(1) DON’T MISS OUT. DisCon III reminds eligible voters they have until March 19 to nominate for the 2021 Hugo Awards.
Members of DisCon III, who registered before 11:59 p.m. PST December 31 2020, and CoNZealand have nominating rights for this year’s Hugos. Check now at https://members.discon3.org/ to make sure that you are in our system. If for some reason you aren’t, we can put that right quickly.
381 people have submitted The Hugo Awards nominations. Are you one of them?
In this Fanbase Feature, The Fanbase Weekly co-hosts Bryant Dillon and Phillip Kelly (writer, filmmaker, and Fanbase Press Contributor) are joined by special guests Craig Miller (Star Wars Memories, Former Director of Fan Relations at Lucasfilm) and Gavin Hignight (writer – Star Wars: Resistance, Transformers: War for Cybertron) to participate in a thorough discussion regarding THX 1138 (1971) in light of the film’s 50th anniversary, with topics including the timely nature of the film’s themes, what the film reveals about filmmaker George Lucas and his pre-Star Wars ambitions and interests, and more. (Beware: SPOILERS for THX 1138 abound in this panel discussion!)
…Earlier this week, the Roddenberry family Twitter account announced that Barrett’s voice had been recorded phonetically before she died, and that the family—including her son, Eugene Roddenberry Jr., an executive producer on CBS’s forthcoming Star Trek: Discovery—was working to synthesize it for potential use on a number of upcoming projects. According to the tweet, those include Apple’s Siri, and possibly even the voice of the Discovery computer.
It’s worth noting, though, that neither CBS, nor showrunner Byran Fuller, have confirmed that there are any plans to use Barrett’s phonemes for the computer’s voice. (Meanwhile, Discovery might already have a nod to Barrett in the form of lead character “Number One,” whose nickname probably references an otherwise-unnamed character Barrett played in the original Star Trek pilot “The Cage.”)
(4) LETTER FROM THE EDITOR. Nightmare Magazine’s Wendy N. Wagner sends a message:
More Black writers and artists are turning to science fiction — and an artistic movement known as Afrofuturism — to tackle issues around race and inequality and give fans an escape from the harsh realities on Earth.
The big picture: Afrofuturism was long an underground movement. Its roots date back to W.E.B. Du Bois, though its name wasn’t coined til the 1990s. But it has been gaining a bigger mainstream profile in recent years with the blockbuster movie “Black Panther” and the HBO series “Lovecraft Country” and a national racial reckoning….
Something like 95 percent of the time, Abraham Riesman’s True Believer: The Rise and Fall of Stan Lee is a very good biography. However, the remaining (and crucial) 5 percent of its content, scattered amid all that painstaking research and well-written prose, renders it often untrustworthy… i.e., a very bad biography. Because the author often insists, visibly and intrusively, on putting his verbal thumb on the scales, in a dispute he seems ill-equipped to judge.
As Marvel Comics visionary Stan Lee’s longtime employee and de facto protégé, and as a known student of the history of comic books, I suppose I would be expected to denounce Riesman’s book as scurrilous, a pack of lies.
But it’s both better — and worse — than that.
… That Stan Lee was the co-creator, and not the sole creator, of the key Marvel heroes from the Fantastic Four and Spider-Man through Daredevil and the Silver Surfer can hardly be in dispute at this late stage. I myself, back in the ’80s when I wasn’t working for him, had a friendly argument with him on that score over lunch. I soon realized that, as much as he respected the talents and contributions of artists (Riesman would say “artist/writers” and he’s right, at least in one sense) such as Jack Kirby and Steve Ditko to the characters introduced in the 1960s, he could never really bring himself, in his own mind, to think of them as “co-creators.” The two of us had to agree to disagree, and I never saw any use in bringing it up again.
If I can judge from Riesman’s writings, and from other sources over the years, I’m sure I’d have encountered the same kind of blinders-on stubbornness in Jack Kirby (oft-quoted in this book), who saw Stan as little more than the guy who scribbled a few words of dialogue and rode to unearned glory on his back.
Both men were, I think, wrong, and that’s why Riesman is so ill-advised to use nearly every opportunity he gets to weight things in Jack’s favor and against Stan. (By the way, if someone objects to my referring to Jack Kirby as well by his first name, it’s because the two of us were on a first-name basis from 1965 till the last time we met, sometime in the 1980s. I considered him then, and I consider him now, to be by far the greatest superhero artist in the history of the medium, and, along with Stan, one of its preeminent pop-culture geniuses.)
You think I’m exaggerating when I suggest that Riesman finds gratuitous excuses to favor Jack’s version of things over Stan’s? I’m not….
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born February 23, 1886 – Ganpat. This Anglo-Indian so wrote because “Ganpat” – as it happens, another name for the elephant god Ganesh – was as nearly as locals could approximate his surname Gompertz. Eight novels for us, much other work. Retired with the rank of Brigadier, went home and indulged his other love, fishing. (Died 1951) [JH]
Born February 23, 1930 — Gerry Davis. Mid-Sixties Story Editor on Doctor Who where he created companion Jamie McCrimmon and co-created the Cybermen along with unofficial scientific adviser Dr. Kit Pedler. They would create the Doomwatch series that ran in the Sixties on BBC. Davis briefly returned to writing for Doctor Who, penning the first script for Revenge of the Cybermen, though his script was largely abandoned by editor Robert Holmes. In 1989 he and Terry Nation who created the Daleks made a failed bid to take over production of the series and reformat it for the American market. (Died 1991.) (CE)
Born February 23, 1932 — Majel Barrett. No doubt best remembered for being Nurse Christine Chapel and Lwaxana Troi as well as for being the voice of most of the ship computer interfaces throughout the series. I’ll note that she was originally cast as Number One in the unused Pilot but the male studio heads hated the idea of a female in that role. (Died 2008.) (CE)
Born February 23, 1944 – John Sandford, age 77. Hugely successful outside our field, he’s written one SF novel, Saturn Run with Ctein. I thought it Hugo-worthy. You can see my interview with Ctein here (PDF; starts p. 17). [JH]
Born February 23, 1955 – Francesca Simon, age 66. Six novels, one shorter story for us – I think; opinions differ about work called “children’s”. Fifty books all told. Children’s Book of the Year (U.K.) Award for Horrible Henry and the Abominable Snowman; first U.S. author to win this; at least it wasn’t about Henry VIII. Libretto for a Gavin Higgins opera based on FS’ book The Monstrous Child in which Hel, Norse god of the dead, is an angry teenager. Hey, it’s opera – [JH]
Born February 23, 1965 — Jacob Weisman, 56. Founder, Tachyon Publications which you really should go look at as they’ve published every great author I’d care to read. Seriously Tidhar, Beagle and Yolen are among their newest releases! He also edited (with Beagle) The New Voices of Fantasy which I highly recommend as most excellent reading. He also wrote some early genre fiction — no I’ve not read it. (CE)
Born February 23, 1968 – Sonya Hartnett, age 53. Six novels for us. Lindgren Award. Guardian Prize. Much more work, many more awards, and controversy, outside our field; maybe you’d better look here. [JH]
Born February 23, 1975 – Nova Ren Suma, age 46. Four novels, two shorter stories for us; three other novels, half a dozen other shorter stories. Another Antiochian (as I am); people note her B.A. was self-designed, but we all do that: not saying it’s easy, Antioch isn’t for everyone. The Walls Around Us a NY Times Best-Seller, Cybils Award for it too. Worked at Marvel on X-Men. Went to the Launch Pad Workshop, NASA-funded astronomy for writers. [JH]
Born February 23, 1983 — Emily Blunt, 38. Her most direct connection to the genre is as Elise Sellas in the Adjustment Bureau film based off Dick’s “Adjustment Team” story. Mind she’s been in quite a number of other genre films including The Wolfman, Gulliver’s Travels, Gnomeo & Juliet, The Muppets, Looper, Edge of Tomorrow, Into the Woods, The Huntsman: Winter’s War, The Strange Case of Sherlock Holmes & Arthur Conan Doyle, and Mary Poppins Returns. (CE)
Born February 23, 2002 — Emilia Jones, 19. I’m reasonably sure this is the youngest Birthday individual that I’ve done. She shows up on Doctor Who as Merry Gejelh, The Queen of Years, in the “The Rings of Akhaten”, an Eleventh Doctor story. At nine years of age, she’s made her acting debut in Pirates of the Caribbean: On Stranger Tides as an unnamed English Girl. She’s Young Beth in the horror film Ghostland. She’s currently in Residue, an SF horror series you can find on Netflix. (CE)
Born February 23, 1989 – Almijara Barbero Carvajal, age 32. Two short stories in Spanish; two Spanish poems with translations in Strange Horizons, whose bio for her notes she was born in Motril, Granada, Spain, “and is still trying to figure out how to become real.” But, as a teacher of mine once said, why not escape? [JH]
Speaking of Gettysburg, what if all the dead didn’t stay that way? After the zombie apocalypse puts a stop to the Civil War, Black and Indigenous people are sent to fight the undead. Ireland uses imagined horror to explore a very real one in this provocative YA novel about racism, resilience, and one badass woman fighting for her life.
…It happens about 13 minutes into the episode when Stiers, who played a Kaelon named Timicin, is aboard the ship for a special mission. His character is portrayed as a brilliant scientist who believes he has figured out a way to save his planet’s dying sun. While he and Captain Picard’s crew experiment with Timicin’s theory, we watch Stiers coordinating with LeVar Burton’s Geordi La Forge. At a dramatic point, Geordi calls Timicin over to monitor his screen, and that’s when the M*A*S*H reference flashes, “Composite Sensor Analysis 4077.”
(10) HOLO? HOLO? In the Washington Post, Dalvin Brown says ARHT Media has created HoloPod, which enables companies to beam holograms of people into meetings, thus enabling “people to engage with life-size, three-dimensional representations of people” in office or corporate settings. “Lifelike holograms may be the future of remote work”.
… Holograms might not be the next big thing, but start-ups in the 3-D space are positioning their offerings just in case.
The three-dimensional light projections have primarily been seen re-creating musicians onstage in recent years. Companies have wanted to bring them into homes, but the projection hardware is still too expensive for most people to afford. Companies, on the other hand, have larger budgets. And now software advancements are unlocking ways to use laptops, computers and smartphones to engage with and stream holograms emitted elsewhere.
In December, ARHT media showed what a hologram-enabled conference could look like as it beamed an executive from Los Angeles to Singapore to speak at an innovation summit. The event brought together a “small group” of attendees and was broadcast live to a larger audience online….
(11) JEOPARDY! Andrew Porter adjusted the rabbit ears and received tonight’s episode of Jeopardy! where the contestants didn’t know these legendary blades.
Answer: In a fantasy saga by Michael Moorcock, this emperor of Melnibone wields a sword called Stormbringer.
No one got: Who is Elric?
Another answer: Glamdring is this wizard’s sword of choice.
No one got: Who is Gandalf?
(12) VIDEO OF THE DAY. In “Honest Trailers: The Simpsons Movie,” the Screen Junkies note the movie came out a decade after “anyone over the age of 12 stopped caring” about the show, and that Homer Simpson evolved into “An irredeemable jerk crossed with Wiley Coyote.”
[Thanks to John King Tarpinian, Hampus Eckerman, Martin Morse Wooster, Michael Toman, Cat Eldridge, JJ, John Hertz, Andrew Porter, and Michael Toman for some of these stories. Title credit goes to File 770 contributing editor of the day Bruce D. Arthurs who is right when he calls it a “fine-looking word.”]
Why is it that some of us love dystopian novels, the kind of fiction that takes a dim, bleak view of the future? Is it because writers of this genre show us how bad things can become if we aren’t careful? Or that we can feel better about the current state of affairs because they aren’t nearly as bad as the book’s scenario?
The “Dystopian Worlds” conversation at the 2020 National Book Festival featured Dark Star trilogy novelist Marlon James, who spoke with sci-fi/fantasy writer Jeff VanderMeer. James’s most recent novel is “Black Leopard, Red Wolf” (Riverhead), and VanderMeer’s is “A Peculiar Peril” (Farrar, Straus & Giroux). Everdeen Mason, senior audience editor of The Washington Post, moderated and, in her words, is an “occasional book critic.”
…Though I have written about “The Left Hand of Darkness” before, in 1987 and again in 2000, I have forgotten what I said and do not want to consult it now, but, rather, make a fresh start on this marvellous romance. In one of her letters, Ursula remarked that writing “The Dispossessed” was liberating for her, and she seemed to prefer it to “The Left Hand of Darkness.” Rereading both, I find myself torn between the two. The protagonist, Shevek, in “The Dispossessed,” is far more interesting than anyone in the earlier book, and yet he and his story manifest something of the ambivalence of Le Guin’s subtitle: “An Ambiguous Utopia.”
In a fierce introduction to “The Left Hand of Darkness,” Le Guin charmingly remarks, “A novelist’s business is lying.” She adumbrates:
“I talk about the gods; I am an atheist. But I am an artist too, and therefore a liar. Distrust everything I say. I am telling the truth.
“The only truth I can understand or express is, logically defined, a lie. Psychologically defined, a symbol. Aesthetically defined, a metaphor.”
Always in Le Guin we hear reverberations of Lao Tzu’s “Tao Te Ching,” which she translated, with J. P. Seaton, as “A Book About the Way and the Power of the Way” (1997). We corresponded about her understanding of the Tao, yet I had to confess my permanent difficulty in absorbing this way that is not a way. I myself always keep to hand a copy of “The Bhagavad-Gita” as rendered by Barbara Stoler Miller, which I purchased in the autumn of 1986, the year of its publication. After hundreds of readings, I think I know what Krishna means by “dark inertia,” “passion,” and “lucidity,” but a dozen readings of the Le Guin-Seaton “Tao Te Ching” have left me muttering that I do not apprehend the water and stone of the Way. Is it that I am not enough open to my own female component? That seems not right. I am more my late mother than my late father. What moves me most in Ursula is the serenity. I lack it utterly….
(3) EATING THE FANTASTIC. Scott Edelman invites listeners to loaf around with A.C. Wise in Episode 132 of his Eating the Fantastic podcast as they nibble — she on chocolate zucchini bread and he on cherry pecan bread.
Wise is a two-time finalist for the Nebula Award, two-time finalist for the Sunburst Award, and a finalist for the Lambda Literary Award. Plus she’s won the Sunburst Award for Excellence in Canadian Literature of the Fantastic. Her fiction has appeared in Uncanny, Tor.com, Shimmer, and multiple Year’s Best anthologies. Her work can also be found in two collections, The Ultra Fabulous Glitter Squadron Saves the World Again and The Kissing Booth Girl and Other Stories, both published with Lethe Press. Her debut novel, Wendy, Darling, will be out from Titan Books in June 2021, and a new short story collection, The Ghost Sequences, will be published by Undertow Books next August.
We discussed how her first professionally published fiction ended up printed on a coffee can, the 24-hour challenge which led to the creation of her Lambda Award-nominated collection, which comic book character obsesses her the most, how individual stories can act as commentary on all stories, why she enjoys wielding the power of ambiguity, how workshopping with other writers can help make stories better, what The Queen’s Gambit can teach us about dealing with reader expectations, the unexpected way a flash fiction piece turned into her first novel, and much more
(4) SLF WANTS ENTRIES FOR ILLUSTRATION OF THE YEAR. The Speculative Literature Foundation is making an open call for original artwork combining fantasy and science fiction themes, to be featured as its cover art (Illustrationof the Year or Artwork) for 2021.
Artwork will be displayed on the Speculative Literature Foundation’s (SLF) website and social media accounts. Artwork will also be used as a visual element of SLF’s marketing material and swag, including but not limited to, bookmarks, pins, posters, etc., and may be cropped or otherwise minimally altered to fit these different formats.
The winning artist will receive $500.00 (USD) and will be announced, along with the selected Artwork, on SLF’s website and in a press release.
This is the SLF’s second international open call for Illustration of the Year, and the fourth consecutive year that it has featured an illustration. The SLF, founded in 2004 by author and creative writing professor Mary Anne Mohanraj, is a global non-profit arts foundation serving the speculative literature (science fiction, fantasy, and horror) community. It provides resources to speculative fiction writers, editors, illustrators, and publishers, and aims to develop a greater public appreciation of this art.
Submission Dates: November 20, 2020 at 12:01 a.m. through December 20, 2020 at 11:59 p.m.
Criteria: Each artist (Artist) may submit one (1) artwork for consideration. The artwork may be created digitally or by hand (no photography). The subject matter must combine fantasy and science fiction elements as well as incorporate SLF’s literary focus. All artwork must be submitted in both jpeg and pdf formats. Aspect ratio must work for the website banner, being at least 1500 points wide, and 400-500 points high. Final resolution for print must be at least 11 inches wide and 300 dpi. Files are limited to 10MB.
Submit artwork to email@example.com, including your name, email address, phone number and short bio.
… Later in 1924 Houdini wrote a book exposing mediums and their activities at séances—A Magician among the Spirits.
Houdini’s position was complex and interesting. The greatest illusionist of the last century became the great debunker of illusions. Conversely, Houdini was keen to stress the physical skill and strength that formed the basis for his act and to reveal the tricks employed by others, many of whom claimed not to be tricksters. Houdini himself became the subject of myth-making, seen by some as having shamanistic powers; and Conan Doyle was not alone in considering Houdini to be a magician, a view expressed in his book The Edge of the Unknown (1930).
Conan Doyle’s two-volume work The History of Spiritualism (1926) was an argument for the veracity and validity of the spiritualist movement, citing, among many other cases, the Davenport brothers and the Spirit Cabinet as an instance when people were able to summon spirits.
Important issues were contained in the disagreements between Houdini and Doyle that resonated elsewhere. First was the issue of evidence and how different people were either convinced by, or skeptical of, exactly the same set of events, such as the activities within the Davenports’ Spirit Cabinet. The creator of the arch-empiricist and logician, Sherlock Holmes, was famously credulous. Houdini took a lot to be convinced of other-worldly phenomena.
Deeper issues were also involved, concerning the nature of the person and of reality more broadly. Were people divided into body and spirit, with the latter surviving the death of the body? As skepticism concerning religious belief grew, so did doubts about life after death, which in turn threw notions of the composition of the person into doubt—perhaps people did not have souls or some form of immaterial reality?…
Jeff Martin: Mindless groupthink is a recurrent theme on The Simpsons, and I think the monorail episode is the best – and certainly my favourite – example of Springfield mob mentality. Watching the episode, I decided to go ahead and time it. From Lanley whistling in the back of the auditorium to the entire town marching on the town hall steps singing “Monorail!” is a little less than two minutes. I think it took Harold Hill at least four minutes to whip up River City.
Rich Moore: That musical number was almost harder to pull off than the whole third act climax. I’d done “A Streetcar Named Marge” before. That was a big musical spectacular, so it felt like, ‘Okay, we’re going to have to pull off what we did on that episode.’ That’s hard to do when you’re not working under the same roof as the animators. We would send a very complete blueprint, with all the key posing and animation timing, to Korea [where the bulk of animation is done by a studio called AKOM], but there was a bit of crossing your fingers and hoping, since you’re not there in the room to direct them. Everything is being communicated through instructions on exposure sheets, which have been translated from English to Korean.
Jeff Martin: Every single word of the monorail song was unchanged from Conan’s first draft, which is impressive. My niche on the show in those days was to actually write the tunes to the songs. I wrote a bunch of songs, so I was assigned to set the monorail song to music. It’s sort of like, “Bum, bum, bum, bum. I think I’m done!” It’s barely a song. It’s just sort of a rhythm and “Monorail! Monorail! Monorail!” The notion that Conan and I co-wrote that song is laughable. I’ve told Conan over the years that he had his part in that song. Elton John, meaning me, needs Bernie Taupin, meaning him.
(7) VOSS OBIT. Actor Philip Voss has died of COVID-19 at the age of 84. The Guardian ran anoverview of his career.
…His television career had begun in the first (1963) season of Doctor Who, with William Hartnell, as Acomat, the leader of Mongolian bandits, in the Marco Polo story, and as a young Dulcian, Wahed, a humanoid pacifist killed by Quarks, a few years later, with Patrick Troughton as the second doctor. His last television role was as Ian McKellen’s acid-tongued brother, Mason, in the sitcom Vicious (2013-16).
In the late 1970s he was also a member of the BBC Radio Drama Company, working with the directors Jane Morgan and Celia De Wolff, in subsequent years, on The Lord of the Rings (he was Lord of the Nazgûl)… On film, he popped up in Octopussy (1983) with Roger Moore as James Bond, Trevor Nunn’s Lady Jane (1986), Bob Rafelson’s Mountains of the Moon (1990) and as Laura’s father in Four Weddings and a Funeral (1994).
(8) MEDIA ANNIVERSARY.
1980 — Forty years ago, Roger Zelazny would win the Balrog Award for “The Last Defenders of Camelot”. It was originally published in Asimov’s SF Adventure Magazine, Summer 1979. The Balrog Award were a set of awards given annually from 1979 to 1985 for the best works and achievements of genre fiction in the previous year. You knew what they were named after. The awards were originally announced by editor Jonathan Bacon in Issue #15 of Fantasy Crossroads and presented at the Fool-Con II convention on April Fool’s Day, 1979. Bacon says that they were not to considered serious awards.
(9) MEDIA BIRTHDAY.
November 20, 1964 — The First Men in the Moon premiered. It’s an adaptation by screenwriter Nigel Kneale of H. G. Wells novel of the same name. It was produced by Charles H. Schneer, and directed by Nathan Juran. It starred Edward Judd, Martha Hyer and Lionel Jeffries. Ray Harryhausen of course did the special effects with sculptor Bryan Kneale constructing the Selenites from Harryhausen’s designs. With the exception of the grinch critic at the New York Times, critics loved it, though it was a box-office bomb which Harryhausen thought was the fault of too much comedy in the script. It holds a respectable sixty-seven percent rating among audience reviewers at Rotten Tomatoes.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born November 20, 1858 – Selma Lagerlöf. Nine novels, a score of shorter stories for us, many others of each outside our field. First woman to win Nobel Prize in Literature; given “in appreciation of the lofty idealism, vivid imagination, and spiritual perception that characterize her writings”. (Died 1940) [JH]
Born November 20, 1923 – Len Moffatt. Fan Guest of Honor at Westercon 25. Forry Award (for life contribution to SF; given to pros and fans, some people are both). With wife June, Fan GoH at Loscon 8; TAFF (Trans-Atlantic Fan Fund) delegates, publishing The Moffatt House Abroad; Evans-Freehafer Award (for service to L.A. Science Fantasy Society); fanzine Moonshine; L & J and I published Button-Tack (memorial zine for Rick Sneary – rhymes with “sherry”); L & J posthumously in First Fandom Hall of Fame. My appreciation of Len here. (Died 2010) [JH]
Born November 20, 1926 — John Gardner. Author of more Bond novels that one would think possible. He’d write fourteen original James Bond novels, more than Fleming wrote, and the novelized versions of two Bond films. He also dip into the Sherlock universe, writing three novels around the character of Professor Moriarty. Rights to film them were optioned but never developed. (Died 2007.) (CE)
Born November 20, 1929 — Jerry Hardin, 91. He’s best known for playing Deep Throat on The X-Files. He’s also been on Quantum Leap, Starman, Brimstone and Strange World, plus he was in the Doomsday Virus miniseries. And he made a rather good Samuel Clemens in the two part “Time’s Arrow” story on Next Gen. (CE)
Born November 20, 1932 — Richard Dawson. Usually one appearance in a genre film or show isn’t enough to make the Birthday list but he was Damon Killian on The Running Man, a juicy enough role to ensure his making this list, and twenty years earlier he was Joey on Munster, Go Home! He’d voiceLong John Silver on an animated Treasure Island film in the Seventies as well. And he had a one-off on the classic Fantasy Island. (Died 2012.) (CE)
Born November 20, 1936 – Don DeLillo, 84. A dozen novels, half as many shorter stories, for us; four other novels, a score of other shorter stories, plays, a screenplay. Nat’l Book Award, PEN/Faulkner Award (Poets, Essayists, Novelists), PEN / Saul Bellow Award, Lib’y of Congress Award. More here. [JH]
Born November 20, 1944 — Molly Gloss, 76. She received the Otherwise Award for her Wild Life novel, and nominated for another one for The Dazzle of Day novel. Much of her excellent short stories are collected in the recently released Unforeseen which along with her two genre novels are available from the usual digital suspects. (CE)
Born November 20, 1950 – Donita Paul, 70. A dozen novels. Romances and juveniles under another name. Why shouldn’t a Christian author write of dragons – what about St. George? [JH]
Born November 20, 1956 — Bo Derek, 64. She makes the Birthday list for being Jane Parker in Tarzan, the Ape Man. There’s also Ghosts Can’t Do It and Horror 101 as wellas the two Sharknado films she just did. (CE)
Born November 20, 1959 — Sean Young, 61. Rachael and her clone in the original Blade Runner and the sequel. More intriguingly she played Chani in Dune. A bit old for the role, wasn’t she? She was the lead, Helen Hyde, in Dr. Jekyll and Ms. Hyde. And she’s a Trekkie as she was in the Star Trek: Renegades video fanfic pilot as Dr. Lucien. (CE)
Born November 20, 1972 – Cerece Rennie Murphy, 48. Seven novels, one shorter story. Ardent fan of John Donne, Alice Walker, Kurt Vonnegut, and Alexander Pope from an early age. A 2nd Grade teacher applauds a CRM book for children, “I have struggled to find books with African-American characters who are not stereotyped or set in a time period of racial struggle.” [JH]
Born November 20, 1980 – Ignacio Bazán Lazcano, 40. Illustrator and conceptual artist. Here is Beneath Ceaseless Skies 101. Here is The Fall of Io. Here is Welcome. Here is an astronaut. Here is a robot bartender. [JH]
(11) COMICS SECTION.
Rich Horton says this Rhymes With Orange reminded him of Howard Waldrop’s first sale (to Analog! Possibly even to Campbell!) — “Lunchbox”.
(12) GREAT DAYS OF ANIMATION. Join legendary animator Glen Keane, director of Over The Moon, for a virtual retrospective conversation with filmmaker and animator Sergio Pablos. Free event on Saturday, December 5 at 7:30 p.m. Pacific. Register here.
A 38-year veteran of Walt Disney Feature Animation, Glen Keane trained under Walt Disney’s Nine Old Men. Keane went on to create many beloved Disney characters such as The Little Mermaid, Aladdin, The Beast, Tarzan, and Rapunzel. In 2012, Keane departed Disney to begin Glen Keane Productions as a way to further his artistic explorations in animation, design, and film. He has since gone on to collaborate with Google, the Paris Ballet, and Kobe Bryant. In 2017, he animated and directed the Academy Award-winning animated film “Dear Basketball” in collaboration with legends Kobe Bryant and John Williams. Most recently, he directed OVER THE MOON, now available on Netflix.
(13) A STARCHY PARABLE. [Item by rcade.] The AmITheAsshole subreddit is a place for people to find out whether they’ve done something to someone else that makes them an asshole.
Here’s where it becomes fodder for File 770. Commenter SelectNetwork1 has responded in the form of a fairy tale in this thread. [There are now over 4K comments, and it took OGH 10 minutes to find it again, so we’re just going to quote it in full.]
Once there was a princess who always wanted things her way. There were three bags of rice in the kitchen and every day she asked, why can’t all the rice be in the same bag? They are all the same.” And every day her boyfriend replied, “They look the same to you because you only look at them from a distance, but they are not the same. They won’t cook right if they’re mixed together.”
One day, the princess’s boyfriend went away for the weekend, leaving the princess home alone. The three bags of rice sitting were all she could think about. They are the same! she thought, over and over. Why are they not in the same bag together! At last she could stand it no more. She went to the kitchen, found a single, big container, and dumped all three bags of rice into it. Then she shook it very hard so the grains would mix. There, now all the rice is together, she thought. At last, she was at peace.
A few hours later, there was a knock at the door. The princess went to answer it, and on the front step was a mysterious woman. “Did you mix three bags of rice all together?” asked the mysterious woman. “They were all the same, they belonged in one bag,” said the princess. The mysterious woman seemed to grow to a hundred feet tall! The princess cowered, and let out a squeak. She covered her eyes with her hands, and realized her hands were paws! She had been turned into a mouse.
The mysterious woman picked her up and put the mouse princess on her shoulder. The mouse princess clung to her shirt as the mysterious woman went into the house and walked straight to the kitchen. She took the big bag of rice and dumped it out on the kitchen table, then gently lifted the mouse princess off her shoulder and set her down beside the rice, which towered above her mouse head like a mountain. “Do you wish to become a human princess again?” the mysterious woman asked, and the mouse princess nodded and squeaked. “Then you must separate these grains of rice that you have mixed together. Only then will you return to your true form.”
The mouse princess stared up at the mountain of rice: it was too large to contemplate, and the rice was all the same! It seemed like an impossible task. She turned back to the mysterious woman, but she had vanished: the kitchen was empty.
For a while, the mouse princess sulked. Eventually, she got bored, and picked up a grain of rice between her paws. “It’s just rice, it’s all the same,” she tried to say, but it came out as “squeak.” She put it aside, and picked up another grain of rice. “See, just rice?” she tried to say, but that, too, came out as “squeak.” This grain was heavier than the first one, and she looked more closely at it. The first grain was long and thin, and this one was a little shorter, and fatter at the middle. She pawed through the pile and came up with another: this grain was shorter and fatter still. “They are not the same!” she tried to exclaim, but it came out as “Squeak!”
The mouse princess contemplated the mountain of rice, and for the first time since she had been turned into a mouse by the mysterious stranger, she felt a little hope. She took the three grains of rice and set them down in three corners of the table, then went back to the mountain of rice and began to take it apart, one grain at a time.
The longer she worked, the easier it became. After a while, she didn’t have to examine the grains to tell them apart, she could see the difference as soon as she as much as glanced at them. She worked until she was exhausted, then she fell asleep on a pile of rice, and woke up again a few hours later to begin working again. She worked and slept, worked and slept, and worked again.
After three days and three nights, the mouse princess was finished. As soon as she pushed the last grain of rice into its pile, she felt as if the room were shrinking around her! She leapt off the table before she could spill the rice, and landed on the floor on her human feet.
Just as she was getting her bearings, she heard the front door open. Her boyfriend was home! She swiftly found the original bags and swept the three piles of rice into their three separate containers. Just as she set the last bag of rice on the table, her boyfriend walked into the room. When he saw the bags of rice, he sighed. “I’ve told you before, they are not the same just because they look the same to you,” he said. The princess smiled. “I know,” she said. “All the rice looked the same to me when I looked at them only from a distance; now I have looked closer, and I understand that each rice is unique.”
The human princess’s boyfriend looked surprised, but happy. “I’ll start making dinner,” he said. “What kind of rice would you like to eat?”
“The medium-length one,” the princess said. “But rinse it carefully… I think I saw a mouse around here somewhere.”
Netflix’s sci-fi drama “The Midnight Sky,” set for release next month, will see George Clooney as a scientist in the Arctic trying to protect a little girl, and prevent a group of astronauts from coming back home after a global catastrophe.
“It’s two different worlds; we were basically saying we were going to shoot ‘The Revenant’ and stop, and then shoot ‘Gravity,’” said Clooney about his seventh feature as a director during an online seminar at EnergaCamerimage Film Festival dedicated to “The Midnight Sky,” an adaptation of Lily Brooks-Dalton novel “Good Morning, Midnight.” He was accompanied by the film’s cinematographer Martin Ruhe.
“Usually, when space movies are shot, up is up and down is down, and that’s not exactly how it works. In ‘Gravity,’ the camera was constantly rotating. We wanted to keep the idea of the horizon being different, without making everyone throw up along the way. But our first conversation was: ‘How do we shoot winter’?,” said Clooney, mentioning that while two-thirds of Earthbound sequences were shot in Iceland, one-third was completed on the sound stage, “which was as cold as Iceland for some reason!,” he said.
Without giving too much away, this episode sees Mando and Baby Yoda return to Nevarro, where Din Djarrin reunites with Greef Carga and Cara Dune to shut down an old Imperial base on the planet. While they’re working through the base, getting into a shootout with a few stormtroopers, a pretty obvious mistake can be noticed in the background….
In the back-left corner of the frame, a man can be seen that clearly isn’t a part of the Star Wars universe. He’s wearing a t-shirt, blue jeans, and a watch. You can only see the left side of his body, and his head is thankfully out of the frame, but it’s still very noticeable.
Black Lightning is coming to an end, the CW announced Friday.
The superhero drama will conclude with its upcoming fourth season, set to premiere in February 2021. Though the network did not give a reason for the series’ end, showrunner Salim Akil released a statement thanking the cast, crew and fans.
“When we first started the Black Lighting journey, I knew that Jefferson Pierce and his family of powerful Black women would be a unique addition to the superhero genre,” the statement said, according to Entertainment Weekly.
He continued, “The love that Blerds and all comic book fans around the globe have shown this series over the past three seasons proved what we imagined: Black people want to see themselves in all their complexities.”
In astronomy, a conjunction occurs when two planets appear exceptionally close in the night sky. Two of our solar system’s gas giants will share a celestial “kiss” on the longest night of the year. The rare meeting of Saturn and Jupiter is known as the “great conjunction” by astronomers.
…A “DIY meal kit” for growing steaks made from human cells was recently nominated for “design of the year” by the London-based Design Museum.
Named the Ouroboros Steak after the circular symbol of a snake eating itself tail-first, the hypothetical kit would come with everything one needs to use their own cells to grow miniature human meat steaks.
“People think that eating oneself is cannibalism, which technically this is not,” Grace Knight, one of the designers, told Dezeen magazine.
Scientists at NASA’s Jet Propulsion Laboratory were puzzled over Earth’s newest moon: an object in orbit around the Earth, temporarily captured by our planet’s gravity. Tracing the object’s trajectory back through time, they discovered it came from Earth itself in 1966, when NASA launched Surveyor 2 to the Moon. The object is likely the rocket’s upper stage.
[Thanks to John King Tarpinian, Michael Toman, Rich Horton, Martin Morse Wooster, JJ, Cat Eldridge, Andrew Porter, John Hertz, rcade, Contrarius, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]
…Part of what makes Vernon’s books so terrifying is that they’re quite relatable. Told in the first person by rather chummy narrators who immediately become something like your best friends, The Twisted Ones‘ Mouse and The Hollow Places‘ Kara feel like folks you’d love to get to know better, making each page in both books an absolute treat.
“Horror is sufficiently immediate and visceral that you spend a lot of time thinking, ‘What would I do in this situation?’” Vernon explains her style. “It has to be very immediate, so that the reader isn’t yelling, ‘Don’t go in there!’ when they’re about to open the door. You don’t want that. You want people to relate to why they’re making these choices. You need a pressing reason why they will stay in this situation that is obviously bad. Things are going down, so it has to be a believable reason.”
She points to the fact that in The Twisted Ones, Mouse doesn’t want to leave her dog behind, and I concur, pointing to the fact that much of The Hollow Places is due to the fact that Kara’s Uncle Earl is still recovering and Kara doesn’t want to abandon him.
“That’s why people stay in scary situations,” Vernon agrees. “I think that’s a more relatable reason than something I don’t actually believe. People stay in situations either because they’re too poor to leave, they have nowhere to go, or there’s someone they just can’t bear to leave behind. You got to have the personal stakes.”
SpaceX’s founder Elon Musk was a guest at a the virtual International Mars Society Convention on Friday, October 16 (full video below). During the conference, he held a discussion with Mars Society founder Robert Zubrin. –“I think we want to be on track to become a multiplanet species and a spacefaring civilization, in order to […] ensure the continuance of consciousness as we know it,” Musk told Zubrin. “… As far as we know… we could be the only life.”
When Zubrin asked about Starship, SpaceX’s next-generation launch vehicle, Musk said he will manufacture many iterations of the vehicle. Starship will be capable of transporting tons of cargo and one hundred passengers to space destinations. It is actively under development at Boca Chica Beach in South Texas. Musk talked about the challenges SpaceX faced to develop the Falcon rocket, stating that he expects to have Starship failures throughout its development before reaching orbit.
Musk told Zubrin that Starship is being designed to enable a self-sustaining ‘city’ on Mars. “If the ships from Earth stop coming for any reason, does Mars die out?…” he said. So, Starship must be reusable and capable of carrying all the resources needed to aid humans’ survival on the Red Planet. Musk stated SpaceX’s goal is to get enough people and tonnage to the Martian surface ‘as soon as possible’, –“Are we creating a city on Mars … before any possible World War three… […]” — He told Zubrin he hopes to takes humans to Mars before any nuclear war, asteroid strike, any potential disaster threatens humanity’s existence.
(3) ANTE AND DEAL. If you didn’t catch it live, here’s a video of the latest Wild Cards panel.
Join five of the Wild Cards authors as they discuss what it’s like to write in a shared universe series and how exactly the Wild Cards Consortium works. Featuring Melinda Snodgrass, Paul Cornell, Mary Anne Mohanraj, Kevin Andrew Murphy, and David Levine.
For many workers who would ordinarily be earning a living in theatres, live music venues and nightclubs, which largely still remain closed in the UK, however, retraining has been a harsh reality since they lost their jobs in March. Countless creatives have already been forced to find other income to make ends meet, while a recent report found that 34% of musicians alone had thought about hanging up their instruments for good. Here we meet some of the people who’ve added some unusual strings to their bow during the pandemic …
‘In undertaking, you get to drive luxury cars’
Paris Rivers: SFX technician turned undertaker Paris Rivers is on the phone from a cemetery in London, where he has just done a cremation. Formerly a special effects technician in film and TV, as well as a cabaret performer, he became an undertaker at the start of lockdown. Last week, he had to help dress the body of a man who had died from stab wounds. Even more shocking was seeing a child’s brain. “I’m doing a job that most people wouldn’t touch with a 10-foot pole,” he says. “But a lot of us didn’t have any alternatives.” Besides, he adds, “when people ask, ‘What did you do during 2020?’ I can say I was there on the frontlines.”
Rivers, 31, was “really scared and desperate for work” when Covid-19 hit and by chance, had a friend who was working in one of the temporary morgues set up at the beginning of the pandemic. After working there for two months, he contacted funeral homes to see whether anyone would take him on as a funeral service operator. He’s been transporting ashes, cadavers and coffins ever since. Compared with being on a film set, he says, the job is relatively “stress-free”.
“It’s strangely relaxing,” Rivers explains. “You get to go to beautiful cemeteries, wear a nice suit, drive luxury cars. Some people are shocked by the ick factor, but I started in horror films, so I find this fascinating. And how many people who work in horror films have actually worked around death? I feel this will be helpful for me in the long run.”
Even when the film industry starts back up properly, Rivers says, he’ll continue as an undertaker part-time. The job has inspired him in other ways, too. “I’m developing an Elvira-esque cryptkeeper,” he says of a character that he plans to bring to the stage. There will, of course, be “lots of black humour”.
Margaret Weis and Tracy Hickman, creators of the Dragonlance fantasy mythos, are suing Wizards of the Coast after the company ditched a licensing deal for the latest books in the long-running series.
Filed in district court in Seattle, the lawsuit [Scribd, PDF] was first reported by Cecilia D’Anastasio. The lawsuit claims that WoTC breached their contract without explanation and in “stunning and brazen bad faith”, despite having been intimately involved in the development of the new work, approving a trilogy’s worth of characters, storylines and scenes and signing with a publisher, Penguin Random House.
The lawsuit claims $10m in damages.
Weis and Hickman created Dragonlance, set within the broad ambit of WoTC’s Dungeons & Dragons role-playing franchise, in the 1980s. Its lively mix of colorful heroes and epic drama was a hit with gamers and readers, growing into a sprawling shared universe fleshed out by many authors, artists and designers. According to the lawsuit, Weis and Hickman agreed with Wizards of the Coast to produce the new novels in 2017, capping off the series and giving fans a final sendoff.
But the company pulled the plug in August 2020—and Weis and Hickman blame controversies at WoTC itself….
Its death came quietly, with news of its passing drowned out from all sides by crumbling institutions, environmental disasters, a historic pandemic and pervasive social unrest. As with all matters of public interest in 2020, its demise was announced via Twitter.
After spanning three presidencies and surviving several cultural sea changes, The Venture Bros. was cancelled after 17 years on the air.
If you’ve never heard of the animated series despite its longevity, you’re far from alone: Neither the half-hour comedy nor its home, Cartoon Network’s late night programming block Adult Swim, are often mentioned in the same breath as HBO and AMC or what’s conventionally viewed as “prestige TV.”
The Venture Bros. began airing its first season in 2004. It followed Dr. Thaddeus S. “Rusty” Venture, his sons Hank and Dean — the titular brothers of the program — and bodyguard Brock Samson on episodic romps in the action-adventure and science fiction vein…
The 1953 film “Peter Pan” portrays Indigenous people “in a stereotypical manner” and refers to them repeatedly with a slur, according to Disney.Disney
They are classic animated films like “Dumbo” (1941) and “Peter Pan” (1953), but on Disney’s streaming service they will now get a little help to stand the test of time.
Before viewers watch some of these films that entertained generations of children, they will be warned about scenes that include “negative depictions” and “mistreatment of people or cultures.”
The 12-second disclaimer, which cannot be skipped, tells viewers, in part: “These stereotypes were wrong then and are wrong now. Rather than remove this content, we want to acknowledge its harmful impact, learn from it and spark conversation to create a more inclusive future together.”
In addition to “Peter Pan” and “Dumbo,” the warning plays on films including “The Aristocats” (1970) and “Aladdin” (1992), and directs viewers to a website that explains some of the problematic scenes.
(8) MEDIA BIRTHDAY.
October 19, 2010 — On this day in 2010 in the United Kingdom, the BBC’s adaption of H.G. Wells’ The First Men In The Moon premiered on BBC Four. This film was written by Mark Gatiss, directed by Damon Thomas, it stars Gatiss as Cavor and Rory Kinnear as Bedford, with Alex Riddell, Peter Forbes, Katherine Jakeways, Lee Ingleby and Julia Deakin. It ends with a tribute to Lionel Jeffries, who played Cavor in the 1964 feature film, and who died earlier that year. Audience reviewers at Rotten Tomatoes give a so-so forty five percent rating.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born October 19, 1889 – Miguel Asturias. A novel and a few shorter stories for us, maybe more; nine novels all told, story collections, poetry. A Kind of Mulatto (tr. English as Mulatto and Mr. Fly) called “a carnival incarnated…. a collision between Mayan Mardi Gras and Hispanic baroque”. In Men of Maize (Eng. in UNESCO Collection of Representative Works) a postman turns into a coyote, his people into ants, “written in the form of a myth…. experimental, ambitious, and difficult to follow.” Nobel Prize in Literature. (Died 1974) [JH]
Born October 19, 1909 — Robert Beatty. He’s best known for being in 2001: A Space Odyssey as Dr. Ralph Halvorsen. He played General Cutler in “The Tenth Planet,” a Third Doctor story, and was General Halstead in The Martian Chronicles. He was in Superman III and Superman IV, respectively playing a tanker captain and the U.S. President. (Died 1992.) (CE)
Born October 19, 1940 — Michael Gambon, 80. Actor on stage and screen from Ireland who is best known to genre fans as Professor Albus Dumbledore from the Hugo-nominated Harry Potter films (a role he picked up after the passing of Richard Harris, who played the character in the first two films), but also had roles in Toys (for which he received a Saturn nomination), Mary Reilly, Sleepy Hollow, and the Hugo finalist Sky Captain and the World of Tomorrow. He has had guest roles in episodes of The Jim Henson Hour, Doctor Who, and Tales of the Unexpected, and played an acerbic storyteller and possibly tomb robber in Jim Henson’s The Storyteller. He has also done voice roles in animated features including Fantastic Mr. Fox, Paddington, and The Wind in the Willows, in which he voiced very nicely The Badger. (CE)
Born October 19, 1943 – Peter Weston, F.N. Founded Birmingham SF Group. Fanzines Zenith, renamed Speculation; Prolapse, renamed Relapse. Reviewed fanzines for Vector as “Malcolm Edwards”, confusing when a real ME appeared later, indeed each chairing Worldcons (PW the 37th). TAFF (Trans-Atlantic Fan Fund) delegate. Doc Weir Award (British; for service). Fan Guest of Honor at Boskone 37, Eastercon 53, Noreascon 4 the 62nd Worldcon. Fellow of NESFA (New England SF Ass’n; service). Lifetime Achievement Award at Corflu 32 (fanziners’ con; corflu = mimeograph correction fluid). His foundry cast the rockets of the Hugo Awards trophies. (Died 2017)
Born October 19, 1945 — John Lithgow, 75. He enters SF fame as Dr. Emilio Lizardo / Lord John Whorfin in The Adventures of Buckaroo Banzai Across the 8th Dimension. He’ll later be in Santa Claus: The Movie, Harry and the Hendersons, Shrek, Rise of the Planet of the Apes, Interstellar and the remake of Pet Sematary. He was on television’s Third Rock from the Sun for six seasons. Oh, and he voiced The White Rabbit on the Once Upon a Time in Wonderland series! (CE)
Born October 19, 1943 — L.E. Modesitt, Jr., 77. Writer of more than 70 novels and 10 different series, the best known of which is his fantasy series The Saga of Recluce. He has been Guest of Honor at numerous conventions, including a World Fantasy Convention. (CE)
Born October 19, 1946 — Philip Pullman, 74. I’ll confess that I like his Sally Lockhart mysteries, both the original versions and the Billie Piper-led series, far more than I enjoy the Dark Materials series as there’s a freshness and imagination at work there I don’t see in the latter. Oh, some of the latter is quite good — I quite enjoyed Lyra’s Oxford and Once Upon a Time in The North. (CE)
Born October 19, 1948 – Jerry Kaufman, 72. New York fan, then Seattle. DUFF (Down Under Fan Fund) delegate. Fanzines with Suzanne Tompkins, The Spanish Inquisition, Mainstream, Littlebrook. Also Sweetmeats (Sandra Miesel collection); The Best of Susan Wood; The Portable Carl Brandon; final issue of Innuendo (with Robert Lichtman). Frequent loccer (loc = letter of comment) to fanzines. Fan Guest of Honor at Balticon 10, Rustycon 1, Minicon 26, Westercon 44, Boskone 34. [JH]
Born October 19, 1961 – Mike Manley, 59. Draws The Phantom (daily since 30 May 16; Sundays by Jeff Weige), also Judge Parker (since 23 Feb 10). Worked at Marvel (Spider-Man; co-created Darkhawk), DC (Batman, did 500th issue; Superman), Warner Bros. (Kids WB Batman, Superman). Plein air painter. Teacher. See his Weblog Draw! [JH]
Born October 19, 1964 – Kathleen Cheney, 56. A dozen novels, thirty shorter stories. Here is her cover for her own collection Shared Dreams. Taught math through calculus, coached the Academics and Robotics teams, sponsored the chess club. Fences with foil and saber. Gardener. Two large hairy dogs. [JH]
Born October 19, 1966 — Roger Cross, 54. Actor from Jamaica who moved to Canada. He played a lead role in the series Continuum and has had parts in genre films The Chronicles of Riddick, War for the Planet of the Apes, the remake of The Day the Earth Stood Still, X2, Doomsday Rock, Voyage of Terror, The Void, and the adaptations of Dean Koontz’ Hideaway and Sole Survivor. (CE)
Born October 19, 1982 – Jenny Bellington, 38. One novel so far, about a boy whose gift is making maps. More in the works. [JH]
Sasha Tinning took her 5-year-old grandson, Carver, grocery shopping earlier this month to buy granola bars and other snacks to contribute to a donation drive for firefighters battling wildfires in Oregon.
But when Tinning ended up in the toy aisle that day, Sept. 12, her eyes — and Carver’s — were drawn to a Baby Yoda doll, the last one on the shelf.“I said, ‘The firefighters could use a friend, couldn’t they?’ ” said Tinning, 54, who lives in Scappoose, Ore., about 20 miles north of Portland.
“He would be a very good friend for them,” she recalled Carver saying.
They agreed that volunteer firefighters needed “The Force” more than anyone. So instead of buying granola bars and nuts, they picked up Baby Yoda — also known as the Child — from the popular Star Wars series “The Mandalorian.”
On their way home, they stopped by a donation tent for firefighters with the big-eyed, pointy-eared doll in hand. Tinning helped Carver write a quick note on a piece of scrap paper she found in her car trunk:“Thank you, firefighters,” it read. “Here is a friend for you, in case you get lonely. Love, Carver.”
Tyler Eubanks, a 34-year-old horse dental technician who was working in the donation booth that afternoon, showed the note and Baby Yoda to a few other volunteers. They all started crying, she said.
“The fires were close to us, and everyone was really high on emotion,” said Eubanks. “We were all really touched that Carver wanted to give a companion to the men and women who were out there risking their lives to fight the wildfires.”
Eubanks brought Baby Yoda to some firefighters who were helping in the effort to contain the 25-acre Unger Road Fire near Colton, Ore. She snapped a few photos of the fire crew with the doll so that she could send them to Carver, and thought that would be the end of it.
“But then the firefighters said, ‘We want to take him with us,’ ” Eubanks said.
So they did. And when they came upon other fire crews and showed off their Baby Yoda, those firefighters asked if they could have him for a while. The answer was yes.
“Before I knew it, Baby Yoda was out there traveling the universe,” Eubanks said.
Eubanks quickly came up with the idea to start a Facebook page — Baby Yoda Fights Fires — to chronicle the adventures of the Child.
More than 26,000 people now follow the page, which is full of photos of Baby Yoda hanging out with firefighters on the front lines of wildfires in Oregon and Colorado, and relaxing in fire base camps.
Kirsty Logan travels back to the world’s earliest civilisations to uncover where tales of ghosts first emerged.
From the earliest evidence of belief in an afterlife, seen in decorated bones in early grave sites, to Ancient Egyptian letters to the dead, and predatory Chindi unleashed to wreak deadly vengeance in the snowy wastes of North America, Kirsty tells the tales of the spirits that haunted our most ancient forebears, and became the common ancestor for ghost stories across all of human history.
…Now Bruce Willis has reprised the role once again, only this time it’s for… a car battery commercial?
The ad, for the DieHard Battery from Advance Auto Parts, sees John McClane crash through a window, escape through an air vent and face off against the villainous Theo, played by a returning Clarence Gilyard Jr.
De’voreaux White also reprises his role as driver Argyle, and steals the “yipee ki yay” line from Willis, who is probably glad that he didn’t have to say it.
When the staff of The Simpsons sat down to write the thirty-first edition of the show’s annual “Treehouse of Horror” Halloween anthology in 2019, they knew that the 2020 Presidential election would be the scariest subject they could tackle. That’s why “Treehouse of Horror XXXI,” which airs Nov. 1 at 8 p.m. on Fox, opens with an election parody that’s not for the faint of heart. “We predict what will happen on January 20 if people like Homer don’t smarten up a little,” longtime Simpsons showrunner, Al Jean, teased during the all-star The Simpsons Treehouse of Horror at Paley Front Row 2020. “Amazingly, most of it was written a year ago, and all of it still seems true!” (Watch the panel above.)
With the COVID-19 pandemic still in full force, this year’s Halloween celebrations will look significantly different than they did in 2019. Trick-or-treating, specifically, is problematic as attempting to visit as many neighbors as possible in a single night is pretty much the opposite of staying “bubbled.” But major candy brands are doing what they can to keep the Halloween spirit alive with interesting interpretations on how to make trick-or-treating coronavirus-friendly.
Reese’s Peanut Butter Cups are a Halloween favorite, and for 2020, the always inventive brand is introducing an over-the-top new candy delivery system: the Reese’s Trick- or-Treat Door. This robotic door uses voice-recognition technology to deliver candy hands-free. When the remote-controlled, nine-foot-tall front door (lamps and all!) uses its three motors to lumber your way, simply say “trick-or-treat,” and a Bluetooth speaker should know it’s time to spit out a king-size Reese’s candy bar via a retractable shelf in the mail slot.
[Thanks to Andrew Porter, Bill Wagner, Michael Toman, John Hertz, Cat Eldridge, JJ, Mike Kennedy, Martin Morse Wooster, Daniel Dern, N., SF Concatenation’s Jonathan Cowie, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Anna Nimmhaus.]
Below, find the TOC you’ll want to tick… the Table of Contents of a book that might help…. but first… yes, there are countless times I’d prefer to be wrong! Especially when it comes to the predictions made in THE POSTMAN!
TIME Magazines called EARTH one of “8 best predictive novels,” and there have been many other hits. But I always figured that my portrayal of lying-betraying-prepper “Holnists” in THE POSTMANwould prove to be artistic exaggeration — not a how-to manual for evil and treason.
Just as Adolf Hitler described his approach in Mein Kampf — and no one took him at his word — Nathan Holn is recalled having laid it all in the open… but Americans didn’t believe anyone would so baldly offer such a despicable program. The warning went unheeded till it was too late.
Likewise, Donald Trump has said publicly that his attack on the U.S. Postal Service is intended directly to interfere in the election. Of course crashing USPS also undermines rural America, a major part of the GOP base. So how is this supposed to benefit Republicans? The answer is… it’s not. Chaos and dysfunction are the goal. To Trump’s puppeteers, it doesn’t matter if he loses, so long as America dissolves into bitterness and pain.
Already it’s clear we need to start a mass movement akin to BLM to support Postal Workers!
(2) NOT EVERYTHING NEEDS TO BE COMIC-CON. Robert J. Sawyer challenges some assumptions about Canadian sff award voters in a Facebook post.
Yesterday, I attended the annual general meeting of the Canadian Science Fiction and Fantasy Association, which was held by Zoom, due to the COVID pandemic.
The first issue the chair raised was what he considered to be a precipitous drop in the number of voters over the years. Years ago, he said, the number was in the mid-two-hundreds and he cited year-by-year figures showing a steady decline down to the current tally of 140 or so. Much discussion ensued about how to beef up the number.
My feeling is two-fold. First, it’s NOT an Aurora-specific issue, and, second, it’s NOT even a problem….
When people talk about bringing in vast new swaths of fans to beef up Aurora voting numbers, they usually mean finding a way to get young fans involved. But young fans, by and large, AREN’T SF&F readers, and have their own fandom traditions — they expect, for instance, their events to be high-cost and run to professional standards (even if mostly staffed by volunteers).
These are the fine folk who enjoy the Calgary Comic and Entertainment Expo; Fan Expo in Toronto; Anime North, also in Toronto; OtakuThon in Montreal; and so-called “comic-cons” across the country. They want to see actors and comic-book artists. Politely, they don’t need us — AND WE DON’T NEED THEM.
If traditional fandom is shrinking — and it IS, mostly through attrition as people get old and finally go on to that great hucksters’ room in the sky — then so be it. But is that hurting the Aurora Awards?
I say no. I had no horse in the race this year — I was not even eligible in any category except for related work (for my bimonthly columns in GALAXY’S EDGE magazine) and wasn’t nominated. But I studied the ballot and, even more important for posterity, the actual winners this year, and my verdict is this: the Auroras are doing just fine.
… In the past, we’ve also seen ballots with conspicuous omissions and even more conspicuous inclusions. When a Canadian work is nominated for the Hugo, the Nebula, or the World Fantasy Award, it SHOULD raise eyebrows when it has been squeezed off the Aurora ballot by lesser creations.
This year, though, the best short-form Aurora went to the most-generally-lauded Canadian-authored (or, at least, co-authored) work on the ballot: THIS IS HOW YOU LOSE THE TIME WAR by Amal el-Mohtar and Max Gladstone, which had already won the Hugo AND the Nebula Awards.
In the past, we’ve seen huge numbers of votes of dubious pedigree: people who have no known connection to fandom but a personal connection to one of the nominees nominating and voting en masse, propelling dubious works onto the ballot and sometimes shamefully even winning the award.
Thankfully, those days of hustling seem to have fallen by the wayside….
(3) NASFIC 2020. The virtual Columbus 2020 NASFiC Opening Ceremonies start 3:00 p.m. on Friday, August 21. Here’s =“How To Attend”:
Attending the North American Science Fiction and Fantasy Convention will now be easy as everything will be online!
On the day the convention begins, the page you are viewing now will provide you with a virtual “log book”. When you have signed it, this website will provide you access to several more pages, with embedded chat channels and streaming video.
It will be free, but we will still accept donations.
(4) SFF AROUND THE GLOBE. FutureCon, a new virtual international sff convention, will launch September 17-20. Cheryl Morgan gives an overview in “Introducing FutureCon”. (See the schedule here.)
While we might all be stuck at home wishing that we could sit in a bar with our friends, one of the benefits of the new virtual world in which we find ourselves is that travel is instantaneous and free. This means that we can have conventions that are genuinely global, and very cheap or free to attend.
Into this space comes FutureCon. It is being organised primarily by folks in Brazil, but with a lot of help from Francesco Verso in Italy, and also a bunch more people around the world. It will take place from September 17th-20th, and will be free to all on YouTube. All of the programming will be in English. Confirmed guests include Ann Vandermeer, Aliette de Bodard, Chen Qiufan, Ian McDonald, Lavie Tidhar and Nisi Shawl. But more importantly there will be speakers from over 20 different countries including Argentina, Croatia, India, Mexico, Nigeria, Pakistan, Turkey & Uganda.
… Francesco can read in many different langauges, and he said something today in a launch meeting for the event that really struck a chord. I’m paraphrasing slightly, but the gist was, “the quality of science fiction is evenly distributed around the world, but it is unevenly visible.” I hope that FutureCon can be an important step along the road to changing that.
… After the 1960s SF panel, I had only ten minutes to get to my next panel “Translation: The Key to Open Doors to Cultural Diversity in SFF”. I was moderating again and the panelists were Libia Benda from Mexico, Luis F. Silva from Portugal, Wataru Ishigame, speaking from the POV of a publisher publishing translated SFF in Japan, and Neil Clarke of Clarkesworld Magazine as the token American. Though that would be mean, because Neil Clarke has done more than pretty much any other magazine editor to bring translated SFF to English speaking readers.
Again, we had a lively e-mail debate before the panel and just as lively a debate during the panel, complete with an audio zoombombing by a Mexican street vendor. I had also asked all panelists to recommend some SFF books or stories from their country that had been translated into English (and Neil Clarke generally recommended SFF in translation), so there were book recommendations as well.
The translation panel also overran by almost half an hour, because once the Zoom recording was stopped, the Zoom meeting just remained open. After ascertaining that the audience could still hear us, we just continued talking about SFF in translation for another twenty five minutes or so, until the Zoom host shut down the room. Now that’s something that could never have happened at a physical con, unless you were the last panel of the day and the room wasn’t needed again….
I called my post from last week “Results and Final Thoughts“… but after it went up, I had another thought. So that title was a lie! Many people out there analyze various aspects of the results, but I want to look at two things: how many people vote in each category, and how many people vote No Award.
… Voting No Award in first place usually means one of two things, I would claim. First, it could mean that you find the concept of the category invalid. Every year, I vote No Award for Best Series, Best Editor, and a couple other categories, for example, and leave the rest of my ballot blank. I have some fundamental disagreements with the premises of those categories, and do not think they should be awarded. (Very few Hugo voters agree with me, though, clearly.) It could also mean that you just found everything in that category subpar: this year I voted No Award for Best Short Story, but still ranked finalists below it.
How well does Mollman’s interpretation hold up? And what is there to learn in the voting pattern from Jeannette Ng’s acceptance speech for the 2019 Campbell Award?
Here is a list of things that the HBO series Lovecraft Country, premiering Sunday, August 16th, has in common with the 2018 film Green Book:
1. Setting: Jim Crow-era America
2. Acting: Subtle, nuanced performances (Viggo Mortenen’s dese-and-dose Green Book gangster notwithstanding).
3. Subject: Story features a road trip involving a travel guidebook written to inform Black people where they can safely eat and stay. (Green Book: Entire film; Lovecraft Country: Opening episodes only.)
And here is a brief, incomplete list of the things that Lovecraft Country prominently features that Green Book emphatically does not:
1. A story centered on the lives of Black characters.
2. Black characters with agency, absent any White Savior narrative
Shoggoths, of course, are creatures imagined by writer H.P. Lovecraft — blobs covered with eyes that continuously arise and dissolve back into their putrid, pulsating flesh. (The Shoggoths of Lovecraft Country are shaped more like Pit-bulls than protoplasm, though they’ve got that whole creepy-eyes thing covered.)
Lovecraft Country is only the latest in a series of movies, television series and novels to engage with America’s greatest moral, economic, social and psychological wound — the legacy of slavery — by way of the fantastic. Creators like Jordan Peele, Damon Lindelof, Toni Morrison and Colson Whitehead didn’t avail themselves of, respectively, body-swapping, superheroes, an angry ghost and an entirely literal subterranean mass-transit system as a means to distract from, or to trivialize, racial injustice. No: They knew that when grappling with a foundational truth so huge and ugly and painful, utilizing the metaphorical imagery of science-fiction and horror offered them a fresh way in — an opportunity to get their audiences to re-examine, to re-feel, the enduring impact of that evil.
…Though it’s sure to be compared to Watchmen, given both its prominent HBO Sunday night berth and its determination to view race in America through the prism of science fiction, Lovecraft Country is lighter in tone, and far pulpier in sensibility, than Lindelof’s comparatively grand, sweeping epic. It’s much more apt to go looser and loopier, sprinkling magic spells, sacred codexes, secret passages and the occasional light tomb-raiding into the mix. It’s also far more eager to serve up the satisfyingly grisly thrills of pulp horror — bad guys getting their bloody, cosmic comeuppance, for example.
But for every fun, if wildly anachronistic, element — needle-drops like Rihanna’s “Bitch Better Have My Money,” say, or abdominal muscles like Majors’ — Lovecraft Country is always careful to re-center itself on its characters, and their hemmed-in status as Black women and men in 1950s America. Between every narrow escape and exposition dump about “finding the missing pages from the forbidden tome” or whatever, it gives its characters and their relationships breathing room. Case in point: Letitia’s contentious bond with her sardonic, disapproving sister Ruby (the quietly astonishing Wunmi Mosaku, in a warm, deeply compelling performance) gets a chance to grow and complicate. And in a later episodes (only the first five were screened for press), Ruby happily manages to step off the sidelines and mix it up with the series’ deep, abiding weirdness.
Though M. T. Anderson couldn’t possibly have planned it, his new book The Daughters of Ys feels like it was created for just this moment. The story’s driving force and key image — a torrential flood of natural and unnatural origin that sweeps away a city — is the perfect symbol for our era. If you’ve felt your brimming anxiety about the coronavirus overflow as you’ve tried to keep up with the never-ending tide of news about it, you’ll sympathize with Anderson’s characters.
This book is an excellent read right now for other reasons, too. Trying to keep abreast of your daily news feed may have made you impatient of any pleasure reading that isn’t perfectly absorbing (OK, that’s the last flood pun, I swear). A graphic novel, The Daughters of Ys is fun and easy to read. Anderson’s story, a reinterpretation of a Breton folktale, is effortlessly page-turning and actually feels a bit like a young adult title — not surprisingly, considering YA is Anderson’s preferred genre. But like Anderson’s National Book Award-winning The Astonishing Life of Octavian Nothing, this book is both accessible to a wide age range and rich with ideas that will intrigue adults. (Note, however, that due to dark themes, some gore and the fact that the characters have sex, it may be best kept away from immature readers.)
Best of all, Daughters of Ys is a terrific respite for eyes weary of scanning headlines. Artist Jo Rioux isn’t as well-known as her coauthor — as is often the fate of illustrators who focus on children’s books — but she should be. Her drawings here aren’t just beautiful, with their deep, layered colors and elegant compositions; they’re also smart. Nodding to the original tale’s 5th-century setting, Rioux uses the style and motifs of Anglo-Saxon art (think of the Bayeux Tapestry and the metalwork of Sutton Hoo). But she doesn’t just replicate the style, she uses it to explore the evocative possibilities of minimalist cartooning. The characters’ faces have flat-looking eyes and minimal features, but they express intense, ambiguous emotions. Rioux also borrows the glowing lights and velvety shadows of Maxfield Parrish’s work for certain scenes, including a wonderful interlude set inside a circle of standing stones. The reader is encouraged to recall Parrish’s turn-of-the-20th-century America, when astonishing and alarming technological advances triggered a yearning for the romantic past, and to compare it with our own time.
(9) CHECK OUT COUNTER. WorldCat’s Library100 – I’ve read 41 of these.
What makes a novel “great”? At OCLC, we believe literary greatness can be measured by how many libraries have a copy on their shelves.
Yes, libraries offer access to trendy and popular books. But, they don’t keep them on the shelf if they’re not repeatedly requested by their communities over the years. We’ve identified 100 timeless, top novels—those found in thousands of libraries around the world—using WorldCat, the world’s largest database of library materials.
So, check out The Library 100, head to your nearest library, and enjoy the read!
(10) GOLDENBERG OBIT. American music composer, conductor and arranger Billy Goldenberg (William Leon Goldenberg) died on August 3, aged 84 reports Stephen Jones.
His many credits include Fear No Evil, Silent Night Lonely Night, Ritual Of Evil, Steven Spielberg’s Duel, Don’t Be Afraid Of The Dark (1973), The Legend Of Lizzie Borden, The Ufo Incident, Metamorphoses, This House Possessed, Massarati And The Brain, Prototype, Frankenstein (1986), 18 Again! and Sherlock Holmes And The Leading Lady. On TV Goldenberg composed music for the pilots of Night Gallery (again for Spielberg), Future Cop and Gemini Man, plus episodes of The Name Of The Game (Spielberg’s ‘LA 2017’), The Sixth Sense and Circle Of Fear (along with the theme music for both shows), Amazing Stories and the 1989 mini-series Around The World In 80 Days. He also composed one of the themes to the Universal logo.
(11) MEDIA BIRTHDAY.
August 16, 1951 — Dimension X’s “The Vital Factor” was first broadcast. The story is that a ruthless millionaire is determined to be the first man to conquer space…no matter what the cost. The script was used later on X Minus One. It was written by Nelson Bond who is the holder of a Nebula Author Emeritus award for lifetime achievement. He’s also the recipient of First Fandom Hall of Fame Award. His Meg the Priestess stories gave us one of the first powerful female characters in the genre. Daniel Ocko and Guy Repp are the actors here. You can listen to it here.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born August 16, 1884 — Hugo Gernsback. Publisher of the first SF magazines, Amazing Stories in 1926, and Wonder Stories in 1929. He also played a key role in creating fandom through the Science Fiction League. Writer of the Ralph 124C 41+ novel which most critics think is utterly dreadful but Westfahl considers “essential text for all studies of science fiction.” And of course he’s who the Hugos were named after back in 1953. (Died 1967.) (CE)
Born August 16, 1913 – Will Sykora. Active at least as early as Jan 30 letter in Science Wonder Stories. With Sam Moskowitz, thought the true fannish spirit meant promotion of science. President of ISA (Int’l Scientific Ass’n) which sought to include amateur scientists, maybe the first fan club, unless disqualified in retrospect for insufficient frivolity – or insufficient leftism, which the Futurians were charged with excess of. Charter member of FAPA (Fantasy Amateur Press Ass’n). (Died 1994) [JH]
Born August 16, 1930 – Paul Lehr. Three hundred covers, fifty interiors. Here is his beginning, Satellite E One. Here is his famous Nineteen Eighty-four (no mustache on Big Brother!). Here is Spectrum 4. Here is The Ringworld Engineers. Here is the Mar 81 Analog. Here is the Aug 96 Tomorrow. What a giant. (Died 1998) [JH]
Born August 16, 1930 — Robert Culp. He’d make the Birthday Honors solely for being the lead in the Outer Limits episode “Demon with a Glass Hand” which Ellison wrote specifically with him in mind. He would do two more appearances on the show, “Corpus Earthling” and “The Architects of Fear”. Around this time, he makes one-offs on Get Smart! and The Man from U.N.C.L.E. before being Special FBI Agent Bill Maxwell in The Greatest American Hero. Did you know there was a Conan the Adventurer series in the Nineties in which he was King Vog in one episode? (Died 2010.) (CE)
Born August 16, 1931 – Walt Lee. Monumental if only for his 20,000-entry Reference Guide to Fantastic Films (with Bill Warren) – which, allowing for differences in scale, is like saying Cheops (or Khnum Khufu if you prefer) is monumental if only for the Great Pyramid of Giza. OGH’s appreciation here. (Died 2014) [JH]
Born August 16, 1933 — Julie Newmar, 87. Catwoman in Batman. Her recent voice work includes the animated Batman: Return of the Caped Crusaders and Batman vs. Two-Face, both done in the style of the Sixties show. They feature the last voice work by Adam West. Shatner btw plays Harvey Dent aka Two Face. She was on the original Trek in the “Friday’s Child” episode as Eileen. She also has one-offs on Get Smart!, Twilight Zone, Fantasy Island, Bionic Woman, Buck Rogers in the 25th Century, Bewitched and Monster Squad. (CE)
Born August 16, 1934 — Andrew J. Offutt. I know him through his work in the Thieves’ World anthologies though I also enjoyed the Swords Against Darkness anthologies that he edited. I don’t think I’ve read any of his novels. And I’m not Robert E. Howard fan so I’ve not read any of his Cormac mac Art or Conan novels but his short fiction is superb. (Died 2013.) (CE)
Born August 16, 1934 — Diana Wynne Jones. If there’s essential reading for her, it’d be The Tough Guide to Fantasyland with a playful look at the genre. Then I’d toss in Deep Secret for its setting, and Fire and Hemlock for her artful merging of the Scottish ballads Tam Lin and Thomas the Rhymer. Now what’s the name of the exemplary short story collection she did late in life? Ahhh it was Unexpected Magic: Collected Stories with the great cover by artist Dan Craig. (Died 2011.) (CE)
Born August 16, 1952 – Edie Stern, F.N., 68. “Andre Norton’s Diamond Celebration” (with husband Joe Siclari) in Fantasy Review. “Fancy Jack” (Jack Speer; with Siclari) in Noreascon 4 Souvenir Book, hello Guy Lillian III (62nd Worldcon). Fellow of NESFA (New England SF Ass’n; service award). Introduction (with Siclari) to Virgil Finlay Centennial book for 2014 World Fantasy Convention. “LeeH” (Lee Hoffman, or for some of us, Hoffwoman), Journey Planet 27. “Wheels of IF” (Irish fandom; with Siclari) for 77th Worldcon Souvenir Book. Noted SF art collector (with Siclari), very helpful with SF con Art Shows. Fan Guest of Honor, Loscon 46. Big Heart (our highest service award; with Siclari). Since 2016, Webmaster of the FANAC Fanhistory Project (fanac = fan activity; Florida Ass’n for Nucleation And Conventions was originally formed for MagiCon the 50th Worldcon, Orlando). [JH]
Born August 16, 1958 — Rachael Talalay, 62. She made her directorial debut with Freddy’s Dead: The Final Nightmare, and she also worked on the first four of the Nightmare on Elm Street films. Moving from horror to SF, she directed Tank Girl next. A long time Who fan, she directed all three of Twelfth Doctor’s series finales: series 8’s “Dark Water” and “Death in Heaven”, along with series 9’s “Heaven Sent” and “Hell Bent” before directing series 10’s “World Enough and Time” and “The Doctor Falls”. She capped who Who work with “Twice Upon a Time”, the last Twelfth Doctor story. (CE)
Born August 16, 1967 – Betsy Dornbusch, 53. Five novels, fifteen shorter stories. Co-editor Electric Spec 2006-2015. Essays & interviews there. Likes writing, reading, snowboarding, punk rock, the Denver Broncos, and how are you, Mr. Wilson? [JH]
Born August 16, 1969 – Michael Buckley, 51. A score of novels, some about the Nat’l Espionage, Rescue, & Defense Society (which spells – ), NY Times Best Sellers; some about the Sisters Grimm (yes). Robotomy for the Cartoon Network. Finn and the Intergalactic Lunchbox just released (April). Used to be in a punk rock band called Danger, Will Robinson. [JH]
Beck in the interview discusses many aspects of his career, including his providing the commentary for DVDs of Fritz Freleng cartoons to running a popular panel at Comic-Con called “Worst Cartoons Ever” so that fans can howl at a smorgasbord of stinkers. Beck also has written several histories of animation. But he was also one of the first Americans to understand the importance of anime. He recalled that when Hayao Miyazaki’s Nausicaä of the Valley of the Wind was released in the mid-1980s, Roger Corman controlled the rights and released it in a heavily-cut, badly dubbed version. Beck realized Miyazaki’s importance and was the first to distribute Miyazaki’s films uncut to theaters.
As part of his anime distribution, Beck talked to the producers of Akira, who explained that they were shutting down their studio and offered Beck the contents. Eight months later, Beck got a call from the Port of Los Angeles (“and I’ve never gotten a call from a port before”) with eight giant containers of cels and other stuff, which Beck sold to the delight of serious collectors.
Also in the podcast, Maltin revealed that he learned Roman numerals from Popeye cartoons, which taught him that MCMXXXVI meant “1936”.
(14) BRING ME THE HEAD OF ADMIRAL ACKBAR. Coming right up! The Nerdist says it will be one of the lots available for bid in a Star Wars prop auction happening August 26-27.
For sci-fi movie prop collectors, items from the Star Wars saga are the Holy Grail. Now, fans who have wanted to get their hands on authentic items from a galaxy far, far away are in for a treat. Several props and costumes from the saga are going up for auction by The Prop Store of Los Angeles and London. Some very coveted pieces are among the items, including a full Darth Vader costume from 1977.
Brian Blessed has claimed that the Queen revealed to him that her favourite film is Flash Gordon, the 1980 sci-fi in which he stars as Prince Vultan.
Speaking about the film’s 40th anniversary to Edith Bowman on Yahoo Movies, the actor said that whenever he goes, people demand he recite his character’s catchphrase.
“Everywhere I go, they all want me to say ‘Gordon’s alive!’,” said Blessed. “The butcher, the baker, the candlestick maker, horses and queens, and prime ministers, they all want me to say ‘Gordon’s alive!’, it’s their favourite film.”
He continued: “The Queen, it’s her favourite film, she watches it with her grandchildren every Christmas.”
The actor then assumed the Queen’s accent, quoting her as saying: “You know, we watch Flash Gordon all the time, me and the grandchildren. And if you don’t mind, I’ve got the grandchildren here, would you mind saying ‘Gordon’s alive’?”
From this fourth season episode of The Next Generation comes one of Worf’s most famous quotes. Transported to Sherwood Forest by Q and adorned in the costume of Will Scarlett, one of Robin Hood’s Merry Men, Worf exclaims, “I am not a merry man.”
“Qpid” has one of the series lightest touches, to the point it feels like an old Errol Flynn film. While Picard plays Robin Hood, the rest of his Merry Men try to get used to their temporary roles. One of the funniest parts is during the fight between Robin’s friends and Nottingham’s guards. Both Doctor Crusher and Counselor Troi knock two of the bad guys out by bashing large vases over their heads.
When screenwriter Mattson Tomlin sat down to write Project Power in 2016, he knew that he wanted to create a superhero universe that put Black heroes front and center. The film that arrives on Netflix on Aug. 14 stays true to that vision, with Jamie Foxx and Dominique Fishback portraying the dynamic duo of Art and Robin, who take on a top-secret government agency that’s dispensing ability-enhancing pills on the streets of New Orleans. But there’s also a third superhero in the mix: a white police officer named Frank (played by Joseph Gordon-Levitt), who is the kind of “plays by his own rules” cop that’s been a popular Hollywood protagonist for decades.
As the film begins, Frank’s personal rules include popping those contraband pills to get a super-powered boost for daring busts. But after Art and Robin awaken him to the sordid story behind those drugs — a story that includes the exploitation of Black research subjects — he opts to join their cause. “Ultimately, the character goes through the movie trying to do the right thing,” Tomlin says. “Sometimes he goes about it in a messy way, but that’s where his heart is.”
A UK boat has just provided an impressive demonstration of the future of robotic maritime operations.
The 12m Uncrewed Surface Vessel (USV) Maxlimer has completed a 22-day-long mission to map an area of seafloor in the Atlantic.
SEA-KIT International, which developed the craft, “skippered” the entire outing via satellite from its base in Tollesbury in eastern England.
The mission was part-funded by the European Space Agency.
Robot boats promise a dramatic change in the way we work at sea.
Already, many of the big survey companies that run traditional crewed vessels have started to invest heavily in the new, remotely operated technologies. Freight companies are also acknowledging the cost advantages that will come from running robot ships.
But “over-the-horizon” control has to show it’s practical and safe if it’s to gain wide acceptance. Hence, the demonstration from Maxlimer.
…One obvious culprit is lunar dust that has built up on the retroreflectors. Dust can be kicked up by meteorites striking the moon’s surface. It coated the astronauts’ moon suits during their visits, and it is expected to be a significant problem if humans ever colonize the moon.
The Lunar Reconnaissance Orbiter “provides a pristine target,” said Erwan Mazarico, a planetary scientist at NASA Goddard Space Flight Center who, along with his colleagues, tested the hypothesis that lunar dust might be affecting the moon’s retroreflectors.
On Wednesday, senior Trump adviser Jenna Ellis compared Democratic vice presidential contender Kamala Harris to Marge Simpson, who’s voiced by actress Julie Kavner.
“Kamala sounds like Marge Simpson,” [Ellis] tweeted.
Marge responded on “The Simpsons” Twitter account with a 27-second clip in which she says the matter makes her uncomfortable.
“I usually don’t get into politics,” Marge said Friday, adding that her show-daughter Lisa informed her the comparison wasn’t meant as a compliment to either woman.
“As an ordinary suburban housewife I’m starting to feel a little disrespected,” the cartoon mom said. “I teach my children not to name-call, Jenna.”
? [Thanks to Cat Eldridge, Andrew Porter, JJ, Cora Buhlert, Cheryl Morgan, John King Tarpinian, John Hertz, Chip Hitchcock, Martin Morse Wooster, Nicholas Whyte, Michael Toman, Daniel Dern, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Jake.]
Normally, most people vote for Worldcon site selection on site. Normally, people have the opportunity to hear from the site selection bids in person. But we do not live in normal times, and with all site selection moving to remote this year due to the COVID-19 pandemic CoNZealand arranged a special early question-and-answer panel for the 2022 Worldcon bids about a month before the convention. What follows is a summary of the bid presentations, questions, and answers—while I have tried to stay true to what was said, I do not promise transcription-level accuracy….
Here are a few of the questions and responses:
…Q: Chicon 7 had numerous access issues. How have you fixed them?
Chicago: The hotel took the non-ADA accessible areas out of circulation and put new, accessible function rooms in. The big accessibility chokepoint is getting into the exhibit hall, and we’ll have to work this out. But everything else should be ADA-compliant. Also at least with the Hyatt we know what the likely problem points are and can plan for them. If you had specific pain points at Chicon 7, let us know.
Q: What is the availability of assistance for mobility access, including renting mobies?
Jeddah: A lot of the rooms have workarounds but they’re not officially recognized are fully accessible (about 10% are officially recognized as such). Already working with a few companies for chairs on-site but not sure if they’ll be available to be taken offsite.
Chicago: Will have rental options for mobies, wheelchairs, etc. Guessing that there will be a pre-rental period and then we’ll have extras on site.
Q: What online virtual content do you intend to include?
Chicago: Haven’t totally decided yet, but we expect to have a pretty strong virtual component. In 2012 we had coprogramming with Dragon*Con, so we’re used to doing that kind of virtual thing. So it’s on our radar but we don’t have specifics yet.
Jeddah: Want to broadcast everything live for all the members, with at least audio streaming and hopefully video streaming. Our platform for live interpretation incorporates a live feed for sessions in both languages. Everything will be recorded for all members and stay up for as long as the server does. We also plan on having live feeds for all public spaces (e.g. the art show and dealer’s room) so online attendees can interact with in-person attendees….
Much more at the link.
(2) SPACE COMMAND. There will be a Space Command Convention on the Mr Sci-Fi YouTube channel this Sunday, starting at 10 a.m. Marc Scott Zicree says, “We will have live events all day, including interviews, and the premier of Ripple Effect, Space Command’s special episode, written and filmed during the COVID-19 Pandemic!”
(3) HORROR IN THREE PARTS. [Item by Martin Morse Wooster.] A History of Horror With Mark Gatiss on YouTube is a three-part series on the history of horror films Gatiss did for the BBC in 2010. In the first episode, he looks at silent films and sees such rarities as Lon Chaney Sr.’s makeup kit and the shrine of mementoes kept by Boris Karloff’s daughter. (Did you know Karloff is the only person not a president who has been on three US stamps?)
(4) THE FIFTIES. I discovered that a game I play, Baseball Mogul, has a blog – and it’s latest post is about “The Thanos Button”.
…Clicking this button randomly disintegrates half of the players in the database. It also eliminates half of everyone on earth, with corresponding adjustments to the population level of each team’s fan base.
At the beginning of Avengers: Endgame, the camera flies over an empty Citi Field, showing us that major league baseball is just one of the casualties of Thanos’ “snap”. If the baseball season can be cancelled for a virus that has killed 100,000 Americans, then surely it would be stopped by a super-villian killing more than 160 million Americans.
Well, arguments have been made on both sides. But what we do know is that, financially, Major League Baseball would be fine. Eliminating 50% of all major league players would cause team payrolls to drop by 50% — but demand for tickets would only drop by about 30%. At least in the short term, Major League Baseball would actually be more profitable….
Fox has released a statement on casting for non-white characters on “The Simpsons.”
“Moving forward, ‘The Simpsons’ will no longer have white actors voice non-white characters,” the network said Friday.
The move comes as several television shows have pulled episodes featuring blackface from their streaming platforms, and amid a nation dealing with controversial depictions of race on TV and film.
On “The Simpsons,” Hank Azaria has been the voice of the black cartoon character Carlton Carlson. He also was known for voicing Apu, a character which has long been criticized for portraying a racist depiction of an Indian person. Azaria announced in 2017 he would no longer voice the character.
[Peter] Jackson, Fran Walsh and Philippa Boyens drew heavily from J.R.R. Tolkien’s rich source material to fashion a living, breathing world, complete with its own history. This also created a lot of confusion for moviegoers who had never read the books, or delved too deeply into Tolkien’s accompanying tales, such as The Silmarillion. Here’s 10 references in the Lord Of The Rings movies that only fans of the books truly understood.
Arachnophobes were horrified by the reveal of Shelob in Return Of The King, and for good reason! She’s an eight-legged nightmare who did more to demonize spiders than any other film since Arachnophobia.
What the film didn’t touch upon was her origin story. Far from just a fat, grotesque spider, Shelob is actually a child of Ungoliant, a fearsome arachnid who allied herself with Melkor during the First Age, before the two became bitter enemies. Ungoliant is briefly mentioned by Radagast the Brown in The Hobbit: An Unexpected Journey.
…Mr. Glaser joined forces with the editor Clay Felker in 1968 to found New York magazine, where he was president and design director until 1977, imposing a visual format that still largely survives. With his friend Jerome Snyder, the art director of Scientific American, he wrote a budget-dining column, “The Underground Gourmet,” for The New York Herald Tribune and, later, New York magazine. The column spawned a guidebook of the same name in 1966 and “The Underground Gourmet Cookbook” in 1975.
Mr. Glaser started his own design firm, Milton Glaser Inc., in 1974. A year later he left Push Pin, just as he was being given his own show at the Museum of Modern Art.
“At a certain point we were accepted, and once that happens, everything becomes less interesting,” he said in an interview for “Graphic Design in America: A Visual Language History,” an exhibition at the Walker Art Center in Minneapolis in 1989.
(8) MEDIA BIRTHDAY.
June 1953 — “In Hoka Signo Vinces” was published. A Hoka novella, it was written by Poul Anderson and Gordon Dickson, it was published by Other Worlds Science Stories which ran from 1949 to 1957. It’s currently available in Hoka! Hoka! Hoka!, a Baen Books anthology which also includes the first Hoka story, “The Sheriff of Canyon Gulch”.
(9) TODAY’S BIRTHDAYS.
[Compled by Cat Eldridge and John Hertz.]
Born June 27, 1850 – Lafcadio Hearn. Greek-Irish author who became a naturalized Japanese citizen and professor at Waseda U., first living in France, Ohio, Louisiana, the West Indies. Ten dozen short stories for us; collections of legends and ghost tales; translated Flaubert, Gautier, Maupassant, Zola; LH’s Kwaidan was made into the Kobayashi film; a dozen-and-a-half posthumous collections, recently by Princeton and U. Chicago. (Died 1904) [JH]
Born June 27, 1908 – Henry Kiemle, Jr. Much work for Westerns; fifty interiors for us. Here is “Elixir” (James Blish). Here is “The Shadow-Gods” (Vaseleos Garson). Here is “The Life Detour” (David Keller). You can read more about HK here. (Died 1969) [JH]
Born June 27, 1927 – Tibor Csernus. Hungarian painter living in Paris after 1964. Among much other work ten dozen covers for us, a few interiors. Here is The Players of Null-A. Here is Bug Jack Barron (under French title). Here is We Have Always Lived in the Castle. Here is Genocides. Kossuth Prize. Knight of the Order of Arts & Letters. (Died 2007) [JH]
Born June 27, 1948 – Esther Rochon, 72.Grand Prix de la science fiction et du fantastique québecois four times. Governor-General First Prize at age 16. A score of novels, three dozen shorter stories. Co-founded Imagine; two covers for it, here is one. Has not neglected fanzines, e.g. you can see her in Lofgeornost. [JH]
Born June 27, 1952 – Mary Rosenblum. Author and cheesemaker. Mystery fiction too under another name. Five novels; five dozen shorter stories in Analog, Asimov’s, Lightspeed, The Magazine of Fantasy & Science Fiction. Translated into French, German, Italian, Polish, Portuguese, Romanian, Spanish. Compton Crook and Sidewise Awards. (Died 2018) [JH]
Born June 27, 1978 – Bernard Quiriny, 42. Author, critic, Professor of Public Law at U. Burgundy, literature column for Chronic’art. One novel so far, five dozen shorter stories. Recurring character Pierre Gould is “eccentric…. poet, dandy, book-lover, just a bit of a misanthrope”. Grand Prix de l’Imaginaire, Prix du Style, Prix Victor Rossel, Prix Robert Duterme. [JH]
Born June 27, 1952 — Mary Rosenblum. SF writer who won the Compton Crook Award for Best First Novel for The Drylands. She later won the Sidewise Award for Alternate History Short Form for her story, “Sacrifice.” Water Rites and Horizons are the only ones available digitally. (Died 2018.) (CE)
Born June 27, 1959 — Stephen Dedman, 61. Australian author who’s the author of The Art of Arrow-Cutting, a most excellent novel. I really should read Shadows Bite, the sequel to it. He’s the story editor of Borderlands, the tri-annual Australian science fiction, fantasy and horror magazine published in Perth. Apple Books has nothing for him, Kindle has The Art of Arrow-Cutting and a few other titles. (CE)
Born June 27, 1972 — Christian Kane, 48. You’ll certain recognize him as he’s been around genre video fiction for a while first playing Lindsey McDonald on Angel before become Jacob Stone on The Librarians. And though Leverage ain’t genre, his role as Eliot Spencer there is definitely worth seeing. (CE)
Born June 27, 1975 — Tobey Maguire, 45. Spider-Man in the Sam Raimi trilogy of the Spidey films. His first genre appearance was actually in The Revenge of the Red Baron which is one serious weird film. Much more interesting is his role as David in Pleasantville, a film I love dearly. He produced The 5th Wave, a recent alien invasion film. (CE)
Born June 27, 1987 — Ed Westwick, 33. British actor who has roles in the dystopian Children of Men, S. Darko (a film I couldn’t begin to summarize), Freaks of Nature (a popcorn film if ever there was one), the “Roadside Bouquets” episode of the British series Afterlife (which I want to see) and The Crash (which may or may not be SF). (CE)
(10) COMICS SECTION.
Close to Home has an elevator gag that reminds me of Attack the Block.
(11) TO BOLDLY GO BLEEP. Twitter’s Swear Trek is a prolific GIF creator of – you guessed it!
How’s this for a commitment to high fantasy realism: Amazon is reportedly seeking visually distinctive actors — or, in its casting agency’s own words, “funny looking” people — who’re believed to be potential candidates for its Lord of the Rings prequel series in New Zealand.
Yahoo! Entertainment reports that BGT Actors Models & Talent — the same Auckland-based agency that helped cast extras for Peter Jackson’s LOTR film trilogy — has put out an open call for “funny looking” New Zealanders who have out-of-the-ordinary facial features and body types.
(13) SEVEN YEARS BAD LUCK?“Nasa Astronaut Drops Mirror Into Space During Spacewalk”. Though I suppose the bad luck doesn’t start to run until the mirror is broken – hits something, re-enters the atmosphere, or hangs around until the heat death of the universe (which we know is going to be really bad luck).
An astronaut has dropped a small mirror into space by accident, Nasa has said.
Commander Chris Cassidy lost control of the mirror while leaving the International Space Station for a spacewalk to work on batteries, and it floated away at about a foot per second, the space agency said.
The object is now just one part of the vast amount of space junk that is in orbit around the Earth.
Cassidy had been conducting an otherwise uneventful spacewalk with Bob Behnken, who arrived at the space station on board a SpaceX craft last month.
Mission Control said the mirror somehow became detached from Cassidy’s spacesuit. The lost item posed no risk to the astronauts, spacewalk or the station, Nasa said.
(14) WON’T STAND FOR IT. A petty inconsistency is the hobgoblin of internet comedy.
NASA has released open-source instructions for a 3D-printed necklace designed to help you stop touching your face. We’ve heard time and time again that we shouldn’t touch our mush with our fingers to limit our chances of contracting COVID-19. However, it’s not always easy to avoid that reflex.
To remind you to keep your mitts at bay, three engineers at the agency’s Jet Propulsion Lab created Pulse. The necklace has a proximity sensor with a 12-inch range and a coin vibration motor, which activates when you move your hand towards your head. The closer your fingers are, the more intense the vibrations get….
(16) MUPPETS. The Muppets visited The Late Late Show with James Corden:
Although James Corden, Reggie Watts and The Muppets can’t be together in a studio, the group comes together on video chat to sing The Beatles classic “With a Little Help from My Friends.” Sing along with Kermit, Fozzie, Miss Piggy, Swedish Chef, Animal, Gonzo and so many more.
… Given the choice to feature a crime plot, it is curious how The Great Muppet Caper does not decide to pastiche the many different types of crime films. The film is more interested in emulating splashy, Golden Age of Hollywood musicals. Which is fine. It is also partially a love story, partially a tale of mistaken identity, partially a satire of the high-fashion world. When it does refocus the burglaries that Kermit and Co. are trying to solve, it does not resemble a detective story as much as a journalistic investigation. See, Kermit, Fozzie Bear, and the Great Gonzo are all reporters who fail to break a story about a jewel heist that happens during the opening number, right behind them. Fired from their newspaper, they set off for London, to try to interview the woman, Lady Holiday (Diana Rigg), who has been robbed. While across the pond, they end up on the trail of serial thieves, the ringleader of whom is Lady Holiday’s deadbeat brother Nicky (Charles Grodin, hooray!). But truthfully, most of the movie is about Kermit falling in love with Miss Piggy, an aspiring fashion model who impersonates her boss, Lady Holiday, because she wants to impress Kermit.
[Thanks to John Hertz, JJ, Cat Eldridge, Lise Andreasen, Chip Hitchcock, Martin Morse Wooster, Bill, Andrew Porter, John King Tarpinian, Michael Toman, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]
The Peabody Awards has named 30 programs as the most compelling and empowering stories released in broadcasting and digital media during 2019.
Here is the complete list of winners in the Entertainment category, which include programs of genre interest Chernobyl, Stranger Things and Watchmen. .
“Chernobyl” HBO Miniseries and SKY in association with Sister, The Mighty Mint, and Word Games (HBO)
This emotionally searing miniseries about the 1986 Chernobyl nuclear disaster and political aftermath is written, acted, and composed to perfection.
“David Makes Man” Page Fright and Outlier Productions in association with Warner Horizon Scripted Television (OWN: Oprah Winfrey Network)
This visually stunning coming-of-age drama by Tarell Alvin McCraney follows a gifted 14-year-old African American boy (superbly acted by Akili McDowell) growing up in the projects in Florida and haunted by the death of a friend.
Season three continues the fun, nostalgic, horror-meets-sci-fi series about a group of adolescents fighting dark forces in their 1980s Indiana town.
“Succession” HBO Entertainment in association with Project Zeus, Hyperobject Industries, and Gary Sanchez Productions (HBO)
Boasting one of the best ensembles on television, the second season of this satiric comic drama follows the devolution of the fictional Roy media magnate family, and their battles over who will succeed its imperial patriarch.
“Unbelievable” Timberman-Beverly Productions, Sage Lane Productions, Escapist Fare, Katie Couric Media, and CBS Television Studios for Netflix (Netflix)
The superb dramatization of intersecting, albeit vastly-differently-executed investigations into a serial rapist, features standout performances from Toni Collette, Merritt Weaver, and Kaitlyn Dever.
“Watchmen” HBO in association with White Rabbit, Paramount, Warner Bros. Television and DC (HBO)
Brilliantly penned by Damon Lindelof, this high concept sci-fi superhero show refashions the famed DC Comics series to tell a story about racism, policing, fear, and more.
“When They See Us” Participant Media, Tribeca Productions, Harpo Films, Array Filmworks for Netflix (Netflix)
Devastating and commanding, the powerful miniseries from Ava DuVernay about the Central Park Five case and the lives it ruined, offers riveting work from a strong ensemble cast.
The organization also announced FRONTLINE and The Simpsons as recipients of Institutional Awards. This distinctive honor goes to programs that have made a significant impact on media programming and the cultural landscape. Cicely Tyson was named winner of the Peabody Career Achievement Award on Monday.
On December 17, 1989, the clouds parted in the now-iconic opening sequence of “The Simpsons,” inviting the world into the town of Springfield for the first time. Already well known to fans of “The Tracey Ullman Show”—which ran a series of animated shorts by creator Matt Groening starting in 1987—Homer, Marge, Bart, Lisa, and Maggie would soon rocket to international fame. “The Simpsons,” with nearly 700 full episodes to date, is now the longest-running scripted prime-time series in American television history, and likely the most globally recognized program in history.
Following a decade of earnest family sitcoms, the brash yellow splash of “The Simpsons” on TV cleared the way for a more satiric-parodic, deeply ironic mode of comedy. From the outset, the program was eager to question and rib not just the medium its viewers grew up on, but the beliefs upon which they were structured. Decades later, the effect of its witty humor and willingness to question authority is evident in similarly important comedies that followed in Homer’s four-toed path.
“The Simpsons” expanded notions of what the sitcom could be. It gifted us a wonderful family caught between the poles of father Homer’s delightful ignorance and daughter Lisa’s endearing brilliance, a family that would fumble, fight, and fail, and yet who loved each other in spite of it all. It boldly and inventively ushered animation back into primetime. And it has found ways to remain funny, fresh, and insightful while trusting and respecting its audience’s intelligence. In one episode, Homer thumps his television angrily, demanding that it “be more funny.” Peabody commends “The Simpsons” writers, animators, and cast for answering Homer’s call for 30 years.
International Class 016: Series of fiction works, namely, novels and books.
In International Class 016, the mark was first used by the applicant or the applicant’s related company or licensee or predecessor in interest at least as early as 11/13/1998, and first used in commerce at least as early as 03/03/1999, and is now in use in such commerce. The applicant is submitting one(or more) specimen(s) showing the mark as used in commerce on or in connection with any item in the class of listed goods/services, consisting of a(n) amazon.com website showing books in series being sold, book catalog showing series of books with mark, personal website showing series of books with mark..
The mark consists of standard characters, without claim to any particular font style, size, or color.
Will the mark be granted? What use will the author make of it?
Last year Faleena Hopkins triggered
she claimed exclusive rights to
“cocky” for romance titles. Hopkins sent notices to multiple authors telling
them to change the titles of their books and asked Amazon to take down all
other cocky-titled romance books (not just series).
The Authors Guild got involved in the litigation and Hopkins withdrew
her trademark claim. The Guild’s settlement announcement also said:
…The Trademark Office clarified that the owner of a trademark in a book series title cannot use that trademark against single book titles. Since single titles cannot serve as trademarks, they also cannot infringe series title trademarks. So, if another author or a publisher ever tries to stop you from using a single book title because of their series trademark, you can tell them to take a hike. Only series titles can infringe another series title.
(2) MAGNIFICENT SEVEN. Nicholas Whyte does an epic roundup
7: the third series” at his From The Heart of Europe blog. In
addition to his commentary and links to episodes on YouTube, he also keeps
track of such trivia as appearances by actors who also had roles in Doctor
Who, and includes clips of some of the betterlines of dialog. such as –
Avon: That one’s Cally. I’ll introduce her more formally when she wakes up. This one is Vila. I should really introduce him now; he’s at his best when he’s unconscious.
(3) FIND THE BEST SHORT FANTASY. Rocket Stack Rank posted its annual roundup “Outstanding High Fantasy of 2018” with 39 stories that were that were finalists for major
SF/F awards, included in “year’s best” SF/F anthologies, or
recommended by prolific reviewers in short fiction.
are some observations obtained from highlighting specific recommenders and
pivoting the table by publication, author, awards, year’s best anthologies, and
High fantasy stories make up 11% of SF/F awards finalists with 11 stories out of 101 total award-nominated stories from the 2018 Best SF/F. However, the only winner was “The Tale of the Three Beautiful Raptor Sisters and the Prince Who Was Made of Meat” for the magazine-specific Uncanny Magazine Favorite Fiction Reader Poll award.
As for RSR, we recommended 20 stories (4 award worthy), were neutral on 16 stories, and only recommended against 3 stories (view by RSR rating).
(4) ROCINANTE LIFTS OFF 12/13. Amazon has dropped the
trailer for the next season of The Expanse:
Season 4 of The Expanse, its first as a global Amazon Original, begins a new chapter for the series with the crew of the Rocinante on a mission from the U.N. to explore new worlds beyond the Ring Gate. Humanity has been given access to thousands of Earth-like planets which has created a land rush and furthered tensions between the opposing nations of Earth, Mars and the Belt. Ilus is the first of these planets, one rich with natural resources but also marked by the ruins of a long dead alien civilization. While Earthers, Martians and Belters maneuver to colonize Ilus and its natural resources, these early explorers don’t understand this new world and are unaware of the larger dangers that await them.
…On the television the genre pickings have still not been many. I am still enjoying most of Doctor Who, and Jessica’s excellent reports on that series’ progress need no further comment from me, but my latest find this month has been another popular series for children. I am quite surprised how much I have enjoyed its undemanding entertainment, as Gerry Anderson’s Stingray has been shown on ITV. Be warned though – it’s a puppet series! Nevertheless, its enthusiasm and energy, combined with great music in a wonderful title sequence has made this unexpected fun. I understand that it has been entirely filmed in colour, although like the majority of the 14 million British households with a television, we’re forced to watch it in good old black-and-white.
(6) GIVING THANKS FOR THE WEIRD.[Item by Martin Morse
Wooster.]The November 24
episode of The Simpsons was a Thanksgiving version of Treehouse of
Horror, and all three segments were sf or fantasy. The first episode
recreated the original Thanksgiving, with cast members playing the Pilgrims,
the Indians, and the turkeys. The second episode had a personal assistant
AI like Siri or Alexa, and the AI version of Marge did a better job of
preparing Thanksgiving dinner than Marge did. But the best segment was when
a space ark fled Earth because of climate change, and Bart Simpson finds a can
of cranberry sauce and decides to replicate it, skipping all the warnings about
how you shouldn’t replicate organic objects. Of course, Bart ignores the
warnings, and the cranberry sauce comes to life and becomes very hungry.
Frozen 2 raked in $350 million (nearly £272m) in its opening weekend worldwide, beating forecasts and the box office debut of the original film.
The sequel made about £15m in the UK and Ireland and $127m (£98.9m) in the US and Canada, which are not counted towards the worldwide figures.
The 2013 original took $93m (£72.28m) during its first five days in theatres, according to Reuters.
It ended up making a whopping $1.27bn in total.
Disney say the sequel has set a new record for the biggest opening weekend for an animation.
That’s owing to the fact they consider this year’s remake of the Lion King, which made $269m on its opening weekend, to be a live action film.
But some feel the digital 3D film is more of a photo-realistic animation
(8) TODAY IN HISTORY.
November 26, 1977 — Space Academy aired “My Favorite Marcia”. The YA series stars Commander Isaac Gampu as played by Jonathan Harris. And the Big Bad in this episode is Robby the Robot with a different head. And a black paint job.
November 26, 1986 – Star Trek IV: The Voyage Home premiered. Featuring the all still living main cast of the original series, it was financially quite successful, liked by critics and fans alike. It currently has an 81% rating at Rotten Tomatoes among viewers. It placed second to Aliens for the Best Dramatic Presentation Hugo at Conspiracy ‘87.
November 26, 1997 — Alien Resurrection premiered. The final instalment in the Alien film franchise, it starred Sigourney Weaver and Winona Ryder. It was the last Alien film for Weaver as she was not in Alien vs. Predator. It did well at the box office and holds a 39% rating at Rotten Tomatoes.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born November 26, 1897 — Naomi Mary Margaret Mitchison, Baroness Mitchison, CBE (née Haldane). Author of many historical novels with genre trappings such as The Corn King and the Spring Queen and The Bull Calves but also new wave SF such as Memoirs of a Spacewoman, pure fantasy Graeme and the Dragon and an Arthurian novel in Chapel Perilous. (Died 1999.)
Born November 26, 1910 — Cyril Cusack. Fireman Captain Beatty on the classic version of Fahrenheit 451. He’s Mr. Charrington, the shopkeeper in Nineteen Eighty-four, and several roles on Tales of the Unexpected round out his genre acting. (Died 1993.)
Born November 26, 1919 — Frederik Pohl. Writer, editor, and fan who was active for more seventy-five years from his first published work, the 1937 poem “Elegy to a Dead Satellite: Luna” to his final novel All the Lives He Led. That he was great and that he was honored for being great is beyond doubt — If I’m counting correctly, he won four Hugo and three Nebula Awards, and his 1979 novel Jem, Pohl won a U.S. National Book Award in the one-off category Science Fiction. SWFA made him the 12th recipient of its Damon Knight Memorial Grand Master Award in 1993, and he was inducted by the Science Fiction and Fantasy Hall of Fame in 1998. OK, setting aside Awards which are fucking impressive, there’s the matter of him editing Astonishing Stories, Galaxy Science Fiction, Worlds ofIf, andSuper Science Stories which were a companion to Astonishing Stories, plus the Star Science Fiction anthologies –and well let’s just say the list goes on. I’m sure I’ve not listed something that y’all like here. As writer, he was amazing. My favorite was the Heechee series though I confess some novels were far better than others. Gateway won the Hugo Award for Best Novel, the 1978 Locus Award for Best Novel, the 1977 Nebula Award for Best Novel, and the 1978 John W. Campbell Memorial Award for Best Science Fiction Novel. Very impressive. Man Plus I think is phenomenal, the sequel less so. Your opinion of course will no doubt vary. The Space Merchants co-written with Cyril M. Kornbluth in 1952 is, I think, damn fun. (Died 2013.)
Born November 26, 1939 — Tina Turner, 80. She gets noted here for being the oh-so-over-the-top Aunty Entity in Mad Max Beyond Thunderdome, but let’s not forget her as The Acid Queen in Tommy as well and for appearing as The Mayor in The Last Action Hero which is at least genre adjacent.
Born November 26, 1945 — Daniel Davis, 74. I’m singling him out for Birthday Honors for being his two appearances as Professor Moriarty on Next Gen. He has one-offs on MacGyver, Gotham and Elementary. He played a Judge in The Prestige film. He also voiced several characters on the animated Men in Black series.
Born November 26, 1961 — Steve Macdonald, 58. A fan and longtime pro filker ever since he first went to a filk con in 1992. In 2001, he went on a “WorlDream” tour, attending every filk con in the world held that year. He’s now resident where he moved to marry fellow filker Kerstin (Katy) Droge.
Born November 26, 1966 — Kristin Bauer van Straten, 53. Best known for being Pamela Swynford De Beaufort on True Blood, and as sorceress Maleficent on Once Upon a Time. She was also the voice of Killer Frost in the most excellent Suicide Squad: Hell to Pay film.
Born November 26, 1988 — Tamsin Egerton, 31. She was the young Morgaine, and I do mean young, in The Mists of Avalon series. She goes on to be Kate Dickens in the Hans Christian Andersen: My Life as a Fairytale series, Miranda Helhoughton in the Sherlock Holmes and the Case of the Silk Stocking film and Guinevere in the Camelot series. Oh, and she’s Nancy Spungen in an episode of Psychobitches which is least genre adjacent if not genre.
Born November 26, 1988 — Hafþór Júlíus Björnsson, 31. He played Gregor “The Mountain” Clegane on the Game of Thrones for five seasons. That’s it for his genre acting, but he co-founded Icelandic Mountain Vodka whose primary product is a seven-time distilled Icelandic vodka. Surely something Filers can appreciate!
(10) RE-FINDING NEMO. [Item by Daniel Dern.] I’m
behind in doing a Windsor McKay/Little Nemo post, but this is a close-out item
and probably going fast, so:
For you $45 plus shipping – $7.95, via USPS (you can spend more
for faster), down from the original $124.99
My point: If you are a McKay/Nemo fan, and think you might
be interested, now is the time, before they’re gone (or gone at this price). (Needless
to say, I ordered mine before sending this item to OGH.)
The book is 16″x21″ — the same size as the original
McKay strips, back when the “Sunday Funnies” were humongous… and
Nemo (and many others) got an entire of these pages. There are, as an item or
comment a few weeks/months back noted, two volumes of McKay’s Nemo that are
themselves full-sized. They ain’t cheap. (I own the first one, felt that was
enough that I didn’t follow up and get the second… I do, to be fair, have enough
smaller-sized Nemo volumes.
From the listing:
By Bill Sienkiewicz, Charles Vess, P. Craig Russell, David Mack et al. Contemporary artists pay tribute to this beloved and imaginative Sunday page. They have created 118 entirely new Little Nemo pages, all full Sunday page size! Contributors also include Paul Pope, J.H. Williams III, Carla Speed McNeil, Peter Bagge, Dean Haspiel, Farel Dalrymple, Marc Hempel, Nate Powell, Jeremy Bastian, Jim Rugg, Ron Wimberly, Scott Morse, David Petersen, J.G. Jones, Mike Allred, Dean Motter, Yuko Shimizu, Roger Langridge, Craig Thompson, and Mark Buckingham, among many others.
(11) YOUNG CREATORS. [Item by Martin Morse Wooster.] The Washington Post’s Michael Cavna interviews Lynda Barry. Barry, who teaches interdisciplinary creativity at the University of Wisconsin (Madison), says that she’s going to use her Macarthur Fellowship to study four-year-olds who see writing and drawing as one thing to determine when kids see writing and drawing as separate activities and then give up drawing. One result, she says, may be to find ways to teach adults who don’t think they can draw to start making art again. “How MacArthur ‘genius’ Lynda Barry is exploring brain creativity with true artists: Preschoolers”.
… “Most people stop drawing when they reach the age of 8 or so, because they couldn’t draw a nose or hands,” said Barry, 63. “The beautiful thing is that their drawing style is intact from that time. Those people, if you can get them past being freaked out, have the most interesting lines — and have a faster trajectory to making really original comics than people who have been drawing for a long, long time.”
…No discussion of authors of Pohl’s vintage would be complete without mentioning their shorter works.1972’s collection The Gold at the Starbow’s End contains five of Pohl’s finest, two of which are standouts.
The first standout is the title novella, in which a small crew of astronauts are dispatched on a slow voyage to Alpha Centauri. They have been assured that a world awaits them; this is a lie. There is no world and they have not been told of the true goals of their project. The project is a success. If only the geniuses who created the program had asked themselves what the consequences of success might be…
The other standout is 1972’s The Merchant of Venus. The discovery of alien relics on Venus has spurred colonization of that hostile world. Maintaining a human presence on Venus is fearfully expensive. It’s not subsidized by the home world; colonists must pay for their keep. This is a challenge for Audee Walthers, who is facing impending organ failure and doesn’t have the dosh to pay the doctor….
The launch of Disney+ show The Mandalorian, and the introduction of baby Yoda, has brought upon us the latest round of Star Wars obsession, with plenty of product tie-ins to aid the fandom. Last month, Le Creuset introduced a line of Star Wars-branded cookware, including a C-3P0 Dutch oven and a porg pie bird. But if you’re torn between wanting to use a Star Wars casserole dish and needing to braise ribs quickly, a new line of Star Wars Instant Pots is here….
In what has to be one of the more bizarre plagiarism stories in recent memory, Qatar Airways accused Singapore’s Changi Airport Group of plagiarizing not a paper, an idea or a proposal, but an airport.
The accusation was made by Akbar Al Baker, who is the CEO of both Qatar Airways and Hamad International Airport. In a recent press conference, he claimed that Singapore’s Changi Airport was a plagiarism of a planned expansion of Hamad International Aiport in Doha, Qatar.
Will Smith and Tom Hanks have made their careers by playing likable characters. Some of these characters are hyperintelligent and some profoundly dumb. Some inspire laughter and others tears. But the characters they play are always easy to like. They have a quality about them that makes you feel like, given the chance, you’d get along with them.
So, why does this matter? It matters because people like rooting for a likable person. People want the good guy to get the girl. They want the honorable person to rise to the top. Unfortunately, life doesn’t always deal out its cards fairly. Bad guys win all the time. As a result, people want to escape into a fiction governed by poetic justice, where the bad guys run up against the shit they deserve and the good guys get to sit back and have a cold one.
no need to limit yourself, Hurtgen’s second suggestion is —
Make your characters unlikable…
(16) RED SHIFT. In “We Made Star Wars R-Rated,” YouTube’s
Corridor Crew takes some scenes from the second trilogy and adds the gore
and splatter that Lucasfilms forgot to include….
[Thanks to John King Tarpinian, Mike Kennedy, Olav Rokne, James
Davis Nicoll, Daniel Dern, Eric Wong, Martin Morse Wooster, JJ, Cat Eldridge,
Chip Hitchcock, N., and Andrew Porter for some of these stories. Title credit
goes to File 770 contributing editor of the day Daniel Dern.]
SFWA members and other individuals who are interested in the field of science fiction and fantasy are welcome to attend SFWA’s Nebula Conference. Attendees may participate in workshops, programming and special events throughout the weekend.
You do not need to be a member of SFWA to attend. We encourage anyone with a connection to the field to join us.
And SFWA members can now cast nominating ballots for the Nebulas.
It’s that time of year again! Editors, publishers, and authors’ minds turn toward Year’s Best list, and awards. Which also means it’s time for said authors, editors, and publishers to get out there and self-promote. It can feel icky or uncomfortable, but it’s a valuable service to those who nominate for awards, and those who just want to catch up reading what they might have missed during the year. So step forward, take a deep breath, and shout about what you wrote this year. While you’re at it, shout about the things you loved too! No one can read everything that comes out in a given year, but together we can help each other find excellent things to read, and perhaps even nominate.
(3) WORDS & MUSIC. The lyric video of Taylor Swift
singing “Beautiful Ghosts” from the motion picture Cats is online.
(4) UPON REFLECTION. Some who commented about a new YA
Twitter donnybrook linked in yesterday’s
Scroll (item #16) have adopted a new perspective, including N.K. Jemisin
whose thread starts here.
(5) RAPID CONTRACTION. The B&N Sci-Fi & Fantasy
Blog reportedly has severed ties with all its freelancers:
I was one of Mike Ford’s friends and editors, and I want to go on record with this: Martha Fry was extremely helpful when we wanted to keep his Liavek stories in print. The breakdown in communication between his original family, his fannish family, and his agent has many reasons, but there are no villains in that story. There are only gossips who love drama, as there are in any community. If anyone claims his first family tried to make his work unavailable, I will point to the Liavek anthologies as evidence that’s not true.
(7) KSR STUDY. The University of Illinois Press has
Stanley Robinson by Robert Markley, the Trowbridge Professor of English
at the University of Illinois at Urbana-Champaign.
Award-winning epics like the Mars trilogy and groundbreaking alternative histories like The Days of Rice and Salt have brought Kim Stanley Robinson to the forefront of contemporary science fiction. Mixing subject matter from a dizzying number of fields with his own complex ecological and philosophical concerns, Robinson explores how humanity might pursue utopian social action as a strategy for its own survival.
Robert Markley examines the works of an author engaged with the fundamental question of how we—as individuals, as a civilization, and as a species—might go forward. By building stories on huge time scales, Robinson lays out the scientific and human processes that fuel humanity’s struggle toward a more just and environmentally stable world or system of worlds. His works invite readers to contemplate how to achieve, and live in, these numerous possible futures. They also challenge us to see that SF’s literary, cultural, and philosophical significance have made it the preeminent literary genre for examining where we stand today in human and planetary history.
At the bottom of the description for Disney’s 1940 classic animation Fantasia on the studio’s newly minted Disney+ service, there is a line that is garnering attention from viewers: “This program is presented as originally created. It may contain outdated cultural depictions.”
The disclaimer can be found in the streaming platform’s synopsis of many of Disney’s classic animated titles, including 1941’s Dumbo, 1967’s The Jungle Book, 1953’s Peter Pan and 1955’s Lady and the Tramp, as well as other offerings like 1960’s Swiss Family Robinson and 1955’s Davy Crockett.
Disney+ features the studio’s massive library that dates back over eight decades, and the verbiage serves as a caution against some racist and culturally insensitive depictions and references in Disney’s older offerings.
While Lady and the Tramp features Siamese cats depicted as East Asian stereotypes and Peter Pan includes a song titled “What Makes the Red Man Red?,” it is unclear what the criterion is for Disney titles to receive the “outdated cultural depictions” disclaimer. Aladdin, which has been critiqued for its racist depictions of Middle Eastern and Arab culture, does not feature the disclaimer in its synopsis.
Disney has not returned The Hollywood Reporter‘s request for comment.
One feature entirely absent from the streaming platform is the 1946 live-action animation hybrid Song of the South. The movie, which inspired the Disneyland ride Splash Mountain, has been widely criticized for its portrayal of African-Americans and apparent glorification of plantation life. It has been the studio’s policy to keep the film from theatrical and home entertainment rerelease.
Disney did not respond to multiple requests for comment as to why the episode is missing and who made the call.
It is assumed “Stark Raving Dad” is off Disney+ because Michael Jackson (not officially credited) was the guest star. Jackson voiced Leon Kompowsky, a man Homer meets while in a mental institution who sounds like Jackson. The episode was a favorite among fans for several years.
In March of this year, “Stark Raving Dad” was pulled from broadcast circulation following the release of the HBO documentary film Leaving Neverland, in which the late pop star was accused by multiple men of molestation when they were boys.
(9) TODAY IN HISTORY.
November 16, 1977 — Close Encounters of the Third Kind premiered. Directed by Steven Spielberg and starring Richard Dreyfuss, Teri Garr, Melinda Dillon and François Truffaut, the film is both a financial and critical success. It currently has a hundred percent rating at Rotten Tomatoes.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born November 16, 1907 — Burgess Meredith. Brief though his visit to genre be, he had two significant roles. The first was in Twilight Zone: The Movie as Narrator although initially he was uncredited. One of his other genre role was a delightful take as The Penguin in original Batman series. He also shows up in Tales of Tomorrow, an anthology sf series that was performed and broadcast live on ABC from 1951 to 1953, and on The Invaders, The Twilight Zone, Faerie Tale Theatre: Thumbelina (with Carrie Fisher!) and The Wild Wild West. Did I mention he voiced Puff the Magic Dragon in a series of the same name? Well he did. Ok, so his visit to genre wasn’t so brief after all… (Died 1997.)
Born November 16, 1952 — Shigeru Miyamoto, 67. Video game designer and producer at Nintendo. He is the creator of some of the best-selling game franchises of the company, such as Mario, Donkey Kong and The Legend of Zelda.
Born November 16, 1952 — Robin McKinley, 67. Beauty: A Retelling of the Story of Beauty and the Beast was her first book. It was considered a superb work and was named an American Library Association Notable Children’s Book and an ALA Best Book for Young Adults. Rose Daughter is another version of that folktale, whereas Spindle’s End is the story of Sleeping Beauty, and Deerskin and two of the stories that you can find in The Door in the Hedge are based on other folktales. She does a superb telling of the Robin Hood legend in The Outlaws of Sherwood. Among her novels that are not based on folktales are Sunshine, Chalice and Dragonhaven. Her 1984 The Hero and the Crown won the Newbery Medal as that year’s best new American children’s book. She was married to Peter Dickinson from 1991 to his death in 2015, they lived together in Hampshire,UK. They co-wrote two splendid collections, Water: Tales of Elemental Spiritsand Fire: Tales of Elemental Spirits. I’d be very remiss not to note her Awards, to wit a Newbery Honor for The Blue Sword, then a Newbery Medal for The Hero and the Crown, a World Fantasy Award for Anthology/Collection for Imaginary Lands, as editor, a Phoenix Award Honor Book for Beauty and a Mythopoeic Fantasy Award for Adult Literature for Sunshine. Impressive indeed!
Born November 16, 1958 — Marg Helgenberger, 61. She was Hera in Wonder Woman, and also appeared in Conan: Red Nail, Species and Species II, not to mention Tales from the Crypt. Oh, and two Stephen King series as well, The Tommyknockers and Under the Dome.
Born November 16, 1967 — Lisa Bonet, 52. First genre work was isEpiphany Proudfoot in Angel Heart, a decidedly strange horror film. More germane was that she was Heather Lelache in the 2002 A&E adaptation of Le Guin’s Lathe of Heaven. She later played Maya Daniels in the Life on Mars series as well.
Born November 16, 1967 — Eva Pope, 52. Genre is a slippery thing to define. She was a one-off in Adventure Inc. (might be genre) as well the Splinter film (horror with SF pretensions), Life on Mars (SF maybe) and Spooks: Code 9 (alternate UK history). Is she genre?
Born November 16, 1972 — Missi Pyle, 47. Laliari in Galaxy Quest which is one of my fave SF films of all time. Also has been in Percy Jackson: Sea of Monsters, A Haunted House 2, Jumanji: Welcome to the Jungle, Star Trek: The Next Generation, Roswell, The Tick, Pushing Daisies and Z Nation.
Born November 16, 1977 — Gigi Edgley, 42. Though her genre experiences are varied, I think she’ll be best remembered for her role as a Nebari who was a member of the crew on Moya on the Farscape series. Other genre appearances include Beastmaster, The Lost World, Quantum Apocalypse and she has a role in the web series Star Trek Continues in the “Come Not Between the Dragons” episode.
Born November 16, 1977 — Maggie Gyllenhaal, 42. She’s had some impressive genre appearances in such works as Donnie Darko, The Dark Knight, voice work in the superb Monster House and the equally superb Nanny McPhee and the Big Bang.
(11) ELLISON REMEMBERED. Fanac.org has uploaded an
audio recording of the Worldcon 76 (2018) “In Memoriam: Harlan Ellison” panel.
Worldcon 76 was held in San Jose, CA in 2018. This Memoriam panel (audio, with pictures) features memories and anecdotes from Tom Whitmore, Robert Silverberg (who was a friend of Harlan’s for 65 years), Chris Barkley, David Gerrold, Christine Valada and Nat Segaloff (Harlan’s biographer). Each of the panelists had a close relationship with Harlan, and these loving but clear-eyed reminiscences are a comfort to those that miss him, and hopefully to those readers who never had a chance to meet him. Harlan was an enormous presence in science fiction. His stories, his scripts, his kindnesses and his sometimes unbelievable missteps will be long remembered. Recording provided by Karen G. Anderson and Richard Lynch.
9. Lewis’s first book was a collection of poetry he wrote as a teenager. Before he planned to be a philosopher, the teenage Lewis hoped to become a great poet. He wrote poetry with the hope of publishing his work and gaining fame. He returned to England after being injured in France during World War I and published his collection as Spirits in Bondage under the pen name of Clive Hamilton.
The No. 1 New York Times best-selling author best known for his blockbuster thrillers has signed a major seven-figure deal with Tor Books for Moon Fall, a fantasy series that’s been eight years in the making.
Moon Fall opens a riven world trapped between fire and ice, merging his fascination with the natural world, his love of adventure, and his knowledge of the wonders found at the evolutionary fringes of scientific exploration. It centers on a young girl who foretells a new apocalypse approaching, one that will end all life for all time. Her reward is a charge of grave heresy, punishable by death. As she flees, she gathers an unlikely alliance of outcasts to join her cause to save their world. The journey will take them into lands both burning bright and eternally frozen, to face creatures unimaginable and enemies beyond reason. All the while, hostile forces will hunt them. Armies will wage war around them.
The movie, starring Joaquin Phoenix in the titular role, has surpassed $1 billion in gross sales at box offices world wide, Entertainment Weeklyreports. The milestone makes the blockbuster the first R-rated movie to hit the $1 billion mark, according to the outlet.
It also means that the movie, which tells the tale of the rise of Batman’s arch-nemesis, has now officially beat out Deadpool as the highest-grossing R-rated movie of all time. The Ryan Reynolds-stared film made $783 million.
(16) WELL-KNOWN BRAND. Martin Morse Wooster assures us, “I normally wouldn’t write about Tanya
Edwards’s Yahoo! Lifetstyle story ’10
Gifts That Will Impress The Ultimate Star Wars fan’ because it is an Ebay infomercial. BUT the Darth
Vader Helmet 2-Slice Toaster is definitely worth a photo!”
(17) PREPARE FOR TAKEOFF. Starlux Airlines is an actual company that begins
operations in Taiwan in 2020, with all new Airbus planes. They just launched
their safety video:
[Thanks to Cat Eldridge, Andrew Porter, Martin Morse Wooster, JJ,
Chip Hitchcock, John King Tarpinian, mlex, and Mike Kennedy for some of these
stories. Title credit goes to File 770 contributing editor of the day Kip W.]
(1) SPACEWALKING, STEP-BY-STEP. Mary Robinette Kowal
livetweets a spacewalk. Thread starts here.
(2) TICKET TO RIDE. In the Washington Post, Christian Davenport looks at the people who have been waiting to go to space on SpaceShipTwo for a decade. He also examines the effort NASA made in the 1980s to place civilians in space that ended with the Challenger disaster in 1986. “How much does a ticket to space cost? Meet the people ready to fly.”
When Lori Fraleigh unwrapped the present her husband had given her for her 38th birthday, she found a curious surprise: a model of a spaceship. It was cool, sure, but a toy would be better suited for her young children, then 5 and 1, not her.
Then she noticed the ticket. It took Fraleigh, a Silicon Valley executive, a moment to realize what her husband had purchased for her: a trip to space with Richard Branson’s Virgin Galactic. “I went through a lot of crazy emotions, like, ‘Did you really buy this?’ ” she recalled of the moment in 2011. “ ‘Do we still have enough money to remodel the kitchen?’ ”
Today, her children are 13 and 9. The kitchen remodel has long since been completed. But Fraleigh is still waiting for her trip to space.
…But now, 15 years after Branson founded Virgin Galactic, space tourism could be tantalizingly close to becoming a reality. The company has flown to the edge of space twice and says its first paying customers could reach space next year. Another space venture, Blue Origin, founded by Amazon founder and chief executive Jeff Bezos almost 20 years ago, hopes to conduct its first test flight with people this year, though it hasn’t announced prices or sold any tickets. (Bezos owns The Washington Post.)
Increasingly, people of the book are also people of the cloud. At the Codex Hackathon, a convention whose participants spend a frenetic weekend designing electronic reading tools, I watch developers line up onstage to pitch book-related projects to potential collaborators and funders….
…The term “ebook” endorses such optimism. Whatever replaces the codex, it implies, will be functionally equivalent: the same textual content in a new and improved (usually shrunken) package. A darker strain of futurology, in contrast, emphasizes political decline over technological progress. Fahrenheit 451 represents book burning as an end in itself, not just a means to suppressing sedition whose medium happens to be print. A few years earlier, 1984 opened with the purchase of a “thick, quarto-sized blank book with a red back and a marbled cover.” A blank notebook speaks louder than a printed volume: “Even with nothing written in it, it was a compromising possession.” The final piece of evidence of thoughtcrime that sends Winston Smith to Room 101? A paperweight found in his possession. Here, as in Amtrak’s Quiet Car, the idea of the book remains more powerful than any ideas that it contains.
TESTAMENTS ON BBC RADIO. [Item by SF Concatenation’s Jonathan Cowie.]
As promised, the collected links to the BBC Radio 4 Book at Bed Time — Margret
Atwood’s The Testaments. It ran for three weeks but Auntie has three
omnibus episodes combining each week’s five. Enjoy….
15 years after Offred stepped into the unknown, the stories of three women whose fates are tied to Gilead concludes. Readers: Sara Kestelman, Katherine Press, Samantha Dakin.
This will only be
available online for a couple of weeks so check it out while you can. (It’s a
great advert for buying the physical book.)
ARCHIVES. [Item by SF Concatenation’s Jonathan Cowie.] And now for
something completely different…
Monty Python at 50: The Self-Abasement Tapes: To celebrate the 50th anniversary of Monty Python, Michael Palin hunts down lost Python sketches. This programme contains rare and historical material never heard before.
This programme contains rare material never heard before on UK radio, or anywhere else – including the infamous Fat Ignorant Bastards sketch and a Country & Western version of Terry Jones’ I’m So Worried.
In this episode, the historical curiosities include a lost verse from Brave Sir Robin and an all new King Arthur Song. Also, Terry Jones remembers what it was like filming The Holy Grail at Doune Castle.
This third episode digs deep into the archives to excavate recordings relating to the controversial 1979 film, Life of Brian. Eric and Graham negotiate a voiceover fee for the film, John Cleese press-gangs his mother into doing a free radio advert and we meet the infamous freedom fighter Otto – with a deleted scene suggesting that, while the film was causing outrage and offence, even more contentious content was lying on the cutting room floor.
This programme contains rare material of historical interest, never heard before from the 2014 O2 Shows, including run-throughs of The Argument Sketch and a sensational duet between Eric Idle and Professor Stephen Hawking.
(7) TODAY IN HISTORY.
October 6, 1997 — Earth: Final Conflict premiered. Based on ideas developed by Gene Roddenberry, it was produced under the guidance of his widow, Majel Barrett-Roddenberry. It ran for five seasons. The ratings success of the show led to the development of other posthumous Roddenberry projects, most notably Andromeda.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 6, 1942 — Britt Ekland, 77. She starred in The Wicker Man as Willow MacGregor, and appeared as a Bond girl, Goodnight, in The Man with the Golden Gun. She was also Queen Nyleptha in King Solomon’s Treasure based off the H. Rider Haggard novels.
Born October 6, 1946 — John C. Tibbetts, 73. A film critic, historian, author. He’s written such articles as “The Illustrating Man: The Screenplays of Ray Bradbury” and “Time on His Hands: The Fantasy Fiction of Jack Finney”. One of his two books is The Gothic Imagination: Conversations on Fantasy, Horror, and Science Fiction in the Media, the other being The Gothic Worlds of Peter Straub.
Born October 6, 1950 — David Brin, 69. Author of several series including Existence (which I do not recognize), the Postman novel, and the Uplift series which is superb. I’ll admit that the book he could-wrote with Leah Wilson, King Kong Is Back! An Unauthorized Look at One Humongous Ape, tickles me.
Born October 6, 1955 — Ellen Kushner, 64. If you’ve not read it, do so as her now sprawling Riverside seriesis amazing. I’m reasonably sure that I’ve read all of it. And during the High Holy Days, do be sure to read The Golden Dreydl as it’s quite wonderful.
Born October 6, 1955 — Donna White, 64. Academic who has written several works worth you knowing about — Dancing with Dragons: Ursula K. Le Guin and the Critics and Diana Wynne Jones: An Exciting and Exacting Wisdom.
Born October 6, 1963 — Elisabeth Shue, 56. Best known as Jennifer, Marty McFly’s girlfriend, in Back to the Future Part II and Back to the Future Part III, she also had roles in Hollow Man and Piranha 3D.
Born October 6, 1986 — Olivia Jo Thirlby, 33. She is best known for her roles as Natalie in Russian SF film The Darkest Hour and as Judge Cassandra Anderson in Dredd. And she was Holly in the supernatural thriller Above the Shadows.
This week, along comes yet another Joker, Joaquin Phoenix, in the bat-villain’s self-titled movie, which earned the top prize at the Venice Film Festival and generally positive reviews, although there were a handful of harsh ones. In the era of ever-expanding superhero entertainment, it appears we’ll have a new Joker for every generation. There will never be a last laugh.
(11) DEMYSTIFYING SPIDER-HAM. Looper will be happy
to explain to you “The
untold truth of Spider-Ham”, which also requires that they dispose of
a few popular misconceptions, beginning with —
…One of the more well-remembered scenes of 2007’s The Simpsons Movie features the clueless Homer Simpson doing something characteristically stupid and hilarious — holding the family’s pet pig Plopper upside down and forcing it to walk on the ceiling. Meanwhile, Homer sings to the tune of the old ’60s Spider-Man cartoon, “Spider-Pig, Spider-Pig, does whatever a Spider-Pig Does. Can he swing from a web? No, he can’t. He’s a pig.”
It would be understandable if, in light of this, you wondered if Marvel swiped the idea for Spider-Ham from The Simpsons Movie. But alas, it isn’t so. Peter Porker, the Spectacular Spider-Ham, pre-dates Homer Simpson’s Spider-Pig serenade by over 20 years, as he first appeared in 1983’s Marvel Tails #1. So in this is case — as opposed to just about every other example you can think of — the Ham came before the Pig.
…I first noticed King’s proclivity for Eliot
when I delved into Pet Semetary in 2018. “Oh, do not
ask what is it; let us go and make our visit,” Louis Creed tells himself as he
recalls carrying the stiff body of his daughter’s cat Church to the magical
When I was a teen, that line
was about possibility, in this context, though, it throbs with anxiety and
horror. Creed doesn’t want to acknowledge what he did when he brought the
moment “to its crisis,” when he “followed Victor to the sacred place,” as the
Ramones put it. Church came back and now he owns that horror.
It was jarring to see my old friend Prufrock
waving at me from one of the scariest books I have ever read….
(13) BEFORE YOU BUY. Looking for tons of book reviews? See the links at Friday’s Forgotten Books for October 4. These all were posted in the past week. The name of the reviewer comes first, then the work and author.
Patricia Abbott: The Imperfectionists by Tom Rachman
Stacy Alesi: The I List: Fiction Reviews 1983-2013
Frank Babics: Starshine by Theodore Sturgeon
Mark Baker: O is for Outlaw by Sue Grafton
Angie Barry: Bootlegger’s Daughter by Margaret Maron
Anne Beattie: “The Earliest Dreams” by Nancy Hale, American Mercury, April 1934, edited by H. L. Mencken
Brian Bigelow: Life Comes to Seathorpe by Neil Bell
Paul Bishop: A Mule for the Marquesa (aka The Professionals) by Frank O’Rourke
Les Blatt: Champagne for One by Rex Stout; The Christmas Card Crime and Other Stories edited by Martin Edwards
Joachim Boaz: Xenogenesis: Tales of Space and Time by Miriam Allen deFord
Paul D. Brazill: GBH by Ted Lewis
Brian Busby: Kosygin is Coming (aka Russian Roulette) by Tom Ardies
Alice Chang: Thinking Fast and Slow by Daniel Kahneman
Martin Edwards: Twisted Clay by Frank Walford
James Enge: The Deathworld Trilogy by Harry Harrison
Peter Enfantino: Atlas (proto-Marvel) horror comics, October 1952
Peter Enfantino and Jack Seabrook: DC war comics, October 1975
Will Errickson: Gene Lazuta’s horror novels; The Orpheus Process by Daniel H. Gower
José Ignacio Escribano: Bats in the Belfrey and other work by “E. C. R. Lorac” (Edith Caroline Rivett)
Curtis Evans: The Murder of the Fifth Columnist by Leslie Ford; “The Last of Mrs. Maybrick” and “The Ordeal of Florence Maybrick” by Hugh Wheeler
Olman Feelyus: The So Blue Marble by Dorothy B. Hughes; She and Allan by H. Rider Haggard
Paul Fraser: New Worlds SF, October 1965, edited by Michael Moorcock
Barry Gardner: The Innocents by Richard Barre
John Grant: Shadow by Karin Alvtegen (translated by McKinley Burnett); The Crimes of Jordan Wise by Bill Pronzini
Jason Half: X v. Rex (aka The Mystery of the Dead Police) by “Martin Porlock” (Philip MacDonald)
Aubrey Hamilton: Not Dead, Only Resting by Simon Brett; Dead Anyway by Christopher Knopf
Bev Hankins: The Restless Corpse by Alan Pruitt; The Mind of Mr. Reeder (aka The Murder Book of J. G. Reeder) by Edgar Wallace
Rich Horton: The Marquis and Pamela by Edward H. Cooper; In the Courts of the Crimson Kings and short stories by S. M. Stirling; “The Engine of Desire” and other stories by William Barton
Jerry House: “Crime on the Coast” (News Chronicle, 1954) and “No Flowers by Request” (Daily Sketch, 1953) by “the Detection Club” (the first by John Dickson Carr, Valerie White, Laurence Meynell, Joan Fleming, Michael Cronin. and Elizabeth Ferrars, the second by Dorothy L. Sayers, “E. C. R. Lorac”, Gladys Mitchell, “Anthony Gilbert”, and “Christianna Brand”)
Kate Jackson: Hercule Poirot’s Christmas by Agatha Christie
Tracy K: Heartshot by Steven F. Havill
Colman Keane: Grinder by Mike Knowles; The Hard Cold Shoulder by L. A. Sykes
George Kelley: The Super Hugos, annotated by Isaac Asimov, Charles Sheffield, Edie Stern and Joe Siclari, et al.
Joe Kenney: Black Massacre by “Lionel Derrick” (Mark Roberts); From Russia, with Love by Ian Fleming
Rob Kitchin: The Devil in the Marshalsea by Antonio Hodgson
B. V. Lawson: Is Skin Deep, Is Fatal by H. R. F. Keating
Des/D. F. Lewis: Vastarien, Summer 2019, edited by Jon Padgett
Evan Lewis: “Introducing the Author” by Robert Leslie Bellem, Fantastic Adventures, July 1941, edited by Raymond Palmer; “The Cutie Caper”, written by “Sam Hill” and art by Harry Lucey, Sam Hill, Private Eye #1, 1950
Steve Lewis: “Multiple Submissions” by Catherine L. Stanton and “A Deceitful Way of Dying” by Dick Stodgill, Alfred Hitchcock’s Mystery Magazine, September 1989, edited by Cathleen Jordan; Footsteps in the Night by C. Fraser-Simpson; “Gone Fishing” by Jim Davis, Ellery Queen’s Mystery Magazine, November 2012, edited by Janet Hutchings
Gideon Marcus: Analog Science Fact->Science Fiction, September 1964, edited by John W. Campbell, Jr.
Todd Mason: The Year’s Best Horror Stories annual, edited by Richard Davis, Gerald W. Page and Karl Edward Wagner; US Best of the Year Fiction Annuals published in 1979; Harlan Ellison and divers hands: Partners in Wonder
Francis M. Nevins: The Sins of the Fathers by Lawrence Block
John F. Norris: Dead to the World by David X. Manners
John O’Neill: The World of Science Fiction: The History of a Subculture by “Lester Del Rey” (Leonard Knapp)
Matt Paust: Sea of Cortez by John Steinbeck and Edward E. Ricketts
James Reasoner: Night Flight by Antoine de Saint-Exupéry (translated by Stuart Gilbert)
Richard Robinson: Norman Rockwell: 332 Magazine Covers, edited and annotated by Christopher Finch
Sandra Ruttan: Wilted Lillies by Kelli Owen; Kelli Owen interview
Gerard Saylor: Richard Stark’s Parker: The Score graphically adapted from The Score by “Richard Stark” (Donald Westlake) by Darwyn Cooke
Steven H Silver: Donald A. Wollheim
Kerrie Smith: Sleeping Partner by James Humphreys
Kevin Tipple: The Bottom by Howard Owen
“TomCat”: The Tattoo Murder Case by Akimitsu Takagi (translated by Deborah Bolivar Boehm); The Spiked Lion by Brian Flynn; “The Stalker in the Attic” by “Edogawa Rampo” (Taro Hirai), Shin-Seinen, August 1925
David Vineyard: Lady Macbeth by Nicholas Freeling
Bill Wallace: You Can’t Win by Jack Black; Weird Tales, March 1926, edited by Farnsworth Wright
Mark Yon: Science Fantasy, September/October 1964, edited by Kyril Bonfiglioli
(14) PULLMAN SERIES. Trailer
for HBO’s His Dark Materials: Season 1, premiering November 4.
His Dark Materials stars Dafne Keen, James McAvoy, Ruth Wilson and Lin-Manuel Miranda. Adapting Philip Pullman’s award-winning trilogy of the same name, which is considered a modern masterpiece of imaginative fiction, the first season follows Lyra, a seemingly ordinary but brave young woman from another world. Her search for a kidnapped friend uncovers a sinister plot involving stolen children, and becomes a quest to understand a mysterious phenomenon called Dust. As she journeys through the worlds, including our own, Lyra meets Will, a determined and courageous boy. Together, they encounter extraordinary beings and dangerous secrets, with the fate of both the living?—?and the dead?—?in their hands.
[Thanks to John King Tarpinian, JJ, Cat Eldridge, SF Concatenation’s
Jonathan Cowie, Martin Morse Wooster, Chip Hitchcock, Mike Kennedy, Todd Mason,
Michael Toman, and Andrew Porter for some of these stories. Title credit goes
to File 770 contributing editor of the day Steve Davidson.]
Eleven others who stayed at the Sheraton Atlanta have been diagnosed with Legionnaires’ disease, while another 61 probable cases have been identified, according to Nancy Nydam, director of communications at Georgia Department of Public Health.
“Probable cases” are people who have symptoms of the disease but have not yet had a laboratory test to confirm the disease — a serious form of noncontagious pneumonia.
“Based on epidemiological evidence we have an outbreak among people who stayed at the (Sheraton Atlanta) during the same time period,” said Nydam. Guests who complained of lung problems and were later diagnosed with Legionnaires’ had attended a convention at the Atlanta hotel in early July.
The Sheraton Atlanta Hotel has been closed
since early July while it is being tested to determine whether it is the
source of the outbreak. It is one of Dragon Con’s five main hotels, listed as
sold out on the con website. Dragon Con begins August 29.
Though the bacterium causing Legionnaires’ has not yet been confirmed at the hotel, Sheraton Atlanta voluntarily shuttered its doors and hired outside experts to conduct testing, Nydam said.
“Sheraton Atlanta remains closed until at least August 11,” Ken Peduzzi, the hotel’s general manager, said in a statement Tuesday. Public health officials and environmental experts are working with the hotel to determine if it is the source of the outbreak, he said.
About one in 10 people who get sick from Legionnaires’ disease will die, a recent government report found.
… Wheaton and his loan-out company Media Dynamics on Monday sued Legendary Geek & Sundry for breach of contract. The actor claims Legendary in 2015 hired him to create, write, executive produce and host a web series called Titansgrave: The Ashes of Valkana and he’d be paid $50,000 and 50 percent of the net profit from the series.
Legendary had the exclusive right to distribute and promote the web show, but it was supposed to “consult meaningfully” with Wheaton before doing so, according to the complaint. The actor says Legendary defied that provision and negotiated license agreements with Sinclair Broadcasting, Hulu and Pluto TV without informing him.
Wheaton expects Legendary has collected significant fees in connection with those deals, and therefore he’s due his share, but says the company won’t let him audit its books.
Wheaton is seeking at least $100,000 in damages and is asking the court to order that a full accounting be conducted.
(4) F&SF COVER.
Publisher Gordon Van Gelder has unveiled The Magazine of Fantasy &
Science Fiction’s Sep/Oct 2019 cover, with art by David A. Hardy.
Yesterday Pittsburgh Pirates pitcher Joe Musgrove showed off his new glove for Players’ Weekend. And while it was a big hit and made me laugh, in hindsight it seems, I dunno . . . inevitable that someone would go with this model.
…Public libraries in the United States purchase a lot of e-books, and circulate e-books a lot. According to the Public Library Association, electronic material circulation in libraries has been expanding at a rate of 30% per year; and public libraries offered over 391 million e-books to their patrons in 2017. Those library users also buy books; over 60% of frequent library users have also bought a book written by an author they first discovered in a library, according to Pew. Libraries offer free display space for books in over 16,000 locations nationwide. Even Macmillan admits that “Library reads are currently 45% of our total digital book reads.” But instead of finding a way to work with libraries on an equitable win-win solution, Macmillan implemented a new and confusing model and blamed libraries for being successful at encouraging people to read their books.
Libraries don’t just pay full price for e-books — we pay more than full price. We don’t just buy one book — in most cases, we buy a lot of books, trying to keep hold lists down to reasonable numbers. We accept renewable purchasing agreements and limits on e-book lending, specifically because we understand that publishing is a business, and that there is value in authors and publishers getting paid for their work. At the same time, most of us are constrained by budgeting rules and high levels of reporting transparency about where your money goes. So, we want the terms to be fair, and we’d prefer a system that wasn’t convoluted….
Back-to-back non-US Worldcons has presented some unique challenges. One has been to arrange two tours back-to-back, but we have done it. With our Ireland tour about to begin, we are pleased to announce that we will be running a tour of both islands of New Zealand in connection with CoNZealand in 2020.
Born August 6, 1874 — Charles Fort. Writer and researcher who specialized in anomalous phenomena. The term fortean is sometimes used to characterize such phenomena. No, not genre as such, but certainly an influence on many a writer. The Dover publication, The Complete Books of Charles Fort, that collects together The Book of The Damned Lo!, Wild Talents and New Lands has a foreword by Damon Knight. L. Sprague de Camp reviewed it in Astounding Science-Fiction in the August 1941 issue when it was originally published as The Books of Charles Fort. (Died 1932.)
Born August 6, 1877 — John Ulrich Giesy. He was one of the early writers in the Sword and Planet genre, with his Jason Croft series He collaborated with Junius B. Smith on many of his stories though not these which others would call them scientific romances. He wrote a large number of stories featuring the occult detective Abdul Omar aka Semi-Dual and those were written with Smith. I see iBooks has at least all of the former and one of the latter available. Kindle just the latter. (Died 1947.)
Born August 6, 1926 — Janet Asimov. Author of some half dozen novels and a fair amount of short fiction on her own, mostly as J.O. Jeppson; co-author with Isaac of the Norby Chronicles. Her Notes for a Memoir: On Isaac Asimov, Life, and Writing, came out thirteen years ago. (Died 2019.)
Born August 6, 1934 — Piers Anthony, 85. Ok I’ll admit that I’m not at all familiar with him as comic fantasy isn’t my usual go-to reading. I know he’s popular so I’m going to ask y’all which of his novels would be a great introduction to him. Go ahead and tell which novels I should read.
Born August 6, 1956 — Ian R. MacLeod, 63. Another author I need to read more of. I’ve read the first two in what’s called the Aether Universe series, The Light Ages and The House of Storms, but there’s a number of novels I’m intrigued by including Song of Time and The Great Wheel. Anything else y’all would recommend I read?
Born August 6, 1962 — Michelle Yeoh, 57. Ok, I have to give her full name of Yang Berbahagia Tan Sri Dato’ Seri Michelle Yeoh Choo-Kheng. Wow. Her first meaningful genre roles was as Wai Lin in Tomorrow Never Dies and Yu Shu Lien in Crouching Tiger, Hidden Dragon. I actually remember her as Zi Yuan in The Mummy: Tomb of the Dragon Emperor, the first film of a since-cancelled franchise. And then there’s her dual roles in the the Trek universe where she’s Captain Philippa Georgiou and Emperor Philippa Georgiou. The forthcoming Section 31 series will involve one of them but I’m not sure which one…
Born August 6, 1972 — Paolo Bacigalupi, 47. I remember the book group I was part of having a spirited debate over The Windup Girl over the believability of the central character. I think he did a better job with characters in his next novels, Ship Breaker and The Drowned Cities, but he’s really not about characters anyways.
…The “Ballistic Shield” recently unveiled by TuffyPacks, a Houston-based manufacturer of bulletproof backpacks, has a brightly colored picture of the Avengers charging headlong into view, with Captain America and his famous shield front and center.
Amid an epidemic of gun violence in America highlighted by recent mass shootings in El Paso, Texas, Dayton, Ohio, and Gilroy, Calif., the TuffyPacks shield is designed to keep children safe from handgun bullets.
TuffyPacks rolled out its latest models, which include a “Disney princess” theme featuring Jasmine from Aladdin, Cinderella, Belle from Beauty and the Beast and Rapunzel from Tangled, less than a month ago. In addition to Disney’s Avengers and Princesses, other themes include “Harry Potter,” “Major League Baseball” and “Camo.” They all retail for $129.
But the new bulletproof backpacks aren’t exactly endorsed by the Walt Disney Co. or Warner Bros.
“None of these products were authorized by Disney, and we are demanding that those behind this stop using our characters or our other intellectual property to promote sales of their merchandise,” a spokesperson for Disney says in a statement
A consortium of scientists hoping to build the world’s largest optical telescope on Hawaii’s tallest peak has applied to site it instead in the Canary Islands amid ongoing protests by native Hawaiians who oppose construction of the instrument on what they consider a sacred volcano.
For weeks, protesters have delayed the start of construction on the Big Island’s Mauna Kea volcano of the Thirty Meter Telescope, or TMT, which astronomers say will have a dozen times the resolution of the Hubble Space Telescope.
In a written statement on Monday, TMT Executive Director Ed Stone said that obtaining a permit to build in Spain’s Canary Islands, off West Africa, was meant as a “‘Plan B’ site … should it not be possible to build in Hawaii.” However, he emphasized that Mauna Kea “remains the preferred site.”
Human bodies were never meant to exist in weightless conditions. All the fluid being pumped around your body right now needs gravity to get it to the right place. Think about hanging upside down from a jungle gym, the blood rushing to your head. How long do you think you could handle living like that? How many days in a row?
In microgravity, all of your internal organs climb up into your chest cavity, because the mass of the Earth isn’t holding them down anymore. This makes it a little hard to breathe. Farts collect inside your intestine until the pressure suddenly forces them out when you least want them to. Fluid builds up in places it shouldn’t, and there’s no good way to pump it back out of your tissues. The most dramatic—and obvious—way this effects you is that your face gets super puffy, distorting your features. And that’s when you learn just how much of living with other people is processing their facial expressions. Since everyone in space looks like they have the mumps, people start to get irritable. Innocent comments get misconstrued, and tempers flare. I spoke with one astronaut who joked that in the future one big career option is going to be “space lawyer”. Because of all the fistfights that are sure to break out during long missions to Mars. Of course, bouncing off other people all the time and getting in their way is inevitable given the close quarters. It might be better than the alternative, though…
An artificial “tongue” which can taste subtle differences between whiskies could help tackle the counterfeit alcohol trade, according to engineers.
They have built a tiny taster which exploits the properties of gold and aluminium to test differences between the spirits.
The technology can pick up on the subtler distinctions between the same whisky aged in different barrels.
It can tell the the difference between whiskies aged for 12, 15 and 18 years.
Engineers say the tongue “tasted” the differences with greater than 99% accuracy.
Alasdair Clark, of the University of Glasgow’s school of engineering, said: “We call this an artificial tongue because it acts similarly to a human tongue – like us, it can’t identify the individual chemicals which make coffee taste different to apple juice but it can easily tell the difference between these complex chemical mixtures.
A mercenary seeks a missing child, a dead man’s brain is reactivated, a woman travels to the Mayan underworld, a disease drives its victims mad with false memories. These are just a few of the plots that have captured readers’ attention in this year’s batch of science fiction and fantasy novels.
To identify the books resonating with readers, we looked at sci-fi and fantasy novels published so far this year in the U.S. Then we filtered that list by average rating (everything on this list has at least a 3.5-star rating), number of reader reviews, and additions to readers’ Want to Read shelves (which is how we measure buzz and anticipation).
A man who donated his mother’s body to what he thought was Alzheimer’s research learned later it was used to test explosives. So what does happen when your body is donated to medical science?
Last week new details of a lawsuit emerged against The Biological Resource Centre in Arizona following an FBI raid in 2014 in which gruesome remains of hundreds of discarded body parts were discovered.
The now closed centre is accused of illegally selling body parts against the donors wishes.
Newly unreleased court documents revealed that families of those whose bodies had been donated to the centre said they believed their relatives remains would be used for medical and scientific research.
Jim Stauffer is one of the multiple plaintiffs suing the centre. He told Phoenix station ABC 15 he believed his mother’s donated body would be used to study Alzheimer’s, a disease she had, but he later found out it was used by the military to examine the effects of explosives.
He says on the paperwork he was given by the centre he specifically ticked ‘no’ when asked if he consented to the body being used to test explosives.
So how does the body donation business operate in the US and what expectations do people have about these facilities?
A man who wrote music for The Simpsons for 27 years is suing its makers for allegedly firing him due to his age.
Composer Alf Clausen, 78, said he was sacked from the show in 2017.
In his claim, Clausen states he was informed that the show was “taking the music in a different direction”.
“This reason was pretextual and false,” the claim reads. “Instead, plaintiff’s unlawful termination was due to perceived disability and age.” The BBC has approached Fox for a comment.
At the time of Clausen’s departure, the show’s bosses stated they “tremendously value[d] Alf Clausen’s contributions” to the show.
According to trade paper Variety, Clausen was replaced by Bleeding Fingers Music, a music production company co-founded by Russell Emanuel, Hans Zimmer and Steve Kofsky.
Clausen’s suit says his replacement “was substantially younger in age, who was not only paid less, but was not disabled”.
(17) VIDEO OF THE DAY. “Destination Moon 1950–On The Set With George Pal 1949” on YouTube is an hour-long show, first broadcast as an episode of City at Night on Los Angeles station KTLA in 1949, from the set of Destination Moon that includes rare interviews with Robert A. Heinlein and Chesley Bonestell.
[Thanks to Chip Hitchcock, Eric Franklin, Rich Lynch, Cat
Eldridge, JJ, Nina Shepardson, John King Tarpinian, Martin Morse Wooster, Mike
Kennedy, Carl Slaughter, and Andrew Porter for some of these stories. Title
credit goes to File 770 contributor of the day Acoustic Rob.]