Sherlock: A Scandal In Belgravia Part One goes on sale September 15. Sherlock meets his match in Irene Adler and has to recover compromising photographs of the royal family. This is Titan Comics’ ongoing manga adaption of the BBC’s seminal Sherlock series with Benedict Cumberbatch and Martin Freeman.
Fresh from confronting Moriarty in the end of The Great Game, Sherlock Holmes (Benedict Cumberbatch) and John Watson (Martin Freeman) are called to save the royal family from blackmail at the hands of Irene Adler (Lara Pulver), a dominatrix known as “The Woman”. Adler pulls Sherlock into a complex web of mysteries involving the CIA and the MOD, with secrets that could threaten to threaten international security and topple the monarchy.
Co-created by Mark Gatiss, an English actor, comedian, screenwriter and novelist. His work includes writing for and acting in the TV series Doctor Who, Sherlock, The League of Gentlemen and Taboo.
Written by Steven Moffat, the Scottish television writer and producer well-known for his work on Doctor Who and Sherlock, who has won BAFTA and Emmy awards.
Manga artist Jay continues to capture both the look and spirit of the original with his amazing, expressive panels, and we present it in the original back-to-front manga format.
Following the jump are some art panels from the issue. The last three pages Titan Comics has shared exclusively with File 770 readers.
(1) ARISIA AGAIN. A second account where someone tells how Arisia unsatisfactorily handled her reported rape — Maura Taylor in “Arisia and #MeToo (TW: Rape)”.
I believe Crystal Huff, in part because a very similar thing happened to me.
Arisia ’15, I was raped. And Arisia did nothing in response…
Nicholas Eames’ freshman novel, Kings of the Wyld, was one of my favorite reads of 2017, a well-written, cleverly observed and often hilariously funny adventure fantasy pastiche that adhered to genre forms while gently poking fun at well-worn tropes and presenting a refreshingly positive and downright heartwarming portrait of non-toxic masculinity in action. So I was pretty hyped to see what Eames would make of this sequel, which showcases a mixed-gender cast from the point of view of a queer teenage girl. Unfortunately, Bloody Rose doesn’t quite rise to the level of excellence of its predecessor, although it’s also by no means a complete failure at the perhaps-too-many things it sets out to accomplish…
While on an episode of the podcast Sitcom Geeks, Moffat revealed that he thinks more money should be spent on ‘Doctor Who’ in order to keep the show competitive. The interviewer made a comment about the ‘Who’ of his childhood, saying:
“My memory of ‘Doctor Who’ is very much a piece of cardboard that he is standing behind.”
To which Moffat replied:
“That’s the big challenge of ‘Doctor Who’ now… running the risk of looking as cheap now as it did then, compared to what the rest of TV is doing, unless they put a whole lot more money into it. And it’s still an inexpensive show. A show that generates as much money as ‘Doctor Who’ should be getting more of it back.”
Yes, a lot of the movie takes place in Halloween Town and main character Jack Skellington is the Pumpkin King, but there are also plenty of Christmas elements once Jack travels to Christmas Town. Is it a Christmas movie that happens to take place around Halloween, or is it a Halloween movie with strong Christmas themes? The debate between which is which has raged on among fans ever since the film’s release in 1993 (in late October, it should be noted), so much so that director Henry Selick finally had to step into the fray.
Click to find out how the director answered the question.
(5) FAST FOOD CONFRONTATION. N.K. Jemisin’s thread starts here.
I walked into the taco place and "the Final Countdown" started playing. Now I really want to fight a climactic battle with someone for these tacos.
HUMANS is a UK science fiction television series that began in 2015. There are three series broadcast thus far. The theme revolves around a modern world in which anthropomorphic androids called ‘synths’ are part of daily life. Synths can be purchased for family/personal use but there are also synths contracted by companies and synths contracted by government health services. HUMANS is an SF drama show-the focus being on how the exists of synths explores human relationships to technology and each other….
…Thomas Veil’s life has been erased. His friends don’t know him and his identity seems to be erased from all record. He figures out that the people responsible for his erasure negatives of a photograph he took of rebels being hanged by US soldiers in South America. Someone wants the negatives to erase all the evidence. Veil believes it’s part of a coverup of government activities. He tries to identify the military unit involved using evidence from the photos, yet, each step takes him deeper into a an ever, menacing conspiracy. He follows a trail of clues with lead him to several other anomalies: one town controlled by subliminal programming; another town in which people are being abducted by UFO’s; yet another town comprised entirely of people who’ve been erased like Tom. Veil himself is often captured, tracked, and subject to further experiments.
Robinson’s little town, crisscrossed by bike paths, is full of artists and scientists. (The guy who works the next garden plot over is a researcher at Monsanto; Robinson says everyone can tell that neighbor secretly threw down some RoundUp to clear a pathway.) Robinson tried to build a perfect ecosystem within the constraints of scientific and political realities. It went wrong. Now, only a polymerization of advanced superscience and hardcore diplomacy will fix it—and ignoring those realities will make things worse.
In other words, Kim Stanley Robinson is living inside a Kim Stanley Robinson novel….
(8) LE GUIN THE POET. David Naimon, who interviewed Ursula K. Le Guin for Ursula K. Le Guin: Conversations on Writing, discusses in “Always Beginning”, a post at the Poetry Foundation website, how Le Guin’s she continued to work on poems throughout her career.
…Despite her formal playfulness, Le Guin’s poems aren’t considered experimental or avant-garde. She wasn’t interested in what was or was not en vogue—formally, stylistically, or otherwise—in contemporary poetry. She found more freedom in the constraints of metrically rhyming verse than in free verse. And there is a way in which Le Guin’s poetry feels, if not out of time, then as if it arises from a longer span of time. I first noticed this elongated perspective, this drawing from a longer timeline of influence, when discussing the craft of writing fiction with her. She cautioned against getting swept up in whatever was in fashion given how many fashions she had seen come and go in publishing, as well as how the commodification of books shapes many of these fashions….
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and JJ.]
Born October 27, 1926 – Takumi Shibano, Teacher, Writer, Editor, and Fan from Japan. He co-founded and edited Uchujin, Japan’s first SF magazine, in 1957. He was a major figure in the establishment of Japanese SFF fandom, and he founded and chaired four of the first six conventions in that country. In 1968 the Trans-Oceanic Fan Fund (TOFF) paid for him to attend a Worldcon for the first time, in the U.S., where he was a Special Guest. He wrote several science fiction novels starting in 1969, but his work translating more than 60 science fiction novels into Japanese was his major contribution to speculative fiction. From 1979 on, he attended most Worldcons and served as the presenter of the Seiun Award. He was Fan Guest of Honor at two Worldcons, in 1996 and at Nippon 2007, he was given the Big Heart Award by English-speaking fandom, and he was presented with a Special Hugo Award and a Special Seiun Award.
Born October 27, 1939 – John Cleese, 79, Oscar-nominated Actor, Writer, and Producer from England whose most famous genre work is undoubtedly in the Hugo finalist Monty Python and the Holy Grail, but who has also appeared many other genre films, including the Saturn-nominated Time Bandits, Mary Shelley’s Frankenstein, The Great Muppet Caper, the live-action version of The Jungle Book, two of the Harry Potter movies, and the remake of The Day the Earth Stood Still – and, surprisingly, in episodes of the TV series The Avengers, Doctor Who, and 3rd Rock from the Sun. And he wrote a DC Elseworlds tale, Superman: True Brit, in which Superman was British. Really. Truly.
Born October 27, 1940 – Patrick Woodroffe, Artist and Illustrator from England, who produced more than 90 covers for SFF books, including works by Zelazny, Heinlein, and GRRM, along with numerous interior illustrations, in the 1970s. He was also commissioned to provide speculative art for record album cover sleeves; his masterwork was The Pentateuch of the Cosmogony: The Birth and Death of a World, a joint project with the symphonic rock musician Dave Greenslade, which purported to be the first five chapters of an alien Book of Genesis, consisting of two music discs by the musician and a 47-page book of Woodroffe’s illustrations. It sold over 50,000 copies in a five-year period, and the illustrations were exhibited at the Brighton UK Worldcon in 1979. Hallelujah Anyway, a collection of his work, was published in 1984, and he was nominated for Chesley and BSFA Awards.
Born October 27, 1948 – James Cosmo, 70, Actor and Producer from Scotland whose most notable recent genre appearance was playing Night’s Watch Commander Mormont in the series Game of Thrones. He had roles in the films Highlander, The Lion, the Witch and the Wardrobe, The Seeker: The Dark Is Rising, Wonder Woman, Doomwatch, Malevolent, Dark Signal, and the short film 2081 (based on Vonnegut’s story “Harrison Bergeron”), as well as roles in TV series such as SS-GG, Terry Pratchett’s The Colour of Magic, UFO, Merlin, and the upcoming His Dark Materials.
Born October 27, 1948 – Bernie Wrightson, Artist and Illustrator, whose credits include dozens of comic books and fiction book covers, and more than hundred interior illustrations, as well as a number of accompanying works of short fiction. His first comic book story, “The Man Who Murdered Himself” appeared in the House of Mystery No. 179 in 1969. With writer Len Wein, he later co-created the muck creature Swamp Thing in House of Secrets No. 92. In the 70s, he spent seven years drawing approximately fifty detailed pen-and-ink illustrations to accompany an edition of Frankenstein. And in the 80s, he did a number of collaborations with Stephen King, including the comic book adaptation of that author’s horror film Creepshow. In 2012, he collaborated with Steve Niles on Frankenstein Alive, Alive! for which he won a National Cartoonists Society’s award. He was Guest of Honor at numerous conventions, was honored with an Inkwell Special Recognition Award for his 45-year comics art career, and received nominations for Chesley Awards for Superior and Lifetime Artistic Achievement and for a Stoker Award for Superior Achievement in an Illustrated Narrative.
Born October 27, 1953 – Robert Picardo, 65, Actor and Writer who played the Emergency Medical Hologram on 170 episodes of the Saturn-winning Star Trek: Voyager, a role which he reprised in cameos in the film Star Trek: First Contact and episodes of Deep Space Nine and the fan series Star Trek: Renegades. He is also credited with writing a Voyager tie-in work, The Hologram’s Handbook. He has a long list of other genre credits, including the films The Man Who Fell to Earth, Total Recall, Innerspace, Legend, Amazon Women on the Moon, and Gremlins 2 (for which he received a Saturn nomination to match the one he received for Voyager), and recurring roles in the TV series Stargate SG-1, Stargate Atlantis, Smallville, and Sabrina, the Teenage Witch. Since 1999 he has been a member of the Advisory Board, and now the Board of Directors, of The Planetary Society, which was founded by Carl Sagan to provide research, public outreach, and political advocacy for engineering projects related to astronomy, planetary science, and space exploration.
Born October 27, 1970 – Jonathan Stroud, 48, Writer from England who produces speculative genre literature for children and young adults. The Bartimaeus Trilogy is set in an alternate London, and involves a thousand-year-old djinn; Lockwood & Co. is a series involving ghost hunters in another alternative London. I’ve read a few of the latter – they’re fun, fast reads. His works have won 3 Mythopoeic Awards for Children’s Literature and 3 Prix Imaginaires for Youth Novels.
In case you have been living under a rock or moved on to newer programs, like The Outer Limits, The Twilight Zone returned to television for a fifth season. The series has also returned to a half-hour format and is once again airing on Friday nights. Back in May, I wrote that I hoped the program would be renewed for at least another season, because I just could not bear the thought of a once great series ending its run with an episode like The Bard. Well, it seems as if the television gods must have been listening because my wish has come true. If you have not been tuning in consistently for the past month, here is what you may have missed:
Suspiria, Luca Guadagnino’s reimagining of Dario Argento’s gnarly Italian cult film about a haunted dance academy in Germany, is vulgar, shamelessly pretentious, and frequently opaque. But enough about its virtues.
Set in 1977, the year Argento unleashed Suspiria Prime upon the world, this “cover version” (in the words of Guadagnino’s longtime collaborator Tilda Swinton, who plays three of the new film’s major roles, under varying tonnages of prosthetic makeup) is, tonally and visually, muted and somber where its inspiration was vibrant and operatic. A title card at the opening warns us that it comprises “Six Acts and an Epilogue in a Divided Berlin,” and sure enough, this Suspiria, at 152 minutes, runs just shy of an hour longer than Argento’s. Even without those title cards at the top of each act, you would. Notice. The. Time.
She has found her niche within the community, but only through trial and error.
“It’s still brand new to all of us,” she says.
“I have a line of cosplay accessories that I designed back in the early 2000s. I have been selling online as well as at conventions as a vendor or exhibitor.
“People saw me at conventions for years, and this was how I built my name and brand recognition.
“I did all of this without knowing what I was doing. I just wanted to live at cons [conventions].
FilmStruck, for the sadly uninitiated, is a service that allowed you to stream thousands of old movies and documentaries for less than the price of Netflix. For old movie lovers, this was an absolute boon; between the catalogs of Warner Bros., Turner, and Criterion, FilmStruck had the largest library of early films available to a mass audience. There are movies on the service that are virtually impossible for the public to view any other way—no VHS release, no readily available spools of film, and only the slightest chance of a screening on TCM.
Comprising three books (Infomocracy, Null States and State Tectonics), the Centenal Cycle examines a near future world with a radical form of global democracy. With most of the globe carved up into roughly equal population sized mini-states, Older’s thought-experiment novels takes the ‘marketplace of ideas’ seriously with a world where people might move a few blocks in a big city to change their government. The grout in the tiles of worldwide micro-democracy is information and Information. The latter is an organisation that is a cross between a nationalised Google, a surveillance state, a non-partisan civil service, the ‘deep state’ and a benevolent version of a Wikipedia of everything….
I’m looking today at a timely volume from Abaddon books, which explores the mythology two centuries on through a new set of stories edited by David Thomas Moore. Creatures: The Legacy of Frankenstein is a collection of five long novelettes and/or short novellas exploring the legacy of Victor Frankenstein and his creation through a series of shared universe stories, dealing with other creators in other situations, all of which circle the same themes of life, death, autonomy and monstrosity that the original text evokes so effectively.
…Put together, this is a very strong collection: what the stories as a whole lack in inter-relatedness and consistency, they make up for in terms of the sheer breadth of the Frankenstein experience that they cover between them.
Interested in some neat The Last Unicorn themed product that’s been personally endorsed by Peter and benefits him as well? Well do I have a very sweet deal for you!
Peter says to tell mr to share code UNICORN10 with you which will grant you 10% off of all TheLastUnicorn nail wraps and you can go here to view all neat designs you can purchase.
It’s 1918, there’s been a death in the family and you are invited to the funeral. Will you cry? What will you wear? Will you attempt to contact the dearly departed?
Get the answers as you join the funeral party and see how Edwardians grieved their dead at Heritage Square Museum’s popular Mourning Tours from noon – 4pm on October 27 and 28, 2018. Throughout the weekend, funeral-goers will be immersed in mourning etiquette, participate in a reenactment ceremony inside a historic home and other activities including:
The year is 1918 and that means the Spanish Flu is wreaking havoc! Will you defy the gathering bans to attend the funeral? Or, if you are deemed “sick,” what will you discover as you are escorted into a flu-ridden home?
Learn about the turn-of-the-century movement of Spiritualism and the lure of séances complete with a reenactment and a discussion on the “tricks of the trade.”
Experience a re-creation of Phantasmagoria, a phenomenon that shocked and exhilarated its Victorian audiences.
Researchers are ramping up plans for living on the Moon.
Next year, astronaut Matthias Maurer expects to walk on the surface of the Moon — but without the hassles of a rocket flight, zero-gravity nausea and a risky landing. Instead he’ll stroll close to home in a leafy meadow near Cologne, Germany, which is set to host the largest Moon mock-up ever made. On a pit of artificial lunar dust covering more than 1,000 square metres, Maurer and other scientists will be attached to crane-and-pulley systems that allow them to leap as if experiencing the Moon’s weaker gravity, and work under adjustable lamps that simulate lighting at different lunar sites. Sometimes, they will retreat to lunar-style living quarters: an airlock-connected module the size of a shipping container.
…We also know what happens with the other characters in the other rumored projects: Boba Fett gets eaten by a Sarlacc in Return of the Jedi, and Obi-Wan Kenobi bites it after helping a terrorism suspect escape from a secure facility in A New Hope. These backstory movies flesh out the larger world of Star Wars, but they’re not advancing the larger story or advancing toward the kind of ending that builds anticipation and story loyalty.
This isn’t to say that prequel stories can’t be useful or interesting. Lucasfilm’s animated TV shows have done solid work in looking at older time periods in the franchise and telling intriguing, engaging, successful stories…
[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Mike Kennedy Carl Slaughter, Chip Hitchcock, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jayn.]
We’ve all left a book unfinished in our time. And honestly, I get it. Forcing yourself to slog through a book you don’t like is a pretty pointless endeavor. Reading should be fun, not a joyless exercise in seeming smart/trendy/interesting. But if you have it in your heart, some of these oft-abandoned books are actually worth giving a second (or third) chance:
1 The Casual Vacancy, J.K. Rowling
2 Catch-22, Joseph Heller
3 A Game of Thrones, George R.R. Martin
4 American Gods, Neil Gaiman
5 The Book Thief, Markus Zusak
6 Fifty Shades of Grey, E.L. James
7 Outlander, Diana Gabaldon
8 The Goldfinch, Donna Tartt
9 Jonathan Strange & Mr Norrell, Susanna Clarke
10 Wolf Hall, Hilary Mantel
11 Infinite Jest, David Foster Wallace
12 Wicked: The Life and Times of the Wicked Witch of the West, Gregory Maguire
13 One Hundred Years of Solitude, Gabriel García Márquez
14 Eat, Pray, Love, Elizabeth Gilbert
15 The Girl with the Dragon Tattoo, Stieg Larsson
Jeff Farley‘s love letter to Ray Bradbury will soon be on Bill Oberst Jr.‘s face. Special effects makeup artist and Primetime Emmy Award Nominee Farley has just completed the sculpt for Oberst’s prosthetic transformation into Bradbury in the authorized stage portrayal of the beloved author, Ray Bradbury Live (forever.)
“This project is the culmination of four decades of professional experience, and the most exciting of my career,” Farley said. “I am proud to help my friend bring his vision to life. Bill says I’m his Dick Smith and he’s my Hal Holbrook. We laugh, but that really is the level of illusion we’re aiming for.” Smith’s prosthetics for Holbrook’s Mark Twain Tonight broke new SFX ground in 1967. For his part, Oberst says he’s “ecstatic” about what Farley (whose resume stretches from BABYLON 5, WOLF and Demolition Man to Quarry, Pod and Imitation Girl) is creating. “Jeff is a bit of a recluse and he’s very selective,” said Oberst “so I’m over the moon to have him crafting this illusion.”
(5) ONCE MORE INTO THE LIFEBOAT DEAR FRIENDS. Slightly better than cancelled, not nearly as good as rescued or renewed — “NBC Sets ‘Timeless’ Two-Part Series Finale” reports Variety.
NBC will bring back “Timeless” for a special two-part series finale, the network confirmed Tuesday.
“We’re excited to tell one final chapter to this incredible story,” said Lisa Katz, co-president, scripted programming, NBC Entertainment. “A huge thank you to all — our cast, crew, producers and partners at Sony – who have worked so very hard, and to the fans who kept us on our toes and made sure we did our very best week after week.”
In June, NBC canceled the time travel drama from Sony Pictures Television and executive producers Shawn Ryan and Eric Kripke after two seasons. It was the second cancellation for “Timeless.” NBC had canceled the series after its first season, only to bring it back a few days later after Sony agreed to hand over a 50% stake in the show to NBC’s sister studio Universal Television.
(6) CURE FOR THE SUMMERTIME BLUES. Or at least a treatment for the symptoms. Jason, at Featured Futures, has condensed the month’s offerings down to a short list of cool stories in “Summation: July 2018”.
Here are the fifteen noted stories (four recommended) from the 92 stories of 503 Kwds I read from the July issues along with links to all their reviews and the other July posts on Featured Futures. This month’s wombat was a remarkable number of mostly print SF honorable mentions while all the few other items (except an excellent F&SF dark fantasy) came from the web.
(7) 2019 WORLDCON PROGRAM. Dublin 2019 has a form online where people can “Request to be a Programme Participant”. There’s more than one good reason to fill it out.
European data protection rules severely restrict the amount of information that entities can share with others, even those that hosted the previous event. You should assume that the 2019 Worldcon is starting with zero information about program participants, even if you were on program in Helsinki in 2017 or will be on program in San Jose in 2018. Contact Dublin if you’re interested in being on programming, and don’t assume that “of course they’ll just start with last year’s list” or “with the last European Worldcon’s list,” because legally, they can’t do that.
(8) LOOK OUT BELOW! What happens to the International Space Station when it can’t be maintained in orbit any more? It crashes, just like every other piece of hardware in low Earth orbit. Popular Mechanics takes a look at the status of plans to do this safely (hint: the plans are not nearly as well-developed as they should be; “Death Star: The ISS Doesn’t Have a Way to Crash Safely”).
As the debate over what to do with the International Space Station heats up, with a new NASA report casting doubt over the plans to commercialize it by 2025, the ultimate outcome could be its intentional crash landing into the Earth. But even that contingency is lacking, according to NASA Inspector General.
“At some future date NASA will need to decommission and deorbit the ISS either in response to an emergency or at the end of its useful life,” the report says. “However, the Agency currently does not have the capability to ensure the ISS will reenter the Earth’s atmosphere and land in a targeted location in the South Pacific Ocean.”
NASA, to its credit, has started the work. However, even the most preliminary steps are snarled up in diplomacy with the Russian space agency. The Inspector General says that in January 2017, NASA completed a draft plan but “this plan has not been finalized and is pending review by Roscosmos.”
(9) TODAY’S BIRTHDAYS.
Born July 31 – France Nuyen, 79. In the original Outer Limits, Star Trek and Fantasy Island series, also Battle for the Planet of the Apes and The Six Million Dollar Man series.
Born July 31 – Geraldine Chaplin, 74. Dinotopia and Jurassic World: Fallen Kingdom, Gulliver’s Travels and a vampire series called BloodRayne.
Born July 31 – Michael Biehn, 62. Best known in films directed by James Cameron; as Sgt. Kyle Reese in The Terminator and Terminator 2: Judgment Day, Cpl. Dwayne Hicks in Aliens and Lt. Coffey in The Abyss; also in Logan’s Run, Timebomb, Asteroid, Clockstoppersand The Scorpion King 4: Quest for Power.
Born July 31 – Wesley Snipes, 56. Genre roles include Demolition Man, the original Blade films, as an alien abducting humans in The Recall film, and a Mayan God in The Chronicles of the Mayan Tunnel.
Born July 31 – J. K. Rowling, 53. Harry Potter books and films, some other decidedly not genre work
Born July 31 – Annie Parisse, 43. Regular cast on the Person Of Interest series, also The First, a Mars mission series and NYPD 2069.
Born July 31 – Zelda Williams, 29. Daughter of Robin Williams, she’s been in genre work such as the Dark/Web series, plus voice work in the current Teenage Mutant Ninja Turtles and The Legend of Korra, also roles in Stitchers and Teen Wolf.
(11) TOLKIEN AND LUCAS ON A DIET. Actor Topher Grace has taken to the editing suite and has taken a scalpel (or dwarven ax?) to the Hobbit trilogy—trimming the whole thing to a svelte two hours (IndieWire: “Topher Grace Recut ‘The Hobbit’ Trilogy as a 2-Hour Movie to Clear His Head After Playing David Duke”). Grace speaks of his reaction to playing David Duke in the upcoming BlacKkKlansman (Spike Lee) and having his wife give birth during the production of that movie:
“I was so depressed.[…] I was probably a terrible husband at the time. It was so disturbing to go home and turn on the news to see how his ideology was affecting us at the moment.”
Some people might have sought catharsis in a long vacation. Grace found a more unconventional outlet: Reediting Peter Jackson’s “The Hobbit” trilogy into a single movie.
Grace had previously recut the three prequel Star Wars movies into a combined 85-minute version he called Star Wars: Episode III.5: The Editor Strikes Back that was “for industry insiders before it disappeared from the internet” (SYFY Wire: “The Hobbit trilogy gets a new two-hour cut thanks to actor Topher Grace”). The IndieWire story continues:
While hardly the first fan edit of “The Hobbit,” Grace’s version may be one of the most palatable. One widely circulated fan edit in 2015, “The Tolkien Edit,” ran four hours long. Grace said he managed to reduce the entire trilogy to two hours, and felt that it was “a lot tighter.” (A Reddit forum actually predicted that Grace would tackle this project years ago.) “I don’t know what other guys do. Go fishing? For me, this is just a great way to relax,” the actor said. “There’s something really zen about it.”
HBO has won the bidding war for a TV adaptation of Audrey Niffenegger’s The Time Traveler’s Wife, from former Doctor Who showrunner and Sherlock creator Steven Moffat. Other outlets, including Amazon Studios, were in the running to acquire the series about Henry DeTamble and Clare Abshire’s nonlinear love story, according to Deadline.
The official logline from HBO is slightly tongue-in-cheek for a novel about Henry, a time traveler and librarian whose Chrono-Displacement Disorder drops him in and out of time, and artist Clare, who first meets Henry as a child and who spends the rest of her life encountering him at different ages as she progresses through time linearly…
“I read Audrey Niffenegger’s The Time Traveler’s Wife many years ago, and I fell in love with it,” Moffat said in the official announcement. “In fact, I wrote a Doctor Who episode called ‘The Girl In The Fireplace’ as a direct response to it. When, in her next novel, Audrey had a character watching that very episode, I realised she was probably on to me. All these years later, the chance to adapt the novel itself, is a dream come true. The brave new world of long form television is now ready for this kind of depth and complexity. It’s a story of happy ever after?—?but not necessarily in that order.”
(13) OUTREACH. It’s not up to Gil Hamilton’s standard, but SingularityHub (“This Mind-Controlled Robotic Limb Lets You Multitask With Three Arms”) reports on a new brain-machine interface (BMI) that “only requires an electrode cap” and can control a third arm while you still use your biological two. The original paper (“BMI control of a third arm for multitasking”) is available at Science Robotics (a publication of the American Association for the Advancement of Science) for AAAS members or those willing to pony up to get past their paywall. Meanwhile, at SingularityHub:
To crack the problem, [Shuichi] Nichio and colleague Christian Penaloza recruited 15 volunteers and outfitted them with a prosthetic arm and a brain-wave-reading cap.
…The participants were asked to sit in a chair mounted with a robotic arm, strategically placed in a location that makes them feel like it’s part of their body. To start off, each participant was asked to balance a ball on a board using their own arms while wearing an electrode cap, which picks up the electrical activity from the brain.
Next, the volunteers turned their attention to the robotic arm. Sitting in the same chair, they practiced imagining picking up a bottle using the prosthesis while having their brain activity patterns recorded. A nearby computer learned to decipher this intent, and instructed the robotic arm to act accordingly.
Then came the fun part: the volunteers were asked to perform both actions simultaneously: balancing the ball with natural arms, and grasping the bottle with the robotic one. Eight out of the 15 participants successfully performed both actions; overall, the group managed cyborg multitasking roughly three quarters of the time.
At last we come to what you all will probably (as I did) turn to first: the conclusion to the second novel in the Deathworld series. When last we left Jason dinAlt, interstellar gambler and lately resident of the dangerous world of Pyrrus, he had been enslaved by the D’sertanoj of a nearby primitive planet. These desert-dwellers know how to mine petroleum, which they trade to the people of the country, Appsala, in exchange for caroj — steam powered battle wagons. When dinAlt reveals that he can produce caroj himself, he is promoted to “employee” status and given run of the place. He eventually escapes with his native companion, Ijale, as well as the obnoxiously moralistic Micah, who kidnapped dinAlt in the first place. Adventures ensue.
The original Deathworld was a minor masterpiece, a parable about letting go of destructive hatred, suffused with a message on the importance of environmentalism. It was also a cracking good read. This new piece is just a yarn, one almost as clunky as the caroj dinAlt works on. The theme is that universal morality is anything but, and ethics must be tailored to the society for which they are developed.
(15) SOLAR PROBE. NPR studies how NASA’s probe will keep from being burnt to a crisp: “Building A Probe That Will Survive A Trip To The Sun” — lightweight video with little discussion of the topic, but cool pictures of the probe being fitted out.
This summer, NASA’s Parker Solar Probe will embark on a mission to “touch the sun.”
“Touch” might be a bit of an overstatement — the probe will actually pass 3.8 million miles from the sun’s surface. Its primary job is to learn more about the outer atmosphere of the sun, called the corona. Many things about the corona remain a mystery. For example, scientists still aren’t sure why the corona of the sun is hotter than its surface. The probe will take a series of images and measurements to figure out how energy and heat move through the corona.
It’s been a week and a half since AVC Coventions‘s Bossier City, LA based SBC Anime Festival closed its doors for 2018, and you’d be forgiven for not even knowing it happened. The reason for this is that apparently no one knew it was.
Okay, so maybe that’s an exaggeration, but very few knew about it at least.
Needless to say, vendors and artists present weren’t exactly happy about spending their weekend in an empty hall. One of those vendors was artist K.F. Golden, who decided to detail their experience on Tumblr.
You should read the post in its entirety, but the gist of it is that very few people attended the convention. K.F. Golden took some pictures of the empty dealer hall, and it seems like no one knew the con was happening.
…The point is that when your event doesn’t do well, you still need to be able to talk to a vendor politely. This is basic customer service, and do not mistake me — when you are running a convention, vendors and artist are customers. If what K.F. Golden alleges is true, I would be hesitant to vend at any of AVC Conventions‘s other events.
While I love fantasy novels like The Poppy War, Kuang’s story has taken a special slot on my shelf because, as a millennial, I connected to the novel on a generational level. No, Kuang did not include avocado toast. From the voice to history to worldbuilding, the novel captured how I so often feel as a millennial. While the USA school testing systems are vastly different than Chinese systems, I remember the pressure of the SATs and GREs–and the relief at performing well. Like Rin, millennials grew up in the shadow of a terrorist attack and hearing the propaganda surrounding a war. Due to income inequality, those millennials that made it into “the good schools” found a cultural gap caused by wealth. Like Kuang’s worldbuilding around opium and other hallucinogens, so many millennials have watched their hometowns and families destroyed by opioids while simultaneously voting for the legalization of marijuana. These issues have marked the millennial generation, and Kuang captures them on the page.
(19) DISNEYLAND ICONS FOR SALE. Rachael Leone Shawfelt, in the Yahoo! Entertainment story “Rare Trove of Disneyland memorabilia Going Up For Auction–Here’s Your Sneak Peek” says RIchard Kraft is putting his collection of Disneyland memorabilia up for auction, including original rides from Dumbo the Flying Elephant and Mr. Toad’s Wild Ride as well as a Swiss Family Treehouse organ.
Kraft’s treasures will be on display for the public in a free exhibition called “That’s From Disneyland!,” from Aug. 1 to Aug. 26, in Sherman Oaks, Calif. The items are arranged according to their former location in the park; for example, a piece of the Dumbo ride is close to rare Snow White dolls. Original maps of the park hang on the wall above a miniature re-creation of the park.
(20) MANIFEST. Trailer for the new series —
An airplane disappeared, and its passengers were presumed dead until they returned, unscathed, five years later. Manifest is coming to NBC on Mondays this fall.
[Thanks to Giant Panda, Chip Hitchcock, JJ, John King Tarpinian, Cat Eldridge, Martin Morse Wooster, Mike Kennedy, Iphinome, Nicholas Whyte, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]
HarperCollins UK announced today that it would publish The Fall of Gondolin, J.R.R. Tolkien’s tale documenting the rise of a great but hidden Elven kingdom and its terrible fall, for the first time as a standalone edition. Edited by Christopher Tolkien using the same “history in sequence” mode that he did for 2017’s standalone edition of Beren and Lúthien, and illustrated by Alan Lee, this edition will collect multiple versions of the story together for the first time.
Tolkien has called this story, which he first began writing in 1917, “the first real story of this imaginary world”; i.e., it was one of the first tales to be put to paper. The only complete version of The Fall of Gondolin was published posthumously in The Book of Lost Tales; however, different compressed versions appeared in both The Silmarillion and the collection Unfinished Tales of Númenor and Middle-earth.
(2) POTTER ANNIVERSARY COVERS. Gwynne Watkins, in the Yahoo! Entertainment story “Accio ‘Harry Potter’ covers: See the dazzling new 20th anniversary artwork”, says the Harry Potter books are coming out with new covers by Brian Selznick, author of The Invention of Hugo Cabret (which was the basis for the movie Hugo). See all the covers at the link.
Do your well-worn Harry Potter books need a new look for spring? In honor of the 20th anniversary of the U.S. publication of Harry Potter and the Sorcerer’s Stone, Scholastic is releasing new paperback editions of J.K. Rowling‘s entire series, featuring gorgeous cover art by Brian Selznick. When the seven books are placed side by side, the intricate black-and-white illustrations form a single piece of art chronicling Harry’s adventures. Scroll down to see the covers, which are full of tiny details for readers to discover. (Can you spot the Hogwarts Express? How about Harry’s Patronus?)
(3) ABOUT THE SIMPSONS’ APU. The Simpsons creators can’t figure out how something people laughed at in the past became “politically incorrect.” (And isn’t that term always a signal flare preceding a complete lack of empathy…) Entertainment Weekly’s Dana Schwartz discusses “Why The Simpsons’ response to the Apu controversy was so heartbreaking: Essay”.
…In 2017, comedian Hari Kondabolu wrote and starred in a documentary called The Problem with Apu in which he examined the cultural significance of The Simpsons character Apu Nahasapeemapetilon, the Kwik-E-Mart owner, who speaks with a heavy, stereotypical Indian accent and is voiced by Hank Azaria, a white man.
The scene began with Marge reading a bedtime story to Lisa that had been neutered with social justice buzzwords. “What am I supposed to do?” Marge asks when Lisa complains.
“It’s hard to say,” says Lisa, breaking the fourth wall and looking directly at the camera. A photo of Apu on the nightstand helped make it very clear they were no longer talking about the fictional bedtime story. “Something that started decades ago and was applauded and inoffensive is now politically incorrect. What can you do?”
“Some things will be dealt with at a later date,” says Marge, also to the camera.
“—If it all,” Lisa concludes.
There’s something about the response that came across as not only tasteless but viscerally unsatisfying. In his documentary, Kondabolu initiated the complex conversation about what it meant to have a white actor voicing an Indian character (with a heavy, caricatured accent) during a time when there was little or no Indian representation in the media.
The Simpsons on-air response reveals that the minds behind the long-running animated series either entirely failed to grasp Kondabolu’s point or (perhaps, unfortunately, more likely) they were completely indifferent to it.
(4) VAST GALLERY OF SFF ART. Enjoy TheVaultofRetroSciFi — Lots and lots of SF images, from all sorts of media.
(5) PARANORMAL ROMANCE. Mad Genius Club’s Amanda S. Green explains why it’s hard to “Know Your Genre – Paranormal Romance”. She disagrees with the definitions posted on some of the leading sites.
…So why the confusion about what a PNR is when checking the RITA nominees?
Simply put, that confusion rests solely with RWA. A quick check of their website shows this definition for paranormal romance: “Romance novels in which fantasy worlds or paranormal or science fiction elements are an integral part of the plot.” See, there it is. Science fiction elements.
This definition might have worked several years ago, before there was an increase in the number of science fiction romance titles. Now, it only confuses the issue and muddies the waters when it comes to readers and booksellers. “Paranormal” doesn’t send most readers into the realm of sf, no way and no how. Yet, for RWA’s purposes, science fiction romance mixes and melds with PNR.
Is this the only definition? Far from it. One site defines PNR this way, “For a novel to be a Paranormal Romance, a simple thing must occur: love must begin between a human and a supernatural being (whether wholly supernatural or partially, just as long as there are supernatural elements present)”
Another site has this to say: “Most people hear the words ‘Paranormal Romance’ and visions of sparkly vamps and bare-chested wares seeking virginal human mates spring like crack-addicted leprechauns from the recesses of their minds. While these have certainly been the topic of many a novel **cough** Twilight **cough**, there are so many more topics joining the ranks of Paranormal Romance today. Among them: Shapeshifters—half-human, half-animal beings with the ability to transmute between forms on cue, Angels, Demons, Nephilim, Egyptian Gods and Goddesses, Ancient Greek mythology, and even the occasional Ghost or Alien thrown in for good measure. And I would be amiss in not mentioning the perennial time-traveling, kilt-wearing highlander with the rippling biceps and the heart of gold. His broadsword isn’t the only steely thing about him, if you know what I mean.” Where I have a dispute with the site and its definitions is when it say UF is a sub-genre of PNR. Nope, totally different.
(6) THE WASTELAND. The trailer for Future World has dropped:
In a post-apocalyptic world, where water and gasoline have long since dried-up, a prince from the oasis (one of the last known safe-havens) must venture out to find medicine for the ailing queen (Lucy Liu), but along the way he gets mixed up with the warlord (James Franco) and his robot Ash (Suki Waterhouse), which leads to a daring journey through the desolate wastelands.
In a competitive situation, Apple has nabbed a TV series adaptation of Foundation, the seminal Isaac Asimov science fiction novel trilogy. The project, from Skydance Television, has been put in development for straight-to-series consideration. Deadline revealed last June that Skydance had made a deal with the Asimov estate and that David S. Goyer and Josh Friedman were cracking the code on a sprawling series based on the books that informed Star Wars and many other sci-fi films and TV series. Goyer and Friedman will be executive producers and showrunners. Skydance’s David Ellison, Dana Goldberg and Marcy Ross also will executive produce….
The project shows a different level of ambition for Apple’s worldwide video programming team led by Jamie Erlicht and Zack Van Amburg. In November, they set their first scripted series, a morning show drama executive produced by and starring Jennifer Aniston and Reese Witherspoon, with a two-season, straight-to-series order. Apple also has given straight-to-series orders to Amazing Stories, a re-imagining of the anthology from Steven Spielberg, a Ronald D. Moore space drama, a Damien Chazelle series, a comedy starring Kristin Wiig, world-building drama See from Steven Knight and Francis Lawrence, as well as an M. Night Shyamalan psychological thriller.
(8) TWO BUTLER FANS SEEK FUNDS TO ATTEND WORLDCON. Alex Jennings asks “Help Me and Amanda Emily Smith Get to Worldcon 76” via a YouCaring fundraiser. To date people have chipped in $285 of their $2,500 goal.
Last year, Amanda and I both submitted letters to be published in Luminescent Threads: Connections to Octavia Butler. Octavia was a huge influence on both of us, and Amanda and I had met her separately before her death.
Both our letters were accepted for publication, and we were so pleased to be a part of such a wonderful project. This event was even more of a milestone for Amanda as this was her first professional sale in the science fiction field.
On April 2, the official announcement came down that Letters to Octavia has been chosen as a finalist for the Hugo Award in the category of Related Work! We literally jumped for joy. Honoring one of our greatest influences had lifted us up, as well!
The Hugo Awards are basically the Oscars of Science Fiction. Both Amanda and I have dreamed of attending Worldcon and the Hugo Awards all our lives, but we’ve never been able to before. Now that a book we are both in is a finalist, we feel we must get to Worldcon 76 in San Jose by any means necessary.
(9) TODAY IN HISTORY
April 10, 1953 — Feature length, full color, 3-D movie premiered: House of Wax starring Vincent Price.
Langford may be best known as the holder of twenty-one Hugo Awards for Best Fan Writer, including an unprecedented nineteen year winning streak. During that time he also won six Hugo Awards for Best Fanzine for Ansible and a Best Short Story Hugo for “Different Kinds of Darkness.” In 2012, he won his 29th and most recent Hugo for Best Related Work for The Encyclopedia of Science Fiction, Third Edition, edited with John Clute, Peter Nicholls, and Graham Sleight. Langford has tied with Charles N. Brown for the most Hugo Awards won.
(12) SOCIETY PAGES. Liz Bourke, Sleeping With Monsters columnist and 2018 Hugo nominee, announced the good news earlier this month:
My amazing girlfriend @fccuffe has asked me to marry her. Obviously I said HELL YES MARRY ME BACK PLEASE. We exchanged engagement pens like utter nerd-geek-dorks. I am deliriously happy. I hope to make her deliriously happy too. pic.twitter.com/9OeySPQxOp
(13) READY FOR HIS CLOSEUP. Neil Gaiman will appear on The Big Bang Theory this month. He’s guested on various TV series over the years, sometimes as an animated character, but this will be live action.
Mark your calendars! On the April 19 episode of The #BigBangTheory, special guest star @neilhimself will put Stuart's comic book store on the map, and (spoiler alert!) Sheldon won't like it. pic.twitter.com/OGkxYjDKIR
— The Big Bang Theory (@bigbangtheory) April 5, 2018
It’s kind of pathetic there are people tweeting responses that they never heard of him. Who cares?
One of the biggest tasks an anniversary special has is to balance fan service with a story that can stand on its own merits. Among the many ways ‘The Day of the Doctor’ accomplished this rare feat was to feature appearances by multiple incarnations of the Doctor. Though only three were really sharing the spotlight, every version of the beloved Time Lord made at least a brief appearance, mostly through the use of archival footage. On top of this, Steven Moffat even took the opportunity to introduce a new incarnation in the form of the War Doctor, unforgettably brought to life by John Hurt.
And now he’s done it again.
In the newly released novelization of the fiftieth anniversary special, Steven Moffat has slyly worked Peter Cushing’s version of the Doctor into the series’ continuity
The bust of Yuri Gagarin was ordered by the city council last year, and was put up on a street that bears his name, the Blic news website reports.
But its appearance – a tiny bust on top of a tall plinth – has been met by a hugely negative reaction, the paper says.
“The only way you can see it clearly is to launch yourself into the sky,” the Noizz website says. “While this is somewhat symbolic,” adds writer Ivana Stojanov, “there’s certainly no common sense on show”.
…Of course, as a Facebook video, it’s highly unlikely that anyone will really end up watching this. Which really does beg the question: if you uncancel a show no one knows was cancelled, did anything really happen at all? Because right now, most people have no idea.
Update 4/10, 12:00pm: In a strange series of events, Cherry City Comic Con has now been uncancelled. The announcement was made, again, with a Facebook video…
Of course, as a Facebook video, it’s highly unlikely that anyone will really end up watching this. Which really does beg the question: if you uncancel a show no one knows was cancelled, did anything really happen at all?
Continuing the newer tradition of coming out with fairly thematically linked issues, Flash Fiction Onlinepresents an April full of fools. Or maybe fooling. Also aliens. Yup, all three stories feature alien beings, and in most of them there’s also a vein of something…well, of someone pulling one over on someone else. Maybe it’s an actress tricking an alien monster to spare Earth, or a group of alien agents trying to set up first contact on the sly, or even the own paranoid post-drunken-weekend-in-Vegas thoughts of a man who might have just married an extraterrestrial. In any case, the stories are largely bright and fun, even when they brush against planet eating and possible invasion. So without further delay, to the reviews!
(19) ALL KNOWN BRITISH SFF. At THEN, Rob Hansen’s British fanhistory site, you can find scans of a 1937 British SF Bibliography. Once upon a time, the literary universe was a smaller place.
Edited by Douglas W. F. Mayer for the Science Fiction Association and dated August 1937, this was one of the earliest bibliographies to be produced by fandom and contains many titles that would be unfamiliar to a modern reader. A mimeographed publication, it was printed in purple-blue ink, had a soft card wraparound cover, and was stitch-bound. The particular copy scanned for this site includes its unknown previous owner’s checkmarks against many entries.
This is a list of books, only. However, it’s still an interesting coincidence that Mayer himself edited Amateur Science Stories #2, where Arthur C. Clarke’s first published story appeared in December 1937.
Sea reptiles the size of whales swam off the English coast while dinosaurs walked the land, according to a new fossil discovery.
The jaw bone, found on a Somerset beach, is giving clues to the ”last of the giants” that roamed the oceans 205 million years ago.
The one-metre-long bone came from the mouth of a huge predatory ichthyosaur.
The creature would have been one of the largest ever known, behind only blue whales and dinosaurs, say scientists.
(21) SUMMER MUNCH. The Meg is slated for release on August 10, 2018.
In the film, a deep-sea submersible—part of an international undersea observation program—has been attacked by a massive creature, previously thought to be extinct, and now lies disabled at the bottom of the deepest trench in the Pacific…with its crew trapped inside. With time running out, expert deep sea rescue diver Jonas Taylor (Jason Statham) is recruited by a visionary Chinese oceanographer (Winston Chao), against the wishes of his daughter Suyin (Li Bingbing), to save the crew—and the ocean itself—from this unstoppable threat: a pre-historic 75-foot-long shark known as the Megalodon. What no one could have imagined is that, years before, Taylor had encountered this same terrifying creature. Now, teamed with Suyin, he must confront his fears and risk his own life to save everyone trapped below…bringing him face to face once more with the greatest and largest predator of all time.
(22) AND DON’T FORGET THESE SHARKES. The Shadow Clarke jury’s Nick Hubble picked six books on the submissions list to review, and tells why in this post.
My criteria for the selection of these six titles this year – none of which I have read – was not what I think might be in contention or even necessarily what I think I will personally rate. Instead, I have chosen a range of books that I hope will enable some sort of literary critical discussion of the field as a whole in 2018 (although clearly this remains an entirely subjective choice on my behalf). Therefore, I have tried to mix first-time authors with established novelists, sequels with standalone works, and genre and mainstream literary texts; but I have married this with a practical policy of also choosing books that took my fancy for whatever reason.
I was also trying to pick a set of choices similar to the that offered by this year’s shortlist for the BSFA Award for best novel: Nina Allan’s The Rift, Anne Charnock’s Dreams Before the Start of Time,? Mohsin Hamid’s Exit West, and Ann Leckie’s Provenance?. I thought this was a good list because there were different types of novels, all of which I enjoyed (and because I have read them, I have excluded them from my Clarke selection below even though all have been submitted). Despite large differences in approach, these novels share a focus on family relationships that perhaps tells us something about the preoccupations of our age. It would be trite to argue that they simply demonstrate a retreat from political and ideological uncertainty to take refuge in the personal sphere but perhaps they suggest different ways in which politics and relationships are both being reconfigured in an age of digital communication. It will be interesting to see what patterns emerge from the wider Clarke submissions list.
Once we move past the conclusion of Yesterday’s Kin, the focus remains on Dr. Marianne Jenner as well as pushing in tighter on that of her grandchildren. This is character driven science fiction. Kress explores the impact of Earth’s interaction with a spore cloud that was initially described as a world killer, but she does so through the lens of characters who have become as familiar as family. To a reader not steeped in the nuance and minutiae of science, the unpinning science of Tomorrow’s Kin comes across as fully rigorous as anything in a more traditional “hard” science fiction novel. Kress does not engage in interminable info dumping. I read Tomorrow’s Kin not long after finishing the latest Charles Stross novel, Dark State (my review). There is no real point of comparison between the two novels, except that I generally love the ideas that Stross plays with and wish he did a better job at actually telling the story. That generally isn’t the case with Nancy Kress. She is a far more accomplished writer and is far smoother with her storytelling. Kress’s ideas are just as big and just as bold, but they are strongly integrated into the story.
(24) CATS STAR ON SFF. Moshe Feder has discovered the true identify of Number One!
[Thanks to John King Tarpinian, JJ, Mark Hepworth, Chip Hitchcock, Martin Morse Wooster, Cat Eldridge, Mike Kennedy, Carl Slaughter, Hampus Eckerman, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Ingvar.]
Producing photorealistic digital humans, animals and other types of creatures has been a one of the holy grails for computer scientists and digital artists since the nascent days of the CGI technology revolution. More recently, in the last 10-15 years, many filmmakers have made significant strides toward achieving the goal — some more convincingly than others — of bringing believable photoreal human and lifelike digital characters to the screen.
From the first full-length photorealistic animated film, Hironobu Sakaguchi’s Final Fantasy: The Spirits Within (2001) to Peter Jackson’s ground-breaking Lord of the Rings trilogy (2001-2003), Robert Zemeckis’ innovative but not hugely popular Polar Express (2004) and Beowulf (2007), David Fincher’s mesmerizing The Curious Case of Benjamin Button (2008), various wildly popular Marvel movies starting with Iron Man (2008), and of course, seminal films like James Cameron’s Avatar (2009) and Rupert Wyatt’s Rise of the Planet of the Apes (2011), filmmakers have continually raised the bar, and stakes, with a series of increasingly complex digital characters that don’t just wow audiences with their stunning visuals, but capture people’s hearts with their believably emotional performances. The growing list of such digital performances is a testament to the unending audience appetite for visually engaging storytelling produced by a new generation of talented filmmakers more and more adept at embracing and making use of sophisticated production technology.
… According to Edlund, when you consider digital characters such as Caesar, you must also consider the team responsible for animating the performance. “Well, [the Academy is] studying this whole issue,” he says. “I know Andy Serkis thinks that he was the first one to use motion-capture and all that, and he’s a talented guy. But the thing is, Andy Serkis’s performances are also tweaked by animators, and so rather than giving Andy Serkis the entire award…if he were to be nominated and voted in, you’d have to split the award with the animators. So, it’s a very difficult thing. There’s always a serendipity about performance. There are things not on the page of the script that happen within the performance of the actor. When you animate, everything is intellectual, everything is being created. So, this is the valley that animators have to cross.”
(2) ALL FAME IS FLEETING. It’s time again for Young People Read Old SFF. James Davis Nicoll has turned them loose on Hall of Fame short story “It’s A Good Life” by Jerome Bixby.
Jerome Bixby was one of those reliable, unremarkable mid-listers the field used to support in decades past. In general, his work was a decent way to pass a half hour but not often memorable. “It’s a Good Life” is the exception, selected for the Hall of Fame, adapted to TV and the silver screen and referenced in a number of other works. Of course, the story’s heyday was in the distance past, in a now half-forgotten era of slide-rules and black & white television. How will it read to my Young Readers?
This groundswell of action also includes fan communities. One such organization is .Gallifrey Stands, a coalition who announced their Who Against Guns campaign on Monday. According to organizers, the campaign is “an initiative to encourage Doctor Who fans to take action against gun violence.”
To that end, the group has organized a massive charity podcasting effort: 40 Doctor Who fans, which include professional Doctor Who writers and artists, will record an exclusive commentary to the 1969 Classic Who story “The War Games.” The 11-episode podcast will only be released to listeners who make a donation of $10 or more to an organization committed to ending gun violence. Supporters then forward their receipt to the group, and the commentary will be made available for download on March 12th.
Who Against Guns suggests that fans direct donations towards several groups working to prevent gun violence: the aforementioned March For Our Lives, the Brady Campaign to Prevent Gun Violence and Moms Demand Action. In recognition of Doctor Who’s international fan base, organizers have said they will honor donations made to charities that work to prevent gun violence outside of the US, and have provided a few suggestions on their website.
Doctor Who showrunner and writer Steven Moffat is joining the effort to raise money for gun violence prevention charities–but only if fans donate a total of $7000 by March 12. If they do, Moffat will provide a special commentary on episode 10 of “The War Games.”
…He joins a growing roster of professional Doctor Who scribes that have signed on to Who Against Guns, lending their thoughts to a commentary which includes Paul Cornell (“Human Nature”, “Family of Blood”) Jamie Mathieson (“Oxygen”, “Flatline”), Andrew Smith (“Full Circle”), and Peter Harness (“The Zygon Invasion”, “Kill The Moon”).
Comic professionals have also lent their efforts to the campaign. Titan Comic artists Rachael Stott (Doctor Who: The Thirteenth Doctor), and Simon Fraser (Doctor Who: The Eleventh Doctor) are among those commentating, as are a number of Doctor Who podcasters.
Krause Publications, which for years published both Comics Buyer’s Guide and Comics Retailer, is closing its Iola, Wis., office in March, moving the remaining personnel to a larger city. But as my fellow former employee Maggie Thompson learned last week, the file copies of most of the magazines were to be discarded, as well as a significant portion of the library materials.
For Comics Buyer’s Guide — read my history of the magazine here — this took in a huge number of issues. More than 5,000 copies, between two and ten each of every issue from #482 in 1983 to #1699 in 2013. This amounted to 105 cases weighing more than two tons — all destined for destruction.
The company donated the materials to Maggie and me to place, but the caveat was that we only had 72 hours to find homes for them all — and while Maggie sent the CBG bound copies to Columbia University, the file copies were still a very large problem.
Discworld is a massive series written by Pratchett — who died in 2015 — which spans 41 books, dozens of characters, and a variety of smaller, thematic sub-series within the larger work. This show will reportedly be a six-episode series, with a current working title The Watch. That implies that it’ll be based off one of the most popular subsets of the overall series, featuring the Ankh-Morpork City Watch, which grows from a ramshackle group of a couple officers trying to get by to a full-fledged city police force over the course of the series.
Today we celebrate the birthday of Dr. Seuss with a little bit of history you might not have known… So pull up a chair and prepare for the story of how Dr. Seuss made his way into our wonderfully weird world of beer.
Who Knew? Dr. Seuss Could Brew?
Whether it’s the childhood memories of his books or you’re watching the new films today, Dr. Seuss’s tales are “too good to miss.” Theodor Seuss Geisel was born on March 2, 1904 in Springfield, MA. Remember those famous illustrations he made for Narragansett Beer back in the day? The most famous being the tray shown above. Antique collectors date these works around the 1940?s. He did other illustrations that appeared in print ads and coasters like this one.
One of the most interesting facts was that both his father, Theodor Robert Geisel, and grandfather Geisel were brewers. In fact, his German immigrant grandfather owned the Kalmbach and Geisel Brewery, or “Come Back and Guzzle” as the locals called it, in Springfield. In 1894 it was renamed the Highland Brewery and five years later it became part of the Springfield Breweries.
(7) LE GUIN OVERVIEW. John Crowley, in “The Whole Household of Man”, reviews the Library of America edition of Ursula K. Le Guin’s The Hainish Novels and Stories for Harper’s Magazine.
In the science fiction of Ursula K. Le Guin, who died last month at the age of eighty-eight, planets circle suns other than ours, yet have landscapes and skies and seas not so unlike ours and natives who are mostly not very different from us. A single, tremendous idea made her imagined realms effectively strange, even while binding them all together as realms of the human. This is what she conceived: Some hundreds of thousands of terrestrial years ago, an advanced society on an Earth-like planet called Hain discovered the principle of near-light-speed travel, and with this advance they began to explore their galaxy. They sought planets where, whatever the differences from their home, beings like themselves could live and thrive, and there they planted colonies. Over the course of cosmic time, nine planets (among them our Earth, called Terra) were populated by Hainish people. Some of the populations are different in body and all different to some degree in culture; they come to have histories reaching back to time out of mind, and ways of doing and understanding things that are also ancient—but they are our own relations, brought and adapted to their worlds by our common ancestor. For every way we differ there is a way in which we are alike.
Le Guin’s parents were both famed ethnographers—her father, Alfred Kroeber, documented the life of Ishi, called “the last wild Indian in California”; her mother, Theodora, wrote Ishi in Two Worlds, a popular telling of his story. Le Guin became in her fiction not one ethnographer or historian but many. She deploys a force of investigators throughout the Hainish-populated parts of the galaxy to rediscover colonies founded millennia before, who observe and collect and draw conclusions that sometimes turn out to be inconsistent with one another—just as human ethnography and ethnographers do.
For the last six months, a red-tailed hawk has made its home in the ramparts of the Washington National Cathedral. And now, it officially has a name: Millennium Falcon.
(9) MONSTROUS GOOD STORY. Edmonton Hugo’s Book Club argues that Emil Ferris’ recent graphic novel My Favourite Thing Is Monsters should be strongly considered for nomination for this year’s Best Graphic Story Hugo. They compare the art to that of luminaries like Robert Crumb and Maurice Sendak, and suggest that this artwork elevates is above other contenders for comic book awards this year: “Best Graphic Story 2017 – My Favourite Thing Is Monsters”.
My Favorite Thing Is Monsters is the first graphic novel from Chicago-born illustrator and toy designer Emil Ferris. It may be the most significant and worthwhile graphic presentation to be published in the past decade.
Told in the form of a diary written by a 10-year-old girl in late-‘60s Chicago, My Favorite Thing Is Monsters is a love-letter to classic horror movies, to science fiction fandom, and to Forrest J. Ackerman’s Famous Monsters Of Filmland.
Ferris weaves a variety of narratives through the work, as the young protagonist Karen Reyes investigates the murder of her mysterious neighbor Anka Silverberg. Reyes’ isolation and alienation are expressed through her transformation (possibly only in her imagination) into a werewolf-style monster.
Robotics have long been used to manufacture mass-produced, flat-pack furniture but MIT’s work could pave the way for robots to create custom furniture for specific purposes and spaces.
The robots will cut the wood correctly, adding the holes needed to assemble it, and carry the component parts around the room.
Compared to existing machines used by carpenters, AutoSaw is considerably cheaper and more mobile. As well as Roomba, the project uses two robots from German firm Kuka – though the particular model utilised by MIT’s team has since been discontinued.
(11) MORE THAN A LITTLE. There was so much penguin poo it was visible from space, says the BBC. Oh, and so were the birds: “Penguin super-colony spotted from space”.
Scientists have stumbled across a huge group of previously unknown Adélie penguins on the most northerly point of the Antarctic Peninsula.
Numbering more than 1.5 million birds, they were first noticed when great patches of their poo, or guano, showed up in pictures taken from space.
The animals are crammed on to a rocky archipelago called the Danger Islands.
When Amber Yang watched the film Gravity – which features a cataclysmic collision which destroys the International Space Station – it gave her an idea.
She knew that hundreds and thousands of miles above Earth, pieces of wreckage were whizzing around our planet – some of them big enough to cause billions of dollars worth of damage to precious satellites and spacecraft.
So Yang, bored by her schoolwork, decided to try and find a way of tracking it, and ensuring cosmic debris doesn’t become a danger to the next generation of humans venturing into space.
(13) BEST OF BRITISH SF. Here is the table of contents for “Best of British Science Fiction 2017” edited by Donna Scott. Twenty-two stories, from established names and rising stars.
Introduction – Donna Scott
Blinders – Tyler Keevil
In the Night of the Comet (2017) – Adam Roberts
The Walls of Tithonium Chasma – Tim Major
3.8 Missions – Katie Gray
Over You – Jaine Fenn
The Ghosts of Europa Will Keep You Trapped in a Prison You Make for Yourself – Matt Dovey
Uniquo – Aliya Whiteley
Looking for Laika – Laura Mauro
A Good Citizen – Anne Charnock
Mercury Teardrops – Jeff Noon
The Nightingales in Plàtres – Natalia Theodoridou
The Road to the Sea – Lavie Tidhar
When I Close My Eyes – Chris Barnham
Targets – Eric Brown
London Calling – Philip A. Suggars
The Last Word – Ken MacLeod
After the Atrocity – Ian Creasey
Voicemail – Karen McCreedy
Green Boughs Will Cover Thee – Sarah Byrne
Airless – N.J. Ramsden
Product Recall – Robert Bagnall
The Endling Market – E. J. Swift
About the Authors
(14) SPACE MUSIC. Broken Bells’s “The Ghost Inside” is a music video that has spaceships and other sf imagery in it.
[Thanks to John King Tarpinian, Chip Hitchcock, JJ, Tim Walters, Mark Hepworth, James Davis Nicoll, Martin Morse Wooster, Cat Eldridge, Andrew Porter, and Carl Slaughter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
Apart from the Doctor, which character have you most enjoyed writing for? Maybe River Song. She’s quite close to the Doctor, so is that a cheat? Partly because we never wore her out; she wasn’t there all that often. And of course Alex Kingston is awesome and beautiful. Also, I bloody loved writing Missy, and I’m conceited enough to think I did good job. And Michelle Gomez was the only casting decision I took entirely on my own – I just insisted it had to be her – and I’m incredibly proud of the result.
What was your happiest moment or experience on the programme? Oh, there were a lot of those. I suppose in terms of a single moment the day after the 50th and realising that it had actually worked. The ratings and reviews were through the roof. Everybody everywhere was happy. That was one of the rare moments where I actually thought I know what I’m doing. It lasted about four seconds.
But it’s also the friendships that you make. I remember reading a review when the Weeping Angels two-parter came out [in 2010] and it referred to Matt Smith’s “amazing new Doctor”.
He was a hit from the word go really, wasn’t he? Certainly was for me. That may be how it seemed on the outside but on the inside we were more fraught. David had been the face of Doctor Who and when we announced Matt, people thought he was too young, too pretty, his chin is ridiculous. Matt went through a year of being hated, before the show went out. He still talks about it. He used to go to bed and punch his pillow in his frustration. He couldn’t believe in himself or that it was going to work. But then it did – everybody realised what we’d known for year, that he’s not just a young pretty actor, he’s an awesome actor. And, yes, that was instant
To me one of the most wonderful things about reading fantasy is the chance to encounter strange and magical beings that couldn’t possibly exist in the real world. Ferocious and exotic warriors, wise immortals, fey creatures as beautiful as they are mysterious, people made from wood or stone, animals that walk and talk like humans, and humans who can fly or throw fire with a thought. These races that never were, offer us the chance to sample new perspectives on life, question the very things that make us human, or just imagine what it would be like to have the body of a giant or the ability to fry a person’s brain by looking at them funny.
But in a genre peopled by a suspiciously large quantities of elves and dwarves it can be hard to find truly original beings to liven up your fantasy reading. So I’ve gathered together ten of the strangest, most interesting and most thought-provoking races in fantasy literature for your amusement….
First example —
Gallivespians – Philip Pullman’s His Dark Materials
The title and bearing of a haughty French aristocrat, the body of a wingless pixie and the poisoned spurs of a platypus; with these powers combined you get – the Gallivespians!
The name Gallivespian is actually a play on words. The ‘vesp’ part of it comes from the Latin word for wasp; so you could roughly translate the whole word to mean ‘gall-wasp people’. It’s an apt name considering their tendency to ride around on large dragonflies and their willingness to sting anyone who gets in their way….
(3) WILD GUESSWORK.Nerds of a Feather’s Joe Sherry and Dean E.S. Richard take what might be their very last chance to engage in “Rampant Last Jedi Speculation”. After all, the movie will be out in a couple of days.
Let’s speculate some more on Rey’s parents! Joe: I’m still going to roll with my far fetched idea of Rey being the daughter of Mara Jade. To quote myself from the first time we had this conversation:
Do it like this: She was one of Luke’s students in his New Jedi Academy school thing that he founded after Return of the Jedi. She, with another student (or not, I don’t care), had a daughter. Ben Solo turned, killed that particular class of students, and Luke hid Rey on Jakku rather than take her with him when he ran and hid.
Dean: Gawd, I love that so much. Mara Jade is the best of the old EU. My problem with that is that I doubt they go that deep, though. The closer we get, the more I lean towards her being Han and Leia’s daughter. There are a million signs that point to it, which have been covered ad nauseum at this point. It’s not the most creative, to be sure, but I prefer it to her being Luke’s kid.
Unless they bring in Mara Jade.
Joe: Force bless Mara Jade.
(4) FREE ANTHOLOGY. ASU’s Center for Science and the Imagination has published Visions, Ventures, Escape Velocities: A Collection of Space Futures, a book of stories and essays about the near future of space exploration, supported by a grant from NASA. It features stories by Madeline Ashby, Steven Barnes, Eileen Gunn, Ramez Naam, Carter Scholz, Karl Schroeder, and Vandana Singh, and an interview with Kim Stanley Robinson, plus essays by experts in space science, history, economics, and other areas. Edited by Ed Finn and Joey Eschrich, with guest editor Juliet Ulman.
The book is available for free in various digital formats, or folks can buy it at cost print-on-demand. The place to find all of that is http://csi.asu.edu/books/vvev.
Why should we go to space? To learn more about the universe and our place in it? To extract resources and conduct commerce? To demonstrate national primacy and technological prowess? To live and thrive in radically different kinds of human communities? Visions, Ventures, Escape Velocities takes on the challenge of imagining new stories at the intersection of public and private—narratives that use the economic and social history of exploration, as well as current technical and scientific research, to inform scenarios for the future of the “new space” era.
Visions, Ventures, Escape Velocities provides fresh insights into human activity in Low Earth Orbit, journeys to Mars, capturing and mining asteroids, and exploring strange and uncharted exoplanets. Its stories and essays imagine human expansion into space as a kind of domestication—not in the sense of taming nature but in the sense of creating a space for dwelling, a venue for human life and curiosity to unfurl in all their weirdness and complexity.
Although CSI says they want optimistic views of the future, only three of the stories envision a future that’s better than today’s world, and one is actually a dystopia.
Of the seven stories, we recommend one and recommend against one, which is exactly the distribution we expect to see, hence we called the anthology average overall.
This pair of novellas is much better to read as a single novel. The first introduces the premise of a 19th-century alternative version of America, where hippos are ranched and some live feral in the Mississipi river.
River of Teeth follows a plot where former Hippo rancher Winslow Houndstooth recruits a party of outlaw misfits to run a job for a federal agent. The job in question is blowing a dam to destroy an artificial lake that has become infested with bloodthirsty feral hippos.
(7) SOCIAL MEDIA CASUALTY. Storify is folding in May, which is awfully inconvenient for those like me who find it a helpful for documenting news in tweet form: “Storify End-of-Life”. Apparently there will be a successor online service:
What changes are being made to Storify.com?
Unfortunately, Storify will no longer be available after May 16, 2018.
Can I still create a new account?
As of December 12, 2017, no new Storify.com accounts can be created.
What should customers using Storify.com expect?
Existing Storify customers can continue to use all capabilities of the service until May 16, 2018, except for the ability to create new stories which will end on May 1, 2018. Be sure to export any content you would like to keep by May 16, 2018, using the export functionality in Storify.
What are my options if I want to continue to use Storify?
Storify.com will no longer be available after May 16, 2018. If you are interested in gaining access to Storify 2, a feature of Livefyre, you will be required to purchase a Livefyre license.
(8) TODAY IN HISTORY
December 12, 1972 — Orange soil discovered by Apollo 17 astronauts Eugene A. Cernan and Harrison H. Schmitt during their second day of exploration on the lunar surface.
(9) TODAY’S BIRTHDAY BOY
Born December 12, 1893 – Edward G. Robinson, who ended up as Soylent Green.
(10) COMICS SECTION.
Mike Kennedy found what it would be like if the younger Jacob Marley could see and hear the Ghost of Christmas Past and the older Jacob Marley in Brewster Rockit.
It’s that time of year when everyone writes up lists of the best of the best and the worst of the worst. And Pull List is no exception. We’ve had a pretty great year for new comics, especially in the indie realm. DC’s Rebirth is still chugging along while Marvel continues to shoot itself in the foot then blame everyone else but themselves. As always, there’s lots of meh stuff cluttering up the market, but finding good quality series is pretty easy as of late.
Don’t think of this roundup as a “best of” but rather a list of “really cool titles you should be reading.”
(12) DU-PAR’S BITES THE DUST. The Du-Par’s in Studio City will go away on January 1. Not only will its real-life customers feel the loss, so will readers who have dined there vicariously with Detective Harry Bosch (he’s in there all the time.)
Rumors began swirling regarding the shutter over the weekend and Eater was able to confirm the news after speaking with management at the property. The Du-Par’s team remains adamant that they will be back in Studio City at some point, with a whole new location, but so far they don’t have a line on exactly when or where that will take place. So for now, eager eaters hoping to enjoy the restaurant’s signature pancakes will have until the first of the new year. Reached for comment this morning, one worker said that the restaurant certainly wasn’t closing “for lack of customers or bad food,” but rather a stalled lease renegotiation.
(13) APEX MAGAZINE. Beginning with issue 104, Apex Magazine will be available in its standard eBook form and in POD-printed trade paperback format.
The trade paperback will contain all the content published in the eBook. A monthly recurring print subscription is available directly from Apex or via their Patreon page. These subscription issues will be mailed approximately two weeks after the release date of the eBook edition.
December brings one of the longest stories to GigaNotoSaurus, a novella with an interesting mix of elements and its sight set on retribution, rot, and stubborn pride. The setting finds magic weaved into everyday life, though in strange ways, and sets up a situation where a woman running from her mistakes falls in with a group of police officers to help with magic-related mysteries. It’s a wonderful setup that evokes both noirish grit (there’s plenty of blood, grime, and spit) and some more modern sensibilities. It’s also a lot of damn fun, so let’s just jump right into the review!
(15) FINDING THE GEMS. Natalie Luhrs’ latest iteration of In Short, her short fiction review series, covers several stories including —
“Making Us Monsters” was written by Sam J. Miller and Lara Elena Donnelly and published in the most recent issue of Uncanny. It’s an epistolatory story about Siegfried Sassoon and Wilfred Owen, in which Sassoon receives letters from Owen years after they were sent, years after Owen was killed in action. These aren’t any old letters, though, they’re both love letters and an examination of the kind of trauma experienced by soldiers in the Great War. This wasn’t an easy story to read—there’s a “doctor” who is more interested in brutalizing his patients than helping them and there is a lot of internalized self-hatred on the part of Sassoon and Owen. But I found it to be a worthwhile and engrossing read, nonetheless.
ChiZine Publications is open again to submissions, until Dec. 31, 2017. BUT, PLEASE READ OUR NEW GUIDELINES, especially this bit: Given that CZP is an SF/F/H publisher, genres which have traditionally been dominated by straight white men, we have decided for this submission round that we will only be open to subs from people who identify as belonging to one (or more) of the following groups: Aboriginal Peoples, culturally diverse groups, people of colour, mixed race people, people who are Deaf or have disabilities, Canada’s official language minority communities, non-binary/LGBTQIA+, people who identify as women.
ChiZine has always been committed to cultural/gender diversity, but the last time we ran stats, despite asking for more diversity, 83% of the submissions we received… were still from men. (We could not tell people’s ethnicity or orientation from our stats, since we don’t ask for that information.) But we felt that it was time to take a more firm step toward helping address the imbalance. Please feel free to share.
http://chizinepub.com/czp-submissions/
[That link now returns a 404 message.]
One writer made critical comments at the time the guidelines were posted. Here is part of Bret Savory’s reply:
Edwin, we’ve been in business for 20 years, and this is the first time we’ve extended a specific invitation to the minorities named in our current submission guidelines. We’re just trying to give those folks a shot in a field dominated by straight white men—which we’ve been publishing alongside everyone else, as I said, for 20 years. You obviously don’t actually know about ChiZine as a company, but just saw these guidelines and decided to pounce on us to prop up your own narrative.
I’m a straight white male myself (to specify, this is Brett Savory, since these responses all come from our company account), and I approve this message. (Ha.) Our next submission window will be just like the ones from the past 20 years—open to everyone; we’re just trying to raise up some voices you don’t hear from as often as we could in this field. If that’s “racist,” “sexist,” and “bigoted” to do once every 20 years, then we’re guilty as charged.
(17) SCALZI ENTERS THE BOOTH. The results of John Scalzi’s photo session remind me of this description from Dave Langford’s The Leaky Establishment:
Roy Tappen’s lab security pass, “…with a photo labelled R TAPPEN, SSO, but in fact showing an unshaven homicidal maniac with a crippling hangover and at least one glass eye, photographed after forty-eight hours of strenuous axe-murdering.”
How do you stage a mutiny when you’re only awake one day in a million? How do you conspire when your tiny handful of potential allies changes with each shift? How do you engage an enemy that never sleeps, that sees through your eyes and hears through your ears and relentlessly, honestly, only wants what best for you?
Superversive Press is looking for contributions to the Uranus edition of the Planetary Anthology. Stories should be between 3,000 and 7,500 words. Stories should center on themes of rebirth and new beginnings in the broadest sense possible. Interpretations can range from rebirth of a character or a new beginning on a new world, to spiritual, philosophical, and theological ideas. These themes need not be specifically part of the plot, just part of the story.
(20) WE INTERRUPT THIS GENEALOGY. Here’s another shocking consequence of the studio merger —
so what you are saying is, Century Fox is now Disney
which means the Alien franchise is now Disney
which means Xenomorphs, being born from the Xenomorph Queen, are now Disney princesses https://t.co/iop6TM3Rx0
[Thanks to John King Tarpinian, Cat Eldridge, JJ, Mike Kennedy, Carl Slaughter, Andrew Porter, Martin Morse Wooster, Joey Eschrich, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Hampus Eckerman.]
(1) BY WAY OF MELBOURNE. Playbill says King Kong will open on Broadway next year. (Just keep those biplanes grounded!) “King Kong Sets Broadway Opening Night; Tickets Now on Sale”. This musical premiered in Melbourne in 2013 and was originally supposed to come to Broadway when Spiderman folded in 2014. But it didn’t.
The anticipated stage musical adaptation of King Kong—written by Jack Thorne with a score by Marius de Vries and songs by Eddie Perfect—will officially open November 8, 2018, at the Broadway Theatre. Previews are set to begin October 5.
The production, which features a one-ton, six-meter-tall silverback gorilla puppet as its star, arrives on Broadway following a 2013 Melbourne world premiere.
An all-new creative team has been assembled to bring King Kong to Broadway, including Olivier Award-winning book writer Thorne (Harry Potter and the Cursed Child, Let the Right One In), Olivier Award-winning director-choreographer Drew McOnie (Strictly Ballroom, In the Heights), and Australian songwriter Perfect, who is also adapting Beetlejuice for Broadway. Perfect joins the show’s original composer and arranger de Vries (Moulin Rouge, Romeo + Juliet).
The film was pretty great. It’s set in the early 1960s but it has a sort of timeless quality about it. Set at some sort of secret, military-run laboratory, it’s about a lonely, mute cleaning woman (Hawkins) who works there and what happens when a new “asset” is brought in for investigation and experimentation. Her performance, and that of Doug Jones, are remarkable. More so in that neither character is capable of speaking but you understand them both perfectly.
Zack Snyder’s audacity in creating a comic-book movie renaissance (which began with the complex, ambitious Watchmen) has inspired philistine resentment from reviewers and fanboys who don’t want cinema. They’ve been desensitized to the form’s vitality and richness. (Like civics, art is no longer being taught in schools.) The schoolyard game of lambasting Snyder’s magnificent Man of Steel and the even more intricate Batman v Superman: Dawn of Justice almost directly parallels the unsubtle breakdown of our political process. And this year’s post-election delusional praise for the utterly mediocre Wonder Woman is a symptom of our current political paralysis. By coordinating DC Comics’ superhero characters into the fight against Steppenwolf, Snyder attempts to extend his saga from Dawn of Justice. Studio interference (Warner Bros. envy of the lucrative Marvel franchise) and personal tragedy have prevented Snyder from completing his vision on a scale commensurate with the ever-astonishing Watchmen. But as Aquaman (Jason Momoa), The Flash (Ezra Miller), Cyborg (Ray Fisher), and Wonder Woman (Gal Gadot) join Batman (Ben Affleck) in the most-intense-yet fight for human life, what remains of Snyder’s handiwork — after the studio imposed The Avengers dullard Joss Whedon on the final product — is still a triumph.
PIXAR STUDIOS, for all its renown for creating highly detailed worlds, has rarely had to worry too much about cultural authenticity. Even after all their fabled research for movies such as “Brave” and “Ratatouille,” the filmmakers have been free to use their imaginations, without real fear of offending toymakers, automakers or entomologists.
The Bay Area studio knew, however, that centering “Coco,” which opens Nov. 22, on Mexico’s Day of the Dead holiday would enter an entirely different realm, because it would include not only depictions of traditions, but also a significant increase in casting diversity.
Where the rest of us see fractals spinning off into infinity, Benoit Mandelbrot saw minute pockets into parallel universes. Liz Ziemska’s magical pseudo-biography reimagines the mathematician’s childhood during Hitler’s rise to power: in an era where people like Mandelbrot’s family were fleeing their homes to escape the growing evil, young Benoit discovers secret dimensions in which to hide, all unlocked by math. Talk of Kepler’s ellipses transports Benoit; archetypal math problems about approaching infinity provide him with glimpses into mirror worlds in which he can hunt monsters. But as the monsters in his world abandon all pretense of peace, Mandelbrot must harness his gifts to hide his family, or else he’ll have sealed their fates. It’s a lovely example of using fantasy as a way to gild the edges of inspiring true stories, linking math with magic for non-mathematicians. —Natalie
This debut graphic novel from a 55-year-old Chicago artist is a revelation: a deeply textured tale of dark histories framed as a girl’s diary and told through riveting art that is an homage to midcentury horror comics and film. A dark-horse winner that came out of nowhere.
(7) NIGEL’S NEXT. Nigel Quinlan did a cover reveal of his new book, The Cloak of Feathers, an MG fantasy coming in the UK and Ireland from Hachette Children’s in January 2018.
It’s about an awful summer festival held every year in a small village in Ireland. Once every hundred years the Fair Folk visit, and it becomes a Great Festival, full of magic and wonder. Except everything has gone horribly wrong. The lake is polluted, there’s a ghost estate built on the shore, and their beloved Princess has vanished. Our heroes, the reluctant members of the Junior Knockmealldown Festival Committee (Cow-Fetching Sub-Group) must perform four Feats to win the Cloak of Feathers and rescue the Princess before the whole village is punished.
Supergirl and Power Girl are not the only big name superheroes to have pet cats. Captain Marvel has her own feline companion, Chewie. Initially, Carol believed that Chewie was just a normal cat that could keep her company on her adventures, but when she met Rocket Raccoon, he claimed that Chewie was, in fact, a Flerken. Captain Marvel refused to believe that her furry friend was secretly a tentacle-mouthed, egg-laying alien with pocket dimensions in her body…but when Chewie laid 117 eggs on board the ship, she was forced to admit it was true. Although the 117 Flerken kittens were left at a rescue, Chewie herself teleported back on board the ship, and Carol decided to keep her, Flerken or not.
I’ve complained bitterly in this column on the meanderings of my favorite science fiction magazines. Galaxy has gotten too tame. Analog has gotten too staid. F&SF has gotten too literary. In fact, just last month, I was lamenting the streak of purple fluffiness that had corrupted that last mag. Story after story of unreadable droll nothings, or at best, fantastic horrors without any hard sf.
The December 1962 issue did not promise to be any better. It has the same line-up of authors, the same subject matter of stories. There are even 11000…er.. 24 pages devoted to the concept of binary numbers. Has F&SF lost its mind?!
So imagine my surprise to find that I actually enjoyed this month’s issue, entirely due to the well-written nature of its material. These are not the kind of stories I prefer, but this experience just goes to show that high quality trumps subject matter. See if you agree…
We have a mid-month bonus episode with Andy Weir, author of the novel The Martian, so memorably adapted in the film starring Matt Damon, and the new book Artemis, which launches today! We talk about lunar colonization, his approach to world- and character-building, and what he would do if he was in charge of the future of space exploration. Andy will be speaking at the Clarke Center on December 7th.
(11) BEST AND THE REST OF AUGUST. Rich Horton reviews short fiction at Locus Online, covering Lightspeed 8/17, 9/17, Tor.com 8/17, Apex 7/17, Interzone 7-8/17, and McSweeney’s #49.
There’s a good set of stories in the August Lightspeed. Ashok Banker‘s “Tongue” is an uncomfortable and rather over-the-top satire on the horrors of a traditional Indian marriage, set on an asteroid. The over-the-top elements are part and parcel of satire, though I also thought the portrayal of Indian culture seemed a wincing cliché, as did the corporate menace target; still, it shocks and scares.
This surprising reversal of fortune for these apparently “obsolete” analog technologies is too often written off as nostalgia for a predigital time. But younger consumers who never owned a turntable and have few memories of life before the internet drive most of the current interest in analog, and often include those who work in Silicon Valley’s most powerful companies.
Analog, although more cumbersome and costly than its digital equivalents, provides a richness of experience that is unparalleled with anything delivered through a screen. People are buying books because a book engages nearly all of their senses, from the smell of the paper and glue to the sight of the cover design and weight of the pages read, the sound of those sheets turning, and even the subtle taste of the ink on your fingertips. A book can be bought and sold, given and received, and displayed on a shelf for anyone to see. It can start conversations and cultivate romances.
The limits of analog, which were once seen as a disadvantage, are increasingly one of the benefits people are turning to as a counterweight to the easy manipulation of digital. Though a page of paper is limited by its physical size and the permanence of the ink that marks it, there is a powerful efficiency in that simplicity. The person holding the pen above that notebook page is free to write, doodle or scribble her idea however she wishes between those borders, without the restrictions or distractions imposed by software.
Of particular interest in this alternate history is the tragic — and believable — story of Harry Truman. Turtledove’s research into historical figures is always impeccable, and many of Truman’s decisions in these novels are based on courses of action that he considered in real life. Turtledove paints a portrait of an alternate failed presidency that hinges on one bad decision after another.
The consequences of Truman’s mistakes keep compounding. The way in which this weighs on him in the novels is effectively conveyed, and this may be one of the best character arcs Turtledove has ever written. Turtledove seems to be arguing that even a well-intentioned president might invite calamity through brinksmanship.
This cast may be one of the most memorable groups that Turtledove has written since Worldwar: In The Balance back in the 1990s. However, it’s still clear that Turtledove has difficulty writing characters from outside his cultural background — none of the important Korean or Chinese characters are given point-of-view sections.
Being stranded on Jakku might be a downer, but it’s no excuse to avoid quality tea time. This BB-8 themed teapot and cup set from Star Wars is happy to roll up with a hot beverage. Set includes a 650 ml teapot & lid with two 220 ml cups and two 5 1/2″ saucers.
Luke Skywalker quietly walks aboard the Millennium Falcon, alone. His old friends are gone. His old life is gone. He is ghostlike himself.
The old Luke Skywalker is gone, too.
That’s a scene from the latest trailer for The Last Jedi (see it here), but in real life, visiting the set of the old Corellian freighter was a similarly haunting experience for Mark Hamill.
“I’m telling you, I didn’t expect to have the reaction I had,” the 66-year-old actor tells EW. “I was there with my family, with [my children] Nathan and Griffin and Chelsea and my wife Marilou, and [Lucasfilm] asked if the documentary crew could be there when I came back on the Millennium Falcon. I mean, this was not on the shooting day. I was just street clothes and going to visit that set. And I said, ‘Sure.’”
The royals — along with Tom Hardy and singer Gary Barlow — were rumored to make an appearance in Stormtrooper outfits in the film releasing Dec. 15.
In August, Star Wars: The Last Jedi star John Boyega spilled the beans that not only did Prince William and Prince Harry film scenes when they visited Pinewood Studios in April 2016, but Tom Hardy also was milling around the set at the same time. By then, Take That singer Gary Barlow had already revealed that he had shot a scene in March.
Steven Moffat may be leaving his gig as Doctor Who showrunner following this year’s upcoming Christmas special titled “Twice Upon a Time” to make way for Chris Chibnall (Broadchurch), but it looks like he isn’t done with the Whoniverse-at-large just yet.
According to Radio Times, Moffat will team up with former showrunner Russell T Davies and novelist Jenny T. Colgan for a series of Doctor Who novels that will adapt several episodes from the Davies and Moffat eras of the BBC series.
Published by BBC Books and Penguin Randomhouse, the new “Target Collection” is based on the old Target novelizations that strived to adapt classic Doctor Who episodes from the 1970s to the 1990s, with the episodes’ original scriptwriters penning the adaptations whenever possible from the original scripts.
(18) SOME TIME LATER. I will never be the same now that I have seen this tweet.
With almost no tweaking at all, THE BIG BANG THEORY becomes WHO'S AFRAID OF VIRGINIA WOLFF. I am not even remotely kidding. Details:https://t.co/VPs2cVCJkH
(19) MIGHTY MUMBLING. How It Should Have Ended does a comedy overdub of Batman v Superman and Dawn of Justice. It’s a toss-up whether these animated mouths remind me more of Clutch Cargo or Wallace and Gromit.
[Thanks to John King Tarpinian, JJ, Cat Eldridge, Martin Morse Wooster, Chip Hitchcock, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jon Meltzer.]
(1) CAPALDI MAKES IT OFFICIAL. Not unexpectedly, the Twelfth Doctor is leaving Doctor Who as new showrunner Chris Chibnall gets ready to take the reins.
“Doctor Who” star Peter Capaldi has announced he’ll step down from the role at the end of the year.
Capaldi has starred in the long-running sci-fi series as the titular Twelfth Doctor since 2013, following the departure of Matt Smith.
“One of the greatest privileges of being Doctor Who is to see the world at its best. From our brilliant crew and creative team working for the best broadcaster on the planet, to the viewers and fans whose endless creativity, generosity and inclusiveness points to a brighter future ahead,” Capaldi said in a statement. “I can’t thank everyone enough. It’s been cosmic.”
Capaldi will conclude his time as the Doctor with the 2017 Christmas special.
The actor’s departure will correspond with the exit of executive producer Steven Moffat, who previously announced his intention to leave his post.
(2) BURN OF THE DAY. J. K. Rowling knows how to deal with fantastical creatures, like frogs that tweet.
*sighs* Well, who knows? If I try harder, I might be reincarnated as a lonely virgin hiding behind a cartoon frog. pic.twitter.com/EbocdxfJ5o
It’s our second special of the month, and showcases fiction, poetry, and non-fiction by native and indigenous writers.
We have Drew Hayden Taylor’s story “Take Us To Your Chief” (from his collection of the same name); we have three poems apiece by poets Halee Kirkwood and Tanaya Winder; we have a round-table moderated by Rebecca Roanhorse; and of course reviews, including a double-feature look at Moana.
(4) THE HARP THAT ONCE OR TWICE. R. Graeme Cameron wrote a superlative column based on Walt Willis’ 1952 U.S. Trip report for Amazing Stories that combines his analysis with the old master’s storytelling.
Walt actually had a good time aboard ship. When asked what he did for a living he said he was a pulp fiction author going to America to pick up his earnings. The “Greenwich Village” pseudo-intellectuals on board coming back from bumming around Europe stood in awe of this creative type who actually earned money. Late in the voyage he was asked if anyone was meeting him in New York and he replied (more or less honestly) “Just a few fans.” This only increased his reputation. Sometimes fannish ploys work very well on Mundanes.
QUOTE
At last we docked, and hordes of officials swarmed on board … I had a whole stack of documents in an old Galaxy envelope and every time I came to an official I would shuffle them and deal him a hand. If I’d won I’d be allowed to go on to the next table, like a bridge tournament. I’d had some practice in this game already and at last I won the first prize, a clear view of the gangway. I found to my shocked surprise that suddenly there was absolutely nothing to stop me walking ashore. I promptly walked ashore.
Someone in a blue suit came up and shook my hand … It was Dave Kyle … Joe Gibson came along in a few seconds. After a few minutes chat the two revealed conspiratorially that Will Sykora and his henchman Calvin Thomas Beck were lurking outside to meet me. They suggested a cloak and dagger scheme by which they would go out and wait for me a couple of hundred yards outside the shed, while I strolled out by myself past Sykora and Beck, who wouldn’t recognise me.
I was thrilled. Nobody could have arranged a more fannish welcome. Not two minutes in the country and already I was up to my neck in New York fan feuds. However I temporized; I had nothing personally against Sykora … I had never been able to sort out New York fandom anyway … and I rather wanted to meet such a legendary figure. Besides, I knew Shelby had in his innocence asked Beck to meet me …
Outside, in the fresh clean smog of Hoboken … I had my first hamburger, closely followed by my second. As far as I was concerned, the food problem in America was now solved …
Given the vast number of Hugo categories, we’ve also made the decision to split the longlist up into multiple posts. Today we look at the fiction categories (Best Novel, Best Novella, Best Novelette and Best Short Story). For fiction that is available free of charge, we’ve embedded a direct link to the story. For novels and works of short fiction that are not available for free, the embedded link redirects to a review.
(6) TODAY IN HISTORY
January 30, 1933 — The Lone Ranger made its radio debut.
Why does representation in RPGs matter? The answer is simple: players play games so they can be the hero in their own stories. The characters they choose (or build) allow players to perform heroic acts with their group, and they’re crucial to a player’s ability to have fun. There’s even a joke told about this at conventions. What’s the best way to get a player excited to talk about their game? Ask them about their beloved character!
Characters are important, and I feel it’s a game designer’s job to acknowledge different styles of play to offer a broad range for players to choose from; the other side of that coin, however, is to remember that players also possess different identities. In order to consider both in the games we make, developers, designers, writers, and artists address inclusivity through the lens of representation.
“The franchise has kind of wandered all over the map. Ridley [Scott] did the first film, and he inspired an entire generation of filmmakers and science-fiction fans with that one movie and there have been so many films that stylistically have derived from it, including my own Aliens, which was the legitimate sequel and, I think, the proper heir to his film. I sort of did it as a fanboy. I wanted to honor his film, but also say what I needed to say. After that, I don’t take any responsibility.
I don’t think it’s worked out terribly well. I think we’ve moved on beyond it. It’s like, okay, we’ve got it, we’ve got the whole Freudian biomechanoid meme. I’ve seen it in 100 horror films since. I think both of those films stand at a certain point in time, as a reference point. But is there any validity to doing another one now? I don’t know. Maybe. Let’s see, jury’s out. Let’s see what Ridley comes up with. Let me just add to that — and don’t cut this part off, please — I will stand in line for any Ridley Scott movie, even a not-so-great one, because he is such an artist, he’s such a filmmaker. I always learn from him.
NASA’s Cassini Mission to Saturn Project Scientist Linda Spilker and mission planner Molly Bittner are taking questions about these exciting orbits, the closest look ever at Saturn’s moons and ring particles — what we’ve learned so far and what we can expect to see as they continue.
Humanoid robots, with cultural awareness and a good bedside manner, could help solve the crisis over care for the elderly, academics say.
An international team is working on a £2m project to develop versatile robots to help look after older people in care homes or sheltered accommodation.
The robots will offer support with everyday tasks, like taking tablets, as well as offering companionship.
The communal, co-ordinated action helps the penguins get the most out of a hunting expedition. Groups of birds are regularly reconfigured to match the shoals of fish and squid they find. It helps the colony as a whole optimise the amount of energy they have to expend to catch food.
“This solution has generic elements which can be abstracted and be used to solve other problems,” he said, “such as determining the integrity of software components needed to reach the high safety requirements of a modern car.”
Integrity in this sense means ensuring the software does what is intended, handles data well, and does not introduce errors or crash.
By mimicking penguin behaviour in a testing system which seeks the safest ways to arrange code instead of shoals of fish, it becomes possible to slowly zero in on the best way for that software to be structured.
Sales: As of Friday, the eighth best-selling book on Amazon. It was out of print in the UK but publishers Penguin launched a new edition following the inauguration – promoting it as the book that predicted Trump – and has so far ordered three print runs, totalling 11,000 copies, a spokeswoman said.
Plot: A charismatic demagogue, Berzelius “Buzz” Windrip, runs for president on a promise to restore American greatness, dragging the country into fascism.
The Trump factor: Sales of this relatively obscure 1935 satirical novel took off when critics began claiming it was essentially the Donald Trump story. Sally Parry, of the Sinclair Lewis Society, claims there are parallels with Trump in the way that Windrip targets his message at disaffected white working class males – The League of Forgotten Men in the book – sweeping to victory on a wave of anti-immigrant, nationalistic sentiment.
But she adds: “Some of his satire is not necessarily towards Buzz Windrip, the fascist character, but towards the lazy intellectuals, the lazy liberals who say ‘well, things will go along’ and the constant refrain of ‘it can’t happen here’, this is America, we are exceptional.”
Earlier this year Ostap Semerak, the minister for ecology and natural resources in Ukraine, announced plans to build a large-scale solar farm in Chernobyl’s Exclusion Zone. “The first phase will install solar panels with a total capacity of one gigawatt,” says a ministry spokesperson. “In the future [there] are plans for capacity increase.”
A large field of 25 acres, filled with solar panels, generates approximately 5MW. To put this into perspective, the football pitch at Manchester United’s Old Trafford ground is 1.75 acres and would only generate 0.35MW. So, for a solar farm to generate a gigawatt of power, it will need an area of 5,000 acres, which is nearly eight square miles. There is, fortunately, a lot of available land in the Exclusion Zone.
Lego Batman hypes up his own upcoming Lego Batman Movie in a new behind-the-bricks featurette that breaks the fourth wall.
“Obviously after I made The Lego Movie, a monster hit $468 million worldwide, not that I’m counting of course, it seemed clear to everyone that the world needed more of me,” Will Arnett says as Lego Batman in the clip released Thursday.
[Thanks to Chip Hitchcock, JJ, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Steve “Dr. Strangelove” Davidson.]
(1) TRUTH IS STRANGER. Norman Spinrad has posted on Facebook the original English version of the afterward commissioned by the French publisher for the special 40th anniversary edition of the first French edition of Bug Jack Barron. That anniversary is now far enough in the past that Spinrad finally lost patience with the book appearing and gave the piece its freedom. Heinlein features in this afterward.
JACK BARRON & ME
by Norman Spinrad
It must have been 1969 because I had returned from London to Los Angeles and was writing for The Los Angeles Free Press, and the Charlie Manson trial was going on. We were covering it locally, it was a big national story and it came out that Robert Heinlein’s novel STRANGER IN A STRANGE LAND was one of Charlie’s fave raves.
In this novel, the sympathetic lead character “discorporates” people who piss him off, always for a righteous reason of course, and Charlie Manson believed that Heinlein’s fictional justification for this likewise justified his own self-given license to do likewise.
I chanced to run into Bob Heinlein at some science fiction convention, and I just had to ask him how he felt about the widely accepted notion of his novel having inspired the Sharon Tate Murders or at least served as Charlie’s moral template for giving the marching order to his murderous posse.
He looked at me deadpan straight in the eye and hit me with a punchline that has stood me in good stead from then until. now.
“The manufacturer,” said Robert Heinlein, “takes no responsibility for the misuse of the product.”
Thus as the author of BUG JACK BARRON I thereby absolve myself of responsibility for the successful political campaign for Congress of Robert K. Dornan, the unsuccessful campaign of Pat Buchanan for the Republic Nomination for President, the march to the far reaches of the far right by the Republican Party, the Alcor Life Extension Foundation….
This is from the memoirs of British fan Jim Linwood. LXI con was the 1961 British national sf convention, where Kingsley Amis was GoH.
“The other famous author who made his debut at LXICon–Martin Amis. He was 10 years old and spent most of his time running screaming throughout the corridors to the annoyance of the attendees. A few years later, Kingdon Road fans cheered when we saw him fall to his death from the rigging of Anthony Quinn’s pirate ship in A High Wind in Jamaica — his only film performance.”
All agreed that tropes are an important tool for playing with genre expectations, as you can set up a particular familiar trope and then change them in a way that’s fresh and exciting for readers. Tropes “can help, can hurt,” Anders said, as they can be “a way of focusing your intentions in the story” but might also lead a writer astray by binding them to the often outdated, cliché, or downright offensive depictions of certain characters that genre. These blind spots occur when writers fall back on their knowledge of a movie for a certain character’s background rather than doing independent research into the personal histories and experiences of people other than the writer. “You should stop and educate yourself,” she said; if instead you think, in this kind of story, this always happens, “that’s death—that’s death of storytelling.”
When asked how to recognize when you’re in a blind spot, the panelists all shared their experiences and key pieces of advice:
Get beta readers and sensitivity readers who are familiar with the backgrounds of the characters you’re trying to write. “If you know you have a blind spot, you can even think that you’ve overcome a lot of the blind spot, but you haven’t,” Cole said. “The bottom line is, always have beta readers, but especially make sure you have beta readers from the particular group you’re writing about—if it’s not aliens or something.”
Have more than one sensitivity reader if possible. Cole found that in writing a suffragette novella set in 1917, with a main character from India, that two of her readers were from different regions of India and had different experiences; not necessarily contradictory, but enough that it provided more nuance to her work. And compensate them for their time!
“You also have to do a gut check 100 times,” Anders said—put the piece aside for a month, then return to it with a fresh perspective.
“It’s OK to get it wrong,” Alam said. Sometimes you can work the lack of understanding into the book by putting that perspective into the mouths of your characters; that can be just as valuable.
(4) THE POWER OF SFF. Jim C. Hines and Mary Anne Mohanraj will partner in the creation of Invisible 3, a third volume of collected stories shared by authors and fans “about the importance of representation in science fiction/fantasy.”
These stories help to create understanding and connection. They expose the power of our genre both to help and to harm….
We’re looking for personal, first-hand stories between 400 and 1000 words talking about the impact of SF/F stories and what it’s like to see yourself misrepresented or erased, or relegated to the backgrounds. We’re also interested in the ways underrepresented and marginalized writers have worked to reclaim space in the genre.
Accepted works will first be published online, and then collected and published in an anthology. Contributors will receive a $10 payment.
Once author and artist payments have been covered, all additional proceeds will go to the Con or Bust program, helping people of color to attend SFF conventions.
(5) CALL FOR PAPERS. The annual Literary London conference, will be held July 13-14, 2017. Their theme is “Fantastic London: Dream, Speculation and Nightmare.” They are taking proposals for papers until February 1.
Proposals are invited for papers, comprised panels, and roundtable sessions, which consider any period or genre of literature about, set in, inspired by, or alluding to central and suburban London and its environs, from the city’s roots in pre-Roman times to its imagined futures. While the main focus of the conference will be on literary texts, we actively encourage interdisciplinary contributions relating to film, architecture, visual arts, topography and theories of urban space. Papers from postgraduate students are particularly welcome for consideration. Indicative topics and writers who might be addressed:
Gaslight romance, the urban gothic, London noir, steampunk & speculative poetry
Future catastrophes, technological dystopias, nightmares of policing & surveillance
Forms of fictional flight into alternate ontologies of nationhood and urban belonging
Architectural caprice, replication and ruin in the development of the built environment
Stories of financial catastrophe, uncertain inheritance and precarious fortune
The search for ontological wholeness in a divided, doubled or allotropic city
The uncanny, arabesque and magical excrescences of the urban everyday
Dramatizing the life of hidden underworlds, anti-worlds & allegorical environments
The Weird: H. P. Lovecraft, Arthur Machen, Lord Dusany, M. John Harrison
‘Elsewheres’: Doris Lessing, William Morris, J. G. Ballard, Jean Rhys, Anthony Burgess
Urban Gothic: Bram Stoker, Oscar Wilde, Thomas De Quincey, Charles Dickens
Underworlds: Neil Gaiman, China Miéville, Michael Moorcock, Michèle Roberts
Make-believe: J. M. Barrie, Cassandra Clare, Philip Reeve, Christina Rossetti, John Clute
Please submit all proposals using the links under ‘Conference’ above. If you have any queries, please contact the conference organiser Dr Peter Jones at conference at literarylondon dot org
(6) STAGE PRAISE. Harry Potter and the Cursed Child won a London theater award.
November 14, 1851 — Moby Dick, by Herman Melville, was first published in the U.S. And one hundred years later, Ray Bradbury wrote the script for the movie.
Expect a lot of loose ends to be tied up in the upcoming 2017 season of ‘Doctor Who’. After this, showrunner Steven Moffat and star Peter Capaldi will depart the hit series, which unfortunately has seen waning ratings in the past few years. They’ve never come right out and said it, but this is possibly because of the switch-over coming at the end of the new season, but it sounds like the changes will be sweeping!
Insiders are saying that when new showrunner Chris Chibnall takes over for the 2018 season, he will be left with a “clean slate” in order to build his own “brand new show.” Reportedly this “brand new show” won’t be 100% fresh, however. Instead, it is reported that the BBC, which has not only been unhappy with the weaker ratings of the Capaldi era, but the sharp dip in sales of “dolls, books, DVDs and toys” are looking to return to a winning formula….
Perhaps the most startling change is that Pearl Mackie, who has yet to even debut as new Companion Bill, is also expected to depart the series along with Moffat and Capaldi. Often, Companions are used to help transition between Doctors and in a sense serve as guides until the new Doctor gains his bearings, as was the case with Clara Oswald, who bridged the gap between Matt Smith’s version and Capaldi’s.
But reportedly Mackie only signed on for a one-year contract. She, Capaldi and Moffat are expected to make the 2017 Christmas Special their swan song.
(9) IT’S ABOUT NOT MUCH TIME. Did you know Time Tunnel only ran one season? That’s one of MeTV’s “8 time-defying tidbits about The Time Tunnel“. ABC network programmers then screwed the pooch picking the successor —
The replacement didn’t fare much better.
The Legend of Custer went on to replace The Time Tunnel on Friday nights, but the new series only lasted 17 episodes. Ironically, an episode of the sci-fi series took place during the Battle of Little Bighorn, a.k.a. Custer’s Last Stand.
“Let’s make a series about a young guy with long blonde hair who doesn’t surf or play in a rock’n roll band,” said the executive, who hadn’t noticed it was the middle of the Sixties.
So for this week’s post I decided to cover the half hour, SF/action show CLEOPATRA 2525.
The year is, uh, 2525. Humanity has been driven underground because the surface is controlled by giant floating robot armchairs (That’s what it looks like anyway) called Baileys. Two fighters Hel(Gina Torres) and Sarge (Victoria Pratt) are resistance fighters who battle the robot overlords. helped by a mysterious voice called ‘Voice’ that taps into Hel’s brain. Anyway, Sarge gets hurt and needs a kidney so they go and get one at the local buy-a-body-part depot. Thus, the meet Cleo (Jennifer Sky), a women cryo-frozen in 2001 when her breast augmentation surgery went awry and she was stored until humanity had the tools to save her life. I am not making this up.
A Wyoming bookstore is aiming to remind customers that its “a place for books” by refusing to offer WiFi and banning use of electronic devices.
A sign posted at the entrance to Wind City Books in Casper informs customers that there is no public WiFi available and calls on them to keep their laptops and cellphones out of sight inside the shop.
(13) GRIND ZERO. I don’t know if it’s a good column about writing, but Dave Freer sure has a lot of insights about “Making Sausage”.
There are myriad sausage recipes. Sausage made of everything from bear to squirrel, pork to beef, turkey to fish. Even vegan. Sausages with everything from cranberries to chardonnay in them. But oddly they have two essential ingredients, in essential proportions. Stray too far from either and your sausage doesn’t work. And those are fat and salt. Not the obvious – people say it’s a bear or boar or chicken sausage. They don’t say ‘it’s a fat sausage’. “Yuck!” would be the response. And indeed yuck is appropriate if you don’t get that proportion (around 20%) right. Too much and it becomes a greasy horrible thing. By the time it cooks out the sausage meat and other ingredients taste greasy and overcooked. And too little and it is dry and tasteless. Vegan is particularly difficult because of the whole ‘fat’ thing. I gather it’s considered bad to suggest using plump ones. But I gather one can buy vegan suet.
For me, in writing, that’s the story, the action, the adventure. In some shape or form it has to be in every worthwhile read. Yes, actually you can have too much. Or too little, and vast focus on the other ingredients – be they the setting or the social justice outrage of the week – they tend to dry and un-appealing. And the salt… well those are the characters. And yes, once again there is such a thing as too much – or too bland when it is merely count the pre-expected tokens. I wait with amusement for the first orange haired villain s to appear…
That title isn’t joking. This post is aimed at my liberal readers. I’m a libertarian leaning Republican and gun expert, who thinks you are wrong about a lot of stuff, but I’m not writing this to gloat about your loss. For the record, I disliked all the presidential candidates.
Judging by your social media over the last few days many liberals have been utterly terrified that your government might turn tyrannical or that evil people will now be emboldened to hurt you. I’m going to let you in on a little thing the other half of the country is familiar with to keep those unlikely, yet catastrophic, events from happening.
And that my lefty friends, is 2nd Amendment.
Having just gone through a war against a tyrannical government, the Founders understood that governments can go bad, so they made sure to note our God given right (or we’ll say naturally occurring right, since a bunch of you are atheists) to keep and bear arms in order to defend ourselves. The 2nd Amendment isn’t about hunting or “sporting purposes”, it’s about having weapons that you can fight with. As an added bonus, being able to protect yourself from a tyrannical government means that you’re a lot better equipped to deal with any common criminal who decides to hurt you. Before I get into the details about how to enjoy your newly discovered 2nd Amendment rights, let me just say that I get you’re sad, angry, bitter, and fearful. But just like my people over the last few elections, you’ll get over it. The really hyperbolic freak outs about Literally Hitler make you sound just like the Alex Jones crowd worried that Obama was going to herd Christians into FEMA camps last time. So take a deep breath and relax. Your friends and neighbors are the same as they were last week. The vast majority weren’t voting because racism, they voted against the status quo and a really unlikable Democrat. And no, they aren’t going to round you up into cattle cars….
[Thanks to John King Tarpinian, Jim C. Hines, Martin Morse Wooster, and Daniel Dern for some of these stories. Title credit goes to File 770 contributing editor of the day Cadbury Moose.]
(1) JIM HENLEY POOPS ON SPACE. In comments, Jim deposited this link to a report that long-duration space habitation impairs vision in 80% of astronauts. (Hey, “poops” is his word.)
In 2005, astronaut John Phillips took a break from his work on the International Space Station and looked out the window at Earth. He was about halfway through a mission that had begun in April and would end in October.
When he gazed down at the planet, the Earth was blurry. He couldn’t focus on it clearly. That was strange — his vision had always been 20/20. He wondered: Was his eyesight getting worse?
“I’m not sure if I reported that to the ground,” he said. “I think I didn’t. I thought it would be something that would just go away, and fix itself when I got to Earth.”
It didn’t go away.
During Phillips’ post-flight physical, NASA found that his vision had gone from 20/20 to 20/100 in six months.
Rigorous testing followed. Phillips got MRIs, retinal scans, neurological tests and a spinal tap. The tests showed that not only had his vision changed, but his eyes had changed as well.
The backs of his eyes had gotten flatter, pushing his retinas forward. He had choroidal folds, which are like stretch marks. His optic nerves were inflamed.
Phillips case became the first widely recognized one of a mysterious syndrome that affects 80 percent of astronauts on long-duration missions in space. The syndrome could interfere with plans for future crewed space missions, including any trips to Mars.
1) America could have had a man in space in 1951, but America is a democracy, and its populace (hence, the government) is too stupid to understand the value of space travel.
2) The government’s efforts to put a man in space are all failures: Project Vanguard didn’t work. Project Mercury won’t go to orbit. Liquid-fueled rockets are pointless.
3) Ford motor company produced Project Farside, a series of solid-fueled “rock-oons,” on the cheap, so therefore, the best way to get into space…nay…the only way is to give the reins to private industry.
Campbell isn’t just wrong on every single one of these assertions. He’s delusional.
Matt Smith may be about to travel back in time to play Doctor Who again.
Show boss Steven Moffat has hinted Smith could be the first of the 12 Doctors to return to the Tardis after regenerating.
Matt, who stars as Prince Phillip in Netflix’s big-budget royal drama The Crown in November, has made no secret of his desire to return, saying last year: “They will ask me back one day, won’t they?”
Matt’s successor Peter Capaldi has been tipped to bow out after the next series, currently being filmed for release in 2017.
And Moffat, who is leaving after his sixth season next year has said Matt is “quite open about how much he misses it, and how much he wishes he hadn’t left”.
(4) OH SAY DID YOU HEAR? A piece by Carly Carioli in the July 1 Boston Globe called “Did the Star-Spangled Banner land Igor Stravinsky in Jail?” explores the issue of whether or not Stravinsky was arrested for playing a radical arrangement of the national anthem in 1944. (He wasn’t because he substituted the traditional arrangement at the last minute.)
The sf connection is that Carioli linked to a photo of Stravinsky. “The novelist Neil Gaiman thought it was a mug shot. He sent the image to the blog Boing-Boing a few years ago, along with an astounding plot-point: He claimed that Stravinsky had been arrested in Boston” for his weird arrangement.
Spoiler alert: The photo is not a mug shot, and Stravinsky was never arrested. But the real story of what happened to the composer in Boston is an incredible tale. He did compose a weird arrangement of the national anthem, and the Boston police really did ban him from performing it — sparking a national uproar and a tense showdown that played out live on the radio.
The Boston Globe has a tight paywall of five articles a month, so good luck clicking through.
As I wrote in my first post in this series: I am not planning to reflexively rank Rabid Puppy entries below No Award. I am of course disgusted by the Rabid Puppy antics, and I feel that many worthier stories were kept off the ballot by the Rabid choices. And if a story is bad enough, it will certainly be off my ballot, with No Award the last choice. (That’s always been my approach.) But, this year in particular, many of the nominees supported by the Rabid Puppies were either unaware of that, or aware and quite clearly not happy with that. Also, I don’t want to reduce the meaningfulness of the win for those worthy winners – if they finish first and No Award is second, to my mind it to some extent delegitimizes their wins, through no fault of their own. Better to have been chosen the best with every voting on merit than voted best simply because all the other choices were automatically rejected regardless of quality.
Sometimes I think that Stephen King is too skilled a writer for his own good. No, wait, hear me out. “Obits” is about an obituary writer who discovers that when he writes obituaries about live people, they end up dead. It’s not an earth-shattering idea, and I’d bet that any number of writers have come up with something similar. Other writers, though, would try to figure out where the story should go, how it should end, if it would be too predictable — and when they finished with all of that, they’d decide that the idea wouldn’t work, that it’s just not a very good concept for a story.
(8) CHIMERA CREATURES. Mary Lowd has been rescuing stuffed animals and playing mad scientist in order to resurrect them. She displays the results in a photo gallery.
The Subjects:
For this project, subjects were gathered from local dispensaries of unwanted toys. Most of the specimens were procured from various Goodwills, but a few were found at St. Vinnie’s and Sarah’s Treasures. Excluding a few exceptional specimens, they all cost between $1 and $2. Even the exceptional ones cost at most $4. In order for a specimen to be suitable, it had to be in good condition, contain nice parts, but be — shall we say — uninspiring in its totallity. Several specimens were rejected for inclusion due to being too lovable in their original, unaltered forms. All of the specimens selected for final inclusion in the project are pictured below in Fig. 1 – 3.
(9) WHEN LUCY LAUNCHED A THOUSAND STARSHIPS. Many writers have been fascinated to discover Lucille Ball played a role in getting Star Trek on the air. The latest retelling of the tale is “How Lucille Ball Saved Star Trek“ at Entertainment Weekly.
While many series were being shot at Desilu, the studio was in dire need of original programming of its own following the end of The Untouchables in 1963. Herbert Solow, hired to help locate new projects for the studio, brought two notable proposals to Desilu in 1964. One was Mission: Impossible; the other was Roddenberry’s quirky sci-fi idea. When Lucy’s longtime network CBS said no to Trek, Solow and Roddenberry took it to NBC. Science fiction was alien to the network’s schedule, but it ordered a pilot.
According to Solow in Marc Cushman’s history These Are the Voyages, Lucy initially thought Star Trek was about traveling USO performers. But her support for the show was necessary as it became clear how expensive the pilot would be. Lucy overruled her board of directors to make sure the episode was produced.
(10) STAND BY ME (BUT NOT TOO CLOSE). There is a flurry of weird news stories about Pokémon Go players getting hurt or whatnot. Here is the first of several people have sent me today: “Players in hunt for Pokemon Go monsters feel real-world pain” reports ABC’s Chicago affiliate.
Beware: “Pokemon Go,” a new smartphone game based on cute Nintendo characters like Squirtle and Pikachu, can be harmful to your health. The “augmented reality” game, which layers gameplay onto the physical world, became the top grossing app in the iPhone app store just days after its Wednesday release in the U.S., Australia and New Zealand. And players have already reported wiping out in a variety of ways as they wander the real world – eyes glued to their smartphone screens – in search of digital monsters.
Mike Schultz, a 21-year-old communications graduate on Long Island, New York, took a spill on his skateboard as he stared at his phone while cruising for critters early Thursday. He cut his hand on the sidewalk after hitting a big crack, and blames himself for going too slowly. “I just wanted to be able to stop quickly if there were any Pokemons nearby to catch,” he says. “I don’t think the company is really at fault.”
The augmented reality game, which was released last week, gets people to catch virtual monsters using the person’s location on their phone.
Nineteen-year-old Shayla Wiggins, from Wyoming, was told to find a Pokemon in a natural water source but instead found a man’s corpse.
“I was walking towards the bridge along the shore when I saw something in the water,” she told County 10 news.
“I had to take a second look and I realised it was a body.”
(12) DARWIN REWARD. Police in Darwin, Australia requested on their Facebook page that players not waltz into their station, which of course is a Pokestop in the game.
For those budding Pokemon Trainers out there using Pokemon Go – whilst the Darwin Police Station may feature as a Pokestop, please be advised that you don’t actually have to step inside in order to gain the pokeballs.
It’s also a good idea to look up, away from your phone and both ways before crossing the street. That Sandshrew isn’t going anywhere fast.
Police in O’Fallon, Missouri are investigating a series of armed robberies believe that the robbers used the Pokemon Go smartphone app to target victims, according to a post on the department’s Facebook page. Four suspects were arrested early Sunday morning near the intersection of Highway K and Feise Road in O’Fallon after a report of an armed robbery. Police say they are suspected of multiple armed robberies in St. Louis and St. Charles counties in Missouri. A handgun was recovered.
Police believe they used the game to, “add a beacon to a pokestop to lure more players” and then used the app to locate victims.
I spent less than 20 minutes outside. Five of those minutes were spent enjoying the game. One of those minutes I spent trying to look as pleasant and nonthreatening as possible as I walked past a somewhat visibly disturbed white woman on her way to the bus stop. I spent the other 14 minutes being distracted from the game by thoughts of the countless Black Men who have had the police called on them because they looked “suspicious” or wondering what a second amendment exercising individual might do if I walked past their window a 3rd or 4th time in search of a Jigglypuff.
When my brain started combining the complexity of being Black in America with the real world proposal of wandering and exploration that is designed into the gameplay of Pokemon GO, there was only one conclusion. I might die if I keep playing.
(15) TOY QUEST. John King Tarpinian went to a store and personally checked out several of the Hallmark collectible ornaments discussed in a post here at File 770. He says the fidelity of the recordings is “surprisingly good.”
Though about this one he cryptically commented, “No sound but yabba dabba doo.”
Folks heading to San Diego Comic-Con can also get their Star Wars fix from July 21 – 24. If you plan on attending SDCC later this month, make sure to swing by the Hasbro booth (#3213) and have your fill of some new Star Wars figures. Hasbro will also have a panel on Friday, July 22nd at noon to introduce their latest line of exclusives….
As noted above, the Darth Vader, Kanan Jarrus, and Biker Scout figures are 12? models while Rey and Hera Syndulla are just under 4? tall. Kanan and Vader also have “electronic touches” which could mean their light sabers actually glow. These figures will be on display at SDCC, but fans will have to exercise some patience because they won’t be available for purchase until fall 2016 — just in time for Christmas
For those of us who can’t make it across the pond, some panels will be streamed, including the Rogue One panel, where we should be in for a new trailer for the spinoff film.
Let’s share our memories and adventures of our pal and mentor for over 40 years. George wrote “The Man Trap” the very first Star Trek episode that aired. He also wrote 8 original Twilight Zone episodes, Oceans 11 movie and the “Logan’s Run” novel with William F. Nolan. Panel participants include David Gerrold, Craig Miller, Greg Koudoulian, GeneHenderson, ClaytonMoore, ScottSmith, JimmyDiggs and AnthonyKeith
(I don’t know which Clayton Moore this is but it can’t be the one from The Lone Ranger – he passed away in 1999.)
(19) KUBRICK LOST AND FOUND. A 2015 documentary on YouTube, Stanley Kubrick: The Lost Tapes, is based on tapes that a New Yorker writer produced in 1966 for a Kubrick profile. Kubrick discusses the making of Dr. Strangelove at about 20 minutes in to this 25-minute documentary. He discusses his professional relationship with Arthur C. Clarke very briefly beginning at 22:00.
(20) ROD SERLING AND GROUCHO MARX. You Bet Your Life was retooled as Tell It To Groucho and sold to CBS for one short season in early 1962. Here’s half of one of the very few episodes available to view today, featuring Rod Serling.
(21) MORE HARLEY QUINN. The Suicide Squad international trailer dropped.
[Thanks to Martin Morse Wooster, Petréa Mitchell, Dawn Incognito, Hampus Eckerman, Cat Rambo, Jim Henley, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day ULTRAGOTHA.]
