Tammy Coxen, CoNZealand Hugo Adminstrator, reports a problem with online voting — and if you did not receive an email confirmation after voting you may be affected. Coxen explains:
We have discovered a bug in the Hugo voting interface that means a very few votes may not have been recorded. This mostly seems to happen when using the Safari browser on a Mac, but we have a couple of reports from other browser/device combinations.
If you received an email confirmation after voting, your votes have been entered into the system and you should not be concerned.
If you did NOT receive the email confirmation, please log back into the system and confirm that your votes have been recorded. If they have not, please try again using a different browser/device combination, preferably Chrome, as we have not had any reported problems from Chrome users. If you continue to have problems or need further assistance, please contact email@example.com
You may also vote by downloading the fillable PDF ballot, filling it in, and emailing it to firstname.lastname@example.org. Please note that a typed name is acceptable for the signature line – you do NOT need to print, sign and scan your ballot.
(1) THE CITY WITH TWO NAMES TWICE. N. K. Jemisin will join W. Kamau Bell, host of CNN series United Shades of America (and her cousin) on June 16 for a discussion of sci-fi, Afrofuturism, and her most recent novel The City We Became. The event is hosted by the New York Public Library. Hyperallergic has the story: “A POC-Centered Vision of NYC From NK Jemisin, Celebrated Sci-Fi Author”.
…Next Tuesday (June 16), Jemisin will join comedian W. Kamau Bell for a discussion of sci-fi, Afrofuturism, and her most recent novel, The City We Became, presented by the New York Public Library. The novel, which brings her unique brand of speculative fiction a little closer to earth, is set in a version of New York City where the future is threatened by an ancient evil that seeks to divide and destroy its community by capitalizing on its differences (sound familiar?). The City We Became imagines cities as living, sentient organisms that take shape as individual human avatars. New York and its five boroughs are embodied as mainly Black and brown folks (Staten Island and the nefarious Enemy that threatens the city are not insignificantly imagined as white women).
At a moment when New York City is slowly beginning to reopen amid the ongoing coronavirus pandemic, while simultaneously considering numerous pieces of legislation that could combat pervasive police brutality against Black people, Jemisin’s POC-centered speculations about the future of this city feel especially timely.
(3) THE HEART OF YOUR WEEKEND. Essence of Wonder with Gadi Evron will host several of the “Hugo Finalists for Best Novella and Best Novelette 2020” on its June 13 program, including Seanan McGuire, Sarah Gailey, Sarah Pinsker, Siobhan Carroll, and Amal El-Mohtar. Facilitating the discussions will be Vincent Docherty and Karen Castelletti.
The episode will also feature a Sara Felix Tiara Giveaway and “Tammy Coxen’s Mixology Show Corner.”
(4) STOKERCON UK: STRIKE TWO. StokerCon UK has postponed again, having decided its new August dates are no longer tenable. New dates forthcoming.
As per previous communications, like all of you we have been closely monitoring the NHS and UK Government guidelines as they have evolved over the past weeks and months, and the situation with regard to COVID-19 is still extremely changeable.
We have done everything we can to try to continue with StokerCon UK in August but, unfortunately, this is still a fast-changing situation and, with the worldwide situation and the current government guidelines as they stand now, we are left with no choice but to postpone the convention once again as we feel it would be irresponsible to push ahead and put anyone’s health at risk, apart from the obvious issues with social distancing, travel etc. Safety has to be the paramount concern for all involved.
We will advise new dates in the next week, as we’re currently finalising details of this with the hotels and will advise plans moving forward for everyone who has already signed-up to attend. We understand how disappointing this will be to many of you, and share that disappointment, but we want to make sure our members are safe, and postponing will be the best way to try and achieve that.
(5) THE SUN GIVES ABUSER PAGE ONE. Right after J.K. Rowling published an essay defending her views on gender and sex, in which she revealed she is the survivor of domestic abuse in her first marriage, UK tabloid The Sun tracked down her former husband for a front-page interview. The Guardian covered the response: “JK Rowling: UK domestic abuse adviser writes to Sun editor”.
The government’s lead adviser on domestic abuse has written to the editor of the Sun to condemn the newspaper’s decision to publish a front page interview with JK Rowling’s first husband, under the headline: “I slapped JK and I’m not sorry.”
In the letter seen by the Guardian, Nicole Jacobs, the independent domestic abuse commissioner, said it was “unacceptable that the Sun has chosen to repeat and magnify the voice of someone who openly admits to violence against a partner”.
Jacobs joined a chorus of voices speaking out against the newspaper, which described the remarks by Rowling’s ex as a “sick taunt” against the Harry Potter creator.
“The media can play a vital role in shining a light on this issue and bringing it out of the shadows, but articles such as this one instead feed the shame that so many survivors will feel every day, minimising their experiences and allowing perpetrators to continue to abuse without fear of consequence,” Jacobs wrote to Victoria Newton, who was appointed the Sun’s editor in February.
(6) WRITERS OFFERED INSURANCE PROGRAM. The Book Industry Health Insurance Partnership, a coalition of 10 organizations that includes SFWA, has partnered with Lighthouse Insurance Group Solutions to “provide its members with a choice of health insurance options, including ACA-compliant major medical, Medicare/supplements, short-term policies, vision, dental, critical care, supplemental coverage, as well as small group/Health Reimbursement Arrangements.”
The Authors Guild noted in a recent press release that the coalition also includes the American Booksellers Association, American Society for Indexing, Book Industry Study Group, Graphic Artists Guild, Independent Book Publishers Association, Novelists Inc., and Western Writers of America.
No, I hear you: Now doesn’t seem the ideal moment to Netflix-and-chill with an animated series about the last vestiges of humanity struggling to survive.
I mean, imagine the pitch meeting:
“Cities lie in ruin.
“The surface of the earth is overgrown with plant life — and with overgrown animals: mutated beasts, 300 feet tall, that stomp across the land hunting for prey.
“Which is to say: for humans, who, now firmly at the bottom of the food chain, have retreated to vast underground burrows to protect themselves.”
It all sounds … pretty bleak, I get that. Depressing, even. Like if you mashed up The Walking Dead with the popular anime series Attack on Titan, in which gruesome giants gobble up humanity’s last survivors like so many chocolate-covered cherries.
And I haven’t even mentioned the violent gangs of mutant, human-sized animals who’ve staked out their own territories, making the Earth’s surface a deadly place for the few humans who still live there.
Netflix’s Kipo and the Age of the Wonderbeasts, which returns for a second season Friday, June 12, manages to be anything but bleak and depressing. It’s bright and sunny, colorful and funny, and … then, there are those tunes.
(8) O’NEIL OBIT. Comic book writer Denny O’Neil died June 11 at the age of 81. Games Radar’s tribute is here.
…O’Neil was best known for his work on Batman, which included writing Batman, Detective Comics, and Batman: Legends of the Dark Knight, as well as editing DC’s Batman titles from 1986 to 2000. He, editor Julius Schwartz, and artist Neal Adams are credited for guiding the Dark Knight back to his darker roots after a period of campiness brought on by the success of the 1960s Batman TV series….
(9) MEDIA BIRTHDAY.
June 12, 1956 — X Minus One’s “If You Was A Moklin” was aired for the first time. Written by Murray Leinster (published in Galaxy, September 1951) who would win a number of Hugos in his career (L.A. Con III awarded him a Retro Hugo Novelette for “First Contact”, published in Astounding May 1945; NY Con II would give him Best Novelette for “Exploration Team”, published in Astounding March 1956; and he’s up this year for a Retro Hugo Novella for “Trog”, published in Astounding Science Fiction, June 1944.) This story is about a planet that has a strange imitative trait it shows in producing its offspring. Or so it seems. Adapted as usual by Ernest Kinoy. The cast was Joe Julian, Patricia Weil, Karl Weber and Ralph Camargo. You can listen to hear it here.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born June 12, 1856 – Georges Le Faure. Among a dozen popular swashbuckling novels, War Under Water against Germany; The Extraordinary Adventures of a Russian Scientist (with Henry de Graffigny, 4 vols.; tr. in 2 vols. 2009) with an explosive that could destroy the world, a Space-ship faster than light, visits to other planets, aliens. Verne was first but not alone. (Died 1953) [JH]
Born June 12, 1914 – Frank Kelly. Two novels, half a dozen shorter stories, from this pioneer. “Light Bender” was in the June 1931 Wonder Stories – he was 15! Later a speechwriter for Harry Truman; vice-president, Center for the Study of Democratic Institutions. “My Interplanetary Teens” in the June 1947 Atlantic. Fiction outside our field in The New Yorker and Esquire. First Fandom Hall of Fame. (Died 2010) [JH]
Born June 12, 1914 — William Lundigan. Col. Edward McCauley in the Fifties serial Men into Space which lasted for thirty-eight episodes. He really didn’t do any other SF acting other than showIng up once on Science Fiction Theater. (Died 1975.) (CE)
Born June 12, 1927 — Henry Slesar. He had but one genre novel,Twenty Million Miles to Earth, but starting in the Fifties and for nearly a half century, he would write one hundred sixty short stories of a genre nature, with his first short story, “The Brat” being published in Imaginative Tales in September 1955. He also wrote scripts for television — CBS Radio Mystery Theater (which, yes, did SF), Tales Of The Unexpected, the revival version of the Twilight Zone, Batman, The Man from U.N.C.L.E., and genre adjacent, lots of scripts for Alfred Hitchcock Presents. (Died 2002.) (CE)
Born June 12, 1940 — Mary A. Turzillo, 80. She won the Nebula Award for Best Novelette for her “Mars is No Place for Children” story, published in Science Fiction Age. Her first novel, An Old Fashioned Martian Girl was serialized in Analog, and a revised version, Mars Girls was released. Her first collection to polish her SWJ creds is named Your cat & other space aliens. Mars Girls which I highly recommend is available from the usual digital suspects. (CE)
Born June 12, 1945 — James Stevens-Arce, 75. Encyclopedia of Science Fiction says that “James Stevens-Arce, is perhaps the first Puerto Rican to publish sf, and the most prolific.“ He has but one novel, Soulsaver which won thePremio UPC de Ciencia Ficción, and a double handful of short stories which do appear to have made to the digital realm.(CE)
Born June 12, 1946 – Sue Anderson. Fannish musicals with Mark Keller, performed at 1970s Boskones: Rivets, Rivets Redux, Mik Ado about Nothing (note Gilbert & Sullivan allusion), The Decomposers. George Flynn, Anne McCaffrey, Elliot Shorter are gone, but Chip Hitchcock was in some or all and I’m counting on him to explain what really happened. Three short stories (one posthumously in Dark Horizons 50), and this cover with Stevan Arnold for Vertex. (Died 2004) [JH]
Born June 12, 1948 – Etienne Sándorfi. Hungarian hyperrealist painter. It was said that he painted like an assassin; also that, working at night, he went to bed each day later than the day before, puzzling his daughters. Ten interiors for Omni. The Wayback Machine has this interview; see some of his paintings here (Madeleine), here (nature morte organes). (Died 2007) [JH]
Born June 12, 1948 — Len Wein. Writer and editor best known for co-creating (with Bernie Wrightson) Swamp Thing and co-creating Wolverine (with Roy Thomas and John Romita Sr.) and for helping revive the the X-Men. He edited Watchmen which must have been interesting. He’s a member of the Will Eisner Award Hall of Fame. (Died 2017.) (CE)
Born June 12, 1955 — Stephen Pagel, 65. Editor with Nicola Griffith of the genre anthologies, Bending the Landscape: Science Fiction, Bending the Landscape: Fantasy, and Bending the Landscape: Horror. (CE)
Born June 12, 1963 – Franz Miklis. Austrian artist active for decades in fanart (see here and here) and otherwise (see here and here). His Website is here. [JH]
Born June 12, 1970 – Claudia Gray. A score of novels, some in the Star Wars universe; a few shorter stories; translated into Dutch, French, German, Portuguese. Her Website is here (“Bianca, Tess, Nadia, Skye, Marguerite, and Noemi aren’t that much like me. For example, they all have better hair”; also “Read as much as you can…. Read the stuff you love. Read the stuff you never thought you’d love”). [JH]
The Mouse Factory“The Mystery of Mickey’s Ears Revealed” Illustration by Ward Kimball Original Art (Walt Disney, c. 1970s). Walt Disney like to say, “I only hope that we don’t lose sight of one thing – that it was all started by a mouse.” Mickey’s trademark ears have been a source of conversation since the famous mouse was born in 1928. Created by Walt Disney and Ub Iwerks, Mickey is characterized as a cheerful and mischievous “little guy” with ears that move strangely. In the early 1970s, Disney Legend Inductee and one of “Walt’s Nine Old Men”, Ward Kimball (1914 – 2002) attempted to clear up the matter and explain the mystery of Mickey’s ears on the television show, The Mouse Factory. In this lot is a rare illustration by Kimball showing Mickey in front and side views with an explanation on how his ears move independently as he moves his head.
(12) BE SEATED. In “Episode 29: Omphalistic Hugosity” of Two Chairs Talking (no relation to Arthur “Two Sheds” Jackson), former Aussiecon chairs David Grigg and Perry Middlemiss talk about the shorter fiction nominees for the 2020 Hugo Awards, and then take the Hugo Time Machine back to 1962, when Stranger in a Strange Land won Best Novel.
Loma Homes translated the magic of “Harry Potter” into an epic new rental just 30 minutes away from The Wizarding World of Harry Potter at Universal Orlando.
The Wizard’s Way villa has eight themed bedrooms with 10 beds, five bathrooms, and dozens of book and movie Easter eggs that fans of the franchise will love.
(14) AVATAR. [Item by Cliff.] This video demonstrates a digital avatar created by the company founded by an ex-colleague of mine.
This demo showcases a cutting edge end-to-end virtual assistant prototy[e developed by Pinscreen. The entire Avatar runs on the cloud and is streamed directly onto a web browser. This demo highlights a real-time facial AI-synthesis technology based on paGAN II, cutting edge NLP, voice recognition, and speech synthesis. None of the conversation is scripted.
(15) MURDER(BOT) SHE WROTE. Camestros Felapton has many kind (but non-spoilery) words to say about Martha Wells’ new novel: “Murderbot: Network Effect”.
I sort of gave up reviewing Murderbot a few novellas ago. There is a sense that actually the plot really doesn’t matter and the simplest explanation of an instalment is that its a Murderbot story and the reader either knows the formula or doesn’t and if they don’t then see earlier reviews. However, that belies how much I enjoy each and every one of Martha Wells’s brilliant episodes of Murderbot’s continuing adventures.
The essence of the formula is the juxtaposition of this incredibly vulnerable highly competent killing machine. Murderbot has been shot and blasted and zapped but the struggles with their own sense of self and connections with other people pulls you in….
Bose-Einstein condensates, sometimes called the fifth state of matter, are gaseous clouds of atoms that stop behaving like individual atoms and start to behave like a collective. BECs, as they’re often called, were first predicted by Albert Einstein and Satyendra Nath Bose over 95 years ago, but they were first observed in the lab by scientists just 25 years ago. The general idea when making a BEC is to inject atoms (in the case of CAL, rubidium and potassium) into an ultra-cold chamber to slow them down. A magnetic trap is then created in the chamber with an electrified coil, which is used along with lasers and other tools to move the atoms into a dense cloud. At this point the atoms “kind of blur into one another,” says David Aveline, a physicist at NASA’s Jet Propulsion Laboratory, and the lead author of the new study.
(17) VIDEO OF THE DAY. “Creative Writing Advice From Neil Gaiman” on YouTube is a 2015 compiilation by Nicola Monaghan of excerpts from speeches Gaiman has given on writing.
[Thanks to Cliff, Mike Kennedy, Andrew Porter, JJ, Chip Hitchcock, John King Tarpinian, Martin Morse Wooster, John Hertz, Cat Eldridge, Daniel Dern, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Bill.]
(1) WORLDCON AMBITIONS. Tammy Coxen wants to remedy the problem of groups bidding for Worldcons without having any knowledge of the norms and customs of the convention they want to run. With input from many others, she has created an introduction — “So You Want to Bid for a Worldcon”.
Have you ever thought about running a Worldcon? Because Worldcon has been going on for so long (over 80 years!) there are a lot of expectations, traditions, norms and customes about how to do that, and if you don’t know about them, it’s really hard to win your bid! We haven’t necessarily done a great job of communicating that to people, so (with a lot of help from friends) I put together this intro guide. This is not a how-to document with details – this is more big picture. I think it’s useful to all bidders, but it should be especially useful to people who are new(er) to Worldcons. Please feel free to share.
(2) AURORA AWARDS NEWS. The
Canadian Science Fiction & Fantasy Association reminded people today that the Aurora Awards Eligibility
lists close February 29, 2020. And the announcement comes with a warning —
This means that if there are any works you wish to nominate for an award which are not found on the public eligibility lists you will need to submit them before 11:59PM EST February 29, 2020.
Nominations will open March 1, 2020.
Unlike in previous years, works that are not on the Eligibility lists prior to the opening of Nominations will NOT be able to be added.
Jean: We’re so glad to have you. Your most recent published books are both alternate history. “The Berlin Project” looks at the world that might have been if the U.S. had the A bomb before D-day. “Rewrite” offers a sequel to your classic timescape with a Groundhog Day twist. What occasioned this desire to remake recent history?
Gregory: Because it’s so tempting. There are so many pivot points, particularly in World War II and I as a physicist was very close to the issue of, how do you get the Uranium-235 to make bombs? You have to separate it out from the heavier 238 isotope. And the decision of how to do that, I had two choices and General Groves was forced to make the choice because the scientists were divided and he chose the wrong one and it cost us a year in the Second World War. It’s generally agreed by historians that had we suggested or made happen centrifically a separation, spinning cylinders, we would have chopped a year off the gaseous diffusion that Oak Ridge used and spent $1 billion doing. So, how would that change the war? You would have the bomb at D-day, well, how would you use it? And I use this title, “The Berlin Project” because that’s what the scientists in the project called it the first few years because the target was Berlin. Groves said that was too obvious.
So he called it the Manhattan Project and opened an office in Manhattan to give the excuse of, well, of course it was near Columbia University where all his work was done, but still they were always focused on Berlin. So, that was just too tempting because I was a postdoc for Edward Teller at Livermore for two years and then a staff member. He offered me a staff position which I took before I went to UC Irvine. And Teller told me all these delicious stories about the Manhattan Project. And I knew so many of them. The woman who helped me to do physics at UC San Diego, Maria Kepert Mayor, when I was working on problems with her and did a bunch of nuclear physics, again for my thesis, she won the Nobel Prize. And she told me all kinds of delicious stories about the Manhattan Project….
(4) GIBSON BAFFLED. [Item by Martin Morse Wooster.] Behind
a paywall in the February 15 Financial Times, John Thornhill
interviews William Gibson.
Gibson knew the late (John Perry) Barlow well, but he says he is ‘absolutely baffled by the naive utopianism of the early Internet pioneers, who enthused about disruption. Barlow professed to love Neuromancer — according to Gibson — but appeared to have missed the central idea that cyberspace also had its downsides. Even today Gibson says he is puzzled by older readers who approach him at book signings to thank him for inspiring them to pursue a career in tech.
“They’d read a book in which there didn’t appear to be any middle class left and in which no characters had employment. They were all criminal freelancers of one sort or another. So, it was always quite mysterious to me.”
America’s experiences during the Civil Rights Movement and the Space Race are well documented. However, few know about the moment these two worlds collided, when the White House and NASA scrambled to put the first black astronaut into orbit. This is the untold story of the decades-long battle between the U.S. and the Soviet Union to be the first superpower to bring diversity to the skies, told by the black astronauts and their families, who were part of this little known chapter of the Cold War.
…On Aug. 30, 1983, the astronaut Guion Bluford embarked as a crew member of the Space Shuttle Challenger, making him the first African-American in space. This documentary features him alongside Edward Dwight, an Air Force pilot edged out of a position with NASA, and Frederick Gregory, the first African-American to command a NASA mission, to examine the complications of sending a black man into space during the Cold War.
…Striking out during “a time when computers wore skirts,” she once said, Johnson quickly proved her incomparable worth. So trusted were her calculations that astronaut John Glenn, the first American to orbit the Earth, considered them an integral part of his preflight checklist—even after the equations had been transferred over to modern electronic machines. “When he got ready to go,” Johnson said of Glenn, “he said, ‘Call her. And if she says the computer is right, I’ll take it.”
Her work fueled innumerable feats of aeronautics, several of which were outlined in the 26 research papers Johnson published over her decades-long career. The earliest of these publications made Johnson one of the first women at NASA to become a named author or co-author on an agency report, according to Margalit Fox at the New York Times.
…Though Johnson’s landmark contributions went mostly unheralded by mainstream media throughout her tenure at Langley, the 2010s finally brought her name into the public eye. In 2015, she was awarded the Presidential Medal of Freedom by Barack Obama, who described Johnson as “a pioneer who broke the barriers of race and gender, showing generations of young people that everyone can excel in math and science, and reach for the stars,” reports Russell Lewis for NPR. The next year, Margot Lee Shetterly’s book Hidden Figures, as well as a movie adaptation by the same name, highlighted the accomplishments of Johnson and her colleagues.
The film was nominated for three Oscars. When Johnson took the stage at the 2017 Academy Awards ceremony, the mathematician—then 98 years old and the only one of the movie’s central characters still alive at the time of its release—received a thunderous standing ovation. That fall, NASA dedicated a new Langley building in her honor, the Katherine G. Johnson Computational Research Facility….
…Mrs. Johnson had a bachelor’s degree in mathematics and spent her early career studying data from plane crashes, helping devise air safety standards at a time when the agency’s central concern was aviation….
… NACA was renamed National Aeronautics and Space Agency (NASA) in 1958, and Johnson became an aerospace technologist within NASA’s Spacecraft Controls branch. In 1960 she coauthored Determination of Azimuth Angle at Burnout for Placing a Satellite Over a Selected Earth Position, an important report that laid out the equations for determining landing position for orbital spaceflight. In 1961 she calculated the trajectory for Alan Shepard’s Freedom 7 Earth orbital mission….
(7) MORE ABOUT
BARBARA REMINGTON, In “Blast from
ye past”, DB follows this intro with some intriguing comments and insights
about the late artist:
Barbara Remington has died, at 90. Really old-time Tolkienists will remember her name as that of the artist who created the covers for the first issue of the Ballantine paperbacks of The Lord of the Rings, which may be seen pictured in her obituary here. (Note they’re all actually one painting split into three parts, which was also issued as a single poster without overprinting.)
Ballantine’s goal was to get the books in the shops quickly, to compete with the unauthorized Ace paperbacks, so they gave Remington very little time to work….
(8) TODAY IN HISTORY.
February 24, 1952 — Aladdin And His Lamp premiered. It was directed by Lew Landers, and starred Johnny Sands and Patricia Medina. Filming was finished in less than a week. It was originally produced for a television audience, then Allied Artists picked up the film and added additional footage for a theatrical release. You can see this short film here.
February 24, 1960 — The Amazing Transparent Man premiered. It was directed by Edgar G. Ulmer, and starred Marguerite Chapman and Douglas Kennedy. It and Beyond the Time Barrier were film in Dallas in two weeks. Critics in general liked it, but the audience rating at Rotten Tomatoes is a lousy 16%. You can see the film here.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 24, 1909 — August Derleth. He’s best known as the first book publisher of H. P. Lovecraft, and for his own fictional contributions to the Cthulhu Mythos (a term that S. T. Joshi does not like). Let not to overlook him being the founder of Arkham House which alas is now defunct. I’m rather fond of his detective fiction with Solar Pons of Praed Street being a rather inspired riff off the Great Detective. (Died 1971.)
Born February 24, 1933 — Verlyn Flieger, 87. Well-known Tolkien specialist. Her best-known books are Splintered Light: Logos and Language in Tolkien’s World, A Question of Time: J. R. R. Tolkien’s Road to Faerie, which won a Mythopoeic Award, Tolkien’s Legendarium: Essays on The History of Middle-earth (her second Mythopoeic Award) and Green Suns and Faërie: Essays on J.R.R. Tolkien (her third Mythopoeic Award). She has written a YA fantasy, Pig Tale, and some short stories.
Born February 24, 1945 — Barry Bostwick, 75. Best remembered for being Brad Majors in The Rocky Horror Picture Show. His first genre undertaking was the English language narration of Fantastic Planet. He voices the Mayor in The Incredibles 2.
Born February 24, 1947 — Edward James Olmos, 73. Reasonably sure the first thing I saw him in was as Detective Gaff in Blade Runner, but I see he was Eddie Holt in Wolfen a year earlier which was his genre debut. Though I didn’t realize it as I skipped watching the entire film, he was in The Green Hornet as Michael Axford. (I did try watching it, I gave up after maybe fifteen minutes. Shudder.) He has a cameo as Gaff in the new Blade Runner film. And he’s William Adama on the rebooted Battlestar Galactica. He made appearances on Agents of S.H.I.E.L.D. and Eureka.
Born February 24, 1951 — Helen Shaver, 69. Her SFF debut was as Betsy Duncan in Starship Invasions aka Project Genocide in the U.K. though you’ve likely not heard of her there, you might have seen her as Carolyn in The Amityville Horror. She’s Littlefoot’s mother in The Land Before Time, and Kate ‘White’ Reilly in the second Tremors film. She’s got one-offs in The Outer Limits, Amazing Stories, Ray Bradbury Theater and Outer Limits to name but a few. And she was Dr. Rachel Corrigan in Poltergeist: The Legacy, a super series indeed.
Born February 24, 1966 — Billy Zane, 54. His genre roles include Match in Back to the Future and Back to the Future Part II, Hughie Warriner in Dead Calm, John Justice Wheeler in Twin Peaks, The Collector in Tales from the Crypt presents Demon Knight and the title role in The Phantom.
Born February 24, 1966 — Ben Miller, 54. He first shows up in our corner of things on The Adventures of Young Indiana Jones in the “Daredevils of the Desert” episode as an unnamed French Officer. His main genre role was on Primeval, a series I highly recommend as a lot of fun, as James Lester. He later shows up as the Sheriff of Nottingham in a Twelfth Doctor episode entitled “Robot of Sherwood”.
Born February 24, 1968 — Martin Day, 52. I don’t usually deal with writers of licensed works but he’s a good reminder that shows such as Doctor Who spawn vast secondary fiction universes. He’s been writing such novels first for Virgin Books and now for BBC Books for over twenty years. The Hollow Men, a Seven Doctor novel he co-wrote wrote with Keith Topping, is quite excellent. In addition, he’s doing Doctor Who audiobooks for Big Finish Productions and other companies as well. He’s also written several unofficial books to television series such as the X Files, the Next Generation and the Avengers.
…The lander, which touched down on the red planet 15 months ago, has detected plenty of seismic activity, an unexpectedly strong local magnetic field and around 10,000 whirlwinds passing over the Martian surface.
The findings, published Monday in a suite of six papers in the journals Nature Geoscience and Nature Communications, will help scientists unlock the secrets of Mars’ interior and understand why it looks so different from Earth.
“What these results really are showing us is that Mars is an active planet today,” said Bruce Banerdt, the mission’s principal investigator, based at NASA’s Jet Propulsion Laboratory in La Cañada-Flintridge, and a co-author of the new studies.
InSight is situated in a roughly 27-yard-wide impact crater in western Elysium Planitia, a volcanic plain whose surface material ranges in age from 3.7 billion to just 2.5 million years old. About 1,000 miles away lies Cerberus Fossae, a volcanic region full of faults, evidence of old lava flows and signs that liquid water once ran on the surface.
(12) HITCH YOUR WAGON TO A STAR. In the Washington Post, Homer
Hickam argues that it’s time for a “moon rush” and “once
electricians, plumbers, miners, and construction workers start going to the
moon, and the middle class starts using products made with materials from Luna,
the United States will turn into a true spacefaring nation.” “Let
the moon rush begin”.
As these efforts get going, however, it’s important to avoid the thinking of a half-century ago and look at the moon in a different way. This is, after all, not your grandfather’s moon. After the Apollo moon-landing program of the 1960s and ’70s, a series of robotic missions discovered that Luna was a lot more interesting than many had previously thought. It has abundant water and oxygen, as well as helium, platinum, thorium, rare earth metals and other minerals that may well be worth digging up and transporting back for use in thousands of products. Last year, a gigantic blob of metal, as yet unidentified but significantly larger than the Big Island of Hawaii, was discovered beneath the lunar south pole. Whatever it is, it has value. The quiet far side of the moon could also provide a location for interstellar observatories, and tourists who would pay a lot to have a lunar vacation are inevitable. In other words, a real business case can be made for the moon, a case that could not only put dollars back into the pockets of taxpayers but also open up jobs for skilled workers on the lunar surface.
In chronically dry regions around the world, communities are finding ways to live from the water suspended in the air – creating valuable drinking water from mist.
When Abel Cruz was just a boy, near the Peruvian region of Cusco, he had to walk for more than an hour every day to collect water from the nearest source and take it back home. Then he realised that, during the rainy season, drops accumulated in the banana leaves.
“When we saw that, my father and I built natural canals with the leaves to collect the water,” he says. “The first drops were a bit dirty and dusty, yet it was useful to wash dishes.”
The leaves, however, only lasted for around two weeks. “So we cut bamboo in half and we replaced the canal pipes with them, which lasted a lot longer,” explains Cruz. “That is how I got involved with collecting water.”
Today Cruz is collecting water in a very different way – he catches fog.
With large sheets of mesh strung up on hillsides, it is possible to harvest the thick mists that drift across the arid Peruvian landscape. Tiny droplets condense on the netting and dribble down into pipes that carry the water into containers where it can be used to irrigate crops or even as drinking water.
Each net can capture between 200-400 litres of fresh water every day, providing a new source of water for communities that have had no easy access to regular supplies. Cruz has helped to install more than 2,000 of these fog catching nets in eight rural communities across Peru as well as in Bolivia, Colombia and Mexico. The impact has been dramatic.
(17) VIDEO OF THE DAY. Mitigation of Shock from Superflux on Vimeo is about an installation by
Superflux displaying the gloomy world of 2050 after climate change and economic
[Thanks to JJ, John King Tarpinian, Martin Morse Wooster, Tammy
Coxen, Chip Hitchcock, Cat Eldridge, Mike Kennedy, and Andrew Porter for some
of these stories. Title credit goes to File 770 contributing editor of the day
(1) PROZINE REJOINS THE LIVING Compelling Science
Fiction has been saved from the scrapheap of history. Editor Joe Stech explains
how it happened:
We’re back in business and will be open to submissions once again on Monday, January 13th!
After I announced in September that Compelling Science Fiction would be shutting down for good, Nick Wells of Flame Tree reached out to me and suggested we work together to keep the magazine publishing our unique brand of science fiction stories. Over the last month we came to an agreement that will allow Compelling Science Fiction to continue publishing — you may recall that my issue was one of time, and Flame Tree will take over many of the most time-consuming aspects of the magazine. My role will transition to that of editor-in-chief, and Nick will take over the publishing role. I’m very excited to work with Nick and Flame Tree, and continue to support this genre of fiction that I love.
We’ll be transitioning to a quarterly schedule, and will also be accepting submissions much more often. Authors, we need your wonderful stories, so please send them our way! And readers, thanks for entrusting us with your time. I will always treat it with respect, and do my best to provide the types of stories you come here for.
(2) MORE SFF ON JEOPARDY! David Goldfarb says “The third episode of the ‘Greatest of All Time’ Jeopardy! tourney had a number of SFF-related questions.”
Here was the $800 answer in “Prequels and Sequels”:
Edited by the author’s son Christopher & published in 1977, it’s a history of Middle-Earth before “Lord of the Rings”.
Ken Jennings readily questioned, “What is Silmarillion?”
And the $400 answer:
Set for release in 2020 is Suzanne Collins’ “The Ballad of Songbirds and Snakes”, a prequel to this series.
James Holzhauer asked, “What is The Hunger Games?”
In the “TV Green Thumb” category:
$1200: On “The Handmaid’s Tale”, this wife of Commander Waterford has some pivotal scenes in her greenhouse.
Two wrong guesses, but nobody got, “Who is Serena?”
$1600: Played by Carolyn Jones in the ’60s, she loved to cut the heads off her roses, & rejoiced when her thorns came in sharp.
Crickets. “Who is Morticia Addams?”
And the $2000 featured a picture of Jean-Luc Picard and Boothby the groundskeeper: Jean-Luc Picard once helped Boothby, played by this one-time TV Martian, to replant some flowers at Star Fleet Academy.
Ken Jennings got it: “Who is Ray Walston?”
Goldfarb concludes, “The game in the second half (each day’s game is two regular games put together) had questions about Cocteau’s ‘La Belle et Le Bête’ and Grieg’s ‘In the Hall of the Mountain King’, but I’m going to call those only genre-adjacent and not quote them.”
Then, Andrew Porter saw this go down —
Category: Book Marks
Answer: In this novel, Mark Watney says, “I didn’t die on Sol 6. Certainly the rest of the crew thought I did.”
…Video game remakes work because, in many ways, they are the antithesis of film remakes. They honor the original vision by elevating it to what it was hoping to be but unable to achieve due to the limits of technology. The best remakes (in any medium) maintain the heart and soul of their source material while simultaneously modernizing them. In that regard, games have outshone film, delivering on the promise of the original while also updating them in a way that appeals to the nostalgia of longtime fans and the discerning eye of newcomers.
(4) STREAMING SEVENTIES SFF. [Item by Rob Thornton.] Criterion Channel, a streaming service that focuses
on art films and is based on the home video distributor The Criterion
Collection, will be featuring a wide range of science fiction films from the
1970s for most of January 2020. The service’s sci-fi offerings
for the month are:
No Blade of Grass (Cornel Wilde, 1970)
A Clockwork Orange (Stanley Kubrick, 1971) [based on the
Anthony Burgess novel of the same name]
The Omega Man (Boris Sagal, 1971) [based on Richard
Matheson’s novel I Am Legend]
THX 1138 (George Lucas, 1971)
Z.P.G. (Michael Campus, 1972)**
Westworld (Michael Crichton, 1973) Soylent Green (Richard Fleischer, 1973) [based on Harry Harrison’s Make
Room, Make Room!]
Dark Star (John Carpenter, 1974)
The Terminal Man (Mike Hodges, 1974)
Rollerball (Norman Jewison, 1975),
A Boy and His Dog (L. Q. Jones, 1975) [based on the Harlan
Ellison story of the same name]
Death Race 2000 (Paul Bartel, 1975)
Shivers (David Cronenberg, 1975)
The Ultimate Warrior (Robert Clouse, 1975)
Logan’s Run (Michael Anderson, 1976)
God Told Me To (Larry Cohen, 1976)
Demon Seed (Donald Cammell, 1977)
Mad Max (George Miller, 1979)
Other genre-related SF films from the decade may already
be available on the service (Tarkovsky’s Stalker and Solaris are
definitely there) .
(6) CROWDFUNDING WISDOM. Cat Rambo tweeted the highlights from “Crowdfunding and Kickstartering with M.C.A. Hogarth.” Thread starts here.
(7) GETTING THE ROCKETS READY. CoNZealand has posted a “Hugo Awards
Video” hosted by Tammy Coxen, this year’s awards administrator.
If you’d like to know more about the Hugo Awards, check out this new video from the CoNZealand team, talking about the history of the awards and why they’re so important.
(8) TODAY IN HISTORY.
January 11, 1997 — in Japan, Barb Wire got released. Starring Pamela Anderson and a very brief outfit, it was based on a Dark Horse comic (written by John Arcudi and illustrated by a rotating group of artists), the film was made on a shoehorn budget (about the size of her outfit) of nine million but was still a box office bomb bringing in only four million. Excepting Ebert, most critics didn’t like it and the reviewers at Rotten Tomatoes are especially harsh, giving it just a 14% rating. And there’s a lot of them that don’t like it — 47, 276 so far!
January 11, 2013 — Survival Code (Borealis was its original name and it was called that in Canada), and it starred Ty Olsson, Patrick Gallagher and Michelle Harrison. It was directed by David Frazee. It won three Canadian Screen Awards at the Second Canadian Screen Awards for Best Dramatic Miniseries or Television Movie, Best Writing in a Dramatic Program or Miniseries, and Best Original Score for a Television Program. The film was created to be a series pilot for Space, but the series never happened for reasons we can’t find but Space, its distributor, aired it instead as a television film. Yes it scored well at the Canadian Screen Awards, but the reviewers at Rotten Tomatoes were less forgiving as it get just 33% there.
[Compiled by Cat Eldridge.]
Born January 11, 1906 — John Myers Myers. Ahhh, Silverlock. I read the NESFA Edition which has the Silverlock Companion in it which is very useful as you know the novel’s very meta indeed. If you don’t have this, it was reprinted separately later. Thirty years after Silverlock was published, The Moon’s Fire-Eating Daughter novella came out. Myers claims it’s a sequel to Silverlock. (Died 1988.)
Born January 11, 1923 — Jerome Bixby. His “It’s a Good Life” story became the basis for an episode of the original Twilight Zone episode under the same name, and which was included in Twilight Zone: The Movie. He also wrote four episodes for the original Star Trek series: “Mirror, Mirror”, “Day of the Dove”, “Requiem for Methuselah”, and “By Any Other Name”. With Otto Klement, he co-wrote the story upon which Fantastic Voyage series is based, and the Isaac Asimov novel was based. Bixby’s final produced or published work so far was the screenplay for The Man from Earth film. (Died 1998.)
Born January 11, 1923 — Wright King. He’s had roles in the SFF realm starting with Captain Video and His Video Rangers and including Johnny Jupiter, Twilight Zone, Out There, The Invaders, Planet Of The Apes , Invasion of the Bee Girls, Voyage to the Bottom of the Sea and Logan’s Run. (Died 2018.)
Born January 11, 1930 — Rod Taylor. First SFF role would be as Israel Hands in Long John Silver. He would follow that up with World Without End (which you probably heard of), The Time Machine, Colossus and the Amazon Queen (Taylor claims to have rewritten the script), The Birds (I really don’t like it), Gulliver’s Travels and last, and certainly least, The Warlord: Battle for the Galaxy. (Died 2015.)
Born January 11, 1937 — Felix Silla, 83. He played Cousin Itt (sic) on The Addams Family in a role invented for the show. The voice was not done by him but rather provided by sound engineer Tony Magro in post-production. He was also responsible for the physical performance of Twiki on Buck Rogers in the 25th Century though the voice was supplied by Mel Blanc or Bob Elyea. And he played an unnamed Ewok on Return of the Jedi.
Born January 11, 1961 — Jasper Fforde, 59. I read and thoroughly enjoyed every one of his Thursday Next novels with their delightfully twisted wordplay as I did his Nursery Crimes series. I thought last year when I wrote Birthday note up that I had not read his Shades of Grey books and I was right — I now know that I read the first few chapters of the first one and wasn’t impressed enough to finish it. I do know I’ve not read the Dragonslayer series though I’ve heard Good Things about them.
Born January 11, 1963 — Jason Connery, 57. Son of Sir Sean Connery. He’s best known for appearing in the third series of Robin of Sherwood, a series I loved dearly including the music which was done by Clannad which I’ve got live boots of. He also played Jondar in the “Vengeance on Varos”story on Doctor Who during the Sixth Doctor era (my least favorite Doctor). He was Ian Fleming in Spymaker: The Secret Life of Ian Fleming. And he was a young Merlin in Merlin: The Quest Begins.
Born January 11, 1971 — Tom Ward, 49. He’s Captain Latimer in the Eleventh Doctor’s Christmas Special, “The Snowmen”. And he’s Edward Goodwin in Harry Price: Ghost Hunter. His latest genre role was as Sir Robert Peel in The Frankenstein Chronicles.
Born January 11, 1972 — Amanda Peet, 48. Not a long SFF précis but an interesting one none-the-less. She first shows up voicing Maria Montez in Battle for Terra. She was then Harlee in Martian Child which is at genre adjacent. She was ASAC Dakota Whitney in The X-Files: I Want to Believe. Say did you know that Quantum Quest: A Cassini Space Odyssey was paid for in part by NASA? Way cool. She voiced Ranger in it.
(10) BRITISH INTERPLANETARY SOCIETY REMEMBERED. The London Review of Books has
linked to “Operation
Backfire” by Francis Spufford first published in 1999. This history
of the British space program mentions Arthur C. Clarke twice: first in
describing the British Interplanetary Society in 1944 and second a theological
debate Clarke had with Lewis and Tolkien in 1958.
In November 1944 a group of men met in a London pub. In this fifth year of the war, the capital was dingy, dog-eared, clapped-out, frankly grimy. Though Britain had not shaken off its usual inefficiencies at mass production, it had converted its economy to the needs of the war more completely than any other combatant nation. For five years there had been no new prams, trams, lawnmowers, streetlamps, paint or wallpaper, and it showed. All over the city things leaked, flapped, wobbled and smelt of cabbage. It was the metropole that Orwell would project forward in time as the London of 1984.
These drinkers were not the kind of people to let an unpromising present determine the shape of things to come. They were the inner circle of the British Interplanetary Society, and in 1938 they had published a plan for reaching the Moon using two modules, one to orbit, one to descend to the lunar surface. The cost of the rocket – as much as a million pounds – was far more than they could raise, but they did have enough money to make a couple of instruments for it. ‘We were in the position of someone who could not afford a car, but had enough for the speedometer and the rear-view mirror,’ Arthur C. Clarke would remember. They constructed a ‘coelostat’, a device to stabilise the image of a spinning star-field. It was made from four mirrors and the motor of Clarke’s gramophone; it worked, and was proudly displayed in the Science Museum.
(11) “FUN” IS OVER. For awhile Jon Del Arroz branded his videos
Diversity in Comics – but no more! “Why I’m Changing the
Channel Name Back to Jon Del Arroz”. Here’s the transcript of his explanation. (And
remember, YouTube talking head videos really do tend to be one endless run-on
…But for here I’ve used the name Diversity in Comics over the last I guess two three months helped grow the channel quite a bit so thank you everybody came by because you saw the name and thought it was funny and all that but there comes a time where jokes have to end and we had a funny joke for a bit there and it was great and at this point I’m seeing that there’s a couple things that are an issue with this which is one that yeah it is needlessly antagonizing some people who get really worked up about this and and while I I do enjoy triggering people who get triggered for no reason and all that there there comes a time where joke a stand and it’s it’s just not funny and it’s not funny even watching somebody lose their minds over something like this anymore so definitely don’t want that happening anymore don’t want to insult anybody who might be a comic book reader who might check out the books and things like that I definitely want that to be something uh you know to where we can have are buying comic books and and we’re coming back and changing it back to just my name and the reason we’ll go with my name instead of something fancy….
… As a Canadian writer who initially marked his territory in a future Japan, what attracted him to setting his post-Jackpot world in London? He doesn’t see it as so much of a jump. “On my first three or four visits to Japan I immediately thought that Tokyo had more in common with London than with any other city,” he says. “These disproportionately large sites of former empires, huge concentrated populations, recent wartime trauma, lots of fatalities. They’re capitals of island nations. But also cultural things: the fanatical attention paid to specific individual classes of objects. In London you could probably find a speciality shop for almost anything. And you certainly could in Tokyo. All these parallels. I’m curious that I’ve almost never seen it mentioned anywhere.”
The parents of a teenager who suffered a seizure while chatting online have thanked his friend who called emergency services from 5,000 miles away.
Aidan Jackson, 17, was talking to an American gamer from his bedroom in Widnes on 2 January when he had a fit.
His friend, 20-year-old Dia Lathora, from Texas, alerted police in the UK.
The first Aidan’s parents knew of the emergency was when police and an ambulance appeared at their front door, the Liverpool Echo reported.
Caroline and Steve Jackson then rushed upstairs to find their son “extremely disorientated”.
(16) VIDEO OF THE DAY. They intend to live happily ever
Lee Loechler recently proposed to his girlfriend, Sthuthi David, by taking her to a packed theater to see her favorite movie, Sleeping Beauty. Little did she know that Loechler had spent six months altering the animation of the film’s most iconic scene, changing the characters to look like the couple themselves and altering the storyline to set up his Big Question. And that’s only the beginning.
Watching David’s face during the scene change is sheer delight, as her confused look proves that she has no clue what is about to happen. The set-up is great, but the magical moment when Loechler’s illustrated self tosses the engagement ring to his real-life self? That’s when we all toss up our hands and say, “OKAY, man. You win at proposing. Everyone else must bow before you now.”
The whole proposal—the re-illustrations, the heart jokes (David is a cardiologist), and the bride-to-be’s surprise when she finds surrounded by her friends and family—it’s all perfection. Just watch:
[Thanks to Rob Thornton, Chip Hitchcock, Martin Morse Wooster, JJ, Mike Kennedy, Cat Eldridge, John King Tarpinian, Michael J. Walsh, Contrarius, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
1976 – GRRM holds the first Hugo
Loser’s Party, an unofficial event in his hotel room
1976-1985 – GRRM continues to run the HLP
as an unofficial event “usually teaming up with a publisher”
to 1987 –
Other people run the HLP, but it continues as an unofficial event
1988 – The people who have been
running the party say they can’t do it. The 1989 Worldcon (Noreascon 3) offers
to run it. At their con in 1989, they offer the 1990 Worldcon (ConFiction) the
opportunity to run it, and it becomes a tradition for it to be done this way.
1989-2014 – The HLP is now an event hosted
by the following year’s convention, specifically targeted at the finalists of
the current year’s Hugo Awards. It’s generally held at the convention with
other parties, and often opens up to the general membership after the Losers have
been and gone. It gets progressively more formal as the years go on, with gifts
for the finalists provided by the next year’s con. And because conventions and
budgets vary, sometimes it’s a great party, and sometimes it’s not so great.
& 2016 –
Along come the Puppies, and GRRM revives his Hugo Losers Party. In a much
bigger and more extravagant fashion, because he’s now that GRRM and he
can afford to throw the best parties ever. The official, next-convention-run
party continues in parallel, but attendance is dismal, with many of the
finalists not even bothering to stop in before heading off to the exciting
2017-2019 – If you can’t beat ’em, join em!
Rather than spend money and people points hosting an official convention-run
HLP, the next year’s conventions decide instead to team up with George,
contributing their labor and paltry budget to his grander extravaganza. This
works to varying degrees of success, culminating in 2019 with Hugo finalists (who
from 1988 to 2016 were told explicitly that this was a party FOR THEM) not
being able to get into the party, and being understandably grouchy about it.
By James Bacon: The party scene is big part of Capricon.
Although I first encountered parties at Worldcon in 1995, the idea of a 1,000-person con having two floors of suites with large rooms, some much bigger than places I have lived, all hosting parties was mind-blowing.
Friendly and welcoming, going from room to room enjoying the hospitality and of course refreshments, I have yet to attend a convention where the party scene was better. Although I have heard amazing things about Norwescon and have loved great parties at both Arisia and Boskone.
Thursday night may be a quieter night, but it doesn’t feel quiet, and there are a number of parties taking place. I end up helping a couple of them prepare, moving furniture around and so on.
Tammy Coxen is doing an amazing Tammy cocktail party with a series of drinks representing Worldcons and Worldcon bids.
Dublin 2019 is well represented here with a fresh take on the traditional whiskey and red lemonade. Tammy is serving the Whiskey with lemon juice, grenadine and club soda.
I have managed to bring some red lemonade from Europe, this uniquely Irish soft drink goes very well with Whiskey, so fans enjoy it, and we have some regular whiskeys, Bushmills, Red Bush, Powers to taste it with. I tell everyone it is the most popular way to have whiskey in Ireland, although I admit I read that online, but Red Lemonade is always available in Irish Pubs and in Dublin a Jammie and Red is very common drink.
The range of regular whiskey is bolstered with the locally bought ‘Clontarf’ whiskey which I call ‘Clondalkin’ whiskey, which while very affordable at $18 a litre and possibly frowned upon by the connoisseur, is quite smooth with a stronger bourbon or caramel hint from it. It is great with the Red Lemonade.
DC in 2021 has a vermouth-based drink on Tammy’s menu, but Bill Lawhorn, Co-Chair of the bid, like myself deviates from the menu and produces a ‘DC Neapolitan,’ consisting of Baileys, chocolate liqueur and tequila rosa, incredibly tasty sweet creamy alcoholic shotsthat go down well.
Although unrepresented on the menu due to no bid, I have a Down East Cider from Boston.
Dave, Helen, and an Irish hand.
Helen Montgomery and Dave McCarthy are throwing a party for the Chicago 2022 bid. They have some great food, a creamy meatball thing, and a space theme to their drinks. ‘Take it to the Stars’ is their tag line, and I am offered a vodka and orange tang cocktail mix. I soon learn that the orange drink is the stuff of astronauts, and it goes down easy along with that other well know space drink, Earl Grey tea with scotch and honey. Also a few cases of Space Station Middle Finger, an American pale ale, from the Three Flyodds Brewing Company. The space theme is really nice, and there is a lot of buzz here for 2022.
I head to Rook Books, where Deanna Sjolander and Blake Hausladen are hosting an excellent Books and Beer party, where there is a wide variety of very interesting drinks. I go to the Rock Band party, and engine room parties, and eventually have a short snooze on a couch at around 2 a.m. in Tammys. It has slightly caught up with me, but it is a good night, and I eventually get to the bed by 4 a.m. after causing some consternation by drinking Balvenie 12-year-old single malt scotch, with red lemonade.
Books and Beer
Friday and Saturday will have a range of other parties. Barfleet are having a UBS Abandon 10-year celebration, there will be a ‘For the Love of Comics’ party, Minneapolis in 2073, more Books and Beer and a list of others, all to look forward to.
I admit that I am a bit conflicted as Erin Underwood has arranged a Dublin 2019 meet up at Boskone on Saturday night, in the Galleria at from 10:30 p.m.-12:00 midnight, with Irish snacks, drinks, and some Irish music and one of our GOH’s. Meanwhile over in Ireland, members of the Dublin 2019 team have also been making their way to Leprecon 39 at Goldsmith Hall in Trinity College Dublin. https://leprecon.ie/
Panels start at 10 a.m. for me, so time for sleep.
I have undertaken to do two conventions in one weekend. It is quite the endeavour and I am excited and petrified. Mike has kindly agreed to publish some words as we proceed. I have arrived in Chicago via Boston, travelling over from London.
CAPRICON. The Westin North Shore in Wheeling, IL, home of Capricon, offers me a warm embrace, greeting me like a friend; distant enough that I don’t see them that often, but familiar enough that when we meet, it’s just the same as ever. A comfortable and familiar space, its large lobby is full of fans while the long high-ceilinged bright glass corridor, stretching the length of the front of the hotel, is abuzz with people setting up tables and going in and out of the many function rooms.
It’s a similar feeling I get when I walk into the Camden Court Hotel in Dublin, home of Octocon, or the Westin Boston Waterfront, home of Arisia and Boskone ,or the imperial College Student Bar in London, for Picocon. Relaxed, amongst friends, some yet to be made. Excitement, anticipation, and indeed expectancy of a good science fictional weekend to come.
Doctor Who books
I feel I don’t deserve to that warmth. Why should I benefit, while so many here work so hard and have worked so hard? Con chair Terrence Miltner has been everpresent in my Facebook feed and at tables promoting the con. But then, isn’t that why he, and the con committee, and the volunteers, have worked so hard? They want to welcome people. Terrence greets me in the lobby in person.
I could never have imagined, in the late years of the 20th century, that I would be an irregular visitor Chicago for a February convention. And here I am for Capricorn 38.
I am looking forward to this con. I have packed books to be signed, booze to be imbibed and odd looking biscuits to be tasted. Books, Booze and Biscuits.
Capricon is an amazing convention. It fuses what I would consider to be a fun con with an excellently thought-out, engaging programme unafraid to discuss any subject, with an incredible guest line up and potentially the best party scene I have come across.
Today I have a lighter schedule: only four commitments, three of which are Dublin 2019 related. Meetings flood on my schedule, and I do want to get to the Blade Runner 2049 discussion and Artist Guest of Honor Sarah Wilkinson’s live art session. In true con style, I get roped into helping, first with setup and then with some party prep, and I manage to miss both of them–although my first Dublin meeting goes exceptionally well, so one has to be grateful.
I visit the dealers room. It’s packed with the variety of dealers that one would hope for at a con. I take some time at Greg and Dave R’s book tables, checking out what are in my mind great bargains for classic works. The dealers room is full: new authors, clothing, games, vintage paperbacks, amazing T-Shirts from Off World.
I meet Author Guest of Honor Timothy Zahn at his table. He has a wide selection of books for sale, and it is lovely to chat to him and his wife Anna. Both are exceptionally welcoming and pleasant.
Sarah Wilkinson, like Zahn, has already been on programme by the time I see her outstanding table with her partner Nigel Sade, and their fellow artist Sin. Sarah has done a picture of Princess Leia as part of her live art programming. It is beyond beautiful, and so cleanly done. I am stunned.
Artist GoH Sarah Wilkinson
I help Tammy Coxen, the Head of Programming, set up her party, and make my way to Opening Ceremonies. It’s great fun. Terrence shares the stage with a pair of goats, who in true Star Trek fashion swing from side to side and keep the packed house laughing. Then the Guests of Honor are introduced, and we all head out to enjoy the evening.
Next: the parties.
[Extra credit to Will Frank, who stepped in as copy editor, and to Pablo MA Vazquez as “special drinks holder.”]
Sasquan passed its nominating data to MidAmeriCon II for analysis in the EPH process. Neither Glenn [Glazer], John [Lorentz], Ruth [Lorentz] nor I were involved in the analysis.
Tammy Coxen. MidAmeriCon II WSFS Division Head, explained what was done with the data:
After EPH passed at Sasquan, the MidAmeriCon II Hugo Administration team publicly committed to testing the system so that real data about its efficacy could be made available to WSFS members before the business meeting where ratification would take place. As part of that testing, MidAmeriCon II was collaborating with two researchers (Bruce Schneier and Jameson Quinn) in evaluating the system. As previously announced, it was determined that the data was unable to be sufficiently anonymized for a general release, so the researchers were provided data under a non-disclosure agreement.
There was to have been a coordinated release of the research findings between MidAmeriCon II and the researchers, which would have made clear the circumstances under which the data had been shared. Planning was already underway regarding that release, but as noted, analysis is still occurring. Our intention is to jointly share the research findings when they are complete, which will be well in advance of the business meeting at MidAmeriCon II.