Pixel Scroll 11/18/23 This Scroll Has Been Pixeled As A Tax Write Off

(1) LAST NIGHT’S DOCTOR WHO. [Item by SF Concatenation’s Jonathan Cowie.] Last night we had the annual BBC Children in Need which is an annual charity TV marathon (which to date has raised over £1 billion). And in the mix Doctor Who was there.  

(2) BBC RADIO DISCUSSES BUTLER. [Item by SF Concatenation’s Jonathan Cowie.] The Exploding Library on BBC 4 looked at Octavia Butler with a lot of focus on the Parable of the Sower. It was superb. “The Exploding Library, Parable of the Sower, by Octavia E. Butler”.

Comedian Desiree Burch unravels Octavia Butler’s visionary 1993 novel Parable of the Sower and its sequel Parable Of The Talents, an eerily-prescient dystopian portrait of society in collapse after being torn apart by climate change and corporate greed – with a populist demagogue US president who rides to power with the slogan “Make American Great Again”.

Oh, and the story – pure fantasy of course, imagined by Butler three decades ago in the early 1990s – is set initially in 2024.

Now this all seems to Desiree just a little bit too close to reality for comfort. But is there hope – even optimism – beneath the surface of this chillingly bleak vision?

(3) TUBI OR NOT TUBI. Should be an easy question to answer now: “Tubi is Adding Every Episode of BBC’s Classic Doctor Who for Free” according to Cord Cutters News.

The Tardis has landed on Tubi. Viewers in the U.S. and Canada can now watch every episode of Classic Doctor Who and Classic Doctor Who: The Animated Lost Stories on the free ad-supported service.

If you plan to watch Classic Doctor Who in its entirety, be prepared to put in a lot of time. Doctor Who is the longest running action-adventure series in the world. Classic Doctor Who aired from 1963 to 1989 and has over 600 episodes. Tubi created a “New to Who” collection to ease in new ‘Whovians’ — a term coined by the sci-fi show’s legion of fans….

(4) CANCELLATIONS LEAVE FANS IN UPROAR. “Backlash as Netflix cancels five shows at once including its ‘best series’”The Independent has the story.

…Now the Hollywood strikes are over, networks and streaming services are having to make decisions about their existing properties, with it being expected that many might fall foul of an untimely axing due to rising costs after production on all projects was stalled while the writers and actors protested for fairer compensation.

Days later, Netflix has gone ahead and culled five shows, one of which was a number one hit and had a fervent fanbase that campaigned for a season renewal: Shadow and Bone.

While the first season of the fantasy series, adapted from Leigh Bardugo’s Grishaverse novels, did big business for Netflix – even spawning a video game spin-off – season two struggled to break through in a major way, which is believed to have led to the service’s decision considering the show’s large budget.

Other shows that will no longer return include animated shows Agent Elvis and Captain Fall as well as Kim Cattrall-starring series Glamorous and sci-fi comedy Farzar.

(5) THOSE WERE THE DAYS MY FRIEND. “Don’t let anybody diss L.A.’s reading habits. This was and is a bookstore boomtown” says a defensive LA Times.

It’s late 1937, and you’re F. Scott Fitzgerald, the once-celebrated writer, and you’re getting paid $1,000 a week, which, especially during the Depression, and even for the gilded coffers of MGM, isn’t toy money.

From your place at the Garden of Allah apartments on Sunset, in what is now West Hollywood, you might decide to amble the couple of miles to Hollywood Boulevard, to the Stanley Rose Book Shop, knuckled right up against Musso and Frank. There, you might find other scribblers, with names like Saroyan and Steinbeck, to share a convivial drink nearby; some of Hollywood Boulevard’s many bookshops are open almost as late as the bars.

Or you’re Ray Bradbury, and on a late April day in 1946 — April the 24th, if you must know — you head downtown, to Booksellers Row, centered on 6th Street between Hill and Figueroa. You’d get there by bus or Red Car, or on your bicycle, because you do not drive, not even one single block, not since you saw that gory accident about 10 years earlier.

You walk into Fowler Brothers bookstore, which opened in 1888 as a church supply shop, and by the time it would close its doors for good in 1994, it was the oldest surviving bookstore in the city. On that day, a brilliant and fetching book clerk named Maggie McClure caught his attention; Bradbury caught hers because she thought he was shoplifting books into his vast trench coat. They married not quite 18 months later…..

(6) CARTOON TRIVIA. Ranker harkens back to “Things We Learned About Nostalgic Cartoons In 2021”. (Which despite the title is a new 2023 post.)

From details about the voice actors, to insights into plot devices and influences – and even a few answers to enduring questions – here are a batch of facts we learned about nostalgic cartoons in 2021. Vote up the ones that are perfectly Smurfy!

Number One on the list:

Paul Winchell, The Voice Of Gargamel On ‘The Smurfs,’ Invented And Patented The First Artificial Heart

Actor and comedian Paul Winchell was a man of many talents; he was a ventriloquist and also an inventor, building and patenting a mechanical heart in 1963.

Winchell began voice acting for Hanna-Barbera during the late 1960s, notably appearing in Winnie-the-Pooh featurettes. As the voice of Tigger, Winchell won a Grammy for Winnie the Pooh and Tigger Too in 1974. When The Smurfs first aired in 1981, he provided the voice for the antagonist, Gargamel.

While Winchell navigated acting and performing, he simultaneously invented and patented dozens of devices. His artificial heart design, which he donated to the University of Utah, was fundamental in developing the model that was used in 1982 for the first artificial heart transplant. 

(7) KICKSTARTER FOR VARLEY ADAPTATION. John Varley encourages fans to support Jean-Paul Tetu’s Kickstarter: “Thémis – The Next Frontier”.

Jean-Paul Tetu… has a small CGI company and is a fan of my work. He had been tinkering with scenes from my novel Titan, and you can see the results here.

I think it’s pretty impressive. Since this is a crowdfunding site you probably can see where I’m going with this. If you are interested in seeing my most popular work turned into a 6-part TV series, you can contribute. 

As of this writing, $5,882 of the $65,502 goal has been pledged with 32 days remaining.

(8) WESTON OCHSE (1965-2023). Weston Ochse died November 18, his wife announced on X.com. A recent update to his Patreon suggests he was waiting for a new liver.

Ochse won the Bram Stoker Award for his first novel, Scarecrow Gods, in 2005 and subsequently received additional nominations, Redemption Roadshow (2009 finalist for the Bram Stoker Award for Long Fiction); The Crossing of Aldo Ray (2010 finalist for the Bram Stoker Award for Short Fiction); Multiplex Fandango (2012 finalist for the Bram Stoker Award for Collection); and Righteous (2013 finalist for the Bram Stoker Award for Short Fiction). He also won four New-Mexico Arizona Book Awards.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 18, 1939 Margaret Atwood, 84. Well, there’s that work called The Handmaid’s Tale that’s garnering a lot of discussion now. (Not my my cup of Tea, Earl Grey, hot.) There’s the excellent MaddAddam Trilogy which I wholeheartedly recommend, and I’ve heard good things about The Penelopiad. What else do you like of hers? 
  • Born November 18, 1946 Alan Dean Foster, 77. There’s fifteen Pip and Flinx novels?!? Well the first five or so were superb. They’re on Audible so I may give the three a re-listen. Spellsinger series is tasty too. Can’t say anything about his SW work beyond the most excellent Splinter of the Mind’s Eye which was the first Star Wars novel authorized by George Lucas. 
  • Born November 18, 1950 Michael Swanwick, 73. I will single out The Iron Dragon’s Daughter and Jack Faust as the novels I remember liking the best. Between 1999 and 2003, he had nine stories nominated for the Hugo Award and won at Aussiecon 3, ConJosé, and Torcon 3. His short fiction is obviously superb and I see the usual suspects have the most excellent Tales of Old Earth collection with this lovely cover.
  • Born November 18, 1952 Doug Fratz. Long-time fan and prolific reviewer for the New York Review of Science Fiction and Science Fiction Age who also published a number of zines including the superbly titled Alienated Critic. He was nominated for Best Fanzine Hugo four times. Mike has a remembrance of him here. (Died 2016.)
  • Born November 18, 1961 Steven Moffat, 62. Showrunner, writer and executive producer of Doctor Who and Sherlock Holmes. His first Doctor Who script was for Doctor Who: The Curse of Fatal Death, a charity production that you can find here and I suggest you go watch now.   He also co-wrote The Adventures of Tintin: The Secret of the Unicorn, a most excellent animated film. He has deservedly won four Hugo Awards, all for Doctor Who
  • Born November 18, 1953 Alan Moore, 70. His best book is Voice of the Fire which admittedly isn’t genre. Though the first volume of The League of Extraordinary Gentlemen is very close. Pity about the film which surprisingly has a forty-four percent rating among audience reviewers at Rotten Tomatoes. Have they no sense of good film making? I’m also fond of The Ballad of Halo Jones and Swamp Thing work that he did as well. And let’s not forget that The Watchmen won a well-deserved Hugo at Nolacon II. 

(10) COMICS SECTION.

  • Tom Gauld adds a touch of Bergman here.

(11) TEXT COVERAGE OF SPACEX’S “SUCCESS“. [Item by Mike Kennedy.] “SpaceX launch attempt ends in loss of most powerful rocket ever built” at CNN.

… after months of rebuilding following an explosive initial launch in April, SpaceX made a second attempt at launching its deep-space rocket system Starship, but not all went according to plan.

The uncrewed Starship spacecraft launched aboard the most powerful rocket ever built on Saturday morning, but both were lost shortly after liftoff.

The Super Heavy rocket booster ignited its 33 massive engines and Starship experienced a safe liftoff. SpaceX tried “hot staging” for the first time, essentially a step in which the spacecraft separated from the rocket booster by blunt force trauma.

After hot staging, the rocket booster exploded in a fireball over the Gulf of Mexico. Starship initially continued on just fine before SpaceX lost the spacecraft’s signal and triggered the system’s software to terminate the flight so it didn’t veer off course.

Starship was intended to fly nearly a lap around the planet before returning to Earth, but data from this second test flight will be used to determine SpaceX’s next steps in making humanity “multiplanetary.”

The New York Times was also very kind: “SpaceX Starship Launch Highlights From the 2nd Flight of Elon Musk’s Moon and Mars Rocket”.

SpaceX, Elon Musk’s spaceflight company, launched its Starship rocket from the coast of South Texas on Saturday, a mammoth vehicle that could alter the future of space transportation and help NASA return astronauts to the moon.

Saturday’s flight of Starship, a powerful vehicle designed to carry NASA astronauts to the moon, was not a complete success. SpaceX did not achieve the test launch’s ultimate objective — a partial trip around the world ending in a splashdown in the Pacific Ocean.

But the test flight, the vehicle’s second, did show that the company had fixed key issues that arose during the earlier test operation in April. All 33 engines in the vehicle’s lower booster stage fired, and the rocket made it through stage separation — when the booster falls away and the six engines of the upper stage light up to carry the vehicle to space….

… According to SpaceX’s “fail fast, learn faster” approach toward rocket design, successfully avoiding a repeat of past failures counts as major progress.

However, the second flight revealed new challenges that Mr. Musk’s engineers must overcome.

Soon after stage separation, the booster exploded — a “rapid unscheduled disassembly,” in the jargon of rocket engineers. The upper-stage Starship spacecraft continued heading toward orbit for several more minutes, reaching an altitude of more than 90 miles, but then SpaceX lost contact with it after the flight termination system detonated….

(12) BLINDED BY THE LIGHT. [Item by Bruce D. Arthurs.] A post on Mastodon from Shannon Coffey linked to an Eye article reviewing Wheels of Light: Designs for British Light Shows 1970-1990 written by Kevin Foakes, about the tech and artists behind the light shows popular at music events back in the day. Besides being a pretty cool subject all on its own, the article also mentions one artist who created some of the color wheels through which projections were made was David Hardy, who I recognize much more readily for his many examples of space art. “The fantastic light trip” at Eye Magazine.

Kevin Foakes’ Wheels of Light: Designs for British Light Shows 1970-1990 is book nine in Four Corners’ Irregulars series, intended to present ‘a visual history of modern British culture’, writes John L. Walters. The arcane tale begins in the 1960s, when artists and designers such as Mark Boyle (Boyle Family), Keith Albarn, Five Acre Lights and Barney Bubbles made shows that would accompany performances in venues such as UFO and Middle Earth in London.

As underground music became more visible (and profitable) a small number of entrepreneurs started supplying the demand for light shows at gigs and discos. The companies they started – Optikinetics, Pluto, Orion, Light Fantastic – and their visual archives are at the core of this book, drawing heavily on the collection and recollections of Optikinetics’ Neil Rice.

(13) ONE-WAY TRIP TO THE HEAVENS. “Their Final Wish? A Burial in Space.” The New York Times interviews seven people to ask why.

There are two ways to contemplate the question Where do we go when we die? One is philosophical, ultimately unanswerable; the other is logistical. Humans, being human, have tended to see them as being intertwined: The many traditions we’ve devised for handling our remains are meant to honor the selves that left those bodies behind.

The seven people pictured here have chosen to send their ashes, or in some cases a sample of their DNA, into outer space. They have contracted with Celestis, one of a handful of companies offering such services. Celestis has launched 17 of these so-called memorial spaceflights since 1994. Some will rocket straight up and descend, some will orbit Earth, some will be sent to the surface of the moon and some will simply hurtle into space and keep on going. (Celestis sends its cargo on spacecraft undertaking unrelated scientific and commercial missions. Packages start at around $2,500.)…

(14) SURVEILLANCE CULTURE. [Item by SF Concatenation’s Jonathan Cowie.] “Campus surveillance: students and professors decry sensors in buildings” in Nature. “Privacy campaigners fear that the devices could be used for disciplinary purposes, and some universities have deactivated them after protests.”

Lengthy debates are talking place on many university campuses in many countries. A number of universities are installing ‘sensors’ (‘cameras’) in university labs and offices. A number of these were originally installed in 2020/1 to ensure CoVID regs were being adhered to.  Now, it seems that the reason is to ensure that university facilities are being used efficiently.  However some feel that the reason is more sinister and that evidence could be gathered for disciplinary purposes.  Others still say that some offices are empty for many days/weeks in a year because staff are out in the field, often in other countries, getting samples and data, so using the cameras for university space efficiency can be misleading.

The end of the article says…

Cory Doctorow, a digital-privacy campaigner who advises the Electronic Frontier Foundation, argues that you do not need be a COVID-19 conspiracy theorist to be concerned about surveillance creeping into the workplace. “During lockdown, we saw this fantastic acceleration of disciplinary technologies across all sorts of domains from employment to leisure. I am vaccinated, I have a QR code showing this on my phone and I believe in contact tracing, but I also think that it’s completely reasonable to worry about all this,” he says.

(15) BOOK LOVERS. “Is Reading the Hottest Thing You Can Do as a Single Person?” The New York Times went to meet some people who might answer yes.

One of the first questions men ask Angela Liu on dating apps is “What are you reading?” The question is a softball for Ms. Liu, a self-proclaimed lover of literature. “I really care about the human condition and emotions and stuff,” she said.

What she has noticed, however, is that many men aren’t into those kinds of books, and a question that may have been intended to screen her often ends up backfiring.

“I can’t stand dudes who just read self-help books or things specifically related to the job that they’re doing and that’s all they read,” Ms. Liu, 27, said on Friday at a book club for singles in Manhattan.

There’s something flirty and magnetic about a physical book that tablets and smartphones can’t really capture — the idea of meeting someone in a library, in the aisle of a bookstore or while reading on the subway, for instance, remains stubbornly high on the list of many people’s romantic fantasies. Although there might be more romantic activities a single person could do on a Friday night in New York City, very few beat potentially stumbling into your next bibliophile boo while surrounded by shelf after shelf of sweet prose.

“I love when people have bookshelves, because I just go there immediately and stare at what they have,” Ms. Liu said.

At a meeting of McNally Jackson’s new After Hours Book Club (tag line: “Read, flirt, sip”), single attendees including Ms. Liu gathered at the bookseller’s location in South Street Seaport, a former maritime hub turned shopping district in Lower Manhattan, for an evening of wine, beer and discussion about “Dogs of Summer,” a novel by Andrea Abreu….

[Thanks to SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, Bruce D. Arthurs, Dann, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Lise Andreasen.]

Pixel Scroll 11/17/23 Walking My Sloth Named Thoth

(1) A TAFF GUIDE TO BEER. [Item by Geri Sullivan.] A TAFF Guide to Beer is now available in print on Amazon in the US and UK!

Claire Brialey & Mark Plummer published A TAFF Guide to Beer during the 2019 Eastbound TAFF race. It celebrates the Trans-Atlantic Fan Fund and the ways in which in brings together and fosters connections between science fiction fans from across Europe and North America, seen through the lens of beer. It features contributions from over 3 dozen TAFF delegates as well as the 4 candidates in the 2019 race. We printed copies then, and it’s been available on Dave Langford’s splendid TAFF ebook page pretty much ever since.

When I started working on Idea #13 (being published shortly, a mere 23 years since Idea #12), Pat Virzi advised me to publish another, small project on Kindle Direct Publishing (KDP) since the first book you publish with them often takes a long time for them to process. 

Claire and Mark gave the go-ahead. I faffed around for longer than I like to admit, but finally figured out how to make room for the bar code on the back cover, and sent off for a proof copy. It arrived Tuesday. After I clicked the “publish” button, the fanzine spent a few days in KDP’s review process, but it’s now available for $10 or £8. TAFF will receive just over $1/£1 for each copy sold.

Note: KDP says it takes up to 3 days Amazon.com to show it in stock and up to 5 days in other marketplaces. These links are working for me tonight; you’re welcome to share them with fans who might be interested: 

And several other countries, too. 

(2) BOOKS FOR CREDENTIALS. [Item by Daniel Dern.] The Harvard Book Store was expecting a shipment of books. A pallet of boxes marked ‘haddock filets’ arrived instead — Warehouse workers panicked, but it was only a red herring.

The Boston Globe story is paywalled, so here’s an excerpt:

…Sitting before [the bookstore’s warehouse manager] were dozens of green-and-white cardboard packages that read, “FROZEN FISH” and “HADDOCK” in big block letters…but it turns out that the store’s regular distributor…simply had extra boxes lying around… [that] happened to be for a Florida-based seafood wholesaler called Beaver Street Fisheries, Inc.

The bookstore did an Instagram caption contest; entries included “Available in hardcover, paperback, and filet.”

(3) THIEVES LIKE US. “Lost Doctor Who episodes found – but owner is reluctant to hand them to BBC” reports the Guardian.

For Doctor Who-lovers they are the missing crown jewels: lost episodes of the first series of the TV sci-fi drama, shown in the 1960s. But now film recordings of not just one, but two of the early BBC adventures, both featuring the first doctor, William Hartnell, has been found in Britain by amateur sleuths.

The episodes, one featuring the Daleks, would offer viewers a chance to travel back in time without the use of a Tardis. But the Observer has learned that the owners of the rare, rediscovered footage are not prepared to hand it over to the BBC, even as the clock ticks down to the 60th anniversary of the show’s launch this month.

Veteran film collector John Franklin believes the answer is for the BBC to announce an immediate general amnesty on missing film footage.

This would reassure British amateur collectors that their private archives will not be confiscated if they come forward and that they will be safe from prosecution for having stored stolen BBC property, something several fear….

(4) EARLY JOANNA RUSS. “’It’s Not Shrill, It’s Ultrasonic’: Queer SF Pioneer Joanna Russ’s Feminist Awakening” at Library of America.

…“We started with the assumption that the woman’s problem is not a woman’s problem; it is a social problem,” [Sheila] Tobias wrote. “There is something wrong with a society that cannot find ways to make it possible for married women, single women, intelligent women, educated or uneducated, or welfare women, to achieve their full measure of reward.” Some two thousand people attended discussions on abortion, contraception, childcare, race, and sexuality. It was one of the first conferences in the United States to address sexism in an academic setting….

(5) HAND Q&A. “Elizabeth Hand on Playwriting, Haunted Houses, and Shirley Jackson” at CrimeReads.

[ELIZABETH HAND]: I just love haunted house stories. And The Haunting of Hill House is kind of the haunted house story, certainly for Americans. For me, it was just a matter of really following the template that [Jackson] created. Laurence sent me scans of the drawings that she had made, like the house plans for Hill House, some of which I think are reprinted in the Franklin bio. But I had them in like a bigger format. And so that was really cool—to see how she envisioned that space. And I had read the book multiple times over the years, and I reread it more than once when preparing to write this book [A Haunting on the Hill]. And during one of those three readings, I just went through with a highlighter to highlight all the references to doors and windows of the halls and just… spaces within it, because I thought, if I get anything wrong, people are going to call me on it! If I have the red room at the wrong end of the hallway, you know, no one’s going to let me get away with it!

(6) INVEST WISELY. Cat Rambo advises writers about “Making the Most of Your Con Budget” at the SFWA Blog.

…Decide who you want to connect with by a) looking at the guest or membership list, which is usually available online, b) joining/following the convention’s social media accounts to see who’s posting there, and c) asking among your friends, including online groups you belong to.

If the convention is non-genre-specific, find out what kind of presence your genre will have. What teachers or mentors are attending that you would like to meet? What agents are appearing and what genres do they represent? (You may need to go to their agencies’ websites to find this out.)

Look over the convention’s website and promotional materials to determine what the event’s strengths are—what does it offer that isn’t always available, such as a chance to pitch to multiple agents, or the Nebula Conference Mentorship Program that pairs newer conference attendees with experienced Nebula-goers?

Using all of the above, set your goals for the event….

(7) UNMANNERLY VISITORS. Recommended: “’The Earthlings’ by Matthew Olzmann” at Academy of American Poets.

(8) SHADES OF TRALFAMADORE. Sophie Kemp assures us “Kurt Vonnegut’s House Is Not Haunted” in The Paris Review.

… And as for me, I do not remember when I first registered that Kurt Vonnegut lived in Alplaus, a small hamlet in Schenectady County, named after the Dutch expression aal plaats, which means “a place of eels.” (There were no eels that I am aware of.) I think it was in high school. I think my hair was cut short. I think it was when I was a virgin. I think it was when I got a job as a bookseller at the Open Door on Jay. I think I was probably sixteen….

… They asked if we wanted to see inside. The thing about the house, they told us, is that it was not haunted, because ghosts are not real, but also a copy of Player Piano, sitting face out on a bookshelf, kept falling on the head of one of their kids and as a result the family had this inside joke about it being Kurt’s ghost. Obviously, I wanted to see the haunted bookshelf so they showed me the haunted bookshelf. It looked pretty normal. Also facing out was a stuffed animal gnome holding a coffee cup that said “Best Mom,” and a book about raising chickens. I cannot stress enough that the house of Kurt Vonnegut is now just a completely normal house where people live and is full of completely normal things that appear in completely normal houses. Which to me makes a lot of sense. Vonnegut in my opinion is a charming and scrappy weirdo. He is not the kind of person you think of as living on some kind of grand estate…. 

(9) THE FIRE THIS TIME. [Item by Dann.] Author and lecturer, Virginia Postrel, found herself aghast at a repeated misrepresentation of the myth of Prometheus.  The tale of Prometheus was presented as a cautionary tale about the risks of innovation and technology.  She responds by pointing out that Prometheus was a defender who loved humanity in “The Myth of Prometheus Is Not a Cautionary Tale”

…No. No. No. No.

Prometheus is punished for loving humankind. He stole fire to thwart Zeus’ plans to eliminate humanity and create a new subordinate species. He is a benefactor who sacrifices himself for our good. His punishment is an indicator not of the dangers of fire but of the tyranny of Zeus.

…The Greeks honored Prometheus. They celebrated technē. They appreciated the gifts of civilization.

The ancient myth of Prometheus is not a cautionary tale. It is a reminder that technē raises human beings above brutes. It is a myth founded in gratitude.

She points out that a similar anti-technology reading of Frankenstein is also flawed.

(10) ABANDON TWITTER ALL YE WHO EXIT HERE. Not at all trying to be a completist, but here are a few more authors who are leaving X.

Scott Edelman also wants Filers to know that he bailed from Twitter – except he did it two months ago.

Several advertisers are also applying the brakes. “Disney, Apple, Lionsgate Suspend X/Twitter Ads; White House Condemns Musk Post” according to Deadline.

Deadline has confirmed that Disney is the latest company to suspend its advertising on X/Twitter in the wake of owner Elon Musk‘s amplification of an anti-semitic post two days ago. Read more below.

…More companies are suspending advertising on X/Twitter in the wake of reports that the site has let spots run next to pro-Nazi content.

Apple has decided to pause advertising on the platform, according to a report from Axios, citing sources at the company. An Apple spokesperson did not immediately return a request for comment.

A spokesperson for Lionsgate also confirmed a Bloomberg report that it, too, was suspending advertising on the platform.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 17, 1915 Raymond F. Jones. Writer who is best remembered for his novel This Island Earth, which was made into a movie which was then skewered in Mystery Science Theatre 3000: The Movie. However, he produced a significant number of science fiction novels and short stories which were published in magazines such as Thrilling Wonder Stories, Astounding Stories, and Galaxy, including “Rat Race” and “Correspondence Course”, which respectively earned Hugo and Retro Hugo nominations. (Died 1994.)
  • Born November 17, 1932 Dennis McHaney. Writer and Critic. Pulp writers in particular seem to attract scholars, both amateur and professional. Robert E. Howard was not an exception. So I give you this individual who, between 1974 and 2008, published The Howard Review and The Robert E. Howard Newsletter. Oh, but that was hardly all he did, as he created reference works such as The Fiction of Robert E. Howard – A Pocket Checklist, Robert E. Howard in Oriental Stories, Magic Carpet and The Souk, and The Fiction of Robert E. Howard: A Quick Reference Guide. A listing of his essays and other works would take an entire page. It has intriguing entries such as Frazetta Trading CardsThe Short, Sweet Life and Slow Agonizing Death of a Fan’s Magazine, and The Films of Steve Reeves. Fascinating… (Died 2011.)
  • Born November 17, 1936 John Trimble, 87. Husband of Bjo Trimble. He has assisted her in almost all of her SF work, including Project Art Show. They were GoHs at ConJose. He’s a member of LASFS. He’s been involved in far too many fanzines and APAs to list here, some of which I’d loved to have read such as “Where No Fan Has Gone Before”,  a fanzine done in support of the Save Star Trek campaign which was edited by him and Bojo. You can read one of their late Fifties fanzines, which I choose because of its title, “Some Important Information Concerning Unicorn Productions”, here.
  • Born November 17, 1966 Ed Brubaker, 57. Comic book writer and artist. Sandman Presents: Dead Boy Detectives I’d consider his first genre work. Later work for DC and Marvel included The AuthorityBatmanCaptain AmericaDaredevilCatwoman and the Uncanny X-Men. If I may single out but one series, it’d be the one he did with writer Greg Rucka which was the Gotham Central series. It’s Gotham largely without Batman but with the villains so GPD has to deal with them by themselves. Grim and well done. In 2016, he joined the writing staff for the Westworld series where he co-wrote the episode “Dissonance Theory” with Jonathan Nolan.
  • Born November 17, 1983 Christopher Paolini, 40. He is the author of the most excellent Inheritance Cycle, which consists of the books EragonEldestBrisingr, and Inheritance. Several years ago, The Fork, the Witch, and the Worm, the first book in a series called Tales of Alagaësia, was published. A film version of the first novel came out sometime ago but I’ve not seen it. His SF Fractulverse series, To Sleep in a Sea of Stars, and Fractal Noise, is quite well crafted.

(12) WHO FAN FROM THE BEGINNING. “Russell T Davies on secrets, sex and falling for Doctor Who: ‘Something clicked in my head: I love you’” in the Guardian.

…The turning point came at the age of 11 – a huge change for me and for the show. I went to comprehensive school; the Doctor became Tom Baker. I have a crucial memory of TV Comic’s weekly Doctor Who strip printing a gorgeous piece of artwork (drawn, I now know, by Gerry Haylock) showing Tom Baker in full hat, scarf and toothy grin. And something clicked in my head. Something clicked and has stayed clicked ever since. A simple thought which said: I love you.

It’s easy to draw a link between gayness and fandom. So easy, maybe it’s true. Because as those teenage years advanced, two things synced up. I was gay and went silent, watching all the parties and fancying boys at a remove instead of getting drunk on cider, scared of giving myself away. At exactly the same time, I watched TV fiercely. Both things became closeted. Doctor Who became the other love that dares not speak its name.

It lasts, the closet. Many years later, in my late 20s, when I’d moved to Manchester and worked in TV and went to Canal Street every weekend, I copped off with a nice lad who saw a book about Doctor Who on my shelf and said: “I was in that! I was a soldier in The Caves of Androzani.” And I lied, I lied to a man I’d just had sex with, I said: “No, that book’s from work, it’s someone else’s, I don’t really know what it is.” Sorry, soldier.

I wonder now why I fell in love so hard. Though can anyone ever answer that? Some of the secret exists in what the Doctor is not. He/she/they have never had a job or a boss or even parents, they never pay tax, never do homework. They never have to go home at night. Maybe you fall in love with the show when you’re a kid because the Doctor’s a big kid, too. I could never love Star Trek in the same way because they’re the navy; when I survive to the year 2266, they won’t allow me on board. I’ll be scrubbing the floor below decks, at best. But Doctor Who’s greatest idea is that the Tardis can land anywhere. I’d walk home from school wishing I could turn the corner and see that blue box and run inside to escape everything. I don’t think that wish has quite gone….

(13) WELL, HARDLY EVER. Black Nerd Problems’ Mikkel Snyder says, “To Watch ‘Pantheon,’ I Wouldn’t Ever Promote Piracy…”

… The central point of all of this is that studios are much more concerned with not paying residuals, and you know what, in the capitalist hellscape that we exist in, I can pretend that I can understand. However, as someone who loves media in all of its forms and is a proponent of media preservation, it’s exceedingly frustrating that works of art that I could see as seminal are subject to the whims of razor thin profit margins. And I’m willing to pay to get access to this media. I immediately purchased all four seasons of Infinity Train in a desperate bid to get access to one of my favorite animated series of 2020 and 2021. Even now, I’m aware that if Prime wanted to they could wipe my entire library, and I would have next to no recourse.

But let’s flash forward to early October when thanks to a friend, I caught wind that for some reason, the second season of Pantheon was in fact airing exclusively on Prime Australia and New Zealand and had no discernable release in the States.

Now, I wouldn’t ever promote piracy. Piracy hurts hard working creatives. It denies them of any direct revenue that is generated from purchases or views, and the only thing potentially worse is completely removing any evidence that it ever existed and preventing any legitimate means of acquisition…or you know, something like that.

And it would be a real shame if the second season of a phenomenal science fiction series that may or may not conclude its story as there is no way in hell a third season is ever going to exist. And it would be completely wild if access to the episodes would be entirely dependent on the random whims of a random Prime ANZ executive. But at least *someone* would get to watch it. And at least it would be online….

(14) JEOPARDY! Andrew Porter enjoyed this wrong reply on tonight’s episode of Jeopardy!

Final Jeopardy: Literary Characters

Answer: In his first appearance in 1902, he was described as “betwixt-and-between” a boy & a bird.

Wrong question: Who is Batman?

Right question: Who is Peter Pan?

(15) UPDATE TO THE ROBERT BLOCH OFFICIAL WEBSITE. Two updates to the Psycho page at the Robert Bloch Official Website.

  • A link to a video showing Psycho (film) locations and how they look today.
  • A nice behind-the-scenes shot with Hitchcock in front of the Bates home.

(16) KEEP CALM, ZACK FANS. “Both of Zack Snyder’s Rebel Moon films will get their own R-rated director’s cut” says Entertainment Weekly.

For years after Zack Snyder departed Justice League in the midst of production, the filmmaker’s most passionate fans repeatedly pleaded their case: #ReleasetheSnyderCut. Eventually, they succeeded. In 2021, Warner Bros. brought the director back to their DC superhero roster one last time to complete Zack Snyder’s Justice League

That experience taught Snyder and his wife/producing partner Deborah that there is a significant subset of people who will always be interested in seeing his pure, uncut artistic vision. They took that lesson with them as they set out building their own new cinematic universe in the form of the two-part sci-fi epic Rebel Moon (which you can read all about in EW’s new cover story). 

Rebel Moon Part One: A Child of Fire hits Netflix on Dec. 22, but that won’t be the only version of the film. At some undisclosed point in the future, a longer R-rated version will be added to the streaming platform, and the same will be true for next year’s Rebel Moon Part Two: The Scargiver. But unlike the messy years-long experience with DC, these “director’s cuts” were planned from the beginning. During an hourlong Zoom interview with EW on Halloween about the making of the new films, Snyder said that Netflix producers brought up the idea very early on in the process….

(17) HISTORY FROM ANOTHER PLANET. StarWars.com reminds everyone about “The Origins of Life Day”.

Before you and your family gather your glowing orbs, don your ankle-length red smocks, and gather at the sacred tree to recite hallowed Shyriiwook verses in celebration of Life Day, let’s look back at the holiday’s origins. Not from within the Star Wars setting, mind you; rather, let’s examine its real-world history and evolution from an obscure TV source to an annual fan tradition.

The root of Life Day is found in The Star Wars Holiday Speciala star-studded 1978 prime time broadcast that aired on CBS once on November 17, 1978. After that broadcast, it was never to be (officially) seen again in the US and instead was relegated to bizarre cultural curiosity in the years that followed. The intent of the Holiday Special was to keep Star Wars in the public eye during the long three-year stretch between movies with new entertainment, using a tried-and-true television format of the 1970s: the variety special….

(18) STARSHIP HELD FOR QUICK FIX. [Item by Mike Kennedy.] SpaceX has announced it will delay the planned second launch of its “Starship“ rocket until Saturday to replace a failed or questionable grid fin actuator. The rocket has been unstacked at the launchpad to provide access for replacing the part. The four grid fins provide guidance/attitude control when returning the super heavy booster to a controlled landing. (In this case, a “land”ing in the ocean.) “SpaceX delays launch of its giant Starship rocket to swap out a part” at Ars Technica.

The launch of SpaceX’s second full-size Starship rocket from South Texas is now scheduled for Saturday, a day later than previously planned, according to company founder Elon Musk.

This 24-hour delay will allow time for SpaceX technicians at the company’s launch facility, known as Starbase, to replace a component on the rocket’s stainless steel Super Heavy booster. There is a 20-minute launch window on Saturday, opening at 7 am CST (13:00 UTC), shortly after sunrise in South Texas.

A delay at this point is unsurprising. Starship is a complex launch vehicle with a sum of 39 methane-burning engines, each producing roughly a half-million pounds of thrust, powering its booster stage and upper stage. And this is only the second test flight of SpaceX’s new full-scale, nearly 400-foot-tall (121-meter) rocket, the largest launch vehicle ever built…

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Steven French, Dann, Scott Edelman, Geri Sullivan, Rich Lynch, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 11/15/23 File The Pixels You Scroll With Your Scrolls

(1) CURATOR TAKES SIDES, GETS CANCELLED. An Afrofuturism-themed exhibit “chapter” is the casualty when “German Museum Shutters Curator’s Contribution Over Pro-Palestine Instagram Activity, Igniting Censorship Outcry” reports ArtNews.

… On Monday, writer, professor, and curator Anaïs Duplan, who goes by the pronouns he/they, posted screenshots on Instagram of an email sent to them from Museum Folkwang director Peter Gorschlüter informing them that the institution had decided to “suspend” their “collaboration.”

The email reads: “We noticed that you shared and commented on a number of posts on your Instagram channel in the light of the current situation in Israel and Gaza. From our perspective some of these posts are unacceptable. These posts do not acknowledge the terroristic attack of [Hamas] and consider the Israeli military occupation in Gaza a genocide.”

Gorschlüter continued that Duplan’s engagement put the museum “in a situation that the museum might be considered to support antisemitic tendencies and voices that question the very right of existence of the state Israel.”

The show, titled “We is Future” and slated to open on November 24, invited artists and curators to propose “historic and current” ideas “for alternative forms of living together” in relation to various social catastrophes: climate change, the housing crisis, late-stage capitalism, among others. The “chapters” of the show listed on its webpage include architectural projects from Bruno Taut and Wenzel Hablik, eco-conscious drawings and paintings by Elisàr von Kupffer, and contemporary works by Eglė Budvytytė, Emma Talbot, and Timur Si-Qin.

Duplan’s chapter was centered on the intersectional potential of Afrofuturism and was set to feature, among others, Brooklyn-based artist Fields Harrington, whose multidisciplinary practice examines the inextricability of race from our social fabric. The description of Duplan’s chapter has since been deleted from the webpage…

…The [Museum Folkwang’s] statement continued: “This decision was made neither for artistic-curatorial reasons nor because of the exhibition’s theme, but solely because the curator personally takes sides with the BDS campaign, which questions Israel’s right to exist. The Museum Folkwang views the developments in Israel and Gaza and the suffering of the civilian population on both sides with great concern. The City of Essen and the Museum Folkwang stand for peace and dialogue between cultures.”…

.. Amid an outpouring of support from professional peers, Duplan wrote in an Instagram post Monday that their priorities were “to ensure that any artists in the future—especially BIPOC artists—who are considering working with [the museum] have full transparency regarding their politics, not just in relation to the war on Palestine, but also their very fraught labor practices.”

Duplan added in a separate post Tuesday: “It should go without saying that Afrofuturism and liberation struggles around the world go hand in hand, as do Afrofuturism and antisemitism, Afrofuturism and islamophobia, and Afrofuturism and all other struggles for collective wellbeing.”…

(2) KEEP THE LIGHTS ON AT THE DARK. Last month Sean Wallace told Facebook readers that “for The Dark the loss of Amazon Newsstand effectively resulted in ten thousand dollars of revenue going poof, for the entire year.” Yesterday he wrote about the budget he’s working with to keep the publication afloat. After you’ve read the screencap, here is the subscription page for The Dark Magazine.

(3) HAS YOUR TROPE LOST ITS FLAVOR ON THE BEDPOST OVERNIGHT? Four-time Stoker Award winner Tim Waggoner has written a fascinating discussion about “61 Horror Clichés and How to Make Them Fresh Again” at Writing in the Dark.

…I can choose one element of horror writing that I think will have the most immediate impact on your fiction to talk about – and that’s avoiding and reworking clichés.

A genre has a collective group of character types (both protagonist and antagonist), setting types, story types, etc. These elements are called tropes, and they’re the shared tools genre writers use in their work. In Horror, an abandoned graveyard is a setting trope. A curious, naïve, and ultimately doomed scholar is a character trope. You get the idea. Tropes are effective when they’re first created/used in a story, but the 3000th time? Not so much. (This is one of the reasons readers can get sick of a genre. When they first start reading in it, all the tropes are new to them, and thus interesting and exciting. But after they read a number of books in the genre, they start to realize that the same old tropes are used all the time, and they get bored.) There’s a word for an overused trope that has lost its power and impact.

Cliché.

This is the reason that old pros like me advise new writers to read widely in their chosen genre and seek out the best, most original work via reviews and word of mouth. (This is one of the most useful functions social media serves – it makes you aware of some really cool shit to check out.)…

Here are two of his many ideas.

…Once you’ve identified overused tropes, you can avoid including them in your work. Better yet, you can transform them into something new and powerful. Allow me to elucidate.

Choose a New Signifier

One of the most common tropes in horror is darkness/shadows as a signifier of evil or a threat. It makes sense, since not being able to use one of our strongest senses puts us at a huge disadvantage in a dangerous situation. But darkness has been used so often in horror that it doesn’t have much power anymore. Maybe you could choose a different sense to indicate evil in your story. How about cicada song? Or a slight stickiness on surfaces in a place tainted by evil? (A stickiness that gets worse the closer you get to the source of the evil.) Corvids are used as harbingers or servants of evil in horror. What if you used hummingbirds instead?

Reverse a Trope

Haunted houses are often portrayed as old and abandoned. Let’s reverse this trope. Older houses are safe from hauntings/demonic infestations because they gain psychic shielding from the long-term presence of living beings inside them. So only new structures are susceptible to hauntings/demonic infestations. In Frankenstein, a living being is fashioned from parts of the dead. Reverse this: an immortal being who can instantly heal any injury seeks death by trying to find a way to permanently disassemble their body….

(4) HELP DECIDE THE DIAGRAM PRIZE. The shortlist for the Bookseller Diagram Prize for Oddest Book Title of the Year 2023 is now open for a public vote on The Bookseller website here. The closes December 1, with the winner revealed on the 8th. Here is this year’s Diagram Prize shortlist:

The 12 Days of Christmas: The Outlaw Carol that Wouldn’t Die by Harry Rand (McFarland & Co)

The author of Rumpelstiltskin’s Secret: What Women Didn’t Tell the Grimms looks at how a raucous drinking song became a festive favourite.

Backvalley Ferrets: A Rewilding of the Colorado Plateau by Lawrence Lenhart (University of Georgia Press)

The “beguiling weasel” at the centre of this book is “more than a charismatic minifauna; it is the covert ambassador of a critical ecosystem,” says the author.

Danger Sound Klaxon! The Horn That Changed History by Matthew F Jordan (University of Virginia Press)

Charts the device’s lifespan from “metallic shriek that first shocked pedestrians” to its use in the trenches in the First World War.

Dry Humping: A Guide to Dating, Relating, and Hooking Up Without the Booze by Tawny Lara (Quirk Books)

The only non-academic contender is a “judgement-free” handbook from a podcaster and self-described “sober sexpert”.

I Fart in your General Direction: Flatulence in Popular Culture by Don H Corrigan (McFarland & Co)

“Covers every aspect of abdominal gas” in movies, music and TV, combined with “philosophical positions on colonic expression”.

The Queerness of Water: Troubled Ecologies in the Eighteenth Century by Jeremy Chow (University of Virginia Press)

An interdisciplinary look at classic canonical works and how “sea, rivers, pools, streams and glaciers all participate in a violent decolonialism”.

(5) HWA-THEMED GAME IS ON THE WAY. An officially-licensed party game called “Sudden Acts of Horror”  – coming in 2024 – aims to celebrate the Horror Writers Association, the oldest and most respected professional nonprofit organization in the horror genre. The game asks teams of players to act out made-up horror novel titles to score the highest points and ultimately win a mini–Bram Stoker Award® for their efforts.

“Sudden Acts of Horror” is scheduled for release in the second quarter of 2024 and will be available for purchase at www.stopthekiller.com

(6) SAVE THE COYOTE. This ain’t over ’til Porky Pig sings… “’Coyote vs. Acme’: Congressman Calls for Federal Probe on Warner Bros Discovery”Deadline has the story.

…“The @WBD tactic of scrapping fully made films for tax breaks is predatory and anti-competitive,” wrote Castro, who has protested WBD before on antitrust issues.

“As the Justice Department and @FTC revise their antitrust guidelines they should review this conduct,” he continued.

“As someone remarked, it’s like burning down a building for the insurance money,” he added.

…. Several sources have told us that in a cost-cutting, debt-laden environment as Warner Bros Discovery that it’s not CEO David Zaslav to blame here for the axing of the film. Warner Bros. Motion Picture bosses Michael De Luca and Pam Abdy and new animation head Bill Damaschke are the ones who made the decision, this despite the fact that it’s not a production chief’s bandwidth to worry about tax writedowns on a movie. That’s for accounting and finance to sweat over.

The new WBD administration doesn’t want the problem of the previous admin’s greenlights and at $70M, that’s a cost too high for a movie to simply skip theatrical and head to streaming service Max.

While it’s not in production bosses’ nature to worry about tax writeoffs, they realize that there’s a lot of stress over at WBD to win in the wake of having the highest-grossing movie in the studio’s history and YTD with Barbie at $1.4 billion worldwide. A severe financial savings mentality exudes at Warners, and if a film looks too risky to spend marketing on, execs there don’t want to stick their necks out and have a lackluster result and be blamed for a greenlight that wasn’t there….

(7) STARSHIP LAUNCH APPROVED. [Item by Bill.] The FAA and the Fish and Wildlife Service have completed their reviews of SpaceX’s launch plans, issued their final reports, and given approval for the next launch of Starship. The FAA has issued a NOTAM (Notice to Airmen) closing airspace around Boca Chica for Friday November 17. SpaceX appears to be planning for a Friday launch.  Gizmodo has further coverage: “SpaceX Granted FAA Permission for Second Starship Test Flight”.

…The FAA’s entire report can be seen here, but in summary, the water deluge system was deemed to be no more threatening to the environment than a summer rain storm:

“…an average summertime thunderstorm at Boca Chica would deposit more water over the landscape than any single or all combined activations of the deluge system. Since the amount of water that is anticipated to reach the mud flats from a maximum operation of the deluge system is expected to be less than an average summer rainfall event, this amount of water would be unlikely to alter water quality.”

With the launch license secured, SpaceX is ready to go. The second launch of Starship is scheduled for Friday, November 17 at 8:00 a.m. ET, with the launch window ending two hours later. Two FAA space TFRs (temporary flight restrictions) are in effect for Brownsville, Texas, one for Friday and a second TFR going into effect at 8:00 a.m. ET on November 18 and ending one hour later….

(8) ANDREW CARNEGIE MEDALS SHORTLIST. The American Library Association has unveiled the 2024 Andrew Carnegie Medals for Excellence in Fiction and Nonfiction shortlist. None of the items are genre works. The winners will be announced on January 20.

Andrew Carnegie Medal for Excellence in Fiction 2024 Shortlist

  • “The Berry Pickers,” by Amanda Peters. Catapult. In 1962, an Indigenous Mi’kmaq family is in Maine to pick summer blueberries when their youngest child, four-year-old Ruthie, disappears. Her six-year-old brother, Joe, saw her last. Told in alternating, first-person chapters from Joe and a narrator called Norma, this braided novel fascinates. While little is easy for Peters’ characters, in the end, for all of them, there is hope.
  • “Denison Avenue,” by Christina Wong and Daniel Innes. ECW Press.
    In a mixed-media narrative saturated with a sense of poignancy and grief, Wong Cho Sum navigates the sudden death of her husband by a hit-and-run driver. As an “invisible” elderly observer, she compares the old Chinatown she remembers with this new, slowly gentrifying one. Innes’ detailed and beautiful hand-drawn illustrations are eye-catching complements to Wong’s writing.
  • “Let Us Descend,” by Jesmyn Ward. Scribner, an imprint of Simon & Schuster, Inc.
    Sold away from her mother, teenage Annis, daughter of a Black mother and the white man who enslaved them, must endure a grueling march to the slave markets of New Orleans with only her wits and her mother’s ivory awl to help her survive. Ward’s vivid imagery and emotionally resonant prose convey the horrors of chattel slavery in stark, unforgettable detail.

Andrew Carnegie Medal for Excellence in Nonfiction 2024 Shortlist

  • “The Great Displacement: Climate Change and the Next American Migration,” by Jake Bittle. Simon & Schuster.
    This multifaceted examination considers numerous communities that have been wiped out by changing weather patterns and foretells a future filled with additional displacements. Environmental journalist Bittle uses a combination of science reporting and individuals’ stories to explain the fates of towns deemed uninhabitable and ends with a plea for comprehensive environmental policy change and urgent action.
  • “The Talk,” by Darrin Bell. Henry Holt and Company.
    In 2019, Bell became the first Black editorial cartoonist to win a Pulitzer Prize. In this brilliant graphic memoir, Bell’s growth from a trusting child afraid of dogs to an esteemed, nationally syndicated cartoonist is a marvel to witness through his spectacular panels and pages. A must-read manifesto against racist brutality.
  • “We Were Once a Family: A Story of Love, Death, and Child Removal in America,” by Roxanna Asgarian. Farrar, Straus and Giroux.
    Investigative reporter Asgarian’s years of work getting to know the birth families of six children killed by their adoptive parents in 2018 uncovered a devastating web of intergenerational poverty, violence, and wrenching separations. She exposes the tragedy of what happened and the ongoing, insupportable failings of the foster system.

Carnegie Medal winners will each receive $5,000. 

(9) MORE FOR MOUNT TBR. TIME Magazine’s list of “The 100 Must-Read Books of 2023” includes several works of genre interest that I recognize, and doubtless others I didn’t which you can name in the comments:

  • The Future by Naomi Alderman
  • Lone Women by Victor LaValle
  • Victory City by Salman Rushdie
  • Yellowface by R.F. Kuang

(10) MORE ON MICHAEL BISHOP. The family’s Michael Bishop Obituary has been published. It includes details on Bishop’s life and writing career, and funeral plans.

(11) MEMORY LANE.

1950  — [Written by Cat Eldridge.]

We mentioned Mack Reynolds’ The Case of the Little Green Men in a Scroll recently and there it was noted that it was set at a Con, and that’s all it’ll say about it as there might be someone here who hasn’t read it yet. Now I will ask the question, well two questions actually. Was it the first genre novel set at a Con? And what’s your favorite Con set novel? Or more.

So now let’s talk about The Case of the Little Green Men.  It was the first novel by him, published seventy-three years ago by the Phoenix Press who ISFDB lists only one other work being published, Will Garth’s Dr. Cyclops. The cover illustration is by Carl W. Bertsch. 

Is the novel fun? Oh yes. Is it really a mystery? Well, that depends on how much you want to stretch your idea of what a mystery is. And I’m surprised it hasn’t been nominated for a Retro Hugo. Really surprised. 

To my utter surprise, the publication notes for The Case of the Little Green Men at ISFDB, says it was out of print for sixty-one years until Prologue Books did a new edition. It is available from usual suspects on, and no I’m not pulling your tentacles, Richard A. Lupoff’s Surinam Turtle Press. The website for that is here.

And now for our shortest Beginning ever…

The detective isn’t tough and he isn’t even smart and he doesn’t prove the case against the killer. And boy doesn’t get girl, either. Otherwise, this story is just about like a good many others you’ve read. At least it starts the same way.… 

We can’t help it if it dissolves into men from Mars, people who believe in spaceships and flying saucers, murders without motive, and heat rays fired by little green men (or were they?).

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 15, 1877 William Hope Hodgson. By far, his best-known character is Thomas Carnacki, featured in several of his most famous stories and at least partly based upon Algernon Blackwood’s occult detective John Silence. (Simon R. Green will make use of him in his Ghost Finders series.)  Two of his later novels, The House on the Borderlandand The Night Land would be lavishly praised by H.P. Lovecraft.  It is said that his horror writing influenced many later writers such as China Miéville, Tim Lebbon and Greg Bear but I cannot find a definitive source for that claim. (Died 1918.)
  • Born November 15, 1933 Theodore Roszak. Winner of the Otherwise Award for The Memoirs of Elizabeth Frankenstein and the rather excellent Flicker which is well worth reading. Flicker and The Devil and Daniel Silverman is available at the usual suspects, and his only other available fiction is his Japanese folktales. Odd. (Died 2011.)
  • Born November 15, 1941 Daniel Pinkwater, 82. His absolutely best work must be without doubt Lizard Music, an sf novel in which a young boy begins seeing musical lizards all around. Lizards opposing an alien invasion. Oh so perfect a novel. 
  • Born November 15, 1942 Ruth Berman, 81. She’s a writer of mostly speculative poetry. In 2003, she won the Rhysling Award for Best Short Poem for “Potherb Gardening”, and in 2016 for “Time Travel Vocabulary Problems”.  She was the winner of the 2006 Dwarf Stars Award for her poem “Knowledge Of”.  She’s also written the fantasy novel, Bradamant’s quest. In 1973, she was a finalist for the first Astounding Award for Best New Writer. She brings out the Dunkiton Press genre zine annually — over 30 issues and still going strong. She was nominated for Best Fan Writer Hugo at Baycon (1968).
  • Born November 15, 1955 N Lee Wood 68. She was once married to Norman Spinrad.  The Mahdi written in 1996 is an interesting take on the situation in the Middle East with AIs thrown into the mix. I’m more fond of her Inspector Keen Dunliffe series of detective novels which are definitely not genre. There’s at least twenty-three to date, and they’ve been adapted for television under the series title of DCI Banks. It’s a most excellent series.
  • Born November 15, 1982 Jessica McHugh, 41. Very prolific horror writer who’s also a playwright. IDFDB says she has written eight genre novels and some forty pieces of shorty fiction to date, the latter gathered in three collections. She won an Imadjinn Award for The Train Derails in Boston novel given by the Con of the same name held in Kentucky every year. Her poetry which apparently is on the dark side of things, of which she’s even written more than she has short fiction, has earned two Stoker nominations. 

(13) COMICS SECTION.

  • Lio’s local library has some strange books. Of course it does.

(14) GONZO AND GAIMAN TOMORROW. Nick Gonzo says, “If you are in Leeds on Thursday and are looking for something cool to do, I am hosting a workshop with Leeds Library about the history of Scifi and Zines. This is obviously a career high point as I’m sharing an event programme with Neil Gaiman.” Program description and ticket information is in the screencaps below.

(15) LIBRARIANS LAUNCH GAME AWARD. The Games & Gaming Round Table (GameRT) of the American Library Association is seeking nominations for the new Platinum Play Awards as part of its celebration of International Gaming Month. The new award will recognize the best games for use in library collections and library programming. “GameRT seeks nominations of amazing games for its new Platinum Play Awards list!”

Through this award, GameRT will highlight and honor the best games for library collections and programming. The Platinum Play Awards — affectionately called The Platys after the platypus mascot on the new award seal — are planned as an annual award and will recognize up to twenty games each year. GameRT will collect nominations from library workers and patrons each year. Once all nominations are in, GameRT members will be able to vote for their top picks, and games that receive at least two votes will move on to the final assessment round, where they will be evaluated by GameRT’s Platinum Play Award Committee. The final award list will be announced each year, starting with a special Platinum Play Classics Hall of Fame in January 2024 that will celebrate classic games like Chess and Go.

In an effort to help libraries find newer games, only games published between two and ten years prior to the awarding year are eligible. Games will be evaluated based on their ability to provide an enjoyable gaming experience in one hour of play. Eligibility for the award is open for games designed for any age range and any number of players. Games that require a system for play will be considered based on the number of platforms available that libraries can access.  

…Nominations for the 2024 Awards — for games published between published between 2013 and 2021 — are open now and can be submitted online until March 31, 2024. Library staff, teachers, and gamers of all types should submit their favorite games using the online nomination form. Game publishers and creators that seek to have their games considered should email GameRT Staff Liaison Tina Coleman at [email protected].

(16) DON’T TOUCH THAT DIAL. The LA Times learns why “Composer John Williams can’t let Indy go to someone else”.

What does an old adventurer have to offer a modern world that seems to have moved on?

That’s the existential question posed to Indiana Jones, the beloved archaeologist immortalized by Harrison Ford across four decades, in “Indiana Jones and the Dial of Destiny.” Indy is creaky, retiring and alone when the fifth and latest chapter opens in 1969 — a man out of time.

It was also a question for John Williams, the venerable composer who gave Indy his infectious march beginning with “Raiders of the Lost Ark” in 1981. Williams was no less than Indy’s galloping tempo and his comic, whip-cracking action, his romantic stirrings and his heroic quest for every previous search for some ancient relic.

Now in his 10th decade, Williams had nothing left to prove and no obligation to score a new “Indiana Jones” film. For the first time, his forever-collaborator Steven Spielberg wasn’t even directing. So why get back in the saddle?

“Very frankly,” Williams says, “I thought to myself: Well, I really don’t want somebody else to do that. It was like when I was doing ‘Star Wars,’ you know. I thought: If I can possibly do it, I should try to do it.”

In other words: Just like Harrison Ford, no one else should wear that hat….

(17) THIS PLANET BITES. Camestros Felapton watched “Scavengers Reign (HBO)” and wrote a review that will make you nervous whenever you hear easy-listening music from now on.

…You could probably make a nice edit of the more relaxed landscape scenes that would be quite relaxing. Indeed, musically from the soft opening titles to much of the incidental music the tone is one that emphasizes the sense of wonder in this alien world.

This sense of wonder is coupled with terror though. The beauty of the world comes with plenty of creatures eager to eviscerate the humans (if they are lucky) or infest them (if they are more unlucky) or turn them into monstrous puppets (if they are even more unlucky). Spores, tentacles, stingers, strangling vines and psychic powers are all out to consume the hapless survivors….

(18) ANOTHER BIZARRE PRODUCT. Archie McPhee has done it again with “Bigfoot Basecamp”.

Some say Bigfoot is an interdimensional traveler who disappears when he wants to, but maybe there are no good pictures of Bigfoot because he’s so tiny. The Bigfoot Basecamp has all the things you need to create the scene of a surprised camper trying to snap a picture as Bigfoot approaches. You can take the itty bitty soft vinyl figures, between 1/2″ and 1-3/8″ tall, out of the box and play with them or leave them inside as a desktop display. Comes with eight pieces, everything you need from trees to Bigfoot to a campfire! Figures may come loose during transit but snap easily back into place. 

[Thanks to John King Tarpinian, Chris Barkley, Steven French, Hampus Eckerman, Nickpheas, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 4/15/23 She Pixeled Me With Scrolling

(0) This is an abbreviated Scroll because I had to devote my creative writing energies to filing my tax returns today.

(1) DENNY LIEN (1945-2023). Long-time Minneapolis fan Denny Lien died April 15 at the age of 77. Although under hospice care at home, he had been able to get out and spend a few hours walking around at Minicon last weekend. Last night he had a fall and called hospice this morning. He died of kidney cancer and acute myeloid leukemia, the latter diagnosed in January 2023.

After moving to Minneapolis Lien got involved with Minn-Stf and remained active for over 20 years, serving as an officer, and editor of some issues of the club publication Einblatt. With many others he co-authored the beloved fannish musical parody Midwest Side Story. He was at times a member of such apas as. Minneapa and ANZAPA. He was guest of honor at Minicon 21. And he was a File 770 subscriber and letter-writer for decades.  

He was married to and is survived by fellow fan Terry A. Garey, whom he spent several years taking tender care of as her physical and mental health deteriorated.

(2) KGB. Ellen Datlow has posted her photos from the April 12 Fantastic Fiction readings at KGB with Paul Park and Peng Shepherd.

(3) MEMORY LANE.

1950[Compiled by Cat Eldridge.]

A E Van Vogt’s The Voyage of The Space Beagle is without doubt a classic of SF. Published by Simon & Schuster in 1950, this  space opera, the novel comprised of four stories which had been had been published between 1939 and 1943.

The first part of the novel was originally the “Black Destroyer” story as printed in Astounding Science-Fiction, July 1939 and was the first published SF by our writer. 

I’ve not read it for a very long time and am hesitant to revisit it lest the Suck Fairy trod on it with her steel toed boots crunching my memories of it.

On that note, here is its Beginning…

On and on Coeurl prowled. The black, moonless, almost starless night yielded reluctantly before a grim reddish dawn that crept up from his left. It was a vague light that gave no sense of approaching warmth. It slowly revealed a nightmare landscape. 

Jagged black rock and a black, lifeless plain took form around him. A pale red sun peered above the grotesque horizon. Fingers of light probed among the shadows. And still there was no sign of the family of id creatures that he had been trailing now for nearly a hundred days. 

He stopped finally, chilled by the reality. His great forelegs twitched with a shuddering movement that arched every razor-sharp claw. The thick tentacles that grew from his shoulders undulated tautly. He twisted his great cat head from side to side, while the hairlike tendrils that formed each ear vibrated frantically, testing every vagrant breeze, every throb in the ether.

There was no response. He felt no swift tingling along his intricate nervous system. There was no suggestion anywhere of the presence of the id creatures, his only source of food on this desolate planet. Hopelessly, Coeurl crouched, an enormous catlike figure silhouetted against the dim, reddish sky line, like a distorted etching of a black tiger in a shadow world. What dismayed him was the fact that he had lost touch. He possessed sensory equipment that could normally detect organic id miles away. He recognized that he was no longer normal. His overnight failure to maintain contact indicated a physical breakdown. This was the deadly sickness he had heard about. Seven times in the past century he had found coeurls, too weak to move, their otherwise immortal bodies emaciated and doomed for lack of food. Eagerly, then, he had smashed their unresisting bodies, and taken what little id was still keeping them alive. 

Coeurl shivered with excitement, remembering those meals. Then he snarled audibly, a defiant sound that quavered on the air, echoed and re-echoed among the rocks, and shuddered back along his nerves. It was an instinctive expression of his will to live.

Coeurl shivered with excitement, remembering those meals. Then he snarled audibly, a defiant sound that quavered on the air, echoed and re-echoed among the rocks, and shuddered back along his nerves. It was an instinctive expression of his will to live. 

And then, abruptly, he stiffened. 

High above the distant horizon he saw a tiny glowing spot. It came nearer. It grew rapidly, enormously, into a metal ball. It became a vast, round ship. The great globe, shining like polished silver, hissed by above Coeurl, slowing visibly. It receded over a black line of hills to the right, hovered almost motionless for a second, then sank down out of sight.

(4) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 15, 1918 Denis McLoughlin. No, he didn’t do any genre work that you’d know of. (And I’m not interested in it anyways. This is not about a sff artist.) His greatest fame came from work doing hard-boiled detective book covers produced for the London publishing house of Boardman Books spanning a career that lasted nearly eight decades with other work as well. And oh what covers they were!  Here’s is his cover for Adam Knight’s Stone Cold Blonde, and this is Henry Kanes’ Until You’re Dead. Finally let’s look at his cover for Fredric Brown’s We All Killed Grandma. He was in perfect health when he took a revolver from his extensive collection of weapons and committed suicide. No note was left behind. (Died 2002.)
  • Born April 15, 1922 Michael Ansara. Commander Kang in Trek’s “The Day of The Dove” as well as a lot of other genre work including a recurring role as Kane on Buck Rogers in the 25th Century, multiple roles on I Dream of Jeannie and myriad voicings of Victor Fries / Mr. Freeze in the Batman series. (Died 2013.)
  • Born April 15, 1926 Jerry Grandenetti. In my opinion, his greatest work was as the illustrator who helped defined the look of The Spirit that Will Eisner created. He also worked at DC, mostly on war comics of which there apparently way more than I knew (All-American Men of WarG.I. CombatOur Army at War, Our Fighting Forces and Star Spangled War Stories) though he did work on the House of Mystery and Strange Adventures series as well. (Died 2010.)
  • Born April 15, 1933 Elizabeth Montgomery. She’s best remembered as Samantha Stephens on Bewitched. Other genre roles included being Lili in One Step Beyond’s “The Death Waltz” which you can watch here. She also had one-offs in The Twilight Zone, Alfred Hitchcock Presents, and voicing a give me the hellout of this town Barmaid in the “Showdown” in Batman: The Animated Series. It was written by Joe S. Lansdale. (Died 1995.)
  • Born April 15, 1937 Thomas F. Sutton. Comic book artist who’s best known for his contributions to Marvel Comics and Warren Publishing’s line of black-and-white horror magazines. He’s particularly known as the first artist of the Vampirella series. He illustrated “Vampirella of Draculina”, the first story which was written by Forrest J Ackerman. (Died 2002.)
  • Born April 15, 1941 Mal Dean. UK illustrator who, as Clute at EoSF notes, died tragically young of cancer. As Clute goes on, he is “best known for the work he did for New Worlds in the late 1960s and early 1970s; it was especially associated with the Jerry Cornelius stories by Michael Moorcock and others.” (Died 1974.)
  • Born April 15, 1959 Emma Thompson, 64. I’m going to start her brilliant non-genre role as Beatrice in her then-husband Branagh’s screen version of Much Ado About Nothing. Go see it if you haven’t.  Now genre role… well, there were… Professor Sybill Trelawney, Harry Potter franchise. Men in Black 3 and Men in Black: International as Agent O, I am LegendNanny McPhee and the Big BangThe Voyage of Doctor Dolittle as Polynesia, the extraordinary Tony Kushner derived HBO series Angels in AmericaBeauty and the Beast as Mrs. Potts, the castle’s motherly head housekeeper who has been transformed into a teapot, BraveBeautiful Creatures and Treasure Planet voicing Captain Amelia. 
  • Born April 15, 1974 Jim C. Hines, 49. [Item by Paul Weimer.] Writer, and blogger. Jim C. Hines’ first published novel was Goblin Quest, the tale of a nearsighted goblin runt and his pet fire-spider. Jim went on to write the Princess series, four books often described as a blend of Grimm’s Fairy Tales with Charlie’s Angels. He’s also the author of the Magic ex Libris books, my personal favorite, which follow the adventures of a magic-wielding librarian from the Upper Peninsula of Michigan, who happens to have the same pet fire-spider lifted from the Goblin novels as his best friend. He has two novels in his Janitors of the Post-Apocalypse series. Jim’s novels usually have the fun and humor dials set on medium to high. Jim is also an active blogger on a variety of topics and won the Hugo Award for Best Fan Writer at Chicon 7.

(5) THEY KEEP WATCHING THE SKIES. “The Cincinnati Observatory celebrates telescope’s 178th ‘birthday’” and WVXU is taking notes.

Dean Regas is hoping for clear skies tonight. That’s so he can open the dome for a special night at the Cincinnati Observatory.

Today marks the anniversary of the first use of the Mitchel telescope. Regas says the mahogany and brass telescope was built in Germany and shipped to Cincinnati in 1845.

“Having a wooden telescope that’s been in Cincinnati exposed to the weather of Cincinnati for 178 years, and the fact it still works, and incredibly well, is a testament to how amazing this telescope is,” he says. “It’s a work of art, and a work of science.”

The telescope is named for Observatory founder Ormsby MacKnight Mitchel, and Regas says it draws people from around the world. “One of the biggest things we hear is ‘wow!’ People get so excited when they look at this.”

Despite its age, Regas says it’s not obsolete. “We use this telescope daily. At nighttime we use it to look at the stars, moon, planets — that kind of thing. In the daytime, we can put solar filters on it and look at the sun safely.”

He says it’s the oldest telescope still in use in the country….

(6) STARSHIP WILL SOON REACH SPACE. “Watch SpaceX launch Starship, the tallest and most powerful rocket ever built, on its first orbital flight as soon as Monday” promises MSN.com.

SpaceX finally has clearance to launch its new Starship mega-rocket to orbit, and the company plans to attempt the monumental feat as soon as Monday.

Starship is the rocket on which SpaceX founder and CEO Elon Musk is hinging his biggest aspirations — including building and populating a human settlement on Mars. NASA, meanwhile, is counting on Starship to land its next astronauts on the moon as soon as 2025.

On Friday, after years of review, the Federal Aviation Administration granted SpaceX a license to launch the 40-story-tall rocket from the company’s facilities in Boca Chica, Texas

[Thanks to Cat Eldridge, Mike Kennedy, SF Concatenation’s Jonathan Cowie, Paul Weimer, Andrew Porter, John King Tarpinian, Chris Barkley, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 8/12/22 The Hamster, My Friend, Is Scrolling In The Solar Wind

(1) RUSHDIE HOSPITALIZED AFTER ATTACK. Salman Ruhdie was attacked and stabbed at least twice while speaking onstage this morning in upstate New York. He was airlifted to a hospital and taken to surgery. The CNN story says:

The suspect jumped onto the stage and stabbed Rushdie at least once in the neck and at least once in the abdomen, state police said. Staff and audience members rushed the suspect and put him on the ground before a state trooper took the attacked into custody, police said.

… Henry Reese, co-founder of the Pittsburgh nonprofit City of Asylum, who was scheduled to join Rushdie in discussion, was taken to a hospital and treated for a facial injury and released, state police said. The organization was founded to “provide sanctuary in Pittsburgh to writers exiled under threat of persecution,” according to the Chautauqua Institution’s website.

New York Gov. Kathy Hochul told reporters Friday a state trooper “stood up and saved (Rushdie’s) life and protected him as well as the moderator who was attacked as well.

The story did not have an update about Rushdie’s condition.

There is now an update from Publishing Perspectives:

Salman Rushdie’s agent, Andrew Wylie, has told The New York Times’ Elizabeth A. Harris, “The news is not good. Salman will likely lose one eye; the nerves in his arm were severed; and his liver was stabbed and damaged.”

Wylie’s information, emailed to Harris, is the first description of the condition of the author following surgery….

Meanwhile, the New York Times reports “Stabbing sends ripples of ‘shock and horror’ through the literary world.”

Literary figures and public officials said that they were shocked by the news that the author Salman Rushdie had been stabbed in the neck on Friday morning while onstage to give a lecture at the Chautauqua Institute in western New York.

“We cannot immediately think of any comparable incident of a public violent attack on a writer during a literary event here in the United States,” said Suzanne Nossel, the chief executive officer of the nonprofit literary organization PEN America, who noted that the motivations for the attack and Mr. Rushdie’s current condition were unknown as of Friday late morning.

Mr. Rushdie is a former president of PEN America, which advocates for writers’ freedom of expression around the world.

She said in a statement that the organization’s members were “reeling from shock and horror.”

Here is Neil Gaiman’s response on Twitter.

(2) PINCH-HITTER. Congratulations to Abigail Nussbaum, who was invited to cover for the Guardian‘s regular SFF columnist, Lisa Tuttle. You can see her reviews here at the Guardian.

…I was a bit nervous about the experience—five books is a big commitment of time and energy, and readers of this blog know that I’m not accustomed to summing up my thoughts on anything in 200 words or less. But I ended up having a lot of fun, mainly because the books discussed were a varied bunch, several of which weren’t even on my radar before the column’s editor, Justine Jordan, suggested them.

The column discusses The Book Eaters by Sunyi Dean, a twist on the vampire story that has more than a little of The Handmaid’s Tale in its DNA. The Pallbearers Club by Paul Tremblay, a horror author whom I’ve been hearing good things about for years, so it was great to have an opportunity to sample his stuff. Extinction by Bradley Somer, part of the rising tide of climate fiction we’ve been seeing in recent years, but with a very interesting and original approach. The Women Could Fly by Megan Giddings, a story about witches that combines a magical realist tone with pressing social issues. And The Moonday Letters by Emmi Itäranta, a whirlwind tour of the solar system reminiscent of Kim Stanley Robinson’s 2312 but with a slant all its own. I’ll have more to say about that last book in the near future, but all five are worth a look….

(3) OVERDRAWN AT THE BLUE CHECKMARK. From one of my favorite authors, Robert Crais:

(4) 2022 WORLDCON ADDS MONKEYPOX POLICY. In addition to its COVID-19 Policy, Chicon 8 now has issued a Monkeypox Policy. More details at the link.

On Aug. 1, 2022, Illinois Governor JB Pritzker declared Monkeypox a public health emergency in the state of Illinois, in order to rapidly mobilize all available public health resources to prevent and treat Monkeypox and ensure smooth coordination at all levels of government….

(5) CATHEDRALS OF BOOKS. With the help of DALL-E, Joe Stech is designing “Future Libraries”. He shares many examples in his latest Compelling Science Fiction Newsletter.

Many years ago I spent some time learning to paint and sketch, and got halfway decent (to the point where I could at least convey a little bit of what was in my head, albeit clumsily). The amount of time it took me to draw something halfway decent was fairly incredible, and after I stopped drawing regularly my meager skillset deteriorated. I still remember how it felt to finish a sketch though, and generative art models like DALL-E 2 have helped me recapture that joy with a much smaller time investment….

(6) DOINK-DOINK. Meanwhile, back on the courthouse steps in New York: “Frank Miller Sues Widow of Comics Magazine Editor for the Return of Artworks”.

The comic writer and artist Frank Miller is suing the widow and the estate of a comics magazine founder over two pieces of promotional art he created that she was trying to sell at auction. The art, which appeared on covers of David Anthony Kraft’s magazine Comics Interview in the 1980s, includes an early depiction of Batman and a female Robin — from the 1986 The Dark Knight Returns series — and is potentially a valuable collectible.

The lawsuit seeks the return of the Batman piece, which was used on the cover of Comics Interview No. 31 in 1986, as well as art depicting the title character of Miller’s 1983 Ronin series. He had sent both to Kraft for his use in the publication; the Ronin artwork was used as the cover of Comics Interview No. 2 in 1983. Miller contended in the court papers that he and Kraft agreed they were on loan, citing “custom and usage in the trade at the time,” and that he made repeated requests for their return….

(7) SEEKING FANHISTORIC PHOTOS. [Item by Mike Kennedy.] This year’s DeepSouthCon is working on a project to create a photo gallery of past winners of the Rebel and Phoenix Awards.

We are looking for contributions from anyone who may have such photos. Digital files are preferred, obviously. We’d rather not be responsible for receiving your one-of-a-kind print photo and getting it back to you in one piece. The mail and other delivery services are more than capable of ripping any given package to shreds.

The gold standard would be a photo of the person holding the award at time of presentation or shortly after. We’re also happy to take more contemporary photos taken months, days, years, or decades later. If no such photo is available, we’re also happy to take photos of the winners themselves, just the award, or one of each.

Mike Kennedy, Co-chair, DeepSouthCon 60

(8) ON THE SCALES. Cora Buhlert has a rundown on the creators and works on the latest Dragon Awards ballot: “The 2022 Dragon Award Finalists Look Really Good… With One Odd Exception”.

…Anyway, the finalists for the 2022 Dragon Awards were announced today and the ballot looks really good with only a single WTF? finalist (more on that later) and a lot of popular and well regarded works on the ballot. This confirms a trend that we’ve seen in the past three years, namely that the Dragon Awards are steadily moving towards the award for widely popular SFF works that they were initially conceived to be, as the voter base broadens and more people become aware of the award, nominate and vote for their favourites. It’s a far cry from the early years of the Dragon Awards, where the finalists were dominated by Sad and Rabid Puppies, avid self-promoters and Kindle Unlimited content mills with a few broadly popular books mixed in….

(9) MEMORY LANE.  

2006 [By Cat Eldridge.]ONCE THERE WAS A CHILD WHOSE FACE WAS LIKE THE NEW MOON SHINING on cypress trees and the feathers of waterbirds. She was a strange child, full of secrets. She would sit alone in the great Palace Garden on winter nights, pressing her hands into the snow and watching it melt under her heat. She wore a crown of garlic greens and wisteria; she drank from the silver fountains studded with lapis; she ate cold pears under a canopy of pines on rainy afternoons.” — First words of The Orphan’s Tales: in the Night Garden

There are works that I fall in love from the first words. Catherine Valente’s The Orphan’s Tales: In the Night Garden is one of those works. Well actually it was from the cover art by Michael Kaluta that I fell in love. 

I don’t remember if it came out before or after I had coffee with her in a coffeehouse in the east coast Portland where we both live. (I was married and living on the mainland. She was single and living on Peaks Island. I’m now single and still living on the mainland; she’s married and on Peaks as far I know with her first child. It was an interesting conversation.)

I do remember that she got an iMac that I was no longer using as a result of that meeting, one of the aquarium style ones. Blue I think. I’m sure you’ve read fiction that was written on it.

Now back to the books. It stunned me of the non-linear nature of them which was quire thrilling. Living  in a palace garden, a young girl keeps telling stories to a inquisitive prince: impossible feats and unknown-to-him histories of peoples long gone which weave through each other again and again and again, meeting only in the telling of her stories. Inked on her tattooed eyelids, each of these tales is a intriguing piece in the puzzle of the girl’s own lost history.

I can’t call either a novel in the traditional sense as they really aren’t. They’re something much more complex. What they are is Valente’s take off the 1001 nights but keep in mind that the 1001 nights stories weren’t connected to each other and these are, and so it is a spectacular undertaking of that concept, weaving stories within stories within stories myriad times over. It takes careful paying attention to catch all the connections. 

So what we have here is quite delightful and they are matched up very up by well by the artwork by Michael Kaluta. The cover art for both is by him so that gives you an ample idea of what he does on the inside though those are all black and white. There are hundreds of drawings within, each appropriate to the story you are reading. One of my favorite illustrations is in the prelude of a gaggle of geese. Simple but very cute.

They both won the Mythopoetic Award and the first an Otherwise Award.

I’ve spent many a Winter night reading these. They are wonderful and I really wish they’d been made into an audiobook as they’d be perfect that way. And they really, really do deserve for some specialty press like Subterranean to publish a hardcover edition of them, though I expect getting the rights to the illustrations from Random House could be difficult to say the least. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 12, 1881 Cecil B. DeMille. Yes, you think of him for such films as Cleopatra and The Ten Commandments, but he actually did some important work in our genre. When Worlds Collide and War of The Worlds were films which he executive produced. (Died 1959.)
  • Born August 12, 1894 Dick Calkins. He’s best remembered for being the first artist to draw the Buck Rogers comic strip. He also wrote scripts for the Buck Rogers radio program. Buck Rogers in the 25th Century, The Complete Newspaper Dailies in eight volumes on Hermes Press collects these strips.  They’re one hundred and fifty dollars a volume. (Died 1962.)
  • Born August 12, 1929 John Bluthal. He was Von Neidel in The Mouse on the Moon which sounds silly and fun. He’s in Casino Royale as both a Casino Doorman and a MI5 Man. (Why pay the Union salaries?) He had roles in films best forgotten such as Digby, the Biggest Dog in the World. (Really. Don’t ask.) And he did play a blind beggar in The Return of the Pink Panther as well, and his last genre role was as Professor Pacoli in the beloved Fifth Element. Lest I forget, he voiced Commander Wilbur Zero, Jock Campbell and other characters in Fireball XL5. (Died 2018.)
  • Born August 12, 1931 William Goldman. Writer of The Princess Bride which won a Hugo at Nolacon II and which he adapted for the film. He also wrote Magic, a deliciously chilling horror novel. He wrote the original Stepford Wives script as well as Steven King’s King’s Hearts in Atlantis and Misery as well. He was hired to adapt “Flowers for Algernon” as a screenplay but the story goes that Cliff Robertson intensely disliked his screenplay and it was discarded for one by Stirling Silliphant that became Charly. (Died 2018.)
  • Born August 12, 1947 John Nathan-Turner. He produced Doctor Who from 1980 until it was cancelled in 1989. He finished as the longest-serving Doctor Who producer. He cast Peter Davison, Colin Baker and Sylvester McCoy as the Fifth, Sixth and Seventh Doctors. Other than Doctor Who, he had a single production credit, the K-9 and Company: A Girl’s Best Friend film which you can currently find on BritBox which definitely makes sense. He wrote two books, Doctor Who – The TARDIS Inside Out and Doctor Who: The Companions. He would die of a massive infection just a year before the announcement the show was being revived. The Universe often sucks.  (Died 2002.)
  • Born August 12, 1960 Brenda Cooper, 62. Best known for her YA Silver Ship series of which The Silver Ship and the Sea won an Endeavour Award, and her Edge of Dark novel won another such Award. She co-authored Building Harlequin’s Moon with Larry Niven, and a fair amount of short fiction with him. She has a lot of short fiction, much collected in Beyond the Waterfall Door: Stories of the High Hills and Cracking the Sky. She’s well-stocked at the usual suspects.
  • Born August 12, 1966 Brian Evenson, 56. Ok, I consider him a horror writer (go ahead, disagree) and his Song for the Unraveling of the World collection did win a Shirley Jackson Award though it also won a World Fantasy Award as well. He received an International Horror Guild Award for his Wavering Knife collection. He even co-authored a novel with Rob Zombie, The Lords of Salem. Which definitely puts him on the horror side of things, doesn’t it?
  • Born August 12, 1992 Cara Jocelyn Delevingne, 30. Her first genre role was as a mermaid in Pan. She then shows up in James Gunn’s rather excellent Suicide Squad as June Moone / Enchantress, and in the (oh god why did they make this) Valerian and in the City of a Thousand Planets as Laureline. She was also in Carnival Row as Vignette Stonemoss. It was a fantasy noir series on Amazon Prime which sounds like it has the potential to be interesting.

(11) LEARN FROM AN EXPERT. Here is Cat Rambo’s advice about using social media. Thread starts here.

At the end of the list:

(12) THEY DID THE MONSTER CA$H. NPR is there when “General Mills brings back Franken Berry, Count Chocula, Boo Berry, Frute Brute”.

General Mills is releasing four limited-edition Monster Cereals boxes as part of a new collaboration with pop artist KAWS.

Franken Berry, Count Chocula, Boo Berry and Frute Brute are back for this year’s seasonal release. Fans are particularly excited about the appearance of Frute Brute, which is available for the first time since 2013.

…Franken Berry and Count Chocula now bear the bone-shaped ears seen in many of KAWS’ works. They also have KAWS’ signature Xed-out eyes, as do Boo Berry and Frute Brute. The boxes have been reimagined following the same design as the original boxes, with an illustration of each character and a photo of the cereal in a bowl, all set on a blank white background….

(13) BIGGER THAN SATURN. [Item by SF Concatenation’s Jonathan Cowie.]  In today’s Science: “Starship will be the biggest rocket ever. Are space scientists ready to take advantage of it?”

Jennifer Heldmann, a planetary scien-tist at NASA’s Ames Research Centre…   wants to send another rocket to probe lunar ice—but not on a one-way trip. She has her eye on Starship, a behemoth under development by private rocket company SpaceX that would be the largest flying object the world has ever seen. With Starship, Heldmann could send 100 tons to the Moon, more than twice the lunar payload of the Saturn V, the work-horse of the Apollo missions.

(14) FAN-MADE FF TRAILER. “Fantastic Four: Krasinski, Blunt and Efron stun in jaw-dropping trailer” declares Fansided.

…This awesome fan-made concept trailer from Stryder HD imagines what a Fantastic Four movie in the Marvel Cinematic Universe could be about, showcasing how Reed Richards, Sue Storm, Johnny Storm and Ben Grimm all become their heroic alter-egos….

(15) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “The Book of Boba Fett Pitch Meeting,” Ryan George says in The Book of Boba Fett that Boba Fett is the worst crime boss in the galaxy.  But the writer explains he got bored and wrote a couple of episodes of The Mandalorian instead.  The producer gets excited when he hears Baby Yoda is in it, because Baby Yoda is “my little green money baby.”  But then we go back to Baba Fett and how he fights someone who fans of The Clone Wars will recognize while everyone else will be confused.  So the producer concludes, “at least we have some content.”

[Thanks to Chris Barkley, Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 9/7/20 A Elbereth Gilthoniel, Silivren Penna Pixel Scroll

(1) LEAPIN’ STARSHIPS! Ars Technica is there when “SpaceX hops a full-scale Starship prototype for the second time”.

Less than one month ago, SpaceX blasted a full-scale prototype of its Starship vehicle to an altitude of 150 meters above South Texas before returning it safely to the ground. On Thursday, the company did it again with the latest version of the vehicle, dubbed Serial Number 6, or SN6.

As outdoor temperatures soared into the mid-90s Fahrenheit shortly after noon, the prototype was loaded with liquid methane and liquid oxygen before igniting its single Raptor engine. This engine, situated off-center, powered the vehicle at a slight angle into the sky, where it moved several dozen meters laterally before descending and coming to rest near the launch stand.

These test flights represent significant technical achievements, as they involved testing out the large, complex plumbing systems for Starship’s fuel tanks and rocket engine as well as pushing the thrust vector control system of the Raptor engine in flight….

(2) DRAGON ALONG. Doris V. Sutherland analyzed the Dragon Awards results for Women Write About Comics: “2020 Dragon Award Winners: Thousands Vote Despite Right-Wing Backlash”.

…Brian Niemeier, who won a 2016 Dragon Award for his self-published novel Souldancer, blamed the perceived flaws of the 2020 Dragon ballot on the ongoing pandemic. According to Niemeier’s assessment, the lack of a physical convention meant that “normal people tuned out” while a “Death Cult” that also holds sway over the Hugo Awards “took advantage of the drastically reduced voter base to pack the ballot”. Niemeier claims that this movement is literally in league with Satan: “the Death Cult witches lie constantly in the manner of their father below”.

Best Horror Novel winner Ursula Vernon expressed amusement at these accusations: “I did not find out I was even on the nomination list until my husband said ‘Hey, you’re up for a Dragon!’ so whoever is in charge of Death Cult Communications is falling down on the job!”

Come the day of the awards, Niemeier’s theory regarding voting numbers turned out to be wrong. While the official number of “more than 8,000 ballots” marks a smaller turnout than the 10,000-11,000 ballots cast in the previous two years, it is the same number as was given by the award administrators for 2017, and twice the number provided for 2016.

In reality, of course, there is no need to attribute the shift in the Dragon Awards to either COVID-19 or the machinations of devil-worshippers. As far back as 2017, when Brian Niemeier lost to James S. A. Corey and Declan Finn lost to Victor LaValle, it was clear that the Dragons were outgrowing the grip of any politicised clique. Rather than the year of the pandemic, the real odd-one-out year of the Dragon Awards’ history is clearly their debut in 2016 — the year in which they had their lowest turnout.

(3) DISMANTLING MULAN. At A Naga of the Nusantara, a self-identified Malaysian bookworm declares “Disney Brought Dishonour To Us All: A Film Review of Disney’s Live Action Mulan” .

…Okay, usually I would do a bit of research, reading, and maybe even talk to some friends before I review something but fuck it, I am only going to put in about the same amount of effort that had apparently been invested into this movie (i.e. minimal). I am Chinese and I am also a fan of Disney films, and I am very easy to please. Do you know how easy it is to please me? I’ll tell you. I actually don’t hate most of Disney’s naked money-grabbing live action remakes that they’ve been pushing out in recent years. That’s the truth. I’ll pay money just to watch diluted versions of their classical animated canon because I am that kind of patsy who is in his 30’s and am utterly, shamelessly susceptible to nostalgia. And I would venture to say that Disney would have done a much better job by me if they had simply stuck to the same playbook they used for Beauty and the Beast, Aladdin, and The Lion King. Remake it shot by shot. Play us the same catchy songs. That way at least, they would just be revisiting the original gauche liberties they took with Chinese culture back in 1998. But nooo, they have elected instead to abandon their old mistakes in order to commit new hate crimes against the Chinese people. How is it that there are way more Chinese people involved in this new version of Mulan and we still end up with a less culturally-reverent movie?

(4) SUBMISSIONS WANTED. [Item by Chuck Serface.] The next issue of The Drink Tank will be “Istanbul: Queen of Cities,” brought to you by Christopher J. Garcia, Alissa McKersie, Chuck Serface, and special guest-editor, Douglas Berry. We’re looking for submissions – history, fiction, artwork, photography, personal reminiscences, reviews, or poetry – that focus on aspects of this city and its surrounding areas, Gallipoli and the Princes’ Islands, for example.  Please send your work to [email protected] by October 1, 2020. We’ll have it out shortly thereafter.

(5) SPIKE MCPHEE CATALOG #4. (Not to be confused with Archie.) Doug Ellis has posted another catalog of art and other items from the Spike McPhee estate. You can download it from the link below:

From 1977 to 1989, the Science Fantasy Bookstore operated in Harvard Square in Cambridge. Deb and I hung out there when we were in law school and became friends with the owner, Spike MacPhee. Spike was a member of NESFA and also founded the small press, Paratime Press, which published several checklists in the 1970’s. He was also GoH at the first Arisia convention in 1990.

Besides reading SF, Spike was a devoted science art collector. From the late 1960’s into the 1990’s, Spike attended several SF conventions – among them Boskone, Lunacon, Nycon III, Noreascon, Discon, Torcon and Disclave – where he would often buy art at the art show auction. He also became friends with many SF artists of the 1970’s and bought art directly from them as well. Spike remained a passionate fan until he passed away on November 13, 2019.

As I mentioned in my emails for previous catalogs, we’re now handling the sale of original art, books and other material for Spike’s estate. The fourth catalog is now available, and can be downloaded until September 13 as a 21 MB pdf file here.

If you’d like to download actual jpgs of the images, those can be downloaded in a zip file until September 13 directly here.

(6) DUCK! Dragon Con TV solved a problem and saved an annual tradition by making a semi-live version of a famous Warner Bros. cartoon: Duck Dodgers In The 24th And A Half Century (Sort Of).

What happens when your socially distanced sci-fi & fantasy convention wants to continue the tradition of playing DUCK DODGERS every year at The Masquerade but you don’t want to get shut down by copyright bots? Simple… you make your own version at home.

(7) TRIVIAL TRIVIA.

Johnny Weissmuller was one of Clayton Moore’s swimming instructors when he took lessons as a teenager at the Illinois Athletic Club.  Imagine Tarzan teaching the Lone Ranger to swim.

Source: Los Angeles Times

(8) MEDIA ANNIVERSARY.

  • 1960 — Sixty years ago, Peter S. Beagle’s A Fine and Private Place was first published in hardcover by Viking Press which simply says “First published in 1960” on the copyright page. (ISFDB doesn’t list an exact date either. However, it was mentioned twice in the New York Times in May 1960.) Clute at the Encyclopaedia of Fantasy calls it “a Supernatural Fiction in chamber-opera form“.  Published before he turned twenty one, it’s been in print since along with The Last Unicorn. It is a very well written novel for a first time author. Though it won no Awards itself, it certainly contributed towards his World Fantasy Award for Life Achievement and Damon Knight Memorial Grand Master awards. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born September 7, 1890 – Manuel Komroff.  Playwright, screenwriter, novelist, editor, translator.  I, the Tiger from the viewpoint of a caged tiger, a few shorter stories, for us; more outside our field, including an ed’n of Marco Polo adding a chapter to the Marsden ed’n (1818) and revising the Yule ed’n (1871).  (Died 1974) [JH]
  • Born September 7, 1900 – Taylor Caldwell.  Half a dozen novels for us; many others including historical fiction e.g. Dear and Glorious Physician (Luke), The Earth is the Lord’s (Genghis Khan), Glory and the Lightning (Aspasia, mistress of Pericles).  Dialogues with the Devil is between Lucifer and the Archangel Michael.  This Side of Innocence set in Gilded Age upstate NY the best-seller of 1946.  Her books sold 30 million copies.  Outspoken conservative.  (Died 1985) [JH]
  • Born September 7, 1921 Donald William Heiney. Writer under the pseudonym of MacDonald Harris which he used for all of his fiction of one of the better modern set novels using the Minotaur myth, Bull Fever. His time travel novel, Screenplay, where the protagonist ends up in a film noir 1920s Hollywood is also well crafted. Most of his work is available from the usual digital suspects. (Died 1993.) (CE)
  • Born September 7, 1924 – Gerry de la Ree.  Formed the Solaroid Club (New Jersey; included Manly Wade Wellman), 1939.  Collector, small-press publisher, dealer; sports journalist outside our field.  Seven books on Virgil Finlay; also Hannes Bok, Stephen Fabian, Clark Ashton Smith, Stanley Weinbaum; The Art of the Fantastic from his own collection.  First Fandom Hall of Fame, 1994 (i.e. posthumously).  (Died 1993) [JH]
  • Born September 7, 1937 John Phillip Law. He shows up as the blind angel Pygar in Barbarella, and he’s the lead in Ray Harryhausen’s The Golden Voyage of Sinbad. He’s Flight Commander Elijah Kalgan on South African produced generation ship Space Mutiny, and he was one of four actors who over the years played Harty Holt in Tarzan films, his being in Tarzan, the Ape Man. (Died 2008.) (CE) 
  • Born September 7, 1944 – Cas Skelton, 76.  She and husband Paul (he sometimes “Skel”) long active fans, particularly in fanzines; even published The Zine That Has No Name, years before Marty Cantor’s No Award.  Before that, Inferno became Small Friendly Dog.  Such, such were the joys –  [JH]
  • Born September 7, 1955 Mira Furlan, 65. She’s best known for her role as the Minbari Ambassador Delenn on the entire run of Babylon 5, and also as Danielle Rousseau on Lost, a series I did not watch. She’s reunited with Bill Mumy and Bruce Boxleitner at least briefly in a series called Space Command.(CE) 
  • Born September 7, 1960 Susan Palwick, 60. She won the Rhysling Award for “The Neighbor’s Wife”,  the Crawford Award for best first novel with Her Flying in Place, and the Alex Award would be awarded for her second novel, The Necessary Beggar. Impressive as she’s not at all prolific. All Worlds are Real, her latest collection, was nominated for the 2020 Philip K. Dick Award. (CE) 
  • Born September 7, 1960 – Michelle Paver, 60.  A score of novels; Chronicles of Ancient Darkness series set in Stone Age Europe sold a million copies, its Ghost Hunter winning The Guardian’s Children’s Fiction prize; Gods and Warriors series in the Bronze Age.  Patron of the United Kingdom Wolf Conservation Trust.  Met ice bears at Churchill, Manitoba. [JH]
  • Born September 7, 1973 Alex Kurtzman, 47. Ok, a number of sites claims he single handed lay destroyed Trek as the fanboys knew it. So why their hatred for him? Mind you I’m more interested that he and Roberto Orci created the superb Fringe series, and that alone redeems him for me. (CE)
  • Born September 7, 1974 Noah Huntley, 46. He has appeared in films such as 28 Days LaterThe Chronicles of Narnia: The Lion, the Witch and the Wardrobe (excellent film), Snow White and the Huntsman (great film), Event Horizon (surely you’ve something else to do) and Dracula Untold (well, not so great). He’s Gawain in The Mists of Avalon series which I refuse to watch, and shows up as Donovan Osborn in the CW series Pandora which, I’m not kidding, got a Rotten Tomatoes zero percent approval rating. Ouch. (CE) 
  • Born September 7, 1977 – Nalini Singh, 43.  A dozen Guild Hunter novels, a few shorter stories; a score of novels, a dozen shorter stories, about Psy-Changelings; a dozen more novels; thirty short stories on her Website.  Two Vogels.  A dozen NY Times Best Sellers.  [JH]
  • Born September 7, 1998 – Ghughle, possibly timeless.  The Ghreat Revelation of this so far little known fannish ghod came to Steven H Silver (no punctuation after the H) on September 22, 2001; see Argentus 2.  The birthday of Ghughle is celebrated, or had better be, on September 7th.  This image was vouchsafed to Stu Shiffman, and we all know what happened to him. [JH]

(10) COMICS SECTION.

  • Half Full catches up with a UFO.
  • Speed Bump sees things from the Lilliputian point of view.
  • What Heathcliff learned from Star Trek. (Besides never to wear a red shirt.)

(11) “CHADWICK BOSEMAN IS AN ANCESTOR NOW.” Evan Narcisse remembers “Chadwick Boseman Was Ready For History Every Time” in a profile at GQ.

…A few months after that meeting, Marvel Comics approached me about writing a comic book series called Rise of the Black Panther. It was the opportunity of a lifetime, a chance to re-imagine T’Challa’s earliest days as a king. The only problem was that I was scared as hell. Could I actually step into a legacy that I’d loved from afar, before a major motion picture starring the same character came out? Could I follow in the footsteps of creators whose work made me feel seen and helped spark my dreams of writing? I’d been writing about comics for almost half my life, but I’d never actually written them before. History was getting all up in my face and asking me what I was going to do. To come up with an answer, I thought back to my interview with Boseman. He was an actor who, as far as I could tell, hadn’t read any Black Panther comics before getting slipped one on the set of Gods of Egypt. Yet he took on the risk of portraying T’Challa. What sorry excuse could I, a lifelong comics nerd, muster for not doing the same?

Because when history came for Chadwick Boseman—as it did on multiple occasions—he was ready. Every time. That’s why his passing hits me so hard. Look at his life story and you see a man who knew the importance of meeting the moment. When he got his first big TV job on a soap opera, it was a character who was getting caught up in gang life. He asked the show’s creators questions meant to help round out the role and steer it away from stereotypes. For his trouble, he got fired the next day….

(12) SURVIVOR. [Item by Mike Kennedy.] Guardians of the Galaxy‘s Yondu Udonta—actor Michael Rooker—dishes (via Entertainment Weekly) on his recent battle with COVID-19.

Guardians of the Galaxy star Michael Rooker has been fighting a real-life battle here on Earth.

In a Facebook post on Friday, the actor told fans that he’s beaten COVID-19 after an “epic battle” with the illness.

“If y’all aint figured it out by now why I’ve been isolating in this crazy awesome Airstream of mine, let me help y’all out by saying I’ve been fighting off COVID-19,” Rooker wrote. “I have to let y’all know it has been quite a battle. And as in any war, ALL is fair. And IN the middle of this epic battle I’ve come to the conclusion that there aint a whole heck of a lot one can do externally, to fight off COVID-19 once it has gotten into your body.”

(13) TODAY’S THING TO WORRY ABOUT. SYFY Wire signal boosts speculation that “Half Of Earth Could End Up Being Taken Over By A Digital Information Overload As Soon As 2245”.

…It could happen, if you ask physicist Melvin Vopson. An astonishing half of Earth’s mass could take the form of digital data by 2245. He believes that we process so much digital information that if we keep up so much oversaturation, we will redistribute the physical atoms that make up this planet and everything on it into digital bits and computer code until we end up living in a sort of computerized simulation. You could argue that we already live in a simulation, but the unnerving thing about Vopson’s research is that it is an actual projection as opposed to something that could happen but will continue to exist in the realm of science fiction until it actually does.

(14) THE “THERE’S TOO MUCH POLITICS ON FILE 770” ITEM OF THE DAY.

(15) ALTERNATE LITERATURE. [Item by John A Arkansawyer.] If you recall the still from Seth Meyer’s show with the altered Thorn Birds cover–Thorn of the Rings, I believe it was–then you’ll be interested in the lower right hand corner of this video where I’ve cued it up. The bottom book is, sadly, not SF, but the rest of the stack is: https://youtu.be/gqV_fxqUI_I?t=143

(16) THE SINCEREST FORM OF FLATTERY. ScreenRant rounds up “12 Hilariously-Titled Ripoffs of Better Movies”. Tagline: “If you’re sick of watching well-produced Hollywood films with good acting and good effects, take a look of these so-called ‘mockbusters.’”

8. What’s Up? Balloon To The Rescue

If you thought mockbusters could only rip off action films, think again. This time, Pixar was the target with the amazingingly awful What’s Up? Balloon to the Rescue. Because “What’s Up” wouldn’t have been an obvious enough ripoff of Pixar’s Up, so they had to throw the word balloon in there just to make sure everyone knew what was, um, up.

Featuring what is absolutely the worst/most nightmare-inducing animation you’ll ever see, it’s actually fascinating that What’s Up even exists considering the amount of time and effort that it must have taken to make a movie this bad. Not only is the film insultingly bland and near-impossible to watch, but it’s also insanely racist in a way that only a movie that looks like a ’90s screensaver could be. If it isn’t yet clear, everything about this film is fascinating, and if you want to cringe your way through a night with some friends, you literally couldn’t make a worse choice than What’s Up.

(17) FANDOM SURVIVES, TOO. SF2 Concatenation has posted “How Eastercon and Worldcon fandom”. Tagline: “In 2019 the SARS-CoV-2 virus evolved. By early 2020 it had spread from Asia to the rest of the World. In March 2020 much of Europe and N. America went into lockdown. Yet SF fan activity continued.  Caroline Mullan reveals how.”

… Many fans around the world had seen the virus coming and started modifying their public behaviour before lockdowns started to take hold.  One of the first fruits of this was Concellation 2020, which sprang up on Facebook on 13th March, founded by Christopher Ambler and Craig Glassner as a forum for letting off steam as fans started to stay at home.  Within 24 hours the group had over a thousand members, and at time of writing it has over 30,000 from all over the world, making jokes, exchanging information, displaying art, cosplay and merchandise, raising funds for charity, and discussing all things fannish.  This was an early example of the many new online groups and forums that have been springing up to allow fans to socialise, exhibit and share their creativity and thoughts from lockdown.

(18) VIDEO OF THE DAY. In “Disney’s Live-Action Mulan Pitch Meeting” on ScreenRant, Ryan George explains that the Mulan remake “took the animated movie and removed the fun stuff” but added characters who wore so much makeup “they’re basically violent theatre majors.”

[Thanks to Martin Morse Wooster, John King Tarpinian, Michael Toman, Mike Kennedy, Cat Eldridge, John Hertz, JJ, Chuck Serface, John A Arkansawyer, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Cliff.]

Set the Controls for Alpha Centauri

Traveling to our nearest stellar neighbor becomes an increasingly tangible vision. Not just for sf readers, or the countless thousands of Civilization gameplayers who built and launched the starship to Alpha Centauri, but the general public.

Witness the latest installment of NPR’s Studio 360 podcast, “How To Fly To Alpha Centauri”, in which the Benford brothers, former astronaut Mae Jemison of 100 Year Starship, and Marc Millis of the Tau Zero Foundation, set the vision.

Mae Jemison

Mae Jemison

Mae Jemison is the Principal of the 100 Year Starship Trust:

“That time frame is reasonable, why?” she asks rhetorically. “If you said ten years — ‘Nah, we know that’s not long enough.’ If you said 500 years, people would say, ‘I can kick back for another two to three hundred years because I don’t have to worry about it.’ One hundred years is close enough.”

Nor can the idea be dismissed as unattainable:

Gregory Benford likes to remind us of how greatly we underestimate the pace of change. “Thomas Jefferson said in 1812 that it will take 1,000 years for the republic to reach the Pacific. He never envisioned that 57 years later, a train would run all the way to San Francisco.”

Especially when people are already at work on technological concepts that might provide the key:

James Benford is president of a company that does microwave research; his identical twin brother Gregory is an astrophysicist at the University of California, Irvine. The Benfords make a strong case for a technology right out of a science fiction novel. The technology is the beam sail, and the book is Rocheworld, written by Robert Forward in 1982. “[It’s] a very solid scientific concept for a starship,” James says.

A beam sail is like a regular sail — “envision it as a giant umbrella, maybe 100 meters across,” says Gregory — pushed with microwave beams, instead of wind, to extremely high speeds.

Warp Factor .0000001 Mr. Sulu!

New calculations involving the warp drive suggested by Mexican physicist Miguel Alcubierre in 1994 may lead to faster-than-light travel without impractical energy requirements.

In theory.

Dr. Harold “Sonny” White of NASA’s Johnson Space Center described the Alcubierre warp drive to the 100-Year Starship Symposium on September 14. A spacecraft would be attached to a large encircling ring, potentially made of exotic matter, that would cause space-time to warp around the starship, creating a region of contracted space in front of it and expanded space behind. The ship itself would stay inside a bubble of flat space-time that wasn’t being warped at all.

And according to White’s calculations, by adjusting the shape of the ring to that of a rounded donut the drive could be powered by a mass similar in size to the Voyager 1 space probe. (Click to read White’s paper ”Warp Field Mechanics 101” [PDF file].)

White and his colleagues are experimenting with these ideas using the White-Juday Warp Field Interferometer at the Johnson Space Center, trying to create micro versions of space-time warps that will perturb space-time by one part in 10 million.

Another accessible article is here in The Register.

[Via Chronicles of the Dawn Patrol.]

100 Year Starship Con

Jeff Foust’s inside report on The 100 Year Starship Study Symposium is posted at The Space Review. Sf writers named in the article — several of them scientists, too — are the Benford brothers, Charles Stross, Geoffrey Landis, and director and special effects creator Douglas Trumbull.

James Benford:

Given the difficulty we have today traveling in the solar system—or even just getting into Earth orbit—what hope is there to going to going another star? “If we cannot do that,” said physicist James Benford, who chaired the propulsion track of the symposium, “the other questions are moot.”

Geoffrey Landis:

 “If we are going to go to the stars, we are going to need to use the resources of the solar system,” said Geoffrey Landis, a scientist at NASA’s Glenn Research Center who is also a science fiction author. “The nuclear thermal rocket will probably not be the system that takes us all the way to Alpha Centauri, but it is going to be the pickup truck that can drive us around the solar system.”

Lou Friedman, Gregory Benford:

“The biggest thing the interstellar flight community has to do to advance interstellar flight is to get rid of the humans,” concluded Lou Friedman, the former executive director of The Planetary Society. Technologies such as beamed power “lightsails” and miniaturization can make interstellar spacecraft affordable, he said, but that means leaving humans behind, at least for now. “As long as continue to think of this as a human activity, sending heavy people in big spacecraft, it’s going to be a subject of science fiction.”

“The first starship doesn’t have to be manned,” said science fiction author Gregory Benford. Small beamed-power starships, like the ones Friedman advocated, could be the first spacecraft to go to another star, and in the relatively near future. “We could be launching those easily in less than a century because all the technologies needed are readily available now.”

Charles Stross:

“One of the things that’s bugged me about this whole conference is the terminology of ‘starship,’” said science fiction author Charles Stross. The “ship” part of the term “comes with an awful lot of cultural baggage attached,” he said, including the need for a crew, a destination, and the fact that a ship generally returns from that destination.

“What we were actually talking about here seems to break down into two types of vehicles, neither of which is a ship,” he said. One kind of vessel is a robotic probe, while the other is a crewed vessel, but one that’s likely a generational ship that takes many decades or centuries to reach its destination, with no plans to return. “You have to be very careful about how the language you use biases your ideas about what we’re talking about.”