Editor-in-Chief of Amazing Stories Ira Nayman announced his resignation on December 15 in an email to Publisher Steve Davidson and Creative Director Kermit Woodall.
“His resignation was accepted and we thank him for his contributions and wish him the best in his future endeavors,” say Davidson and Woodall. They also say Nayman will remain and complete the current issue in progress and additionally has offered to perform a subset of his previous duties until they are transitioned to a new editor.
Authors whose stories have been accepted, authors whose work is currently in the submission queue, all will all be contacted in the usual manner by the new editor.
(1) FOR CONRUNNERS. On Sunday, November 15, Virtual Convention Convention will be held — an event devoted to (guess who) convention runners of virtual conventions. Register at the link.
Steve Davidson sent the link and says, “I’ll be presenting on how I put AmazingCon’s scheduling together in a very short time-frame.”
(2) HAYAO MIYAZAKI NEWS. [Item by Martin Morse Wooster.] This is from an interview with Studio Ghibli co-founder Toshio Suzuki by Leo Lewis in the November 9 Financial Times.
Two weeks before our meeting in June, the studio (Studio Ghibli) had announced that Miyazaki’s son Goro was working on a CH animated adaptation of Diana Wynne Jones’s novel Earwig And The Witch, which is scheduled to be broadcast in Japan next month. But even more fascinating for Ghibli’s global fan base is the progress of the elder Miyazaki on How Do You Live?–his first film in the director’s chair since The Wnd Rises in 2013 and the reason he decided to come out of retirement. It was a decision, says Suzuki, that did not arise from any formal meeting of the company (“We never have those!” but from another of the daily chinwags between the two old friends.
Miyazaki, says Suzuki, has come into the office every day of the Covid crisis, even as the rest of the operation has had to be pared back and dependent on teleworking. The good news is that production has continued to some extent; the bad news is that because the maestro works at his own perfectionist pace, the film is at least three years away.”
Lewis talks about a video Suzuki made about how to draw Totoro that went viral. This is on the web as “Learn How To Draw Totoro From Studio Ghibli’s Former President.” He says he wanted to do something to cheer kids up at the height of the pandemic.
(3) ON THE RACK. Scott Edelman got a kick out of deconstructing the comics rack in this scene from The Queen’s Gambit.
In The Evidence (Gollancz, £20), Christopher Priest makes a welcome return to the Dream Archipelago, a string of islands where nothing is as it first appears. Thriller writer Todd Fremde is invited to lecture at the university in Dearth, a subpolar island that undergoes destabilising changes in space and time known as “mutability”. While on the island he is approached by a semi-retired police commissioner; she recounts the details of a murder that occurred 15 years earlier. Fremde investigates the killing on his return home, only to discover that aspects of her story do not tally with the known facts. He soon finds himself drawn into a series of baffling events that threaten to bring the killer to his doorstep. With characteristic literary playfulness, Priest presents both a compelling mystery – Fremde’s attempts to work out the objective truth of the cold case – and a treatise on the unreliability of subjective narrative. The Evidence is an unsettling, Kafkaesque tour de force.
(5) WORLDCON BID VIDEO. The Chengdu in 2023 Worldcon bid has put out a promotional video. President Obama’s in there for a split second. (But not his successor – they’re trying to win, after all.)
(6) MEDIA BIRTHDAY.
November 13, 1987 — The Running Man premiered. Directed by Paul Michael Glaser and starring Arnold Schwarzenegger, María Conchita Alonso and Richard Dawson. It‘s very loosely based on the novel of the same title written by Stephen King and published under the Richard Bachman pseudonym. It was a moderate box office success and currently rates 60% at Rotten Tomatoes. (CE)
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born November 13, 1850 – Robert Louis Stevenson. Had he written only the novella “Strange Case of Dr. Jekyll and Mr. Hyde”, it would have been enough for us. (Incidentally, the name is pronounced “Jee-kill”.) What he did in 25,000 words! The best discussion I know is Nabokov’s, see N’s Lectures on Literature (F. Bowers ed. 1980). The Master of Ballantrae is ours, and many shorter stories. I recommend “Markheim” for the characterization of its antagonist – but no spoilers. (Died 1894) [JH]
Born November 13, 1873 – Oliver Onions. You’ll expect me to recommend The Tower of Oblivion, and I do. Four more novels for us, three dozen others; three dozen shorter stories. He had been an amateur boxer and was a commercial artist; he sometimes did his own covers. (Died 1961) [JH]
Born November 13, 1888 — Philip Francis Nowlan. He’s best known as the creator of Buck Rogers. While working in Philadelphia, he created and wrote the Buck Rogers comic strip, illustrated by Dick Calkins. Philip Nowlan, working for the syndicate John F. Dille Company, later known as the National Newspaper Service syndicate, was contracted to adapt the story into a comic strip. The strip made its first newspaper appearance on January 7, 1929. (Died 1940.) (CE)
Born November 13, 1898 – Walter Karig. Navy captain, seven books of naval history; three Nancy Drew books, five others of that kind; detective fiction; four general-interest novels; for us, Zotz! Read it, and when you discover the tragedy, you’ll see why the movie was different. (Died 1956) [JH]
Born November 13, 1930 — Adrienne Corri. Mena in “The Leisure Hive”, a Fourth Doctor story. She was also in A Clockwork Orange as Mrs. Alexander, Devil Girl from Mars, Corridors of Blood, The Tell-Tale Heart, Lancelot and Guinevere, Revenge of the Pink Panther and Moon Zero Two which is not a complete listing by any means. (Died 2016.) (CE)
Born November 13, 1933 – Jasia Reichardt, 87. Survived the Holocaust. Art critic, curator, teacher, gallery director; assembled the Francziska & Stefan Themerson archive. Famous for curating Cybernetic Serendipity at the Institute of Contemporary Arts, London; three related books. Robots: Fact, Fiction, and Prediction. Lectures, Our Dreams Change, We Don’t (2019). Many other books and articles. [JH]
Born November 13, 1946 – Marty Massoglia, 74. Chaired Loscon 4. Fan Guest of Honor at Tuscon 10, Penulticon 3. Forty years a leading bookseller. Teaches Regency dancing. Now in Tucson, Arizona. He looked like this at LoneStarCon 3 the 71st Worldcon. [JH]
Born November 13, 1948 — John de Lancie, 72. Best known for his role as Q in the Trek multiverse though I was quite fond of him as Janos Barton inLegend (if you’ve not seen it, go now and watch it). He also was Jack O’Neill enemy Frank Simmons in Stargate SG-1. He has an impressive number of one-offs on genre shows including The Six Million Dollar Man, Battlestar Galactica(1978 version), The New Twilight Zone, MacGyver, Mission: Impossible (Australian edition), Get Smart, Again!, Batman: The Animated Series, and I’m going to stop there. (CE)
Born November 13, 1953 — Tracy Scoggins, 67. Capt. Elizabeth Lochley on Babylon 5 and its follow-up series, the short-lived Crusade. See Neil Gaiman’s most excellent Babylon 5 episode “ Day of the Dead” for all you need to know about her. She was also Cat Grant in the first season of Lois & Clark, and she played Gilora Rejal, a female Cardassian, in “Destiny” a DS9 episode. (CE)
Born November 13, 1955 — Whoopi Goldberg, 65. Best known as Guinan the Barkeep in Ten Forward on Enterprise in Next Gen which she reprised in Generations and Nemesis. Other genre appearances include It’s a Very Merry Muppet Christmas Movie, Teenage Mutant Ninja Turtles and The Adventures of Rocky and Bullwinkle to name but a few of her appearances as she’s very busy performer! And she has one interesting sounding genre novel, Alice, based off that novel to her credit. (CE)
Born November 13, 1957 — Stephen Baxter, 63. Ok I’m going to confess that the only thing I’ve read that he’s written is the Long Earth serieswith Terry Pratchett. I’ve only read the first three but they are quite great SF! Ok, I really, really need your help to figure out what else of his that I should consider reading. To say he’s been a prolific writer is somewhat of an understatement and he’s gotten a bonnie bunch of awards as well though no Hugos. It’s worth noting that Baxter’s story “Last Contact” was nominated for a. Hugo for best short story as were quite a number of his works. (CE)
Born November 13, 1977 – Leanne Hall, 43. Three novels. Text Prize for Children’s & Young Adult Writing. Wrightson Prize for Children’s Literature. Australian Writers Week in China, 2014. [JH]
Early Thursday morning, officers from the Scotts Valley Police Department in Santa Cruz County, California responded to a call about a “suspicious figure” by the side of the road. That’s a phrase that could imply all kinds of scary things, but when the officers got to the spot in question, they found something they perhaps didn’t expect: Bigfoot.
Yes, Bigfoot has been found in Scotts Valley, California! And by “Bigfoot,” we mean a beloved four-foot-tall redwood statue of Bigfoot reported stolen from a local museum earlier this week….
NASA’s Curiosity Mars rover has a new selfie. This latest is from a location named “Mary Anning,” after a 19th-century English paleontologist whose discovery of marine-reptile fossils were ignored for generations because of her gender and class. The rover has been at the site since this past July, taking and analyzing drill samples.
Made up of 59 pictures stitched together by imaging specialists, the selfie was taken on Oct. 25, 2020—the 2,922nd Martian day, or sol, of Curiosity’s mission.
Scientists on the Curiosity team thought it fitting to name the sampling site after Anning because of the area’s potential to reveal details about the ancient environment. Curiosity used the rock drill on the end of its robotic arm to take samples from three drill holes called “Mary Anning,” “Mary Anning 3,” and “Groken,” this last one named after cliffs in Scotland’s Shetland Islands. The robotic scientist has conducted a set of advanced experiments with those samples to extend the search for organic (or carbon-based) molecules in the ancient rocks.
A recent spate of bear attacks in Japan has prompted one city to invest in an unusual scare tactic: robotic wolves.
The city of Takikawa in northern Japan, population 41,000, purchased two of the animatronic wolves — called the “Monster Wolf” — in September after bears were found entering the city, Reuters reports.
The Monster Wolf is mounted on a stationary pole and comes equipped with motion sensors.
When those sensors are triggered it swivels its head, flashes lights in its eyes and on its tail, and emits a variety of sounds, including wolf-like howls and the clanking of machinery.
(12) VIDEO OF THE DAY. “Chuck Jones’s MGM Cartoons–The Dot and The Line (1965)” is a 1965 cartoon, directed by Chuck Jones and with a script by Norton Juster, about a doomed romance between a dot and a line. Narrated by Robert Morley.
[Thanks to John King Tarpinian, John Hertz, JJ, Andrew Porter, Martin Morse Wooster, Mike Kennedy, Michael Toman, Contrarius, Steve Davidson, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Joe H.]
(1) NASFIC FAN FUND AUCTION. Michael J. Lowrey makes a last-minute appeal: We still need items for auction pretty desperately: books, fanzines, tuckerizations, fannish memorabilia, whatever, for the Virtual FanFund Auction at the virtual NASFIC on Facebook.” Post items there. The auction starts Friday. Lowrey says —
An auction item post should include the following:
Item Name Description Minimum Bid
Please note that if your Fan Fund Auction Donation requires shipping, you are expected to pay for that shipping as an additional donation. If you wish to restrict shipping to your home country, say so up front.
This is a Silent Fan Fund Auction, to be held on behalf of TAFF (the Trans-Atlantic Fan Fund, http://taff.org.uk/), GUFF (the Get Up-and-over Fan Fund, https://taff.org.uk/guff.html), DUFF (the Down Under Fan Fund, https://downunderfanfund.wordpress.com/), and LAFF (The Latin American Fan Fund). These funds serve to enable fans to travel to other countries and continents to attend their major conventions and meet the local fans, people they may know only from letter columns, email, or chatty websites. And to get it all done, the funds depend on contributions of fans like you… and, of course, benefit auctions.
This is your chance to pick up any number of interesting things… art, books, fanzines, pulp magazines, t-shirts, things that somehow involve cats… the opportunity to be “Tuckerized” into a work of fiction… or other peculiar or “fannish” stuff.
Donations for the fan fund auction will be accepted via posts to this event, and we also accept monetary donations via paypal to firstname.lastname@example.org. If you would like the proceeds from your auction donation to go to a particular fan fund, indicate that in your post. The proceeds from donations without designations will be evenly split between the fan funds.
Now allegedly suffering from dementia, Nichelle Nichols, 87, who played Uhura on the original “Star Trek” in the late 1960s, is embroiled in an ongoing legal battle involving her manager, Gilbert Bell. Alleging Bell took advantage of Nichols over the last decade, Nichols’ family has taken to GoFundMe to help raise money for the icon’s legal battle.
The most recent court action came earlier this month, when Kyle Johnson, Nichols’ son, filed a cross complaint against Bell. The complaint is in response to a 2019 lawsuit filed by Bell against Johnson, where Bell alleges that it is Johnson’s actions that are harming Nichols — while Bell has always had her best interests in mind.
Johnson has denied Bell’s allegations of wrongdoing against him. Bell has not yet responded in court to Johnson’s allegations. IndieWire has reached out to lawyers for Johnson, Bell, and a representative for Nichols….
…There’s also the contention that Science Fiction is a continuum, an on-going, centuries old dialogue of call and response, writers reacting to published works and offering up variations, counter-arguments, expansions in response. “We stand on the shoulders of giants” is an expression often used to acknowledge that without the work perfomed by previous generations of authors, editors, publishers, artists and fans, contemporary SF would not be where it is today.
That latter is often negatively receieved these days, and it shouldn’t be. Much is made about contemporary SF rejecting the all white heterosexual european male colonialist based SF of the 40s, 50s and 60s – but of course without the existence of such a body of work, there would be nothing to react to or reject. Call it a benign correction as the field expands to incorporate diverse voices or call it a war against patriarchy, in both estimations there is something that is being addressed and re-evaluated (if not pushed back against and excoriated).
Is there an SF Canon? Yes. But is it a moving scale? Is it inviolate? Is it mandatory?
No, no and no.
(4) CASTING THE CANON. And Doris V. Sutherland cannot resist trying to answer the question for another genre, “What is the Horror Canon?”
…Picture a bookshelf, completely empty and ready to have a tidy set of volumes lined up on it. Now imagine that someone has decided to fill it with the canonical works of horror literature. What would they start with? Frankenstein and Dracula would be obvious choices. These may well be followed with reasonably-sized collections of Poe and Lovecraft stories. Next, let’s add the complete ghost stories of M. R. James.
Now pause for thought. That’s five books – and already we’ve covered a pretty substantial chunk of the most influential horror fiction in the English language. Regardless of what else we put on the shelf – and it’s easy enough to think of further titles, from The Strange Case of Dr. Jekyll and Mr. Hyde to The Exorcist – it’s hard to deny that those above five books will cover a pretty big percentage of whatever horror canon we end up with.
Now try to imagine a bookshelf with the science fiction canon. It’s a taller order: off the top of my head, we’d have at least four books if we wanted to represent Isaac Asimov alone (I, Robot and the Foundation trilogy). When we factor in Verne, Wells, Heinlein, Clarke, Bester, Ellison, Le Guin… well, let’s just say we’re going to end up with more than five books.
So, the horror canon is smaller than the science fiction canon – or, to phrase that differently, more tightly-focused. Thinking about it, this makes sense. Horror is a genre where less is more – look at how many classics of horror fiction are short stories rather than novels, for one. And when I look back at our hypothetical bookshelf of canonical horror, I have to wonder if those books might be better described not as a horror canon, but as a set of horror archetypes.
The dimwitted bigot brigade finally came across my piece about the Science Fiction canon from a couple of weeks ago and had a predictable spasm about it, asserting how it was evidence that (I’m paraphrasing from various sources, here) a) science fiction and fantasy was dying, b) traditional publishing (the sf/f parts of it anyway) is dying too, c) I’m responsible in some measure for a) and b), despite d) the fact that apparently I don’t actually sell and/or only sell through byzantine sleight of hand by the publishing industry for reasons and also e) I suck, f) which is why I don’t want people to read older works because then they would realize that, and while we’re at it g) modern sf/f is infested with terrible work from people who aren’t straight white dudes, h) which I, a straight white dude, am also somehow responsible for, and so in short, i) everything is my fault, and j) I am simultaneously a nobody and also history’s worst monster.
It’s a lot! I think it must be tiring to be a dimwitted bigot, thinking about me….
…Affleck reportedly got the script for The Flash at the end of last week and agreed to board the project.
“He’s a very substantial part of the emotional impact of the movie. The interaction and relationship between Barry and Affleck’s Wayne will bring an emotional level that we haven’t seen before,” Muschietti tells Vanity Fair who broke the news. “It’s Barry’s movie, it’s Barry’s story, but their characters are more related than we think. They both lost their mothers to murder, and that’s one of the emotional vessels of the movie. That’s where the Affleck Batman kicks in.”
Another reason feature mythology-wise why Affleck’s Batman is coming back to The Flash, and that’s that Miller’s Flash considers him to be the original Dark Knight, the guy he fought alongside in Justice League. Hence, per Muschietti, it was necessary to have Affleck’s Batman as a starting point: “He’s the baseline. He’s part of that unaltered state before we jump into Barry’s adventure…There’s a familiarity there,” he further tells Vanity Fair.
2020 has been a scary year. Like some dark fantasy or horror story. Or a dystopian tale about the end of the world.
Why not embrace that spirit? Show this year from hell that you can take whatever it dishes out, because you know what dark fantasies and horror stories are really like. And you’ve seen more ends of the world than 2020 could even dream of.
…Read about curses and ghosts, about Norse gods on the Canadian prairies and what happens after Ragnarök and the end of the world. Read how life on Earth may end if we don’t stop killing our planet. Read twenty-one tales of personal apocalypses (because someone’s world is always ending), and stories from a very special and very strange bookstore. Read about post-human biopunk and day-after-tomorrow climate change adventure. Read about the boy who is either a scrawny, bullied, neglected son of insane parents or the imprisoned leader of a death cult dedicated to the goddess of discord.
…For StoryBundle, you decide what price you want to pay. For $5 (or more, if you’re feeling generous), you’ll get the basic bundle of four books in any ebook format—WORLDWIDE.
Picking Up the Ghost by Tone Milazzo
Wasps at the Speed of Sound by Derryl Murphy
The Door to Lost Pages by Claude Lalumière
Tombstone Blues by Chadwick Ginther
If you pay at least the bonus price of just $15, you get all four of the regular books, plus SEVEN more books, for a total of eleven!
The series will look at the desegregation of the high school and how 14-year-old LaNier and eight other students became the first Black people to attend the all-white school.
In a landmark decision, the U.S. Supreme Court ruled in 1954 that segregated schools were unconstitutional and called for the integration of all schools.
The nine students, along with Daisy Bates, became civil rights icons as they risked their lives to combat the racist school segregation policies in Arkansas.
(9) MEDIA ANNIVERSARY.
This week in 1950, Dimension X aired a story out of Ray Bradbury’s The Martian Chronicles in which a Martian named Eala dreams of a visitor from a planet, Earth, where they know life is impossible. This episode was unusual in that Bradbury hosted it instead of the usual Dimension X host. The story was later renamed “Ylla” which is considered the canonical title for this story but it was first published as “I’ll Not Ask for Wine” in Maclean’s, January 1, 1950. Listen here.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born August 20, 1883 — Austin Tappan Wright. Did you know that Islandia wasn’t published when he was alive? His widow edited his fifteen hundred page manuscript for publication, and following her own death in 1937 their daughter Sylvia further edited and cut the text yet more; the resulting novel, shorn of Wright’s appendices, was published in 1942, along with a pamphlet by Basil Davenport, An introduction to Islandia; its history, customs, laws, language, and geography, based on the original supplementary material. Is there a full, unedited version? (Died 1931.) (CE)
Born August 20, 1906 – Sheila Hawkins. Wrote and illustrated fifty children’s books in the United Kingdom and Australia, many with animals, many fantastic. Here is The Singing Chameleon. Here is Taliesin. Here is an interior for Long Ears. Here is Wish and the Magic Nut, which won Picture Book of the Year. Also landscapes and abstracts. (Died 1999) [JH]
Born August 20, 1909 — André Morell. Best remembered as Professor Bernard Quatermass in the Quatermass and the Pit series, and as Doctor Watson in the Hammer Film Productions version of The Hound of the Baskervilles which is quite excellent. It’s also worth noting that he played O’Brien in BBC’s 1954 Nineteen Eighty-Four, opposite Peter Cushing as Winston Smith. (Died 1978.) (CE)
Born August 20, 1915 – Arthur Porges. For us a hundred short stories, some under other names; half a dozen posthumous collections. Many more for others e.g. detective fiction. Translated into Croatian, Dutch, French, German, Italian, Japanese, Russian, Serbian, Spanish. Here he is on the cover of the Sep 60 Fantastic (i.e. his story “The Shadowsmith”; cover artwork by John Duillo). This Website is about AP and his brother Irwin. (Died 2006) [JH]
Born August 20, 1942 – Joe Mayhew, F.N. One of our finest fanartists; two Hugos for that. Five short stories published, in Aberrations, Aboriginal, and Tomorrow; a score of reviews in Absolute Magnitude, more in the Washington Post. A hundred seventy drawings in Asimov’s, Flag, FOSFAX, The Frozen Frog, It Goes on the Shelf, Journey Planet, Mimosa, NY Rev. of SF, PLOKTA, Squiggeldy Hoy, Vojo de Vivo; various Worldcon and other con publications. Radio-style plays for Disclaves and Boskones. Fellow of NESFA (New England SF Ass’n; service award). Chaired the 1987 Disclave. Library of Congress Recommending Officer for SF. Fan Guest of Honor at Novacon II, Albacon 3; Ghost of Honor at Capclave 2001, Balticon 49. Here is his cover for the Nov 98 WSFA Journal (Washington, D.C., SF Ass’n). Here is an illustration from Mimosa 17. (Died 2000) [JH]
Born August 20, 1943 — Sylvester McCoy, 77. The Seventh Doctor and the last canon Doctor until the modern era of the official BBC Doctors when they revised canon. He also played Radagast in Peter Jackson’s Hobbit films, he’s The Old Man of Hoy in Sense8 and he voices Aezethril the Wizard in the “Endgame” episode of Thunderbirds Are Go. (CE)
Born August 20, 1951 — Greg Bear, 69. Blood Music which won both a Nebula Award for Best Novelette and a Hugo Award at L.A. Con II for Best Novelette is an amazing read. I’m also very fond of the Songs of Earth and Power duology, The Infinity Concerto and The Serpent Mage, and found his Queen of Angels a fascinating mystery. I confess that I’ve not read him over the past few decades. What’s he done as of late that I should consider reading? (CE)
Born August 20, 1961 — Greg Egan, 59. Australian writer who exists though he does his damnedest to avoid a digital footprint. His excellent Permutation City won the John W. Campbell Memorial Award and “Oceanic” garnered a Best Novella Hugo at Ausiecon Three. I assume he wasn’t there given his stance against attending Worldcons? (CE)
Born August 20, 1961 – Jim Clemens, 59. Three dozen novels for us, half a dozen shorter stories, some with Rebecca Cantrell; action-adventure books under another name, some with Grant Blackwood; certified SCUBA (Self-Contained Underwater Breathing Apparatus) diver; Doctor of Veterinary Medicine under yet another name – if he wants to keep these careers separate, why shouldn’t we? Translated into Dutch, French, German, Italian. [JH]
Born August 20, 1962 — Sophie Aldred, 58. She’s Ace, the Seventh Doctor’s Companion. (By the way Doctor Who Magazine: Costume Design: Dressing the Doctor from William Hartnell to Jodie Whittaker is a brilliant read and has a nice look at her costuming.) She’s reprised the role in the Big Finish audio adventures. (CE)
Born August 20, 1969 – Christina Diaz Gonzalez, 51. Three novels for us, three others. Many awards for historical fiction The Red Umbrella (also in Spanish). Born in Florida to Cuban parents. Took a law degree, practiced law awhile. Lives in Miami with husband, sons, a dog that can open doors. [JH]
Born August 2, 1972 – Carolyn Cohagen, 48. Four novels. Conducts Girls With Pens, creative writing for girls 8-14. Earlier, a stand-up comic in New York, Chicago, London, Amsterdam; studied physical theater at École international de théâtre Jacques Lecoq, Paris. Ranks The Phantom Tollbooth about the same as Slaughterhouse-Five. [JH]
(12) HORRIBLE EXAMPLES. Earlier this month Titan Comics was handed a golden opportunity to publicize their collection of The Best of Hägar The Horrible by Dik Browne.
Joe Biden recently announced his choice of Kamala Harris as running mate, and in the official photograph by Adam Schultz also revealed that he keeps a framed cartoon strip on his desk – from Titan’s own Hägar the Horrible!
Bleeding Cool reported on the story, as well as quoting Biden saying that the strip had helped him through personal tragedies by reminding him “a lot of people are going through a lot worse than you’re going through, and the way they get through it is … they have people reach out, touch them, give them solace.”
This is the strip on Biden’s desk:
And here are some other examples Titan shared in its press kit, several with genre jokes.
(13) NINETEEN MINUTES OF FAME. At least, the nineteen-minute mark is where fame summons James Davis Nicoll in Isaac Arthur’s video The Fermi Paradox: Galactic Disasters. James notes, “He mispronounced my name but I am the Nicoll in Nicoll-Dyson Laser, which can reduce an Earth-sized world to vapour in a week at distances of up to a million light years.”
If anything, this video makes Cixin Liu’s Death’s End sound too cheerful.
(14) THE NAME OF MY LAST BAND. Just released on YouTube today — Live From the Space Stage: A HALYX Story is a full-length documentary.
For one glorious summer, an experimental, sci-fi band rocked Disneyland’s space stage. With a bass-playing Wookiee and an acrobatic frog, the band’s existence is nearly unbelievable, and the story behind its creation is just as incredible.
Possibly the most famous of all of the John Carter of Mars covers by Frazetta, the artist actually painted two versions in 1970, with the first being published as a Doubleday hardback dustjacket cover. Fearing that the original art would not be returned from the publisher, Frazetta immediately painted a version for himself – the stellar painting we’re offering – since he was so proud of the image. Frazetta personally related to Joe and Nadia Mannarino (see below), and presumably others, that he loved this second painting even more than the original (which he actually sold in the early 1970s). We’re showing the two paintings side-by-side online for review. Regardless of which version you prefer, both represent the quintessential heroic fantasy image, with the bold, strong hero, the voluptuous female at his legs, and surrounded by a dangerous alien environment.
…When Frankenstein first appeared in print in 1818, anonymously but with a preface by Percy Bysshe Shelley, plenty of readers assumed that the poet was its author. In Mary Shelley’s introduction to the 1831 edition, she wrote that people had asked her “how a young girl, came to think of, and to dilate upon, so very hideous an idea?” In keeping with the story’s eerie origins – the stormy nights and sunless summer days beside Lake Geneva – she put it down to a kind of visitation, the result of “imagination, unbidden, possessed”. Yet as the manuscript reveals, inky-fingered graft played a big role in allowing the doctor’s monster to evolve into the more tragic, nuanced creature that’s haunted our imaginations ever since. In fact, “creature”, Mary’s initial description, is later replaced by “being”, a being who becomes still more uncannily human thanks to other tweaks such as replacing the “fangs” that Victor imagines in his feverish delirium with “fingers” grasping at his neck.
Sadly, the refusal to believe that a woman barely out of girlhood could possibly have authored this transcendent Promethean fable has never quite gone away, and Percy’s notes on the manuscript have been used to bolster the theory that he at least co-authored Mary’s novel. While he’s certainly an astute line editor, the chief revelation here is domestic: the radical Romantic was a supportive, affectionate partner.
The idea of using a public bathroom with see-through walls may sound like the stuff of nightmares. But a famous Japanese architect is hoping to change that view, using vibrant colors and new technology to make restrooms in Tokyo parks more inviting.
“There are two things we worry about when entering a public restroom, especially those located at a park,” according to architect Shigeru Ban’s firm. “The first is cleanliness, and the second is whether anyone is inside.”
Transparent walls can address both of those worries, Ban says, by showing people what awaits them inside. After users enter the restroom and lock the door, the powder room’s walls turn a powdery pastel shade — and are no longer see-through.
“Using a new technology, we made the outer walls with glass that becomes opaque when the lock is closed, so that a person can check inside before entering,” the Nippon Foundation says.
The group is behind the Tokyo Toilet project, enlisting world-famous architects to create toilets “like you’ve never seen.”
A ninja museum has been raided in Japan, with thieves making off with more than a million yen (£7,100).
The Iga-ryu Ninja Museum in central Japan is dedicated to the history of the famous Iga clan of ninja.
Police were called after an alarm was set off at 01:30 local time on Monday (16:30 GMT on Sunday), the museum said on Thursday.
Officers found the office door had been forced with what is thought to be a crowbar and the 150kg safe was missing.
(19) VIDEO OF THE DAY. Someone with time on their hands turns 2001 into 2020.
2020: an isolation odyssey is a reenactment of the iconic finale of 2001: A Space Odyssey (Stanley Kubrick, 1968). Restaged in the context of home quarantine, the journey through time adapts to the mundane dramas of self-isolation–poking fun at the navel-gazing saga of life alone and indoors.
[Thanks to John King Tarpinian, N., Martin Morse Wooster, John Hertz, Cat Eldridge, Mike Kennedy, JJ, Andrew Porter, Michael J. Walsh, Linda Deneroff, Chip Hitchcock, Paul DiFilippo, John A Arkansawyer, and Michael Toman for some of these stories. Title credit goes to File 770 contributing editor of the day Simon Bisson.]
The series is from Murderbot’s perspective, who doesn’t care much about the wider galaxy (outside of its favorite media), but I assume there’s a lot of worldbuilding you have to juggle. We learn a bit about regions of space like the Corporation Rim, but would you tell me a little more about the state of the larger galaxy?
The Corporation Rim does control a lot of territory, but there are a lot of independent worlds and places outside it and also a lot of unexplored space, basically. In my head, what I see is that there was a whole society—pre-Corporation Rim—that went out and explored and colonized and developed terraformed worlds and all these different places. The Corporation Rim then grew and took over a large section of that. There was a disruption when that happened and so a lot of the pre-Corporation Rim colonies were either destroyed or have been lost. There are a lot of unknown territories out there. I like to do that in my books, I don’t like to define rigidly what the world is, or what the boundaries of the world are. When I’m reading books where that’s done I feel like that limits the reader’s imagination.
I’m kind of a seat-of-the-pants writer, so I don’t plan out a lot ahead of time. I also like to explore the world along with the reader, so I don’t talk about how the world works in general, partly because I want to get the reader concentrated in the plot, but also because I don’t want to set up things so that, later, when I come up with a different idea for the next book, I have to contradict myself or come up with a way around it. I’m just exploring the world. I tend to develop a lot of stuff I need for each story in particular, and then for the next story I realize, “Oh, well, there’s places to go from there. I need to explore this idea.” So I’m kind of making it up as I go along, though I do have ideas about how the world came to be and what caused the society to develop this way, but I don’t usually get into those, because it’s not important for the story that’s being told in that moment (but it might be important later).
Greg Hullender of Rocket Stack Rank, who sent the item, says “I spot checked them, and at least some of them are unimpeachable—i.e. they link to the author’s own web site—but for others I’m unsure whether the sites hosting them really have permission from the copyright owners to do so. It might be a public service to call attention to the site so anyone who cares can track the links and authors.”
This week on The Full Lid, I take a look at the state of the Star Wars universe and find it richer, more interesting and wider than it often seems to be. I also strap in for the magnificent pulpy roller coaster of Netflix’s Into the Night and review Carlos Hernandez’s fantastic Sal and Gabi Fix The Universe. This week’s interstitial pieces are isolation fight scenes, proving that every now and then these violent delights have hilarious ends.
The Full Lid publishes weekly at 5 p.m. GMT on Fridays. Signup is free and the last six months are archived here.
…The Clone Wars finished and Rise of Skywalker arrived on Disney Plus this week with the exact combination of joy for the former and ‘oh… hi…’ for the latter you’d expect. Rise is far more the traditional Star Wars movie than Rian Johnson’s defiantly, flamboyantly good space noir predecessor. In some ways — nearly all of them in the last twenty minutes — that’s good. In other ways — in all of which Kelly Marie Tran is reduced to an extra — that borders on unforgivable. It’s Star Wars playing Hotel California and honestly it coasts on the charm of the conceit. Despite that, the emotional beats were solid – I laughed and cried in all the intended spots. It’s a good time, for most. But Star Wars, now more than ever, is bigger than the Skywalker Saga….
…I must admit that not every science fiction author adopts this buoyant stance. Some of them have taken a contrary point of view, in fact, positing that there are some circumstances that will defeat humans, no matter how smart and persevering they are. Circumstances like alien worlds that cannot be terraformed into human-friendly resort planets. Here are five worlds that steadfastly resist meddling…
(6) VIRTUALLY AMAZING. Steve Davidson’s “AmazingCon UpDates” adds details about his event to be hosted on Zoom from June 12 thru June 14, 2020. Registration required—free or make a donation as you choose. Details at the link.
Over forty authors will present readings from their current and up-coming works, including several soon-to-be-released novels. His current lineup of “Guest Stars” is —
Mike Alexander Anderson, Adam-Troy Castro, Marie Bilodeau, Ricky L Brown, James Cambias, Patty Carvacho, Noah Chinn, Jack Clemons, Carolyn Clink, David L Clink, Dave Creek, Jennifer Crow, Julie Czerneda, Steve Davidson, Vincent Di Fate, Steve Fahnestalk, Sally McBride, Jen Frankel, JM Frey, JF Garrard, David Gerrold, Sean Grigsby, Jerri Hardesty, Chip Houser, G. Scott Huggins, Elizabeth Hirst, Rebecca Inch-Partridge, MD Jackson, Paula Johanson, H Kauderer, Daniel M Kimmel, Kathy Kitts, Judy Mccrosky, Jack McDevitt, Ron Miller, Petrea Mitchell, MJ Moores, Will Murray, Ira Nayman, Wendy Nikel, Julie Novakova, Paul Levinson, Loyd Penney, Brad Preslar, Dan Ritter, David Ritter, Rhea Rose, Amber Royer, Russ Scarola, Veronica Scott, Alex Shvartsman, Steven H Silver, Dan Simon, Rosemary Claire Smith, Bud Sparhawk, Hugh Spencer, Richard Dean Starr, Allen Steele, SP Somtow, Kimberly Unger, Liz Westbrook-Trenholm, Leslie Wicke, Erin Wilcox, Matt Wolfendon, Kermit Woodall, Brianna Wu, Frank Wu
Hello, Peter Ludlow here, CEO of InGen, the company behind the wildly successful dinosaur-themed amusement park, Jurassic Park. As you’re all aware, after an unprecedented storm hit the park, we lost power and the velociraptors escaped their enclosure and killed hundreds of park visitors, prompting a two-month shutdown of the park. Well, I’m pleased to announce that, even though the velociraptors are still on the loose, we will be opening Jurassic Park back up to the public!
(8) THE MOUSE HOUSE. Because it’s not like these guys aren’t thinking about it. In the Washington Post, Steven Zeitchik reports that while Walt Disney CEO Bob Chapek said the Shanghai DIsney Resort will reopen soon, he can not make a similar commitment for American parks, in part because it’s not clear that people would want to come to Disney World or Disneyland, even if attendance is limited to 25 percent of capacity, while the coronavirus rages. “Disney is about to reopen its Shanghai theme park. It could be a lot longer before that happens in the U.S.”
…Disney parks are so crucial to California’s economy that Gov. Gavin Newsom (D) called Disney “a nation-state,” to some controversy, when he exempted it from closure requirements at the start of the pandemic.
Theme parks are also vital to Disney’s bottom line. The parks division (it also includes hotels and cruise ships) generated $6.76 billion in profit for Disney last year, three times what its film studio did.
After initially postponing BookExpo and BookCon 2020 from their original May 27–31 dates to July 22–26, conference organizer Reedpop subsequently canceled both events. Today, Reedpop has announced the events will be replaced by new virtual events taking place this month: BookExpo Online, from May 26-29, and BookCon Online, May 30 and 31.
All programming for both BookExpo Online and BookConline 2020 will be presented on the BookExpo Facebook pages and BookCon Facebook page and, will be free and open to the public. Organizers said an additional day will be added in July, with programming focused on booksellers.
(10) PERSISTENCE OF VISION. Stokercon UK is soldiering on with plans for its new dates – Thursday through Sunday, August 6-9 (subject to further restrictions) in Scarborough, North Yorkshire. The Horror Writers Association’s annual conference, with luck being held for the first to be held outside of North America, has even added a Special Guest: author and screenwriter M.R. (Mike) Carey.
Mike Carey…initially worked mainly in the medium of comic books. After writing for several UK and American indie publishers, he got his big break when he was commissioned by DC Comics’ Vertigo division to write Lucifer. Spinning off from Neil Gaiman’s ground-breaking Sandman series, Lucifer told the story of the devil’s exploits after resigning from Hell to run a piano bar in Los Angeles: Mike wrote the book for the whole of its initial seven-year run, during which he was nominated for four Eisner awards and won the Ninth Art and UK National Comics awards. More recently he has written Barbarella, Highest House and The Dollhouse Family, which will be released in September of this year as a hardcover collection.
Mike’s first foray into prose fiction came with the Felix Castor novels, supernatural crime thrillers whose exorcist protagonist consorts with demons, zombies and ghosts in an alternate London. These were followed by two collaborations with his wife Linda and their daughter Louise, The City of Silk and Steel and The House of War and Witness. Subsequently, under the transparent pseudonym of M.R.Carey, he wrote The Girl With All the Gifts and its prequel The Boy On the Bridge. He also wrote the screenplay for the movie adaptation of The Girl With All the Gifts, for which – at the age of 59! – he received a British Screenwriting award for best newcomer.
The Book of Koli is the start of a new post-apocalyptic trilogy, with the remaining books to be published in September 2020 and April 2021.
(11) TODAY IN HISTORY.
May 8, 1955 — X Minus One’s “Mars is Heaven“ first aired on radio stations. It’s based on the Bradbury story of that name which was originally published in 1948 in Planet Stories. It later appears as the sixth chapter of The Martian Chronicles, retitled “The Third Expedition.” The premise is that this expedition discovers on Mars a small town spookily akin to that which they left behind on Earth. The people in the town believe it is 1926. Crew members soon discover there are old friends and deceased relatives there. The cast includes Wendell Holmes, Peter Kapell, Bill Zuckert, Bill Lipton, Margaret Curlen, Bill Griffis, Ken Williams, Ethel Everett and Edwin Jerome. You can hear it here.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born May 8, 1928 — John Bennett. His very long involvement in genre fiction started with The Curse of the Werewolf in the early Sixties and ended forty years later with a role on the Minority Report series. Being a Brit, naturally he appeared on Doctor Who in the prime role of Li H’sen Chang as part of a Fourth Doctor story, “The Talons of Weng-Chiang”. He had roles in Blake’s 7,Watership Down, Tales of The Unexpected, The Plague Dogs, Dark Myth, Sherlock Holmes and the Leading Lady (as Dr. Sigmund Freud!), Merlin of The Crystal Cave and The Infinite Worlds of H.G. Wells. (Died 2005.)
Born May 8, 1938 — Jean Giraud. Better known to y’all as Moebius. He contributed storyboards and concept designs to myriad science fiction and fantasy films including Alien, The Fifth Element, The Abyss and the original Tron film. He also collaborated with avant-garde filmmaker Alejandro Jodorowsky for an unproduced adaptation of Dune. Oh, I would’ve loved to have seen that! And no, I’m not forgetting his work on both Heavy Metal and Marvel Comics but I’ll let you detail those endeavors. And let’s not forget his Michael Moorcock comics. (Died 2012.)
Born May 8, 1940 — Peter Benchley. He’s known for writing Jaws and he co-wrote the film script with Carl Gottlieb. His novel Beast is genre and was adapted into a film as was White Shark which has absolutely nothing to do with sharks. Another novel, The Island, was also turned into a film and it’s at least genre adjacent. (Died 2006.)
Born May 8, 1947 — Susan Casper. Editor and author, married to Gardner Dozois until her death. She published over thirty short stories and essays, including collaborations with Dozois and Jack M. Dann, starting off with “Spring-Fingered Jack”. Her fiction is first collected in Slow Dancing through Time which includes one collaboration with Dozois and one with Jack M Dann. Rainbow: The Complete Short Fiction of Susan Casper which was edited just after her death by her husband is as its title states a complete collection of her short fiction. She was co-editor with him of the Ripper! and Jack the Ripper anthologies She was a much-loved figure at cons. (Died 2017.)
Born May 8, 1954 — Stephen Furst. The saddest part of doing these Birthdays is discovering how many folks have died that I reasonably expected were still living. He died of complications from diabetes at a far too young age. You know him most likely as Centauri diplomatic attaché Vir Cotto on Babylon 5, a decent being way over his head in a job he was ill prepared for. He also directed three low-budget movies for the Sci Fi Channel: Dragon Storm, Path of Destruction, and Basilisk: The Serpent King; he additionally co-starred in the last two films. And he produced Atomic Shark which aired during Sharknado Week on Syfy. (Died 2017.)
Born May 8, 1955 — Della Van Hise, 65. Author was a prolific Trek fanwriter who later published an official Trek novel, Killing Time which in its first printing implied a sexual relationship between Spock and Kirk. Later printings didn’t include this passage. It’s available on all the usual digital suspects.
Born May 8, 1967 — John Hicklenton. British illustrator also known as John Deadstock. He worked on 2000 AD characters like Judge Dredd (especially the Heavy Metal Dredd series) and Nemesis the Warlock during the Eighties and Nineties. He also dipped into the Warhammer universe with “Cycles of Chaos” (with writer Andy Jones) in Warhammer Monthly No. 9.
Born May 8, 1981 — Stephen Amell, 39. He’s known for portraying Oliver Queen / Green Arrow In Arrowverse. Ok, I have a confession. I can either read or watch series like these. I did watch the first few season of the Arrow and Flash series. How the Hell does anybody keep up with these and set aside a reasonable amount of time to do any reading? Seriously, the amount of genre on tv has exploded. I’m watching Midsomer Murders, Discovery, Young Justice and Doom Patrol which is quite enough thank you.
I’ve just finished The Hydrogen Sonata by Iain M. Banks. With the world in such a difficult place right now, it’s been very nice to escape into a completely different universe of spaceships and new planets. I’ve also been reading Angela Carter’s book of fairy tales The Bloody Chamber, which is exquisitely dark and beautifully written.
My first playthrough of Fire Emblem: Three Houses, the latest edition in the long-running tactical JRPG saga, involved what, it seems to be agreed, is the most boring route of this complicated branching story. I started off following my gut instincts in the game’s initial choices, and quickly realised I was on the most complicated moral pathway. Trying to keep myself as unspoiled as possible while also figuring out how to avoid locking myself into 40 hours of lawful evil misery, when faced with an (admittedly extremely signposted) choice to that effect, I took a deep breath and broke away from the character who asked me. When you do so, the game switches into a narrative that takes you away from the tried-and-tested Fire Emblem strategy of being the silent strategist to a protagonist Lord and into something else….
(16) HOW’S YOUR BIRD? Harvard’s Arnold Arboretum has had to cancel Lilac day, but it still has people taking care of nature; Gardener Brendan Keegan reports on “Life in the Landscape: Great Horned Owls”. Lots of photographs, with detailed explanations.
In November 2018, arborist Ben Kirby and I mounted a half dozen artificial nests throughout the Arboretum landscape. Made from old tree planting baskets and landscape fabric and filled with twigs and wood shavings, the nests were created with a goal to increase nest availability for great horned owls. Incapable of building their own nests, this species typically utilizes nests constructed by other large birds or relies on natural cavities in large trees.
After a season of vacancies, we were lucky when a mating pair of owls moved into one of our artificial nests in late January 2020. Due to the location, we were able to observe and collect data on the entire nesting process while remaining on the ground, a rare opportunity. Since the Arboretum is a Chapter of the Cornell Lab of Ornithology’s NestWatch program, our submitted data will help ornithologists better understand great horned owl breeding behavior and population trends.
The photos below chronicle this season’s nesting process, from egg laying in early February to fledging in late April. Since posting photos of active owl nests on social media typically results in increased human disturbance (which can endanger the female and her young), these photos were purposefully withheld until the young had already fledged. The photos were taken from over 150 feet away, with care to limit the time and frequency of each visit in order to minimize disruption.
(17) EGYPTIAN NEWS. In the Washington Post, Sudarsan Raghavan and Steve Hendrix say that the Egyptian show “El Nehaya” or “The End” is that nation’s first big-budget sf television show, but it has proven controversial because it foresees that in 2120 (when the drama set) the state of Israel is destroyed and Jews have fled the Middle East.“An Egyptian television drama depicts Israel’s destruction. Israel isn’t happy.”
“This goes back to a narrative from before the peace treaty and everything we’ve done with the Egyptians,” said Itzhak Levanon, Israel’s former ambassador to Egypt. “This sees that Israel will be annihilated. It is very disturbing.”
Zoom has agreed to do more to prevent hackers from disrupting video conferencing sessions and to protect users’ data, according to a deal announced on Thursday by New York Attorney General Letitia James.
The coronavirus pandemic has unleashed incredible growth for Zoom. Daily use of the remote-meeting service ballooned to 300 million from about 10 million in a matter of months. As more people logged on, Zoom’s security and privacy flaws became evident.
Hackers began disrupting online school classes, government meetings, cocktail hours and other events in a trend that became known as Zoombombing.
Federal law enforcement and state investigators across the country started paying attention.
“Our lives have inexorably changed over the past two months, and while Zoom has provided an invaluable service, it unacceptably did so without critical security protections,” James said in a statement released by her office. “This agreement puts protections in place so that Zoom users have control over their privacy and security, and so that workplaces, schools, religious institutions, and consumers don’t have to worry while participating in a video call.”
Zoom has pledged to take more steps to block hackers from gaining access to chat sessions and user accounts. It must now run a “vulnerability management program” to identify and avert breaches into livestreaming conversations on the video platform, New York regulators wrote in the deal.
Astronomers have a new candidate in their search for the nearest black hole to Earth.
It’s about 1,000 light-years away, or roughly 9.5 thousand, million, million km, in the Constellation Telescopium.
That might not sound very close, but on the scale of the Universe, it’s actually right next door.
Scientists discovered the black hole from the way it interacts with two stars – one that orbits the hole, and the other that orbits this inner pair.
Normally, black holes are discovered from the way they interact violently with an accreting disc of gas and dust. As they shred this material, copious X-rays are emitted. It’s this high-energy signal that telescopes detect, not the black hole itself.
So this is an unusual case, in that it’s the motions of the stars, together known as HR 6819, that have given the game away.
“This is what you might call a ‘dark black hole’; it’s truly black in that sense,” said Dietrich Baade, emeritus astronomer at the European Southern Observatory (ESO) organisation in Garching, Germany.
“We think this may be the first such case where a black hole has been found this way. And not only that – it’s also the most nearby of all black holes, including the accreting ones,” he told BBC News
(21) FRANK HERBERT RELIC. “Frank Herbert–NBC Interview” on YouTube is an interview done by NBC’s Bryant Gumbel in 1982, probably for the Today Show, where Herbert talks about David Lynch’s Dune movie being released in December 1983, a year before it actually appeared.
Traveling with Arrival’s time-fluid, squid-like creatures might be a little logistically complicated, but at least Amy Adams’ linguist character has already figured out the nuts and bolts of communicating with them. They are obviously very wise and highly evolved, and they travel around in their sleek ships encouraging the inhabitants of other planets to be better communicators. That is definitely a cause we’d be willing to ditch Earth to support.
Netflix’s out-of-this-world workplace comedy Space Force hasn’t even launched yet, but now the silly show that accidentally mirrored real developments in the government has already gotten something wrong from its real-life source material. Or, at least, that’s what the real head of the U.S. Space Force says. And “head” is the operative word here, because U.S. Space Force Chief of Space Operations Jay Raymond’s primary note for Steve Carell, who plays his doppelganger Mark R. Naird, is that he isn’t bald enough.
Raymond spoke during a Space Foundation webinar, according to Space.com, and addressed the comedic riff on his entire military branch by pointing out that while he is very bald, Carell is boasting a silvery head of hair.
“The one piece of advice I’d give to Steve Carell is to get a haircut,” Raymond said. “He’s looking a little too shaggy if he wants to play the Space Force chief.”…
(24) FOR THE STAY-AT-HOME CROWD. I never knew Tadao Tomomatsu did a Louis Armstrong impression. Here’s his rendition of “What a Wonderful World.”
[Thanks to Chip Hitchcock, JJ, John King Tarpinian, Olav Rokne, Mike Kennedy, Martin Morse Wooster, Michael Toman, Cat Eldridge, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
[Editor’s Note: Steve was inspired to create this piece by SF Concatenation’s call for fans to write about a con, but submitted it here because “I don’t like waiting.” Is this quick enough?]
By Steve Davidson: It took a visionary – but then, what other great contributions to human society haven’t?
Oh, I know, I’m using the original name for the world’s first Transmitter Booth convention, now formally designated the Great Eastern Multi Con – GEMCon for short, but I prefer the original for its historical call-outs.
Did you know that it was originally going to be the Great National Multi Con? Yeah, that was the plan, but time zones got in the way. Too many people forgetting the zones, showing up three hours late for a physical event and then getting all pissy about it online. The worst was the west coast fans flicking east at midnight (their midnight) and showing up at room parties just as they were shutting down. The con started turning into a permanent floating room party. Nothing really wrong with that, but the hotels. The hotels started going crazy with the corkage fees, trying to sneak hourly “maintenance” fees into the contracts. Not to mention the constant visits by Fire Marshals every time some author said something funny or outrageous and their panel got flash mobbed.
History really is the stuff of little things, isn’t it?
Really. You’d think someone would have twigged to the possibilities offered to conventions by the transmitter booths and it would have been one of the first things everyone thought of. I mean – SCIENCE fiction fans, right?
Nope. What it took was Sheldon Kornpett, sitting in a hotel lobby with his friends, lamenting the fact that two conventions they wanted to attend were happening on the same weekend. And then he looked up from his pocket schedule, saw the row of transmitter booths by the hotel entrance and said “…but we can go to both conventions, almost at the same time…”.
The rest, as they say, is history. Well, almost. It did take a couple of solid years of fan feuds to iron out the details – settling on a date, figuring out how membership fees would work, massaging codes of conduct into one sensible mess, coming to a consensus on the font size for name badges, (not to mention dealer’s room tax issues that almost derailed the entire thing), but, well, you already know it worked out in the end. If you listen closely you can hear a group of Fen marching through the lobby chanting “All Cons, All Cons in One!”
Now if they’ll just get a move on with that dopelleganger-telepresence tech, I’ll actually be able to attend everything on the schedule I want to see.
And guys, you’ve really got to do something about the pocket program already. I’ve seen one fan who’s mounted his on wheels….
(1) TOPICAL TV IDEAS. The Vulture asked TV’s idle talent to take up the challenge: “If I Wrote a Coronavirus Episode”. Tagline: “Tina Fey, Mike Schur, and 35 more TV writers on what their characters would do in a pandemic.” If you scroll way down there’s one for Picard, although most of the others are funnier. By comparison, this bit for Sheldon Cooper is spot on —
“I’m not one to brag, but I was practicing social distancing back when it was called ‘Who’s the weird kid alone in the corner?’ And at the risk of sounding like a hipster, I was washing my hands 30 times a day before it was cool. I do, however, miss being with my friends. Sitting around eating Chinese takeout, sharing my scientific ideas and correcting theirs … that’s my happy place.” —Sheldon Cooper, Ph.D., The Big Bang Theory (Chuck Lorre and Steve Molaro)
(2) SUPPORT AVAILABLE FOR WRITERS. Publishers Lunch has a standing free reference page listing organizations that offer emergency grants to authors and other creators. Two examples:
Poets & Writers has created a COVID-19 Relief Fund to “provide emergency assistance to writers having difficulty meeting their basic needs.” They will provide grants of up to $1,000 to approximately 80 writers in April. The board allocated $50,000, which has been supplemented by gifts from supporters including Michael Piestch and Zibby Owens.
We Need Diverse Books will provide emergency grants to diverse authors, illustrators, and publishing professionals “who are experiencing dire financial need.” They will give grants of $500 each, and are limiting the first round of applications to 70.
Internet Archive founder Brewster Kahle is defending the legality of the organization’s National Emergency Library initiative to a U.S. Senator who last week raised concerns that the effort may be infringing the rights of authors and publishers.
…In his three-page response to [Senator] Tillis, Kahle rejected those criticisms, and explained the creation of National Emergency Library using the Senator’s constituents to illustrate its utility.
“Your constituents have paid for millions of books they currently cannot access,” Kahle explained, adding that North Carolina’s public libraries house more than 15 million print book volumes in 323 library branches across the state. “The massive public investment paid for by taxpaying citizens is unavailable to the very people who funded it,” he writes. “The National Emergency Library was envisioned to meet this challenge of providing digital access to print materials, helping teachers, students and communities gain access to books while their schools and libraries are closed.”
Kahle further maintained that “the vast majority” of the books in the National Emergency Library, mostly 20th Century books, are not commercially available in e-book form, and said the collection contains no books published in the last five years.
“[For] access to those books, readers and students can continue to turn to services like OverDrive and hoopla,” Kahle explained, making what defenders say is a critical distinction: commercial providers offer patrons access to e-books; the National Emergency Library is providing stopgap digital access to scans of paper books that are locked away in shuttered libraries and schools. “That is where the National Emergency Library fills the gap,” Kahle insists.
(4) LEGACY. [Item by Steve Davidson.] From Faaneds on Facebook: A friend is going through the personal effects of a passed fan and came across a number of LOCs by Michael W. Waite. Does anyone here know if there are any family members/friends who would appreciate having these?
I was talking to my friend, Cory, over the weekend, and we decided that we would each read and release something the other had written, because why not?
I’m a huge fan and admirer of Cory both as a human and as a creative person. He’s been my primary mentor since I started writing professionally, and I owe him more than I’ll ever be able to properly repay. It’s not unreasonable to say that, without Cory’s guidance and kindness, I wouldn’t be a published author.
So it’s with excitement (and a little trepidation, because I don’t want to disappoint my friend) that I chose one of Cory’s fantastic short stories from way back in 1999, which he describes this way:
This is the story of the ogres who run the concession stands on Pleasure Island, where Pinocchio’s friend Lampwick turned into a donkey. Like much of my stuff, this has a tie-in with Walt Disney World; the idea came to me on the Pinocchio ride in the Magic Kingdom, in 1993.
Happy National Poetry Month! We have a dozen poems here pulled from past and current issues to celebrate our poets this year. Each of these poems is striking in its own way, and I hope you enjoy the many voices and styles to come. First up is “All Saints Day” by Lisa Bellamy, read by Diana Marie Delgado, followed by “All the Weight” by Holly Day, read by Emily Hockaday, “The Celestial Body” read and written by Leslie J. Anderson, “The Destroyer is in Doubt about Net Neutrality” read and written by Martin Ott, “Unlooping” read and written by Marie Vibbert, “Attack of the 50 foot Woman” read and written by Ron Koertge, “The Language of Water,” by Jane Yolen, read by Monica Wendel, “Archaeologists Uncover Bones, Bifocals, a Tricycle” read and written by Steven Withrow, “Objects in Space” by Josh Pearce, read by R.J. Carey, “Small Certainties” by Sara Polsky, read by Emily Hockaday, “Palate of the Babel Fish” read and written by Todd Dillard, and finally “After a Year of Solitude” by Lora Gray, read by Jackie Sherbow.
(7) SOUNDS PRETTY NUTTY. In the Washington Post, as part of his annual celebration of Squirrel Week, John Kelly has a piece about the Norse god Ratatoskr, a squirrel with a giant horn in the center of his head who ferried messages up and down the great World Tree. “Meet Ratatoskr, mischievous messenger squirrel to the Viking gods”. Incidentally, long before there was File 770, Bruce Pelz’ Ratatosk was the fannish newzine of record.
…Most of what we know about the stories Vikings told each other comes from Snorri Sturluson, who was an Icelandic poet and lawyer, a combination not quite so rare then as now. Snorri (1179-1241) was ambitious. He journeyed from Iceland to Norway to ingratiate himself with leaders there and pick up skills….
In May of 1944, George Walton Lucas Jr. was born, twenty-three years later, he graduated from USC, and a decade after that he changed the world forever by releasing Star Wars. The Star Wars franchise is a phenomenon like no other, and nobody, not even the maker himself, could have predicted its impact.
The headline quote is #9. Here is ScreenRant’s commentary:
…Before The Last Jedi came to be, the prequels were the kings of controversy. After seeing a rough cut of his film in 1999, Lucas said the famous quote to a small screening room “I may have gone too far in a few places.”
Ironically, in behind the scenes videos of The Phantom Menace, Lucas talks about how the key to these types of films is not to go too far. This quote shows Lucas’ self-awareness and references the disjointedness of the movie.
(9) SULLIVAN OBIT. Ann Sullivan, the Disney animator behind The Little Mermaid and The Lion King, has died at the age of 91. She is the third member of the Motion Picture and Television Fund retirement home to die as a result of the coronavirus. The Hollywood Reporter paid tribute.
… Sullivan re-entered the business in 1973, when she started at Filmnation Hanna Barbera. She later returned to Disney, landing credits on studio titles from the late-1980s to the mid-2000s. Sullivan worked in the paint lab on…1989’s The Little Mermaid…and 1992’s Cool World. She painted for the 1990 short The Prince and the Pauper; 1994’s The Lion King; 1995’s Pocahontas; 1997’s Hercules; 1999’s Tarzan and Fantasia 2000; 2000’s The Emperor’s New Groove; and 2002’s Lilo & Stitch and Treasure Planet. Sullivan also is credited as having worked as a cel painter on 1994’s The Pagemaster and for performing additional caps and painting on 2004’s Home on the Range.
(10) TODAY IN HISTORY.
April 14, 2010 — In the United States, The Extraordinary Adventures of Adèle Blanc-Sec (in French,Aventures extraordinaires d’Adèle Blanc-Sec) premiered. It was directed by Luc Besson from his own screenplay. It was produced by Virginie Besson-Silla, his wife. It starred Louise Bourgoin, Mathieu Amalric, Philippe Nahon, Gilles Lellouche and Jean-Paul Rouve. It was narrated by Bernard Lanneau. It is rather loosely based upon “Adèle and the Beast” and “Mummies on Parade” by Jacques Tardi. Critics world-wide loved it, and the box office was very good, but the audience reviewers at Rotten Tomatoes give it a oddly muted 54% rating. Be advised the Shout Factory! DVD is a censored PG rating version but the Blu-Ray is uncensored.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born April 14, 1929 — Gerry Anderson. English television and film producer, director, writer and if need be voice artist. Thunderbirds which ran for thirty-two episodes was I think the best of his puppet based shows though Captain Scarlet and the Mysterons, Fireball XL5 and Stingray are definitely also worth seeing. Later on, he would move into live productions with Space: 1999 being the last production under the partnership of Gerry and Sylvia Anderson. (Died 2012.)
Born April 14, 1935 — Jack McDevitt, 85. If you read nothing else by him, read Time Travelers Never Die as it’s a great riff on the paradoxes of time travel. If you’ve got quite a bit of time, his Alex Benedict space opera series is a fresh approach to conflict between two alien races.
Born April 14, 1936 — Arlene Martel. No doubt you’ll best remember her as T’Pring in Star Trek’s “Amok Time” as it was a rather memorable episode. She also had roles in one-offs in a lot of genre series including Twilight Zone, The Outer Limits, The Man from U.N.C.L.E., The Wild Wild West, Mission:Impossible, The Delphi Bureau, I Dream of Jeannie, Man from Atlantis, My Favorite Martian, The Six Million Dollar Man and Battlestar Galactica. (Died 2014.)
Born April 14, 1949 — Dave Gibbons, 71. He is best known for his work with writer Alan Moore, which includes Watchmen and the Superman story ”For the Man Who Has Everything” (adapted to television twice, first into the same-named episode of Justice League Unlimited and then more loosely into “For the Girl Who Has Everything”.) He also did work for 2000 AD where he created Rogue Trooper, and was the lead artist on Doctor Who Weekly and Doctor Who Monthly
Born April 14, 1954 — Bruce Sterling, 66. Islands in the Net is I think is his finest work as it’s where his characters are best developed and the near future setting is quietly impressive. Admittedly I’m also fond of The Difference Engine which he co-wrote with Gibson which is neither of these things. He edited Mirrorshades: A Cyberpunk Anthology which is still the finest volume of cyberpunk stories that’s been published to date. He’s won two Best Novelette Hugos, one for “Bicycle Repairman” at LoneStarCon 2, and one at AussieCon Three for “Taklamakan”.
Born April 14, 1958 — Peter Capaldi, 62. Twelfth Doctor. Not going to rank as high as the Thirteenth, Tenth Doctor or the Seventh Doctor on my list of favorite Doctors, let alone the Fourth Doctor who remains My Doctor, but I thought he did a decent enough take on the role. His first genre appearance was as Angus Flint in the decidedly weird Lair of the White Worm, very loosely based on the Bram Stoker novel of the same name. He pops up in World War Z as a W.H.O. Doctor before voicing Mr. Curry in Paddington, the story of Paddington Bear. He also voices Rabbit in Christopher Robin. On the boob tube, he’s been The Angel Islington in Neverwhere. (Almost remade by Jim Henson but not quite.) He was in Iain Banks’ The Crow Road as Rory McHoan (Not genre but worth noting). He played Gordon Fleming in two episodes of Sea of Souls series. Before being the Twelfth Doctor, he was on Torchwood as John Frobisher. He is a magnificent Cardinal Richelieu in The Musketeers series running on BBC. And he’s involved in the current animated Watership Down series as the voice of Kehaar.
Born April 14, 1977 — Sarah Michelle Gellar, 43. Buffy Summers on Buffy the Vampire Slayer. Yes, I watched every episode. Great show. Even watched every bit of Angel as well. Her first genre role was as Casey “Cici” Cooper in Scream 2 followed by voicing Gwendy Doll in Small Soldiers. Her performance as Kathryn Merteuil in Cruel Intentions is simply bone chillingly scary. I’ve not seen, nor plan to see, either of the Scooby-Do films so I’ve no idea how she is Daphne Blake. Finally, she voiced April O’Neil in the one of latest animated Teenage Mutant Ninja Turtles films.
Born April 14, 1982 — Rachel Swirsky, 38. Her “The Lady Who Plucked Red Flowers Beneath the Queen’s Window” novella (lovely title that) won a Nebula Award, and her short story, “If You Were a Dinosaur, My Love” would do a short while later. Very impressive. I’ve read her “Eros, Philia, Agape” which is wonderful and “Portrait of Lisane da Patagnia” which is strange and well, go read it.
In Meta-Messages, I explore the context behind (using reader danjack’s term) “meta-messages.” A meta-message is where a comic book creator comments on/references the work of another comic book/comic book creator (or sometimes even themselves) in their comic. Each time around, I’ll give you the context behind one such “meta-message.”
Today, we look at Jerry Siegel plunder the Funny Pages as he, himself, becomes the villain of a Superman story involving other newspaper comic strips!
The whole thing went down in the opening story in 1942’s Superman #19 (by Siegel, Ed Dobrotka and John Sikela)…
With the coronavirus pandemic grinding the comic book industry to all halt, there has been much talk about what is to be done with the “direct market”. But just what exactly is the direct market, and how did it come to be? And perhaps more pressing, what will happen to the direct market in a post-COVID-19 world?
Believe it or not, there was a time comic books were purchased outside of comic book shop, carried by newsstands, grocery stores, and even gas stations. However, the comic book shop model, primarily engineered by Phil Seuling in 1972, offered several advantages. The system was known as the “direct market” because it bypassed traditional newspaper and magazine distributors. It offered a much more diverse line of content than the newsstands, including comic books aimed at an adult audience. One of the primary advantages for the distributor was that the comic books were unreturnable unlike newsstands, which would traditionally return all unsold merchandise….
Much history ensues. Then —
…Because of all of these factors and more, the future of the direct market is looking increasingly uncertain. In addition to the growing concern that many retailers will have to close their doors due to the coronavirus, the comic book industry itself seems destined for an overhaul. Some comic book shop owners are considering the possibility of re-negotiating with Diamond, while others are considering trying to bypass the current distribution system altogether. The direct market has served the comic book industry well for nearly fifty years, but it might be time to ask – what will best serve the comic book industry for the next fifty?
Adri: There have been a few feelings knocking around! And about an hour of my life in which it has been unclear whether I should cry, shout, laugh, breathe, throw up, and indeed if I could do any one of those things without the others happening too.
Also, while I’ve definitely experienced the post-announcement Twitter love before, CoNZealand’s decision to schedule a streamed announcement at a timezone that worked for as many Hugo-voter-heavy countries as possible, and the general enthusiasm for people to get online at the moment and hang out, meant that the announcement feed and stream just felt so full of frenzied excitement and love for everyone. Definitely a very heightened moment and, yeah, I’ll absolutely take that finalist status, even if I was already swanning around Dublin wearing the “Finalist” badge ribbon last year.
Joe: I absolutely enjoyed that youtube sidebar chat during the announcement, even if it ultimately did amount to a bunch of people just mashing their keyboards at the same time in excitement.
With Streaming Spotlight, existing customers can integrate Kafka monitoring metrics into the Pepperdata dashboard, adding detailed visibility into Kafka cluster metrics, broker health, topics and partitions.
Kafka is a distributed event streaming platform and acts as the central hub for an integrated set of messaging systems. Kafka’s architecture of brokers, topics and data replication supports high availability, high-throughput and publish-subscribe environments. For some users, Kafka handles trillions of messages per day.
Managing these data pipelines and systems is complex and requires deep insight to ensure these systems run at optimal efficiency….
Since I was not present when Eileen Kernaghan, Tanya Huff and myself were inducted into the CSFFA Science Fiction Hall of Fame during the Aurora Awards ceremony at Can-Con last year, CSFFA planned to present the plaque to me (and I assume to Eileen) at the Creative Ink Festival in May this year. But, as we all know, Covid-19 forced the CIF to cancel.
Consequently, CSFFA elected to mail me the plaque….
The Janus-like trophy features on one side the visage of an aging knight representing venerable fantasy, blended with vegetation and rather resembling a forest-spirit Don Quixote, an ancient book to the right of his beard, and on the other side the fresh face of a proud, young aviatrix representing the cutting edge of science fiction as perceived back in the 1930s, a rocket ship in flight just to the right of her neck. A most splendid and evocative trophy. Each inductee gets a plaque like this one. The trophy is on display throughout the year in various libraries.
(18) HIGH-SPEED HYPERLOOP PROJECTS WILL BEGIN OPERATION NO EARLIER THAN 2040. [Item by Daniel Dern.] Let’s make notes in our calendars so we can check whether they’re right…
Lux has found that, while the Hyperloop concept is technically feasible, it will require significant development to become cost-effective. The Hyperloop differs from conventional rail because it operates in a vacuum system that reduces aerodynamic drag, thus enabling higher speeds and greater energy efficiency. There are four main design elements creating technical challenges with the Hyperloop: pillar and tube design, pod design, propulsion and levitation of the pods, and station design.
Lux Research found that pod design is the fastest-growing area for Hyperloop patent activity, with a focus on improving comfort and performance. Customer comfort is important due to the compact, enclosed spaces with no windows, which can increase the likelihood of customers getting sick. Optimizing pod performance is key to minimizing drag and reducing costs because pod design choices have a significant impact on tube design and aerodynamics. Propulsion and levitation systems have the least patent activity, in part due to the fact that Hyperloop will likely adapt magnetic levitation, or maglev, technology.
One of the biggest technical challenges will be identifying the optimal system pressure and minimizing leakage of the vacuum system, which, if higher than expected, can increase operating costs and reduce top speeds. “Selecting the Hyperloop’s tube pressure is the most important factor impacting cost, for both operational expenses and the initial capital needed for tube design and construction,” says Lux Research Associate Chad Goldberg….
French space scientists are using the COVID-19 lockdown as a dry run for what it will be like to be cooped up inside a space craft on a mission to Mars.
The guinea pigs in the experiment are 60 students who are confined to their dormitory rooms in the southern city of Toulouse – not far removed from the kind of conditions they might experience on a long space mission.
When the French government imposed movement restrictions to curb the spread of the virus, space researcher Stephanie Lizy-Destrez decided to make the most of a bad situation, and signed up the student volunteers.
It’s not an exact simulation of space flight: tasks such as picking up samples from a planet’s surface using a lunar rover do not feature, and the students can break off from their virtual space journey for a daily trip outside.
Instead, they conduct computer-based tasks such as memory tests and mental agility tests. They keep a daily journal, and every five days have to complete a questionnaire.
(20) SOCIAL DISTANCING EARTH. [Item by Mike Kennedy.] Spacecraft BepiColombo’s handlers have published a GIF of Earth as seen from the craft during a recent flyby. BepiColombo was slingshotting past Earth on its way to a Mercury survey mission. BC presumably wished us well in handling COVID-19, and made sure to stay far enough away not to pick up the virus. “BepiColombo takes last snaps of Earth en route to Mercury”.
The ESA/JAXA BepiColombo mission completed its first flyby on 10 April, as the spacecraft came less than 12 700 km from Earth’s surface at 06:25 CEST, steering its trajectory towards the final destination, Mercury. Images gathered just before closest approach portray our planet shining through darkness, during one of humankind’s most challenging times in recent history.
[Thanks to Daniel Dern, Chip Hitchcock, John King Tarpinian, JJ, Mike Kennedy, Martin Morse Wooster, Cat Eldridge, Michael Toman, John A Arkansawyer, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel “Cole Porter” Dern.]
…All in all – production values are what you would expect, the story is in line with the target the show has always sought (families watching and sharing together) and the theme is marginally SFnal, (though time travel afficianados will have plenty to talk about) and my overall conclusions are: time was not wasted watching this episode and we ought to stick with the show to see how it develops.
As a result of the ongoing uncertainty surrounding the news about COVID-19, the IAFA board would like to take this opportunity to issue an update on ICFA 41.
The conference will meet.
We have to meet certain guaranteed minimums for room occupancy, food and beverage expenditures, etc., specified in our contract with the hotel, or pay out of pocket. It is not an exaggeration to say that cancellation would jeopardize the very existence of the IAFA.
The first concern of the board members is members’ safety and well-being. We urge IAFA members to proactively research COVID-19 and consult status reports through reputable sources such as the World Health Organization (https://www.who.int/), the US Centers for Disease Control and Prevention (https://www.cdc.gov/), and the Florida department of health (http://www.floridahealth.gov/), whose websites are continually updated. We would also advise checking for updates with your travel provider and travel insurer.
…Because of the extraordinary circumstances, we are crediting registration for those who cancel as a result of the outbreak. This credit must be used within 2 years. We will provide refunds to people from countries under travel restrictions. Because we are required to have final numbers for rooms and meals to the hotel a week before the conference, we will provide credits or refunds only to people who cancel by 5p EST on March 9, 2020.
…The board is discussing a number of ways to make it possible for people not able to attend physically but who wish to have their work included in some way to do so. We will make an official announcement before the March 9 deadline.
details at the link.
(4) FRANK HERBERT ON CORONAVIRUS. Or so the people tweeting
it around have captioned this rewritten chart —
Like the best Pixar and Disney animated films, this one supplies rooting interest in its heroes from the very start. We want them to succeed because we care about them and their quest. Who wouldn’t want to be reunited with a loved one, especially when his absence has left a void in their lives?
In the opening minutes of Disney/Pixar’s Onward, we are met with various manifestations of loss.
There’s the film’s setting, a world where magic once flourished, and with it, pixies, unicorns, pegasi, elves, ogres, centaurs, mermaids — your standard-issue high-fantasy mythofaunic biome. But even here, in a gimmick the film leans into juuuuust enough, the Industrial Revolution arrived. As automation increased, magic faded. Elves still live in giant toadstools, but said toadstools are now rigidly apportioned into vast, Spielberg-suburban subdivisions and cul-de-sacs. Once-splendid unicorns have gone feral, raiding raid trash cans and hissing at passers-by like peculiarly horsey raccoons. If Middle-Earth had more strip-malls, it’d look something like this.
There’s also the loss experienced by the elf-family at the film’s center: mom Laurel (voiced by Julia Louis-Dreyfus) and her two sons — the younger, anxious Ian (voiced by Tom Holland) and his older, buff, RPG-obsessed brother Barley (Chris Pratt, squarely back in Andy Dwyer mode). It’s Ian’s 16th birthday, and he’s given a gift left to him by his late father, who passed away when Ian was too young to remember him: A wizard’s staff.
Finally, in these opening minutes, there’s still another feeling of loss that manifests in the viewer — that of lost opportunity.
The jokes are glib and smarmy, the family dynamics achingly familiar, and as we follow Ian to high school, his every encounter and interaction feels less Disney/Pixar and more Disney Channel — which is to say, too sweet, too cornball, too affected, too faux-contemporary. The average very young child in the audience won’t notice; the average parent will start checking the theater’s exits.
On or about the 20-minute mark — not coincidentally, upon the arrival of a manticore called Corey, voiced by Octavia Spencer — the film seems to discover what it is: A testament to the remarkable degree of emotional expressiveness that Pixar’s character-animators can imbue into a story….
NPR hosts a 4-way discussion (audio,
no transcript yet) here.
The American space agency (Nasa) says it will send its 2020 Mars rover to a location known as Jezero Crater.
Nasa believes the rocks in this nearly 50km-wide bowl could conceivably hold a record of ancient life on the planet.
Satellite images of Jezero point to river water having once cut through its rim and flowed via a delta system into a big lake.
It is the kind of environment that might just have supported microbes some 3.5-3.9 billion years ago.
This was a period when Mars was much warmer and wetter than it is today.
What is so special about Jezero?
Evidence for the past presence of a lake is obviously a draw, but Ken Farley, the Nasa project scientist on the mission, said the delta traces were also a major attraction.
“A delta is extremely good at preserving bio-signatures – any evidence of life that might have existed in the lake water, or at the interface of the sediment and the lake water, or possibly things that lived in the headwaters region that were swept in by the river and deposited in the delta,” he told reporters.
Jezero’s multiple rock types, including clays and carbonates, have high potential to preserve the organic molecules that would hint at life’s bygone existence.
March 6, 1936 — The “Income from Immigrants” episode of the Green Hornet radio show originated from WXYZ in Detroit. (It is also called “Ligget’s Citizenship Racket”.) The show was created by Fran Striker & George W. Trendle, and starred Al Hodge as the Green Hornet at this point, and Tokutaro Hayashi who had renamed Raymond Toyo by initial series director James Jewell. You can download the episode here.
March 6, 1938 — RKO first aired “The Bride of Death” with Orson Welles as The Shadow. Welles prior to his War of The Worlds broadcast would play the role for thirty three episodes in 1937 and 1938 with Blue Coal being the sponsor. You can download it here.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born March 6, 1918 — Marjii Ellers. Longtime L.A. fan active in the LASFS. Her offices in the LASFS included Registrar and Scribe. She is known as well for her costumes at cons. Indeed, she received a Lifetime Achievement Award in 1990 from the International Costumers Guild. An avid fanzine publisher and writer, some of the fanzines she edited were Masqueraders’ Guide, More Lives Than One, Nexterday, One Equal Temper, Thousands of Thursdays, and Judges’ Guide. (Died 1999.)
Born March 6, 1928 — William F. Nolan, 92. Author of the long running Logan’s Run series (only the first was written with George Clayton Johnson). He started out in fandom in the Fifties publishing several zines including one dedicated to Bradbury. In May 2014, Nolan was presented with another Bram Stoker Award, for Superior Achievement in Nonfiction; this was for his collection about his late friend Ray Bradbury, called Nolan on Bradbury: Sixty Years of Writing about the Master of Science Fiction. He’s done far too much writing-wise for me to sum it him up.
Born March 6, 1930 — Allison Hayes. She was Nancy Fowler Archer, the lead role, in The Attack of The 50 Foot Woman. Her first SF role was the year as Grace Thomas in The Unearthly. She’d be Donna in The Crawling Hand shortly thereafter. She died at age forty-seven from the result of injuries sustained from early on Foxfire, a mid Fifties Western that’s she’s actually in. That she made three SF films while in severe pain is amazing. (Died 1977.)
Born March 6, 1937 — Edward L. Ferman, 83. Editor and publisher who’s best known as the editor of The Magazine of Fantasy and Science Fiction from 1966 to 1991. He also edited a zine I’ve not heard of, Venture Science Fiction Magazine, for two years 1969 – 1970). And, of course, he’s edited myriad anthologies that were assembled from F&SF
Born March 6, 1942 — Dorothy Hoobler, 78. Author with her husband, Thomas Hoobler, of the Samurai Detective series which is at least genre adjacent. More interestingly, they wrote a biography of Mary Shelley and her family called The Monsters: Mary Shelley and the Curse of Frankenstein which sounds absolutely fascinating. Note to ISFDB: no, it’s not a novel. Kindle has everything by them, alas Apple Books has only the biography.
Born March 6, 1957 — Ann VanderMeer, 63. Publisher and editor, and the second female editor of Weird Tales. As Fiction Editor of Weird Tales, she won a Hugo Award. In 2009 Weird Tales, edited by her and Stephen H. Segal, won a Hugo Award for Best Semiprozine. She is also the founder of The Silver Web magazine, a periodical devoted to experimental and avant-garde fantasy literature.
Born March 6, 1972 — K. J. Bishop, 48. Her first book, The Etched City, was nominated for a World Fantasy Award for Best Novel. It won the Ditmar Award. She is a recipient of the Aurealis Award for best collection, That Book Your Mad Ancestor Wrote. Both works are available from the usual digital sources.
Born March 6, 1979 — Rufus Hound, 41, Ok, I’ll admit it was his name that got him here. He also on the good fortune to appear as Sam Swift in “The Woman Who Lived”, easily one of the best Twelfth Doctor stories. He’s also played Toad in the world premiere of the musical, The Wind In The Willows in Plymouth, Salford and Southampton, as written by Julian Fellowes.
(11) BIERYOGA. [Item by Mike Kennedy.]
If Worldcon, SMOFcon, etc. are looking for
a new way to encourage fans to exercise at the con… well, it seems like a good
fit for much of fandom. That said, notice the source of the article. — Funny
or Die claims “‘Beer Yoga’ Is A Real Thing That Exists, Namaste”.
Although it’s impossible to predict exactly what the future holds, there are a couple things that are pretty much guaranteed to happen with each new year. First, we’re all going to make resolutions. Second, we’re all going to abandon those resolutions.
One of the most common goals we make for ourselves when January rolls around is hitting the gym more often, and that’s also one of the toughest things to stick with for more than a few months. Life gets in the way, gyms are far or expensive, and let’s be honest — working out sucks. Yeah, yeah, you get a rush of endorphins and you feel good afterward, but actually dragging your butt there and the entire process of exercising leave much to be desired. However, this year might be the year things change.
If you’re like everyone else on earth and struggle to hold fast to your New-Year-New-Me resolutions, look no further than Bieryoga….
As we hurtle closer to a time when little kids will look up from their tablets to inquire, “What was a book, Mommy?” much as they now ask, “What’s a record player?,” it may cheer you to learn, from a charming new documentary about bookselling, that while the middle-aged tend to play on Kindles these days, millennials are to be seen in droves reading print books on the New York subway. They’re probably also the ones ordering “vintage” turntables, and they may be driving the encouraging current renaissance of independent bookstores serving cappuccino on the side, to lure us back from Amazon.
The books being bought, sold and read there, though, are unlikely to be the kind found at the New York Book Fair in a gorgeous old building on the city’s Upper East Side: ancient tomes, some with curled and peeling pages, others gorgeously illuminated. The handlers of those books are the subject of D.W. Young’s beguiling film, The Booksellers, about the world of New York antiquarian book dealers. They’re a vanishing breed who, with some exceptions, regard their work more as consuming passion than as career.
Momentum is building among planetary scientists to send a major mission to Uranus or Neptune — the most distant and least explored planets in the Solar System. Huge gaps remain in scientists’ knowledge of the blueish planets, known as the ice giants, which have been visited only once by a space probe. But the pressure is on to organize a mission in the next decade, because scientists want to take advantage of an approaching planetary alignment that would cut travel time.
Sending a mission to moons of Mars has been on the wish list for mission planners and space enthusiasts for quite some time. For the past few years, however, a team of Japanese Space Agency (JAXA) engineers and scientists have been working on putting such a mission together.
Now, JAXA announced this week that the Martian Moon eXploration (MMX) mission has been greenlighted to move forward, with the goal of launching an orbiter, lander — and possibly a rover — with sample return capability in 2024.
For the past three years, MMX has been in what JAXA calls a Pre-Project phase, which focuses on research and analysis for potential missions, such as simulating landings to improve spacecraft design. Now that the mission has been moved to the development phase, the focus will be on moving ahead with the development of mission hardware and software.
(16) TRAILER TIME. Dreamworks Animation dropped a
trailer for Trolls World Tour. In theaters April 2020.
Anna Kendrick and Justin Timberlake return in an all-star sequel to DreamWorks Animation’s 2016 musical hit: Trolls World Tour. In an adventure that will take them well beyond what they’ve known before, Poppy (Kendrick) and Branch (Timberlake) discover that they are but one of six different Troll tribes scattered over six different lands and devoted to six different kinds of music: Funk, Country, Techno, Classical, Pop and Rock. Their world is about to get a lot bigger and a whole lot louder.
[Thanks to John King Tarpinian, Mike Kennedy, Martin Morse
Wooster, Chip Hitchcock, Cat Eldridge, Michael Tolan, JJ, and Andrew Porter for
some of these stories. Title credit goes to File 770 contributing editor of the
day Jeff Jones.]
(1) YOU’VE SEEN HIM EXPLAIN HUGO VOTING, SO YOU KNOW HE’S GOT
THIS. Kevin Standlee, a volunteer in Nevada’s Democratic Caucuses, appeared
on CNN Newsroom with Poppy Harlow and Jim Sciutto to answer questions
about the assistive technology being used there (not the one that sparked
controversy in Iowa). See the video here.
Kevin added, responding to a File 770 email:
My specific role was “Precinct Chair,” meaning that I conducted the caucus for my own precinct (Lyon County precinct 40), conducting the votes and certifying the results to the site lead. (Seven precincts caucused at our site.) The Site Lead then took the official paper records, reported them to the party headquarters by telephone and by texting pictures of the records to the party, then he took custody of the paper records and returned them to the party headquarters in Reno.
And before I finished today’s Scroll
Kevin had written a complete account (with photos) on his blog — “3 1/2 Minutes
of Fame”. Plus, his photos of the CNN appearance start here, and photos of the
Nevada Caucus start here.
…Since stepping into an executive role at the company, DiDio has served as DC’s public face at conventions and public events, and has worked to champion not only the company as a whole but specifically the comic book division — and comic book specialty market — as being integral to DC’s success on an ongoing basis. DiDio was also part of the push to expand DC’s publishing reach into Walmart and Target via exclusive 100-Page Giant issues, an initiative that proved so successful that the issues were expanded to the comic store market.
…With DiDio’s departure, Jim Lee becomes sole publisher at DC, in addition to his role as the company’s chief creative officer, a position he’s held since June 2018.
Bleeding Cool now understands that yes, DiDio was fired this morning by Warner Bros at 10.30am PT in their Burbank offices and he left the building straight away. I am told by sources close to the situation that he was fired, for cause, for ‘fostering a poor work environment’ – as evidenced, as we previously stated, by significant departures at the publisher by editors. Dan DiDio has a reputation of being a micro-manager from some, for being very involved in projects from others. And DC Comics was heading towards a big change in its publishing programme – one aspect of which was the much-rumoured 5G – or Generation Five. Which would have seen DC’s major figures Bruce Wayne, Clark Kent, Diana and more aged out and replaced with new characters taking the roles of Superman, Batman and Wonder Woman as part of the new DC Timeline. And some folk at DC Comics were very much against this. But opposition never worried Dan, after all he was at constant odds with the direction the company line was pushed for pretty much his entire career as Publisher, and was always was striving to put comics first, as he saw it….
JC: Historical fictions are designed largely as a sort of medley: true details of time and place, actual persons of the period treated as fictional characters with their own point of view, invented persons who interact with the historical ones, real events that will form memories for the real people and for the fictional ones. You’ve long been drawn to this kind of fiction and its possibilities. What do you think its power is, for writer and reader?
EH: Well, as you know yourself, history is an immense sandbox for a writer to play in. I would add “fulfilling,” but can a sandbox be fulfilling? I love research, searching for and delving into primary sources in hopes of discovering some nugget of information that’s somehow gone unnoticed, that I can then use in a story. And while I always try to create as authentic and absorbing a portrait of a period as I can, I love playing with all the what ifs of history. Darger and Chaplin and Hollywood screenwriter Ben Hecht and others were all in Chicago at the same time: what if their paths crossed in some way?
JC: A theme of Curious Toys is how people in that period were fascinated with human oddities (fake or real), and you explore how, as much as that was about fear and wonder over the bodies of differently-abled people, it was also connected with the period’s gender rules and expectations. How much of this background psychology do you expect readers will sense?
EH: I never know what readers will “get” or not. To me, some things in a narrative seem perfectly obvious, yet are completely overlooked by readers (and critics). But I hope that my depiction of that period and its fears and bigotries is realistic enough that readers grasp how similar it was to our own time, even though many things have changed for the better. I came across an anti-immigrant government screed from around 1915 that could have been written yesterday by a member of the current administration. Gender expectations have changed since 1915; I suspect Pin would have very similar experiences were she to pull the same gender reversals today, though they’d be updated for the twenty-first-century workplace. I guess my real concern should be that some readers will think my historical depiction of an earlier era’s prejudices is fake news.
NOAF: You’re also on TV! While us viewers only see the polished, edited version, you literally get to see what happens behind the scenes. Any funny or surprising stories from your experiences filming the Contact and Hunted TV shows? Is television something you hope to do more of?
MC: I love doing TV. For one thing, I love attention. I used to think of this as a character flaw (we’re all raised to be self-effacing and taught that seeking the spotlight is a sign of egomania), but I’ve come to accept that for better or worse, it’s who I am. TV is so much easier than writing. It’s grueling work (12-15 days when you’re shooting), but it’s compressed into a tight period (Hunted was two month’s work. Contact was one month’s work). I get paid more to do a single TV show than I do in a year of writing, and a book takes me 1-2 years to write.
But just like writing, just because you’re doing it at a professional level is absolutely no guarantee you will get to keep doing it. I thought that starring on two major network shows and having an agent at CAA (it’s really hard to get in there) meant my TV career was set. Nothing could be farther from the truth. The only real benefit of having done two shows is that I now have a gorgeous, professional “reel” (clips of me on TV) that I can show to other shows I am trying to get to book me. Otherwise, I’m basically at square one. So, I’m currently hustling for my next show and there’s no guarantee that I’ll get it.
A lot moreStar Trek is on the way. ViacomCBS CEO Bob Bakish confirmed during the company’s 2019 earnings call that two more Star Trek television shows are in the works. These are on top of Star Trek: Discovery, Star Trek: Picard, and the already announced Star Trek: Lower Decks, Star Trek: Section 31, and the untitled Nickelodeon Star Trek animated series. Bakish also confirmed that the next installment of the Star Trek film series is being developed by Paramount Pictures. This was the first earnings call since ViacomCBS formed out of the merger of Viacom and CBS in 2019. The merger brought the Star Trek film and television rights under the same roof for the first time since the two companies split in 2006.
Bakish says that the reunited ViacomCBS plans “take the Star Trek franchise and extend it across the house.”
To that end, Bakish confirmed that a new line of Star Trek novels is on the way from VIacomCBS subsidiary Simon & Shuster. This line will include prequels tying into Star Trek: Picard. The first Picard tie-in novel, The Last Best Hope by Una McCormack, was released in February.
Bakish also confirmed that more Star Trek comics are on the way…
.(6) DARK MATTERS. “Chasing
Einstein: The Dark Universe Event” will be hosted by The Arthur C.
Clarke Center for Human Imagination on March 2. A
screening of the feature documentary Chasing Einstein will be followed by a panel discussion and Q & A.
Could Einstein have been wrong about the true nature of gravity? Does his general theory of relativity and the Standard Model need an update? Unprecedented advances in experimental particle physics, astronomy and cosmology are uncovering mysteries of cosmic consequence. Among the most challenging is the realization that 80% of the universe consists of something unknown that exerts galactic forces pulling the universe apart. The search for Dark Matter extends from the worlds most powerful particle accelerators to the most sensitive telescopes, to deep under the earth. Nobel worthy discoveries await. Scientists at UC San Diego are at the epicenter of the search for Dark Matter leading efforts to build the next generation of instruments and experiments to uncover its secrets.
The panelists will be —
Professor, and Founder of the
XENON Dark Matter Project, Elena Aprile
Professor of Physics Brian Keating
Kaixuan Ni, Ph.D, Ni Group at UC San
Diego. Dr. Ni leads the development of liquid xenon detectors for the
search of dark matter.
Patrick de Perio, postdoctoral research
scientist, Columbia Univerity
…Bo used his body. He developed specific stances and specific locations, along with a variety of sounds. One such was to come running up to you, circle once, face you straight on and chuff. We quickly learned that this meant “I’m trying to tell you something and you are too stupid to figure it out.” So we’d guess, and here’s the cool thing: we’d know if the guess was right or wrong by what Bo did. We’d offer (something like “do you need to go out”?) and if we were wrong, he’d look at whatever it was, but not move, then look back at us. “Nope, that’s not it.”
Finally, if we were unable to come up with an answer, we’d say “show me”, and off Bo would go. He’d walk right to the immediate vicinity of whatever it was (oh, I left food in the microwave – Bo standing, facing the microwave on the counter, or oh, your toy is way under the jelly cabinet – Bo standing facing the cabinet, then looking up at us, then back down at the floor).
Once he learned that attempts at communicating would be rewarded, he never stopped.
Steve still needs to pay some
on-going expenses for Bo’s treatment and has a GoFundMe campaign here.
(8) TODAY IN HISTORY.
February 22, 1918 — In Denmark, A Trip to Mars (Himmelskibet in Danish), premiered. It is a 1918 Danish film about a trip to Mars. In 2006, the film was restored and released on DVD by the Danish Film Institute. Phil Hardy, the late English film critic, in The Overlook Film Encyclopedia: Science Fiction claims it is “the film that marked the beginning of the space opera subgenre of science fiction”. You can watch it here.
February 22, 1956 — The Mole People premiered. It was produced by William Alland, and directed by Virgil W. Vogel. It stars John Agar, Hugh Beaumont, and Cynthia Patrick. (Beaumont is best remembered for his portrayal of Ward Cleaver.) The story is written by László Görög who also scripted The Land Unknown and Earth v. The Spider, two other late Fifties SF films. Though I can’t find any contemporary critical reviews, currently audiences at Rotten Tomatoes give it a 28% rating. Oddly enough, the only video of it on YouTube is the Mystery Science Theatre 3000 airing which you can see here. That video alludes to the changed end which may have been done to placate the studio and their sensitivities to Fifties social mores.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 22, 1899 — Dwight Frye. He’s the villain in classic Universal Thirties horror films such as Renfield in Dracula, Fritz in Frankenstein and Karl in The Bride of Frankenstein. You might also know him as Wilmer Cook in The Maltese Falcon. He’s uncredited as a Reporter in The Invisible Man. (Died 1943.)
Born February 22, 1917 — Reed Crandall. Illustrator and penciller best known for the Forties Quality Comics’ Blackhawk (a DC property later) and for stories in myriad EC Comics during the 1950s. In the late Sixties, he did the illustration work on King Features Syndicate’s King Comics comic-book version of the syndicate’s Flash Gordon strip. He’s been inducted into Will Eisner Award Hall of Fame. (Died 1982.)
Born February 22, 1925 — Edward Gorey. I’m reasonably sure that his animated introduction to the PBS series Mystery! was my first encounter with him. I will recommend Gorey Cats, The Haunted Tea-Cosy: A Dispirited and Distasteful Diversion for Christmas and The Doubtful Guest. Ok if he’s not genre but he’s still fun and delightfully weird. Oh, and do go read Elephant House: Or, the Home of Edward Gorey, with superb photographs and text by Kevin McDermott. (Died 2000.)
Born February 22, 1929 — James Hong, 91. Though not quite genre, he became known to audiences through starring in The New Adventures of Charlie Chan in the late Fifties. Genre wise, his first role was in Godzilla, King of the Monsters! voicing Ogata/Serizawa. He then pops up in The Satan Bug as Dr. Yang and next is seen playing Ho Lee in Destination Inner Space. You’ll no doubt recognize Colossus: The Forbin Project wherehe’s Dr. Chin but I’ll bet you’ve never heard of, oh wait you have, Blade Runner in which he’s Hannibal Chew and Big Trouble In Little China which I love in which he’s wizard David Lo Pan. It’s back to obscure films after that with next up being Shadowzone where he’s Dr. Van Fleet and Dragonfight where he’s Asawa. He’s next in The Shadow as Li Peng but I’ll be damned if I can remember his role and the same holds true for him as Che’tsai In Tank Girl too. He’s Mr. Wu in the very loose adaption of the classic The Day the Earth Stood Still.
Born February 22, 1933 — Sheila Hancock, 87. Helen A. In the Seventh Doctor story, “The Happiness Patrol”. Other than voicing The White Witch in an animated version of The Lion, the Witch & the Wardrobe, that’s it for her genre work as far as I can tell but it’s a role worth seeing if you’ve not seen it!
Born February 22, 1937 — Joanna Russ. Is it fair to say she’s known as much for her feminist literary criticism as her SF writings? That The Female Man is her best known work suggest my question really isn’t relevant as there may be no difference between the two. She was for a long time a influential reviewer for Magazine of Fantasy & Science Fiction where I think it would fair to say that you knew clearly what she thought of a given work. (Died 2011.)
Born February 22, 1953 — Genny Dazzo, 67. She attended the first Star Trek Convention in New York. She has since been involved in the local SF con, Lunacon. Moving out to LA, she was on the committee for all of the LA WorldCons as well as the Westercons, Loscons, and AmineLA.
Born February 22, 1959 — Kyle MacLachlan, 61. Genre wise known for his role as Dale Cooper in Twin Peaks and its weird film prequel Twin Peaks: Fire Walk with Me, Paul Atreides in Dune, Lloyd Gallagher in The Hidden, Clifford Vandercave In The Flintstones, Calvin Zabo in Agents of S.H.I.E.L.D. and Jeffrey Beaumont in Blue Velvet (OK not genre, just weird).
(10) COMICS SECTION.
At Family Circus, the kids ask their Mom a challenging genre question.
(11) BOOK FU. This seems like something no one should miss.
If you need a Weasley reunion, look no further than Fan Expo Dallas 2020. Four Harry Potter actors are getting together for some exciting times.
That’s right. You’ll get four of the Weasley siblings. And these aren’t the ones that you didn’t see enough off on screen. Fan Expo Dallas 2020 has managed to get the four Weasley siblings who spent most of their time on screen; the ones you cried over and rooted for.
Rupert Grint, Bonnie Wright, and Oliver and James Phelps will all attend the multi-fandom convention….
Musk’s love of books and the lessons he took from them inspired him to create “cleaner energy technology or [build] spaceships to extend the human species’s reach” in the future, according to Vance.
One set of those books Musk still recommends today: the seven-book “Foundation” science fiction series by scientist and author Isaac Asimov.
(14) 1968 ASIMOV AUDIO. Fanac.org presents a recording
of Isaac Asimov’s talk at the 1968 Boskone.
In this audio recording (illustrated with more than 50 images), Isaac Asimov spends an hour talking about everything and anything. He is speaking to his extended family – a roomful of science fiction fans.
Isaac speaks with great good humor about his writing (both science fiction and science fact), ribs his fellow writers, especially Lester Del Rey and others who were in the room, and tells stories about Harlan Ellison and John W. Campbell.
He is charming and arrogant, explaining his view of women, why he doesn’t write for TV, his experiences on late night TV and more.
This is an opportunity to get to know one of science fiction’s greats as his contemporaries did.
Thanks to the New England Science Fiction Society (NESFA) and Rick Kovalcik for providing the recording. Brought to you here by FANAC.org , the Fanhistory Project. For more fan history, visit FANAC.org and Fancyclopedia.org .
The big question is “What changed?” Why is it that, after nearly a decade, these antiquated approaches to web spamming are back?
The real answer is that web scraping never really went away. The nature of spamming is that, even after a technique is defeated, people will continue to try it. The reason is fairly simple: Spam is a numbers game and, if you stop a technique 99.9% of the time, a spammer just has to try 1,000 times to have one success (on average).
But that doesn’t explain why many people are noticing more of these sites in their search results, especially when looking for certain kinds of news.
Part of the answer may come from a September announcement by Richard Gingras, Google’s VP for News. There, he talked about efforts they were making to elevate “original reporting” in search results. According to the announcement, Google strongly favored the latest or most comprehensive reporting on a topic. They were going to try and change that algorithm to show more preference to original reporting, keeping those stories toward the top for longer.
Whether that change has materialized is up for debate. I, personally, regularly see duplicative articles rank well both in Google and Google News even today. That said, some of the sites I was monitoring last month when I started researching this topic have disappeared from Google News.
(16) FROM POWERED ARMOR TO CRAB SHELL. “Anytime you think
I’m being too rough, anytime you think I’m being too tough, anytime you
miss-your-mommy, QUIT! You sign your 1240-A, you get your gear, and you take a
stroll down washout lane. Do you get me?” He’s had quite a career since playing Sgt. Zim
in Starship Troopers – the Maltin on Movies podcast interviews Clancy Brown.
With films ranging from The Shawshank Redemption to Starship Troopers and recent TV appearances on The Mandalorian, Emergence, Billions, and The Crown (as LBJ), Clancy Brown is the living definition of a “working actor.” He’s also been the voice of Mr. Krabs on Spongebob Squarepants for more than twenty years! Leonard and Jessie have been after him for many months to appear on the podcast and finally found a day he wasn’t on a soundstage; it was well worth the wait.
In The Poet King, Ilana C Myer sticks the landing, in completing the Harp and the Blade trilogy, a poetical and lyrically rich fantasy of the tumultuous return of magic to a fantasy land, and the poet central to the mythically infused events.
The Last Sun introduced us to a fascinating world of Atlanteans, their world gone, living on the occupied island of Nantucket. A world where the most powerful Atlanteans carried terrible magical power, Rune, last heir of fallen House Sun, became wrapped up in the machinations of other, great Houses, and slowly coming into his own power in the process. An unusual sort of urban fantasy, The Last Sun was notable for its invention, its strong character focus, and the queer friendliness of Atlantean society.
Now in The Hanged Man, K.C. Edwards continues the story of Rune, and Brand, his bonded Companion, and their slowly accumulating set of friends, lover, and allies.
[Thanks to Cat Eldridge, Andrew Porter, JJ, John King Tarpinian,
Chip Hitchcock, Martin Morse Wooster, Karl-Johan
Norén, Mike Kennedy, Michael Toman, and Andrew Porter for some of
these stories. Title credit goes to File 770 contributing editor of the day Bill.]
He’s been a great friend and companion, helping me through the loss of my wife to cancer and being a “great guy”.
Bo has some issues: he’s had chronic pancreatitis and has been diagnosed with Chron’s disease.
…With the loss of my wife a couple of years ago, my personal financial picture has changed dramatically (loss of one entire income, health care, etc) and, while I’ve kept up with the bills (barely) and gotten some help from the family, I anticipate that expenses for treatment will continue for a while and I simply can not afford them.
At the current time, the outstanding balance on his bill is approximately $1300.00 – and that does not include the bill for emergency vet care when I had to bring him in at 11:30 pm on 2/16/20 [sic]. I expect that we are currently looking at around $2500 all told, and that’s just going to increase with additional office visits, tests and medications.
Bo is an extremely intelligent, vibrant, engaged silky terrier; the image shown here appeared on the cover of the Sunday Concord Monitor (NH) showing his involvement with Amazing Stories magazine.
And Bo is the last remaining connection I have with my wife as we adopted him together and he is in many ways the child of our marriage.
I simply don’t want him to suffer, regardless of what the eventual diagnoses ends up being and I don’t want him to suffer simply because the bills can’t be paid.
(3)HWA INTERVIEW SERIES. Horror Writers of America is celebrating Women in Horror Month by interviewing some of the top women in the horror field in a series called Females of Fright. Here’s what’s online so far —
Based on the novels Parable of the Sower and Parable of the Talents by Octavia E. Butler, this genre-defying work of political theater featuring a powerhouse ensemble of 20 singers, actors and musicians harnesses 200 years of Black music to give musical life to Butler’s acclaimed science fiction novel. Parable of the Sower, set in 2024 and published in 1993, presciently grapples with many of the same issues we face today—global warming, corporate influence over government, a destabilized economy, water scarcity, food scarcity, the privatization of social services, homelessness, public safety, a return of long forgotten diseases and the profit-making machine that runs the medical industry. Written by singer, composer and producer Toshi Reagon in collaboration with her mother, Dr. Bernice Johnson Reagon (song leader, composer, scholar, social activist and founder of Sweet Honey In the Rock), Parable Of The Sower is a mesmerizing theatrical work of rare power and beauty that reveals deep insights into gender, race and the future of human civilization.
My latest lunch on which you get to eavesdrop is with John Edward Lawson, the author of 16 books of fiction and poetry, plus numerous chapbooks. His short stories have been collected in such titles as Pocketful of Loose Razorblades, Discouraging at Best, and most recently Devil Entendre, while his poetry can be found in multiple titles, including The Plague Factory, The Scars Are Complimentary, Bibliophobia, and the Bram Stoker Award finalist The Troublesome Amputee.
He’s the founding editor of Raw Dog Screaming Press, which was given a Specialty Press Award by the Horror Writers Association in 2019. He currently serves as vice president of Diverse Writers and Artists of Speculative Fiction, and also manages the Broadkill Writers Resort, which he founded in 2016.
We met for lunch recently on a rainy day in Washington D.C. at Dolan Uyghur restaurant. It was my first taste of Uyghur cuisine, and I was quite impressed, particularly by the hand pulled noodles in my Laghman.
We discussed the birth of the bizarro horror subgenre (and the surprisingly democratic way in which it was named), the reason Alien both repelled and attracted him, how trying to sell screenplays led to him publishing his first short fiction instead, the story of his which was the most emotionally difficult to write, how he won a poetry award only after giving up on poetry, the unexpected gift he was given when starting his own publishing company, his initial doubts about naming his press Raw Dog Screaming, how he survived the 2008 financial meltdown which sank so many small presses, why he loves watching people bicker, the reason he became known as “the forgotten black man of horror,” and much more.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 15, 1883 — Sax Rohmer. Though doubtless best remembered for his series of novels featuring the arch-fiend Fu Manchu, I’ll also single out The Romance of Sorcery as he based his mystery-solving magician character Bazarada on Houdini who he was friends with. (Died 1959.)
Born February 15, 1907 — Cesar Romero. Joker in the classic Batman TV series and film. I think that Lost Continent as Major Joe Nolan was his first SF film, with Around the World in 80 Days as Abdullah’s henchman being his other one. He had assorted genre series appearances on series such as The Man from U.N.C.L.E., Get Smart, Fantasy Island and Buck Rogers in the 25th Century. (Died 1994.)
Born February 15, 1914 — Kevin McCarthy. Best remembered as Dr. Miles Bennell in The Invasion of the Body Snatchers. He would later have recurring roles in Twilight Zone and is in the Twilight Zone movie as well having a cameo in the Seventies remake of The Invasion of the Body Snatchers. Other SF credits include The Howling, Innerspace, Addams Family Reunion and Looney Tunes: Back in Action in which he had a cameo as Dr. Miles Bennell. (Died 2010.)
Born February 15, 1916 — Ian Ballantine. He founded and published the paperback line of Ballantine Books from 1952 to 1974 with his wife, Betty Ballantine. The Ballantines were both inducted by the Science Fiction Hall of Fame in 2008, with a joint citation. During the Sixties, they published the first authorized paperback edition of Tolkien’s books. (Died 1995.)
Born February 15, 1917 — Meg Wyllie. She was the Talosian “Keeper” in the Trek pilot episode, “The Cage”. She would show up later in Batman as Grandma in the “Black Widow Strikes Again” episode and earlier in her career, she was in Twilight Zone episode “The Night of the Meek” as Sister Florence. She’s Granny Gordon in The Last Starfighter. (Died 2002.)
Born February 15, 1935 — Paul Wenzel, 85. Disney illustrator responsible for such works as the Mary Poppins posters, the Walt Disney commemorative stamp and concept art of The Haunted Mansion. For those of you asking why he’s here, I’ll note that during the Sixties, he did both covers and interiors for Fantastic Stories of Imagination, If ,Galaxy, Space Travel and Worlds of Tomorrow
Born February 15, 1945 — Jack Dann, 75. Dreaming Down-Under which he co-edited with Janeen Webb is an amazing anthology of Australian genre fiction. It won Ditmar Award and was the first Australian fiction book ever to win the World Fantasy Award. If you’ve not read it, go do so. As for his novels, I’m fond of High Steel written with Jack C. Haldeman II, and The Man Who Melted. He’s not that well stocked digitally speaking though Dreaming Down-Under is available on Kindle.
Born February 15, 1948 — Art Spiegelman, 72. Author and illustrator of Maus which if you’ve not read, you really should. He also wrote MetaMaus which goes into great detail how he created that work. And yes, I know he had a long and interesting career in underground comics but I’ll be damn if I can find any that are either genre or genre adjacent.
Born February 15, 1958 – Cat Eldridge, 62, is the publisher of Green Man Review and Sleeping Hedgehog. Cat, who’s had some severe health problems, likes to remind people, “Technically I died in 2017 and was revived in the same year.”
Born February 15, 1971 — Renee O’Connor, 49. Gabrielle on Hercules: The Legendary Journeys and Xena: Warrior Princess. I’m reasonably that I watched every damn episode of both series when they aired originally. Quite fun stuff. Her first genre role was first as a waitress in Tales from the Crypt andshe’s had some genre film work such as Monster Ark and Alien Apocalypse. She’s also played Lady Macbeth in the Shakespeare by the Sea’s production of Macbeth.
(8) PEAK TELEVISION IS HERE. [Item by Olav Rokne.] Watching television in the modern era is
like trying to drink from a fire hose: According to Nielsen, there were 646,152
unique programs available to view on television in 2019. This is the first time
that there’s been a full survey done of available content, but they also ran
numbers for the previous few years, and found that 2019 saw 10 per cent more
content available than any previous year. From WIRED: “There Were 646,152 Things to Watch on TV Last Year”
From the report: “We are at the flash point of the “streaming wars,” with an array of new subscription and ad-supported platforms seeking to capitalize on what is a massive global opportunity for consumer attention and value.”
About 50,000 years ago, ancient humans in what is now West Africa apparently procreated with another group of ancient humans that scientists didn’t know existed.
There aren’t any bones or ancient DNA to prove it, but researchers say the evidence is in the genes of modern West Africans. They analyzed genetic material from hundreds of people from Nigeria and Sierra Leone and found signals of what they call “ghost” DNA from an unknown ancestor.
Our own species — Homo sapiens — lived alongside other groups that split off from the same genetic family tree at different times. And there’s plenty of evidence from other parts of the world that early humans had sex with other hominins, like Neanderthals.
That’s why Neanderthal genes are present in humans today, in people of European and Asian descent. Homo sapiens also mated with another group, the Denisovans, and those genes are found in people from Oceania.
The findings on ghost DNA, published in the journal Science Advances, further complicate the picture of how Homo sapiens — or modern humans — evolved away from other human relatives. “It’s almost certainly the case that the story is incredibly complex and complicated and we have kind of these initial hints about the complexity,” says Sriram Sankararaman, a computational biologist at UCLA.
Going into space is a dream shared by children and adults around the world.
Although humans have not stepped foot on the Moon in almost half a century, Nasa hopes to change this. It plans to land the first woman – and the next man – on the lunar surface by 2024.
And now the US space agency is looking for candidates to take part in its future missions.
So with applications opening from 2 to 31 March, what does it take to become an astronaut?
Since the 1960s, Nasa has selected 350 candidates to train as astronauts, with 48 currently in the active astronaut corps.
But as it is a US federal agency, the first requirement to join Nasa is American citizenship, although dual nationals are also eligible to apply.
This rule has not put everyone off: late British astronaut Piers Sellers left the UK and became a US citizen as part of his dream to become an astronaut, and later flew on three space shuttle missions.
Israeli defense technology company Rafael Advanced Defense Systems Ltd recently released a demo of their special “Drone Dome” counter-drone defense system. A car-mounted anti-drone solution that can fry unwelcome drones from miles away using a high-powered laser beam.
[Thanks to Cat Eldridge, Mike Kennedy, Olav Rokne, Andrew Porter, Chip Hitchcock, JJ, Martin Morse Wooster, John King Tarpinian, Scott Edelman, and Michael Toman for some of these stories. Title credit goes to File 770 contributing editor of the day Ingvar.]