In November, Titan Comics will launch a special Doctor Who comic series marking the 25th anniversary of the Eighth Doctor as well as the 11th anniversary of the Eleventh Doctor, plus the return of the iconic companion Rose Tyler.
This special comic event sees the Eighth and Eleventh Doctors (as played by Paul McGann and Matt Smith respectively) team up with Rose Tyler to defeat a brand-new villain.
Trapped in a parallel universe, Rose Tyler believed her adventures with the Doctor were over. Now, pulled by a mysterious energy into this reality, she must work with two Doctors to end the tyrannical rule of the warmongering BAD WOLF EMPRESS!
This new series will also see the return of the creative team behind the Doctor Who comics, with Eisner-nominated writer Jody Houser (Stranger Things, Spider-Man), illustrator Roberta Ingranata (Witchblade), and colorist Enrica Eren Angiolini (Warhammer 40,000) all taking part.
Jody Houser elaborated on why this new arc reflects her love of writing for the Doctor Who comics: “It’s always a blast to get to dig deeper into elements of the Whoniverse that we’ve only seen a bit of or haven’t seen in a while. It’s such an expansive playground to explore and tinker with.”
Empire of the Wolf #1 will debut with a selection of variant covers by David Busian, Abigail Harding and Christopher Jones as well as a photo cover featuring a brand-new character appearing in the upcoming TV series.
Titan Comics’ essential guide toStar Trek’smost iconic villains will be on sale September 28.
Star Trek: Villains features interviews with the actors behind the baddies, such as Alice Krige (the Borg Queen), Christopher Plummer (General Chang), and Ricardo Montalban (Khan) and profiles of alien foes such as the Romulans, the Gorn, the Dominion and the Klingons, in Star Trek Magazine‘s ultimate guide to the evil that lies beyond the final frontier!
Lavishly illustrated with rare photographs, this is the safest way to get up close and personal with Star Trek‘s most sinister evil-doers.
Samples of the interior pages follow the jump.
Available September 28 in bookstores, comic shops, and online retailers, and in the U.S. & Canada from Amazon, or in the U.K. and Europe from Forbidden Planet.
Star Wars: The Skywalker Saga — Titan Books $29.99
By James Bacon: This 176-page book is surprisingly nice and informative, given the incredible amount of literature available on Star Wars.
Each film gets an impressive double page photo spread, the bulk of the book are three columns of quotes, some quality film images, and loads of behind the scenes photos. Sometimes there is a bit of contextualization to these quotes, but there have been some seriously clever and judicious choices. While Mark Hamill, Harrison Ford and Carrie Fisher are much quoted, and I did yearn for more Alec Guinness, the actors speak considerably, we also get people involved in the production, we get Brian Muir who sculpted the Darth Vader costume, Ralph McQuarrie who was a concept artist, Joe Johnston who was effects illustration and design and Peter Hirsch the editor of Star Wars. Added with images of cast that were cut from the film, it really adds up to a surprisingly enjoyable book, with quite a bit to interest most fans.
There is a system, each film has around 18 pages, as well as an introductory double page spread, there is an image of a film poster and a page of trivia. The paper is very high quality and it is nicely packaged with what I think is an enhanced collage of images as the cover.
This is the perfect book for someone who does not have much literature on the films, but who wants more insight, especially into the production and views of the actors, but who is not ready for the likes of J.W. Rinzler ‘Making of books’ at 360 pages each or Craig Miller’s wonderful Star Wars Memories: My Time In The (Death Star) Trenches with its 400 pages of sharp insight and unique perspective.
An interest in the making of the film is definitely being cultivated here, without being inundated with information, and the quotes are fun, the editors have found some quirky pieces, none are ever too long and it feels very well matched to the imagery. I suspect some of it may have appeared in the lifetime of the Star Wars Insider magazine, but I’m not checking 200 magazines, so it’s a suspicion.
It’s for the newer fan to Star Wars who wants something relevant, but also something that can be dipped in and out of quite easily.
Without doubt I think the behind the scenes images, cut scenes and some of the more interesting quotes, really make this book, and I did love seeing Declan Mulholland as Jabba the Hutt and the guys at Torsche station that we never saw, and Lupita Nyong’o in motion capture suit who we saw as Maz Kanata.
With so many books on Star Wars, it is vital to know the reader who a book best suits, and it make me think of some newer fans, with the Lego, who have seen the films, but not many books on the shelves, sharing details and maybe piquing interest in the art and work that goes into making a film.
This year is the tenth anniversary of Ben Aaronovitch’s first Peter Grant novel, Rivers Of London. The series has since expanded into numerous novels, novellas and comics, sold more than two million copies worldwide, and been translated into 14 languages.
Titan Comics is announcing a new addition to the series, Monday Monday: Rivers of London #1, with a cover by star artist Veronica Fish.
The synopsis for this new series reads:
What starts as a routine undercover operation to break up an organized teenage pickpocket gang turns into something far more sinister. A werewolf is on the loose and will stop at nothing to avoid capture! It’s up to Peter Grant and his cohort of chums to hunt the deadly lycanthrope and bring him to justice.
Monday, Monday will see Aaronovitch joined once again by the creative talents of Doctor Who Script Editor and fellow series writer Andrew Cartmel.
Issue #1 of this new arc will debut with a range of variant covers to collect, including artwork by Veronica Fish (Sabrina, Spider-Woman), V. V. Glass (2000AD), and Jose Maria Beroy. See the cover art and sample interior pages following the jump.
The Doctor Who: Alternating Current Blog Tour makes its final stop today at File 770! We feature Cat Eldridge’s review of the comic, and a gallery of interior pages.
Review By Cat Eldridge: First, you need to know that Doctor Who: Alternating Current is a sequel to Titan Comics graphic novel of the Tenth and Thirteenth Doctors battling the Weeping Angels and the Autons in London, A Tale of Two Time Lords: A Little Help from My Friends. After that first adventure together, the paradox of their meeting has caused history to go awry resulting in the Sea Devils having taken over the Earth. They first appeared in Doctor Who in the 1970 Doctor Who and the Silurians serial.
Now a Rose Tyler leads the human resistance, but as always there is more going on than is apparent. Can the two Doctors work together and bring reality back to normal? This is a Tyler centered story so we get a lot of detailed on Rose and Jackie, her mother. Alternative timelines are a bitch it seems. (Hence my use of a Rose Tyler) As always I’m not detailing the story as that’d spoil your pleasure on reading it. It’s a truly great Who story.
Jody Houser has given us a story of pasts that apparently never happened, and the futures that might never happen because of what is going on now, and she does ever so well. Her script does a spot-on job of making the dialogue sound like the characters di on the series.
I’m quite fond of the story here and Roberta Ingranata’s artwork complements it very nicely. I admit that I’d like to have seen some of the panels opened up a bit as some of layout seemed a bit cramped. Just my preference.
(1) BEYOND “MY BAD”. In this video Cat Rambo offers pro tips about “How to Screw Up”. Which maybe you thought you already knew how to do, right? That’s probably true. Cat’s advice is really about what to do afterwards.
(3) WOMEN’S PRIZE. [Item by Cora Buhlert.] The shortlist for the 2021 Women’s Prize for Fiction, an important UK literary award, has been announced. Piranesi by Susannah Clarke is one of the finalists. Another finalist is at least borderline SF and yet another is a crime novel: “Women’s prize for fiction shortlist entirely first-time nominees” in the Guardian. The winner will be announced July 7, and receive £30,000.
(4) DOCTOR WHO BLOG TOUR. Titan Comics’ Doctor Who: Vol. 1: Alternating Current blog tour will be visiting File 770 on May 24 to share an art preview.
(5) NO STARTING GATE. In “The Art of Worldbuilding In Media Res” on CrimeReads, Nicole Kornher-Stace recommends novels by Lauren Beukes, Hannu Rajanemi, and Stephen Graham Jones for readers who want to start their novels with an action scene without a lot of backstory about how the world you are creating operates.
…Stephen Graham Jones’s The Only Good Indians starts practically in the middle of a parking-lot bar brawl, full of asides about events and characters that will make no sense to you until you get further in, but you’re being reeled into the story one sucker-punch of a sentence at a time. You don’t care that you don’t understand yet. You don’t need to. You’re immersed, and you realize distantly that you have no idea who or what is being referenced in some of these asides, but by that point you’re in it up to the eyeballs, and the only way out is through….
Following the deadly events at home, the Abbott family (Emily Blunt, Millicent Simmonds, Noah Jupe) must now face the terrors of the outside world as they continue their fight for survival in silence. Forced to venture into the unknown, they quickly realize that the creatures that hunt by sound are not the only threats that lurk beyond the sand path.
I don’t remember my dino chronology to know off-hand whether this is era-ologically inaccurate (were they all contemporaneous and in the Jurassic), but do we care?
I have several High Seas shirts already, they’re well made and worth the price.
I’d sent this to Robert J. Sawyer, since he’s a dinophile (or at least knowledgeable about ’em), for interest, along with my comment that I didn’t know enough to be sure whether the shirt was, chronologically, inaccurate/misleading. Here’s his reply, which he OK’d to use:
Robert J. Sawyer: “Very cool! They aren’t all contemporaneous, sadly. Triceratops (lower left) is the very end of the Cretaceous, for instance. But it’s a great-looking shirt!”
(8) NEW ATTITUDE. Here’s an art piece of Guilala, the kaiju in 1967’s The X From Outer Space — as a muppet. The artist is Melanie Scott/
Whatever’s happening underground at Hawkins, it definitely looks sinister… but then again, didn’t it always? Netflix is seemingly hinting that new evils are brewing for Stranger Things 4, and they’re unfolding mostly out of sight, inside the secret government lab that formerly served as Eleven’s supernaturally cold childhood home.
From his time drawing the iconic Milestone Media hero Static Shock while a junior at New York’s School of Visual Arts to his work on the genre-defining EarthX for Marvel in the late 1990s to his recent DC work with writer Kurt Busiek on Batman: Creature of the Night and the upcoming Batman/CatwomanSpecial, Leon brought his unmistakable take to everything that he touched.
DC executives and talent alike shared their thoughts across social media at the news of his passing. DC publisher and chief creative officer Jim Lee offered high praise for Leon, saying, “One of the greatest artists of our generation, he was also one of the nicest and most talented creators one could be lucky enough to have met.”…
(11) MEMORY LANE.
1971 –Fifty years ago, Mary Stewart won the first Mythopoeic Fantasy Award for The Crystal Cave. The other nominated works were The Marvellous Misadventures of Sebastian by Lloyd Alexander, Deryni Rising by Katherine Kurtz and Nine Princes in Amber by Roger Zelazny. She would later win another Mythopoeic Fantasy Award for The Hollow Hills novel. These would be her only genre awards.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born May 6, 1915 — Orson Welles. Certainly the broadcast of “The War of the Worlds” in 1938 was his pinnacle of genre success but he also did for the Federal Theatre Project the 1936 adaptation of Macbeth with an entirely African American cast. That was known as the Voodoo Macbeth which might give you an idea of what he did to it. He would later do a more straightforward film of Macbeth. And of course he made a most excellent radio Shadow as well! (Died 1985.) (CE)
Born May 6, 1923 – Gordon Davies. Ninety covers for us; some other work e.g. the Eagle Annual. Here is the Nov 52 Authentic. Here is Earthlight. Here is Space Cadet. Here is C. Brown ed., Alien Worlds. Here is M. Ashley ed., The History of the SF Magazine pt. 4. (Died 1994) [JH]
Born May 6, 1927 – Gerard Quinn. Fourscore covers, two hundred eighty interiors. Here is Gateway to Tomorrow. Here is Jack of Eagles. Here is a drawing that appears to have been auctioned at Loncon I the 15th Worldcon. Here is the Nov 61 New Worlds. Here is the Apr/May 82 Extro. Our Gracious Host’s appreciation here. (Died 2015) [JH]
Born May 6, 1946 — Nancy Kilpatrick, 75. Fangoria called her “Canada’s answer to Anne Rice”. I do recommend the anthology she edited Danse Macabre: Close Encounters with the Reaper as it’s a most excellent horror collection. She’s exceptionally well stocked at the usual suspects. (CE)
Born May 6, 1950 – Craig Strete, age 71. Six novels, threescore shorter stories for us; eight other novels. Did this cover for Red Planet Earth 2 while editor. First place in the 1984 Dramatists Guild – CBS New Plays Program. Sometimes uses the name Sovereign Falconer; he is Cherokee. [JH]
Born May 6, 1952 — Michael O’Hare. He was best known for playing Commander Jeffrey Sinclair on Babylon 5. Other genre appearances were limited — he played Fuller in the 1984 film C.H.U.D, was Jimmy in the “ Heretic” episode of Tales from the Darkside and appeared as a thug on the subway train in The Trial of the Incredible Hulk. And yes he’s one of many Babylon 5 actors who died well before they should’ve. (Died 2012.) (CE)
Born May 6, 1955 – Barbara McClintock, age 66. Half a dozen covers for us. Here is The Red-Eared Ghosts. Here is a Complete Tales of Uncle Remus (who, I respectfully suggest, deserves study, even with our modern reservations, however late we have been with them, in hand). Various books and prizes; five NY Times Best Books, two Time Best Books. Sets and costumes for the Minneapolis Children’s Theatre Twelve Dancing Princesses. Illustrated for Jim Henson’s Fraggle Rock. Website. [JH]
Born May 6, 1962 – Kamil Vojnar, age 59. Threescore covers. Here is Killing Time. Here is Flying in Place. Here is Others of My Kind. [JH]
Born May 6, 1969 — Annalee Newitz, 52. They are the winner of a Hugo Award for Best Fancast At Dublin 2019 for “Our Opinions Are Correct”. And their novel Autonomous was a finalist for the Nebula Award for Best Novel, John W. Campbell Memorial Award and the Locus Award for Best First Novel while winning a Lambda Literary Award. They are also the winner of the Theodore Sturgeon Memorial Award for best short science fiction, ”When Robot and Crow Saved East St. Louis”. (CE)
Born May 6, 1983 – Ingrid Jonach, age 38. One novel for us; three others. “Once you finally understand that the world is round, there is no way to make it flat again.” [JH]
While Dilbert has (theoretically) found a cure to racism.
Danish cartoonist Wulffmorgenthaler’sMay 3 has Sauron visiting a construction side. Translation to English: “Hm… Well, I know art deco is beautiful, but we were thinking more like gothic and black for my tower…” Lise Andreasen says, “I love the orc driving The Eye around.)”
Channeling Loki himself, Disney+ decided to pivot without warning by moving the debut of the character’s Marvel Cinematic Universe TV show up two days to Wednesday, June 9. In fact, all episodes of Loki will now premiere on Wednesdays, instead of the usual Friday window that was reserved for WandaVision and The Falcon and the Winter Soldier. Tom Hiddleston confirmed the news during a special video announcement that begins with an epic display of famous Marvel props: Iron Man’s helmet, Cap’s shield, and, of course, Thor’s hammer.
“Look, I’m sorry to interrupt,” Hiddleston says, abruptly cutting off the noble montage. “It’s just I’ve noticed that in these long superhero montages, Loki tends to get a bit left out, even though, arguably, he’s incredibly heroic himself [as well as] cunning and charming. I could go on, but maybe … why don’t I just prove it to you? Wednesdays are the new Fridays.”
Take a look at our ultimate trailer for Matt Reeves’ The Batman (2022), the trailer features footage from ‘The Batman Official Trailer’ as well as from previous Batman films and contains scenes that resonates with the actual plot for ‘The Batman’
(16) COMICS/GAME CROSSOVER. Here’s a clip promoting Batman’s entry into Fortnite.
Featured in the new Batman/Fortnite: Zero Point comics, Grab the Batman Zero Outfit in the Fortnite Shop now!
(17) A LONG TIME AGO IN A GALAXY NOT SO FAR AWAY. Mike Dunford, a lawyer who does law streams on Twitch called The Questionable Authority, did a lawstream about the time Star Wars tried to sue the original Battlestar Galactica series for copyright infringement. The discussion of the lawsuit itself is here if people are interested. The stfnal part starts 50 minutes in. He created a cool intro to his talk:
Inspired by the displays of science fiction like the holodeck from Star Trek and the Princess Leia projector from Star Wars, a BYU electrical and computer engineering team is working to develop screenless volumetric display technologies. Led by Dan Smalley, BYU professor of electical engineering, the team uses laser beams to trap and illuminate a particle and then to move the particle and draw an image in mid-air. “Like a 3D printer for light,” these displays appear as physical objects to the viewer and, unlike a screen-based image, can be seen from any angle. In this demonstration of the technology, the team shows how they’ve created tiny animations of battle explosions and other images created completely with laser light. Smalley also provides an update on new research that shows how to simulate virtual images in a volumetric display (research published in the April 6, 2021 issue of Scientific Reports).
(19) VIDEO OF THE DAY. Cat Rambo has lots of other good advice, in this video about “5 Tips for Story Submissions.”
I’ve talked before about sending out fantasy and science fiction story submissions. Here’s five tips (well, four and a half, really) about what to do once you’ve submitted a story.
[Thanks to Andrew Porter, John King Tarpinian, Cora Buhlert, John Hertz, Dann, Mike Kennedy, JJ, Lise Andreasen, David Doering, Ben Bird Person, Cat Eldridge, Jennifer Hawthorne, Martin Morse Wooster, and Michael Toman for some of these stories. Title credit goes to File 770 contributing editor of the day Peer.]
File 770 today kicks off a Titan-Comics blog tour for Life is Strange Vol. 4: Partners In Time: Tracks. Enjoy Cat Eldridge’s review and the art highlights that follow.
How far would you go, to get back to the person you love? As Max Caulfield embarks on a road trip across America after coming so close to returning to her own timeline, across the transect Tristan and Chloe follow the same path. But, both Max and Tristan struggle to control their powers and it looks like Max and Chloe may never get their happy ending – unless they can find something, or someone, to help them.
Review by Cat Eldridge: Life is Strange, Volume 4: Partners in Time Tracks
The fourth volume of the comic series based on the BAFTA-winning video game Life is Strange, follows the quite strange tales of multiverse hopping Max Caulfield. Though the premise is that they are time travelers, they actually are altering the multiverse itself and changing what happens to reality itself.
In this chapter of the series, time-twisting photographer Max has spent the past several years in a reality adjacent to her own. Lately, she realised she was running from her responsibilities… and from the Chloe she left in that reality. So she is determined to get home at all costs. So there must be a way for her to get home even with the multiverse firmly against her, so it’s time for the coast-to-coast road trip of multiple lifetimes to find it – when she follows the The High Seas band towards an uncertain destiny!
(I’m a sucker for a genre story involving a band and this one is damn good. Charles de Lint had one in his Medicine Road novel, and Terri Windling hand a scene with a band in The Wood Wife.)
So without going into the story in detail, let’s just say that both the characters and the story told here are plausible and well thought with characters that actually make sense. The LGBTQ characters are well-fleshed and make perfect sense here. I will say that it would definitely make more sense to start at the beginning of the story than here at volume four as there’s a lot of backstory doesn’t get detailed.
The artwork is awesome, simply awesome. It’s a soft palate brush effect that fits that setting in the Southwest and California perfectly. I also give points for whoever did the formatting for making work absolutely perfecting with the iPad, something that doesn’t happen all that often alas.
(1) LEND A HAND? Another Titan Comics blog tour will be rolling through on Monday. Would one of you volunteer to write a review of a comic by tomorrow night? I’d be thrilled, and so would Titan Comics. (Email me at mikeglyer (at) cs (dot) com and I will send you a link to the PDF.)
(2) WISCON SAYS SUPPORT THEIR HOTEL. [Item by Jeffrey Smith.] This is different. The convention hotel saying: No convention this year? Come and hang out anyway! The SF3/WisCon Newsletter encourages readers to “Spend Memorial Day weekend at the Concourse Hotel”.
As you know, we’re not able to hold a WisCon in Madison this spring. However! The Concourse Hotel, the longtime home of WisCon, is running a special promotion for members and friends of the WisCon community over Memorial Day weekend, May 27-31, 2021
… The Concourse hosted its first WisCon in 1984 and has been our full-time hotel partner since 1995. They are an independently owned and operated hotel and as such have been hit especially hard by the loss of business during the pandemic. This is a fantastic chance to support them, get away from home for the weekend and see some friends in a clean, well-ventilated, socially distant environment….
(3) BOTH SIDES NOW. Lincoln Michel is writing an interesting series about the different genre and literary ecosystems for his Counter Craft newsletter. Here are links to the first three posts.
… I’m NOT going to try and delineate the (various and conflicting) definitions of “genre” and “literary” here. I do plan to get into that in some future newsletter but for now when I refer to the “literary world” I’m speaking of what you’d expect: MFA programs, magazines like The Paris Review or Ploughshares, imprints like Riverhead or FSG, agents who list “literary fiction” on their websites, etc.
When I say “genre world” I’m focusing mostly on science fiction, fantasy, and horror fiction (plus the one hundred billion subgenres of those). Those are the genres I write in and am most familiar with. Obviously, there are other genre ecosystems: crime fiction, romance fiction, etc. Those tend to overlap a fair amount with SFF world, and also tend to function similarly in terms of how professional organizations operate, how awards are structured, and so on. But when I speak of something like “genre jargon” I’m pulling primarily from SFF. I don’t think I need to define SFF, beyond saying that acronym means “science fiction and fantasy.” You know it. Magazines like Lightspeed and Uncanny. Imprints like Orbit, Del Rey, and Tor.
Because genre vs. literary fiction is so often treated like a team sport where you pick a side and scream insults at the other one, I want to state up front that I root for both. Or perhaps play for both, in this metaphor. I’ve published in both “literary” magazines like The Paris Review and Granta as well as “genre” magazines like Lightspeed (forthcoming) and Strange Horizons. My story collection was published by the literary Coffee House Press and my science fiction novel is coming out this year from Orbit. I really love both “teams” here….
…Popular authors also tend to contend over and over. This can easily be seen by the list of multiple winners. Many SFF writers have won the Hugo for Best Novel multiple times. You have 6/12 (wins/nominations) for Heinlein and 4/10 for Bujold. Five different authors have won three times and nine have won twice. There is nothing like that in the Pulitzer. No author has won three, four, or six Pulitzers. Only four have won twice: Booth Tarkington, William Faulkner, John Updike, and Colson Whitehead. This is despite the fact that the Pulitzers have been around since 1918 and the Hugos only since 1953. (This pattern is a little less prominent in other, newer awards, but still there.)
It’s fair to note that SFF perhaps has a smaller pool of books to choose from, since at least theoretically the literary awards are drawn from all of literature. But if the literary world is as narrow and parochial as many SFF fans contend then you’d expect to see that in the rewards.
As with almost everything I discuss here, there are arguments for both ways of doing things. In the genre side, the titans of the genre can be adequately reflected in the awards. A monumental work like N.K. Jemisin’s Broken Earth trilogy—truly one of the best fantasy series of modern times, which I’ve written about a bit here before—can even win three times in a row . That would simply never happen in the literary world, no matter how deserving. And one could certainly argue that the awards more accurately reflect the tastes of readership.
This can be a downside too, since biases and prejudices are also reflected. Before N.K. Jemisin won in 2016, no black author had ever won the Hugo for best novel. If you had died before 2015, when Cixin Liu won, you would have never witnessed a POC win the Hugo. It was hardly perfect in the lit world, but you did have Ralph Ellison, Alice Walker, Toni Morrison, Ha Jin, Jesmyn Ward, Junot Díaz, Jhumpa Lahiri, and others winning NBAs and Pulitzers. It’s about the same for gender. Ursula K. Le Guin was the first woman to win a Hugo for Best Novel in 1970. (Ditto the Nebula, although that had only started in 1966.) By that time, dozens of women had won the Pulitzer and/or National Book Award.
All of that said, both the lit world and SFF world have been far better on the diversity front in the last five to ten years than they have been historically. Hopefully that will continue.
… Publishing runs on novels. At least when it comes to fiction, novels are what agents want to hear about, what editors want to look at, and—with a few exceptions—what readers want to buy. Perhaps because of this, short stories hold a special place in fiction writers’ hearts. The short story is our form. Our weird mysterious little monster that no one else can love.
Strangely, the opposite was true 100 years ago. For the first few decades of the 20th-century, the short story was the popular form of literature. It was a magazine world back then. Short stories were what paid the bills. Authors like F. Scott Fitzgerald felt forced to write short stories that they could afford to write “decent books” (novels) on the side! In the genre world, the short story was so dominant that even the “novels” were often a bunch of existing short stories stitched quickly together in what was known as a “fix-up.” I’m not talking obscure books here, but some of the pillars of SFF from that era: Bradbury’s The Martian Chronicles, Asimov’s I, Robot, and Simak’s City. Also several of Raymond Chandler’s best hardboiled novels over in crime fiction. (Here’s a good post by Charlie Jane Anders arguing the fix-up is the ideal form for SFF.)…
…You may be asking, “So what? All the bids we knew about have already filed, so what difference does it make?”
I contend that there are two reasons for being concerned about this. The first is that frankly, there are groups that are unhappy about both the bids on the ballot, for various reasons. A “sprint” bid might enter the field. Now even though I have agreed to run Memphis’ WSFS division should they win, I’m trying to be as fair as I can about the known deficiencies of all currently filed bids. In 1990, I was a member of the San Francisco in ’93 Worldcon bid committee, facing filed bids from Phoenix and Zagreb. Due to unimpressive performances from all three filed bids at the 1989 SMOFCon (the filing deadline at that time was the close of the previous Worldcon, and sites were selected three years in advance at that time), a heretofore hoax bid for Hawaii was pressed into service by a large number of SMOFs and a write-in bid for Hawaii in ’93 filed. The write-in bid placed second ahead of the Zagreb and Phoenix bids, and I rather expect that had they been on the ballot, they might have beaten San Francisco. In 1991-92, I wrote and was a co-sponsor of a change to WSFS rules that changed the filing deadline to 180 days before the convention, a rule that, had it been in effect for the 1990 election for the 1993 Worldcon, would have allowed Hawaii to be on the ballot. So even though it would have been used against me back then, I recognize the value in keeping the door open for “sprint” bids. If there are groups that still want to take a shot at the 2023 Worldcon, I think they should have a chance to file until the T-180 deadline that is written into the Constitution.
The second reason I think DisCon III should reopen filing, even if nobody else files, is philosophical. WSFS rules are not self-enforcing. We trust Worldcon committees to follow WSFS rules as much as they can, subject to local laws and other contingencies. There is no higher authority that can force a Worldcon committee to obey WSFS rules. There’s no WSFS Inc. that can step in and give orders. There is no appeal from a Worldcon committee’s decisions. A Worldcon committee that refuses to follow a clearly-written and unambiguous rule that would not be difficult to follow is telling us that no rule is safe. WSFS governance is based on trust. If we can’t trust a committee to follow the rules, then the unwritten contract between the members of WSFS and the Worldcon committee that manages the members’ annual convention breaks down….
… I think DisCon III should change their initial decision and reopen site selection filing until June 18, even if no other bid surfaces, to confirm that insofar as they are able to do so, even under the difficulties of a worldwide pandemic, they will continue to obey the rules of the organization whose membership is the World Science Fiction Society. To do otherwise is to do a disservice to the members of WSFS….
… Now a special innovation team and a group of nearly 300 newsroom employees are pushing for drastic changes at the paper, which has been part of Rupert Murdoch’s media empire since 2007….
… As the team was completing a report on its findings last summer, Mr. [Matt] Murray [WSJ Editor] found himself staring down a newsroom revolt. Soon after the killing of George Floyd, staff members created a private Slack channel called “Newsroomies,” where they discussed how The Journal, in their view, was behind on major stories of the day, including the social justice movement growing in the aftermath of Mr. Floyd’s death. Participants also complained that The Journal’s digital presence was not robust enough, and that its conservative opinion department had published essays that did not meet standards applied to the reporting staff. The tensions and challenges are similar to what leaders of other news organizations, including The Times, have heard from their staffs.
In July, Mr. Murray received a draft from Ms. [Louise] Story’s team, a 209-page blueprint on how The Journal should remake itself called The Content Review. It noted that “in the past five years, we have had six quarters where we lost more subscribers than we gained,” and said addressing its slow-growing audience called for significant changes in everything from the paper’s social media strategy to the subjects it deemed newsworthy.
The report argued that the paper should attract new readers — specifically, women, people of color and younger professionals — by focusing more on topics such as climate change and income inequality. Among its suggestions: “We also strongly recommend putting muscle behind efforts to feature more women and people of color in all of our stories.”
The Content Review has not been formally shared with the newsroom and its recommendations have not been put into effect, but it is influencing how people work: An impasse over the report has led to a divided newsroom, according to interviews with 25 current and former staff members. The company, they say, has avoided making the proposed changes because a brewing power struggle between Mr. Murray and the newpublisher, Almar Latour, has contributed to a stalemate that threatens the future of The Journal.
…About a month after the report was submitted, Ms. Story’s strategy team was concerned that its work might never see the light of day, three people with knowledge of the matter said, and a draft was leaked to one of The Journal’s own media reporters, Jeffrey Trachtenberg. He filed a detailed article on it late last summer.
But the first glimpse that outside readers, and most of the staff, got of the document wasn’t in The Journal. In October, a pared-down version of The Content Review was leaked to BuzzFeed News, which included a link to the document as a sideways scan. (Staffers, eager to read the report, had to turn their heads 90 degrees.)…
(6) THE POWER OF ANTHOLOGIES. Featuring Linda D. Addison (Sycorax’s Daughters), Maurice Broaddus (POC Destroy Horror & Dark Faith), and Sheree Renée Thomas (Dark Matter), and moderated by author and editor Nisi Shawl (New Suns, Everfair, Stories for Chip: A Tribute to Samuel R. Delany), “Ancestors and Anthologies: New Worlds in Chorus” is a free livestream panel hosted by Clarion West and the Seattle Public Library on Monday, April 12 at 6:30 p.m. Register at the link. It’s part of the “Beyond Afrofuturism: Black Editors and Publishers in Speculative Fiction” Panel Series.
From the groundbreaking Dark Matter to Sycorax’s Daughters to POC Destroy!, anthologies are one way marginalized voices gather in chorus on a particular subject, subgenre, or genre. Our anthologies panel will delve into the world of bespoke collections with luminaries in the field.
… What took so long? 1) It is a daunting thing when a loved one dies to be responsible for the accumulations of a lifetime. 2) We’re book people! Letting go of books is painful. A bookcase is a record of time spent and history and books are harder to find good homes for than one might think. 3) Her particular status as beloved author made every decision weighted.
(8) STANISLAW LEM CENTENNIAL DEBATE. On April 18, Polish Society for Futures Studies (PSFS) will present a live online debate “The expansion of future consciousness through the practice of science fiction and futures studies,” celebrating the Stanis?aw Lem centenary. Lem was a celebrated science-fiction writer and futurologist from Poland. The Centennial Debate will feature international participants: Thomas Lombardo, professor emeritus of Rio Salado College and author of books on science-fiction and future consciousness; Karlheinz Steinmüller, PhD, science fiction author, publisher and eminent German futurist; Kacper Nosarzewski, futurist from Poland and a literary critic.
The event will be streamed live on Zoom and YouTube, April 18th 12:00 am Pacific Standard Time, 3:00 pm Eastern Standard Time, 20:00 Central European Time, and the admittance is free. More information including links to the event will be posted at https://centennialdebate.ptsp.pl/.
The event is being supported by the World Futures Studies Federation, Association of Professional Futurists and Lem Estate, among many others.
Stanis?aw Lem wrote, in Solaris: “We don’t want to conquer the cosmos, we simply want to extend the boundaries of Earth to the frontiers of the cosmos.” The Centennial Debate will explore the practice of science-fiction and futures studies as different ways of “using the future” and increasing our understanding of humanity’s hopes, fears, prospects and predicaments.
(9) MEMORY LANE.
On a day in 1986 Star Trek IV: The Voyage Home premiered. It was directed by Leonard Nimoy who wrote it with Harve Bennett. It was produced by Steve Meerson, Peter Krikes, Nicholas Meyer and Harve Bennett. It starred the entire original original Trek cast. It would lose out to Aliens at Conspiracy ’87. The film’s less-than-serious attitude and rather unconventional story were well liked by critics and fans of the original series along with the general public. It was also a box office success. And it has an exemplary eighty-one percent rating among audience reviewers at Rotten Tomatoes.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born April 10, 1936 – David Hardy, age 85. Astronomical and SF artist. European Vice President of the Int’l Ass’n of Astronomical Artists. Artbooks e.g. Visions of Space; Hardyware; 50 Years in Space: what we thought then, what we know now. Two hundred fifty covers, a hundred interiors. Here is the Jun 74 Amazing. Here is King David’s Spaceship. Here is Understanding Space and Time (note that the piano is a Bösendorfer). Here is the Apr 2010 Analog. [JH]
Born April 10, 1940 — Raul Julia. If we count Sesame Street as genre which it should, his appearance as Rafael there was his first genre role. Yeah, I’m stretching it somewhat. OK, how about as Aram Fingal In Overdrawn at the Memory Bank, a RSL production off the John Varley short story? That better? He later starred in Frankenstein Unbound as Victor Frankenstein as well. His last role released while he was still living was in the superb Addams Family Values as Gomez Addams reprising the role he’d had in The Addams Family. (Died 1994.) (CE)
Born April 10, 1948 – Jim Burns, age 73 (not James H. Burns 1962-2016). Four hundred twenty covers, two hundred interiors. Three Hugos. Twelve BSFA (British SF Ass’n) Awards. Artist Guest of Honour at Conspiracy ’87 the 45th Worldcon, several other more local cons in the U.K. and U.S., see here. Artbooks e.g. Lightship; Transluminal; The Art of Jim Burns. Each in The Durdane Trilogy used a segment of this, e.g. The Asutra. Here is Interzone 11. Here is the Jul 94 Asimov’s. Here is The Wanderer. Here is Dozois’ 34th Year’s Best Science Fiction. Here is Dark Angels Rising. [JH]
Born April 10, 1951 – Ross Pavlac. Co-chaired Marcon XIII-XIV, Windycon VIII, Chicon IV the 40th Worldcon. Fan Guest of Honor at Torque 2. Sometimes appeared in a blue aardvark costume; RP’s fanzine for the apaMyriad was The Avenging Aardvark’s Aerie; RP was one of the first fans to extrude a Website, also so called. Chaired Windycon XXIV from his deathbed. See these appreciations. (Died 1997) [JH]
Born April 10, 1953 — David Langford, 68. And how long have you been reading Ansible? If he’s not noted for that singular enterprise, he should be noted for assisting in producing the second edition of the EoSF, not to mention some 629,000 words as a principal editor of the third (online) edition of the Encyclopedia of SF, and contributed some eighty thousand words of articles to the most excellent EoF as well. And let’s not forget his genre writing as well that earned him a Short Story Hugo at the Millennium Philcon for “Different Kinds of Darkness”. And yes, he has won other Hugos, too numerous to recount here. (CE)
Born April 10, 1955 — Pat Murphy, 66. I think that her most brilliant work is The City, Not Long After which I’ve read myriad times. If you’ve not read this novel, do so now. The Max Merriwell series is excellent and Murphy’s ‘explanation’ of the authorial attributions is fascinating. And The Falling Woman by her is an amazing read as well. She’s reasonably well stocked at the usual suspects. (CE)
Born April 10, 1957 — John M. Ford. Popular at Minicon and other cons where he would be Dr. Mike and give silly answers to questions posed to him while wearing a lab coat before a whiteboard. His most interesting novel I think is The Last Hot Time, an urban fantasy set in Chicago that might have been part of Terri Windling’s Bordertown series but wasn’t. Possibly. The Dragon Waiting is also excellent and his Trek novels are among the best in that area of writing. I’d be lying to say he’s deeply stocked at the usual suspects. (Died 2006.) (CE)
Born April 10, 1959 – Ruth Lichtwardt, age 62. Hugo Adm’r for Anticipation the 67th Worldcon. Chaired MidAmeriCon II the 74th; her reflections as Chair here. Long active with the Gunn Center for the Study of SF; Adm’r for the 2021 Conference. Co-chaired ConQuest 49. Drinks Guinness. [JH]
Born April 10, 1975 – Merrie Haskell, age 46. Three novels, a score of shorter stories, recently in Beneath Ceaseless Skies 313. Interviewed in Lightspeed. Schneider Book Award. “I don’t think I’m unique in finding stories where female agency is non-existent, or is punished, as really troublesome…. I’m not even talking about the waiting-for-rescue parts; I don’t love that, mind you, but where are the choices?” [JH]
Born April 10, 1978 — Hannu Rajaniemi, 43. Author of the Jean le Flambeur series which consists of The Quantum Thief, The Fractal Prince and The Causal Angel. Damn if I can summarize them. They remind me a bit of Alastair Reynolds’ Prefect novels, somewhat of Ian Mcdonald’s Mars novels as well. Layers of weirdness upon weirdness. Quite fascinating. (CE)
Born April 10, 1984 – Rachel Carter, age 37. Three novels for us. Nonfiction in e.g. The New Republic. Teaches fiction-writing, also a freelance editor. [JH]
Born April 10, 1992 — Daisy Ridley, 29. Obviously she played the role of Rey in The Force Awakens, The Last Jedi and The Rise of Skywalker. She was also in Scrawl, a horror film as well as voicing Cotton Rabbit in Peter Rabbit. Though stretching to even call it genre adjacent even, she was Mary Debenham in Murder on the Orient Express which was rather well done. (CE)
…I won’t lie, though: I sure do miss the time when a buck got you two comics and change. But I get how inflation works and how rising paper costs can’t be ignored. I’m also quite aware that the higher cover prices of today’s market have led to creators being able to make a decent living while entertaining us. That benefits the fans, who get to enjoy the great stories that spring from their imaginations.
However, there does come a point where comic books can simply become too expensive for many fans, forcing readers to drop titles not because they don’t like reading them, but because they simply can’t afford to anymore.
We may be approaching that point.
One of the Big Two publishers, DC Comics, is bumping the price up on some of its monthly titles to $5.99 for a 40-page issue. In its solicitations for June releases, several ongoing series, The Joker #4, Superman Red & Blue #3, Wonder Woman: Black White and Gold #1, and one of the company’s flagship books, Batman #109, are all listed with $5.99 cover prices. Think about that for a moment. If someone wanted to read all four of those titles, it would cost about $24 (before tax) to do so. Four comics, $24. That’s a big financial hit….
(12) JONESING. [Item by Mike Kennedy.] “Phoebe Waller-Bridge to star in new Indiana Jones” reports CNN. Let’s hope the 35-year-old Waller-Bridge is not the love interest for the 78-year-old Harrison Ford. She wouldn’t pass the “half+7” rule for another 22 years.
2018 Australian 6-episode series which we HIGHLY recommend both for spy geeks and people that don’t care much about tradecraft but enjoy a solid human drama. Watching these characters unwind and reveal their true characters under the duress of multiple intertwining espionage threats was a real treat for both of us. ALSO!!!! It is our first episode featuring a guest with actual expertise in the field, author and ex-intelligence officer Francis Hamit. Really excited about this one.
Hamit says: “This was a very positive experience for me. Tod and Dave are really nice guys and very ‘Otaku’ for any spy film or television show. Some of those (James Bond, etc) fall into the SF&F genre and they’ve done about fifty so far. Each is an hour long and they usually do two part, one hour each, in depth discussions. I was on as a topic expert on SIGINT.”
One of the puzzlements of “The Nevers,” the new alt-superhero show beginning Sunday on HBO, is the title. The peculiarly gifted late-Victorian Londoners, mostly women, who serve as the show’s heroes (and some of its villains) are never called “nevers”; they’re most often referred to as the Touched. In the first four of the series’s 12 episodes, nothing is called the Nevers. You can understand not calling a show “The Touched,” but it’s still a little confusing.
And the confusion doesn’t end there. “The Nevers,” while handsomely produced and, from moment to moment, reasonably diverting, doesn’t catch fire in those early episodes in part because we — along with the characters — are still trying to figure out what the heck is going on.
Before this goes any further, it’s time to mention that “The Nevers” — a rare case these days of a genre series not based on an existing property — was created for the screen by Joss Whedon. There are things to be explained about Whedon’s involvement with the show, but for now let’s stick to the synergism between the new series and his great creation, “Buffy the Vampire Slayer.”…
A trio of Russian and American space travelers launched successfully and reached the International Space Station on Friday [April 9].
NASA astronaut Mark Vande Hei and Russian cosmonauts Oleg Novitskiy and Pyotr Dubrov blasted off as scheduled at 12:42 p.m. (0742 GMT, 3:42 a.m. EDT) aboard the Soyuz MS-18 spacecraft from the Russia-leased Baikonur launch facility in Kazakhstan.
They docked at the station after a two-orbit journey that lasted just over three hours.
It is the second space mission for Vande Hei and the third for Novitskiy, while Dubrov is on his first mission.
By today’s standards, Pongdoesn’t appear to exactly offer the latest, greatest gaming experience around, but just try and tell that to Pager, a macaque monkey who works for Elon Musk at Neuralink, who is currently playing the game with just his mind…
The gameplay is all part of Musk’s master plan of creating a “fully-implanted, wireless, high-channel count brain-machine interface (BMI),” aka a Neuralink, according to the company’s latest blog post highlighting Pager’s gameplay. While the end goal of the implanted device is to give people dealing with paralysis a direct, neural connection to easily and seamlessly operate their computers and mobile devices, the technology is currently giving this monkey some solid entertainment (as well as some tasty banana smoothies)
In the best video you’ll see of a monkey playing video games all day, we get to hang out for a few minutes with Pager, a 9-year-old macaque who, about six weeks ago, had a Neuralink device implanted into each side of his brain. By appearance, he doesn’t seem to be ill-affected by the procedure, save for some missing head fur. Although, it’s hard to say we’re really having a good hang, as Pager is intently focused on playing mind games with a joystick, and on the sweet, sweet smoothies he gets for interacting with the computer. (Hey, at least he’s getting paid.)
(17) BEACH BLANKET BIG BROTHER. Mr. Sci-Fi – Marc Scott Zicree – is running a multi-part series about radio and on-screen adaptations of Orwell’s novel. The latest is “1984 Marathon Part 5 — 1984 Meets Dr. Phibes!” However, the cute title is deceptive — it’s really an audio copy of Vincent Price’s 1955 radio performance in the role of Winston Smith.
[Thanks to Danny Sichel, John King Tarpinian, Martin Morse Wooster, JJ, Cat Eldridge, Michael Toman, John Hertz, Jeffrey Smith, Michael J. Walsh, Andrew Porter, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day jayn.]
File 770 today hosts a Titan-Comics blog tour for Adler, written by Lavie Tidhar and with art by Paul McCaffrey. Here’s James Bacon’s review of the issue, plus a six-page excerpt from the comic:
Review by James Bacon
Adler by Lavie Tidhar and Paul McCaffrey
This is a light and fun romp into a strange steampunkesque world, where our protagonists are delightfully drawn from literature, Irene Adler, the cunning and brilliant equal of Sherlock Holmes, taking primary role, and calling on an interesting selection of characters, an orphan called Annie, Jane Eyre and Lady Haversham.
Tidhar, set out where this alternative history sits:
“1902:Queen Victoria still rules, sustained by some terrible science; the forces of colonial resistance gather to fight the British Empire; and Irene Adler and her friends must stop a deadly plot…”
I have to admit that I am well-impressed by the depth to which Tidhar has gone to, the various villains, from a handsome Jack based on David Warner’s portrayal and Le Fanu’s Carmilla, there is a cleverness to how he weaves in the various characters, and of course, the main villain is Ayesha, based I assume, on Henry Rider Haggard’s protagonist from She.
The blurb lets us know that it is time to “meet the League of Extraordinary Gentlewomen” and that is indeed fair.
I was a little underwhelmed by the actual story, I perhaps was not all that keen on seeing the Queen of a country that was crushed by the British Empire into being a colony being portrayed as the villain, instead of a righteous rebel fighting for her nationhood. I suspect that a lot of the fun aspects, from the clothing to the lighter style of art, was not what I was looking for, at this time. I had hoped for a darker and grittier story, and the look and artistic style of this comic which flows well, is prettily drawn and tells a fun story, was not what I was hoping for, and part of that is down to me, a shelf of Lavie Tidhar and even his bibliography on Michael Marshall Smith sits proudly on my bookcase, so I maybe brought to much expectation to this easier going, fun comic.
It isn’t exactly like there is too much whimsy, it just felt slightly out of kilter for me. It might be aimed and presented for a younger market, other readers perhaps, and I am certain that it will be enjoyed, which is great. I love that there are comics that are just not for me, as it now means they are for someone else, and that is a good thing.
I wanted something that was a little more nuanced, perhaps a heavier twist with these same well thought of characters, and heavier, darker, much more reflective of our now, where societal structures and imperialism is more the enemy than to be defended.