Pixel Scroll 12/6/23 For The Scroll Is Hollow And I’ve Touched A Pixel

(1) END OF AN ERA. Kristine Kathryn Rusch signed off her influential weekly business blog on November 22. “Business Musings: All Good Things”.

…I wasn’t that desparate in 2009 and I’m certainly not that desperate now. As I noted in some recent blogs, my books are all in print. The books of my traditional friends? Not in print at all. Or if they are in print, my friends aren’t making a dime off of them.

It’s discouraging, but as I’ve seen over the past few years, people have dug in. It doesn’t matter that traditional writers now have to get a “real” job to make a living. Or that the changes in indie have made it possible for those of us who understand business to make a good living while writing what we love.

We’ve changed.

The world has changed.

And honestly, I’m not that interested in writing about the publishing industry weekly. There is no publishing industry anymore. There are different aspects of book publishing, all of which fascinate me, and none of which make me want to pontificate for a few thousand words every single week.

Then there’s my writing itself. In the spring, I made a list of the books clamoring to get out of my brain. The series that need finishing right now, the standalones I’ve been dying to write, the books I’ve intended to write since the turn of the century if not longer, as well as the short stories that rise to the top of my to-do list because I read an inspiring article or saw an amazing play.

I will have time to write all of that if I double down on my fiction writing. Or triple down. When I write fiction, I write a minimum of 1,000 new words per hour. The blog takes a minimum of 10 hours per week from idea to page, including the audio (which is maybe 20 minutes of that 10 hours). I love the audio. It’s fun.

The blog, not so much.

In fact it had become such a drag that I put it off until the last minute, and then have to give up even more fiction writing time to get it down.

And while the blog makes me more money per month than someone would earn making minimum wage (not counting all the nonfiction books I get out of it or the other perks), I could make more money if I write three novellas a year, whether I sell them to traditional markets or not.

The blog is self-sustaining financially, but it’s actively costing me money. My earnings as a fiction writer have gone up dramatically in the past fourteen years….

… Thirty dollars per hour writing a blog post that has little resale value or $1000 per hour writing stories that can sell for decades. It’s really a no brainer….

… Except…I do like noting things about the publishing industry, from time to time. Some things catch my attention and I want to discuss them. I will do that on my Patreon page, which I am not shutting down.    

I’ll be doing mostly short posts pointing out an article that writers might want to pay attention to, or commenting on some major change. I’m not going to do a long essay, unless I feel inspired….

(2) BUMPER CROP. Slashfilm reveals “Syfy Spent Thousands On Leonard Nimoy And William Shatner Star Trek Ads You Probably Missed”.

…Barry Schulman had been with the Sci-Fi Channel since its start, and he remembers the glory days in detail. He was interviewed for the indispensable book “The Fifty-Year Mission: The Next 25 Years: From The Next Generation to J. J. Abrams,” edited by Mark A. Altman and Edward Gross, and he remembered the production of what was to be one of the more ambitious advertising tie-ins the network could have possibly received. It seems that the Sci-Fi Channel wrote and paid for a series of extended “Star Trek”-inspired interview-style infomercials to be hosted by Leonard Nimoy and William Shatner — Spock and Kirk themselves! — to run after individual episodes. 

Sadly, due to poor ratings, the ads were only sparsely seen….

Of course, programming “Star Trek” presented a technical problem. In the late 1960s, when the hour-long “Star Trek” originally aired on NBC, the broadcast ad breaks only totaled about 10 minutes, leaving 50 minutes of show. By the early 1990s, ad time had grown to 16 minutes, leaving only 44 minutes of show. That would mean any new broadcast of “Star Trek” would, by advertisers’ decree, need to be shaved down by six minutes. 

Shulman’s solution was to expand the “Star Trek” time slot from a 60-minute span to a 90-minute span, including all 50 minutes of “Trek” as well as whole ad breaks. He’d then pad out the remainder of the 90-minute slot with Shatner/Nimoy intro/outro segments. Brilliant….

… The good news is that you can actually watch all of these bumpers with Shatner and Nimoy on YouTube.

Here’s the video for the original Star Trek pilot, “The Cage”.

(3) FANAC.ORG ZOOM. The next Fan History Zoom session is scheduled for Saturday, December 9 at 2:00 p.m. Eastern. If you would like to join, drop a note to [email protected].

APAS EVERYWHERE – Fred Lerner, Christina Lake, Amy Thomson and Tom Whitmore.

Since the first FAPA mailing in 1937, APAs have been a part of fannish life. There are topic specific apas, local apas, general interest apas, convention committee apas, letter substitutes and doubtless many more. Our panelists, all long time APA members, talk about their experiences with APA life: Why did you join the APA(s)? Did you APA live up to your expectations and why? Tell us about the APAs you’ve been part of, and tell us what makes them unique. (You can tell us about APAs you weren’t part of too!) Talk about the way the members of the APA related to each other, and the nature of that community. Compare the experience of an online community like LiveJournal or Facebook with your APA experience. The Cult was called the “13 Nastiest Bastards in Fandom”. Was it? What feels different about womens’ APAs? Are APAs now obsolete? Would you join a new APA today?

Future Zoom History sessions: 

  • January 20, 2024 – 2PM EST, 11AM PST and 7PM London GMT – An Interview with Joe Green, fan, s-f writer, NASA spokesman and educator.
  • February 17, 2024 – 7PM EST, 11 AM Feb 18 Melbourne AEDT – Wrong Turns on the Wallaby Track Part 2, with Leigh Edmonds and Perry Middlemiss
  • March 16, 2024 – 3PM EDT, 2PM CDT, 7PM London (GMT) – The Women Fen Don’t See – Claire Brialey, Kate Heffner, and Leah Zeldes Smith

(4) THE DOG IN THE NIGHT. “Arthur Conan Doyle secretly resented his Sherlock Holmes creation, says historian” reports the Guardian.

Arthur Conan Doyle secretly hated his creation Sherlock Holmes and blamed the cerebral detective character for denying him recognition as the author of highbrow historical fiction, according to the historian Lucy Worsley.

Doyle was catapulted from “obscurity to worldwide fame” after his crime stories began appearing in a magazine in 1891, Worsley writes in the Radio Times. Eleven years later he was awarded a knighthood.

Yet “beneath the surface he was a discontented man”, according to Worsley….

(5) MAJOR SFF EVENTS IN EUROPE IN 2024. [Item by Dave Lally.] The year 2024 has a number of major SF+F events, in Europe, approaching (and all dates given herein are inclusive).  And this info is primarily for those from outside the area (and I trust this data is of help).

Here is major SF+F event No 1 (and in the English Midlands of the UK):

EASTERCON 2024 — Fri 29 March – Mon 1 April we have, in the UK,  Eastercon / “Levitation” (the UK’s annual National SF Con:  Telford, just north of Birmingham).  

[And NOTA BENE, post Eastercon on Thu 4 April, there is the very long standing “One Tun” Central London SF fen meeting (Asimov came in 1974). Upstairs (private) bar 1800-> closing. THE BISHOPS FINGER (pub), London EC1A 9JR (for internet maps). Real craft ale/hot food. Order both on Ground floor. Food delivered later up to you. Nearest Tube: Barbican. Nearest Rail : Farringdon. Nearest Elizabeth Line (esp from Heathrow) : Farringdon ( /// Barbican  exit!!/// ). All  welcome: whether local-to-London or non locals just passing thru!! ]  

Nearest UK Rail Station to 2024 Eastercon : Telford {UK Rail Station code:  TFC}. There are Express InterCity trains from London Euston (if first visiting there, pre-Eastercon) but one should then change trains at Birmingham International { Station code: BHI } NOT Birmingham New St (and see below why, esp re TfW trains). 


Nearest Airport : Birmingham UK [ IATA code : BHX ],  then take the free air-rail shuttle from that Airport, to the local, next door train Station : Birmingham International (as above). There, catch a north-bound train to Telford. 

[If esp travelling from the States, it might be useful to fly to Shannon or to Dublin and then transfer onto a more local flight to BHX. Why? Cos on the return journey from either of those 2 Irish airports (and thanks to JFK +60 years ago), one pre-clears US formalities at those departure locations (the only two so far in Europe, which have them) and then one leaves one’s US airport as a standard, domestic passenger!] 


Especially useful, re UK train travel from { BHI } above,  is the long-distance train (run by Transport for Wales: TfW) which always starts from that Rail Station (usual final destination: ABERYSTWYTH, in mid-Wales). So seats to Telford are usually plentily available thereon, at that Station. Other northbound trains from { BHI } may only go to nearby Birmingham New St (in that City’s central area) or onto Wolverhampton, where one may otherwise then have to change trains anyway. And those other trains may get heavily used by Birmingham commuters, who may block seats for longer-journey-travelling passengers. 

And UK rail data (times, fares etc) are available on: nationalrail(dot)co(dot)uk.  The “green” way to travel..!!

[By the way, that TfW train eventually goes, on splitting much further up the line,  past Portmeirion (!), tho that famous SF (Prisoner) site is much, much further away in North West Wales (oh and see LocationCon data I will provide later, re the proposed visit  –on Tue 6 August– to that venue, pre- and on the way to, Glasgow Worldcon 2024).] 

Eastercon 2024’s website :  Levitation 2024 — The 2024 British National Science Fiction Convention.

( And, as always,  non-UK fen are very welcome indeed at all SF+F events in Europe, incl the UK’s annual NatSFCon- Eastercon..)

(6) LIKE SAND THROUGH AN HOURGLASS. Inverse is warming up the audience for the release of the next Dune movie on March 1, 2024. “’Dune 2’s First 10 Minutes Restores a Classic Scene From The Book — With a Twist”. Spoilers at the link.

When Dune: Part One hit in 2021, fans immediately noticed one change from both the original 1965 novel and the 1984 feature film. Instead of an opening narration from Princess Irulan, Dune: Part One began with a voiceover from Chani (Zendaya). This inversion smartly centered the story of Dune: Part One from the perspective of the Fremen, at least partially. And now, with Dune: Part Two hitting in 2024, the opening of the film will honor the opening of the original book. But this time, the content of the narration will be decidedly different.

Minor spoilers ahead for the first 10 minutes of Dune: Part Two.

At CCXP 2023 in São Paulo, Brazil, on December 3, 2023, during a Dune: Part Two panel, audiences were treated to several preview scenes, including the first 10 minutes of the movie. Back in 2021, the first 10 minutes of Part One were also teased in special screenings, so this kind of preview seems to now be a tradition ahead of the launch of a new Dune movie.

(7) MISSING A NUMBER. Guardian critic Peter Bradshaw was there: “The Moonwalkers: A Journey With Tom Hanks review – a gobsmackingly huge space spectacle”.

Tom Hanks is the narrator and co-writer of this colossal and immersive multimedia family entertainment event or next-level school trip, about Nasa’s historic Apollo moon landings and the planned new Artemis missions. It’s taking place at Lightroom, the innovative new digital art performance venue at London’s Kings Cross – recently the site of Bigger And Closer, an immersive show about David Hockney.

With the audience gathered in the darkened arena-type area, seated on little upholstered double-stools dotted about, Tom Hanks’s likably folksy and nerdily enthusiastic voiceover booms out telling us that this floor space is the size of Mission Control, Houston. Soon, gobsmackingly huge photo images of the moon’s surface and our own planet Earth are flashed up around the walls, also great film footage of the astronauts bouncing and floating, and all with the cathedral vastness and crystal clarity that they have probably always deserved but never before got from TV screens or even movie screens….

… But the strangest omission is the lack of any mention of Apollo 13, the near-disaster rescued with magnificent ingenuity and resourcefulness by the astronauts and ground crews, which Tom Hanks himself almost single-handedly turned into a key moment of American history with his performance as astronaut Jim Lovell in Ron Howard’s film.

Apollo 13 is, after all, why Tom Hanks is narrating this….

(8) NORMAN LEAR (1922-2023). The resume of TV’s Norman Lear even included a few items of genre interest. “Norman Lear, Whose Comedies Changed the Face of TV, Is Dead at 101” in the New York Times.

Norman Lear, the television writer and producer who introduced political and social commentary into situation comedy with “All in the Family” and other shows, proving that it was possible to be topical as well as funny while attracting millions of viewers, died on Tuesday at his home in Los Angeles. He was 101.

In 2003, he helped write a few episodes of “South Park,” the taboo-breaking animated series that was the “All in the Family” of its day. (The show’s creators, Matt Stone and Trey Parker, have said that their bile-spewing character Eric Cartman is partly based on Archie Bunker.)

Mr. Lear turned his attention back to movies in 1982, when he, Mr. Yorkin and Jerry Perenchio bought Avco Embassy Pictures. The newly renamed Embassy Communications released films, including … the acclaimed mock documentary “This Is Spinal Tap” (1984), directed by the “All in the Family” alumnus Rob Reiner.

In 1985… Mr. Lear founded Act III Communications, named to signify the third act of his life. Act III’s most notable productions were two other Rob Reiner films, “Stand by Me” (1986) and “The Princess Bride” (1987)….

(9) MEMORY LANE.

[Written by Cat Eldridge.]

1975 –Joe Haldeman’s The Forever War. Anyone here who has not read Joe Haldeman’s The Forever War should now leave. Really should as I’m going to discuss it.

It was published by St. Martin’s Press forty-eight years ago with the cover illustration not being credited by ISFFB. 

It would win a Hugo at MidAmeriCon, plus a Nebula and a Ditmar, and be nominated for a Prometheus Award. 

Haldeman said in a Guardian review of 2011 that “It’s about Vietnam, because that was the war the author was in”.  

It was sixteen years after Starship Troopers came out and I thought that Haldeman said it was written as a reaction to that novel but the Guardian quote contradicts that. The reviewer there thinks that much of the look and feel of the book comes from Heinlein’s novel but I didn’t feel that was true. Do you? 

According to the Authors note to my epub Open Road edition of 2008, “This is the definitive edition of The Forever War.” It looks like a novella titled “You can never go back again” that Bova wouldn’t publish at Analog because he thought it was “too downbeat” and therefore wasn’t in the first edition is now included in the middle section of the novel. 

Now for its excellent Beginning…

‘Tonight we’re going to show you eight silent ways to kill a man.’ The guy who said that was a sergeant who didn’t look five years older than me. So if he’d ever killed a man in combat, silently or otherwise, he’d done it as an infant. 

I already knew eighty ways to kill people, but most of them were pretty noisy. I sat up straight in my chair and assumed a look of polite attention and fell asleep with my eyes open. So did most everybody else. We’d learned that they never scheduled anything important for these after-chop classes. 

The projector woke me up and I sat through a short tape showing the ‘eight silent ways.’ Some of the actors must have been brainwipes, since they were actually killed. After the tape a girl in the front row raised her hand. The sergeant nodded at her and she rose to parade rest. Not bad looking, but kind of chunky about the neck and shoulders. Everybody gets that way after carrying a heavy pack around for a couple of months.

 ‘Sir’—we had to call sergeants ‘sir’ until graduation—‘most of those methods, really, they looked … kind of silly.’

‘For instance?’ ‘Like killing a man with a blow to the kidneys, from an entrenching tool. I mean, when would you actually have only an entrenching tool, and no gun or knife? And why not just bash him over the head with it?’ 

‘He might have a helmet on,’ he said reasonably. 

‘Besides, Taurans probably don’t even have kidneys!’ 

He shrugged. ‘Probably they don’t.’ This was 1997, and nobody had ever seen a Tauran; hadn’t even found any pieces of Taurans bigger than a scorched chromosome. ‘But their body chemistry is similar to ours, and we have to assume they’re similarly complex creatures. They must have weaknesses, vulnerable spots. You have to find out where they are.

‘That’s the important thing.’ He stabbed a finger at the screen. ‘Those eight convicts got caulked for your benefit because you’ve got to find out how to kill Taurans, and be able to do it whether you have a megawatt laser or an emery board.” She sat back down, not looking too convinced.

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born December 6, 1911 Ejler Jakobsson. (Died 1984.) His first publications, edited with his wife, were The Octopus and The Scorpion in 1939 which were definitely of a pulpish nature.

He has responsibility for Astonishing Stories and Super Science Stories briefly before they shut down production due to paper shortages. When Super Science Stories was revived in 1949, Jakobsson was named editor until the magazine again (and finally) ceased publication in 1951.  I’ve never read that magazine. Who here has? 

He was an editor for Graphic Books in the 1950s. Jakobsson returned to editing in 1969, when he took over Galaxy and If, succeeding Frederik Pohl. He worked to make the magazines more up to date according to SFE with the help of Judy-Lynn del Rey and Lester del Rey. He left the magazines in 1974 and was succeeded by Jim Baen.

SFE says that “During Jakobsson’s editorship the following anthologies were published (his name did not appear on their title pages): The Best from Galaxy Vol I (anth 1972) edited by The Editors of Galaxy Magazine; The Best from If (anth 1973) edited anonymously; The Best from Galaxy Vol II (anth 1974) edited by The Editors of Galaxy Magazine; and The Best from If Vol II (anth 1974) edited by The Editors of If Magazine.” None of these are currently in-print. 

He also wrote a handful of short fiction according to ISFDB, all with Edith Jakobsson. The titles, such as “Corpses on Parades”, “Coming of The Unborn Things” and “Satan’s Toy Monsters”, suggest they were horror writers. These were never gathered into a collection. 

(11) COMICS SECTION.

(12) FAN MAIL FOR FLASH GORDON. “1980’s FLASH GORDON: Movie of the (Wonderfully) Impossible!” at 13th Dimension.

…It’s a famous story by now—one of the great What If?s in all of pop culture—that in the early 1970s, George Lucas tried to buy the rights to Flash Gordon. His failure to do so led (indirectly) to the creation of Star Wars, and popular entertainment would never be the same. De Laurentiis had first wanted Federico Fellini(!) to direct, then moved onto Nicolas Roeg(!!), finally settling on journeyman director Mike Hodges and screenwriter Lorenzo Semple Jr. (who, besides helping develop the Batman TV series, wrote the 1976 King Kong remake for De Laurentiis). With a budget of $27 million (around $100 million today), De Laurentiis was, as usual, going big.

He’s a miracle!

After a magnificently exciting opening credits scene (scored to Queens’ iconic, propulsive theme music, and peppered with art from the comic strip), we jump right to the action—by the 20-minute mark we’re already on Mongo.

Every sci-fi/fantasy film post-Star Wars bears its influence, visually and tonally. But De Laurentiis’ personality was still so big and forceful that Flash Gordon hits a sweet spot between what a big budget, modern sci-fi movie was supposed to feel like in 1980, and the more idiosyncratic, phantasmagorical, Pop Art feel of the 1960s. Almost everything in Flash Gordon is a practical effect—the retro-futuristic spaceships and weaponry, the Art Deco sets, and the costumes that look mighty uncomfortable for the actors to wear….

(13) SUBMISSION WINDOW. Chris Barkley wanted to make sure I didn’t miss “The Magazine of Horror” by Oghenechovwe Donald Ekpeki, published in 2020 by Apex Magazine. I’m glad he sent the link.

… PS: as an aside, I was wondering and didn’t want to add something so silly to the main body of my cover letter. It’s silly really. The worries of a newbie writer. I heard that your magazine is the greatest horror magazine and will only publish the greatest horror story at a time, and in the lifetime of the published writer, will publish no other story, until the accepted writer expires. Also, that should a story be accepted, the current story is deleted and the displaced writer dies. What is worse, I heard that all those rejected by your magazine also die. This is of course all just silly rumours. I notice that your magazine only has one story on it, despite its ridiculously high pay rate of a hundred thousand dollars per story…

(14) DAY AND NIGHT, YOU ARE THE ONE. “Chronobiologist and Nobel Laureate in Medicine Michael Rosbash: ‘Lack of sunlight during the day is worse than electric lighting at night’” in El País USA Edition.

Q. One of the things that flies and privileged people have in common is napping and sleeping at night. What is the biological purpose of sleep and of these intermediate pauses during the day?

A. We do not know. Memories are consolidated during sleep and neuronal morphology is modified during sleep. All that happens, but I do not think that is the major purpose of sleep. We do not know what fly and human sleep, for example, have in common. My guess is that it is related to metabolism, such as recharging ATP [adenosine triphosphate, a key energy molecule in cells]. The brain is the largest consumer of ATP; perhaps there is a metabolic need for recharging….

(15) ALL GLORY IS FLEETING. The New York Times tells how “George Santos Uses Cameo Videos to Make, of All Things, an Honest Buck”. (You can view his Cameo videos here: George Santos.) (Though it’s possible Bowen Yang is an even better Santos, as proven by his imitation in Saturday Night Live’s “George Santos Expelled Cold Open” last weekend.)

…Three days after George Santos was expelled from the House of Representatives, he sat in front of a camera to address the American people.

Well, a few American people. The ones willing to pay Mr. Santos — the former congressman who stands accused on federal fraud charges of stealing money from campaign donors for personal expenses — hundreds of dollars a pop on the video app Cameo.

“Hey, Sarah,” Mr. Santos said in one video. “Sometimes work sucks. I mean, let’s talk about bad days, huh? Last Friday wasn’t so great for me, either.”

It was a rare moment of truth for Mr. Santos, who lied to voters and his colleagues about where he went to high school, going to college, being a volleyball star, working on Wall Street, having Jewish ancestry and family ties to the Holocaust and the Sept. 11 attacks, among other things.

There was a time when Mr. Santos expressed regret for some of those falsehoods. His videos on Cameo suggest that time has passed.

“Hey, Harper! I love that you are such a dedicated student at N.Y.U.,” Mr. Santos says in one, before pausing, smirking and chuckling. “You know,” he adds, cocking his eyebrows: “My … not-so-real M.B.A.”

(16) VIDEO OF THE DAY. I don’t think dogs are rules lawyers by nature the way Ryan George makes them out to be in “When Dogs See A Christmas Tree”, but that’s where the humor comes from in this video. Tell the internet to go fetch it for you.

[Thanks to SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, Steven French, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Peer.]

Pixel Scroll 3/20/21 The Pixels Are Already Here — They’re Just Not Very Evenly Scrolled

(1) HOTROOTING. Eddie Kim tells why he looks forward to the production, and shares a Redwall-inspired recipe: “’Redwall’ Netflix TV Series: The Best Food Porn Ever Written” at Mel Magazine. (“GRRM wept,” says N., who sent the link.)

The world of Brian Jacques’ Redwall is rife with every manner of woodland creature, depicting the lives of mice, moles, squirrels, badgers and beyond in mythic detail. As a young boy, I fell in love with everything about the series — the intricately illustrated covers, the sweeping tales of battle and camaraderie and the idiosyncrasies of each animal community. Over the course of 23 (!!) thick novels, Jacques weaves a tapestry of narratives, builds a unique lifestyle, dialect and even diet around various tribes and timelines. 

I, being a Korean kid in Hawaii who loved the water, imagined myself as one of the river otters. They played hard, fought hard and adored the spicy flavor of hotroot in their foods. Just like me, I thought as I read another Redwall novel at the dinner table, eating spoonfuls of kimchi stew. 

It wasn’t just the otters’ favorite shrimp ‘n’ hotroot soup that I craved; I’m fairly certain the Redwall books radicalized me at a young age into a type-A obsessive about delicious food. No matter whether I was reading Eulalia! or Martin the Warrior, I knew the book would feature page after page of lusty food prose, especially if it was a celebratory feast held in Redwall Abbey or another enclave. The words are straight out of a Chez Panisse menu: “Tender freshwater shrimp garnished with cream and rose leaves, devilled barley pearls in acorn puree, apple and carrot chews, marinated cabbage stalks steeped in creamed white turnip with nutmeg … crusty country pasties, and these were being served with melted yellow cheese and rough hazelnut bread.”… 

(2) THE FELAPTON CUT. Camestros Felpaton has seen the elephant: “I watched Zak Snyder’s Justice League cut (slowly and pieces)”. (Don’t ask me where the “c” in Zack went.)

…This is very much a Zak Snyder film and contains all his intentional problems. It is pretentious, has lots of slow-mo, odd music-video like sequences, many people starring off into the distance to express their inner feelings and, of course, a colour palette that’s best described as “metallic”. The dialogue is grim. The characterisation is angst. It’s a clever but disaffected teenage kid’s idea that goofy comic books are essays on Nietzsche….

(3) POWER OF FIVE. This link waited patiently to be rediscovered in a cache of unopened February emails: James Davis Nicoll’s “Five SF Works That Explore the Mysteries of Alpha Centauri” at Tor.com.

… Not only is Alpha Centauri the nearest system to ours, two of its three stars are at least somewhat sunlike. Unsurprisingly, science fiction long ago saw the narrative potential offered by Alpha Centauri. Consider these five examples.

He begins with —

Alpha Centauri or Die! by Leigh Brackett (1963)

The Solar System is firmly under the thumb of an authoritarian government determined to bring peace with a stomping boot. While every reasonable need is filled, daily life is regimented and the space lanes are plied solely by robot ships. Not everyone is happy with this arrangement. The malcontents include among them men like Kirby—men with the skills to crew a one-way flight to Alpha Centauri and its known habitable world.

There are, of course, one or two catches. The State forbids such flights. The same robot ships that travel between the solar planets could follow the refugees to Alpha Centauri. Most importantly, there is a reason the Solar System’s authoritarian have never tried to annex Alpha Centauri. Alpha Centauri’s world may not be home to someone but it is definitely home to something. How it will react to invaders remains to be seen….

(4) GAMING HORROR IS HARD. [Item by Martin Morse Wooster.] In the February 10 Financial Times, gaming columnist Tom Faber looks at the recent release of The Medium (set in “an abandoned Soviet resort”) to discuss whether video games can be as scary as horror movies.

I started out with the venerable Resident Evil series, which since 1996 has oscillated between survival-horror and action-oriented adventures, also spawning a surprisingly robust film franchise starring Milla Jovovich.  2017’s Resident Evil 7:  biohazard, due a sequel this May, seemed promisingly spooky at first.  I arrived at an abandoned house in the Louisiana bayou and felt genuinely unsettled by the ominous creaking noises of the house, the squalid family kitchen and the sculpture out front, a cross between Alexander Calder and The Texas Chain Saw Massacre.  Yes as soon as a monster emerged and I had to start waving an axe around, I mentally flipped into monster-fighting game mode and all the tension abruptly vanished.

Horror needs to be paced slowly to allow tension time to build, to hide its monsters in the shadows, but this is a hard proposition for games, a medium defined by interactivity and action.  A new breed of narrative horror games prioritises atmosphere over combat, including Soma and Amnesia by Swedish team Frictional Games, an eerie demo for a cancelled Silent Hill sequel called P.T., and Taiwanese game Devotion, a disturbing tale which was removed from online stores due to a controversial reference to Chinese premier Xi Jinping.

(5) THOSE MONEY QUOTES. Most of the story is behind a Wall Street Journal paywall, however, the introduction is entertaining: “Is It Time to Kill the Book Blurb?”

Pulitzer-winning novelist Viet Thanh Nguyen would have preferred that his forthcoming book, The Committed, have no praise-laden blurbs at all, he says. “Kill it. Bury it. Dance on its grave. They create so much work, emotional labor and guilt, whether one is writing one or one is asking for one.”

Often fawning and sometimes composed after only a casual skim of the book, pre-publication endorsements have been an entrenched part of the publishing industry since Ralph Waldo Emerson mailed a little-known Walt Whitman a note about his first poetry collection, Leaves of Grass, in 1855. Sensing an opportunity, Whitman’s publisher emblazoned a standout line from Emerson’s letter on the second edition of the book’s spine in gold letters: “I greet you at the beginning of a great career. RW Emerson.”

As blurbs multiplied, however, the public’s distaste for them also grew. In 1936, George Orwell claimed that “the disgusting tripe that is written by the blurb-reviewers” was causing the public to turn away from novels altogether. “Novels are being shot at you at the rate of fifteen a day,” he wrote in an essay, “and every one of them an unforgettable masterpiece which you imperil your soul by missing.”…

(6) NOT COMING TO A TELEVISION NEAR YOU. That Hashtag Show believes “Star Wars Detours Leaked Episode Gives Us A New Hope for Disney+ Release”. Your lack of faith is disturbing.

Anyone ever heard of Star Wars Detours? No? It’s no surprise, since no one has aired it since its production. Ever since Disney bought up Lucasfilm, they’ve locked up this Star Wars animated parody series in their vaults and never looked back. With the leak of a single episode though, there may be a new hope that Star Wars Detours may come to Disney+.

A few days ago on November 29, 2020; someone leaked a single episode of the never-aired Star Wars Detours series onto Reddit. The episode featured the bounty hunters Zuckuss and 4-LOM attempting to rob Dex’s Diner, with decidedly mixed results. An all-star cast of Lando Calrissian, Boba Fett, Jabba the Hutt, and more contributed to the situation with utmost hilarity.

No one know who leaked this episode or why. All we know is that as soon as the leak occurred, Disney was just as quick to take it down with a copyright strike. By then though, it might as well have been closing the barn door after the horse already got out. Even Disney can’t make us unsee what we’ve already saw. Yet.

(7) A TITANIC MISSION. How far will it have to sink? “Seven Hundred Leagues Beneath Titan’s Methane Seas”. (Likely behind a New York Times paywall.)

What could be more exciting than flying a helicopter over the deserts of Mars? How about playing Captain Nemo on Saturn’s large, foggy moon Titan — plumbing the depths of a methane ocean, dodging hydrocarbon icebergs and exploring an ancient, frigid shoreline of organic goo a billion miles from the sun?

Those are the visions that danced through my head recently. The eyes of humanity are on Mars these days. A convoy of robots, after a half-year in space, has been dropping, one after another, into orbit or straight to the ground on the Red Planet, like incoming jets at J.F.K. Among the cargo is a helicopter that armchair astronauts look forward to flying over the Martian sands.

But my own attention was diverted to the farther reaches of the solar system by the news that Kraken Mare, an ocean of methane on Titan, had recently been gauged for depth and probably went at least 1,000 feet down. That as deep as nuclear submarines will admit to going. The news rekindled my dreams of what I think would be the most romantic of space missions: a voyage on, and ultimately even under, the oceans of Titan…

(8) TALE END. SYFY Wire broadcasts a promise: “DuckTales creators say series finale is going to have a lot of pay offs”.

…[The] series finale is aiming to go bigger and grander, as it sees Clan McDuck face off against their most devious foes yet: a secret evil organisation called the Fiendish Organisation for World Larceny, otherwise known as F.O.W.L. Led by Bradford Buzzard, F.O.W.L. is not only the biggest and most widespread threat the family has ever gone up against during all this time adventuring, but its also one whose roots began quite close to the Money Bin home, with Bradford having served as the chairman of Scrooge’s company, with a seat on its board of directors at one point…. 

(9) HOW HE WANTED TO BE REMEMBERED. Only he would have said it in more flattering terms: “’Self-satisfied pork butcher’: Shakespeare grave effigy believed to be definitive likeness” reports The Guardian. An image is included at the article.

…The painted effigy is a half-height depiction of Shakespeare holding a quill, with a sheet of paper on a cushion in front of him. In the 17th century, a Jacobean sculptor called Gerard Johnson was identified as the artist behind it. Orlin believes that the limestone monument was in fact created by Nicholas Johnson, a tomb-maker, rather than his brother Gerard, a garden decorator….

(10) MEMORY LANE.

1976 — Forty five years ago, Joe Haldeman wins a Hugo for The Forever War at MidAmeriCon which was held in Kansas City. It had been published by St. Martin’s Press the previous year. The novel would also win a Nebula Award, a Locus Award for Best Novel and the Australian Ditmar Award. It has never been out of print and has a sequel, Forever Peace

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born March 20, 43 B.C.E. – Ovid.   Among three great poets of Roman literature (with Virgil and Horace).  Known to us, and perhaps best known today, for his Metamorphoses, 15 books recounting fantastic legends e.g. Daedalus; many translations, from Golding’s (1567, used by Shakespeare) to Rolfe Humphries’ (rev. 2018): see this comparing Mary Innes’ (1955); Golding’s; Dryden, Garth & Co.’s (1727); and cussing about them.  (Died 17 C.E.) [JH]
  • Born March 20, 1868 – Ernest Bramah.  Orwell said What Might Have Been inspired Nineteen Eighty-Four; WMHB and two others are SF.  The Bravo of London and a score of shorter stories about Max Carrados are detective fiction, some being ours too.  Timeless for five books about the superb fantastic Kai Lung, who said e.g. “In shallow water dragons become the laughing-stock of shrimps”.  Website.  (Died 1942) [JH]
  • Born March 20, 1932 Jack Cady. He won the Nebula Award, the World Fantasy Award, and the Bram Stoker Award, an impressive feat indeed. McDowell’s Ghost gives a fresh spin on the trope of seeing seeing a War Between The States ghost, and The Night We Buried Road Dog is another ghost story set in early Sixties Montana. Underland Press printed all of his superb short fiction into two volumes, Phantoms: Collected Writings, Volume 1 and Fathoms: Collected Writings, Volume 2. (Died 2004.) (CE)
  • Born March 20, 1941 – Steve Sneyd.  SFPA (SF Poetry Ass’n) Grand Master.  Six collections e.g. Bad News from the StarsMistaking the Nature of the Posthuman – he knew very well that omitting a hyphen brought in resonance with posthumous.  Four anthologies e.g. Laying Siege to Tomorrow.  Nonfiction.  Four hundred forty poems, three dozen short stories.  Handwritten fanzine Data Dump, 226 issues 1991-2016.  A note by me here.  Some of where he led me here.  (Died 2018) [JH]
  • Born March 20, 1948 Pamela Sargent, 73, She has three exemplary series of which I think the Seed trilogy, a unique take on intergenerational colony ships, is the one I like the best. The other two series, the Venus trilogy about a woman determined to terraform that world at all costs is quite good also, and there is the Watchstar trilogy which I know nothing about. Nor have I read any of her one-off novels, so please do tell me about them. (CE) 
  • Born March 20, 1948 John de Lancie, 73. Best known for his role as Q in the Trek multiverse, though I was more fond of him as Janos Barton in Legend which stars Richard Dean Anderson (if you’ve not seen it, go now and watch it).  He also was Jack O’Neill enemy Frank Simmons in Stargate SG-1. He has an impressive number of one-offs on genre shows including The Six Million Dollar ManBattlestar Galactica (1978 version), The New Twilight ZoneMacGyverMission: Impossible (Australian edition), Get Smart, Again!Batman: The Animated Series, and I’m going to stop there. (CE)
  • Born March 20, 1950 William Hurt, 71. He made his first film appearance as a troubled scientist in Ken Russell’s Altered States, an amazing film indeed. He’s next up as Doug Tate in Alice, an Woody Allen film. Breaking his run of weird roles, he shows in up in that not really bad Lost in Space film as Professor John Robinson. Dark City and the phenomenal role of Inspector Frank Bumstead follows for him. He was in A.I. Artificial Intelligence as Professor Allen Hobby, performed the character of William Marshal in Ridley Scott’s phenomenal Robin Hood, and in horror film Hellgate was Warren Mills. His final, to date that is, is in Avengers: Infinity War as Thaddeus “Thunderbolt” Ross. Two series roles of notes, the first being in the SyFy Frank Herbert’s Dune as Duke Leto I Atreides. Confession: the digitized blue eyes bugged me so much that I couldn’t watch it. The other role worth noting is him as Hrothgar in Beowulf: Return to the Shieldlands. (CE) 
  • Born March 20, 1955 Nina Kiriki Hoffman, 66. Her first novel, The Thread That Binds the Bones, won the Bram Stoker Award for first novel. In addition, her short story “Trophy Wives” won a Nebula Award for Best Short Story. Other novels include The Silent Strength of Stones (a sequel to Thread), A Fistful of Sky, and A Stir of Bones. All are amazingly excellent. Most of her work has a strong sense of regionalism being set in either California or the Pacific Northwest. (CE) 
  • Born March 20, 1959 – Suzanne Francis, age 62.  Nine novels, including a novelization of Frozen.  From King’s Lynn, Norfolk, England, she went to Dunedin (rhymes with “need inn”), South Island, New Zealand, a UNESCO City of Literature.  [JH]
  • Born March 20, 1965 – Noreen Doyle, age 56.  Archaeologist and in particular Egyptologist.  Anthologies, The First Heroes with Harry Turtledove; Otherworldly Maine.  A dozen short stories.  Here is her cover for Spirits of Wood and Stone.  [JH]
  • Born March 20, 1974 – Andrzej Pilipiuk, age 47.  Forty novels, two dozen available in English; two dozen shorter stories.  Invented Jakub Wedrowycz (there should be a mark like a cedilla under the e, but the software won’t allow it), an alcoholic exorcist; in another series about a thousand-year-old teenage vampire, a 300-year-old alchemist-szlachcianka, and a former agent of CBS, the historical Michael Sendivogius sometimes appears.  [JH]
  • Born March 20, 1979 Freema Agyeman, 42. Best known for playing Martha Jones in Doctor Who, companion to the Tenth Doctor. She reprised that role briefly in Torchwood and for several Big Finish audioworks. She voiced her character on The Infinite Quest, an animated Doctor Who serial. She was on Sense8 as Amanita Caplan. And some seventeen years ago, she was involved in a live production of Terry Pratchett’s Discworld’s Lords and Ladies held in Rollright Stone Circle Chipping Norton, Oxfordshire. It was presented out of doors in the centre of two stone circles. I don’t think it was recorded, more’s the pity. (CE) 

(12) NEVER GET AN ARTIST MAD AT YOU. They might do the monster mash – to you!Mental Floss unveils twelve “Secrets of Comic Book Artists”.

…Telling a sequential story across panels and pages is the purview of the comics artist, who must be accomplished in everything from the human anatomy to perspective to lighting. Whether they’re working with a writer or generating their own material, comic book artists must be versatile.

…To get more insight into how these fantasy illustrators operate, Mental Floss spoke to Coller and others. Here’s what they had to say about deadlines, owning their work, and getting penciled-in revenge….

8. COMIC ARTISTS CAN GET REVENGE IN THEIR ART.

It’s not uncommon for artists to use real people as models for their fictional characters—typically background or supporting figures. “You spend so many hours alone with a page that you get bored sometimes,” Jones says. “So you’ll draw your editors in the background.” Other times, it might be someone they’re annoyed with who meets an untimely end. “Maybe someone who has frustrated you becomes a bystander getting crushed.”

(13) DEAL OF THE DAY. Hey, I can’t afford it, but I’ve never seen an author make this offer before.

(15) LONG-DISTANCE MARRIAGE. [Item by David Doering.] I could have written this as an SF short story in the 70s. My home county, Utah County, will perform civil marriages via the Internet (as a Covid protection). However, it soon got noised about not just nationally, but internationally. Now couples in Israel who did not qualify to wed there could be officially married by a Utah administrator. As this article states, Israel will recognize marriages conducted by other countries, however — “Utah finds itself at the center of a new legal battle over Israel marriage rights” — at KSL.

Two Utah rabbis joined an administrative petition this week filed against the Israeli Interior Minister and the country’s population authority in an effort to lift an order that does not recognize civil marriages for Israeli couples completed through a Utah online system.

Israel carries strict religious rules regarding marriage but recognizes legal marriages done by other states.

…However, once Interior Minister Rabbi Aryeh Deri learned of the practice, he ordered the population authority to stop registering the couples and counting their marriage as legitimate. The petition was filed in an effort to reverse the ban and take it all the way to the country’s Supreme Court….

(15) ON THE REVERSE. In “The Trouble with Charlotte Perkins Gilman” at The Paris Review, Halle Butler says admirers of Charlotte Perkins Gilman’s feminist sf and horror also have to take into account that  Gilman was a supporter of nativism and eugenics.

Herland, Gilman’s sci-fi novel about a land free of men, is an example of this. The inhabitants of Herland have no crime, no hunger, no conflict (also, notably, no sex, no art). They exist together in dreamlike harmony. Held one way, Herland is a gentle, maternal paradise, and the novel itself is a plea for allowing these feminine qualities to take part in the societal structure. Held another, we see how firmly their equality is based in their homogeneity. The novel’s twist is that the inhabitants of Herland are considering whether or not it would benefit them to reintroduce male qualities into their society, by way of sexual reproduction. Herland is a tale of the fully realized potential of eugenics, and for Gilman, it’s a utopia.

All of this is especially troubling when you consider that Gilman was a staunch and self-described nativist, rather than a self-described feminist, as the texts surrounding her rediscovery imply. Nativists believed in protecting the interests of native-born (or “established”) inhabitants above the interests of immigrants, and that mental capacities are innate, rather than teachable. Put bluntly, she was a Victorian white nationalist. When Gilman is described as a social reformer and activist, part of this was advocating for compulsory, militaristic labor camps for Black Americans (“A Suggestion on the Negro Problem,” 1908). Part of this is pleading for racial purity and stricter border policies, as in the sequel to Herland, or for sterilization and even death for the genetically inferior, as in her other serialized Forerunner novel, Moving the Mountain.

These ideas of Gilman’s are hard to reconcile with our current conception of her as a brave advocate against systems of oppression—a political hero with a few, forgivable flaws….

(16) HEATED EXCHANGE. Literary Hub recalls a sophisticated analysis offered to disprove the then-new theory of evolution: “Charles Darwin’s Great Uncertainty: Decoding the Age of Our Planet”.

…[William] Thomson was a man of faith but he had no truck with biblical literalists who believed the earth to be 6,000 years old. His position was that a slowly changing ancient earth stood in direct contradiction with the scientific principles that he had worked so hard to establish—that energy cannot be created or destroyed and that heat tends to dissipate. Using these laws, argued Thomson, it would be possible to estimate the age of the earth and investigate whether it was old enough for evolution to take place.

In April of 1862, he brought out a paper claiming that a thermodynamic analysis of the flow of heat in the earth showed directly that it must be younger than uniformitarians, and by extension Darwin, believed. It starts, “Essential principles of thermodynamics have been overlooked by geologists.” Dissipation was the key to Thomson’s argument. Observations from mine shafts and tunnels showed that the earth’s temperature increases with depth below the surface. Thomson’s friend the Scottish physicist J.D. Forbes, by taking measurements in and around Edinburgh, estimated that the earth’s temperature rose by one degree Fahrenheit for every 50 feet of descent. This persuaded Thomson that the earth was cooling, losing heat to the atmosphere.

Using elegant mathematics, Thomson combined Forbes’s measurements with others relating to the thermal conductivity and the melting point of rock. Even acknowledging uncertainties in the data, he concluded the earth’s age was somewhere between 20 million and 400 million years. This was far too short a time for evolution. Even if the older estimate was true, Thomson argued the earth would have been considerably hotter than it is now for most of its existence. Before around 20 million years ago, the temperature of the entire earth would have been so high that the whole globe was molten rock. Evolution’s requirement that the earth was much as it is now for eons defied thermodynamic sense.

Darwin was shaken. “Thomson’s views on the recent age of the world have been for some time one of my sorest troubles.” “I am greatly troubled at the short duration of the world according to Sir W Thomson.” “Then comes Sir W Thomson like an odious spectre”—these are lines from Darwin’s letters to friends. In turn, his allies felt unqualified to attack the physicist’s arguments and suggested that perhaps evolution worked faster than previously believed, a solution that didn’t satisfy Darwin….

(17) MARTIAN MINERAL WATER. “Mars’ Missing Water Might Be Hiding in Its Minerals”Smithsonian Magazine has the story.

The Martian landscape is an arid expanse of craters and sandstorms, but scientists have spotted several signs that at one point in its life, the Red Planet was awash with blue waters. Scientists have theorized that much of the planet’s water was lost to outer space as the atmosphere dissipated.

But the planet’s vast oceans couldn’t have been lost to space fast enough to account for other milestones in Mars’ existence. The water must have gone somewhere else. A new study presents a solution: the water became incorporated into the chemical makeup of the ground itself. The research uses new computer models and found that if Mars once had a global ocean between 328 and 4,900 feet deep, then a significant amount of that water might now be stored in the planet’s crust.

The study, published on March 16 in the journal Science and presented at the Lunar and Planetary Science Conference, incorporated data collected from Martian meteorites and by NASA’s Curiosity rover….

(18) RADIO ACTIVITY. Bad Astronomy’s Phil Plait says a new search tool finds “No alien signals found from 31 nearby Sun-like stars” at SYFY Wire.

The results? They detected 26,631,913 candidate signals. Yes, 26 million. Their new algorithm (which I’ll get to in a sec) screened out 26,588,893 of them (99.84%) as anthropogenic — that is, coming from humans. Radio transmissions, satellites, radar, and all sorts of human tech can emit radio waves, and they were able to find those pretty well and eliminate them.

Of those left, 90% or so were close enough to known radio frequency interference that they could be weeded out as well.

That left 4,539 candidate signals. They checked all those by hand, amazingly enough, and found…

… they too were all from radio interference. So, out of 26 million sources, not a single one was from aliens. Bummer*.

[Thanks to N., Michael Toman, Jennifer Hawthorne, Cat Eldridge, JJ, John Hertz, David Doering, John King Tarpinian, Mike Kennedy, Andrew Porter, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Rob Thornton.]

Forever War Comic Book Sequel

With the much-anticipated The Forever War graphic novel adaptation in bookstores this week, Titan Comics has announced the next installment in novelist Joe Haldeman, Gay Haldeman, and Marvano’s epic science-fiction comic book series, The Forever War: Forever Free.

Titan’s new comic series adapts the Hugo, Nebula, Locus, and World Fantasy Award-winning books inspired by Haldeman’s own Vietnam War experiences.

The Forever War series tells the story of William Mandella – survivor of a catastrophic interstellar war. Mandella, together with a small group of human survivors, returns to Earth to find the human race greatly changed.

Evolved into a group mind called Man, society is now intrusive and autocratic, denying all individuality. The veterans plan to escape by means of space travel, but, when their ship starts to fail, Mandella’s team begins to search for the enigmatic entity responsible – The Unknown.

Since the original publication of The Forever War, Joe Haldeman – a Vietnam veteran and Purple Heart recipient – has produced a continuous string of SF classics. In addition to winning major awards, the author has garnered praise from top writer, Stephen King: “If there was a Fort Knox for science-fiction writers, we’d have to lock Joe Haldeman up.”

The Forever War: Forever Free #1 hits comic shops and digital platforms in April 2018.

The Forever War TPB (144pp, $19.99, ISBN: 9781785860898) is available in bookstores now. Check out the trailer here.


SAMPLE PAGES FROM THE FOREVER WAR: FOREVER FREE