Pixel Scroll 8/10/23 Pick A Peck Of Pixels

(1) MICHELE LUNDGREN ARRAIGNED. Nine of the 16 Michigan Fake Trump electors were arraigned today on felony charges including Michele Lundgren, wife of sff artist Carl Lundgren. The other seven have already been in court, and all 16 now have entered not guilty pleas. CNN covered today’s proceedings: “Michigan’s fake GOP electors arraigned on state charges”.

The 16 Michigan Republicans who served as fake electors in 2020 have pleaded not guilty to the first-of-their-kind felony charges stemming from the Trump-backed election subversion plot.

Nine of the defendants were arraigned on the state charges Thursday at a virtual court hearing in Lansing. The other seven defendants already pleaded not guilty in the past few weeks.

The group of GOP activists were hit with state charges last month over their role former President Donald Trump’s seven-state plan to subvert the Electoral College and overturn the 2020 election results by supplanting lawful Democratic electors with fake Republican electors.

Each of the fake Michigan electors were charged with eight state felonies, including forgery, conspiracy to commit election law forgery, and publishing a counterfeit record. Some of their defense attorneys have already said they’ll challenge the novel prosecution and will try to get the charges dropped. The case is unfolding in Ingham County District Court.

The defendants were released on a $1,000 bond, after state judges determined that they weren’t a danger to the community and didn’t pose a flight risk. The next hearing in the case is scheduled for August 18, where prosecutors will need to show probable cause of the crimes….

Today’s arraignment was livestreamed from the judge’s courtroom, with some persons participating remotely. You can see Michele Lundgren’s appearance starting at about 43 minutes into this video.

https://www.youtube.com/live/9Z47VZ7kJo4

Carl Lundgren left this comment about the charges on File 770 on August 7. (His identity was verified before it was posted.)

Hello, to all my former friends in science fiction.

I guess we forget that there are two sides to every story.

I’ve been with my wife Michele, through all of this, and I know that she did nothing wrong. (Outside of being a camera hog).

Two sets of 3 FBI Agents (One a member of the National Archives). Came to the house and spent two hours each interviewing her a couple of years ago.

They went through all of her correspondence found that she committed no crime.

The AG in Michigan has other ideas, seemingly political.

Michele has a brain condition called CAA and her mental functions are deteriorating, but I know that she did nothing wrong.

Thanks for listening, and stop believing the commie news.

(2) STRIKE’S HUNDREDTH DAY. They reached the century mark on August 9. Someone told The Hollywood Reporter “’Picketing Disney Is More Fun Than Writing a ‘Star Wars’ Movie’: Scribes Mark 100 Days of the Strike”.

…referring to the so-called “talks about talking” meeting Friday between the Alliance of Motion Picture and Television Producers and the Writers Guild executives to discuss if there was a path back to restart negotiations […the] WGA said in a briefing to members afterward that the AMPTP is offering the 11,000-member WGA the same deal that the DGA ratified on pattern issues and increases on a few writer-specific TV minimums. Scribes have since voiced their frustration with the AMPTP’s unwillingness to engage on such core issues as the minimum size of writers rooms or success-based residuals, among other topics. (The AMPTP has not commented on the meeting.)

Showrunner Damon Lindelof walked the humid picket line outside Disney in Burbank with Justin Britt-Gibson — the two were recently fired off a Star Wars movie they had been scripting for Disney-owned Lucasfilm — and shared that they both feel a new sense of resolve. “Ninety-nine days of steps under my belt and I don’t know if there’s any end in sight, but I’m feeling good, strong, convinced and unified,” said Lindelof. “Justin and I wrote a Star Wars movie together and picketing Disney is a lot more fun than writing a Star Wars movie,” said the Lost and Watchmen creator. Added Britt-Gibson: “This will not be in vain. This will be done so we have a better future for writers, for actors, for everybody out here on the line. … Strike the Empire back!”

(3) BEATLES CONSPIRACY THEORIST. Connie Willis reminded fans that August 8 is the anniversary of the day the four Beatles walked across the road at an Abbey Road zebra crossing. But was Paul actually dead? “The Abbey Road Zebra Crossing Today” at Facebook.

…Back when my daughter was in high school, she went to see a Beatles cover band and became obsessed with the Beatles. She and her friends dubbed themselves the Fab Four, and she began reading all about the Beatles. One day she came to me and said, “Did you know that there’s a rumor that Paul’s dead?”

“Are you KIDDING?” I said, incensed. “I was there when that rumor started. I helped SPREAD that rumor!”…

(4) IS THE CORPSE NO LONGER THE GUEST OF HONOR AT ITS OWN PARTY? New York Times essayist Amor Towles mourns that “Once at the center of the murder mystery, the cadaver has become increasingly incidental to the action and now figures as little more than a prop” in “The Corpse in the Library” .

…But in the golden age, the cadaver didn’t simply get things going. It maintained its position at the center of the story from the moment of its discovery until the denouement. As Hercule Poirot often pointed out, it was the psychology of the victim that was paramount. In life, was the cadaver lascivious? Unscrupulous? Greedy? To understand who had most likely monkeyed with the brakes of her car or poisoned her cup of tea, one first had to understand whom she had loved and whom she had spurned; whom she had enriched and whom she had cheated.

In the golden age, while the cadaver gave its life fairly early in the story, it could take comfort that it would remain of primary concern to the writer and reader until the book’s very last pages. This was no small consolation. As Lord Henry observed in Oscar Wilde’s “The Picture of Dorian Gray, “There is only one thing in the world worse than being talked about, and that is not being talked about.”

BUT TIME MOVES on. In the years before World War II, a new kind of mystery, spearheaded by Dashiell Hammett and refined by Raymond Chandler, rose to prominence: the hard-boiled detective story.

Unlike the detectives of the golden age, who were often aristocratic in bearing and schooled in etiquette, the hard-boiled detectives were men who disdained artifice and favored plain speaking. They hung their hats in shabby offices, gathered information in flophouses and bars, and went home to one-bedroom apartments. Leading rugged lives, earning meager livings, prepared to expect the worst of everyone, the hard-boiled detectives were consummate professionals in the most world-weary of industries.

But when Hammett and Chandler opted to foreground the gritty, quotidian life of the detective-for-hire, one consequence was that the role of the cadaver shrank in importance. For these detectives were not hired to solve murders (that task was the purview of the police). Instead, they were hired to solve messy domestic problems….

(5) SVENGOOLIE AND JOE BOB TOGETHER. [Item by Michael Toman.] This certainly brings back a lot of Good Memories of Seeing Bad Movies. “Svengoolie and Joe Bob Briggs’ panel at Flashback Weekend ’23 pt. 1” at MeTV.

… the highlight of the event, the crown jewel of Flashback Weekend, was a panel hosted by horror legends Svengoolie and Joe Bob Briggs. Together, the hosts regaled guests with tales of TV, from their onscreen lives to their hopes for the future of horror hosts. With attendance limited to seating capacity, the intimate conversation will be fondly remembered by everyone in the room…. 

Joe Bob: I’m the spokesperson for the 90th birthday of the drive-in!

Sven: I also think it’s the 90th anniversary of somebody driving off with the speaker still attached to their window.

Joe Bob: I’m sure it is! Although, at the very first drive-in, in Camden, New Jersey, in 1933, the owner, Richard Hollingshead, thought he could just put up a big screen, park the cars in front of the screen, and get the most powerful speaker he could find — some kind of military-grade, industrial speaker, and put it by the screen and just shoot it out at the cars. That was actually what they did for the first — I don’t know — at least the first year. And then they went, “Now we’re gonna have to try some other solution, this is not working with the romantic comedies.”…

(6) WEAR YOUR DUDS WITHOUT BEING A DUD. Today Scott Edelman reminded people about David Hartwell’s classic “Three Laws of Fashion”.

His Three Laws are:

1. To dress in ignorance of fashion is to dress badly.

2. To dress knowingly in fashion is to be invisible.

3. To dress knowingly in opposition to fashion is to have your own style.

(7) ON BOARD THE TARDIS. The Companions of Doctor Who, edited by David Bushman (Conversations with Mark Frost) and Ken Deep (Showrunner of L.I Doctor Who con), is coming in February 2024. Preorder here.

Gallifrey One’s Shaun Lyon wrote the article on Donna Noble. (Yay Shaun!)

The Doctor should never be alone. With companions like these, why would he? The follow up to The Villains of Doctor Who essay book is right here. Donna, Clara, Amy, Rose, Ace, Sarah Jane and more are waiting for you in this sequel book which covers a diverse group of author’s take on the ones who travel alongside of The Doctor

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 10, 1896 John Gloag. His first SF novel, Tomorrow’s Yesterday, depicts a race of cat people from the distant future observing human society. It was one of five SF novels and a double handful of short stories he wrote in the Thirties and Forties. Kindle has almost all of his non-fiction. Really they do. Alas the SF no one has. (Died 1981.)
  • Born August 10, 1902 Curt Siodmak. He is known for his work in genre films for The Wolf Man and Donovan’s Brain, the latter from his own novel. ISFDB notes the latter was part of his Dr. Patrick Cory series, and he wrote quite a few other genre novels as well. Donovan’s Brain and a very few other works are available from the usual suspects. (Died 2000.)
  • Born August 10, 1903 Ward Moore. Author of Bring the Jubilee which everyone knows and several novels more that I’m fairly sure almost no one knows. More interestingly to me was that he was a keen writer of recipes as ISFDB documents four of his appeared in Anne McCaffrey’s Cooking Out of This World. Kidneys anyone? Or tripe anyone?  (Shudder.) (Died 1978.)
  • Born August 10, 1932 Alexis A. Gilliland, 92. He won the John W. Campbell Award for Best New Writer in 1982, edging out Brin and Swanwick for the honor. Gilliland also won four Hugo Awards for Best Fan Artist in the early Eighties and won the Tucker Award for Excellence in Partying in the late Eighties. What the Hell is that?  He’s got two series, Rosinante and Wizenbeak.
  • Born August 10, 1944 Barbara Erskine, 79. I’m including her because I’ve got a bit of a mystery. ISFDB lists her as writing over a dozen genre novels and her wiki page says she has a fascination with the supernatural but neither indicates what manner of genre fiction she wrote. I’m guessing romance or gothic tinged with the supernatural based on the covers but that’s just a guess. What do y’all know about her?
  • Born August 10, 1952 David C. Smith, 71. He is best known for his fantasy novels, particularly those co-authored with Richard L. Tierney, featuring characters created by Robert E. Howard, most notably the six novels which involved Red Sonja. Those novels are available on iBooks but not on Kindle. 
  • Born August 10, 1955 Eddie Campbell, 68. Best known as the illustrator and publisher of From Hell (written by Alan Moore), and Bacchus, a series about the few Greek gods who have made it to our time. Though not genre, I highly recommend The Black Diamond Detective Agency which he did. It’s an adaptation of a most likely never to be made screenplay by C. Gaby Mitchell. 
  • Born August 10, 1955 Tom Kidd, 68. Genre illustrator, he’s won an impressive seven Chelsey Awards. Though he didn’t win a Hugo for Best Professional Artist, he was nominated  at Aussiecon Two, Nolacon, Conspiracy ‘87 and ConFiction. Since I’m fond of this Poul Anderson series, I’m giving you his cover for Maurai & Kith.

(9) FANDOMS – SF/F AND BEYOND. [Item by SF Concatenation’s Jonathan Cowie.] This week’s BBC Radio 4 edition of Word of Mouth discusses fandoms writ large.  It looks at things like fan fic – its origins seem close to Sherlock Holmes over a century ago – cosplay, cons etc.  “Fandom”.

You can download the 28-minute episode here and you do not have to have a BBC Sounds account to download.

(10) MAKE YOUR PITCH. “’Stray Gods: The Roleplaying Musical’ lets players perform an interactive Broadway show” on WBUR. The audio recording of the 8-minute news item can he heard at the link.

Video games stories often shift and splinter based on a player’s unique actions.

But “Stray Gods: The Roleplaying Musical” goes a step further: Not only does it present branching paths through an urban fantasy, but it’s also bursting with interactive music.

Unlike other games that focus on shooting, spells or swordplay, “Stray Gods” is all about singing. Forced to clear her name after being accused of murder, protagonist Grace has to use her newfound powers as a muse to investigate the game’s modern-day Greek gods, swapping styles depending on the player’s approach. You can sing compassionately in one verse then get angrier in the next. Each choice will solicit divergent reactions and progress the story differently.

“I would say it’s hundreds or maybe thousands of really noticeably discrete versions, and then it gets into the millions once you start getting into the more subtle variations of this instrument versus that instrument,” says “Stray Gods” composer Austin Wintory…

(11) MARK YOUR CALENDAR. “Star Wars: Ahsoka Streaming Schedule Released”. Here is the essence of Comicbook.com’s post:

…According to the official Star Wars social media accounts, Ahsoka will be released every Wednesday, starting with two episodes on August 23rd. The series will feature eight episodes and span seven weeks into October. You can check out the full schedule announcement below.

(12) PROMISES, PROMISES. Abigail Nussbaum reviews “The Saint of Bright Doors by Vajra Chandrasekera” at Asking the Wrong Questions.

“The moment Fetter is born, Mother-of-Glory pins his shadow to the earth with a large brass nail and tears it from him. This is his first memory, the seed of many hours of therapy to come.” So begins Vajra Chandrasekera’s remarkable debut novel The Saint of Bright Doors. It’s a good beginning, full of promise. The shock of that sudden violence. The strangeness of the fantastical act. The lurch towards modernity right at the end. It is also, however, an opening whose promises—including one that we are not even aware is being made—the novel will spend most of its length breaking…

(13) THE MARTIAN SKY’S THE LIMIT. Gizmodo draws our attention to the good news on Mars: “NASA’s Mars Helicopter Resumes Flights After Untimely Landing”.

NASA’s Ingenuity helicopter has had a rough few months, first losing communication with its home planet and later suffering a glitch that interrupted its flight. But you can’t keep a good chopper down. Ingenuity soared above the Martian terrain once again as its team on Earth tries to figure out what went wrong with its previous flight.

The Mars helicopter briefly flew for a 25-second hop on August 3, logging in its 54th flight above the planet’s surface to provide data that could help determine why its 53rd flight ended prematurely, NASA revealed this week….

The space agency has full details: “NASA’s Ingenuity Mars Helicopter Flies Again”.

Flight 53 was planned as a 136-second scouting flight dedicated to collecting imagery of the planet’s surface for the Perseverance Mars rover science team. The complicated flight profile included flying north 666 feet (203 meters) at an altitude of 16 feet (5 meters) and a speed of 5.6 mph (2.5 meters per second), then descending vertically to 8 feet (2.5 meters), where it would hover and obtain imagery of a rocky outcrop. Ingenuity would then climb straight up to 33 feet (10 meters) to allow its hazard divert system to initiate before descending vertically to touch down.

Instead, the helicopter executed the first half of its autonomous journey, flying north at an altitude of 16 feet (5 meters) for 466 feet (142 meters). Then a flight-contingency program was triggered, and Ingenuity automatically landed. The total flight time was 74 seconds.

“Since the very first flight we have included a program called ‘LAND_NOW’ that was designed to put the helicopter on the surface as soon as possible if any one of a few dozen off-nominal scenarios was encountered,” said Teddy Tzanetos, team lead emeritus for Ingenuity at NASA’s Jet Propulsion Laboratory in Southern California…

The Ingenuity team is confident that the early landing was triggered when image frames from the helicopter’s navigation camera didn’t sync up as expected with data from the rotorcraft’s inertial measurement unit. The unit measures Ingenuity’s acceleration and rotational rates – data that makes it possible to estimate where the helicopter is, how fast it is moving, and how it is oriented in space. This was not the first occasion on which image frames were dropped by the helicopter’s Navcam during a flight. Back on May 22, 2021, multiple image frames were dropped, resulting in excessive pitching and rolling near the end of Flight 6.

After Flight 6, the team updated the flight software to help mitigate the impact of dropped images, and the fix worked well for the subsequent 46 flights. However, on Flight 53 the quantity of dropped navigation images exceeded what the software patch allows.

“While we hoped to never trigger a LAND_NOW, this flight is a valuable case study that will benefit future aircraft operating on other worlds,” said Tzanetos. “The team is working to better understand what occurred in Flight 53, and with Flight 54’s success we’re confident that our baby is ready to keep soaring ahead on Mars.”

[Thanks to SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day OGH.]

Pixel Scroll 9/5/21 Scrollers Of The Purple Pixel

(1) LISTEN UP. Connie Willis proclaimed to Facebook readers “PRIMEVAL IS BACK!!!” (Hey, my ears may be deaf but my eyes aren’t!)

I just saw that the first two seasons of PRIMEVAL, the British science-fiction series, is now available from Britbox, and I thought it was a good time to encourage anybody who hasn’t seen it so far to take a look at it. That is, if there’s anybody left who I haven’t already told they HAVE to watch this series–

I have recommended it so many times that it’s become a standing joke in science fiction circles (I somehow figure out a way to mention it on every single panel) and Locus has forbidden me to mention it at the Locus Awards Banquet. As if that could stop me!

I know it sounds like I’m obsessed with the series, but so was Kit Reed, one of my favorite science-fiction writers of all time (see her brilliant short stories, “The Wait” and “Great escape Tours, Ltd.”) and nearly everybody I’ve ever introduced it to has loved it. (One couple took it on a beach weekend and ended up never going outside the entire time because they were binge-watching.)…

You know anything forbidden by Locus is mandatory here….

 … So, basically, the A-team with dinosaurs. So far, it’s completely formula, and you think the hunky guy and the pretty blonde will obviously get together, the geeky nerd will provide the plot explication and comic relief, the professor and the bureaucrat will flirt with each other, etc. but that only lasts for an episode or two, and then things start to get really interesting….

(2) SVENGOOLIE LENDS A HAND. Chicago’s Museum of Broadcast Communications is one of five selected to host a special John Oliver exhibit. Horror-themed TV host Svengoolie told his fans how he helped with the successful pitch to Oliver, and that some of his items will be displayed by the Museum.

Tapped by Emmy-winning writer, comedian and television host John Oliver, the Museum of Broadcast Communications (MBC) announced today it is one of only five museums in the country receiving an art display featured on HBO’s Last Week Tonight with John Oliver. The special exhibit opens Oct. 2 through Oct. 26, 2021. In addition to winning the honor through a national competition, the Museum also receives $10,000 from Last Week Tonight. The MBC’s designated charity, the Greater Chicago Food Depository, also will receive a $10,000 donation.

… The national competition began after Oliver’s 2020 segment about the harsh effects of the global pandemic on small museums. Oliver wanted to help. He called for submissions from museums that wanted to compete for displaying items from his Masterpiece Gallery collection. The Museum responded with a humorous video pitch using the power of broadcast to communicate important stories and influence audiences….

Admission is free, but the Museum has suggested that visitors bring a non-perishable food donation which will go, along with the $10,000 donation, to the Greater Chicago Food depository.

(3) TV TUNES. The theme songs of four genre shows made it into The Guardian’s top 20, although it was crime series “Inspector Morse voted No 1 theme song in poll of TV and music fans”.

4 Game of Thrones – Ramin Djawadi
13 Doctor Who – Ron Grainer
14 The Lone Ranger (William Tell Overture) – Gioachino Rossini
19 Thunderbirds – Barry Gray

(4) DON’T TOUCH THAT DIAL. The latest (in 1966) British sff sensation is on black-and-white TV. Let Galactic Journey tell you all about it: “[September 4, 1966] British Science Fiction Lives! (Alien Worlds #1 & New Writings in SF #9)”.

Move over James Bond and John Steed, there is a new dashing science fictional spy on the scene. I am of course referring to the latest hit from the team behind Doctor WhoAdam Adamant Lives!

An old-fashioned Victorian swashbuckling hero, Adam Adamant is frozen by a masked supervillain and buried under London. After being found by a construction crew, he finds himself resurrected in the strange world of London in 1966. Teaming up with a young mod woman named Georgina Jones, they solve unusual crimes such as satanic aristocrats or a soap manufacturer drugging the nation with plastic flowers.

(5) TWO THUMBS UP. A pair of early reviews of Denis Villenueve’s Dune are quite favorable.

The Guardian’s Xan Brooks calls Dune “Blockbuster cinema at its dizzying, dazzling best”.

Dune reminds us what a Hollywood blockbuster can be. Implicitly, its message written again and again in the sand, Denis Villeneuve’s fantasy epic tells us that big-budget spectaculars don’t have to be dumb or hyperactive, that it’s possible to allow the odd quiet passage amid the explosions. Adapted from Frank Herbert’s 60s opus, Dune is dense, moody and quite often sublime – the missing link bridging the multiplex and the arthouse. Encountering it here was like stumbling across some fabulous lost tribe, or a breakaway branch of America’s founding fathers who laid out the template for a different and better New World.

The Independent’s Clarisse Loughrey says the “Spectacular sci-fi adaptation is this generation’s Lord of the Rings”.

… Villeneuve’s Dune is the sandworm exploding out from the darkness below. It is a film of such literal and emotional largeness that it overwhelms the senses. If all goes well, it should reinvigorate the book’s legacy in the same way Peter Jackson’s Lord of the Rings trilogy did for JRR Tolkien’s work. Indeed, much like Jackson, Villeneuve has a certain pliancy to his vision that, in this case, has been his saving grace. Arrival and Prisoners, two of his previous films, may have possessed their own distinctive look but, when it came to Blade Runner 2049, his belated sequel to Ridley Scott’s masterpiece, it spoke fluently in the language of what came before….

(6) DRESSED FOR THE OCCASION. [Item by Jonathan Cowie.] Photo of myself (right) and Tony Edwards of Delta SF Film Group. Tony is wearing his Knight of St. Fantony jacket. The pic was taken at 2019’s Festival of Fantastic Films.

Tony Edwards (L), Jonathan Cowie (R)

(7) MEDIA BIRTHDAY.

  • 1942 – Seventy-nine years ago on this date, “The Impatient Patient,” a Warner Bros. Looney Tunes cartoon short featuring Daffy Duck and Dr. Jekyll premiered. The cartoon is set in Jekyll’s mad scientist’s laboratory. It was produced by Leon Schlesinger and directed by Norman McCabe. The story by Don Christensen. It starred Mel Blanc. In 1968, a redrawn color edition would be re-released and in 1992, a computer colorized version came out. Animation fans detest both of these versions. You can watch the original version here as it’s in the public domain.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 5, 1936 — Rhae Andrece and Alyce Andrece. They played a series of androids in I, Mudd, a quite classic Trek episode. Both appeared as police women in “Nora Clavicle and the Ladies’ Crime Club” on Batman. That’s their only genre other appearance. They only acted for three years and every appearance of their total seven appearances by one was with the other. (Alyce died 2005; Rhae died 2009.)
  • Born September 5, 1939 — Donna Anderson, 82. She was Mary Holmes in On The Beach, based on Neville Shute’s novel. She also appeared in, and I kid you not, Sinderella and the Golden Bra and Werewolves on Wheels. The first is a Sixties skinflick, the second is a Seventies exploitation film. She last shows up in a genre role series in The Incredible Hulk
  • Born September 5, 1939 — George Lazenby, 82. He is best remembered for being James Bond in On Her Majesty’s Secret Service. His turn as Bond was the shortest among the actors in the film franchise and he is the only Bond actor not to appear beyond a single film. (He was also the youngest actor cast as Bond, at age 29, and the only born outside of the British Isles.) Genre wise, he also played Jor-El on Superboy and was also a Bond like character named JB in the Return of the Man from U.N.C.L.E. film. He voiced the Royal Flush King in a recurring role in the Batman Beyond series. 
  • Born September 5, 1940 — Raquel Welch, 81. Fantastic Voyage was her first genre film though she made One Million Years B.C. thatwith her leather bikini got her much more notice. She was charming in The Three Musketeers and The Four Musketeers. She has one-offs in Bewitched, Sabrina the Teenage WitchThe Muppet ShowLois & Clark: The New Adventures of SupermanHappily Ever After: Fairy Tales for Every Child and Mork & Mindy
  • Born September 5, 1951 — Michael Keaton, 70. Beetlejuice, Beetlejuice, Beetlejuice! He also has the title roles of Tim Burton’s Batman and Batman Returns. His most recent role is The Vulture in Spider-Man: Homecoming. He reprises that role as in Marvel’s upcoming Morbius film.
  • Born September 5, 1959 — Carolyne Larrington, 62. Norse history and culture academic who’s the author of The Land of the Green Man: A Journey Through the Supernatural Landscapes of the British Isles and Winter is Coming: The Medieval World of Game of Thrones. She also wrote “Norse gods make a comeback thanks to Neil Gaiman – here’s why their appeal endures” for The Conversation.
  • Born September 5, 1964 — Stephen Greenhorn, 57. Scriptwriter who written two episodes for Doctor Who: “The Lazarus Experiment” and “The Doctor’s Daughter”, both Tenth Doctor stories. He also wrote Marchlands, a supernatural series whichJodie Whittaker and Alex Kingston appeared in. He also wrote the Mind Shadows strip which was featured on the Who website.
  • Born September 5, 1973 — Rose McGowan, 48. Best known as Paige Matthews on Charmed. She played two different roles in the Grindhouse franchise, Cherry Darling in Planet Terror and Pam in Death Proof. She was Miss Kitty in Monkeybone, a very weird film indeed.

(9) COMICS SECTION.

  • Tom Gauld on all the hoops people will be expected to jump through upon the arrival of the next big book.

(10) GAIMAN INSPIRATION. “HBO Max orders ‘Dead Boy Detectives’ pilot from Greg Berlanti”SYFY Wire has the story.

Greg Berlanti‘s involvement with the DC Universe on the small screen is expanding once again. Variety has confirmed the Arrowverse producer extraordinaire is teaming up with HBO Max for a pilot of Dead Boy Detectives, a DC/Vertigo comic inspired by the Sandman universe created by Neil Gaiman.

Written by Mark Buckingham and Toby Litt (Buckingham also served as illustrator), the book follows a pair of deceased boys — Charles Rowland and Edwin Paine — who forego a ticket to the afterlife in order to remain on Earth, solving mysteries via supernatural means. Think Constantine meets The Hardy Boys.

(11) HE RODE A BLAZING CREDENTIAL. “George Takei teamed up w/ Mel Brooks in film inspired by Blazing Saddles” reports RedShirtsAlwaysDie.

Fans rightfully so give William Shatner props for still working at 90 years old, but that doesn’t mean he’s the only original Star Trek actor still going strong these days. George Takei is 84 years old and is himself still acting. Takei even has a major project coming up with the famed Mel Brooks (who’s 95 years old himself).

The new project is called Blazing Samurai and features a loaded cast. Names like Michael Cera, Samuel L. Jackson, Ricky Gervais, Gabriel Iglesias, Djimon Honsou, and Star Trek: Discovery’s very own Michelle Yeoh. The man himself, Brooks, will also be lending his voice to the animated feature.

The film is based on Brooks’ own Blazing Saddles comedy and will center around Hank, played by Cera, who is a dog that wants to become a samurai. Jackson plays a cat, and Gervais plays the evil villain….

(12) YOU BET YOUR LIFE. This time they mean it. Coming to Netflix: Korean sf. “Squid Game Official Teaser #1” with English subtitles.

How far would you go for 45.6 billion won? Welcome to Squid Game, a mysterious survival game that could change your fortune for good. The only cost to play? Your life.

(13) WORLD FANTASY HEAD START. Lela E. Buis, in “That Concludes the 2021 World Fantasy Award Reviews”, rounds up the links to all 15 fiction reviews.

(14) MR. SCI-FI. Marc Scott Zicree tells viewers “Why I Love Used Books!”

(15) VIDEO OF THE DAY. A visit to Walt Disney’s house, featuring animator Floyd Norman and Disney historian Don Hahn.

From legendary filmmaker Don Hahn and Disney Files Magazine Editor Ryan March comes “Disney Drop-In,” a Disney Vacation Club series of unscripted videos filmed in interesting Disney places with equally interesting Disney people. In this episode, Don Hahn leads Disney Legend Floyd Norman on a tour of Walt Disney’s historic home on Woking Way in Los Angeles, California.

[Thanks to Martin Morse Wooster, JJ, Michael Toman, John King Tarpinian, SF Concatenation’s Jonathan Cowie, Cat Eldridge, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to contributing editor of the day Paul Weimer.]

Pixel Scroll 12/18/16 Scroll Measured By Weight. Pixels May Settle In Packing

(1) PROMETHEUS AWARDS RECOMMENDATIONS. Members of the Libertarian Futurist Society can formally nominate a work for any category of the Prometheus Awards.

Here are the works nominated so far in 2016 for the Prometheus Award for Best Novel:

2016 Prometheus Award Best Novel nominations
(Nominations as of Dec. 17, 2016. Nominations deadline: Feb. 15, 2017)

  • Morning Star: Book III of The Red Rising Trilogy, by Pierce Brown (Del Rey, Feb., 2016)
  • Speculator, by Doug Casey and John Hunt (HighGround Books, Sept. 2016)
  • Dark Age, by Felix Hartmann (Hartmann Publishing, June 2016)
  • Kill Process, by William Hertling (Liquididea Press, June 2016)
  • Through Fire, by Sarah Hoyt (Baen Books, August 2016)
  • The Corporation Wars: Dissidence by Ken MacLeod (Orbit, 2016)
  • Too Like the Lightning, by Ada Palmer (TOR Books, 2016)
  • Written in Fire, (Book 3 of The Brilliance trilogy) by Marcus Sakey (Thomas & Mercer, Jan. 2016)
  • The Core of the Sun, by Johanna Sinisalo and Lola Rogers (Grove Press/Black Cat, January 2016)
  • Blade of p’Na, by L. Neil Smith (Phoenix Pick, October 2016)
  • Arkwright, by Allen Steele (TOR Books, March 2016)
  • On to the Asteroid, by Travis S. Taylor and Les Johnson (Baen Books, August 2016)
  • Necessity, by Jo Walton (TOR Books, July 2016)

(2) THEATRICAL ALIENS. Alastair Reynolds’ story is being brought to the stage using puppets designed by Mary Robinette Kowal — “The House Theater of Chicago to Stage World Premiere of Sci-Fi Thriller DIAMOND DOGS”.

The House Theatre of Chicago presents their initial production in 2017, Diamond Dogs, adapted from Alastair Reynolds’ science fiction adventure by Althos Low and directed by Artistic Director Nathan Allen, playing at the Chopin Upstairs Theatre, 1543 W. Division St., January 13 – March 5. Diamond Dogs is also a participant in the 2017 Chicago International Puppet Theater Festival, January 19 – 29. Preview performances are January 13 – 20. Opening/press night is Sunday, Jan. 22.

Diamond Dogs follows a 26th century team of humans and transhumans as they investigate a mysterious alien tower, bent on brutally punishing all intruders. Uncovering clues and solving puzzles, each crusader will make dangerous, eye-popping sacrifices to get to the mysteries atop the spire. Blood will spill. This thriller is one of 16 stories set in novelist Reynolds’s expansive Revelation Space Universe. Artistic Director Nathan Allen teams up with The House’s most inventive designers and guest artists to bring this unique universe to life. Body modification is the norm in the future, and award-winning puppet designer Mary Robinette Kowal, who is also an award-winning sci-fi author, articulates and re-shapes the actors’ human forms into powerful mechanized players battling for their lives. Reynolds is one of a new generation of hard science-fiction authors, a craft he began during his decade-long career as an astrophysicist with the European Space Agency. Diamond Dogs is a pure example of the “Deadly Maze Story,” a staple of Science Fiction since H. P. Lovecraft. This world premiere production at The House Theatre of Chicago marks the first of Reynolds’ works to be adapted for another medium.

(3) RESNICK ON WRITING. Joshua Sky interviews Mike Resnick for Omni.

JS: What other elements are important in a new writer? Is it attitude, is it talent? What’s your take on that?

MR: First, you’ve got to be a smooth enough writer so that it’s not an effort for the editor, or the reader to get to the bottom of each page. That’s essential. You’ve got to know how to push a noun up against a verb with some grace. And of course you should have a knowledge of the field, because while there’s still a million ideas we haven’t touched, there’s probably half a million ideas that have already seen print. And unless you have a totally new take on it you’re not going to sell it. There used to be a rejection slip from Amazing Stories, back when Ted White was editing it, where there’d be a number of boxes he could check to explain why he’d rejected it. The box he checked most was, “Heinlein did it better – and earlier.”

I would love to have a rejection slip like that, but all Galaxy’s Edge’s rejections are personal. But yeah, you’ve got to know the field if you want to write in it. Which makes sense. I mean, shouldn’t you care enough about the field in which you want to make all or part of your living so that you’ve been reading it and know about it, and know what has been done to death and what hasn’t?

(4) ANSWERS WANTED James Davis Nicoll wants to tap into File 770 readers’ collective wisdom about project management tools useful for conrunners.

A local theatrical organization has ongoing communications challenges. The current means of communication (email, facebook, facebook messages) all seem to lend themselves to communications breakdowns [1]. I recall that Basecamp worked pretty well for the Tiptrees but Hipchat, Slack and Telegram have also been suggested as well. I know a bunch of you run cons. Would you recommend any of these tools?

[1] Facebook lends itself to amnesia but even in email it can be hard to find the specific email you want, particularly if you’ve forgotten it exists. Or never knew.

(5) BILL WARREN REMEMBERED. Scott Shaw! told Facebook readers that Svengoolie paid tribute to the late Bill Warren on this week’s program.

Tonight on Me-TV, during his presentation of Hammer’s 1960 classic THE BRIDES OF DRACULA, Svengoolie (AKA Rich Koz) made a VERY nice mention of Bill Warren‘s passing. He showed the photo of Bill with Robby the Robot and Kerry Gammill‘s cover for the new edition of Bill’s KEEP WATCHING THE SKIES! Sven mentioned Bill’s work with Forry Ackerman and his insanely voluminous knowledge about the films we all love. He even mentioned Beverly Warren! It made me very proud to see such a wonderful acknowlegement of the sweet, funny guy we all miss.

I wasn’t aware that Sven’s tribute to Bill was gonna be tonight, but surely some of you out there recorded tonight’s episode of SVENGOOLIE

(6) GABOR OBIT. Zsa Zsa Gabor (1917-2016) died December 18. Her Internet Movie Database bio says —

Undoubtedly the woman who had come to epitomize what we recognize today as “celebrity”, Zsa Zsa Gabor, is better known for her many marriages, personal appearances, her “dahlink” catchphrase, her actions, life gossip, and quotations on men, rather than her film career.

Her biggest genre credit was the movie Queen of Outer Space. She also appeared in Nightmare on Elm Street 3, and episodes of Night Gallery (segment “The Painted Mirror”), Batman, and Supertrain.

queen-of-outer-space

(7) TODAY IN HISTORY

  • December 18, 1839 — John William Draper took the first photo of the Moon. (“Say ‘Cheese!’”)
  • December 18, 1968Chitty Chitty Bang Bang opens in New York

(8) TODAY’S BIRTHDAY BOYS

  • Born December 18, 1913 – Alfred Bester
  • Born December 18, 1946 — Steven Spielberg (Amazing Stories) and
  • Born December 18, 1958 — Steve Davidson (Amazing Stories)

(9) OUR REPLACEMENTS. Kate Macdonald looks back at early cyborgs in her “Review of ‘No Woman Born’ (1944) by C.L. Moore and ‘Lady in the Tower’ (1959) by Anne McCaffrey” at Science Fiction and Other Suspect Ruminations

I teach sf to university students, and knew from the critical literature about gender in sf that sometime in the 1940s a writer called C. L. Moore published a landmark story about the first female cyborg. I tracked down a copy of ‘No Woman Born’ this year, and was deeply impressed. This story is a glowing beacon of fine writing and an impressive acceleration of how the cyborg operates in fiction. No longer a destructive masculine, war-making automaton from the post-WW1 years, this cyborg is a dancer and singer whose new flexibility and vocal range enhance her art, and successfully disguise her strength of purpose by using her femininity to cloak her developing ambitions. Deirdre is a person who is now a cyborg, and her humanity is totally present throughout this novella, despite her gleaming gold body, and her inhuman speed and agility.

The story could just as well be a three-act play. It’s set in Deirdre’s apartment where Harris, her former manager, comes to visit her for the first time after her rehabilitation following a disastrous fire, then when he and her besotted surgeon Maltzer watch her first public performance on TV in her new body, and finally when Harris witnesses Maltzer’s threat to prevent any more cyborgs being made, and Deirdre’s command. ‘No Woman Born’ is not just a story of one person, it’s an opening up of possibilities: cyborgs are stronger and faster, so what will that mean for women, as well as for men? What will that mean for the humans left behind? Can relations between a man and a woman be the same now that the woman is made of metal? How will a woman feel about her body, when no-one is there to admire it? And does this matter? By creating a female cyborg whose primary attributes, in the eyes of the men who managed and created her, are her grace and beauty, Moore shows us that when a cyborg claims autonomy, she becomes nobody’s creature, and can decide how she will live her extended, augmented life. It is a tremendous, game-changing story for feminism in sf, and for how we need to learn to think about being post-human. It’s also beautifully written, with unforgettable images of Deirdre learning to see, to stand, move and dance humanly again, in her glittering robe of metal mesh, and her golden, visored face.

(10) LOVECRAFT COUNTRY MUSIC. If you are looking for a Christmas present for your favorite dark ambient fan, the Cryo Chamber label has been releasing massive collaborations named after Lovecraftian gods. The latest one is named Nyarllathotep. The albums are available in CD and digital formats.

A 190 minute dark soundscape album recorded by 25 ambient artists to pay tribute to H.P. Lovecraft. Field recordings from the deepest dark corners of 4 continents. Dusty tapes out of forgotten archives. Strings through crackling amplifiers and distorted drone combine into a sea of pitch black. Nyarlathotep is a manipulative being in the Lovecraftian Mythos. Unlike Cthulhu, or Azathoth, he delights in cruelty and deception. Causing madness is more important than destruction to him.

Smell the burning embers as you kneel outside the sunken temple before Nyarlathotep. Feel the raspy touch of the faceless pharaoh as he leads you to the ancient Pyramid. Hear his inhuman summoning call to gods beyond reality.

(11) AFROFUTURISM. The New York Times highlighted Afrofuturism in their Year in Style 2016 section. In the article, Ytasha L. Womack, author of the 2013 Afrofuturism: The World of Black Sci-Fi and Fantasy Culture, speaks almost in counterpoint to the Puppies:

“When…in the imaginary future… people can’t fathom a person of non-Euro descent a hundred years into the future, a cosmic foot has to be put down.”

…Afrofuturism’s resurgence could not be more timely, arriving as it does in a climate perceived as indifferent, if not downright inimical, to racial and ethnic minorities. In her book, Ms. Womack recalls a time when black or brown sci-fi characters were all but invisible in the culture at large. As a girl, she would fantasize that she was Princess Leia of “Star Wars.”

“While it was fun to be the chick from outer space in my imagination,” Ms. Womack writes, “the quest to see myself or browner people in this space age, galactic epic was important to me.” It was in the absence of minorities from pop lore, she goes on, “that seeds were planted in the imaginations of countless black kids who yearned to see themselves in warp-speed spaceship too.”

Count among them Tim Fielder, a New York graphic artist and animator whose sci-fi illustrations, produced over a 30-year span, drew visitors last spring to “Black Metropolis,” at the Gallatin Galleries at New York University. Mr. Fielder’s pioneering cartoon narratives — notably those of “Matty’s Rocket,” his spirited black female cosmonaut, who will lift off next year in graphic novel form — are particularly relevant now, he maintained: “They let young artists know that they’re not on dangerous turf, that someone has gone there before them.”

(12) BEFORE YOUR EYES. NPR combines story and video in its report “Google assembles decades of satellite photos to show changes on Earth”.

Google Earth’s time lapse videos of earth’s landscape could make you think about the great baseball player Yogi Berra.

“I thought about one of the quotes attributed to Yogi Berra,” says Marc Levy, a political scientist at Columbia University’s Earth Institute who specializes in issues of global health and development. “He said, ‘You can observe a lot just by watching.'”

To show just how much the Earth’s landscape has changed over the past three decades, Google sifted through 5 million satellite images containing three quadrillion pixels. The result is a series of high-resolution, zoomable time-lapse videos that capture, in unprecedented detail, the human impact on this planet.

 

(13) SCIENCE HISTORY. Genevieve Valentine reviews “’Hidden Figures,’’The Glass Universe,’ And Why Science Needs History” for NPR.

But history tends to get simplified; a map becomes a single road leading from point to point. It’s not surprising that some scientists who contributed invaluably to the field have been kept out of the dominant narrative because they were women, and they were considered anomalies of their time. (That those times practically overlap — meaning a steady line of crucial work being done by women — is one of those scientific patterns that tend to get forgotten.)

But in the last days of the 19th century and the early days of the 20th, Henrietta Swan Leavitt — one of the many woman “computers” at the Harvard Observatory — used the measurements of variable stars to determine fixed distances across space. And fifty years later, Katherine Johnson — a black woman working at NASA’s Langley Research Center in Virginia when the state was still deeply segregated — would map John Glenn’s space flight, and America’s trip to the moon.

(14) RADIO ART. A few months ago we reported the drawing competition BBC Radio 4 was having  to draw episode art for their re-broadcast of Neil Gaiman’s Stardust radio adaptation. The program is airing this month – there will be a repeat Christmas weekend. Schedule here: Stardust – Next on – BBC Radio 4.)

[Thanks to John King Tarpinian,  Bruce Arthurs, Chip Hitchcock, Michael J. Walsh, Steve Davidson, and Rob Thornton for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W.]