Pixel Scroll 9/4/21 I Have Become Pixel, Scroller Of Worlds

(1) A HARD ROAD. Sue Burke, author of The Immunity Index, and whose Semiosis made the Arthur C. Clarke Award shortlist and was a John W. Campbell Memorial Award finalist, summarizes the SF novel’s journey from manuscript to print, through editorial and beyond to ‘earn out’ in “Getting a book published” at SF2 Concatenation.

…Here comes the first mistake. I got to work on 20th March 2018, reviewing a folder of notes I have for ideas for stories, and I found one that I liked. Many writers have praised the creative freedom of pantsing (writing by the seat of one’s pants or making it up as you go along) a work, so although I’d previously worked with more or less complex outlines and plotting, I decided to give pantsing a go. It didn’t work. The initial draft was limp and only half as long as it needed to be.

Chastened, I reviewed ideas for ways to improve and expand the failure. This time I made notes and, eventually, crafted a plan. I added another character, rearranged some chapters, and complicated the conflict…

(2) CHARACTER WITH A LONG CAREER. Dark Worlds Quarterly contributor G.W. Thomas shares his appreciation for “The Cappen Varra Stories of Poul Anderson”.

…Shared Worlds of the 1970s

And that should have been the end of our wandering bard, but an unusual thing happened at the end of the 1970s. Robert Aspirin and Lynn Abbey cooked up the idea of the “Shared World“. With Poul’s encouragement the concept of a collection of stories where characters, setting and events coalesce between the authors to create a larger experience exploded as Thieves’ World. (There were others: Ithkar and Liavek being two of the more successful competitors.) The series ran for twelve volumes as well as a dozen novels. Poul saw it as a chance to bring Cappen Varra back! “The Gate of Flying Knives” (Thieves’ World, 1979) was the third story in the first collection. It would be Anderson’s only contribution….

(3) AN APPENDIX YOU CAN’T DO WITHOUT. Howard Andrew Jones pops up again, this time profiling historical adventure fiction author Harold Lamb for Goodman Games, where he explains why Lamb’s work is relevant for SFF fans: “Appendix N Archaeology: Harold Lamb”.

Much as I’d like to hope that Gary Gygax read Harold Lamb, he’s unlikely to have found his way to any of Lamb’s most influential work. It’s not that Lamb wasn’t in print. From the 1940s on, his histories and biographies were a mainstay on library shelves, and many modern libraries retain his books to this day. But as fine as they are – and some of them are very fine indeed – Lamb’s histories and biographies weren’t the texts that were important to Appendix N….

(4) CRIME FICTION CAREER LAUNCH. Astronaut Chris Hadfield has written a murder mystery. According to this review from Shots Mag, it is quite good: “The Apollo Murders”.

When the author has flown two Space Shuttle missions and was the commander of the International Space Station, you know that the technical details in the story are going to be accurate, integral to the story and lend the reader a real sense of being ‘there’….

(5) SHANG-CHI NEWS. In the Washington Post, David Betancourt interviews Shang-Chi star Simu Liu, who explains how Liu’s six-year campaign to get Marvel to cast him as a superhero finally paid off. “Simu Liu of ‘Shang-Chi’ finally gets the role he always wanted”.

Long before he became Shang-Chi, Simu Liu was convinced that the only way he’d be an Asian superhero on an American movie screen was to craft the story himself.

So he did. Twice.

At the age of 22, Liu crafted a wholestory bible for the Japanesemutant X-Men member Sunfire, certain it was his best bet to land a Marvel role.Years later, while a member of the Young Emerging Actors Assembly in Toronto, Liu spent $2,000 to direct, write and star in the 2015 short film called “Crimson Defender vs. The Slightly Racist Family,” about an Asian superhero who rescues a family that doesn’t believe he is a superhero because he is Asian.

Neither of those moments resulted in Liu being fitted for capes. But when Marvel Studios announced “Shang-Chi and the Legend of the Ten Rings” would be itsfirst movie with an Asian superhero in the lead role, the 32-year-old star of the TV series“Kim’s Convenience” was convinced he was ready before he ever got a phone call. He even tweeted “are we gonna talk or what” at the Marvel Entertainment account….

Kat Moon explains how she as an Asian American feels better represented by Shang-Chi than by any other Hollywood blockbuster: “Shang-Chi Made Me Feel Seen Like No Other Hollywood Film Has” in TIME.

It wasn’t a profound scene in Shang-Chi and the Legend of the Ten Rings that made me feel instantly connected to the film—not the Mandarin narration that opened the movie or even the early references to customs specific to Chinese culture like eating zhou, or congee, for breakfast and tomb-sweeping on the annual Qingming Festival. Of course, those storytelling choices told me that the latest Marvel superhero movie was crafted with viewers like me in mind. But it was a moment around 30 minutes in that let me know for certain I was watching my life experiences reflected on the big screen in a way Hollywood has rarely done: when Ronny Chieng’s character, Jon Jon, exclaims, “Wakao!”…

(6) DUNE EARLY RETURNS. The New York Times’ Kyle Buchanan says “Venice Film Festival: ‘Dune’ Leaves Us With 3 Big Questions”. The second is —

Will ‘Dune’ be a major Oscar player?

Part of what’s so striking about “Dune” is that Villeneuve has a sense of texture that’s rare among big-budget filmmakers. When a character falls in battle, Villeneuve is besotted with the way the man’s eyelashes flutter as he dies. And during the assault on a character’s compound, the camera drifts from the action to show us magnificent palm trees that have been set aflame, their leafy crowns now a starburst of destruction.

Though sci-fi movies can sometimes be a hard sell with Oscar voters, I suspect that Villeneuve’s distinctive eye will distinguish “Dune,” as the movie looks undeniably ravishing. A ton of below-the-line nominations are guaranteed, including Greig Fraser’s cinematography and the production design by Patrice Vermette. The score (by Hans Zimmer), sound and editing are all more daring than this genre usually allows: The aural soundscape and artsy crosscutting feel almost designed to draw you into a spice-induced trance.

And I haven’t even gotten to the fashion! The costume design (by Jacqueline West and Bob Morgan) is a stunner, and especially during the first hour of the film — with Rebecca Ferguson wearing outrageous space-nun sheaths and a veiled Charlotte Rampling dressed like the Green Knight in Gaultier — “Dune” can seem like a moody high-fashion shoot that occasionally includes spaceships. (I mean this as a good thing.)

Villeneuve’s last film, “Blade Runner 2049,” scored five Oscar nominations and won its cinematographer Roger Deakins a long-overdue Academy Award. Still, the movie couldn’t break into the two top Oscar categories, best picture and best director. Does “Dune” stand a better chance?

I’m taking the wait-and-see approach here….

(7) C.S. LEWIS CONFERENCE IN ROMANIA. The 5th International Interdisciplinary Conference devoted to the life and work of C. S. Lewis, “Of This and Other Worlds,” will be held November 18-20 in Iasi, Romania. Register here. Registration deadline: November 1. An excerpt from the call for papers follows:

The fifth C. S. Lewis conference focuses on C. S. Lewis and his literary and academic kin as creators of worlds. His entire work testifies to his fascination with alternative universes, from his scholarly exploration of Medieval literature, with its haunting myths and arcane symbolism, through his fiction, to his apologetics, where Christianity is seen as a parallel kingdom seeking to be reinstated in “an enemy-occupied territory”. From pain to love, through faith and imagination, he opened a spectrum of realities inviting exploration and reflection. The collection of essays by Lewis alluded to in the title of this year’s conference spans both this and other worlds: “this” realm, which we inhabit, is the necessary, unavoidable starting point for any explorers, conquerors, pilgrims, even refugees into the “others”.

Those willing to venture into the exploration of the worlds of imagination created by C. S. Lewis and kindred spirits are invited to contribute papers in the areas of semiotics, narratology, literary studies (with a special focus on fantasy, on possible worlds in language structures, at the crossroads between referential semantics and fiction studies), translation studies (the challenge of translating fantasy for readerships of various ages and its effect on reception), philosophy, logic, theology, cultural and arts studies, including any interdisciplinary permutation or cross-pollination.

Interested participants are invited to send a 200-250-word abstract for peer-review to the Conference Committee via the organizers: Dr. Rodica Albu (rodica.albu@gmail.com), Dr. Denise Vasiliu (denise_vasiliu@yahoo.com), Dr. Teodora Ghivirig? (teoghivi@Yahoo.com)

Deadline for proposal submission: 25 September 2021…

(8) MEMORY LANE.

  • 1975 – Forty-six years ago this night, Space: 1999 premiered on such stations as Los Angeles KHJ-TV. It was distributed by ITV and produced by Group Three Productions (the first season) and Gerry Anderson Productions (the second and final season). It starred as its headliners Barbara Bain and Martin Landau, previously of Mission: Impossible fame. It was created by Gerry and Sylvia Anderson who before this had done only such SF marionette puppetry series as ThunderbirdsStingray and Captain Scarlet and the Mysterons. It would last but forty eight episodes of around fifty minutes. Setting John Clute aside who thought it had “mediocre acting” and “rotten scripts”, most critics at the time actually liked it and audience reviewers at Rotten Tomatoes give it a very splendid eighty six percent rating. You can stream it on Amazon.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 4, 1916 — Robert A. W. Lowndes. He was known best as the editor of Future Science FictionScience Fiction, and Science Fiction Quarterly (mostly published in the late Thirties and early Forties) for Columbia Publications. He was a principal member of the Futurians, and a horror writer with a bent towards all things Lovecraftian ever since as a young fan, he received two letters of encouragement from H. P. Lovecraft. And yes, he’s a member of the First Fandom Hall of Fame. (Died 1998.)
  • Born September 4, 1924 — Ray Russell. His most famous story is considered by most to be “Sardonicus” which was published first in Playboy magazine, and was then adapted by him into a screenplay for William Castle’s Mr. Sardonicus. He wrote three novels, The Case Against SatanIncubus and Absolute Power. He’s got World Fantasy and Stoker Awards for Lifetime Achievement. “Sardonicus” is included in Haunted Castles: The Complete Gothic Stories which is available from the usual suspects. (Died 1999.)
  • Born September 4,1924 — Joan Aiken. I’d unreservedly say her Wolves Chronicles were her best works. Of the many, many in that series, The Wolves of Willoughby Chase featuring the characters of Bonnie Green, Sylvia Green and Simon is I think the essential work to read even though The Whispering Mountain is supposed to a prequel to the series — I don’t think it’s essential reading. (Or very interesting.) The Wolves of Willoughby Chase is certainly the one in the series I saw stocked regularly in my local bookstores before the Pandemic. (Died 2004.)
  • Born September 4, 1938 — Dick York. He is best remembered as the first Darrin Stephens on Bewitched. He was a teen in the police station in Them!, an early SF film which is considered the very first giant bug film. He’d showed up in myriad Alfred Hitchcock Presents, several episodes of Twilight Zone and has a one-off on the original Fantasy Island. (There’s now been three series.) He voiced his character Darrin Stephens in the “Samantha” episode of The Flintstones. (Died 1992.)
  • Born September 4, 1957 — Patricia Tallman, 64. Best known as telepath Lyta Alexander on Babylon 5, a series I hold that was magnificent but ended somewhat annoyingly. She was in two episodes of Next Generation, three of Deep Space Nine and two of Voyager. She did uncredited stunt work on Deep Space Nine as she did on Voyager. Oh, and she shows up in Army of Darkness as a possessed witch. Oh, and she was the former CEO and executive producer of Studio JMS. Yeah she ran everything for J. Michael Straczynski. Very impressive indeed. 
  • Born September 4, 1962 — Karl Schroeder, 59. I first encountered him in his “Deodand” story in the METAtropolis: Cascadia audio work, so I went out and found out what else he’d done. If you’ve not read him, his Aurora Award winning Permanence is superb as all of the Vigra series. He was one of those nominated for a Long Form Best Dramatic Presentation Hugo for the first METAtropolis at Anticipation. 
  • Born September 4, 1972 — Françoise Yip, 49. She was a remarkably extensive career in genre productions including, but not limited to, Earth: Final Conflict, Andromeda, Caprica, Fringe, Predator, Robocop: Prime Directives, Seven DaysFlash Gordon, Smallville, Millennium, Shadowhunters, Arrow and Sanctuary.  Genre casting directors obviously really, really like her. Her longest running genre role was as Elizabeth Kepler in The Order, a horror series on one of those streaming services you’ve likely never heard of.
  • Born September 4, 1999 — Ellie Darcey-Alden, 22. Though she’s  best known for playing young Lily Potter in Harry Potter and the Deathly Hallows – Part 2, she’s here for being  Francesca “Franny” Latimer in the Doctor Who  Christmas special “The Snowmen”, an Eleventh Doctor story. She also played Mary in the “Total Eclipse“ episode of Robin Hood, and was in Chitty Chitty Bang Bang for the New Theatre Oxford. And she appears, as do so many others, in The Five(ish) Doctors Reboot.

(10) COMICS SECTION.

  • The Far Side shows how if Worf had known about this, that whole business with the pain sticks could’ve been avoided. 
  • Close to Home shows Spock’s version of “I’m not a doctor, I’m a —“

(11) TBR INCOMING. Fansided’s “Winter Is Coming” contributor Daniel Roman lists “15 highly anticipated fantasy and science fiction books coming this fall”. Due in October —

6. Far From the Light of Heaven by Tade Thompson (10/26)

Leaving the heavy bounds of the Earth, our next book sees us blasting into space aboard the colony ship Ragtime. Arthur C. Clarke award-winning author Tade Thompson, author of The Wormwood Trilogy, has a new standalone science fiction novel coming out that promises to be filled with deep moral quandaries and spiritual reckonings. Far From the Light of Heaven is billed as a mystery meets sci-fi political thriller in space. The acting captain of the Ragtime has to team up with an investigator and several other intriguing characters to unravel a bloody mystery that is taking place aboard her ship.

(12) ASTRONOMY PICTURE OF THE DAY. From NASA: Astronomy Picture of the Day. Description follows.

Image Credit & CopyrightDennis Huff

Explanation: Not the Hubble Space Telescope’s latest view of a distant galactic nebula, this illuminated cloud of gas and dust dazzled early morning spacecoast skygazers on August 29. The snapshot was taken at 3:17am from Space View Park in Titusville, Florida. That’s about 3 minutes after the launch of a SpaceX Falcon 9 rocket on the CRS-23 mission to resupply the International Space Station. It captures drifting plumes and exhaust from the separated first and second stage of the rocket rising through still dark skies. The lower bright dot is the second stage continuing on to low Earth orbit. The upper one is the rocket’s first stage performing a boostback burn. Of course the first stage booster returned to make the first landing on the latest autonomous drone ship to arrive in the Atlantic, A Short Fall of Gravitas.

(13) EARLY ARRIVAL. Slash Film says these are “20 Movies About Aliens That You Definitely Need To Watch”. One of them is not what you might expect at first glance.

The Arrival

Not to be confused with a later entry on this list, 1996’s “The Arrival” stars a Charlie Sheen still at the height of his health and talent, and pits him against the terrifyingly competent Ron Silver. Sheen plays a radio astronomer who intercepts an unusual transmission from a nearby star and is blackballed from his industry for revealing its extraterrestrial origins. From there, a tangled conspiracy drives him towards the truth: the aliens are already here, and the rapid shift in our planet’s climate is meant to kill off humanity and create comfortable new digs for our new guests.

Directed by Peter Twohy, who would go on to create the Riddick franchise with Vin Diesel, “The Arrival” is surprisingly prescient with how it illustrates today’s climate change fears. A niche topic of conversation at the time, relegated to Al Gore jokes and nervous but unheard scientists, these digitigrade alien mimics are almost comforting now. They suggest that our inevitable future can be controlled — and, in a way that’s all too relatable, imply that someone else will have a good time on this planet at our expense….

[Thanks to Andrew Porter, Martin Morse Wooster, JJ, Cora Buhlert, Rich Lynch, Lise Andreasen, Michael Toman, John King Tarpinian,  Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to contributing editor of the day Kevin Harkness.]

Pixel Scroll 5/5/21 Soon May The Filerman Come To Bring Us Books And Cats And Rum

(1) SPEAK FRIEND. Guy Gavriel Kay will deliver the 2021 J.R.R. Tolkien Lecture on Fantasy Literature, an annual lecture on fantasy literature held at Pembroke College, Oxford. The digital lecture will take place on Tuesday, May 11th, 6 PM BST (1 PM ET).

Kay has published fourteen novels which have been translated into 30 languages and have appeared on bestseller lists around the world. He is also the author of the poetry collection, Beyond This Dark House. His most recent work is A Brightness Long Ago.

Before beginning his career as a novelist, Kay was retained by the Estate of J.R.R. Tolkien to assist in the editorial construction of The Silmarillion, the first and best-known of the posthumously published Tolkien works. Called to the Bar of Ontario in 1980, he has also been principal writer and associate producer for the CBC’s award-winning crime-drama series, The Scales of Justice. 

Register to attend on Zoom, or watch the livestream on their YouTube channel. Zoom capacity will be limited but YouTube capacity is not. Both Zoom and YouTube will broadcast at the same time.

(2) WHEN EVERYONE GOES BLISSFULLY ASTRAY. Yahoo! reports two LOTR actors are starting a podcast in May. “’The Lord Of The Rings’: Dominic Monaghan & Billy Boyd Launch Podcast”.

The pair, who played hobbits Merry and Pippin in The Lord of the Rings, are launching a podcast about the hit film franchise.

The duo are launching The Friendship Onion with podcast producer Kast Media and the series will premiere on May 18. They will bring banter, stories and comedy to the podcasting space, each week digging into the latest in pop culture, put fans’ Lord of the Rings knowledge to the test, reveal exclusive stories from filming and maybe even welcome surprise drop-ins from famous faces.

Monaghan, who is also known for his role on Lost, played Meriadoc ‘Merry’ Brandybuck in the films, close friend to Frodo Baggins, and along with Peregrin ‘Pippin’ Took, played by Boyd members of the Fellowship of the Ring.

The Friendship Onion will be available weekly on Spotify and across all podcast platforms, including video simulcast episodes on YouTube….

(3) STRANGE AT ECBATAN THE QUIZ. Rich Horton has challenged readers with a 17-question quiz: “Quiz: Images of Aliens in SF”.

Following is a quiz I wrote for an online trivia league I am in. The subject matter is aliens in SF books, movies, TV, or comic books. Each question is accompanied by an image of the alien. The quiz ran over the weekend. Some of you may know the winner, David Goldfarb, who was prominent on the great Usenet newsgroup rec.arts.sf.written back in its glory days. Tom Galloway, another prominent fan known for his trivia knowledge, also did very well.

I need to thank Steven Silver and John O’Neill (as well as several members of the trivia league) for helping me improve the question set, including some excellent proposed questions.

I will post the answers in a day or two. If you want, you can post your guesses in the comments.

1. There are many aliens depicted in the Marvel Cinematic Universe. This alien race may be hard to depict definitively, as they are shapeshifters, but they do have a typical form. They appeared in Captain Marvel in the MCU, and in the comics as early as an issue of Fantastic Four in 1962. What is the name of this alien raceClick here

2. What’s the common name for this cowardly species featured in many of Larry Niven’s Known Space stories? The name is perhaps ironic as this species doesn’t seem to have the appendages normally used by the human performers known by that name. Click here

(4) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Rebecca Roanhorse and Angela Slatter in a YouTube livestream on May 19 at 7:00 p.m. Eastern. Link to come – check back at the KGB site.

Rebecca Roanhorse

Rebecca Roanhorse is NYTimes bestseller and an award-winning speculative fiction writer. Her latest novel, Black Sun, was recently nominated for the Nebula award for Best Novel of 2020. She has short fiction published in Apex MagazineUncanny, and multiple anthologies. She has also written for Star WarsMarvel , and for TV. She lives in Northern New Mexico.

Angela Slatter

Angela Slatter in a multi-award-winning Australian writer of dark fantasy and horror. Her latest publications are the gothic fairytale novel All the Murmuring Bones from Titan, and the mosaic collection The Tallow-Wife and Other Tales from Tartarus Press. She has a PhD, teaches for the Australian Writers’ Centre, and is trying to finish a new gothic novel, Morwood.

(5) REHABILITATING “SOLO”. Mike Ryan, the senior pop culture reporter at UpRoxx makes a credible argument in favour of everyone’s most forgotten Star Wars movie: Solo. “You Know, ‘Solo’ Is Actually A Lot Of Fun”.

if you haven’t watched Solo in a while, away from all the drama and (maybe for you) bad lighting, give it another shot. It might just be the most pure fun Star Wars movie we’ve gotten from this era so far.

(6) SUE BURKE Q&A. Nerds of a Feather’s Andrea Johnson supplies the questions for “Interview: Sue Burke, Author of Immunity Index”.

NOAF: Secret sisters, a geneticist studying illegal technology, and a deadly virus. What inspired this story, and how did all those elements get into the story?

SB: The initial central question of the story is identity. What makes us the same and different? Some of it is genetics, and some of it is life experiences. What makes those differences stand out? People show their true nature in a disaster. Because the story is about genetics, I brought more genetics and more disaster into it. The elements posed a lot of questions, and the story resulted from one set of answers.

(7) ASIMOV’S SF EDITOR HAS THE ANSWERS. The Odyssey Writing Workshop shares “Odyssey Podcast #138: Sheila Williams”.

Award-winning editor Sheila Williams was a guest lecturer at the 2020 Odyssey Writing Workshop. In this excerpt from a question and answer session, she answers questions about her editorial process, story endings, and what differentiates a good story from a story that she buys.

Sheila is the multiple Hugo Award-winning editor of Asimov’s Science Fiction magazine. She is also the winner of the 2017 Kate Wilhelm Solstice Award for distinguished contributions to the science fiction and fantasy community.

(8) COSINE COMING BACK. COSine, the Colorado Springs, CO convention, will be held in person once more next January 14-16.  

Last June we had to make the difficult decision to postpone COSine 2021. After that we put ourselves into suspended animation until such time as a vaccine for COVID was available and an appropriate supply of lemon-soaked paper doilies could be acquired.
 
Well, the doilies arrived, and most of us have aching arms, so it looks like we are on track for COSine 2022:

Guest of Honor: C.J. Cherryh
Artist Guest of Honor: Jane Fancher
Special Guests: Connie Willis & Courtney Willis

Our lowest rates for registration are available through the end of October, but if you want to sign up now, you can beat the Halloween rush! At the very least, please make sure that we are on your calendar.

(9) HORROR UNIVERSITY. It’s time to enroll for the virtual Horror University, part of the Horror Writers Association’s StokerCon coming May 20-23. See the session schedule at the link. One session, $55/members, $65/nonmembers; multiple-session discounts available.

Horror University is one of the most successful and popular aspects of StokerCon™. We are proud to present another great series of workshops for StokerCon™ 2021. Horror University furthers the Horror Writers Association’s focus on education with a curriculum run by some of the best and brightest in the horror field.

HORROR UNIVERSITY offers a series of 90 minute to two-hour workshops. They are not your typical workshop experiences—they are hands-on, intensive classes that include interactive activities and exercises. Workshop registration will open April 12. Workshops for this year’s Horror University will be virtual, part of Horror University Online. All HU courses will be run through the Horror University School on Teachable.com and require separate registration and additional payment as has been the practice at all past StokerCons.

All workshops are in Eastern Standard Time. Click the workshop titles in the table below for more detailed information about each workshop and instructor. Pricing is provided below.

(10) THEY DIDN’T ABANDON HOPE. Sarah Gailey’s new “Building Beyond” writing prompt is “See You In Hell”. Amanda Hamilton and Brendan Williams-Childs play along.

Hell is an urban metropolis in the middle of a sprawling agrarian underworld. You’ve just moved to a farm about six hours upstate from Hell.

Amanda Hamilton (she/her) is a chaos scheduler for her spouse, daughter and myriad pets. She’s also a fundraising professional, primarily focused on corporations and foundations these days. When not managing various and sundry to-do lists, she likes to read and nap and read some more.

Gailey: What is it about Hell that made you decide to move?

They always said that if you could make it in Hell, you could make it anywhere. Well, after a decade of (barely) making it, I was done…. 

(11) PREDICTING THE PRESENT. Salon did a Q&A with Andy Weir and put one of his quotes in a headline: “’I don’t want to be L. Ron Hubbard’: Andy Weir on writing escapism & new book ‘Project Hail Mary’”.

…At its core, science fiction as a genre reflects the fears, anxieties, politics, events, and mood of the present. Thus, the immediate question: What type of science fiction (and speculative fiction more broadly) will the Age of Trump and its aftermath produce?

In an effort to answer that question I recently spoke with author Andy Weir whose first best-sellling novel “The Martian” was adapted by Ridley Scott into a 2015 blockbuster feature film of the same title starring Matt Damon. Weir’s other work includes the novel “Artemis” and the beloved short story “The Egg.”…

What type of science fiction writing and other works – and creative arts more generally – do you think are going to come out of this moment?

My book “Project Hail Mary” was finished before the pandemic. The story involves an alien microbe. It may seem that “Project Hail Mary” is somehow-pandemic related, but that is just pure coincidence. Moreover, this microbe does not infect humans; it infects stars in outer space.

I honestly do not know what is going to come out of this.

I do not think that there is going to be quite as much disease-related science fiction, as one might suspect. We are all going through this pandemic, and when it’s over, it will be a common experience. It is not really something we are going to enjoy reminiscing about. We will never forget the experience with the pandemic, but it is not something we are going to want to mentally relive.

My instinct is that the pandemic experience is not going to impact science fiction very much because science fiction and fantasy are on a basic level about escapism. Spend some time in the world of this book so that you can enjoy yourself away from the world that you live in. The last thing anybody wants is for a book to drag them back to the world that they live in.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born May 5, 1856 – W.W. Denslow.  First illustrator of Baum’s Wizard of Oz; also illustrated Baum’s Father Goose and Dot and Tot of Merryland.  Designed the sets and costumes for the 1902 stage version of Wizard.  Illustrated Denslow’s Mother GooseDenslow’s “Night Before Christmas”, 18-vol. Denslow’s Picture Books.  Comic strip Denslow’s Scarecrow and Tin Man.  Newspaper reporter, editorial cartoonist, poster artist.  Designed books and bookplates.  (Died 1915) [JH]
  • Born May 5, 1907 – Pat Frank.  Wrote what I’ve long thought the best-made atomic-bomb-and-after novel Alas, Babylon; two more novels, one shorter story for us; two other novels; memoir; journalism.  Office of War Information overseas correspondent during World War II.  American Heritage Foundation Award.  (Died 1964) [JH]
  • Born May 5, 1942 Lee Killough, 79. Author of two series, the Brill and Maxwell series which I read a very long time ago and remember enjoying, and the Bloodwalk series which doesn’t ring even a faint bell. I see she’s written a number of stand-alone novels as well – who’s read deeply of her? (CE)
  • Born May 5, 1943 Michael Palin, 78. Monty Python of course. I’ll single him out for writing the BFA winning Monty Python’s The Meaning of Life and co-writing the BSFA winning Time Bandits with Terry Gilliam. And it might be at least genre adjacent, so I’m going to single him out for being in A Fish Called Wanda for which he won the BAFTA Award for Best Actor in a Supporting Role. (CE) 
  • Born May 5, 1944 – Dave Locke.  Active fanziner, e.g. Awry; electronic zine Time and Again.  Loved by some, annoyed others (can this surprise you?), or both.  Among his best, What do birds of a feather do?  Dave Locke.  More here.  (Died 2012) [JH]
  • Born May 5, 1944 John Rhys-Davies, 77. He’s known for his portrayal of Gimli and the voice of Treebeard in the Lord of the Rings trilogy, General Leonid Pushkin in The Living Daylights, King Richard I in Robin of Sherwood,  Professor Maximillian Arturo in Sliders, a most excellent Hades in the animated Justice League Unlimted series, Hades in Justice League and Sallah in the Indiana Jones films. Oh, and voicing Macbeth in the exemplary Gargoyles animated series too.(CE) 
  • Born May 5, 1957 Richard E. Grant, 64. He first shows up in our world as Giles Redferne in Warlock, before going on to be Jack Seward in Bram Stoker’s Dracula. On a lighter note, he’s Frederick Sackville-Bagg in The Little Vampire, and the voice of Lord Barkis Bittern in Corpse Bride. He breaks into the MCU as Xander Rice in Logan, and the Star Wars universe by being Allegiant General Enric Pryde in Star Wars: The Rise of Skywalker. (CE) 
  • Born May 5, 1958 – Ingrid Nielson, age 63.  Drawings pp. 15, 21, Program Book for ConFederation the 44th Worldcon; see here (PDF).  Photo of her & Andre Norton here.  Moderated panel “ASFA [Ass’n of Science Fiction & Fantasy Artists of America] and the Chesleys” at Chicon VI the 58th Worldcon.  2010 Chesley “for work on the Chesley Awards for 20+ years”.  [JH]
  • Born May 5, 1961 Janet Brennan Croft, 60. She’s published any number of works on library science, but she is concentrated her research on Tolkien, winning the Mythopoeic Scholarship Award for Inkling Studies for War and the Works of J.R.R. TolkienTolkien on Film: Essays on Peter Jackson’s The Lord of the RingsTolkien and Shakespeare: Essays on Shared Themes and Language, and Perilous and Fair: Women in the Works and Life of J. R. R. Tolkien. I’d also like to single her work, Baptism of Fire: The Birth of the Modern British Fantastic in World War I. (CE)
  • Born May 5, 1963 – Michelle West, age 58.  Twoscore novels, fifty shorter stories (some as M. Sagara); book reviews for The Magazine of Fantasy & Science Fiction; interviewed in Challenging DestinyLightspeedNorthern Dreamers.  Within a 4-page single-space rejection letter from Lester Del Rey was a curmudgeonly line of encouragement, and off she went.  [JH]
  • Born May 5, 1975 – Tanya Tagaq, age 46.  Canadian Inuk throat singer.  Six albums; also collaborator with Kronos Quartet, Buffy Sainte-Marie (here is TT’s cover).  Polaris Prize, Canadian Folk Music Award, two Junos, Western Canadian Music Award.  Novel for us Split Tooth won Indigenous Voices Award.  [JH]
  • Born May 5, 1979 Catherynne M. Valente, 42. My favorite work by her? Oh, by far that’d be the two volumes of The Orphan’s Tales which I go back to fairly often — stunning writing. If you’ve not read them yet, here’s her telling “The Tea Maid And The Tailor” as excerpted from In the Night Garden which is from Green Man. (CE) 

(13) COMICS SECTION.

  • Non Sequitur lives up to its name while depicting the first land-walking creatures.

(14) GETTING THE WORD OUT WITH PICTURES. [Item by Rose Embolism.] Jem Yoshioka, creator of the science fiction romance webcomic Circuits and Veins was tapped for the New Zealand Covid information campaign! The poster is seriously lovely!

(15) IF IT DIDN’T HAPPEN, IT’S NOT A SPOILER, RIGHT? In Brian Hiatt’s article for Rolling Stone, “Benedict Cumberbatch’s Dr. Strange Almost Appeared in ‘WandaVision’”, Kevin Feige explains that Dr. Strange was going to appear in the last episode of WandaVision but he thought having Dr. Strange show up “would take it away from Wanda” so Benedict Cumberbatch was written out of the script. This is a preview of a big oral history of WandaVision in Rolling Stone that has yet to appear.

The story of WandaVision‘s main character, Wanda Maximoff, a.k.a. the Scarlet Witch (played by Elizabeth Olsen), is set to continue in 2022’s Dr. Strange and the Multiverse of Madness, but the two projects were almost linked much more directly. As Marvel Studios president Kevin Feige reveals in Rolling Stone‘s upcoming, extensive oral history of WandaVision, Marvel struck a deal with Benedict Cumberbatch to appear in the final episode of the show as Dr. Strange. But late in the process, they wrote him out.

“Some people might say, ‘Oh, it would’ve been so cool to see Dr. Strange,’” says Feige. “But it would have taken away from Wanda, which is what we didn’t want to do. We didn’t want the end of the show to be commoditized to go to the next movie — here’s the white guy, ‘Let me show you how power works.’” That meant the Dr. Strange movie, too, had to be rewritten. In the end, Feige says, Marvel’s process is “a wonderful combination of very dedicated coordination, and chaos. Chaos magic.”… 

(16) WHAT A CROCK. BBC Radio 4’s Book at Bedtime brings you “Cookie Jar by Stephen King” in three parts.

After his mother’s untimely death, Rhett inherits a cookie jar which proves to have some very unusual properties…

‘I had sort of a peculiar childhood, because my mother was peculiar. Not outright crazy, but very, very peculiar. Stories were her way of staying sane… A way to cover that hole in reality the way you might cover a well with boards so no one would fall in. But her stories stopped working for her. Because the thing she was afraid of was in the house with her all along.’

From ‘The Bazaar of Bad Dreams’, Stephen King’s story adapted in three parts. Read by Colin Stinton.

(17) OUT TO LAUNCH. SpaceX posted about yesterday’s launch:

On Tuesday, May 4 at 3:01 p.m. EDT, SpaceX launched 60 Starlink satellites from Launch Complex 39A (LC-39A) at Kennedy Space Center in Florida. This was the ninth launch and landing of this Falcon 9 first stage booster, which previously launched Telstar 18 VANTAGE, Iridium-8, and six Starlink missions.

(18) BOARDING PARTY. Insider lets you “Watch Royal Marines Explore Storming a Ship at Sea With Jet Packs”.

The British military been exploring the possibility of boarding ships at sea with futuristic jet packs that let wearers fly over the water like Iron Man.

The “Jet Suit” was made by Gravity Industries. The company released a video Sunday that showed its operators wearing jet packs and working with the Royal Marines to launch from rigid inflatable boats and land aboard the Royal Navy Batch 2 River-class offshore patrol ship HMS Tamar.

(19) BAD LOOK? Politico has details as “Pentagon watchdog opens new probe into military’s handling of UFOs”.

…But one former top Pentagon intelligence official who has lobbied Congress to take more action on such sightings said on Tuesday that the IG’s involvement is a positive step to compel the military to take the issue more seriously.

“You are looking at how is it possible that restricted military airspace is being routinely violated for months and years and nobody is informed in the Defense Department or the Congress and there is a complete system breakdown,” said Christopher Mellon, former deputy assistant secretary of defense for intelligence. “That’s a valid thing for them to investigate.”

(20) RIDING ALONG. Sean D. serves up a “Microreview [Book]: Black Water Sister by Zen Cho” at Nerds of a Feather.

Our bodies can often seem possessed. To most people, that possession occurs in a metaphorical sense. Dogma possesses us, as it’s hammered down from society until it sticks, nailed down to our core whether we like it or not. And that dogma can deviate from what we want deep down, like how family values dictate who we can and can’t love. Black Water Sister explores that possession, and with clever skill, it combines it with literal possession. A family spirit inhabits the protagonist, while they’re dealing with family interference from all sides. It’s a compelling story that’s quality is heightened by witty dialogue, a pacey second half, and vibrant characters….

(21) NOT SF BUT WEIRD. The Canadian census has a soundtrack: “2021 Census soundtrack”.

As Canada’s statistical portrait, the census is a reflection of who we are and what makes us Canadian. Listen to our Spotify and YouTube playlists while you complete your 2021 Census questionnaire to experience the different facets of Canadian culture through the sounds of our celebrated musical talent. If these songs aren’t already among your favourite tracks, we hope that you have the opportunity to discover something new as you fill out your questionnaire online in May.

Get comfortable, press play, and let’s experience Canada’s musical talent together.

(22) BUTT OF THE JOKE. Left over from May the Fourth, the “R2-D2 & C-3PO 1980 Star Wars Anti Smoking PSA”.

R2-D2 and C-3PO from “Star Wars” in a 1980 anti-smoking public service announcement. Aired in 1984 on Milwaukee’s WVTV.

[Thanks to Michael Toman, Andrew Porter, John King Tarpinian, John Hertz, Mike Kennedy, SF Concatenation’s Jonathan Cowie, James Davis Nicoll, JJ, Cat Eldridge, Martin Morse Wooster, and Rose Embolism for some of these stories. Title credit goes to File 770 contributing editor of the day Peer.]

Pixel Scroll 4/26/20 Do Not Ingest Or Inject Pixels

(1) ONE NEBULA VOTER’S PICKS. Sue Burke, author of 2019 Campbell Award finalist Semiosis, evaluates the Nebula short fiction nominees in two categories and tells what she voted for:

Adrian Tchaikovsky, by Oscar Celestini

(2) FEARBUSTERS. Jasmin Gelick’s “PenPower Project” is a series of posts with input from well-known sff authors “designed to debunk the myths of writer’s block and all kinds of other writerly fears.” She’s releasing one a week. As part of the introductory post she commissioned artist Oscar Celestini to depict all the participants as superheroes — Sue Burke, Caitlin Starling, Tim Pratt, Yoon Ha Lee, Thoraiya Dyer, Anna StephensEowyn Ivey, Adrian Tchaikovsky, Kat Rocha, Martha Wells, John Langan, and Richard S. Ford. See them all here.

There’s also a post devoted to ”the Villain”, whatever writers worry about when starting a new story, or even when they’re in the middle and things aren’t coming together – the Villain gets a caricature, too.

These are the topics Gelick’s panelists have addressed so far:

In order to answer the question ‘Do you need to write every day?’ and the perhaps even more poignant: ‘If you don’t write every day can you call yourself a writer at all?’ we’ll take a close look at each of the twelve writing superheroes’ writing process below.

About the last one, Yoon Ha Lee says –

YOON: Honestly, the planning is the most fun. Actually writing is kind of a chore because it goes on foreeeeeeever, and then revisions become fun again. Kind of like a sandwich? I like twisty chess plots, which are hard to pull off, so that aspect of Raven Stratagem was particularly satisfying.

(3) CATCHING UP TO SCIENCE FICTION. In the Washington Post, Gene Park looks at efforts by Epic Games (creator of Fortnite) and other video game developers to create the Metaverse, predicted by Neal Stephenson in Snow Crash.  Park thinks Roblox and Minecraft are on course “to create a shared, virtual space that’s persistently online and active, even without people logging in” and notes that it’s significant that Reporters Without Borders asked Minecraft to host a database of 12 million publicly censored documents. “Silicon Valley is racing to build the next version of the Internet. Fortnite might get there first.”

Conversation around a more tangible, actualized Internet seems only more pointed in light of our current shelter-in-place reality in response to the coronavirus pandemic. In the past month, office culture has coalesced around video chat platforms like Zoom, while personal cultural milestones like weddings and graduations are being conducted in Nintendo’s Animal Crossing: New Horizons. The Metaverse not only seems realistic — it would probably be pretty useful right about now.

(4) STEEL PALMETTOS. NPR’s Petra Mayer asks about The Southern Club for Vampires in “Getting Some Blood On The Page: Questions For Grady Hendrix”.

Grady Hendrix’s new novel stars a group of determined women who confront a supernatural threat in their community — and while vampires aren’t real (as far as we know), Hendrix says The Southern Book Club’s Guide to Slaying Vampires has its roots in his own real life.

“Getting some blood on the page is the only way I know how to write, so all my books are really personal,” he tells me in an email interview. “This one’s set in the neighborhood where I grew up, around the time I graduated from high school, and it’s the first time I’ve had to run a book past my family before publication because so many of our stories wound up in it. Fortunately I’ve fictionalized everything pretty heavily so no one had too many problems.”

…The way you depict the women at the center of the book is clearly affectionate, but in places I felt like it was edging a little into mockery … was that your intent? Tell me how you approached building these characters and their world.

I feel bad it seemed to edge into mockery — I take these ladies very seriously. They’re the women I grew up around, and I wanted to write about how I went from knowing them as a kid, when they seemed like a bunch of lightweight nobodies, to how I got to know them as adults, when I learned that they had dealt with all the ugly, difficult stuff so the rest of us wouldn’t have to. The choices these women had to make were hard, and they were never offered the easy option. Southern ladies are not cute and cuddly. They are tough, strong women who will mess you up. On the other hand, I grew up in Charleston and that world can sometimes seem over-the-top, where the condition of your yard or whether you served your guests on paper or china plates were referendums on the state of your soul. It seems silly in retrospect, but at the time it felt deadly serious. But, you know, in 30 years a lot of the things that feel like life or death to me now are going to feel like punchlines. Time tends to turn almost everything into comedy.

(5) UP ALL NIGHT. New York Times reviewer Ruth Franklin, in “Can’t Sleep? Let Stephen King Keep You Company”, touts the virtues of his new collection If It Bleeds.

…King has previously used the novella — that stepchild of literary forms, somehow at once both too much and not enough — for stories that skirt the edge of horror without sinking into it, such as “The Body,” the inspiration for the classic 1980s film “Stand by Me,” in which a group of boys on a camping trip are transformed less by their discovery of a corpse in the woods than by their first taste of autonomy. “Mr. Harrigan’s Phone,” the first story in the new collection, is a prime specimen in this category. It’s 2007, and Craig, on the cusp of adolescence, has a part-time job helping out wealthy, elderly Mr. Harrigan, a formal but kindly man who introduces him to “Lady Chatterley’s Lover” and treats him to a scratch-off lottery ticket for his birthday and holidays. When one of those tickets wins a $3,000 jackpot, Craig shows his appreciation by buying Mr. Harrigan a first-model iPhone, the same one he just got for Christmas.

Initially skeptical, Mr. Harrigan is speedily seduced, just like the rest of us. “Are these numbers in real time?” he asks in wonder as Craig demonstrates the Stocks app. (In a line that perfectly characterizes the attachment, King writes that he caresses the phone “the way you might pat a small sleeping animal.”) But even as he grows dependent on the device, he recognizes its dangers: “It’s like a broken water main, one spewing information instead of water.” At Mr. Harrigan’s funeral, only a few months later, Craig tucks the man’s phone into the pocket of his suit jacket, a totem to accompany him into the afterlife. The uncanny events that ensue could be explained — possibly — by a technological glitch. But they are triggered by a human longing that anyone who has lost a loved one can understand: the desire to hear the departed person’s voice again, one of the many dubious consolations that technology now offers.

(6) THE DOMINOS ARE FALLING. Kristine Kathryn Rusch has a lot to say about how bad the immediate future looks for the traditional publishing industry in “Business Musings: The Trainwreck”.

I’m sure you’ve all gotten the question lately: How are you going to survive as a writer with the crisis in the publishing industry? Every news outlet —well, at least every news outlet that reports news other than the latest virus statistics—has done at least one story on the decimation of the publishing industry.

And let me be honest here: The traditional publishing industry is in grave danger. Not of the kind of disruption it saw in 2009 with the Kindle and ebook reading, but of actual mergers, closures, consolidations, and complete lack of payment to all of its suppliers.

Brick-and-mortar bookstores are shut down, deemed non-essential. Just like libraries, also non-essential. Unlike libraries, which have pivoted to ebooks in a startling and amazing way, many bookstores have no online capability at all.

…There’s a shortage of paper, because it comes from China. The two largest printers of magazines and books in the U.S., Quad/Graphics and LSC Communications were going to merge last summer, but something got in the way. Now, LSC Communications has filed for bankruptcyThe second largest printer, Quad, has shut its book printing facilities entirely.

In some regions, major distributors have shut down or disappeared, while although others, like Ingram, are still operating, although with reduced staff.

Not that it matters, since most bookstores are closed, and not shipping books to their customers. To make matters worse, the books that are being delivered will remain in their boxes, only to be returned for full price credit when this crisis is over. That was a policy established to help bookstores in the Great Depression of the 1930s, and the policy never got changed afterwards.

When bookstores do reopen, they’ll need to send the books back, because they will have the same gap in their cash flow that the rest of us will have—or maybe worse. Many independent bookstores will not survive this crisis, because bookselling has always been a marginal business.

Audiobooks—the brightest light in the traditional publishing firmament—stopped selling when we all sheltered in place. According to Beth Meacham, an editor at Tor who gave an amazing report from the front lines at the beginning of April, commuters account for damn near 100% of audiobook sales, and since no one is driving, no one is listening to audiobooks. The sales didn’t just dry up. They stopped….

The excerpt stops here, however, Rusch is only just getting started on her list of all the industry’s troubles!

(7) DYNARSKI OBIT. Actor Gene Dynarski has died at the age of 86. The Hollywood Reporter’s review of his career mentions many genre roles.

Gene Dynarski, a character actor who appeared in Steven Spielberg’s Duel and Close Encounters of the Third Kind … has died. He was 86.

Dynarski died Feb. 27 in a rehabilitation center in Studio City, playwright Ernest Kearney announced.

The Brooklyn native also worked twice on the original Star Trek, as the miner Ben Childress on the 1966 episode “Mudd’s Women” and as Krodak, who represents a city up for Federation membership, on the 1969 installment “The Mark of Gideon.”

Dynarski was seen as Benedict, one of Egghead’s (Vincent Price) henchmen, on Batman in 1966, and on a 2000 episode of The X-Files, his character fell victim to a monstrous bat creature.

His résumé also included Earthquake (1974)…, among other TV series.

In the 1971 telefilm Duel, Dynarski was a trucker confronted in a roadside café by Dennis Weaver, who thinks he’s the murderous big-rig driver on his tail, and in Close Encounters of the Third Kind (1977), he played the supervisor who sends out Richard Dreyfuss to investigate those mysterious blackouts. 

Dynarski also portrayed Josef Stalin in the 1996 videogame Command & Conquer: Red Alert...

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Baptized April 26, 1564 William Shakespeare.World’s greatest playwright and perhaps one of our earliest fantasy writers was baptized today. (Died 1616.)
  • Born April 26, 1914 H. L. Gold. Best known for launching Galaxy Science Fiction in 1950, soon followed by its companion fantasy magazine, Beyond Fantasy Fiction which lasted but a few years. He was not a prolific writer having but two novels, None but Lucifer with L. Sprague de Camp and A Matter of Form, plus a generous number of short stories. None but Lucifer didn’t see printing in novel form until 2002. H. L. Gold Resurrected: Selected Science Fiction Stories of H. L. Gold appears to be his only collection avail from the usual digital suspects. (Died 1996.)
  • Born April 26, 1916 Vic Perrin. Best remembered for being the Control Voice in the original version of The Outer Limits. He also, genre wise, was the Adventures of SupermanMission: ImpossibleBuck Rogers in the 25th CenturyTwilight ZoneBuck Rogers in Twenty-Fifth Century and in three episodes of Star Trek including being the voice of Nomad. (Died 1989.)
  • Born April 26, 1922 A. E. van Vogt. Ok, I admit it’s been so long since I read him that I don’t clearly remember what I liked by him though I know I read Slan and The Weapon Makers.  I am fascinated by the wiki page that noted Damon Knight took a strong dislike to his writing whereas Philip K. Dick and Paul Di Filippo defended him strongly. What do y’all think of him? (Died 2000.)
  • Born April 26, 1943 Bill Warren. American film historian, critic, and one of the leading authorities on science fiction, horror, and fantasy films. He co-wrote the murder mystery Fandom is a Way of Death set at 42nd World Science Fiction Convention which was hosted by many members of the Los Angeles Science Fantasy Society and which he and his wife were very much involved in. His 1968 short story “Death Is a Lonely Place” would be printed in the first issue of the magazine Worlds of Fantasy. During the Seventies, he also wrote scripts for Warren Publishing’s black-and-white comic books CreepyEerie, and Vampirella. His film reference guide Keep Watching the Skies! American Science Fiction Movies of the Fifties would be revised and expanded several times. (Died 2016.)
  • Born April 26, 1955 Brad W. Foster, 65. A prolific cartoonist and fanzine cover artist, he won an amazing eight Hugo Awards for Best Fan Artist! From 1987 to 1991. He was a regular contributing illustrator to the science fiction magazine Amazing Stories. In 2008 he began producing illustrations for the newsletter Ansible, creating a full color version for the on-line edition, and a different black-and-white version for the print edition.
  • Born April 26, 1961 Joan Chen, 59. You’ll remember her from Twin Peaks universeas Jocelyn ‘Josie’ Packard, and probably less so as Ilsa Hayden in the first Judge Dredd film. I certainly don’t and I’ve watched that film multiple times She was Madame Ong in Avatar. No, not that film, this is a Singaporean sf film from twenty years back. And she was the very first customer on the quite short-lived Nightmare Cafe series. 

(9) PICK UP YOUR PEN. San Diego Comic-Con’s Toucan encourages fans: “You Can Draw With Katie Cook 071: How to Draw How We’re All Feeling Right Now”.

(10) RADICAL READING ORDER. In the midst of her series of reviews about Kage Baker’s Company series, “Start with the Empress of Mars!” advises the Little Red Reviewer’s Andrea Johnson.

If you’ve been seeing my posts and thinking to yourself “jeez, when is she gonna shut up about this Company series, I don’t even know where to freakin’ start with these damn books”,  you can start with The Empress of Mars!

ok, so I KNOW all the suggested reading orders put Empress of Mars near the end of the series, but you should read it near the beginning!!!

– It functions perfectly as a stand alone. Never read a Kage Baker before? start with Empress of Mars!

– omg it is HILARIOUS,  like Anvil of the World hilarious.  the bad translator scene? I was laughing so hard I drooled on myself.

– If you recognize some characters from elsewhere in the series, that’s ok, and if you don’t, that’s ok too.  the book isn’t about those people anyway.

(11) EATING THE FANTASTIC. Scott Edelman and Sarah Pinsker appertained their own chow when they met virtually to record the Eating the Fantastic podcast’s one hundred twentieth episode.

Sarah Pinsker

Since restaurants began closing down and social distancing became the sensible thing to do for my health, the health of potential podcast guests, and the health of the herd, listeners have been suggesting I consider recording episodes of Eating the Fantastic remotely … and I’ve resisted. Because my purpose here is to share the magical, intimate, relaxed conversations which occur best when people are chatting face-to-face over a table filled with food. That’s why last episode, I ended up letting you ask me the questions.

But then it occurred to me — there’s one person on the planet — and only one — with whom I was willing to record remotely. And that person is Sarah Pinsker, my guest on Episode 1 of this podcast four years and two months ago. I intended to catch up with her in meatspace anyway all these years later, but suddenly it felt right for us to chat in cyberspace.

The reason I felt that way is due to her wonderful debut novel, A Song for A New Day, which was published in September 2019. It’s set in a near future where due to a terrorist attack and an accompanying pandemic, all mass gatherings are banned — no concerts, no sporting events, no ways for people to come together the way people have done since the beginning of time — and we’re instead only allowed to meet in VR. So meeting up with Sarah remotely made artistic and poetic sense — because it would almost be as if we were living in the world of her novel.

Since that first episode, Sarah’s short story collection Sooner or Later Everything Falls into the Sea was published in March of last year by Small Beer Press. It includes many award-nominated and award-winning stories, including her Theodore Sturgeon Memorial Award-winning “In Joy, Knowing the Abyss Behind,” and her Nebula Award winner “Our Lady of the Open Road.” The collection as a whole was recently awarded the Philip K. Dick Award.

Her novel A Song for a New Day is currently a finalist for this year’s Nebula Award. She’s also a Hugo Award finalist for Best Novelette for “The Blur in the Corner of Your Eye,” published last year in Uncanny Magazine.

We discussed how relieved she was her pandemic novel A Song for a New Day was published in 2019 rather than 2020, why she originally wrote that book in a song format (and why that had to change), how she loves being surprised by her own characters, why neither of us can bear listening to music while we write, the extremely scientific, color-coded process she came up with for organizing her first short story collection, how one of her favorite fictional tropes led to the creation of the original story she wrote specifically for that collection, why the thing that most interests her is the way people cope with what’s put in front of them rather than why those things happen, the reason she prefers leaving interpretations to readers rather than providing answers, her terrible habit when reading collections and anthologies, how she’s coping with the surreal feeling of living in the world of her novel, and much more.

(12) TODAY’S THING TO WORRY ABOUT. [Item by David Doering.] Do cosplays and comic cons violate the law in New York State? I was reading a piece on protests, which led me to see this obscure New York State law forbidding wearing masks:

New York Consolidated Laws, Penal Law – PEN § 240.35 Loitering 

 4.?Being masked or in any manner disguised by unusual or unnatural attire or facial alteration, loiters, remains or congregates in a public place with other persons so masked or disguised, or knowingly permits or aids persons so masked or disguised to congregate in a public place; ?except that such conduct is not unlawful when it occurs in connection with a masquerade party or like entertainment if, when such entertainment is held in a city which has promulgated regulations in connection with such affairs, permission is first obtained from the police or other appropriate authorities;   

I wonder how may concoms read up on whether their city has has “promulgated regulations” regarding “a masquerade party”? Or think to ask permission of the police? And what does this law mean if there are no “promulgated regulations”? Does that make it illegal to “congregate in a public place” at all?

BTW: The history of this provision extends all the way back to 1845 (!!) when it was enacted to prevent protesters from using masks to hide their identities.

(13) BRAND O’LANDO. [Item by rcade.] Twitter is aflutter over Land O Lakes removing the Indian maiden from the packaging. The chatter wouldn’t be skiffy fodder but for a rebranding suggestion that keeps churning up:

(14) CONVINCING CRAFT. Catching up with this 2017 Popular Mechanics post, “The Art and Science of Making a Believable Sci-Fi Spaceship”. Tagline: “How the spaceships of Mass Effect: Andromeda were designed with physics and processing power in mind.”

…It’s an outgrowth of the desire to make a space epic with sci-fi elements based in scientific truth. “Mass Effect has always been grounded by a basis in reality,” says the Mass Effect: Andromeda Creative Director Mac Walters, and nothing in Andromeda exemplifies this more than its spaceship design.

Take the Nexus, for example, a kilometers-long space station engineered to serve as civilization’s base of operation among the unexplored planets. In the game’s lore, the monstrous ship’s kilometers-long design is inspired by “the Citadel,” and ancient alien relic of mysterious origin around which the series’ initial trilogy pivots. But despite its extraordinary inspiration, the ship itself has some surprisingly practical details. Designed to travel half-built, the Nexus is constructed over the course of the game, during which its carefully designed and realistic framework is exposed.

(15) HOBBITVILLE SOLD TO SALT LAKE CITY. Despite the dateline of April 1st, this is not an April Fools joke. “Salt Lake City buys historic ‘Hobbitville’ for $7.5M, sets it aside to become public park”.  

…  Allen Park, which was facing the possibility of being purchased and turned into new development, will soon be a public park. 

…Dr. George Allen and Ruth Larsen Allen purchased the property in 1931 and used a good chunk of the space for their exotic bird collection. Allen Park received the nickname “Hobbitville” because the small houses and log cabins found on the land looked like homes for hobbits.

In addition, it’s filled with signs featuring strange sayings painted on them. It’s considered one of the more unique places in the city. It had come under threat in recent years, though. At least one developer was seeking to purchase the land for future development….

[Thanks to John King Tarpinian, Mike Kennedy, JJ, Chip Hitchcock, Cat Eldridge, Michael Toman, Martin Morse Wooster, rcade, David Doering, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Paul Weimer.]

SLF Deep Dish Chicago Reading (October 3, 2019)

The latest Speculative Literature Foundation (SLF) Deep Dish Reading series was held on October 3 at Volumes Book Cafe in Chicago, Illinois. Co-hosted by award-winning author Mary Anne Mohanraj and Chris Bauer, the event featured readings by G. Scott Huggins, Jane Rosenberg LaForge and Silvia Moreno-Garcia.  Other readers included Sue Burke, Anaea Lay, Jeremiah John and Mary Anne Mohanraj. These periodic free events are sponsored by the SLF with assistance from SFWA grants. The next reading will be held in March of 2020. We’re currently open to interested readers.

For the latest SLF news please visit us at www.speculativeliterature.org

Pixel Scroll 9/10/19 I Can’t Believe I Pixeled In Front Of The Dean Of Science Fiction!

(1) SNEAK PEEK. The folk at the seasonal SF² Concatenation have advance-posted a review of the Dublin Worldcon ahead of their autumnal edition.

The SF² Concatenation is largely run by Brits  — however, the conreport here is by Sue Burke, a US fan and sff author (Semiosis): “Dublin 2019”.

…Despite the inconvenience, the snaking queues became good places to meet new people.

The Auditorium held only 2,000, so events there required wristbands to get in, and we had to line up in the afternoon to get them. I didn’t attend the Opening Ceremony/1944 Retro Hugos, Masquerade, or Hugo Award Ceremony. (During the Closing Ceremony, I was instead standing in line at the airport). I wanted to get a wristband for the Hugo Awards, but the queue was enormous and located outside, next to the CCD, during a cold, windy rainstorm, so I abandoned that attempt. (In fairness to the organisers, I am not sure where else the queue could have been located. All available space inside the building was in use!)

Other than that, the convention was splendid: well-organised and always on time.  Events started at 9 a.m. with accessible yoga and a “stroll with the stars” morning walk, and ended in the wee hours at Martin Hoare’s Bar – known as Martin’s, named for the volunteer who was to be Fan Bar Manager but who died a few weeks before the convention.

…Other than [overcrowding] the convention was splendid: well-organised and always on time.…

…For me, one of the many high moments of the convention came on Saturday evening at the Bright Club Ireland, a stand-up comedy show. Steve Cross made an excessively deep, textual reading of The Hitchhiker’s Guide to the Galaxy to determine the exact date that the Earth is destroyed by the Vogons.

(2) NOT EASY MAKING GREEN. That new Muppets comedy series? Fuggedabowdit! The Hollywood Reporter has learned: “‘The Muppets’ Disney+ Comedy Series Scrapped”. But Disney is greenlighting the talk show Muppets Now.

….Creators Adam Horowitz and Eddy Kitsis (Once Upon a Time) and Josh Gad (Frozen) have walked away from the scripted comedy, called Muppets Live Another Day, which they had been quietly at work on for months, and Disney+ has opted to abandon work on the series.

…The decision to retool the planned Muppets show will not impact the unscripted shortform series Disney+ announced last month at D23. That show — Muppets Now — will feature beloved characters like Kermit and Miss Piggy alongside celebrity guests.

(3) ATTEMPTED THEFT. A BBC story reports — “Margaret Atwood says thieves targeted Handmaid’s Tale sequel”.

Margaret Atwood says thieves made concerted efforts to steal her manuscript for The Testaments, the sequel to The Handmaid’s Tale.

The author and her publisher were targeted by “fake emails” from “cyber criminals”, trying to obtain the unpublished novel, she told the BBC.

She described the attempts as a “phishing exercise” that could have led to blackmail or identity theft.

“It was a commercial venture of a robbery kind,” Atwood said.

“People were trying to steal it. Really, they were trying to steal it and we had to use a lot of code words and passwords,” she told BBC arts correspondent Rebecca Jones.

“What would they have done with it if they had succeeded? They might have said, ‘We’ve got the manuscript, and we’re putting it up online [unless you] give us your credit card details’. Or they might have said, ‘Read this excerpt and download it. And if you downloaded it, a virus would have stolen your information’.

(4) NEW COINAGE. Ken Pelham offers advice about devising “The Jargon and Slang of the Fantastic” at the SFWA Blog.

…But don’t fear creating words. Heck, Shakespeare did it all the time. Just make sure they sound authentic to the world created. Sometimes those words even become part of our own Earthly languages. Like William Gibson’s “cyberspace.” We instinctively knew what it meant the first time we heard it. And J.K. Rowling may have added more words to the English language than anyone since Shakespeare. Time will tell….

(5) NEW DEAL. Ethan Alter, in the Yahoo! Entertainment story “‘Bonkers’ new ‘Joker’ sidesteps controversy, ‘Batman’ hook-up”, has an interview with Joker director Todd Phillips, who says that his film, set in a world resembling New York City in the late 1970s “was never meant to connect” to anything in the DC Extended Universe, “and I don’t see it connecting to anything in the future,” meaning it’s unlikely Joaquin Phoenix’s Joker will take on Robert Pattinson’s Batman.

Meanwhile, Phoenix choked up while paying tribute to his late brother, River. “When I was 15 or 16 my brother River came home from work and he had a VHS copy of a movie called Raging Bull and he sat me down and made me watch it. And the next day he woke me up, and he made me watch it again. And he said, ‘You’re going to start acting again, this is what you’re going to do,’” the younger Phoenix recalled while receiving the TIFF Tribute Actor Award. “He didn’t ask me, he told me. And I am indebted to him for that because acting has given me such an incredible life.”

What initially appeared to be a curious experiment is shaping up to be a sure thing, at least in terms of box office. According to some forecasts, Joker is on track to enjoy a $100 million opening weekend, topping last year’s Venom, which also billed itself as a darker alternative to the usual superhero fare. And the Toronto audience largely greeted the movie with cheers and applause, with the majority of the praise being directed in Phoenix’s direction.

(6) HORROR YOU CAN BANK ON. The Hollywood Reporter asks “Is ‘It’ a New Kind of Horror Franchise?” Tagline: “Never before has there been a series that’s been closer to being the ‘Avengers’ or ‘Star Wars’ of the genre.”

…But with only two films to its name, It is larger than its competing properties. Consider: It: Chapter One did around 40 percent of the Conjuring series’ combined global gross with just the first installment. It: Chapter Two‘s success remains unwritten, but short of disaster the film will cement this duology among the genre’s greatest blockbusters. Chalk that up once more to King’s name; that alone gives It: Chapter One and Chapter Two a built-in audience at a moment when the author’s material is a ubiquitous hot commodity. (See: April’s Pet Sematary re-adaptation, Hulu’s Castle Rock, the upcoming Doctor Sleep and In the Tall Grass.) Give credit to It‘s shapeshifting antagonist, Pennywise, too, a movie monster tailor made to scare the bejesus out of a wide viewing audience. Spiders might be your worst nightmare. Maybe werewolves. Maybe diseased hobos, mummies, your abusive father, your dead brother, a kindly old lady lurking naked in her kitchen or, last but not least, clowns. It has all of these (plus a very cute pomeranian that isn’t actually so cute after all).

(7) TODAY IN HISTORY.

  • September 10, 1935Popeye was heard for the first time on NBC radio.
  • September 10, 1993 — Fox TV first aired The X-Files.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 10, 1898 Bessie Love. In 1925, she starred in The Lost World based on the novel by Sir Arthur Conan Doyle. She wouldn’t show up again in a genre film until 1963 when she was in Children of the Damned followed by being in Battle Beneath the Earth a few years a later and then having a small uncredited role in On Her Majesty’s Secret Service. She’d be in Vampyres, Gulliver’s Travels and The Hunger to round her genre career. Vampyres btw is described as a “erotic/lesbian vampire horror film”, an apparent subgenre in the Seventies. (Died 1986.)
  • Born September 10, 1952 Gerry Conway, 67. Writer who’s best known for co-creating with John Romita Sr. and Ross Andru the Punisher character and scripting the death of Gwen Stacy during his long run on The Amazing Spider-Man. I’m also fond of his work on Weird Western Tales at DC.
  • Born September 10, 1953 Pat Cadigan, 66. Tea from an Empty Cup and Dervish is Digital are both amazing works. And I’m fascinated that she co-wrote with Paul Dini, creator of Batman: The Animated Series, a DCU novel called Harley Quinn: Mad Love.
  • Born September 10, 1953 Stuart Milligan, 66. He first shows up as Walters on the Sean Connery-led Outland and a few years later we see him as a Police Sergeant on Sky Captain and the World of Tomorrow. He’ll play Richard Nixon in Doctor Who for two Eleventh Doctor stories, “The Impossible Astronaut” and “Day of The Moon”. 
  • Born September 10, 1955 Victoria Strauss, 64. Author of the Burning Land trilogy, she should be praised for being founder along with AC Crispin for being founder of the Committee on Writing Scams. She maintains the Writer Beware website and blog. 
  • Born September 10, 1959 Tara Ward, 60. She played Preston in the “Warriors of the Deep”, a Fifth Doctor story.  After Doctor Who, she shows up in one-offs in Star Cops and Dark Realm beforehaving a very minor role in the Justice League film.
  • Born September 10, 1959 Nancy A. Collins, 60. Author of the Sonja Blue vampire novels, some of the best of that genre I’ve ever had the pleasure to read. She had a long run on Swamp Thing from issues 110 to 138, and it is generally considered a very good period in that narrative.  She also wrote Vampirella, the Forrest J Ackerman and Trina Robbins creation, for awhile.
  • Born September 10, 1968 Guy Ritchie, 51. Director of Sherlock Holmes and its sequel Sherlock Holmes: A Game of Shadows, both of each I rather liked,  and the live-action Aladdin. He did also directed / wrote / produced the rebooted The Man from U.N.C.L.E. which got rather nice reviews to my surprise as well as King Arthur: Legend of the Sword which apparently sucked. 

(9) BRADBURY HISTORY.  In this decade-old video, Roslyn Shapiro talks about Ray Bradbury’s writing group with her husband in the 1940’s.

(10) THE NO GOOD, VERY BAD… “The day the dinosaurs’ world fell apart” — lots of concrete details in this BBC article.

Scientists have a recording of the worst day on Earth; certainly the worst day in the last 66 million years.

It takes the form of a 130m section of rock drilled from under the Gulf of Mexico.

These are sediments that were laid down in the seconds to hours after a huge asteroid had slammed into the planet.

You’ll know the event we’re talking about – the one researchers now think was responsible for the demise of the dinosaurs and the rise of mammals.

The high-resolution account of this catastrophe was recovered by a UK/US-led team, who spent several weeks in 2016 drilling into what remains of the crater produced by the impact.

Today, this 200km-wide structure is positioned under Mexico’s Yucatan Peninsula, with its best preserved central portions sitting just offshore of the port of Chicxulub.

The team pulled up a great long core of rock but it’s a particular 130m-long section that essentially documents the first day of what geologists call the Cenozoic Era, or as some others like to refer to it: the Age of Mammals.

(11) INSPIRATION. BBC’s current affairs and entertainment channel Radio 4 presents a 25-minute ‘religious’ program, Beyond Belief. Yesterday’s episode focused on the implications for religion of the novel Frankenstein.

Ernie Rea in conversation with guests about the religious content in Mary Shelley’s novel Frankenstein, which is often lost in its interpretation on the big screen.

(12) LIGHTS, CAMERA, ACTION. “Polaroid’s newest gadget gives analog life to smartphone photos”. FastCompany says the device goes on sale October 10.

It’s a shiny, tightly framed snapshot of a couple of friends of mine, posing as we share a booth at a New York diner. It’s almost (but not quite) square, with a distinctive white border that’s thicker at the bottom than on the other sides.

As you may already have figured out, the item I am cradling in my hand is a Polaroid photo.

But unlike the hundreds—thousands?—of Polaroids I’ve shot in my life, this one began its life as a digital image. I took it with my Pixel 3 smartphone and then used a new gadget, the Polaroid Lab, to transfer it onto a piece of proudly analog Polaroid instant film, where it developed before my eyes in classic fashion.

… For the most part, I liked how my Polaroid-ized photos came out—but not because they were perfect replicas of the digital originals. They were soft rather than crisp, with a dreamy color palette and an element of surprise, since two copies of the same image don’t necessarily develop identically. The current Polaroid Originals film is the best it’s made since Impossible revived the format, but it still isn’t as consistent as Fujifilm’s Instax.

(13) UNDER THE RADAR. Smithsonian’s 2017 article shows Moose and Squirrel were the real subversives: “How Bullwinkle Taught Kids Sophisticated Political Satire”, not the villains.

…The Variety Show format enabled three things. First, its gloss of adult sophistication completely undercut by silliness was incredibly attractive to me and my sister.  Secondly, it got us to delight in the work of a revolving cast of top-notch, old school voice actors who’d grown up in radio and knew how to sell a line.  June Foray, for example, is the common thread that weaves together the everyman fast-talkers of Warner Brothers films (she voiced Granny and Witch Hazel for Looney Tunes), the pop culture and political satire of Stan Freberg, and the Cold War kiddie fare of “Bullwinkle” (as Rocky, Nell Fenwick, Natasha, and more).

“Fractured Fairy Tales” were narrated by veteran actor Edward Everett Horton, a Warner Bros. stable favorite, and featured Daws Butler (Elroy Jetson), a Stan Freberg comedy show veteran, along with Paul Frees and June Foray. Before giving voice to Dudley Do-Right’s nemesis Snidely Whiplash, Hans Conried was better known as Captain Hook in Disney’s “Peter Pan,” as well as for his years’ long yeoman’s work on radio mystery shows, “I Love Lucy,” and “Burns and Allen.”

Finally, the show’s format and depth of talent connected my sister and me to a world of comedy that was well before our time, but helped us navigate what came afterwards. Apart from Sesame Street and the Electric Company (whose cast was a gift to future Broadway lovers) the cartoon landscape during the 1970s was bleak. I don’t know what happened during the Summer of Love to cause formerly respectable shops like Hanna-Barbera to go from “Jonny Quest” to “Captain Caveman and the Teen Angels,” but it can’t have been pretty.

(14) IN THE DOCKET. The New York Post reports the late author’s relatives are contesting ownership of a valuable Ellery Queen collection: “Late author’s stolen book collection found after hitting auction block: suit”.

The jig is up!

In a twist straight out of a pulpy page-turner, a son says he discovered his late mystery-novelist father’s signed books had been stolen — after seeing them go up for auction at Soetheby’s, according to a new lawsuit.

Upper West Sider Richard Dannay — son of detective-fiction author Frederic Dannay — claims 33 of his dad’s signed books were stolen by his step-mom Rose, passed to her son Terry Koppel and eventually given to Sotheby’s for auctioning, according to a Manhattan Supreme Court lawsuit filed late Wednesday.

Richard says he didn’t even know the books existed until he got the brochure from the auction house on Nov. 18, 2016 which described the collection as “The Terry R. Koppel Collection of Ellery Queen,” the court papers say.

(15) CONFLICT OF INTEREST CONTINUES TO FUEL CONFLICT. Washington Post economics columnist Steven Pearlstein discusses the debate between writers v. agents in Hollywood, saying that showrunners ought to end their memberships in the Writers Guild of America so that they can be “honest brokers” who are neither writers of talent agencies and then can act as a check on talent agencies’ power. “Big agencies and studios have a lock on Hollywood. It’s high time to apply antitrust law”.

… Five months ago, with the backing of 95 percent of its members, the Guild instructed writers to fire their agents unless they agreed to limit themselves to making money the old-fashioned way — taking a 10 percent commission for every contract they negotiate. Some of the small and midsize agencies agreed. But the Big Four — William Morris Endeavor, United Talent Agency, Creative Artists Agency and ICM Partners, which together negotiate 75 percent of the writers income — refused. The big bone of contention: a decades-old industry practice known as “packaging.”

These days, four of five TV shows and movies are said to be “packaged,” meaning that a talent agency has put together a group of its clients — actors, directors, writers and other talent — to participate in a project. For this, they earn a packaging fee that, in television, is almost always 3 percent of what a network pays the studio to produce the show, or somewhere between $15,000 to $30,000 per episode. Although these package fees are paid by the studios out of the production budget, they substitute for the traditional 10 percent commissions that writers, actors and directors would otherwise be required to pay their agents. The agencies claim that packaging is saving writers $49 million a year in commissions. The writers contend that whatever they are saving in commission is more than offset by the lower salaries they earn when production budgets are squeezed to pay packaging fees to their agents.

… The five-month standoff has also caused a rift among the writers, some of whom are having second thoughts about the Guild’s hard-line strategy. With the quiet encouragement of the agencies, more than 500 guild members are backing a slate of dissidents running against the current leadership in an election that will be decided Sept. 16.

The dissidents — headed by top “showrunners” such as Greg Berlanti (“The Flash,” “Arrow”), Shonda Rhimes (“Scandal,” “Grey’s Anatomy”), Ryan Murphy (“Glee,” “American Horror Story”), Aaron Sorkin (“West Wing,” “Network”), John Wells (“ER,” “The West Wing”) and David Kelley (“Big Little Lies,” “Goliath”) propose to reopen talks in the hope of reaching a “reasonable” compromise with the agencies.

On Twitter, the dissidents have been called “scabs” and “shills,” while the current leadership is accused of waging a needless battle and weakening the Guild as it heads into more important negotiations next year on a new contract with the studios and networks….

(16) VIDEO OF THE DAY. In “To Scale: The Solar System,” a 2015 video on YouTube, Alex Gorosh and Wylie Overstreet travel to Nevada’s Blackrock Canyon to build a scale model of the solar system so large that Neptune’s orbit is seven miles in diameter.

[Thanks to Mike Kennedy, Martin Morse Wooster, Cat Eldridge, JJ, John King Tarpinian, Chip Hitchcock, SF Concatenation’s Jonathan Cowie, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

2019 Arthur C. Clarke Award Shortlist

The finalists for the 33rd Arthur C. Clarke Award for science fiction literature were released on May 7.

Tom Hunter, Award Director, commented:

Our 6 shortlisted titles were selected from a record-breaking 124 eligible submissions, and as the imaginative breadth of SF publishing in the UK has grown so too has the challenge for our judges. With this shortlist they have successfully melded multiple definitions of the genre into a celebratory whole that both upholds the best traditions of science fiction literature and beckons us towards exhilarating new futures.

The finalists are:

  • Semiosis Sue Burke (HarperVoyager)
  •  Revenant Gun – Yoon Ha Lee (Solaris)
  • Frankenstein in Baghdad Ahmed Saadawi (Oneworld)
  • The Electric State – Simon Stålenhag (Simon and Schuster)
  • Rosewater – Tade Thompson (Orbit)
  • The Loosening Skin – Aliya Whiteley (Unsung Stories)

Andrew M. Butler, Chair of Judges, thanked the panel:

As always, the jury have given us a snapshot of the best sf: cyberpunk, military space opera, first contact, dystopian America, fantastical Britain and war-torn Iraq. The judges have really done us proud, but I can see it’s going to be a tough final decision.

The members of the judging panel were:

  • Kris Black, British Science Fiction Association
  • Andrew Wallace, British Science Fiction Association
  • Dr Kari Maund, Science Fiction Foundation
  • Chris Pak, Science Fiction Foundation
  • Rhian Drinkwater, SCI-FI-LONDON film festival

The winner will be announced at a public award ceremony, held in partnership with Foyles Bookshop, Charing Cross Road, on Wednesday, July 17. Tickets on sale soon.

[Thanks to Mark Hepworth for the story.]