READING SERIES. Baen Books has launched a weekly author reading series to be conducted at 8 p.m. Eastern every Friday, hosted by editor Christopher Ruocchio via Zoom and Facebook LIVE.
On April 10 the guest will be Steven Barnes, reading from Starborn & Godsons, the third volume in the acclaimed Legacy of Heorot series that he co-authored with Larry Niven and the late Jerry Pournelle.
Following the reading, Barnes will take questions from the audience.
TRAVELING ROADSHOW. Additionally, Baen will be hosting a live version of their Travelling Roadshow, a showcase of all our upcoming titles—with special attention paid to the original cover art, Baen’s free ebook library, extensive study guides, and more—featuring several of their authors. Audience interaction is encouraged, and there will be free books awarded. The Roadshow will air in two parts, one on April 11 at 4 p.m. Eastern, and the next on April 18 at 4 p.m. Eastern.
(1) UK COMICS FANDOM HISTORY RESOURCES. Rob Hansen has added a section to his UK fanhistory website about how SF fandom provided a breeding ground there for comics fandom. “There are photos and, of course, a multitude of links — both in the body of the article and at the end — that may be of interest, as well as a piece by Ron Bennett on sourcing old comics in Singapore back in the day that I don’t think many in our fandom would’ve seen before” — “Comics Fandom: First Stirrings”.
There used to be a saying in science fiction fandom that “it’s a proud and lonely thing to be a fan”, and for those who imagined themselves the only fan in their location it could be lonely indeed. The birth of the first SF fan groups in the 1930s gradually changed that, but what of comics fans? There’s enough of an overlap in interest between the two that SF fandom offered them a home, but it still wasn’t comics fandom.
When the 23 year old Brian Lewis went along to the inaugural meeting of his local group, the Medway Science Fiction Fan Club, on Thursday 28th August 1952 he soon became a valued member, contributing artwork to its clubzine THE MEDWAY JOURNAL. Before the end of the decade he would begin working as a professional comic artist, so had there been a comics fandom in 1952 it’s possible Lewis might have sought that out instead. But it was to be another decade before comics fandom in these islands began slowly stirring to life.
(2) WEIRD CITY TRAILER. A
glimpse of a newly available YouTube Original —
From the mind of Jordan Peele and Charlie Sanders comes WEIRD CITY, a satirical anthology set in the not-too-distant future metropolis of Weird. In this dystopian setting of our show, the middle class has completely vanished dividing Weird City into two sections: Above the Line (The Haves), and Below the Line (The Have Nots). Presiding over the denizens of the city is the strange and mysterious Dr. Negari, who weaves all of our stories together. Each episode is a topic that pertains to present day life in America and the world: social media addiction, online dating, fitness obsession, etc.. WEIRD CITY captures the unease of modern urban living, in a bizarre and peculiar lens.
The blurb for the lead story in the February 1964 Amazing says: “Once every few years a science fiction story comes along which poses—and probes—philosophical questions: for instance: What is life that Man must live it? In a novel rich in incident, fascinating of character, John Brunner questions the essential meaning of life and death and purpose.”
That’s the pitch for Brunner’s 74-page “complete novel” The Bridge to Azrael. The last time we saw such an editorial panegyric, the mountain labored and brought forth—well, not a mouse. A capybara, maybe. Anyway, a modestly capable pulp-inflected novella, Daniel F. Galouye’s Recovery Area, not exactly the promised philosophical masterpiece for the ages. Sort of the same here, but worse: the mountain has labored and brought forth a mess.
I suspect that at some point, we’ll have a meat substitute that has all the values of the real thing. About a generation after that, people will be claiming cows were pets. and a generation after that, there will be debates about what kind of utter monsters meat eaters could possibly have been.
(6) KENYON UPDATE. Sherrilyn
tells readers some of her books have been rescheduled at the same time her 28-year
marriage is ending:
…Due to a number of events that are out of my hands and with the heaviest heart, I have to announce that Tor has decided to move several books this year, including At Death’s Door which will come out in the usual Dark-Hunter slot in September. Delaying the final Deadman’s Cross novel and moving the next Dark-Hunter title to 2020 was not something I wanted or had control over, and I know many fans will be greatly disappointed. Believe me, no one is more disappointed about this than I am, and since honesty, integrity, and transparency run thick in my DNA, I wanted to let all of you know what’s going on since there have been so many false rumors running loose lately. As many of you know, the last several years have been a very challenging and daunting time for me – both emotionally and physically.
There were so many great things that happened last year. We launched two wonderful books – Death Doesn’t Bargain and Stygian – to such great fan reception, making lists and news, and I spent a lot of 2018 on the road visiting with readers at major events and conventions across the U.S. Something I intend to do this year as well, and to go abroad to England, Australia and Portugal.
But it hasn’t all been sunshine and roses as I’m coping with the dissolution of my twenty-eight year marriage to a man I made the mistake of putting through law school by working three jobs so that he wouldn’t have to work any while he studied. A man who is now turning the skills I paid for against me as he ruthlessly lies about me and fights me for *MY* copyrights to characters, series and worlds that I had long before I ever met him (something he has admitted to on record time and again) and to books he knows he never helped to write or plot because he forbid me to even talk about my writing in front of him….
For six decades, NASA has led the peaceful exploration of space, making discoveries about our planet, our solar system, and our universe. From October 2018 through December 2022, NASA will mark the 50th anniversary of the Apollo Program that landed a dozen astronauts on the Moon between July 1969 and December 1972 and NASA’s first crewed mission – Apollo 8 – that circumnavigated the Moon in December 1968.
Adobe is challenging you to imagine the history and future of human exploration in space to celebrate this momentous anniversary and the release of Adobe Dimension 2.1. We’re calling on you to tell the stories of past and future space missions using free 3D assets from the Adobe 3D Stock“NASA: 60th Anniversary 3D Celebration” gallery and Adobe Dimension to compose and render a space-based scene following the challenge theme: From the Moon to Mars—Apollo 50th Anniversary.
Special guest judge former NASA astronaut Nicole Stott, a veteran of four missions to the International Space Station and the astronaut who painted the first watercolor in space, will judge the submissions with the Adobe Dimension team.
Your challenge is to create a visually compelling scene using at least one 3D asset inspired by NASA and optimized for Dimension that celebrates NASA’s ongoing mission to pioneer the future of space exploration, scientific discovery, and aeronautics research. Whether it’s the Apollo moon landings, or future initiatives to the moon and beyond, we want to feel the wonder and pioneering spirit of the astronauts and the vehicles that take them there. You’ll also be required to composite and render your submission using Adobe Dimension 2.1, but any other software (Pixologic ZBrush, Substance Painter, Adobe Photoshop, etc.) can be used to create elements for your scene.
The publisher of the classic “Choose Your Own Adventure” books is suing Netflix, claiming the streaming service infringed on its trademarked format for the new film “Black Mirror: Bandersnatch.”
Chooseco, which was formed in 2004 to re-release several classic titles of “Choose Your Own Adventure” books originally published in the 1980s and 1990s, announced the suit on Friday.
“We have received an unprecedented amount of outreach from people who believed we were associated with the creation of this film, including parents who were concerned that we had aligned the CYOA brand they knew and loved with content that surprised and offended them,” Shannon Gilligan, co-founder and publisher of Chooseco, said in a statement.
The late comics legend’s final animated cameo will be on Marvel’s Avengers: Black Panther’s Quest, airing this Sunday.
When Lee passed in November, we knew that he had some cameos already recorded, and now his final one in the world of animation is preparing to air. According to Marvel.com, he’ll be playing an important but brief role in an episode of the Disney XD Black Panther series. In the episode, titled “T’Chanda”, T’Challa will learn secrets about his grandfather. During that learning experience, Lee will appear in a flashback scene set in the 1940s, where Lee plays an Army General.
OBIT. Worldcon Business Meeting veterans can share a moment of silence
after reading this obituary circulated by the American Institute of
AIP has learned that Henry Martyn Robert III, passed away on Sunday, Dec. 6, 2018, in Maryland. He was 98 years old.
Henry was the grandson of General Henry M. Robert and the senior member of the authorship team for Robert’s Rules of Order Newly Revised (RONR). He began his association with RONR when he assisted his mother, Sarah Corbin Robert, in writing the 1970 edition, the most extensive general revision of Robert’s Rules. He has been actively involved in every edition since that time. His contributions to the parliamentary world are significant, and he will be missed.
(11) TODAY IN HISTORY.
January 12, 1940 – The Invisible Man premiered theatrically.
January 12, 1966 — The Batman television series made its debut.
(12) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born January 12, 1628 – Charles Perrault. He was a French author and member of the Académie Française. He laid the foundations for a new literary genre, the fairy tale, with his works derived from the much earlier folk tales. The best known of his tales include Le Petit Chaperon Rouge (Little Red Riding Hood), Le Chat Botté (Puss in Boots), Cendrillon (Cinderella), La Belle au bois Dormant (The Sleeping Beauty) and Barbe Bleue (Bluebeard). As such, his stories form many of the roots of fantasy as we do it. (Died 1723.)
Born January 12, 1952 – Walter Mosley, 67. An odd one as I have read his Ezekiel “Easy” Rawlins series but hadn’t been aware that he wrote SF of which he has four novels to date, Blue Light, Futureland: Nine Stories of an Imminent Future, The Wave, and 47. There’s a Jack Kirby art book called Maximum Fantastic Four was conceived of and orchestrated by him. Interestingly enough, he’s got a writing credit for episode of Masters of Science Fiction called “Little Brother” where Stephen Hawking is the Host according to IMdB.
Born January 12, 1955 – Rockne O’Bannon, 64. Creator of five genre series in Alien Nation, Cult, Defiance, Farscape and seaQuest. He also help write the Warehouse 13 pilot. He has also written and produced for Constantine, Revolution and V, among many other projects. (I loved Farscape and seaQuest but thought Defiance went bad fast.)
Born January 12, 1957 – John Lasseter, 62. Animator fired from Disney for promoting computer animation who joined Lucasfilm which eventually became Pixar under Steve Jobs. And where he directed Toy Story, A Bug’s Life, Toy Story, Cars and Cars 2. He also Executive Produced Toy Story 3 as well as Zootopia, Finding Dory and Incredibles 2.
Born January 12, 1960 – Oliver Platt, 59. My favorite role by him is Porthos in The Three Musketeers but his first genre role was as Randy Steckle in Flatlineers and he later played Rupert Burns in the Bicentennial Man film on Asimov’s The Positronic Man. He voices Hades in Wonder Woman, not surprising given his deep voice.
Born January 12, 1970 – Kaja Foglio, 49. Writer, artist, and publisher. Foglio co-won the first Hugo Award for Best Graphic Story in 2009 for the absolutely stunning Girl Genius, Volume 8: Agatha Heterodyne and the Chapel of Bones, and co-won two more Hugo Awards the following years. Having won three three years running, they removed themselves from further competition. If you haven’t read them, you’re in for treat as they’re quite amazing. Her husband Phil Foglio and colorist Cheyenne Wright do stunning work.
Non Sequitur illustrates that editors make a whale of a difference.
REFERENCE. The Atlantic’s article
“The Fellowship of the Ring Finders” tells about “A website connects people who have misplaced their
rings with metal detectorists who know where to look.”
Usually, stories of this variety almost always end in tears. Yet these three people found their lost rings, frantically Googling some iteration of I lost my wedding ring and stumbling upon a network of metal detectorists who help people locate their misplaced jewelry. They had found their way to the Ring Finders, a service that pairs these people with one of 430 sleuths stationed around the world.
According to the British insurance company Protect Your Bubble, 11 percent of people have lost their wedding rings in the past five years. Since wedding rings can cost upwards of $6,000, losing them can be especially painful for couples, and yet it also gives detectives adept in the art of finding lost rings a chance to intervene and be the hero.
One of the most controversial moments in New Year’s Day special Resolution was the suspension of UNIT. Was the removal of a major part of Doctor Who a step too far for Chris Chibnall?
Perhaps the most significant scene in Resolution was when the Doctor tried to call her friends at UNIT. Instead of reaching Kate Stewart and an organization that she’s fought alongside with for decades, she was instead forwarded to Polly at the “UK Security Helpline”. This was when the Doctor (and the fans) were given a bit of a shock when Polly informed her:
UNIT operations have been suspended pending review.
That’s right. For the moment, at least, UNIT isn’t around to help the Doctor save the day. The reason? Well, officially, it’s because funding was withdrawn from international partners. The implied reason? Brexit. Brexit killed UNIT, or at the very least, put it into deep sleep. At least, according to Chris Chibnall.
As dinosaurs stomped across ancient Earth more than 200 million years ago, a massive star was entering its death throes. The resulting cosmic explosion was so unusual, it left astronomers scratching their heads when its glow at last reached our planet last June.
Now, the mysterious flash may have an origin story. Based on the latest observations of the strange supernova, nicknamed the Cow, a team of 45 astronomers argues that it may represent the first time humans have captured the exact moment a dying star gave birth to a black hole.
With help from a dead spacecraft [2015 Kepler data], citizen scientists just discovered an alien world that professional astronomers had overlooked.
The newfound exoplanet orbits a small red star 226 light-years away from Earth in the constellation Taurus. Roughly twice as big as Earth, K2-288Bb circles its host star in the so-called habitable zone, where liquid water and possibly life could exist.
[…] Scientists are excited about K2-288Bb not only because of the possibility that it could support life, but also because it’s unlike anything in our solar system: a solitary, midsize planet circling a star that has a nearby stellar companion.
Many Star Trek fans are psyched that Patrick Stewart is returning to the role of Captain Picard for an all-new TV series on CBS All Access. And while story details on the show have been scarce, we do know that it will be about the legendary character exploring the next chapter of his life some 20 years after we last saw him in 2002’s Star Trek: Nemesis.
But a recent interview with Star Trek executive producer Alex Kurtzman has revealed some interesting hints about the Picard show, even while it’s gotten some folks confused about which timeline it takes place in. Let’s nerdsplain this thing!
[…there follows much exposition, concluding with…]
So while the Picard show will take place in the traditional Prime Timeline, the producers have found a clever way to connect it to the events of the modern movies. The series is expected to debut in late 2019.
(21) LITTLEFINGER, DEAD OR
ALIVE? Carl Slaughter says, “Intriguing
theory. Lots of clues.”
JJ, Chip Hitchcock, James Davis Nicoll, John King Tarpinian, Mike Kennedy,
Martin Morse Wooster, Cat Eldridge, Carl Slaughter, Steven H Silver, and Andrew
Porter for some of these stories, Title credit goes to File 770 contributing
editor of the day Kip Williams.]
I’ve been writing a lot in cafes recently. Well, mostly one cafe, but I’ve dallied with others…
I always accomplish something, or prove I can’t.
Because I’m at the cafe with someone else, and we are there with a purpose, I always spend at least some time trying to write. Some days, nothing comes. More often, even if I feel creatively dry, I can scrape up something, whether it’s a bit of editing, a paragraph or two, or the beginning of a story (which I may never finish). On my own I can get depressed over those days when the writing doesn’twork, and it makes me avoidant for a while afterward. With a writing partner, there’s a set time to try again.
At least I think we ate at Noodle Charm. I’m not really sure. (Give a listen to the episode to find out the reason for my uncertainty.)
Kozeniewski is the author of such gonzo novels as Braineater Jones, Billy and the Cloneasaurus, and The Ghoul Archipelago. He’s also been part of the writers room for Silverwood: The Door, a 10-episode prose follow-up to Tony Valenzuela’s Black Box TV series Silverwood, which was released in weekly installments in both prose and audiobook formats.
We discussed how it took nearly 500 submissions before his first novel was finally accepted, why he has no interest in writing sequels, his advice for winning a Turkey Award for the worst possible opening to the worst possible science fiction or fantasy novel, why his output is split between horror and science fiction (but not mysteries), the reason Brian Keene was who he wanted to be when he grew up, why almost any story would be more interesting with zombies, when you should follow and when you should break the accepted rules of writing, where he falls on the fast vs. slow zombies debate, and much more.
…That’s just a cursory account of Mortal Engines, which would have benefited from losing a few supporting characters, several flashbacks and at least one subplot. Yet the movie’s major weakness is not story, but characterization.
The only actor who holds the screen is Weaving, and even he suffers from a cardboard role and plywood dialogue. Hilmar, Natsworthy and Jihae are all as bland as their parts, lacking charm, swagger and humor. The disastrous absence of the last quality can partly be blamed on the script, which hazards a joke about every 45 minutes.
It’s hard to fathom that the same Sony Pictures that, in 2012, decided the best way to expand the appeal of its live-action Spider-Man franchise was to start over with lesser movies, has now become smart enough to put its resources into a superb new — really new — Spider-Man cartoon. Maybe someone in a Culver City boardroom got bit by a radioactive MacArthur Fellow.
Whatever the reason, for a powerful corporation to relax its grip on an ancient specimen of blue-chip IP enough to let the creatives have some fun is a rare thing, and one that should not go unheralded. Marvel Comics weathered the ire of reactionary fandom back in 2011 when it introduced Miles Morales, a Spider-Man no less Amazing than that nerdy orphan Peter Parker, but for the fact he was the son of a Puerto Rican ER nurse and an African-American beat cop. Miles became the Spider-Man of the publisher’s “Ultimate” line, a spiral arm of the Marvel Universe that…
…you know what? Don’t worry about it. To cite the refrain of this graphically dazzling, generously imaginative, nakedly optimistic, mercilessly funny and inclusive-without-being-all-pious-about-it animated oydssey called Spider-Man: Into the Spider-Verse, “Anyone can wear the mask.”
Sensibly, Blunt doesn’t impersonate Andrews. Less sensibly, she impersonates Maggie Smith: her haughty, upper-crust Mary would be right at home in Downtown Abbey. But otherwise, Mary Poppins Returns is so similar to its predecessor as to be almost identical. There are no revelations, no unexpected locations, no hints at what Mary gets up to when she isn’t looking after the Banks children – although we’ll probably get a prequel set in nanny-training college in a few years’ time. The only significant difference is that the story has been moved on from 1910 to the 1930s, so it’s Mary Poppins: The Next Generation.
The publisher is immediately ending the critically acclaimed series, amid accusations of sexual abuse by writer and co-creator Eric M. Esquivel.
DC Entertainmentimprint DC Vertigo has canceled comic book series Border Town effective immediately, with all orders for the unreleased issues 5 and 6 being canceled, The Hollywood Reporter has confirmed. Those issues will not be published, and all issues already released are also being made returnable, according to the publisher.
The publisher has not commented on the reasons for the title’s cancellation, but it coincides with the release of a statement by toy designer Cynthia Naugle in which she wrote about being “sexually, mentally, and emotionally abused” by an unnamed figure later identified on social media — and seemingly confirmed by Naugle via retweets — as Border Town writer and co-creator Eric M. Esquivel.
Since Naugle’s statement went live, both Border Town artist Ramon Villalobos and color artist Tamra Bonvillain released statements via Twitter on the subject, distancing themselves from the project.
(7) HUGO VOTING STRATEGY TRUE OR FALSE. Karl-Johan Norén warns, “The meme that one should not ‘dilute’ ones Hugo nomination power under EPH is going around again, and I wrote a quick refutation.”
…As a voter and nominator for the Hugos, it is in your best interest to nominate as many works as you find worthy as you can.
I will illustrate it using two cases. The first is that if every single nominator in a Hugo category nominates only a single work, EPH will default back to a simple first past the post selection with six finalists — exactly the system that we had before EPH, but with much less input! …
(8) THE POINTY THRONE. This cover for the March issue of Amazing Spider-Man resonates with a certain TV show you may have seen….
(9) BLACK SCI-FI DOCUMENTARY. Three excerpts from Terrence Francis’ 1992 documentary Black Sci-Fi, originally broadcast on BBC2 as part of the Birthrights series.
The documentary focuses on Black science fiction in literature, film and television and features interviews with Octavia Butler, Samuel R. Delany, Mike Sargent, Steven Barnes and Nichelle Nichols.
In this extract, Octavia Butler discusses how her interest in science fiction developed and the genre’s potential for exploring new ideas and ways of being.
In this section Samuel R. Delany, Mike Sargent and Steven Barnes discuss the stereotypical portrayal of black characters in science fiction literature and cinema, including the predictable fate of Paul Winfield in films like Damnation Alley, Star Trek II: The Wrath of Khan and The Terminator.
In this section, Nichelle Nichols discusses the significance of her character, Uhura, in Star Trek; Steven Barnes and Mike Sargent consider how attitudes towards race and skin colour might develop in the (far) future.
(10) VAULT OF THE BEAST. Robert Weinberg interviewed A.E.
Van Vogt in 1980 – now posted at Sevagram.
Weinberg: How did you first get interested in science fiction, and in particular, how did you come to write a science fiction story?
Van Vogt: I first read science fiction in the old British Chum annual when I was about 12 years old. Chum was a British boy’s weekly which, at the end of the year was bound into a single huge book; and the following Christmas parents bought it as Christmas presents for male children. The science fiction in these stories was simple. Somebody built a spaceship in his tool shop (in his backyard) and when he left earth he took along all the neighborhood twelve-year-olds without the parents seeming to object.
Later, at age 14, I saw the November 1926 Amazing and promptly purchased it, read it avidly until Hugo Gernsbach lost control and it got awful under the next editor, T. O’Connor Sloane. So I had my background when I picked up the July, 1938 issue of Astounding and read “Who Goes There?” It was one of the great SF stories; and it stimulated me to send Campbell, the editor, a one paragraph outline of what later became “Vault of the Beast. “If he hadn’t answered, that would probably have been the end of my SF career. But I learned later he answered all query letters either favorably or with helpful advice. The helpful advice he gave me was to suggest that I write with a lot of atmosphere. To me that meant a lot of imagery, and verbs other than “to be” or “to have.”
Paul Dale Anderson has written more than 27 novels and hundreds of short stories, mostly in the horror, fantasy, science fiction, and suspense-thriller genres. Paul has also written contemporary romances, mysteries, and westerns. Paul is an Active Member of SFWA and HWA, and he was elected a Vice President and Trustee of Horror Writers Association in 1987. Paul is also a member of International Thriller Writers, the Authors Guild, and MWA.
His wife, Gretta, predeceased him in 2012.
(12) TODAY IN HISTORY
December 14, 1984 – John Carpenter’s Starman premiered on this day.
December 14, 1984 – For better or worse – Dune debuted in theaters.
December 14, 2007 – Will Smith’s I Am Legend opened.
(13) TODAY’S BIRTHDAYS
[Compiled by Cat Eldridge.]
Born December 14, 1916 – Shirley Jackson. First gained public attention for her short story “The Lottery, or, The Adventures of James Harris” but it was her The Haunting of Hill House novel which has been made her legendary as a horror novelist as it’s truly a chilling ghost story. I see that’s she wrote quite a bit of genre short fiction —has anyone here read it? (Died 1965.)
Born December 14, 1920 – Rosemary Sutcliff. English novelist whose best known for children’s books particularly her historical fiction which involved retellings of myths and legends, Arthurian and otherwise. Digging into my memory, I remember reading The Chronicles of Robin Hood which was her first published novel and rather good; The Eagle of the Ninth is set in Roman Britain and was an equally fine read. (Died 1992.)
Born December 14, 1949 – David A. Cherry, 69. Illustrator working mostly in the genre. Amazingly he has been nominated eleven times for Hugo Awards, and eighteen times for Chesley Awards with an astonishing eight wins! He is a past president of the Association of Science Fiction and Fantasy Artists.
Oh and he’s is the brother of the science fiction writer C. J. Cherryh (“Cherry” is the original spelling of the last name of the family) so you won’t be surprised that he’s painted cover art for some of her books as well as books for Robert Asprin, Andre Norton, Diane Duane, Lynn Abbey and Piers Anthony to name but a few of his contracts.
Born December 14, 1966 – Sarah Zettel, 52. Her first novel, Reclamation, was nominated for the Philip K. Dick Award in 1996, and in 1997 tied for the Locus Award for the Best First Novel. Writing under the alias of C. L. Anderson, her novel Bitter Angels won the 2010 Philip K. Dick award for best paperback original novel. If you’ve not read her, I’d recommend her YA American Fairy Trilogy as a good place to start.
Born December 14, 1968 – Kelley Armstrong, 50. Canadian writer, primarily of fantasy novels since the early party of the century. She has published thirty-one fantasy novels to date, thirteen in her Women of the Otherworld series, another five in her Cainsville series. I’m wracking my brain to think what I’ve read of hers as I know I’ve read something. Ahhhh I’m reasonably sure I listened to the Cainsville series and would recommend it wholeheartedly.
With failed harvests, fewer growers are taking a chance on cucumbers. According to USDA records, pickling cucumber acreage declined nearly 25 percent between 2004 and 2015. Globally, downy mildew threatens fields as far flung as India, Israel, Mexico and China.
“This is the number one threat to the pickle industry,” says vegetable pathologist Lina Quesada-Ocampo of North Carolina State University. The growers, she says, lose money on failed crops and pricey fungicides. “It is a really bad double whammy.”
Fortunately for pickle lovers, vegetable breeder Michael Mazourek of Cornell University is close to releasing varieties that resist downy mildew. “It’s been one of our proudest David and Goliath stories,” he says. But his success hinges on funding at a time when public support of agricultural research is declining.
(15) HEVELIN PHOTOS SOUGHT. Bruce Hevelin is looking for photos of his father, James “Rusty” Hevelin. If you have any scanned in or in digital form, please send them to him at: <firstname.lastname@example.org>
Update, December 14: Oh, you actually were interested in that chicken-scented log, eh? Sorry for those who didn’t snatch theirs up early, as the logs reportedly sold out within hours yesterday.
Original story, December 13:
“Back in my day,” your grandpa begins wheezily, “If we wanted fried chicken-smellin’ fires, we had to throw the chicken on the flames ourselves.”
He’s right, friends, but that hardship ends today, as KFC introduces a firelog that smells like the Colonel’s 11-herbs-and-spices fried chicken, made in partnership with Enviro-Log.
(17) NOT SOLD OUT.This is still available. No wonder! It will cost a heck of a lot more than a log! The Houdini Seance at LA’s Magic Castle.
The séance is held for a private group of ten to twelve guests in our historic Houdini Séance Chamber. Decorated in the High Victorian style, it is now the home of many priceless pieces of Houdini memorabilia, including the only set of cuffs Houdini was unable to open.
…You will experience remarkable things you might not fully understand. Don’t feel alone. It’s that way for all of us.
Your party begins its experience with a four-course gourmet meal at 6:30 p.m. with bottomless red and white house wine during the dining portion of your evening — all created by your own private chef and served by your own private butler.
A medium will then join you who will open the veil between this world and the next. Your medium will begin with fascinating experiments in the power of the unseen and then, forming a magic circle, will summon the spirits and allow them to demonstrate their awesome ability to manifest in our physical world.
The structure is so ancient that it feels almost prehistoric. Some people take a trip to a remote island, they see some dinosaurs, and then the dinosaurs try to have them for lunch. It’s what happened in Jurassic Park in 1993, and by the time the first sequel came out in 1997, the screenplay was already poking fun at how formulaic it was. “‘Ooh, aah’, that’s how it always starts,” says Jeff Goldblum’s Dr Ian Malcolm in The Lost World: Jurassic Park. “Then later there’s running and screaming.” How right he was. But this self-knowledge didn’t stop the makers of Jurassic Park III (2001) and Jurassic World (2015) sticking to the formula, and it wasn’t until the second half of this year’s Jurassic World: Fallen Kingdom that the series found somewhere else to go.
How different things might have been. Back in 2004, John Sayles (the writer-director of Passion Fish and Lone Star) wrote a half-crazy half-brilliant screenplay for Jurassic Park 4 that took the story all over the planet, and which pioneered several radical ideas that are only just being incorporated into the franchise now. Steven Spielberg, the series’ producer and its original director was keen at first, and it’s easy to see why: Sayles’ rollicking script is sprinkled with quintessentially Spielberg-y moments. On the other hand, it’s also easy to see why Spielberg cooled off on the project. A movie about a globe-trotting A-Team of genetically modified, crime-busting Deinonychuses might have strayed just a little too far from the Jurassic Park films that audiences knew and loved.
The season-ending episode:
Titans 1×11 “Dick Grayson” Season 1 Episode 11 Promo (Season Finale) – Robin faces off against Batman when Dick takes a dark journey back to Gotham in the first season finale of Titans.
Oweynagat cave is a placeof both birth and death. An unimposing gash in the ancient misty hills of north-western Ireland, it is said to be the entrance to the underworld where fairies and demons lure mortals to their doom, and the sacred birthplace of a warrior queen. For thousands of years, the Irish have regarded Oweynagat as a site of awe-inspiring magic, weaving a rich tapestry of mythology around it.
…For millennia, Queen Medb has remained the most intoxicating thing to come out of the cave. However, just this year that changed with the creation of a beer made from wild yeast cultivated from the walls of Oweynagat. Called Underworld Savage Ale for the mythic place that it was conceived, this beer is the first of its kind, with a backstory strange enough to fit within the cave’s fantastic mythology
(23) FROM THE HISTORIC RECORDS. Rachel Swirsky discovered a reference to File 770 in a 1981 copy of Fandom Directory. The zine was only three years old at the time.
(24) VIDEO OF THE DAY. “The Mother of All Demos Hosted by Douglas Englebart” on YouTube is a video (recorded by Stewart Brand) of the December 1968 demonstration where Douglas Englebart introduced the world to videoconferencing, hypertext, and the computer mouse.
[Thanks to Cat Eldridge, Chip Hitchcock, JJ, Martin Morse Wooster, John King Tarpinian, Mike Kennedy, Carl Slaughter, Rachel Swirsky, and Andrew Porter for some oft hese stories, Title credit belongs to File 770 contributing editor of the day John Winkleman.]
The Cockygate case is close to resolution: the parties have entered into a settlement agreement and author Faleena Hopkins has filed a request with the United States Patent and Trademark Office (USPTO) to withdraw her “cocky” trademark. Other recent applications to register questionable trademarks for book series, however, do remain a matter of concern. A recent misinformed attempt to register a common book cover template (which is not a trademark under any interpretation of the law) was withdrawn after some backlash, thank goodness, but a recent application to register “Big” as a series title is still under review.
Now, another romance writer has applied to register the term “Quantum Series” in connection with her “series of fiction books.” When the Science Fiction and Fantasy Writers of America, became aware of this application, they approached the Authors Guild for assistance. We recommended counsel to SFWA, and Eleanor Lackman of the law firm Cowan, DeBaets Abrahams & Sheppard LLP is taking up the case by filing an opposition to the proposed trademark on behalf of SFWA member Douglas Phillips, who has his own “Quantum Series” of books”…
The Trademark Office clarified that the owner of a trademark in a book series title cannot use that trademark against single book titles. Since single titles cannot serve as trademarks, they also cannot infringe series title trademarks. So, if another author or a publisher ever tries to stop you from using a single book title because of their series trademark, you can tell them to take a hike. Only series titles can infringe another series title.[emphasis added]
…The form, after all, honors the genre: The novella traces its origins to fairytales and morality plays. Proto-fantasies, basically. In that sense, Tolkien’s world-building was never native to the genre. He simply blew up the balloon.
A balloon which is now about to burst. More than ever, successful world-building seems to require of creators a transmedia commitment to spin-offs and prequels and various other increasingly extraneous tie-ins like comic books and card games. Consumers are rightly overwhelmed. The joy of the sci-fi novella, by contrast, is in its one-off-ness, its collapsed space, its enforced incapaciousness. Authors can’t indulge family trees or maps; they must purify their storytelling. One or two main characters. A single three-act quest. Stark, sensible rules. (And no Starks.)
Containment need not mean compromise. In many cases, spareness heightens prose. My favorite of Tor’s wide-ranging catalog is Kai Ashante Wilson’s A Taste of Honey, a stunning romance that unfolds on the shores of a remote god colony. Something like math poeticized, or poetry mathematized, at novel size the book would’ve gone down way too rich. At 158 pages, though? Practically perfect. Deadlier serious but no less compelling is Laurie Penny’s Everything Belongs to the Future, in which the rich can extend their youth by centuries while the poor age and die naturally. The paltry page count lets Penny, in full author-activist fervor, get away with punking up the familiar biotech premise. Plus, you can read it in one sitting, the way the good lords of lit intended.
This novella’s contribution to that conversation is that, in order to colonize distant alien planets already full of life, change, severe change, is needed. This puts The Expert System’s Brother into dialogue with novels such as Stephen Baxter’s Flux (where humans are altered to live on a neutron star) and James Blish’s Surface Tension. All of these stories explore the idea that in the end, it is not easy to change people to survive and thrive on alien planets. There are severe costs and consequences to doing so, to the point that those who do so might lose most of their connection to who and what they are. But those costs are absolutely payable, and are worth doing. We are never so much human as we are exploring, heading out there, and changing ourselves and reinventing ourselves to do so.
Here’s the thing. I wrote urban fantasy for a long time . A dozen+ books’ time, in fact. Books set in New York, a city that I know reasonably well. And I still had to pull out the map and get on the subway, and check shit out, to make sure I had my facts straight, because trust me, if I got it wrong, someone (probably many someones) would let me know.
As an aside, did you know that the underside of the Brooklyn Bridge is painted purple-ish? Also, that if you start taking photos of the underside of a bridge, a cop may give you a very thorough side-eye? Always bring your id and your business cards with you when you Research, kids. Seriously. I shit thee not.
But that’s fact-checking, Person with Opinion says. That’s not research. It’s all still made up.
At this point I usually stop to remind myself that the agency bail fund probably won’t cover even justifiable homicide, so I only ask my interrogator if they ever wrote a research paper in their lives, and if so how they gathered the material to do it. If they say “Wikipedia,” I give up and drown my sorrows in whisky.
Michael Palin’s private archive, deposited at the British Library in London, is set to go on display to the public later this month, but The Times of London reports that its contents includes several major unseen scenes written by Palin and Terry Jones, his writing partner in the Monty Python group, whose other members included Terry Gilliam, Eric Idle, John Cleese and Graham Chapman.
Monty Python and the Holy Grail famously ends abruptly when King Arthur (Chapman) is arrested by police just minutes before a final climactic battle. However, according to The Times, Palin’s draft scripts show that this decision was only made to cut costs, and that a mighty fight was due to take place between the knights of Camelot, the French and also the killer rabbit of Caerbannog (a much-loved character from a previous scene).
(7) COMPELLING CROWDFUNDING. Joe Stech has launched a Kickstarter to fund Compelling Science Fiction: The First Collection, a hardcover print collection. The table of contents with 27 fantastic short stories by 24 authors is at the link. Swag is available for heftier pledges.
(8) MEXICANX INITIATIVE ANTHOLOGY. Fireside has set up a Kickstarter for the “Mexicanx Initiative Anthology”. They’ve already surpassed their $1,500 goal with pledges totaling $2,382 as of this writing.
Contributors include: José Luis Zárate, David Bowles, Julia Rios, Felecia Caton Garcia, Iliana Vargas, Angela Lujan, Raquel Castro, Pepe Rojo, Alberto Chimal, Gabriela Damián Miravete, Andrea Chapela, Verónica Murguía, Libia Brenda, and Richard Zela.
Our goal is to raise $1,600 to cover printing and shipping costs. Any funds raised above the goal will be split evenly among all the authors and artists who graciously donated their time and words. The anthology has been edited and laid out and features a beautiful cover by Mexicanx Initiative founder John Picacio.
We plan to print 200 copies of the anthology; 80 will be held for members of the Mexicanx Initiative and contributors, and 120 signed and/or numbered will be available as backer rewards. All copies will be brought to Worldcon 76 in San José, California, where they will be signed and available for pickup. If you are not attending Worldcon we will ship your copy and any other rewards you purchase.
(9) WORLDCON DOORS OPEN THESE HOURS.
Reg/Info opens 9am every day
In general (dealers/art/fan tables): Thurs: 12pm-6pm Fri-Sun: 10am-6pm Mon: 10am-2/3pm
More than 80 million years separated the Stegosaurus from the Tyrannosaurus Rex. But the so-called Age of Mammals — which began when the non-avian dinosaurs were wiped out — has been going on for about 66 million years. This means that we are closer in time to the T-Rex than the T-Rex was from the Stegosaurus. [Source:Smithsonian Institute.]
(11) TODAY IN HISTORY
August 1, 1971 — Charlton Heston as The Omega Man premiered in theatres
(12) TODAY’S BIRTHDAYS
Born August 1 – Oona Laurence, 16 Celebrity Ghost Stories, a Penny Dreadful short and the animated Pete’s Dragon series.
Born August 1 – Jack O’Connell, 28. Role in 300: Rise of An Empire, also Robot & Scarecrow, an animated short about a robot and a scarecrow (voiced by him) who fall in love at a summer music festival, and the lion in Jungleland which or may be not be based on an Asian theme park.
Born August 1 – Jason Momoa, 39. DCU as Aquaman in of course Aquaman, Justice League, and Batman v Superman: Dawn of Justice, Khal Drogo in Games of Thrones, Conan in Conan the Barbarian and Ronon Dex in Stargate: Atlantis.
Born August 1 – Sam Mendes, 53. Producer of Penny Dreadful, Shrek the Musical, and Stage Director for the tv version of Cabaret (“Which allows me to note how much i really, really like Leiber’s TheBig Time novella,” says Cat Eldridge.)
Born August 1—John Carroll Lynch, 55. Considerable genre work starting with the Voice from the Grave horror series, and including The Visitor series as well as the Apollo lunar landing series From the Earth to the Moon, Star Trek: Voyager, Carnivàle, The Walking Dead and American Horror Story.
Although Palmer wrote short stories and novels, he was best known as an editor. From 1938-1949, he edited Amazing Stories and from 1939-1949 he edited Fantastic Adventures as well for Ziff-Davis, resigning when they moved production from Chicago to New York. He formed his own company, Clark Publishing, and began publishing Other Worlds Science Stories from 1949 to 1957, during which time he also edited and published Fate Magazine, Universe Science Fiction, Mystic Magazine, Science Stories, and Space World. His assistant in the early 1950s, and often times credited co-editor, was Bea Mahaffey. Palmer is perhaps best remembered for publishing the fiction of Richard Shaver and promoting Shaver’s stories as non-fiction. In 1961, comic author Gardner Fox paid tribute to Palmer by using his name for the DC character the Atom.
Twenty years ago today, I married @StevenBarnes1. We met at a speculative fiction conference at Clark Atlanta Univ @CAU, where Samuel R. Delany & Octavia Butler gossiped about sparks between us. We married a year and a half later. Blessed beyond words about this collaboration! pic.twitter.com/DVdu4rIssb
While the characters that Jacobi and Atwell are playing in this aural adaptation of The Martian Chronicles were arguably written as American, I somehow don’t think fans are going to hugely object to Captain Wilder and Spender suddenly sounding impeccably English (please don’t let me down by being petty, Internet).
(18) LEAVES HIS COMFORT ZONE. Sean Grigsby takes the challenge:
Ed. Note on North America: Although Anheuser-Busch InBev still markets Budweiser as “the King of Beers,” in the U.S. Bud Light outsells Budweiser by a wide margin. Ironically, in Canada, where the company owns iconic local brand Labatt, the company has sold more Budweiser than any other brand for nearly a decade. In 2012, the Toronto Star published the article “‘Sniff of death’ taints iconic beer brands,” which provides analysis on how Budweiser came to be the best-selling beer in Canada.
If you’ve been bargain shopping for one of the Great Houses of Westeros, get ready for the deal of a lifetime.
Gosford Castle, a 19th-century country house in Northern Ireland that was used to portray the Riverrun castle on Game of Thrones, is for sale and accepting offers over £500,000 (or $656,452), according to its online listing.
Riverrun, first depicted in season 3 of the acclaimed series, is the former seat of House Tully, and the current lawful home to House Frey. While the castle itself is not often seen on the show, its occupation has long been the subject of strategic interest for the series’ main characters.
(21) SPACE OPERA PILOT. Robert Hewitt Wolfe of DS9 and Andromeda fame is doing something interesting on Twitter. Several years ago he wrote a pilot for a space opera on SyFy that would be called “Morningstar”. It ended up not being made. But under WGA rules he retains publishing rights, so he’s publishing the script for the pilot on Twitter, one page per day for 95 days. He’s already 2/3 of the way through. The thread begins here.
So… been thinking a lot about all the beautiful scripts out there that will never seen the light of day. The stillborn and the misbegotten. They'll never be filmed. They're just paper now. How would you like to read one?
On Saturday, the shark was grabbed from an open pool by two men and a woman, then wrapped in a wet blanket and put in a bucket with a bleach solution.
The public helped track the thieves and one suspect is now in custody.
(23) NUMBER ONE.Marvel’s C.B. Cebulski introduces a new Captain Marvel comic book series.
Carol Danvers has been involved in some of the biggest adventures in the Marvel Universe…but in her new series, she’s going back to the basics with Margaret Stohl, Carlos Pacheco, and Marguerite Sauvage at the helm. Marvel is proud to present this behind-the-scenes look at THE LIFE OF CAPTAIN MARVEL #1, featuring Stohl and Editor-in-Chief C.B. Cebulski! “This is a story about Carol Danvers. We’re taking Carol back to basics,” said Cebulski. “We hear that a lot, but this is something where we’re going to dance between the raindrops and find the secrets of Carol’s origins that are based in the roots of her family.” “It’s really a family story and it’s as much about the human instead of her as her Kree powers,” added Stohl.
Before he was elected in 2016, Donald Trump had a small cameo appearance in New Avengers #47. In that comic, Trump failed to pull over to the side to let an ambulance go past, so Luke Cage gave him a hand by picking up his limousine and moving it out of the way. An irate Trump threatened to sue Luke, but then quickly thought better of it.
[Thanks to Cat Eldridge, Andrew Porter, Mike Kennedy, JJ, John King Tarpinian, Chip Hitchcock, Martin Morse Wooster, Danny Sichel, Paul Weimer, Michael O’Donnell, Dann, and Carl Slaughter for some of these stories, Title credit goes to File 770 contributing editor of the day IanP.]
this is petty, and a trivial objection, but another missed opportunity was the battle between T’Challa and Killmonger during the ceremony. It relates to a complaint I had about Civil War (which I loved). This is from a life-long martial artist’s perspective, so I’m only partially serious. The problem is this: BP fought like everyone else in Civil War, and his technique looked very Asian. Korean in the kicks. Not what the Prince of Wakanda would use, because African arts are as lethal. But in BP, both T’Challa and Killmonger fought pretty much the same. I find it difficult to believe that Killmonger, never having been in Wakanda, would fight with techniques that look as if he had been trained by the same people who trained T’Challa. They could have had a fascinating clash of styles. But that is really nit-picking.
GREG DOUKAS: I am thoroughly perplexed by the reaction exhibited in some of my friends and colleagues, whose ideas I otherwise ordinarily agree with. The proposition they raise, and which I’ve been troubled by, is this: Over the duration of the film, our hero T’Challa [the Black Panther] makes a transformation from a nativist into a character representing a liberal politics of amelioration and liberalism more generally, while his nemesis Killmonger emerges as a distinctly Fanonian character in his own politics by presenting a radical critique of colonialism and racism.
LEWIS GORDON: This is far from the case. First, Killmonger is not Fanonian. He is a tyrant. Fanon believed in radical democracy. Wakanda is clearly a republic and possibly a constitutional monarchy in which each member of the society contributes as counsel and skilled citizen. It’s clearly a city-state or what in ancient Greek is called a polis, in which politeia (the thriving of citizens through activities cultivated by such a social space) is expected to occur. Killmonger is more like the case studies of colonial disorders in the later part of Fanon’s The Damned of the Earth. He is a tyrant because his relationship to everyone was asymmetrical, driven by resentment and hate, and his regard for life was nil. Think of how he killed his loyal girlfriend Linda and how he ultimately aimed to destroy or destabilize Wakanda—a functioning African state—with the now faddish Afropessimistic declaration of “burning it all down.” His ego was such that he wanted to bar, through destruction of the special vibranium affected plant, the possibility of future Black Panthers emerging. Bear in mind also that T’Challa was not against fighting/violence. His point is that it should be used only when necessary, and he was doing so always on behalf of justice and a people in whose respect rested his legitimacy. Killmonger didn’t care about respect from the people. He also didn’t have respect for them. His “legitimacy” was like, say, Donald Trump’s: achieved purely from the strict adherence to the imperfect rules, though unlike Trump he actually defeated his opponent in fair combat. The people revolted against him not because he won the ritualistic battle but because his tyrannical rule defied the virtues the battle was to manifest. They fought against him in fidelity to the spirit of the rules.
(5) IMPRESSIVE. Rich Lynch actually came up with video of the Octavia Butler clue from Friday’s episode of game show Jeopardy! Click here: Jeopardy! Butler clue
Guys! Some RAD Doctor Who fans are raising $$ for orgs working to end gun violence. $13,000 raised so far and the push ends TOMORROW. Let's help 'em get to $15K! Donate $10 or more to get access to bunches of EXCLUSIVE commentary and giveaways! Deets –> https://t.co/7KxPLVPnaMpic.twitter.com/8HBU3L7w4D
Originally Roverandom was conceived in 1925 when the Tolkiens — Ronald and Edith with their sons John, Michael and Christopher — went on a family holiday to Filey, Yorkshire. They rented a cottage with the view of the sea and the beach to spend a big part of September there. At that time the Tolkiens’ second boy Michael, who was about five years old, had a small, black-and-white toy dog. The boy was extremely fond of it to the extent that he never parted with it. It was an unfortunate loss of that beloved toy during a walk on the beach one day and unavailing search for it that led Tolkien to make up a story about the dog’s adventures to explain its disappearance to the saddened boy.
In 1936, when The Hobbit was accepted for publication by Allen & Unwin, Tolkien was asked for more children’s stories, so he sent in Roverandom together with Mr Bliss and Farmer Giles of Ham. However, Roverandom was not published then: in 1937 The Hobbit came out, proved a tremendous success and the publishers demanded more Hobbit stories from the author. It was only in 1998 that Rover’s tale finally saw the light of day.
Just like some other stories written by Tolkien, Roverandom began as something told to the amusement (or, in this case, consolation was the initial motive) of his own family. But as the story began to grow, it inevitably drew in more aspects of Tolkien’s background and interests. From a simple children’s story it established connections with Tolkien’s own Legendarium, Norse mythology, Arthurian legends, folklore, history and real events which took place at the time when the story was being created and written down.
It’s one of the longest-running gags in show business: cast Sean Bean in your TV series and there is an extremely high chance his character will perish by the end of season one. If in a movie, he’ll probably die heroically, indeed motivationally, spurring the surviving heroes on to greater successes; in TV series, his specter looms over the remainder of the show, meaning everything that happens from then on occurs in the shadow of his sacrifice (since he is usually innocent of any wrongdoing but is executed/killed anyway). So when I finally watched The Frankenstein Chronicles, I knew to expect a gruesome end for Bean’s “John Marlott” at the end of season one. I don’t even feel the need to issue a spoiler alert so far, because Sean Bean’s near-inevitable death early in projects is a truth universally acknowledged.
(9) TENTH ANNIVERSARY. Kasma editor Alex Korovessis offers 10 Years of SF as a free download:
10 Years of SF! is an anthology featuring some of the best stories I have had the privilege to publish over the past 10 years, since Kasma’s inception in 2009. It is available freely by clicking the appropriate button below.
(10) THE MORE THINGS CHANGE. A fan lamented:
In the few months I have been an active member of fandom, I have found knit into its fabric a conglomeration of ego, hate, progressiveness, overbearing acts, belligerence, perversities, totalitarianism, crack-pot ideas and every good and bad thing that goes to make up the outside world.
Today on Facebook? No, these are the words of Clarence “Sully” Roberds, an Illinois fan writing in November of 1939. Think about that the next time you read a complaint that fandom isn’t what it used to be.
(11) COMICS SECTION.
John King Tarpinian passes along Drabble’s stfnal St. Paddy’s joke.
Nearly every science fiction story you know and love today owes it all to one movie that came out in 1956, a film that set the standard for how sci-fi stories work for the modern audience. Franchises like Star Wars and Star Trek might have defined sci-fi for generations, but Fred McLeod Wilcox’s Forbidden Planet basically created sci-fi as we know it.
There’s even an opening scrawl with yellow text more than 20 years before the first Star Wars movie.
Ikea is the largest furniture retailer in the world. But did you know that it’s also likely the largest meatball retailer in the world? Across its 340 stores worldwide, Ikea feeds people 2 million meatballs each day. Which is why Ikea’s high-concept Space10 lab is experimenting with a meatball of the future–one that uses zero actual meat. They call it the Neatball.
…The Space10 team is careful to clarify that none of these items are coming to market, but it’s interesting to see Ikea’s thought process on the future of food all the same. After all, Ikea has already given us a veggie version of its famous meatballs that people seem to like. And Space10 released meatball concepts not long ago that have since gone from art project to fully cooked concept here–because that’s what Space10 does: It prototypes the future for Ikea.
(15) AMAZON VS. CONSERVATIVES. Vox Day finds that Amazon’s alleged massacre of conservative authors’ book reviews is highly exaggerated [Internet Archive].
Of course, the mere fact that there is a closed alliance of authors with personal relationships who pay very close attention to reviews may explain at least a reasonable percentage of these deletions, given the terms of service. I checked out my reviews and it looks like ten or fewer reviews were deleted across all my various book listings. Not only that, but several of the reviews were one-star fake reviews, so two of my average ratings actually increased. This made me suspect that the deleted reviews were likely in open violation of Amazon’s terms of service, which Amanda Green’s investigation appears to have generally confirmed.
He also says in a comment:
Don’t get Clintonian. It’s not tricky at all. Are they family? Are they close friends? Did they work on your book?
If so, then don’t review their books.
That being said, I think Amazon would be well advised to limit reviews to Verified Purchases in addition to whatever conflict-of-interest limitations they see fitting.
Let’s face it, the world doesn’t need any more reviews on the lines of “I am so-and-so’s mother and I can’t believe he wrote a whole book! It’s really good!”
(16) COMICS RANT. The comics artist Colleen Doran went on an epic Twitter rant about “diversity hires.”
It implies things about race, it implies things about sex, it implies things about sexuality. And because I can’t read your mind, I don’t really know what “diversity hire” means to you. But I know what it means to me. So tread that ground with care.
Start the thread here —
OK, I'm just going to say this outright: as someone who has been in the business since the time there weren't very many girls in it, when people start making comments about icky "diversity hires", it makes my hair go the wrong way. And I have a lot of hair.
Disambiguating real-world practices from the traditions that the Star Wars franchise established is not so much a passing curiosity as one of the central reasons the group of Jedi has assembled here for the weekend. Belief in the Force here on Earth is ultimately simple enough, a matter of faith that requires no greater suspension of disbelief than praying to any other life-force or deity. However, the practical extension of that belief, as demonstrated in the Star Wars canon—namely, that one can use the Force to exert mental influence on the external world—poses a larger problem: The cosmos, absent green screens, doesn’t so easily succumb to the will.
And so, for those following the Gospel of Lucas, life can often seem a battle of approximations. Lightsabers here on Earth aren’t in fact shafts of light, but an alloy of plastic and LEDs. Jedi on Earth have downgraded telekinesis for noetic sciences and a belief that collective thought can influence external change. And, as their possession of DVD box sets, plastic lightsabers, and Star Wars kitsch indicates, they, unlike their fictional counterparts, haven’t quite subscribed to an ascetic’s denial of worldly attachments
(18) MAGIC SCHOOLS. L. Jagi Lamplighter says Superversive SF’s Fantastic Schools and Where to Find Them blog is “just a fun thing a couple of us are doing–covering magic schools and schooling in general. We are open to posts from anyone who writes about Magic Schools. It’s just a labor of love kind of thing. Nothing big. (Or anyone who has an opinion on either magic schools or schools in general.)”
I remember the day, some years ago now, when I realized that while Narnia and Lord of the Rings had made the grade, Earthsea had been basically forgotten. Many modern fantasy fans had never heard of the books. They didn’t even know that LeGuin had invented one of their favorite concepts: the magic school.
But Ursula Leguin’s magic school in Wizard of Earth Sea was the first time a fantasy writer thought “Gee, we see so many wizards in stories. Who trains them? Where do they go to school?”
If I were thinking about, from a viewer’s perspective, which Muppet changed the most over time, I would say Miss Piggy.
Oz: Yeah, probably so. But Piggy is a different situation. I’ve said this before: Her beginnings were in the women’s liberation movement, just by accident. And I don’t consciously change things, but the characters don’t interact with the world — I interact with my world. And I don’t interact in such a way where I say, “Oh, I’ve got to put that in my character.” I think because of the zeitgeist, it just kind of happens without me knowing it. But Piggy’s a little different. Piggy is such a mess inside, that I think as the years go on, she gets more and more emotional baggage. And that’s mainly why she changes. She keeps being rejected by the frog. She keeps trying and cannot do the things that she wants to, like tell jokes or dance. So I think she has this emotional baggage that hurts her more and more and more, and as a result she covers more and more and more. That’s what I think.
[Thanks to JJ, Mark Hepworth, Andrew Porter, John King Tarpinian, rcade, Cat Eldridge, David Doering, Carl Slaughter, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Ken Richards.]
If you have missed the current #metoo movement within the children’s and young adult literature industry, then I will break down the order in which you can catch up. While you could argue precisely where to start and where to end, the most necessary articles are as follows:
Maze Runner author James Dashner, dropped earlier this week by his agent after allegations of sexual misconduct surfaced, has tweeted an apology “to those affected” by his behavior and pledges to “seek counseling and guidance.”
“I have spent the recent days reexamining my actions and searching my soul,” Dashner writes (see the tweet below), adding he now believes he has been “part of the problem” with regard to sexual harassment and discrimination in the publishing industry.
“I didn’t honor or fully understand boundaries and power dynamics,” tweets the author, whose Maze Runner series has become a successful movie franchise. “I can sincerely say that I have never intentionally hurt another person. But to those affected I am so deeply sorry.”
Dashner was dropped by his literary agent, Michael W. Bourret, earlier this week after reader comments on the School Library Journal website named the writer, along with Thirteen Reasons Why author Jay Asher and others, of misconduct or harassment. Asher was subsequently expelled from the Society of Children’s Book Writers and Illustrators, and dropped by the Andrea Brown agency.
(3) #METOO. Likewise, Myke Cole says he has “to own it”.
I am mentioned in the School Library Journal thread that names and shames men who have been inappropriate in their conduct with women in the field.
I wish I could say that the entire comment was false, but I would be lying to you and to myself. I have always prided myself on being “good”. I thought I had a good handle on what that was. It turns out I was wrong. And I have to be accountable to you and to myself. I have repeatedly abused my social power. I have made unwelcome advances in professional settings and that is not okay.
This is humiliating to write, but it is also necessary, because I believe in the #MeToo movement and I 100% support women coming forward to name men who have made them uncomfortable, or worse abused them.
(4) SHORT FICTION. Rocket Stack Rank’s ratings report for stories reviewed up to February 15 has been posted. Greg Hullender notes:
Because so many publications are on bimonthly schedules now, even-numbered months tend to be rather light.
The five-star story, “To Us May Grace Be Given,” by L.S. Johnson was published in 2017, so it’s eligible for this year’s Hugo awards. All the others are eligible for the 2019 awards.
(5) NEW ANTHOLOGY BENEFITS DOCTORS WITHOUT BORDERS. BookNest creator Petros Triantafyllou has just issued Art of War: Anthology for Charity. Proceeds will go to MSF (Doctors Without Borders). The book was just released and is available for sale in both digital and print formats. The print version includes 40 black & white interior art pieces.
The promotional text on Goodreads asks —
How do you get forty fantasy authors to contribute short stories for a war-themed anthology without paying them? It sounds as if there should be a good punchline to that, but all Petros Triantafyllou did was twist the moral thumbscrews and tell them all the profits would go to Doctors Without Borders, a charity that works tirelessly across the world to alleviate the effects of conflict, sickness and poverty.
So, with clear consciences, several busloads of excellent and acclaimed fantasy authors have applied themselves to the task of penning a veritable mountain of words on the subject of The Art of War, expect bloodshed, gore, pathos, insight, passion, and laughs. Maybe even a wombat. Who knows. Anyway, as the original blurb said: “It’s good. Buy it.” -Mark Lawrence
The anthology collects works from authors that write within the genre including the grim dark sub-genre. The author list includes: Mark Lawrence, Ed Greenwood, Brian Staveley, Miles Cameron, John Gwynne, Sebastien De Castell, Mitchell Hogan, Stan Nicholls, Andrew Rowe, C.T. Phipps, Rob J. Hayes, Nicholas Eames, Mazarkis Williams, Ben Galley, Michael R. Fletcher, Graham Austin-King, Ed McDonald, Anna Stephens, Anna Smith Spark, RJ Barker, Michael R. Miller, Benedict Patrick, Sue Tingey, Dyrk Ashton, Steven Kelliher, Timandra Whitecastle, Laura M Hughes, J.P. Ashman, M.L. Spencer, Steven Poore, Brandon Draga, D. Thourson Palmer, D.M. Murray, Anne Nicholls, R.B. Watkinson, Charles F Bond, Ulff Lehmann, Thomas R. Gaskin, Zachary Barnes & Nathan Boyce.
(6) COMING TO AMERICA. The Tolkien, Maker of Middle-Earth exhibition discussed in yesterday’s Scroll will be making an American appearance next year, according to the FAQ.
Will the exhibition go on tour?
The exhibition will visit the Morgan Library in New York City from January to May 2019.
A key part of the purpose of the Shadow Jury last year was not just to comment on the award itself but also on its unofficial status as one of the key hubs, in the UK at least, for a critical articulation of the wider and deeper concerns of SFF fan, convention, and reviewing culture. I think we did achieve that to some extent but I hope that the tweaks to the format and emphasis this year will foreground that aspect of the project and help us avoid getting bogged down in controversies concerning the inclusion/exclusion of particular books from shortlists….
(8) IN VACUO. Joe Stech of Compelling Science Fiction invites readers to check out his personal blog where he provide gristly details about “What happens to animals in the vacuum of space?” Good chance to sort out science from fiction on this topic.
In the vast majority of modern shows, people sucked out into the vacuum of space freeze like popsicles in seconds. This is ridiculous. The reality is much more horrifying. In the 1960s there were several studies done on animals in high-grade vacuums that give us a real idea of exactly what would happen in the “oops, I forgot my spacesuit” scenario, and I’m going to walk you through the gory details, along with links to the original papers published in the 60s.
The first big thing to understand is how heat is transferred in space. You may remember that there are four main ways that heat can be bled off: conduction, convection, radiation, and phase change transfer (e.g. ‘enthalpy of vaporization’). When you’re in space, conduction and convection are out, because nothing cold is touching you (conduction) and there are no fluids to transfer heat away from you (convection). That leaves only radiation and phase changes that can cool you down. The infrared radiation leaving the human body is only about as much as a lightbulb, which is not going to drop your temperature extremely rapidly. You’ll also be cooled when the water in your skin boils away, but that’s only going to affect your outer layer. Your internals will be fine for a while, until they completely run out of oxygen.
So now that we’re clear that insta-freeze won’t happen, what are the actual steps in our grisly space demise? Here they are…
(9) TODAY IN HISTORY
February 15, 1950 — Disney’s Cinderella premieres.
(10) TODAY’S BIRTHDAY BOY
Born February 15, 1935 — Grand Master Robert Silverberg
(11) COMICS SECTION.
John King Tarpinian spotted a good Conan gag in Bliss.
….Obviously, since this category has not been awarded before, the strictures on previous winners and finalists are not relevant. But even so, the pickings are very slim. There are a number of series which started in 1942 but had not published 3 installments by the end of the year (eg Asimov’s Foundation). There are other series with many installments which however do not amount to 240,000 words (eg the Via and Adam Link sequences by Otto Binder, and I think also the Professor Jameson stories by Neil R. Jones). What I am left with is the following rather brief list…
White people: please don’t go see BP this weekend: you will be denying a deserving POC a seat. If you MUST, and you are really “Woke” you’ll let said POC sit on your lap. Blocking your view. Your Liberal Guilt will be assuaged thereby.
Robert Heinlein’s original 1959 science-fiction novel was militaristic, if not fascistic. So I decided to make a movie about fascists who aren’t aware of their fascism. Robocop was just urban politics – this was about American politics. As a European it seemed to me that certain aspects of US society could become fascistic: the refusal to limit the amount of arms; the number of executions in Texas when George W Bush was governor.
It’s an idiotic story: young people go to fight bugs. So I felt the human characters should have a comic-book look. Mark Wahlberg and Matt Damon auditioned, but I was looking for the prototype of blond, white and arrogant, and Casper Van Dien was so close to the images I remembered from Leni Riefenstahl’s films. I borrowed from Triumph of the Will in the parody propaganda reel that opens the film, too. I was using Riefenstahl to point out, or so I thought, that these heroes and heroines were straight out of Nazi propaganda. No one saw it at the time. I don’t know whether or not the actors realised – we never discussed it. I thought Neil Patrick Harris arriving on the set in an SS uniform might clear it up.
A new Walking Dead wine will soon come to life in a store near you. We partnered with The Last Wine Company to create a Blood Red Blend and a Cabernet Sauvignon that not only taste amazing, but include some really awesome creative flourishes. Our bottles will have unique augmented reality labels that come to life when viewed through your smartphone. Each bottle is sealed with a collectible cork featuring Walking Dead artwork—walker heads, barbwire, etc.
[Thanks to Mark Hepworth, John King Tarpinian, JJ, Cat Eldridge, Chip Hitchcock, Martin Morse Wooster, Andrew Porter, Camestros Felapton, Dann, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Bill.]
Tesla came up with all sorts of inventions and has sort of become the poster scientist for awesomeness now. Sure he wasn’t perfect. Sure he was a bit crazy. But he was always on time for his appointments. (Ed. note: We made that up.) And now you can be, too, with the new Tesla Watch.
The Tesla Watch goes with your steampunk aesthetic. With a weathered-brass look on all the metal parts, this analog watch features a leather strap. The highlights of this design, however, are the two faux vacuum tubes with red LEDs inside that you can turn on and off with the flick of a switch. Everybody will want to ask you what time it is so they can see your watch. Just remember to follow the answer with, “… 1875.”
(2) ACADEMY MUSEUM. The opening of The Academy Museum in 2019 is more than a year away, however, they have a website to satisfy your curiosity about what’s coming:
The Academy Museum will be the world’s premier institution dedicated to the art and science of movies. Located on Wilshire and Fairfax in Los Angeles, the Museum, will be simultaneously immersive, experimental, educational, and entertaining. More than a museum, this dynamic film center will offer unparalleled experiences and insights into movies and moviemaking.
The Museum will have huge resources to draw its exhibits from:
The Academy’s unparalleled permanent collection contains more than 10 million photographs, 190,000 film and video assets, 80,000 screenplays, 50,000 posters, 20,000 production and costume design drawings, and 1,400 special collections.
Their Rick Baker page illustrates the range of their offerings, in photos, videos, and documents.
A record-holding winner of seven Academy Awards for Makeup out of eleven nominations, Rick Baker is a lifelong “monster kid” who won the first competitive Oscar awarded in that category for his innovative work on An American Werewolf in London (1981), one of several collaborations with director John Landis. His apprenticeship under one of the industry’s greatest makeup artists, Dick Smith (including working as his assistant on The Exorcist), prepared him for a career providing cutting-edge makeup effects in many genres ranging from comedy to science fiction to horror, with titles including Ed Wood (1994), The Nutty Professor (1996) and Men in Black (1998).
(5) SURPRISES. John Scalzi did a Reddit “Ask Me Anything” today. You never know what you’re going to learn.
Q: Do you often set out to write a book to be a series? Or do some of them just insist that you write more in that universe?
SCALZI: Only once: The Collapsing Empire, which we knew was the first installment of a series. Everything else was written standalone, and became series in when they sold well and the publisher asked for more.
I used to work part-time at a community newspaper. It should have been a great job. The hours, the location, the work, the community, and the rest of the staff were all pleasant, and the pay was okay.
Unfortunately, though, the boss (who was the editor, publisher, and owner of the paper) was an incredibly toxic person, which made working there miserable and stressful, despite all the positive attributes the place otherwise had….
Well, at one point, the boss wanted to print some “joke” stories in the newspaper. He presented staffers with a few real news stories that he wanted us to riff on. I selected one about NASA, wrote my story as directed, and turned it in. After reading it, the boss informed me that this story was not at all what he had wanted. In fact, it was what he had asked for, but now he was asking for something else. So I wrote another draft. He sent this one back to me with some notes. I revised the material in accordance with the notes and turned it in. Now he gave me all-new feedback, stuff he had not said on any previous iteration, and had me revise it again. I did so. And then he did the same thing again.
Next, he told me to start all over from scratch. He couldn’t articulate why, he just knew he wanted something else. I pointed out that I had already done 5 versions. He said I would probably have to do 10 or 12 versions before we were done….
The sad part, so to speak, was that the pieces he kept spiking were funny, and none of them ever saw the light of day.
So when Alex Shvartsman asked me to participate in UFO6, I decided to turn my ideas for that article into a short story. The result is “Lost & Found,” in which some surprising visitors emerge from a UFO orbiting Earth.
And apparently someone thinks I can write humor, since Imagine A Book SF gave my story 5 stars and said, “So many different layers of humor. Wonderful.”
Yep, getting published is still the best revenge.
(10) HELP WANTED. Roger Silverstein is trying to identify a story —
Tim Pratt posted this on Facebook a little while back, he is hunting for a half-remembered fantasy story. I actually remember reading this story, but I cannot remember the dang title. This is bugging me almost as much as it bugs him. Would you be willing to post this? (I emailed Tim Pratt for permission to copy and paste and he said “Sure, feel free” He has posted this in various places, but never File 770.
I’ve been trying to track down a half-remembered story for the past 25 years or so. Maybe one of you will recognize it. Google always fails me, either because it’s an obscure story with no digital footprint, or because I’m misremembering salient details. I was reading some rooming house stories by Theodore Sturgeon today, and it reminded me.
The story is set in a boarding house, full of peculiar characters, many of whom have supernatural powers. There’s one man who travels the world and fixes tears in reality; I think he’s described as having “lightning in his hands.” There’s an old woman who sees angels, or maybe just one angel, I think named Toby. There’s a man with magical mechanical aptitude; I think he fixes up an old car, and takes a left turn, and the car disappears, taking him with it. There’s someone who can make things you desire appear, maybe — they make the angel the old woman sees visible to everyone, at one point; that’s one of the hazier details. I don’t remember the plot at all. I probably read it in an anthology or SF magazine that was available at the Wayne Country library in Goldsboro North Carolina in the early ’90s, but it could be from any year before that.
Ring any bells? It’s entirely possible I’m misremembering or even conflating. It was a long time ago, but the story made a big impression on my fledgling writer brain, and I’d love to find it again.
The remarkable Ed Wynn makes his second and final appearance in The Twilight Zone as Sam Forstmann, a septuagenarian obsessed with maintaining the family grandfather clock. Sam is convinced that if the clock stops, he will die… a belief that baffles his family and the psychiatrist he visits (William Sargent).
December 20, 1974 — Walt Disney’s The Island At The Top Of The World debuted.
December 20, 1978 — The Invasion of the Body Snatchers remake opened.
Mike Kennedy says, “You haven’t seen that? Quelle horror!” – two Game of Thrones jokes, one in Pearls Before Swine, the other in Foxtrot.
John King Tarpinian knew we wouldn’t want to miss this moderately horrible superhero-inspired pun — Brevity.
(15) MYTHBOOSTER. In the unlikely event somebody thinks Game of Thrones is science fiction rather than fantasy, Live Science’s Charles Q. Choi, in “Is the Ice Wall from ‘Game of Thrones’ Physically Possible?”, summarizes a paper by University of Alaska (Fairbanks) glaciologist Martin Truffer about whether “The Wall” in Game of Thrones could exist. He notes that ice flows over time and the only way to preserve a giant ice wall is to keep it at -40 degrees Fahrenheit to prevent the wall from cracking or deforming.
An owl dangling precariously from a branch has scooped the overall prize of this year’s Comedy Wildlife Photography Awards.
Out of the 3,500 entries, Tibor Kercz won the overall prize with his series of images showing an owl losing its footing and trying to claw its way back on to a branch.
Other entrants included a yawning dormouse, a photobombing sea turtle and a rather shocked seal.
(17) GORMENGHAST. John C. Wright griped about Gormenghast being published as fantasy, and prompted in response this terrific essay on the subject by Tom Simon, “Gormenghast and the Great Tradition”. (Hat tip to Niall McAuley.) At the end of his tour-de-force, Simon says –
In Britain, where genre labels count for less, the books found a permanent following years before anybody troubled to ask whether they were fantasies or not. In America, they were flung on the ash-heap by the strict rules of Modernism as practised by New York publishers, only to be rescued by Lin Carter. They are the very opposite of fairy tales; but they belong to Faërie nonetheless, for no less spacious realm will claim them. What the critics call ‘Realism’ is a small and besieged principality, entirely surrounded by the empire of Fantasy. On one side, the map says ‘Here Be Dragons’; the other side could plausibly be labelled ‘Gormenghast’. But both are provinces of the same boundless country.
That, my dear Mr. Wright, is why Titus Groan and Gormenghast count as fantasy.
Independent, graceful, agile, adorable when they’re small — if cats are where it’s at for you, the Smithsonian’s Sackler Gallery of Asian Art has you covered. Their new exhibition is called Divine Felines, and it features images of cats both big and small from the land that honored them as holy: Egypt.
Ever feel fearful? Or brave? Protective? Aggressive? They had a cat for that in ancient Egypt….
When Uncharted: The Lost Legacy was released this year, it gained a lot of attention – not because it is the latest instalment for a popular franchise, it stood out for another reason.
The game was set in India, had two lead women, and one of them, Nadine Ross, is a black South African.
Other big releases this year include Assassins Creed Origins, which is set in Egypt with an African protagonist, while Star Wars Battlefront II used the likeness and voice of Janina Gavankar, an actress with part-Indian heritage.
But speaking to BBC Asian Network, Jo Twist, chief executive for Ukie, the trading body for the UK’s games industry, said there was still a long way to go before video games could be truly representative of the gaming audience.
(20) ABOUT FINN. Steven Barnes weighs in on “’The Last Jedi’ (2017)” – beware spoilers. (I thought this one mild enough to excerpt.)
I’m also still not happy with the amount of “Jar Jar” DNA in Finn. It is noticeable on a couple of levels, although they did allow his character to expand and grow some. When the very first thing we see with him is him falling out of bed, the first “buffoon laugh” of the film, you have a hill to climb, and they didn’t quite climb it. Finn’s treatment was an “othering” I didn’t appreciate. And if you defend it, you are, frankly, the reason I breathed a sigh of relief when I realized Marvel was seeking a black director for T’Challa’s saga.
To SFWA’s leadership: You can check with all these people listed to verify payment, they are all members of your club. If you try some funky stuff to disqualify me, 10,000+ people who read this blog see it, that’s 5x the amount of members you have. I know you’ll play fair.
I guess we’re all interested to see what happens with that. My sympathy to whoever has to make the decision. I’d say it matters less whether his act is better or worse than other SFWA members’ than if there’s even more damage he could do once he’s inside the tent.
Maybe this is the answer.
I will be recording with a bodycam for anyone who is thinking of hijinx 🙂
My friends Ford and Lisa invited me to their “Nog Salon” this year, and I was thrilled to attend. For you see, Ford and Lisa are practitioners of the mysterious art of aging Eggnog. Yes, aging Eggnog is actually a thing. No, I don’t have a death wish. I was actually very excited to taste their mature Nog side by side with a fresh batch we were going to whip up together.
…But I’ve learned that aging Eggnog—contrary to anyone’s first gut instinct—actually can make it safer. To be clear, I’m not talking about the non-alcoholic cartons you buy in the supermarket but the boozy old-fashioned treat that’s made from scratch. In fact, it’s very important that your recipe contains a sufficient amount of liquor, generally recommended at around 20 percent, since the alcohol is key to killing bacteria.
The sawdust and sequins are laid on thick, the period flashbulbs pop and the champagne flows in The Greatest Showman, yet this ersatz portrait of American big-top tent impresario P.T. Barnum is all smoke and mirrors, no substance. It hammers pedestrian themes of family, friendship and inclusivity while neglecting the fundaments of character and story. First-time director Michael Gracey exposes his roots in commercials and music videos by shaping a movie musical whose references go no further back than Baz Luhrmann. And despite a cast of proven vocalists led with his customary gusto by Hugh Jackman, the interchangeably generic pop songs are so numbingly overproduced they all sound like they’re being performed off-camera.
(24) STARGATE TEASER. The Verge reports —
After releasing a pair ofbehind-the-scenes clips from Stargate: Origins, MGM has unveiled its first teaser for the upcoming digital-only show. While the franchise is known for its interstellar adventures, this prequel looks as though it’s remaining firmly grounded, and taking a bit of inspiration from the likes of Indiana Jones.
[Thanks to JJ, John King Tarpinian, Martin Morse Wooster, IanP, Chip Hitchcock, Andrew Porter, Cat Eldridge, Niall McAuley, Roger Silverstein, Daniel Dern, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Mr Dalliard.]