‘Foodlosslla’” – here is Comicbook.com’s introduction.

…Godzilla Minus One director Takashi Yamazaki teamed up with Ajinomoto (a line of cooking products in Japan) on a special new promo that takes the Kaiju director’s expertise and brings it to life in a new way. Highlighting the amount of food waste in Japan (2.44 million tons according to the advertisement), it results in the creation of “Foodlosslla” a kaiju made out of all the wasted food that doesn’t get eaten or cooked. But with the director’s eye, it’s a great looking monster for the promo. Check it out in action below…

(7) STILL PLENTY OF GOOD EATING ON THIS ONE. Don’t ask what internet rabbit hole this 2014 recipe came from: “Edible Art: Spice Stuffed Squash Sandworms” at Kitchen Overlord. (Click for larger image.)

(8) THOMAS STAFFFORD (1930-2024). [Item by Mike Kennedy.] Gemini 6. Gemini 9. Apollo 10. Apollo 10 Lunar Module. Apollo-Soyuz. Air Force Lt General. A long and busy life. RIP. “Astronaut Thomas Stafford, commander of Apollo 10, has died at age 93”. He died March 18. PBS News Hour pays tribute.

…Stafford, a retired Air Force three-star general, took part in four space missions. Before Apollo 10, he flew on two Gemini flights, including the first rendezvous of two U.S. capsules in orbit. He died in a hospital near his Space Coast Florida home, said Max Ary, director of the Stafford Air & Space Museum in Weatherford, Oklahoma.

Stafford was one of 24 people who flew to the moon, but he did not land on it. Only seven of them are still alive….

…After he put away his flight suit, Stafford was the go-to guy for NASA when it sought independent advice on everything from human Mars missions to safety issues to returning to flight after the 2003 space shuttle Columbia accident. He chaired an oversight group that looked into how to fix the then-flawed Hubble Space Telescope, earning a NASA public service award.

“Tom was involved in so many things that most people were not aware of, such as being known as the ‘Father of Stealth’,” Ary said in an email. Stafford was in charge of the famous “Area 51” desert base that was the site of many UFO theories, but the home of testing of Air Force stealth technologies….

… After the moon landings ended, NASA and the Soviet Union decided on a joint docking mission and Stafford, a one-star general at the time, was chosen to command the American side. It meant intensive language training, being followed by the KGB while in the Soviet Union, and lifelong friendships with cosmonauts. The two teams of space travelers even went to Disney World and rode Space Mountain together before going into orbit and joining ships.

“We have capture,” Stafford radioed in Russian as the Apollo and Soyuz spacecraft hooked up. His Russian counterpart, Alexei Leonov, responded in English: “Well done, Tom, it was a good show. I vote for you.”

The 1975 mission included two days during which the five men worked together on experiments….

(9) BELATED BIRTHDAY.

[Written by Cat Eldridge.]

Born March 17, 1948 William Gibson, 76. Not at all surprisingly, the first series that I read by William Gibson was the one that started off with his first novel, Neuromancer, published forty years ago, which is called the Sprawl trilogy. I still love the now anachronistic wording of the opening, “THE SKY ABOVE the port was the color of television, tuned to a dead channel.”

I don’t know at all how many times that I’ve read that trilogy but the last time I did read it, about a decade, it was still impressively excellent. 

William Gibson

Neuromancer would get a much deserved Hugo at Aussiecon Two as well as a Ditmar, Nebula and a Philip K. Dick; and Mono Lisa Overdrive won an Aurora. The novels had too many nominations to list here.

Yes, I’m looking forward to the Apple financed Neuromancer series. If anyone can financially afford to do it right, it’s them. And they have a strict hands-off policy of not interfering with the actual production team. 

Going back in time I must talk about “Johnny Mnemonic” which was not his first story, which was “Hinterlands“ which I’ve never of until now. “Johnny Mnemonic” I think is one of the finest SF short story written.  The same holds true for “The Gernsback Continuum” which was published in the same year, forty-two years ago.  I’ll toss in “New Rose Hotel” which showed up a few years later.

Please let’s not talk about the Johnny Mnemonic film. Really don’t mention it. I get queasy thinking about how they butchered that stellar story. And I’ve seen some pretty awful scripts but few that matched this, plus the casting of him. Why oh why? 

His second series, the Bridge trilogy, which is Virtual LightIdoru and All Tomorrow’s Parties came out some thirty years ago. No, I’ve not read it nearly as many times as I’ve read the Sprawl ones but I did find rather excellent. The near future setting is more grounded and a more fascinating read for that. 

Ok, I’ll admit that I do not at all know what to make of Pattern RecognitionSpook Country and Zero History. They are well written like everything he does, and the characters are fascinating, but something these works is just not quite right for me. It comes off cold, distanced and just not interesting as what else he’s done.

On the other catspaw, the Jackpot trilogy, or possibly longer series, which so far consisted of The Peripheral that has contain time travel (of sorts, maybe) and Agency, and a third, Jackpot, which I don’t think has a release date, is fascinating in the first two novels. Strange, disjointed but fascinating. 

(10) COMICS SECTION.

(11) JUNE 4. ScreenRant says The Acolyte release date has been confirmed by Lucasfilm: “We Finally Know When The Next Star Wars TV Show Comes Out”.

… With a summer 2024 Disney+ drop having long been rumored, Lucasfilm has officially confirmed The Acolyte‘s release date as June 4, 2024, via Star Wars‘ official Twitter/X account. As it turns out, the release dates that have been reported for The Acolyte were accurate. This means Star Wars fans will not have to wait long to sink their teeth into the High Republic era, as Lucasfilm takes a big step into a new facet of a galaxy far, far away….

… The books of the High Republic are set centuries before Star Wars: Episode I – The Phantom Menace. Upon The Acolyte‘s announcement, it was confirmed that the Disney+ show would detail the waning days of the High Republic era. This places the show about 100 years before The Phantom Menace in the Star Wars timeline, promising a new, exciting look at an entirely new era of the franchise….

(12) DO ANDROIDS DREAM OF LOOKING UP AT GIANT ELECTRIC SHEEP? YES THEY CAN! [Item by Daniel Dern.] “Montana Man Pleads Guilty to Federal Wildlife Trafficking Charges as Part of Yearslong Effort to Create Giant Hybrid Sheep for Captive Hunting” at the US Department of Justice.

Defendant Worked to Traffic Marco Polo Sheep Parts from Kyrgyzstan, Clone Sheep, Illegally Inseminate Ewes to Create Hybrids and Traffic Rocky Mountain Bighorn Sheep Parts

A Montana man pleaded guilty today to two felony wildlife crimes – a conspiracy to violate the Lacey Act and substantively violating the Lacey Act – as part of an almost decade-long effort to create giant sheep hybrids in the United States with an aim to sell the species to captive hunting facilities.

Arthur “Jack” Schubarth, 80, of Vaughn, Montana, is the owner and operator of Sun River Enterprises LLC – also known as Schubarth Ranch – which is a 215-acre alternative livestock ranch in Vaughn. The Schubarth Ranch is engaged in the purchase, sale and breeding of “alternative livestock” such as mountain sheep, mountain goats and various ungulates. The primary market for Schubarth’s livestock is captive hunting operations, also known as shooting preserves or game ranches.

According to court documents, Schubarth conspired with at least five other individuals between 2013 and 2021 to create a larger hybrid species of sheep that would garner higher prices from shooting preserves. Schubarth brought parts of the largest sheep in the world, Marco Polo argali sheep (Ovis ammon polii), from Kyrgyzstan into the United States without declaring the importation. Average males can weigh more than 300 pounds with horns that span more than five feet. Marco Polo argali are native to the high elevations of the Pamir region of Central Asia. They are protected internationally by the Convention on International Trade in Endangered Species, domestically by the U.S. Endangered Species Act and are prohibited in the State of Montana to protect native sheep from disease and hybridization.

Schubarth sent genetic material from the argali parts to a lab to create cloned embryos. Schubarth then implanted the embryos in ewes on his ranch, resulting in a single, pure genetic male Marco Polo argali that he named “Montana Mountain King” or MMK….

(13) TINY MESSAGES. Like the “golden record” sent with two 1977 Voyager probes,“NASA’s Europa Clipper mission will carry a poem and millions of names to ocean moon” reports CNN.

When NASA’s Europa Clipper aims to launch on its highly anticipated mission to an icy moon in October, the spacecraft will carry a unique design etched with names, poetry and artwork symbolizing humanity.

The US space agency has a long history of sending names and meaningful designs aloft aboard missions, including the Voyager probes, the Perseverance rover and Parker Solar Probe. Now, it’s Europa Clipper’s turn to carry on the tradition of ferrying a design that illustrates why humans are driven to explore the cosmos….

… Decorated on both sides and made of the rare metal tantalum, the triangular plate will seal the spacecraft’s sensitive electronics inside a vault to protect them from Jupiter’s harsh radiation.

On the inside of the vault is a silicon microchip stenciled with more than 2.6 million names submitted by the public. The microchip is at the center of a design that shows a bottle floating within the orbit of Jupiter and its moons to symbolize that it serves as a cosmic message in a bottle.

Technicians at NASA’s Jet Propulsion Laboratory in Pasadena, California, used electron beams to stencil the names at a size smaller than one-thousandth the width of a human hair.

Below the bottle, the design features the original poem “In Praise of Mystery: A Poem for Europa” by US Poet Laureate Ada Limón, etched in her handwriting, as well as a portrait of the late planetary sciences pioneer Ron Greeley, an Arizona State University professor who played a crucial role in laying the foundation for the development of a mission to Europa.

The side of the plate facing the inside of the vault also includes an etching of the Drake Equation, developed by the late astronomer Frank Drake of the University of California Santa Cruz in 1961 to estimate the possibility of finding advanced life beyond Earth. The equation remains an important part of astrobiological research as scientists search for evidence of life beyond our planet.

The external side of the plate carries waveforms, or visual representations of sound waves, that depict the word “water” in 103 languages from around the world. At the heart of the spiral is a symbol that means “water” in American Sign Language. The audio of the spoken languages collected by linguists for NASA is available on its website….

(14) VIDEO OF THE DAY. Mother’s Basement looks back on “How Akira Toriyama Changed The World”.

Akira Toriyama didn’t just change manga and anime forever, he changed the entire world. Here’s how.

Geoff Thew creates videos analyzing the storytelling techniques of anime and video games. He has been named the number one Worst YouTube Anime Reviewer by The Top Tens.

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, Kathy Sullivan, Daniel Dern, JJ, Lise Andreasen, Andrew (not Werdna), N., Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 3/17/24 Raindrops Keep Scrollin’ On My Thread

(1) THE SOUND OF IRISH MUSIC. C.J. Cherryh put her readers in a holiday mood at Facebook. Read the full post there.

It’s an important holiday for me not because of the mythical snakes, but because of the pipers, and the fact I so love traditional Gaelic music and dancing….

… My ancestry’s a mess of people who spent a lot of time fighting each other—England, Scotland, Ireland and Wales, up one side and down. But I don’t celebrate the old wars. I celebrate that we survived all of it, and can remember the songs and the dancing.

(2) THE FLIP SIDE. [Item by James Bacon.] The Irish entry into the Eurovision by Bambie Thug, “Doomsday Blue” is utterly brilliant. 

Here is Bambie Thug talking about themselves before being on The Late Late Show.

Spotify song link and Eurovision video link also.

(3) KELLY LINK Q&A. We learn how “Kelly Link Is Committed to the Fantastic” in an interview with The New Yorker. “The MacArthur-winning author on the worthwhile frivolity of the fantasy genre, how magic is and is not like a credit card, and why she hates to write but does it anyway.”

Is there a connection between your religious upbringing and the fantasy you write now?

What religion and fantasy have in common is that the reader knows, going in, that they’ll be asked to imagine that the world might be different from the way it is now. They’ll be asked to imagine the possibility of a world that is radically transformed. I salute and love the fact that fantasy is, in some ways, a frivolous genre. You read a genre book not necessarily because you feel you’re going to learn something. Sometimes it’s because the structure of a particular genre produces patterns that are pleasurable to engage with.

I didn’t expect you to say that the fantasy genre was frivolous!

It’s a story I have to tell myself when I’m working. That I am engaged in a practice which, on some level, is frivolous. I am imagining changes to the world that produce a kind of delight, not necessarily trying to describe the world in the way that it is.

It’s not that the fantastic can’t be used as a tool to do serious and pointed work. Plenty of genre writers do exactly that. But I am committed to the idea that there is something, aside from utility, in the excess and play of imagination that fantasy allows as a genre. I couldn’t write if I felt that I had something which needed to be said…

(4) FANTASY WHACKS SF AT THE BOX OFFICE! Oh, the embarrassment. (Er, I mean, “Oh, how great!” for you fantasy fans.) “Box Office: ‘Kung Fu Panda 4’ & ‘Dune: Part Two’ Fight For No. 1”. Deadline is keeping score.

SUNDAY AM UPDATE: The whole marketplace is coming in lighter than expected at $89M, which is -3% off from the same frame a year ago when Shazam Fury of the Gods did $30M. That’s exactly what the second weekend is for Kung Fu Panda 4 which is a great hold at -48%, rising to $107.7M stateside running total. Legendary/Warner Bros’ Dune Part Two isn’t far behind with $29.1M, -37%, for a running total of $205.3M. The domestic endgame on the sequel is expected to be around $275M….

(5) GAME MAKERS FACING HARASSMENT. WIRED covers the attempt to run back an ugly piece of the culture wars in “The Small Company at the Center of ‘Gamergate 2.0’”.

The accusations began around the release of Spider-Man 2 last October. More came when Alan Wake II hit a week later. They were all over the replies to the social media accounts of Sweet Baby Inc.: hateful comments, many of which hinged on the idea that the Montreal-based narrative development and consulting company was responsible for the “wokeification” of video games, recalls Kim Belair, the company’s CEO.

In the months following, the noise only increased. “You made this character Black, or you added these gay characters, or you ruined the story,” Belair says of the comments, the tone of which, she adds, never changed. Neither have the demands of the people behind them. “It’s usually, ‘leave the industry,’” Belair says, or admit there’s truth to wild conspiracy theories about being involved with investment company BlackRock. (Sweet Baby is not.) Or, more succinctly: “Die.”

Online, those clamoring for Sweet Baby’s demise are calling it Gamergate 2.0, invoking the online harassment campaign that erupted into a culture war a decade ago. Gamergate formalized the playbook for online harassment used by hate groups and the far right; it inspired figures who would later tap into that outrage and rise all the way to positions of power, such as chief strategist in the White House. The two movements do share a handful of similarities: harassment campaigns flooded with falsehoods and accusations bordering on conspiracy; attacks aimed primarily at women and people of color; the idea that video game culture for cis white men is being stolen from them.

“People want to believe that our work is surgically removing the things that they would have liked. ‘Change this line, make this line less racist,’” she says. “That’s just not the reality of it.”…

(6) MAKE YOUR MOVE WITH THE RED KNIGHT. You still have two days to bid on “Vlad the Impaler’s Red Armor” from the movie Dracula (1992) in the “Treasures from Planet Hollywood” event at Heritage Auctions.

Bram Stoker’s Dracula (Columbia, 1992), Gary Oldman “Vlad the Impaler” Red Armor Display Figure. Original reproduction armor made from molded fiberglass components covering a ribbed, cotton body suit with separate arm extensions. Armor includes full head helmet and corresponding plate guards. Display figure features a foam body with wire armature mounted on a wooden support platform for easy display. It measures approx. 71″ x 28″ x 11″ (wood base to mask horns). The figure is dressed in the iconic red armor that Vlad/Dracula (Gary Oldman) wore at the beginning of the Francis Ford Coppola film. Exhibits display wear, chipping in fiberglass pieces, detached components, cracking, discoloration and general age. Special shipping arrangements will apply. Obtained from technical advisor Christopher Gilman. Comes with a COA from Heritage Auctions.

(7) TIKTOK IS FOCUS OF PROPOSED LAW. A Pew Research Center daily newsletter reports:

The House of Representatives passed a bill March 13 with bipartisan support that would require TikTok’s China-based parent company to either sell the app or risk a ban in the United States. The legislation now heads to the Senate, where its fate is unclear. [The full story is behind a New York Times paywall.]

While a majority of Americans said in May 2023 that TikTok is at least a minor threat to U.S. national security, support for a TikTok ban fell over the course of the year, according to a recent Pew Research Center survey. In fall 2023, 38% of U.S. adults said they would support the U.S. government banning TikTok, down from 50% who said the same in March 2023.

Overall, a third of U.S. adults (33%) say they use the video-based platform, and the share who say they regularly get news from TikTok has risen sharply in recent years, from 3% in 2020 to 14% in 2023.

(8) SCENES FROM THE AUTHOR’S EXPERIENCE. Cora Buhlert’s compelling photo narrative about the WWII destruction of Dresden follows Gideon Marcus’ (unenthusiastic) review of Kurt Vonnegut’s Slaughterhouse-Five – newly released this month (which at Galactic Journey is March 1969, 55 years ago): “[March 14, 1969 ] (March 1969 Galactoscope)”.

…. I have never seen Dresden before 1945, though my grandmother who grew up in the area told me it was a beautiful city and how much she missed attending performances at the striking Semper opera house, which was largely destroyed by the bombings and is in the process of being rebuilt (The proposed completion date is 1985). However, I have visited the modern Dresden with its constant construction activity and incongruous mix of burned out ruins, historical buildings in various stages of reconstruction and newly constructed modernist office and apartment blocks and could keenly feel what was lost….

(9) PHOTOS OF THE STOPA FAMILY. With an assist from Andrew Porter, I rounded up a few more photos of Jon and Joni Stopa, and their daughter Debbie. All now passed away. [Click for larger images.]

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 17, 1926 Peter Graves. (Died 2010.) Now Peter Graves is truly interesting. Paramount + has the Mission: Impossible series, so I watched all of it from beginning to end even before Peter Graves was James “Jim” Phelps of the Impossible Missions Force (IMF) for seasons two to seven. He was superb in the role which, like the series, held up very well when I rewatched it.

He would reprise this character during the writers’ strike. Now the producers couldn’t hire new writers obviously, so they literally went into the vaults for previously written material. Yes, they used scripts that were rejected the first time. Was the new Mission Impossible any good? I think so. 

Peter Graves in 1967.

They did new characters even though the idiots at Paramount wanted them the original characters recast, and some of original characters showed up here. (The strike ended while they were still filming so they have fresh scripts.) 

He refused to reprise this role (which would be played by Jon Voight) in the first film of the Mission: Impossible film franchise, after reading the script and discovering the character would be revealed to be a traitor and the primary villain of the film.

He did do a lot of genre films — Red Planet Mars which appears to a rather decent piece of early Fifties SF, Killers from Space (also known as The Man Who Saved the Earth) with Big Eyed Monsters and aliens, It Conquered the World with a Venusian alien, The Eye Creatures (alternatively shown as Attack of the Eye Creatures with, oh guess), Scream of the Wolf, oh look no aliens, Where Have All the People Gone? in which you can guess what happens, Addams Family Values which he narrates, he appears as himself in House on Haunted Hill which he dies in, MIB II as well, and finally he’s in a film (uncredited) that I wish I hadn’t seen, Looney Tunes: Back in Action.

 Now let’s see what other genre TV he did other than Mission: Impossible. There’s two one-offs, The Invaders and Buck Rogers in the 25th Century.

(11) FIRE CLAIMS ACTOR’S LA MANSION. “Cara Delevingne’s Los Angeles home destroyed in fire”AP News has the story. Delevingne has a deep genre resume, including roles in American Horror Story, Futurama, Carnival Row, Valerian and the City of a Thousand Planets, Suicide Squad, and Pan.

The Los Angeles home of model and actor Cara Delevingne was destroyed in a fire Friday [March 15].

One firefighter was taken to a hospital in fair condition with unspecified injuries, and one unidentified person from the house suffered minor smoke inhalation, Los Angeles Fire Department spokesman Nicholas Prange said….

…The cause was under investigation.

The 31-year-old London-born Delevingne became widely known as a fashion model in the early 2010s and later began acting, appearing in the 2016 DC Comics film “Suicide Squad” and director Luc Besson’s 2017 “Valerian and the City of a Thousand Planets.”

(12) SHOW ME THE MONEY. At Deadline, “Billy Dee Williams Says “Pay Me A Lot Of Money” To Return To ‘Star Wars’ As Lando & Shares Thoughts On Donald Glover Taking On Character”.

…Williams said he has met Glover and shared the advice he gave the actor about taking on the role.

“I had a nice little lunch with him. He’s a delightful young man. Extremely talented. But I don’t see him… I mean, when it comes to Lando Calrissian there’s only one Lando Calrissian. I created that character,” he said. “I told him to be charming – two words! That’s all I needed to tell him. That’s all I could think of.”

Last year, Glover shared details of his encounter with Williams recalling that he gave him the “secret” on how to play Lando by telling him to “just be charming.”

“He’s right, Lando is charm incarnate,” Glover said in an interview with GQ. “He’s kind of a maverick, which I don’t think there’s a lot of anymore. It’s hard to be a smooth talker nowadays ’cause, where’s the line? But I think that’s also where the danger is. It’s like, how close can you get without tripping over it?”…

(13) UP ON THE ROOFTOP. The Guardian has a little different take on vacuum and space: “Cosmic cleaners: the scientists scouring English cathedral roofs for space dust”.

On the roof of Canterbury Cathedral, two planetary scientists are searching for cosmic dust. While the red brick parapet hides the streets, buildings and trees far below, only wispy clouds block the deep blue sky that extends into outer space.

The roaring of a vacuum cleaner breaks the silence and researcher Dr Penny Wozniakiewicz, dressed in hazmat suit with a bulky vacuum backpack, carefully traces a gutter with the tube of the suction machine.

“We’re looking for tiny microscopic spheres,” explains her colleague, Dr Matthias van Ginneken from the University of Kent, also clad in protective gear. “Right now, we are collecting thousands and thousands of dust particles, and we hope there will be a minuscule number that came from space.”’

(14) HOW FIT IS OUR GALAXY? [Item by SF Concatenation’s Jonathan Cowie.] In this week’s Science journal asks, “How massive is the Milky Way?”

It looks like our galaxy is a tad slimmer than thought???

The total mass of an isolated galaxy can be determined from its rotation curve, a plot of orbital velocity against distance from the galaxy’s center. Determining the rotation curve is difficult for the Milky Way because we are located inside of it. Ou et al. used a machine learning method to improve distance determinations for stars on the red giant branch, then used the stars’ velocities to extend the Milky Way’s rotation curve to 30 kiloparsecs from the Galactic Center. By fitting a mass model to the rotation curve, the authors found a lower mass for the Milky Way than was found in previous studies because of differences in the inferred distribution of dark matter.

Science journal coverage here — scroll down a little

Primary research here.

(15) SEND EELS TO OTHER WORLDS. In this week’s Science we have a brief report of a new robot designed to explore gas giant moons that may have a sub-surface ocean harboring life… “Snaking around extreme icy worlds”.

There is growing interest in the exploration of icy moons such as Enceladus because of the potential for these worlds to have liquid water that could support Earth-like life. However, obtaining samples is challenging because of environmental extremities on the surface or within ice vents. Vaquero et al. developed a snake-like robot named Exobiology Extant Life Surveyor (EELS) that was capable of autonomously navigating on icy surfaces. EELS has a perception head that contains a series of sensors and cameras to observe its environment, and its body has articulated segments for shape changing and a screw-like outer surface to enable motility. EELS shows potential for risk-aware autonomous exploration of complex icy terrains.

(16) VIDEO OF THE DAY. [Item by Cat Eldridge.] View the unsold 1959 pilot for a Nero Wolfe series with Kurt Kasznar as Nero Wolfe and William Shatner as Archie Goodwin. The theme was composed by Alex North. This 26-minute pilot is in the public domain.

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Cora Buhlert, James Bacon, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]

Pixel Scroll 3/5/24 But The Pixels We Climbed Were Just Shoggoths Out Of Time

(1) COMING IN FOR A LANDING. Los Angeles Magazine tells why “George Lucas’ Billion Dollar Museum Is About Way More Than ‘Star Wars’”. A year ago this design looked unique. But today? I bet you can guess what building it reminds me of now.

We’re still maybe a year out from the grand opening of the new museum created by film director George Lucas and his wife, executive Melody Hobson. But anyone visiting the Coliseum, Natural History Museum, USC, or riding the Expo Line has seen the Lucas Museum of Narrative Art rising above Exposition Park. The absolutely massive structure by Beijing-based architect Ma Yansong encloses some 300,000 square feet over a building ranging from three and five floors set atop an underground parking garage (with 600 more spaces than the surface lot the building replaced) all nestled in a green garden….

Artist’s rendering of Lucas Museum of Narrative Art

(2) A SHORE THING. A trailer has dropped for The Wild Robot. Arrives in theaters on September 20.

The epic adventure follows the journey of a robot—ROZZUM unit 7134, “Roz” for short — that is shipwrecked on an uninhabited island and must learn to adapt to the harsh surroundings, gradually building relationships with the animals on the island and becoming the adoptive parent of an orphaned gosling.

(3) LEARNEDLEAGUE SFF QUESTION. [Item by David Goldfarb.] It’s the hundredth season of LearnedLeague. The first question of match day 15 asked us:

“What name is the last word uttered in the final installment of the Star Wars sequel trilogy from 2019, as well as the last word of the film’s title?”

Way to nerf the question with that last clause, eh? Although even with that, the question had a 67% get rate, with 12% giving the most common wrong answer of “Jedi”. (Presumably thinking of the second movie in the trilogy.)

My opponent quite rightly assigned me 0 points for this one, as did I for him.

(4) HANDS (OR LEGS) UP FOR “YES”? NO? [Item by Mike Kennedy.] Is the giant spider in Netflix’s Spaceman real or just a figment of the title character’s imagination? The main creatives each have an answer but it may not be your answer. Beware — spoilers ahead.

There’s an obvious question at the heart of Spaceman, Netflix’s science fiction movie where Adam Sandler’s forlorn astronaut character spends half the story talking to a tennis ball communing with a giant alien spider that he names Hanuš. But even without watching the movie, viewers may wonder: Is Hanuš actually real?

Normally, when a movie revolves around this kind of question, the director and stars hedge when asked for their opinions. For instance, No One Will Save You writer-director Brian Duffield has been clear that he wants viewers to interpret that film’s startling ending in whatever way they think fits best, without his input. Andrew Haigh has been careful about weighing in on the controversial ending of All of Us Strangers. And that’s entirely reasonable — often filmmakers want to keep viewers guessing, thinking, debating, and interpreting.

But not always. Polygon couldn’t resist asking Spaceman director Johan Renck and stars Adam Sandler and Paul Dano what they think about the movie’s central debate point — and we were surprised at how definitive their answers were. We’ll get into the details after a spoiler break….

(5) MPSE GOLDEN REEL AWARDS. The Motion Picture Sound Editors presented their Golden Reel Awards on March 3. Here are the winners of genre interest:

EFFECTS & FOLEY

  • Oppenheimer

DIALOGUE & ADR

  • Oppenheimer

ANIMATION

  • Spider-Man: Across the Spider-Verse

(6) IN THE YEAR 2024. “Plane commutes, world peace and 100-year-old predictions about 2024” at USA Today.

Well, we’re finally here. Is this the future that you envisioned?

Nearly 100 years ago, a group of visionaries dared to imagine what life would be like in 2024. Some of their prophecies fell woefully short while others proved to be strangely accurate. 

Join us now as we gaze into that crystal ball from 1924….

A growing problem

Arthur Dean, whose parental advice column appeared in newspapers across the country, expressed concerns about American dietary habits.

“I sometimes wonder what our stomachs will look like and be like 100 years from now,” he wrote. “Will we have any teeth at all? Will there be any color on our face except paint? Will the men have any height to speak of or will they be all girth? Will people have mostly an east and west appearance – all latitude and lassitude and no longitude?”

(7) SFWA ESTATES LEGACY PROGRAM. The Science Fiction & Fantasy Writers Association has informed members that Mishell Baker is stepping down from her lead position on the Estates Project but will remain available for consultation. Going forward, the remaining Estates Project volunteers will cover her duties as needed.

Mishell is a winner of the Kevin J. O’Donnell Service to SFWA Award, and she served as the primary contact for SFWA’s Estate Project since 2016. She liaised with publishers interested in reprinting works by science fiction and fantasy authors who are no longer with us and acted as an intermediary for individual heirs who wished to keep their contact information confidential. Mishell gained a well-deserved reputation for handling these communications with consistency and sensitivity, providing help in sometimes difficult and confusing situations.  

The Estates-Legacy Project wishes to thank Mishell for her many years of exceptional service on behalf of writers, their heirs, and the readers now enjoying the work of past masters as a result of her efforts.

(8) RICHARD BOWES (1944-2023). In “Richard Bowes—A Remembrance” at Uncanny Magazine, Lynne M. Thomas and Michael Damian Thomas, Christopher Barzak, Matthew Cheney, Sam J. Miller, and Matthew Kressel share their memories and feelings about Bowes, who died December 24. Here is an excerpt fro Kressel’s segment:

I’m fairly certain I met Rick Bowes at a Fantastic Fiction at KGB reading on November 15, 2006. That night, Lucius Shepard and Catherynne Valente were reading. This may seem awfully specific, but I have proof. Ellen Datlow captured this moment in a photo that resides on her Flickr stream. For a Halloween party I’d bleached my hair and dressed up as Roy Batty from Blade Runner. In the photo, Rick leans in, hands pressed like a sage, telling me something with authority, while I, with my Billy-Idol-blonde hair, listen rapt. (In the background, Rajan Khanna, whom in this moment I have yet to befriend, stares at the camera.) And this is how I will remember Rick. Telling stories. His depth of knowledge always astounded me. Right away, I knew I was in the presence of a sharp mind….

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 5, 1951 Margaret Astrid Lindholm Ogden, 73. Let’s talk about Margaret Astrid Lindholm Ogden who writes under the pen names of Megan Lindholm and Robin Hobb. Thirty-six years ago at the age of thirty, as Megan Lindholm, her second novel, a fantasy set in Seattle was published. That was the extraordinarily excellent Wizard of the Pigeons, a novel that bring a smile to the face of even the Suck Fairy. 

In a sense, it is a direct evolution from her fiction as children’s writer which published in magazines as Jack and JillHighlights for Children and Humpty Dumpty as she notes. Her Robin Hobb persona, she claims is a little more gentle than her Meghan Lindholm persona which, as she told a Bookseller interviewer, is “a little more snarky, a little more sarcastic, a little less optimistic, less emotional”.

So let’s stay with her writing under the Lindholm name. Her first writing as that persona was short fiction was in 1979, “Bones for Dulath”, followed in 1980 by “The Small One” and in 1981 by “Faunsdown Cottage”. She’s written (and coauthored) twenty-six stories exclusively as Lindholm. That includes five works in Emma Bull and Will Shetterly’s Laivek franchise, some co-written with Stephen Brust or Gregory Frost. 

Lindholm’s first novel, Harpy’s Flight, was published forty-one years as ago, and was the first in her Windsingers series about the characters Ki and Vandien, and, yes, I like these novels a lot. 

Now remember these Birthdays are, if I choose, are what I’ve read by a given writer and this is what I’m doing here as I’ve read enough her to be reasonably knowledgeable about her.

The final novel by her that I’ve read is the one she did with Stephen Brust, The Gypsy. It’s based on Romany folklore, and it’s more or less a mystery. It got its own soundtrack courtesy of Boiled in Lead, vocals by Adam Stemple, son of Jane Yolen. Superbly crafted work. 

So now her other persona, Robin Hobb, and may I now say that I like both of the creators that she choose to be? Really I do.

Her first work as Hobb was the Farseer trilogy, narrated in first person, my favorite way to experience this sort of fiction, involves  FitzChivalry Farseer, illegitimate son of a prince. Great character, ever better series.  The first volume of the trilogy, Assassin’s Apprentice, sets up them well.

Ok, I’ll admit I’ve read much of the Realm of the Elderlings franchise, though by no means all, that talking about it coherently isn’t possible. What I will say is nothing by her is anything by really, really good.  I will say, despite Margaret Astrid Lindholm Ogden saying Hobb is the gentler of the two, that trigger warnings for brutality and even rape are necessary here. Really they are.

Both personas in the end aren’t, despite her claims, really that different. The only novel that is decidedly different I can say as a reader is The Gypsy but that was co-written with Brust as were the four Laivek works. Co-written works are such that one never knows how much that the one has influenced it and how much the other has.

(10) A NEW MEANING FOR WC. “What Is WcDonald’s, McDonald’s Anime Counterpart?” at Food Network. One of these comics was on my bag today!

… This month, McDonald’s is embracing what has become a common … homage, shall we say, to its golden arches in anime films and series: WcDonald’s.Swapping in a “W” — or, rather, an upside-down “M” — has become a cheeky way for animators and illustrators to let their characters dine at or otherwise interact with what the audience can immediately identify as a McDonald’s without licensing the actual name of (or getting sued by) McDonald’s itself. Starting next week, however, McDonald’s is embracing its cartoon counterpart at its real-life restaurants in the U.S. and beyond…. A New McNugget Sauce: To pair with “WcNuggets,” a new, limited-edition Savory Chili WcDonald’s Sauce is coming to the menu, described as a “unique combination of ginger, garlic and soy with a slight heat from chili flakes.” Manga-Inspired Packaging: Japanese illustrator Acky Bright designed original artwork of WcDonald’s crew members for the McDonald’s/WcDonald’s items. Packaging will also feature a QR code with access to digital WcDonald’s manga content weekly featuring Bright’s cast of WcDonald’s characters (yes, one is a mecha).

The promotional website WcDonald’s has a lot of content. Here are some of the newest characters.

(11) LAST DARKNESS FALL — PERMANENTLY. “Solar eclipse glasses: Why you need them, and why you should buy them right now” – advice from Slate. “The eclipse is happening on April 8—and last time, the glasses sold out many places.”

Few natural phenomena bring sci-fi-esque buzz like a solar eclipse. Some people talk about this astronomical event as if it comes straight out of a Ray Bradbury story. And those people are right! Solar eclipses are, without hyperbole, awesome. And just in case you haven’t heard, there’s one happening on April 8.

Of course, a cardinal rule of day-to-day life still applies to eclipses: You must absolutely not look at the sun directly—even if it’s partially obscured by the moon. It can cause permanent retinal damage.

Photoreceptors in the eyes register and convert light to electrical signals detected in your brain. The powerfully incandescent sun overwhelms those photoreceptors, bombarding them with far more light than they can convert. Any light your photoreceptors don’t absorb filters through to the back of your eye, producing heat. Although the moon partially blots out the sun, that doesn’t make the rays that are visible any less potent. Look at a partial eclipse long enough and you can burn the sun into your retinas, which can result in a permanent hole in your vision called a scotoma. Since your retinas lack pain receptors, you won’t know that the damage has been done until it’s too late. Looking through conventional binoculars or telescopes doesn’t mitigate this risk….

(12) ROLL THE CREDITS. “Superman movie to film in Ohio, hire more than 3,000 locals” at NBC4i. The state will reward this decision with a big tax credit.

It’s a bird! It’s a plane! It’s Superman! A new movie on the comic book hero is filming in Ohio this year and has been awarded about $11 million in tax credits, with plans to hire more than 3,000 locals.

The DC Studios movie titled simply “Superman” is filming in Cincinnati and Cleveland this spring and summer and will receive $11,091,686 in tax credits, according to an Ohio Motion Picture Tax Credit application filed under the project’s code name, “Genesis.” The film is expected to hire 3,254 Ohio residents to take part in the production.

DC’s Ohio-related expenses are projected to exceed $36 million, which makes up about 10% of the movie’s total budget of more than $363 million….

(13) TECH BROS. “’Musk needs to be adored … Zuckerberg is out of his depth’: Kara Swisher on the toxic giants of Big Tech” in the Guardian.

…In the book, Swisher says Zuckerberg is “the most damaging man in tech”. Elon Musk, by contrast, is maligned as the “most disappointing”, which reflects Swisher’s long period of thinking of the founder of Tesla and SpaceX as one of the tech industry’s most promising sons. In 2016, she contacted him ahead of the big meeting with Trump, warning that the president-elect would “screw” him; two years later, Musk told her she had been right. All told, she seemed to believe that he operated on a higher level than most of his peers.

“Here’s someone who actually was doing serious things,” she says. “There’s a lot of people in Silicon Valley who are always doing a dry cleaning app. He was thinking of everything from cars to space to solar. Even the silly stuff like [his imagined high-speed transport system] Hyperloop: what a great idea. What an interesting idea.” She also mentions Neuralink, the venture working on computer interfaces that can be implanted in people’s brains. “How could we upgrade our intelligence? That’s a big, fascinating problem.”…

(14) SFWA INSTAGRAM PROGRAM. The SFWA Instagram Program gives users a peek at members’ daily creative lives, pets, and works. In the past year and a half, SFWA has processed nearly 200 requests and created over 600 graphics that have been shared through its Instagram account. Here’s an example:

(15) A FINE IDEA. This month (only) “A Massachusetts Library System Will Let You Pay Fines With Cat Pictures” according to Mental Floss.

It’s not often that cat photos are accepted as currency. But for the month of March, public libraries in Worcester, Massachusetts, will wipe certain fines from your account if you submit any picture of a cat.

Branches in the Worcester Public Library (WPL) system don’t charge fees for overdue books, but they do charge for lost or damaged ones. The call for cat pictures is a way to keep those bills from preventing patrons from using the library. “We at the Worcester Public Library are always looking for ways to reduce barriers,” Worcester Public Library executive library director Jason Homer told WBUR. “We know that a lot of people, unfortunately, through being displaced in housing, or life getting in the way in the global pandemic, lost a lot of materials.” 

“Felines for Fee Forgiveness” is part of March Meowness, a month of cat-centric programming that includes a screening of the 2019 movie Cats, a cat-eye makeup tutorial, a “de-stressing” hour of playing with shelter cats, DIY crafts, and more events.

Before you show up to a WPL branch with a cat image at the ready, there are a few rules to know. For one, a book needs to have been lost for at least two months in order for its fee to be waived…. 

(16) PROTOPLANETARY SYSTEM. [Item by SF Concatenation’s Jonathan Cowie.] Last week’s issue of Science looks at the formation of other planetary systems.

This JWST infrared image shows the Orion Bar, which separates parts of the Orion Nebula containing cool molecular gas (lower left) from those containing hot plasma (upper right). The latter are ionized by ultraviolet radiation from massive stars (located beyond the image). The strong ultraviolet radiation field heats protoplanetary disks around young stars in this region, dispersing the gas needed for planet formation<

Primary research paper’s abstract here.

(17) VIDEO OF THE DAY. GamesRadar+ reports “Star Wars fans rocked by resurfaced beer adverts stitched directly into the original trilogy – including a bizarre replacement for Luke Skywalker’s lightsaber”. One video is embedded below, there are more at the link.

We all remember that iconic Star Wars moment where Obi-Wan Kenobi goes to give Luke Skywalker his father’s old, ice cold beer, right? 

Well, if you watched a specific version of the movie shown in Chile, you might remember things that way. The old ads are going viral once again thanks to the fact that the beer marketing is spliced directly into some of the original trilogy’s most famous moments – unintentionally creating the most hilarious advertising campaign ever. While these videos might seem like fakes, they are very much real: according to The Guardian, the campaign even won an award for its ingenuity…. 

[Thanks to Steven French, Mike Kennedy, Andrew Porter, N., Jeffrey Smith, JJ, David Goldfarb, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Jeff Jones.]

Pixel Scroll 2/26/24 I’ve Been Yeeted, Been Mistreated, When Will I Be Faunched

(1) UNCLE HUGO’S WILL CELEBRATE 50TH ANNIVERSARY. Don Blyly’s How’s Business newsletter invites everyone to mark your calendar — Uncle Hugo’s turns 50 this weekend.

Don Blyly readies the new Uncle Hugo’s for business. Photo (c) by Paul Weimer.

Uncle Hugo’s opened for business on March 2, 1974, which makes this coming Saturday our 50th anniversary.  Uncle Hugo’s 50th Anniversary Sale is Friday, March 1, 2024 through Sunday, March 10, 2024, with an extra 10% off everything at Uncle Hugo’s/Uncle Edgar’s. If you have an Uncle Hugo’s discount card, you get 20% off everything. With a $200.00 purchase, we’ll throw in a free 50th anniversary mug (while supply lasts). The sale only applies to in-store purchases, not to mail orders.

But there continue to be a few bumps on the road to that celebration. Blyly says this happened to him recently:

A customer that I had never done business with before ordered a $30.00 book through AbeBooks, and I sent it off to him.  About a week later he sent me an e-mail saying that the book had a small ding on the top edge of the page block that was not mentioned in the description, and he enclosed a photo of the ding.  He wanted me to refund part of the price for the ding or else he would return the book for a refund.  I checked on what other people were charging for the same book and saw that even with the ding he was getting a good price, but I agreed to refund him $5.00 for the ding.    He wrote back that I would have to refund at least $15 or he would return the book.  I told him to return the book.  The next day he started the AbeBooks process for returning the book.  But the day after that he told AbeBooks that he had never received the book and that they should refund his full purchase price without having to return the book he had never received–the book that he had already sent me a photo of to try to get me to cut the price in half.

(2) SPIRIT AWARDS. Two items of genre interest were winners of 2024 Independent Spirit Awards. (The complete list is at the link.)

BEST BREAKTHROUGH PERFORMANCE IN A NEW SCRIPTED SERIES

  • Keivonn Montreal Woodard, The Last of Us

BEST SUPPORTING PERFORMANCE IN A NEW SCRIPTED SERIES

  • Nick Offerman, The Last of Us

Deadline reported quotes from the actor’s acceptance remarks — “Nick Offerman Slams ‘Homophobic Hate’ Aimed At His Episode Of ‘The Last Of Us’ In Indie Spirit Awards Speech”.

At Sunday’s Independent Spirit Awards, actor Nick Offerman addressed “homophobic hate” aimed over the past year at “Long, Long Time,” the stand-alone episode of HBO‘s post-apocalyptic drama The Last of Us that he starred in with Murray Bartlett and that earned Offerman a win today for Best Supporting Performance in a New Scripted Series.

“Thank you so much, Film Independent. I’m astonished to be in this category, which is bananas,” Offerman began while onstage to accept the prize. “Thanks to HBO for having the guts to participate in this storytelling tradition that is truly independent. Stories with guts that when homophobic hate comes my way and says, ‘Why did you have to make it a gay story?’ We say, ‘Because you ask questions like that.’”

Added an impassioned Offerman: “It’s not a gay story, it’s a love story, you a**hole.”…

(3) BEST CANADIAN. R. Graeme Cameron reviews Year’s Best Canadian Fantasy and Science Fiction, Volume One at Amazing Stories. After discussing a great many of the works individually, he gives this overall endorsement:

… I must say editor Stephen Kotowych has excellent taste and judgement. What I reviewed is a real powerhouse of quality fiction sparkling with originality, brilliant perception and sophisticated subtlety; the kind of reading session which leaves me feeling inspired and excited.

I frankly assume the rest of the works in this anthology are just as good….

…In my opinion this volume of The Year’s Best Canadian Fantasy and Science fiction belongs on every Canadian reader’s bookshelf. The second volume is underway. I’d like to see it become an annual tradition. As many readers of my reviews are aware, there is a lot of excellent genre fiction being written in Canada. May this series become the definitive annual sample. If all are good as this one, I can see them becoming textbooks for high schools and universities. Makes sense to me. You owe it to yourself to purchase it for your bookshelf.

(4) DIGITAL LOSS COMPENSATION. The Verge opines that “Funimation’s solution for wiping out digital libraries could be good, if it works”.

The president of Crunchyroll, Rahul Purini, announced that the company is working to compensate customers who will lose their digital libraries in the upcoming Funimation / Crunchyroll merger on April 2nd. 

“[We] are working really hard directly with each [customer] to ensure that they have an appropriate value for what they got in the digital copy initially,” Purini tells Verge editor-in-chief Nilay Patel during this week’s Decoder podcast. “As people reach out to us through customer service, we are responding and handling each of those requests as they prefer.”

When asked what “appropriate value” meant, Purini said, “So it could be that they get access to a digital copy on any of the existing other services where they might be able to access it. It could be a discount access to our subscription service so they can get access to the same shows through our subscription service.”

These options haven’t been formally announced or detailed, and Purini went on to say that it was something Crunchyroll customers are currently taking advantage of. My attempts to secure the “appropriate value” for some digital copies have, so far, been unsuccessful….

(5) YOUR TAX DOLLARS AT WORK. Deadline reports “’Star Wars’ Pic ‘The Mandalorian & Grogu’ Lands California’s Largest Tax Credit Ever”.

The Star Wars franchise is coming to shoot a film entirely in California for the first time with The Mandalorian & Grogu movie, and the Golden State is paying out its weight in tax incentive gold to have the bounty hunter saga made within state lines.

To be specific, that is a total tonnage of $21,755,000 in conditional tax credits for the Jon Favreau directed film. With a new Fantastic FourGladiator 2 and a new season of The Last of Us on his dance card, it is unclear right now if SAG Award winner Pedro Pascal will be resuming his role of Din Djarin and teaming back up with the charming Baby Yoda for the Mandalorian movie.

What is known is that $21,755,000 in tax credits is one of the biggest allocations in the California Film Commission run program’s history.

Put another way, Mandalorian & Grogu won’t be getting the $22.4 million that Transformers spinoff Bumblebee scored back in 2017, but it tops the more than $20.8 million that Captain Marvel was awarded seven years ago, and the $20.2 million that Quentin Tarantino’s supposed last film #10 received last September.

Estimated to be hiring 500 crew members, 54 cast members, and 3500 background players for 92 filming days in California this year, The Mandalorian & Grogu is expected to generate a record-breaking $166,438,000 in qualified expenditures and below-the-line wages….

(6) A FAIRY TALE TAKEOFF. Atlas Obscura Experiences’ “Transforming Fairy Tales With Anca Szilágyi” is a four-session course that starts March 4. Details at the link.

This class invites beginners and experienced writers alike to use concepts from fairy tales as a launch pad for new writing. Drawing from Max Lüthi’s The Fairy Tale as Art Form and Portrait of Man, we’ll play with archetypes and motifs (and explore how motifs play with us), consider how far a fairy tale can be stretched into something new while still retaining some glimmer of recognition, and contemplate how the trope of the tiny flaw can serve as a source of tension in a story. We’ll look at work by authors such as Margaret Atwood, Michael Cunningham, Sofia Satmar [sic, Samatar], and more. In our final class, students will exchange drafts for peer and instructor feedback in a supportive environment.

While this class is designed for folks of all experience levels who are interested in fairy tale writing, it can also serve as an appropriate complementary course for students who have previously taken courses with Anca.

(7) APEX ANNOUNCES LH MOORE COLLECTION. Apex Book Company has acquired first North America English rights to LH Moore’s short story collection Breath of Life.

Breath of Life is a collection of the works of author and poet LH Moore, whose history- and Afrofuturism-inspired speculative short fiction, poetry, and essays move between and blur the genres from horror to science fiction to fantasy. With themes of family and identity, rooted solidly in history and imagining the unknown—both here on Earth and beyond—Breath of Life is an exploration of the unexpected.

Writer, poet and historian LH Moore’s Afrofuturism- and history-inspired speculative fiction and poetry have been in numerous publications and anthologies, such as all three groundbreaking Dark Dreams anthologies of Black horror writers; Bram Stoker Award Finalist anthology Sycorax’s Daughters; Black Magic Women; Chiral Mad 4 and 5, SLAY, Conjuring Worlds, StokerCon 2019, Humans Are the Problem anthologies; and Fireside, Apex, and FIYAH magazines.

(8) HANDHELD WILL CLOSE. Fantasy Hive announces the coming demise of “Handheld Press (2017-2024)”.

Handheld Press will be publishing their last books in July 2024, and cease trading in June 2025. Handheld Press was founded by Kate Macdonald in 2017, specifically with the aim of bringing brilliant but overlooked works by women writers back into print. With their striking cover art and gorgeous design, Handheld Press titles were immediately recognizable on sight. And the reader could rest assured that the contents would match the packaging – Handheld had a knack for choosing exciting and surprising novels and collections and matching them with introductory essays by experts and comprehensive notes on the text….

…One only had to look at the sections of descriptors on Handheld’s website to get a firm idea of their priorities – Women’s Lives, LGBT+ and Disability rub shoulders with Fantasy and Science Fiction, Crime/Thriller and Biography. Macdonald’s mission, which she has pursued with vigour and enthusiasm over the past eight years, has been to recover lost voices from the past, perspectives that are in danger of being forgotten by the largely white, straight and male traditional writers of literary history…. 

(9) BRITISH BOARD OF FILM CLASSIFICATION RULES ON DISNEY CLASSIC. “’Mary Poppins’ Age Rating Raised In UK Over ‘Discriminatory Language’”Deadline has the story.

Mary Poppins has been deemed potentially unsuitable for children.

That’s the verdict of the British Board of Film Classification (BBFC), which last week increased the age rating on the Julie Andrews classic because it contains “discriminatory language.”…

…It did not specify the language in question, but the Daily Mail newspaper reported that the warning refers to the movie’s use of the word Hottentots.

Now regarded as racially insensitive, the word was used by Europeans to refer to the Khoekhoe, a group of nomadic herders in South Africa.

Reginald Owen’s Admiral Boom utters the slur twice in Mary Poppins, including using it to describe chimney sweeps, whose faces are blackened with soot.

The BBFC has been contacted for comment. It told the Mail that a lack of condemnation for the admiral’s language was considered to be a reason for raising the age limit.

The organization said: “We understand from our racism and discrimination research… that a key concern for… parents is the potential to expose children to discriminatory language or behaviour which they may find distressing or repeat without realising the potential offence.”

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born February 26, 1918 Theodore Sturgeon. (Died 1985.) This is not a comprehensive look at Theodore Sturgeon. This is my look at what I truly like.

It is an understatement to say he was a prolific writer. There would be eleven novels, more than one hundred and twenty short stories, and those scripts for Star Trek. And he wrote some four hundred reviews. Keep in mind that he that he only lived to be sixty-seven years old.

Theodore Sturgeon. Photo by Carol DePriest.

I think I’ll start with his Trek scripts as even before I knew that he was the scriptwriter for them, I liked those episodes, “Amok Time” and “Shore Leave”, the latter which is easily in my top ten episodes of this series. I’m not sure how much of his script survived the rewriting first by Coon and then obsessively by Roddenberry. Is his original script published anywhere?

Theresa Peschel notes that he wrote that the screenplay for Studio One’s 1952 adaptation of They Came to Baghdad, a novel that Agatha Christie had written the previous year. She notes “Yet it’s not listed anywhere, including on the semi-comprehensive website devoted to him whose name I can’t remember.”

Now let’s consider his Ellery Queen mystery which was The Player on The Other Side. I’ve read it and it’s quite excellent. It was written from a forty-two page outline by Frederic Dannay, half along with Manfred Bennington of the original Ellery Queen writing alias. I didn’t know if this was the standard practice for these ghostwritten novels but it certainly would make sense if it was so. 

It is said that his “Yesterday Was Monday” story was the inspiration for the rebooted Twilight Zone’s “A Matter of Minutes” episode but given that Harlan Ellison and Rockne O’Bannon wrote the script I doubt much of his original story made it to the screen.  My opinion of course only. 

A second, “A Saucer of Loneliness”, was broadcast in 1986 and was dedicated to his memory. This was directly off a story by him, which first appeared in Galaxy Science Fiction in the February 1953 issue.

The Dreaming Jewels which was nominated for a Retro Hugo at The Millennium Philcon for best novella is uneven but worth reading novel none-the-less. I think More Than Human is a much better with more interesting character and a story that actually makes sense all that way through. And other novels I like, well that it’s. I have read others but those are the only ones I liked. 

I’ve read more than enough of his short fiction to say that he’s a wonderful writer at it. Noel Sturgeon and Paul Williams have published The Complete Stories of Theodore Sturgeon, all thirteen volumes.

So tell what you like from his fiction.

(11) COMICS SECTION.

(12) NEW HINTS ABOUT DISNEYLAND EXPANSION. “DisneylandForward – New Details on $2.5 Billion Disneyland Expansion Master Plan” at Mickey Visit.

…Disneyland hopes to make land changes:

  • Establish a new parking structure off the East Side Harbor Blvd entrance to the theme parks
  • Build a new entertainment/shopping facility on the current site of the Toy Story Parking Lot across the street from the Anaheim Convention Center a block down Harbor Blvd – the plans also list this as the potential for theme park use
  • Expand Downtown Disney, Disneyland, and Disney California Adventure into the current grounds of the Paradise Pier Hotel, Disneyland Hotel, and surrounding parking lots – this is the area that would be the most newsworthy and change the offerings of the resort!

On January 23, 2024 Disney announced a new set of details around the proposed investment that would be aligned with the DisneylandForward zoning approvals. While discussing the proposed investment Disney again teased the recently opened World of Frozen and Zootopia lands as potential inspirations for expansion at Disneyland. They also mentioned potential expansions based on Marvel’s Black Panther, Coco, Tangled, Peter Pan, Toy Story, and Tron according to the OC Register.

As part of the new investment proposal, Disney will invest a minimum of $1.9 billion in the resort over the next ten years. The amount could reach $2.5 billion and beyond. If the investment does not reach $2.5 billion within 10 years Disney pays an additional $5 million in street and transportation improvements. 

(13) IT COULD HAVE BEEN SMOOTH. [Item by Steven French.] One for the hovertrain enthusiasts: “Forgotten Grumman TLRV – Pueblo, Colorado” at Atlas Obscura.

IN DOWNTOWN PUEBLO, COLORADO, TWO futuristic hovertrains sit idly next the road, looking absurdly out of place next to any cars that happen to drive by, like a forgotten piece of rail travel’s ambitious past.

One is a Grumman Tracked Levitation Research Vehicle (TLRV), an air-cushion transportation prototype that was built to reach speeds of up to 300 miles per hour. The hovertrain was intended to glide along the track without wheels on what was essentially a cushion of compressed air, which was squeezed through tubes along the train’s body then pushed downward. It was meant to be a revolutionary form of rail travel….

(14) KNOW YOUR CUSTOMER? “A college is removing its vending machines after a student discovered they were using facial-recognition technology” says Business Insider. The article includes statements from the companies that own and service these machines denying that they collect the information, or that the information violates GDPR regulations. Take your pick.

A university in Canada is expected to remove a series of vending machines from campus after a student discovered an indication they used facial-recognition technology.

The smart vending machines at the University of Waterloo first gained attention this month when the Reddit user SquidKid47 shared a photo. The photo purportedly showed an M&M-brand vending machine with an error code reading, “Invenda.Vending. FacialRecognition.App.exe — Application error.”

The post drew speculation from some users and caught the attention of a University of Waterloo student whom the tech-news website Ars Technica identified as River Stanley, a writer for the local student publication MathNews. Stanley investigated the smart vending machines, discovering that they’re provided by Adaria Vending Services and manufactured by Invenda Group. The Canadian publication CTV News reported that Mars, the owner of M&M’s, owned the vending machines.

(15) I’LL BE DAMMED. Nothing to do with sff, still, quite interesting: “I Knew Something Big Was Happening: A Guest Post from Leila Philip” at B&N Reads.

…I discovered beavers by accident. I was heading back from a walk through the woods with my dog, Coda, when I heard a loud bang. I literally jumped, thinking a gun had gone off, then I looked out and saw that the dry marshy area I was walking by was now brimming silver – curiously it was filled with water!  Then came another bang and I saw a small brown head moving fast. A beaver had built a dam there and was swimming back and forth, slamming her tail to try to scare us away.  I was transfixed. Over the next few weeks, I watched the shallow woodland valley become a pond. Soon I was seeing and hearing the rustling and movements of so many birds and animals. Mornings, the whole area rang with a complexity of bird song I’d never heard before. I knew something big was happening I just didn’t know yet what it was. Thinking back now I would describe my encounter with the beaver that day as a moment of awe, an experience when I was shifted out of my self and connected to something much larger that I hadn’t been in touch with just moments before. That was the book’s start….

(16) GOOD NEWS FROM THE MOON. [Item by Mike Kennedy.] The chances were slim and none. Slim was the winning bet! Is this the real SLIM Shady?

The Japanese Moon lander that fell over on touchdown last month (as opposed to the American Moon lander that fell over on touchdown this month) is back online. JAXA was very pessimistic about SLIM (Smart Lander for Investigating Moon) surviving the super cold Lunar night. However, it did, and the solar cells have provided enough juice to charge the battery and reestablish communication.

Which is not to say SLIM is 100% OK. In fact, the heat of the sun has so far made it inadvisable to restart any of the scientific instruments. Things are expected to cool off in a few days as the sun angle lowers, hopefully allowing more observations to be made before night once again falls. “Japan Moon lander survives lunar night” at the BBC.

Japan’s Moon lander has survived the harsh lunar night, the sunless and freezing equivalent to two Earth weeks.

“Last night, a command was sent to #SLIM and a response received,” national space agency Jaxa said on X.

The craft was put into sleep mode after an awkward landing in January left its solar panels facing the wrong way and unable to generate power.

A change in sunlight direction later allowed it to send pictures back but it shut down again as lunar night fell.

Jaxa said at the time that Slim (Smart Lander for Investigating Moon) was not designed for the harsh lunar nights.

(17) POTTERO SOUTHERNALIUS FIO. [Item by Mike Kennedy.] You might have to be Southern to get some of the references, or at least to know why they’re so funny. “If Harry Potter Was Southern” with Matt Mitchell.

(18) VIDEO OF THE DAY. Ryan George takes us inside the “Madame Web Pitch Meeting” Beware spoilers.

[Thanks to Steven French, Mike Kennedy, Andrew Porter, Don Blyly, Kathy Sullivan, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 2/19/24 Pease Porridge In The Pot Nine Days Scrolled

(1) LEAVING THE HAMC. Cheryl Morgan’s 7-point “Public Statement re the Hugos” at Cheryl’s Mewsings explains why she recently resigned from WSFS’ Hugo Awards Marketing Committee. It says in part:

3. As a member of the Hugo Awards Marketing Committee it was my duty to ensure that the results of the Hugo Award voting process were posted to the official website promptly and accurately, as they were supplied to us by each year’s Worldcon, including those from Chengdu. We had no authority to comment on or change those results in any way.

4. I am not, nor ever have been, a member of the WSFS Mark Protection Committee (MPC).

5. I am not, nor ever have been, a Director of Worldcon Intellectual Property (WIP), and have no financial stake in that organisation. WIP was created from the corporation that ran the SF&F Translation Awards (of which I was a Director), but no directorships carried over from the one organisation to the other, save for Kevin Standlee who is a Director of WIP because of his membership of the MPC.

6. I resigned from the Hugo Award Marketing Committee, primarily because I no longer wish to be held responsible for (including being subject to legal and reputational risk for) the actions of organisations of which I am not a member and over which I have no influence….

(2) DAVE MCCARTY SEXUAL HARASSMENT ALLEGATIONS. McCarty’s name is in the news because of the Hugos, but two people today shared other grievances at Bluesky.

Meg Frank said on Bluesky: “Dave McCarty is emotionally abusive, generally manipulative, and has sexually harassed myself and numerous others. I’ve spoken openly about this and made CoC complaints when possible. He is not a missing stair, he is a creepy handyman who has been using his previous community service as a shield.”

Jesi Lipp added, “I’ve never made it a secret that he groped me at a Smofcon in 2011 and it has always been largely treated as a non-issue.”

(3) AI COVER TRACED TO SOURCE. Cassandra L. Thompson draws attention back to the Gothikana AI book cover story on Threads

Thompson’s comment appears to be in response to a TikTok video by emmaskies.

@emmaskies

Replying to @be_kindful That didn’t take long. This is beyond lazy. I still can’t believe anyone approved the use of these really poorly AI-generated assets. Here’s a thought, if you can’t find good stock images to fit the creative vision HIRE AN ARTIST TO MAKE THEM. ???? #torbooks #brambleromance #gothikana #runyx #aiart #noaiart #bookcover #bookcovers #booktok #darkromance #emmaskiesreads

? original sound – emmaskies

(4) DRAWN THAT WAY. Novelist Kelly Link tells the Guardian “‘I was drawn to the monsters and half-naked women on fantasy covers’”. Here’s an excerpt from the interview.

The book that changed me as a teenager
I was a weekend lurker in the fantasy and science fiction section of my local bookstore, eager to spend my weekly allowance, but overwhelmed by the selection. I was drawn to the monsters and half-naked women on the paperback covers of Arthur Saha’s Year’s Best Fantasy anthologies, but too embarrassed for a long time to bring one up to the counter and pay for it. When, eventually, I got up the nerve, I found the stories uniformly enthralling, and the bookseller didn’t bat an eye. After that, I grew much more bold about what I wanted to read, regardless of how lurid the cover might be.

Kelly Link in 2016

(5) NEW TOU ARE DOA. Writer Beware’s Victoria Strauss reports “Outrage Over New Terms of Use at Findaway Voices Forces Change”. Pushback against Findaway/Spotify’s new Terms of Use succeeded in bringing about a substantial revision.

…Unsurprisingly, the new license terms generated a storm of criticism. Judging by what I saw on social media, and by what authors who alerted me to the new TOU told me, many rights holders took steps to cancel their contracts. Findaway/Spotify appears to have been caught completely flat-footed by the backlash.

… There’s still some vagueness (“otherwise use”) and I note the inclusion of “training” (AI training? It’s not clear, although I think the language following suggests not).

But it is a substantial change, and it does address the criticism of the original version. The license is no longer irrevocable or royalty-free. “Translate” and “modify” have been removed, as has the derivative works language. There’s no longer a moral rights waiver. And, pretty clearly in response to authors’ and narrators’ concerns, the final sentence rules out using audiobook files to create new works based on the original, or to create new machine voices, unless the rights holder gives permission (although, if I were a narrator, I might wonder whether “new” in that context creates a loophole for duplicating an existing voice).

There are two ways to look at what happened here. One is that Spotify tried an egregious rights grab, got called out for it, and did what greedy corporations sometimes do when challenged: walked it back, though not quite completely. The other is that Spotify did not anticipate the backlash, and whether because it recognized the validity of the criticism or simply saw that its self-interest was at stake, reconsidered and implemented the change.

Regardless, I do think that Findaway/Spotify deserves some credit….

(6) KERFUFFLE OVERDOSE. Maya St. Clair delivers “The last News from the Orb”.

This week, I took down that psychoanalytic take I did about Cait Corrain. Reception of the piece was positive, but I’d started to feel rankled and uncomfortable when I saw it on my page, like I needed a shower….

St. Clair’s explanation deserves a click-through to read. And I truly empathize with the next paragraph.

…As the Internet plunges its talons further into everybody’s brains, this kind of doom spiral is going to get harder to resist. The SFF, publishing, and book-reading communities have largely chosen their futures, and it’s more of this codependency: more controversies, more incidents called Something-Gate, more of that awful, druglike disgust that keeps one fixated. As writers, we could follow along: delve into endless Internet research, throw around receipts, assemble our alembics and phials and glass curlicues and try to distil the final Take on this week’s Cait Corrain. Or maybe we could think about literally anything else….

(7) THOSE WERE THE DAYS, MY FRIEND. Peter Wood discusses “The Pros and Cons of Nostalgia” at Asimov’s SF blog From Earth to the Stars.

Margaret Atwood  and I both grew up in large Canadian cities and our fathers ran summer camps in rural Ontario. Atwood’s father, a forest entomologist, took his family from Toronto into the wilds of Ontario to live with graduate students. As a teenager, Atwood worked as a camp counselor for three years.

I tell you this, because our family lived at the northern Ontario summer camp my Dad ran for the Ottawa Boys Club every summer until we moved to Florida. I worked for three years as a camp counselor in college. No need to cue the Twilight Zone music, but the settings of two of Atwood’s short story collections—Moral Disorder and Cats Eye—spoke to me because of her descriptions of rustic Ontario in the summer and cold dark winters in Toronto.

Like Atwood, I often use my own memories to embellish my writing. “Une Time Machine, S’il Vous Plait” has scenes in a summer camp in northern Ontario and sections in  the dead of winter in Toronto and Ottawa in the 1970s. Those scenes were some of the easiest in the short story to put to paper, because they are still vivid to me. Their impressions are much stronger than memories of much more recent events….

(8) DAVE MCKEAN Q&A. The Comics Journal’s Jake Zawlacki has a long, probing interview with Dave McKean. One question is about Midjourney. “’I Will Always Choose Reality’: Dave McKean, Retrospective”.

…It seems that AI may be soon having its day. Early in the book you tease a reason for Thalamus finally coming about and mention an “emergency final page.” When we get to the end, you offer a very honest experience with using Midjourney, and how you felt you needed to accommodate AI in your work, or quit. To start, how do you feel about someone typing in “Dave McKean style comic book cover” into Midjourney and using the result?

I had completed the book by June of last year, and had written that last page as a much more positive paragraph with walking anecdotes and bird pictures and a sense that I’d never felt more professionally fulfilled and personally happy as I did at the time, partly because I really enjoyed putting the book together and revisiting so much stuff that I determinedly had not looked back at for decades. But then the Midjourney thing happened and suddenly the book took on a whole other meaning for me, it was literally the end of my era, from now on my life is pre and post AI.

To start? I consider that action to be theft, the final image will be trained on my work without my knowledge, agreement, or any reimbursement. It’s fraudulent, because the user will consider it their work when my name is in the prompt, surely no simpler paper trail has ever existed for a fraud court case? So then it also makes a difference to me whether this is just one person at home having some fun with a new tech toy and not taking it any further, or someone selling that image, and there’s a greyscale of uses in between. The legal side is a minefield, and we really haven’t caught up with the implications. And finally, and most importantly in this case, the people I’ve talked to who are enthusiastic about AI actually believe this is a creative act. Typing a few words into a bot, and they will tell you how much they thought about the exact words to use, and tweaked the prompt 20-odd times, but this is essentially typing a few words into a bot and waiting a minute. This is such a denuded idea of what creativity is, they are only fooling themselves. There will always be artists who will use it as a tool and be very clear and thorough about staying on the right side of perceived moral lines, but I think they are hypnotized by the shiny new thing. They will be the Trojan horse that wrecks the notion of art, something which has carefully evolved over tens of thousands of years and helped shape the best of us, trashed by glorified predictive text. And you have no idea how sad it is for me to hear artists justify this work with the sort of evasive, relativist art-bollocks that has corrupted the contemporary gallery market….

(9) BISHOP REMEMBERED. Asimov’s editor Sheila Williams tells about her friendship with the late Michael Bishop and his family in “Cri de Coeur”.

…The 1992 World Fantasy Convention was held in Mike’s hometown—Pine Mountain, Georgia—and that’s where I got the chance to really get to know him. After spending time with Mike and his wife Jeri, they invited me, and a couple of other people, over to their beautiful home. They gave us a tour of their house, which I believe had been owned by Jeri’s family for a few generations. They also regaled us with stories about their son Jamie and daughter Stephanie, who were both away at college.

My oldest daughter was born in 1993, and I tentatively included a photo of her in a few of our authors’ holiday cards. Mike’s response to the photo and his sincere interest in my family encouraged me to continue to include these photos in cards and to expand on the number of people who received them. [I know some authors were perplexed, but I was delighted that eventually many started sending photos of their kids and/or pets back to me.] As I told Mike years later, I also tried to emulate the loving home life for my kids that he and Jeri had provided for their own children.

Mike’s ninth story in Asimov’s, “Cri de Coeur,” was our September 1994 cover story. This moving novella about the journey on a generation starship was also a finalist for both the Hugo and the Theodore Sturgeon Award. There was a twelve-year gap between Mike’s tenth Asimov’s story in 1996 and his eleventh in 2008. During that time, Mike and I mostly stayed in touch via holiday cards.

On April 16, 2007, Mike and Jeri experienced one of the most terrible tragedies that can befall a family. Their thirty-five-year-old son Jamie, now an instructor of German at Virginia Tech, was murdered in the deadliest school shooting in U.S. history. Mike’s next tale for us, “Vinegar Peace, or, The Wrong-Way Used-Adult Orphanage” (July 2008), was the painful story of a society that sends adults to orphanages after their last child dies. It, too, was nominated for a Nebula….

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born February 19, 1937 Terry Carr. (Died 1987.) I’ll admit right now that I do not know Terry Car from any of his novels which are Warlord of KorInvasion from 2500 co-written with Ted White, and Cirque. I’ll certainly invite opinions on how they are. What I do know about him is from his most excellent and rather extensive work in the area of editing anthologies.

But first I must discuss his work as a fanzine editor, winning his first Hugo for the zine FANAC, co-edited with Ron Ellik, which they started in 1958. There were seventy-one issues (the last six were co-edited with his first wife, Miriam Carr). Read the first issue at Fanac.org. Terry would win a second Hugo for Best Fan Writer in 1973 at Torcon II. He would also be the 1986 Worldcon’s Fan Guest of Honor.

Terry and second wife Carol Carr, center, Jock Root and German literary agent Thomas Schlueck left, with Gary Deindorfer at far right, on the subway coming back to Manhattan from a gathering at Ted White’s house for TAFF delegate Schlueck in 1966. Photo by and (c) Andrew Porter.

His work on anthologies began in the Sixties on the first seven volumes of World’s Best Science Fiction with Donald A. Wollheim. I’m reasonably sure that I’ve read at least some of them as the contents are quite familiar. 

Also while working for Donald A. Wollheim at Ace Books, he was responsible for the acclaimed Ace Special series, bringing out R.A. Lafferty’s Past Master (1968), Ursula K Le Guin’s The Left Hand of Darkness (1969) and Alexei Panshin’s Rite of Passage (1968).

Now I know that I’ve read much of his next two anthology series as they were quite excellent. They came out almost out at the same time as the Seventies got under way, with Universe having an impressive run of seventeen volumes, and The Best Science Fiction of the Year with just a volume less. 

He also had an anthology series devoted to original fantasy only, New Worlds of Fantasy which published three volumes stating in the Sixties. He did five volumes in the Fantasy Annual reprint series starting in the late Seventies. 

His work would earn two Best Professional Editor Hugos (1985, 1987). 

Lastly, he published in his regrettably brief lifetime a reasonably large amount of shorter fiction, over forty pieces. The Seventies collection The Light at the End of the Universe is the only sole look at his short fiction to date. Subterranean Press, where art thou?

(11) COMICS SECTION.

  • Thatababy apparently learns from Looney Tunes.

(12) WEB BREAKS. The Hollywood Reporter says it’s dead, Jim: “Inside Sony’s ‘Madame Web’ Collapse: Forget About a New Franchise”.

The trailer buzz was worrisome, advance ticket sales anemic. Then last week, the critic reviews for Madame Web were posted, and they stung deepest of all — Sony’s Spider-Man spinoff received the lowest average Rotten Tomatoes score (13 percent) of any major superhero film in nearly a decade.

“On Wednesday night, you could actually watch advance purchase sales declining in real time as buyers were refunding their tickets,” marvels a major theatrical chain insider. “It really says something when you’d rather have Shazam! 2 numbers.”

It marked one of the lowest starts in Hollywood history for a film based on a Marvel character. Domestic box office for the first six days in North America was just $26.2 million after opening midweek on Valentine’s Day. International tallied $25.7 million from 61 markets. Even the fan-friendly CinemaScore grade was poor (C+ — extremely low for a superhero title).

Like DC and the once-unstoppable Marvel, Sony is now finding itself in under the gun to reevaluate how it makes comic book movies….

(13) LEFT BEHIND. “Harrison Ford left behind a Star Wars script. It just sold for $13,600” reports Yahoo!

A draft script from the original Star Wars movie trilogy, left in a London home rented by the actor Harrison Ford in the 1970s, has sold for more than $10,000 at auction.

The fourth draft of the screenplay that became the epic 1977 film “Star Wars: Episode IV – A New Hope” was unbound and incomplete. But it included iconic scenes, including the one that introduces Chewbacca – the towering, hairy Wookiee who co-pilots the Millennium Falcon alongside Ford’s character, Han Solo – in a dimly lit tavern.

The script, dated March 15, 1976, and titled “The Adventures of Luke Starkiller,” sold to an Austrian collector for about $13,600 during a live-streamed auction on Saturday. The seller owned the home that Ford had rented while working on the film….

(14) SPIDER MAN. [Item by Mike Kennedy.] People have certain expectations of an Adam Sandler movie. They should throw them out the window before seeing this Netflix pic.

In Spaceman, Sandler plays a “dour, isolated, arrogant” astronaut whose marriage is falling apart “due to his own failings as a husband.” Then, as depression sets in months into his solo mission, he unexpectedly finds a companion—an “ancient mind-reading spider-like creature from the beginning of time.” “‘Spaceman’ Director Johan Renck on His First Project After ‘Chernobyl’ and Giving Adam Sandler His Most Un-Adam Sandler Role to Date” in Variety.  

How did you get [Adam Sandler] on board? 

It was almost random, to be honest. I had a general meeting with him in L.A. a couple of years ago, because I’m a massive fan of his, and by the end of that chat, he was like, “Hey, what about this space film I hear you guys are developing, I’d love to read it.” We weren’t that far along but that’s how it unfolded. I remember going back up to my room and thinking: that’s pretty fucking brilliant. It was like an epiphany. But when it he said he wanted to do it, I was like, “the issue is that you’re a big name in the comedy circuit, but I’m just a little concerned about being able to pull up the financing for this with you in a dramatic role.” It’s a weird thing to say to one of the highest-grossing actors! But he’s not going to bank a dramatic science fiction film like George Clooney would. He asked how much we needed, and I said, “Well, it’s in zero gravity, one of the characters is CGI, so it’s gonna cost a bunch of money.” And he says: “I’ll get your money, I have a deal with Netflix.” And three weeks later we were shaking hands….

One similarity between “Spaceman” and “Chernobyl” was that you didn’t try to give your actors Eastern European accents. Adam Sandler sounds like Adam Sandler, Carey Mulligan sounds like Carey Mulligan.

I hate accents. They’re the most ridiculous thing ever. To me, if we want to suggest they’re speaking Czech, why is the best way to achieve that having them speak English with a really fake accents? Have you ever heard an accent in a movie work? 

(15) SLAUGHTERLESS HOUSE FIVE. “Lab-Made Meat? Florida Lawmakers Don’t Like the Sound of It.” The New York Times tells how the meat is grown.

…Start-up companies around the world are competing to develop technologies for producing chicken, beef, salmon and other options without the need to raise and slaughter animals. China has made the development of the industry a priority. In the United States, the Department of Agriculture has given initial blessings to two producers.

Now, a measure in Florida that would ban sales of laboratory-grown meat has gained widespread attention beyond state borders. The bill, which is advancing through the Florida Legislature, would make the sale or manufacture of lab-grown meat a misdemeanor with a fine of $1,000. It’s one of a half-dozen similar measures in ArizonaTennesseeWest Virginia and elsewhere.

Opponents of lab-grown meat include beef and poultry associations worried that laboratory-made hamburgers or chicken nuggets could cut into their business.

Supporters include environmentalists who say it would reduce animal cruelty and potentially help slow climate change. Meat and dairy together account for about 14.5 percent of global greenhouse gas emissions, according to the United Nations.

Other backers of the industry include advocates for space exploration, a subject particularly relevant to Florida, which is home to the Kennedy Space Center and the site of countless launches to the moon and beyond. Elon Musk, whose company SpaceX has its own outer space ambitions, has partnered with Israel-based Aleph Farms to research lab-grown meat on a Space X flight to the International Space Station that launched from Florida.

How’s this actually made?

Lab-grown meat, also called cultivated meat, is grown from cells that have been taken from an animal. The animals aren’t slaughtered. 

Then water, salt and nutrients like amino acids, minerals and vitamins are added to the cells, which multiply and eventually become minced meat….

(16) CAKE AND CANDLES. James Bacon volunteered to let me run the poem he composed to wish me “Happy birthday”.

Happy birthday to you Mike, 
We wish you cheer & delight, 
On your auspicious nice day 
Hoping your brother’s is a nice night. 

You report on the appalling news 
That’s giving us all the horrid blues 
Doubtful of when it might actually end 
With an apology, perhaps only if wills bend. 

We need to see your cheerful smile 
Defeating those who tried to defile 
Shining a light on where it went bad 
Finding reason to cease being sad 

A happy day is yours to enjoy 
What positives can we also deploy 
Looking forward upward bright 
Some cake and cheer on birthday night 

Ray Bradbury’s 89th Birthday Cake. Photo by John King Tarpinian.

[Thanks to Steven French, Mike Kennedy, Jean-Paul Garnier, James Bacon, Daniel Dern, Jason Sanford, Anne Marble, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day OGH.]

Pixel Scroll 1/19/24 All These Pixels Are Someone Else’s Fault

(1) WRITERS WHO SPEAK AT THE CIA. From Brian Keene I heard about this article:

Johannes Lichtman tells about attending “Invisible Ink: At the CIA’s Creative Writing Group” in The Paris Review. After he gives his presentation, they take him to lunch.

… I had a little time to kill before our lunch reservation—seating time in the executive dining room was not flexible—so Vivian took me to the gift shop.

Given that almost no one’s allowed inside Langley and the people who work for the CIA aren’t supposed to advertise it, it was, like with the museum, a bit of a mystery who the gift shop was for. The shelves were stocked with T-shirts (Central Intelligence Agency), mugs (Central Intelligence Agency), and novelty barbecue sauce (Top Secret Recipe!). There was also a Pride Month display (Central Intelligence Agency in rainbow)….

… While we waited for our food, the writer of dystopian sci-fi confirmed that if you work for the CIA, lawyers have to vet anything you publish. But they were more lenient than I would’ve guessed. She said that one of her novels had helped change how the agency viewed fiction versus nonfiction. While reading her novel, the lawyers decided that just because a character in a novel says something doesn’t mean that the author necessarily agrees, so there should be more leeway for CIA fiction writers. (Which suggests CIA lawyers are more nuanced literary critics than half of Goodreads.)…

(2) NEVER STEAL ANYTHING SMALL. This is breathtaking — “Peak Fake: A Scam Website Impersonating Macmillan Publishers”. Victoria Strauss analyzes the scam at Writer Beware.

I write a lot about impersonation scams on this blog–for good reason: they are extremely common, and becoming more so all the time. Literary agents, publishers, production companies, film directors: all are targets.

The purpose: money, of course. By posing as real, reputable companies and individuals, the scammers aim to make it more likely writers will be bamboozled into paying for needless, substandard, and/or fraudulent “services”.

This one, though, takes the cake: an entire website impersonating Macmillan Publishers.

The domain name, booksmacmillan.com, is just 15 days old as of this writing (the registration is, of course, anonymized):…

(3) LOCKS TOO EASY TO PICK. Cory Doctorow finds a creative way to criticize a trend: “Demon-haunted computers are back, baby”.

As a science fiction writer, I am professionally irritated by a lot of sf movies. Not only do those writers get paid a lot more than I do, they insist on including things like “self-destruct” buttons on the bridges of their starships.

Look, I get it. When the evil empire is closing in on your flagship with its secret transdimensional technology, it’s important that you keep those secrets out of the emperor’s hand. An irrevocable self-destruct switch there on the bridge gets the job done! (It has to be irrevocable, otherwise the baddies’ll just swarm the bridge and toggle it off).

But c’mon. If there’s a facility built into your spaceship that causes it to explode no matter what the people on the bridge do, that is also a pretty big security risk! What if the bad guy figures out how to hijack the measure that – by design – the people who depend on the spaceship as a matter of life and death can’t detect or override?…

Doctorow then gives several examples where software supposedly designed to secure computers turned out to be vulnerable. He sums up one case with a callback to his science fictional lede:

…This is a self-destruct switch that’s been compromised by the enemy, and which no one on the bridge can de-activate – by design. It’s not the first time this has happened, and it won’t be the last…

(4) THE WORST OF TIMES. BBC Radio 4’s Screen Shot discusses “British Dystopias”. Listen to the episode at the link.

Forty years on from 1984 and the release of the John Hurt-starring big screen adaptation of George Orwell’s novel, Ellen E Jones and Mark Kermode explore dystopian visions from British film and TV. Mark speaks to film critic Kim Newman about the literary roots of the dystopia, from 1984 to A Clockwork Orange. And he talks to actor Brian Cox about how, in a career that has included roles as Dr Hannibal Lecter and Logan Roy, the prophetic 1968 TV play The Year of The Sex Olympics remains one of the projects he is most proud of. Meanwhile, Ellen talks to Ngozi Onwurah, the director of landmark film Welcome II The Terrordome. Released in 1995, the radical British dystopian tale was the first feature directed by a black woman to get a UK cinema release. Ellen and Ngozi discuss why Welcome II The Terrordome was so prescient. And Ellen also speaks to Kibwe Tavares, who co-directed new film The Kitchen, about a dilapidated housing estate in a near-future London, with Get Out star Daniel Kaluuya.

(5) PLAGIARISM DISCOVERED. Utopia Science Fiction Magazine today made a painful announcement. Thread starts here.

(6) THAT SURE WOULD HAVE BEEN DIFFERENT. “Jodie Foster as Princess Leia? Here’s what Star Wars would have looked like” speculates the Guardian.

… Speaking to Jimmy Fallon on The Tonight Show, Foster revealed this week that she turned down the opportunity to star in 1977’s blockbuster gamechanger because she would have had to break a contract for a Disney movie (almost certainly 1976’s Freaky Friday) filmed during the same period….

…Foster would have been 13 or 14 during the filming of the first Star Wars movie, while Carrie Fisher (who won the role) was 19. Suffice to say, this would have changed the dynamic of Lucas’s movie just a little bit. Star Wars isn’t necessarily the most mature and sophisticated of science fiction sagas, but lowering the age of one of its central protagonists might have brought the era of Phantom Menace on us three decades too early. Harrison Ford’s Han Solo and Foster’s Leia would have had more of a daughter and father figure relationship, which might have provided its own unique dynamic, but certainly would have been a leap. Might Leia have ended up plunging that weird crossguard ’saber into Solo’s heart in the sequel trilogy instead of Kylo Ren?…

(7) DO NOT COLLECT $200. Gizmodo surveys “The Most Unhinged Monopoly Variations You Can Buy Right Now”. Here’s one that’s genre-themed:

A movie you barely remember, featuring characters you remember even less, featuring a set-up every kid will go crazy for: “Players try to safeguard as many properties as they can to collect rent in the form of cosmic energy units.” The sheer “waning days of Marvel Cinematic Universe dominance” vibes do add a certain nostalgic flair, though. $33.99 at Hasbro$14.97 at Amazon.

(8) EVERYTHING DEPENDS ON WHERE YOU ARE IN THE CIRCLE THAT NEVER BEGINS. (Some of you will remember that lyric.) The Guardian likes the look of an Indiana Jones game that’s in development: “Lashings of fun? Microsoft reveals new Indiana Jones game”.

…During Microsoft’s latest Developer Direct online event, streamed on Thursday evening, we saw a 12-minute preview of Indiana Jones and the Great Circle, a globe-trotting first-person adventure, set between Raiders of the Lost Ark and the Last Crusade. The project was revealed three years ago, but this is the first footage we’ve seen, and it’s promising stuff. It has Nazis, it has a whip, it has Dr Jones in deserts, in tombs and arguing with Denholm Elliott in fusty college buildings; and it has a story involving a stolen artefact that is somehow linked to an international network of ancient monuments all of which align with a circle spanning the world…

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born January 19, 1932 Richard Lester, 92. Serious film and I don’t get along — give me a good, fun film and I’m very, very happy. Thus you’re getting American-born but eventually British-resident film director Richard Lester for the Birthday this Scroll. Pop the bubbly and dig into the chocolate cake, let’s get started. 

A variety show he produced caught the attention of Peter Sellers who got Lester’s assistance in getting The Goon Show from the BBC Home Service on to ITV in the London area as The Idiot Weekly, Price 2d.  It lasted but six episodes. 

Richard Lester in 1967.

His second film after It’s Trad, Dad which is decidedly not genre was The Mouse on the Moon, a sequel to The Mouse That Roared (which he was not involved in at all.) It was by Michael Pertwee, brother of a certain actor we know from Doctor Who. Quite silly it was. 

He directed The Running Jumping & Standing Still Film, a late Fifties sketch comedy short film directed by him and Peter Sellers. So why mention it? It’s because it was a favorite of John Lennon which led to him being hired to direct A Hard Day’s Night and then Help! You know which film is genre, so I needn’t say so. 

Next up is The Three Musketeers (which I didn’t know was also known as The Three Musketeers (The Queen’s Diamonds) which is an interesting title).  Fascinatingly George MacDonald Fraser wrote the screenplay. He shot The Four Musketeers right after this film.

He later reunited most of the Three Musketeers cast to film The Return of the Musketeers with the only notable cast member not being present was Raquel Welch. 

Lester was fond of swashbuckler films, so it was only natural that he decided to direct a Flashman film. Royal Flash was based offthe second of the Flashman novels by George MacDonald Fraser which now gives me the link to him writing the Musketeer screenplays. Cool. Very cool. And naturally Fraser wrote the screenplay here.

(A digression. I mentioned it before but I’ll mention it again. Kage Baker adored Flashman and this film as well. She told me several times in the last year before her passing on that she was planning on writing a Flashman novel but of course never did sadly.) 

Then there was Robin and Marian, which along with along with Richard Carpenter’s Robin of Sherwood, I hold to be the finest representations of Robin Hood ever done.  The script was by James Goldman, writer of The Lion in Winter, and as you know the leads were performed by Sean Connery and Audrey Hepburn. Perfect. Truly perfect. 

Superman II was a great success after he reshot almost all the footage Richard Donner had already shot, some three quarters of the projected film. Ouch. (That was released as Superman II: The Richard Donner Cut.) Unlike this film, Superman III directed by him would be both a critical and box office failure. 

His last film before retirement though not genre, I’ll note as it’s a great film called Get Back, the thirty-three year old concert film that about The Paul McCartney World Tour of 1989–1990.  Seventeen of the twenty-three songs he performs are by the Beatles. 

(10) LANSDALE ON WALDROP. The Texas Standard interviewed Joe Lansdale about his friend in “Remembering science fiction author Howard Waldrop”. Waldrop died January 14.

Well, he was certainly known among other writers. I think he’s sometimes been called a writer’s writer, which is quite the compliment from one’s colleagues. What does that accolade mean to you when you think about Waldrop’s work and how he related with other writers? 

Well, you want the general audience to like your work, but I think there is something special about the idea that you’re writing something that your peers really get and really understand and really appreciate, because I think that ultimately you want to be able to say, “look, I want to write something unusual, but I want it to be appreciated by other people who write unusual things.”

So it’s not just passé or the same old stuff. So I believe that that’s what is meant by a writer’s writer. It’s a writer who looks at another writer and says, “I wish I could do that,” or “maybe I can learn to do that.”

(11) KILLING FOR IVORY. The Hugo Book Club Blog reviews Ray Nayler’s The Tusks of Extinction in “The Last Trumpet Shall Sound”.

…“The Mountain in the Sea had its roots in the ecological preservation work I engaged in in Vietnam. That work was preventative and positive, working with youth and with environmental activists to protect the Con Dao Archipelago,” Nayler explained by email in early January. “The Tusks of Extinction has its roots in my experiences in Vietnam dealing with the illegal ivory trade and the trade in rhino horn. That work exposed me to the grimmest realities of human greed, ignorance, and exploitation. The enormity of the slaughter of elephants and rhinos for the sake of useless trinkets and the stupidest pseudo-medicinal ideas.”…

(12) FREAKY. [Item by Mike Kennedy.] Um, Pennywise. Ghost hunting in a graveyard. And Tonopah NV—host city of Westercon 74 in 2022. “Man Gives Chilling Look at His One Night in ‘Haunted’ Clown Motel: ‘Done With Clown Stuff'” in People.

If you’ve ever wondered exactly what it’s like to stay overnight alone in a haunted motel — one inhabited by hundreds of clowns — one brave soul knows the answer.

In a video shared to Instagram, user Khail Anonymous shares his experience staying overnight at the Clown Motel in Tonopah, Nevada.

“Why did I go ALONE??” he captions the Reel, which begins with a shot of the hotel room door — decorated with a colorful illustration of what appears to be Pennywise, the toothed clown made famous in Stephen King’s It….

… The video also shows what’s next door to the motel — a graveyard complete with rows of headstones.

“There’s also a graveyard next door. I forgot to mention that, Oh, whoops,” he says in the video….

(13) NOT LONG BEFORE THE END. “A Hunger for Strangeness: A Cryptids Reading List” at Longreads.

Late one night many years ago, my sister was driving home through the leafy roads of South East England when a strange animal bounded into the headlights of her car and swiftly disappeared into a hedgerow. She was certain, she said, that it had been a wallaby—despite the fact that the kangaroo relative was native to Australia and Papua New Guinea and decidedly not native to Oxfordshire. Our reaction was about what you’d expect from a British family: politely skeptical. It had been dark, the encounter fleeting, and the human brain is decidedly fallible. Surely, then, she must have been mistaken.

My sister would eventually be vindicated when the existence of wild wallabies in the UK was confirmed and even captured on film. Yet, her experience isn’t too different from those who claim to have encountered cryptids, creatures whose existence remains a matter of debate. Yeti, Bigfoot, and the Loch Ness Monster are only the beginning; a small but committed community of cryptid hunters is dedicated to proving the existence of doubted beasts like the Mongolian Death Worm, the Honey Island Swamp Monster, and the Skunk Ape. …

… why do cryptid hunters continue to put their reputations on the line, and what other legendary beasts might we discover to be not so legendary after all? In an age when species extinction has reached alarming proportions, perhaps this quest to discover new life carries extra poignancy. The articles collected below offer tantalizing insight into both questions….

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Nickpheas, Michael J. Walsh, Steven French, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Peer.]

Pixel Scroll 1/11/24 Scroll, Pixel, Scroll, Upon Your Mystery Ship

(1) BITTER KARELLA (“MIDNIGHT PALS”) Q&A. The Horror Writers Association blog continues its “Nuts & Bolts” series in an “Interview With Bitter Karella, Creator of The Midnight Pals”.

The Midnight Pals microfiction series started as a simple but inspired running gag on Twitter. Storytellers gather around a campfire a la Nickelodeon’s Are You Afraid of the Dark?, except they’re real-life horror authors past and present — Stephen King, Clive Barker, Mary Shelley, etc.

Its author, Bitter Karella, has managed to find surprising depths in that premise, delivered almost entirely in dialogue. Midnight Pals features complex, interweaving storylines, recurring characters, and trenchant social commentary, all while remaining consistently hilarious….

Q: Humor aside, it’s impressive how Midnight Pals manages to convey entire narrative arcs using little but snippets of dialogue. Do you have any pointers on story-telling?

A: One of the most powerful parts of storytelling is leaving things unsaid. A well-timed pause or a deflection can say so much —  about what a character is thinking, their emotional state, what they want to say but can’t for some reason, what inner demons they refuse to confront, what blind spots they’re not even aware of. These are the moments that really let the reader ponder what’s going on in a character’s brain and I think letting the reader try and figure out for themselves what is going on gives the whole affair a bigger impact than if the writer just spells everything out for them. Because we live in a social media world where we’re all understandably nervous about getting yelled at online, I think many writers today feel uncomfortable with the idea that a reader might misunderstand them and they feel compelled to answer every question before it’s asked. I struggle a lot with that as well … when I write a punchline, I want to write it so that there’s no ambiguity about what’s happening, so that everyone can get it. But sometimes the phrasing that hits best is also going to be the phrasing most ripe for misinterpretation or sometimes it’s just funnier (or more interesting) to leave something out. You just have to trust your reader to connect the dots for themselves, sometimes!

(2) AUTHOR BIO ADVICE. Nicola Griffith makes recommendations: “Author Bios: Saying the quiet part out loud”.

…Nobody really talks about about Author Bios. Consequently, when I was first asked to write one (in the late 80s, for Interzone, or maybe Iron Women) I hadn’t a clue where to begin. If I’d thought about them at all I probably assumed somebody else wrote them. After all, as my English, trained-to-not-blow-my-own-horn inner voice reminded me, If you have to tell people you’re important/interesting, you’re not. Looking back, I’m glad I was clueless about this kind of self-promotion. I might never have begun this writing thing if I’d had any idea how much being a working novelist depends on blasting out your own brassy fanfares all the time, about everything: not just social media but essays, interviews, panels, readings, think pieces, puff pieces, listicles, blog posts, podcasts… It’s a very large part of the job. And all those things rest on the bio—usually between 500 and 1,000 words for your own website (the Inside Bio), and anything from 25 to 200 words elsewhere (the Outside Bio)1

(3) LEARNEDLEAGUE. [Item by David Goldfarb.] Two SFF-related themed quizzes were featured this week on LearnedLeague. Here’s a link to “Spaceballs: The One-Day Special!” and here’s one to “The Sandman“.

I’ve actually never seen Spaceballs, so I didn’t take that quiz. Sandman, by contrast, I’ve been reading since 1988. I got 12/12 right on that one fairly easily (I did need the embedded hints in one question) but wasn’t in the winners’ circle because the scoring involves guessing what questions will be the hardest, and I failed at that. My old friend Tom Galloway got a perfect score, though.

(4) SHADE TREK. “Star Trek Series Erased From Existence By Sci-Fi Show, Is It Revenge?” asks Giant Freakin Robot.

Star Trek definitely exists in the universe of Ronald D. Moore’s Apple TV+ series For All Mankind, but does every show from the franchise exist? A recent episode has fans speculating that Moore is purposefully suggesting that Star Trek: Voyager wasn’t made in the For All Mankind universe.

If true, it seems like Moore would be throwing some slight shade toward screenwriter Brannon Braga, whom Moore had a falling out with, causing him to leave Voyager.

For All Mankind takes place in an alternate reality where there is a global space race, and one of the interesting aspects of the show is seeing the slight differences in the timelines from our reality. The Star Trek: Voyager theory popped up when a Reddit user pointed out that the character Danielle (Krys Marshall), the first African-American woman in space, sent a message to her stepson Isaiah about the birth of his daughter.

In the scene, Danielle says, “I know you hate Star Trek, but you better get used to it, because I’m gonna make sure my grandbaby is a full-blown Trekkie,” adding, “That’s right, we’re gonna watch all the series, all three of them.”

While that statement may seem innocuous enough, the scene takes place in 2003, when there were six series in the franchise, including The Original SeriesThe Animated SeriesThe Next GenerationDeep Space NineVoyager, and Enterprise….

(5) SCRIPT OF THE UNMADE DUNE SEQUEL. Max Evry tells Ars Technica “I found David Lynch’s lost Dune II script”. That the 1984 Dune movie was low-earning and brutally reviewed is part of the reason it was lost.

… During the two years I spent putting together my book A Masterpiece in Disarray: David Lynch’s Dune—An Oral History, I had no luck uncovering Lynch’s script for Dune II, despite Frank Herbert telling Prevue magazine in December 1984 that he possessed a copy and was advising Lynch on it. “Now that we speak the same ‘language,’ it’s much easier for both of us to make progress, especially with the screenplays,” Herbert told the publication. Then, in July 2023, within the Frank Herbert archives at California State University, Fullerton, I came across a slim folder with a sticky note declaring “Dune Messiah script revisions,” addressed to the second floor of VFX man Barry Nolan’s office in Burbank where Lynch supervised the final effects shoots and editing on Dune….

… Of the many differences between Dune Messiah in novel form and David Lynch’s script, the biggest lay in the opening pages, which detail what happens in the aftermath of the scene in the first Dune movie when the Harkonnens bombed the Atreides’ fortress in Arrakeen, the capitol of the desert planet Arrakis. In the hallway where Duncan Idaho (Richard Jordan) was shot in the head, his shielded dead body still floats on the floor, humming and sparking.

From out of the shadows emerges a familiar face: the Baron’s Doctor (Leonardo Cimino). Thought to be the only speaking part created specifically for Dune by Lynch, we learn this Doctor was actually Scytale, a shape-shifting “face dancer” crucial to the plot of Herbert’s second book. Going back to Dune ’84, you may not have noticed Cimino’s Doctor accompanied Baron Harkonnen during the Arrakeen attack. The Doc is absent after that, even as the Baron yells creepily, “Where’s my doctor?” That’s because Doc/Scytale absconded with Duncan’s body. This Easter egg is Lynchian world-building at its best.

Scytale’s 12-year odyssey reanimating “dead Duncan Idaho” into the ghola named Hayt on the nightmarish Bene Tleilax world (mentioned by Paul in Dune) constitutes the entire opening 10 minutes of the script. Lynch calls the planet Tleilax “a dark metal world with canals of steaming chemicals and acids.” Those canals, Lynch writes, are lined with “dead pink small test tube animals.” Initiating Dune II with a focus on Scytale foregrounds him to primary antagonist, unlike Herbert’s book where myriad conspirators work against Paul….

(6) TURN OUT THE LIGHTSABER, THE PARTY’S OVER. And speaking of unmade sequels – which two famous producers did in The Hollywood Reporter interview: “David Benioff, Dan Weiss Reveal Their Star Wars Movie: The First Jedi”.

…On the Star Wars front, the duo confirm media reports from 2019 that they were looking at the early days of the Jedi, but added some details.

“We wanted to do The First Jedi,” Benioff says. “Basically, how the Jedi Order came to be, why it came to be, the first lightsaber …” 

“And we were annoyed as hell when [Rian Johnson, the duo’s longtime friend and 3 Body Problem producer] called his movie The Last Jedi,” Weiss says dryly. “He completely destroyed the obvious title for what we were working on.” 

Asked what went wrong, Benioff says, “[Lucasfilm] ended up not wanting to do a First Jedi story. We had a very specific story idea in mind, and ultimately they decided they didn’t want to do that. And we totally get it. It’s their company and their IP, but we weren’t the droids they were looking for.”

The duo were far from the only ones that had their Star Wars movie taken away. Lucasfilm also decided against making Star Wars projects from top creatives like Kevin Feige, Patty Jenkins and Damon Lindelof….

(7) BRITISH LIBRARY RECOVERY. [Item by Bruce D. Arthurs.] The British Library announced that some of their major services will begin to be available again starting next week, following last October’s crippling cyber-attack. “Restoring our services – an update”. There is still much work to be done.

As we begin a new year, I’m pleased to confirm that – as promised before Christmas – next Monday 15 January will see the return online of one of the most important datasets for researchers around the world: the main British Library catalogue of over 36 million records, including details of our printed books, journals, maps, music scores and rare books. Its absence from the internet has been perhaps the single most visible impact of the criminal cyber attack which took place at the end of October last year, and I want to acknowledge how difficult this has been for all our users.

When the catalogue returns it won’t be in quite the form that long-standing users will be familiar with. Most notably it will be ‘read-only’, so although you will be able to search for items as before, the process for checking availability and ordering them for to use in the Reading Rooms will be different. We’ll be providing more detailed information and practical guidance when the catalogue goes online on Monday….

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born January 11, 1961 Jasper Fforde, 63. I, like most folk I suspect, first discovered the somewhat eccentric charms of his writing in the Eyre Affair, the first of his novels with Tuesday Next, the  Special Operation Network, Literary Detectives (SO-27) who could literally enter the great and not so great works of English literature. 

Bidder and Stoughton published it twenty-three years ago. I’d like to say the Eyre Affair was a much desired literary property but he says there were seventy-six publisher that he sent his manuscript to. I’m surprised there were that many publishers in the U.K. that would have been interested…

Jasper Fforde in 2012.

There would be six in the series in all — this novel followed by Lost in a Good BookThe Well of Lost PlotsSomething RottenFirst Among SequelsOne of our Thursdays Is Missing and The Woman Who Died a Lot. I won’t say that they were consistently great as they weren’t and the humor sometimes wore more than a bit thin, but overall I like the series considerably.

Next up, and I wasn’t eggspecting to like it, yes I know bad pun there, is The Big Over Easy which is set in the same universe as the Thursday Next novels though I don’t remember any overlapping character twenty years after reading them. It reworks his first written novel, which absolutely failed to find any publisher whatsoever. 

Its original title was Who Killed Humpty Dumpty? Errr, wasn’t there a novel involving a rabbit by almost that name?  It had a sequel of sorts in The Fourth Bear. Both are quite more than bearably good. 

I have not read his dystopian novel Shades of Grey: The Road to High Saffronwhich is about a future Britain where everyone there is judged by how they perceive colors. Suspect someone with color blindness like myself wouldn’t be welcome there. A friend who did read it like it a lot. 

His Dragonslayer series, also known as The Chronicles of Kazam, are a YA affair and a great deal of fun indeed. 

He’s got several one-offs but I know absolutely nothing about them.

(9) COMICS SECTION.

(10) STRACZYNSKI Q&A. “Hope and Strange: PW Talks with J. Michael Straczynski” at Publishers Weekly.

You’ve said before that, with established mainstream comics characters, you view your job as asking unlikely questions. Could you expand on that approach?

[JMS]: Spider-Man is a good example of that. For 50-plus years, we’ve known that Peter Parker got bit by a spider and got his powers. I like to look under the hood and say, oh, wait, hang on a second. The spider was irradiated—we know that part of it. But did the spider have the powers from the radiation, and therefore gave it to Peter, or was that spider bringing the powers to him in the first place, and had to get to him before the radiation killed it? Because the second question implies intent. And the moment you put intent into that equation, it changes everything. It opens up whole new possibilities of storytelling. Out of that one question came the Spider Totem idea, but also the Spider-Verse. All the things you’ve seen since then from the Spider-Verse, the characters and movies, and the animated stuff, all that came from that one unlikely question—that implied intent….

(11) UNCANNY MAGAZINE’S SUBMISSION SCORECARD. A little peek behind the scenes at a leading sff magazine.

(12) MORE AI FAKERY ON AMAZON. “Scammy AI-Generated Book Rewrites Are Flooding Amazon” reports WIRED.

When AI researcher Melanie Mitchell published Artificial Intelligence: A Guide for Thinking Humans in 2019, she set out to clarify AI’s impact. A few years later, ChatGPT set off a new AI boom—with a side effect that caught her off guard. An AI-generated imitation of her book appeared on Amazon, in an apparent scheme to profit off her work. It looks like another example of the ecommerce giant’s ongoing problem with a glut of low-quality AI-generated ebooks.

Mitchell learned that searching Amazon for her book surfaced not only her own tome but also another ebook with the same title, published last September. It was only 45 pages long and it parroted Mitchell’s ideas in halting, awkward language. The listed author, “Shumaila Majid,” had no bio, headshot, or internet presence, but clicking on that name brought up dozens of similar books summarizing recently published titles.

Mitchell guessed the knock-off ebook was AI-generated, and her hunch appears to be correct. WIRED asked deepfake-detection startup Reality Defender to analyze the ersatz version of Artificial Intelligence: A Guide for Thinking Humans, and its software declared the book 99 percent likely AI-generated. “It made me mad,” says Mitchell, a professor at the Santa Fe Institute. “It’s just horrifying how people are getting suckered into buying these books.”…

(13) ELFQUEST SCRIPT IS GO. “’Elfquest’ Animated Series Based On Comics In Works At Fox” reports Deadline.

Fox has given a script commitment to Elfquest, a one-hour animated drama series based on the epic fantasy adventure comic series created by Wendy and Richard Pini, from Rodney Rothman and Adam Rosenberg’s Modern MagicSusan Hurwitz Arneson (The Last Amazon) will pen the series adaptation and serve as showrunner and executive producer.

Created in 1978, Elfquest, published by Dark Horse Comics, is a fantasy story about a community of elves and other fictional species who struggle to survive and coexist on a primitive Earth-like planet with two moons….

(14) VIDEO OF THE DAY. [Item by Daniel Dern.] The fan-relevant part starts at 3:53 into the video, “Stephen [Colbert] Plays ‘Ick Or No Ick’ With Taylor Tomlinson, Host Of “After Midnight”. Listen through Colbert’s follow-up to Tomlinson’s response, until he closes with a plug for her new show.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Daniel Dern, David Goldfarb, Kathy Sullivan, Michael J. Walsh, Bruce D. Arthurs, Jim Janney, SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Mark J. McGarry.]

Pixel Scroll 1/10/24 Tom Swift And His Scrolling Pixels

(1) TEXAS LIBRARY ASSOCIATON ASKS TINGLE FOR DO-OVER. Today the Texas Library Association’s executive director Shirley Robinson published a “TLA Statement Regarding Author Chuck Tingle” which says they want him to reconsider participating in their annual conference, although it says nothing one way or the other about him going masked.

As you may know, the Texas Library Association is currently planning and securing speakers for our annual conference in April. Last fall, we extended an initial invitation to author Chuck Tingle to participate as a panelist at our Evening with Authors event. We later offered Mr. Tingle the opportunity to participate in a different conference event.

This was a misstep that we regret, and it is counter to our mission to ‘unite and amplify voices…through intentional equity, diversity, and inclusion.’

I contacted Mr. Tingle’s publisher today to apologize and to ask whether or not he might reconsider participating in our Evening with Authors event. I hope Mr. Tingle will accept, and we can discuss what has transpired so that we may all come to a place of greater understanding.

TLA has spent the last two years fighting for the freedom to read and freedom of knowledge in school libraries, and we are always on the side of authors. We set a high standard for ourselves, and in this instance, we did not meet it. In the future, we will be more diligent in our processes and clearer and more thoughtful when discussing opportunities with potential speakers at our events. I am sorry for this mistake. We will learn from this and do better in the future.

(2) FOR FAN MAIL. The US Postal Service will have a Dungeons & Dragons-themed stamp issue this year: “USPS Reveals Additional Stamps for 2024” at American Philatelic Society.

This stamp release marks the 50th anniversary of Dungeons & Dragons, described by its owners as the World’s Greatest Role-playing Game, that has become a cultural phenomenon. By inviting participants to imagine themselves as wizards, warriors and other adventurers in exciting and treacherous fantasy worlds, Dungeons & Dragons opened doors to whole new universes of creativity for generations of players. The pane of 20 stamps features 10 different designs that highlight characters, creatures and encounters familiar to players of the game. Greg Breeding, an art director for USPS, designed the stamps and pane with existing illustrations.

(3) TWO TO TANGO. The Guardian brings news of an unexpected collaboration: “Keanu Reeves and China Miéville to release collaborative novel The Book of Elsewhere”.

…Their joint novel is titled The Book of Elsewhere and is set in the world of the BRZRKR comic book series created by Reeves, first published in 2021. It follows an immortal warrior on a millennia-long journey to understand his immortality.

The novel is due to be published on 23 July by Penguin. Reeves, who is best known for his roles in The Matrix and John Wick franchises, said it was “extraordinary” to work with Miéville. “China did exactly what I was hoping for – he came in with a clear architecture for the story and how he wanted to play with the world of BRZRKR, a world that I love so much. I was thrilled with his vision and feel honoured to be a part of this collaborative process.”…

…“Sometimes the greatest games are those you play with other people’s toys,” said Miéville on the collaboration. “It was an honour, a shock and a delight when Keanu invited me to play. But I could never have predicted how generous he’d be with toys he’s spent so long creating,” he added….

…Upon its release, BRZRKR, created with writer Matt Kindt and artist Ron Garney, became the highest-selling original comic book series debut in more than 25 years. The comic will also be adapted into a live-action Netflix film starring Reeves and an anime series….

(4) ON THE ROAD AGAIN. Annalee Newitz soon will be touring to promote their far-future epic The Terraformers. Check the venue website to reserve free tickets.

(5) ALDERMAN Q&A. NPR interviews Naomi Alderman whose new book “’The Future’ asks if technology will save humanity or accelerate its end”.

NPR’s Ari Shapiro speaks with author Naomi Alderman on her new novel, The Future, which asks whether the giants of technology more likely to save humankind or accelerate its end.

…ALDERMAN: When I heard about these billionaires building their bunkers, I immediately thought of Lot. So this is a story that is about how you cannot escape from a terrible situation. If you think that, oh no, I’m powerful; I can escape; I can go to my bunker; I’m going to be all right, you just have to know that you take it with you. On a more broad level, I think Bible stories, particularly the stories of Genesis – I grew up reading them in the original Hebrew because I grew up very religious Jewish. And it seems to me that those stories are the foundations of what we might call Western civilization now, and we have sort of ceded them to religious education. So you learn those stories if you have a strong biblical schooling where you’re maybe taught that all of this is literally true, but actually, they’re incredibly important stories.

SHAPIRO: So, like, everybody can talk about the lesson of Icarus. Don’t fly too close to the sun.

ALDERMAN: Right…

(6) HE FOUGHT THE LAW AND THE LAW LOST. AND SO DID HE. Norman Spinrad’s latest “Norman Spinrad at Large” tells why he hasn’t had a new novel out for years.

…When I read that I am “One of the Four “Great Speculative Writers of the Past”  I feel that I’m reading my own obituary. Sometimes when I am asked about things of my history I feel like I’m writing it.  

Which, I suppose, is one good reason to let my Wikipedia answer such questions instead of myself. When I’m interviewed I’m much more interested in talking about what I’ve written about than talking about myself.

And another reason is that I don’t have time for much of such pondering of my past. I am indeed still crazy after all these years.  Since my last new published novel THE PEOPLE’S POLICE in 2017 I’ve written dozens of  my On Books column in Asimov’s. Songs.  Journalism. This and that in the arts world. Political screeds. Published short stories and novellas, some of which are waiting to become a novel. Even  a full first draft of a novel which needs a proper publisher with a good editor.

So why have I not published a new novel since THE PEOPLE’S POLICE in 2017?

That’s a story you won’t find in my wikipedia. That’s a story that is still going on.

There is a lot of talk today that because of the Woke vs. Maga literary political war,  white male writers are finding it unfairly difficult getting their work published. Well, I confese that I am a white man, but I don’t think that is what had happened to me. 

What Tor books did to THE PEOPLE’S POLICE is why I haven’t been able to publish a novel ever since. My editor on it there was the great David Hartwell.  I was so confident of what he would  do for the publication that Dona and I went to  New Orleans on our own money to shoot promotional video for the book, knowing of course that Tor itself would not pay for any such thing.

But when we came back to New York, the shit hit the fan. David Harwell died in an accident, which among other things, turned THE PEOPLE’S POLICE into what is called a orphan book, meaning no one in Tor championed its publication.  A horrible cover of a black cop and a white cop back to back on the hardcover against what the novel was actually hopefully about.

No one showed me the cover until it was too late to change,, telling me that David had approved it while he was still alive without showing it me, which he never would have done, and Tor refused to do anything at all with the videos that we had fronted with several thousand dollars of our money or even spend any at all on promoting the book.

What with the cover and the refusal of Tor to spend anything at all,  what could have been a big seller at least in the South, the hard cover sanked.  As you might imagine, I was not amused, but I thought a good cover, a just conver, could be put on the trade paperback, and Tor would have the freebee video for nothing.

Instead I was told that there would be no trade paperback. Well I was already crazy and did what most writers were not crazy enough to do. I went to war with Tor.  And I won it. I got back my novel away from them so that I could at least create my own trade paperback on Amazon where it still is the only place you can find it.

But I paid a high price for my victory.  I lost my agent because no agent can fight on the side of his writer against a publisher, and indeed shouldn’t for the sake of his other writers.  And by then, it was becoming just about impossible get a proper publisher to even look at a novel except through an agent.  And thusfar  there has been no agent willing to  take a chance on “One of the Four Great Speculative Writers of the Past.”…

(7) DARRAH CHAVEY OBITUARY. Wisconsin fan Darrah Chavey died January 6, 2024 from complications of heart surgery.

He was a mathematics professor at Beloit College in Wisconsin, teaching Computer Science, Ethnomathematics, and Ballroom Dancing.  

He was a member of the Beloit Science Fiction and Fantasy Association.  He was an active volunteer in putting on WisCon for a number of years, including running the “Internet Lounge”.

As a contributor to the Internet Science Fiction Database, one of his specialties was SF by women authors, especially works before the mid-80’s. Some of his research was captured on the SF Gender page.

He is survived by his wife Peggy Weisensel Chavey and other family members.

(8) TERRY BISSON (1942-2024). Author Terry Bisson died January 10 at the age of 81. He was especially well-known for short stories including “Bears Discover Fire”, winner of the Hugo and Nebula and Theodore Sturgeon Memorial awards, and ”They’re Made Out of Meat”. His story “macs” also won a Nebula (2001), as well as French and Spanish sff awards.

He recently was profiled in The New Yorker, “Terry Bisson’s History of the Future”, which noted his beginnings in the sff field.

…He sold his first science-fiction novel, “Wylrdmaker,” to the publisher David Hartwell in 1981, for fifteen hundred dollars. The novel was pulp: it told the story of Kemen of Pastryn, a satirical futuristic version of Conan the Barbarian. It wasn’t the book Bisson wanted to write, he told me, but “it was the smartest thing I ever did. That’s when I discovered you didn’t have to be fucking Hemingway or Fitzgerald to write a novel.” His second novel, “The Talking Man,” was more of a passion project—it was a fantasy novel set in the rural South, with junkyards instead of castles…

He also wrote many film novelizations, including William Gibson’s Johnny Mnemonic; Virtuosity; The Fifth Element by Luc Besson; Alien Resurrection; Dreamworks’ Galaxy Quest; and The Sixth Day, and three Jonny Quest novels, plus other media tie-in novels.

(9) MEMORY LANE.

[Written by Cat Eldridge.]

1987 — Sharyn McCrumb’s Highland Laddie Gone, published in hardcover by Avon Bokks thirty-seven years ago, is the third of the Elizabeth MacPherson mysteries and I think can safely discuss the setting of this novel and the prime character. 

Sharyn McCrumb I’ve covered before, looking at several of her Ballad novels here as well as the genre Jay Omega series as well.  

These novels are apparently her take at Agatha Christie as she has told interviewers. Now I don’t see that when I it read them but none-the-less Elizabeth MacPherson, forensic anthropologist, who’s from Scotland is a delightful central character. 

Most of these novels are set in the mid Atlantic region of the States, and this one was no exception. The mystery is set at a Highland Games of which there are some hundred in the US alone. Now consider men wearing kilts, haggis on a stick, far too many bagpipes (and I like them) and way too much Scottish themed junk for sale. And everyone is of course Scottish for the day. Now she, our writer, manages to find the humor in all of that and make it quite interesting. 

(Yes, I’m part Scottish. Scotch-Irish on my maternal side. No, not Scottish-Irish as I had to explain to more one person who said Scotch was a drink. Scotch-Irish are descendants of Ulster Protestants who emigrated from Ulster to North America during the 18th and 19th centuries. And I’m Welsh on the paternal side.) 

MacPherson has to solve her mystery while dealing with the eccentric culture of the Highland Games. I think that McCrumb did a spot-on job of capturing the feel of those games. 

Here’s our Beginning…

CLAN CHATTAN 

Dear Elizabeth, How are you? It’s been ages! Due to a security leak in your organization (your mom), I have obtained your address and am writing to ask a favor. (In business school they teach us to come to the point in the first paragraph.) Did you know that I’m getting my MBA at Princeton! The folks are so thrilled about it—Daddy’s plastered bumper stickers on every vehicle we own, even the riding lawn mower. It’s quite sweet, really, to see them so happy. Your mother didn’t say what you were doing. 

Haven’t seen you at the Highland games festivals since high school. You really ought to come to one. Surely you’re not still upset about the dance competition. Goodness, there’s so much more to a festival than that! There’s the hospitality tent, and the nametag chairman. Not everybody is meant to be graceful, you know. 

Anyway, I hope I can persuade you to come to the Labor Day games (see enclosed brochure), because there is something that I need a volunteer for. You remember Cluny, don’t you? He’s fine, as reserved as ever. For the past two years, I’ve been the person in charge of him for the festivals. You know how they like a pretty girl to show him off. Well, this year I simply can’t come! I’ll be in Europe during term break with my flatmate. So, I need someone to take my place. Buffy and Pax and Cammie-Lynn were all booked up, so I’m hoping that you’ll show the old Clan spirit and volunteer for the job. But if you can’t afford it, do say so, and I’ll understand. 

Please let me know soon about this. I’m off to Europe next week. Oh, and what have you been doing lately? Teaching? Got to run! 

Mary-Stuart Gillespie

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born January 10, 1957 George Alec Effinger. (Died 2002.) I first experienced him when I read the Marîd Audran novels (Gravity FailsA Fire in The Sunand The Exile Kiss). Though he set them in a 22nd-century Middle East, the setting isn’t really faithful to that reality but reflects more the city of New Orleans where he lived much of his life. Truly exceptional novels. 

He started work on a fourth Audran novel, Word of Night, but died before that work was completed. The existing two chapters of Word of Night that he did complete are now available in Budayeen Nights, along with the other Budayeen stories and some other short stories as which was edited by Marty Halpern at Golden Gryphon. 

The “Schrödinger’s Kitten” novelette won a Hugo at Noreascon 3, it also garnered a Sturgeon and Nebula too;  his “Marîd Changes His Mind” novella was nominated for a Nebula but was withdrawn for a Hugo after the nomination was declined. 

He wrote a lot, and I do mean a lot, of novels besides the Marîd Audran works  but I’ll confess that I’m largely unfamiliar with most of them. I’ve immensely enjoyed The Red Tape War co-written with Resnick and Jack L. Chalker, but that’s it. Anyone care to give an opinion on the rest of his novels? 

I see he did the scripts for about a dozen comics, one of which was “The Mouse Alone!” in which he created the character of a young Gray Mouser. Huh. That was the Sword of Sorcery #5 issue, DC Comics, Nov.-Dec. 1973. 

And I was surprised to learn he did a Sandman story as well, “Seven Nights in Slumberland” which ran in The Sandman: Book of Dreams. I must’ve read it at some point as I read that anthology. It’s a very good anthology too.

Planet of the Apes novels? Really? Anyone here read these? 

George Alec Effinger in 1988. Photo by and (c) Andrew Porter.

(11) ANNIVERSARY CELEBRATION.

[Item by Cat Eldridge.]

2001–So this date was when The Lord of the Rings: The Fellowship of the Ring film was premiered at the Odeon Leicester Square in London twenty-three years ago. 

I don’t as a rule watch films or series based off literary works that I deeply, madly love. That’s because I’ve got in my mind’s eye my own vision of what each character looks like already, what the landscape is and so forth. So I’m usually disappointed by what is visually created by even the best of our video creators.  Not their fault of course. 

I cannot begin to remember the number of times that I’ve read The Fellowship of the Ring as it is a novel that I both deeply loved and found to be one that I find always is fresh when I read it. Forty years on since by my first reading of it and now I’m listened to being the tale narrated by Andy Serkis, and I was once again deeply and fully delighted by this story as written by Tolkien.

The very first words of “When Mr. Bilbo Baggins of Bag End announced that he would shortly be celebrating his eleventy-first birthday with a party of special magnificence, there was much talk and excitement in Hobbiton” were enough to draw me and they’ve drawn me ever since. The rest of the novel is just as good. 

So did Peter Jackson do that to me? Very much not at all. He was faithful to the source material as he much as could be given the difference in story telling mediums, and the script as written by him, his wife Fran Walsh and Philippa Boyens (they were the writing team for all of the Tolkien films) was quite delightful indeed.

The actors? Stellar they were, one and all in creating the feel that characters of this novels had come alive. I can’t possibly detail all of them here. I really can’t. My favorites? Ian Holm as Bilbo Baggins, Elijah Wood as Frodo Baggins, Ian McKellen as Gandalf and John Rhys-Davies as Gimli. Those are my favorite actors the first time that I watched it and they remained so with repeated reviewings. 

McKellen it is said by several sources was the fourth choice as the first three approached to play that role turned it down because of ill health — Patrick McGoohan, Anthony Hopkins and Christopher Plummer. 

Oh and the universe they inhabited.  John Howe and Alan Lee were deeply involved as conceptual artists throughout the project, Lee mainly on the architecture such as creating Hobbiton; Howe on characters such as Gandalf, the Ents and the Balrog. Weta was responsible first such things as armour, miniatures and weapons. 

Oh those Ents. They were just what I expected them to be, perfectly realised to be what was in my minds eye. I did look for a nicely crafted one after the film came out even then they were they were running well several hundred dollars unfortunately. Still want one to have who will sit among my plants here. 

So let’s not forget the New Zealand landscape standing in for Middle-earth.  It worked magnificently as it has on oh so many occasions for other series and films now. I felt like I was seeing Middle-earth made real. 

So I fell in love with it and have stayed so. And therefore I’m not at all surprised that it won at Hugo at ConJosé. It certainly deserved that Hugo. 

(12) COMICS SECTION.

  • Baldo isn’t sure what he can buy with this.
  • Shoe features a writer with a disturbing perspective.

(13) NEXT TREK. “Star Trek: New Movie in the Works at Paramount Set Before 2009 Film” according to The Hollywood Reporter.

After years of stops and startsParamount is making a step toward returning Star Trek to the big screen. Toby Haynes, who directed episodes of of the Star Wars series Andor, will helm a new feature, with Seth Grahame-Smith writing.

This would mark the first feature for Haynes, who helmed the dark, celebrated Star Trek-inspired episode of Black Mirror, “USS Callister.”

Deadline’s article adds, “Insiders add that the final chapter in that main series, Star Trek 4, remains in active development.”

(14) THE APPRENTICE RETURNS. The Mary Sue rejoices: “Heck Yeah, We’re Getting Season 2 of ‘Ahsoka’!”

Ahsoka‘s renewal is welcome, if unsurprising. The series premiere got 14 million views in the first five days following its premiere, and the series holds an 86% fresh rating on Rotten Tomatoes. Ahsoka joins Andor, which is also getting a second season.

Ahsoka stars Rosario Dawson as Ahsoka Tano, a former Jedi Padawan apprenticing under Anakin Skywalker. Dawson first played the character in season two of The Mandalorian followed by an appearance in The Book of Boba Fett. The first season of Ahsoka premiered on Disney+ in August 2023 with 8 episodes….

(15) EXPOSURE. The LA Public Library announced a way for indie authors to submit their e-books for circulation. The info doesn’t discuss any payment for authors.

The Los Angeles Public Library is partnering with BiblioBoard to bring the Indie Author Project public library e-book discover service to L.A. residents.

Indie Author Project provides L.A.’s self published authors a wonderful opportunity to submit their e-book for circulation at LAPL, libraries throughout California, and possibly libraries nationwide. This is a great way to reach a wider reading audience and build buzz on your book.

Indie Author Project also provides adventurous readers access to exciting new literary voices in a variety of genres. Discover a great new author before they make it big!

Click here if you are interested in submitting your title and read the terms of agreement.

Submissions must be in the epub or pdf file format—here are a few sites that provide simple free tools to convert files from MS Word to epub: Online-ConvertZamzar. Or, use our free Pressbooks tool to create a professional quality formatted ebook file.

(16) ARTIST INTELLIGENCE. [Item by Steven French.] What do you do when you don’t have a photo to go with a creepy story about a Tennessee ghost or an Aboriginal Australian cryptid? You ask an illustrator for an equally spooky image of course! Atlas Obscura shared its best illustrations of the year: “In 2023, We Illustrated the Darkest Corners of the Human Imagination”.

At Atlas Obscura, we’re always curious about the unusual, and that doesn’t always lend itself to photos. So we turn to an amazing army of illustrators to bring readers into our stories. This year, we noticed that many of our favorite illustrations were commissioned to depict the dark and the mysterious—pretty on-brand for us—whether it’s of menacing creatures of the spring, un-jolly characters of Christmas, or myths of the Egyptian underworld. Our artists around the globe took on the art direction challenges with spooky glee, and brought these unearthly stories to life with bewitching visuals….

…Illustrator Harshad Marathe generally enjoys working on otherworldly subject matter, such as mythology, or creatures, demons, and dieties. So he took naturally to the Egyptian sun god, on a boat towed on snakes, in a desert. He conceived other trippy and colorful scenes for our series on Egypt’s netherworld, a highlight of our annual month-long Halloween bacchanalia….

(17) VIDEO OF THE DAY. The trailer has dropped for Monolith, available in theaters and on digital beginning February 16.

While trying to salvage her career, a disgraced journalist begins investigating a strange conspiracy theory. But as the trail leads uncomfortably close to home, she is left to grapple with the lies at the heart of her own story.

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Daniel Dern, Ita, Kathy Sullivan, Carl, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Jeff Smith.]

Pixel Scroll 1/7/24 Pixels Scrolling Off Into The Sky, The Sound Of Filers Echoing Down From The Heaven

(1) THESE GUYS ARE SHAMELESS. Disney tried to shut down a YouTuber’s remix of Steamboat Willie even though it was in public domain: “Disney pulls ‘Steamboat Willie’ YouTube copyright claim amid Mickey Mouse entry into public domain”.

Mashable reported that YouTuber and voice actor Brock Baker had uploaded a video to his channel with over 1 million subscribers which was almost immediately hit with a copyright claim from Disney.

Baker’s video featured the entirety of the 1928 Disney animated short Steamboat Willie. He had remixed the film, which stars Mickey Mouse, with his own comedic audio track playing over the nearly 8-minute cartoon, and released it under the title “Steamboat Willie (Brock’s Dub).”

After being hit with the claim, Baker’s upload became demonetized, meaning the YouTuber could not make any money off of it. The claim also blocked the ability to embed the video on third-party websites. In addition, the YouTube video was given limited visibility, including being blocked from view entirely in certain countries. 

Baker disputed the copyright claim shortly after receiving it. His case appeared strong, as Steamboat Willie entered the public domain on January 1, 2024, allowing a broad range of creative usage of the film and its contents without Disney’s permission — including for profit.

He was successful.

“Disney released their claim and it’s now embeddable and shareable worldwide,” Baker told Mashable on Friday along with a screenshot of the email alert he received from YouTube letting him know the copyright claim was released.

“Good news! After reviewing your dispute, Disney has decided to release their copyright claim on your YouTube video,” reads the YouTube email message….

Watch “Steamboat Willie (Brock’s Dub)” at the link.

(2) THE SUBSTACK DILEMMA. Cass Morris and Brian Keene recently shared their takes on “Substack’s Nazi Problem”.

“So… Substack…” by Cass Morris.

A few weeks ago, I co-signed an open letter to Substack’s founders asking them to not platform Nazis. Their response was… not great. The Paradox of Tolerance in action, really. And I could go into a big thing about the dangers of free speech absolutism and how it’s really just permission for terrible people to be more terrible more openly, but, y’know, that’s all been said a billion times. “Don’t welcome Nazis” really should not be a controversial viewpoint, yet here we are.

As a result of the founders’ statement, a fair number of both creators and supporters are leaving Substack. Even more, I think, are trying to decide whether to do so. A.R. Moxon and Catherynne Valente have said, more eloquently and thoroughly, the things I’m thinking and wrangling with, but I did want my readers to hear from me directly on this….

…Moving somewhere else is also no guarantee that a new platform won’t also face the same problems someday, forcing yet another move. I’m a child of the LiveJournal age; I remember how it started, and I remember what happened when it got sold. Very few sites seem to have long-term viability without corporate backing, and the increased corporatization of the internet is most of the reason I think the internet peaked in 2007. Every site is potentially in danger. Just because Buttondown or other platforms are promising good behavior now doesn’t mean anything if leadership or ownership changes (citation: Twitter). As Moxon and Valente both pointed out in their essays, abandoning every site that fails a virtue test means giving all our playgrounds over to the Nazis, and I’m not sure I’m okay with continuing to do that….

“Letters From the Labyrinth 364” by Brian Keene.

…These days I am so far removed from the drama and the backbiting and the petty squabbles that encompass our industry that I no longer know who is mad at who, or who’s been cancelled and for what, or which publisher isn’t paying, or what this person did. For example, I only found out recently that Substack has an apparent Nazi problem — something I was blissfully unaware of until several newsletters I subscribe to migrated away from the platform. And I respect folks decisions to do that. I’m going to stick it out because I’m tired of leaving platforms when the Nazis show up. We did that with Facebook and Twitter and Reddit. If we keep doing that, soon every bar will be a Nazi bar. Sooner or later, you’ve got to plant your feet and fight. So here is where I’ll make my stand — a counter-voice to their voices. If you can dig that, cool. If not, I don’t care….

(3) THE AMERICAN MULE? Ross Douthat’s New York Times opinion piece “Is Trump an Agent or an Accident of History?” kicks off with a big reference to Asimov.

In Isaac Asimov’s Foundation novels, a “psychohistorian” in a far-flung galactic empire figures out a way to predict the future so exactly that he can anticipate both the empire’s fall and the way that civilization can be painstakingly rebuilt. This enables him to plan a project — the “foundation” of the title — that will long outlast his death, complete with periodic messages to his heirs that always show foreknowledge of their challenges and crises.

Until one day the foreknowledge fails, because an inherently unpredictable figure has come upon the scene — the Mule, a Napoleon of galactic politics, whose advent was hard for even a psychohistorian to see coming because he’s literally a mutant, graced by some genetic twist with the power of telepathy.

Donald Trump is not a mutant telepath. (Or so I assume — fact checkers are still at work.) But the debates about how to deal with his challenge to the American political system turn, in part, on how much you think that he resembles Asimov’s Mule.

Was there a more normal, conventional, stable-seeming timeline for 21st century American politics that Trump, with his unique blend of tabloid celebrity, reality-TV charisma, personal shamelessness and demagogic intuition, somehow wrenched us off?

Or is Trump just an American expression of the trends that have revived nationalism all over the world, precisely the sort of figure a “psychohistory” of our era would have anticipated? In which case, are attempts to find some elite removal mechanism likely to just heighten the contradictions that yielded Trumpism in the first place, widening the gyre and bringing the rough beast slouching in much faster?…

(4) DOUG BERRY: THE GUY IN THE GIANTS HAT. [Item by Chris Garcia.] Last October, the world lost a wonderful human being — Douglas Berry. A Bay Area fan who was one of the original denizens of the 2000s Fanzine Lounges, Doug was also a phenomenal writer, best-known for his game writing in the Traveler game system universe, he was also a regularly blogger and Facebooker, and contributed to Journey Planet and The Drink Tank, co-editing two issues of the latter. 

Doug’s widow Kirsten, Chuck Serface, and Chris Garcia gathered some of Doug’s best writing from 2023, along with a few pieces from the last few years. The resulting collection, The Guy in the Giants Hat, can be downloaded from the link.

(5) PARAMOUNT+ SHEDS ORIGINAL STAR TREK MOVIES. Rachel Leishman gloats “Now That Only the Kelvin-Verse ‘Star Trek’ Movies Are Available on Paramount+, Maybe You’ll See Things My Way” at The Mary Sue.

Finally my time has come. You will all be forced to appreciate the Kelvin-verse. My plan is working, and you will all soon love my favorite Star Trek movies. That’s what you get for being mean. 

To be fair, you can still stream the original Star Trek movies. They’re just no longer on Paramount+, the home of the franchise. Hilarious to think about it like that, but it is weird that the home of Trek does not have the original Star Trek movies on its platform. What it does have are the movies starring Chris Pine, Zachary Quinto, and Karl Urban. Yes, you can still watch the magic that is Star Trek Beyond to your heart’s content. 

The Kelvin-verse movies (aptly named because they exist in an alternate timeline) started with the 2009 Star Trek from director J.J. Abrams and gave us a new crew of the Enterprise. They are beautiful and getting to see their adventures is extremely necessary in the world of Trek. Also, who doesn’t want to see more of Leonard Nimoy as Spock? Point is: These movies rule and we have been stuck in limbo about whether this franchise will continue for years. 

(6) SCHRÖDINGER’S TV SERIES. Meanwhile, The Orville’s fate has not been sealed: “Seth MacFarlane Says The Orville Isn’t Canceled Yet” in The Wrap.

Seth MacFarlane, the creator, writer and star of “The Orville,” has offered a cryptic update on the sci-fi series’ fate.

“All I can tell you is that there is no official death certificate for ‘The Orville’,” MacFarlane told TheWrap in an interview when asked about an update on a possible Season 4. “It is still with us. I can’t go any further than that at the moment. There are too many factors.”

MacFarlane’s co-star Scott Grimes added that conversations about “The Orville” Season 4 began before the SAG-AFTRA and Writers’ Guild of America strikes.

“I do know that we are still talking about it. It’s not dead in any sort of way whatsoever. It’s just about when, where and how and building the stuff again,” Grimes told TheWrap. “I’m excited because it’s one of the greatest things to work on. So I just have my fingers crossed. And I know Seth wants to do it and that usually holds a lot of power. And I hope he gets to because it’s one of his babies that he just loves and it’s a blast to work on.”…

(7) FREE SFF READ. The Sunday Morning Transport offers “Agni” by Nibedita Sen as a free read to encourage people to subscribe.

Nibedita Sen brings us a brilliant, dangerous world, complex power dynamics, and characters we can’t stop thinking about…

(8) DR. EMANUEL LOTTEM (1944-2024.) Israeli translator and editor Dr. Emanuel Lotem has died. The Israeli Science Fiction and Fantasy Association mourned his loss on Facebook. (Note: Translations of his name are spelled several different ways; I have followed the spelling used by his Zion’s Fiction co-editor Sheldon Teitelbaum.)

Emanuel was one of the founding fathers of the Israeli community. As one of the association’s founders and chairman, he saw the approach of science fiction and fantasy as a supreme goal. The founders of the community and the association concentrated around him, and in light of his vision, conferences, and lectures began in them. Even after retiring from his official position, Emanuel was always present to give a listening ear, a push in the right direction or a prickly and precise word, always out of love for the content world and the community created around him. Emanuel made sure to lecture at conferences, meet the young and old fans that always surrounded him, and always returned the love that the community allowed him.

Emanuel was the translator of the science fiction and fantasy types into Hebrew, his translations brought to the Israeli audience the greatness of writers and books in Israel for more than 45 years. For many his translations were the first encounter with science fiction. His translations to “Dune” and “Lord of the Rings” well illustrated that Emanuel saw in the role of a translator a purpose, and a way to enrich the literary world through careful dialogue with the work. His vast breadth of knowledge and proficiency in every possible subject made his translations into art, and not just technical art. Emanuel pushed for the translation and publication of science fiction at a time when its translation was an insidious act, and was a significant factor in the field’s bloom.

Many people owe him their entry into this world, and many more will miss him.

Lottem recalled his start as an sff translator in an interview, “Dr. Emanuel Lottem, Intrigue and Conspiracies”, by the ISFFA.

…I fell in love with the English language and it helped me a lot to develop my third career as a translator from English to Hebrew. I started it basically as a gig. In my first career, as a university lecturer, salaries there weren’t anything, I needed a gig, I said, I can translate, why not, that’s how I came to Am Oved Publishing House, I had personal connections there, and I translated several books for them in my professional field, which is international economics. Then the White Series was born. And I was turned on. I said I want to translate. Tell me what a serious person is, what you have with this nonsense, science fiction. What are you, floating in the clouds? Translate serious things. I insisted, and then one day I called, it was already in my second career in the Foreign Ministry, the editorial secretary of Am Oved, called me, said I have a book called Dune, want to translate it? Luckily I was sitting on a good chair, so I didn’t fall out of it… And that’s how it started. That’s how my journey as a science fiction translator began. If the question was how my love for science fiction began, it was years before….

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born January 7, 1912 Charles Addams. (Died 1988.) Ahhh Charles Addams. No doubt you’re now thinking of the Addams Family and you’ve certainly reason to do so, but let’s first note some other artistic endeavors of his. 

His first published book work in the early Forties was the cover for But Who Wakes The Bugler by Peter DeVries, a silly slice of life novel.  He previously sold some sketches to the New Yorker

Random House soon thereafter contracted him for anthologies of drawings, Drawn and Quartered and Addams and Evil. (Lest you ask, the term “anthology” is from his website.)  Four more anthologies, now on Simon & Schuster will follow. 

And there was The Chas Addams Mother Goose, really there was. Here’s his cover for it.

Based on his the characters that had appeared in his New Yorker cartoons, 1964 saw The Addams Family television series premiere on ABC. It would star, and I’m just singling them out, John Astin as Gomez and Carolyn Jones as Morticia. 

It lasted just two seasons of thirty-minute episodes. Mind you there were sixty-four episodes. Yes, I loved every minute of it. I have watched it at least three times, as recently as several years ago and it as great now as was when I first watched it decades ago.

Halloween with the New Addams Family is a follow-up film with the primary cast back. No idea why the New is in there.  We also had The Addams Family, an animated with a voice cast with some of the original performers, yet another Addams Family series (each with these largely had just Sean Astin from the original series).

Think we’re done? Of course there is The Addams Family with Raúl Julia as a most macabre Gomez and Anjelica Huston as Morticia Addams with Carol Struycken playing Lurch for the first of several times.  I really, really adore this film. 

It was followed by the Addams Family Values which for some reason that I can’t quite figure out I just don’t adore.

Are we finished? No. The New Addams Family which aired for one nearly a quarter of a century after the original series went off the air after but a single season but lasted an extraordinary sixty-five episodes. I need to see at least the pilot for this. 

And then there’s the Addams Family Reunion which had the distinction of Tim Curry as Gomez. I’ve not seen it, so who has? It sounds like an intriguing role for him…

There will be two animated films as well, The Addams Family and The Addams Family 2, neither of which I’ve seen.

Finally let’s talk about licensing. After his death, his wife, Tee Addams, was responsible for getting his works licensed. To quote the website, “The Addams Family, both its individual characters and the Family in its entirety, have a long history of selling products, in print ad campaigns and television commercials alike – from typewriters to Japanese scotch, from designer showcases to perfume, from paper towels to chocolate candies, and all that lies in between.” 

So I went looking for use of the characters. I think the best one I found is the claymation one for M&Ms Dark Chocolate which you can see here. (And please don’t ask me about the Wizard of Oz M&Ms commercial. That one is still giving me nightmares.though the FedEx Wizard of Oz commercial is just silly. I mean dropping a FedEx truck on that witch…)

(10) COMICS SECTION.

  • Thatababy plays “match the snowman”. How many do you recognize?
  • The Far Side shows the dogs’ take on nuclear war.
  • Peanuts from March 28, 1955 is the start of five more Martian jokes.
  • Sally Forth has a complaint about that other Jetpack…

(11) I’LL BE BACK. [Item by Steven French.] Physics World picks “The 10 quirkiest stories from the world of physics in 2023”. This one is kinda scary:

Shape-shifting robot

In the classic 1991 film Terminator 2: Judgment Day, Arnold Schwarzenegger’s robot assassin, the T-800, comes up against the T-1000 Advanced Prototype, which is made from a liquid metal called “mimetic polyalloy” that can reform into any shape it touches. Researchers in China and the US this year came close to recreating in the lab some of the T-1000’s special abilities. They did this by designing miniature robots that can rapidly and reversibly shift between liquid and solid. First, they embedded magnetic particles in gallium, a soft metal with a low melting point. Then they applied an alternating magnetic field, which not only heats the magnetic particles, making the body become a liquid, but also allows it to become mobile. In one video released by the team, a 10mm-tall LEGO-like minifigure liquifies to ooze before passing through bars in a mocked-up cell. It then cools inside a mould before the figure reforms back into its original shape.”

(12) CLIENTS PROPPING THEM UP. CBS Los Angeles reports how the “Entertainment industry bands together to save struggling Hollywood prop house”.

From the outside, Faux Library Studio Props may seem like an unassuming warehouse nestled in North Hollywood. Inside, however, are a whole host of set pieces that tell the recent history of the entertainment industry. 

Unfortunately, like many businesses trying to bounce back in the past couple of years, all of the priceless mementos may be lost unless the owner can come up with $100,000 by February.

Marc Meyer started Faux Library Studio Props over two decades ago in 2000. 

“When I retired from decorating I said I got to keep buying and enjoying myself. So, this was my business,” Meyer said. 

His retirement project turned into the home for vintage furniture and décor worth millions of dollars, including a desk from “Top Gun Maverick” and a boardroom table in “Grey’s Anatomy.” 

However, Meyer is famous for the prop books he holds, all 16,000 of them, including the ones from “Angels and Demons.”

While the covers are real, the insides are not. 

“That’s the wallpaper on the inside, just to make it look like pages,” Meyer said. “The actor really has to act to show the weight.”…

(13) STAR HOOEY. “Fox News Host Unexpectedly Wins for Most Baffling ‘Star Trek’ vs. ‘Star Wars’ Take” according to The Mary Sue.

….On Thursday’s episode of the Fox News roundtable show Outnumbered, the hosts discussed a new Star Wars announcement. These high-profile, successful women on Fox News were outraged that a woman, Sharmeen Obaid-Chinoy, will direct the next Star Wars film. Like much of the right-wing media, they found it upsetting that Obaid-Chinoy said it was about time a woman directed a Star Wars movie.

The show also highlighted a statement Obaid-Chinoy made years ago, unrelated to Star Wars, about enjoying making men uncomfortable with her movies. After showing the Obaid-Chinoy quote, Fox News host Emily Compagno said, “Pretty great attitude for a director of a franchise that is geared towards men!”

Kayleigh McEnany, another host on the show, predicted Obaid-Chinoy’s film would “flop.” McEnany tried to bolster her argument by reading a list of recent conservative “successes” in pop culture. These included the terrible song “Try That in a Small Town” and the Bud Light boycott. McEnany made an argument that “woke” things failed in 2023. (I guess she missed how Barbie dominated the box office, among other successful feminist works in the past year.) She wrapped up her rant by sarcastically wishing Obaid-Chinoy the “best of luck” with her Star Wars movie.

That’s when Compagno flashed a backward Vulcan salute and said, “And that’s why I’m a Trekkie and not Star Wars!”…

And then The Mary Sue pointed out many examples of when Star Trek was attacked as too “woke”.

(14) VIDEO OF THE DAY. Ryan George takes you inside the “Rebel Moon: Part One Pitch Meeting”.

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, Kathy Sullivan, Chris Garcia, Lise Andreasen, Daniel Dern, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge  for some of these stories. Title credit belongs to File 770 contributing editor of the day Mark Roth-Whitworth.]

Pixel Scroll 12/24/23 I’ve Got 99 Pixels But The Scroll Ain’t Fifth

(1) WHAT HAPPENS IN TRISOLARIS — STAYS IN VEGAS. “Netflix to Stage ‘3 Body Problem’ Immersive Experience at CES 2024”. Variety tells what visitors at the Las Vegas event will encounter.

Next month, Netflix will have a booth on the main CES show floor for the first time — where it will stage an “immersive experience” for the “3 Body Problem,” the sci-fi drama series from “Game of Thrones” duo David Benioff and D.B. Weiss and Alexander Woo.

The streamer’s exhibit space at CES 2024 will be located at the Las Vegas Convention Center’s Central Hall, Booth #17048. Per Netflix’s description of the activation: “An otherworldly headset will transport CES attendees into the mysterious world of ‘3 Body Problem’ in a fun and experiential way, showcasing the series’ genre-bending high stakes.” The experience keys off a key narrative element in the “3 Body Problem” universe, in which a gaming headset is used by characters to transport into an unknown world.

In the wearable-display experience, CES attendees will be able to watch the series trailer for the very first time. And as they watch, Netflix says, “they are transported into an immersive, real-world extension of the series, revealing clues about the nature of the core threat in the ‘3 Body Problem.’”…

(2) BAD BUZZ ABOUT GOODREADS. [Item by Mike Kennedy.] The saga of Cait Corrain, et al., takes the lede in the Guardian story, “’It’s totally unhinged’: is the book world turning against Goodreads?”

For Bethany Baptiste, Molly X Chang, KM Enright, Thea Guanzon, Danielle L Jensen, Akure Phénix, RM Virtues and Frances White, it must have been brutal reading. All received scathing reviews on Goodreads, an online platform that reputedly has the power to make or break new authors.

But the verdicts were not delivered by an esteemed literary critic. They were the work of Cait Corrain, a debut author who used fake accounts to “review bomb” her perceived rivals. The literary scandal led to Corrain posting an apology, being dropped by her agent and having her book deal cancelled.

It also uncovered deeper questions about Goodreads, arguably the most popular site on which readers post book reviews, and its outsized impact on the publishing industry. Its members had produced 26m book reviews and 300m ratings over the past year, the site reported in October. But for some authors, it has become a toxic work environment that can sink a book before it is even published.

“It has a lot of influence because there are so many people now who are not in the New York ecosystem of publishing,” says Bethanne Patrick, a critic, author and podcaster. “Publishers and agents and authors and readers go to Goodreads to see what is everybody else looking at, what’s everyone else interested in? It has a tremendous amount of influence in the United States book world and reading world and probably more than some people wish it had.

Goodreads allows users to review unpublished titles. Publishers frequently send advance copies to readers in exchange for online reviews that they hope will generate buzz. But in October, Goodreads acknowledged a need to protect the “authenticity” of ratings and reviews, encouraging users to report content or behaviour that breaches its guidelines.

Goodreads said: “Earlier this year, we launched the ability to temporarily limit submission of ratings and reviews on a book during times of unusual activity that violate our guidelines, including instances of ‘review bombing’. This kind of activity is not tolerated on Goodreads and it diminishes the community’s trust in people who participate.”…

(3) THE HAUNTENING. [Item by SF Concatenation’s Jonathan Cowie.] BBC Radio 4 has had a short comedy, thriller. When he gets a gift from his girlfriend, he does not realize that it is a deep fake powered by an artificial intelligence.  But the AI does not take well to criticism and things soon become personal… You can listen to it here. “The Hauntening”.

Travel through the bad gateway in this modern ghost story as writer and performer Tom Neenan discovers what horrors lurk in our apps and gadgets. In this episode, a celebrity birthday message from Joanna Lumley turns into a terrifying gift for Tom

Modern technology is terrifying. The average smartphone carries out three-point-three-six billion instructions per second. The average person can only carry out one instruction in that time. Stop and think about that for a second. Sorry, that’s two instructions – you won’t be able to do that.

But what if modern technology was… literally terrifying? What if there really was a ghost in the machine?

(4) POSTERIZED. Think of it as a start on next year’s shopping. Or simply a well-deserved gift for yourself.  “Star Wars and Other Galactic Funk (Millennium Records, 1977)” at Heritage Auctions. Bidding is only up to $16 at last look.

Star Wars and Other Galactic Funk (Millennium Records, 1977). Very Fine on Linen. All English Language Japanese Record Store Poster (20.25″ X 29.25″) Robert Rodriquez Artwork.

Even though its films take place in a galaxy far, far away, the Star Wars franchise has connected with audiences since the original film’s release in 1977. 20th Century Fox had no idea that the film would resonate so much with fans, so when George Lucas agreed to pass up a $500,000 directing bonus to attain merchandising rights, it seemed safe for the studio to do. However, Lucas, who had seen the merchandising blitz that came with his good friend Steven Spielberg’s Jaws, knew well the power that films had on consumers. George Lucas’ imagination led to a licensing goldmine of action figures, play sets, posters, board games, books, trading cards, costumes, and more. It’s been 45 years since Star Wars hit the screen, and the franchise has raked in over $29 billion in merchandise sales alone. Much more than the Joseph Campbell hero’s journey set in a space opera, the retail and promotional items made in conjunction with this multi-faceted property have brought tremendous joy to fans worldwide and remain coveted among collectors. The characters, the settings, and the galaxy continue to be beloved by Force believers, and here we present an extensive treasure trove of rare items dating from 1977 to today. May the Force be with you!

Offered in this lot is a rare all-English language Japanese record store poster for Meco’s best-selling album Star Wars and Other Galactic Funk, which reworked the Star Wars score into a disco and jazz fusion medley. A restored poster with bright color and a clean overall appearance. Minor touchup and color touchup is applied to several creases. Grades on all restored items are pre-restoration grades.

(5) VISION QUESTS. Deadline studies the rapid advancement in animation effects in “’Across The Spider-Verse’, ‘Nimona’ & ‘TMNT: Mutant Mayhem’ VFX”.

… Since the first Academy Award for Best Animated Feature was awarded in 2002 to DreamWorks’ Shrek, the animation industry has made incredible strides. This awards season, such films are pushing the boundaries of what animation can be, and VFX plays a huge part in infusing new artistic styles into every frame….

Spider-Man: Across the Spider-Verse pushed the animated comic book style of the 2018 film even further with six new, distinct worlds and a visually complex villain. 

Spider-Man: Into the Spider-Verse amazed everyone in 2018 with an interpretation of animated comics, and set a bar for what animation could look like. Spider-Man: Across the Spider-Verse exceeded expectations with the introduction of six new worlds, each with a new style of animation. While these were all challenging in their own way, VFX supervisor Mike Lasker says the most challenging aspect of the film was the new villain, the Spot. 

“This was the culmination of every tool in our toolbox we had created over the course of production,” he says. “We had a lot of great reference paintings of him, and there were all these different, dark and evil sorts of purples and ink splattering off of him as he moved his limbs.” Using 2D tools integrated into the 3D animation software, Lasker’s team was able to add hand-drawn ink lines, paint strokes, distortion, and more to create the final look. “We ended up using the stroke system, ink splatter coming off the layers, heavy compositing, lighting, paint strokes—every area of the pipeline was involved.”

Lasker says look supervisor Craig Feifarek was an essential part of creating the final look of the Spot. “Craig actually lit and composited all of these shots,” he says. “He did a great job, but also the animation department did an amazing job prototyping how the Spot acts in the last shots of the film. They were able to create all these crazy flash frames… I look at this now and I’m still in awe of what they’ve done.”

(6) HERE’S MY NUMBER AND A DIME. Slashfilm says “A Chance Run-In With Ray Bradbury Helped Bring Blade Runner To The Big Screen”.

…Paul M. Sammon’s “Future Noir: The Making of Blade Runner” provides an in-depth look at the genesis of “Blade Runner” and details Fancher’s attempts to seek out [Philip K. Dick] the man behind “Do Androids Dream of Electric Sheep?” Unfortunately, the search was proving fruitless at first, with Fancher claiming “it was just about impossible to learn anything about him.” The writer, eager to get going on a script, took a trip to New York in search of the mysterious author’s agents, who turned out to be unhelpful.

What happened next was complete luck, according to Fancher, who ended up “accidentally” running into an author not dissimilar to Dick: the legendary author Ray Bradbury. The man responsible for sci-fi classics such as “Fahrenheit 451” and “The Martian Chronicles” handed Fancher a lifeline during their chance encounter. Flipping through his address book, he found Philip K. Dick’s home phone number and promptly handed it over to Fancher.

As the future co-writer of the “Blade Runner” script recalled: “the next day, in fact, I called Phil about the book and we set up an appointment to meet in his apartment.” The two spoke at Dick’s Santa Ana home where they are said to have gotten along well despite Fancher sensing some “manic” and “self-reverential” tendencies in the author, who seemed initially wary of any Hollywood treatment of his novels….

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born December 24, 1910 Fritz Leiber. (Died 1992.) Now in Birthdays we come to the matter of Fritz Leiber.

Fritz Leiber. Photo by and (c) Andrew Porter.

Warning: this is my list of favorite works by him, not a definitive look at him. 

I’ll  start with The Big Time as it has long been my favorite work by him, and I must say that it has magnificently held up over the years. No Suck Fairy has dared approach it lest she turn to dust on the winds of the Change Wars. 

First published sixty-two years ago as a novel by Ace Books, The Big Time started out as a two part-serial in Galaxy Magazine‘s in the March and April 1958 issues. It would win the Hugo Award for Best Novel or Novelette at Solacon. 

It was well-received with Algis Budrys liking it but he noted it was more of a play than an actual novel. One set, a small number of actors — perfect to be staged.

There were also the Change War stories, collected in Snakes & Spiders: The Definitive Change War Collection, published by Creative Minority Productions which I can’t say I’ve ever heard of. It is available from the usual suspects. And yes, I just got a copy as I can still read short stories fine even if novels are long beyond me. 

Next up without question are that barbarian and thief duo, Fafhrd and the Gray Mouser. Leiber wrote it as a counterpoint he says in part to such characters as Conan the Barbarian, and I for one like them very much better. I think I’ve read all them, and they’re certainly his most entertaining writing by far.

I really like Conjure Wife which was awarded the Retro Hugo Award at Dublin 2019. A most delicious take on the premise that all women are witches, and told all so well. 

Yes, I like his short stories by I can’t remember which are my favorite ones other than the Change 

That’s my list of favorite Leiber works, what’s yours?

(8) COMICS SECTION.

  • Tom Gauld sends help to those hunting for last-minute gifts.

(9) AFTER THE CALAMITY. [Item by Steven French.] Read Jeff Vander Meer “On Sven Holm’s Novella of Nuclear Disaster” in The Paris Review. The post-apocalyptic story Termush,  originally published in 1967, was reissued earlier this year with a foreword by Vander Meer:

…In its treatment of the aftermath of nuclear war, Termush distinguishes itself from the so-called disaster cozies of the fifties, like the novels of John Wyndham, to occupy more urgent territory. In this genre, the dangers of some calamitous situation become entwined with an almost cheery disaster-tourism tone; more importantly, civilization always wins in the end, even if in an altered form. The militias may hold sway for a while, or the plague lay waste to whole towns, but by the novel’s close, equilibrium and balance, logic and order, always return to human endeavors. Not so much in Termush, which also eludes, through its particular focus and narrative velocity, echoes of Cold War conflict that otherwise might have dated the novella. Instead of a pervading sense of “the other” about to storm the gates, Holm delves into the psychology of the holed-up survivors and the hazards of societal breakdown….

… The right excerpt from Termush could easily have appeared in New Worlds, the seminal sixties magazine for the New Wave…

(10) VIDEO OF THE DAY. Ryan George takes us inside the Wish Pitch Meeting”.

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]