On The Occasion of Your Anniversary

Commemorative covers with Iguanacon cancellations sold at the 1978 Worldcon.

By Steve Davidson: Where was I in 1978, the year that File 770 (the fanzine, not the room) was born?

I was in college in northern New Jersey.  Which made it very easy for me to continue my engagement with fandom, as I could hop onto the Erie-Lackawanna Railroad at College Station after a short walk from campus, could usually avoid paying the fare by figuring out which car the conductor was in and walking ahead of him down the length of the train (or get off and back on at a later station so as to circle back around behind the conductor. Hey, you go to college for a well-rounded education, right?), switch to the PATH in Hoboken and then switch to one of several different subway lines depending upon destination…usually either the somewhat Slan shack occupied by Mesrs. Farber, Shiffman, I think a guy named Patrick (for a while), and Suzle & Jerry and a host of other transients, or off to the HQ of Algol/Starship and a meeting of the Futurians or Lunarians or Fanoclasts or some other fannish name that escapes me right now, and engage in an afternoon and evening basking in the warm glow that was Fannish Society;  discussing the latest works, catching a movie premiere (and being interviewed by WBAI), eating Chinese food at the legendary Wo Hops(?), talking stenciling techniques, the latest fannish gossip, plans for new fanzines, helping move people in and out of temporary domiciles, planning trips to conventions.

I’d just come off a very heady two-year odyssey.  In early 1976 I’d learned that the 1977 Worldcon was being chaired and managed in my home town (from a classified ad in Amazing Stories) and had gone from playing the role of girl Friday at the chairman’s house to managing the 1977 Hugo Awards Banquet.  Along the way I’d worked on other conventions (mostly gophering, occasionally working registration and security), but this was different.  By the time Suncon rolled around, I’d become enough of an insider to be given an orange felt hat for the “Meet the Pros (and staff)” party (that was how you told the Pros (and staff) apart from the other attendees), had met and become friends with numerous professionals, was receiving encouragement and advice from some of the best fanzine writers and editors in the business and had already been asked to work on other Worldcons, notably Iguanacon the following year and the Seattle in ’81 bid (a fact I’d forgotten until re-reading the first issue of File 770 which you can read here – (http://fanac.org/fanzines/File770/File77001-02.html), as well as heading security for Balticon ’78.

My fanzine efforts were also bearing fruit. In early ’77 I’d applied to my university for what they called a “Leadership Grant” in order to continue publishing Contact: SF A Journal of Speculative Literature with Joseph Zitt, my fannish buddy, and we decided to use the funds to “go pro”. Or semi-professional actually. With the offer of pay came access and we were able to round up a good set of contributors Laurence Jannifer, Ginjer Buchanan, Robert Foster, some wonderful artwork and land interviews with leading authors in the field.

We were to present the issue at Iguanacon, with the intention of planting our feet firmly in the sercon pool of fanzines (“serious and constructive”).

Since we were basically living among fans (the last great generation of paper fanzine fans), our efforts did not go unnoticed.  It wasn’t usual for a “fanzine” to land serious grant money.  That alone was newsworthy.

This was a time of The Alien Critic (SF Review), Locus (seemingly the perpetual Best Fanzine winner), Algol, Fanthology ’76, Granfalloon, Drift

It was also the occasion of a new newszine out of California, something called File 770.

Of course, everyone at the time knew that Locus was the king of newszines and that it had two erstwhile contenders nipping at its heels – Andrew Porter’s Algol and Richard Geis’s SF Review.  At the time, it was considered that this was a crowded and sometimes contentious field (sometimes?) and, if I remember correctly, it was also considered near folly to try and break into those ranks.

But File 770 had, enough so that I heard about it from other local fans and someone made a strong suggestion that I ought to send information about Contact to File 770 during the run up to Iguanacon.  It was also suggested to me that I hook up with Mike Glyer at Iggy, the both of us somewhat representing a new wave in fanzine publishing.

Iggy arrived in Phoenix and so did I.  Contact: SF did not.  The entire run of the magazine (less a few copies thank goodness) had been lost by American Airlines.  But I did have copies of the cover.

I don’t remember who arranged the introductions, though vague memories suggest it might have been Jerry Kaufman and Suzle Tompkins (of Spanish Inquisition fame).  If I remember correctly though it has been 40 years, I was introduced to Mike Glyer and File 770 in the lobby of the main hotel, somewhere between the front desk and the restaurant.  I’m sure we both made noises about having heard of the other and appreciating each other’s efforts and then Mike offered me the latest copy of his zine in exchange for a copy of my zine (one of the expressions of “available for the usual”) and all I could show him was what the cover of mine looked like.

I’m sure we talked about a few other things, but since I was working security at the con, I soon had to dash off to take care of business – collecting a six-gun at the entrance to the hotel, protecting both Gahan Wilson and Harlan Ellison from rabid fan attention,  corralling fruit bats in the restaurant, caravaning to the local supermarkets to purchase every last package of Lime Jello and walking my feet bloody in the process.

But those are stories for another time.

Congratulations Mike!

Pixel Scroll 1/10/18 Learning To File, By Tom Pixel And The Scrollbreakers

(1) THE REFERENCE-SPANGLED BANNER. Artist Taral Wayne has updated his File 770 banner artwork to 2018, with the help of Sherman and Peabody, and the Wayback Machine.

(2) NOM DE CON. The “Phoenix Comicon Is Now Phoenix Comic Fest” reports Phoenix New Times. Although the conrunners declined to explicitly answer the question why, the reporter noted the change follows close on the heels of the San Diego Comic-Con’s victory in a lawsuit about its rights to the name “Comic-Con,” which is hinted at in a press release.

Square Egg Entertainment, the Phoenix-based company that runs the event, sent out a press release on Tuesday, January 2, announcing the rebranding.

And it hints at the possible reason behind the name change.

“In recent months, the use of the word Comic-Con, and its many forms, has become litigious. We would prefer to focus on creating the best events and experiences for our attendees. Therefore, effective immediately, our event held annually in Phoenix in the spring will be rebranded as Phoenix Comic Fest.”

(It isn’t the first time that the event has undergone a name change as it was previously known as “Phoenix Cactus Comicon” from 2002 to 2009.)

Meanwhile, a con in the state of Washington is waiting to see how the region’s larger Comic Cons respond to the court decision before changing its name – the Yakima Herald has the story: “Yakima group watches ‘Comic Con’ naming controversy play out”.

The annual Central City Comic Con in Yakima will hold off on a name change after one of the nation’s largest comic conventions successfully defended its right to the words “Comic Con.”

One of the staff for Yakima’s convention said organizers are waiting to see what other comic conventions in the area will do in response to San Diego Comic-Con’s successful lawsuit….

Yakima’s event attracts an average of 2,000 people a year, compared with the more than 130,000 who attended San Diego’s convention last year.

Burns said the Yakima event does not have a problem changing the name if it has to. She said the organizers are waiting to see whether the Emerald City Comic Con, scheduled for February in Seattle, and the Rose City Comic Con, which will take place in September in Portland, will change their names.

Rose City’s organizers announced on their website that the convention had reached an agreement with San Diego to use the Comic Con name at no charge.

(3) BEAUTIFUL IMAGES OF JUPITER. Via TIME Magazine, “See Jupiter Looking Downright Gorgeous in These New NASA Photos”.

NASA has shared brand new photos of Jupiter taken by the Juno spacecraft, showing the gas giant’s blue-tinged skies.

The Juno spacecraft takes batches of photos about every 53 days as it orbits Jupiter. NASA researchers uploaded the raw images online last month, prompting several people to process the photos into colorful views of Jupiter, including self-described citizen scientists Gerald Eichstädt and Seán Doran.

(4) LESSON FOR THE DAY. Chloe N. Clarke, in “HORROR 101: Violence in Horror, Part One”, tells Nerds of a Feather readers to distinguish between gore and violence:

A lot of times when I mention being a horror fan or horror writer, people say something about the violence in horror: “I can’t watch that stuff, it’s too gory” or “why would you want to write something violent.” Rarely do I want to go into pedantic scholar mode (except for my poor long-suffering students), so I usually just shrug. However, here in Horror 101, is exactly the place for me to get onto my horror scholar pedestal and say: good horror isn’t about the gory, or shocking acts of physical violence being depicted. Instead, it’s often about the true nature of violence which is the loss of agency.  So in this column, I’ll be talking about violence and agency in horror. Violence is a subject I plan to tackle from a few angles in terms of horror—while this is looking specifically at violence as loss of agency, later columns will address violence and women’s bodies in horror and other issues about the use of violence in the genre.

When we think of horror, we might think of the visceral moments that have stayed with us: the opening murder in Scream, for example, or the shark in Jaws taking off someone’s leg. Those moments stick with us because acts of physical violence cause such visceral emotional reactions: disgust, terror, an empathetic surge at the pain. However, beneath these physical moments of violence are the ones of the more subtle but insidious acts of violence.

(5) IN DEMAND. Breaking a record held by Captain America, “Black Panther had the biggest first day ticket presale of any Marvel movie” reports The Verge.

Ryan Coogler’s Black Panther is already set to have a huge debut at the box office in February. Fandango reports that the first 24 hours of ticket presales for the film were the largest it’s ever seen for a Marvel movie. The record was previously held by Captain America: Civil War, which was released in 2016.

(6) “COMIC-CON FOR WONKS”. The Washington Post’s David Betancourt, in “DC in D.C.: The stars of ‘Black Lightning’ and other DC projects are coming to Washington”, says that fans in the Washington area are going to get a lot of DC Comics panels in the next few weeks, including one with Black Lightning star Cress Williams.

The various worlds of DC Comics, from television to comics to animation, are coming to Washington for a first-of-its-kind event titled “DC in D.C.” — but it’s not just because the two names are the same.

The gathering will feature a who’s who of DC bigwigs participating in various panels, including television producer Greg Berlanti, DC Comics Co-Publisher Jim Lee and Chief Creative Officer Geoff Johns, animation producer Bruce Timm and actors from the CW and Fox’s DC-inspired superhero television slate.

“DC in D.C.” will take place at multiple locations, including the Newseum and the Smithsonian’s National Museum of African American History and Culture.

Lisa Gregorian, the president and chief marketing officer of Warner Bros. Television Group, has been working on bringing DC to Washington over the past three years and says it will be “Comic-Con for wonks.”

(7) THYSSEN OBIT. Greta Thyssen, who appeared in minor sf movies and opposite the Three Stooges, has died at the age of 90. The Hollywood Reporter eulogy begins —

Greta Thyssen, the Danish beauty who doubled for Marilyn Monroe, dated Cary Grant and starred opposite The Three Stooges, has died. She was 90. Thyssen died Saturday night at her Manhattan apartment after a bout with pneumonia, her daughter, Genevieve Guenther, told The Hollywood Reporter.

Thyssen also starred in several “B” movies, including the horror pic Terror Is a Man (1959), a loose adaptation of H.G. Wells’ The Island of Dr. Moreau. On a mystery island (it was filmed in the Philippines), the actress played the wife of a scientist (Francis Lederer) “tormented by unsatisfied desire, desperate to escape a loneliness and her fear,” according to the film’s trailer. Unfortunately, Thyssen’s character has more pressing issues to worry about, namely her husband’s creation — a half-man, half-panther beast. The movie incorporated a “warning bell” gimmick that would alert moviegoers when a particularly horrific sequence was about to take place so that they could hide their eyes. It would ring a second time when it was safe to look again.

Four of Thyssen’s other best-known performances came in the Joseph Kane noir Accused of Murder(1956); The Beast of Budapest (1958); Three Blondes in His Life (1961), opposite Jock Mahoney; and as an enticing pin-up beauty on Uranus in Journey to the Seventh Planet (1962), shot in her native Denmark….

(8) BAIKIE OBIT. Eisner Award-winning Scottish comic artist Jim Baikie died December 29. He was 77. Downthetubes paid tribute —

[He was] perhaps best known to many downthetubes readers as co-creator of 2000AD’s alien-on-the-run, Skizz. He enjoyed a career in comics that began with work for girls titles in the 1960s that would go on to encompass “Charlie’s Angels” and “Terrahawks” for Look-In, 2000AD and superhero work in the United States. He was also a much in demand artist beyond the comics medium.

…In 1991 when he was 51, he was diagnosed with Parkinson’s Disease. Initially the symptoms were mild enough that he could continue to work until 2004, after which his condition made it impossible to do so. He died peacefully from complications due to the disease.

…While perhaps best known perhaps for his work with Alan Moore on the 2000AD strip “Skizz”, as well as many memorable “Judge Dredd” strips, Jim had a long and varied career as an artist in comics. Born in 1940, he was inspired by comics from an early age, including Hogarth’s Tarzan and humour strips such as Gasoline Alley.

(9) RHODES OBIT. Donnelly Rhodes, most recently seen by fans as Agent Smith in The Flash and Legends of Tomorrow, died January 8. He was 80. Rhodes appeared in more than 160 films and TV series during the past 60 years.

His roles in genre TV shows included The Girl from U.N.C.L.E., The Wild, Wild West, The Starlost, Wonder Woman, Airwolf, Sliders, The X-Files, The Outer Limits reboot, The Dead Zone, Smallville, the Battlestar Galactica reboot, and Supernatural. He also appeared in several little-known genre films.

(10) TODAY IN HISTORY

  • January 10, 1927 — Fritz Lang’s Metropolis premiered in his native Germany.
  • January 10, 1967 The Invaders television series debuted.

(11) TODAY’S BIRTHDAY SCARECROW

  • Born January 10, 1904 – Ray Bolger, whose Scarecrow wanted the Wizard of Oz to give him a brain.

(12) COMICS SECTION.

  • John King Tarpinian spotted an unusual parent-teacher conference in Bliss.

(13) DEMOCRAT IN NAME ONLY. A Filer made a typo and in the process discovered that last November someone with a few dollars to throw away amused themselves by purchasing the URL www.jondelarroz.com, and setting it to redirect to www.democrats.org. (JDA’s correct URL is www.delarroz.com.)

Full WHOIS Lookup

Domain Name: JONDELARROZ.COM
Registry Domain ID: 2182181215_DOMAIN_COM-VRSN
Registrar WHOIS Server: whois.dreamhost.com
Registrar URL: http://www.DreamHost.com
Updated Date: 2017-11-01T22:12:15Z
Creation Date: 2017-11-01T22:12:15Z
Registry Expiry Date: 2018-11-01T22:12:15Z
Registrar: DreamHost, LLC
Registrar IANA ID: 431
Registrar Abuse Contact Email:
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Name Server: NS1.DREAMHOST.COM
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DNSSEC: unsigned
URL of the ICANN Whois Inaccuracy Complaint Form: https://www.icann.org/wicf/
>>> Last update of whois database: 2017-11-03T00:16:42Z

(14) TALKING SHAT. The voice of William Shatner is the big selling point in publicity for Aliens Ate My Homework, for sale on DVD March 6. Here’s the actual story:

Based on Bruce Coville’s best-selling book series, this suspenseful family comedy follows the adventures of sixth-grader Rod Allbright and the extraterrestrial lawmen known as the Galactic Patrol. When a tiny spaceship flies through his window and lands on his science project, Rod and his cousin Elspeth meet a group of friendly aliens, including Phil, a talking plant (voiced by William Shatner). The earthlings quickly join the aliens’ adventurous mission to help defeat an evil alien criminal. After discovering the evil alien is disguised as a human – someone he knows all too well – Rod and Elspeth race to save the world from total planetary disaster.

 

(15) LIST OF FAVES. Dina at SFF Book Reviews details what she likes about “My Top 7 Books of 2017”

My Favorite Books Published in 2017

Katherine Arden – The Bear and the Nightingale

Without a doubt, my favorite book of last year (both published last year and older), this Russian-inspired fairy tale had so much atmosphere and told such a riveting story that it catapulted Katherine Arden onto my top author shelf immediately. Vasya is a fantastic heroine who – despite the slow loss of old beliefs – holds on to the old gods and tries to save her home, all by herself. The snowy landscape, the threat of true winter, the politics and magic and mythology all go so perfectly well together to make this book a perfect read for a cold day by a chimney (if you have one) or in front of a nice steaming cup of tea (if you don’t).

(16) 24. Joe Sherry has his eye on the future in an ambitious list of “24 Books I’m Looking Forward to in 2018” at Nerds of a Feather. He begins with this caveat:

As with any list, this is incomplete. Any number of stellar novels and collections have not been announced yet and will slot into place at some point this year. Some books on this list scheduled for later in the year may be pushed back into 2019 for any number of reasons. Some books are left off this list because they are the third or fourth book in a series I’ve never read. Some books are left off because they are not to my taste and thus, I’m not actually looking forward to them. Some books are left off this list because I haven’t heard of them yet, even though they’ve been announced. Some books are left off this list because, sadly, I completely forgot about it even though I’ve tried to do as much research as possible.

(17) YOLEN. At Locus Online, Gary K. Wolfe reviews The Emerald Circus by Jane Yolen.

One of Jane Yolen’s abiding concerns in the hun­dreds of books she’s written or edited has been the ways in which stories and lives shape each other, so it’s not too surprising that her new collection The Emerald Circus begins and ends with actual historical figures, Hans Christian Andersen and Emily Dickinson. In between, we also briefly meet Edgar Allan Poe, Queen Victoria, Benjamin Disraeli, Alice Liddell as an old lady, and even Geoffrey of Monmouth. On the fictional side of the ledger, there are tales and characters drawn from Arthurian legends, J.M. Barrie, John Keats, L. Frank Baum, and O. Henry. What we do not see, with one or two exceptions, are stories that engage with traditional folk and fairy tales of the sort that underlie Briar Rose and stories like “Granny Rumple”.

(18) THROWING ROCKS. Steve Davidson revisits a Heinlein Hugo-winner in  “Retro Review: The Moon is a Harsh Mistress.

The Moon is a Harsh Mistress is a hard book to review. Like so many others from Heinlein’s later period, there are bits of it I enjoyed immensely and bits that made me want to throw the book across the room (and out the airlock). It is both a story of revolution – both bloody and bloodless – and a description of a very different society, forged by conditions that cannot be found on Earth. In short, The Moon is a Harsh Mistress is several different things at once and they don’t always go together.

The background of the story is relatively simple. Luna – a society formed by convicts exiled from Earth – is being oppressed by the Warden and his Dragoons. The Moon is Earth’s main source of grain at this point (quite how that works isn’t clear) and the homeworld is unable or unwilling to realise that the Loonies have excellent reasons to be discontented, let alone make any concessions. Luna is ripe for revolution and just about everyone believes it is only a matter of time before all hell breaks loose.

(19) STIEFVATER REVIEWED. At Nerds of a Feather, Phoebe Wagner devotes a moment to the novel’s taxonomy before diving in — “Microreview [book]: All the Crooked Saints, by Maggie Stiefvater”

A note: Some readers might classify this novel as magical realism. When it comes to North American writers, prefer to use the term fabulism, even if it may not fully encompass the text.

Maggie Stiefvater’s All the Crooked Saints breaks from her usual fairytale folklore style as seen in her bestselling werewolf series Shiver and her acclaimed Raven Boys Cycle about ghosts, magic, ley lines, and more. When I picked up All the Crooked Saints with the excellent cover featuring roses and owls, I expected more of the same.

Instead, this novel opens on Colorado in 1962, describing the conflation of miracles and radio waves. Immediately, this novel felt separate from Stiefvater’s teen folklore oeuvre. Set in the high deserts of Colorado, the novel opens on a family of miracle workers, the Sorias. Three of the youngest are trying to establish a radio station out of a broken-down truck, but while they might be a family of miracle workers, the miracles are reserved for the pilgrims that visit the Sorias, not the Sorias themselves.

(20) IN THE MEDIA. Alex Acks covered the story for Bookriot “Author Banned From Attending WorldCon”.

Science fiction author Jon Del Arroz (known positively for his novel Rescue Run being nominated for the 2017 Best Military Science Fiction or Fantasy Novel category in the Dragon Awards) has been banned from San Jose WorldCon for making his intention to break the convention’s Code of Conduct loud and clear online. More specifically, for saying that he was going to be filming people against their will. He has been offered a refund by WorldCon, as has his wife, according to the convention.

I’m not surprised by this, considering that back on December 19, Mr. Del Arroz was talking publicly about joining SFWA and wearing a body cam into the SFWA suite at the convention. Considering Mr. Del Arroz’s history of harassing SFWA (Science Fiction Writers of America) members including Cat Rambo, Sharon Lee, and Irene Gallo, this wasn’t met with a lot of joy. A. Merc Rustad has a great Twitter thread that basically summarizes that issue. (Also it should be noted that the harassment extends beyond SFWA members to others in SF literary fandom.)

(21) MORE SHOPPING WHILE INTOXICATED. Cherie Priest answers the pivotal question —

(22) ON A FROZEN PLANET. I got a kick out of this Scalzi retweet – a sci-fi response to his first tweet:

(23) GODZILLA. This trailer for the animated Godzilla series from Netflix touts “Humankind vs. The Largest Godzilla Ever.”

(24) KRYPTON. The first trailer for Syfy’s series Krypton has been posted.

From David S. Goyer, the writer of Man of Steel and The Dark Knight, comes a new story that will change a legend and forge a destiny. Krypton Premieres March 21 on SYFY.

 

[Thanks to John King Tarpinian, JJ, Cat Eldridge, Andrew Porter, Carl Slaughter, Martin Morse Wooster, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Nancy Sauer.]

Fortieth Anniversary of File 770

It was 40 years ago today
Sgt. Saturn taught the band to play…

Okay, never mind the rest of that… but on January 6, 1978 File 770 began life as a paperzine with issue #1.

Several friends have been along for the entire ride, like artist Taral Wayne, who had an illo in the first paper issue, and also is the creator of the banner art for this blog. Or Steve Davidson, mentioned in a news item on page 2. Not to mention the many who were on the mailing list from the beginning.

I also want to thank Linda Bushyager, editor of Karass, which preceded File 770 as fandom’s newzine of record, for passing the baton those many years ago.

And thanks to the generosity of everyone who has shared their stories, events and concerns in these pages over the years.

We’ll be celebrating this anniversary — and the 10th anniversary of this blog on January 15 — over the next 10 days with a series of special guest posts, too. Watch for the logo!

Pixel Scroll 12/4/17 She’ll Be Scrolling Six White Pixels When She Files

(1) HOME IS THE HUNTER. Amazing Stories’ Steve Davidson shared “SMOFCON 35: A Brief Report”:

…I had dinner with the talented and lovely Regina Kanyu Wang, a contributor to these pages, one of the actifans of China’s largest fan group AppleCore and the Executive Editor of Storycom, that has, among other things, worked with Clarkesworld magazine to bring translated Chinese SF to the west.

We talked about the cultural revolution, the reception of science fiction in China, censorship, the possibilities of a Chinese Worldcon, the fact that fans are fans the world over, different strains of “Asian” science fiction (the differences between Japanese SF and Chinese SF:  Japanese SF is far more influenced by western tropes than Chinese SD) and I felt like I took a crash course in the subject.  I’ve a lot more to learn, as do we all, but my prediction is that in not so many years, China is going to be dominating this market.

I also spent a fair amount of time helping out with the NASFiC bid for Utah in 2019.  They joined a wine and other liquors tasting party on Saturday evening (I don’t imbibe, but I sure as heck can carry cookies and danish to the room).  As a result of my generosity, I have been allowed to purchase a supporting membership (Grabthar’s Hammer level) and have been volunteered to run the bid table at the 2018 Boskone in February.  (An actifan’s reward is more work!)…

(2) NATIONAL NETWORK PICKS UP EL-MOHTAR STORY. Amal El-Mohtar’s horrible experience with TSA made the Montreal news this morning: Canada’s CBC has picked up the story — “Ottawa author detained by U.S. border guards says system ‘broken'”

El-Mohtar, born and raised in Ottawa, has been crossing the border into the U.S. three to four times a year for at least the last five years because that’s where many of her fans are.

With an Arabic-sounding name, she said she expects to be racially profiled, endure intense questioning and pat downs.

“Every time, I’d get the allegedly random extra screening. Every time. To the point where I’d always make jokes about, if only the lottery were this kind of random.”

This time, however, she was sent for secondary screening, which she said was particularly degrading.…

(3) YA HARASSMENT SURVEY. Anne Ursu, a Minneapolis YA author, is collecting data about “Sexual Harassment in Children’s Book Publishing”.

(4) BENEFIT FOR REFUGEES AND MIGRANTS. Children of a Different Sky, edited by Alma Alexander, is now available online (including at Amazon). Alexander told Carl Slaughter about the project in a File 770 interview.

It is a themed fantasy anthology, about migrants and refugees, and it is a charity anthology, with all the profits from the sales of the book above anything required for housekeeping and production are going straight to two selected charities working with refugees and migrants both in the USA and globally.

The contributors are Jane Yolen, Aliette de Bodard, Seanan McGuire, Irene Radford, Gregory L. Norris, Brenda Cooper, Joyce Reynolds-Ward, Randee Dawn, Jacey Bedford, Nora Saroyan, Marie Brennan, and Patricia McEwen

(5) CAN REBELS AND THE FEDERATION STOP THE EMPIRE? Trek Wars is the Star Wars/Star Trek Crossover Fan-Trailer.

The Death Star is on a direct course for Earth, the crew of the starship Enterprise teams up with the Rebel Alliance to stop it!

 

(6) NEXT UP AT KGB READING SERIES. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present N.K. Jemisin and Christopher Brown on Wednesday, December 20, 7p.m. at the KGB Bar.

N.K. Jemisin

N(ora). K. Jemisin is the author of the Broken Earth Trilogy, the Inheritance Trilogy, and the Dreamblood Duology. Her work has been nominated for the Nebula and World Fantasy Award; shortlisted for the Crawford, the Gemmell Morningstar, and the Tiptree; and she won a Locus Award for Best First Novel. In 2016, she became the first black person to win the Best Novel Hugo for The Fifth Season; she won again in 2017 for The Obelisk Gate.

Her short fiction has been published in Clarkesworld, Tor.com, WIRED, and Popular Science. She writes a New York Times book review column, Otherworldly, covering recent Science Fiction and Fantasy.

Christopher Brown

Christopher Brown is the author of Tropic of Kansas, a novel published in 2017 by Harper Voyager that was recently nominated for the Compton Crook Award. He was a World Fantasy Award nominee for the anthology he co-edited, Three Messages and a Warning: Contemporary Mexican Short Stories of the Fantastic.  His next two novels, the beginning of a series of speculative legal thrillers set in the world of Tropic of Kansas, are slated for publication by Harper in summer 2019 and 2020. His short fiction has appeared in a variety of magazines and anthologies. He lives in Austin, where he also practices technology law.

The KGB Bar is located at 85 East 4th Street (just off 2nd Ave, upstairs), New York, NY.

(7) OPERATIC VERSION OF OCTAVIA BUTLER WORK KICKSTARTER. Toshi Reagon has started a Kickstarter appeal to fund “Octavia E. Butler’s Parable of the Sower: The Opera”.

This opera, which I composed in collaboration with my mother, Dr Bernice Johnson Reagon lives in an unprecedented intersection of science fiction, opera, African-American art & spirituality, feminism, and climate activism.

It features a cast of 15 amazing singers of singular talent and diversity, and a 5 member orchestra which includes my band BigLovely, and a striking set design and visual installation, and a dream team of designers and creatives.

We are asking that you join us, and support us as we finish the creation of this ambitious project and bringing it to communities around the country and the world. It’s urgent, we have to do this now.

They have received $10,205 of the $30,000 goal as of this writing, with 23 days remaining in the drive.

(8) TODAY’S BIRTHDAY GIRL

  • Born December 4, 1964Marisa Tomei. She got her screen debut in an uncredited role (as “Health Club Girl”) in The Toxic Avenger (1984) — arguably one of the most gruesome creatures known to man.

(9) COMICS SECTION.

  • John King Tarpinian learned from the December 2 Bliss that while there are things man was not meant to know, that doesn’t mean nobody knows them.

(10) MARTHA WELLS. The holiday season continues at The Book Smugglers with “Books of My Year – A Smugglivus post by Martha Wells”.

For Smugglivus, I thought I’d do a list of recommendations for some of the favorite books I’ve read this year, or am reading this year, or am about to read this year.

First on the list —

Substrate Phantoms by Jessica Reisman

An SF novel about love, loss, and contact with a truly alien intelligence too strange for humans to understand. If you love thoughtful far future SF with brilliant worldbuilding, this is for you.

(11) FROM TOLKIEN’S PANTRY. Lembas is “A bite of energy” – its origin and use is discussed at Middle-earth Reflections:

Different in strengthening properties and generally more pleasant than its brother cram, made by Men to keep them going in the wild, lembas was a special kind of waybread baked by the Elves alone. The name lembas is a Sindarin one: it is derived from an older version lenn-mbass meaning “journey-bread”. As the name implies, one could and needed to eat it on long journeys when there was no other food to support a traveller or if one’s life was in peril after receiving a hurt. With lembas being a very special — and essentially Elvish — kind of food, Galadriel and the Elves showed the Fellowship a great honour by giving it to them.

(12) THE WRITING DAY. RedWombat takes a break.

(13) A MANLY ANTHOLOGY. Superversive SF’s “Submission call for ‘To Be Men: Stories Celebrating Masculinity’” is open ‘til February 14, 2018.

We want…

  • Stories showing the masculine virtues in a positive light.
  • Stories that introduce or reintroduce young men to the manly virtues.
  • Stories that pay homage to men and masculinity.

I love that the post’s last line is –

Contact me at manlyantho@superversivepress.com if you’re not sure.

(14) LOOK OUT BELOW. MeTV is ready to tell you — “Here’s what’s on the ground in ‘The Jetsons'”.

It goes like this: While The Flintstones seemingly takes place in the Stone Age, and The Jetsons is set in 2062, the two worlds co-exist. The Flintstones is the post-apocalyptic life on the surface under The Jetsons. Barney and Wilma live on the ground underneath George and Jane.

It’s a fun theory to debate at parties, but there is one big problem. We see what is on the surface in The Jetsons.

One of the most common misconceptions about The Jetsons is that the cartoon never shows the ground beneath Orbit City. The Jetson family lives in the Skypad Apartments. George works at Spacely Space Sprockets. Both cylindrical buildings project into the sky like birdhouses on long poles. It is a world of flying cars.

This optimistic vision of the 21st century often left viewers wondering — what is on the ground? Well, the answer is… hobos, walking birds, concrete and parks….

(15) ALT-CAT. Every day is a tough one when you’re battling fake news.

(16) DEL ARROZ ON CEBULSKI. Jon Del Arroz, now writing for The Federalist (called by a Bloomberg Politics writer “a source of original interviews and real-time arguments between conservatives and libertarians”) says “The Manufactured Outrage At Marvel’s New Editor In Chief Is Just A Power Play”. He calls the Cebulski story a “phony controversy” —

When Cebulski was named, it had a lot of comic readers scouring the Internet to find out who he was, and if he looked like he’d be able to right Marvel Comics’ sinking ship.

Most comic professionals praised the move. Longtime Marvel writer Brian Michael Bendis said, “Creators, you’re about to be treated and fed SO [sic] well. This is a great day for comics. All in it together!” Christos Gage, writer of Netflix’s “Daredevil” season one, said, “Excellent choice in [Cebulski] as new Marvel EIC. He loves comics and comic book creators.” Even Marvel’s most vocal of critics seemed pleased with the move.

It didn’t take long for the gossip entertainment news to attack Cebulski, however. This week, Cebulski is the victim of manufactured identity politics outrage, in an attempt by the media to get him fired before his work as editor in chief even begins. Bleeding Cool, IO9, and the Huffington Post, outlets notorious for hyper-partisan clickbait, attacked Cebulski over the fact that 13 years ago he used a pseudonym to write a few books for Marvel. If it sounds like something not even worth mentioning, you’d be right, but it has the leftist outrage machine calling for Marvel to remove him.

Then with his usual rhetorical prestidigitization, Del Arroz equates Cebulski’s writing under an Asian pseudonym with D.C. Fontana going by her initials, and makes other leaps of illogic, such as —

If the media is right that Cebulski had to use a minority moniker to get a job, it means white men aren’t considered for the work, or at the very least, minorities are preferred. Therefore, pro-white racism in entertainment doesn’t and didn’t exist as far back as 15 years ago.

(17) HOW DO YOU LIKE YOUR EGGS? Ethan Alter, in a Yahoo! Entertainment piece called “How all those ‘Star Wars’ cameos wound up in surprise box-office hit ‘Wonder'”, interviews Wonder director Stephen Chblosky about why his film packed with Star Wars Easter eggs,

Star Wars plays a small but significant role in Wonder; not only is it the singular obsession of the film’s main character, Auggie Pullman (played by Jacob Tremblay — a noted Padawan in his own right), but Chbosky also wrangled surprise cameo appearances by two residents of George Lucas‘s far, far away galaxy: a certain Wookiee co-pilot and a sinister Sith-turned-emperor, who appear in fantasy sequences imagined by Auggie, who initially prefers the company of fictional characters because real people struggle to adjust to his facial deformities caused by a rare medical condition. “I will point out, very proudly, that on Dec. 15 there will be two Chewbacca movies in theaters — that has never happened!” Chbosky says, laughing. “I really hope that being part of Wonder might help the box office of The Last Jedi. They’re really struggling over there.”

(18) FINAL PRANK. Carrie Fisher pulled a fast one on Mark Hamill.

Hamill, 66, spoke about his fond memories of his dear friend on a recent visit to the set of “Popcorn With Peter Travers.” He also recalled the last prank she pulled on him before she died on Dec. 27, 2016.

“We were sort of in an unofficial contest to get to 1 million Twitter followers first,” he explained of their competition from summer 2016. “She was 63,000 ahead of me … I said, ‘Game on girl!'”

As of now, Hamill has more than 2 million followers and Fisher posthumously has 1.19 million. Hamill, who was trailing in the beginning, said he started pulling these ridiculous stunts like offering up exclusive “Star Wars” clips to gain followers and catch up to Fisher.

“I felt bad, I was really gaining,” he said, so he also came up with a plan where the two could cross the milestone together, as on-screen brother and sister. “I sent her an email and I said, ‘Hey Carrie want to explode the internet?’ … We had never seen our wax figures at Madame Tussauds.”

The plan was to go, take pictures with the wax Luke and Leia figurines, then post on the internet to fans’ delights. But Fisher never emailed him back.

“Three of four days later, there she is at Madame Tussauds posing with my figure, posing with her figure, I went, ‘What!?’ I was livid,” he said. “I went to the studio the next day [and went right to her trailer]. I said, ‘Carrie, what did you do!? It was like … you threw the party and you didn’t invite me!'”

According to Hamill, she just looked up at him and said, “Should have I not done that?”

(19) LUNAR GLIMPSE. The only supermoon of 2017 rose on Sunday, December 3. Here are three galleries with some of the best photos.

(20) INTERVIEW WITH THE CAPTAIN. The Hollywood Masters features Patrick Stewart on Star Trek: The Next Generation.

[Thanks to DMS, Cathy Palmer-Lister, John King Tarpinian, Martin Morse Wooster, Chip Hitchcock, JJ, Cat Eldridge, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Soon Lee.]

Amazing and NBC Kiss and Make Up

Only 10 days ago Steve Davidson was telling Amazing Stories readers, in “More NBC Bullshit”

It’s not gonna happen.  I want nothing to do with NBC and I want them to have nothing to do with Amazing Stories.

If that sounded final – surprise! You can throw that memo in the trash. Here’s the new plan, announced today in Steve’s editorial.

Well, it looks like there is a deal to be had with NBC.  Right now the lawyers and I are waiting for a draft proposal of our verbal discussions/agreements.  Then we’ll review.  I’ve yet to get through that stage of a negotiation without some changes being necessary, but rarely, if ever are those of the deal-breaker kind, so it certainly seems (with appropriate reservation) that we’ll be signing some time in the relatively near future.

Whatever the exact terms may turn out to be, Davidson says in “Plans” there will be enough money to let him to realize his long-held ambition of acquiring fiction for publication on the Amazing Stories website:

I believe that the initial revenue from the NBC deal will allow us to pay better than SFWA rates for at least one short story per week, so that’s what we’re going to do, at least to start.

Follow on to that will be the bundling together of three month’s worth of stories (12+) in an e-magazine issue and POD book, which will be titled Amazing Stories Quarterly.  I’m hoping that we’ll also be able to afford a couple of bonus stories that will initially only be available in the Quarterly editions.

Beyond that he expects to do a re-design of the Amazing Stories website by the beginning of 2018, and to start a club or membership organization.

Pixel Scroll 10/12/17 O, Brave New Scroll, That Has Such Pixels In ‘t!

(1) SECOND BITE OF THE APPLE. Steve Davidson left a comment telling File 770 readers about a turnaround in Amazing Stories’ situation with NBC since yesterday’s social media offensive:

Folks, I am officially “in discussions for a resolution” with NBC.

This was a DIRECT result of the tweeting and commenting that took place all of yesterday:

Specifically, NBC’s attorney requested that my attorney ask me to “stop tweeting” because certain people and certain giant corporations were “very upset”.

I had my doubts that my yelling about a toe stepped on would bring results, but in fact it took less than 12 hours for the story to get picked up and, while I have complied with the request (seeing as how we are talking again), the ripples are still going, so people on the west coast are going to continue to experience upset for a bit longer.

We’re very close to an agreement…very close..but not quite there yet.

I’m hoping we will finalize things today – 10-12.

I’m sure that an association with “Spielberg” and “Apple Inc” gave this story traction, but it would not have gone anywhere if fans didn’t pick it up and run with it. I think we can count this as a minor example of the “Star Trek” effect.

(2)THE PAST THROUGH YESTERDAY. Jo Walton has updated her “Revisiting the Hugo Awards” at Tor.com with a post on the newly-discovered 1956 Finalists: “Revisiting the Recently Rediscovered 1956 Hugo Awards Ballot”.

When I wrote my post in 2010 about the Hugos of 1956, the nominees for that year were lost in the mists of time. Last month they were found again, by Olav Rokne in an old Progress Report, which is very exciting, because it gives me the chance to compare what I thought they might be to what they really were. It’s great to be wrong, and goodness me I was wrong!…

(3) THE YOUNG AND THE RUTHLESS. For the newest installment of Young People Read Old SFF, James Davis Nicoll unleashed his panel on “The Women Men Don’t See” by James Tiptree, Jr.

The story was not a hit with Jamie –

This was weird and slow and racist. Also sexist. The whole thing was uninteresting in general, the pacing was glacial, and the main character was a maddeningly horrible person who can seemingly only thnk about sex and whose first thought upon meeting aliens was to attack them and steal their stuff.

(4) REDDIT AMA. Two genre figures participated in Reddit “Ask Me Anything” sessions today.

G. WILLOW WILSON: Oh my God. It took Sana and I NINE MONTHS to settle on this power set. It was by far the most difficult part of the planning phase. Marvel came to me with a total tabula rasa–they wanted to do an all-ages series about an American Muslim girl (the idea was inspired by Sana’s own stories about her childhood) but this character had no name, no background, no power set, no nothing. I didn’t want her to have pretty powers–no sparkling, no floating in the air, no “I have a headache” telepathy. So that ruled some things out. And giving her violent powers–your laser beams, your plasma bolts–would be read as a political statement. (This is a whole ‘nother AMA.) So we had to get very creative. It had to be something useful and adaptive and fun to look at on the page. Getting to this specific variety of polymorphism took quite awhile.

GARDNER DOZOIS: For writing short fiction, my advice would be to immediately start with an interesting character in an interesting situation faced with a problem, rather than starting with landscape descriptions or details about how the society works. It’s hardwired in us to want to know what happens to that character NEXT, once you’ve involved us with them.

No real horror stories about fans sending me things, although I did once open a slush manuscript and had a big cardboard finger sprong up out of it, giving me the bird. A writer so certain his story was going to be rejected that he was taking his revenge in advance.

(5) COME CELEBRATE. Here’s a video of Pulphouse mascot Stomper doing a cartwheel to celebrate hitting their Kickstarter’s $15,000 stretch goal:

(6) BRADBURY RE-EULOGIZED. Paris Review ran Margaret Atwood’s “Voyage to the Otherworld: A New Eulogy for Ray Bradbury” in August.

This original essay by Margaret Atwood was composed specifically for the re-release of Sam Weller’s interview book companion to his authorized biography of Ray Bradbury. Listen to the Echoes: The Ray Bradbury Interviews, in a new hardcover deluxe edition, will be released this October by Hat & Beard Press in Los Angeles.

… What Sam and I were discussing was the launch of the collection, which was to be published by HarperCollins, and was to be called Shadow Show—from the 1962 Bradbury novel, Something Wicked This Way Comes. Ray himself had written an introduction, and it was hoped that he could be present at the grand celebration that was to take place at Comic-Con—the vast gathering of graphic artists, comics writers, and their fans, plus related enterprises and genres—that was slated for San Diego in mid-July. Five of us were going to do a Bradbury panel there: Sam, Mort Castle, Joe Hill, me, and Ray himself.

But Ray had been feeling a little frail, said Sam; it was possible he might not make it. In that case, the four of us would do the panel, and Sam and I would visit Ray in his home, webcast him to the world, connect him with his fans, and ask him to sign some covers of the book for them on the Fanado.com website I’d been involved in developing. Ray was keen to do it, said Sam, despite his qualified distrust of the Internet. His enthusiasm for his many devoted readers and his fellow writers never waned, and if using the questionable Internet was the method of last resort, then that is what he would do.

I was greatly looking forward to meeting a writer who had been ?so much a part of my own early reading, especially the delicious, clandestine reading done avidly in lieu of homework, and the compulsive reading done at night with a flashlight when I ought to have been sleeping. Stories read with such enthusiasm at such a young age are not so much read as inhaled. They sink all the way in and all the way down, and they stay with you.

But then Ray Bradbury died. He was ninety-one, but still….

(7) RIGHTS OF FAN. The Concord (New Hampshire) Monitor covered Steve Davidson’s side of the trademark dispute on Wednesday — “‘Amazing Stories’ trademark owner says Spielberg, Apple proposal ignored him”.

…Davidson said he’d always had dreams of doing more with the name, and he said he signed a contract with NBC in 2015 giving the company rights to option the “Amazing Stories” name.

His plan was to use the money to expand the online magazine, which he said now has “upward of about 4,000 unique views a day,” paying for one piece of new fiction every week, then bundling it all at the end of each quarter into print-on-demand and electronic editions.

However, he said Wednesday that NBC never paid him, leading him to file a notice of breach of contract and termination of the contract in May. He said he and NBC have recently reopened discussions, but Tuesday’s news changed his opinion.

“I don’t want to have anything to do with NBC,” he said. “I want the notice of breach and termination to be put into effect – they have no rights – so I can go out and do what I need to do.”

(8) TODAY’S BIRTHDAY BOY

  • Born October 12, 1968 – Hugh Jackman, an actor whose roles include Wolverine.

(9) KEEPING THE PUN IN PUNCHEON. Crave interviews the author of a stfnal bartending guide — “New Book Unites Cocktail Drinkers and Sci-Fi Fans”.

Alcohol and sci-fi movies are two of Andy Heidel’s favorite things. In his new book The Cocktail Guide to the Galaxy, the owner of Brooklyn bar The Way Station brings both his passions together in over 100 out-of-this-world cocktails. Pop culture touchstones like Back to the Future, Bill and Ted’s Excellent Adventure, and Game of Thrones become imbibe-able through his pun-derful recipes. Heidel makes it easy to play mixologist at home with just a few ingredients, minimal accouterments, and easy instructions. He also slips in a few “Heidel Hints” so booze-drinking rookies don’t embarrass themselves at the bar. Comic illustrations throughout make this a visually intoxicating read as well.

(10) WHERE’S YOUR TOWEL? SF Site News carried a report that a sixth series of Hitchhiker’s Guide to the Galaxy will be broadcast next year, using a combination of the original radio and the television casts. According to the Telegraph, the new series will air in on BBC Radio 4 in 2018.

The series is to be based on Artemis Fowl author Eoin Colfer’s spin-off novel And Another Thing…, but will also include previously unpublished material by original writer Douglas Adams, who died in 2001.

Simon Jones is to reprise his starring role as Arthur Dent, the mild-mannered Englishman who finds himself dragged across the universe, after the Earth is destroyed to make way for an intergalactic bypass.

Other returning cast members include Geoff McGivern as Ford Prefect, a travel writer for the titular guide, Mark Wing-Davey as two-headed alien Zaphod Beeblebrox, and Sandra Dickinson as astrophysicist Trillian. Jane Horrocks is to guest-star as Arthur’s love-interest, Fenchurch.

(11) UNMANNED FOOD TRUCK. Subtler bodega-killers? BBC’s The Disruptors covers potential changes to shopping in ”How May I Help You?”

Imagine you’re in a crowd pouring out of a late night concert. Tired and hungry, you remember the cupboards at home are bare. Do not despair.

In the brave new world of retail this won’t necessitate a trek out to the nearest late night supermarket. Instead the shop can come to you.

With the touch of an app button, you hail a low-slung electric vehicle, like a glass-sided motorhome, which quietly glides into a parking space near you.

You enter the shop by swiping your mobile phone at the door, pick up your wares and swipe out again. There’s no cashier or sales assistant, and no-one to clean up if you drop a carton of milk on your toe.

(12) A WAY TO MAKE A BUCK-BUCK. What an eggs-ellent idea — “How chicken feathers could warm our homes”.

Where there are people, there are chickens. Pretty much every country on Earth has poultry or their eggs on the menu.

So, from Norway to New Zealand, and Cuba to Cambodia, chickens root around even the most isolated settlements, and fill giant farms in their thousands.

One result of a huge chicken population is a huge amount of chicken feathers, which are normally burned or taken to landfill, polluting the environment.

Ryan Robinson, a biology graduate from Imperial College London, is one of a duo that believes it might have come up with a different solution for this feathery waste.

Along with designer Elena Dieckmann, Robinson has discovered a way to turn feathers into an insulating material for buildings or a packing material for food or medicine.

(13) VERDANT VERTICALS. Not the Jetsons’ future: “Why Milan is covering its skyscrapers in plants” – there’s a gallery at the link.

(14) DIRTY BIRDS. After dendrochronology, ornithochronology? “‘Sooty birds’ reveal hidden US air pollution”.

…Cities were soon coated in sooty air thanks to the unregulated burning of coal in homes and factories.

While the huge impact of black carbon on the health of people living in urban centres has been recognised for decades, it is only in recent years that scientists have understood the role it plays climate change.

When it is suspended in the air, the substance absorbs sunlight and increases warming in the atmosphere.

When it hits the ground it increases melting of snow and ice, and has been linked to the loss of ice in the Arctic region.

US researchers have struggled to find accurate records of the amount of black carbon that was emitted in the manufacturing belt of the US, around Chicago, Detroit and Pittsburgh at the end of the 19th century.

This new study takes an unusual approach to working out the scale of soot coming from this part of the US over the last 100 years.

The scientists trawled through natural history collections in museums in the region and measured evidence of black carbon, trapped in the feathers and wings of songbirds as they flew through the smoky air….

(15) A VR PR DISASTER. Is that Facebook or Facepalm? “Virtual Zuck fails to connect”.

It must have seemed like a good idea. As a taster for a big announcement about Oculus VR on Wednesday, send Mark Zuckerberg on a little virtual reality trip, including a stop in Puerto Rico.

But the reviews are in – and they are not good.

The sight of Mr Zuckerberg using VR to survey the devastation of an island still struggling to recover from Hurricane Maria may have been meant to convey Facebook’s empathy with the victims.

The fact that he was there in the form of a cartoon seemed to many the perfect visual metaphor for the gulf in understanding between Silicon Valley and the real world.

Sure, he was talking about all the activities which his company had initiated to help the island, from helping people tell their families they were ok using Safety Check to sending Facebook employees to help restore connectivity.

But cartoon Zuck showing us a 360 degree view of a flooded street before zipping back to a virtual California just seemed a little, well, crass. Is Facebook really concerned about the plight of Puerto Rico, or is it merely a handy backdrop to promote Oculus, whose sales have so far proved disappointing?

(16) HE’S GOT IT COVERED. From the “news to me” archives, a Doctor Who fan performing a rather formidable challenge on British TV game show You Bet!

[Thanks to JJ, Chip Hitchcock, John King Tarpinian, Steven H Silver, Andrew Porter, Mark-kitteh, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

Steve Davidson Counters NBC’s Announcement of Amazing Stories TV Revival

Amazing Stories’ Steve Davidson answered media announcements about the revival of a TV series by that name (like the Los Angeles Times’ story “Steven Spielberg will revive ’80s NBC series ‘Amazing Stories’ for Apple”) in a statement for File 770 —

Officially:

No, NBC does not have a signed agreement to use the name Amazing Stories.

The last I and my attorney heard from them was an email, stating that they were sorry for the delay in getting back to us, but they were consulting with numerous people.

That was about two-three weeks before the Apple announcement.

I now view that email as an attempt to delay us pending the Apple deal (suggesting that NBC may have misrepresented what they had to Apple).

Or it could mean they were advised that there was little chance I’d sue them for trademark infringement. (Let’s see, what is a juicier potential lawsuit, one vs NBC or one vs NBC and Apple Inc…?)

My attorney is in the process of contacting Apple Inc’s legal machine to inform them of reality. My attorney is also now officially “fed up” with this stuff.

I am in the process of tweeting and yelling far and wide over this.

I currently have absolutely no plans whatsoever to license NBC to use the name. They’ve tried to threaten, intimidate, cajole and misrepresent their way to obtaining those rights and I have absolutely no confidence that they won’t try more of the same in the future.

Anyone who knows anything about NBC, Spielberg, Apple & etc., who is willing to help, please contact me.

I will probably need to do crowdfunding for legal action and expect that something along those lines will be the next major announcement in this story.

I will be more than happy to provide relevant paperwork and contact info for my attorney where it is appropriate.

A month ago Davidson detailed the history of negotiations explaining “Why Amazing Stories Isn’t Back on NBC”. Today, in an Amazing Stories editorial, “More NBC Bullshit”, he said this is his current position —

Why I allowed myself to be convinced that we could work things out, in the face of everything that had gone before…well…shit happens, I guess.  But you know, there’s that old expression about fooling me twice….

It’s not gonna happen.  I want nothing to do with NBC and I want them to have nothing to do with Amazing Stories.

Pixel Scroll 10/10/17 Eric And The Dread Pixel Scroll

(0) TRAINING COMPLETED. Thanks to you who wished me a good trip to New Mexico for my mother’s 91st birthday celebration. I’d say your wishes were effective, not only because we had a fine reception and dinner, but because my Amtrak experience was far superior to that of the folks who left Los Angeles aboard the previous day’s Southwest Chief. The Santa Fe New Mexican has the story

Passengers and crew aboard a Chicago-bound Amtrak train spent the night stopped in Northern New Mexico hill country after the lead engine struck a boulder and partially derailed.

No serious injuries were reported, but the two engineers in the lead engine were taken to a hospital for evaluation, Amtrak spokesman Marc Magliari said Friday from Chicago.

The incident occurred Thursday evening on Burlington Northern Santa Fe tracks in a rural area near Watrous about 105 miles northeast of Albuquerque.

…The train’s second engine and all the cars remained on the tracks and the train still had power, heating and toilet service while it remained at the derailment site, the Amtrak spokesman said.

Not to overstate things — I would have missed the excitement anyway, since my destination was one of the last stops before they hit the rock, however, it still felt like a narrow escape.

(1) RUH ROH! Last month Amazing Stories’ Steve Davidson shared the long history behind “Why Amazing Stories Isn’t Back on NBC”. However, over the weekend the media reported “Steven Spielberg will revive ’80s NBC series ‘Amazing Stories’ for Apple”.

Apple is making a major statement on its television ambitions as it nears an acquisition of an original series from filmmaker Steven Spielberg.

The tech giant is close to a deal to buy a new version of Spielberg’s “Amazing Stories,” the Emmy-winning sci-fi anthology series that ran on NBC from 1985 to 1987.

NBCUniversal, which co-owns the rights to the property, confirmed that an agreement is imminent. Apple declined to comment. The Wall Street Journal first reported the deal Tuesday.

A scripted series with the imprimatur of Spielberg, one of Hollywood’s most-heralded producer-directors thanks to “E.T. the Extra-Terrestrial,” “Raiders of the Lost Ark,” “Schindler’s List” and the “Jurassic Park” franchise, and his company Amblin Television, will be a demonstration of the tech giant’s clout as it enters the television business…

More as the story develops.

(2) PUPPY LOVE. Yahoo! says get your Kleenex ready — “Carrie Fisher’s dog watching the new ‘Star Wars’ trailer will destroy you”.

Millions of Star Wars fans watched the new trailer for The Last Jedi on Monday night — including one very good boy.

A photo of Gary, Carrie Fisher’s beloved French bulldog, was posted to his official Instagram account on Monday, and, guys, we’re warning you — it’s going to make you whimper….

(3) WHO ARE YOU? Jim C. Hines, in “A Plea to Conventions About Name Badges”, asks conventions to fix a problem that people have been complaining about the entire time I’m been in fandom.

I have a favor to ask of conventions: please design your badges so that names can be easily and clearly read.

I’ve never been good with names. It’s frustrating as hell, and it’s become a bigger problem as I travel to more conventions. I get introduced to so many people, and within 24 hours, a lot of those names escape my brain like Batman villains from Arkham Asylum.

Jim provides illustrations of what works for him, and what doesn’t.

(4) A NEW YORK COMIC CON STATE OF MIND. The Washington Post’s Aaron Gregg, in “Marvel cancels comic book deal with Northrop Grumman after Twitter backlash”, says that Marvel cancelled a proposed partnership with Northrop Grumman (whose “Northrop Grumman Elite Nexus” superheroes were supposed to team up with The Avengers) after lots of fans objected, noting, among other things, that Tony Stark gave up his defense contracts.

Marvel teased the partnership Friday morning in a tweet that promised more details in a presentation the following day at the New York Comic-Con festival. A retro-style comic book cover temporarily posted on Marvel’s website featured a team of “Northrop Grumman Elite Nexus” super heroes fighting alongside Marvel’s popular Avengers superheroes. The cover was quickly scrubbed from the company’s website, but not before it went viral on Twitter.

Twitter users ridiculed Marvel, accusing it of partnering with “death merchants.” Some pointed out that the Marvel character Iron Man, alias Tony Stark, had been the billionaire CEO of a company that built advanced weaponry but had turned his back on the weapons business after seeing its effects. Angry fans called out specific Marvel executives, and at least one suggested publicly protesting the issue at Marvel’s Comic-Con booth.….

(5) SZECHUAN LETDOWN. Meanwhile, another corporation was breaking hearts in the culinary arena. Michael Cavna and Maura Judkis, in “McDonald’s botched its ‘Rick and Morty’ Szechuan sauce stunt, and fans are not happy”, report that McDonald’s has disappointed thousands of viewers of the Cartoon Network show Rick and Morty. After 45,000 people signed a Change.org petition inspired by the show calling on the company to bring back Szechuan Sauce (originally created to promote Mulan in 1998), McDonalds promised select locations would have the sauce, but only a few did.

One Washington Post reporter was among those “Rick and Morty” fans who went questing Saturday for the fabled sauce, driving to three Maryland locations — one of them listed as an official “participating” outlet — and none had received a Szechuan shipment. One restaurant tried to pawn off Sriracha sauce. Another tried to sell the tangy Signature sauce. And a third outlet’s shift manager came to the drive-thru window to apologize profusely — clearly this wasn’t her first “Rick and Morty”-related apology of the day.

(6) REMEMBER WHEN? The Atlantic bills this article as “Revisiting Star Trek’s Most Political Episode” – which is saying something about a series that often delivered messages.

“It’s not that they don’t care. It’s that they’ve given up.” This was how Commanding Officer Benjamin Sisko, played by Avery Brooks, described early 21st-century Americans in an episode from Star Trek: Deep Space Nine. When it aired in 1995, “Past Tense” spoke to contemporary concerns about homelessness by telling a story set in 2024—the near future for viewers, but the distant past for characters. In the two-part episode, Sisko and two of his companions from the U.S.S. Defiant find themselves stranded in San Francisco, where they’re reminded that the federal government had once set up a series of so-called “Sanctuary Districts” in a nationwide effort to seal off homeless Americans from the general population. Stuck in 2024, Sisko, who is black—along with his North African crewmate Dr. Julian Bashir and the fair-skinned operations officer Jadzia Dax—must contend with unfamiliar racism, classism, violence, and Americans’ apparent apathy toward human suffering.

(7) TRIVIAL TRIVIA

Tiaan Jerjerrod was the project manager of the second Death Star, which was destroyed at the end of Star Wars: Episode VI – Return of the Jedi. Supervising Jerjerrod was Emperor Palpatine’s right-hand man, Darth Vader. (Source: Death Star II: A Project Management Case Study.)

(8) TODAY’S DAY

Ada Lovelace Day

Ada Lovelace Day, whose goal is to “… raise the profile of women in science, technology, engineering, and maths.” (Wikipedia)

(9) TODAY IN HISTORY

  • October 10, 1965 — The Red Baron first appeared in  Peanuts comic strip.

(10) TODAY’S BIRTHDAY EXPLORER

  • Born October 10, 1861 — Fridjtof Nansen, whose arctic navigation inspired fellow Norwegian Thor Heyerdahl. His ship, Fram, shares a museum with Kon Tiki and Ra.

(11) COMIC SECTION.

Martin Morse Wooster approves this “old school groaner” in today’s Frank and Ernest.

(12) SCI-FI SWINGS LIKE A PENDULUM DO. In “‘Blade Runner 2049’: Why some science fiction writers are tired of dystopias”, a recent article by the Christian Science Monitor, several sff authors suggest that they are tired of the wave of grim visions of humanity’s future. Is it time to create more works around an optimistic future based on expanding technology and human understanding?

In “Blade Runner 2049,” which opens Friday, post eco-disaster Los Angeles has built a massive coastline wall to fend off rising ocean levels. Few of the overpopulated city’s human or android occupants have ever seen a tree or a real animal. The incessant rain is as dour as Harrison Ford’s facial expressions. Worst of all? One character bemoans the fact that there’s no more cheese in the world.

Recent dystopian blockbusters seem to be jostling in a grim race to be the first to reach the seventh circle of hell in Dante’s “Inferno.” But some science-fiction writers are tired of the sorts of pessimistic futures depicted in movies and TV shows such as “The Hunger Games,” “Mad Max: Fury Road,” “Black Mirror,” and “The Handmaid’s Tale.”

In response, influential authors Neal Stephenson, Cory Doctorow, David Brin, and Kim Stanley Robinson argue that futuristic fiction should, instead, offer an inspiring outlook about mankind’s ability to shape its destiny. But do the kinds of stories we tell ourselves have a cultural impact on shaping a better tomorrow?

“I want to nod at something that Jill Lepore wrote in The New Yorker about the dangers of drowning ourselves in dystopian stories,” says Christopher Robichaud, who teaches a class at Harvard Extension School on Utopia and Dystopia in fiction and philosophy. “The utility dystopian fiction used to serve was to bring problems to our attention and seek solutions. But the danger is that these stories can become a collective act of despair in response to current events.”

(13) SPACE TUTOR. In “Astronaut encourages kids to flip for STEM”, the Washington Post’s Marylou Tousignant says that the Air and Space Museum recently hosted a webcast with astronaut Randy Bresnik on the International Space Station where he had floating candy and showed kids an official NASA barf Bag.

If you could ask an astronaut orbiting in space any question, what would it be?

Students from several Washington-area schools got to do that recently at the Smithsonian National Air and Space Museum as part of its “STEM in 30” program.

Among other things, they wanted to know: Is it hard to move around up there? Can you watch TV? How do you know when it’s time for bed? What if you get sick?

(14) GRIM TIDINGS PODCAST SEEKS SUPPORT. The hosts of the Grim Tidings Podcast have invited fans to support them via Patreon.  Rob Matheny and Philip Overby focus on interviewing authors, editors, and agents working within the Grimdark sub-genre.  They have recorded over 100 episodes including luminaries from the field such as Joe Abercrombie, C.T. Phipps, Anna Smith Spark, Brian Stavely, Michael R. Fletcher, Sebastien De Castell, Laura M. Hughes, and Deborah A. Wolf.

(15) HAIR APPARENT. Is singing songs like this the real reason John Scalzi constantly needs to think up new names for his band?

(Just kidding – I laughed….)

(16) A RIVER RUNS THROUGH IT. Alex Acks finds more to criticize about fantasy maps in a post for Tor.com — “Tolkien’s Map and the Perplexing River Systems of Middle-earth”.

…So what is it about the mighty Anduin that makes me tilt my head like a dog hearing a high-pitched noise? There are four main factors, in ascending order based on how easily I’m able to mentally excuse each point.

It cuts across two mountain ranges.

There is one fact you really need to understand to grasp the basics of how rivers work. Ready? Water flows downhill. That’s it. That’s the secret. Water flows downhill, and as it flows it tends to erode sediment and transport it downstream, and over long enough periods of time, that gets us our classic V-shaped river valleys and a ton of other morphological features. Which is why, when a river is on a collision course with mountains—normally places where the elevation goes up—you have to stare at it for a minute.

This is the easiest oddity for me to find an excuse for—because it is actually something that happens in reality! For example, the Colorado River cuts pretty much perpendicularly through the entire Basin and Range Province of North America. And the reason this works is because the Colorado was here before all that extensional tectonic silliness happened and the basins started dropping down from the ranges—and that process of down-drop was slow enough, relative to the ability of the Colorado to cut its own channel, that the river didn’t get permanently trapped in one of the basins.

So if we make the assumption that the Anduin existed before the mountains—and assume that the mountains uplifted in a natural way, thank you—it’s very possible for it to have cut down fast enough to maintain its course despite uplift. (Keep this in mind, we’ll be coming back to it later…)

(17) KEEP ON SWIMMING. And over the weekend Camestros Felapton gave us “Even More Plot Elements of Fantasy Maps”.

Big Islands

In Earthsea islands are large and numerous, in Lord of the Rings, on the other hand, islands barely appear and are small. In both cases they are locations and destinations and themselves contain terrain.

In Tolkien’s wider work, Númenor is the most notable island – a version of Atlantis, which itself gives us a classic inspiration for islands in Western literature. Oceanic islands can be countries with their own terrain but cut off from surroundings. Le Guin depicts the islands of Earthsea more like medieval era city-states with a wider common culture but no central authority.

It is interesting to me that Tolkien, who draws on many aspects of Britain and Britishness in building Middle Earth, avoids the island quality of Britain. This despite a tendency to mythologize the insular quality of Britain in English propaganda-history both in high-culture (Shakespeare’s ‘sceptered isle’) and low-culture (‘fog in the channel, continent cut off’). George R.R. Martin’s Westeros does this by having it be an eratz England circa the War of the Roses (with Scotland being another place full of ice zombies). Westeros’s scale seems flexible but it’s primary plot role as an island is to be a container. Events are within Westeros (up to the Wall) or beyond (either over the wall or on another continent).

The point being – oceanic islands are treated as political units rather than as terrain.

(18) JUXTAPOSITION. The title of Max Florschutz’ latest post halted me in my tracks — “Being a Better Writer Delayed” — until I remembered “Being a Better Writer” is a recurring topic at his Unusual Things blog.

(19) HOLY BLEEP. Camestros Felapton subjected his precious bodily fluids to a famous corporation’s bizarre new offering, “Coca-cola with coffee”.

…There is also a weird slimy quality to it. It’s like drinking coke but a bit more unpleasant.

The coffee is “real” and from Brazil. If I was Brazil I might object to the free advertising.

(20) X-FILES SEASON 11 TRAILER. The truth etc. etc.

[Thanks to John King Tarpinian, Christian Brunschen, Chip Hitchcock, Dann, Carl Slaughter, Cat Eldridge, and Martin Morse Wooster for some of these stories, Title credit goes to File 770 contributing editor of the day ULTRAGOTHA.]

Why Amazing Stories Isn’t Back on NBC


By Steve Davidson: [Davidson is the editor and rights holder to Amazing Stories where this story also appears.]

EXECUTIVE SUMMARY

  • NBC executed a contract with me to option the use of the name Amazing Stories for a redo of the 80’s Spielberg show.
  • They failed to pay the initial option fee
  • They unilaterally exercised the right to extend it for an additional year (still having not paid me) and have not paid that fee
  • They were notified of a breach of contract and termination of the same in May of this year
  • One week prior to the end of the term of the original contract, they contacted my attorney and demanded that I sign the agreement to exercise the option and license the name and have threatened to sue me if I do not
  • I am of the current opinion that they are going to move forward with making the show and force me to sue them for infringement – if I can pony up the bucks
  • Following the notice of termination, I found another studio that is “eager and excited” to work on an Amazing Stories tv show.
  • To whatever extent you can, I am requesting your assistance in trying to make NBC let go: all I want them to do is acknowledge the receipt of the notice of breach and termination, so that I can move forward with this project.
  • I will gladly answer any questions you may have.

YOU ALL ARE GOING TO WANT TO SIT DOWN FOR THIS.

I’ve gotten tacit approval from my attorneys to lay out, in public, what NBC is/is not doing with the Amazing Stories title.

However. I have to be very careful and circumspect in the language I use so as to avoid engendering some other legal BS.

Also, where names are used, except for the principals, I’m gonna be vague, at least at this stage of the game.

And finally, the purpose of this series of posts is to hopefully generate some public support and to encourage individuals to “help” NBC/Universal Television make the RIGHT choices.

I will be clearly marking my paragraphs as either actual truth (reality) or as SPECULATION. Where speculation is concerned, I will hopefully lay out the facts upon which such speculation is based – with the full understanding that additional facts, facts relied upon that turn out not to be facts and other conclusions can be derived from those same facts.

I must first start with the background. A lot of it is important.

  1. In late 2014 or early 2015, I was contacted by someone identifying themselves as a “producer” working for NBC. VP in charge of something at NBC’s headquarters in New York.

Was I the person responsible for the Amazing Stories website?

  1. I answered in the affirmative. The individual calling went on to make several statements:

A. They’d previously produced the Spielberg show Amazing Stories
B. They were grateful to me for having maintained the name in public awareness
C. they were planning on doing a re-make of the original show
D. I asked if Spielberg was involved. I was assured that he absolutely was not
E. While NBC maintains that they do not need to license the name from me, having previously made a show under that name, they felt that it would be a good thing to pay me “something” in order to keep everyone happy and to reward me for having preserved the name.
F. I started talking patent and trademark licensing stuff, giving her a clue that what she had just said wasn’t passing muster
G. They responded that they could always make the show with a different name. I responded that they certainly could, but then it wouldn’t be Amazing Stories.
H. I followed this with talking about how much I’d love to work with NBC on ringing the show back
I. the NBC rep made it clear that my involvement was not in the cards and then asked if I had an attorney.
J. I answered (archly) “Why yes I do”. They provided contact info for my attorney to get in touch and the call ended at that point.

REALITY

The individual talking to me like a novice in life was, in fact, a VP of NBC’s legal team, not a producer.

SPECULATION

They figured they had a “New Hampshire Hick” on the phone and were trying, from the get go, into bamboozling me into giving away the store REALITY Stephen Spielberg was VERY MUCH involved as subsequent interviews with the show runner – Bryan Fuller – would more than amply illustrate later.

SPECULATION

I believe it was one of my attorneys who stated that they were concealing Spielberg’s involvement because otherwise “people will add zeroes to what they ask for”. First – well duh! Second – attorneys do this kind of thing for their clients but…

  1. Following my arch reply, I forwarded the info to my attorney, never expecting anything to come of this; my thoughts at the time were that, since Spielberg wasn’t involved (hey, I’m gullible!) and since it was obvious they weren’t going to be able to shine me on and get to use the name for a token, it would go the way many previous negotiations had: the other party was not willing to pay/do what I was asking for.

ASIDE

Of course, I was also thinking dollar signs and what I could do with the magazine if it was being promoted on a national scale (through a TV show of the same name). Among the many things I wrote down on the assumption that some kind of deal was to be negotiated were:

A. a link between NBC’s website for the show and my website
B. trademark notice in the end titles
C. doing an online show to complement the TV one – a YouTube channel or streaming show that, among other things, would focus on the story writing, the original stories episodes might be based on, interviewing script writers, doing a recap of the episodes, etc.
D. a cross-promotional program (see the show, read the magazine, read the magazine, see the show)
E. presumably, NBC would be interested in advertising the show on the website…of course they would. If I could land them as an advertiser, I could probably rope in other production companies/genre shows
F. the exclusive right to publish the scripts and/or “novelizations” of the scripts (or the scripts along with a reprint of the original story they were based on

Note that these were deal points, not necessarily deal breakers.

  1. My attorney called NBC, did a little talking and NBC began to prepare an “option to license” contract
  2. We got the proposed contract.

It was for token amounts and essentially demanded that I give up all rights, titles and interest in the name of getting a small check from NBC.

A. I was apoplectic. My attorney was stymied. He is a business attorney. He spends all day working on complicated real estate deals, mergers and acquisitions, partnerships, sales, tax issues & etc. The demands in the contract were strange, non-customary, outside our realm.

B. Based on voluminous bits of info obtained from the SFWA forum, I discussed with my attorney that book and film & etc., rights are pretty complicated, arcane areas of specialty. He responded that we were engaged in a licensing agreement and that he felt pretty comfortable negotiating those.

C. We engaged in, I think, three rounds of back and forth, making changes, sending them to NBC, reading their counter-proposals, the last of which included a paragraph (I kid not) that stated that during the course of NBC’s licensing of the name, I could not do anything with my business without prior consent of NBC. If I had wanted to cash in on the strength of this deal, I’d have to ask permission. If I wanted to add a website, I’d have to ask permission. Hire someone, buy another company…ask permission.

D. It was at that point that the attorney and I both agreed that we needed assistance from someone who spoke their language.

  1. I contacted a member of SFWA who had had numerous Hollywood dealings and requested a contact for their Hollywood legal rep. The info was forthcoming, my attorney and I conference called the Hollywood attorney, laid out the situation, negotiated a deal for representation.
  2. We arranged a conference call with the NBC individuals to introduce the new representative.

ASIDE: Funny how, if YOU call with three people, the other side also has three (or more) people on the line.

A. among other things we learned during that conference call was that the NBC folks knew our new rep (a good thing – gave us some cred) and that they were ALREADY working on the project.

ASIDE/POINT OF INFORMATION

My – we’ll call him B attorney for Business – and I, together, had negotiated several patent and trademark licences; we were surprised that they had started before even approaching me for the license.

What if you can’t license it? What if the cost is too high? What if, unknown to them, someone else has or is in the process of obtaining a license for the same thing?

In our familiarity, the process is more akin to a third-party saying “hey, we might be able to make some bucks by licensing this (patent/trademark). Yep, the numbers look good, lets see if we can negotiate…”, not “lets spend all the money tooling up to make this thing we can only sell if we get a license”

B. H-wood attorney assured us that this was pretty customary practice.

C. we did several more rounds of negotiation, during which time it became PAINFULLY obvious that NBC, despite paying lip service to the “job you did maintaining and building the name” wanted absolutely nothing whatsoever to do with anything Amazing other than their own show.

D. I ended up with a contract that I was informed was “better than average for this kind of thing” and that maintained some of my wishes, though in watered-down language. There “might” be a credit at the end of an episode…depending. I might get the right to publish the scripts – IF I could demonstrate distribution; There’d be a link – maybe. And so forth.

ASIDE

There were many times that I almost killed the deal – excpet: Things I took as threats and speculation by those who ought to know suggested that the show would move ahead with or without me (perhaps as “Steven Spielberg’s Amazing Tales” or some such) and – I’d gotten a major entertainment conglomerate to recognize the validity of the trademarks by entering into a licensing agreement.

and-

if a show were actually produced, there’d be enough seasonal income to float regular publication of a magazine paying SFWA or better rates for fiction and non-fiction.

Those last two managed to outweigh my reservations, which were:

A. I’d not get the cooperation I needed from NBC to float the related projects successfully (who’s going to read/watch Amazing Stories when the Hollywood Reporter is given and breaks all of the inside stuff first?)
B. I’ve not been too impressed with this conglomerates science fiction offerings (SyFy channel being among the holdings), nor with the original incarnation of the Amazing Stories tv show, Spielberg producing or no. those episodes weren’t, for the most part “science fiction”. They were fantasy, or parable or something, but not science fiction.

C. I began to get increasingly concerned that allowing this show to move forward could inherently damage the brand, either by not dealing in SF, or in presenting bad SF…after all was said and done, who was going to have to pick up the pieces? Not NBC, that’s for sure.

  1. Reluctantly (after being assured that we’d reached the end of negotiations and that NBC would not budge an inch on anything else), I signed.

A. the last line of the contract states (approximately), upon signing, Experimenter Publishing will be issued the first year option fee.

B. I waited. NO check

C. I could go on down to ‘Z’ with “I waited”, no check.

  1. Eventually we got in touch with NBC to inquire. This took a while as ALL of the people we had negotiated with were no longer with the company.

In fact, Bryan Fuller, the much touted show runner (on whom I’d based any hope I had for the series being quality) had also left in pursuit of Star Trek (and later American Gods).
NBC had no idea who the replacement was going to be.

  1. OUT OF SEQUENCE

At some time prior to contacting NBC regarding the check, we read in the Hollywood Reporter, in an interview with Bryan Fuller –

“Bryan Fuller reveals how the new Amazing Stories came together, what fans can expect from the updated show, and denies the pesky rumor that original series producer Steven Spielberg is not involved with the future of the show.”

“Not very long! It’s relatively new. I got a phone call from Steven Spielberg’s office asking for a meeting, and I went in and I sat down with Mr. Spielberg and he was very, very complimentary about Hannibal and how well it is produced, and [he] asked me if I would produce Amazing Stories and make sure it was as beautiful as Hannibal, and I said, “I will do whatever you want me to do, Mr. Spielberg.”

That is the correct answer.

Yes.

How involved will he be throughout the course of the show? Or at this point is it all in your hands?

I have had three meetings on Amazing Stories, two of them with Steven Spielberg. So from my experience he is very involved. I’ve pitched him ten stories for episodes and he has approved five of them, and no story moves forward without Mr. Spielberg’s approval.

“I have had three meetings on Amazing Stories, two of them with Steven Spielberg. So from my experience he is very involved.”
(http://www.craveonline.com/entertainment/919521-exclusive-interview-bryan-fuller-american-gods-amazing-stories#Hfoa1tT3x8ISyuyS.99)

That subject was raised and ignored during our conversation.

  1. Instead of a check, we got a demand for financial reporting forms
  2. That’s not what the contract said. if they’d wanted paperwork before issuing the check, they could have put it in the contract.

Quite frankly, I was done with being nice. I’d bent over backwards to make some kind of deal happen – no more.

  1. I and the legal team discussed options including:, notifying them of breach of contract, waiting to see what would happen.
  2. My wife got ill and worrying about the NBC contract was no longer a top priority. (For those who don’t know, Karen died from terminal cancer this past May)
  3. Earlier in the year/late 2016, we received notice from NBC that they were exercising their option to renew their contract for another year (they had two total, renewal being automatic)but the payment for the renewal was not issued and I am still waiting for it.
  4. Well, that was enough. They’d not paid me (meaning the contract was not in force) for the first year – how could they renew a non-existent contract?
  5. Earlier this year, we issued a formal Notice of Breach of Contract and Termination of the same to NBC’s legal offices in New York City in accordance with the terms of the contract.
  6. AFTER receiving the formal notice that the letter had been received, we waited 6 weeks for a response.

None was forthcoming.

  1. About a month ago (at this writing) NBC informed us that they intended to exercise the option in the contract and I needed to sign the licensing agreement but the payment for this was not included either.
  2. Excuse me?
  3. Since issuing the letter of breach and waiting the 6 weeks, I went out on the street, assembled a small team of individuals with experience in television (and other ancillary disciplines), created a new company called “EXPERIMENTER MEDIA LLC) and licensed the media rights to the name Amazing Stories to that company.
  4. I spoke to several studios on a preliminary basis.
  5. I found a studio not only interested but “EAGER AND EXCITED” to work on this project with me – but only of the decks were cleared.
  6. There was consternation at NBC.

We learned that our Breach/Termination letter had never been forwarded by corporate legal to the people responsible for the show project. (That’s not a mitigating factor, just an illustration of what working with these people has been like) Purportedly, EVERYONE was afraid of having to tell Steven Spielberg that they didn’t have the rights to the name…in fact, they hadn’t had them for quite some time.

  1. H-wood attorney informed us that NBC informed him that they were going to sue me to force me to sign the licensing agreement
  2. the original contract (the one no longer in effect owing to the original breach) expired on August 31st of this year.
  3. It is now the 5th of September and we have heard nothing

SPECULATION

NBC is going to ignore the breach, ignore my not signing the licensing agreement and will go forward with the show, intending to force me to spend the money to enforce my rights.

I might not be able to raise the dollars necessary to protect my rights.

OTHER SPECULATION

NBC is not going to risk a trademark infringement case, but will also not accept the notice of breach in order to keep me in limbo, preventing me from moving forward with anyone else.

AN ASIDE OF SPECULATION

Back in the late 1980s, Spielberg negotiated a contract with NBC for an Amazing Stories television show that was literally unprecedented in the annals of broadcast television.

They paid BIG BUCKS to license the name Amazing Stories from its then owner, TSR, Inc. (dungeons and dragons folks).

Strategically, I could not command the same dollar equivalent today that TSR could because TSR could represent themselves as a small but influential company in the entertainment biz, a magazine on the stands of the same name, etc.

Understood. But: TSR never did anything big promoting the show and NBC never touted the magazine.

But that’s not the point. The point is, Spielberg got NBC to license the name, got NBC to agree to budget each episode (1985 dollars) at somewhere between 800k and a million dollars per episode and (AND) an agreement that Spielberg would have complete and total control of the creative process.

Now we’re back again, thirty years later, and again Spielberg is getting NBC to front for him in acquiring the name Amazing Stories.

Something tells me that Steven S (who oddly enough I share a birth date with) wants the name. This time his involvement was hidden/denied. Could it be that he didn’t want to reveal how badly he wants the name?

Why didn’t Spielberg’s reps just get in touch with me to see if it could be acquired? Because of that extra zero I’d be adding?

I’ll tell you all this: no amount of money has EVER persuaded me to do something I thought was wrong.

No sale of Amazing Stories would EVER take place unless I was assured that it was going to be treated properly. (If, say, TOR called me up with an interest in doing something with the name, I’d be more than happy to entertain possibilities – they’ve demonstrated for decades that they know what science fiction is all about. Likewise for a group of fans with the wherewithal…

Get this: Fandom and science fiction come before money –

CONCLUSION

Where I’m at right now and What You Can Do

  1. I’ve got a studio on the hook – if the decks are cleared.

Allow me to translate: if it is clear that NBC is not going to sue and has given up on the project, I have a studio that respects genre and is willing to work on a project, with me, that stands a good change of bringing an Amazing Stories television show, based on good, solid science fiction stories, written by script writers who know BOTH science fiction and scriptwriting, to fruition. The basic plan is to assemble a good team, get funding for a pilot episode or two and then sell the show to a network or streaming service like Amazon, Hulu or Netflix.

(ASIDE: anthologies shows are HOT HOT HOT right now)

  1. I want to move forward and have a hand in creating what I hope could become the best modern presentation of science fiction on the small screen. I’ve brought in people who know how to do that, even if I don’t.
  2. What you can do

A. share this post far and wide permission to reprint in full granted
B. offer up your own stories of Hollywood malfeasance, if you have them (and if they can be related)
C. realize that this really is an underdog story: the studio, part of one of the largest media conglomerates in the world, is trying to put one over on a little guy. Their first move will be to ignore me or try to run me out of money
D. write to NBC HQ, legal department and demand that they honor the notice of breach and termination publicly

NBC/UNIVERSAL 30 Rockefeller Plaza
New York, NY – 10112 (attention Legal)
(212) 664-4444

E. if you can contact Steven Spielberg, Bryan Fuller (@BryanFuller), Patton Oswalt (@pattonoswalt and on Facebook too), Kumail Nanjiani (@kumailn), Emily Gordon (@emilyvgordon), Jane Goldman or any of the other people who are writing scripts for the infringing version of this show, let them know they are working on a project that NBC does NOT have the rights to

F. let the world know that if NBC produces a show titled Amazing Stories, it was done by infringing AND at the expense of the very magazine that helped found this genre and that this not only doesn’t help advance the genre, it plays into the hands of those who have little to no respect for it, obviously don’t understand its nuances (like fans don’t do shit like this) and are helping to undermine and dumb it down.

Pixel Scroll 8/14/17 All These Scrolls Are Yours, Except Europa; Attempt No Pixelings There

(1) LITIGATING CLARKE’S LAW. N.K. Jemisin is interviewed by Joel Cunningham of the B&N Sci-Fi & Fantasy Blog in “The Logistics of Throwing Mountains: N.K. Jemisin Discusses The Broken Earth Trilogy”.

The Broken Earth series seems to straddle a line between fantasy and hard science (e.g. the orogenes of the novels acquire their names from orogeny: a folding of the lithosphere that creates mountains, but functionally what they perform is magic). There’s a whole mess of science underpinning the magic. What kind of research did you undertake to make orogeny something done by orogenes. and not a flat, scientific term?

I did want to play around a bit with that corollary of Clarke’s law—the idea that any sufficiently systematized magic is indistinguishable from science. A few years back I wrote a blog post called “But but but—why does magic have to make sense?” in which I argued that the whole point of magic was to defy reasoning and repeatability and all the things that equal science.

But then I wanted to write a world that tries to make sense of it anyway, and partially succeeds. And we can see by the obelisks floating through the sky of the Stillness that at one point in the distant past, people did figure magic out to a much greater degree. At that point, is it still magic? Has it become science? That’s one of the concepts the series is chewing on.

Research-wise, I hung out in seismologist forums and follow a bunch of geologist accounts on Twitter, and read a lot of layperson-oriented articles. I also visit volcanoes whenever possible, because I’m fascinated by them. Awesome demonstrations of the Earth’s power and potential fury. On a research trip to Hawai’i a few years back, I visited four volcanoes in four days. That was fun.

(2)  CASTING NEWS. What a combination of actors and writers — “Michael Sheen, David Tennant to Star in Neil Gaiman’s ‘Good Omens’ at Amazon”.

Michael Sheen and David Tennant have been cast in the lead roles in the Amazon series adaptation of Neil Gaiman and Terry Pratchett’s “Good Omens,” Variety has learned.

The show is set in 2018 on the brink of an apocalypse as humanity prepares for a final judgment. But Aziraphale, a somewhat fussy angel, and Crowley, a demon, aren’t enthusiastic about the end of the world, and can’t seem to find the Antichrist. Sheen will play the role of Aziraphale, while Tennant will play Crowley. It will consist of six one-hour episodes.

…. Gaiman adapted all six episodes of the series and will also serve as showrunner. Following its exclusive launch on Amazon Prime Video, the series will also be broadcast on BBC in the U.K.

(3) BRADBURY LECTURE. The 4th Annual Ray Bradbury Memorial Lecture “Escape Velocity: Ray Bradbury and the American Space Program” will be presented by Jonathan R. Eller, Chancellor’s Professor of English and Director, Center for Ray Bradbury Studies, IUPUI on August 23, 6:00 – 7:30 p.m. in the Central Library Riley Room at 40 E. St. Clair Street.

One of the reasons that Ray Bradbury remains one of the best-known writers of our time is that his dreams of reaching the stars became our dreams, too. The stories that grew into The Martian Chronicles and filled the pages of The Illustrated Man paved the way for his half-century relationship with NASA, the Jet Propulsion Laboratory, and all the missions that took humans to the moon and launched unmanned craft to all the planets of our solar system.

(4) RUGS FOR THUGS. The Drum interviewed an Ikea marketer about “How Ikea responded to the news HBO’s Game of Thrones uses its rugs as costumes”.

Responding to the news, Ikea decked out some of its staff in the rugs in a real-time marketing stunt, jumping upon the Game of Thrones bandwagon in an organic way.

The Drum: Was the marketing team aware that Ikea goods were being used to furnish the show?

AF: We weren’t aware that Ikea’s rugs had been used in the show until the PR team spotted it in the news on Monday morning. Together with our PR agency, Hope & Glory, we quickly developed an idea that provided our ‘twinkle in the eye’ take on the news, it was low cost and could be pulled together in a couple of hours. As any PR professional will know, timing is of the essence when a story breaks and we wanted to be able to respond as quickly as possible.

We connected with the Ikea Wembley store and the deputy store manager walked the shop-floor identifying co-workers that looked the part to re-create the Game of Thrones look. Within a couple of hours we were in the rugs department with the co-workers, trying on the different rugs and generally having a bit of a laugh.

(5) RECORD HOLDER. After he saw this photo John Hertz asked, “What does Brother Davidson say about the last line of that Guinness certificate?”

Hugo Award Record

Steve Davidson replied, “The government of the United States has, in their lack of infinite wisdom, chosen NOT to give me exclusive control and ownership of the word ‘AMAZING’, more’s the pity.”

(6) SCIENCE IMAGINED. Nancy Kress analyzes the cultural impact of “The Science of Science Fiction:  The Good, the Bad, and the Ugly”.

However, that the “science” the public learns from SF is debatable doesn’t strike me as the worst problem. That comes from another source: Writers and scriptwriters often make science itself the villain. A problem involving some scientific advance—cloning, nanotechnology, AI—is set up, and all the negative aspects of the tech are brought out, exaggerated, falsified, and blamed. I understand the impetus for this—I’m a writer, too!—which is to create the conflict necessary to drive any story. But the cumulative net effect is the impression that new science and its offspring, new tech, are invariably bad.

In the movie Ex Machina, robots turn murderous.

In countless SF stories, AI tries to take over and must be fought, shut down, destroyed.

Cloning produces not crops or food animals that can feed an ever-expanding population, but rather the oppressive (and ridiculous) one-world biological totalitarianism of Gattaca

(7) BOLOGNA OBIT. Actor Joe Bologna died August 13 at the age of 82. He was well-known for playing King Kaiser in My Favorite Year (1982). His genre work included The Big Bus (1976), and Transylvania 6-5000 (1985). He voiced characters in the animated Superman TV series (1997-1998), and Ice Age: The Meltdown (2006).

(8) TRIVIAL TRIVIA

When first introduced to Eastern bloc fans at an Eighties Worldcon, they called them “the black cookies.” They’re a fan favorite, but Yahoo! claims “You Will Never Look at Oreos the Same Way Again After Reading These Facts”.

To date, Oreo has over 42 million Facebooks followers. In comparison, The New York Times has 13 million.

(9) TODAY IN HISTORY

  • August 14, 1975 The Rocky Horror Picture Show premieres.

Let’s do the Time Warp again!

  • August 14, 2009 District 9 premiered on this day.

(10) COMIC SECTION.

(11) W75’S CANCELLED LARP. Jaakko Stenros and Markus Montola tell the LARP community’s side of the story in “How Worldcon Banned a Larp”.

On Friday the discussion on the topic continued in social media, where misunderstandings spread fast. For example, one tweeter wrote that the “scenario is ‘you are in an old folks home, have Alzheimer’s, and think you’re one of your RPG characters, hilarity ensues’.” Afterwards some were under the impression that “hilarity ensues” was a quote from the program description when in fact it was an interpretation of a tweeter.

However, now there were people also defending A Home for the Old on Facebook and Twitter and criticizing the actions of Worldcon. Many Nordic role-players found the statement’s tone condescending and rife with cultural imperialism — of Anglo-Americans trying to ‘civilize the natives’ by instilling their moral conventions on a subculture they clearly failed to understand.

No benefit of the doubt was given, and there was an aura of assuming that the Nordic creators had obviously not thought about the implications of their little games — simply because the usual phrases relating to identity politics were not foregrounded in the blurb. The idea that a creative work can just be cast aside, censored, with no debate, based on rather flimsy basis, was found appalling by many Nordic people deeply invested in the role-playing culture. A Home for the Old, and by extension the Nordic role-playing culture, was cast as not worthy of debate.

(Finland has the highest incidence of Alzheimer’s in the world.)

All of this is in stark contrast with the Nordic and Finnish cultural context, where larps, role-playing games, and games in general, are considered valuable works worthy of analysis, criticism, respect, and debate. Role-playing is a form of artistic expression that continues to gain momentum and respect.

(12) CRITIC. Frans Mäyrä, Professor of Information Studies and Interactive Media, esp. Digital Culture and Game Studies in the University of Tampere, Finland, took offense at the decision: “LARP: Art not worthy?”

There will be no doubt multiple reactions coming in to this from experts of this field in the future. My short comment: this is an unfortunate case of censorship, based on cultural perception of play and games as inherently trivializing or “fun-based” form of low culture. It seems that for some people, there still are strict cultural hierarchies even within the popular culture, with games at the very bottom – and that handling something sensitive with the form of role-play, for example, can be an insult. Such position completely ignores the work that has been done for decades in Nordic LARP and in digital indie “art games” (and also within the academic traditions of game studies) to expand the range of games and play for cultural expression, and to remove expectation or stigma of automatic trivialism from the interactive forms of art and culture. The organisers have obviously been pressurised by some vocal individuals, but the outcome in this case was a failure to stand up, explain the value and potential of role-playing games, and Nordic LARP in particular to an international audience, and make a difference. A sad day.

(13) REMEMBER THAT MONEY YOU SAVED FOR A RAINY DAY? Here’s the outfit to spend it on – a bargain at only $20,000 — the “SPIDER~MAN 2 Original Movie Prop Signed by Stan Lee ~Trenchcoat Worn by Stan”. Rush right over to eBay!

This incredible SPIDER~MAN original movie prop features the trenchcoat that Stan Lee wore during the scene in which he saves a life. This is the ONLY time that Stan makes an appearance where he gets involved to save someone! Best of all it comes signed by Stan Lee. It comes with a COA from Sony/Columbia Pictures and Hollywood Vault who were the official auctioneer a few years ago

(14) HARDWARE FOR THE LONG HAUL. Marketplace explains why “NASA is testing supercomputers to send to Mars”.

Scientists in space have computers, but they don’t exactly look like the one you might be reading this on. Computers in space have highly specific functions. There is no consumer-grade Mac or PC up in space. A lot of that has the do with the fact that laptops in space degrade quickly out there.

But NASA wants to fix that problem by creating new supercomputers, developed in partnership with Hewlett Packard Enterprise. The technology is being tested on the International Space Station in hopes that the computer can withstand trips to Mars.

(15) YOUTUBE MUSICAL. Hamilton’s opening number — with the words changed to be about Game of Thrones.

(16) WEIRD AL. Last week’s crisis, this week’s filk: “Watch ‘Weird Al’ Yankovic Beg North Korea Not To Nuke Us On Last Week Tonight”.

After highlighting the accordion skills of North Koreans earlier in the show, Oliver introduced Yankovic to play a whole new polka song about all the reasons that North Korea should not nuke us. Tom Hanks figured heavily. Sample lyric: “Please don’t nuke us, North Korea / Right now, we’re all a little tense / Believe me, we don’t hate you / In fact, we really don’t even think all that much about you, no offense.”

 

[Thanks to Andrew Porter, JJ, Cat Eldridge, Martin Morse Wooster, John King Tarpinian, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]