Pixel Scroll 7/19/20 A Few Of My Cavorite Things

(1) AMAZING KICKSTARTER. There are only a few days left to contribute to the Amazing Stories Kickstarter campaign and they could use the help: Amazing Stories Year Two – Once More Dear Friends”. The appeal has raised $6,571 of its $12,000 goal with four days to go.

…Think about what we would have missed now if Experimenter Publishing hadn’t decided to revive Amazing Stories as a fiction magazine in 2018. Since then, we have published new fiction from some of the best known authors working in the field today, including Allen Steele, Julie Czerneda, Paul Levinson, Adam-Troy Castro, David Gerrold, Kameron Hurley, Lawrence Watt Evans and S. P. Somtow. We have also featured stories written by exciting new voices, writers who just might become your new favorites, including: Marie Bilodeau, Noah Chinn, Marc Criley, Kathy Critts, Rosie Smith, Liz Westbrook-Trenholm and Neal Holtschulte.

Where would we be for the imagery of the future had it not been for two and a half solid years of cover illustrations by the great Frank R. Paul? We have continued that tradition with some of the best cover artists, Tony Sart, M.D. Jackson, Al Sirois, Tom Barber, Yoko Matsuoka, Vincent di Fate and interior graphic artists like Amanda Makepeace, Matt Taggart, Melisa Des Rosiers, Renan Boe, Ron Miller, Tom Miller, Olivia Beelby, Chukwudi Nwaefulu, Steve Stiles, Phil Foglio and many others working today.

(2) LITERARY DISCOVERY OF THE DAY. Mary Trump apparently was a reader of Omni and of Isaac Asimov notes Michael A. Burstein. From Too Much and Never Enough by Mary L. Trump, pages 109-110:

“Is that yours?”

At first I thought she [Ivana] was talking about the gift basket, but she was referring to the copy of Omni magazine that was sitting on top of the stacks of gifts I’d already opened. Omni, a magazine of science and science fiction that had launched in October of that year, was my new obsession. I had just picked up the December issue and brought it with me to the House in the hope that between shrimp cocktail and dinner I’d have a chance to finish reading it.

“Oh, yeah.”

“Bob, the publisher, is a friend of mine.”

“No way! I love this magazine.”

“I’ll introduce you. You’ll come into the city and meet him.”

It wasn’t quite as seismic as being told I was going to meet Isaac Asimov, but it was pretty close. “Wow. Thanks.”

(3) HALFWAY HOME. In the Washington Post, Silvia Moreno-Garcia and Lavie Tidhar list the best science fiction and fantasy of the year so far — plus what we’re looking forward to next. “The City We Became” and “Vagabonds” made waves. Next up: Susanna Clarke’s “Piranesi.” “The best science fiction and fantasy of the year so far — plus what we’re looking forward to next”. Lavie Tidhar commented –

One book I’ve been hugely excited about is Tim Powers’s latest, “Forced Perspectives,” set in the magical underbelly of modern-day Los Angeles. Powers may be the master of the secret history novel (and one of the originators of steampunk), but his recent work has really explored the history and magic of Tinseltown in a way no one else can.

As you can see, I’ve been steering clear of any post-apocalyptic dystopias for some reason — I can’t imagine why!

(4) MEDIA ANNIVERSARY.

  • July 1985 — The first Liavek anthology was released by Ace Books. Liavek was edited by Emma Bull and Will Shetterly, it’s similar to Thieve’s World though not I think as rough and tumble. It attracted a lot of writers, to wit including Bull, Shetterly, Gene Wolfe, Jane Yolen, John M. Ford, Kara Dalkey, Barry B. Longyear, Megan Lindholm, Nancy Kress, Patricia C. Wrede, Steven Brust, Nate Bucklin, Pamela Dean, Gregory Frost, Charles de Lint, Charles R. Saunders, Walter Jon Williams, Alan Moore and Bradley Denton. Ace would publish a total of five Liavek anthologies over the next five years, and Tor would collect John M. Ford‘s Liavek stories into one volume as well. If you’ve not read them, Will and Emma have re-released them in epub format recently though they’ve reconfigured the stories into new books. They’re all available at the usual digital suspects. (CE)

(5) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born July 19, 1883 Max Fleischer. Animator, film director and producer. He brought such animated characters as Betty Boop, Popeye and Superman to the screen and was responsible for a number of technological innovations including the Rotoscope and Stereoptical Processes. You can see Betty’s first screen appearance in the 1930 Cartoon, “Dizzy Dishes”.  (Died 1972.) (CE)
  • Born July 19, 1921 – Rosalyn Yalow.  Interviewed in Omni.  Middleton, Lasker, Morrison awards.  Fellow of the American Acad. Arts & Sciences.  Nat’l Medal of Science.  Nat’l Women’s Hall of Fame.  A few years ago when a gang of us were playing Excuses, Ben Yalow on his turn said “Excuse me, I have to go watch my mother being given a Nobel Prize.”  He won.  (Died 2011) [JH]
  • Born July 19, 1927 Richard E. Geis. I’m reasonably sure I met at least once when I was living out there. Interesting person.  He won the Hugo Award for Best Fan Writer twice; and whose science fiction fanzine Science Fiction Review won Hugo Awards for Best Fanzine four times. His The Alien Critic won the Best Fanzine Hugo once in a tie with Algol), and once in sole first place. And yes, I enjoyed reading the Science Fiction Review. I’ve not any of his handful of genre novels, and certainly haven’t encountered his soft core porn of which there’s a lot. (Died 2013.) (CE)
  • Born July 19, 1934 – Darko Suvin, Ph.D., 86.  Ten nonfiction studies of SF, two anthologies, two volumes of poetry.  Sixty essays in ExtrapolationFoundationPolarisSF CommentarySF Research Ass’n ReviewStrange Horizons.  Editor of Science Fiction Studies (now emeritus).  Pilgrim Award.  SFera Award.  Fellow of the Royal Society of Canada.  [JH]
  • Born July 19, 1938 Jayant Vishnu Narlikar, 82. He and Fred Hoyle developed the Hoyle–Narlikar theory. which Stephen Hawking would prove is incompatible with an expanding universe. He also wrote two genre novels, The Return of The Vaman (translated from Marathi) and The Message from Aristarchus. (CE)
  • Born July 19, 1950 – Christina Skye.  Three dozen novels, ten for us; half a dozen shorter stories.  Knitter.  Romantic Times Career Achievement Award.  Under another name, Ph.D. and five books about Chinese classical puppet theater and Chinese folk arts.  Fond of Harris tweed and Shanghai street dumplings.  (Died 2018) [JH]
  • Born July 19, 1953 – Jack Massa, 67.  Eight novels, a half-dozen shorter stories.  New Jersey, Florida, Massachusetts, Georgia, now Florida again with his magical wife and a pet orange tree named Grover.  “I am an outliner, not a pantser.”  Still likes Zorro.  [JH]
  • Born July 19, 1963 Garth Nix, 57. Writer of children’s and young adult fantasy novels, to wit Keys to the KingdomOld Kingdom, and Seventh Tower series. The Ragwitch which I read quite some time ago is quite excellent and being a one-off can give you a good taste of him without committing to a series. (CE)
  • Born July 19, 1966 – Hilary Bell, 54.  Born in Stratford-upon-Avon.  Three novels for us; ten plays, picture books, audio scripts, musical theater.  Aurealis Award for Mirror, Mirror adapting the television show (which she was a writer for).  Parsons, Blewitt, Kocher playwrights’ awards.  Two AWGIE awards (Australian Writers’ Guild).  Website here.  [JH]
  • Born July 19, 1969 Kelly Link, 51. First, let me note that along with Ellen Datlow, she and her husband Gavin Grant were responsible for the last five volumes of The Year’s Best Fantasy & Horror. They all did a magnificent job. All of her collections, Pretty MonstersMagic for Beginners and Get in Trouble are astonishingly good. And she’s much honored having won a Hugo Award, three Nebula Awards, a World Fantasy Award and received a MacArthur Genius Grant. (CE)
  • Born July 19, 1976 Benedict Cumberbatch, 44. Confession time: I really didn’t care for him in the Sherlock series, nor did I think his Khan In Star Trek Into Darkness was all that interesting but his Stephen Strange In Doctor Strange was excellent. He did do a superb job of voicing Smaug inThe Hobbit and his Grinch voicing in that film was also superb. I understand he’s the voice of Satan in Good Omens… (CE)
  • Born July 19, 1987 – Shane Porteous, 33.  Four novels, ten shorter stories.  Master of the legendary seventy-seven doughnut devouring technique.  Immense passion for the fantastical, especially when it is different, alternative and, if possible, original.  [JH]

(6) COMICS SECTION.

  • Ziggy has a UFO joke for geezers.

(7) SHIRE UNKNOWNS. “Lord Of The Rings: 10 Things You Didn’t Know About The Shire”. I was going to say, “ScreenRant, you’ve got to be kidding!” Then I read the tagline: “For the sake of time, a lot of worldbuilding had to be left out of LotR. Here’s what movies fans don’t know about The Shire.” Well, if you never read the books…

9. The Shire Has Its Own Calendar

The Shire was officially founded in the year 1601 of the Third Age. However, this year is also referred to as Year 1 within the Shire calendar, which is called Shire Reckoning.

Much like our own, the Shire calendar contains twelve months, each with thirty days. The Shire Reckoning officially began when hobbit brothers Marcho and Blanco crossed the Brandywine River and settled in the area. The fertile land of what became the Shire was gifted to the hobbits by King Argeleb II.

Oh hell, even if I did read the books, I don’t remember all of this….

(8) JEMISIN IS INDIE BOOKSTORE ICON. Libro.fm announced N.K. Jemisin as their July Bookstore Champion. (Jemisin also is this year’s Indies First Spokesperson.)

We’re excited to feature N.K. Jemisin as a Libro.fm Bookstore Champion! As the 2019 Indies First Spokesperson, she is an outspoken supporter of independent bookstores. She recently appeared at four independent bookstores (and one library) in a single day to launch The City We Became. Thanks to Jemisin—the first author in history to win three consecutive Hugo Awards for Best Novel for her Broken Earth trilogy—more people are aware of the value and impact of bookstores in their communities. Champions receive a year of audiobooks, Libro.fm gear, and are celebrated for their advocacy across Libro.fm channels.

(9) FANTAGRAPHICS FOUNDER Q&A. Gary Groth, Publisher, Comics Critic, Historian is interviewed by Alex Grand and Jim Thompson. Four hours!

Alex Grand and Jim Thompson video interview Fantagraphics publisher, The Comics Journal co-founder, and Genius in Literature Award recipient Gary Groth, covering his full publishing career starting at age 13, his greatest accomplishments and failures, feuds and friends, journalistic influences and ideals, lawsuits and controversies. Learn which category best describes ventures like Fantastic Fanzine, Metro Con ‘71, The Rock n Roll Expo ’75, Amazing Heroes, Honk!, Eros Comics, Peanuts, Dennis the Menace, Love and Rockets, Jacques Tardi, Neat Stuff and the famous Jack Kirby interview; and personalities like Jim Steranko, Pauline Kael,Harlan Ellison, Hunter S. Thompson, Kim Thompson, CC Beck, Jim Shooter, Alan Light and Jules Feiffer. Plus, Groth expresses his opinions … on everything!

[Thanks to Lloyd Penney, Michael A. Burstein, Michael Toman, Mike Kennedy, John Hertz, John King Tarpinian, Cat Eldridge, Contrarius, Chip Hitchcock, John A Arkansawyer, Martin Morse Wooster, JJ, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 5/4/20 Sufficiently Advanced Scrolls Are Indistinguishable From Pixels

(1) MURDERBOT READING TOMORROW. The New York Review of Books will host online a “Martha Wells Book Launch Party” on Tuesday, May 5, 2020 at 8 p.m. – 9:30 p.m. EDT

On the eagerly awaited occasion of the publication of “Network Effect,” Martha Wells’ fifth “Murderbot” story and the first full-length novel in the series, Ms. Wells will read from her work and then be interviewed by guest host/curator Amy Goldschlager.

(2) SHUFFLE AND REDEAL. At the Wild Cards blog, Bradley Denton thinks it’s time for Howard Waldrop to tell the current generation all about how “Thirty Minutes Over Broadway” (which I think of as “Jetboy’s Last Adventure”) became the series’ origin story — “Fifty Minutes Over Manchaca (now Menchaca) Road!”

…HW:  Of course!  And another is – You’ll recall in “The Annotated Jetboy,” where I talk about Danny Deck writing the biography of Jetboy?  Danny Deck is the hero of Larry McMurtry’s novel All My Friends Are Going to Be Strangers.  And of course he writes Godot Is My Co-Pilot: A Life of Jetboy.

…Anyway, I was gonna do the Jetboy story about the A-bomb for Jessica Amanda Salmonson, and either Lew or Bud (sf authors Lewis Shiner and Walton “Bud” Simons, both Austin-based at the time, like Howard), I can’t remember which, said, “You should talk to George.  George and that bunch in New Mexico have been playing a superhero role-playing game, and they’ve spent so much time and money on it that they’re trying to find a way to turn it into a book.  You oughta tell him about this Jetboy thing, because it sounds like something that would fit in there.”  If it was Lew I was talkin’ to, he told me to call Bud, and if it was Bud I was talkin’ to, he told me to call Lew.  One or the other of ‘em knew more about it than the other one did, right?

See, I didn’t even know about this.  George hadn’t mentioned it to me in a letter or anything.  So I wrote to George, and I said, “I’ve got a story that might fit with whatever goddamn thing you’re doing.  You should tell me about it.”

So he sent me the prototype Cut and Shuffle, which was all about what was going on in the Wild Cards world before anyone else even knew what it was.  And I said, “Yeah, that sounds about right, I can work with that.  But your timeline is all wrong.”  See, they were gonna start it in the 1980s, with the world having gone on for thirty years.

BD:  Oh, so they weren’t initially going to do an origin story?  They were going to jump into the world of Wild Cards three decades on?

HW:  Right, exactly.  I said, “That’s all wrong!  You gotta tell how all this came about!”  So I got them to tell me all the stuff about Dr. Tachyon, and the virus, and the whole thing, y’know.  And I stuck it sideways into the Jetboy/A-bomb story, and sent it to George.

And of course George says, “When we send you stuff, you should read it!  You got all this stuff wrong!”  I said, “Ah, that’s your job!  You can fix that!”

(3) ANIMAL CROSSING BANK FRAUD. [Item by Martin Morse Wooster.] This is from a front-page article by Leo Lewis and Robin Wigglesworth in the April 29 Financial Times.

“Savers at Nintendo’s the Bank of Nook are being driven to speculate on turnips and tarantulas, as the most popular video game of the coronavirus era mimics central bankers by making steep cuts in interest rates…

The estimate 12m players of the Japanese gaming group’s cartoon fantasy ANIMAL CROSSING were informed last week about the move, in which the Bank of Nook slashed the interest on savings from 0.5 percent to just 0.05 percent: 1,9m bells, the in-game currency, can be bought online for about $1…

…It did not take long, however, for players to spot that they could defraud the game’s bank by depositing large sums in savings accounts and then ‘time travelling’ by tweaking the console’s internal clock.  The bank duly paid decades of interest, making rapid bell millionaires.  People familiar with the practice said the Bank of Nook rate cut was an effort to curb the practice.  Nintendo has made no official comment on the matter.”

(4) LATER THAN TWILIGHT. It’s official. When the countdown ended, this was the news, says the New York Times — “Stephenie Meyer to Publish a New ‘Twilight’ Book, ‘Midnight Sun’”.

Fans of Edward Cullen, the brooding vampire hero from Stephenie Meyer’s best-selling “Twilight” series, will have something fresh to bite into this summer.

Ms. Meyer announced on Monday that “Midnight Sun,” the new novel in her vampire romance series, will be published on Aug. 4, more than a decade after the original story concluded.

“I thought seriously about delaying this announcement until things were back to normal,” Ms. Meyer said in a statement. “However, that felt wrong, considering how long those who are eager for this book have already waited.”…

(5) WRITERS OF THE FUTURE. There is a new free online workshop with instructors Orson Scott Card, Tim Powers, and David Farland: “The Writers Of The Future Online Workshop”

This free intermediate level writing course includes essays, practicals, and 13 video presentations featuring Writers of the Future judges: David Farland, Tim Powers, and Orson Scott Card.

By the end of the workshop, you should have a short story completed. If you are qualified (see the rules here), you can enter your story in the Writers of the Future Contest. The twelve annual winners will be flown out to Hollywood for the week-long live workshop with a full roster of Contest judges and publishing professionals teaching as well as giving you their advice on how to make it as professional writers.

Enter your email address to start the course. You will also receive Writers of the Future newsletters with writing tips and special offers. You can unsubscribe at any time.

(6) 2020 PULITZER PRIZES. Columbia University today announced the 2020 Pulitzer Prizes, awarded on the recommendation of the Pulitzer Prize Board.

There was no genre work among the winners, although 2020 Fiction winner Colson Whitehead has won before for the sff novel Underground Railraod (2017). Indeed, Whitehead now is just the fourth author to win the Pulitzer Prize for Fiction twice. The others are Booth Tarkington, William Faulkner and John Updike. (The winners in journalism are at the link.)

LETTERS AND DRAMA

Fiction
“The Nickel Boys” by Colson Whitehead (Doubleday)

Drama
“A Strange Loop” by Michael R. Jackson

History
“Sweet Taste of Liberty: A True Story of Slavery and Restitution in America” by W. Caleb McDaniel (Oxford University Press)

Biography
“Sontag: Her Life and Work” by Benjamin Moser (Ecco/HarperCollins)

Poetry
“The Tradition” by Jericho Brown (Copper Canyon Press)

General Nonfiction
“The Undying: Pain, Vulnerability, Mortality, Medicine, Art, Time, Dreams, Data, Exhaustion, Cancer, and Care” by Anne Boyer (Farrar, Straus and Giroux)

and

“The End of the Myth: From the Frontier to the Border Wall in the Mind of America” by Greg Grandin (Metropolitan Books)

Music
“The Central Park Five” by Anthony Davis, premiered by Long Beach Opera on June 15, 2019

Special Citation
Ida B. Wells

(7) TODAY’S DAY.

“Star Trek Fan Says ‘Happy Holidays’ Instead of ‘May the Fourth Be With You’”. Grumpy Vulcan tells Hard Drive why.

While many people are observing May 4 as Star Wars Day by saying “may the fourth be with you,” local Star Trek fan Lisa Donnelly has opted to instead just say “happy holidays.”

“Star Wars doesn’t have a monopoly on holidays that take place on May 4, you know,” said Donnelly. “There’s National Bird Day, Latvian Independence Day, and one of the non-canonical dates for Star Trek’s Federation Day is right around the corner on May 8. Those days deserve just as much recognition as some manufactured holiday celebrating a science fantasy movie series for kids.”….

And how did it all begin? According to TimeAndDate.com

The origin of the phrase is thought to date back to May 4, 1979. On this day, Conservatives in the United Kingdom published a newspaper advertisement to congratulate their candidate, Margaret Thatcher, for taking the Prime Minister’s office. The advertisement said “May The Fourth Be With You, Maggie. Congratulations”.

(8) NEW STAR WARS MOVIE. Naturally, this is also the logical day for announcing the franchise’s new project. Lisa Richwine, in the Yahoo! News story “Taika Waititi to direct and co-write a new ‘Star Wars’ movie with ‘1917’ screenwriter” says that Disney announced a bunch of Star Wars-related projects on StarWars Day, most notably that Taika Waititi will direct a new Star Wars and co-write it with Krysty Wilson-Cairns, nominated for an Oscar for her work on 1917.

(9) TODAY IN HISTORY.

  • May 4, 1962 — The Twilight Zone aired “The Dummy”. It was written by: Rod Serling from an unpublished story by Lee Polk. It was directed by Abner Biberman and produced by Buck Houghton. It starred Cliff Robertson, Frank Sutton and George Murdock.  An average ventriloquist finds he has a not-so-average and quite horrifying dummy. The plot here would later influence many other series including Batman: The Animated Series with their own terrifying animated apparent dummy. 

You’re watching a ventriloquist named Jerry Etherson, a voice-thrower par excellence. His alter ego, sitting atop his lap, is a brash stick of kindling with the sobriquet ‘Willie.’ In a moment, Mr. Etherson and his knotty-pine partner will be booked in one of the out-of-the-way bistros, that small, dark, intimate place known as the Twilight Zone.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 4, 1909 Ray Quigley. Here solely for the three covers that he did for Weird Tales in the Forties. He didn’t do a lot of pulp work that I can find but these three are amazing. He did the December 1938 cover with the Dracula-like figure, the September 1940 cover with the nightmarish skull faced Bombers and fInally the May 1942 cover with the really scary living ship. The latter issue had Henry Kuttner, Robert Bloch and Dorothy Quick listed on the cover! (Died 1998.)
  • Born May 4, 1913 John Broome. DC writer during the Golden Age. He’s responsible for the creation of an amazing number of characters including The Phantom Stranger, Per Degaton (with artist Irwin Hansen), Captain Comet and Elongated Man (with Carmine Infantino), Atomic Knight and one of my favorite characters, Detective Chimp. DCUniverse streaming app has his work on The Flash starting on issue #133 and the entire early Fifities run of Mystery in Space that he wrote as well. (Died 1999.)
  • Born May 4, 1920 Phyllis Miller. She co-wrote several children’s books with Andre Norton, House of Shadows and Seven Spells to SundayRide the Green Dragon, a mystery, is at best genre adjacent but it too was done with Norton. (Died 2001.)
  • Born May 4, 1942 CN Manlove, 78. His major work is Modern Fantasy: Five Studies which compares the work of Kingsley, MacDonald, Lewis, Tolkien and Peake. Other works include Science Fiction: Ten Explorations, The Impulse of Fantasy Literature and From Alice to Harry Potter: Children’s Fantasy in England.
  • Born May 4, 1943 Erwin Strauss, 77. I’m not sure I can do him justice. Uberfan, noted member of the MITSFS, and filk musician. He frequently is known by the nickname “Filthy Pierre” which I’m sure is a story in itself. Created the Voodoo message board system used at a number of early cons and published an APA, the Connection, that ran for at least thirty years. Tell me about him. 
  • Born May 4, 1956 Murray McArthur, 63. He first shows on Doctor Who in “The Girl Who Died”, a Twelfth Doctor story before being The Broken Man on The Game of Thrones. He also shows up as a stagehand in the historical drama Finding Neverland before playing Snug in A Midsummer Night’s Dream
  • Born May 4, 1914 James Bacon. He was in all five films in the Planet of the Apes franchise, the only actor to do so. He portrayed an ape in each of the films with the exception of Escape from the Planet of the Apes, in which he played a human, General Faulkner. This was the only film of the ‘Ape’ series in which he was credited. He also showed in Roddenberry’s Planet Earth as Partha. (Died 2010.)
  • Born May 4, 1977 Gail Carriger, 43. Ahhhh such lovely mannerpunk she writes! I think I first noticed her with the start of the Finishing School series which she started off with Etiquette & Espionage some six years ago. Moirai Cook does a delightful job of the audiobooks so I recommend that you check them out. I also love the two novellas in her Supernatural Society series as well. 

(11) COMICS SECTION.

  • The Argyle Sweater has a terrific gag for May the Fourth.
  • Heathcliff isn’t really that funny, however, it does use a gagline drawn from the same source as one of our File 770 mottos.
  • Pearls Before Swine considers the possibility that the lockdown results in people reading more, and better, books.

(12) RIVERS COMING TO A CHANNEL NEAR YOU. For the many Filers who are fans of the series — “Stolen Picture Options Television Rights To Ben Aaronovitch’s Rivers Of London”.

Nick Frost and Simon Pegg’s UK-based production company, Stolen Picture, has optioned the rights to Ben Aaronovitch’s best-selling novel series Rivers of London.

Aaronovitch is currently working on the adaption of the first novel, also named Rivers of London. He will also serve as an Executive Producer on the series alongside Nick Frost, Simon Pegg and Stolen Picture CEO, Miles Ketley. 

A Sunday Times best-seller, Rivers of London was first published in 2011, earning Aaronovitch a nomination in the New Writer of The Year category at the National Book Awards in 2011 and has spawned a popular graphic novel series. Each subsequent novel has also charted in the Sunday Times Top Ten Best-Seller list.

The crime/supernatural crossover follows the adventures of Peter Grant, a young mixed race police officer who, following an encounter with a ghost finds himself working for The Folly, a secret Scotland Yard department that deals with supernatural crime. The Times described Rivers of London as “an incredibly fast-moving magical joyride for grown-ups”.The Rivers of London franchise has been published in more than 15 languages and, to date, has sold over 2.5 million copies worldwide.

“Nick Frost and Simon Pegg asked me if I wanted to make Rivers of London with them – you think I was going to say no? Stolen Picture have a reputation for making creator led TV with the minimum of corporate bollocks and the maximum of fun. It’s an opportunity I would be bonkers to say no to” says Ben Aaronovitch.

(13) BITING THE SCENERY. Entertainment Weekly invites fans to “See first look at Mark Hamill embracing the dark side as vampire in What We Do in the Shadows”. Photo at the link.

[Mark] Hamill will portray an ancient vampire in Jemaine Clement‘s FX series What We Do in the Shadows and EW has your first look at the character — fangs and all. The episode titled “On the Run,” set to air May 13, will introduce a vengeful enemy from Laszlo’s (Matt Berry) past who appears without warning to settle a personal debt. This causes Laszlo to flee his home and go into hiding.

(14) A HEEP OF TROUBLE. Did Paul Weimer have great expectations for this novel? “Microreview [Book]: The Unlikely Escape of Uriah Heep by H.G. Parry” at Nerds of a Feather.

…I should be clear and up front about something: I may be a somewhat biased reviewer in a regard, but not in the way that you might think. You see, good reader, I am a relation but not a direct descendant of Charles Dickens, so that a novel where his literary creation escapes into the real world was and is always one I would be extremely interested in. I’ve read and been interested in Dickens’ work from a young age. His work has always been part of my life.

I can happily report that this novel is extremely literate and considerate with the work of Dickens, what it means and where it comes from. The novel feels like the author’s own coming to terms with Dickens’ work in a real and palpable way, as well as Victoriana and Edwardiana in a real and palpable way.

(15) GEEKS IN ACADEME. “Top 10 Fictional Schools– Geek Culture Countdown Podcast!” – a list from 2019. These are all drawn from sff works, even though “Pop Culture” covers more territory than that.

Susan and Kitty are schooling you on the Top 10 Fictional Schools in pop culture. From prestigious prep academies to borderline lethal boarding schools, which esteemed educational institutions will make the grade?

For example —

2. Xavier’s School for Gifted Youngsters

Located at 1407 Graymalkin Lane in Westchester County, New York, this school for mutants has gone by many names- Xavier’s Academy for Gifted Youngsters, the Jean Grey School for Higher Learning, X-Haven, and most currently the Xavier Institute for Mutant Education and Outreach.

This school provides a safe place for young mutants to receive education both in traditional schooling and also the control and understanding of their powers. Kitty Pryde is currently the headmistress. The school motto is “Mutatis Mutandis” meaning “once the necessary changes have been made”.

(16) WHY PROTECTING MOSQUITOS IS A GOOD IDEA. BBC has the answer — “Malaria ‘completely stopped’ by microbe”.

Scientists have discovered a microbe that completely protects mosquitoes from being infected with malaria.

The team in Kenya and the UK say the finding has “enormous potential” to control the disease.

Malaria is spread by the bite of infected mosquitoes, so protecting them could in turn protect people.

The researchers are now investigating whether they can release infected mosquitoes into the wild, or use spores to suppress the disease.

…”The data we have so far suggest it is 100% blockage, it’s a very severe blockage of malaria,” Dr Jeremy Herren, from the International Centre of Insect Physiology and Ecology (icipe) in Kenya told the BBC.

He added: “It will come as a quite a surprise. I think people will find that a real big breakthrough.”

(17) USE THE FORK, LUKE. Or the blowtorch. Do something to save us.  “General Mills Is Releasing A ‘Star Wars’ Cereal With Baby Yoda-Shaped Marshmallows” – the Best Products blog has the story.

…General Mills took to Instagram to reveal its newest creation. As described on the packaging, the cereal consists of sweetened corn puffs with marshmallows. All of the green marshmallows are in the shape of The Child’s head, which is reason enough to give this bite a shot, if you ask us.

[Thanks to JJ, Darrah Chavey, Michael Toman, Andrew Porter, John King Tarpinian, Martin Morse Wooster, Chip Hitchcock, Mike Kennedy, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Olav Rokne.]

2019 Novellapalooza

[Editor’s note: be sure to read the comments on this post for more novellas and more Filer reviews.]

By JJ:

TL;DR: Here’s what I thought of the 2019 Novellas. What did you think?

I’m a huge reader of novels, but not that big on short fiction. But the last few years, I’ve done a personal project to read and review as many Novellas as I could (presuming that the story synopsis had some appeal for me). I ended up reading:

  • 31 of the novellas published in 2015,
  • 35 of the novellas published in 2016,
  • 46 of the novellas published in 2017,
  • and 38 of the 2018 novellas.
  • (and this year I was waiting for access to a few novellas, so I was reading others, and thus my final total crept up to 55!)

The result of these reading sprees were

I really felt as though this enabled me to do Hugo nominations for the Novella category in an informed way, and a lot of Filers got involved with their own comments. So I’m doing it again this year.

The success and popularity of novellas in the last 5 years seems to have sparked a Golden Age for SFF novellas – so there are a lot more novellas to cover this year. By necessity, I’ve gotten to the point of being more selective about which ones I read, based on the synopsis being of interest to me.

It is not at all uncommon for me to choose to read a book despite not feeling that the jacket copy makes the book sound as though it is something I would like – and to discover that I really like or love the work anyway. On the other hand, It is not at all uncommon for me to choose to read a book which sounds as though it will be up my alley and to discover that, actually, the book doesn’t really do much for me.

Thus, my opinions on the following novellas vary wildly: stories I thought I would love but didn’t, stories I didn’t expect to love but did, and stories which aligned with my expectations – whether high or low.

Bear in mind that while I enjoy both, I tend to prefer Science Fiction over Fantasy – and that while I enjoy suspense and thrillers, I have very little appreciation for Horror (and to be honest, I think Lovecraft is way overrated). What’s more, I apparently had a defective childhood, and do not share a lot of peoples’ appreciation for fairytale retellings and portal fantasies. My personal assessments are therefore not intended to be the final word on these stories, but merely a jumping-off point for Filer discussion.

Novellas I’ve read appear in order based on how much I liked them (best to least), followed by the novellas I haven’t read in alphabetical order.

I’ve included plot summaries, and where I could find them, links to either excerpts or the full stories which can be read online for free. Short novels which fall between 40,000 and 48,000 words (within the Hugo Novella category tolerance) have been included.

Please feel free to post comments about any other 2019 novellas which you’ve read, as well. And if I’ve missed your comment about a novella, or an excerpt for a novella, please point me to it!

(Please be sure to rot-13 any spoilers.)

(fair notice: all Amazon links are referrer URLs which benefit non-profit SFF fan website Worlds Without End)

Continue reading

2019 Dragon Award Winners

The 2019 Dragon Awards ceremony was held September 1 – here are the winners.

Best Science Fiction Novel

  • A Star-Wheeled Sky by Brad R. Torgersen

Best Fantasy Novel (Including Paranormal)

  • House of Assassins by Larry Correia

Best Young Adult / Middle Grade Novel

  • Bloodwitch by Susan Dennard

Best Military Science Fiction or Fantasy Novel

  • Uncompromising Honor by David Weber

Best Alternate History Novel

  • Black Chamber by S.M. Stirling

Best Media Tie-In Novel

  • Thrawn: Alliances by Timothy Zahn

Best Horror Novel

  • Little Darlings by Melanie Golding

Best Comic Book

  • Saga by Brian K. Vaughan, Fiona Staples

Best Graphic Novel

  • X-Men: Grand Design – Second Genesis by Ed Piskor

Best Science Fiction or Fantasy TV Series

  • Good Omens, Amazon Prime

Best Science Fiction or Fantasy Movie

  • Avengers: Endgame by Anthony Russo, Joe Russo

Best Science Fiction or Fantasy PC / Console Game

  • Red Dead Redemption 2 by Rockstar Games

Best Science Fiction or Fantasy Mobile Game

  • Harry Potter: Wizards Unite by Niantic, WB Games San Francisco

Best Science Fiction or Fantasy Board Game

  • Betrayal Legacy by Avalon Hill Games

Best Science Fiction or Fantasy Miniatures / Collectible Card / Role-Playing Game

  • Call of Cthulhu: Masks of Nyarlathotep Slipcase Set by Chaosium Inc.

OTHER AWARDS

These other awards were also announced during the ceremony.

EUGIE FOSTER AWARD

THE HANK REINHARDT FANDOM AWARD

  • Edward deGruy

(Spelling of name may not be correct – it was not shown on screen.) The Hank Reinhardt Georgia Fandom Award is presented for outstanding contributions to the genre by a Georgia writer, artist, or fan.

THE JULIE AWARD

  • George Perez

In 1998, Dragon Con established the Julie Award presented annually in tribute to the legendary Julie Schwartz. The Julie Award is bestowed for universal achievement spanning multiple genres, selected each year by our esteemed panel of industry professionals.

Thanks to Red Panda Fraction and Ray Radlein for livetweeting the results.

Photos of 2019 LA Vintage Paperback Show

Lots of well-known writers and artists came and signed at last Sunday’s LA Vintage Paperback Show. Robert Kerr shot these photos (below) of some of the participants.

Pixel Scroll 10/1/18 I’ll Have A Short Half-Caf Scroll With Free-Range Foamed Pixels, Please

(1) DOES IT SUIT ME? Would you believe that no one is more surprised about this than the Doctor herself? “‘Doctor Who’: The Doctor Realizes She’s A Woman In A Brand New Clip!” at ScienceFiction.com.

In the first clip released for the upcoming season, we see that, thanks to the memory-affecting nature of the regeneration, Jodie Whittaker’s Doctor will discover the gender right along with the rest of us. She can’t even remember who she is, just that she’s “looking for a doctor,”…

 

(2) WORDS TO THE WISE. Bustle shares “11 Sci-Fi & Fantasy Writers With Incredible Advice For Aspiring Authors”. I love to listen to writers talk about writing. And it’s much easier to do than actually writing!

“Apply logic in places where it wasn’t intended to exist. If assured that the Queen of the Fairies has a necklace made of broken promises, ask yourself what it looks like. If there is magic, where does it come from? Why isn’t everyone using it? What rules will you have to give it to allow some tension in your story? How does society operate? Where does the food come from? You need to know how your world works.”

? Terry Pratchett, in A Slip of the Keyboard

(3) TRAVELERS TO NZ TAKE HEED. Bad news for CoNZealand? Radio New Zealand reports “Travellers refusing digital search now face $5000 Customs fine”.

Travellers who refuse to hand over their phone or laptop passwords to Customs officials can now be slapped with a $5000 fine.

The Customs and Excise Act 2018 – which comes into effect today – sets guidelines around how Customs can carry out “digital strip-searches”.

Previously, Customs could stop anyone at the border and demand to see their electronic devices. However, the law did not specify that people had to also provide a password.

The updated law makes clear that travellers must provide access – whether that be a password, pin-code or fingerprint – but officials would need to have a reasonable suspicion of wrongdoing.

“It is a file-by-file [search] on your phone. We’re not going into ‘the cloud’. We’ll examine your phone while it’s on flight mode,” Customs spokesperson Terry Brown said.

If people refused to comply, they could be fined up to $5000 and their device would be seized and forensically searched.

(4) SOUNDS ASTOUNDING. The Coode Street Podcast’s latest episode has a Golden Age theme: “Episode 338: Alec Nevala-Lee, Andy Duncan, and the Astounding Legacy”.

Worldcon 76 in San Jose, California this past August was a busy time. Thousands of science fiction and fantasy writers, readers, artists, publishers, and fans of every stripe travelled across the country and, in some cases, around the world to celebrate the best in SF.

We (Gary and Jonathan) had a wonderful time while we were there and managed to record four special episodes. Our final conversation is one of our favourites. Alec Nevala-Lee‘s Astounding: John W. Campbell, Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction is a fascinating and probably definitive examination of Astounding, John W. Campbell and the writers who made up that time.  Andy Duncan, a long-time friend of the podcast, also just published “New Frontiers of the Mind”, his first story for Analog (successor to Astounding) which examines the connection between Campbell and Rhine. Both Alec and Andy sat down with us in San Jose to discuss Campbell, Astounding, and their own work.

(5) FREEMAN DYSON. The Arthur C. Clarke Center for Human Imagination’s Into the Impossible podcast features Freeman Dyson — Episode 19 – Nature Has More Imagination.

In a ranging conversation, associate director Brian Keating interviews the preeminent scientist and thinker Freeman Dyson, discussing his career in science and letters, the role of creativity and subversiveness, the perils of prizes, and how nature always shows more imagination than we do.

(6) AMERICA ON POTTER. [Item by Mike Kennedy.] In a morning TV appearance to promote her new book American Like Me: Reflections on Life Between Cultures, America Ferrera also talked about other books that she finds important (Today Show: “America Ferrera says these are the books that inspire her”). She particularly enthused about the Harry Potter series, saying of her young son Sebastian (who goes by Baz), “Baz is only four months old. I cannot wait to read Harry Potter to him so I can read it again. I can’t wait to see him discover that whole world. Every night we read Goodnight Moon. I could recite it right now. That’s his nightly book. A good children’s book is genius. I love reading to him.” She also mentioned that her husband reads to the boy, saying, “My husband reads to him in the mornings. He wants to expose him to all kinds of reading. He’s read him A Brief History of Time out loud. If Baz grows up and becomes a physicist, it’s because he read that book out loud.”

All children should be so lucky.

(7) SCREENTIME. Abigail Nussbaum is back with “Thoughts on the New TV Season, 2018 Edition” at Asking the Wrong Questions.

The First – Hulu’s series about the first manned mission to Mars looks and sounds like many millions of bucks.  It’s full of moments of breathtaking cinematography backed by a sweeping orchestral score.  But all that grandeur often seems to be in service of obscuring the fact that The First has so little to say about its putative topic.  Despite what promotional materials may have promised, the season takes place on Earth, after an accident during the launch of the first stage of a semi-private venture to the red planet leaves the rest of the project in jeopardy.  Tech visionary Laz Ingram (Natasha McElhone) brings in former astronaut Tom Hagerty (Sean Penn), with whom she had previously feuded, to lead the next mission and help convince the public and politicians not to pull funding.  But even this logistical, political, and technical challenge isn’t where the show’s heart really lies.  Instead, The First turns out to be much more of a character drama, about the kind of people who choose to risk their lives on a long, arduous, dangerous journey into the unknown, and the people they leave behind….

(8) EZQUERRA OBIT. Carlos Ezquerra (1947-2018) has died — 2000 AD paid tribute:

2000 AD is profoundly saddened to confirm that artist Carlos Ezquerra has passed away at the age of 70.

One of the all-time greatest comic book artists, the Spanish illustrator was one of the titans of 2000 AD.

Originally from Zaragoza, Carlos began his career in Barcelona, drawing westerns and war stories for Spanish publishers. Breaking into the UK market on romance titles like Valentine and Mirabelle, he was head-hunted for the new IPC title Battle Picture Weekly where he drew Rat Pack, Major Eazy and El Mestizo.

In 1976, he was asked to create a new character, the future lawman Judge Dredd, for a new weekly science fiction comic called 2000 AD. Thanks to his enduring partnership with John Wagner, Dredd was to become one of the world’s most recognisable comic book characters, with Carlos there to apply his inimitable style to some of the biggest stories in the strip’s history, such as The Apocalypse War, Necropolis and Origins.

(9) TODAY IN HISTORY

  • October 1, 1957 The Brain From Planet Arous premiered on this day
  • October 1, 1958 — National Aeronautics and Space Administration (NASA) founded
  • October 1, 1968 Night of the Living Dead premiered

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and JJ.]

  • Born October 1, 1872 – James Allen St. John, Artist who is particularly remembered for his illustrations for the novels of Edgar Rice Burroughs, although he illustrated works of many authors. There are two recent collections of his work, J. David Spurlock’s Grand Master of Adventure: The Drawings of J. Allen St. John and The Paintings of J. Allen St. John: Grand Master of Fantasy by J. David Spurlock and  Stephen D. Korshak. It is said that Frank Frazetta was a student of his, but I was unable to confirm that.
  • Born October 1, 1914 – Donald A. Wollheim, Editor, Publisher, Writer, Fan. Encyclopedia of Science Fiction calls Wollheim “one of the first and most vociferous SF fans.” He was a founding member of The Futurians and a member of First Fandom; The Immortal Storm by Sam Moskowitz and The Futurians by Damon Knight are both essential reads on his contributions to early fandom. His first story, “The Man from Ariel”, was published in the January 1934 issue of Wonder Stories. His David Grinnell-penned novels are quite good, as are the ones under his own name. He co-edited the World’s Best SF anthologies for 26 years, and his editorship of imprints such as Avon and his founding of DAW Books were key to the development of the genre as we now know it.
  • Born October 1, 1922 – Terry Jeeves, Member of First Fandom, Fan Artist, Editor, Writer, and Organizer. He helped found the British Science Fiction Association in 1958, later serving as chair and as editor of its zine, Vector, for two years, and was one of the first fans recognized with the Doc Weir Award for service to British Fandom. He published a fanzine of his own, Erg, for over 40 years. His A Checklist of Astounding in three parts covers the years 1930 to 1959, and he was credited for assisting with Michael Ashley’s complete index of the prozine in 1981. He was contributing letters and fan art to fanzines right up until his death in 2011 at the age of 88.
  • Born October 1, 1928 – Laurence Harvey, Actor best known as The Manchurian Candidate, who had appearances on genre shows including Alfred Hitchcock Presents and Night Gallery, and roles in other genre movies including The Wonderful World of the Brothers Grimm and The Winter’s Tale.
  • Born October 1, 1935 – Dame Julie Andrews Edwards, 83, Actor, Writer, and Producer from England known for lead genre roles in Mary Poppins and the Rodgers and Hammerstein version of Cinderella, playing the Queen in the Ruritanian films The Princess Diaries, and lending her voice to various animated feature characters, including the Queen in the Shrek movies. In 1974 she published a children’s novel, The Last of the Really Great Whangdoodles.
  • Born October 1, 1943 – Sharon Jarvis, 75, Writer, Editor, and Fan. Co-wrote 3 different SFF novel series under the pen names of H. M. Major, Johanna Hailey, and Jarrod Comstock. Author of 3 volumes of True Tales of the Unknown for Bantam Books and fannish essays such as “To Con or Not” Parts Two and Three (though curiously the first part is not to be found) as published in the Cranky Bitches series in Fantasy Newsletter in 1983, and editor of the 1985 non-fiction anthology Inside Outer Space: Science Fiction Professionals Look at Their Craft, which contains contributions from some of the big names in genre writing.
  • Born October 1, 1944 – Rick Katze, 74, Attorney and Fan. I’ll just quote Fancyclopedia 3, which does him justice:

A Boston-area con-running fan. He is a member of NESFA and MCFIand was a member of SCIFI. He has been an officer of both NESFA and MCFI. He has worked on many Boskones as well as a number of Worldcons. A lawyer, professionally, he was counsel to the Connie Bailout Committee and negotiated the purchase of the unpaid non-fannish debt [of ConStellation, the 1983 Worldcon in Baltimore which went into the red for more than $150,000 – that’s $380,000 in today’s dollars] at about sixty cents on the dollar.

He chaired Boskone 21, Boskone 28, Boskone 41, and Lexicon 8, and edited many books for NESFA Press, including the six-volume Best of Poul Anderson series. He was made a Fellow of NESFA in 1980. He appeared in the fannish musical Back to Rivets.

  • Born October 1, 1948 – Mike Ashley, 70, Editor and Anthologist, and that is somewhat of an understatement, as the Mammoth Book series by itself has thus far run to thirty volumes including such titles as The Mammoth Book of Awesome Comic Fantasy and The Mammoth Book of New Jules Verne Adventures. He also did The History of the Science Fiction Magazine, which features commentary by him. He’s done a number of genre related studies including The History of the Science Fiction Magazine with Robert A. W. Lowndes, and Out of This World: Science Fiction But Not As You Know It.
  • Born October 1, 1950 – Natalija Nogulich, 68, Actor best known to genre fans as Admiral Necheyev in Star Trek: The Next Generation and Deep Space Nine, who has also had guest roles in numerous genre series including Dark Skies, The Pretender, Charmed, and Sabrina the Teenage Witch.
  • Born October 1, 1954 – Paul Park, 64, Writer and Teacher whose Ruritanian novels were nominated for World Fantasy, Tiptree, and Sidewise Awards, and whose SFF novels and stories have been finalists for Nebula, Clarke, Tiptree, BSFA, World Fantasy, Sturgeon, Shirley Jackson, and Kurd Laßwitz Awards.
  • Born October 1, 1960 – Elizabeth Dennehy, 58, Actor who played Lt. Commander Shelby in the Emmy-nominated Star Trek: The Next Generation two-part episode “The Best of Both Worlds”, guest roles on Quantum Leap, Charmed, and Medium, and parts in Gattaca, The Last Man on Planet Earth, Red Dragon, and Hancock.
  • Born October 1, 1962 – Hakeem Kae-Kazim, 56, Actor from Nigeria with the Royal Shakespeare Company who has appeared in Pirates of the Caribbean: At World’s End, The Librarian: Return to King Solomon’s Mines, The Jinn, X-Men Origins: Wolverine, Slipstream, Global Effect, the TV miniseries King Solomon’s Mines and The Triangle, has had guest roles on Gotham, Scorpion, The Adventures of Sinbad, and The Avengers: Earth’s Mightiest Heroes, and has provided voices for numerous videogames including editions of World of Warcraft, Lego Star Wars, Halo, Final Fantasy, and The Golden Compass.
  • Born October 1, 1969 – Zach Galifianakis, 49, Actor, Writer, and Producer who had a main role in the series Tru Calling, appeared in the films A Wrinkle in Time, The Muppets and The Muppets: Most Wanted, and has done voices in animated features including The Lego Batman Movie.
  • Born October 1, 1973 – Rachel Manija Brown (an Eldridge favorite, as she has reviewed for Green Man Review), 45, Writer of the Change series with Sherwood Smith, and Laura’s Wolf, first volume of the Werewolf Marines series. Author of SFF stories, poems, and essays including “The Golden Age of Fantasy Is Twelve: SF and the Young Adult Novel” published in Strange Horizons.
  • Born October 1, 1989 – Brie Larson, 29, Actor, Writer, Director and Producer. Her earliest genre appearance was a guest role on Touched by an Angel at the age of 9. In addition to a guest spot on  Ghost Whisperer, she appeared in the movies 13 Going on 30Scott Pilgrim vs. the World, and Kong: Skull Island. She directed and starred in the indie film Unicorn Store, is the star of the upcoming Captain Marvel movie, and will appear in the next Avengers film.

(11) BELATED BIRTHDAY

  • Born September 30, 1949 – D Potter, Editor, Photographer, and Fan, was a New York and then Bay Area fanzine fan. She participated in numerous Amateur Press Associations (APAs), pre-internet fanzine-sharing and discussion groups – often focused on a specific subject of interest – which distributed copies and letters via group meetings and snail mail, including Apa-nu, A Women’s APA, APA-Q, Myriad, Mixed Company, Spinoff, MISHAPFAPA, and Intercourse. She was founder and Original (or Collating) Editor of the music discussion ALPS, and Fan Guest of Honor at Balticon 16 in 1982. Although she passed away last October, her website can still be seen at http://onyxlynx.blogspot.com.

(12) A BIRTHDAY LETTER OF COMMENT. Sheila Williams sent a correction to our birthday listings —

My thanks to whoever included me in the list of September 27, 2018 birthdays. Just wanted to mention an error, that I’ve only seen once before. The first sentence reads “Sheila Williams, 62, Editor of Asimov’s Science Fiction magazine for the past thirteen years, following twelve years before that working under Isaac Asimov and Gardner Dozois at the magazine, which is a remarkable achievement.”

Actually, I worked at the magazine for 22 years before becoming editor. I joined Asimov’s in June 1982 (hired by Cathleen Moloney) and just celebrated my 36th year on the staff. In addition to Cathleen, Gardner, and Isaac, I also worked with Shawna McCarthy during her entire tenure as editor of the magazine.

(13) COMICS SECTION.

(14) PICK OF THE LITTER. Huffington Post promises “A Missing ‘Game Of Thrones’ Character Is Coming Back In Season 8”.

If anything, Jon Snow’s direwolf lived up to his name in Season 7 of “Game of Thrones.”

Throughout the course of seven episodes, the King in the North’s constant companion didn’t show up once. Ghost was an actual ghost.

This despite the fact that the wolf would probably come in handy in confrontation with zombie hordes, undead polar bears and the Night King, who’s taking down dragons with pinpoint accuracy like he’s plaid-wearing, retired sniper Mark Wahlberg in any Mark Wahlberg movie….

(15) IS HE BALD ENOUGH? The Hollywood Reporter says, “Nicolas Cage Says It’s Too Late to Be Superman, But He’d Be a ‘Great’ Lex Luthor.” You may recall that Cage was in line to play the Man of Steel for director Tim Burton’s Superman Lives, which famously never got off the ground.

Cage touches on that topic (among many others) in an interview by Hadley Freeman published in The Guardian (“Nicolas Cage: ‘If I don’t have a job to do, I can be very self-destructive’”). In that, Freeman writes:

Because of his son’s name [Kal-El], I tell him, there’s an online campaign to make him the next Superman. “Oh, I think my Superman days are long gone,” he laughs with a little pat of his belly. He would be an amazing villain in it, I reply. His eyes light up. “Oh, that would be GREAT! I’d make a great Lex Luthor!”

(16) CONTINUED NEXT ROCK. BBC says “Prehistoric art hints at lost Indian civilisation” — petroglyphs estimated up to 12,000 years old — which makes them pre-“civilization”, back in the hunter-gatherer era.

“Our first deduction from examining these petroglyphs is that they were created around 10,000BC,” the director of the Maharashtra state archaeology department, Tejas Garge, told the BBC.

The credit for their discovery goes to a group of explorers led by Sudhir Risbood and Manoj Marathe, who began searching for the images in earnest after observing a few in the area. Many were found in village temples and played a part in local folklore.

“We walked thousands of kilometres. People started sending photographs to us and we even enlisted schools in our efforts to find them. We made students ask their grandparents and other village elders if they knew about any other engravings. This provided us with a lot of valuable information,” Mr Risbood told the BBC.

(17) THE LONG WAY HOME. James Davis Nicoll’s youth have returned! And the Young People Read Old SFF panel has been assigned Walter M. Miller Jr.’s “The Will.”

SF 68 was a South African radio show that ran in, well, 1968. Producer Michael McCabe went on to produce the more successful Beyond Midnight. SF 68 adapted a number of American SF stories to radio play form, many by authors I would not have expected to sell rights to an Apartheid era South African program. If there is a story behind that, I have not heard it.

Walter M. Miller is best known for his Canticle For Leibowitz (of which there is a top notch adaptation far too long for this project). Indeed, the rest of his body of work has been essentially eclipsed by Canticle. Still, there are pieces while not as iconic as Canticle are worth consideration. “The Will” for example demonstrates a laudable understanding of the true utility of time machines other, Hugo-winning, works manifestly do not. But perhaps my volunteers will not agree with me.

The Will can be listened to here.

(18) CONCERNED. Motherboard (from Vice) brings us news that a “Top CERN Scientist [is] Suspended for Presentation That Argued There Is No Sexism in Physics.” His theory seemed to be that women aren’t discriminated against in science — particularly physics — they just aren’t as good.

In a copy of [Dr. Alessandro] Strumia’s presentation seen by Motherboard, Strumia frames his presentation as an effort to get to the bottom of the “mainstream” and “conservative” positions about gender equality in physics and science more generally. Strumia framed his presentation as an attempt to “use data to see what is right.”

A number of slides show what Strumia described as data about the percentage of women in different fields, sexism in citations, sexism at conferences, and gender asymmetry in hirings. These data items conflict with a number of other studies that point to rampant discrimination in STEM, however. For example, a study published earlier this year by Pew Research found that nearly half of women in STEM say sexual harassment is a problem and that they have experienced some form of discrimination.
Strumia’s presentation also claimed sexism against men, on the grounds that scientists were killed in wars and that universities have made hiring decisions based on equal gender representation “irrespective of merit.”

According to [Dr. Jessica] Wade, who wrote an op-ed for New Scientist about Strumia’s talk, his presentation “claimed that women weren’t as good at physics, were promoted too early, and received disproportionate funding given their ability.”

(19) POWERS AND PRATCHETT. FTL Publications has posted video of some classic author interviews:

  • This is a 2-part interview with Tim Powers at the Arcana convention in St. Paul on October 1, 2004. Tim talks about his novels, including The Drawing of the Dark, The Annubis Gates, Dinner at Deviant’s Palace, The Stress of Her Regard, and Declare. He also discusses the writing process.

 

  • Sir Terry Pratchett (d. 2015) is interviewed at Minicon by Jim Young (d. 2012) on March 26, 2005 in Bloomington, Minnesota, USA. The author talks about his writing, meeting J. K. Rowling, and how he received the OBE.

[Thanks to Chip Hitchcock, James Davis Nicoll, Andrew Porter, Carl Slaughter, JJ, John King Tarpinian, Cat Eldridge, Martin Morse Wooster, Joel Zakem, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Sufficing

By John Hertz: Here’s one I missed entirely.

I think it’s worth your attention.  It was certainly worth mine.

You now have an excuse given by me to rebuke my not staying in touch with Electronicland.

I knew Baen had started publishing Tim Powers.  I knew a new-assembled collection Down and Out in Purgatory had appeared in 2017.  I’d read the title novella happily – if that word may be used of a Tim Powers story – hmm – with pleasure – hmm – well, awestruckly, when it was published in 2016.

I knew the collection had some twenty tales going back to his first published short fiction from 1982 (which George Scithers, then editing Asimov’s, invited, but didn’t like, so Powers sold it to F & SF).  I saw a nice new copy in a bookshop but didn’t buy it.

Oh, fatal error.  Play in your mind your favorite “Shouldn’t have turned away” music.

I’ve just read it – two weeks after Hugo nominations closed.

At the end I found “Sufficient Unto the Day”, a new Powers short story from 2017.

Not only was it in the paper version – published November 2017; I had three months – it had appeared electronically in the Baen Free Library.

Alas, I can’t nominate it now.  I can’t urge you to.  We can’t vote for it either; it didn’t reach the ballot.  But neither did other things you or I or someone thought worthy.  So it goes.

While we’re all catching up reading so as to think or re-think about what did reach the ballot, I’ll try to tell you why I find this story so swell.  When I did that with another story it helped at least one person.

Powers’ writing is vivid, poetic, and neat.  That’s not the only way to deal with strange things or even the only mighty way. But it does make use of the suggestion The greater the reality, the better the fantasy.  Some of a Powers story seems so ordinary that it heightens the strangeness.

Also Powers is the opposite of Nothing is revealed.  A hundred thirty words into “Sufficient” the main-focus character is in her kitchen, and

At 4 PM on Thanksgiving afternoon she had put on an apron and tied her chestnut hair back in a ponytail and was preparing the accommodation water for certain of the expected guests.

She was preparing what??  All will appear (I’ve warned you about these puns).  I can’t say “Fear not” – this is a Tim Powers story – but it will.

Also once strangenesses arrive they operate quite matter-of-factly.

“So what does my brother say?” Nana asked Shortstack.  Uncle Scuttle had been mute since his death, never having got the trick of vibrating the water surface like a speaker diaphragm, and could only communicate by way of Shortstack’s automatic writing.

Some of his poetic quality is like that.  Only after you’ve imagined what he’s shown you do you notice what a good metaphor he made.

His stories are architectural.  There is a sense – I hesitate to say “plain”, but in a way it is – of a place for everything and everything in its place.  That place could be a dimension not only of sight and sound but of mind – or indeed much worse.  You might not belong there, I might not belong there, but what we find there does.  The ribs and spans of the story hold.

“They’re not fishbowls tonight, and get out of here.  If you’ve got to upset your sister, see that you don’t do it in the dining room.”

This to a ten-year-old nephew will seven pages later have its result.

I happen to like the way he waves at outside reading as he goes by.

Her father had always liked Dylan Thomas’ poetry.  “You really think?” asked Biscuit.  Shortstack had paused in prying at a black blob on the muzzle of his revolver.

If you don’t, as with any ornament it’s not essential.

And he jokes.  There are jokes in Dante’s Divine Comedy, there are jokes in Shakespeare’s tragedies.  Powers doesn’t duck or belittle his own creations; their dilemmas are pressing, their horrors are shocking; but this can at the same time be comical.  He doesn’t duck that either.

There are endnotes from him at the end of each story in this collection.  At the end of “Sufficient” he says

This is as close as I’ll probably ever get to writing a James Thurber story like “The Night the Bed Fell”.

Powers fans, however, would not venture a prediction.

Pixel Scroll 3/30/17 Do Not Taunt Happy Fun Scroll

(1) WAX TREK. The Orange County Register’s Keith Sharon should get a Pulitzer Prize for the first line of his article “$80,000 later, why this trio gave up their ‘Star Trek’ wax figures, Enterprise replica”:

Mr. Spock’s head cooled in a wooden crate for 10 years before someone noticed something was wrong.

Equally good is the rest of the article — about the fate of the wax Star Trek crew since the defunct Movieland Wax Museum sold its exhibits in 2006.

Steve and Lori had 24 hours to decide whether they wanted to pay about $40,000 for Kirk, Spock, Sulu, Uhura, Dr. McCoy, Chekov and Scott. Or they could buy just one, or just a few.

They went to Don Jose’s restaurant and had margaritas over dinner. They knew other people wanted to buy the individuals in the crew. One guy wanted to put Spock in a bar. Another guy wanted to put Captain Kirk in his house. So they decided to buy them all, to keep the crew together. They made it their mission to save the crew of the Enterprise.

“Let’s protect them,” Steve told Lori.

“We took them home and put them in our dining room,” Lori said.

That’s when it got weird. Steve couldn’t stand the life-like eyes looking at him all the time.

“We put paper bags over their heads,” Steve said.

 

Steve Greenthal puts on the head of his Captain Kirk wax figure at the Fullerton Airport before donating them to the Hollywood Sci-Fi Museum on Saturday, March 25, 2017. The figures were purchased when the Movieland Wax Museum went out of business. (Photo by Nick Agro, Orange County Register/SCNG)

(2) NOT ENOUGH HAMMER. Ursula K. Le Guin reviews Neil Gaiman’s Norse Mythology for The Guardian and finds it very well-written but wanting in some ways:

Gaiman plays down the extreme strangeness of some of the material and defuses its bleakness by a degree of self-satire. There is a good deal of humour in the stories, the kind most children like – seeing a braggart take a pratfall, watching the cunning little fellow outwit the big dumb bully. Gaiman handles this splendidly. Yet I wonder if he tries too hard to tame something intractably feral, to domesticate a troll.

… What finally left me feeling dissatisfied is, paradoxically, the pleasant, ingratiating way in which he tells it. These gods are not only mortal, they’re a bit banal. They talk a great deal, in a conversational tone that descends sometimes to smart-ass repartee. This chattiness will be familiar to an audience accustomed to animated film and graphic narrative, which have grown heavy with dialogue, and in which disrespect is generally treated as a virtue. But it trivialises, and I felt sometimes that this vigorous, robust, good-natured version of the mythos gives us everything but the very essence of it, the heart.

(3) FROM BUFFY TO BATGIRL. Joss Whedon is in talks to do a Batgirl movie says The Hollywood Reporter.

Whedon is in negotiations to write, direct and produce a Batgirl stand-alone movie for Warner Bros., adding another heroine to the studio’s DC cinematic universe.

Warner Bros. Pictures president Toby Emmerich will oversee the project, along with Jon Berg and Geoff Johns….

Batgirl will be the second female superhero stand-alone in Warner Bros. DCU (Wonder Woman will hit theaters on June 2). Whedon has long been credited as a pioneering voice for female-focused genre fare, having created the hit TV show Buffy the Vampire Slayer two decades ago.

(4) DIETZ ESTATE SALE. Over 300 sf/f collectible books and other items from Frank Dietz’ are for sale on eBay. Dietz passed away in 2013.

He was chairman of the first 14 Lunacons, and was Fan Guest of Honor at the 2007 Lunacon. His activities as “Station Luna,” an effort to record the proceedings of many World SF Conventions, continued for many years. He recorded events at the 1951 Worldcon in New Orleans.

(5) WOTF IN TOWN. Ron Collins reports on Day 2 of the annual Writers of the Future Workshop.

“It’s a little overwhelming,” Andrew Peery told me during a break after the opening session. He meant it in a good way. Peery, from North Carolina, is the 4th quarter first prize winner. The group had just walked through the Author Services Hall of Writers and been given a presentation of past judges throughout the contest’s history. People here have asked me how things have changed in the 18 years since my last visit. One thing that’s different is that the list of judges has gotten a little longer and a little more prominent. It’s very cool to think about.

One thing that hasn’t changed, however, is the purpose of the workshop.

“Our goal in this workshop is to help you train yourself to be a professional writer,” Dave Farland said in his opening remarks. He and Tim [Powers] then covered several topics, focusing on things like how to develop writerly habits, how stories are structured, and how to create and use suspense. And that was just before lunch. Along the way the two of them did a little brotherly bickering about the speed with this things should be done. “If you’re here, we already know you’re good,” Dave said. “But now we want to help you think about producing that good work more quickly.” Tim, followed that up with: “My first drafts take forever and are never any good.” Then he explained why that was just fine by him. I’ve seen that before, but, yeah, it holds up on second viewing! It’s always great to see how creativity is different for two such high-caliber artists.

Other authors have written about Day 1 and Day 3.

(6) EGYPT IN SF. Tim Powers was recently interviewed by Rachel Connor and described his preparation.

Rachel: I was first introduced to your work when I read The Anubis Gates, a historical fiction with time-travel, Victorian corruption and ancient Egyptian folklore. Can you tell us a little about your approach to historical fiction? What is it about a certain period of time that intrigues you?

Tim: A novel for me generally starts with something I stumble across in recreational non-fiction reading. I’ll notice some peculiarity — like Edison working on a phone to talk to dead people with, or Albert Einstein going to a séance — and I’ll start to wonder if a story might not be built around what I’m reading.

If I come across another oddity or two — like Edison’s last breath being preserved in a test tube in a museum in Michigan, or Einstein turning out to have had a secret daughter who disappears from history in 1902 — I’ll decide that this isn’t recreational reading after all, but research for a book.

For The Anubis Gates, it was a note in one of Lord Byron’s letters. He said that several people had recognized him in London at a particular date in 1810, when at that time he was in fact in Turkey, very sick with a fever.

I wondered how he might have a doppelganger, and started reading all about Byron, and his doctor in Turkey, and London at the time, looking for clues

(7) EVERY JOT AND TITTLE. Tom Easton and Michael Burstein’s collaborative short story Sofer Pete” has been published in Nature

The visitors were crowded against one wall of bookcases, facing a large table on which was stretched a long piece of parchment. An inkwell filled with black ink sat off to the side. A hand holding a traditional goose-quill pen moved over the parchment, leaving rows of Hebrew characters behind it more quickly than a human hand ever could.

Because the hand did not belong to a human. The gleaming metal hand belonged to a humanoid robot seated on the other side of the table. Its name was Pete.

(8) THANKS DAD! Most people know Joe Hill’s father is Stephen King. Here’s what happened when young Joe turned to him for advice….

(9) “EVERY WINDOW’S A SEAT”. How much will people pay to be in space for a few minutes? “Jeff Bezos just revealed a mock-up of the spacecraft his rocket company will use to take tourists into space”.

Each launch will rocket a handful of wealthy tourists more than 62 miles (100 kilometers) above Earth on a roughly 11-minute trip.

Near the top of a high arc, the rocket will detach from the space capsule, which will fall toward the ground, granting passengers about four minutes of weightlessness and letting them take in an incredible view of the fringes of our planet’s outer atmosphere.

(10) GHOSTESS WITH THE MOSTEST. The BBC says the animated Ghost in the Shell was good, but the live-action is better.

The Japanese anime Ghost in the Shell isn’t just one of the most acclaimed science-fiction cartoons ever made, it’s one of the most acclaimed science-fiction films, full stop. Conceptually and visually breathtaking, Mamoru Oshii’s cyberpunk detective flick bridged the gap between analogue blockbusters and digital ones, between Blade Runner and The Terminator, with their cyborgs and androids, and The Matrix and Avatar, with their body-swaps and virtual realities. The makers of The Matrix, in particular, were happy to acknowledge that they were following in Oshii’s future-noir footsteps.

The question is, then, is it worth bothering with a belated live-action version? Considering that the cartoon is now a cult classic, and that several other films have taken its innovations and run with them, can a mega-budget Hollywood remake have anything of its own to offer? The answer to both questions is a definite yes.

(11) RELAUNCH. First reuse of a SpaceX recoverable boosterNPR reports:

SpaceX launched a communications satellite from the Kennedy Space Center in Florida using a rocket stage that has already been to space and back. SpaceX is betting that this kind of recycling will lower its costs and revolutionize space flight.

(12) NOT FIVE? At the B&N Sci-FI & Fantasy Blog, Corinna Lawson shares the four rules that tell her “How to Know When It’s Okay to Read a Series out of Order”.

  1. When the character arcs are resolved by book’s end

In Sins of Empire, there are three leads, and all set out on emotional journeys that are fully resolved by book’s end.

Meanwhile, ASoIaF readers are still waiting to see what happens via-à-vis Jamie Lannister’s redemption arc, whether the Khaleesi will ever seize her birthright, if Tyrion’s suffering will amount to anything, or if Jon Snow will ever stop flailing about and realize who and what he is.

In Bujold’s The Warrior’s Apprentice, a young man who dreams of being a soldier finds more than he bargained for, and, at the end, his journey has a resolution, despite a fair dozen books that follow.

But Bishop’s Others, series, well, readers have been waiting for four books to see what happens with Simon and Meg, and though their patience is rewarded, it took four other books to get there.

(13) REVIEW HAIKU. Aaron Pound begins with a 17-syllable plot summary, then goes on to tell why he loved Kelly Sue DeConnick’s graphic story Pretty Deadly, Vol. 1: The Shrike.

Full review: I must confess that I obtained this book almost solely because it was written by Kelly Sue DeConnick, and at this point I am pretty much willing to at least take a look at anything she writes. Pretty Deadly not only met the high expectations I have for work from DeConnick, it exceeded them. This is, quite bluntly, mythic storytelling that manages to be both epic in scale and simultaneously intensely personal. Told via a combination of tight and brilliant writing from DeConnick and stunningly beautiful and evocative artwork from Emma Rios, this story presents a violent and visceral enigma shrouded in mystery wrapped up in magic, gunfights, and swordplay.

(14) THREE SHALL BE THE NUMBER THOU SHALT COUNT. This is a public service announcement from N.K. Jemisin.

(15) KORSHAK COLLECTION. An exhibit from “The Korshak Collection: Illustrations of Imaginative Literature” will be on display April 10-May 16 at the Albin O Kuhn Library and Gallery on the University of Maryland Baltimore County campus. The collection, now owned by Stephen Korshak, was started by his father Erle Korshak, past Worldcon chair and founder of the imprint Shasta Publishers, and has its own impressive website.

Truly a vision of the fantastic, this exhibition is an amazing exploration of both illustrative art and the evolution of the visual landscape of science fiction and fantasy literature. Featuring work by both American and European artists and spanning more than a century, these vivid illustrations bring to life adventures, beings, and worlds conjured in novels such as Don Quixote, Alice’s Adventures in Wonderland and Tarzan, and pulp magazines including Amazing Stories, Weird Tales, Fantastic Adventures, and Wonder Stories. Accomplishing far more than simply guiding readers in their explorations of new and sometimes bizarre realms, the range and impact of these illustrations is far-reaching.

The exhibition will also include books, pulp magazines, and other items drawn from UMBC’s Rosenfeld Collection, revealing how the illustrations in the Korshak Collection were meant to appear when encountered as artifacts of material culture.

(16) BEYOND ORWELL. The 2084 Kickstarter has funded. The collection —

features 11 stories from leading science fiction writers who were all asked the same question – what will our world look like 67 years from now? The anthology features new and exclusive stories from:

Jeff Noon, Christopher Priest, James Smythe, Lavie Tidhar, Aliya Whiteley, David Hutchinson, Cassandra Khaw, Desirina Boskovich, Anne Charnock, Ian Hocking, and Oliver Langmead.

(17) BOOKS WERE SOLD. This is John Scalzi’s executive summary of The Collapsing Empire’s first week:

So, in sum: Top selling science fiction hardcover in the US, second-best-selling audio book in the US, my highest debut on the USA Today bestseller list, and a TV deal.

That’s a pretty good week, y’all.

Fuller details at the post.

(18) JURY CALL. The Shadow Clarke Jury continues to review its Clarke Award picks.

I put this novel on my shadow shortlist after reading the opening chapters on Amazon, because I was fascinated by the premise: the seemingly inexplicable overnight irruption of masses of full-grown trees into our familiar world. I said, when I explained my choices, that I was intrigued because it reminded me somewhat of John Wyndham’s The Day of the Triffids, in which the world is transformed, first by meteors, which cause mass blindness, and then by the apparently coordinated escape of the triffids, seizing the opportunities afforded by this new blindness. I was curious to see how much The Trees might be in conversation with Triffids more than half a century on.

De Abaitua wrote one of the most complex and difficult novels from 2015, If Then, and I still find myself wondering about it at random times. I was so taken by that strange novel about an algorithmic society in decay—a novel that feels so uneven on the surface, yet so complete in substance—I couldn’t articulate my thoughts well enough to write a decent review. Since then, The Destructives has been on my “most anticipateds” list. Placed on a Clarke award shortlist only once before, for The Red Men in 2008, de Abaitua was unaccountably left off the list for If Then in 2016. The Destructives is the latest piece in this abstract thematic series and, given its scope, it seems primed to make up for last year’s Clarke snub.

Any work of fiction is a formal exercise in the controlled release and withholding of information. What is withheld and for how long is a key element in how we read the work and even how we classify it. To give an obvious example, in a detective story in the classical mode it is essential that the identity of the killer is withheld until the last page, the structure of the novel is therefore dictated by the need to steadily release information that leads towards this conclusion without actually pre-empting it. How successful the novel is depends upon the skill with which this information is managed. If too much is given away so that readers can guess whodunnit too early, the work is adjudged a failure; similarly, if too little is revealed so that the denouement comes out of the blue, it is seen as a cheat and again the work fails.

In a recent article for the Guardian, ‘How to build a feminist utopia’, Naomi Alderman briefly sets out some pragmatic measures for helping pave the way to a world in which genitals, hormones and gender identification don’t matter because ‘everyone gets to be both vulnerable and tough, aggressive and nurturing, effortlessly confident and inclusively consensus-building, compassionate and dominant’. Among suggestions such as trying to establish equal parenting as the norm and teaching boys to be able to express their emotions, she also proposes teaching every girl self-defence at school from the age of five to sixteen. In effect, this is what happens in The Power when it becomes apparent that a generation of teenage girls across the world have developed the capacity to emit electric shocks. The only difference is that this doesn’t just allow the girls to defend themselves against male violence but instead enables them to become the aggressors.

(19) STATUARY GRIPE. Copied to Twitter, a grumpy letter to the editor from a “Disgusted of Tunbridge Wells” type about a proposed Terry Pratchett statue.

(20) TV IS COMING. HBO’s latest series promo, Game of Thrones Season 7: Long Walk.

[Thanks to John King Tarpinian, rcade, Rob Thornton, Cat Eldridge, Mark-kitteh, David K.M.Klaus, Andrew Porter, Chip Hitchcock, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W.]

Pixel Scroll 3/10/17 Anachronism of Green Gables

(1) SKULL SESSION. NPR doesn’t think much of King Kong: Skull Island, but compensates by adding interesting movie trivia to their review:

A noble beast gets shackled, ape-napped from his island home and dragged to America in:

  • Minute 84 of 1933’s landmark King Kong,
  • Minute 90 of 1976’s Jeff Bridge/Charles Grodin/”and introducing Jessica Lange”-starring King Kong, and
  • Minute 135 of Peter Jackson’s 2005 prestige pic King Kong — which, at three hours and change, qualifies as the most Kong-sized of the bunch.

In the new, comparatively unambitious Kong: Skull Island, the big guy finally claims a perk of his eight decades of stardom: He gets to do the entire picture from home.

Indeed, this new colon-ized, name-and-address-formatted Kong is at its mediocre best when it pretends to be a nature documentary about Skull Island’s bizarro flora and fauna. One of its most captivating scenes has the big ape bathing himself in a river — at last, computer animators have learned to make convincing water! But every time the movie threatens to get interesting, one of its hordes of ersatz, non-animated characters shows up and starts talking again.

There’s plenty of top-flight talent — Tom Hiddleston, Brie Larson, the Johns Goodman and C. Reilly, and the Jacksons Samuel T. and Marc Evan — so it’s no chore to sit through. But good luck being able to remember in two months whether you saw this thing or not.

By comparison, the Boston Globe thought it was fun and gave it 3 stars out of 4:

“Kong: Skull Island” isn’t a remake or a reboot or a re-anything. It’s just a Saturday matinee creature feature with a smart, unpretentious script, a handful of solid supporting players, and a digital Kong who feels big enough and real enough to provoke the necessary awe. This is all to the movie’s credit.

Better yet (and unlike [Peter Jackson’s 2005] film), the new movie understands the line between thrilling an audience and scaring it silly — between action-adventure awe and horror-movie gross-outs. The movie feels as if it has been made for a 10-year-old kid, either the one living in your house or the one living in your heart.

(2) COMIC SECTION. And Dan Thompson’s Brevity welcomes the movie with a punny cartoon.

(3) NAVIGATING THE AMAZON. Why did Amazon build a brick-and-mortar bookstore in the first place? Why is it now about to open number 10?

People were surprised when Amazon announced its first brick-and-mortar bookstore in November 2015. Then came No. 2, 3 and 4.

Sixteen months later, Amazon just confirmed to Recode that it is now working on store No. 10 — a location at the Bellevue Square shopping center across Lake Washington from Seattle. Plans for this new location were found in building permits flagged by the building contractor site BuildZoom.

“We are excited to be bringing Amazon Books to Bellevue Square in 2017, and we are currently hiring store managers and associates,” an Amazon spokesperson said.

If it wasn’t clear before, it is now: Amazon really likes the traction it has seen in the four stores that have opened so far and is committed to becoming a physical retailer at scale. New locations are opening in places like Chicago, New York City and the suburbs of New Jersey later this year.

That doesn’t mean the stores still aren’t puzzling. Why does Amazon — bookstore killer — want to become a physical book purveyor? One smart take has been that the stores are as much about selling Amazon devices like the Echo and Kindle as they are about selling books.

(4) NEW STOPS ON THE INFORMATION SUPERHIGHWAY. China’s Internet may be showing the way. British anthropologist Tom McDonald, who moved to Anshan, a small rural town between Beijing and Shanghai, has written a book about the Chinese internet, about which he is apparently very protective, and is the source of information for this BBC article.

Most writing about China’s internet had explored metropolitan elites living in the country’s huge cities – and had tended to focus on the issues of censorship and government control, painting a joyless place straight out of George Orwell’s 1984. Yet here in Anshan, McDonald was surprised to find a vibrant and innovative online world. “It is easy for us to assume that ‘the Chinese Internet’ ought to be a very drab and boring and constraining place, whereas actually, Chinese internet users are incredibly creative and the internet is incredibly lively,” he tells me. “It was more like an online carnival.”

….One of the core differences, from British social media use, was the fact that the people of Anshan tended to shy away from political pronouncements on their profile pages – “not because of censorship, but just because all the people around them would ask why are you posting that on here,” says McDonald. Instead, their updates tended to be centred on the family and relationships with somewhat saccharine images and messages – perhaps as a way of upholding some of the values at the heart of their rural community.

Chip Hitchcock sent this comment along with the link: “The writer seems especially taken with the way everything works together, which suggests the (possibly-mythical) computer scientist’s praise of cyberpunk (~’Sure, everybody’s doing terrible things to each other — but their computers all work together!’)”

(5) TODAY IN HISTORY

  • March 10, 1972 — Killer-creature flick Frogs hops into theaters.
  • March 10, 1972 Silent Running premieres.
  • March 10, 1997 Buffy the Vampire Slayer premieres on television.

(6) THE BUFFYVERSARY. “20 Years Ago ‘Buffy’ Welcomed Us All To The Hellmouth (aka High School)” NPR reminds us.

Twenty years ago, on March 10, 1997, TV audiences were introduced to Buffy Summers, a pint-sized blonde who could hold her own against the undead. Buffy the Vampire Slayer ran for seven seasons from 1997 to 2003. It had witty dialogue and used monsters as a metaphor for everyday high school problems like bullies, catfishing and feeling invisible.

If that wasn’t enough to make high school seem hellish, the characters went to school on top of a literal Hellmouth. “So many people at the time sent us letters saying, ‘I’m only getting through high school because of Buffy,‘ ” says Buffy writer and producer Jane Espenson.

The BBC also cites Buffy’s influence on pop culture:

Without Buffy’s brilliant musical episode Once More, With Feeling would Ryan Gosling and Emma Stone’s movie ever have been green-lit?

Actually, yes, it would have been. But if you enjoyed the singing dancing love letter to LA which didn’t win best film at this year’s Oscars, you could do worse than to check out Buffy’s musical extravaganza.

It’s exactly like La La Land, but with added demons.

It also set a trend for other TV shows to unexpectedly feature a musical episode halfway through a series, including medical comedy Scrubs and medical drama Grey’s Anatomy – and an upcoming Supergirl/The Flash crossover.

(7) TODAY’S DAYS. You get your choice.

  • Mario Day

Mario Day came about when it was noticed that when one marks the day Mar.10, it spells Mario. From then it just took off. Mario was first introduced in Nintendo’s game Donkey Kong. When he appeared in this game in the early 1980’s he was not the well-named plumber that would be recognized today. His name was Mr. Jumpman and he was a carpenter.

  • International Bagpipe Day.

The Bagpipe Society has been sponsoring the celebration of International Bagpipe Day since 2012. They have helped to bring the bagpipe to new players since 1986. It is important to them that the history and playing of the bagpipes is not lost. Putting this day together was with the hope of bringing awareness of the over 130 different types of bagpipe throughout the world.

(8) JEDI JOCULARITY. Mark Hamill tweeting as Trump —

(9) DANDELION WINE KICKSTARTER FAILS. Filmmakers ambitious to produce a movie of Ray Bradbury’s “Dandelion Wine” attempted to crowdfund production with a Kickstarter campaign but they had received only $4,791 of the hoped-for $350K when the campaign ended in January.

In December, the Utah Independent profiled the men behind the effort.

RGI Productions filmmaker Rodion Nahapetov and producer Natasha Shliapnikoff, long-time friends and colleagues of Ray Bradbury, have launched their Kickstarter campaign for the “Dandelion Wine” movie.

“The Kickstarter campaign is so important to us because by receiving the support of Ray’s fans and friends, we will be able to make the movie the way Ray would have wanted it made independently, true to his vision and with love!” said Shliapnikoff.

(10) ELIGIBILITY POST. Adam Rakunas keeps voters informed —

(11) NATIONAL TREASURE. Maybe the original art for the cover of Action Comics #1, which introduced Superman to the world in June 1938, no longer exists, but in late 1938 or ’39, Joe Shuster re-drew that cover for use as a puzzle from the Saalfield Company of Cleveland, Ohio, which was manufactured in 1940. “I wonder what this piece of original art might be worth today?” asks John King Tarpinian. The search is on!

(12) OOPS! Meanwhile, we know what happened to these treasures — “Pulped fiction: Blundering artist destroys rare first edition of The Avengers and other valuable comics worth £20,000 to make papier-mache scultpture”. The Daily Mail has the story.

An artist made a papier-mâché sculpture from comics only to discover that the books were in fact first editions worth about £20,000.

The piece of artwork, called Paperboy, was created by Andrew Vickers, 49, from Sheffield, who found the comics for the man-sized statue in a skip.

However, after handing the sculpture over to an exhibition he was told the comics, which included a first edition of The Avengers, would have been worth a small fortune.

(13) THE NOT-SO-DREAD PIRATE GAME. The Digital Antiquarian remembers when Ron Gilbert made an adventure game that didn’t suck – Monkey Island.

The game casts you in the role of Guybrush Threepwood, a lovable loser who wants to become a pirate. Arriving on Mêlée Island, a den of piratey scum and villainy, he has to complete a set of trials to win the status of Official Pirate. Along the way, he falls in love with the island’s beautiful governor Elaine — her name sets the game up for a gleeful The Graduate homage — and soon has to rescue her from the villain of the story, the evil ghost pirate LeChuck.

The Disnefied piracy wasn’t hard to do, especially after Gilbert discovered a charming little historical-fantasy novel by Tim Powers called On Stranger Tides.

(15) SF IN LIVE THEATER. Alastair Reynolds tells about seeing Diamond Dogs in Chicago, a stage play based on his story.

The House Theatre team did a remarkable job with this undoubtedly challenging material, working with inventive stage and prop design to nonetheless evoke a series of settings many light years away, and hundreds of years in the future. All the cast are in the above photo, along with the crew behind the production, and it was a pleasure and privilege to see so much skill and imagination come together on stage.

My story takes place in a range of locales, from the bowels of Chasm City, to a starship, to the ravaged surface of an alien world, and ultimately the many-roomed interior of the enigmatic alien structure named Blood Spire, an enormous tower floating just off the surface of the planet Golgotha. Depicting all this in film would be a feat in itself, and quite beyond any reasonable notions of practical theatrical staging. The solution adopted by the House Theatre was to use artful minimalism and suggestion, trusting in the audience to employ their imaginations given the narrative cues provided the actors and the sound and lighting effects. I thought it worked tremendously well, and the later stages of the story – involving the passing through of the puzzle rooms in the Spire – achieved a strange, stark beauty, all with little on stage but the illuminated, moving doorways and the actors in their spacesuits. Later, as the story progressed to its grim conclusion, extremely effective use was made of the ingenious puppet designs of Mary Robinette Kowal, allowing us to follow the actors as they became something other than human. These latter scenes, aided by an unsettling score, had a truly surreal power.

[Thanks to Chip Hitchcock, JJ, Martin Morse Wooster, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 1/16/17 I’m A Boxticker, Jim, Not A Pixel!

(1) DEDICATED TO MEREDITH. It’s ”Appreciate a Dragon Day”.  According to the Donita K. Paul website:

Appreciate a Dragon Day was started in 2004 by Mrs. Paul to celebrate the release of DragonSpell. We encourage you to join us as we celebrate literacy and have some fun!

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(2) NEANDERTHALS. Jon Mooallem delivers a thoroughly fascinating account of paleoanthropological research in “Neanderthals Were People, Too” at the New York Times.

For millenniums, some scientists believe, before modern humans poured in from Africa, the climate in Europe was exceptionally unstable. The landscape kept flipping between temperate forest and cold, treeless steppe. The fauna that Neanderthals subsisted on kept migrating away, faster than they could. Though Neanderthals survived this turbulence, they were never able to build up their numbers. (Across all of Eurasia, at any point in history, says John Hawks, an anthropologist at the University of Wisconsin-Madison, “there probably weren’t enough of them to fill an N.F.L. stadium.”) With the demographics so skewed, Stringer went on, even the slightest modern human advantage would be amplified tremendously: a single innovation, something like sewing needles, might protect just enough babies from the elements to lower the infant mortality rate and allow modern humans to conclusively overtake the Neanderthals. And yet Stringer is careful not to conflate innovation with superior intelligence. Innovation, too, can be a function of population size. “We live in an age where information, where good ideas, spread like wildfire, and we build on them,” Stringer told me. “But it wasn’t like that 50,000 years ago.” The more members your species has, the more likely one member will stumble on a useful new technology — and that, once stumbled upon, the innovation will spread; you need sufficient human tinder for those sparks of culture to catch.

I picked that paragraph because it reminds me of Robert Zubrin’s argument about the need for population growth as a prerequisite in developing a starship.

To achieve a 200-times increase over today’s GDP, we will need a population of 54 billion. We will need energy of 2500 terawatts by the year 2200.

Pounding away at the opposite conclusions reached in Paul Ehrlich’s famous book The Population Bomb, Zubrin said, “If humans destroyed more than they made, the earth would be barren already. The real resource is human creativity.” Every mouth comes with a pair of hands and a brain. If we accept Malthusian advice, and act to reduce the world’s population, we will impoverish the future by denying it the contributions the missing people could have made.

(3) THE AI TROPE. Ann Leckie’s “Vericon 2016 GoH Speech” overflows with interesting ideas, just like her fiction.

The very first robot story–the first ever use of the word “robot” in fact–is a robot uprising story. But when Karel ?apek wrote RUR he wasn’t worried about artificial intelligence. The robots of his story aren’t mechanical, they’re made of some sort of synthetic biological material. And the word “robot” which ?apek famously coined, comes from a Czech word for “slave.” It’s a story about the revolt of people made on an assembly line (the first actual assembly line had debuted just ten years earlier). It’s a story about the rebellion of people who were built to be the cheapest, most efficient workers possible, workers you didn’t have to pay, or feed anything in particular, or take any notice or care of. In other words, slaves. And ?apek ‘s story hit a nerve. It didn’t just give us the word for robot, it is the ultimate model for nearly all the robot uprising stories since. So that model–robots as slaves, with all the assumed dangers attendant on enslaving people who outnumber you–is the model we’re using when we think about super smart machines. This has not been lost on any number of science fiction writers, who have used robot and AI stories to comment explicitly on oppression and racism. But just personally–well, I won’t go into my problems with the whole “slaves in my allegory are machines and the masters are human beings” bit, though that’s kind of icky when you think about it, but on top of that I think it’s a dangerous model to use as a basis for actual, serious real world predictions about artificial intelligence.

(4) AUSSIE FANHISTORY. Now available at eFanzines.com, issues of iOTA, a fanzine with news of Leigh Edmonds’ Australian fandom history project.

Here are a pair of excerpts from iOTA #2:

  • The purpose of this little efanzine is to serve as a progress report on my current history project which is to research and write a history of Australian fandom, focusing on the period between 1956 and 1975. It is also a place where I can publish little bits and pieces of the writing and art of Australia’s fan past to help introduce you to the rich vein of material that previous generations of fans have left us.
  • Fanzine Review what you missed in 1939. Our friend Robin Johnson turns up with the most interesting things at times.  Usually it is old airline timetables – and we share an interest it air transport so we can find hours of harmless interest and amusement in airline timetables – but not on this occasion. This time it was a little fanzines with a pink cover produced in the old fashioned way using carbon paper.  (If you are not aware of this form of reproduction, I’m thinking about writing a little series called something like ‘Reproductive Pleasures’ in some future issues.  Some people have never heard of carbon paper, which means that they are young and happy folk.) This little pink and carbon paper produced fanzine is Ultra 1, produced by Eric Russell in Sydney, bearing the date October 1939.  It is probably the fourth fanzine title to be published in Australia after John Devern’s single issue of Science Fiction Review published in February 1939, Australian Fan News, a single issue of which was published by William Veney, Bert Castellari and Eric Russell in May 1939 and three issues of the JSC Bulletin (Junior Science Club) published by Vol Molesworth and Ken Jeffreys in June 1939.  (Thanks to Chris Nelson for his extensive research in this area.)  Of these early titles Ultra was among the early successful Sydney fanzines, seeing fourteen issues published between October 1939 and December 1941 when the commencement of the Pacific War brought an end to most of this kind of frivolity in Australia.

(5) GERONIMO! Neil Clarke has quit his day job and gone into editing full-time.

I’m quite excited—and a little terrified—by the prospect of taking the leap. There are a bunch of uncertainties, like healthcare costs and filling the income gap between Lisa’s new job and my old one, but we’re close enough to give this career switch a try. As some of you know, this has been a major goal of mine since my heart attack four years ago. At age fifty, and after ten years working part-time, I’m finally going to be a full-time editor!

Naturally, my first priority has to be those uncertainties I mentioned: income gap and insurance. As I see it, I have a few things to target:

  1. I’ve altered the Clarkesworld Patreon goals to include direct salary and healthcare expenses. Would be nice if it was that simple, but I figure it’s worth putting out there….

(6) HOW TO MAKE IT TO THE FINISH LINE.  The New York Times tells “Obama’s Secret to Surviving the White House Years: Books”. Some of these titles are of genre interest.

Even books initially picked up as escape reading like the Hugo Award-winning apocalyptic sci-fi epic “The Three-Body Problem” by the Chinese writer Liu Cixin, he said, could unexpectedly put things in perspective: “The scope of it was immense. So that was fun to read, partly because my day-to-day problems with Congress seem fairly petty — not something to worry about. Aliens are about to invade!”

…To this day, reading has remained an essential part of his daily life. He recently gave his daughter Malia a Kindle filled with books he wanted to share with her (including “One Hundred Years of Solitude,” “The Golden Notebook” and “The Woman Warrior”). And most every night in the White House, he would read for an hour or so late at night — reading that was deep and ecumenical, ranging from contemporary literary fiction (the last novel he read was Colson Whitehead’s “The Underground Railroad”) to classic novels to groundbreaking works of nonfiction like Daniel Kahneman’s “Thinking, Fast and Slow” and Elizabeth Kolbert’s “The Sixth Extinction.”…

(7) CERNAN OBIT. “Gene Cernan, last man to walk on Moon, dies aged 82” reports the BBC.

Captain Cernan was one of only three people to go to the Moon twice and the last man to leave a footprint on the lunar surface in 1972.

The final words he spoke there were: “We leave as we came and, God willing, as we shall return with peace and hope for all mankind.”

He was the commander of the Apollo 17 mission at the time.

Twelve people have walked on the Moon, and only six of them are still alive today

(8) THOUGHT FOR THE DAY

Neil Armstrong, recalling how it felt to look back at Earth from the surface of the moon: “I didn’t feel like a giant. I felt very, very small.”

(9) TODAY’S BIRTHDAY BOY

  • Born January 16, 1948 – John Carpenter.

(10) QUOTABLE QUOTE: “In England, I’m a horror movie director. In Germany, I’m a filmmaker. In the US, I’m a bum.” – John Carpenter.

(11) BRANDON EASTON INTERVIEW. From Motherboard, “How Diversity Writing Programs Can Help Sci-Fi Live Up to Its Ideals”.

Motherboard: What do you think is really the problem that people aren’t talking about?

Brandon Easton: A lot of the reason why white writers who are entry level aren’t getting work has nothing to do with diversity programs. It’s because showrunners are hiring their buddies who are also EP’s [executive producers] and co-producer level who have these immense salaries that eat up the budget, so that they can’t hire anybody underneath a story editor level. This is what’s going on. Everyone knows this, yet still you have all these disgruntled writers scapegoating diversity programs instead of talking about the real issue at hand, which is nepotism. If you look at how many people graduate from these programs every year that number is so fucking low, it doesn’t even register as a percentage.

Motherboard: Science fiction has a long history of being open-minded about multiculturalism. Some argue that it’s the most open-minded of the genres. Do you think that’s true?

Brandon Easton: Science fiction as a literary genre, in theory, has open-minded concepts. And the fact is that historically, black writers have not been allowed in because for a while the editors, the people who controlled it, the publishing industry itself, even if someone had a great story – once racial politics were revealed, those people didn’t get to work. Now, if you’re talking about TV and film, there has been some really cool stuff that has progressive undercurrents thematically, but, when it comes to hiring practices we still revert back to straight white men as writers and creators of science fiction. Again, I do believe science fiction in its content itself can be extremely progressive and extremely life affirming, but we’re talking about the content versus the content creators. And I think that’s the issue.

Motherboard: I still think science fiction is special versus the other genres. Not only historically in terms of casting, but because when I read the genre, I don’t care what the race of the writer is. I just want to be blown away. Show me a new way of thinking.

Brandon Easton: I don’t think anyone would disagree with that. What I’m saying is that it helps when people get the opportunity. That’s where the problem is. If you want to be really serious about it, the only genre that’s really helped black people more than anything else has been comedy. Historically, I’m going back to the early 1900s, comedy was the only place where black writers could get a chance to write. Several generations of mainstream black stars came out of comedy: Will Smith, Chris Rock, Dave Chappelle, Jamie Fox, Bill Cosby, Chris Tucker, Eddie Murphy, Steve Harvey, Tyler Perry, Wanda Sykes, Whoopi Goldberg and so many others. Comedy is where African Americans have had a shot, as opposed to science fiction, particularly television, has almost been completely closed to black writers.

(12) PRIZEWORTHY. Jonathan Edelstein’s picks in short fiction – “Another year of awards” at Haibane.

I’ll start with novelettes rather than short stories, because that way I can start with my favorite story of 2016: Polyglossia by Tamara Vardomskaya (GigaNotoSaurus, March 2016). GigaNotoSaurus doesn’t usually get much attention from reviewers and critics, but this is a rich, multi-layered story that is well deserving of an award.

Polyglossia is a story of linguistics, cultural survival, family and resistance to oppression – not necessarily in that order – set in a low-magic fantasy world that suggests the early twentieth century. I’ve mentioned before that I’m a fan of good world-building, and the world of this story is intricately detailed and plausible; more than that, the world-building is integrated into the plot and informs the characters’ actions such that no detail is wasted. The linguistics are also tightly integrated into the plot – the author is a Ph.D. candidate in linguistics with an interest in the philosophy of language, and it shows – and the politics of language and cultural preservation come to play a key part in its resolution. At the same time, the story calls into question what we call family, what duties we owe to our ancestors, and how to balance those duties against the exigencies of politics. Polyglossia is rewarding on several levels – thus far, I’ve never failed to get something new out of it with each rereading – and if I had to pick one story that defined speculative fiction for me in 2016, it would be this one.

(13) STEALING A MARCH. Dan Wolfgang very carefully avoids stepping on Sarah A. Hoyt’s Sad Puppies turf while offering slates for the Dragon Awards and Hugo Awards in “A Very Special Message About Pooka Related Sadness”.

Sad_Pookas--678x381

The post is labeled “satire,” but here are typical examples of the names and works populating the slates:

Best Editor, Long Form

Best Semiprozine

Best Fanzine

(14) ROCKET RESOURCE. Greg Hullender sends word that Rocket Stack Rank has posted its page to help people pick artists for the 2017 Best Professional Artist Hugo.

We’ve added some features to make this easier to use, based on our own use (we’ve both already used it ourselves to make our own nominations) but we’ve realized that Eric and I use it very differently, so we’d welcome feedback from others. As with much else involving awards, there’s no one “right” way, so it’s good to support a number of different ways.

Eric is the artistic one (he can actually draw), so he wants to see several pieces by the same artist and makes judgments on that artist’s style overall. When he sees things he likes, he wants to visit that artist’s site, look at their gallery—even read interviews with the artist.

I don’t know art, but I know what I like. I want to quickly flip through all the pictures, extract the ones that I like, and then winnow down the list. (“Extract” means “Press ctrl-click on the author’s name at the top of the lightbox.” That opens a new tab, with that author’s work at the top of it.)

So this year the list contains eligible pictures as well as some that aren’t eligible (either they’re from last year or else they’re from semiprozines). The award is for an artist, not a particular work, after all, and this provides a bit more context on many of the artists. No one is listed who doesn’t have at least one eligible work, though, and those are highlighted.

Since the usual way to use the list is by opening the lightbox and then flipping through the pictures, we inserted an image of the Hugo rocket to separate artists. Eric found that useful, but I discovered that I paid almost no attention to which artist was which until after I’d selected about fifteen pictures I liked.

Winnowing the list wasn’t that hard (for me—Eric’s process was more sophisticated). I looked at all fifteen just at the thumbnail scale, and dropped three or four that I decided weren’t really as good. I dropped a few more because they really only had one picture I’d liked and the rest looked different. (In one case, I went to the artist’s home page to confirm that other pics in his/her gallery really did look like the single picture I was using to judge.) When I had six, I eliminated one because I didn’t like any of that artist’s pictures that were actually qualified for 2016. (So much for the idea that it’s about the artist, not the art.)

To fill out the Hugo Ballot, I copy/paste the author’s name from the web site and for the example of that author’s work, I use a link to that artist’s place on the main Professional Artists’ page. For example, http://www.rocketstackrank.com/2017/01/2017-professional-artists.html#JulieDillon points to Julie Dillon’s work on our page. (It’s what you get when you click on her name in the lightbox.)

We’d love to know how well this works for other filers and what we might do to make it better.

(15) HIDDEN HISTORY. Lauren Sarner, in “Tim Powers Loves Conspiracies” at Inverse, interviews the author of The Anubis Gates, Last Call and Declare about hanging out with Philip K. Dick and the allure of conspiracy.

What was Philip K. Dick like?

Since his death, there has arisen a kind of caricature of him. If you just read casually, you’d get the impression that he was this drug addled, crazy visionary who imagined God spoke to him. Actually he was a very sociable, funny, realistic, generous, gregarious friend. Not at all the William Blake crazy mystique the general impression has become. If you read his last few books, like VALIS and The Transmigration of Timothy Archer, you can see that this was a rational, skeptical, humorous person. But it always does annoy me when people say, ‘Didn’t he like live in a cave and wander up and down the street talking to himself?’

(16) YOU CAN TELL A BOOK (COVER) BY ITS COVER. JJ sent this link — “The Cover of Each Max Gladstone Book Has Predicted the Cover of the Next One” from Tor.com — with a recommendation:

Okay, this is not new, but it is too fucking funny (you have to read all the way to the end for the final cover).

I say it lives up to the hype…

(17) RESURRECTED TALENT. IMDB shows some pretty hefty credits for Citizen Vader (2014):

A lonely widower stalks his deserted mansion, gloomily contemplating ending his own life. His last word may hold the key to what has sent him down this dark path.

 

Writing Credits (in alphabetical order)

Aidan Duffy
George Lucas (characters)
Orson Welles (characters)

Music Department

Bernard Herrmann original score music
John Williams original score music

[Thanks to John King Tarpinian, JJ, Hampus Eckerman, Aziz H.Poonawalla, Cat Rambo, Andrew Porter, and Michael J. Walsh for some of these stories. Title credit goes to File 770 contributing editor of the day Peer Sylvester.]