(1) CELEBRATING “BLOB FEST” THIS WEEKEND. [Item by Steve Vertlieb.] This weekend, fans from all over the world will converge upon The Colonial Theater in Phoenixville, Pennsylvania to commemorate the arrival upon our planet of a gelatinous intruder whose ravenous appetite inspired the birth of girth, and shamed The Cookie Monster into both seclusion and retirement. The historic theater, itself a performer in the classic Paramount release, plays host each Summer to “Blob Fest,” and will be the preferred destination for all self-respecting horror fans from Friday to Sunday, July 12th, 13th, and 14th.
Some years ago, I was invited by my beloved friend, Wes Shank, to his home to meet his nefarious tenant. Wes left us, sadly, a year ago … but his protege continues to mystify, charm, and entertain millions of adoring fans.
What follows is the link to a hopefully entertaining chronicle of one of my less successful show business associations…with one of filmdom’s “largest” screen personalities, and a creature that only Jenny Craig could love. Celebrating the sixty first anniversary of “The Blob.” — “How I Met… The Blob” at The Thunderchild.
(2) “HIGHLY CLASSIFIED” TV COMMERCIAL. Ad Astra comes to theaters September 20.
Astronaut Roy McBride (Brad Pitt) travels to the outer edges of the solar system to find his missing father and unravel a mystery that threatens the survival of our planet. His journey will uncover secrets that challenge the nature of human existence and our place in the cosmos.
(3) THE MAD MEN WHO SOLD THE MOON. FastCompany lines up “The best and worst ads that celebrated the Apollo 11 Moon landing”:
…The most interesting ad on July 21, 1969, came from Brillo steel-wool scrubbing pads. Brillo offered Times readers a poster-size color map of the Moon, from Rand McNally. The ad was a striking one-third of a page, showing the Moon, with a coupon. It was a typical late sixties promotion: Fill in your address and mail the coupon, with two “proofs of purchase” clipped from boxes of Brillo pads to get that map. “This map is only available from Brillo,” the ad touted. “Let Brillo send you the Moon. Free.”
Brillo, to be clear, had no connection to the Moon landings.
The advertising blossomed on the day after Michael Collins, Buzz Aldrin, and Neil Armstrong successfully and safely splashed down in the Pacific Ocean. On that day, in fact, the ratio of news coverage to advertising in the New York Times completely reversed.
The paper itself was 88 pages that Friday, July 25, 1969. It contained 15 full-page ads about Apollo, and another half-dozen ads that were a half-page or bigger. In all, there were more than 22 pages of advertisements about the Moon landings. The coverage itself that day was only six pages.
(4) PREPPING FOR DUBLIN. The third in Anne-Louise Fortune’s series “What is Worldcon” aims to enlighten the YouTube generation. “Three Essential Elements” covers the business meeting and site selection, among other things.
(5) I AM NO MAN. Nicole Rudick reviews The Future Is Female anthology in “A Universe of One’s Own” at The New York Review of Books.
“Write me a creature who thinks as well as a man, or better than a man, but not like a man.” This was the challenge the influential science-fiction editor John Campbell famously issued his authors in the 1940s. It was aimed at producing aliens as fully formed as the interstellar human travelers who encounter them. Isaac Asimov thought the best example was a creature named Tweel from Stanley Weinbaum’s “A Martian Odyssey,” a story from 1934 that preceded the dictum. But the instruction also has the feel of a riddle, and neither Campbell nor Asimov considered its most obvious answer: a woman.
Three years before Weinbaum’s Martian adventure, Leslie F. Stone published “The Conquest of Gola” in the April 1931 issue of the science-fiction pulp magazine Wonder Stories. This was not Stone’s first published story, but it became her best known. Gola is a planet ruled by a gentle civilization of telepathic nonhumanoid females with movable eyes and sensory functions available on all parts of their round, golden-fur-covered bodies. The males of the planet are docile pleasure-consorts. Into this edenic world plunges a cadre of Earth men who desire “exploration and exploitation.” The queen rejects their plea for trade and tourism. She isn’t just dismissive of what she feels are the Earthlings’ barbarian mentality and low-grade intelligence; she simply can’t be bothered to take them seriously. “To think of mere man-things daring to attempt to force themselves upon us,” she says. “What is the universe coming to?” Rebuffed, the Earth men launch a full invasion; the Golans (who narrate the tale) obliterate them. End of story. A case study in thinking better than men but not like men.
“The Conquest of Gola” is one of the twenty-five SF tales written by women that are collected in the enjoyable new anthology The Future Is Female, edited by Lisa Yaszek…
(6) BEGGING THE QUESTION. BookRiot thinks readers should already know the answer: “So You Want To Bring Back Dystopian YA? Well, Here’s Why It Never Left”.
With the announcement of a prequel to Suzanne Collins’s popular young adult trilogy The Hunger Games, there has been a wealth of discourse on why it’s finally time to bring back dystopian YA. It’s a trend that dominated both the YA scene and the box office in the early 2010s, with the success of The Hunger Games seeing major film production companies competing in a fierce battle for the next big blockbuster hit.
…But what about the books? Is Suzanne Collins bringing back dystopian YA? Is the trend finally rising from the ashes, allowing us all to relive our best 2012 selves? Well, you can’t bring back something that never really left.
Despite the apparent decline of dystopian YA movies in Hollywood, a steady stream of young adult novels in recent years has kept the genre afloat for teens who still wanted to consume these stories outside of the adaptations.
Some of the most popular series, like An Ember In The Ashes by Sabaa Tahir and Shatter Me by Tahereh Mafi, both written by authors of colour, were first published during the dystopian craze of the early 2010s, and subsequent books continue to be published without the marketing push that saw the likes of The Hunger Games and Divergent driven to success.
(7) FLAME OUT. At a Warner Bros. studio in the UK, fire claimed a set used in numerous genre productions: “Warner Bros Studios fire: Crews tackle blaze for 15 hours”.
Crews were called to the site in Leavesden, Hertfordshire, at 23:29 BST on Wednesday.
The fire service said the set involved was not being used at the time and there had been no reported injuries.
All eight Harry Potter films as well as other movies including James Bond, Fast and Furious and the Mission Impossible franchises have filmed at the studios.
The fire service confirmed shortly before 15:00 on Thursday the fire was out, although some crews remain at the scene.
A spokesman for Warner Bros said the fire had occurred on a sound stage being used for the television production Avenue 5, but all productions were able to continue working.
Avenue 5 is an HBO space tourism comedy by The Thick of It creator Armando Iannucci.
(8) TODAY IN HISTORY.
July 12, 1969 — [Item by Steve Green.] Today marks the fiftieth anniversary of Star Trek‘s debut on British television, where it occupied the Saturday afternoon slot on BBC1 traditionally occupied by Doctor Who. Unlike NBC and its US affiliates, the BBC opened with ‘Where No Man Has Gone Before’, the second pilot and the first to feature William Shatner as James T Kirk. As one of those captivated viewers, this means July 12, 2019 is also the fiftieth anniversary of my becoming a Star Trek fan.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
- Born July 12, 1895 — Buckminster Fuller. Genre adjacent and I don’t believe that he actually wrote any SF though one could argue that Tetrascroll: Goldilocks and the Three Bears, A Cosmic Fairy Tale is sort of genre. You will find his terminology used frequently in genre fiction. (Died 1983.)
- Born July 12, 1912 — Joseph Mugnaini. An Italian born artist and illustrator. He is best known for his collaborations with writer Ray Bradbury, beginning in 1952. Through an amazing piece of serendipity, there’s an interview with him talking about working with Bradbury which you can listen to here. (Died 1992.)
- Born July 12, 1923 — James E. Gunn, 96. H’h, what have I read by him? Well there’s The Joy Makers and Future Imperfect, not to mention The Magicians. I’m sure there’s more but those are the ones I fondly remember. Which ones do you recall reading?
- Born July 12, 1933 — Donald E. Westlake. No, I didn’t know he did genre but ISFDB says he, hence this Birthday note. Transylvania Station by him and wife is based on Mohonk Mountain House-sponsored vampire hunting mystery role-playing weekend. (Died 2008.)
- Born July 12, 1945 — James D. Allan, 74. A rather prolific writer and author on the subject of Tolkien linguistics. He is primarily known for his book, An Introduction to Elvish. His most recent contribution to the field is “Gandalf and the Merlin of the Arthurian Romances”, published in Tolkien Society’s Amon Hen number 251.
- Born July 12, 1946 — Charles R. Saunders,73. African-American author and journalist currently living in Canada, much of his fiction is set in the fictional continent Nyumbani (which means “home” in Swahili). His main series is is the Imaro novels which he claims are the first sword and sorcery series by a black writer.
- Born July 12, 1970 — Phil Jimenez, 49. Comics illustrator and writer. He was the main artist of Infinite Crisis, a sequel to Crisis on Infinite Earths. He also did the awesome first issue of Planetary/Authority: Ruling the World, and was responsible for the first six issues of Fables spin-off, Fairest.
- Born July 12, 1976 — Anna Friel, 43. Her best remembered genre role is as played Charlotte “Chuck” Charles on Pushing Daisies, but she’s been Hermia in A Midsummer Night’s Dream and Elizabeth Bonny in Neverland, not to mention Lady Claire in Timeline, an SF virtually no one has heard of.
- Born July 12, 1976 — Gwenda Bond, 43. Her Blackwood novel won a Locus Award for Best First Novel. (Strange Alchemy is the sequel.) She written three novels featuring DC character Lois Lane, and her Cirque American series with its magic realism looks interesting. She also wrote the “Dear Aunt Gwenda” column in the Lady Churchill’s Robot* Wristlet chapbooks that Gavin J. Grant and Kelly Link did for awhile over at Small Beer Press.
(10) RESISTANCE ON HOLD. Hugo Martin, in “Disneyland delays 2nd ride at Star Wars land” at the LA Times, says “Rise of the Resistance will open Jan. 17 instead of this year.”
The Anaheim theme park had previously said the Rise of the Resistance ride would launch this year.
The ride is designed to put parkgoers in the middle of a fierce battle between resistance fighters and the evil forces of the First Order. An identical ride will open in December at Walt Disney World Resort in Florida.
Star Wars: Galaxy’s Edge , the largest expansion in the park’s history, opened May 31 with only one ride in operation, Millennium Falcon: Smuggler’s Run…
Bob Iger, chief executive of Walt Disney Co., had previously promised Disney fans that Rise of the Resistance would open in 2019.
Instead, Disney said on its website Thursday that the much-anticipated Rise of the Resistance will open first at the Florida park before the Christmas holiday vacation and then at Disneyland in January, when families will have returned to work and school after the winter break.
Disney’s website suggested that the California attraction would open later than the one in Florida because Disney engineers and ride developers can open only one ride at a time…
(11) JAPAN SCORES TOUCHDOWN. “Hayabusa-2: Japanese spacecraft makes final touchdown on asteroid” – BBC has the story.
A Japanese spacecraft has touched down on a faraway asteroid, where it will collect space rock that may hold clues to how the Solar System evolved.
The successful contact with the Ryugu asteroid was met with relief and cheering in the control room at Japan’s space agency, JAXA.
It is the second touchdown for the robotic Hayabusa-2 craft, which grabbed rocks from the asteroid in February….
(12) TRUE ACCOUNTABILITY. Somebody had to say it.
(13) TEA OR TOR. Bonnie McDaniel takes her turn at reviewing the lot: “Hugo Reading 2019: Best Novella”.
The novella (17,500-40,000 words) has had something of a resurgence in recent years, mainly due to Tor’s excellent novella line. (I know the ones I’ve bought are taking up nearly a full shelf in one of my bookcases.) This time around, five of the six nominees are from Tor; the only exception (Aliette de Bodard’s The Tea Master and the Detective) was published by Subterranean, a niche publisher that puts out lovely limited collectible editions. (Which also take up a not-inconsiderable amount of my own shelf space.) For a lot of stories, the novella is the perfect length, and I’m glad to see its growing popularity.
(14) AREA CODE. CNN reports “Thousands of people have taken a Facebook pledge to storm Area 51 to ‘see them aliens'”.
Stretch those quads and prep that tinfoil hat!
Over 300,000 people have signed on to a Facebook event pledging to raid Area 51 in Nevada in a quest to “see them aliens.”
The event, titled “Storm Area 51, They Can’t Stop All of Us,” is inviting users from around the world to join a “Naruto run” — a Japanese manga-inspired running style featuring arms outstretched backwards and heads forward — into the area.
“We can move faster than their bullets,” the event page, which is clearly written with tongue in cheek, promises those who RSVP for September 20.
(15) INVESTMENT OPPORTUNITY. It only takes one.
(16) CRAWL VARMINT, CRAWL ON YOUR
BELLY LIKE A REPTILE. [Item by Mike
Kennedy.] Is this
movie—about oversized alligators terrorizing people trapped in a crawlspace
during a massive storm—genre? Well, it is horror of a sort, perhaps only one or two steps
removed from movies about shark-filled tornadoes.
Having seen a TV advert for Crawl, I absolutely knew I would never want to go see the movie in a theater (though YMMV). On the other hand, the review itself is a hoot: The Hollywood Reporter: “’Crawl’: Film Review”
No sensible person goes to see a movie about killer alligators and then complains that it was silly and over the top. So it’s puzzling that Paramount would refuse to hold critics’ screenings for Alexandre Aja’s Crawl, a film that, despite some ludicrous action scenes and risible dialogue, might well have been helped more than harmed, on the whole, by reviews. After all, not every Snakes on a Flesh-Eating Sharknado delivers on its schlocky promises, and savvy consumers like to be told they won’t get burned this time. Consider this a measured endorsement for the kind of action-packed B picture where Serbia stands in for coastal Florida, and nobody notices, and they wouldn’t care if they did.
(17) KEEPING UP WITH THE PHILISTINES. In Science Advances, “Ancient DNA reveals the roots of the Biblical Philistines”. “The Philistines appear repeatedly in the Bible, but their origins have long been mysterious. Now genetic evidence suggests that this ancient people trace some of their ancestry west all the way to Europe.”
The ancient Mediterranean port city of Ashkelon, identified as “Philistine” during the Iron Age, underwent a marked cultural change between the Late Bronze and the early Iron Age. It has been long debated whether this change was driven by a substantial movement of people, possibly linked to a larger migration of the so-called “Sea Peoples.” Here, we report genome-wide data of 10 Bronze and Iron Age individuals from Ashkelon. We find that the early Iron Age population was genetically distinct due to a European-related admixture. This genetic signal is no longer detectible in the later Iron Age population. Our results support that a migration event occurred during the Bronze to Iron Age transition in Ashkelon but did not leave a long-lasting genetic signature.
(18) ON STRIKES. For your edification, ScreenRant screens the “Star Wars: Episode V – The Empire Strikes Back Pitch Meeting.”
Empire Strikes Back is known not only as one of the best Star Wars movies, but one of the best sequels of all time. Despite it’s amazing reputation it still raises a few questions. Like how did that Wampa freeze Luke’s feet to a cave ceiling? Why was Yoda making him do so many flips? What’s up with the AT-AT strategy on Hoth? Why did Leia kiss Luke? To answer all these questions and more, step inside the pitch meeting that led to The Empire Strikes Back!
[Thanks to Martin Morse Wooster, Mike Kennedy, John King Tarpinian, Chip Hitchcock, Cat Eldridge, JJ, Dann, SF Concatenation’s Jonathan Cowie, Michael Toman, Carl Slaughter, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Doug.]