FIYAH Literary Magazine’s inaugural Ignyte Awards were presented in an online ceremony on October 17 brilliantly hosted by Jesse of Bowties & Books.
The Ignyte Awards seek to celebrate the vibrancy and diversity of the current and future landscapes of science fiction, fantasy, and horror by recognizing incredible feats in storytelling and outstanding efforts toward inclusivity of the genre. There were 1,431 valid votes cast to decide the winners.
Best Novel – Adult – for novel-length (40k+ words) works intended for the adult audience:
Gods of Jade and Shadow – Silvia Moreno-Garcia
Best Novel – YA – for novel-length (40k+ words) works intended for the young adult audience:
We Hunt the Flame – Hafsah Faizal
Best in MG – for works intended for the middle-grade audience:
Tristan Strong Punches a Hole in the Sky – Kwame Mbalia
Best Novella – for speculative works ranging from 17,500-39,999 words:
This is How You Lose the Time War – Max Gladstone & Amal El-Mohtar
Best Novelette – for speculative works ranging from 7,500-17,499 words:
Emergency Skin – N K Jemisin for the Amazon Forward Collection
Best Short Story – for speculative works ranging from 2,000-7,499 words:
A Brief Lesson in Native American Astronomy – Rebecca Roanhorse for Mythic Dream
Speculative Poetry –
A Conversation Between the Embalmed Heads of Lampião and Maria Bonita on Public Display at the Baiano State Forensic Institute, Circa Mid-20th Century – Woody Dismukes for Strange Horizons
Critics Award – for reviews and analysis of the field of speculative literature:
Alex Brown – Tor.com
Best Fiction Podcast – for excellence in audio performance and production for speculative fiction:
LeVar Burton Reads – LeVar Burton
Best Artist – for contributions in visual speculative storytelling:
Grace P. Fong
Best Comics Team – for comics, graphic novels, and sequential storytelling:
These Savage Shores – Ram V, Sumit Kumar, Vitorio Astone, Aditya Bidikar, & Tim Daniel
Best Anthology/Collected Works –
New Suns – Nisi Shawl
Best in Creative Nonfiction – for works related to the field of speculative fiction:
Black Horror Rising – Tananarive Due
The Ember Award – for unsung contributions to the genre:
Community Award – for Outstanding Efforts in Service of Inclusion and Equitable Practice in Genre:
Strange Horizons – Gautam Bhatia, Vajra Chandrasekera, Joyce Chng, Kate Cowan, Tahlia Day, William Ellwood, Rebecca Evans, Ciro Faienza, Lila Garrott, Dan Hartland, Amanda Jean, Lulu Kadhim, Maureen Kincaid Speller, Catherine Krahe, Anaea Lay, Dante Luiz, Heather McDougal, AJ Odasso, Vanessa Rose Phin, Clark Seanor, Romie Stott, Aishwarya Subramanian, Fred G. Yost, and the SH copyediting team and first readers
….But fans familiar with the books noticed a major omission in its promotional materials: any reference to the Islam-inspired framing of the novel. In fact, the trailer uses the words, “a crusade is coming”, using the Christian term for holy war – something that occurs a mere three times in the six books of the original series. The word they were looking for was “jihad”, a foundational term and an essential concept in the series. But jihad is bad branding, and in Hollywood, Islam does not sell unless it is being shot at.
Dune is the second film adaptation of the popular 1965 science fiction novel by Frank Herbert. Set approximately 20,000 years in the future on the desert planet Arrakis, it tells the story of a war for control of its major export: the mind-altering spice melange that allows for instantaneous space travel. The Indigenous people of this planet, the Fremen, are oppressed for access to this spice. The story begins when a new aristocratic house takes over the planet, centring the narrative on the Duke’s son Paul.
The trailer’s use of “crusade” obscures the fact that the series is full of vocabularies of Islam, drawn from Arabic, Persian, and Turkish. Words like “Mahdi”, “Shai-Hulud”, “noukker”, and “ya hya chouhada” are commonly used throughout the story. To quote Herbert himself, from an unpublished 1978 interview with Tim O’Reilly, he used this vocabulary, partly derived from “colloquial Arabic”, to signal to the reader that they are “not here and now, but that something of here and now has been carried to that faraway place and time”. Language, he remarks, “is mind-shaping as well as used by mind”, mediating our experience of place and time. And he uses the language of Dune to show how, 20,000 years in the future, when all religion and language has fundamentally changed, there are still threads of continuity with the Arabic and Islam of our world because they are inextricable from humanity’s past, present, and future….
(2) LEARNING HORROR. Sarah Gailey adds to her Personal Canons “Wayside School”, a tribute to Louis Sachar’s Wayside School series.
…In addition to tapping into the deep, gut-level instability of growing up, Sachar wrote some truly choice moments of horror into these books. It’s horror for children, in that it’s a little gross and a little ridiculous, but that doesn’t make it ineffective. …
These are all presented as genuinely frightening, and they land beautifully. When I read these books as a child, I was aware that they were funny and unrealistic — but I also felt a lingering sense of unease. The school was not a safe place, and the teachers were not safe or trustworthy people. The rules rarely made sense, but the consequences to breaking them were very real. Everything constantly seemed to be teetering on the brink of collapse.
These are the books that taught me to love being unsettled….
(3) STOP AND SMELL THE ROSES. Congratulations to the Strange Horizons’ reviews section which celebrated a milestone anniversary. Their twentieth-anniversary round table of reviewers past and present, featuring Rachel Cordasco, Erin Horáková, ML Kejera, Samira Nadkarni, Abigail Nussbaum, Charles Payseur, Nisi Shawl, Aishwarya Subramanian, and Bogi Takács, discusses “what reviewing is, why it matters—and why they bother with it.”
…Abigail Nussbaum: I see my reviewing as an offshoot of fandom. In the late 90s and early 00s I was active in a few fandoms—X-Files and Harry Potter, mostly—but gravitated almost exclusively to what would now be described as “meta,” analysis and reviewing rather than fanfic. Around the mid-00s I was active on a message board called Readerville, dedicated to discussions of books, which helped me both to expand my reading and explore my impulse to talk about the things I’d read. I started a blog in 2005 basically because I had a lot to say and nowhere to say it—certainly not at the length I wanted. A few months later, Niall Harrison got in touch and asked if I’d be interested in writing for Strange Horizons, and the rest is history.
The protagonist in your new novel tries to offset her job at a tech company where she is working for a repressive regime by helping some of its targets evade detection. Do you think many Silicon Valley employees feel uneasy about their work? Anyone who has ever fallen in love with technology knows the amount of control that it gives you. If you can express yourself well to a computer it will do exactly what you tell it to do perfectly, as many times as you want. Across the tech sector, there are a bunch of workers who are waking up and going: “How did I end up rationalising my love for technology and all the power it gives me to take away that power from other people?”
As a society, we have a great fallacy, the fallacy of the ledger, which is that if you do some bad things, and then you do some good things, you can talk them up. And if your balance is positive, then you’re a good person. And if the balance is negative, you’re a bad person. But no amount of goodness cancels out the badness, they coexist – the people you hurt will still be hurt, irrespective of the other things you do to make amends. We’re flawed vessels, and we need a better moral discourse. That’s one of the things this book is trying to establish.
When I moved to California from Toronto (by way of London), I was shocked by the prevalence of gun stores and, by their implication, that so many of my reasonable-seeming neighbors were doubtless in possession of lethal weapons. Gradually the shock wore off—until the plague struck. When the lockdown went into effect, the mysterious gun stores on the main street near my house sprouted around-the-block lines of poorly distanced people lining up to buy handguns. I used to joke that they were planning to shoot the virus and that their marksmanship was not likely to be up to the task, but I knew what it was all about. They were buying guns because they’d told themselves a story: As soon as things went wrong, order would collapse, and their neighbors would turn on them.
Somehow, I couldn’t help but feel responsible. I’m a science-fiction writer, and I write a lot of disaster stories. Made-up stories, even stories of impossible things, are ways for us to mentally rehearse our responses to different social outcomes. Philosopher Daniel Dennett’s conception of an intuition pump—“a thought experiment structured to allow the thinker to use their intuition to develop an answer to a problem”—suggests that fiction (which is, after all, an elaborate thought experiment) isn’t merely entertainment.*
That’s true. And it’s a problem….
(6) UNFORGOTTEN. Never mentioned by the actress, but Glorious Trash remembers Diana Rigg’s work in “Minikillers (1969)”.
German producers H.G. Lückel and D. Nettemann had an entrepreneurial idea: to provide entertainment for people getting their cars refilled at gas stations in Germany. The idea was to place TV sets by the pumps, so customers could watch a short film while their car was filled (this was before the days of self-service.) They envisioned an espionage thriller to capitalize on the James Bond/Eurospy genre. Casting about for a famous lead, they eventually settled on Diana Rigg — fresh from her biggest role in the Bond film On Her Majesty’s Secret Service. After negotiating, Rigg agreed to appear in these films.
Minikillers is a series of four short films, tied together into a coherent storyline: the idea was that customers would keep coming back to that particular gas station to see the conclusion. The series was shot on 8 millimeter and without dialog; sound effects and music were added later. In a way the project comes off like a silent film; all is relayed via movement, gestures, and facial expressions.
Rigg apparently did not realize the uber-low budget of these films until the camera(s) started to roll. However true to her contract she shot each of them…and never mentioned them again.
As they are up on YouTube:
(7) MEDIA ANNIVERSARY.
2010 — Terry Pratchett won the World Fantasy Award for Life Achievement from the Mythopoeic Society. It was his second Award from them as five years earlier he’d won the Mythopoeic Fantasy Award for Children’s Literature for A Hat Full of Sky, the second of the novels involving the young witch Tiffany Aching. That novel would also garner the Locus Award for Best Young Adult Book. The series as a whole would later be nominated for a Mythopoeic Fantasy Award for Children’s Literature but the Award went to Ursula Vernon’s Castle Hangnail.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born October 13, 1872 – Boris Zvorykin. Designer and illustrator; illustrated books, decorated churches, worked for Tsar Nicholas II. Left at the Revolution, eventually went to Paris, in 1930 translated & illustrated four Russian fairy tales, also did porcelain for Porzella later incorporated in Villeroy & Boch. In 1978 Jacqueline Onassis found and produced his book, The Firebird(in English). Here is a print illustrating Boris Godounov. Here is one for Tsar Saltan. Here is “The Snow Maiden”. Here is a set of his V&B plates. (Died 1942) [JH]
Born October 13, 1906 – William Morrison. Four novels, eighty shorter stories; “The Science Stage” in F&SF; memoir in Greenberg, Olander & Pohl’s 1980 thirty-year Galaxy anthology; posthumous collection The Sly Bungerhop (2017). Ph.D. research chemist under another name. Comics, credited with creating J’Onn J’Onzz the Manhunter from Mars. Wrote about archeology, ballet, opera, theater, Rome. (Died 1980) [JH]
Born October 13, 1923 – Iona Opie, C.B.E. Folklorist, anthologist, with her husband Peter; their collection of children’s books and ephemera 16th-20th Centuries is in the Bodleian Lib’y (20,000 pieces; two-year public appeal raised the £500,000 cost); audiotapes of children’s games & songs in the British Lib’y. Oxford Dictionary of Nursery Rhymes; Lore & Language of Schoolchildren; two dozen stories for us in The Classic Fairy Tales; two dozen more books. Coote Lake Medal jointly. Iona made a Commander of the Order of the British Empire. (Died 2017) [JH]
Born October 13, 1926 — Lenny Bruce. Yes, the foul-mouthed stand-up comic. ISFDB lists him as having co-authored three essays with Harlan Ellison in Rouge magazine in 1959 all called “Bruce Here”. Rogue also printed SF stories as well from Fritz Leiber, Robert Bloch, Mack Reynolds and Harlan Ellison to name some of their writers. It lasted but six issues. (Died 1966.) (CE)
Born October 13, 1956 — Chris Carter, 64. Best known for the X-Files and Millennium which I think is far better than X-Files was, but also responsible for Harsh Realm which lasted three episodes before being cancelled. The Lone Gunmen managed to last thirteen episodes before poor ratings made them bite the bullet. (CE)
Born October 13, 1959 — Wayne Pygram, 61. His most SFish role was as Scorpius on Farscape and he has a cameo as Grand Moff Tarkin in Revenge of the Sith because he’s a close facial resemblance to Peter Cushing. He’s likely best recognized as himself for his appearance on Lost as a faith healer named Isaac of Uluru. (CE)
Born October 13, 1967 — Kate Walsh, 53. She has the recurring role of The Handler in The Umbrella Academy series. Walsh starred as Sandra Anderson in the biblical horror film Legion, and was a sexy waitress in the Bewitched film. She was Amal Colb in Scary Movie 5, the fifth and final installment in the Scary Movie franchise. (CE)
Born October 13, 1967 – Petri Hiltunen, 53. Cartoonist and illustrator. Puupäähattu award. His Praedor comics led to a role-playing game of the same name. In his comic strip The Return of Väinämöinen, the Eternal Sage of Kalevala ends his self-imposed exile to find he might have been gone too long, e.g. these newfangled “potatoes” are now considered a traditional food. PH contributes to the SF magazine Tähtivaeltaja (“Star Wanderer”); he’s well known in Finnish fandom e.g. at Finncon. Here is an illustration for Knight of the Cursed Land. Here is the cover for his graphic-novel version of Macbeth. Here is an illustration for the board-game Aegemonia. [JH]
Born October 13, 1969 — Aaron Rosenberg, 51. He’s written novels for Star Trek, StarCraft, Warcraft, Exalted, Stargate Atlantis, and Warhammer, as well as other franchises. He’s even written a novel set In the Eureka ‘verse, Eureka: Roads Less Traveled, under the house name of Cris Ramsay. Eureka novels sound fascinating but this is the only one that I found so far. (CE)
Born October 13, 1975 – Jana Bauer, 45. Her Witch Vanisher is available in English; the publisher says she has a deviously humorous narrative style. She edits Exchanges, short prose from different countries, and Forget-me-nots in Slovenian and English for the children of Slovene emigrants (I’ve left out the Slovenian titles because of software character trouble). In the Land of Gingerbread was the first Forget-me-not (see p. 2 of this newsletter). For Scary Fairy in the Fearful Forest see here. A dozen other books. [JH]
Born October 13, 1976 — Jennifer Sky, 44. Lead character conveniently named Cleopatra in Sam Raimi’s Cleopatra 2525 series. (Opening theme “In the Year 2525” is performed by Gina Torres who’s also a cast member.) She’s had guest roles on Seaquest DSV, Xena, Charmed and Buffy the Vampire Slayer. And she was Lola in The Helix…Loaded, a parody of The Matrix which scored 14% at Rotten Tomatoes among audience reviewers. (CE)
Born October 12, 1983 – Lesley Nneka Arimah, 37. Nat’l Magazine Award, O. Henry Award, Commonwealth Short Story Prize. “Skinned” (Best American Science Fiction & Fantasy Stories, Machado ed. 2019) and four more for us in her collection What Does It Mean When a Man Falls from the Sky?, Kirkus Prize and don’t miss its last review at her Website, where also she says she is working on a novel about you. [JH]
(11) GETTING INTO THE SPIRIT. Cat Rambo reads a story for Halloween.
This short urban fantasy story originally appeared in Stamps, Tramps, and Vamps, edited by Shannon Robinson. It takes place in Durham, North Carolina, and involves a tattoo artist who’s got a different purpose in mind than her latest client does. It seemed like it would be a fun Halloween story to share!
…Derbyshire, an early electronic music pioneer, worked at the BBC’s Radiophonic Workshop in the 1960s, where she composed the theme for the long-running science fiction series Doctor Who. Written and directed by Caroline Catz, the film features archival materials, interviews with Derbyshire’s colleagues and collaborators, and dramatizations starring Catz herself as the composer. Derbyshire’s original compositions are featured alongside a soundtrack by Cosey Fanni Tutti, constructed from samples Derbyshire’s posthumously released “Attic Tapes.”
(14) UNCLE WALT. Defunctland is “the show about the past…of the future!” Here are two of its episodes devoted to Walt Disney’s landmarks Disneyland and EPCOT.
In this episode, Kevin finally reaches the opening of Disneyland, focusing on the development and history of Tomorrowland 1955, the first, hastily-made version of the famous theme park land, including attractions such famous attractions as Rocket to the Moon, Autopia, Space Station X-1, the Matterhorn, the Skyway, Submarine Voyage, and the Monorail.
Walt Disney made ambitious plans for a City of Tomorrow named E.P.C.O.T. just before his death in 1966, but the plans were soon abandoned. What were Walt’s ideas for his city of the future, what happened to the project, and would it have worked?
(15) VIDEO OF THE DAY. In “Twilight: Eclipse Pitch Meeting” on ScreenRant, Ryan George says the third Twilight movie has a very strange title, because “Why would you spend two hours looking at an eclipse?”
[Thanks to Daniel Dern, Mike Kennedy, Martin Morse Wooster, John King Tarpinian, Michael Toman, JJ, N., Cat Eldridge, Alan Baumler, Will R., John Hertz, and Andrew Porter for some of these stories. Title credt goes to File 770 contributing editor of the day Daniel Dern.]
(1) MIYAZAKI EXHIBIT WILL KEYNOTE ACADEMY MUSEUM OPENING. The Academy Museum of Motion Pictures in Los Angeles announced the work of Hayao Miyazaki will feature in its inaugural temporary exhibition when the museum opens to the public on April 30, 2021. It will be the first North American museum retrospective dedicated to the acclaimed artist and his work.
With more than 300 objects, the exhibition will explore each of Miyazaki’s animated feature films, including My Neighbor Totoro (1988) and the Academy Award®-winning Spirited Away (2001). Visitors will travel through the filmmaker’s six-decade career through a dynamic presentation of original imageboards, character designs, storyboards, layouts, backgrounds, posters, and cels, including pieces on public view outside of Japan for the first time, as well as large-scale projections of film clips and immersive environments.
From there, visitors move into the Creating Worlds gallery, a space that evokes Miyazaki’s fantastical worlds. The gallery will capture the contrast between beautiful, natural, and peaceful environments and the industrial settings dominated by labor and technology that are also often featured in Miyazaki’s movies. Visitors can view concept sketches and backgrounds that offer insight into Miyazaki’s imagination, including an original imageboard from his first Ghibli film Castle in the Sky (1986) and artworks from subsequent Ghibli features. Other areas explore Miyazaki’s fascination with complex vertical structures, such as the famous bathhouse in Spirited Away, and the underwater world of Ponyo (2008), as well as Miyazaki’s interest in flying, as seen in Porco Rosso (1992) and The Wind Rises (2013). As a highlight of the exhibition, visitors can enjoy a moment of quiet contemplation in the Sky View installation, addressing another frequent motif in Miyazaki’s films: the desire to slow down, reflect, and dream.
Next, the Transformations gallery affords visitors the opportunity to explore the astonishing metamorphoses often experienced by both characters and settings in Miyazaki’s films. In Howl’s Moving Castle (2004), for example, the protagonists go through physical transformations that reflect their emotional states, while in other films, such as Nausicaä of the Valley of the Wind, Miyazaki creates mysterious and imaginative ways to visualize the changes that humans impose on the natural world.
Visitors then enter the exhibition’s final gallery Magical Forest through its Mother Tree installation. Standing at the threshold between dream and reality, colossal, mystical trees in many of Miyazaki’s films represent a connection or gateway to another world. After passing through the installation, visitors encounter the spirits of the forest, such as the playful Kodama from Princess Mononoke, through an array of storyboards and mixed media. Visitors exit through another transitional corridor, which guides them from the imaginative worlds of Hayao Miyazaki back into the museum.
(2) ATTEND A VIRTUAL ANNOUNCEMENT ABOUT THE EXPANSE. Register here for the opportunity to hear news about the ninth and final book in the Expanse series on Wednesday at 11 AM PDT/2 PM EDT. Authors Daniel Abraham and Ty Franck will be answering questions following the announcement.
(3) NEW HONOR FOR ATWOOD. Margaret Atwood has won the Dayton literary peace prize reports The Guardian.
Margaret Atwood, whose sweeping body of work includes The Handmaid’s Tale, a depiction of a nightmarish totalitarian future for the US, has won a lifetime achievement award that celebrates literature’s power to foster peace, social justice and global understanding.
The Canadian writer will receive the Richard C Holbrooke distinguished achievement award, officials of the Dayton literary peace prize officials announced on Monday. The award is named for the late American diplomat who brokered the 1995 Bosnian peace accords reached in the Ohio city.
Atwood, a prolific writer of poetry, fiction, nonfiction, essays and comic books , has in recent years drawn a new round of acclaim for her bestselling 1985 novel of a dystopian future in which women are subjugated after a theocratic group overthrow the US government. The television adaptation, starring Elisabeth Moss, saw the book return to bestseller lists around the world, while some readers saw similarities to the leadership of authoritarian Gilead in the rise of US president Donald Trump…
(4) SLF STILL TAKING GULLIVER GRANT APPLICATIONS. The Speculative Literature Foundation is taking submissions for the Gulliver Travel Research Grant until September 30. Full guidelines on the website.
The SLF Gulliver Travel grants are awarded annually, since 2004, to assist writers of speculative literature (in fiction, poetry, drama, or creative nonfiction) in their research. They are not currently available for academic research, though we hope to offer such funds in the future. We are currently offering one $1000 travel grant annually, to be used to cover airfare, lodging, and/or other travel expenses.
This episode, I was able to totally fulfill the mandate of this podcast, and lose myself in a meal as I sat across a table face to face with a creator. That’s because I’ve known this guest for 46 years plus a few months — and have been in constant conversation with her for almost all of that time. She’s been a part of comics and science fiction fandom several years longer than I have, and worked in comics longer than I did, too. When I started at Marvel Comics on June 24, 1974, she’d ready been there for a couple of months. She has many fascinating things to say about her time in comics — and her decades working in the romance field as well.
I’m of course talking about my wife — Irene Vartanoff — or as she was dubbed by Stan Lee — “Impish” Irene Vartanoff. Her novel Hollywood Superheroine — the final book in her comics-inspired Temporary Superheroine trilogy — was recently published, so this is the perfect time to have a chat about it all.
We discussed how she’d never have gotten into comics if not for her father’s cigar habit, what made a comic book reader become a comic book fan become a comic book professional, the “heartbreaking” advice given to her by Julie Schwartz during her teen visit to DC Comics, why her reputation as a famed letterhack meant she didn’t face the same sexism as other women in comics, what it was like working for Roy Thomas at Marvel and Paul Levitz at DC (and why she respected them both), how critiquing romance manuscripts for 25 years was like being at Marvel all over again, the secret origins of her Temporary Superheroine character, how politics changed Hollywood Superheroine, the final novel in her trilogy, why pantsing works better for her than plotting, the reason she decided to go the indie publishing route, and much more.
(6) LE GUIN DISCOVERY. Sean Joyce-Farley finds worlds of meaning in Ursula LeGuin’s revision to a passage The Left Hand of Darkness, as explained in a post for Library of America, “Are You There Ursula? It’s Me, Sean”.
Knight Library lies tucked into the west side of the University of Oregon campus, just by the cemetery: a dark four-story brick building. Inside, sunlight falls into the Paulson Reading Room through the tall windows at my back. Rigged up in a mask, I look like a harbinger of things to come—but it’s the fall of 2019, and I just have a dust allergy.
There are no pens in the Special Collections, and no water. UO students periodically approach the desk only to learn that they need to take a different staircase to get to the other second floor, which is somehow not connected to this second floor. I take in camera, laptop, notebook, pencil. Grey boxes with my name on them—literally, stuck on in post-its—neatly line the shelf behind the librarian’s desk. The first box is number 77; inside, folders three to five house the handwritten manuscript of Ursula K. Le Guin’s The Left Hand of Darkness (1969). I lift up the lid, and let the light in….
(7) GOT THAT RIGHT. “It’s Not Easy Being a BookTuber” on WIRED is an introduction to an episode of WIRED’s “Geek’s Guide To The Galaxy” podcast which has an interview with Daniel Greene, who makes his living reviewing sf and fantasy books on YouTube. Greene discusses how he gets 20-30 requests from self-published authors to plug their books and how he has to keep reviewing bestsellers to satisfy YouTube’s algorithms.
Daniel Greene makes a full-time living off his YouTube channel, discussing fantasy authors such as Robert Jordan, Brandon Sanderson, and Jim Butcher. Talking about your favorite books all day might sound like a dream come true, but Greene says that building a successful channel is harder than people think.
“For a few years I was doing a video every day of the week, seven days a week, which was insane, while also being a software engineer,” Greene says in Episode 431 of the Geek’s Guide to the Galaxy podcast. “I’m a workaholic.”
(8) MORE SAND. MovieWeb alerted readers to a French-langauge variant of last week’s Dune trailer with some additional shots.
While the majority of the Dune trailer is the same as the one that debuted a few days ago, this version is slightly shorter and has been restructured. The trailer is in French but, while you may not have much idea what they’re saying, there are a few new shots included, giving us a further look at the likes of Gurney Halleck, played by Josh Brolin, who is seen preparing for battle, as well as a little more of Timothée Chalamet’s Paul Atreides enduring the excruciating pain of the Gom Jabbar Test.
(9) MEDIA ANNIVERSARY.
September 2000 — Twenty years ago this month, the online magazine Strange Horizons posted its first issue. It does short stories, poetry and reviews, essays, interviews, and other material as tickles its fancy. It was founded by writer and editor Mary Anne Mohanraj. Susan Marie Groppi who took over in 2004, won the World Fantasy Special Award: Non-Professional in 2010 for her work as the Editor-in-Chief. Other editors have followed; the current one is Vanessa Rose Phin. Several of the stories first published here have been nominated for Hugos, Sofia Samatar’s “Selkie Stories Are for Losers” and Benjamin Rosenbaum‘s “The House Beyond Your Sky”. It was a finalist for the Best Website Hugo Award in two years, and for the Hugo Award for Best Semiprozine every year from 2013 through 2020. You can find it here.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born September 14, 1927 – Martin Caidin. His Cyborg was the basis for The Six Million Dollar Man and The Bionic Woman. Thirty novels for us, half a dozen nonfiction books about rockets and Space travel; eighty fiction and nonfiction books all told, a thousand magazine articles; an authority on aviation and aerospace. Restored to full airworthiness a 1936 Junkers Ju 52, toured extensively with her. Flew with the Thunderbirds demonstration squadron (U.S. Air Force), honorary member of the Golden Knights parachute demonstration team (Army). Twice won Aviation/Space Writers Ass’n Award for outstanding aviation author. (Died 1997) [JH]
Born September 14, 1931 – Ivan Klíma, 89. Kafka Prize and Magnesia Litera award. A Childhood in Terezin (in German, Theresienstadt; WW II holding ground for deportation to death camps e.g. Auschwitz; few survived) about his own experience. Biography of Karel Capek (software won’t allow the diacritical mark over the C showing it’s pronounced like ch in English church) translated into English, also memoir My Crazy Century. Penguin Classics ed’n of R.U.R. has his introduction. Three dozen other books. [JH]
Born September 14, 1932 — Joyce Taylor, 88. She first shows as Princess Antillia in Atlantis, the Lost Continent. Later genre appearances were The Man from U.N.C.LE., the first English language Beauty and the Beast film, the horror film Twice-Told Tales and the Men into Space SF series. (CE)
Born September 14, 1936 — Walter Koenig, 83. Best known for his roles as Pavel Chekov in the original Trek franchise and Alfred Bester (named in homage of that author and a certain novel) on Babylon 5. Moontrap, a SF film with him and Bruce Campbell, would garner a 28% rating at Rotten Tomatoes, and InAlienable which he executive produced, wrote and acts in has no rating there. (CE)
Born September 14, 1941 — Bruce Hyde. Patterns emerge in doing these Birthdays. One of these patterns is that original Trek had a lot of secondary performers who had really short acting careers. He certainly did. He portrayed Lt. Kevin Riley in two episodes, “The Naked Time” and “The Conscience of the King” and the rest of his acting career consisted of eight appearances, four of them on as Dr. Jeff Brenner. He acted for less than two years in ‘65 and ‘66, before returning to acting thirty-four years later to be in The Confession of Lee Harvey Oswald which is his final role. (Died 2015.) (CE)
Born September 14, 1948 – Elizabeth Winthrop, 72. Five dozen books, mostly children’s fiction. Fisher Award (after Dorothy Canfield Fisher; adults choose master list, children vote) for The Castle in the Attic; it and two more ours. Jane Addams Peace Prize for Counting on Grace. Sarah Lawrence alumna. Website here. [JH]
Born September 14, 1961 — Justin Richards, 60. Clute at ESF says “Richards is fast and competent.” Well I can certainly say he’s fast as he’s turned out thirty-five Doctor Who novels which Clute thinks are for the YA market between 1994 and 2016. There’s another nineteen novels written there. And he had other series going as well including being one of the main scriptwriters for the Jago & Litefoot Big Finish series, the characters being spin-offs from the Fourth Doctor story, “The Talons of Wang Chiang”. And then there’s the Doctor Who non-fiction which runs to over a half dozen works. (CE)
Born September 14, 1962 – Leigh Cunningham, 58. Lawyer with three Master’s degrees. Her Being Anti-Social (2013) a Best Indie Book. Two novels for us. Ranks Nineteen Eighty-four above The Sound and the Fury. [JH]
Born September 14, 1964 – Lorie Ann Grover, 56. Firstborn for us (Kirkus starred review); verse novels; board books; The Magic Cup with Howard Behar former president of Starbucks. Illustrations: “I’m putting these up for fabbity publisher types to see my samples…. copyright…. Just ask me if you’d like to share them.” [JH]
Born September 14, 1972 — Jenny T. Colgan, 48. Prolific writer of short stories in the Whovian universe with a baker’s dozen to date with several centered on River Song. She novelized “The Christmas Invasion”, the first full Tenth Doctor story. She has two genre novels, Resistance Is Futile and Spandex and the City. (CE)
Born September 14, 1989 — Jessica Brown Findlay, 31. She appeared as Beverly Penn in the film version of Mark Helprin‘s Winter’s Tale novel. She’s Lorelei in Victor Frankenstein, a modern take on that novel, and plays Lenina Crowne in the current Brave New World series on Peacock. Finally I’ll note she was Abi Khan on Black Mirrior’s “Fifteen Million Merits“ episode. (CE)
Born September 14, 1986 – Rick Griffin, 44. Co-authored, and illustrates, the Hayven Celestia universe, where the admirable geroo and various others suffer under the wicked krakun. Recently Tales of Hayven Celestia (in Gre7g Luterman’s name, the 7 is silent). Four more covers. [JH]
Astronomers have found a potential sign of life high in the atmosphere of neighboring Venus: hints there may be bizarre microbes living in the sulfuric acid-laden clouds of the hothouse planet.
Two telescopes in Hawaii and Chile spotted in the thick Venusian clouds the chemical signature of phosphine, a noxious gas that on Earth is only associated with life, according to a study in Monday’s journal Nature Astronomy.
Several outside experts — and the study authors themselves — agreed this is tantalizing but said it is far from the first proof of life on another planet. They said it doesn’t satisfy the “extraordinary claims require extraordinary evidence” standard established by the late Carl Sagan, who speculated about the possibility of life in the clouds of Venus in 1967.
“It’s not a smoking gun,” said study co-author David Clements, an Imperial College of London astrophysicist. “It’s not even gunshot residue on the hands of your prime suspect, but there is a distinct whiff of cordite in the air which may be suggesting something.”
Venus is so inconsiderate. It presents itself as a sister world, one that would seem at first glance to be very Earth-like, but… on closer examination it’s utterly hostile to life as we know it. Surface conditions would be extremely challenging for terrestrial life, what with the toxic atmosphere, crushing pressures, and blast-furnace-like temperatures.
That’s at the surface, however. Just fifty kilometers above the surface, there is a region with terrestrial pressures and temperatures, a veritable garden of Eden where an unprotected human would not be almost immediately incinerated but instead would expire painfully (in just a few minutes) due to the lack of free oxygen and the prevalence of toxic gases….
(14) STAR WARS MUSICS HELPS CELEBRATE MILESTONE. [Item by David Doering.] Nice to see the Tabernacle Choir chose Star Wars to celebrate their 110 years of recordings:
Legendary film composer John Williams wrote the music for each of the nine Star Wars saga films, spanning more than forty years from 1977 to 2019. For Star Wars Episode I: The Phantom Menace (1999), Williams composed “Duel of the Fates” for orchestra and chorus, accompanying a climactic lightsaber duel. The words are a fragment of an ancient Welsh poem that Williams had translated into Sanskrit—he then rearranged the syllables himself to make the text essentially meaningless, while still retaining a forceful chant-like power. He intended the choral singing itself to give the scene an explicitly religious feel, as if it were a ceremony of some kind. “Duel of the Fates” went on to become a defining musical feature of the prequel trilogy, a symbol of the saga’s broad focus on the cosmic struggle between darkness and light.
The choir music was also used to demonstrate the first stereophonic recording made back in 1940.
Oh, and BTW, while the media proudly announced that Vinyl records outsold CDs for the first time, this is on revenues, not on units. LPs are still quite a bit more expensive than CDs.
…The Texas Supreme Court on Saturday, Sept. 5, rejected a Republican attempt to remove 44 Libertarians from the November ballot, according to the Texas Tribune.
Groups affiliated with both major parties have gone to court in recent weeks to remove from the ballot non-major-party candidates perceived to be a threat. In general, Libertarians are believed to peel votes away from Republicans, while the Green Party is thought to siphon votes from Democrats.
The GOP sued because the Libertarians didn’t pay their filing fees. But the state Supreme Court said Republicans missed the deadline to kick them off the ballot.
Antonelli, running in the 4th District, is one of the candidates the Republicans sought to block.
He’s trying to get Republican nominee Pat Fallon to join him in a public forum or debate, meantime trying to score off Fallon for not living in the district he wants to represent.
… Fallon lives in the Denton county portion of Prosper, an outer suburb of Dallas, which is just outside the 4th’s boundaries.
Even Wikipedia, the largest and most popular general reference work on the World Wide Web, notes Fallon’s position: “Fallon’s state senate district includes much of the eastern portion of the congressional district.”
However, regarding the 4th Congressional District, Wikipedia continues: “While candidates for the House are only required to live in the state they wish to represent, longstanding convention holds that they live either in or reasonably close to the district they wish to represent.”
The Libertarian Party candidate in the election, Antonelli said “A number of candidates who lost to Fallon in the district convention seem to feel his victory was due to arm-twisting by himself and Senator Ted Cruz, and they resent it and have told me so,”
“The residency requirement for the U.S. House is in the Constitution, so Fallon has done nothing illegal,” said Antonelli. “But Texas deserves congressional leaders who do better than just skirt the law.”
Antonelli is doing his best to leave no stone unthrown.
While stuck inside during quarantine this past spring, designer Anifa Mvuemba began playing around with 3-D technology. Soon, an idea struck: What if she held a virtual fashion show in which her feminine, curve-friendly designs glided along on invisible models? She’d been working on her line Hanifa for eight years but had never held a runway show — maybe it was time.
On May 22, she premiered the collection, called Pink Label Congo, on Instagram Live. The digital runway show featured ghostlike 3-D figures strutting sinuously down the runway in the collection.
(17) VIDEO OF THE DAY. In “Using Cuts as a Visual Effect” on Vimeo, David F. Sandberg explains how cutting can be just as effective a way to produce special effects as more expensive CGI. WARNING: Many scenes from gory horror movies.
[Thanks to Cat Eldridge, Contrarius, James Davis Nicoll, Scott Edelman, Martin Morse Wooster, Mike Kennedy, Michael Toman, JJ, John Hertz, John King Tarpinian, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Soon Lee.]
Jeanne Gomoll, whose art, design, and organizing energy has propelled and sustained the Award for the last 25 years, is retiring from the Otherwise Motherboard at the end of 2019. The remaining members of the Motherboard are incredibly grateful for Jeanne’s tireless, brilliant work and look forward to celebrating her contributions at WisCon in 2020.
Up until 1991 it felt to me as though the efforts of the Madison SF Group, Janus and Aurora fanzines, and WisCon, to encourage and celebrate feminist science fiction were largely restricted to a single place and to those who came to this place and attended WisCon. Indeed, by the late 1980s, it felt to me as if our efforts to foster feminist SF were increasingly being met with opposition and might possibly have been in danger of flickering out, as the backlash to feminism in general and feminist SF in specific gained strength. Pat Murphy’s 1991 announcement of the Tiptree Award thrilled me and gave me renewed strength. It was as if a small group of us, following a narrow, twisty path had merged with a much wider, well-traveled path. After the Tiptree Award began handing out annual awards and raising funds, and had sparked a massive juggernaut of community activism, I stopped worrying about the viability of the movement.
I will be forever grateful to the Tiptree Award and proud of my work on it. I chaired two Tiptree juries—one in 1993, which chose Nicola Griffith’s Ammonite as the winner; and the other in 2016, which presented the award to When the Moon Was Ours, by Anna-Marie McLemore. I served on the Motherboard for 25 years, 1994-2019, and worked behind-the-scenes on most of the auctions during those years, and as an artist creating logos, publications, and Tiptree merchandise. I will be forever grateful to the Motherboard for the work we did together and the friendships we created along the way. I am awed by and very proud of the community of writers and readers who supported and were nurtured by the award, even as they guided the award further along the path toward greater diversity and scope.
The Tiptree Award, and now the Otherwise Award will always have my heartfelt support. But it is time for me to step back and make space for a new generation of activists. I want to thank my fellow motherboard founding mothers and members, past and present—Karen Joy Fowler, Pat Murphy, Jeff Smith, Alexis Lothian, Sumana Harihareswara, Gretchen Treu, Debbie Notkin, Ellen Klages, Delia Sherman—for all they have done and for their friendship, which I will value forever.
(2) THIS IS HORROR. Public nominations are being accepted
through January 8 for the This
Is Horror Awards.
The public nominations are now open for the ninth annual This Is Horror Awards. This year we’ve retained all the categories from last year and added one more, ‘Cover Art of the year’. Here are the categories: Novel of the Year, Novella of the Year, Short Story Collection of the Year, Anthology of the Year, Fiction Magazine of the Year, Publisher of the Year, Fiction Podcast of the Year, Nonfiction Podcast of the Year, and Cover Art of the Year.
Readers can e-mail in their nominations for each category. Taking into consideration the nominations for each category This Is Horror will then draw up a shortlist.
We invite you to include one sentence as to why each nomination is award-worthy.
Jason: How much of an increase in your budget would be required to pay all editorial and publishing staff a living wage?
Scott: Estimating using a salary of $15/hour for the work our staff does, we would need a $45,000 increase in our annual budget to pay all staff a living wage. That’s double what our annual budget is to pay for the stories we publish. To cover that, our monthly donations through Patreon would have to increase by 7000%….
Jason: Neil Clarke of Clarkesworld has said some of the problems experienced by genre magazines come about because “we’ve devalued short fiction” through reader expectations that they shouldn’t have to pay for short stories. Do you agree with this? Any thoughts on how to change this situation?
LDL: …I think the issue is one of exhaustion on the part of volunteer staff and a strained supporter base. In my observation, the people who contribute to zine crowdfunds also contribute to crowdfunds for individuals in emergency situations. There are a lot of emergencies or people in general need, just within the SFF community and funds are finite. If you’re supporting your four favorite zines every year, donating to three medical funds, two Kickstarters, a moving fund, and also taking on costs associated with at least one fandom-related convention every year, it’s not sustainable for a lot of readers, especially the marginalized ones….
Jason: In addition to paying your writers, Asimov’s also pays all of your staff, something which is not common among many of today’s newer genre magazines. Is it possible to publish a magazine like Asimov’s without the support of a larger company, in this case Penny Publications?
Sheila: An anecdotal review of the American market doesn’t really bear that out. F&SF is published by a small company. Analog and Asimov’s are published by a larger (though not huge) publishing company. Being published by a larger company does have its advantages, though. While only one and a half people are dedicated to each of the genre magazines, we do benefit from a support staff of art, production, tech, contracts, web, advertising, circulation, and subsidiary rights departments. I’m probably leaving some people out of this list. While the support of this infrastructure cannot be underestimated, Asimov’s revenue covers our editorial salaries, and our production and editorial costs. We contribute to the company’s general overhead as well.
Jason: Strange Horizons also helped pioneer the idea that a genre magazine could be run as a nonprofit with assistance from a staff of volunteers. What are the pros and cons of this publishing model?
Vanessa: With volunteer staff, the con is simple: no pay. Generally, working for no pay privileges people who can afford to volunteer time, and devalues the work we do as editors. I’d like to think that at SH, we have partially balanced the former by making our staff so large and so international that no one need put in many hours, and folks can cover for you regardless of time zone. Despite having 50+ folks, we’re a close group. Our Slack is a social space, and we bring our worst and best days there for each other. Several members (including me) have volunteered right through periods of un- and underemployment because of the love of the zine and our community….
(4) NEBULA CONFERENCE EARLYBIRD RATE. The rate has been extended
another week —
HelenKay Dimon, a past RWA president, previously told The Guardian that she regularly received letters from white RWA members expressing concern that “now nobody wants books by white Christian women”.
There is “a group of people who are white and who are privileged, who have always had 90% of everything available, and now all of a sudden, they have 80%. Instead of saying: ‘Ooh, look, I have 80%,’ they say: ‘Oh, I lost 10! Who do I blame for losing 10?’” Dimon said.
The tweets that sparked the ethics complaints against Milan, which were posted this August, were part of a broader conversation on romance Twitter about how individual racist beliefs held by gatekeepers within the publishing world have shaped the opportunities available to authors of color.
The…next installment of Frank Herbert’s Dune World saga has been staring me in the face for weeks, ever since I bought the January 1965 issue of Analog. I found I really didn’t want to read more of it, having found the first installment dreary, though who am I to argue with all the Hugo voters?
And yet, as the days rolled on, I came up with every excuse not to read the magazine. I cleaned the house, stem to stern. I lost myself in this year’s Galactic Stars article. I did some deep research on 1964’s space probes.
But the bleak desert sands of Arrakis were unavoidable. So this week, I plunged headfirst into Campbell’s slick, hoping to make the trek to the end in fewer than two score years. Or at least before 1965. Join me; let’s see if we can make it.
In September 1963, Tolkien drafted yet another of a number of letters responding to questions about Frodo’s “failure” at the Cracks of Doom. It’s easy to imagine that he was rather exasperated. Few, it seemed, had really understood the impossibility of Frodo’s situation in those last, crucial moments: “the pressure of the Ring would reach its maximum,” Tolkien explained; it was “impossible, I should have said, for any one to resist, certainly after long possession, months of increasing torment, and when starved and exhausted” (Letters 326). Even had someone of unmatched power, like Gandalf, claimed the Ring, there would have been no real victory, for “the Ring and all its works would have endured. It would have been the master in the end” (332).
It would have been the master.
From humble beginnings as a mere trinket bartered in a game of riddles (see the original Hobbit), the Ring grew in power and influence until it did indeed include all of Middle-earth in its simple band of gold. “One Ring to rule them all” wasn’t just meant to sound intimidating—it was hard truth. Even Sauron couldn’t escape the confines of its powers. It was his greatest weakness.
But how did the Ring become the thing around which the entirety of the Third Age revolved (Letters 157)?…
(8) JANUARY 2. Get ready – tomorrow is “National
Science Fiction Day”. It must be legit – “National Science Fiction Day
is recognized by the Hallmark Channel and the Scholastic Corporation.”
National Science Fiction Day promotes the celebration of science fiction as a genre, its creators, history, and various media, too. Recognized on January 2nd annually, millions of science fiction fans across the United States read and watch their favorites in science fiction.
The date of the celebration commemorates the birth of famed science fiction writer Isaac Asimov. An American author and Boston University professor of biochemistry, Isaac Asimov was born Isaak Yudovich Ozimov on January 2, 1920. He was best known for his works of science fiction and his popular science books.
(9) TODAY IN HISTORY
January 1, 2007 — The Sarah Jane Adventures premiered starring Elizabeth Sladen who had been in the pilot for K-9 and Company which the Beeb didn’t take to series. The program, which as you well know was a spin-off of Doctor Who, lasted five series and fifty-four episodes. It did not make the final Hugo ballot for Best Dramatic Presentation, Short Form in either 2007 or 2008.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born January 1, 1854 — James George Frazer. Author of The Golden Bough, the pioneering if deeply flawed look at similarities among magical and religious beliefs globally. He’s genre adjacent at a minimum, and his ideas have certainly been used by SFF writers a lot both affirming and (mostly) critiquing his ideas. (Died 1952.)
Born January 1, 1889 — Seabury Quinn. Pulp writer now mostly remembered for his tales of Jules de Grandin, the occult detective, which were published in Weird Tales from the Thirties through the Fifties. (Died 1969.)
Born January 1, 1926 — Zena Marshall. She’s Miss Taro in Dr. No, the very first Bond film. The Terrornauts in which she’s Sandy Lund would be her last film. (The Terrornauts is based off Murray Leinster‘s The Wailing Asteroid screenplay apparently by John Brunner.) She had one-offs in Danger Man, The Invisible Man and Ghost Squad. She played Giselle in Helter Skelter, a 1949 film where the Third Doctor, Jon Pertwee, played Charles the Second. (Died 2009.)
Born January 1, 1933 — Joe Orton. In his very brief writing career, there is but one SFF work, Head to Toe which the current publisher says “is a dream-vision allegory of a journey on the body of a great giant or ‘afreet’ (a figure from Arabic mythology) from head to toe and back, both on the body and in the body.” Like his other novels, it’s not available digitally. (Died 1967.)
Born January 1, 1954 — Midori Snyder, 66. I was most impressed with The Flight of Michael McBride, the Old West meets Irish myth novel of hers and hannah’s garden, a creepy tale of the fey and folk music. She won the Mythopoeic Award for The Innamorati which I’ve not read. With Yolen, Snyder co-authored the novel Except the Queen which I do recommend. (Yolen is one of my dark chocolate recipients.) She’s seems to have been inactive for a decade now. Anyone know why?
Born January 1, 1957 — Christopher Moore, 63. One early novel by him, Coyote Blue, is my favorite, but anything by him is always a weirdly entertaining read. I’m hearing good things about Noir, his newest work which I’m planning on listening to soon. Has anyone read it?
Born January 1, 1971 — Navin Chowdhry, 49. He’s Indra Ganesh in a Ninth Doctor story, “Aliens of London.“ I also found him playing Mr. Watson in Skellig, a film that sounds really interesting. Oh, and I almost forgot to mention that he was Nodin Chavdri in Star Wars: The Last Jedi.
Born January 1, 1976 — Sean Wallace, 44. Anthologist, editor, and publisher known for his work on Prime Books and for co-editing three magazines, Clarkesworld Magazine which I love, The Dark which I’ve never encountered, and Fantasy Magazine which is another fav read of mine. He has won a very, very impressive three Hugo Awards and two World Fantasy Awards. His People of the Book: A Decade of Jewish Science Fiction and Fantasy co-edited with Rachel Swirsky is highly recommended by me. He’s not well represented digitally speaking which surprised me.
Born January 1, 1984 — Amara Karan, 36. Though she’s Tita in an Eleventh Doctor story, “The God Complex”, she’s really here for being involved in a Stan Lee project. She was DS Suri Chohan in Stan Lee’s Lucky Man, a British crime drama series which is definitely SFF. Oh, and she shows up as Princess Shaista in “Cat Among Pigeons” episode of Agatha Christie’s Poirot but even I would be hard put to call that even close to genre adjacent.
Before Dean Parisot signed on to direct Galaxy Quest, Harold Ramis was supposed to helm the movie, which was initially titled Captain Starshine. However, according to Tim Allen, if Ramis directed the film, it wouldn’t have just been titled differently — it would have looked quite different as well.
[…] “Katzenberg pitched me the idea of the commander character and then they started talking and it became clear that Ramis didn’t see me for the part,” Allen said. “It was pretty uncomfortable.”
[…] Interestingly, Sigourney Weaver also wouldn’t have gotten her role as Gwen DeMarco in Galaxy Quest if Ramis had directed the film, despite their relationship from Ghostbusters. “I had heard that Harold was directing a sci-fi movie but he didn’t want anyone who had done sci-fi in the film,” she said. “Frankly, it’s those of us who have done science fiction movies that know what is funny about the genre.”
…I’ll start with this reddit AMA from a few years back, and an interview with Tingle on Nothing in the Rulebook. His answers reveal a consistent approach to the writing life that mirrored the habits of authors who are, possibly, even more well-known than our favorite erotica author.
Asked about a typical writing day, Tingle replies:
yes average day is getting up and having two BIG PLATES of spaghetti then washing them down with some chocolate milk then i get out of bed and meditate to be a healthy man. so when i am meditating i think ‘what kind of tingler would prove love today?’. if nothing comes then i will maybe trot around the house or go to the park or maybe walk to the coffee shop with my son jon before he goes to work. if i have a good idea i will just write and write until it is all done and then I will have son jon edit it and then post it online.
OK, so to translate this a bit out of Tingle-speak, we have a recommendation that you fuel your writing with carbs (and also an unlikely alliance with Haruki Murakami’s spaghetti-loving ways) with a bit of a boost of sugar….
(14) GREASED LIGHTNING. [Item by Daniel Dern.] From one of the CES 2020 press
releases I got today…
Subject: [CES NEWS] Experience a Roomba-Like Device that Navigates the Home Charging ALL Devices
…I want to put an innovative device on your radar: RAGU, a Roomba-like robot that navigates the home charging ALL of your devices.
GuRu is the first company to crack the code on totally untethered, over-the-air charging.
discounting remote mal-hackers, this sounds like a recipe for either a droll TV
episode, or Things Going Horribly Wrong. (Fires, fried gear, tased/defibrilated
pets and sleeping people, etc.)
Spare a thought for the poor fat rat of Bensheim, which became stuck in a German manhole in February. She was eventually freed, but not before passers-by took embarrassing photos of her plight. “She had a lot of winter flab,” one rescuer said, compounding the humiliation.
In this case, the animals were the rescuers rather than the rescued (sort of).
Anticipating the threat of wildfires later in the year, staff at the Ronald Reagan Presidential Library in California hired a hungry herd of 500 goats to eat flammable scrub around the building in May.
And so, when fires did strike in October, the library was saved because of the fire break the goats had created by eating the flammable scrub. Nice one, goats.
As always, the existential wisdom of Werner Herzog prevails. “You are cowards,” the director castigated on set of The Mandalorian, upon realizing the producers intended to shoot some scenes without the Baby Yoda puppet in case they decided to go full CGI with the character. “Leave it.”
Herzog, who guest-starred on a few episodes of the Disney+ Star Wars spinoff series, was one of Baby Yoda’s earliest champions. And indeed, Baby Yoda — a colloquial epithet referring to the mysterious alien toddler merely known as “The Child” in the script — was designed for maximum neoteny. The gigantic saucer-like dilated eyes; the tiny button nose; a head that takes up nearly half his body mass; the hilariously oversized brown coat; the peach fuzzy hairs tufted around his head; and the pièce de résistance of his custardy little green face: that minuscule line of a mouth that could curve or stiffen in an instant and erupt a thousand ancient nurturing instincts in any viewer. (He’s the only thing my normally stoic husband has ever sincerely described as “cute.”) Heck, there may very well be a micro generation of Baby Yoda babies about eight months from now, thanks to this frog-nomming, lever-pulling, bone-broth-sipping little scamp.
And all because Jon Favreau and company finally recognized that rubber-and-fabric practical effects will almost always have a greater emotional impact than plasticky digital ones.
The recent success of The Mandalorian, thanks to the adorable face that launched a thousand memes, and Netflix’s fantasy-adventure epic The Dark Crystal: Age of Resistance, recently nominated for a WGA Award and a Critic’s Choice Award, prove that we still need puppetry and mechanical effects in the age of CGI….
(18) PERRY MASON. My fellow geezers may enjoy this quick
[Thanks to Jo Van Ekeren, Cat Eldridge, Mike Kennedy, JJ, Chip
Hitchcock, John King Tarpinian, Martin Morse Wooster, Daniel Dern, Contrarius, Darrah
Chavey, and Andrew Porter for some of these stories. Title credit goes to File
770 contributing editor of the day Kip W.]
Con or Bust so generously sent me funds to pay for accommodations and airfare–two large chunks of expenses that make me hopeful that I will be able to attend. In fact, I have already booked the tickets and my AirBnB stay. I need only save up for food, transportation, and other smaller travel expenses.
However, I hit several snags recently. Sudden health issues required medicines and physical therapy. As a freelancer, my biggest contract was recently ended, and so I have been searching for part-time gigs and full-time jobs to not only help me fund this trip and pay GoGetFunding, but to help pay for my daily and medical needs. Your contribution will greatly help toward lessening the amount I need.
And when Brandon O’Brien was trying to round up the last $700 he needed to get to Dublin, look what happened! Jeff VanderMeer put up 7 of the Sub Press Borne signed special editions for $100 each to the first 7 takers. And just like that, he was funded.
Here’s who you won’t see as Phase 4 unfolds between May 2020 and November 2021: Spider-Man, Star-Lord and a new Iron Man. But you will meet what’s easily the most diverse superhero line-up in comic book movie history, including a master of kung fu and a group of eternals. You’ll also welcome back a strange sorcerer, a sharpshooting archer and a sword-swinging Valkyrie. Based on the crowd reaction, the most anticipated reunions are with Natalie Portman’s Jane Foster, who will be returning as a thunder goddess, and that vampire hunter Blade, now played by two-time Oscar winner, Mahershala Ali.
Most major achievements, be they personal or collective, arrive after rehearsals. Some unfold as flights of the imagination. The 50th anniversary of the Apollo 11 moon landing provides a great opportunity to examine how an entire branch of speculative fiction — novels, short stories and also feature films — lies behind the first human footprints on another world.
Works of fiction aren’t particularly known for having influenced historical events. Yet some foundational early rocket science, embedded deep within the developmental history of the Saturn 5 — the towering, five-stage rocket that took Neil Armstrong, Buzz Aldrin and Michael Collins to the moon 50 years ago this week — was paid for by the budget of the first science fiction film to envision just such a voyage in realistic terms.
Spaceflight as we know it today wouldn’t exist if it wasn’t for three extraordinary figures: the borderline-crazy Russian spaceflight visionary Konstantin Tsiolkovsky, the hard-right nationalist German-Transylvanian rocketry pioneer Hermann Oberth and the idiosyncratic American rocketeer Robert Goddard. All devised their distinctive strains of rocket science in response to speculative novels, specifically the stories of Jules Verne and H.G. Wells — founders of a nascent genre later to be known asscience fiction. Tsiolkovsky and Oberth also had important roles to play in early 20th century film projects depicting trips to the Moon.
… Of the three, only Tsiolkovsky actually wrote science fiction, which he used as a scratch pad for his revolutionary ideas. Living in near-poverty 100 miles southwest of Moscow, he also issued a stream of theoretical papers. In articles published in 1911-12, he came up with the great utopian credo of the space age: “Earth is the cradle of the mind, but humanity can’t live in its cradle forever.”
Fifty years ago, a bunch of comics fans in San Diego decided they wanted a way to meet other fans. They were mostly teenagers — okay, and two adults — but what they created became the pop culture phenomenon we know as San Diego Comic-Con.
Today, Roger Freedman is a physics professor, but in 1969 he was 17 years old — and he had no idea what he was about to get himself into. “I think it’s fair to say that if you had come to us and said how Comic-Con was going to evolve, we would have said A) what are you smoking, and B) where can we buy some?”
It all started with a guy named Shel Dorf — one of only two adults involved with that first convention. Dorf had some experience attending and planning conventions, and more importantly, he had connections. He knew Jack Kirby, the legendary co-creator of characters like the X-Men and the Fantastic Four. And Kirby was willing to talk to a bunch of kids.
“I think we thought comic creators lived on some comic book Mount Olympus and couldn’t be approached by normal mortals like us,” says Mike Towry, who was 14 when he got involved with the convention committee. “And then to find out that we could actually meet them and talk to them one on one, and then have a convention where they would come and we would get to hang out with them was just kind of mind-blowing.”
…It’s not hyperbole to say that without Ken Liu and his Herculean efforts in translation, Chinese SF would not exist — or at least it would not exist in its current state. When Ken Liu’s 2014 translation of Liu Cixin’s The Three-Body Problem (2008) won the Hugo Award in 2015, not only was it the first Chinese work awarded the honor, it was the first work in translation from any language to be lauded so. At some point in the past decade, Chinese SF went from “having a moment” to “enjoying its golden age,” and if 2015 wasn’t the exact moment that shift happened, it was certainly when the translation heard round the world was sounded. The Three-Body Problem’s award signaled the significance of Chinese SF to many Anglophone readers for the first time, but equally important was its reaffirmation of Chinese SF for local readers. Liu’s translation has in turn been the source for the novel’s translations into other languages, putting Liu at the vanguard of Chinese SF’s march toward the world. Within hours of the award announcement, domestic internet searches and sales of both the first book and of Liu Cixin’s whole 2008–2010 trilogy increased more than tenfold. Publishing houses and state institutions like the Chinese Ministry of Culture and Tourism and the Publicity Department of the Communist Party of China redoubled their efforts using SF as a vehicle for promoting China’s “peaceful rise,” and have identified SF as a key aspect of their propaganda and publicity campaigns.
Just as, when pressed, Calvino’s Marco Polo claims that “[e]very time I describe a city I am saying something about Venice,” every story in Invisible Planets is saying something about the author’s own position — but that may or may not be the China we know (or think we know). Invisible Planets is not only the spiritual successor to Calvino’s Invisible Cities: it evinces the same magic without following the same formula, creating a panoply of possible worlds that may or may not be our worlds, and which may or may not be true.
(6) BRAZILIAN INVITATION. Canadian sff author Craig Russell
received multiple items of good news recently.
First, “an incredibly kind” review
of his novel Fragment written by Brazilian
literature professor, Dr. Zélia M. Bora and published in The
Interdisciplinary Journal of Literature and Ecocritics.
Some of the comments, translated from Portuguese:
Russell’s clever and captivating novel captures the sensitive reader’s
attention from the beginning to the end of the narrative, in a balanced
way between the real and the imagined.”
undoubtedly one of the most important ecocritical fiction works written in
Russell has also received an invitation to speak about the novel at the 2020 Association for the Study
of Literature and Environment (Brazil) conference in the
city of Curitiba, Brazil (pending travel grant funding approvals.)
The man suspected of carrying out a deadly arson attack on a Japanese animation studio may have visited the area before, local media reported.
Neighbours spotted a man resembling Shinji Aoba near the Kyoto Animation (KyoAni) office before Thursday’s fire.
Mr Aoba, 41, who suffered severe burns, is in police custody and has been transferred to a hospital in Osaka.
On Saturday, a man died in hospital from his injuries, bringing the death toll from the attack to 34.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 21, 1911 — Marshall McLuhan. He coined the expressions the medium is the message and global village, and predicted the World Wide Web almost thirty years before it was invented. I read The Medium Is the Massage: An Inventory of Effects a long time ago. Somehow it seemed quaint. (Died 1980.)
Born July 21, 1921 — James Cooke Brown. He’s the creator of Loglan. Oh, and he did write SF. The Troika Incident written in 1970 features a global data net. That, and two short pieces of fiction, are the sum total of his of genre writings. The Troika Incident is available from Kindle but not from iBooks. (Died 2000.)
Born July 21, 1933 — John Gardner. Grendel, the retelling of Beowulf from the monster’s viewpoint, is likely the only work he’s remembered for. Gudgekin The Thistle Girl (and Other Tales) are genre fairy tales as are The King of the Hummingbirds (and Other Tales); A Child’s Bestiary is, well, guess what it says it is. Mickelsson’s Ghosts, his final novel written before his untimely death, is a ghost story. (Died 1982.)
Born July 21, 1939 — John Woodvine, 80. First role in our realm is as Macbeth at Mermaid Theatre back in the early Sixties. Shortly thereafter, he’s Badger in Toad of Toad Hall at the Comedy Theatre before being The Marshal in the Fourth Doctor story, “The Armageddon Factor”. He’s in An American Werewolf in London as Dr. J. S. Hirsch, and he had a recurring role in The Tripods as Master West. He did show up on The Avengers several times, each time as a different character, and he was Singri Rhamin for the episodes of Danger Man.
Born July 21, 1948 — G. B. Trudeau, 71. Not precisely genre or even genre adjacent, but he did an amazing series on the Apple Newton when it came out.
Born July 21, 1951 — Robin Williams. Suicides depress me. I remember a bootleg tape of a performance of him and Carlin in their cocaine fueled days. Such manic energy. Genre wise, he was brilliant in most everything he did, be it Mork & Mindy, Hook, The Fisher King, Bicentennial Man or Jumanji. (Died 2014.)
Born July 21, 1960 — Lance Guest, 59. An American film and television actor, best known for his lead role in The Last Starfighter. He also shows up in Jaws: The Revenge as Michael Brody, as Jimmy in Halloween II, as Kyle Lane in the “Fearful Symmetry” episode of The X-Files and as The Burning Zone in “The Critical Mass” episode.
Born July 21, 1976 — Jaime Murray, 43. If you watch genre television, you’ve most likely seen her as she’s been Helena G. Wells in the Warehouse 13, Stahma Tarr in Defiance, Fiona/the Black Fairy In Once Upon a Time, Antoinette in The Originals, and Nyssa al Ghul in Gotham. Film wise, she was Livinia in The Devil’s Playground and Gerri Dandridge in Fright Night 2: New Blood.
(9) DRIVE AROUND THE BLOCK AGAIN. Referring to the second tweet below — You never know who you’re going to wish you’d run into at Comic-Con.
(10) YEAR 6 IS IN THE BANK. The Uncanny Magazine Kickstarter
is clicking along, too. Year 6 is funded, and they’re in hot pursuit of their
second stretch goal already, with 24 days remaining.
(11) ON THE HORIZON. The “Strange
Horizons 2020” Kickstarter has also passed its $13,000 goal with 9
days to go in the campaign.
This was the Big Superhero Showdown Marvel’s been aiming towards for ten years, but when I saw it, it felt a bit….underwhelming. With so many characters tossed into the mix and so much to do, there wasn’t time for any of them to make much of an impression, with the possible exception of Thor and Rocket. Also, if I’d been Chris Pratt, I would have been ticked off by the way my character was forced to wield the Starlord Stupid Stick, not once but twice. If Peter Quill had only killed Gamora in the beginning, like she asked him to do and he agreed, Thanos would never have found the Soul Stone. Of course, then we wouldn’t have had a $2 billion-plus grossing movie…..
(13) WIDENING GYRE OF HUGO COVERAGE. Steve J. Wright has completed his Campbell
Best New Writer reviews + Pro Artist Hugo and Retro Hugo reviews.
Former NASA intern Gary George sold off three of the agency’s videotapes of the Apollo 11 moon landing for $1.82 million at auction house Sotheby’s on Saturday, the 50th anniversary of the event, CNN reported.
Sotheby’s claims the videos have not been enhanced, restored, or otherwise altered and are the “earliest, sharpest, and most accurate surviving video images of man’s first steps on the moon,” CNN wrote. George paid $217.77 in 1976 (approximately $980 in today’s dollars) for 1,150 reels of NASA magnetic tape at a government auction while he was a Lamar University student interning at Johnson Space Center in Houston.
…For discerning pet owners who treat their cats and dogs like family — in some cases better than family — designers are creating stylish, even glamorous, furniture. Witness the new $5,000 Crystal Clear Lotus Cat Tower by the Refined Feline, with three platforms for lounging and a hideaway cubby at the bottom lined in white faux fur. (You can see one at the trendy Los Angeles cat cafe Crumbs & Whiskers.) And now you and Buddy can catnap or watch DOGTV on matching tufted Chesterfield-style Wayfair Archie & Oscar sofas; his is a $399 miniaturized version of yours in faux-leather scaled with similar nailhead trim and turned legs.
FX’s Archer has some huge changes coming for season 11. The first piece of news is that there is going to be a season 11 (creator Adam Reed has previously suggested the show might end after the current 10th season). The second revelation is — as Archer producers just revealed at Comic-Con in San Diego on Friday — that Sterling Archer is going to wake from his three-year coma in the upcoming finale as the show plans a return to its spy agency roots next season. But there’s a lot more to it than just that.
EW exclusively spoke to executive producers Matt Thompson and Casey Willis about their season 11 shakeup. We got the scoop on the show’s major story line for next season, how long Archer has been in a coma, the future involvement of Reed on the show, and more.
A little over three months after Paris’ Notre Dame caught fire, French officials say the cathedral is still in a precarious state and needs to be stabilized. Ultimately, they aim to restore the monument, a process that will take years.
When that work begins, there will be a new demand for experts who have the same skills required to build Notre Dame 900 years ago. In the workshops of the Hector Guimard high school, less than three miles from the cathedral, young stone carvers are training for that task.
In an airy and light-filled workshop in the north of Paris, a handful of students chip and chisel away at heavy slabs of stone. Each works on his or her own piece, but all are sculpting the same project: the base of a Corinthian column. The students are earning a professional degree to hew the stone pieces needed to maintain and restore France’s historical monuments.
…”In the beginning, it was my own parents who were surprised when I left my architecture studies to do this,” says Marjorie Lebegue. “But most everyone who finds out I’m studying to be a stone carver says, ‘Wow, what a beautiful profession.'”
Luc Leblond instructs the aspiring stone carvers.
“There’s no reason this should be a masculine profession,” he says. “Men have more physical force, but as a professor, I see the women have a sharpened sensitivity for the more detailed work. So it’s complementary.”
Los Angeles Times correspondent Benjamin Crutcher wound up going viral at this year’s San Diego Comic-Con by cosplaying as the infamous coffee cup that appeared during an episode of the final season of Game of Thrones.
(20) VIDEO OF THE DAY. “The Simpsons: Russian Art Film Version” on YouTube is what the opening of “The Simpsons” would be like in a gloomy Soviet apartment complex.
[Thanks to Martin Morse Wooster, JJ, Mike Kennedy, Cat Eldridge,
Chip Hitchcock, John King Tarpinian, Michael Toman, Daniel Dern, Carl
Slaughter, and Andrew Porter for some of these stories. Title credit goes to
File 770 contributing editor of the day Jack Lint.]
As I’m composing them, I’m asking you for a favor. If there is some SFWA moment that has been particularly meaningful for you in the past five years, I’d love to hear about it. I’d also love to know if there is a SFWA volunteer or volunteers that have helped make your experiences with SFWA positive. This is YOUR chance to give them a shout-out; drop me an e-mail about it!
And Cat asked me:
Would you pass this along to the Filers?
I really very much would like to hear from the F&SF community at large about how they think SFWA is doing, if there’s been highlights for them, and what they’d like in the future from the organization.
File 770 has been one of the places I’ve gotten a lot of feedback and suggestions from during my time with SFWA and it’s been the source of so many titles that I added to the recommended reading lists each year. I’m doing a lot of writing up thank yous this final month and I definitely owe them one.
…Kingdoms of Elfin was first published as a collection in 1977 and comprises sixteen stories by Sylvia Townsend Warner; all but two of these had originally been published in The New Yorker earlier in that decade. Set in and around various, predominantly European, fairy courts, the stories were a consequence of Warner’s desire to write “about something entirely different [than the human heart]” following the death of her partner, Valentine Ackland, in 1969. The result is a set of stories that, Greer Gilman notes in her foreword to this new edition (Handheld Press, 2018, with an introduction by Ingrid Hotz-Davies), return constantly to images of “captivity and flight. The cages here are courts, Gormenghastly in their etiquette; but glittering.”
…Abigail Nussbaum: Well, I’ll take the easy answers and mention Clarke’s Jonathan Strange and Mr Norrell, for the way that it attaches class so strongly to the fairy realm, and Gormenghast, for the way that it stresses ossified rituals that govern the lives of even the most elevated members of the court (I thought the similarity was particularly notable in “The Five Black Swans”). And, of course, if you mention Clarke, you have to assume that Mirrlees and Dunsany are not far behind. They both see fairies as fundamentally irrational beings and tell stories about humans getting caught in their webs. One thing that I found interesting about the Elfland stories was how rarely humans figured into them at all, and how the arrow of irrationality tended to point the other way when they did—it’s the fairies who find humans bizarre and hard to parse.
Another connection that I made while reading and that I’ve been mulling over since then is to Tove Jansson’s Moomin books. There’s something about the way the fairy courts are constructed—hidden in the wilderness but so comfortable and hypercivilized (in a way that can be stifling as well as comfortable once you’re allowed in)—that reminds me of the Moomin house, and of the way the books, especially the later ones, reveal an undertone of wildness and danger that is only just held at bay by the Moomins’ fundamental goodness….
(3) PAY RAPT(OR) ATTENTION. Check in to Jurassic World: Camp Cretaceous,
an all-new animated series coming to Netflix in 2020. According to ScienceFiction.com:
Little is known about the series so far, but it will be set within the timeline from the 2015 release of ‘Jurassic World.’ The plot will have the show follow “a group of six teenagers chosen for a once-in-a-lifetime experience at a new adventure camp on the opposite side of Isla Nublar. But when dinosaurs wreak havoc across the island, the campers are stranded. Unable to reach the outside world, they’ll need to go from strangers to friends to family if they’re going to survive.”
The Cold Blue‘s director on his new doc, restoring William Wyler’s The Memphis Belle and propaganda and “fake news,” then and now.
“Of all the liars, the smoothest and most convincing is memory.” My pal Harlan Ellison used to say that all of the time (and he would also want you to know that that line wasn’t his. Harlan was picky about giving credit where due). How then is it possible to tell the truth about our shared past? We have recently seen the emergence of three documentaries that revolve around the restoration of archival footage to depict a forensic kind of truth. They Shall Not Grow Old takes us back to the devastating British experience of World War 1, Apollo 11 recreates a moment of technological triumph and the last call of American “can-do” optimism, and my film The Cold Blue celebrates the “last of the best,” the young men who flew suicidally dangerous combat missions in B-17s over Germany in World War II. All of these films spraying Windex onto the murky window of the past – and give it a good big-screen, immersive-sound-design wipe.
These three documentaries have all generated a surprising amount of critical attention and box-office success, clearly speaking to modern audiences in a way that has surprised many. Nostalgia for a lost past has never seemed so vital, which perhaps says more about the dysfunction and demoralization of our current life and times than we might care to admit.
As for myself, I have long been fascinated with the secret history of the 20th century. Not what is in the books, but what really happened behind the scenes and in the margins. All too often, history has been reduced to cliché, or black-and-white images that immediately distance us from the past, with the quotidian details that bring history to life obscured.
The Cold Blue was a chance for me to attend to those details, as well as pay homage to a generation that became inadvertently great, along with a filmmaker who worked very hard at staying great, William Wyler.
It started with a chance discovery of all 34 reels of the source material for Wyler’s classic documentary The Memphis Belle — filmed during the spring and summer of 1943 on 8th Air Force bases in England, and on bombing missions over Nazi occupied Europe. During production, one of Wyler’s cameramen, Harold Tannenbaum, was lost along with his plane over France. Since The Memphis Belle’s original release, all copies have deteriorated, and laboratory scratches inflicted on the original footage in 1943 remained. When I learned about the existence of the 15 hours of Wyler’s raw footage, in radiant color, that captured, home-movie style, the insanely risky missions flown by the 8th Air Force, I knew there was a new story that demanded to be told. But first, we replaced 500 individual shots of this raw footage over the 1944 The Memphis Belle’s existing soundtrack, and fully restored that film to pristine condition….
COLLABORATION. Neil Gaiman was interviewed by Pasadena radio station
Frame today about Good Omens.
Novelist and comic book creator Neil Gaiman is no stranger to writing for television — from episodes of “Babylon 5” and “Doctor Who” to bringing his own book, “American Gods,” to the Starz network. But for his latest mini-series for Amazon, “Good Omens,” starring Michael Seen and David Tennant, Gaiman had the added task of honoring the memory of the late Terry Pratchett. In 1990, Gaiman and Pratchett co- wrote the novel, “Good Omens: The Nice and Accurate Prophecies of Agnus Nutter, Witch.” Before Pratchett’s death in 2015, the two had hoped to bring the story to the screen but a production never came to light. In an interview at the Chateau Marmont in Hollywood, Gaiman told John Horn what it’s like to finally bring “Good Omens” to television all these years later without Pratchett as a writing partner.
(6) ON THE SHELF. Kim Huett analyzes what it takes to be “The
Next Big Thing” at Doctor Strangemind.
… I’m not sure that even book series such as Anne McCaffrey’s Dragonriders of Pern or Lois McMaster Bujold’s Vorkosigan Saga would work (even though I’m sure many people would be excited if they did, I’d certainly like to see the latter)….
The show will be shot in archaic Latin and feature 700 stunt people and thousands of extras occupying meticulously recreated historic locations.
Sky Italia is going back in history — way back to the eighth century B.C., and the creation of Rome — in its new series Romulus. Sky is producing the new 10-episode original with ITV Studio’s Cattleya and Groenlandia.
Director Matteo Rovere (Italian Race, Drifters) will serve as showrunner for the series, which will be shot in archaic Latin. His latest film, Romulus & Remus: The First King, debuted earlier this year in Italy, revealing the mythology of the two twin brothers whose turbulent story led to the founding of Rome. Michele Alhaique and Enrico Maria Artale are also slated to direct episodes.
…Howard believes the core fan base was interested in the product but it failed to spark the mainstream’s attention. “Whatever millions [‘Solo’] made worldwide, those were the core fans, but it didn’t hit that zeitgeist point, for whatever reason,” he told the “Happy Sad Confused” podcast. “Timing, young Han Solo, pushback from the previous movie, which I kept hearing was maybe something.”
And of course, “some trolling, definitely some trolling. Some actual aggressive… It was pretty interesting,” he shared. “It was especially noticeable prior to the release of the movie. Several of the algorithms, whether it was Metacritic or Rotten Tomatoes, there was an inordinate push down on the ‘want to see’ and on the fan voting.”
(9) DUBLIN 2019 DAY PASSES. Available soon.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born June 4, 1936 — Bruce Dern, 83. Here for Silent Running, a film I’d completely forgotten I’d seen until compiling this Birthday. It’s the directorial debut of Douglas Trumbull who went on to much more famous projects. He also shows up in a number of other genre films such as The Incredible 2-Headed Transplant, The Haunting, The Astronaut Farmer and Freaks. Needless to say, you’ll find him on series such as The Outer Limits, Alfred Hitchcock Presents and Land of the Giants.
Born June 4, 1951 — Wendi Pini, 68. With husband Richard, responsible for Elfquest. Over the years Elfquest has been self-published by the Pinis through their own company Warp Graphics, then Marvel Comics, then the Pinis again, more recently DC Comics and then Dark Horse Comics. Everything prior to 2013 is free online. Be prepared to spend hours lost in great reading!
Born June 4, 1953 — Kathleen Kennedy, 66. Film producer and current president of Lucasfilm. In 1981, she co-founded the production company Amblin Entertainment with Spielberg and husband Frank Marshall. If you’ve liked a major genre film, be it Raiders of the Lost Ark, Who Framed Roger Rabbit or The Secret World of Arrietty to give three very random examples, she most likely had a hand in it.
Born June 4, 1960 — Kristine Kathryn Rusch, 59. If you’ve not discovered the amazements of her Diving Universe series, you’re in for a treat — it’s that good. Her Retrieval Artist series is one that IIRC can be read in no particular order but is great deal of fun no matter where you start. Other than those two series, I’ve not read deeply of her, so recommendations are welcome.
Born June 4, 1964 — Sean Pertwee, 55. Let’s see, where did I see him first? Oh, of course playing Sheriff Hugh Beringar on Cadfael but that’s not really genre, is it? Captain Heinz in “Trenches of Hell, Part 2 “, The Young Indiana Jones Chronicles was his first genre role followed being Pilot Smith on Event Horizon and Macbeth in a UK film the same year. He did a bit of low budget horror playing Bradley Cortese in Tale of the Mummy and likewise in being Sergeant Harry G. Wells in Dog Soldiers. There were some fairly low budget SF as well, say Father in Equilibrium. Not to mention Brother Proteus in Ultramarines: A Warhammer 40,000 Movie! All of which gets redeemed by his Inspector Lestrade in Elementary, a stunning take on that character. And then there’s his Alfred in Gotham.
Born June 4, 1972 — Joe Hill, 47. I’ve met him once or twice down the years as he shows up here in Portland for signings. Nice guy. Locke & Key is an amazing series and I’m fond of all of his short stories, particularly those collected in 20th Century Ghosts.
Born June 4, 1975 — Angelina Jolie, 44. I really liked her two Tomb Raider films and thought Sky Captain and the World of Tomorrow was a really cool film. I never saw her early Cyborg 2 undertakingbut think Hackers and her role as Kate “Acid Burn” Libby was rather good. I’ve not seen, nor have any desire to see, her two Maleficent films.
(11) CARL BRANDON ON BRADBURY. This is from the pastiche “The Cacher In The Rye” by Carl Brandon (Terry Carr with Bhob Stewart), first published in 1956, and available again in Jeanne Gomoll’s collection Carl Brandon, recently published through Lulu.
Who the hell wants to see the program of a stfcon? But anyway, we went and heard goddam Bradbury.
Bradbury’s talk wasn’t as bad as some I’ve heard. I mean he wasn’t like old Ackerman with that toastmaster gag he pulls every convention. Bradbury just read one of his stories. It was kind of on the cruddy side. I know lots of fans think Bradbury is great and all, but I don’t. He writes real smooth and all, and he’s got good characterization and lots of goddam emotion in his stories…the only trouble is he writes too good. I mean, you don’t pay attention to what’s happening. You just notice how good he writes. But he was different, anyway. A hell of a lot better than old Ackerman pulling his toastmaster gig.
(12) BIG THREE. In contrast, Charlton Comics was much kinder toward Ray in this quick bio from
Haunted #61 (published in 1971).
(13) YOUNG ERB. According to True
West, a magazine that covers the history of America’s Old West, Edgar Rice
Burroughs’s stories were influenced by his two-year stint in the 7th U.S.
Calvary as they hunted for an elusive outlaw: “Edgar Rice Burroughs Hunted the Apache Kid”.
Dateline: Fort Grant, Arizona Territory, Saturday, May 23, 1896.
Edgar Rice Burroughs, age 20, arrived here today to begin a harrowing ten-month tour of duty with the 7th U.S. Cavalry. A graduate of Michigan Military Academy, Burroughs had recently failed the entrance exam to West Point. Yet youthful optimism led him to believe a commission might still be attained from the ranks. Enlisted at Detroit with consent of his father (former Civil War Maj. George Tyler Burroughs), underage Ed had now achieved his rather perverse but expressed desire to be sent to “the worst post in the United States.” At Fort Grant his high hopes for rapid advancement would soon be crushed upon hard Arizona rocks.
Unknown to Burroughs, those same jagged rocks concealed a living legend—the Apache Kid. Kid roamed ghost-like through the remote mountain vastness, a $5,000 bounty on his head on both sides of the border. Edgar Rice Burroughs, whose own legend was still unlit, would soon join the hunt for this famed phantom outlaw—thus tying his name forever to the Apache Kid saga.”
Rob Thornton sent the link with a note of warning: “Some
sexism here, including the use of the term ‘soiled dove’ when the article
refers to prostitutes).”
Victoria Girgis was leading a public outreach session at the Lowell Observatory in Flagstaff, Ariz., when one of her guests noticed a string of lights moving high overhead.
“Occasionally, you’ll see satellites, and they look kind of like shooting stars moving through the sky,” Girgis says. “But this was a whole line of them all moving together.”
The guest hadn’t spotted a UFO invasion. Rather, it was the first installment of billionaire Elon Musk’s vision for the future: a constellation of satellites known as Starlink that’s meant to provide Internet to the entire planet.
On May 23, Musk’s company SpaceX launched a rocket that carried 60 Starlink satellites into orbit. The 500-pound satellites fanned out like a deck of cards. From the ground, they looked like a glittering string whizzing across the arc of the sky.
The crowd watched as the satellites moved in front of the small telescope Girgis had trained on some distant galaxies. The bright satellites created over two dozen streaks across an image she was taking.
“My first immediate reaction was, ‘That’s visually kind of cool,'” she says. “But my second reaction was, ‘Man you can’t see a single galaxy.’ “
Winter may have arrived in Westeros, but that’s not going to stop our favorite “Game of Thrones” characters—the ones who are left, anyway—from indulging in their favorite sweets, meats, and goblets upon goblets of various boozes. (Or at least that’s what we assume. Not even a White Walker seems like it’d stand in the way of a Lannister, Stark, or Targaryen and his or her meal.)
[…] While waiting to see what the final episode has in store, we’ve rounded up some of the most notable dishes below, along with recipes that you can try for yourself.
Recipes are offered for Lemon Cakes; Kidney Pie;
Purple Wedding Pie; Pork Sausage, Oysters, Clams, and Cockles; Roast Boar;
Whole Roasted Chicken; and Mulled Wine.
The world’s largest rare book fair, this biennial event features more than 200 exhibitors from across the globe.
In 2020, we are celebrating the 100 years of national women’s suffrage with special exhibits, lectures, and panel discussions.
There will also be an additional exhibit and seminar in honor of the 100th anniversary of Ray Bradbury’s birth.
[Thanks to Cat Eldridge, John King Tarpinian, JJ, Chip Hitchcock,
Martin Morse Wooster, Mike Kennedy, Rob Thornton, Carl Slaughter, and Andrew
Porter for some of these stories. Title credit goes to File 770 contributing
editor of the day Paul Weimer.]
…We’re guessing you’ve never heard of it, anyway. In writing this article, we asked several dozen people if they had. One guy said he might have maybe seen it, a long time ago.
It was called Brainstorm.
Brainstorm was supposed to be huge. The director—himself a three-time Oscar nominee—was Douglas Trumbull, a visual-effects genius who had already worked on some of the most monumental films of all time: as Stanley Kubrick’s special photographic effects supervisor on 2001: A Space Odyssey (1968), and as visual effects supervisor on Steven Spielberg’s Close Encounters of the Third Kind (1977), Star Trek: The Motion Picture (1979), and Ridley Scott’s Blade Runner (1982).
Brainstorm starred Christopher Walken, who two years earlier had won the best supporting actor Oscar for The Deer Hunter; Louise Fletcher, an Oscar winner for her unforgettable role as Nurse Ratched in One Flew Over the Cuckoo’s Nest; and Cliff Robertson, who had won a best-actor Oscar for Charly in 1968.
The fourth leading actor was Natalie Wood.
(2) UTAH’S CON CALENDAR JAMMED IN 2019. The five-year-old Salt Lake Gaming Con is moving to the Salt Palace in SLC and expects a 60% increase in attendance over their 25,000 last year. Their dates are just the week before the Westercon/NASFiC in Layton, UT on July 4th So, in one month within 20 miles of each other there will be:
June 7-9: Ogden UnCon–pop culture
June 21-23: FyreCon–general SF/F con
June 27-29: Salt Lake Gaming Con
July 4-7: Westercon/NASFiC
(3) 2017 COMPILATION. Eric Wong alerts readers to Rocket Stack Rank’s annual short story selection of “Outstanding SF/F by People of Color” from 2017. (Thanks to the recently-installed WordPress 5.0 I can no longer take layout blocks already formatted with numbered lists and also display them as quotes, so I am going to stick lines before and after the excerpt….)
There are 59 outstanding stories by
people of color from 2017 that were either finalists for major SF/F awards included
in “year’s best” SF/F anthologies, or recommended by prolific
reviewers in short fiction (see Q&A).
The default Length/Rating view shows RSR reviewed 45 of the 59 stories (76%), recommended 18 of the 45 (40% 5-star or 4-star), and only recommended against 6 of the 45 (13% 5-star or 4-star).
Compared to other prolific reviewers, RSR’s 18 recs is more than STomaino’s 8 and JMcGregor’s 6.
Among Year’s Best anthologies, JStrahan and PGuran tied with 10, followed by GDozois, NClarke and RHorton with 8, then BASFF with 7.
Among awards, Locus had the most with 13, followed by Hugo (8), Nebula (5), Sturgeon and World Fantasy (4), Shirley Jackson (3), Eugie (2), and British Fantasy and British Science Fiction Association with 1 each.
The Length/Score view shows the top scoring novella is “The Black Tides of Heaven” by JY Yang, novelette is “A Series of Steaks” by Vina Jie-Min Prasad, and short story is “Zen and the Art of Starship Maintenance” by Tobias S. Buckell. (The top score for novellas is typically less than the other two lengths because there’s room for few of them in year’s best anthologies and they’re usually not covered by prolific short fiction reviewers.)
The Publication/Length view shows the top three magazines with the most stories here are Lightspeed (6), Clarkesworld (5), and Tor Novellas (5), out of 29 magazines, anthologies, collections, and singles.
…No regrets, no surrender, I would gladly do it again until I died with my boots on. But my voice, at least in English, has been silenced, though not in translations, particularly in French. My last novel to be published in English, THE PEOPLE’S POLICE, was shamefully shit-canned by internal politics in the publisher, rendering the next one, WELCOME TO YOUR DREAMTIME, a commercial dead duck, and the one after that, NOWHERELAND sitting in first draft until I find the courage to finish it and spec it. That I am far from the only novelist frantically swimming on the event horizon of this terminal black hole does not exactly prop up my spirits with schadenfreud.
For a man known for writing about science, the first surprise is that the book begins in faux-ancient History and spends much of its time telling us a two-thousand-year-old story of the kingdom of Taprobane (clearly a fictional version of Clarke’s new home, Sri Lanka.) Although much of the book is set in the 21st century, the first few chapters are about how a mountain on the island of Sri Kanda became the Buddhist temple of Yakkagala and has frescoes around its perimeter. This is also based on a real place known to Clarke, actually Sigiriya, which Clarke in his Afterword states is a place “so astonishing that I have had no need to change it in any way.” The reason for this is soon revealed – that the mountain site is the best location for the creation of a space elevator that, once built, will allow cheap travel into space. This first part of the book reflects Clarke’s own interest in the real Sigiriya and his curiosity into religion, in this case Buddhism. Whilst not religious himself, Arthur was interested in the importance of such things to the wider world and the influence they have upon human cultures and society. This part allows him to respectfully examine such matters.
(7) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born December 22, 1951 – Charles de Lint, 67. I’ve personally known him for twenty-five years now and have quite a few of his signed Solstice chapbooks in my possession. Listing his fiction would take a full page or two as he’s been a very prolific fantasy writer, so let me offer you instead our Charles de Lint special edition that we just updated this past Sunday: http://thegreenmanreview.com/2017/01/03/charles-de-lint-edition/. My favorite novels by him? That would be Forests of The Heart, Someplace To Be Flying, Seven Wild Sisters and The Cats of Tanglewood Forest. You’ll find my favorite chapter from Forests of The Heart in our Words menu.
Born December 22, 1951 – Tony Isabella, 67. Creator of DC’s Black Lightning, who is their first major African-American superhero. That alone is enough reason to him in Birthdays. He also created Mercedes “Misty” Knight, an African-American superhero at Marvel Comics whose played by Simone Missick in the various Netflix MCU series.
Born December 22, 1954 – Hugh Quarshie, 64. First genre role was as Sunda Kastagirin in Highlander followed by being Detective Joyce in Clive Barker’s Nightbreed and Lieutenant Obutu In Wing Commander. He’s Captain Quarsh Panaka In Star Wars: Episode I – The Phantom Menace. He’s got a log tv history starting with playing Philostrate in A Midsummer Night’s Dream along with being Professor John Galt in the pilot for The Tomorrow People and Solomon in the Doctor Who episodes of “Daleks in Manhattan” and “Evolution of the Daleks”.
Born December 22, 1961 – Ralph Fiennes, 57. Perhaps best known genre-wise as Lord Voldemort in the Harry Potter series, he’s been M in the Bond films starting with Skyfall. His first genre role was as Lenny Nero in Strange Days, one of my favorite SF films. He went on to play John Steed in that Avengers films which is quite frankly shit. He shows up in Red Dragon, prequel to The Silence of the Lambs. If you haven’t seen it, he voices Lord Lord Victor Quartermaine in Wallace & Gromit: The Curse of the Were-Rabbit. Run now and see it! I’ve prolly overlooked something but I’m sure one of you will add it in.
Born December 22, 1965 – David S. Goyer, 53. His screenwriting credits include the Blade trilogy which I like despite their unevenness in storytelling, the Dark Knight trilogy, Dark City, Man of Steel, and its sequel Batman v Superman: Dawn of Justice (which is horrid). Let’s see what else is there? Well there’s there’s Nick Fury film and two Ghost film which are all best forgotten… Oh, he did The Crow: City of Angels. Ouch. Series wise, he’s been involved in FlashForward, Constantine, Da Vinci’s Demons which is a damn strange show, Krypton, Blade: The Series, Threshold, FreakyLinks and a series I’ve never heard of, Sleepwalkers.
Born December 22, 1978 – George Mann, 40. Author of the Newbury & Hobbes Investigations, a steampunk series set in a alternative Victorian England that I’ve read and enthusiastically recommend. He’s also got two Holmesian novels on Titan Books that I need to request for reviewing, Sherlock Holmes: The Will of the Dead and Sherlock Holmes: The Spirit Box. And yes I see that he’s written a lot more fiction than I’ve read by him so do tell me what else is worth reading by him.
P. Djèlí Clark’s debut fantasy-alternate history Afrosteampunk novella features a young teen lead, which, together with the general pitch of the whole narrative, puts The Black God’s Drums firmly in the teen/YA category. In the brief space of a hundred pages, Clark successfully combines Haitian mythology, magic, and a rich real and fictional history of New Orleans, while keeping the reader entertained with a lively cast of characters even in an otherwise typical plot.
(10) ANAKIN, I AM YOUR FATHER. [Item by Mike Kennedy.]DorkSideOfTheForce says that “Star Wars comic finally reveals Anakin’s father.” You may recall that Anakin Skywalker’s mother, Shmi, basically said she just woke up pregnant one day. Well, kinda… The DorkSide post opens with a well-deserved Spoiler Alert, then continues:
The topic of who Anakin’s father has been a subject of discussion for some time. Star Wars: Episode I – The Phantom Menace touched on this by explaining that there was no father. His mother Shmi told Qui-Gon this by simply explaining that she carried him, gave birth, and raised him. She can’t explain how it happened but there was definitely no father.
This then led Qui-Gon to believe that Anakin was born from the force itself and that Anakin was a creation of Midi-chlorians […]
Fast forward 19 years, seven movies, and a bucket load of comics and other Star Wars-related releases later, and Darth Vader No. 25 has provided us with the answer.
Research published in a major medical journal concludes that a parachute is no more effective than an empty backpack at protecting you from harm if you have to jump from an aircraft.
But before you leap to any rash conclusions, you had better hear the whole story.
The gold standard for medical research is a study that randomly assigns volunteers to try an intervention or to go without one and be part of a control group.
For some reason, nobody has ever done a randomized controlled trial of parachutes. In fact, medical researchers often use the parachute example when they argue they don’t need to do a study because they’re so sure they already know something works.
Wolves, as it turns out, might not be the bloodthirsty, moose-slaughtering, northwoods-roaming carnivores you always thought they were.
New research on wolf packs at Voyageurs National Park in northern Minnesota is challenging the conventional wisdom on wolves: Their diets are a lot more varied than scientists previously thought.
Researchers with the Voyageurs Wolf Project, a collaboration between the park and the University of Minnesota, have for the first time documented wolves hunting freshwater fish as a seasonal food source — and they have video to prove it.
When comics creator Taneka Stotts accepted an Eisner Award — the comics industry’s highest honor — this year for her anthology Elements: Fire — A Comic Anthology by Creators of Color, she was fired up.
“I hold this award,” she said, “and I declare war on the antiquated mentality that tells us our voices and stories aren’t ‘profitable’ enough … we’re not waiting for you to catch up anymore. We are here, we have always been here, and we will do as you’ve always told us. We will make it ourselves.”
And she’s doing just that. Not only is Stotts a creator and a writer, she’s a self-publisher and an editor, organizing anthologies like Elements: Fire, which features 23 stories from creators of color based in the United States and around the world. She’s already working on a follow-up anthology Elements: Earth. I sat down with Stotts the afternoon before the Eisner awards ceremony, and we talked about why she calls Elements “the little book that could,” and about whether it gets tiring, being a voice for change in the comics community.
On the popular meteorite-list listserv, scientists and amateur enthusiasts alike debated the nature of the Carancas event. People were skeptical about both the illness and the crater itself. The only way to make a proper determination was to see it in person, collect samples, or retrieve the impact mass. The rock itself would be enormously valuable, both for scientific inquiry and also to collectors in the brisk, high-end market for meteorites, in which a rare, crater-producing landfall could command especially steep prices. But this crater was in a remote area, difficult and expensive to reach. And there were only so many people in the world willing to head to the highlands of Peru at a moment’s notice to look for things that fell out of the sky….
(15) FULLY LOADED. In the December 15 Financial Times (behind a paywall), Sam
Leith, literary editor of the Spectator,
discusses a paper in the Medical Journal
of Australia by a research team led by Nick Wilson of New Zealand’s Otago
University about James Bond’s drinking habits.
As well as the inevitable martinis, and his own invention, the ‘Vesper Martini’ (three measures gin, one measure vodka, and half a measure of Kina Lillet shaken and garnished with a large sliver of lemon peel), Bond will chug-a-lug anything that comes to hand: neat vodka, Champagne and once, in an instance of utter depravity to which he was driven by product placement, Heineken.
In one on-screen binge he knocks back six Vesper Martinis–more than a week’s worth of units in a session–and in one of the books, apparently, he manages 50 units (of alcohol) in a day, which would kill most of us stone dead.
The Hollywood Reporter: You’ve hired Deadpool scribes Rhett Reese and Paul Wernick to work on a possible Pirates of the Caribbean reboot. Can Pirates survive without Johnny Depp?
Bailey: We want to bring in a new energy and vitality. I love the [Pirates] movies, but part of the reason Paul and Rhett are so interesting is that we want to give it a kick in the pants. And that’s what I’ve tasked them with.
A Pirates of the Carribean movie without Jack Sparrow is hard to imagine, especially after he became the most famous and popular character of the five films. It’s ironic when you consider that the top Disney brass initially hated his performance in Curse of the Black Pearl, which Depp based on Keith Richards of the Rolling Stones. The actor’s reasoning was that pirates were the rock star renegades of the Seven Seas, and sure enough, his gamble paid off. Richards even appeared as Sparrow’s father in At World’s End.
[…] That said, the quality of the movies began to decline once [director Gore] Verbinski left and Sparrow was placed at the forefront of the subsequent sequels. Pirates really is in need of a good reboot, but we wouldn’t say no to a nice little cameo from Depp.
(17) SILLY COMMERCIAL. Macaulay
Culkin finds himself “Home Alone Again with the
Even Kevin McCallister needs a little help. Add aftershave to your shopping list, set reminders, and fend off bandits, hands-free:
David Doering, Mike Kennedy, Jennifer Hawthorne, Martin Morse Wooster, John
King Tarpinian, Carl Slaughter, JJ, Chip Hitchcock, Cat Eldridge, and Andrew
Porter. Title credit goes to File 770 contributing editor of the day Brian Z.]
…Netflix’s miniseries adaptation of The Haunting of Hill House, by Mike Flanagan (who wrote most of the series’s ten episodes and directed all of them), throws most of that out the window. It takes only a few scenes for a viewer familiar with the book to realize that the only similarity between it and this miniseries are a few character names, and the fact that they both revolve around a Hill House which is haunted. To a Jackson fan (most of whom are, after all, extremely defensive of her reputation) this initially seems like sacrilege. Why use the name if you’re not going to honor the actual work?
Flanagan’s Haunting never offers a persuasive answer to this question. What it does instead, almost as soon as the issue is raised, is counter with a genuinely excellent piece of horror filmmaking that makes you forget, at least for a while, its total lack of fidelity to its source….
Tem has published more than 400 short stories, garnering multiple award nominations and wins, including a British Fantasy Award in 1988 for “Leaks,” a 2001 International Horror Guild Award for “City Fishing,” and a 2002 Bram Stoker Award for “In These Final Days of Sales.” His many collections include Fairytales, Celestial Inventory, The Far Side of the Lake, and others. Some of his poetry has been collected in The Hydrocephalic Ward, and he edited The Umbral Anthology of Science Fiction Poetry. His novel Blood Kin won the 2014 Bram Stoker Award. His collaborative novella with his late wife Melanie Tem, The Man On The Ceiling, won the World Fantasy, Bram Stoker, and International Horror Guild awards in 2001.
We discussed the importance of writing until you get to page eight, what he did the day after Harlan Ellison died, why even though he was a fearful kid he turned to horror, the thing which if I’d known about his marriage might have caused problems with my own, how crushed we both were when comics went up to 12 cents from a dime, why his all-time favorite short story is Franz Kafka’s “A Country Doctor,” how TV shows like “So You Think You Can Dance” had an effect on the way he writes action scenes, why he made an early pivot from science fiction to creating horror, the way joining Ed Bryant’s writing workshop taught him to become a writer, how math destroyed his intended science career, the reason it took him 48 years to take Ubo from initial idea to finished novel, why beginning writers should consciously read 1,000 short stories (and what they should do once they’re done), and much more
(3) THESE BOOKS DON’T MAKE THEMSELVES. Jeannette Ng has written a fabulous thread on the history of book production, urging writers to think about this when worldbuilding. Starts here.
So, what a lot of these settings forget (as many of us live an age of plenty when it comes to books) is that books need to be written by people, and published or copied out, they need to be maintained.
NASA’s Dawn spacecraft has run out of fuel and dropped out of contact with mission control, the agency said Thursday.
This ends the spacecraft’s 11-year mission, which sent it on a 4.3 billion-mile journey to two of the largest objects in our solar system’s main asteroid belt. Dawn visited Vesta and Ceres, becoming the first spacecraft to orbit two deep-space destinations.
Dawn missed two communication sessions with NASA’s Deep Space Network the past two days, which means it has lost the ability to turn its antennae toward the Earth or its solar panels toward the sun. The end of the mission is not unexpected, as the spacecraft has been low on fuel for some time.
It’s the second historic NASA mission this week to run out of fuel and come to an end, as NASA’s Kepler Space Telescope did Tuesday.
An analysis of data from the Gaia space observatory suggests that stars in the inner halo of the Milky Way originated in another galaxy.
This galaxy is thought to have collided with the Milky Way about ten billion years ago.
One conclusion on which all of the groups agree is that the event might have contributed to the formation of the Milky Way’s thick stellar disk. Astronomers have speculated for several decades that an ancient satellite galaxy merged with the Milky Way in the past, because such an event could explain differences in the motions and chemical compositions of stars in the neighbourhood of the Sun.
Chilling Adventures of Sabrina is not a reboot. Yes, the new Netflix show features the same characters as the cheery ‘90s sitcom, but it has been updated to reflect our darker, more malevolent times. The show also aims to be progressive, with storylines that speak to marginalized communities and a diverse cast of actors in almost every scene.
But despite great intentions, the show falls short in its portrayal of its black women characters, specifically with the character of Prudence Night (Tati Gabrielle), the head witch of the Academy of the Unseen Arts and leader of the Weird Sisters.
…The most troubling aspect of the conflict between Sabrina and Prudence occurs after “The Harrowing,” a pledging ritual that simulates the horrors experienced by the 13 witches during the Greendale Witch Trials. The last step in the ritual process mimics the hangings of the original witches by the mortals of Greendale; as Prudence leads Sabrina to the tree, Sabrina emphasizes the importance of the Academy as a safe space of community and inclusion for witches who have been subjected to violence by mortals for centuries. While in the tree, Sabrina calls upon the power of the dead witches and warlocks to effectively lynch Prudence and the Weird Sisters, and declares the end of “The Harrowing.”
The show did not issue a trigger warning for an image of a lynched Black woman in 2018; it comes on suddenly and in close-up view
A preprint (that is, not yet peer-reviewed) paper from Harvard University’s chair of the astronomy department, Dr. Abraham Loeb, concludes in Securing Fuel for Our Frigid Cosmic Future that:
Advanced civilizations will likely migrate into rich clusters of galaxies, which host the largest reservoirs of matter bound by gravity against the accelerated cosmic expansion.
He opens with the question:
The accelerated expansion of the Universe pushes resources away from us at an ever- speed. Once the Universe will age by a factor of ten, all stars outside our Local Group of galaxies will not be accessible to us as they will be receding away faster than light. Is there something we can do to avoid this cosmic fate?
In his discussion, Loeb mentions various “cosmic engineering” projects that have been suggested and briefly examines their limitations. He then works his way around to suggesting an advanced civilization should move to a region with a high concentration of galaxies close together to provide a large fuel density, even as ones observable universe shrinks due to the accelerating expansion of the universe. He further notes that:
The added benefit of naturally-produced clusters is that they contain stars of all masses, much like a cosmic bag that collected everything from its environment. The most common stars weigh a tenth of the mass of the Sun, but are expected to shine for a thousand times longer because they burn their fuel at a slower rate. Hence, they could keep a civilization warm for up to ten trillion years into the future.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and JJ.]
Born November 1, 1897 — Dame Naomi Mitchison, Writer, Poet, and Activist from Scotland who lived to be over a hundred years old. Her genre writing includes the 1931 novel The Corn Kingand the Spring Queen, which contains open sexuality and is considered by contemporary genre editor Terri Windling to be “a lost classic”. Other genre works include Memoirs of a Spacewoman, which was nominated for a Retrospective Tiptree Award, Solution Three, and the Arthurian novel To the Chapel Perilous. As a good friend of J. R. R. Tolkien, she was a proofreader for The Lord of the Rings.
Born November 1, 1917 — Zenna Henderson, Writer whose first story was published in The Magazine of Fantasy & Science Fiction in 1951. She is best known for her more than 30 stories in The People universe about members of an alien race with special powers who are stranded on earth, which were published in magazines and later in collections, including The People: No Different Flesh, and the stitched-together Pilgrimage: The Book of the People. Her novelette “Captivity” was nominated for a Hugo Award, and her story “Pottage” was made into a movie starring William Shatner, The People, which was a Hugo finalist for Best Dramatic Presentation in 1973. “Hush” became an episode of George A. Romero’s Tales from the Darkside, which first aired in 1988.
Born November 1, 1923 — Dean A. “dag” Grennell, Writer, Editor, Firearms Expert, Conrunner, and Fan who edited numerous fanzines including La Banshee and Grue, which was produced sporadically from 1953 to 1979 and was a finalist for the Hugo Award in 1956. He published several short fiction works, and even dabbled in fanzine art. He ran a small U.S. gathering held the same weekend as the 1956 UK Natcon which was called the Eastercon-DAG, and another called Wiscon, which preceded the current convention of that name by more than twenty years. He is responsible for the long-running fannish joke “Crottled Greeps”.
Born November 1, 1923 — Gordon R. Dickson, Writer, Filker, and Fan who was truly one of the best writers of both science fiction and fantasy. It would require a skald to detail his stellar career in any detail. His first published speculative fiction was the short story “Trespass!”, written with Poul Anderson, in the Spring 1950 issue of Fantastic Stories. Childe Cycle, featuring the Dorsai, is his best known series, and the Hoka are certainly his and Poul Anderson’s silliest creation. I’m very fond of his Dragon Knight series, which I think reflects his interest in medieval history. His works received a multitude of award nominations, and he won Hugo, Nebula, and British Fantasy Awards. In 1975, he was presented the Skylark Award for achievement in imaginative fiction. He was Guest of Honor at dozens of conventions, including the 1984 Worldcon, and he was named to the Science Fiction Hall of Fame and the Filk Hall of Fame. The Dorsai Irregulars, an invitation-only fan volunteer security group named after his series, was formed at the 1974 Worldcon in response to the theft of some of Kelly Freas’ work the year before, and has provided security at conventions for the last 34 years.
Born November 1, 1941 — Robert Foxworth, 77, Actor whom you’ve most likely seen, if you’ve watched genre television or film. His first genre role was as Dr. Victor Frankenstein in the 1973 Frankenstein TV movie, followed by the lead role in Gene Roddenberry’s TV pilot The Questor Tapes, which never made it to series after NBC and The Great Bird of the Galaxy had a falling-out. He is well-known to Star Trek fans, having had roles in episodes of both Deep Space Nine and Enterprise, as well as Stargate SG-1, Babylon 5, seaQuest DSV, and The (new) Outer Limits. His genre movie roles have included Beyond the Stars, Damien: Omen II, Invisible Strangler, Prophecy, The Devil’s Daughter, and The Librarian: Return to King Solomon’s Mines, and he provided the voice for the character Ratchet in the Transformers movie franchise.
Born November 1, 1944 — David Rorvik, 74, Writer and Journalist who published in 1978 the book In his Image: The Cloning of a Man, in which he claimed to have been part of a successful endeavor to create a clone of a human being. According to the book, at the behest of a mysterious wealthy businessman, he had formed a scientific team that was taken to a lab at a secret location, and after a few years of experimentation they managed to create a human ovum containing implanted DNA, which was brought to term by a surrogate mother and produced a living, cloned child. A British scientist whose doctoral work had been lifted for the theoretical basis outlined in In His Image sued for 7 million dollars, and after a judge ruled pre-trial that the book was a fraud, the publisher settled out-of-court for $100,000 plus an admission that the book was a hoax. No evidence for or against the cloning claim was ever produced, and the author to this day still denies that it was a hoax. (numerous conflicting sources list either 1944 or 1946 as his birth year)
Born November 1, 1959 — Susanna Clarke, 59, Writer from England whose alt-history Jonathan Strange & Mr Norrell wins my award for the most footnoted work in genre literature. It won the Hugo, World Fantasy, Mythopoeic, and Locus Awards, was a finalist for Nebula, British Fantasy Society, British Science Fiction Association, and Premio Ignotus Awards, and was adapted into a 7-episode BBC series which was nominated for a Saturn Award. The Ladies of Grace Adieu and Other Stories collects her short works, and is splendid indeed; it was a finalist for the World Fantasy, Mythopoeic, and Prix Imaginaire Awards. Interestingly, she also has a novelette included in Neil Gaiman’s The Sandman: Book of Dreams anthology.
Born November 1, 1972 — Toni Collette, 46, Tony-nominated Actor of Stage and Screen from Australia who received an Oscar nomination for her leading role in the supernatural film The Sixth Sense, and had roles in Hereditary, The Night Listener, Fright Night, Krampus, xXx: Return of Xander Cage, Tsunami: The Aftermath, and the upcoming Velvet Buzzsaw. She has provided voices for characters in the animated features The Boxtrolls, Blinky Bill the Movie, The Thief and the Cobbler, The Magic Pudding, and Mary and Max.
Born November 1, 1984 — Natalia Tena, 34, Actor from England who played Nymphadora Tonks in the Harry Potter film franchise and the wildling Osha in the Game of Thrones series. She also appeared in Black Mirror’s feature-length special White Christmas and the superhero comedy SuperBob, and had lead roles in the Residue miniseries and the short-lived Wisdom of The Crowd series. She has a recurring role on Origin, a series set on a spacecraft bound for another system which premieres on November 14.
Born November 1 — Jaym Gates, Writer, Editor, Game Designer, and Crisis Management Educator who is currently the acquisitions editor for Nisaba Press and Falstaff Books’ Broken Cities line. She also writes and designs role-playing games, fiction, comics, and nonfiction, and has been editor of numerous SFF anthologies, including JJ’s favorite Genius Loci. She has presented on the topic of crisis communication and community crisis response to groups including the 100 Year Starship and the Atlantic Council, and is a creative partner on an educational project which uses role-playing games, storytelling, and game theory to teach students about managing crisis. She was the SFWA Communication Director for five years and helped to run the Nebula weekends during that time, as well as fostering communications with NASA, DARPA, library and school systems, and public media. She will be a Special Guest at the OrcaCon tabletop gaming convention in January 2019.
It’s difficult to define Jadis, because it wears multiple hats: it’s a movie prop house, a museum of pre-computer-era oddities, a cabinet of curiosities, and a retail store.
Oh, and it’s also infamous for almost never being open. Like, ever.
“I tell people, not being open all the time just increases the demand,” Jadis’s owner Susan Lieberman said. “You would take me for granted if I was open regular hours.”
When you walk inside Jadis, you might feel like you’ve found yourself inside a mad collector’s lab: giant interlocking gears, microscopes, cabinets filled with old postcards and eyeglasses, quack science devices from the turn of the century. And if you clap or talk too loudly, there’s a talking head that might yell at you: “My brain hurts. Why you look at me like that. WHYYY?!”
Most people now living are too young to remember the Cuban Missile Crisis. It was a fun time when the Americans and the Russians (who at that time were not good buddies but rivals), toyed with seeing just how close they could come to World War Three without pressing the (metaphorical) button. For various reasons, not least of which was that the balance of power of power greatly favoured the United States and the Soviets apparently didn’t fancy atomic suicide for some reason, the stand-off stopped short of nuclear war.
Sexy avocado costumes obscure the holiday’s historical roots and the role it once played in allowing people to engage with mortality. What was once a spiritual practice, like so much else, has become largely commercial. While there is nothing better than a baby dressed as a Gryffindor, Halloween is supposed to be about death, a subject Americans aren’t particularly good at addressing. And nowhere is that more evident than in the way we celebrate (or don’t celebrate) Halloween.
Halloween has its origins in the first millennium A.D. in the Celtic Irish holiday Samhain. According to Lisa Morton, author of “Trick or Treat: A History of Halloween,” Samhain was a New Year’s celebration held in the fall, a sort of seasonal acknowledgment of the annual change from a season of life to one of death. The Celts used Samhain celebrations to settle debts, thin their herds of livestock and appease the spirits: the kinds of preparations one might make if they are genuinely unsure whether they will survive the winter.
(14) MARVELMAN. Corporate and legal shenanigans enliven Pádraig Ó Méalóid’s new history Poisoned Chalice.
The comic character Marvelman (and Miracleman) has a fascinating – and probably unique – history in the field of comics. His extended origin goes all the way back to the very beginnings of the American superhero comics industry, and it seems likely that his ongoing story will stretch on well into the future. It involves some of the biggest names in comics. It’s a story of good versus evil, of heroes and villains, and of any number of acts of plagiarism and casual breaches of copyright. Poisoned Chalice wades into one of the strangest and thorniest knots of all of comics: the history of Marvel/Miracleman and still unsolved question of who owns this character. It’s a story that touches on many of the most remarkable personalities in the comics industry—Alan Moore, Neil Gaiman, Todd McFarlane, Joe Quesada and more—and one of the most fascinating in the medium. The story of Marvelman touches on the darker places of comics history, springing from the prehistory where greed ruled the day; it’s a complex tale that others have attempted to untangle, but there has never been as thorough or as meticulous a study of it as this book.
…An anonymous poster figured out one possible way to solve to the 4chan problem, satisfying the more mathematically inclined Haruhi fans. But in the process, they also helped puzzle out an issue that mathematicians have been working on since 1993. The anonymously authored proof (which was recently reposted on a Fandom wiki) is currently the most elegant solution to part of a mathematical problem involving something called superpermutations. It’s an enigma that goes well beyond anime….
… The 4chan proof outlines how to find the smallest possible number of episodes for the solution. But that doesn’t fully solve the problem. An even bigger breakthrough came earlier this month when sci-fi author and mathematician Greg Egan wrote up a proof that outlined how to find the largest possible number for any given superpermutation problem….
A United Nations report published last week said we have about a decade to get climate change under control, which—let’s be honest—isn’t likely to happen. So break out your goalie masks and harpoon guns, a Mad Max future awaits! Now, as new research points out, we even know where on Earth the inevitable water wars are most likely to take place.
Sarcasm aside, this report is actually quite serious.
Published today in Global Environmental Change, the paper identifies several hotspots around the globe where “hydro-political issues,” in the parlance of the researchers, are likely to give rise to geopolitical tensions, and possibly even conflict. The authors of the new report, a team from the European Commission’s Joint Research Centre (JRC), say the escalating effects of climate change, in conjunction with ongoing trends in population growth, could trigger regional instability and social unrest in regions where freshwater is scarce, and where bordering nations have to manage and share this increasingly scarce commodity.
(17) VIDEO OF THE DAY. “Big Data–L1ZY” on Vimeo shows what happens when a virtual assistant becomes an evil robot overlord!
[Thanks to Chip Hitchcock, JJ, John King Tarpinian Mike Kennedy, Martin Morse Wooster, Cat Eldridge, Carl Slaughter, Andrew, SF Concatenation’s Jonathan Cowie, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Steve Davidson.]
One thing is almost certain: the unknown passenger is ridiculously wealthy. The price for a single seat on the 100-person rocket intended to explore the moon is estimated to cost in excess of $35 million. For the inaugural passenger, it’s a massive price to pay for an adventure with no definite launch date yet.
SpaceX says Japanese billionaire Yusaku Maezawa will be first private passenger on a solo rocket trip around the moon. https://t.co/hI4IPMXGeI
(4) TIPTREE ON STAGE. The Woman Who Went to Space as a Man runs at Los Angeles’ Son of Semele venue from October 17-November 17.
MEET THE CAST OF THE WOMAN WHO WENT TO SPACE AS A MAN! Part fact, part fever dream, The Woman Who Went to Space as a Man opens with Alice B. Sheldon – better known to sci-fi aficionados as author James Tiptree, Jr. – contemplating suicide. #lathtr#newplay#scifipic.twitter.com/7RlM3TAEf1
Part fact, part fever dream, this captivating new work opens with Alice B. Sheldon – better known to sci-fi aficionados as author James Tiptree, Jr. – contemplating suicide. Dodging in and out of reality, the play investigates gender, longing and creativity as self-exploration through one of the Science Fiction world’s greatest literary tricksters. Directed by Maureen Huskey; music by Yuval Ron.
The Woman Who Went to Space as a Man – Part fact, part fever dream, and part musical, this captivating new work opens with Alice B. Sheldon – better known to sci-fi aficionados as author James Tiptree, Jr. – contemplating suicide. Dodging in and out of reality, the play, with a bold musical score from award-winning world music artist Yuval Ron, investigates gender, longing and creativity as self-exploration through one of Science Fiction world’s greatest literary tricksters. Sheldon was most notable for breaking down the barriers between writing perceived as inherently ‘male’ or ‘female’. It was not publicly known until 1977 that Tiptree was, in fact, a woman. Inspired by the biography ‘James Tiptree, Jr.: The Double Life of Alice B. Sheldon‘ by Julie Phillips along with ‘With Delicate Mad Hands’ by James Tiptree, Jr., Maureen Huskey wrote and directs the first production of The Woman Who Went to Space as a Man, opening October 27 and running through November 17, at Son of Semele Theater in Los Angeles.
…The Woman Who Went to Space as a Man takes imaginary license whereby Sheldon is visited by an unexpected stranger – an extraterrestrial “star caller” from one of Tiptree’s stories – who leads her on an episodic, emotional journey through the shadows of her past where, despite her life’s accomplishments, buried pain and unmet desires reside. She encounters her younger selves, her repressed lesbian love, a domineering mother, and the incarnation of her male alter-ego: James Tiptree, Jr. The play locates unexpected links between gender orientation, creative expression and mental health, and shows how science fiction became the answer to Sheldon’s struggles as a woman
Son of Semele Theater 3301 Beverly Blvd. Los Angeles Los Angeles California 90004.
(5) MEXICANX ANTHOLOGY. A reader asked how to get a copy of Una realidad más amplia: Historias desde la periferia bicultural, the anthology showcasing a sampling of MexicanX talent which was funded by a Kickstarter.
Julia Rios says —
There are no print copies available because it was a very limited print run, but we will be releasing the ebook for free to the general public. The ebook will go out to backers first, and they’ll have it for a few weeks before the public gets it, but my understanding is that all of this should be happening pretty soon!
An Absolutely Remarkable Thing (2018) is a delightful science fiction story with diverse characters and a fun and clever mystery to solve. The entire world is involved in trying to find clues and piece them together to figure out what the Carls want from us. On the surface, the book appears to be about our relationship with these aliens, but it’s really about our relationships with each other….
(7) HISTORY OUT LOUD. Thanks to Fanac.org you can listen to these speeches from L.A.con II, the 1984 Worldcon, by guests of honor Gordon R. Dickson and Dick Eney.
L.A.con II, the 42nd World Science Fiction Convention, was held in Anaheim, CA in 1984. Introduced by Jerry Pournelle, here are the Guest of Honor speeches by Fan Guest Dick Eney and Professional Guest Gordon R. Dickson. Dick talks about his life “after” fandom, with fascinating anecdotes about foreign service. Gordy tells the story of his life and his writing. If you enjoy Gordy’s Childe saga, here’s an opportunity to hear about its origins. The end of Gordy’s talk feels chillingly appropriate for today. Thanks to the Southern California Institute for Fan Interests (SCIFI) for this recording.
Deluge, by Zenna Henderson
(poetic sting by Jeanette Nichols)
Now we come to the part I was most looking forward to, the return of Zenna Henderson’s The People. This episode of the saga is chronologically the first, showing what caused a family of humanoid espers to depart from Home and take refuge in the ruralities of America.
(9) TODAY IN HISTORY
September 17, 1978 — The original Battlestar Galactica premiered on television on this date
(10) TODAY’S BIRTHDAYS
[Compiled by Cat Eldridge.]
Born September 17 — Cassandra Peterson, age 67 best known as Elvira, Mistress of the Dark. Where she, and I quote Wiki here, “gained fame on Los Angeles television station KHJ-TV wearing a revealing, black, gothic, cleavage-enhancing gown as host of Elvira’s Movie Macabre, a weekly horror movie presentation.” That show evolved into similar shows down the decades.
She also has appeared in a lot of films, only a few as starring roles. In 1989, she would get a Raspberry for Elvira, Mistress of the Dark which scored a 47% with critics at Rotten Tomato, proving neither group was the target audience.
Everything from films, action figures, trading cards, pinball machines, Halloween decor, model kits, calendars, perfume and comic books to high end statues has followed down the decades. She is genre, mostly on the comic side of things.
…Radford has published numerous series, many of them through DAW Books, including the Dragon Nimbus, Stargods, Tess Noncoiré, and Merlin’s Descendants. She is one of the founders of Book View Café, a cooperative publisher. She has also collaborated with Bob Brown and as an editor with Deborah J. Ross, Laura Ann Gilman, Maya Kaathryn Bohnhoff, and Brenda Clough….
In our increasingly impatient, data-driven society, where matters of style and aesthetics are largely seen as a waste, art for art’s sake is thriving in an unusual place — the massively popular video game “Fortnite: Battle Royale.”
The goal in “Fortnite,” as in most multiplayer shooter games, is to blow your enemies to shreds. It follows a typical “battle royale” format, where 100 players brawl until there’s only one survivor. Though it costs nothing to play, “Fortnite” is raking in higher monthly sales — $126 million, for example, in February — than its nearest competition, “PlayerUnknown’s Battlegrounds.” How does “Fortnite” do this? By getting players to buy “skins” — avatar costumes — and avatar dances.
StrangeHorizons opens September with two new short stories and poems. And the feel of these pieces very much faces the bleak and desolate for me. People who are struggling against a world that seems like a hostile waste, where they can’t find connection, where those people they care about don’t seem to stick around, don’t seem to really understand. Where they are pulled by ghosts, of those they have lost and by the ghosts of their past selves, toward ends that mean destruction or worse. It’s a rather rending month of short SFF, so let’s steel ourselves and get to the reviews!
We’ve all seen some incredible LEGO builds before, but this one, by Rich-K & Big J, takes the cake as one of the most impressive pop culture recreations of all time! About 150,000 LEGO bricks and 1,700 mini-figures were used to recreate the Helm’s Deep battle scene from Peter Jackson’s The Lord of the Rings. It took the duo about four months to construct the 160 pound, ping-pong table size creation.
Look closely and you’ll notice the small details like the catapults, ladders and towering walls.
…It was thoughts of this kind that inspired Tolkien’s doctrine of sub-creation; the artist creates because he is an imago Dei, and that of which he is an image (God) also creates. The artist’s creation has some sort of being in eternity, because God knows the artist’s work. In eternity, though, it is perfected, for God knows what it was intended to be, and what it ought to have been….
Hansen understands why people could receive word of the omission and think it is odd, but he said there was a lot of thought put into that decision. When viewers see the movie, they will understand the decision, Hansen said.
“I lived and breathed the production of this movie, and I understand why (it was omitted),” Hansen said. “But people just hear this one thing, and they don’t understand why it was done the way it was done and how other elements of the movie are unbelievably patriotic and American.”
On the walls were inscribed photos of Hershfield with Einstein; Hershfield with Chaplin; Hershfield with FDR; etc. One day, talking about old comics as we were, he picked up the phone and called Sylvan Byck, Comics Editor at King Features Syndicate. “I’ve got a young boy here who likes the old timers, believe it or not,” he explained. “Can you send him some old drawings?”
A week later in the mail I received a package with vintage original artwork by Herriman, Segar, Swinnerton, Opper, Jimmy Murphy, Chic Young, McManus, Alex Raymond, Westover, TAD, Hershfield himself, and others. Can someone hum, “Those Were the Days, My Friends”?
(19) ANOTHER DISSATISFIED CUSTOMER. The good news is that people are still watching the recording of the Hugo ceremony. The bad news is….
There has been no musical numbers so far. Only a guy joking that they will do this quickly so they can all return to drinking sooner.
As the home of a world-renowned university, Oxford is famous as being a place for readers, writers and thinkers. It’s little wonder then that the city has spawned some of the biggest names in literature and has inspired many famous works of fiction. From JRR Tolkien and Philip Pullman to CS Lewis and Lewis Carroll, Oxford has long been the stomping ground of the literary elite, with footsteps left for visitors to trace.
(21) WHEN PUNDAY FALLS ON MONDAY. John Scalzi’s puns, quoted in yesterday’s Scroll, set off a pun epidemic in comments – and also produced this verse from regular Filer — and this really is his handle — Peer.
Now I feel pressure inside the mountain
I feel pressure, burning the peers
And I feel pressure, hollowing souls
And I feel pressure, filing the peer
And I hope you remember thee
Oh, should my pixels scroll
Then surely I’ll do the same
Confined in ticked boxes
We got too close to the Baen
Calling out Ray hold fast and we will
Watch the books burn on and on the martian side
Dandelion comes upon the wine
This real estate agent really had a Jurassic lark attempting to sell one of her most recent properties — by dressing in a 7-foot dinosaur costume. Realtor Bambi Chase dressed as the comedic T. rex for the home’s showcase shots, peeking out of the family abode’s shower, cooking up a storm in the kitchen and drinking a glass of wine in the garden. Chase, who works for Nebraska Realty, said she had seen a number of T. rex-costume gimmicks floating around the internet and decided such an approach would be perfect for the real estate market.
[Thanks to Martin Morse Wooster, John King Tarpinian, JJ, Mike Kennedy, Chip Hitchcock, Carl Slaughter, Cat Eldridge, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
Foz Meadows: I honestly think you can’t have good SF without a degree of domesticity. There’s something sterile to the environments so often preferred by hard and military SF, where everyone is in uniform without a hint of how they live outside of it, that forgets that, even in the far and dazzling future, people are still people. One of the clearest visual examples that springs to mind was the ship Serenity, in Firefly—that show had a lot of problems, but the decision to lovingly render the spaceship as a domestic environment wasn’t one of them. There were hand-painted signs on the metal that Kaylee had done, scenes of the crew cooking real food together as a novelty, or making Simon a cake out of flavoured protein for his birthday because they didn’t have anything else; the difference between Inara’s quarters, with its lush decorations, and Jayne’s wall of guns. The Radchaii love of tea in Ann Leckie’s Ancillary series is another example of this.
But again, I find myself at odds with the assumption that domesticity is frowned upon in space opera, given that its presence is, to me, one of the defining qualities that separates it from traditional, “masculine” hard and military SF….
Sources tell Variety that “The Crown” star Matt Smith is joining “Star Wars: Episode IX,” which is currently in production in the U.K. It’s unknown at this time whether the “Doctor Who” alum will be on the side of the rebels or the evil empire.
We had lunch on the final day of Readercon at Pho Pasteur. This Quincy restaurant is a 2017 spin-off of the original Boston Vietnamese venue which has been open since 1991, and since that cuisine is one of her favorites, I thought we should give that venue a try.
Rachel Pollack is someone I’ve been connected to for a third of a century, even since I ran her story “Lands of Stone” in a 1984 issue of Last Wave, a small press magazine I edited and published. But she’s gone on to do so much more since then!
Her novel Unquenchable Fire won the 1989 Arthur C. Clarke Award, and her novel Godmother Night won the 1997 World Fantasy Award. Her other novels include Temporary Agency, which was a 1994 Nebula Award nominee. Her comic book writing includes an acclaimed run on Doom Patrol, as well as New Gods and Brother Power the Geek. She is also an expert on the Tarot and has published many books on the subject, including a guide to Salvador Dali’s Tarot deck. Her comics and Tarot loves blended when she created the Vertigo Tarot Deck with writer Neil Gaiman and artist Dave McKean.
We discussed why Ursula K. Le Guin was such an inspiration, the reason celebrating young writers over older ones can skew sexist, what Tarot cards and comic books have in common, how 2001: A Space Odyssey isn’t a science fiction movie but an occult movie, why Captain Marvel was her favorite comic as a kid (Shazam!), the serendipitous encounter which led to her writing Doom Patrol, how she used DC’s Tomahawk to comment on old Western racial stereotypes, the problems that killed her Buffy the Vampire Slayer Tarot deck, how she intends to bring back her shaman-for-hire character Jack Shade, and much more.
… In this niche world based on trust, where confidants are currency and handshake deals are commonplace, the arrest of a prominent dealer is a shocking suggestion of deceit.
Mr. Schulman had served on the association’s board of governors and had even led its ethics committee, the organization said. His clients included some of the biggest names in the business. Prominent bookshops from New York to London bought stolen books, an affidavit shows.
…None of the buyers are accused of wrongdoing. But the booksellers’ association is taking steps to try to prevent a similar wide-scale theft from happening again.
We traced the path of one book, the edition signed by Jefferson, to explain how the theft is suspected to have worked — and why it went undetected for so long….
(5) BETHKE TRIBUTE. Bruce Bethke’s frank memoir “Family Matters” leads up to his announcement of the death of his first wife.
…What even fewer people have known until recently is that in December of 2012, my first wife, Nancy, was diagnosed with renal cell carcinoma. After a five-and-a-half year battle, she left this world sometime between late Sunday evening, August 19, and early Monday morning, August 20. Her funeral was this past Saturday.
(6) VELEZ OBIT. Artist Walter Velez (1939-2018) died August 24 at the age of 78.
The Encyclopedia of Science Fiction tells about his popular work, including covers for Robert Asprin’s books, such as the first Thieves World anthology.
Per the SYFY Wire story, genre roles included appearances on: One Step Beyond (1 episode); The Twilight Zone (2 episodes); Voyagers! (1 episode); Bewitched (2-part episode); Walt Disney’s Wonderful World of Color (2-part episode); Wonder Woman (1 episode); Small Wonder (1 episode); The Phantom of Hollywood (TV movie); Chamber of Horrors.(feature film). There may be others they didn’t list. Depends, in part, on what you count as genre (Nanny and the Professor? Matinee Theatre’s “The Alumni Reunion” & “The Century Plant”?)
(8) TODAY IN HISTORY
August 28, 1991 — First E-mail Sent from Space
Using a Mac Portable aboard the Space Shuttle Atlantis, the first e-mail from space is sent to Earth. Two astronauts on the spacecraft, James Adamson and Shannon Lucid, wrote, “Hello Earth! Greetings from the STS-43 Crew. This is the first AppleLink from space. Having a GREAT time, wish you were here,…send cryo and RCS! Hasta la vista, baby,…we’ll be back!” The message was transmitted to the Johnson Space Center in Houston, Texas.
(9) TODAY’S BIRTHDAYS
[Compiled by Cat Eldridge.]
Born August 28, 1915 – Tasha Tudor. American illustrator and writer of children’s books. Her most well-known book is Corgiville Fair, published in 1971, the first of a series to feature anthropomorphic corgis.
Born August 28, 1916 – Jack Vance. Where to start? The Dying Earth series? Or perhaps the Lyonesse trilogy? I think I’ll pick the Demon Princes series.
Born August 28, 1917 – Jack Kirby. Comic artist is somewhat of an understatement for what he was. Created much of modern Marvel continuity and even some of the DCU as well with New Gods at the latter being my fav work by him.
Born August 28, 1948 – Vonda McIntyre, 70. Best known I think for for her Trek and SW work, but Dreamsnake won her both the Hugo Award and the Nebula Award for Best Novel, and The Moon and The Sun won her the Nebula Award.
Born August 28 – Barbara Hambly, 67. Author of myriad genre works including the James Asher, Vampire Novels, The Windrose Chronicles, and the Sun Wolf and Starhawk series. Some Trek work. Was married for some years to George Alec Effinger.
Born August 28 – Amanda Tapping, 53. Stargate franchise of course, also lead in Sanctuary, Travelers, Kiljoys, Riese, Earthsea, Flash Forward and X-Files.
Born August 28 – Kelly Overton, 40. Genre work includes Van Helsing, Legends, True Blood, Beauty and The Beast and Medium.
(12) ABOUT W76. Alexandra Erin unpacks a host of feelings about attending a Worldcon in “Conventional Wisdom”, like these sentiments about awards:
And so here is my insight for this year: the awards matter because they represent genuine appreciation, and the appreciation is genuine because it comes from people, from real people, a real community of people, a community of communities — some old, some newer, each diverse in different ways, each with their own competing and conflicting and even occasionally complementary tastes. This community is here at the convention and it is distributed somewhat haphazardly across the globe, wherever people are reading and writing and appreciating science fiction and fantasy literature published in the English language.
WorldCon is a concentration of that community, and the Hugo Awards are a concentration of WorldCon. The community is people, the convention is people, the awards are people, Soylent Green is people, and it is beautiful and it is glorious, even when the community stumbles.
(13) OUT IN FRONT. John Picacio mentions that he won the only Alfie Award presented by George R.R. Martin this year, tells about the gatherings of MexicanX Initiative members, and how he felt while emceeing the Hugos, in his conreport “Worldcon 76: The End Is The Beginning”.
I always forget how applause makes me feel like I’m underwater. I knew I was going to ‘X-up’ centerstage in salute to my Mexicanx brothers and sisters, but from there, every word of my opening address was blank page. Unscripted. Pulled from the bright stagelights, the infinite sea of faces, the inky black, that primetime moment you can’t calculate no matter how hard you try. It’s right there in front of your eyes, beyond the dazzle, if you can stop your heart from exploding out of your chest. All of those struggling years, building to arrive at that moment….I remembered that kid who so desperately wanted to be a part of this business….that guy who appeared at his first Worldcon a mere twenty-one years ago. And he led me through the darkness, like he always does — because I’m still that guy. I still want it as bad as I did when I worked on my first book cover, when I resigned from architecture to be the person I am full-time, seventeen years ago. I don’t remember everything I said up there — it just comes out — and no, I don’t want to watch the video and find out. Once is enough.
An international team has identified a kind of brain cell that exists in people but not mice, the team reported Monday in the journal Nature Neuroscience.
“This particular type of cell had properties that had never actually been described in another species,” says Ed Lein, one of the study’s authors and an investigator at the Allen Institute for Brain Science in Seattle.
The finding could help explain why many experimental treatments for brain disorders have worked in mice, but failed in people. It could also provide new clues to scientists who study human brain disorders ranging from autism to Alzheimer’s disease to schizophrenia.
“It may be that in order to fully understand psychiatric disorders, we need to get access to these special types of neurons that exist only in humans,” says Joshua Gordon, director of the National Institute of Mental Health, which helped fund the research.
Shedding light on the much-rumored events of the upcoming eighth and final season, a newly released teaser for the wildly popular HBO series of Game Of Thrones that aired Monday centered around the image of a cackling, power-mad George R.R. Martin burning the completed manuscript of Winds Of Winter.
(17) COMING TO A BOOKSTORE NOWHERE NEAR YOU. Ferret Bueller shares a rarity:
This is a pic?ture I took of the official (I guess) Mongolian translations of the Game of Thrones books in Ulaanbaatar; they’re published by Monsudar, the leading publisher of translated books. These were on display at one of the little branches of Internom, their brick and mortar franchise, this one being near my office. I see by the stamp I took it on 1 April; I took the picture for a friend of mine who’s a GoT fanatic and didn’t even think that you might enjoy seeing it or putting it up on File 770 (it’s interesting enough SF news, I guess) until earlier today.
An emerging genre of speculative, ‘post-human’ writing that blurs genre boundaries and conventions, pushes humanity and human-centred reason from the centre to the margins, and generally poses questions that may not be answerable in any terms we can understand (hence the ‘weird’). It is associated with people like Jeff Vandermeer and M John Harrison in fiction, but the approach is bleeding into television narratives (see Westworld or Noah Hawley’s innovative series Fargo and Legion). Vandermeer’s Annihilation is heavily influenced by recent ecological thinking which takes the view that humanity is a blip in geologic history: even considering the potential catastrophe of global warming, the Earth existed long before us, and it will exist long after (see the ‘hyperobject’ entry elsewhere here). In his 2002 book Light, Harrison imagines a universe where human physics is encroached upon by alien physics that coexist and are equally or more potent. Westworld posits machine intelligences that overthrow their masters, unleashing a radically non-human order.
Del Toro is producing the teen thriller with his “Shape of Water” producer J. Miles Dale. Sean Daniel and Jason Brown of Hivemind and Elizabeth Grave are also producing. CBS Films and Entertainment One are co-financing.
(20) NOT ENOUGH CONAN. Doctor Strangemind’s Kim Huett tells how Hollywood suffers for lack of his advice to guide them, in “Conan the Rebooter”.
What is best in life? To revive a franchise, to turn it into a success, and to hear the lamentation of your rivals!
I really do wish Hollywood would consult with me before embarking upon certain film projects. I’ve no doubt my sage advice could save them endless money and embarrassment in regards to the making of the more expensive science fiction and fantasy sort of films. “What’s that Mr Executive? You’re thinking about green-lighting a film based on the game Battleship? No. Just no.”
Ah, but I sense you would like some proof of my ability to deliver such sage advice. Fair enough, let’s then consider that famous barbarian, Conan, by Crom! As a teenager I read at least eleventy-seven paperbacks featuring Conan stories (published by Sphere Books in the UK and by first Lancer and then Ace Books in the US) so I’m reasonably familiar with the source material. Admittedly, it’s been a while since I’ve read any of Robert E. Howard’s stories but I think I can unequivocally state that neither attempt to put Conan on the big screen was unflawed….
[Thanks to Cat Eldridge, Chip Hitchcock, Martin Morse Wooster, John King Tarpinian, JJ, Ferret Bueller, Mike Kennedy, Carl Slaughter, Kim Huett, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Goobergunch.]