(1) HORROR FAN. Tananarive Due was interviewed in the Washington Post in a story by Elahe Izadi about how people terrified by horror movies psychologically prepare themselves for seeing a quality horror film like A Quiet Place or Us. Due is the executive producer of Horror Noire and teaches a course at UCLA on Get Out. “Horror is a must-see genre again. What’s a scaredy-cat to do?”
Due loved horror as a child, when watching it was a fun way to be scared within a safe context; with age, it became a therapeutic method to deal with heavier anxieties. It’s a lesson she gleaned from her mother, the late civil rights activist Patricia Stephens Due, who was a horror fan; the genre served as an outlet for the racial trauma she endured.
“Headlines scare me. True crime stories scare me. .?.?. Real, human monstrosity is not fun for me to watch,” Due says. “When those people are supernatural or when there’s a fantasy element, when there’s a monster, now I’m ready to watch because the monster in a horror movie can be a stand-in for real-life monstrosity that lets me engage with it from a distance, but also leech out that trauma and expel it in a way that can feel fun.”
(2) WE LOST. New featurette from Marvel Studios’ Avengers Endgame, in theaters in one month.
(3) FUTURE TENSE. This month’s entry in the Future Tense Fiction series is “The Arisen” by Louisa Hall, author of the novels Speak and Trinity.
“Once upon a time,” Jim said, “in a country called Acirema—”
“Acirema,” I said. “How imaginative, it’s—”
“Do you want me to tell this story or not?” Jim said. His tone was suddenly harsh.
It’s in Slate along with a response essay “What Are Facts Without Fiction?” by librarian Jim O’Donnell.
Yes, it’s true that there are no true stories. Human beings are story-making creatures, but no story can possibly be better that an edited, digested, spin-doctored version of events in we might still call the real world. The real story makers, the ones who give us our professed fictions, know that well and take full advantage of the techniques and the conveniences of their craft, the better to point us toward thoughts we would not come to so easily otherwise.
(4) HELP FUND NICHELLE NICHOLS’ FINAL ROLE. Marc Zicree has started a GoFundMe to pay for “Star Trek’s Nichelle Nichols Space Command Scene!”. In the first 24 hours, fans have contributed $600 towards the $15,000 goal.
…Now I’m making a new science fiction pilot called Space Command and want to shoot a very special scene with Nichelle, which will be her last acting role and a wonderful gift to her fans.
(You can watch the work in progress first hour of the Space Command pilot at https://youtu.be/zv-tx3DdKSg)
Total cost of the shoot, including cast and crew (I’m not taking any salary myself) will be $15,000.
Time is of the essence — we’d like to shoot as soon as possible — and it would mean so much for all of us to be able to make this happen.
(5) WHEN YOU OUTGROW THE GOLDEN AGE OF SF. John Scalzi gave this example of how his perspective has changed over time:
He brought back my memory of Harlan Ellison standing in the lobby after a 1977 Star Wars pre-screening, verbally assailing the movie he had just seen. However, the main thrust of Harlan’s complaints were that the story, a throwback to the serials, didn’t represent state-of-the-art science fiction. Likewise, he when he wrote about the movie in Harlan Ellison’s Watching he continued the same theme – that it was superficial, “the human heart is never touched.”
(6) GUIDEPOSTS. E.D.E. Bell’s “Two Simple Rules of Editing” explains why these are the rules that guide her work in a post for the SFWA Blog.
So, there’s only two—let’s go!
Rule #1: Consider all edits with an open mind
It sounds simple, but it’s not. Sometimes it helps to glance through all the edits, then just close the file. Come back the next day, if you can. Then consider, why did the editor make this suggestion? Don’t dismiss anything, and don’t hold anything too sacred to be changed.
Rule #2: Only make changes you like
It sounds simple, but it’s not. If the editor’s version is smoother, or more correct, or whatever, but you don’t like it, then don’t do it. You’ll be the one answering to readers if it reads funny, but that’s your call. It’s your story. It’s your art. You’re the one who knows what you meant.
(7) GAHAN WILSON. The GoFundMe for Gahan Wilson has received contributions from 1,180 people amounting to $55,547 of its $100,000 goal after 23 days. The most recent update said:
Gahan was interviewed today for a newspaper piece that will probably go out nationwide. The people on the reporting team were very sweet and sensitive to Gahan.
Gahan was on his game…speaking about his life and other things.
(8) PUGMIRE OBIT. The horror writer W.H. “Wilum” Pugmire died today, aged 67. The major influence upon his writing was H P Lovecraft, of course, and S T Joshi described him in 2010 as “perhaps the leading Lovecraftian author writing today.” Scott Edelman tweeted the photo below – Pugmire’s on the right.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
- Born March 26, 1850 — Edward Bellamy. Looking Backward: 2000–1887 is really the only work that he’s remembered for today. He wrote two other largely forgotten works, Dr. Heidenhoff’s Process and Miss Ludington’s Sister: A Romance of Immortality. (Died 1898.)
- Born March 26, 1931 — Leonard Nimoy. I really don’t need to say who he played on Trek, do I? Did you know his first role was as a zombie in Zombies of the Stratosphere? Or that he did a a lot of Westerns ranging from Broken Arrow in which he played various Indians to The Tall Man in which at least his character had a name, Deputy Sheriff Johnny Swift. His other great genre role was on Mission: Impossible as The Great Paris, a character whose real name was never revealed, who was a retired magician. It was his first post-Trek series. He of course showed up on the usual other genre outings such as The Twilight Zone, The Man from U.N.C.L.E., The Outer Limits, Night Gallery and Get Smart. And then there’s the matter of “The Ballad of Bilbo Baggins”. (Died 2015.)
- Born March 26, 1942 — Erica Jong, 77. Witches, which was has amazing illustrations by Joseph A. Smiths, is still worth your time nearly forty years later. ISFDB also lists Shylock’s Daughter: A Novel of Love in Venice which is a time travel story but it soul does more like a romance novel to me. And Sappho’s Leap which they also list just seems soft core lesbian porn with a slight genre twist.
- Born March 26, 1950 — K. W. Jeter, 69. Farewell Horizontal may or may be punk of any manner but it’s a great read. Though I generally loathe such things, Morlock Night, his sequel to The Time Machine , is well-worth reading reading. I’ve heard good things about his Blade Runner sequels but haven’t read them. Opinions?
- Born March 26, 1953 — Christopher Fowler, 65. I started reading him when I encountered his Bryant & May series which though explicitly not genre does feature a couple of protagonists who are suspiciously old. Possibly a century or more now. The mysteries may or may not have genre aspects but are wonderfully weird. Other novels by him are I’d recommend are Roofworld and Rune which really are genre, and Hell Train which is quite delicious horror.
- Born March 26, 1960 — Brenda Strong, 59. First film genre appearance was on Spaceballs as Nurse Gretchen. The role you probably remember her was on Starship Troopers as Captain Deladier though post-death she shows up in Starship Troopers 2: Hero of the Federation as Sergeant Dede Rake. She showed up on Next Gen as a character named Rashella in the “When the Bough Breaks” episode and she’s been a regular on Supergirl as Lillian Luthor.
- Born March 26, 1966 — Michael Imperioli, 53. Detective Len Fenerman in Peter Jackson’s The Lovely Bones and Detective Ray Carling, the lead in Life on Mars and Rosencrantz in a recent Hamlet.
- Born March 26, 1985 — Keira Knightley, 34. To my surprise and this definitely shows I’m not a Star Wars geek, she was Sabé (Decoy Queen). Next up for her is Princess of Thieves, a loose adaptation of the Robin Hood legend. Now I didn’t see that but I did see her in Pirates of the Caribbean: The Curse of the Black Pearl as Elizabeth Swann though I’ll be damned if I remember her role. (She’s in several more of these films. Rinse. Lather. Repeat.) we saw Herve we saw as Guinevere, an odd Guinevere indeed, in King Arthur. Her last role I must note I must note is The Nutcracker and the Four Realms in which she was the Sugar Plum Fairy!
(10) TO SET THE RECORD STRAIGHT. We got a pair of big things wrong in Andrew Porter’s birthday listing the other day.
“Science Fiction Chronicle which he founded in May 1980…”
The first issue appeared Labor Day weekend, 1979, at the Louisville NASFiC, cover dated October 1979.
“Algol now known as Starship lasted less than five years…”
Algol started in 1963; the last issue of Algol/Starship, #44, appeared in 1984.
(11) COMICS SECTION.
Candorville stands up for Star Trek: Discovery.
(12) VOICES DISSENT. Anime News Network speculates about the potential for litigation in its story “Kameha Con Responds to Recent Guest Cancellations”. Several guests bailed after the con added Vic Mignogna to its lineup. An unnamed lawyer consulted by ANN says they may be in violation of their contracts if they don’t attend.
The staff of the upcoming Kameha Con in Irving, Texas issued a statement via Facebook and Twitter on Monday regarding recent guest cancellations due to the addition of voice actor Vic Mignogna as a guest. Mignogna was added to the convention’s guest roster on March 22 following a previous cancellation by con staff on February 2. Since the announcement, five voice actors have announced they will no longer attend the convention along with multiple panelists.
One commenter neatly summed up the situation:
(13) REFERENCE DIRECTOR! The Wrap argues that “‘Captain Marvel’ and ‘Us’ Have Pushed ‘The Right Stuff’ Back Into the Spotlight”.
…“The Right Stuff” tells the true story of the seven military pilots who were selected for the NASA project to launch the first ever manned spaceflight. In a similar way, Carol, an Air Force test pilot, ends up soaring farther than she could have ever expected when she travels into space and becomes a member of the Kree and, later, one of Earth’s superheroes.
In “Us,” that same VHS tape is much easier to miss, and is used in a possibly more ironic and darker context. You can find “The Right Stuff” among the VHS tapes that flank the TV displaying the Hands Across America commercial in the opening scene.
(14) LIVE THEATER. Marjorie Prime, a 2015 Pulitzer Prize nominee, set in a future of “beneficial AI,” will be staged in Norwich, CT the next two weekends. The special feature of the first two performances — March 29 and 31 – will be post-performance discussions led by sff writers Carlos Hernandez and Paul Di Filippo.
Additional performances Saturday April 6 at 7:30 pm and Sunday April 7 at 3 pm
Tickets are $10 in advance or seniors; $12 at door Cash or Check only—no credit cards
Open Seating—limited to 70 attendees
House Opens at 7 pm Friday and Saturday; 2:30 pm Sunday
United Congregational Church Hall 87 Broadway, Norwich CT. (Note: This address brings you to the church’s main door—do NOT enter there. Make first right on Willow Street, right turn into lower level of covered parking deck. A few stairs here. Level entrance and handicapped permit parking available at 11-39 Chestnut Street)
Friday March 29, 7:30 pm
Featuring. . . .a talkback led by Carlos Hernandez. Carlos Hernandez is the author of the critically acclaimed short story collection The Assimilated Cuban’s Guide to Quantum Santeria (Rosarium 2016) and most recently, as part of the Rick Riordan Presents imprint of Disney Hyperion, the novel Sal and Gabi Break the Universe (2019). By day, Carlos is a mild-manned reporter associate professor of English at the City University of New York, with appointments at BMCC and the Graduate Center, and a game designer and enthusiast. Catch him on Twitter @writeteachplay.
Sunday March 31, 3 pm
Featuring. . .a talkback led by Paul Di Filippo, who has been publishing professionally for over 40 years. He has continued to reside in Providence throughout his career, with over 200 stories published and many novels. Beginning with The Steampunk Trilogy: (1995), which remains his most widely known title, this shorter material has been assembled in twenty substantial collections. Di Filippo also reviews widely, online and in print.
(15) SUCK FAIRY. Someone noticed — “The Matrix’s male power fantasy has dated badly.”
Ahead of its time when it was released 20 years ago, The Matrix is a monument to Generation X self-pity that is out of step with today, writes Nicholas Barber.
The Matrix was way ahead of its time. The Wachowskis’ tech-noir mind-bender came out in 1999 – 20 years ago – which meant that it reinvented big-screen superhero action a year before X-Men was released and showcased Hong Kong-style ‘wire-fu’ fight choreography a year before Crouching Tiger, Hidden Dragon. Its ‘bullet-time’ effects have been copied by blockbusters ever since, and its thoughts about virtual reality and artificial intelligence have been mimicked just as often. Despite all this, though, in some crucial respects The Matrix has dated so badly that it now seems to be a relic. It is a film that, like the human race in the Wachowskis’ story, is trapped forever in the 1990s.
…It’s a fantastic premise, but it does have its flaws. Twenty years on, it’s embarrassing to see a white male saviour with two sidekicks – one black, one female – whose primary task is to assure him how gifted he is. The female sidekick, Trinity, even falls in love with him for no reason except, I suppose, that he looks like Keanu Reeves. And, in general, Anderson/Neo is one of those uninspiring heroes who do next to nothing to earn their hero status. He becomes an unbeatable martial artist not by training for years, but by being plugged into a teaching program for a few hours. And he becomes omnipotent in the Matrix not because he is particularly brave, noble or clever, but because, as Morpheus says, he is willing “to believe”.
(16) NIMBY. “A Battle Is Raging Over The Largest Solar Farm East Of The Rockies” – NPR has the story.
The largest solar farm east of the Rocky Mountains could soon be built in Virginia and, depending on whom you ask, it would be either a dangerous eyesore that will destroy the area’s rural character or a win-win, boosting the local economy and the environment. The solar panels would be spread across 10 square miles — 1.8 million panels soaking up the sun’s rays.
The project is planned for Spotsylvania County, about 60 miles south of Washington, D.C. Amid the county’s Civil War battlefields, farms and timberland, a fight is raging over the future of energy in Virginia, and in the Eastern U.S.
The heart of the solar resistance is in a gated community called Fawn Lake, built around a golf course and man-made lake.
“I mean we live at a resort, essentially,” says Dave Walsh, one of the many Fawn Lake residents organizing against the planned solar farm. One corner of the massive project would butt up against the back of the gated community. Walsh says he supports solar, in theory, but not here.
[Thanks to Chip Hitchcock, Carl Slaughter, Steve Green, Cat Eldridge, Martin Morse Wooster, Joey Eschrich, Daniel Dern, Mike Kennedy, JJ, John King Tarpinian, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]