Pixel Scroll 9/8/20 If You Can’t Be With The Scroll You Pixel, Pixel The Scroll You’re With

(1) STAR TREK DAY. io9’s James Whitbrook tells how “Star Trek: Discovery’s New Trailer Brings the Fight for the Federation to the Far Future”.

The crew of the Discovery made a terrible sacrifice at the end of season two, leaving their lives as they knew them behind and flinging the ship 930 years into the future, where the Federation is in some dire straits of its own (again). Now it seems it’s up to Michael and her friends to remind them of what the Federation has fought hard to stand for.

Star Trek’s all-encompassing Star Trek Day livestream event just kicked off with the latest look at the third season of Discovery, our first since that major glimpse at New York Comic-Con last year.

(2) KLINGON GOES POSTAL. Robert J. Sawyer celebrated Star Trek Day on Facebook with this observation:

If you’d told Canadian actor John Collicos that his country would honour him with a stamp 50-odd years later for the four or five days of work he did as one of countless guest-starring roles over his career, he’d have thought you were out of your mind.

It’s part of this 2016 set:

(3) POD TREK. Tawny Newsome, of the Star Trek: Lower Decks voice cast, announced an upcoming podcast, Star Trek: The Pod Directive, which she will co-host with actor-comedian Paul F. Tompkins (BoJack Horseman).

Guests will include actor Ben Stiller, author Reza Aslan, “Star Trek: Picard” star Michelle Hurd, “Lower Decks” executive producer Mike McMahan, politician Stacey Abrams, comedian and “Discovery” costar Tig Notaro, astronaut Samantha Cristoforetti, and “Picard” and “Short Treks” composer Jeff Russo.

Newsome also debuted a preview for the show, which runs weekly Sept. 14 through Nov. 9.

(4) MULAN. Jeannette Ng’s article “‘Mulan’ Has a Message: Serve China and Forget About the Uighurs” at Foreign Policy challenges the terms under which the film was made, then sharply criticizes the film itself.

All art is political. Strangely, Disney’s live-action Mulan is more obviously so than most.

Mulan makes the current nationalist mythology of a Han-dominated China the foundation of its story. That would be bad enough. But parts of it were also filmed at the location of current and ongoing mass human rights abuses, including cultural genocide, against ethnic minorities.

The credits of Mulan specifically thank the Publicity Department of the Chinese Communist Party’s Xinjiang Uighur Autonomous Region Committee, as well as the Public Security Bureau in the city of Turpan and other state entities there. The Public Security Bureau is one of the main forces administering the internment camps, enforcing the surveillance and interrogation of even nominally “free” Uighurs, forcing people into slave labor, demanding that Uighurs host Han guests employed by the government to spy on them, and sterilizing Uighur women. The Publicity Department—a term that used to be more honestly translated as the Propaganda Department—justifies these atrocities. Most of these policies were well in place—and some of them known in the West—by the time the film was shot, partly in Xinjiang, in 2018.

That should be the only thing that needs to be written. But there’s more.

Even before the film—which was not previously known to have been filmed  in Xinjiang—arrived, it had blundered right into politics. Two of the film’s stars, Liu Yifei (Mulan) and Donnie Yen (Commander Tung), have voiced their support of the Hong Kong police against the city’s pro-democracy protests, thus sparking an online movement to boycott the film…. 

(5) DISNEY AMBITIONS. In a Washington Post opinion piece, “Why Disney’s new ‘Mulan’ is a scandal”, Isaac Stone Fish says that Disney credits “four Chinese Communist party propaganda departments in the region of Xinjiang and the Public Security Bureau of the city of Turpan in the same region–organizations that are facilitating crimes against humanity.”  He says we need to know the extent to which Disney cooperated with instruments of Chinese repression against the Uighurs and that by filming in Xinjiang the 2020 version of Mulan is “Disney’s most problematic movie” since the racist Song Of The South. Fish also adds perspectives about Disney’s historic efforts to do business in China.

…Disney executives had thought that the original “Mulan” would please both the Chinese government and Chinese filmgoers. But because Disney had distributed “Kundun” (1997), a film glorifying the Dalai Lama, Beijing restricted the studio’s ability to work in China. Disney spent the next several years trying to get back into the party’s good graces. “We made a stupid mistake in releasing ‘Kundun,’” the then-CEO of Disney Michael Eisner told Premier Zhu Rongji in October 1998. “Here I want to apologize, and in the future we should prevent this sort of thing, which insults our friends, from happening.”

Since then, Disney has endeavored to please Beijing. The rewards have been immense, culminating in the successful opening of Shanghai Disneyland in June 2016. This park, Disney’s Executive Chairman Bob Iger said, is the “greatest opportunity the company has had since Walt Disney himself bought land in Central Florida.” Partnering with Xinjiang is another step that binds Disney closer to the party.

(6) HARD SF. [Item by Eric Wong.] Rocket Stack Rank has posted their annual compilation — “Outstanding Hard Science Fiction of 2019” — with 19 stories that were that were finalists for major SF/F awards, included in “year’s best” SF/F anthologies, or recommended by prolific reviewers in short fiction.

Included are some observations obtained by changing the Highlight from Free Online to Podcasts, changing the table View by Publication and Author, and Filtering the table by awards, year’s best anthologies, and reviewers.

(7) SLEEPING IN THE FACTORY. In “How Speculative Fiction Becomes Reality” on CrimeReads, Rob Hart says his 2018 novel The Warehouse has “an outside world so hostile people are forced indoors” and “an online retail merchant dominating the economy while the small business landscape is wiped out,” but that when he wrote his novel he thought the future he foresaw would happen a decade from now, not in 2020.

…Instead of the slow march of climate change and the steady drip of private interest trumping public good, it was a pandemic that ground the economy to a halt in a matter of weeks. We may not be housed in giant, city-sized live-work facilities, but most of us are now living at our jobs.

And hasn’t that been the whole point of the 21st century economy? Forcing you to come in sick, making you accept unpaid overtime and check your e-mail on the weekends—it was all about making it so you were always working. Even better if you barely left the office. Now you don’t.

Not to say there’s any fun in being right. Not with so much suffering and loss. Not with so many monumental failures in leadership. Not when facing the realization of just how fragile the system is, and how many holes there are in the safety net.

(8) THE FATHER OF HIS COUNTRY. Andrew Liptak has an interview with Matt Ruff at Reading List: “Lovecraft Country: making the best of the horror icon”.

Your book came out in 2016 on the heels of a larger movement and reckoning within fandom about the role of authors of color and from marginalized communities. How does that longer history of marginalization and exclusion play into your view with the book or the world you’ve set up?

I knew that stuff was going on while I was writing, but history of dissatisfaction of fans of color goes back a lot further. In my research for the novel, I would be reading back issues of the Chicago Defender (the historic black newspaper in Chicago in the 1950s) to get a sense of what the issues of the day were in the black community at that time, and I would read the reviews section for movies and books and the things coming out then. A lot of it was very familiar in terms of the complaints that the reviewers had: we’ve got money, we want to buy movie tickets, we want to buy books, please make stuff that recognizes that we exist and that plays to us too.

The problem was that back then was that you could complain all you want it, but the only folks reading the Black press were Black folks who did not get to make decisions in Hollywood. So this dissatisfaction has always been there. It was expressed by friends of mine growing up, and there’s a woman named Pam Noles, who wrote an essay called Shame that was very influential when I was thinking about Lovecraft Country, which sort of talks about her evolution as a young Black nerd. One of the things she talks about that’s heartbreaking is experience going to see Star Wars for the first time and which for her as for me, was like a quasi-religious experience. But for her, it was also the moment where she finally understood what her parents had been trying to tell her about: this genre that you like doesn’t really appreciate you the way you seem to think it does.

(9) BUTCHER PREVIEW. The book trailer for Jim Butcher’s Battle Ground debuted at Virtual Dragon Con. The trailer was filmed back in December, concurrently with the trailer for Peace Talks, directed by Priscilla Spencer. Dragon Con also hosted a virtual cast and crew panel for both trailers: “The Dresden Files: Peace Talks Trailer Cast and Crew Panel” with Jim Butcher, Spencer, and the rest. 

(10) MEDIA ANNIVERSARY.

  • September 8, 1973 Star Trek: The Animated Series premiered on NBC. Featuring the voice work of the original cast with the exception of Walter Koenig which was apparently due to budget constraints. Most other voices were done by the cast but Sarek, Cyrano Jones and Harry Mudd were performed by the original actors. It would air for two seasons and twenty two episodes winning an Emmy for Outstanding Entertainment in a Children’s Series for its second season. David Gerrold, Chuck Menville, D.C. Fontana and Larry Niven would write scripts as would Walter Koenig. Roddenberry decided it wasn’t canon after it ended which didn’t stop scriptwriters from referring to it down the years in inventive ways, i.e. Elim Garak on DS9 mentions Edosian orchids, a reference to the character Arex here who’s an Edosian. (CE)

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born September 8, 1925 Peter Sellers. Chief Inspector Clouseau in the Pink Panther films which are surely genre, aren’t they? Of course, he had the tour de force acting experience of being Group Captain Lionel Mandrake, President Merkin Muffley and Dr. Strangelove in Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. Amusingly he was involved in another of folk tale production over various mediums (film, radio, stage) including Cinderella, Tom ThumbMother Goose and Jack and The Beanstalk. (Died 1980.) (CE) 
  • Born September 8, 1932 – John Boardman, Ph.D., 88.  Physicist, fanziner, filker.  Master of Diplomacy i.e. the board game.  Treasurer of Nycon 3 (25th Worldcon).  Life Member of the Lunarians, Fan Guest of Honor (with wife Perdita) at Lunacon 41.  Officer of the Puddleby-on-the-Marsh Irregulars.  Co-founder of the Beaker People’s Libation Front.  “Science for Science Fiction” in Ares.  Active in the Society for Creative Anachronism, served as Mural Herald of the East Kingdom.  To be seen in AmraAsimov’sLocusRiverside QuarterlySF ReviewTrumpetXero.  “Because you are not John Boardman, is why.”  [JH]
  • Born September 8, 1936 – Don Punchatz.  Ninety covers, two hundred interiors for us; more outside our field.   Here are FoundationFoundation and EmpireSecond Foundation.  Here is Nightwings.  Here is Night of the Cooters.  Artbook Don Punchatz, a retrospective.  Spectrum Grandmaster.  (Died 2009) [JH]
  • Born September 8, 1945 Willard Huyck, 75. He’s got a long relationship with Lucas first writing American Graffiti and being the script doctor on Star Wars before writing Indiana Jones and the Temple of Doom, andbefore being the writer and director on Howard the Duck which, yes, is a Lucasfilm. It’s the lowest rated on Rotten Tomatoes Lucasfilm production ever at 15% followed by Radioland Murders, the last script he’d write for Lucasfilm which would be a still dismal 24%.  (CE) 
  • Born September 8, 1947 – Bill Burns, 73.  Attended every Eastercon (Unted Kingdom nat’l con) since 1965.  Doc Weir Award (U.K. service award).  Best known for founding and maintaining eFanzines.com.  Fan Guest of Honour (with wife Mary) at Eastercon LX; at 77th Worldcon.  A dozen FAAn (Fan Activity Achievement) Awards. [JH]
  • Born September 8, 1952 – Linda Addison, 68.  For us, two dozen stories, ninety poems, in ApexAsimov’sDark MatterTales of the UnanticipatedTomorrow, three hundred fifty all told.  Poetry editor of Space & Time, “Word Ninja” there.  B.S. (mathematics) from Carnegie-Mellon.  2002 Rhysling anthology.  First black Stoker winner; won four more.  Horror Writers’ Lifetime Achievement award.  [JH]
  • Born September 8, 1954 Mark Lindsay Chapman, 66. Sorry DCU but the best Swamp Thing series was done nearly thirty years ago and starred the late Dick Durock as Swamp Thing and this actor as his chief antagonist, Dr. Anton Arcane. Short on CGI, but the scripts were brilliant. Chapman has also shown up in Poltergeist: The LegacyThe New Adventures of Superman, The Langoliers and Max Headroom to name a few of his genre appearances. (CE)
  • Born September 8, 1958 – Danny Flynn, 62.  Hundreds of covers, computer-game illustrations, in and out of our field; biology, detective fiction, golf.  Here is the May 94 Interzone.  Here is I Will Fear No Evil (surely one of our best book titles).  Here is Wild Seed.  Artbook Only Visiting This Planet.  [JH]
  • Born September 8, 1965 Matt Ruff, 54. I think that his second book Sewer, Gas & Electric: The Public Works Trilogy is his best work to date though I do like Fool on The Hill a lot. Any others of his I should think about reading? And, of course, there the adaptation of Lovecraft Country which I’ve not see as I don’t have HBO. (CE) 
  • Born September 8, 1966 Gordon Van Gelder, 54. From 1997 until 2014, he was editor of The Magazine of Fantasy & Science Fiction, (and later publisher, which he remains), for which he has awarded twice, and quite well deserved they were, the Hugo for Best Editor Short Form at Nippon 2007 and at Denvention 3.  He was also a managing editor of The New York Review of Science Fiction from 1988 to 1993, for which he was nominated for the Hugo a number of times. (CE)
  • Born September 8, 1975 C. Robert Cargill, 45. He, along with Scott Derrickson and Jon Spaihts, worked on the script for Doctor Strange. More intriguingly they’re writing the script for The Outer Limits, a movie based on the television show. The film, produced by MGM, will be adapted from just the “Demon with a Glass Hand” episode begging the question of what they’re writing for a script given that Ellison did write the Writers Guild of America Awards  winning Outstanding Script for a Television Anthology script. (CE) 
  • Born September 8, 1979 – Bianca Turetsky, 41.  Three novels, four shorter stories with Courtney Sheinmel.  In the novels, illustrated by Sandra Suy, Louise Lambert buying dresses on sale from strange folk finds they take her back in time, pleasing KirkusSeventeen, and the Historical Novel Society.  [JH]

(12) WEARING THE HORNS. Added to the fanhistory site THEN, Ken Cheslin’s 1989 piece “SADO and the 1960s Brum Group – a memoir”. Curator Rob Hansen says, “This might interest a few people, if only for how much Ken Cheslin’s Viking character Olaf coincidentally resembles the later ‘Hagar the Horrible’.”

(13) WINNING NAME. L. Jagi Lamplighter has decided her new column at Superversive SF will be called “Slice of Light”, and follows the title announcement with a heartwarming preview of coming attractions. Even you heathens might enjoy this one.

(14) HALO OVER JUPITER.

(15) TEARS OF A CLOWN.  “Ted Cruz, longtime fan of ‘The Princess Bride,’ swipes at cast members’ plans to reunite to raise money for Democrats”The Hill has the story.

Sen. Ted Cruz (R-Texas), a longtime fan of “The Princess Bride,” took aim at cast members of the cult classic over the weekend after reports emerged of their plans to reunite for a fundraiser supporting Democrats in Wisconsin.

Cast members from the film will be taking part in a virtual table read for the fundraiser — which a site for the event said will feature actors Robin Wright, Cary Elwes, Mandy Patinkin and Billy Crystal. 

In a tweet reacting to the news on Saturday, Cruz referred to lines from Inigo Montoya, a character portrayed by Patinkin in the 1987 film.

“Do you hear that Fezzik? That is the sound of ultimate suffering. My heart made that sound when the six-fingered man killed my father,” he wrote in the tweet.

“Every Princess Bride fan who wants to see that perfect movie preserved from Hollywood politics makes it now,” Cruz, who has been vocal in the past about his feelings for the film and acted out a scene from the flick when he was running for president in 2015, added….

(16) LOST AND FOUND. “Roanoke’s ‘Lost Colony’ Was Never Lost, New Book Says” – the New York Times sifts the scholarship.

…Historians and archaeologists not involved in the recent research on Hatteras were more skeptical, saying that the evidence was inconclusive and that they wanted to see peer-reviewed work. They also said the argument was not new: The idea that the Croatoans, as the Native people on Hatteras were called, adopted at least some of the settlers has long been considered plausible.

“Sure, it’s possible — why wouldn’t it be?” said Malinda Maynor Lowery, a professor of history at the University of North Carolina at Chapel Hill. “People don’t get lost. They get murdered, they get stolen, they get taken in. They live and die as members of other communities.”

Dr. Maynor Lowery presented a similar possibility in her 2018 book on the history of the Lumbee people, the descendants of dozens of tribes in a wide region including eastern North Carolina. Despite violence by the English against Croatoan villagers, she wrote, the settlers probably took refuge with them.

“The Indians of Roanoke, Croatoan, Secotan and other villages had no reason to make enemies of the colonists,” she wrote. “Instead, they probably made them kin.”

The English landed into a complicated fray of conflict and shifting alliances, said Lauren McMillan, a professor at the University of Mary Washington in Fredericksburg, Va.

“They’re all interfighting, and these different groups are trying to use the English against one another,” she said. “The Croatoans perhaps saw the English as a powerful ally and sources of valuable new things.”

Dr. Maynor Lowery, who is Lumbee, added that the “lost colony” story is itself based on the incorrect premise “that Native people also disappeared, which we didn’t.”

The story, she said, was like “a monument that has to come down,” adding that “it’s harder to dismantle an origin story than a statue.”

(17) ESSENCE OF WONDER. “AI and Ethics: Professionals Speak” on the next Essence of Wonder with Gadi Evron.

Not Mute in the Winter…
In the first part of the show, we’ll be discussing the potential of AI to be useful to society in general, but we’ll be taking a greater look at where there are possibilities for AI to be misused or even abused if not properly handled.  Our primary questions in this part of the show will be to ask where AI can be biased, how bias is introduced into AI systems, examples of attacks on AI and how these then manifest in the world. We’ll be looking at the social implications of using AI in situations where previously only human judgement has been deployed and how this is spreading to encompass more decision-making processes.

Turing Test Failed, They Suspect Nothing…
Our show corner will be looking at theoretical examples of how a number of simple and sensible decisions could give rise to AI that can go from beneficial to nefarious.

Terminating Skynet…
In the second part of the show, we’ll be looking will be how to ensure an ethical approach to the development and control of Artificial Intelligence.  How we should go about securing AI systems and the methods of embedding ethics throughout the lifecycle of AI and its usages. We will also delve into the social vs institutional approaches to Ethical AI.

The panelists include:

  • Steve Orrin – Federal CTO, Intel Corp
  • Dr. Jim Short – Research Director, Lead Scientist and co-founder of the Center for Large Scale Data Systems (CLDS) at the San Diego Supercomputer Center.
  • Chloe Autio – AI Policy Lead for Intel Corp
  • Dr. Andrew Harding – Senior Technology and Policy Adviser at Centre for Data Ethics & Innovation for the UK Government
  • Tamara Zubatiy – CEO of VeriCrypt

(18) AI SPEAKS BACK. On Onion Public Radio, “Robots Inform Artificial Intelligence Researchers That They’ll Take It From Here”.

The A.I. research team at MIT is hailing it as a breakthrough in their field that will finally allow them to kick back and relax a little bit. We have the latest on what the now-sentient robotic life forms have planned next.

(19) THE RIGHT TO BEAR ARMS. “Realistic False Arm Dinosaur Puppet” – several different versions are available. Here’s one of them.

(20) VIDEO OF THE DAY. In “Honest Trailers: Batman:  Mask of the Phantasm” on Youtube, the Screen Junkies take on the fine film that entertained a “generation of latch-key kids” in the 1990s.

[Thanks to John King Tarpnian, N., JJ, Alan Baumler, Eric Wong, Mike Kennedy, Martin Morse Wooster, Cat Eldridge, John Hertz, Michael Toman, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day C.A. Collins.]

Pixel Scroll 9/5/20 Astronauts In The Weightlessness Of Pixelated Space

(1) BSFS MAKES GRANT TO 2020 WORLD FANTASY CON. The membership of the Baltimore Science Fiction Society has granted $1000 to the 2020 World Fantasy Convention, Salt Lake City, Utah, which will be held virtually this year.

The grant may be used to defray any of the considerable fixed expenses that are required to hold the annual event, which awards the prestigious World Fantasy Awards to the best Fantasy or Dark Fantasy works published in the previous year.

The 2020 World Fantasy Convention will be held virtually, October 19 – November 1.

More information about the Baltimore Science Fiction Society (BSFS) can be found here.

(2) HORROR IN EVERYDAY LIFE. Shiv Ramdas livetweeted a family crisis he was following by phone. Thread starts here. (Since it already had 69K retweets and almost 300K likes by the time I saw it, you’ve probably already read it!)

(3) INCONCEIVABLE. Rolling Stone reports “‘The Princess Bride’ Cast to Reunite for Virtual Table Read” as a political fundraiser.

The cast of the beloved comedy The Princess Bride will reunite for a one-night-only virtual table read to raise money for the Democratic Party of Wisconsin.

“A Virtual Princess Bride Reunion” will features original cast members Cary Elwes, Robin Wright, Chris Sarandon, Mandy Patinkin, Wallace Shawn, Carol Kane, the film’s director Rob Reiner and “special guests.” In addition to the table read, the reunited cast will partake in a virtual Q&A moderated by Patton Oswalt.

The virtual table read will livestream only once, on September 13th at 6 p.m. CST. Fans of the film can RSVP at Act Blue to watch the livestream. “Anything you donate will be used to ensure that Trump loses Wisconsin, and thereby the White House,” organizers promise; both Elwes and Reiner have been vocal in their criticism of Donald Trump on social media.

(4) CANON FIRE. Chris Nuttall, in “Some Thoughts On The SF Canons” at Amazing Stories, offers his own outlook on genre history.

…Second, the average writer in the early era worked under a set of very harsh restrictions. There were lots of issues that were taboo, from sex and mating to race and racism; there were morality clauses in contracts that could and would be enforced if the writer stepped too far out of line. Heinlein, for example, wrote coloured characters … but he had to give himself plausible deniability He did this so well in one book – Tunnel in the Sky – that he managed to raise suspicions of miscegenation instead. By modern standards, this is insane as well as stupid. But we’re talking about an era that was worried about Mr. Spock’s ears!

Third, the average writer did not know where technology was going. They made a lot of guesses and got some things right, but they also got a lot of things wrong. Heinlein’s predictions regarding computer development, for example, were absurd. He assumed a lot of easy things would be very hard, if not impossible, and vice versa. Asimov’s predictions were even worse, to the point he has wood-burning stoves co-existing with atomic power plants and FTL drives.

Fourth, the average writer lived in a far more limited world. There was both relatively little awareness of other cultures and a certain sense that the Anglo-American way was the best. It isn’t until fairly recently, thanks to the internet, that we have really become aware of alternatives. They drew on their awareness of the world to shape their future worlds, hence the number of very traditional societies in fantastic worlds….

However, it seems unclear why 20th Century sff writers would be unaware of alternatives that Wilberforce, Lincoln, and Susan B. Anthony already knew about in the 19th Century. In fact, they probably weren’t unaware of them. It’s hard not to simply enjoy the status quo when it works in your favor.

(5) THE RETURN OF HYPER COMICS. A book-length collection of Steve Stiles’ Hyper Comics, in the works when he died earlier this year, was released in August. One of the places it can be ordered is Barnes and Noble.

The last project of legendary underground cartoonist and Hugo Award-winner Steve Stiles, who passed away in 2020, is a September release from Thintwhistle Books, a company formed by Steve’s widow, Elaine Stiles. 

Packed with more than 150 pages of Steve’s classic work from Hyper Comics, Heavy Metal, Stardate, and a host of other publications, it’s an essential part of any cartoon collector’s library !

Krupp Comic Works founder Denis Kitchen called Steve “one of the funniest and cleverest goddamn cartoonists on the planet.” Mark Schultz said of Steve’s back-up stories in Xenozoic Tales, “It was a joy to collaborate with him – if he made any adjustments to my scripts they were invariably improvements.” Heavy Metal editor Ted White called Steve’s contributions to the magazine “Phil-Dickian in their SF surrealism, wicked in their observations, and Firesign Theatre-like in their mocking details.” 

In The Return of Hyper Comics, you’ll thrill to the adventures of Jim Baxter, Marijuana Detective. You’ll share Steve’s nightmares as he meets Nixon and Trump. You’ll smile along with Mr. Smile when he accidentally kills a girl he is trying to save. “If only I could stop smiling,” he says. You’ll get an advance look at next month’s QAnon conspiracy when Steve reveals, “Joe Stalin Tells Me What to Draw!” And you’ll barf as Steve’s first orgy ends with tainted oysters and a group emergency room visit. 

Steve had a particular genius for chronicling life’s humiliating moments, and fortunately for his fans, Steve had enough humiliating moments in his life to fill volumes. He stands up to fellow students after one of them writes a racist insult on the blackboard, and in revenge they finger him as the culprit. A dealer spikes Steve’s coffee with LSD, leaving him on a bicycle in Queens in rush hour. But through it all, Steve faces life’s traumas with self-mocking humor and a core of optimism that nothing manages to quite extinguish. 

The Return of Hyper Comics is 150 pages of wicked social satire, bizarre sex, science fiction, violence, drugs, and personal humiliation, all with brilliant art by a master cartoonist. Thintwhistle Books disclaims responsibility for damage resulting from excessive laughter.

(6) RADIO REENACTMENT. “Daniel Dae Kim to Lead All-Star Recreation of ‘The Adventures of Superman’ 1940s Radio Serial”Yahoo! Entertainment has the story.

Daniel Dae Kim will lead an all-star cast in a recreation of the original “The Adventures of Superman” radio serial during the second installment of DC FanDome, Warner Bros. announced Friday.

Kim is one of three actors who will voice Superman in the one-hour production, which is being produced using original scripts recently found in Warner Bros. archives. The event is being held in support of The Creative Coalition, a Hollywood nonprofit that aims to address entertainment industry issues as well as urgent social issues.

Joining Kim as Superman in the production is Wilson Cruz (“Star Trek: Discovery”) and current Creative Coalition president Tim Daly (“Madam Secretary’)….

The performance of “The Adventures of Superman” will be available beginning on demand for 24 hours beginning Sept. 12 at 10:00 AM as part of DC FanDome: Explore the Multiverse, the second installment of the successful virtual Comic-Con alternative, which debuted in August. The event can be accessed at DCFanDome.com.

(7) NICHOLS MACIOROWSKI DIES. Influential animation visual development and story artist Sue Nichols Maciorowski died on September 1 at the age of 55 reports Animation Magazine.

The family obituary notes:

Sue graduated from California Institute of Arts with a visual animation degree in 1987. There she was part of a team that won an Emmy for work on The Muppet Babies. After graduation, Sue worked for Jim Henson on The Muppet Babies, Marvel production, and taught classes at CalArts. She then started her long career with Disney Studios working on animation films where she was best known for her expertise in character development. A few of her favorite works that she contributed to were Hercules, Beauty and the Beast, and the Princess and the Frog. More information on her career may be found on her website, Mothernichols.com.

Disney tweeted its own tribute. Thread starts here.

(8) MEDIA BIRTHDAY.

  • September 5, 1952 Tales of Tomorrow’s “Seeing-Eye Surgeon” –

Does Doctor Xenon really exist? I don’t know. For that matter, do we three standing in this room really exist? Who knows? The real and the unreal. Where does one stop and the other begin. Maybe we’re just a figment or product of someone else’s fevered imagination. Someone from another world perhaps. — Doctor Bob Tyrell

On this day in 1952, Tales of Tomorrow first aired “Seeing-Eye Surgeon” which is the only SF credits for co-writers Michael Blair and Ed Dooley. The cast was  Bruce Cabot as surgeon Bob Tyrell, Constance Towers as Martha Larson,  Edwin Jerome                as Doctor Foyle and Joseph Holland as the possibly mythical Doctor Xenon. Towers would later be in  episodes of The Outer LimitsThe 4400 and Deep Space Nine. You can see it here.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born September 5, 1774 – Caspar Friedrich.   Leading Romantic painter; known for great landscapes with human presence small.  Here is a Frankenstein using CF’s Wanderer Above the Sea of Foghere is another using The Sea of Icehere is another using Cromlech in the Snow.  Here is a Dracula using Man and Woman Contemplating the Moon.  (Died 1840) [JH]
  • Born September 5, 1913 – Sheilah Beckett.  Illustrated seventy fairy-tale titles for Little Golden Books.  First woman illustrator at the Charles E. Cooper studio, N.Y.  Commercial work e.g. Necco Wafers, Whitman’s Chocolates, but preferred children’s books and Christmas cards.  Lived to be 100.  Here is a cover for Rapunzel.  Here is an interior for Sleeping Beauty.  Here is Jane Werner’s retelling of The Twelve Dancing Princesses.  Here is an interior from John Fowles’ retelling of Cinderella.  Here is a book of Beauty and the Beast stickers.  Here is Lowell Baird’s translation of Candide.  (Died 2013) [JH]
  • Born September 5, 1921 Paul L. Payne. He edited both Jungle Stories (three years in the Forties) and the better known Planet Stories (five years in the same period) but there’s very little on him on the web. ISFDB notes that he wrote one novel for us, The Cructars Are Coming, which is available in an Armchair Fiction print edition along with Frank Belknap Long’s Made to Order novel. (Died 1993.) (CE) 
  • Born September 5, 1936 Rhae Andrece and Alyce Andrece. They played a series of androids in I, Mudd, a classic Trek episode. Both appeared as police women in “Nora Clavicle and the Ladies’ Crime Club” on Batman. That’s their only genre other appearance. They only acted for three years and every appearance but one was with the other. (Died 2009 and 2005, respectively.) (CE)
  • Born September 5, 1936 —Joseph A. Smith, 84.  Two dozen covers, half a dozen interiors for us; many others.  Here is Hercules in his lion’s skin.  Here is The Adventures of King Midas (look at the rock!).  Here is Stopping for a Spell and here is Year of the Griffin.  Here is Witches.  Here is Gregor Mendel.  Here is Circus Train.  [JH]
  • Born September 5, 1939 George Lazenby, 81. He is best remembered for being James Bond in On Her Majesty’s Secret Service which I’m sure I’ve seen if I’ve completely forgotten it now. His turn as Bond was the shortest among the actors in the film franchise and he is the only Bond actor not to appear beyond a single film. Genre wise, he also played Jor-El on Superboy and was also a Bond like character named JB in the Return of the Man from U.N.C.L.E. film. (CE) 
  • Born September 5, 1940 Raquel Welch, 80. Fantastic Voyage was her first genre film though she made One Million Years B.C. thatwith her leather bikini got her more notice. She was charming in The Three Musketeers and The Four Musketeers. She has one-offs in Bewitched, Sabrina the Teenage WitchThe Muppet ShowLois & Clark: The New Adventures of SupermanHappily Ever After: Fairy Tales for Every Child and Mork & Mindy. (CE)
  • Born September 5, 1953  – Paul Stinson, 67.  Seventy covers, a few interiors, for us; more for commercial clients.  Here is Jesus on MarsHere is Gunn’s Road to SF vol. 2.  Here is the first issue of Beyond.  Here is Ice Hunt.  Here is Pillars of Salt.  [JH]
  • Born September 5, 1959 Carolyne Larrington, 61. Norse history and culture academic who’s the author of The Land of the Green Man: A Journey Through the Supernatural Landscapes of the British Isles and Winter is Coming: The Medieval World of Game of Thrones. She also wrote “Norse gods make a comeback thanks to Neil Gaiman – here’s why their appeal endures” for The Conversation. (CE)
  • Born September 5, 1964 Stephen Greenhorn, 56. Scriptwriter who written two episodes for Doctor Who: “The Lazarus Experiment” and “The Doctor’s Daughter”, both Tenth Doctor stories. He also wrote Marchlands, a supernatural series whichJodie Whittaker and Alex Kingston appeared in. He also wrote the Mind Shadows strip which was featured on the Who website. (CE)
  • Born September 5, 1964 – Olga Dugina, 56.  Teacher, illustrator (sometimes with Andrej Dugin).  Here is an image from The Three Orangeshere is another.  Here is Dragon Feathers.  Here is an interior from The Adventures of Abdi (Brazilian ed’n; text shown is in Portuguese).  Here is one from The Brave Little Tailor.  [JH]
  • Born September 5, 1981 – Dina Djabieva, 39.  Three images in Star*Line vol. 36 no. 2, cover for vol. 36 no. 3.  Here is “Pan”.  Here is “Warrior Monk”.  Here is “Elysium”.  Here is “The Maiden”.  She says, “I find myself living between two worlds, the dreaming and the waking.  Too often I am not able to distinguish between the two.”  [JH]

(10) COMICS SECTION.

  • Tom Gauld on the possibilities of sci-fi (in The Guardian).
  • Another Tom Gauld sff cartoon —

(11) INSIDE COMICS. The Numlock News’ Walt Hickey interviews a comics industry expert: “Numlock Sunday: John Jackson Miller on the comic book shutdown”.

You alluded to this a little bit, but one thing that’s so interesting about this particular industry is there are two very large well-capitalized companies and then several other smaller companies producing the core product. Then there’s one middleman. And then there’s zillions of tiny little mom and pops. And as a result, the one middleman was able to functionally shut everything down.

Most responsible retailers in the business saw that this needed to happen because we could not have stuff being shipped that couldn’t be sold. The bills would keep mounting up. The problem simply is that this is a system where it expects that there’s cashflow coming in constantly. Diamond was in a situation where they needed to try to pay off their suppliers for the books that they had already sold, and they knew that there was not going to be any more money coming in at the same time. Diamond did get a credit line with Chase, Steve Geppi has said this is not going to be a problem going forward.

But there are many different kinds of comic shops. There are many that focus on graphic novels, and they’re much more insulated against these problems, because the graphic novels have continued shipping from other other distributors outside the comics industry like Random House. There are stores that have games or toys or something else like that they’re also doing.

Then, of course, let’s say you’re a pure comic shop, that means you probably also have a back issue section and many have a mail order, online stores or eBay stores, and there’s over 10 billion comic books already in existence so not having the new ones for a few weeks, you know, that’s not that big a deal.

But there are some shops, they’re suburban in nature, they tend to be more superhero-centric stores and those are the people that are more concerned about a disruption to the habitual nature of comics reading. My response to that would be, “yeah, but is the comics habit going to break any faster than the professional basketball watching habit will break, or the movie-going habit will break?” I think when you have every alternative also shutting down, you’re less likely to have people respond to this as, “the comics, they’ve left me, they’ve abandoned me.” No, it’s that the comet has struck, and we’re all going to just catch our breath here for a while, and we’re going to try to figure out how to restart this thing.

I’ve used the metaphor of Apollo 13 that they have to bring these systems up one at a time, systems that were never designed to shut down.

(12) NE$$IE. And now that you’ve finished that business survey, InsideHook hopes you want to know “How Much Does the Loch Ness Monster Boost Scotland’s Economy?”

When the effect of tourist attractions on local economies comes to mind, what are some of the first places one can think of? Historical sites, perhaps, or cultural events. But what happens when the thing that helps drive a local economy might not exist at all?

This isn’t a brain-teaser or a deep dive into epistemological thinking; instead, it’s a precursor to the way the Loch Ness Monster hosted the Scottish economy. Which, it turns out, is by a lot. A new article by Michele Debczak at Mental Floss delves into the way one of the world’s most famous cryptids has helped shape the local economy in Scotland. Nessie might not be real, but its impact certainly is.

How much of an impact is there on Scotland’s economy? According to a study commissioned by accountant and Loch Ness Monster fan club founder Gary Campbell, the economic boost of Nessie tourism heads into the 8 figures.

(13) RADIO FREE DRACULA. The University of Delaware’s Resident Ensemble Players will be doing a five-part radio play adaptation of Dracula. Hear a member of the company speak about “Dracula: About the Project” at Soudcloud.

A free audio presentation by the Resident Ensemble Players, in partnership with WVUD 91.3 FM.

Much more than just a gothic horror story, DRACULA is a love story, a mystery, and a globe-trotting adventure tale. The REP partners with radio station WVUD for a free, five-episode audio drama of this classic to be presented every Friday night in October.

Beginning in the forbidding mountains of Transylvania, a mysterious night-stalking beast entraps and seduces his way to England in search of new blood. A group of colleagues and companions unearth the horrible secrets of this life-sucking creature as they launch a heart-pounding chase across Europe, only to find themselves in the fight for their lives to save both themselves and the ones they love.

WVUD will broadcast/stream DRACULA in October on Friday nights at 7:00 PM:

  • Oct. 2, 7:00 PM — Episode 1: Listen, What Sweet Music 
  • Oct. 9, 7:00 PM — Episode 2: The Coming Storm
  • Oct. 16, 7:00 PM — Episode 3: Of Nature and Supernature 
  • Oct. 23, 7:00 PM — Episode 4: Master and Servant 
  • Oct. 30, 7:00 PM — Episode 5: Chasing Nightfall

Listeners can tune into WVUD’s Friday night broadcasts on 91.3 FM on radio or stream from computer or digital devices at http://www.wvud.org/

(14) NO DEPOSIT, NO RETURN OF THE KING. GameSpot recommends you use your Labor Day Weekend free time studying this extra-long list: “Lord Of The Rings Rewind: 49 Things You Didn’t Know About The Return Of The King”. Lots of things I didn’t know here.

11. This elf is an in-joke

The elf who tells Arwen that she “cannot delay” her journey to the Undying Lands was played by Bret McKenzie, who subsequently became famous as half of musical comedy duo Flight of the Conchords, alongside Jemaine Clement. McKenzie very briefly appeared in Fellowship of the Ring, and his character became known as Figwit among admiring fans–an acronym for “Frodo is great… who is THAT?” Jackson decided to put him in Return of the Ring and give him some dialogue “just for fun for the fans.”

(15) MEDIA TIE-IN. Who knew there was Forbidden Planet merch out there? A buddy of John King Tarpinian’s stopped off at the Walmart in Bakersfield for supplies on his way to the Sequoias found this on the shelves —

(16) VIDEO OF THE DAY. “Double King” on YouTube is a 2017 film by Australian animator Felix Colgrave about a murderous monarch that has been viewed 42 million times but has never shown up on File 770! (Although I don’t think there’s a rule that it has to.)

[Thanks to Bill, Jeff Smith, John Hertz, Martin Morse Wooster, JJ, Mike Kennedy, Andrew Porte, Cat Eldridge, Michael Toman, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day MaineYooper.]

Pixel Scroll 8/1/20 Scrollers Tick
In Vain

(1) WORLDCON ENDS: FILM AT ELEVEN. Watching CoNZealand’s Closing Ceremonies brought back a memory —

When Winnipeg started its bid for the 1994 Worldcon, chair John Mansfield had everybody on the committee fill out a questionnaire about their interests. On the last day of the convention he returned these forms to everyone saying, “Okay. Here’s your life back.”

At today’s Closing Ceremonies the gavel passed to DisCon III’s Bill Lawhorn and Colette H. Fozard.

(2) TABLE SERVICE. Camestros Felapton illustrates an aspect of the 2020 Hugo Award nomination process in “EPH Fan Writer”.

… As each person is eliminated, the points get redistributed. By looking at the change in points for each surviving nominee, you can calculate the proportion of points that the survivor gets from the eliminated.

(3) THE PAST THROUGH TOMORROW. There are several good rundowns on the problems with last night’s Hugo Awards ceremony, including this one from Sean Reads Sci-Fi, “Uh-Oh, the Hugos Were a Hot Mess!”, which includes some good excerpts from the acceptance speeches.

…Some of the history was admittedly interesting, but I kept waiting for Martin to catch up to the present day, to illustrate how the long arc of the Hugos has bent toward justice, how the field continues to evolve to this day. He never did. He stayed rooted firmly in the past, and as the night wore on his stubborn refusal to acknowledge current movements in SF/F began to feel pointedly exclusionary rather than just incidentally so.

And I haven’t even mentioned the names! To mispronounce someone’s name live is one thing. As a teacher, I can attest to the fact that you will occasionally get someone’s name wrong on the first day. But (a) they had plenty of time to practice, (b) they almost certainly were given pronunciation guides by most authors, and (c) this doesn’t excuse the constant mispronunciations during pre-recoded segments, unless, of course, Martin refused to re-record them, which is its own set of problems. The folks behind the scenes should have done more to vet these segments, and should have pushed back harder when it became clear what Martin was doing.

What’s fascinating to me, though, is how the awards themselves drew such a sharp contrast to the nostalgic navel-gazing of the toastmaster. It really felt like the past and the future colliding – and the future won. Literally! The winners often talked about systemic problems within the industry, about the fights that we still have to fight, about the hard work that women, people of color, queer folks, and others have to do in order to even be considered alongside the white/cis/het fuddy-duddies running last night’s show. It was such a welcome breath of fresh air, for instance, when R.F. Kuang, one of the first winners, emphasized the barriers that she faced getting into the field:

If I were talking to a new writer coming to the genre in 2020, I would tell them, well, if you are an author of color, you will very likely be paid only a fraction of the advance that white writers are getting. You will be pigeon-holed, you will be miscategorized, you will be lumped in with other authors of color whose work doesn’t remotely resemble yours. Chances are very high that you will be sexually harassed at conventions or the target of racist micro-aggressions or very often just overt racism. People will mispronounce your name, repeatedly, and in public, even people who are on your publishing team. Your cover art will be racist, and the way people talk about you and your literature will be tied to identity and your personal trauma instead of the stories you are actually trying to tell. If I had known all of that when I went into the industry, I don’t know if I would have done it, so I think that the best way we can celebrate new writers is to make this industry more welcoming for everyone.

R.F. KUANG, ASTOUNDING AWARD FOR THE BEST NEW SF WRITER

This was refreshing precisely because it’s an aspect of the history of the awards and of the fandom in general that George R.R. Martin, in his endless panegyrics to days gone by, refused to even acknowledge. Pointing out the deep-rooted, structural, and personal racism and sexism at the heart of the industry isn’t a sign of ingratitude – it’s a sign of strength and resolve in the face of tough barriers. As Ng put it in her speech:

Pulling down memorials to dead racists is not the erasing of history, it is how we make history … It would be irresponsible for me to stand here and congratulate us as a community without reminding us that the fight isn’t over and that it extends well beyond the pages of our books … Let us be better than the legacies that have been left us. Let them not be prophecies. Let there be a revolution in our time.

JEANNETTE NG, BEST RELATED WORK

That revolution was in strong form last night, as most winners took the time to celebrate marginalized voices and denounce the forces that marginalized them in the first place. I keep coming back to Martine’s speech, as well – to the knife that hurts all the more because you loved it before it cut you. A trenchant description of an industry and a genre that many loved but were excluded from for so long. That is, thankfully, changing. Not fast enough to prevent last night’s debacle – but fast enough to allow for last night’s inspiring wins

(4) GRRM RESPONSE. George R.R. Martin has commented here on File 770 about some of the reports and criticisms in circulation, beginning with – http://file770.com/2020-hugo-awards/comment-page-2/#comment-1205393

Whoever is circulating the story that I was asked to re-record portions of my Hugo hosting to correct mispronounced names, and that I refused, is (1) mistaken, or (2) lying. Never happened.

CoNZealand did ask me to re-record three of my videos, all for reasons for quality control: poor lighting, poor sound, wobbly camera. I complied with their request on two of the videos, the two that opened the evening; I re-did those live from the JCC. (The originals had been done in my cabin on an iPhone, when we were just trying to get the hang of this thing). The third segment they wanted re-recorded was the bit about the Hugo trophy, where I had some fun with the juicer, the Alfie, and the like. In that case, we decided to stay with the first take, since I no longer had the props on hand and could not easily have reproduced what I’d done at the cabin, which everyone seemed to like.

There is also a story out there that I was provided with the correct phonetic pronunciations of all the names. That too is completely untrue….

(5) YOUR NEW HUGO LOSERS HOSTS. Who wouldn’t sign up for that?

(6) GROWING PAINS. Scott Edelman stirred up some memories that were called out by his sister-in-law in service of an anti-Vietnam War protest.

(7) LEM STORY DRAMATIZED. “Review: A Sci-Fi Classic Featuring a Multiverse of Stooges” comes recommended by a New York Times reviewer.

…You wouldn’t think that the 4-foot-wide by 8-foot-tall space, approximately the same shape as an iPhone screen, would be big enough for a play, let alone an avant-garde company. Yet the closet, only 2 feet deep, is one of the stars of Gelb’s Theater in Quarantine series, which since late March has produced, on a biweekly schedule, some of the new medium’s most imaginative work from some of its simplest materials. As in silent movies, clowning, movement and mime are usually part of the mix.

“The 7th Voyage of Egon Tichy,” which was livestreamed on Thursday evening and will remain available in perpetuity on Gelb’s YouTube channel, has all of those and then some. Based on a 1957 story by Stanislaw Lem, the Polish science fiction writer most famous for “Solaris,” it concerns an astronaut named Egon who, passing through a minefield of gravitational vortexes, is caught in a causal loop paradox that bombards him with innumerable (and insufferable) alternative selves.

Lem’s story is a satire of the infinite human capacity for self-defeat, with the various Egon incarnations bickering and undermining one another as the gyrations of space-time bend them into conflict. When “a meteor no bigger than a pea” pierces the ship’s hull, destroying the rudder, everyone has ideas about fixing it — but since it’s a two-man job, making cooperation essential, nothing actually gets done.

(8) HEARING A DISCOURAGING WORD. Entertainment Weekly’s Darren Franich asks “Why are all these science-fiction shows so awful?”

Science fiction was once a niche TV commodity, but March brought three major live-action genre projects. Star Trek: Picard finished its debut season on CBS All Access. FX shared Devs with Hulu, pitching the miniseries as prestige bait for the chattering class. Season 3 of Westworld was HBO’s new hope for a buzzy, sexy-violent epic. And they were all terrible….

I get it: We are all scared of phones, and bots, and the Algorithm. Yet by demonizing technology, these projects oddly exonerate the people behind that technology. CEOs with tragic origin stories in Westworld or Devs are puppets for machines they can’t control. Higher-tech powers in Brave New World and “You May Also Like” control whole civilizations comprised of unaware humans.

(9) LIBRARIES TAKE HEAT IN CANADA. Publishers Weekly has the story:“Canadian Libraries Respond to ‘Globe and Mail’ Essay Attacking Public Libraries”.

[Intro] Editors Note: In a nearly 3,000 word opinion piece published on July 25 in ‘The Globe and Mail’ Kenneth Whyte, publisher of Toronto-based indie Sutherland House Books, pinned the troubles of Canada’s independent bookstores and publishers on the work of public libraries….

Publishers Weekly reprinted the Canadian Urban Libraries Council’s response:

It is otherwise hard to understand why public libraries are to blame when bookstores and libraries have coexisted harmoniously and supported each other for decades.

So what’s changed? While there are a lot of changes that point to shifts in the marketplace, such as the research identifying a decline in leisure reading, coupled with less and less space for literary reviews in major news outlets, these are minor compared to the two major developments that have dramatically altered the book and reading landscape—and they have nothing to do with public libraries. First is the explosive growth in popularity of e-books and digital audiobooks. Second, is the increasing dominance of Amazon in the book retail and publishing marketplace.

(10) MEDIA BIRTHDAY.

  • August 1, 1986Howard The Duck premiered. Directed by Water Huyck and produced by Gloria Katz who were also the screenplay writers.  George Lucas was executive producer. Its human stars were Lea Thompson, Jeffrey Jones and Tim Robbins. Howard The Duck was Ed Gale in the suit with the voice being Chip Zien. Critics almost unanimously hated it, it bombed at the box office, and audience reviewers at Rotten Tomatoes currently give it a 38% rating. It would be the last Marvel Film until Captain American twenty-one years later. (CE)

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born August 1, 1819 – Herman Melville.  Without debating – though some do – how far Moby-Dick is fantasy, we can claim some more clearly – hmm, maybe not the best word with this writer – anyway, “Bartleby”, “The Tartarus of Maids”, “The Encantadas”, let’s say nine or ten.  John Clute would include The Confidence-Man.  (Died 1891) [JH]
  • Born August 1, 1898 – William Ziff.  I mean Ziff Sr., though Ziff Jr. is noteworthy too.  The elder was the Ziff in Ziff-Davis Publishing, which took over Amazing from Hugo Gernsback, added Fantastic Adventures, comics with art director Jerry Siegel and e.g. John Buscema.  I happen to think this cover for Weird Adventures 10 is feminist – look how the man is fascinated while the woman with him knows they should fear – but then I think Glory Road is feminist, and how many see that?  (Died 1953) [JH]
  • Born August 1, 1910 Raymond A. Palmer. Editor of Amazing Stories from 1938 through 1949. He’s credited, along with Walter Dennis, with editing the first fanzine, The Comet, in May, 1930. The secret identity of DC character the Atom as created by genre writer Gardner Fox is named after Palmer. Very little of his fiction is available in digital form. (Died 1977.) (CE)
  • Born August 1, 1914 – Edd Cartier.  Oh, how great he was.  Eventually we put him on two Retrospective Hugo ballots.  We think of him as a comedian; true enough, but see this cover for Foundation and Empire.  Vince Di Fate knew; see his treatment of EC in Infinite Worlds.  World Fantasy Lifetime Achievement Award.  (Died 2008)  [JH]
  • Born August 1, 1923 Alan Yates. Though better known under the Carter Brown name where he wrote some one hundred and fifty mystery novels, I’m noting him here for Booty for a Babe, a Fifties mystery novel published under that name as it’s was set at a SF Convention. (Available from the Kindle store.) And as Paul Valdez, he wrote a baker’s dozen genre stories. (Died 1985.) (CE)
  • Born August 1, 1930 Geoffrey Holder. Best-remembered for his performance as Baron Samedi in Live and Let Die but he’s also the narrator in Tim Burton’s Charlie and The Chocolate Factory. He was also Willie Shakespeare in Doctor Doolittle but it’s been so long since I saw the film that I can’t picture his character. And he was The Cheshire Cat in the Alice in Wonderland that had Richard Burton as The White Knight. (Died 2014.) (CE)
  • Born August 1, 1945 – Yvonne Rousseau, 75.  Author, editor, critic, long-time fan.  Australian SF Review, 2nd Series with J. & R. Blackford, Foyster, Sussex, Webb.  Three short stories and a novelette.  Contributor to Banana WingsChungaFlagFoundationJourney PlanetThe Metaphysical Review, Riverside QuarterlySF CommentarySF Eye.  Fan Guest of Honour at ConFictionary, where the fire alarm went off and the hotel actually was on fire.  [JH]
  • Born August 1, 1954 James Gleick, 66. Author of, among many other books, Genius: The Life and Science of Richard Feynman and What Just Happened: A Chronicle from the Electronic Frontier, and he is one of us in that he writes genre reviews which are collected in Time Travel: A History. Among the works he’s reviewed are Le Guin’s “Another Story or A Fisherman of the Inland Sea” and Heinlein ‘s “By His Bootstraps”.  (CE)
  • Born August 1, 1955 Annabel Jankel, 65. Director who was first  a music video director and then the co-creator and director of Max Headroom. She and her partner Rocky Morton first created and directed The Max Talking Headroom Show, a mix of interviews and music vids which aired on Channel 4 and HBO. Jankel and Morton would go on to direct Super Mario Bros. And they’re both responsible for the Max Headroom movie and series. (CE)
  • Born August 1, 1969 – Dirk Berger, 51.  Five dozen covers, a score of interiors.  Here is Sucker Punch.  Here is Empire Dreams.  Here is Nova 23.  Here is his Website.  [JH]
  • Born August 1, 1979 Jason Momoa, 41. I knew I’d seen him before he showed up as Aquaman in the DC film franchise and I was right as he was Ronon Dex on Stargate Atlantis for its entire run. He was also Khal Drogo in the first season of A Game of Thrones. And not surprisingly, he was the title character in Conan the Barbarian. (CE)
  • Born August 1, 1993 – Tomi Adeyemi, 27.  Children of Blood and BoneChildren of Virtue and Vengeance, both NY Times Best Sellers.  Norton Award, Waterstones Book Prize, Lodestar Award.  Parents thought she’d be better off if they didn’t teach her their native tongue (they’re Yoruba), so with an honors degree from Harvard she got a fellowship to study it in Brazil.  Website here.  [JH]

(12) COMICS SECTION.

  • Non Sequitur offers a suggestion on how to get started on that post-apocalyptic novel.

(13) BE PREPARED. A Public Service Announcement from the Dread Pirate Roberts channeling Inigo Montoya.

(14) ADVICE FOR SFF POETS. Veteran editor of Star*Line and Mobius: A Journal for Social Change “gives some surprising insights on submissions” in this interview conducted by Melane Stormm at SPECPO.

A must watch for any writer, but especially if you identify as female or if you’re feeling hesitant to submit your work someplace.

(15) ON BRADBURY’S SHELVES. The second installment of Phil Nichols’ Bradbury 100 podcast had dropped.

My guest is Jason Aukerman, Managing Director of the Center for Ray Bradbury Studies. The “Bradbury Center”, as it’s known for short, is the place where Ray’s working papers are held in archive, along with the contents of Ray’s personal library, and many of his professional and personal artefacts such as awards, videotapes and film prints.

(16) BALESTRIERI JOINS READ-A-THON. A Bradbury Read-A-Thon is planned as part of the author’s centenary celebration: “Iowan to join top authors, celebs in sci-fi ‘read-a-thon’” RadioIowa has the story.

A library curator at the University of Iowa will join “Star Trek” actor William Shatner and a list of other celebrities, authors and science fiction experts in a Ray Bradbury Read-a-thon next month. The event on August 22nd will mark what would have been the famed author’s 100th birthday.

Peter Balestrieri, curator of science fiction and popular culture collections at the UI Libraries, says he’s thrilled to be taking part.

“The Read-a-thon will be about 40 people reading segments of Ray Bradbury’s famous novel, ‘Fahrenheit 451,’” Balestrieri says. “All of the clips from all of the different readers will be put together into one seamless audio-visual book.”

Balestrieri will read a six-minute portion of the book as part of the roughly-four-hour event. Top sci-fi authors who will also read aloud include Neil Gaiman, Marjorie Liu and Steven Barnes, as well as former NASA administrator Charles Bolden.

(17) THAT’S NOT GOOD NEWS. “Nasa: Mars spacecraft is experiencing technical problems and has gone into hibernation, space agency says” at Yahoo! News.

Nasa‘s Mars spacecraft is experiencing technical problems and has sent itself into hibernation, the space agency has said.

The spacecraft was sent to space Thursday in a launch that had no technical problems – even despite an earthquake that struck just before liftoff, and a preparation period that came during the coronavirus outbreak. Shortly after it was launched, Nasa announced that it had received its first signal from the spacecraft.

But soon after it was in space and headed towards Mars, it became apparent that something had gone wrong with the craft. After that initial signal, mission controllers received more detailed telemetry or spacecraft data that showed there had been a problem.

The signal, which arrived on Thursday afternoon, showed that the spacecraft had entered a state known as “safe mode”. That shuts down all but its essential systems, until it receives new messages from ission control.

The hibernation state is intended to allow the spacecraft to protect itself in the case of unexpected conditions, and will be triggered when the onboard computer receives data that shows something is not as expected.

Nasa’s engineers think that the state was triggered because part of the spacecraft was colder than expected while it was still in Earth’s shadow. The spacecraft has now left that shadow and temperatures are now normal, Nasa said in an update.

Mission controllers will now conduct a “full health assessment”, the space agency said, and are “working to return the spacecraft to a nominal configuration for its journey to Mars”.

(18) TOLKIEN SAYS. At BookRiot: “28 J.R.R. Tolkien Quotes From His Books, Essays, And Letters”.

“‘I wish it need not have happened in my time,’ said Frodo.
‘So do I,’ said Gandalf, ‘and so do all who live to see such times. But that is not for them to decide. All we have to decide is what to do with the time that is given us.’” —The Fellowship of the Ring

(19) NAVIGATING ON VIRTUAL SEAS. Mlex reports  on the Cyberpunk Culture Con (July 9-10), with some commentary on other virtual cons (BaltiCon, ConZealand, Fantastikon): “Cyberpunk Culture Conference”.

…I want to report on the recent virtual con, the Cyberpunk Culture Conference (Jul 9-10, 2020), which managed to swim perfectly through the fantastic milieu of the future that has already become the past, and floated out from the wreckage on that frenzied ouroboros of possibility waves as easily as a swimmer takes to an inflated tire inner tube on a summer pond.

The conference sprang up around recent books published by Routledge, which are quite excellent, I should add…

(20) 3D. [Item by Daniel Dern.] Great article about racing and 3D printing — “3-D Printing, a Boon for Racers, Inches Closer for Carmakers” — in the New York Times. Here’s two key ‘graphs from the top:

The Belgian racing team Heli had an engine problem. Specifically, under race conditions, the manifold of the four-cylinder turbo diesel in its BMW 1-series exploded, bursting along an ultrasonically welded seam that held together the manifold’s two halves.

…In 2018 Heli took the problem to ZiggZagg, a Belgian company that fabricates parts using an HP 3-D printer. ZiggZagg made a digital scan of the two-piece manifold and after 10 hours had a digital blueprint for a stronger, lighter, one-piece manifold. In its first race with the new manifold, printed using what is known as PA 12 nylon, the part held up and Heli took third. That same manifold lasted until the car was retired earlier this year.

(21) THE DRAGON RETURNING – MAYBE. NPR reports “Astronauts Set To Return To Earth In First U.S. Splashdown In Decades”.

The two astronauts that blasted off in the first private space vehicle to take people to the International Space Station are about to return to Earth — by splashing down in the waters around Florida.

This will be the first planned splashdown for space travelers since 1975, although a Russian Soyuz capsule did have to do an emergency lake landing in 1976.

NASA astronaut Douglas Hurley says that he and his crewmate Robert Behnken are prepared for the possibility of seasickness.

“Just like on an airliner, there are bags if you need them. And we’ll have those handy,” Hurley said in a press conference held on Friday, while on board the station. “And if that needs to happen, it certainly wouldn’t be the first time that that’s happened in a space vehicle. It will be the first time in this particular vehicle, if we do.”

The astronauts will come home in the same SpaceX Dragon capsule that took them up on May 30. Their flight marked the first time people had been launched to orbit from U. S. soil since NASA retired its space shuttles in 2011.

The success of their trip in the SpaceX vehicle has been a major milestone for commercial space travel, and a vindication of NASA’s long-term plan to rely on space taxis for routine flights to and from the orbiting outpost—while the government agency focuses on developing vehicles for a return to the moon.

The current plan is for the Dragon “Endeavour” capsule to undock from the International Space Station on Saturday at 7:34 p.m. ET, with scheduled splashdown at 2:42 p.m. ET on Sunday. There are potential splashdown zones both in the Atlantic and the Gulf of Mexico. With a hurricane headed towards Florida, however, it’s unclear if the weather will cooperate with the plan.

(22) VIDEO OF THE DAY. “Virtual Viewing:  Disney’s Cruise Line’s Tangled, The Musical” on YouTube is an hour-long musical, with three songs composed by Alan Menken, that was performed on Disney’s Cruise Line and is worth seeing for people who need a Disney musical fix.  (Hat tip to Mark Evanier.)

[Thanks to Darrah Chavey, Mike Kennedy, John King Tarpinian, Martin Morse Wooster, Michael Toman, John Hertz, Chip Hitchcock, Daniel Dern, Mlex, Cat Eldridge, JJ, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip Williams.]

Pixel Scroll 6/29/20 Three Arms Good, Four Arms Better

(1) NEW BOB SHAW EBOOK. Rob Jackson and David Langford’s new Ansible Press edition The Full Glass Bushel by Bob Shaw is now available as a free download in multiple formats at the Trans-Atlantic Fan Fund website (where they hope you’ll make a little donation to the fund if you please.) The official release date is June 30 but Langford gave File 770 permission to jump the gun.

Bob Shaw’s column “The Glass Bushel” in the legendary fanzine Hyphen has never until now been collected in full. Thirteen of these columns – selected by Bob himself – were brought together as the printed booklet The Best of the Bushel (1979) edited by Rob Jackson, introduced by Walt Willis and illustrated by Jim Barker – who has recreated his cover illustration for this ebook. A different though partly overlapping selection of fourteen columns appeared as 14 Bob the Bushel (1995) edited by Bruce Pelz.

The Full Glass Bushel includes the entire text of The Best of the Bushel and adds the remaining seventeen “Bushel” instalments from Hyphen, plus six non-Bushel pieces that Bob Shaw also published in Hyphen and two further columns from Science Fiction Review, where “The Glass Bushel” was briefly revived in 1984. All in all, it’s a huge feast of wit, wisdom and autobiography by one of our greatest fanwriters.

This collection complements The Serious Scientific Talks, issued as a TAFF ebook in November 2019. A third and even larger ebook of Bob Shaw’s other fanzine writings is in preparation, tentatively titled Slow Pint Glass.

New cover art and layout by Jim Barker, plus selected interior art by Jim from The Best of the Bushel. Edited by Rob Jackson (who has contributed a new introduction) and David Langford. 81,000 words.

Langford adds, “The page mentions a third Bob Shaw ebook still under construction, which currently contains nearly 80 articles — more than 120,000 words.”

(2) SLF SEEKS JURORS. The Speculative Literature Foundation is looking for people to read applications for their grants. More information on Facebook. There’s a $25 honorarium for serving.

The Speculative Literature Foundation needs jurors to read applications for the Diverse Writers and Diverse Worlds Grants, and the AC Bose Grant for South Asian Speculative Literature. Ideally, we’re looking for people who are well read in science fiction, fantasy and horror, but we’d also like a mix of readers, writers, librarians, teachers, editors, etc. who are capable of judging literary quality in a work. Please note: we’d love to have South Asian and South Asian diaspora jurors for the AC Bose Grant, but it’s not a requirement.

Jurors will probably read 25-50 applications, which includes a writing sample of no more than 5,000 words. Jurors will have about six weeks to read applications, select finalists, and choose a winner or winners for the grants, as can be seen in more detail below…
If interested, please send a brief note to Malon Edwards at malon@speculativeliterature.org with the subject line: JUROR. Please include the grant you wish to be a juror for and a paragraph about what your qualifying background is to serve as a juror: for example, your interest in / connection to the field. (i.e., “I’m an ardent reader!” or “I’ve been writing SF/F for seven years…”). Please feel free to ask any questions you may have as well.

(3) JULY BOOKS. [Item by Chip Hitchcock.] The New York Times list of books to watch for next month leads off with genre:

‘Afterland,’ by Lauren Beukes (Mulholland, July 28)

After the “Manfall” pandemic wipes out most of the men on the planet, Cole disguises her son — one of the last males on Earth — as a girl and tries to get him to safety before the government can snatch him. Their cross-country journey is treacherous, as they evade not only the Department of Men but also Cole’s sister, Billie, who is determined to separate mother and son. Beukes’s imagined world — complete with bootleg sperm and faux baby bumps — is a thrilling setting for an examination of maternal love.

Full list is probably paywalled. No other real genre cites, but #2 is Jeopardy! host Alex Trebek’s memoir, and deep in the list is a discussion of popular superstitions like the “devil” of the New Jersey Barrens.

(4) FROM VALLEY FORGE TO THE WINTER SOLDIER. Daniel D’Addario, in “Anthony Mackie and Daveed Diggs on Black Lives Matter, Marvel, and Hamilton” on Variety, has Mackie and Diggs interview each other, including promotion of Diggs’s role in Hamilton and Mackie’s in The Falcon and the Winter Soldier. “Anthony Mackie and Daveed Diggs on Black Lives Matter, Marvel and ‘Hamilton’”

Daveed Diggs: Congratulations on jumping into “Altered Carbon.” Are you a sci-fi head? Because I am, and you do an awful lot of sci-fi stuff.

Anthony Mackie: I’m not a big sci-fi person. I grew up on “Star Wars,” but I never got into anything futuristic. When I was in high school, there was this movie called “Starship Troopers.”

Diggs: Familiar.

Mackie: In New Orleans we had huge cockroaches. “Starship Troopers” freaked me out. I can’t do it, man. My imagination is too vivid. But “Altered Carbon” was great. If you look at the “Avengers” movies, I’ve never been the lead, or had to do that much action. It became a painstaking weekly hustle to finish that show.

(5) AS YOU WISH. “Watch the Celebrity-Filled Fan-Film Version of The Princess Bride”. Tagline: “A-list actors worked secretly in quarantine to create a rough-hewn, homemade version of the classic film and raise $1 million for charity. Vanity Fair has the exclusive look at three clips from the series, which will start showing this Monday on Quibi.”

Jeffrey Katzenberg loved the concept and was moved by the charitable effort, so Quibi made a $1 million donation to World Central Kitchen, which equates to approximately 100,000 meals, in order to distribute the handmade project.

The creators hope the footage can also provide some laughter to viewers in a time of hardship. Their scrappy version of The Princess Bride leans into its continuity lapses, utilizes absurd household props and back-of-the-closet costumes, and deploys multiple castings of the same roles to show that in a true fantasy, anyone can play anything.

Before we go any further, just watch some. It’ll be easier to explain after that.

That’s Josh Gad playing the little boy with a cold who is reluctantly told the swashbuckling story by his grandfather. If you’re wondering what the director of the original movie, Rob Reiner, thinks of this riff on his work—that’s him playing the grandfather in this sequence.

(6) HARRYHAUSEN CENTENARY. SYFY Wire identifies “5 Franchises That Owe Ray Harryhausen A Kraken-Size Debt On His 100th Birthday”. One of them is —

Jurassic Park

[Film Historian Bruce] Crawford: When they made the first Jurassic Park (1993), originally the full-body shots of the dinosaurs were to be realized through a form of stop-motion animation called go-motion, to be done by Phil Tippett. And even though they ended up using CGI instead, Tippett stayed on as one of the lead technicians, and many people on the crew, including Dennis Murren at Industrial Light & Magic — not to mention director Steven Spielberg — are huge admirers of Ray’s. Many of them cite movies like One Million Years B.C. (1966) and The Valley of Gwangi (1969) as the most inspirational dinosaur films ever made. That shows in the film. For example, the scene where the T. rex attacks the Gallimimus was modeled specifically after a key moment in The Valley of Gwangi.

Also, remember when the T. rex eats the lawyer? Well, the lawyer survived in the book. But in the movie, the T. rex bites him from the head down and lifts him up in his mouth — very much like that scene in The Beast from 20,000 Fathoms (1953), where the Rhedosaurus is rampaging around the city and snatches up a police officer. It’s one of the most iconic scenes in monster movie history, and Ray recognized that moment in Jurassic Park as an homage to his work. He was really touched by that.

(7) MEDIA BIRTHDAY.

  • June 29, 1979 Moonraker premiered. It was directed by Lewis Gilbert, and  produced by Albert R. Broccoli.  Screenplay was by Christopher Wood off the  Moonraker novel by Ian Fleming. It was the fourth Bond film to star Roger Moore. Supporting cast was Lois Chiles, Michael Lonsdale,  Richard Kiel and Corinne Cléry. Broccoli had originally intended to make For Your Eyes Only, but chose Moonraker because of the popularity of Star Wars. Some critics really liked it, some really hated it. (Connery thought it was crap.) Audience reviewers at Rotten Tomatoes give it a mediocre 43% rating. (CE)

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born June 29, 1900 – Antoine de Saint-Exupéry.  Author, aviator, illustrator, journalist.  His novella The Little Prince (1943) won the Retrospective Hugo and has been translated into 300 languages.  He was a viscount, a pioneer of international postal flight, a pilot in and out of war with 13,000 flying hours; his complicated heroic life and his works outside SF are worth study, as is LP which may be even more than it seems.  Prix FeminaPrix des AmbassadeursGrand Prix du roman de l’Académie française; inscribed in the Panthéon, Paris; Officer of the Legion of Honor; Croix de Guerre with Palm; U.S. Nat’l Book Award.  (Died 1944, maybe) [JH]
  • Born June 29, 1919 Slim Pickens. Surely you remember his memorable scene as Major T. J. “King” Kong in Dr. Strangelove? I certainly do. And. of course, he shows up in Blazing Saddles as Taggart. He’s the uncredited voice of B.O.B in The Black Hole and he’s Sam Newfield in The Howling. He’s got some series genre work including several appearances on Alfred Hitchcock Presents, plus work on The Man from U.N.C.L.E. and Night Gallery. (Died 1983.) (CE)
  • Born June 29, 1935 – Richard Harter, F.N.  In his words, “a collector who prizes his mint copy of Dick and Jane meet Robby Robot, a club fan who is … also a diamond fan and a spade fan, a fanzine fan whose multitudinous publications, if not always award winning, certainly ought to be, and a convention fan noted for attending conventions that no one else attended.”  Fellow of NESFA (New England SF Ass’n; a service honor); six entries in the history section of the NESFA Website.  Proposed the NESFA Hymnal.  Upon retirement, moved back to South Dakota, from which he remained active.  Always a Marine.  (Died 2012) [JH]
  • Born June 29, 1940 – Joe Sanders, 80.  Reviewer for AlgolDelap’sFantasy ReviewInt’l Ass’n for Fantasy in the Arts NewsletterLocusNY Review of SFSF Book ReviewSF ChronicleSF CommentaryStarlingStarship.  Wrote Roger Zelazny, a Primary & Secondary Bibliography (1980: who’ll do a 2nd ed’n?); E.E. “Doc” SmithScience Fiction FandomThe “Sandman” PapersThe Heritage of Heinlein (with T. Clareson).  Clareson Award after C died.  Professor emeritus, Lakeland Community College, Ohio.  [JH]
  • Born June 29, 1950 – Michael Whelan, 70.  Seven artbooks, from Wonderworks (edited by Kelly & Polly Freas) through Beyond Science Fiction with this exhibit.  Fifteen Hugos.  Fourteen Chesleys, recently for “In a World of Her Own”, which was made the Beyond cover.  Spectrum Award; SF Hall of Fame; 370 book and magazine covers, plus interiors.  Many times Guest of Honor including 56th and 65th Worldcons.  Among the very best.  [JH]
  • Born June 29, 1956 – David Mattingly, 64.  Hundreds of book and magazine covers for us, two thousand in all, plus interiors;  Chesley for the Amazing Sep 91 cover; two Magazine & Bookseller Best Cover of the Year awards.  Here is the Aug 81 Asimov’s.  Here is A Rising Thunder.  Guest of Honor at Boskone 25, Con*Stellation XX (some use Roman numerals, some don’t), Lunacon 49, Bubonicon 36 & 38, Canvention 38, Loscon 42.  [JH]
  • Born June 29, 1957 – Fred Duarte, Jr.  Chaired Fandom Ass’n of Central Texas; member of NESFA.  Chaired ArmadilloCon 9-10, 14, 17, Fan Guest of Honor at ArmadilloCon 33.  Co-chaired Westercon 49.  Chaired World Fantasy Con in 2000, 2006.  Chaired Smofcon 13.  Copperhead Award.  OGH’s appreciation is here.  (Died 2015) [JH]

(9) JUST NEEDS SOME BIPLANES PILOTED BY MICE. Mlex asks, “Does this count as genre?  I was thinking: King-Kong-esque.”

(10) LESS SUPER. “Betelgeuse: Nearby ‘supernova’ star’s dimming explained”. BBC will tell you all about it.

Astronomers say big cool patches on a “supergiant” star close to Earth were behind its surprise dimming last year.

Red giant stars like Betelgeuse frequently undergo changes in brightness, but the drop to 40% of its normal value between October 2019 and April 2020 surprised astronomers.

Researchers now say this was caused by gigantic cool areas similar to the sunspots seen on our own parent star.

There had been speculation that Betelgeuse was about to go supernova.

But the star instead began to recover and by May 2020 it was back at its original brightness.

Betelgeuse, which is about 500 light-years from Earth, is reaching the end of its life. But it’s not known precisely when it will explode; it could take as long as hundreds of thousands of years or even a million years.

When the giant star does run out of fuel, however, it will first collapse and then rebound in a spectacular explosion. There is no risk to Earth, but Betelgeuse will brighten enormously for a few weeks or months.

(11) ROWLING REITERATES. Incredibly, J.K. Rowling was back for another round on Twitter this weekend. Thread starts here:

And near the end:

Stephen King retweeted Rowling’s thread. He did not say why. Shortly afterward, another Twitter user told King: “You should address the TERF tweet. By telling us constant readers if you believe trans women are women.” He responded: “Yes. Trans women are women.”

(12) PUPPY ACTS OUT. P. Alexander, publisher of Cirsova, a 2017 Hugo nominee courtesy of the Rabid Puppies slate, today proclaimed “SFWA is a Terrorist Organization” [Internet Archive copy] due to its statement in support of Black Lives Matter.

…And it is for this reason that Cirsova Publishing has officially adopted the policy of recognizing the SFWA as a terrorist organization.

We strongly recommend any authors with good conscience leave this malign organization.

We strongly recommend any authors considering membership to avoid it.

While we will not make it a policy to ask, Cirsova Publishing will no longer consider submissions from new authors with SFWA credentials in the bio materials that they send us until the organization takes a real stand against racism and disavows and ceases supporting domestic terrorist groups.

(13) YOU WILL BELIEVE A MAN CAN FLY. They think this Hollywood artifact might go for $40,000. “Christopher Reeve’s Superman Cape Can Be Yours—For a Sky-High Price” – at Mental Floss.

…The cape appeared in 1978’s Superman: The Movie, 1980’s Superman II, and possibly 1983’s Superman III. According to Julien’s Auctions, the trademark red cape was used to film Reeve while he was mounted on a wire harness, for both blue screen and front projection work, to make it appear as though he was flying. Slits in the fabric accommodated the wires. There are also pockets at the bottom of the cape so rods could be inserted to make it seem as though it were flapping in the air.

(14) VIDEO OF THE DAY. In “The Last Airbender Pitch Meeting” on YouTube, Ryan George explains why boiling down hours of anime into a 90-minute movie doesn’t work.

[Thanks to John Hertz, JJ, Chip Hitchcock, Cat Eldridge, Michael Toman, Martin Morse Wooster, Andrew Porter, Mike Kennedy, Mlex, and John King Tarpinian for some of these stories. Title cedit goes to File 770 contributing editor of the day Anna Nimmhaus.]

Pixel Scroll 2/10/20 Universe Error: Not Enough SF Resources Found. Reboot Universe? Y/N

(1) BUSIEK TALKS ABOUT NEW SERIES, THE MARVELS. “Anyone. Anywhere. Anytime.” That’s how acclaimed writer Kurt Busiek describes his new ongoing series, The Marvels. Busiek said in an interview with Marvel.com

The whole idea of The Marvels is to be able to use the whole Marvel Universe — not just all the characters in it, but all the history of it. The sweeping scope of the whole thing. Big stuff can happen in the Marvel Universe, but we usually see it confined largely to the Avengers in Avengers, to the FF in Fantastic Four, and so on. The Marvels is intended as a freewheeling book that can go anywhere, do anything, use anyone. It’s a smorgasbord of Marvel heroes and history. It’s not a team. It’s a concept, or a universe, depending on how you look at it. The Marvels features the marvels — all the many and varied characters of the Marvel Universe. The heroes, the villains, the oddities — all of it. There’ll be popular characters of today, there’ll be obscure characters from long ago — heck, there’ll be story threads that take place in the past, or possibly the future. We’re not limited to just the present. And there’ll be new characters, too, from the street-level to the cosmic. There are three new marvels in the first issue, although a couple of them are only seen for a panel or so. But we’ll get back to them. I’d say “’the sky’s the limit,’ except in the Marvel Universe, there’s a lot going on beyond that sky. And it’s all open to us.

See the full interview and get a first look at the debut issue at the link The first issue hits the stand in May.

THE MARVELS #1. Written by KURT BUSIEK . Art by YILDIRAY CINAR. Cover by ALEX ROSS.

(2) UNCANNY FAVORITE. The winner of the Uncanny Magazine 2019 Favorite Fiction Reader Poll is “Away With the Wolves” by Sarah Gailey!

The rest of the Top Five are:
2- IS A TIE!!!
“The Dead, In Their Uncontrollable Power” by Karen Osborne!
“A Mindreader’s Guide to Surviving Your First Year at the All-Girls Superhero Academy” by Jenn Reese!
3- “A Catalog of Storms” by Fran Wilde!
4- “How the Trick Is Done” by A.C. Wise!
5- “This Is Not My Adventure” by Karlo Yeager Rodríguez!

(3) RUSSIAN AROUND. “A US House candidate says she was hacked — now she’s warning others” — Brianna Wu gave the story to TechCrunch.

“I cannot think of a reason not to share this with the public,” Brianna Wu tweeted.

“Two of my non-campaign Google accounts were compromised by someone in Russia,” she said.

Wu isn’t just any other target. As a Democratic candidate for the U.S. House of Representatives in Massachusetts’ 8th District, she has a larger target on her back for hackers than the average constituent. And as a former software engineer, she knows all too well the cybersecurity risks that come along with running for political office.

But the breach of two of her non-campaign Google accounts was still a wake-up call.

Wu said she recently discovered that the two accounts had been breached. One of the accounts was connected to her Nest camera system at home, and the other was her Gmail account she used during the Gamergate controversy, during which Wu was a frequent target of vitriol and death threats. TechCrunch agreed to keep the details of the breach off the record as to not give any potential attackers an advantage. Attribution in cyberattacks, however, can be notoriously difficult because hackers can mask their tracks using proxies and other anonymity tools.

“I don’t believe anyone in Russia is targeting me specifically. I think it’s more likely they target everyone running for office,” she tweeted….

(4) RETRO DRAMA. Mark Leeper is writing a three-part overview of all (he hopes) feature-length dramatic presentations eligible for the Retro Hugo. The installments will be available in the February 7, February 14, and February 21 issues of MT VOID. The first is here if you want to check it out.

The full article will be published on Mark’s web page (http://leepers.us) after the last one runs.

And the Leepers are asking for help to find a copy of Ghost Catchers (a.k.a. High Spirits) even if it’s not one of the main contenders.

(5) DOES WHATEVER A SPIDER CAN. The Disney Parks Blog watches as “Spider-Man Swings into Action Above Avengers Campus at Disney California Adventure Park”.

Guests visiting Disney California Adventure park prior to the opening of the Avengers Campus this summer can still encounter Spider-Man daily in Hollywood Land between his visits to Avengers Campus. As previously announced, Spider-Man can be seen in his exclusive, new suit designed by Ryan Meinerding, Head of Visual Development at Marvel Studios.

When Avengers Campus opens this summer, guests will be recruited to become the next generation of Super Heroes. The campus will be home to a variety of new experiences giving guests the chance to feel the power, adventure and exhilaration of teaming up with some of their favorite Super Heroes including:

  • The Worldwide Engineering Brigade – also known as “WEB” – which will house the new Spider-Man attraction where guests can sling webs alongside Spider-Man himself.
  • Pym Test Kitchen, an all-new eatery, where Pym Technologies Researchers are using Ant-Man and the Wasp’s growing and shrinking technology to create super-sized and super small foods.
  • Heroic encounters throughout the campus where guests can team up with some of their favorite Super Heroes including Spider-Man, Black Widow, Doctor Strange, the Guardians of the Galaxy, Black Panther and the Dora Milaje, Thor and Loki, Iron Man and for the first time, Ant-Man and The Wasp.
  • Avengers Headquarters where guests may witness Earth’s Mightiest Heroes springing into action at a moment’s notice all over the building.

(6) DAYS BEFORE OUR LIVES. Screenwriting award at Sundance goes to genre film Nine Days.

Keep an eye out for this one. Here’s the plot description from IMDb:

A reclusive man conducts a series of interviews with human souls for a chance to be born.

(7) SON WITH A SWORD. “Mandy Patinkin on ‘The Princess Bride’” – video at Yahoo!

One of actor Mandy Patinkin’s most popular roles was the 1987 fantasy, “The Princess Bride,” in which he played a man bent on revenge (“Hello, my name is Inigo Montoya. You killed my father. Prepare to die”). In this web exclusive he talked with correspondent Holly Williams about the legacy of his character.

(8) TODAY IN HISTORY.

  • February 10, 1957 Attack of the Crab Monsters premiered. It was produced and directed by Roger Corman, and it starred Richard Garland, Pamela Duncan, and Russell Johnson, the latter much better know for his Gillgan’s Island role. It was written by Charles B. Griffith who would later write The Little Shop of Horrors. It was profitable, the best showing by a Corman film to that date, earned the respect of critics for the way it was produced and scripted but currently has a lousy 30% rating among the 1.625 reviewers who gave an opinion at Rotten Tomatoes. Should you be inclined, you can watch it here.
  • February 10, 1957 Not Of This Earth premiered. It shared a double bill with Attack of the Crab Monsters. It like the other film was produced and directed by Roger Corman,  It stars Paul Birch, Beverly Garland, Morgan Jones, William Roerick, and Anna Lee Carroll. The film was written by Charles B. Griffith and Mark Hanna. Critics liked even better than its Attack of the Crab Monsters with one saying that it was “Corman’s most enjoyable science fiction film”.  Notes for this film note that the double bill made back four times what it cost to produce both films in the first week. So how does it currently rate at Rotten Tomatoes? Even worse than Attack of the Crab Monsters as it garners a pitiful 21% rating there from the roughly 400 reviewers. Like Attack of the Crab Monsters, it’s only roughly only an hour long and you can watch it here.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 10, 1906 Lon Chaney Jr. I certainly best remember him playing Larry Talbot in The Wolf Man but he has a lot of other roles as well: The Ghost of Frankenstein as The Monster (look, correct billing!), The Mummy’s Tomb as The Mummy Kharis or Son of Dracula as Count Dracula, he played all the great monsters, often multiple times. (Died 1973.)
  • Born February 10, 1910 Douglas Spencer. His most memorable role As an actor was as The Monitor on This Island Earth. As far I can call tell, he only had two other genre roles, one  as the First Martian in the “Mr. Dingle, the Strong” episode of Twilight Zone, two other as Ned Scott on The Thing from Another World, a Fifties horror film. (Died 1960.)
  • Born February 10, 1926 Hazel Court. She did The Devil Girl from Mars which has been noted previously in File 770,  The Curse of Frankenstein, a Hammer Film, and Doctor Blood’s Coffin. She did five different roles on Alfred Hitchcock Presents, and had one-offs on The Invisible Man, Danger Man, (at genre adjacent, isn’t it?), Thriller, Twilight Zone and Mission: Impossible. Her final role, uncredited, was in Omen III: The Final Conflict. (Died 2008.)
  • Born February 10, 1930 Robert Wagner, 90. He played the lead in the early Fifties Prince Valiant based off the Hal Foster strip. Next up is being George Lytton in The Pink Panther followed by the same in Curse of the Pink Panther. He’s Number Two in Austin Powers: International Man of Mystery, and the same in Austin Powers in Goldmember. He shows up as President James Garfield in Netherbeast Incorporated, a film that rated better at Rotten Tomatoes than I expected. His latest role is as Charles Benning in What Happened to Monday
  • Born February 10, 1958 Rupert Vansittart, 62. He was portrayed General Asquith in the two Ninth Doctor stories, “Aliens of London” and “World War Three”. He was Wyatt in The Saint: The Brazilian Connection, and Brian Babbacombe on Randall and Hopkirk (Deceased). Lastly, he had he recurring role on Game of Thrones as Yohn Royce. 
  • Born February 10, 1970 Robert Shearman, 50. He wrote the episode of Who called “Dalek” which was nominated for the Hugo for Best Dramatic Presentation, Short Form in 2006 at L.A. Con IV. (There were three Who entries that year and “The Empty Child”/”The Doctor Dances” won.) His first book, a collection of short stories called Tiny Deaths was a World Fantasy Award winner. He’s written a lot of short fiction since then, collected helpfully into two collections, displayed. Remember Why You Fear Me: The Best Dark Fiction of Robert Shearman and They Do the Same Things Different There: The Best Weird Fantasy of Robert Shearman.
  • Born February 10, 1976 Keeley Hawes 44. Ms Delphox/Madame Karabraxos In the most excellent Twelfth Doctor story “Time Heist”.  It wasn’t her first genre role as that would’ve been Tamara in that awful Avengers film. She also played Zoe Reynolds which is at least genre adjacent given where the story went. 
  • Born February 10, 1988 Jade and Nakita Ramsey, 32. Their longest running role was on The House of Anubis series with Jade as Patricia Williamson who in it for the entire run of one hundred and forty five episodes with  Nakita showing up for just six episodes. They’d later both be on A Haunting at Silver Falls: The Return playing Heather and Holly Dahl. They play twins frequently, even appearing once in a film with Cassandra Peterson, All About Evil.

(10) COMICS SECTION.

  • Have a lot of books? Frazz has a question about that.

(11) KEEP PREYING. “Box Office Analyst Explains Why Birds of Prey Disappointed in its Opening Weekend” at Comicbook.com.

Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) opened over the weekend to $33 million, marking the lowest opening for any film set in the DC Extended Universe and the lowest start for any DC film since Jonah Hex in 2010. According to Exhibitor Relations box office analyst Jeff Bock, the R-rated Birds of Prey is a “niche comic book movie” whose failings began with its title: not naming the Cathy Yan-directed film Harley Quinn after its starring character (portrayed by returning Suicide Squad star Margot Robbie) was a “huge misfire” for Warner Bros., who months earlier scored a billion-plus box office with the R-rated Joker.

(12) VALUABLE WILD CARD. Joker has gained acclaim, but also an equal amount of skepticism. YouTuber CinemaWins looks into the aspects of the film done well in his easily digestible format. (Spoilers)

Joker! Another one of those movies where everyone agrees and I can’t even imagine a single person getting upset! Here’s everything right with Joker!

Part I

Part II

(13) NO LONGER ON THE FORCE. Maltin on Movies interviews Peter Weller.

Actor, musician, director, renaissance man: Peter Weller is all of these, but he’s best remembered as the star of RoboCop. He’s also a fascinating conversationalist, as Leonard and Jessie were delighted to learn, with stories about such luminaries as Mike Nichols and Otto Preminger.

(14) TRAILER TIME. The full trailer for Minions: The Rise of Gru dropped.

(15) VIDEO OF THE DAY. Another cheap umbella.

[Thanks to Cat Eldridge, Chip Hitchcock, N., John King Tarpinian, JJ, Evelyn Leeper, Martin Morse Wooster, Mike Kennedy, Mlex, Michael Toman, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

Pixel Scroll 1/19/20 All That Is Scrolled Does Not Pixel, Not All Those Who File Are Fifth

(1) A MIGHTY LONG LIST. List Challenges presents “1000 Books You May Have Actually Read” — “Based on the number of ratings each book has on Goodreads. And if you haven’t read them, maybe you can use for a literature bucket list.”

I scored 169. The list has certain biases. If I’d read every book by Nicholas Sparks and Stephen King, I think I could have doubled my number. On the other hand, I got credit for a whole bunch of books I read aloud to my daughter when she was little.

(2) SINCE 9/11. At LA Review of Books, Yxta Maya Murray mines the applications of 2002 Creative Capital awardees to look at how these artists imagined a post-9/11 future: “Art Matters Now — 12 Writers on 20 Years of Art: Yxta Maya Murray on Artists’ Responses to 9/11”.

2002 was a historical hinge. Just a moment earlier, the United States had seemed to be enjoying a period of peace; now it was at war. The art of that year offers a time capsule that reflects the millennium’s complex transitions. Reeling from 9/11 but working on projects begun during the Clintonian boom, before the Towers fell, some artists in 2002 were still able to romanticize millenarianism and the future: rather than imagining the specifics of the violence that would descend with the war presidency of George W. Bush, artists such as Sawad Brooks and Sabrina Raaf, for example, revealed a fascination with a speculative tomorrowland that resembled the visions of sci-fi writers such as Isaac Asimov, Iain Banks, and William Gibson. But others, such as Tana Hargest, Sujata Bhatt, Suzanne Lacy, and Nick Cave, forecasted a more difficult future.

(3) DISNEY’S ARMY OF LAWYERS. IndieWire reports “Disney Is Cracking Down on Sellers of Unlicensed Baby Yoda Dolls”.

Ever since “The Mandalorian” premiered on Disney+ in November, the adorable “Baby Yoda” character has melted hearts and minds around the world. However, despite fervent requests for Baby Yoda dolls, Disney has been rather slow to respond to product demands, reportedly in order to keep Baby Yoda’s reveal in “The Mandalorian” pilot a secret per Jon Favreau’s request.

But the cat was out of the bag after the show’s premiere, and “The Child” quickly became a social media sensation. It shouldn’t then be a surprise that impatient fans have already taken matters into their own hands, with Etsy crafters and sellers creating their own unofficial Baby Yoda toys to capitalize on the demand. And for a while, the bootleg Baby Yoda market seemed to flourish.

Of course, it didn’t take long before Disney discovered this, and began issuing takedown notices, reminding Etsy that it owns the intellectual property rights to all Star Wars characters. And Etsy businesses with popular Baby Yoda products suddenly found their listings deactivated, at the request of Disney, according to The Verge.

(4) LEGO NEWS. In the Washington Post, Abha Bhattarai says that Lego is trying to market itself to Generation X people as a stress reliever, thinking that Gen X types “are more likely to drop $800 on a 7,541-piece Star Wars Millennium Falcon set or $400 for a Harry Potter Hogwarts Castle.” — “Lego sets its sights on a growing market: Stressed-out adults”.

Bhattarai says that Lego is trying to appeal to Gen X nostalgia by offering items such as the Central Perk cafe from “Friends” or a “vintage 1989 Batmobile.”  Also next month LEGO Masters will premiere as a competition show on FOX.

Another connection to sf:  Bhattarai says Lego posted a loss in 1998 but was saved when they got the license to produce Star Wars products

(5) BRICKS IN SPACE. And io9 spotted a massive Lego Star Wars fan project:  “This Custom Lego Version of Echo Base Is Ready for the Empire’s Siege”.

The sheer ambition of Lego creators never ceases to amaze me. Far from being satisfied with what Lego’s sets provide, these sculptors create incredible things. Like this version of Echo Base from The Empire Strikes Back, which is ready for battle.

Hopefully, this version will have a better fight than the one in the film, however. Clocking in at over 16,000 pieces, this Echo Base, created by YouTuber The Lego Room, is a custom build featuring the base’s hangar, medical chamber, and pretty much every other part you see in the films. It even has a fully motorized gate to keep the snow and the Empire out. Capping it off is an elaborate build of the Millenium Falcon, taking up a lot of hangar space.

(6) SAD STORY OF HARASSMENT. LA Times columnist Julia Wick writes: “A female mayor denounces the harassment she receives. Hours later, a man is arrested at her office”.

 If you are a woman who is so bold as to inhabit a vaguely public stage, chances are high that you will be called a lot of things that can’t be printed in a family newspaper. And then some.

It’s a truism that unfortunately appears to transcend industry or geography. Exist in public, and eventually an online mob will nitpick your looks, rate your sexual desirability in relation to your ability to do your job, and probably make threats vague and specific — regardless of whether you’re a female journalist, the founder of an indie game studio or trying to run a small city in the Central Coast region of California.

San Luis Obispo Mayor Heidi Harmon was fed up when she finally took to Facebook last Monday morning to call out the constant harassment she received.

(7) FIRST TIMER. Twitter user Yubi had never actually seen The Princess Bride and knew very little about it. Until now, when they did a watch through, and livetweeted their reactions. It’s really entertaining seeing them find out where so many common fan phrases and gifts came from. Thread starts here.

(8) MORE ABOUT STEVE STILES. The Baltimore Sun paid tribute to one of their own: “Steve Stiles, Hugo Award-winning comic fan artist of ‘Xenozoic Tales,’ dies at 76”.

…He did a two-year Army stint in the mid-1960s. A commanding officer told him: “If you can draw my girlfriend, you won’t get orders to go to Vietnam.”

“That’s exactly what happened,” said Elaine Stiles, his wife of 38 years. He was stationed instead at bases in Missouri and Virginia Beach.

Mr. Stiles was tasked with using his artistic talents to liven up the Army manuals for rifles and other equipment — following in the footsteps of one of his idols, the legendary comic artist Will Eisner, who had done similar jobs in the service during World War II.

More than 20 years later, while they were serving together on a science-fiction panel at a 1988 convention in Florida, Mr. Eisner complimented Mr. Stiles on his art.

“He was talking about it for the rest of his life,” Mrs. Stiles said.

(9) TODAY IN HISTORY.

  • January 19, 1967 Star Trek’s “Arena” episode first aired on NBC. It was written by Gene L. Coon  but after the episode aired , it was found to almost identical to one Fredric Brown had published in 1944 in Astounding Science Fiction. Coon then bought the rights to his story and Brown has been retroactively given a story writing credit. Not one but two actors play Gorn (Gary Combs and Bobby Clark), both uncredited, and Ted Cassidy is the Voice of Gorn Captain, also uncredited. This episode, aired in the first season is where the Federation is first mentioned.
  • January 19, 1990 — The first Tremors film premiered. It was directed by Ron Underwood and produced by Gale Anne Hurd, Brent Maddock, and S. S. Wilson, as written by Maddock, Wilson, and Underwood. It starred Kevin Bacon, Fred Ward, Finn Carter, Michael Gross, and Reba McEntire. It was the only film of six in total to get a box office release. It did poorly at the box office even though critics thought it well of it and thought it has a Fifties throwback vibe to it. It has an 75% rating at Rotten Tomatoes with an astonishing almost two hundred and forty thousand votes! 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 19, 1930 Tippi Hedren, 90. Melanie Daniels In Hitchcock’s The Birds which scared the shit out of me when I saw it a long time ago. She had a minor role as Helen in The Birds II: Land’s End, a televised sequel done thirty years on. No idea how bad or good it was. Other genre appearances were in such films and shows as Satan’s Harvest, Tales from the Darkside, The Bionic Woman, the new version of Alfred Hitchcock Presents and Batman: The Animated Series.
  • Born January 19, 1940 Mike Reid. He’s a curious case as he’s been in a number of SFF roles, usually uncredited, starting with a First Doctor story, “The War Machines” and including one-offs for The Saint, The Champions and Department S.  He is credited as playing Frank Butcher in Doctor Who: Dimensions in Time which you can watch here. (Died 2007.)
  • Born January 19, 1942 Michael Crawford, 78. He was the first Phantom of the Opera in Andrew Lloyd Opera’s play.  He did thirteen hundred performances in total. He did two other genre plays, Dance of the Vampires and The Wizard of Oz. He did an episode of One Step Beyond as well, though I’m not sure that was genre.
  • Born January 19, 1948 Michael J. Jackson, 72. Shows up on Dr. Who in the Fifth Doctor adventure, “The King’s Demons” as Sir Geoffrey. He played Sean Burns in a recurring role on Highlander, and played Richard I in The Legend of Robin Hood series. He was in The Morons from Outer Space as the Second Scientist.
  • Born January 19, 1954 Katey Sagal, 66. She voiced Leela on Futurama, the spaceship captain and head of all aviation services on board the Planet Express Ship.
  • Born January 19, 1957 Roger Ashton-Griffiths, 63. He’s no doubt best known for his role as Mace Tyrell on Game of Thrones. And yes he was on Doctor Who in a Twelfth Doctor adventure, “The Robots of Sherwood” as Quayle. He’s also had roles in Terry Pratchett’s The Colour of Magic,Tales from the Crypt, Torchwood, Brazil and Young Sherlock Holmes
  • Born January 19, 1962 Paul McCrane, 58. Emil Antonowsky in RoboCop whose death there is surely an homage to the Toxic Avenger.  A year later, he’d be Deputy Bill Briggs in the remake of The Blob, and he played Leonard Morris Betts in the “Leonard Betts” episode of the X-Files
  • Born January 19, 1981 Bitsie Tulloch, 39. She’s best known for her role as Juliette Silverton on Grimm. (I saw the first three seasons I think. It’s rather good.) She played Lois Lane in the Elseworlds event which she reprised during the Crisis on Infinite Earths even a year later.

(11) COMICS SECTION.

  • Close to Home shows a certain kind of gourmand in action.
  • The Duplex took a photo of my dating life from back in the day.
  • Free Range has a new idea for a nature park.

(12) PIXEL PACKIN’ POWER. [Item by Martin Morse Wooster.] In the January 15 Financial Times, Tom Faber reviews a concert at the O2 Brixton Academy in London by Hatsune Miku, a hologram who has a repertory of 100,000 songs.

Here, on her second European tour, she was performing to a mixed crowd:  ‘otaku’; Japanese subculture obsessives dressed in elaborate aqua wigs and microscopic skirts; other excited teens; and a smattering of baffled dads.  There was a real four-piece band on stage to support the synthesized vocals, but the players were left mostly in the dark as they tore through the signature J-pop genre crush of pop, metal, techno and trance.  The dreams and emotions were turned up to 11 from the first chorus, and for two hours they did not come back down  She sang big hits such as the buoyant, melodramatic ‘World is Mine’ and the English-language ‘Miku’ (sample lyric:  ‘Blue hair, blue tie, hiding in your WiFi’).  The misses outnumbered them, though, with an excess of polite guitar shredding and a particularly bloodless salsa number.

…While the 10-year-old hologram technology used in the show was not particularly impressive, Miku’s star continues to rise; she has just been added to the line-up at Coachella 2020.  Her name translates from Japanese as ‘first sound of the future,’ and while she doesn’t convince as a harbinger of the future of pop, she does suggest the future of fandom. After her last song, Miku exploded into a thousand cyan pixels.  The house lights came up and the crowd roared.  Next to me a man, sweaty and euphoric, screamed, ‘Thank you, Miku!’ into the empty air.

Hatsune Miku’s website is https://piapro.net/intl/en.html .

(13) RADIX OFFERS COPIES FOR AWARDS CONSIDERATION. Radix Media is offering review copies (printed or PDF) to anybody interested in considering their 2019 releases in the Futures: A Science Fiction Series for awards: “2020 Science Fiction and Fantasy Awards Eligibility”.

(14) DUNE WHAT COMES NATURALLY. MovieWeb talked to somebody who attended the screening: “First Dune Remake Footage Earns Big Praise, Gets Compared to Lord of the Rings”.

The first Dune footage has screened. The preview footage was shown to a small group of industry insiders and has already been hailed as “epic.” Principal photography wrapped not that long ago and Denis Villeneuve is currently in the post-production phase to prepare the long-awaited movie for release at the end of the year. As for the footage that was shown, it was mixed in with cast interviews and behind-the-scenes shots. It does not seem like it was intended for public release, so don’t expect to see it any time soon.

Sci-fi novelist Brian Clement was one of the lucky viewers of the first Dune footage and he has shared his thoughts online for fans. First of all, the footage did not have completed special effects, though Clement describes the cinematography as “beautiful,” while stating, “I’m not exaggerating when I say a lot of people will have goosebumps/tears when they see this movie (I might!). Heck, when they see the footage I saw they will.” The author had to choose his words wisely as not to catch any trouble with Warner Bros.

…A small amount of footage of Stellan Skarsgard as Baron Harkonnen was seen also seen in the Dune footage, along with a tiny bit of Jason Momoa. Brian Clement went on to tease that the choice of actor for playing Kynes will be a surprise for audiences, while Dave Bautista apparently looks “creepy” in the footage.

(15) OUT FOXED. “Disney culls ‘Fox’ from 20th Century Fox in rebrand”.

Disney executives have cut the word “Fox” from their 20th Century Fox film studio in an apparent bid to distance it from operations of the previous owner, Rupert Murdoch.

US media suggests Disney does not want to be associated with the media mogul’s highly partisan, right-wing Fox News network.

However, Disney has not clarified its reasons.

It bought the studio, with other media operations, in a $71bn deal last March.

20th Century Fox is known for producing some of the biggest films of all-time, including Avatar and Titanic.

(16) AVENUE 5. This is going to be longer than a “three-hour tour” — “Review: HBO’s ‘Avenue 5,’ a Tale of a Fateful Trip (in Space)” in the New York Times.

How far is Armando Iannucci’s new HBO comedy, “Avenue 5,” from his previous one, “Veep”? About a billion miles, give or take, or the distance from earth to Saturn, where the spaceship of the title is thrown off course, greatly increasing the time its load of unlucky tourists will have to spend on their interplanetary cruise.

Set 40 years in the future aboard a vessel that looks like a cross between the Starship Enterprise and a high-end mall, Iannucci’s new show would seem to be a radical departure from the acrid, of-the-moment political satire of “Veep” and his earlier British series “The Thick of It.” (Several of those shows’ writers, including Simon Blackwell, Tony Roche and Will Smith, have joined him on “Avenue 5.”)

But there are recognizably Iannuccian things about this space-com, which debuts Sunday. Like the politicians and operatives guiding the ship of state in “Veep,” the crew members of the Avenue 5 are an often amoral, small-minded and quarrelsome bunch whose constant sniping provides the bulk of the humor. Leading them is a captain, played by the “Veep” alumnus Hugh Laurie, who, like Vice President Selina Meyer, is not ideally qualified for his post.

(17) SAFETY FIRST. “SpaceX completes emergency crew escape manoeuvre” — includes video.

SpaceX has conducted a test of the abort manoeuvre it would use if one of its crew-carrying rockets ever developed a problem during flight.

The rehearsal at Kennedy Space Center saw a Falcon-9 vehicle’s ascent into the sky deliberately terminated just 80 seconds after lift-off.

The Dragon astronaut capsule on top fired its escape engines to carry itself clear of the “faulty” booster.

Parachutes brought the vessel to a safe splashdown some 30km off Florida.

No humans were involved in the practice abort; the only occupants of the Dragon ship were a couple of Anthropomorphic Test Devices, or “dummies”.

This was considered to be the last major milestone for California’s SpaceX company before the US space agency (Nasa) certifies the firm to carry astronauts to the International Space Station (ISS) later this year.

(18) NOT FOREVER MAN. Hey, don’t laugh, these’ll be very useful the first time there’s a mission to take over an integral tree: “US Space Force mocked for unveiling camouflage uniforms”.

The US Space Force has defended its newly unveiled camouflage uniforms after they were roundly mocked on social media.

The force, officially launched by US President Donald Trump last month, posted a picture of the uniform to its Twitter account.

The uniform in the picture has a woodland camouflage design with badges embroidered on the arm and chest.

Reacting to the uniform, many critics had the same question: “Camo in space?”

[Thanks to Rose Embolism, John King Tarpinian, Chip Hitchcock, Scott Edelman, Mike Kennedy, Martin Morse Wooster, Cat Eldridge, JJ, N., Michal Toman, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editors of the day Andrew and Meredith.]

Pixel Scroll 9/20/19 Pixels Are Finite, Scrolls Are Infinite

(1) TIPTREE BIOGRAPHER COMMENTS FURTHER. Julie Phillips, author of James Tiptree, Jr.: The Double Life of Alice B. Sheldon blogged about “On Tiptree and naming” on September 17.

A number of people are reading the manner of Alli and Ting’s Sheldon’s death as an instance of caregiver murder, in which a person with a disability is killed by a person responsible for caring for them. There is a pattern of murders like this being downplayed or dismissed as “understandable” because the caregiver “must have been under such strain.” This is extremely upsetting and hurtful to people living with disabilities. You can read more about this here and here. (Content warnings: suicide; Americans’ appalling lack of access to heath care.)

Mostly I’ve been asked for factual answers: Did it happen? Did it not happen? It may be that a name that calls up painful associations should be changed in any case. But I believe it matters to talk about what we know and don’t know, and here are some thoughts about Ting’s and Alli’s choices.

(2) GETTING WARMER. Andrew Liptak chronicles sff’s track record with other issues before asking “Does Science Fiction Have a Moral Imperative to Address Climate Change?”

… Topics such as pollution, overcrowding, and a warming Earth began to appear more frequently within the genre. Harry Harrison’s 1966 novel Make Room! Make Room! (later adapted—and firmly embedded in pop culture consciousness—as Soylent Green) examined the plight of an overcrowded Earth, though today the main drivers of climate change are far less attributable to rising populations in less developed areas of the world and far more to do with mass consumerism in the developed world.

J.G. Ballard’s 1962 novel The Drowned World specifically imagines a post-apocalyptic 2145 in which global warming (caused by solar wind heating the atmosphere, rather than specifically fossil fuel emissions) lead to sea-level rise, ruining London. Even nearly 60 years ago—long before “climate change” had become a source of widespread anxiety, it was a stark vision; reviewer Peter Brigg noted, “Ballard created in this novel the most pervasive demonstration of the frailty of ‘technological’ man.”

(3) NEW SFF COMPETITION. The Clarke Award is publicizing “A New Science Fiction Competition For Young People”. 

The Rumble Museum, in association with the Arthur C. Clarke Award, is delighted to announce a national science fiction competition for young people who would like to see their ideas turned into a short story by a professional science fiction author.

Anyone 15 years or younger can enter, and full entry details can be found here. Deadline for entries October 31.

HOW TO ENTER

To enter, please submit a premise and opening lines for a science fiction short story. We would like to see a description of the world or society your story is set in, an outline of the main characters and plot, and first 350 words or first page.

(4) SIXTY-FOUR ON THE FLOOR. Galactic Journey contributors assemble! A trio of reviewers comment on the latest (in 1964) novels from PKD, Leiber, Bulmer and Farmer in this omnibus post: “[September 20, 1964] Apocalypses and other trivia (Galactoscope)”. Jason Sacks begins —

…Like many fans, I first became really aware of Philip K. Dick after he won the 1963 Hugo Award for Best Novel for his remarkable The Man in the High Castle. That book dazzled in its chronicle of an alternate history in which the Nazis and Japanese won World War II (which opened up many areas of thought and conversation for me and my friends) as well as in its brilliant world-building and the fascinating, multifaceted characters at the heart of Dick’s award-winner.

High Castle was also an amazingly tight novel, packing a dense plot into its mere 240 pages. As many of us Dick fans have learned, not all of his works are quite so tightly plotted. I adored his Martian Time-Slip and Dr. Bloodmoney from last year, but those books tended to both delight and annoy in their meandering, nearly stream-of-consciousness styles.

The newest Philip K. Dick novel, The Penultimate Truth (just out in paperback from Belmont) fills a bit of the gap between his ’62 masterpiece and the challenging ’63 books. This thoroughly delightful book wanders a bit but always held me in its comforting grasp.

(5) LID O’CLOCK ROCK. Alasdair Stuart’s newest Full Lid embraces the profoundly weird career of Gerard Butler, examines the Hot Zone and attends the Battle of Big Rock: “The Full Lid 20th September 2019”

(6) IT’S THE PITTS. NPR’s Chris Klimek reports that “‘Ad Astra’ Soars”

With its austere surfaces and jaundiced view of humanity’s interplanetary destiny, James Gray’s stirring sci-fi epic Ad Astra can’t help but evoke Stanley Kubrick’s 2001: A Space Odyssey, the paterfamilias of all “serious” space movies. But in fact it’s a closer cousin to another long-delayed, wildly over-budget spectacle that initially fared better with ticket-buyers than critics, only to be revealed in time as a masterpiece: Francis Ford Coppola’s Apocalypse Now.

Like Coppola’s surreal Vietnam War movie, Ad Astra is told to us by a haunted man on a mission into the unknown. After a thrilling set piece involving an unplanned high-altitude skydive from the “International Space Antenna,” Brad Pitt’s Major Roy McBride is dispatched to investigate the cause of a series of destructive cosmic ray bursts emanating from Neptune.

McBride is given the task because his superiors believe these disruptions might somehow have been caused by his father (Tommy Lee Jones), commander of an exploration mission that was presumed lost some 16 years earlier. In the event the old man has somehow survived and gone all Colonel Kurtz on them, they’re hoping his baby boy might be able to talk him down.

One needn’t have seen 2001 — or for that matter, last year’s undervalued Neil Armstrong biopic First Man — to grok that emotional availability is the one area in which McBride is seriously deficient. (His heart rate has never risen above 80, his dossier says.) In space, no one can hear you cry…

… though they are sometimes privy to your internal monologue. “We are the world-eaters,” McBride laments in voiceover as he takes in the Applebees and Hudson News shops that pimple the near side of the moon in the mid-to-late 21st century. The only thing Ad Astra shares with the comparatively upbeat adventure The Martian is a notion we might be wiser to leave space exploration to our robots. We see McBride file a psychological self-evaluation each time he’s getting ready to launch; only if the A.I. concurs with his assessment that he’s fit to fly is he permitted to go.

(7) TODAY IN HISTORY.

  • September 20, 1979 — The film version of Buck Rogers was edited for television as “Awakening” to serve as the very first episode of Buck Rogers in the 25th Century. It would last two seasons.
  • September 20, 2006 Jericho aired its pilot episode on CBS.  It was cancelled after its first full season, because of poor ratings. A fan campaign persuaded the network to bring the show back for another season, of seven episodes, after which it was cancelled again. IDW has done two seasons in comic book form. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 20, 1935 Keith Roberts. Author of Pavane, an amazing novel. I’ll admit that I’ve not read anything else by him, so do tell me about other works please. (Died 2000.)
  • Born September 20, 1940 Jonathan Hardy. He was the voice of Dominar Rygel XVI, called simply Rygel, once the royal ruler of the Hynerian Empire, on Farscape.  He was also Police Commissioner Labatouche in Mad Max, and he had a one-off in the Mission: Impossible series that produced in his native Australia in the “Submarine” episode as Etienne Reynard. (Died 2012.)
  • Born September 20, 1948 George R. R. Martin, 71. I’ll admit that I’ve only read the first two volumes of ASOFI.  I loved The Armageddon Rag and think that he’s a wonderful short writer.  And no, I’ve not watched A Game of Thrones. 
  • Born September 20, 1955 David Haig, 64. He played Pangol in “The Leisure Hive” a Fourth Doctor story. He also showed up on Blake’s 7 in “Rumours of Death” as Forres, and was Colonel Bonnet in The Adventures of Young Indiana Jones: Tales of Innocence. He’s also General Vandenberg in the 2006 film remake of A for Andromeda. Finally, I should I should he’s The Player in Rosencrantz and Guildenstern Are Dead done at The Old Vic a few years back. 
  • Born September 20, 1959 James Blaylock, 69. One of my favorite writers. I’d recommend the Ghosts trilogy, the Christian trilogy and The Adventures of Langdon St. Ives whichcollects all of the Langdon St. Ives adventures together as his best writing, but anything by him is worth reading. 
  • Born September 20, 1986 Aldis Hodge, 33. He plays Alec Hardison on Leverage. Ok, I know it’s not SFF but if there’s a spiritual descendant of Mission: Impossible, this series is it. Both the cast and their use are technology of that series are keeping with MI spirit. He’s also had one-offs on CharmedBuffy the Vampire SlayerSupernaturalThe Walking Dead, Star Trek Discovery’s Short Takes and Bones (which given that it crossed over with Sleepy Hollow…)
  • Born September 20, 1989 Malachi Kirby, 30. He shows up on Doctor Who as Gastron in “Hell Bent”, a Twelfth Doctor story, and he’s on Black Mirror as Stripe in their “Men Against Fire” episode. 

(9) MAKER MAKES NEWS. In the Washington Post, Patti Restivo profiles cosplayer Kyle Wilhelm, whose crosstitiching on his costume as “Wolf Shaman” at the Maryland Renaissance Festival was so good that he got an apprenticeship at Outback Leather, whose clients include  the Renaissance Festival, Medieval Times,  a nearby horse racing track, and several motorcycle clubs. “A costume wizard brings his skills to Maryland Renaissance Festival”. Photo gallery here.

…Like Sargent, Wilhelm describes himself as mostly self-taught. He said he trained as a blacksmith and in animal care-taking, and previously worked part-time gigs as an actor, model and stuntman.

For at least a decade, the 29-year-old said he did leather crafting in his basement before landing at Outback Leather with Sargent and finding his calling.

“Ron’s like my second dad,” Wilhelm said.

(10) HUGO LONG LIST. David Steffen says his “Long List Anthology Volume 5” Kickstarter has now raised enough money to acquire all the stories he could get the rights to.

After the Hugo Awards each year, the World Science Fiction Society (who administer the award) publishes a longer list of works that fans cast nomination votes for.  The works on the ballot get a lot of attention, the purpose of this anthology is to get more readers for these other stories that were also loved by so many fans.  The result each year is a big and ecclectic collection of fiction very different in tone and theme that can act as a sampler for work enjoyed by the Hugo voting audience.

This project is not endorsed by nor affiliated with the Hugo awards, WSFS, WorldCon, or any associated entities. The Hugo name is used with permission.

(11) ALL WET. LAist shows why it’s only natural that a 20-minute theme park show would be more successful than the namesake 3-hour movie: “What Universal Studios’ Waterworld Got Right About A Stunt Show, Wrong About Climate Change”.

“It’s a really odd situation where I think the attraction is far more popular than the movie, in most ways,” Shawn Marshall of theme park site Parks And Cons said. “Probably for a lot of theme park fans, when you say ‘Waterworld,’ we’re all thinking of the Universal show moreso than the movie at this point.”

If you haven’t seen the show, it simplifies the movie’s story and packs it into 20 minutes of pure action. After a pre-show getting the crowd hyped and explaining/showing that you may get very, very wet if you’re in the splash zone, a deep voice comes on over the loudspeakers to explain the story.

(12) THIS IS GENIUS. Richard Paolinelli sent a DMCA takedown notice to the Internet Archive requiring them to remove all saved copies of pages from his blog. And they did. What a hack! Who would have thought he had it in him.

(13) HUNGER GAMES FOR ADULTS. NPR’s Jason Heller finds that “‘The Divers’ Game’ Depicts An Unimaginably Unjust, All Too Believably Cruel World”.

Dystopian stories are, in essence, thought experiments. And few come as thoughtful as The Divers’ Game.

The latest novel from acclaimed author Jesse Ball depicts a world both unimaginably unjust and all too believably cruel: Society has been split into two distinct halves, the pats and the quads, with the former group given unchecked supremacy over the second. It isn’t the most original premise in dystopian fiction, but Ball clearly isn’t trying to reinvent any genre tropes. Rather, he’s plumbing the depths of a familiar conceit, attacking it from a fresh angle, and constructing a parable that’s jarring in its subtle complexity and profound, horrific revelation.

…Ball’s bombshell is undisguised and unapologetic: He’s taking dead aim at current U.S. policy in regard to immigration and the detention of asylum-seekers, and the repercussions he speculates upon leave no doubt as to his standpoint on the topic — even as he expresses them in nested sequence of vicious satire. But his series of modest proposals culminates in the second section of the book, in which the titular’s divers’ game is unveiled. It’s a game played by quad children, and it’s as much of a Shirley Jackson-esque premise as it is an exquisite probe of liminal zones and psychogeography between the privileged and the oppressed.

(14) “…WHAT YOU THINK IT MEANS”. “Remake The Princess Bride? Inconceivable!”

Another week, another set of divided opinions online about, well, almost everything.

But this week one thing seemed to unite most people – if Twitter is anything to go by, at least.

Remaking the classic 1987 film The Princess Bride is a bad idea. An even worse idea, in fact, than getting involved in a land war in Asia.

The debate was started by an interview by Variety with Norman Lear, the film’s producer.

He said “very famous people, whose names I won’t use, but they want to redo The Princess Bride.”

Even that tantalising hint was enough to make many fans reach for the gifs.

(15) SHE’S A WONDER. SYFY Wire pens “An ode to Robin Wright, from princess to queen”.

Robin Wright’s breakout role as Buttercup in The Princess Bride left a mark on a lot of childhoods, and it would be difficult to dismiss the importance of that role in her film career going forward. While she’s gone on to play a wide variety of complicated characters, it is also true that the no-nonsense and self-possessed attitude of Buttercup would be a defining characteristic, not just of Wright’s career, but of Wright herself.

More recently, Wright had the chance to play a new icon of feminine power for audiences of all ages with her role as General Antiope in Wonder Woman. In many ways, these are two incredibly different characters, but they both carry with them that sense of sustained defiance that audiences have come to admire in many a Robin Wright role.

[Thanks to John King Tarpinian, JJ, Chip Hitchcock, Andrew Liptak, Michael Toman, Martin Morse Wooster, Mike Kennedy, Cat Eldridge, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 10/20/17 The Fan In The High Pixel

(1) WELCH’S STAR WARS VINTAGES. Collect and swill ’em all!

The Force is strong with these ones! Welch’s new Star Wars™ themed Sparkling Red 100% Grape Juice is the perfect addition to your celebration, or to your collection. Find all 4 unique designs, including the limited edition!

(2) PULLMAN ON THE AIR. Starting next Monday, BBC Radio 4 is presenting a 10-part audio narration of Philip Pullman’s La Belle Sauvage, volume 1 of Pullman’s new The Book of Dust trilogy.

Episode 1 at 10:45 PM (GMT), Monday 10/23. As usual with BBC, the episodes will be available for online listening “shortly after broadcast”.

This is part of BBC’s Book At Bedtime series, which is more of an audiobook-on-radio than the dramatic adaptations they’ve done elsewhere on their schedule.

Accompanying the novel installments will be nonfiction essays by Pullman, “Dreaming of Spires”:

In these personal, entertaining and deeply thoughtful essays, Philip Pullman examines the art of storytelling.

Written over a period of 30 years, they reflect on a wide range of topics including the origins of his own stories, the practice of writing and the storytellers who have most inspired him.

(3) FORMERLY FORBIDDEN. Cat Rambo conducts an “Interview with Sherwood Smith on Omniscient Point of View in the Inda Series”.

Recently the question of omniscient POV has come up in several classes, so I started reading some examples of it. One of the best I hit was Sherwood Smith’s Inda series. I figured, why not go to Sherwood and ask some questions about how she pulled that off.

What drew you to using omniscient point of view for the Inda series? What sorts of stories work particularly well with that POV? Were there any models that you looked when working with it?

I had always written in omni. I’m a visual writer (with all its pluses and pitfalls), which means I see a movie in my head—not just dialogue but characters’ inner lives. Omni always seemed the easiest way to get that movie down.

But when I started selling, I was told to switch to limited third, which I had to learn.

Segue up a couple decades, I was desperate to escape the limitations of third, and omni was no longer (trigger doom music) Forbidden….

(4) BECKY CHAMBERS’ NEXT NOVEL. Hodderscape invites you to “Read the first extract from Becky Chamber’s Record of A Spaceborn Few

When we heard that Becky Chambers was writing a new book set in the world of the Wayfarers we were over the moon. When we read the blurb and heard that one of the main characters was an alien academic (squee!) we were way over the moon and somewhere near Jupiter. Then we read this extract and we shot into a whole other galaxy entirely.

Record of a Spaceborn Few arrives 26th July 2018 and is available to pre-order now.

(5) FILERS AND REFILERS. Librarians at an Auckland public library kept finding books that had gone missing from their shelves “reshelved” in nooks & crannies.  Turns out bookloving homeless people were responsible (because they didn’t want the books to be lent out before they got a chance to finish reading). The New Zealand Herald has the story: “The curious case of the missing books at Auckland Library”.

“A lot of the guys that come in are extremely well-read and have some quite eccentric and high-brow literary tastes … people are homeless for so many different reasons, and being intelligent and interested in literature doesn’t preclude that.”

According to Rivera, around 50 homeless people visit the library daily.

The story also has been taken up by The Guardian.

(6) FOR YOUR SJW CREDENTIAL. Cat bowls hand-painted by celebrities are being auctioned for the benefit of “Architects For Animals Giving Shelter”. They include the handiwork of William Shatner, Elvira, and Jeri Ryan.

(7) HOVERCRAFTER. IBM’s Science and Star Wars video series talks about how superconductors are the future of mass transportation – an installment featuring Kevin Roche, engineer scientist at IBM Research Almaden who coincidentally is also chair of next year’s Worldcon in San Jose.

(8) EATING THE FANTASTIC. Episode Five-Oh! Book ‘em, Danno! Scott Edelman invites everyone to “Bask in Basque beef stew as Eating the Fantastic turns 50 with guest Xia Jia”.

Here we we are, more than 20 months later, and those of you who’ve followed my journey have listened as I’ve shared at times full meals—at times a donut, during my two lightninground episodes—with more than 75 guests. And the feasting’s not over yet!

This time around, I’m inviting you to join me and my guest for lunch during Worldcon at Parrilla Española, the oldest Spanish restaurant in Helsinki.

And who is this episode’s guest?

Xia Jia, whose short stories have been published in Nature, Clarkesworld, Year’s Best SF, Science Fiction World, and many other venues. She’s won five Galaxy Awards for Chinese Science Fiction as well as six Nebula Awards for Science Fiction and Fantasy in Chinese. But her science fiction skills have been visible on more than just the page, because she directed the 2007 science fiction film Parapax, in which she also acted, appearing as three different identities of the protagonist across parallel universes.

We discussed how reading science fiction gave her the courage to take risks; what it means when she says she writes not hard SF, nor soft SF, nor slipstream, nor cyberpunk, but “porridge sci-fi;” why Ray Bradbury matters so much to her; the challenges of writing in Chinese, writing in English, and translating from one language to the other; our mutual love for Italo Calvino’s If on a Winter’s Night a Traveler; how The Three-Body Problem changed the perceptions of science fiction in China, why she has faith she’ll eventually get to Mars, and more.

(9) MAY OBIT. Julian May (1931-2017) died October 17.

John Hertz profiled her in “May the Force Be With Her” in 2015, after he accepted her First Fandom Hall of Fame Award on her behalf.

She has always spelled her name Julian, and although after marrying T.E. Dikty (1920-1991, elected posthumously in 2013) she sometimes declared copyright as Julian May Dikty, she continued to write under the name Julian May — among others, including, I’m told, Wolfgang Amadeus Futslogg, by which I dare not address her.

Her fanzine was Interim Newsletter, rendering her to some extent a surrogate for all of us. Her story “Dune Roller” was in the December 1951 issue of Campbell’s Astounding, with four interiors by herself (it was made into a 1972 film, credited to her as Judy Dikty). Eight months later she chaired Chicon II, at the age of twenty-one….

(10) TODAY IN HISTORY

  • October 20, 1932 — James Whale’s The Old Dark House opens in theaters.
  • October 20, 1943 Son of Dracula premieres.

(11) TODAY’S BIRTHDAY BOY

  • October 20, 1882 – Bela Lugosi

(12) COMICS SECTION.

John King Tarpinian believes in Frankensteinly speaking as practiced by The Argyle Sweater.

(13) SPEAK UP. Mary Robinette Kowal is boosting the signal.

(14) SOUND INVESTMENT.  Atlas Obscura takes us “Inside the World of a Halloween Sound-Effects Artist”.

…Jumping ahead to the late 1950s, vinyl records allowed people to bring albums of sound effects home. Novelty records by the likes of Spike Jones, featuring funny monster songs and spooky stories set to eerie effects, became popular. However, possibly the first record with a track of just spooky sounds seems to be a record released by Disney in 1964 called Chilling, Thrilling Sounds of the Haunted House. The album features effects that are now Halloween staples: moaning ghosts, barking dogs, clattering chains, and screaming victims, interspersed with short, often comedic, vocal segments that established them. “Disney’s Haunted House album, which was rereleased in 1995, seems to have become a staple in the U.S.A. in particular,” Haggerwood says.

(15) ANOTHER WORLD. At Nerds of a Feather, The G kicks off a new series of posts: “WORLDBUILDING: A Big World and Beyond”.

Welcome to the first post in our Worldbuilding series, where our writers explore various elements of imagining place, people and culture. Today I’m going to discuss where inspiration for fantasy worlds comes from, and what I’d like to read more of in that regard. Obligatory disclaimer: this is an opinion piece. You may agree, if our tastes align or if the arguments put forth resonate with you; or you may disagree, if they do not. That’s healthy. There is ample space for all kinds of approaches to fantasy, and life would be boring if we all wanted to read the same things. -G

Second-world fantasy is not historical, but draws from human histories, cultures and mythologies. The most famous and influential fantasy author, J.R.R. Tolkien, drew heavily from Nordic and Celtic mythologies in constructing Middle Earth. Most fantasy published since The Lord of the Rings has been similarly Eurocentric, utilizing the tropes he established and/or popularized as well as other widely-known (European) sources: Arthurian Legends, the Brothers Grimm, Niebelungenlied and various medieval bestiaries. Many, like Tolkien, are also in a sense a retelling of Song of Roland, or Herodatus–wherein a “civilized” stand-in for the West is threatened by a horde from the geographic periphery.

(16) TASTER’S CHOICE. Also at Nerds of a Feather, Charles Payseur uploads his monthly short fiction reviews: “THE MONTHLY ROUND – A Taster’s Guide to Speculative Short Fiction, 09/2017”.

The stories very much run the gamut between joyous and crushing, but each one is beautiful in its own way, and each brings its unique flavor to this early autumn tasting experience. So settle in and raise a glass, and let’s get to it. Cheers!

Tasting Flight – September 2017

“Pan-Humanism: Hope and Pragmatics” by Jess Barber and Sara Saab (Clarkesworld)

Notes: Expertly balanced between darkness and light, the story tastes like a breath of fresh air after a lifetime of smog, warms and lifts and offers a hope of healing.

Pairs with: Amber Bock

Review: Amir and Mani grow up in a Beirut strained by climate change, by water-scarcity, by the fear of doing greater harm. Both characters, because of their world and because of the weight of history, know only too well the cost of possession, of privatization. Both enter into service to try and heal the planet and bring water and hope and life back to a world that is on the brink. At the same time, they find themselves drawn to one another, and yet mindful that how humans treat the world, and how they treat each other, is linked, and that treating people like possessions, just like treating the Earth like a possession, leads only to corruption, deprivation, and loss. The story, through the exploration of these characters lives and relationships, begins to build a picture of what it might take to make the world work better. It stresses that it’s not technology alone that will save us, because without a philosophy to match, the exploitation and consumption will continue to escalate, pushing past all obstacles and barriers and safeguards. I love how the story implies that humanity needs a different framework in order to respect humans and the environment, in order to put cooperation and compassion ahead of personal ambition or passion. And it is a beautiful story that touches on how love still works in this philosophy, not quite in the same way that we now expect but still in profound and powerful dimensions that allow Amir and Mani’s story to be one of hope and healing and triumph, even as it is often about longing and distance as well. It is an amazing piece, and one of my very favorite stories of the year, period.

(17) WHERE NO MAN HAS GONE. At Centauri Dreams, an interesting piece on whether robotics might make the traditional SF vision of asteroid mining practical — “Robotic Asteroid Mining: Bootstrapping the Solar System Economy”.

While the prospects for humans in space dimmed somewhat, a renewed flowering of developments in AI and robotics burst onto the scene with capabilities that astonished us each year.  On the endlessly orbiting ISS, while astronauts entertained us with tricks that we have seen since the dawn of spaceflight, autonomous robots improved by leaps and bounds.  Within a decade of a DARPA road challenge, driverless cars that could best most human drivers for safety appeared on the roads.  Dextrous robots replaced humans in factories in a wide variety of industries and threaten to dramatically displace human workers. DeepMind’s AlphaGo AI beat the world’s champion GO player with moves described as “beautiful” and well within the predicted time frames.  In space, robotic craft have visited every planet in the solar system and smart rovers are crawling over the face of Mars.  A private robot may soon be on the Moon.  In orbit, swarms of small satellites, packing more compute power than a 1990 vintage Cray supercomputer, are monitoring the Earth with imaging technologies that equal those of some large government satellites. On Earth we have seen the birth of additive manufacturing, AKA 3D printing, promising to put individual crafting of objects in the hands of everyone.

What this portends is an intelligent, machine-based economy in space.  Machines able to operate where humans cannot easily go, are ideally suited to operating there.  Increasingly lightweight and capable, and heedless of life support systems, robotic missions are much cheaper..  How long before the balance tips overwhelmingly in the machines’ favor? Operating autonomously, advanced machines might rapidly transform the solar system.

(18) FASHION VIOLATIONS. Kelly Woo’s Yahoo! piece, “Halloween horror: 19 terrible ‘sexy’ movie and TV costumes no one should ever wear”, is clickbait that warns that women who want to dress up as Sexy Freddy Kruger, Sexy Strawberry Shortcake, and Sexy Remote Control, don’t do it!

So-called sexy Halloween costumes have gotten out of control in the last few years, with manufacturers doing their best to crank out a “sexy” version of pretty much anything. Even characters that have no business being sexy are now tarted up — and it’s time for the madness to end. Click through to see 19 terrible “sexy” pop culture costumes that simply should not exist.

(19) KEEPS ON TICKING. Lisa Taylor is enthusiastic about The Salt Line by Holly Goddard Jones — review at The Speculative Herald.

I’ll cut straight to it: The Salt Line is one of my favorites for the year. The entire concept of killer ticks sounds like it could be campy or over the top. That is not at all the case. The ticks are described in such a realistic and terrifying way that it truly becomes plausible. Or at least feels plausible. The author is able to use enough facts grounded in science to create this terrifying epidemic. This book did remind me a bit of Joe Hill’s The Fireman in that way. It depicts a world that has been ravaged by some disease, where people’s ways of life are altered because of them. I suppose there are a number of books that could fit this, but the over all tone and presentation and just the quality of writing put me in mind of Hill. That is a huge compliment from me as Hill is one of my favorite, must read authors.

(20) IT IS THE END, MY FRIEND. Talk about “news to me” – I never heard there was another ending: “Frank Oz restores dark original ending of ‘Little Shop of Horrors’ for Trump era”.

The first time Warner Bros. screened Little Shop of HorrorsFrank Oz’s 1986 film musical, test audiences ate it up like a bloodthirsty plant devouring a sadistic dentist. They rooted hard for Seymour (Rick Moranis), the nerdy 1960s shop assistant who makes a devil’s bargain with a man-eating plant to win the love of his co-worker Audrey (Ellen Greene). Every scene met with laughter and applause — until the plant devoured Seymour and Audrey, and the audience went silent. After two previews and many livid comment cards, Oz and screenwriter Howard Ashman decided to scrap the original, 23-minute ending — in which the plant eats everyone and takes over the world — in favor of giving Seymour and Audrey their happily-ever-after. Oz has no regrets. “My job is to entertain,” he tells Yahoo Entertainment, and the new ending was “more satisfying to the audience.” However, film fans have long mourned the disappearance of the original ending, which included a heartbreaking reprise of Audrey’s ballad “Somewhere That’s Green” and a fantastic montage of the plant, named Audrey II, rampaging, Godzilla-style, across New York City.

This month, Little Shop of Horrors will be screened for the first time nationwide with its original, darker ending restored. Oz wonders if the film will have a new resonance in the Trump era, when America’s real-life monsters thrive on blood, greed, and the misguided good intentions of countless Seymours….

(21) THE KINDEST CUT OF ALL. Vanity Fair interviews the principals to find out “How The Princess Bride Built Film’s Most Beloved Sword Fight”.

For six months, Princess Bride star Mandy Patinkin had trained to become Inigo Montoya, the world’s greatest swordsman. His worthy opponent, the Man in Black/Westley—played by Cary Elwes—had four months of prep under his belt as well. Spirits were high as the actors performed their duel for director Rob Reiner on the Cliffs of Insanity set for the first time, in London in 1986.

Elwes and Patinkin finished, drawing applause from the film’s crew. Then, both drenched in sweat, they looked to Reiner, who voiced his own response: “That’s it?” It wasn’t exactly the reaction they had hoped for.

(22) THE PEN IS MIGHTIER. Marked down to $6,862.50! “Montegrappa Limited The Iron Throne Game Of Thrones Limited Edition Fountain Pen & Rollerball Set Matching Number”.

But if you can’t swing that, there’s always “Montegrappa Limited DC Comics Superhero Set Ballpoint” for  $3,920.00.

(23) SPACE JOCKEY. Jockey statues have mostly gone out of fashion – unless it’s one created by H.R. Giger. You’ve got less than a week to put in your bid at Nate Sanders Auctions: “H.R. Giger Hand-Painted Model of Space Jockey & the Derelict Spaceship From ”Alien” — Measures Over 3 Feet by 3 Feet, Personally Owned by 20th Century Fox Executive Peter Beale”. Minimum bid: $100,000.

The enormous Space Jockey and cavernous spaceship are quintessential Giger, renowned for human-machine melded beings called biomechanoids; the walls of the spaceship appear to be either vertebrae from a once living creature, or cogs in a vast industrial machine system, or perhaps both. Space Jockey is fused into his command station and wears either a mask, or has an elephantine trunk extending from his face. In the ”Alien” set — which was built based on this model — Space Jockey sits 26 feet tall, dwarfing the characters of Kane, Dallas and Lambert who find him dead, his rib cage blasted open, serving as foreshadowing to what awaits the crew later in the film. So pivotal was the scene — establishing the world of the Alien creature and serving as ground zero for the film’s mythology — that Ridley Scott insisted upon its construction, despite the enormous cost of building the life-size (or larger than life) set. Space Jockey so enthralled the audience of ”Alien”, that the character would even go on to serve as a critical and central story point in Scott’s ”Promethus”, the ”Alien” origin story released in 2012.

(24) HORROR MUST ADVERTISE. Adweek has the story behind a series of seasonal candy commercials: “The Makers of the ‘Bite Size Horror’ Ads Tell Us All About Their Wonderfully Spooky Creations”

Halloween advertising has been a treat this year, thanks to Fox and Mars candy brands, which teamed up for a wonderfully creepy series of two-minute “Bite Size Horror” films that have been airing on Fox TV networks.

The series has included four films— “Floor 9.5” for Skittles, “The Road” for M&Ms, “The Replacement” for Starburst, and “Live Bait” for Snickers. (The campaign was created by Fox Networks Group’s integrated agency All City. Tony Sella from All City is the executive producer of the campaign, and Arby Pedrossian from Fox Digital Studio is the producer.)

 

[Thanks to Bruce Arthurs, John King Tarpinian, Lenore Jean Jones, Michael Brian Bentley, JJ, Alan Baumler, Martin Morse Wooster, Cat Eldridge, Soon Lee, and Mark Hepworth for some of these stories. Title credit belongs to File 770 contributing editor of the day Xtifr.]

Pixel Scroll 9/25/17 What Do A Pixel And A Scroll Have In Common? They Both Can’t Climb Trees

(1) STAR TREK DISCOVERING. Camestros Felapton takes you from photon soup to Klingon nuts: “Thoughts on Star Trek Discovery Episodes 1 & 2”. Although not especially spoilery, good form still demands a SPOILER WARNING!

However, Russell T Davies made a smart move from which Discovery could have learnt. Set a new series in a time that follows a catastrophe that creates both a bridge to the previous series, and allows the viewers to re-encounter familiar protagonists in a new way. That doesn’t imply a new Star Trek would need to have a post-apocalyptic vibe, rather some sort of event that disrupted galactic civilisations sufficiently that the Federation is needing to rebuild (a gamma-ray burst, a contagion that spreads via transporter beams, a big-bad alien did more damage than usual).

Discovery hasn’t taken that option but the setting kind of looks like it did. The technology is both old and new, the spaceships look both updated and more grungy, some aliens are now more familiar and closer to humans (e.g. the Vulcans) while others have become even more alien and Star Fleet understands them less (the Klingons). The whole feel of the show implies a setting where change has occurred but which claims that it is about changes that will occur and I find that somewhat annoying.

(2) ALLEGRO CON TROPE. The Independent is more enthusiastic — “Star Trek: Discovery season 1 episode 1 & 2 review: Tropes and unprecedented surprises balance out for an intriguing new Trek iteration”. But who are you going to believe?

The team behind Star Trek: Discovery could be forgiven for feeling under pressure. They had to deliver a show that satisfies one of the most rabidly pedantic fan bases out there, while still catering to normies only not really au fait with Trek beyond a few action movies about good-looking people having fights in space.

But, despite a reportedly troubled gestation, they’ve somehow managed to deliver, audaciously using their first two episodes to set up several seemingly key characters before wiping the slate clean in the closing moments. In truth, the first two episodes that arrive on Netflix today – ‘The Vulcan Hello’ and ‘Battle at the Binary Stars’ – function more as a standalone TV movie, setting up the tone and feel of the show while leaving about as much wiggle room for the future as conceivably possible.

(3) ROCKET SCIENCE. Video highlights of last Saturday’s Atlas V launch of NROL-42 from Vandenberg. Via United Launch Alliance.

(4) FUSION. The Register says it’s happening — “Hotter than the Sun: JET – Earth’s biggest fusion reactor, in Culham”.

Geek’s Guide to Britain I’m in a room that, in normal circumstances, is not fit for human habitation. It features a number of big red buttons surrounded by illuminated yellow rings – just in case. “Push button to switch off Jet. Press only in case of extreme emergency,” the signs read, informatively.

This is the Torus Hall, a 40,000m3 space the size of an aircraft hangar with two massive fly-towers that house 1,100-tonne doors to seal the room off from an adjacent assembly hall. The walls and ceiling are two metres thick. The atmospheric pressure inside the hall is kept lower than pressure outside so that in the event of a breach, air would be sucked in rather than vented.

The hall houses possibly the closest thing on Earth to the centre of a star: the Joint European Torus, the world’s biggest fusion reactor at the Culham Science Centre in Oxfordshire, UK. Jet is a tokamak, a circular structure shaped like a doughnut that employs powerful magnets to control that stuff of science fact and fiction: plasma.

…Jet is a European project involving 40 laboratories and 350 scientists. In 1997 it set a record, producing 16MW of fusion power from a total input power of 24MW.

Iter, however, is a scaled-up version of Jet currently under construction in the south of France planned to open in 2025 – a fusion reactor that aims to use 50MW to generate 500MW for 500 seconds. Iter, in turn, will pave the way for Demo, one or more proof of concept fusion power stations, with South Korea aiming to put a Demo live in 2037.

For now, however, Jet is the world’s biggest fusion device and proves that nuclear fusion can generate power – it’s just not big enough to create more power than it uses….

(5) HOW ONE AUTHOR GETS PAID. A post at Metafilter attempting to use Amazon stats to estimate writers’ sales provoked John Scalzi to explain why that is a futile effort: “Can You Tell My Earnings From My Amazon Sales? Spoiler: Nope, Not at All”.

…So what does this all mean? Well, it means that for a non-self-pubbed author, often none of their annual earnings from a book are directly related to how many of those books sell in a year (or any other specified time frame). In fact, depending on how the advance is paid out, three-quarters or more (even all!) of the author’s earnings from a book are disbursed before the book has sold a single unit.

Like so:

Book is contracted: 40% of the advance (“signing installment”) goes to the author. Books sold to date: 0.

Book is turned in and accepted: 20% of the advance (“delivery and acceptance installment”) goes to the author. Books sold to date: 0

Book is published in hardcover: 20% of the advance (“hardcover installment”) goes to the author. Books sold to date: 0 (there may be pre-orders, but the sales don’t usually start being counted until this time).

Book is published in paperback: Final 20% of the advance goes to author. Books sold to date: Hopefully some! But even if the number is zero, the final installment gets paid out (if so few books are sold that the publisher foregoes the paperback release, there’s still usually the contractual obligation to pay out)….

(6) CROWDFUNDING THREE ANTHOLOGIES. Joshua Palmatier’s “Guilds & Glaives, Insurgency, and Ur-Bar Anthologies!” Kickstarter has less than three days to run and is still looking to raise about $3,000 of its $20,000 goal.

THE RAZOR’S EDGE, GUILDS & GLAIVES, and SECOND ROUND: A RETURN TO THE URBAR anthology kickstarter is nearing its goal! If we can reach $20K by Noon, September 28th, EST, then there will be an open call for submissions for the remaining slots in the anthologies. If you have a story idea that fits one of the anthology themes, write it up, revise it, polish it, and send it in for consideration. I’ve posted the guidelines below. Note that the kickstarter still has a few days left and there are still some pretty awesome reward levels left…

(7) AS YOU WISH. “‘The Princess Bride’ Turns 30: Rob Reiner, Robin Wright, Billy Crystal Dish About Making the Cult Classic” is a Variety piece full of interviews about the beloved 1987 fantasy film.

“It was an impossible sell,” said Reiner. “The funny thing about it was that before I made ‘Stand by Me’ — I had made ‘Spinal Tap’ and ‘The Sure Thing’ — I had a meeting with this executive at Paramount. She said, ‘We love your films. What do you want to do next? I said, ‘Well, you don’t want to do what I want to do.’ She said, ‘No, that’s not true. I want to do what you want to do. I said, ‘No, no. You want me to do what you want to do.’  She said, ‘No, no. I want to do what you want to do. What is it?’ I said ‘The Princess Bride.’ She said, ‘Well, anything but that.’”

(8) PALS FOR ETERNITY. SyFy Wire contributes to the nostalgia in “The Princess Bride at 30: Why Fezzik and Inigo have one of the best friendships in film”. Reason number one is —

Helping each other deal with a difficult boss, Vizzini

Vizzini is clearly not an easy man to work for, and he doesn’t treat Fezzik or Inigo very well as his employees. After they kidnap Buttercup, Fezzik expresses his opinion that it’s not right to kill an innocent girl, but Vizzini isn’t interested in his hired help doing anything beyond what they are hired to do. He immediately insults Fezzik, and when Inigo voices his agreement with Fezzik, insults him as well before turning on Fezzik again. Once Vizzini walks away though, Inigo goes to Fezzik and the two rhyme together happily, much to Vizzini’s annoyance.

The scene captures how the two friends have each other’s back in this perhaps less than ideal work environment. Inigo didn’t have to voice his agreement with Fezzik after seeing Vizzini’s reaction, but he did. Then he tries to turn the mood around by doing something Fezzik enjoys and excels at: rhyming. It reminds Fezzik that he’s more than the dumb brute Vizzini wants him to be, and that Inigo recognizes his gifts, even if Vizzini does not.

(9) DONATIONS NEEDED. The father of Pierre Pettinger died recently due to a house fire, and Pierre has set up a Gofundme campaign to help cover the funeral expenses — Pierre Pettinger [Sr.] Funeral Fund. Their target is $13,000.

While it appears that insurance will cover the costs of repairing and restoring the home, the expenses for Dad’s funeral were significant and have put some strain on all the members of our family. Pierre will be administering the funds and will see to it that they go directly to the funeral home. The goal we have set represents the total cost, but any help you would care to offer would be received with gratitude.

Pierre the younger and his wife Sandy are Fan GoH for Worldcon 76. They’ve done wonders in Masquerades for years, winning many awards, and Pierre is Archivist for the International Costumers Guild.

(10) REED OBIT. SF Site News reports author Kit Reed (1932-2017) died on September 24 from an inoperable brain tumor.

Reed  was a Best New Author Hugo nominee in 1959. Reed was up for the James Tiptree, Jr. Award three times, had a novel, Where, on the John W. Campbell Memorial Award shortlist, and received the ALA Alex Award for Thinner Than Thou. Reed’s most recent novel, Mormama, was published earlier this year.

(11) JACOBS OBIT. Harvey Jacobs (1930-2017), a 1998 World Fantasy Award nominee for his novel American Goliath, died September 24 from an infection brought on by brain cancer treatment. An author sometimes compared with Vonnegut and Roth, he published his first story in 1951, contributed regularly to New Worlds and F&SF in the Sixties, and continued to produce a modest number of sff stories thereafter.

(12) TODAY IN HISTORY

  • September 25, 1989 — Fox TV’s Alien Nation premiered.

(13) TODAY’S BIRTHDAY BOYS

  • Born September 25, 1930 — Shel Silverstein (author, humorist)
  • Born September 25, 1951 – Actor Mark Hamill
  • Born September 25, 1952 – Actor Christopher Reeve

(14) POURNELLE MEMORIAL. Jennifer Pournelle’s eulogy of Jerry Pournelle, delivered at the memorial service held September 16, has been posted at Chaos Manor.

He was generous as a husband. He adored his wife. He loved deeply, and passionately, and never anyone more than her. The parable of the widow’s alms teaches us the truest measure of generosity: when that of which you have the least, you give most freely. So by “generous,” here I do not mean with obvious things like, like gifts and jewelry and public events (though with those too). I mean that, although always awkward as a schoolboy in showing his feelings for her, he did his utmost with what he knew how to do: jokes, and puns, and praise, and respect, and walks, and stalwart support of her career, and four sons.

And especially—and this is most telling—by listening to her, and to her alone. Certainly not always. Probably not often enough. But I do not believe that any other human being on the planet had the capacity to tell him “no” and make it stick. Because of his generous love for her, he listened, and learned how to be a better father, and an outwardly more affectionate one. To say the words out loud. She taught him that the great light of a generous heart need not be hidden beneath a bushel. He listened, and let his generous light shine on her, and everyone around them.

It certainly shined on us, his children. He was generous as a father. OK, let’s start with the obvious. There was never a check he would not roll his eyes, groan, and write. School fees? Of course. Wrecked car? Harrumph. No problem. College expenses? Well, it’s your job to get the best deal you can. It’s my job to pick up the rest. Airplane tickets, tailored mess uniforms, personal sidearms? Here you go. Need a tool, a meal, a book, a computer, a printer, a place to sleep, a bottle of white-out? There’s one here somewhere in the house. Go find it. Help yourself.

But his real generosity was with imagination. He believed in space. He believed in adventure. He believed in deep truths in myth, and deep lessons in legend. He believed in science. He believed in nature. He believed in fun. And he combined them all. Road trips, hiking trips, shooting trips; flights of imagination; cooking (badly), reading (well), brainstorming plot lines, standing up to bluster, figuring out what you need to know, then figuring out who could tell you. He’d pick up a phone in a heartbeat if he thought he could marshal support or make a contact. He’d invite you to dinners across thresholds you’d never otherwise cross—and then always pick up the tab.

And when you finished what you started, or achieved what you’d aimed, or found success in your field, his outpouring of respect was spontaneous and generous—and never seeking to curry your favor….

(15) KEITH KATO. Keith Kato posted his own extensive memories of Jerry Pournelle and account of the memorial service at The Heinlein Society website.

Of course he knew not only all the Mercury astronauts, but also knew the candidates who did not make the cut. Jerry once told a funny story about turning John Glenn upside down and shaking him over a smoky fire, while fake-arguing with the staff, and dropping manhole covers on the floor. Glenn kept a dot in a circle, and his heartbeat remained rock steady (except for one momentary blip when the manhole covers landed), after which Glenn glaringly said “You son of a [redacted for the delicacy of our readers’ um…eyes?]!”

(16) MASTERCHEF. On the making of videogames: Jason Sheehan reviews Walt Williams’s Significant Zero: Heroes, Villains, and the Fight for Art and Soul in Video Games: “Leveling Up In The Video Game Industry, Without Checkpoints: ‘Significant Zero'”.

I learned this recipe from Walt Williams, whose debut book, Significant Zero, is all about the making of videogames. And also about the making of Walt Williams who, for years, has been involved (both seriously, tangentially, and in every way in between) with the production of some of the best videogames ever created: Bioshock, Star Wars Battlefront, Mafia II, Spec Ops: The Line. Mostly Spec Ops, which is one of the darkest, most haunting, and most narratively daring games I’ve ever played. Spec Ops was Williams’s masterpiece and Significant Zero is the story of everything it took to make it and everything it cost him — beginning years before, ending years after. Sure, it’s a workplace memoir (more or less): A writer writing about writing, which can be the most annoying thing in the world. Except for one thing.

Walt Williams is basically a ghost.

(17) OVERWHELMING SUCCESS. The BBC writes the biography of a product in “How plastic became a victim of its own success”.

He became so famous that Time magazine put his face on the cover without needing to mention his name, just the words, “It will not burn. It will not melt.”

What Leo Baekeland invented that July was the first fully synthetic plastic.

He called it Bakelite.

(18) EXTENDED MAINTENANCE. How would you like this job? “Airlander 10: ‘How we fix the world’s longest aircraft'” (short video)

Two technicians have told how they had to learn how to rope climb to fix the world’s longest aircraft.

The Airlander 10 – a combination of plane and airship – has been at Cardington Airfield, Bedfordshire, for the last four years.

Technicians Ivor Pope and Darren Gurney have overseen the aircraft since early 2016.

“Being up on the hull is a fantastic experience,” said Ivor Pope, the maintenance, modification and ground operations manager.

(19) BIKE RECYCLERS. Leave no trace? “Abandoned at Burning Man, bicycles now head for Houston and the Caribbean”.

After nine days of parties, music and larger-than-life art installations, the 2017 season of Burning Man came to a close on 4 September. In theory, all evidence of “Black Rock City” – which attracted 70,000 attendees to the dusty desert – was supposed to vanish. One of the festival’s core tenets is “leave no trace”.

However, clean-up crews found thousands of perfectly useable bicycles abandoned by attendees. Bikes are the most common form of transportation around Black Rock City, and the way they are tossed aside at the end has long been a problem.

Burning Man partners with local charities to take, refurbish and sometimes donate the bikes to needy families, but this year, the sheer number of bikes overwhelmed even these partners. An estimated 5,000 bicycles were left behind.

(20) I SWEAR THAT IT’S ALL TRUE. Past Daedalus: Whale tails and the human-powered watercraft speed record: “Water speed record that’s surprisingly hard to break”.

However, an Oxford University spinout called Animal Dynamics, co-founded by zoologist Adrian Thomas, is spending £200,000 ($260,000) to do just that. Their craft, the Malolo, is a hydrofoil-like Decavitator. Unlike its rival, the Malolo’s design is inspired by the way whales swim through water – instead of a propeller, it has the kind of large, arched tail that you sometimes spot above the water when a whale dives.

Now two years after starting work on the project, the team have begun testing their third prototype off the south coast of England. According to Thomas, they have already reached speeds of about 12 knots (13.8mph/22km/h).

[Thanks to John King Tarpinian, Steven H Silver, Chip Hitchcock, Martin Morse Wooster, JJ, Nancy Sauer, Cat Eldridge, and David K.M. Klaus for some of these stories. Title credit goes to File 770 contributing editor of the day Peer.]

Museum of Pop Culture 20th Anniversary SFF Hall of Fame Inductees

MoPOP in Seattle

MoPOP in Seattle

Seattle’s Museum of Pop Culture (MoPOP) has announced 24 new inductees to the Science Fiction and Fantasy Hall of Fame for 2016 year.

Creators:

  • Douglas Adams
  • Margaret Atwood
  • Keith David
  • Guillermo del Toro
  • Terry Gilliam
  • Jim Henson
  • Jack Kirby
  • Madeleine L’Engle
  • C.S. Lewis
  • H.P. Lovecraft
  • Leonard Nimoy
  • George Orwell
  • Terry Pratchett
  • Rumiko Takahashi
  • John Williams

Works:

  • 2001: A Space Odyssey
  • Blade Runner
  • Dungeons & Dragons
  • The Matrix
  • Myst
  • The Princess Bride
  • Star Trek
  • Wonder Woman
  • X-Files

Last spring, as part of its 20th anniversary celebration, the public was invited to nominate their favorite creators and works for the Hall of Fame. Twenty finalists were selected and the public was given a May 2016 deadline to vote, however, the results were never published, and the current class of inductees includes some who were not finalists, and omits others who were.

According to today’s press release:

Inductees were nominated by the public and selected by a panel of award-winning science fiction and fantasy authors, artists, editors, publishers, and film professionals. The 2016 committee included Jane Espenson (Buffy the Vampire Slayer, Torchwood), Cory Doctorow (Co-Editor, Boing Boing; Down and Out in the Magic Kingdom), Jen Stuller (Co-Founder, GeekGirlCon), Linda Medley (Castle Waiting), and Ted Chiang (Story of Your Life and Others).

A new exhibition commemorating the 20th anniversary Science Fiction and Fantasy Hall of Fame, opening March 4, 2017, will invite visitors to explore the lives and legacies of the 108 current inductees through interpretive films, interactive kiosks, and more than 30 artifacts, including Luke Skywalker’s severed hand from George Lucas’ The Empire Strikes Back, the Staff of Ra headpiece from Steven Spielberg’s Raiders of the Lost Ark, author Isaac Asimov’s typewriter, and the “Right Hand of Doom” from Guillermo del Toro’s film Hellboy.

The Hall of Fame was previously shown as part of the Icons of Science Fiction exhibit when MoPOP was called the Experience Music Project Museum. Founded in 1996, the Hall of Fame was relocated from the Gunn Center for the Study of Science Fiction at the University of Kansas to EMP in 2004.