Wika, a baroque steampunk fairy tale written by Thomas Day and with art by Olivier Ledriot, is coming from Titan Comics in March 2021.
After narrowly escaping an uprising that claims the lives of her parents, Wika, the last of a royal line of fairies, must evade the assassins on her trail long enough to discover the secret of her lineage. Uncover Thomas Day’s first comic book story – a dark tale of magic and mystery, with fairies, dwarves, goblins and elves, in a stunning epic fantasy world brought to life by the beautiful illustrations of Olivier Ledroit.
Thomas Day, born in Paris, is a French-language SF and fantasy writer. He has published fifteen novels since 2002. His novel Way of the Sword was adapted as a comic strip by French publisher Glénat (soon to be released in English by Titan Comics’ Statix Press line), and received the Julia Verlanger Prize in 2003.
Olivier Ledroit is a French comic book artist who studied for two years at the Duperré School of Applied Arts in Paris. He is best known for his work on The Black Moon Chronicles and In June 1997, he adapted the new Deadly Enemies by Philip K. Dick. He has teamed with comics auteur Pat Mills on two occasions: Sha and Requiem: Vampire Knights, for which he won the Favorite European Comics Eagle Award in 2007.
Several pages of Wika’s beautiful artwork follow the jump.
(1) NASFIC FAN FUND AUCTION. Michael J. Lowrey makes a last-minute appeal: We still need items for auction pretty desperately: books, fanzines, tuckerizations, fannish memorabilia, whatever, for the Virtual FanFund Auction at the virtual NASFIC on Facebook.” Post items there. The auction starts Friday. Lowrey says —
An auction item post should include the following:
Item Name Description Minimum Bid
Please note that if your Fan Fund Auction Donation requires shipping, you are expected to pay for that shipping as an additional donation. If you wish to restrict shipping to your home country, say so up front.
This is a Silent Fan Fund Auction, to be held on behalf of TAFF (the Trans-Atlantic Fan Fund, http://taff.org.uk/), GUFF (the Get Up-and-over Fan Fund, https://taff.org.uk/guff.html), DUFF (the Down Under Fan Fund, https://downunderfanfund.wordpress.com/), and LAFF (The Latin American Fan Fund). These funds serve to enable fans to travel to other countries and continents to attend their major conventions and meet the local fans, people they may know only from letter columns, email, or chatty websites. And to get it all done, the funds depend on contributions of fans like you… and, of course, benefit auctions.
This is your chance to pick up any number of interesting things… art, books, fanzines, pulp magazines, t-shirts, things that somehow involve cats… the opportunity to be “Tuckerized” into a work of fiction… or other peculiar or “fannish” stuff.
Donations for the fan fund auction will be accepted via posts to this event, and we also accept monetary donations via paypal to email@example.com. If you would like the proceeds from your auction donation to go to a particular fan fund, indicate that in your post. The proceeds from donations without designations will be evenly split between the fan funds.
Now allegedly suffering from dementia, Nichelle Nichols, 87, who played Uhura on the original “Star Trek” in the late 1960s, is embroiled in an ongoing legal battle involving her manager, Gilbert Bell. Alleging Bell took advantage of Nichols over the last decade, Nichols’ family has taken to GoFundMe to help raise money for the icon’s legal battle.
The most recent court action came earlier this month, when Kyle Johnson, Nichols’ son, filed a cross complaint against Bell. The complaint is in response to a 2019 lawsuit filed by Bell against Johnson, where Bell alleges that it is Johnson’s actions that are harming Nichols — while Bell has always had her best interests in mind.
Johnson has denied Bell’s allegations of wrongdoing against him. Bell has not yet responded in court to Johnson’s allegations. IndieWire has reached out to lawyers for Johnson, Bell, and a representative for Nichols….
…There’s also the contention that Science Fiction is a continuum, an on-going, centuries old dialogue of call and response, writers reacting to published works and offering up variations, counter-arguments, expansions in response. “We stand on the shoulders of giants” is an expression often used to acknowledge that without the work perfomed by previous generations of authors, editors, publishers, artists and fans, contemporary SF would not be where it is today.
That latter is often negatively receieved these days, and it shouldn’t be. Much is made about contemporary SF rejecting the all white heterosexual european male colonialist based SF of the 40s, 50s and 60s – but of course without the existence of such a body of work, there would be nothing to react to or reject. Call it a benign correction as the field expands to incorporate diverse voices or call it a war against patriarchy, in both estimations there is something that is being addressed and re-evaluated (if not pushed back against and excoriated).
Is there an SF Canon? Yes. But is it a moving scale? Is it inviolate? Is it mandatory?
No, no and no.
(4) CASTING THE CANON. And Doris V. Sutherland cannot resist trying to answer the question for another genre, “What is the Horror Canon?”
…Picture a bookshelf, completely empty and ready to have a tidy set of volumes lined up on it. Now imagine that someone has decided to fill it with the canonical works of horror literature. What would they start with? Frankenstein and Dracula would be obvious choices. These may well be followed with reasonably-sized collections of Poe and Lovecraft stories. Next, let’s add the complete ghost stories of M. R. James.
Now pause for thought. That’s five books – and already we’ve covered a pretty substantial chunk of the most influential horror fiction in the English language. Regardless of what else we put on the shelf – and it’s easy enough to think of further titles, from The Strange Case of Dr. Jekyll and Mr. Hyde to The Exorcist – it’s hard to deny that those above five books will cover a pretty big percentage of whatever horror canon we end up with.
Now try to imagine a bookshelf with the science fiction canon. It’s a taller order: off the top of my head, we’d have at least four books if we wanted to represent Isaac Asimov alone (I, Robot and the Foundation trilogy). When we factor in Verne, Wells, Heinlein, Clarke, Bester, Ellison, Le Guin… well, let’s just say we’re going to end up with more than five books.
So, the horror canon is smaller than the science fiction canon – or, to phrase that differently, more tightly-focused. Thinking about it, this makes sense. Horror is a genre where less is more – look at how many classics of horror fiction are short stories rather than novels, for one. And when I look back at our hypothetical bookshelf of canonical horror, I have to wonder if those books might be better described not as a horror canon, but as a set of horror archetypes.
The dimwitted bigot brigade finally came across my piece about the Science Fiction canon from a couple of weeks ago and had a predictable spasm about it, asserting how it was evidence that (I’m paraphrasing from various sources, here) a) science fiction and fantasy was dying, b) traditional publishing (the sf/f parts of it anyway) is dying too, c) I’m responsible in some measure for a) and b), despite d) the fact that apparently I don’t actually sell and/or only sell through byzantine sleight of hand by the publishing industry for reasons and also e) I suck, f) which is why I don’t want people to read older works because then they would realize that, and while we’re at it g) modern sf/f is infested with terrible work from people who aren’t straight white dudes, h) which I, a straight white dude, am also somehow responsible for, and so in short, i) everything is my fault, and j) I am simultaneously a nobody and also history’s worst monster.
It’s a lot! I think it must be tiring to be a dimwitted bigot, thinking about me….
…Affleck reportedly got the script for The Flash at the end of last week and agreed to board the project.
“He’s a very substantial part of the emotional impact of the movie. The interaction and relationship between Barry and Affleck’s Wayne will bring an emotional level that we haven’t seen before,” Muschietti tells Vanity Fair who broke the news. “It’s Barry’s movie, it’s Barry’s story, but their characters are more related than we think. They both lost their mothers to murder, and that’s one of the emotional vessels of the movie. That’s where the Affleck Batman kicks in.”
Another reason feature mythology-wise why Affleck’s Batman is coming back to The Flash, and that’s that Miller’s Flash considers him to be the original Dark Knight, the guy he fought alongside in Justice League. Hence, per Muschietti, it was necessary to have Affleck’s Batman as a starting point: “He’s the baseline. He’s part of that unaltered state before we jump into Barry’s adventure…There’s a familiarity there,” he further tells Vanity Fair.
2020 has been a scary year. Like some dark fantasy or horror story. Or a dystopian tale about the end of the world.
Why not embrace that spirit? Show this year from hell that you can take whatever it dishes out, because you know what dark fantasies and horror stories are really like. And you’ve seen more ends of the world than 2020 could even dream of.
…Read about curses and ghosts, about Norse gods on the Canadian prairies and what happens after Ragnarök and the end of the world. Read how life on Earth may end if we don’t stop killing our planet. Read twenty-one tales of personal apocalypses (because someone’s world is always ending), and stories from a very special and very strange bookstore. Read about post-human biopunk and day-after-tomorrow climate change adventure. Read about the boy who is either a scrawny, bullied, neglected son of insane parents or the imprisoned leader of a death cult dedicated to the goddess of discord.
…For StoryBundle, you decide what price you want to pay. For $5 (or more, if you’re feeling generous), you’ll get the basic bundle of four books in any ebook format—WORLDWIDE.
Picking Up the Ghost by Tone Milazzo
Wasps at the Speed of Sound by Derryl Murphy
The Door to Lost Pages by Claude Lalumière
Tombstone Blues by Chadwick Ginther
If you pay at least the bonus price of just $15, you get all four of the regular books, plus SEVEN more books, for a total of eleven!
The series will look at the desegregation of the high school and how 14-year-old LaNier and eight other students became the first Black people to attend the all-white school.
In a landmark decision, the U.S. Supreme Court ruled in 1954 that segregated schools were unconstitutional and called for the integration of all schools.
The nine students, along with Daisy Bates, became civil rights icons as they risked their lives to combat the racist school segregation policies in Arkansas.
(9) MEDIA ANNIVERSARY.
This week in 1950, Dimension X aired a story out of Ray Bradbury’s The Martian Chronicles in which a Martian named Eala dreams of a visitor from a planet, Earth, where they know life is impossible. This episode was unusual in that Bradbury hosted it instead of the usual Dimension X host. The story was later renamed “Ylla” which is considered the canonical title for this story but it was first published as “I’ll Not Ask for Wine” in Maclean’s, January 1, 1950. Listen here.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born August 20, 1883 — Austin Tappan Wright. Did you know that Islandia wasn’t published when he was alive? His widow edited his fifteen hundred page manuscript for publication, and following her own death in 1937 their daughter Sylvia further edited and cut the text yet more; the resulting novel, shorn of Wright’s appendices, was published in 1942, along with a pamphlet by Basil Davenport, An introduction to Islandia; its history, customs, laws, language, and geography, based on the original supplementary material. Is there a full, unedited version? (Died 1931.) (CE)
Born August 20, 1906 – Sheila Hawkins. Wrote and illustrated fifty children’s books in the United Kingdom and Australia, many with animals, many fantastic. Here is The Singing Chameleon. Here is Taliesin. Here is an interior for Long Ears. Here is Wish and the Magic Nut, which won Picture Book of the Year. Also landscapes and abstracts. (Died 1999) [JH]
Born August 20, 1909 — André Morell. Best remembered as Professor Bernard Quatermass in the Quatermass and the Pit series, and as Doctor Watson in the Hammer Film Productions version of The Hound of the Baskervilles which is quite excellent. It’s also worth noting that he played O’Brien in BBC’s 1954 Nineteen Eighty-Four, opposite Peter Cushing as Winston Smith. (Died 1978.) (CE)
Born August 20, 1915 – Arthur Porges. For us a hundred short stories, some under other names; half a dozen posthumous collections. Many more for others e.g. detective fiction. Translated into Croatian, Dutch, French, German, Italian, Japanese, Russian, Serbian, Spanish. Here he is on the cover of the Sep 60 Fantastic (i.e. his story “The Shadowsmith”; cover artwork by John Duillo). This Website is about AP and his brother Irwin. (Died 2006) [JH]
Born August 20, 1942 – Joe Mayhew, F.N. One of our finest fanartists; two Hugos for that. Five short stories published, in Aberrations, Aboriginal, and Tomorrow; a score of reviews in Absolute Magnitude, more in the Washington Post. A hundred seventy drawings in Asimov’s, Flag, FOSFAX, The Frozen Frog, It Goes on the Shelf, Journey Planet, Mimosa, NY Rev. of SF, PLOKTA, Squiggeldy Hoy, Vojo de Vivo; various Worldcon and other con publications. Radio-style plays for Disclaves and Boskones. Fellow of NESFA (New England SF Ass’n; service award). Chaired the 1987 Disclave. Library of Congress Recommending Officer for SF. Fan Guest of Honor at Novacon II, Albacon 3; Ghost of Honor at Capclave 2001, Balticon 49. Here is his cover for the Nov 98 WSFA Journal (Washington, D.C., SF Ass’n). Here is an illustration from Mimosa 17. (Died 2000) [JH]
Born August 20, 1943 — Sylvester McCoy, 77. The Seventh Doctor and the last canon Doctor until the modern era of the official BBC Doctors when they revised canon. He also played Radagast in Peter Jackson’s Hobbit films, he’s The Old Man of Hoy in Sense8 and he voices Aezethril the Wizard in the “Endgame” episode of Thunderbirds Are Go. (CE)
Born August 20, 1951 — Greg Bear, 69. Blood Music which won both a Nebula Award for Best Novelette and a Hugo Award at L.A. Con II for Best Novelette is an amazing read. I’m also very fond of the Songs of Earth and Power duology, The Infinity Concerto and The Serpent Mage, and found his Queen of Angels a fascinating mystery. I confess that I’ve not read him over the past few decades. What’s he done as of late that I should consider reading? (CE)
Born August 20, 1961 — Greg Egan, 59. Australian writer who exists though he does his damnedest to avoid a digital footprint. His excellent Permutation City won the John W. Campbell Memorial Award and “Oceanic” garnered a Best Novella Hugo at Ausiecon Three. I assume he wasn’t there given his stance against attending Worldcons? (CE)
Born August 20, 1961 – Jim Clemens, 59. Three dozen novels for us, half a dozen shorter stories, some with Rebecca Cantrell; action-adventure books under another name, some with Grant Blackwood; certified SCUBA (Self-Contained Underwater Breathing Apparatus) diver; Doctor of Veterinary Medicine under yet another name – if he wants to keep these careers separate, why shouldn’t we? Translated into Dutch, French, German, Italian. [JH]
Born August 20, 1962 — Sophie Aldred, 58. She’s Ace, the Seventh Doctor’s Companion. (By the way Doctor Who Magazine: Costume Design: Dressing the Doctor from William Hartnell to Jodie Whittaker is a brilliant read and has a nice look at her costuming.) She’s reprised the role in the Big Finish audio adventures. (CE)
Born August 20, 1969 – Christina Diaz Gonzalez, 51. Three novels for us, three others. Many awards for historical fiction The Red Umbrella (also in Spanish). Born in Florida to Cuban parents. Took a law degree, practiced law awhile. Lives in Miami with husband, sons, a dog that can open doors. [JH]
Born August 2, 1972 – Carolyn Cohagen, 48. Four novels. Conducts Girls With Pens, creative writing for girls 8-14. Earlier, a stand-up comic in New York, Chicago, London, Amsterdam; studied physical theater at École international de théâtre Jacques Lecoq, Paris. Ranks The Phantom Tollbooth about the same as Slaughterhouse-Five. [JH]
(12) HORRIBLE EXAMPLES. Earlier this month Titan Comics was handed a golden opportunity to publicize their collection of The Best of Hägar The Horrible by Dik Browne.
Joe Biden recently announced his choice of Kamala Harris as running mate, and in the official photograph by Adam Schultz also revealed that he keeps a framed cartoon strip on his desk – from Titan’s own Hägar the Horrible!
Bleeding Cool reported on the story, as well as quoting Biden saying that the strip had helped him through personal tragedies by reminding him “a lot of people are going through a lot worse than you’re going through, and the way they get through it is … they have people reach out, touch them, give them solace.”
This is the strip on Biden’s desk:
And here are some other examples Titan shared in its press kit, several with genre jokes.
(13) NINETEEN MINUTES OF FAME. At least, the nineteen-minute mark is where fame summons James Davis Nicoll in Isaac Arthur’s video The Fermi Paradox: Galactic Disasters. James notes, “He mispronounced my name but I am the Nicoll in Nicoll-Dyson Laser, which can reduce an Earth-sized world to vapour in a week at distances of up to a million light years.”
If anything, this video makes Cixin Liu’s Death’s End sound too cheerful.
(14) THE NAME OF MY LAST BAND. Just released on YouTube today — Live From the Space Stage: A HALYX Story is a full-length documentary.
For one glorious summer, an experimental, sci-fi band rocked Disneyland’s space stage. With a bass-playing Wookiee and an acrobatic frog, the band’s existence is nearly unbelievable, and the story behind its creation is just as incredible.
Possibly the most famous of all of the John Carter of Mars covers by Frazetta, the artist actually painted two versions in 1970, with the first being published as a Doubleday hardback dustjacket cover. Fearing that the original art would not be returned from the publisher, Frazetta immediately painted a version for himself – the stellar painting we’re offering – since he was so proud of the image. Frazetta personally related to Joe and Nadia Mannarino (see below), and presumably others, that he loved this second painting even more than the original (which he actually sold in the early 1970s). We’re showing the two paintings side-by-side online for review. Regardless of which version you prefer, both represent the quintessential heroic fantasy image, with the bold, strong hero, the voluptuous female at his legs, and surrounded by a dangerous alien environment.
…When Frankenstein first appeared in print in 1818, anonymously but with a preface by Percy Bysshe Shelley, plenty of readers assumed that the poet was its author. In Mary Shelley’s introduction to the 1831 edition, she wrote that people had asked her “how a young girl, came to think of, and to dilate upon, so very hideous an idea?” In keeping with the story’s eerie origins – the stormy nights and sunless summer days beside Lake Geneva – she put it down to a kind of visitation, the result of “imagination, unbidden, possessed”. Yet as the manuscript reveals, inky-fingered graft played a big role in allowing the doctor’s monster to evolve into the more tragic, nuanced creature that’s haunted our imaginations ever since. In fact, “creature”, Mary’s initial description, is later replaced by “being”, a being who becomes still more uncannily human thanks to other tweaks such as replacing the “fangs” that Victor imagines in his feverish delirium with “fingers” grasping at his neck.
Sadly, the refusal to believe that a woman barely out of girlhood could possibly have authored this transcendent Promethean fable has never quite gone away, and Percy’s notes on the manuscript have been used to bolster the theory that he at least co-authored Mary’s novel. While he’s certainly an astute line editor, the chief revelation here is domestic: the radical Romantic was a supportive, affectionate partner.
The idea of using a public bathroom with see-through walls may sound like the stuff of nightmares. But a famous Japanese architect is hoping to change that view, using vibrant colors and new technology to make restrooms in Tokyo parks more inviting.
“There are two things we worry about when entering a public restroom, especially those located at a park,” according to architect Shigeru Ban’s firm. “The first is cleanliness, and the second is whether anyone is inside.”
Transparent walls can address both of those worries, Ban says, by showing people what awaits them inside. After users enter the restroom and lock the door, the powder room’s walls turn a powdery pastel shade — and are no longer see-through.
“Using a new technology, we made the outer walls with glass that becomes opaque when the lock is closed, so that a person can check inside before entering,” the Nippon Foundation says.
The group is behind the Tokyo Toilet project, enlisting world-famous architects to create toilets “like you’ve never seen.”
A ninja museum has been raided in Japan, with thieves making off with more than a million yen (£7,100).
The Iga-ryu Ninja Museum in central Japan is dedicated to the history of the famous Iga clan of ninja.
Police were called after an alarm was set off at 01:30 local time on Monday (16:30 GMT on Sunday), the museum said on Thursday.
Officers found the office door had been forced with what is thought to be a crowbar and the 150kg safe was missing.
(19) VIDEO OF THE DAY. Someone with time on their hands turns 2001 into 2020.
2020: an isolation odyssey is a reenactment of the iconic finale of 2001: A Space Odyssey (Stanley Kubrick, 1968). Restaged in the context of home quarantine, the journey through time adapts to the mundane dramas of self-isolation–poking fun at the navel-gazing saga of life alone and indoors.
[Thanks to John King Tarpinian, N., Martin Morse Wooster, John Hertz, Cat Eldridge, Mike Kennedy, JJ, Andrew Porter, Michael J. Walsh, Linda Deneroff, Chip Hitchcock, Paul DiFilippo, John A Arkansawyer, and Michael Toman for some of these stories. Title credit goes to File 770 contributing editor of the day Simon Bisson.]
Sherlock: A Scandal In Belgravia Part One goes on sale September 15. Sherlock meets his match in Irene Adler and has to recover compromising photographs of the royal family. This is Titan Comics’ ongoing manga adaption of the BBC’s seminal Sherlock series with Benedict Cumberbatch and Martin Freeman.
Fresh from confronting Moriarty in the end of The Great Game, Sherlock Holmes (Benedict Cumberbatch) and John Watson (Martin Freeman) are called to save the royal family from blackmail at the hands of Irene Adler (Lara Pulver), a dominatrix known as “The Woman”. Adler pulls Sherlock into a complex web of mysteries involving the CIA and the MOD, with secrets that could threaten to threaten international security and topple the monarchy.
Co-created by Mark Gatiss, an English actor, comedian, screenwriter and novelist. His work includes writing for and acting in the TV series Doctor Who, Sherlock, The League of Gentlemen and Taboo.
Written by Steven Moffat, the Scottish television writer and producer well-known for his work on Doctor Who and Sherlock, who has won BAFTA and Emmy awards.
Manga artist Jay continues to capture both the look and spirit of the original with his amazing, expressive panels, and we present it in the original back-to-front manga format.
Following the jump are some art panels from the issue. The last three pages Titan Comics has shared exclusively with File 770 readers.
Titan Comics is releasing Doctor Who: Time Lord Victorious #1 on September 2, written by Jody Houser, with art by Robert Ingranata.
A thrilling new adventure for the Tenth Doctor (as played by fan-favorite David Tennant) that sees the shocking return of his deadliest enemies: the Daleks! But things aren’t what they seem – time is all wrong, and something is coming that terrifies even the Daleks… The first of two oversized issues kicking off the BBC’s highly anticipated multi-platform Doctor Who epic, Time Lord Victorious!
The variant cover art and page samples from the issue – the reason for this post! – follow the jump.
Shades Of Magic: The Steel Prince – The Rebel Army – the epic finale of The Steel Prince graphic novel trilogy by New York Times bestselling author V.E. Schwab is on sale today from Titan Comics.
In the months following his defeat and unmasking by Prince Maxim Maresh at the climax of the Night of Knives Tournament, Rowan, its architect and Antari magician, has forcefully taken command of a ragtag pirate fleet known as the Rebel Army.
Through a campaign of pillaging and conscription of Arnes’ coastal towns, Rowan has grown the Rebel Army into a force powerful enough to usurp a prince and destroy an empire.
Now, all that stands between the fall of the House of Maresh and the sacking of Red London is Maxim and his garrison, unless the young headstrong prince can win the hearts and minds of the inhabitants of Verose and convince them to join him in one final stand against the most powerful magician he has ever faced.
Titan Comics will be involved in BBC Studios multi-platform Doctor Who story Time Lord Victorious, launching two over-sized comic issues which will debut on September 2, 2020.
Time Lord Victorious is BBC Studios’ brand new multi-platform Doctor Who story told across audio, novels, comics, vinyl, digital, immersive theatre, escape rooms, and games.
Available to pre-order now, Doctor Who: Time Lord Victorious #1 is a comic adventure in which the Tenth Doctor faces the return of his most iconic enemy, the Daleks.
When the Doctor faces his ancient foes once again, it soon becomes clear that things aren’t what they seem – time is all wrong and something is coming that terrifies even the Daleks.
Jake Devine, Editor, Titan’s Doctor Who Comics, says: “Titan’s comic story is quite unique, as it features the Tenth Doctor as seen in the recent Thirteenth Doctor comic series, so he’s not reached his so-called victory over time yet. But what has been fun to explore is the Doctor getting a glimpse of what’s to come and foreshadowing his own dark turn.”
Time Lord Victorious #1 is written by Eisner-nominated Jody Houser (Stranger Things, Star Wars,Spider-Man) with art by Roberta Ingranata (Witchblade).
The comic debuts with five covers for fans to collect: an official Time Lord Victorious iconic by artist Lee Binding; art covers by Andie Tong (TEKKEN), Priscilla Petraites (Rat Queens), a Dalek metallic ink version by Hendry Prasetya (Green Lantern) and a Dalek blue line sketch cover.
Time Lord Victorious #1 ($5.99) is now available to pre-order globally from July’s Diamond Previews catalogue, ForbiddenPlanet.com and on digital device via Comixology.
The adventure will tell a new and untold story, set within the Dark Times at the start of the universe, when even the Eternals were young. Following several Doctors across space and time as they defend their home planet from a terrible race, this is a story like no other.
Further information about Time Lord Victorious can be found on DoctorWho.TV.
(1) LETTING THE GENE OUT OF THE BOTTLE. One of the field’s most esteemed writers delivers Whatever’s recurring feature today: “The Big Idea: Nancy Kress”.
At parties in my city—environmentally conscious, crunchy-granola, high-tech and socially activist Seattle—it is easy to start a flaming argument. Just walk up to a group, tilt your head, and say inquiringly, “What do you think of GMOs?” Then stand back to avoid being scorched.
Genetically modified organisms have passionate denouncers and equally passionate supporters. This is especially true for GMO crops, since the genemod bacteria and animals are usually hidden away in labs, ranches, or manufacturing facilities. But there is GMO food right out front on your table, plated in front of your kids. Everybody has an opinion.
But I didn’t want my new novella from Tachyon, Sea Change, to be a polemic for one side of the controversy. I wanted to explore in a balanced way both sides of the myriad questions involved….
(2) HARRY POTTER READINGS. This edition is really cool.
When I mentioned iFlytek’s work to a friend in Shanghai, she said it reminded her of the story ‘City of Silence’ by the Chinese science fiction writer Ma Boyong. The story is set in a future society where speech is tightly controlled. The people are clever at adapting to each new limit, turning to homonyms and slang to circumvent censors, and in time the authorities realize that the only way to truly control speech is to publish a List of Healthy Words, forbid all terms not on the list, and monitor voice as well as text. Anytime the protagonist leaves the house, he has to wear a device called the Listener, which issues a warning when he strays from the list of approved words. The realm of sanctioned speech dwindles day by day.
Eventually the protagonist discovers the existence of a secret Talking Club, where in an apartment encircled by lead curtains, members say whatever they want, have sex, and study 1984, Feeling alive again, he realizes that he has been suppressing ‘a strong yearning to talk.’ This brief encounter with hope is squelched when the authorities develop radar dishes that can intercept signals through lead curtains. By the end of the story, there are no healthy words left, and the hero walks the city mutely, alone with his thoughts. ‘Luckily, it was not yet possible to shield the mind with technology.’ Ma writes.
…Frank Oz, the original puppeteer and voice behind Yoda, also created several Muppet characters along with Jim Henson. You don’t think of Oz’s Miss Piggy as a puppet, you think of her as a pig. And, it’s the same with Yoda and Baby Yoda: We think of them as whatever it is they are supposed to be, not as a kooky fake thing.
But, it turns out, that creating that illusion requires a very specific philosophy. And in a new interview celebrating the 40th anniversary of The Empire Strikes Back, George Lucas touched on one fascinating connection between the original Yoda in 1980 and Baby Yoda on The Mandalorian.
Over on the official Star Wars website, George Lucas is talking about The Empire Strikes Back. For diehards, there’s not necessarily a ton of new information in this interview, after all, people have been meticulously documenting the making of Star Wars movies since Star Wars began. But, in talking about the director or The Empire Strikes Back —Irvin Kershner — one detail about how Yoda was shot on set will raise your eyebrow if you’ve been following all the behind-the-scenes action on The Mandalorian.
“Kershner treated Yoda like an actor on set, sometimes talking to the prop instead of addressing Oz down below.”
This is significant because nearly 40 years later, the exact same thing happened on the set of The Mandalorian. In the behind-the-scenes documentary series Disney Gallery: The Mandalorian, director Deborah Chow confirmed what was cropping up in several reports already; cinematic legend Werner Herzog spoke directly to Baby Yoda puppet on the set, and, like Kershner did on Empire, treated the puppet exactly like an actor….
…It turns out that even castaway kids will flout convention, as this Guardian article reveals. With no regard for the feelings of authority figures, six Tongan boys spent over a year marooned on a deserted island without even one brutal murder. Instead they cooperated and survived; they even cared for one of the boys who broke his leg….
Romance Writers of America is attempting to turn the page on a damaging racism row, abolishing its top literary prizes and replacing them with awards in a new format it hopes will show “happily ever afters are for everyone” and not just white protagonists.
The association of more than 9,000 romance writers is developing proposals to encourage more diverse winners, including training for its judges, an award for unpublished authors and processes to ensure books are judged by people familiar with each subgenre.
May 22, 1981 — Outland premiered. It was written and directed by Peter Hyams with production by Richard A. Roth and Stanley O’Toole. It starred Sean Connery, Peter Boyle, James B. Sikking, Kika Markham and Frances Sternhagen. According to the studio, it literally broken even at the Box Office. Critics in general liked it (“High Noon in Outer Space”) but audience reviewers at Rotten Tomatoes are meh on it giving a soft 54% rating.
May 22, 2012 — Indiana Jones and the Kingdom of the Crystal Skulls premiered. The fourth film in the franchise, it directed by Steven Spielberg and was released nineteen years after the last film. Produced by Frank Marshall from a screenplay by David Koepp off of the story by George Lucas and Jeff Nathanson. And starring Harrison Ford, Cate Blanchett, Karen Allen, Ray Winstone, John Hurt, Jim Broadbent and Shia LaBeouf. Despite the myth around it in the net that it was a critical failure, critics overwhelmingly loved it. And the audience reviewers at Rotten Tomatoes give it a 60% rating.
(13) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born May 22, 1813 – Richard Wagner. His fantasies The Flying Dutchman (“fly” in the sense we still have in “flee”), Tannhäuser, The Ring of the Niebelung (four-opera series), Parsifal, are masterworks of music and theater. Complicated life and opinions less admirable. (Died 1883) [JH]
Born May 22, 1859 – Sir Arthur Conan Doyle. Famous for Sherlock Holmes, in SF he wrote five novels, sixty shorter stories, translated into Croatian, Dutch, Finnish, French, German, Hungarian, Italian, Portuguese, Romanian, Russian, Spanish. In fact his surname from birth records to his knighting was only Doyle. (Died 1930) [JH]
Born May 22, 1907 – Hergé. He is best remembered for creating The Adventures of Tintin which are considered one of the most popular European comics of the 19th and 20th centuries. He is much less remembered for Quick & Flupke, a short-lived series between the Wars, and The Adventures of Jo, Zette and Jocko which lasted well into the Fifties. (Died 1983.) (CE)
Born May 22, 1914 – Sun Ra. In the avant-garde of jazz he played keyboards and sang, led a variously-composed band under names more or less like “The Solar Arkestra”, still performing; recorded dozens of singles and a hundred full-length albums with titles like We Travel the Spaceways, Space Is the Place, Strange Celestial Road. Said he was taken to Saturn in a vision, changing his life and art. (Died 1993) [JH]
Born May 22, 1922 – Bob Leman. Fanzine, The Vinegar Worm; two pieces in The Best of Fandom 1958. Fourteen short stories in F&SF, one more in collection Feensters in the Lake, translated into French, German, Italian, Portuguese. With Gerald Bishop, “Venture Science Fiction Magazine” , a Checklist of the First American Series and the First British Series. (Died 2006) [JH]
Born May 22, 1930 – Robert Byrne. Editor of Western Construction. Amateur magician, member of Int’l Brotherhood of Magicians. Billiards and pool teacher and commenter; Byrne’s Standard Book of Pool & Billiards sold 500,000 copies; columnist for Billiards Digest; seven instructional videos; Billiard Congress of America Hall of Fame. Eight anthologies of funny things people have said. Three novels in our field, five others. (Died 2016) [JH]
Born May 22, 1938 — Richard Benjamin, 82. He’s here because he was Adam Quark on the all too short-lived Quark series. He also was Joseph Lightman in Witches’ Brew which was based off Fritz Leiber’s Conjure Wife novel (winner of the 1944 Retro-Hugo Award at Dublin 2019) though that’s not credited in the film. And he was in Westworld as Peter Martin. Finally, he did a stint on the Ray Bradbury Theatre as Mr. Howard in “Let’s Play Poison” episode. (CE)
Born May 22, 1943 – Arlene Phillips. Dancer, choreographer including the film Annie and the Royal Shakespeare production of A Clockwork Orange, judge for Strictly Come Dancing and the U.K. version of So You Think You Can Dance? Ten credited film appearances. For us, six Alana, Dancing Star children’s books. [JH]
Born May 22, 1956 — Natasha Shneider. Her entire acting career consisted of but two roles, only one of interest to us, that of the Soviet cosmonaut Irina Yakunina in 2010: Odyssey Two. Her other genre contribution was she wrote and performed “Who’s in Control” for Catwoman. Cancer would take her at far too early an age. (Died 2008.) (CE)
Born May 22, 1968 — Karen Lord, 52. A Barbadian writer whose first novel, Redemption in Indigo, won the Carl Brandon Parallax Award and Mythopoeic Fantasy Award for Adult Literature for its inventive use of Senegalese folklore. I’d also recommend her The Best of All Possible Worlds novel as it’s as well done as her earlier novel but different and fascinating in its own right.
Born May 22, 1978 – Tansy Rayner Roberts. Ph.D. in Classics from U. Tasmania. Hugo as Best Fan Writer 2013, Ditmar as Best Fan Writer 2015; nine more Ditmars, three of them Athelings (for SF criticism). George Turner prize for Splashdance Silver. WSFA (Washington, D.C., SF Ass’n) Small Press Award for “The Patrician”. A dozen novels, three dozen shorter stories. Served a term as a Director of SFWA (no one made SFWA into Science Fiction & Fantasy Writers of America and Australia; directors were no longer region-specific). Crime fiction as Livia Day. [JH]
Born May 22, 1979 — Maggie Q, 41. She portrayed Tori Wu in the film adaptation of Veronica Roth’s novel Divergent, a role she reprised in its sequels, Insurgent and Allegiant. She played a female agent in a comedic version of the Jackie Chan fronted Around the World in 80 Days. And she’s in the recent remake of Fantasy Island that critics hated but was a box office success. On a brighter note, she voices Wonder Woman on the Young Justice series.
(16) HUMANITY IS NO LONGER ON TOP. Titan Comics has revealed the Horizon Zero Dawn issue #1 covers. The series, based on the award-winning game by Guerrilla, brings back characters Aloy and Talanah in a new story set after the events of the game. The series launches August 5, 2020.
Set on a far future Earth, where nature has reclaimed the planet but massive, animal-like machines now rule the land, Horizon Zero Dawn follows the story of Aloy, an extraordinary young woman whose quest to solve the riddle of her mysterious origins takes her deep into the ruins of the ancient past.
Titan’s new comic book series – co-created by Anne Toole, one of the writers of Horizon Zero Dawn, with artwork by fan-favorite artist Ann Maulina – takes place after the events of the game as Talanah, a strong and determined hunter, struggles to find purpose after her trusted friend Aloy disappears. When a mysterious threat emerges in the wilds, she sets out to hunt and to defeat it, only to learn that a whole new breed of killer machines stalk the land!
4. How about a book you’ve changed your mind about – either positively or negatively? How about a book that changed my mind? I’ve never been big on nineteenth century lit—there were books I liked here and there but so often they were just…dull. There, I said it. But I read Dickens’ Hard Times a couple years ago and it was such fun—witty and tongue-in-cheek, with obvious but not moralistic commentary on ethical issues—and found families and the circus! I’m finding that some of the lesser-known, non “canon” lit, and especially short fiction, from that period ticks more of my boxes than I realized.
Aidan: Silent protagonists come under a lot of heat, but they’ve never really bothered me in older games. As the level of fidelity and detail grow, however, they make less and less sense, and it feels particularly odd in Dragon Quest XI. With so much voice acting in the game, every time the protagonist (who I’ll call Eleven) responds by awkwardly staring into space or making a weird little gasp feels uncanny. The characters all behave as though he’s this magnetic hero type, but so much of that is personality and charisma—and Eleven has none of that.
I recently replayed Lunar: Silver Star Story Complete (and a bit of Grandia before that) and one of the things that really stood out to me in those games was the personalities of the protagonists really shining through. By emphasizing their personalities, they felt like much more engage and proactive heroes, compared to, say, Crono from Chrono Trigger or Eleven from Dragon Quest XI. Those silent types require others to push the story forward and they act as sort of a… defining element for the protagonist’s actions and motivations. It’s almost like they’re the splash of paint revealing the invisible protagonist.
Biologist and associate professor Ana Sofia Reboleira of the National Natural History Museum said in a press release that she was simply browsing Twitter when she came across a photo, shared by her US colleague Derek Hennen of Virginia Tech, of a North American millipede.
Nothing unusual there. But then she looked closer….
Check out this wild plot synopsis, billed as “Midnight Run in a Bram Stoker world“:
“Dinklage will play Van Helsing, last in a long line of vampire hunters. He develops an uneasy partnership with a Vampire (Momoa) who has taken a vow never to kill again. Together they run a scam from town to town, where Van Helsing pretends to vanquish the Vampire for money. But when a massive bounty is put on the Vampire’s head, everything in this dangerous world full of monsters and magic is now after them.”
In 2006, while hiking around the Root Glacier in Alaska to set up scientific instruments, researcher Tim Bartholomaus encountered something completely unexpected.
“What the heck is this!” Bartholomaus recalls thinking. He’s a glaciologist at the University of Idaho.
Scattered across the glacier were balls of moss. “They’re not attached to anything and they’re just resting there on ice,” he says. “They’re bright green in a world of white.
Intrigued, he and two colleagues set out to study these strange pillow-like moss balls. In the journal Polar Biology, they report that the balls can persist for years and move around in a coordinated, herd-like fashion that the researchers can not yet explain.
“The whole colony of moss balls, this whole grouping, moves at about the same speeds and in the same directions,” Bartholomaus says. “Those speeds and directions can change over the course of weeks.”
In the 1950s, an Icelandic researcher described them in the Journal of Glaciology, noting that “rolling stones can gather moss.” He called them “jökla-mýs” or “glacier mice.”
This new work adds to a very small body of research on these fuzz balls, even though glaciologists have long known about them and tend to be fond of them.
Who’d have thought a sci-fi-horror found footage film released in the year 2012 could possibly be a critical failure? Believe it or not, that’s exactly what Area 407 turned out to be.
Arguably the most obscure movie on this list, the fact that barely anybody saw this one is likely no accident. The film was reportedly shot without a script, being entirely ad-libbed by its actors during the movie’s suspiciously lean five-day shoot. Whether or not this was down to sheer laziness or a failed attempt to recapture the magic of classic found footage movie The Blair Witch Project is up for debate – but the movie is terrible, regardless.
Researchers in Australia claim they have recorded the fastest ever internet data speed.
A team from Monash, Swinburne and RMIT universities logged a data speed of 44.2 terabits per second (Tbps).
At that speed, users could download more than 1,000 high-definition movies in less than a second.
According to Ofcom, the average UK broadband speed currently is around 64 megabits per second (Mbps) – a fraction of that recorded in the recent study.
(28) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] “Fire (Pozar)” on YouTube is a weird film written, animated, and directed by David Lynch in 2015. (I can’t describe it–it’s just weird!)
[Thanks to Chip Hitchcock, Cat Eldridge, John Hertz, Mike Kennedy, Martin Morse Wooster, Andrew Porter, JJ, Michael Toman, Contrarius, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
Well, I was wrong. A month or so ago, I warned that what we’re going through is a black swan event, that it would have an economic impact, and we as business owners needed to be braced. Then, as things got even worse, I decided this was a double black swan—a crisis without good leadership to carry us through to the other side.
In a speech before the World Health Organization, she added, “Never in the history of the IMF have we witnessed the world economy coming to a standstill. It is way worse than the global financial crisis.”
A crisis like no other. Yeah, that was my sense as well over these past two weeks as I tried over and over again to find some kind of historic precedent to guide us forward. I couldn’t find one—not an analogous one, on that hit the global economy all at once, and forced people around the world to behave in the same way.
It’s breathtaking and shocking and hard to fathom. As you can tell from my many blog posts, I’m wrestling with this change. I know we’ll come out the other side, but for the first time—maybe in my adult life—I have no idea what kind of world we will emerge into. Usually I can predict both worst case and best case scenarios….
(2) SETTING THE TONE. Connie Willis’ Doomsday Book is where I first read John Clyn’s famous quote, written in 1349 at the height of the Black Plague:
“So that notable deeds should not perish with time, and be lost from the memory of future generations, I, seeing these many ills, and that the whole world encompassed by evil, waiting among the dead for death to come, have committed to writing what I have truly heard and examined; and so that the writing does not perish with the writer, or the work fail with the workman, I leave parchment for continuing the work, in case anyone should still be alive in the future and any son of Adam can escape this pestilence and continue the work thus begun.”
…A half-century later, Apollo 13 is still considered Mission Control’s finest hour.
Lovell calls it “a miraculous recovery.”
Haise, like so many others, regards it as NASA’s most successful failure.
“It was a great mission,” Haise, 86, said. It showed “what can be done if people use their minds and a little ingenuity.”
As the lunar module pilot, Haise would have become the sixth man to walk on the moon, following Lovell onto the dusty gray surface. The oxygen tank explosion robbed them of the moon landing, which would have been NASA’s third, nine months after Apollo 11’s Neil Armstrong and Buzz Aldrin took humanity’s first footsteps on the moon.
Now the coronavirus pandemic has robbed them of their anniversary celebrations. Festivities are on hold, including at Kennedy Space Center in Florida, where the mission began on April 11, 1970, a Saturday just like this year.
Often considered the best companion of Doctor Who‘s classic run, Elizabeth Sladen made a lasting impression as Sarah Jane Smith, evolving the template set by Jo Grant previously. More so than her predecessors, Sarah Jane naturally grew into a second main character and although she debuted alongside the Third Doctor, her wits were slightly better suited to the eccentric ramblings of Tom Baker’s Time Lord. The Fourth Doctor would struggle to find an equally fitting companion, treating Leela with occasional contempt and burning through several regenerations of Romana.
(5) IMPOSSIBLE TIME. The Arthur C. Clarke Center for the Human Imagination’s podcast Into the Impossible has posted Episode 38: “Giving the Devil His Due: a conversation with Michael Shermer & Brian Keating”.
Dr. Michael Shermer is the Founding Publisher of Skeptic magazine, the host of the Science Salon Podcast, and a Presidential Fellow at Chapman University where he teaches Skepticism 101. For 18 years he was a monthly columnist for Scientific American. He is the author of New York Times bestsellers Why People Believe Weird Things and The Believing Brain, Why Darwin Matters, The Science of Good and Evil, The Moral Arc, and Heavens on Earth. His new book is Giving the Devil His Due: Reflections of a Scientific Humanist.
The National Air and Space Museum has begun the process of converting the 23 cubic feet of material it obtained from Ride’s estate in 2015 to be available for research and study. Archivists have scanned and indexed the entire collection, but more can be done to make the papers fully searchable.
(7) DRUCKER OBIT. MAD Magazine artist Mort Drucker died April 8 at the age of 91. Mark Evanier paid tribute at News From Me: “Mort Drucker, R.I.P.”
He found his way to MAD magazine in 1956 at a precarious moment in that publication’s history. Founding editor Harvey Kurtzman had departed and taken most of the art crew with him. Replacement editor Al Feldstein was assembling a new team and with no idea how valuable the new applicant would be to MAD, he took a shot with Drucker.
Mort had never thought of himself as a caricaturist but when called upon to draw the comedy team of Bob & Ray for some pieces, he displayed a flair that surprised even him. Before long, Mort was the illustrator of movie and TV parodies in every issue of MAD…an association that lasted some 55 years. Big stars would say that you didn’t feel you’d made it in Hollywood until Mort Drucker had drawn you in MAD.
…“No one saw Drucker’s talent,” Mr. Hendrix wrote, until he illustrated “The Night That Perry Masonmint Lost a Case,” a takeoff on the television courtroom drama “Perry Mason,” in 1959. It was then, Mr. Hendrix maintained, that “the basic movie parody format for the next 44 years was born.”
From the early 1960s on, nearly every issue of Mad included a movie parody, and before Mr. Ducker retired he had illustrated 238, more than half of them. The last one, “The Chronic-Ills of Yawnia: Prince Thespian,” appeared in 2008.
Mr. Drucker compared his method to creating a movie storyboard: “I become the ‘camera,’” he once said, “and look for angles, lighting, close-ups, wide angles, long shots — just as a director does to tell the story in the most visually interesting way he can.”
Mr. Hendrix called Mr. Drucker “the cartoonist’s equivalent of an actor’s director” and “a master of drawing hands, faces and body language.” Mr. Friedman praised Mr. Drucker’s restraint: “He wasn’t really hung up on exaggerating. He was far more subtle and nuanced — interested in how people stood and so on.”
(8) WILLNER OBIT. Most recently known as Saturday Night Live’s sketch music producer. Hal Willner died April 7. The LA Times tribute is here. He had a long career in film, and produced several record albums, including these genre-adjacent projects –
…Most striking was Willner’s ode to the music of Walt Disney’s animated films. Called “Stay Awake: Various Interpretations of Music from Vintage Disney Films,” he enlisted artists including cosmic jazz traveler Sun Ra, experimental vocalist Yma Sumac, Los Angeles group Los Lobos and rock band the Replacements to re-imagine such songs as “Cruella De Ville,” “Whistle While You Work” and “Someday My Prince Will Come.” Tom Waits turned “Heigh Ho (The Dwarves Marching Song)” into a forced-labor dirge.
As the compiler of “The Carl Stalling Project: Music From Warner Bros. Cartoons 1936-1958,” Willner resurrected the reputation of the frantic, inventive composer Stalling and his scores for “Bugs Bunny” and “Road Runner” cartoons….
(9) TODAY IN HISTORY.
April 9, 1953 — Invaders From Mars premiered. It was produced by Edward L. Alperson Jr. and directed by William Cameron Menzies. It starred a large cast of Jimmy Hunt, Helena Carter, Arthur Franz, Morris Ankrum, Leif Erickson, and Hillary Brooke. Made a shoestring budget of three hundred thousand, it got amazingly good reviews though a few critics thought it it was too frightening for younger children, did a great box office and currently has a rating of fifty six percent among audience reviewers at Rotten Tomatoes. You can see it here.
April 9, 1955 — Science Fiction Theatre first aired in syndication. It was produced by Ivan Tors and Maurice Ziv. It ran for seventy-eight episodes over two years and was hosted by Truman Bradley who was the announcer for Red Skelton’s program. The first episode “Beyond” had the story of a test pilot travelling at much faster than the speed of sound who bails out and tells his superiors that another craft was about to collide with his. It starred William Lundigan, Ellen Drew and Bruce Bennett. You can watch it here.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born April 9, 1911 — George O. Smith. His early prolific writings on Astounding Science Fiction in the 1940s which ended when Campbell’s wife left him for Smith Whom she married. Later stories were on Thrilling Wonder Stories, Galaxy, Super Science Stories and Fantastic To name but four such outlets. He was given First Fandom Hall of Fame Award just before he passed on. Interestingly his novels are available from the usual digital sources but his short stories are not. (Died 1981.)
Born April 9, 1913 — George F. Lowther. He was writer, producer, director in the earliest days of radio and television. He wrote scripts for both Captain Video and His Video Rangers and Tom Corbett, Space Cadet. You can see the first show “The Birth of The Galaxy” which he scripted here. (Died 1975.)
Born April 9, 1921 — Frankie Thomas. He was best remembered for his starring role in Tom Corbett, Space Cadet which ran from 1950 to 1955. Though definitely not genre or genre adjacent, he was in the Nancy Drew film franchise that ran in the late Thirties. (Died 2006.)
Born April 9, 1935 — Avery Schreiber. He’s had a long history with genre fiction starting with Get Smart! and going from there to include More Wild Wild West!, Fantasy Island, Faerie Tale Theatre: Pinocchio, Shadow Chasers, Caveman, Galaxina, Dracula: Dead and Loving It, Animainiacs in which he voiced Beanie the Brain-Dead Bisonand, of course, The Muppet Show. (Died 2002.)
Born April 9, 1937 — Marty Krofft, 83. Along with with Sid, a Canadian sibling team of television creators and puppeteers. Through Sid & Marty Krofft Pictures, they have made numerous series including the superb H.R. Pufnstuf which I still remember fondly all these years later not to forget Sigmund and the Sea Monsters, Land of the Lost and Electra Woman and Dyna Girl.
Born April 9,1949 — Stephen Hickman, 71. Illustrator who has done over three hundred and fifty genre covers such as Manly Wade Wellman’s John the Balladeer and Nancy Springer’s Rowan Hood, Outlaw Girl of Sherwood Forest. His most widely known effort is his space fantasy postage stamps done for the U.S. Postal Service which won a Hugo for Best Original Artwork at ConAndian in 1994.
Born April 9, 1954 — Dennis Quaid, 66. I’m reasonably sure that he first genre role was in Dreamscape as Alex Gardner followed immediately by the superb role of Willis Davidge in Enemy Mine followed by completing a trifecta with Innerspace and the character of Lt. Tuck Pendleton. And then there’s the sweet film of Dragonheart and him as Bowen. Anyone hear of The Day After Tomorrow in which he was Jack Hall? I hadn’t a clue about it.
Born April 9, 1955 — Earl Terry Kemp, 65. Author of The Anthem Series: A Guide to the Science Fiction, Fantasy, Horror and Weird Specialty Publishers of the Golden Age and The Anthem Series Companion: A Companion to The Guide to the Science Fiction, Fantasy, Horror and Weird Specialty Publishers of the Golden Age. He also maintains several databases devoted to the same including The Golden Age of Pulps: SF Magazine Database: Science Fiction, Fantasy and Horror (1890-2009).
Born April 9, 1972 — Neve McIntosh, 48. During time of the Eleventh Doctor, she played Alaya and Restac, two Silurian reptilian sisters who have been disturbed under the earth, one captured by humans and the other demanding vengeance. Her second appearance on Doctor Who is Madame Vastra, in “A Good Man Goes to War”. Also a Silurian, she’s a Victorian crime fighter. She’s back in the 2012 Christmas special, and in the episodes “The Crimson Horror” and “The Name of the Doctor”. She reprises her role as Madame Vastra, who along with her wife, Jenny Flint, and Strax, a former Sontaran warrior, form a private investigator team.
Born April 9, 1998 — Elle Fanning, 22. Yes she’s from that acting family. And she’s certainly been busy with roles in over forty films! Her first genre film is The Curious Case of Benjamin Button followed by Astro Boy, Super 8, Maleficent, The Boxtrolls, The Neon Demon, the upcoming Maleficent: Mistress of Evil and a recurring role on The Lost Room, a Cursed Objects miniseries that aired on Syfy.
Free Range shows why even superheroes must keep in mind “the right tool for the right job.”
(12) TEMPORARILY FREE COMICS. Dark Horse Comics is releasing the first issue of more than 80 comics series for free, as well as a few volumes of graphics novels, available to read via DARK HORSE DIGITAL from now until April 30. The series include such titles as Umbrella Academy, American Gods, & Disney’s Frozen, as well as graphic novels such as Empowered Vol. 1, and Hellboy Vol. 1.
As the effects of the ongoing coronavirus (COVID-19) pandemic continue to reverberate around the world, one of the many industries severely impacted by the global health crisis is the American comic book market. With major publishers refraining from distributing new comics either digitally or in print and comic retailers shuttering normal operations to prevent the virus’ spread, the future of the industry is currently in a state of limbo. Led by acclaimed writer Gail Simone, comic creators have since suggested the possibility of an intercompany crossover between DC and Marvel Comics’ respective superhero universes as a means to revitalize the industry.
(14) PICARD SPECIAL ISSUE. Titan Comics has Star Trek: Picard – The Official Collector’s Edition on sale now.
A behind-the-scenes guide to the smash hit new Star Trek TV Show, showcasing the further adventures of fan-favorite captain of the Enterprise-D, Jean Luc Picard!
A deluxe collector’s edition offering a behind-the-scenes guide to the brand new Star Trek: Picard TV show, featuring interviews with Star Trek legends Sir Patrick Stewart, Brent Spiner (Data), Jonathan Frakes (Riker), Martin Sirtis (Troi), plus the new cast members Isa Briones (Dahj/Soji), Michelle Herd (Raffi), Harry Treadaway (Narke) and many more. Plus, Showrunners Alex Kurtzman and Michael Chabon, and Director Hanelle Culpepper reveal behind-the-scenes secrets.
(15) OLAF SCENES. “Fun With Snow” | At Home With Olaf on YouTube is the first of 20 micro-sized Olaf stories coming from Disney. Find others as they post on the Walt Disney Animation Studios YouTube channel.
(16) MAD AS HELL. In “Suing Hollywood” at CrimeReads, Tess Gerritsen looks at her long series of lawsuits about whether Gravity was stolen from her 1999 space thriller Gravity.
…Most writers who work in the industry understand that suing a studio, no matter how justified their lawsuit, is a losing proposition—and it’s the writer who almost always loses. Knowing this, why would any writer risk everything to charge into battle as David against Goliath?
I’ll tell you why: because we’re angry and refuse to let them get away with it. I know, because I’ve been there and done that. I’ve seen the dark side of Hollywood.
Three new crew members have arrived at the International Space Station (ISS) after a launch carried out under tight restrictions due to the coronavirus.
The Russian Soyuz rocket carrying cosmonauts Anatoly Ivanishin and Ivan Vagner and Nasa astronaut Chris Cassidy took off from Kazakhstan on Thursday.
Pre-launch protocols were changed to prevent the virus being taken to the ISS.
Only essential personnel were allowed at the launch site for the blast-off.
Support workers wore masks and kept their distance as the crew walked to the bus to take them to the spacecraft.
Earlier, Chris Cassidy said not having their families in Baikonur to cheer them on for the launch had affected the crew, but he added: “We understand that the whole world is also impacted by the same crisis.
Doctors dealing with coronavirus said they were “uplifted” to have a message of support from JK Rowling when they named areas of their hospital after Harry Potter school houses.
Meeting rooms at the Royal Bournemouth Hospital were named Gryffindor, Slytherin, Hufflepuff and Ravensclaw.
The hospital said the idea was “a bit of fun amongst all the significant issues”.
The author tweeted to say she had “rarely felt prouder”.
The hospital’s medical team decided to name meeting rooms after the Hogwarts houses when redesigning systems to be better prepared for the coronavirus outbreak.
Senior house officer Alex Maslen said: “The house names are familiar to many junior doctors who grew up with the Harry Potter stories, and the awareness has provided some reassurance during these difficult times.”
If you wanted to give an extravagant gift 5,000 years ago, you might have chosen an ostrich egg.
Now some of these beautiful Easter egg-sized objects are in London’s British Museum.
The eggs were found in Italy but their origins have long been a mystery – ostriches are not indigenous to Europe.
Now, research into the museum’s collection by an international team of archaeologists reveals new insights into their history.
People across Europe, the Mediterranean and North Africa traded ostrich eggs up to 5,000 years ago, in the Bronze and Iron Ages.
Eggs were decorated in many ways – painted, adorned with ivory or precious metals, or covered in small glazed stones or other materials.
The five eggs in the British Museum’s collection are embellished with animals, flowers, geometric patterns, soldiers and chariots.
(23) DON’T STOP. Rebooted – on YouTube.
It’s not easy for a movie-star to age – especially when you’re a stop motion animated skeleton monster. Phil, once a terrifying villain of the silver-screen, struggles to find work in modern Hollywood due to being an out-of-date special effect.
[Thanks to Andrew Porter, Martin Morse Wooster, Cat Eldridge, Mike Kennedy, JJ, Chip Hitchcock, Michael Toman, Daniel Dern, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
(1) JEMISIN EVENT CONVERTED TO LIVESTREAM. N.K. Jemisin’s in-person
appearance at the Arthur C. Clarke Center
for Human Imagination has been converted to a virtual event, due to steps
being taken to protect the health of
the UC San Diego community and slow the spread of COVID-19. Use the Eventbrite
link to secure access.
N.K. Jemisin’s in-person event for The City We Became has, unfortunately, had to be canceled, but we are pleased to be able to offer you access to an exclusive virtual event streamed live. You’ll get a chance to hear about The City We Became and ask Jemisin questions. Only ticket-holders will have access-plus, you will still receive a copy of the book, with an option to sign up for a signed bookplate from Orbit during the event.
The virtual event will take place at the same time as the original event, 7pm on Friday, April 3rd. Tickets are still available through Eventbrite. If you have already purchased a ticket and would like to request a refund, you may do so through Eventbrite. However we hope you choose to join us in celebrating The City We Became! All ticket purchases help support the author, Mysterious Galaxy bookstore, the publisher, and this thing we call human imagination.
And you have to buy the magazine to see this next Jemisin-related
item. Kevin Hogan reports: “I was surprised
but pleased to see a one-page The Making of the Book segment in Entertainment
Weekly (April 2020, issue # 1586, page 90) on N.K. Jemisin and her upcoming
novel, The City We Became. It’s always nice to see genre covered in ‘popular
S. Arnold, the Balticon 54 Hotel Liaison, asks for understanding about how reservation
cancellations were sent by the hotel before the con could notify its members.
We sent a letter to the Balticon hotel asking for their opinion as to if they would be able to host Balticon this year and if they could not do so we would need to cancel the event.
The hotel management determined that it was very unlikely they would be able to host Balticon 54 and at a staff meeting on the morning of 03/18/2020 the general manager told his staff to send us an email explaining that it was unlikely they would be able to host Balticon and to cancel reservations once we confirmed we had told our people. Apparently, the head of reservations did not hear the part about waiting for us to send out notice and took immediate action by using an automated cancellation program.
Cancellations from the reservations department went out several hours before the email to us from the general manager letting us know they could not host Balticon 54 and would not attempt to collect cancellation fees and that they hope to see us next year was sent. A follow up email with apology for sending the cancellations before we told the hotel we had announced the cancellation of Balticon has already been received from the hotel. Given the stress many people are under during this pandemic I hope we can all forgive the hotel reservations department jumping the gun by a day or so.
A message concerning membership refunds (and roll-overs if you want to Balticon 55) and dealers tables refunds etc. with the process to let us know what you want to do will be sent out soon.
(3) THE MAN WHO LEARNS BETTER. “Heinlein’s Juveniles, Pt. 1” is a fine article by
Sourdough Jackson in the latest DASFAx clubzine. Click here –
then scroll down to the March (202003) issue. Starts on page 2.
…When discussing the juveniles, I’ll be taking them two books per column. The first pair are Rocket Ship Galileo(1947) and Space Cadet (1948), both products of a troubled time in the author’s life—a typhoon was blowing his marriage toward the rocks, and the prospects for his writing career weren’t much better. Among his attempts to claw off that marital and literary lee shore was a projected series of books for boys: The Young Atomic Engineers. He thought to begin with a blockbuster—a trip to the Moon.
(4) MONSTROUS DISCOVERIES. [Item by Martin Morse
Wooster.] In the March 16 Financial
Times, Simon Ings reviews “Monsters of The Deep,” a show about
giant aquatic creatures that will be at Britain’s National Maritime Museum
Back in 1893, the biologist Thomas Henry Huxley wrote in The Times: ‘There is not an a priori reason that I know of why snake-bodied reptiles, from fifty feet long and upwards, should not disport themselves to our seas as they did those of the cretaceous epoch, which, geologically speaking, is a mere yesterday.’
Palaentologist Darren Naish, who is lead curator of the Falmouth exhibition,, is willing to entertain Huxley’s theory. “His was the right attitude at the time, because the life of the deep oceans was only just being discovered. (Monsters of the Deep makes much of the ground-breaking research led by HMS Challenger, which between 1872 and 1876 discovered 4,700 species of marine life.) Large fossil dinosaurs and early whales, and amazing gigantic living animals, had been discovered only relatively recently,’ Naish pints out.’The whale shark, the world’s biggest fish, was a mid 19th century discovery.
(5) AGAINST THE LAW. [Item by Martin Morse Wooster.] In “Six
Great Novels About Crime That Aren’t Quite Crime Novels” on CrimeReads,
Mat Osman looks at six novels, two of which, China Mieville’s The City &
The City and Michael Chabon’s The Yiddish Policemen’s Union, are
Hugo winners. He also writes about Michel Faber’s Under The Skin,
noting the novel is a “very different beast” than the filmed version.
The joy of The Yiddish Policemen’s Union is the way it lures you in with the most comforting of literary tropes. It’s a hard-bitten detective story about a boozy, lovelorn policeman with a seemingly unsolvable case. There are hard-drinking cops. There are underworld kingpins. There are unspoken codes of honor. So far, so Raymond Chandler. But under the surface another kind of book is flexing its muscles. It’s a what-if novel in which the post-WWII Jewish homeland is Alaska rather than Israel and the Messiah may (or may not) be on his way. It’s a setting that lets Chabon riff on his favored themes. Tall tales are told, language is toyed with (the Alaskan Jews call themselves The Frozen Chosen) and it builds to a denouement as vast as it is unexpected.
(6) BABY YODA ON THE COVER. That made me 1000% more
interested. On sale May 26 from Titan Comics, Star Wars: The Mandalorian The
Art & Imagery–Collector’s Edition Vol.1.
This deluxe edition collects the stunning artwork from the first four chapters of the Disney+ smash hit, highlighting the characters, creatures, allies, enemies and environments of this all-new Star Wars story.
(7) TODAY IN HISTORY.
March 19, 1990 — Repo Men premiered. It was directed by Miguel Sapochnik. It starred Jude Law, Forest Whitaker, Liev Schreiber and Alice Braga. It was based on Eric Garcia’s The Repossession Mambo who co-wrote the screenplay with Garrett Lerner. It wasn’t well-received by critics at the time, nor does the audience over at Rotten Tomatoes care for it giving it a 21% rating.
March 19, 1999 — Farscape premiered on Syfy. The series was conceived by Rockne S. O’Bannon and produced by The Jim Henson Company and Hallmark Entertainment. The Jim Henson Company was responsible for the various alien make-up and prosthetics, and two regular characters, Rygel and Pilot were completely Creature Shop creations. Filmed in Australia, it would would last for four seasons ending in The Peacekeeper Wars.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born March 19, 1821 – Sir Richard Francis Burton KCMG FRGS. He was a geographer, translator, writer, soldier, orientalist when that term wasn’t a curse word, cartographer, ethnologist, spy, linguist, poet, fencer and diplomat. And the translator of an unexpurgated translation of One Thousand and One Nights. Along with Vikram and the Vampire or Tales of Hindu Devilry. Mind you, he was also the publisher of both Kama Sutra and The Perfume Garden. (Died 1890.)
Born March 19, 1919 – Patricia Laffan. She was the alien Nyah in Devil Girl from Mars, a Fifties pulp film which you can see here. (Died 2014.)
Born March 19, 1926 – Joe L. Hensley. He was a First Fandom Dinosaur which is to say he was active in fandom prior to July 4, 1939 and he received the First Fandom Hall of Fame Award. He is also a published genre author with ”And Not Quite Human” in the September 1953 issue of Beyond Fantasy Fiction being his first published work, and The Black Roads being his only genre novel. It does not appear that his genre works are available in digital editions. (Died 2007.)
Born March 19, 1928 – Patrick McGoohan. Creator, along with George Markstein, of The Prisoner series with him playing the main role of Number Six. I’ve watched it at least several times down the years. It never gets any clearer but it’s always interesting and always weird. Other genre credits do not include Danger Man but does comprise a short list of The Phantom where he played The Phantom’s father, Treasure Planet where he voiced Billy Bones and Journey into Darkness where he was The Host. (Died 2009.)
Born March 19, 1936 – Ursula Andress, 84. I’msure I’ve seen all of the original Bond films though I’ll be damned I remember where or when I saw them. Which is my way of leading up to saying that I don’t remember her in her roles as either as Honey Ryder in the very first Bond film, Dr. No, or as as Vesper Lynd in Casino Royale. Bond girls aren’t that memorable to me it seems. Hmmm… let’s see if she’s done any other genre work… well her first was The Tenth Victim based on Sheckley’s 1953 short story “Seventh Victim”. She also appeared in L’Infermiera, oops wrong genre, The Mountain of the Cannibal God, The Fifth Musketeer, Clash of the Titans where she played of course Aphrodite, on the Manimal series, The Love Boat series and the two Fantaghirò films.
Born March 19, 1945 – Jim Turner. Turner was editor for Arkham House after the death of August Derleth, founder of that press. After leaving Arkham House for reasons that are not at all clear, he founded Golden Gryphon Press which published really lovely books until it went out of existence. Too bad their original website doesn’t exist anymore, but you can still view captures at the Wayback Machine. (Died 1999.)
Born March 19, 1955 – Bruce Willis, 65. So do any of the Die Hard franchise count as genre? So even setting them aside, he has a very long genre list, to wit Death Becomes Her (bit of macabre fun), 12 Monkeys (weird shit), The Fifth Element (damn great), Armageddon (eight tentacles down), Looper (most excellent), The Sixth Sense (not at all bad), Sin City (typical Miller overkill) and Sin City: A Dame to Kill For (yet more Miller overkill).
Born March 19, 1964 – Marjorie Monaghan, 56. JoJo on all six episodes of Space Rangers. My brain keeps insisting it lasted much, much longer. She also was on Babylon 5 as the Mars Resistance leader during the Earth Alliance Civil War, where she was known as Number One. She’s also appeared on Quantum Leap, in the cyberpunk Nemesis film, in The Warlord: Battle for the Galaxy film, on Andromeda series, and on The Great War of Magellan film.
(9) COMICS SECTION.
Bizarro does not have the legend you’re looking for.
As the comics industry reacts to the social isolation response to the coronavirus, Image Comics publisher and CEO Eric Stephenson has released an open letter about what his company — the third-largest publisher in the U.S. market — is doing to lessen pressure on retailers struggling with reduced traffic to stores and enforced closures. He is also asking other publishers to follow suit.
In normal times, comic book stores must estimate how many issues of each comic they will sell, and pay upfront for inventory from publishers. However, as the coronavirus has dramatically shifted how many customers are coming into shops, Stephenson said Image will allow comic book stores to return orders for the next 60 days.
One of the precepts of emergency response is the title of this email: Adapt, improvise, overcome. It’s a phrase that gets mentioned several times in Machine, and I found myself thinking of it last night as I chatted with friends in various corners of the internet about the economic repercussions of the current xombie apocalypse. I see a lot of fear, and a lot of people saying “If we have to do this quarantine bullshit for 18 months the economy will never recover.”
A problem here is that we’ve been taught (by entertainment) to think of massive catastrophes as The End Of The World because that makes a better story. And I don’t want to minimize the grief and suffering that we endure in a catastrophe, be it a hurricane or an earthquake or a war or a pandemic. That is real.
….Like the best crime fiction, Chaykin’s work is well versed in the morally ambiguous protagonist, as opposed to the steel-jawed, superheroic superman.
“My work more often than not betrays that hero with a wound thing, with a protagonist who is far from morally sound—and informs my interest in telling stories without a hero who does the right thing, that right thing as defined by an audience trained to love this romantic vision of the world,” Chaykin said. “And don’t get me started with the “rich guy who had a bad day when he was eight and turns to wage war on crime” model, either.”
It’s been a pretty difficult set of weeks lately. In addition to normal life grinding to a halt, conventions and gatherings have been canceled. Galactic Journey was scheduled to present at a number of venues over the next several months. That’s all fallen by the wayside.
Thanks to the miracle of TELSTAR, SYNCOM, and RELAY, Galactic Journey can still perform for you, coming to you Live, Coast to Coast, in the comfort of your own living rooms!
That’s right — we are reviving Galactic Journey’s “Come Time Travel with Me” show, an hour-long (more or less) trip back in time exactly 55 years.
We’ll be covering science fiction, the Space Race, the recent civil rights march in Alabama, fashion, politics — you name it. And we mean YOU. After our introduction, it’ll be your questions that guide the course of the program. And the best questions will win a prize!
So come join us, March 27, 1965 (2020) at 6PM PDT. All you need is a screen and an hour. We’ll provide the rest.
NASA unsticks its Martian digging probe by whacking it with a shovel.
Every day, the InSight lander’s suite of instruments sends back data proving that the Red Planet isn’t really dead. Marsquakes rumble the seismometer. Swirling vortices register on onboard pressure sensor. And temperature sensors help track the weather and changing of the seasons.
Despite the lander’s successes, however, one gauge has met with resistance from the Martian environment while trying to carry out its mission. Something has stopped InSight’s 15-inch digging probe, dubbed “the mole” for its burrowing prowess. Instead of diving deep into the Martian sand where it could take the planet’s temperature, it’s been stuck half-buried. An intercontinental team of MacGyvers has spent a year devising successively daring plans to get the mole digging again, but still it flounders on the surface. Now their final gambit—directly pushing the mole into the soil—has shown tentative signs of success, NASA announced Friday on Twitter.
The goal of the mole, which is the measurement probe of InSight’s Heat Flow and Physical Properties Package (or HP3), is to track the temperature variations of Mars itself. This heat comes from Mars’s core, which, like Earth’s core, remains warm from the planet’s birth. By measuring it, researchers hope to learn about Mars’s formation—but from the rod-shaped mole’s current position they can get readings only of the surface temperature. Mission planners hope to ideally reach 15 feet underground to escape the warming and cooling from the Martian seasons that would interfere with reading the planet’s true temperature.
“I always thought, ‘let’s ask Mark Watney [the fictional protagonist of the book The Martian] to just go over there and just push a little bit on the mole,’” said Tilman Spohn, the HP3’s principle investigator.
But without any Martian explorers to lend a hand, Spohn and his colleagues on the “anomaly response team” have had to improvise with the only tool available—a small shovel-like “scoop” on the end of InSight’s robotic arm. Over the last year they’ve tried to punch down the walls of the hole around the mole, to fill in the hole with nearby sand, and to give the mole more purchase by pinning it against the side of the hole with the scoop. But to no avail.
China’s first journey to Mars is one of the most anticipated space missions of the year. But with parts of the country in some form of lockdown because of the coronavirus, the mission teams have had to find creative ways to continue their work. Researchers involved in the mission remain tight-lipped about its key aspects, but several reports from Chinese state media say that the outbreak will not affect the July launch — the only window for another two years…
On Tuesday, the actor and writer partook in the ancient theatrical tradition that is trying to understand the baffling, inscrutable movie-musical Cats (recently available on digital). Rogen wrote a long Twitter thread about the experience, marveling at the impossibly small cat shoes worn by several characters and wondering what the hell a “Jellicle” is, anyway. (For the record, that made-up word is a play on how posh Brits pronounce “dear little” cats).
In the process, Rogen also tweet-quoted a post from screenwriter Jack Waz, who claimed to know a visual effects artist who had been tapped to work on Cats back in November. That VFX person’s job? “To remove CGI buttholes that had been inserted a few months before,” Waz wrote. “Which means that, somewhere out there, there exists a butthole cut of Cats.”
…With The Rise of Skywalker concluding the iconic Skywalker saga and wrapping up Williams’ time in a galaxy far, far away, J.J. Abrams made sure to put Williams in front of the camera in the film. Williams has a minor Rise of Skywalker cameo, appearing in a seedy establishment on Kijimi as the Resistance heroes make their way to meet Babu Frik. Getting the opportunity to see Williams onscreen was thrilling enough for fans, but the scene also includes several nods to his unparalleled career.
The making-of documentary in the Rise of Skywalker home media release has a segment focused on Williams. In it, Abrams reveals each of the props surrounding Williams represents the 51 Oscar nominations Williams received up to that point. Examples include Indiana Jones’ whip from Raiders of the Lost Ark, the barrels from Jaws, and the iron from Home Alone….
[Thanks to Cat Eldridge, Chip Hitchcock, Martin Morse Wooster,
Michael Toman, JJ, John King Tarpinian, Mike Kennedy, Contrarius, SF
Concatenation’s Jonathan Cowie, and Andrew Porter for some of these stories.
Title credit goes to File 770 contributing editor of the day Anna Nimmhaus.]
…Let’s take a step back. At 77, Ford apparently hasn’t quite completed the valedictory tour of his most beloved roles which began back in 2008 with Indiana Jones and the Kingdom of the Crystal Skull, continued with Star Wars: The Force Awakens in 2015 and rounded off with Blade Runner 2049 in 2017. During that run it felt like Ford was being very savvy in using Rick Dekkard, Han Solo and Indy to cement his legacy and remind younger audiences that he wasn’t always a man badly CGI’d into the fight scene in Anchorman 2: The Legend Continues.
(2) RAGTIME GAL. [Item by Daniel Dern.] Finally saw The
Rise of Skywalker.
we hadn’t expected to see included:
Jar-Jar Binks’ daughter showing as the new Darth Vader. (Helmet problems, of course, ears ended up dangling out from visor, tssk!)
The Force Ghost of Yoda does a comedy song routine, including some action riffs from Singing in the Rain and Make ‘Em Laugh. Using lightsaber as a cane/umbrella was inspired!
…As a public figure, the contract between an author and a reader is as follows:
Author writes the book. Reader purchases and reads the book.
That’s it. That’s the sum total. Purchasing a book or wanting to be an aspiring author doesn’t entitle you access to an author’s social media any more than it entitles you to sleep in their bedroom at night. Social media is necessary marketing for authors, but that doesn’t mean they have to engage with unpleasantness. Some do. In the past, I often have. But I’m older, and hypertension is a thing, and quite frankly, I don’t need the bullshit. If I invite you into my living room, am I expected to sit there and let you call me an “arrogant egotistical asshole with sycophants surrounding” me simply because you shared a link to my podcast a few days ago, or because you bought a book by me at some point?
I don’t block people for politics. I don’t block them for what they like or dislike, or for who they follow. But if I feel someone is being purposely antagonistic or ignorant, or if I think they’re the latest in a very, very, very, very long line of geniuses whose beginning and ending marketing plan is, “I’ll pick a fight with Brian Keene/Nick Mamatas/Wrath James White/insert other name here and that will get me noticed” (a ploy so old, by the way, that Maurice Broaddus wrote about it way back in 2005), or if I think they have the potential to join in on those shenanigans, then yeah, I block them. It’s better for my mental health, and it’s definitely better for my blood pressure.
In support of the Retro Hugos project for CoNZealand, we’ve added an alphabetical list of 1944 fanzines. It is the largest list of 1944 fanzines that we could compile. We have linked, both from our site and others, all the zines we can find to give you the ability to read what was going on in 1944. We will link to additional zines as we find them, and are also still scanning more ourselves. If you know of appropriate materials not on the list, please let us know. We hope this will give you some ability to judge the 1944 materials first hand. Much of it may not seem of significant quality to us today, but it gives context and the ability to compare the writers and editors of 1944, rather than just relying on their later reputations.”…Joe Siclari
(8) CLI-FI FICTION CONTEST. The Imagination
and Climate Futures Initiative launched their third global climate fiction
writing contest yesterday. The Everything Change Climate Fiction Contest 2020 is
taking submissions until April 15. Full guidelines at the link.
Inspired by the incredible international response to our climate fiction contests in 2016 and 2018, we are proud to announce our third contest in 2020—a momentous year for climate action, and an unprecedented opportunity to reimagine how humans will live on this planet in the future.
Work will be selected and judged by Claire Vaye Watkins, a Guggenheim Fellow, winner of The Story Prize, and the New York Public Library Young Lions Fiction Award, and author of Gold Fame Citrus, a climate fiction novel that was named a best book of 2015 by The Washington Post, The Atlantic, and NPR. Claire will join an interdisciplinary group of judges with expertise in climate science, sustainability, creative writing, and environmental literature.
All genres are welcome. The author of the winning story will receive a $1000 prize, and nine finalists will receive $100 prizes. The winning story and finalists will be published in an anthology by the Imagination and Climate Futures Initiative at Arizona State University.
(9) HEMMING AWARD NOMINEES SOUGHT. The Australian Science
Fiction Foundation (ASFF) is taking entries in the Norma K Hemming Award for
works published in 2019. Submit items here through February 29.
Designed to recognise excellence in the exploration of themes of race, gender, sexuality, class or disability in a published speculative fiction work, the Norma K Hemming Award is now open for entries.
The award is open to short fiction, novellas, novels, anthologies, collections, graphic novels and stage plays, and makes allowances for serialised work. Entry is free for all works, and entries may be provided to the judges in print or digital format.
Two prizes will be given, one for short fiction (up to 17,500 words) and one award for long work (novellas, novels, collections, anthologies, graphic novels and play scripts), with a cash prize and citation awarded.
Nominations are open to all eligible work produced in 2019.
“We encourage publishers and creators to carefully consider their work from the eligible period,” said award administrator Tehani Croft. “It is our goal to see all eligible material considered by the jurors. It is important to us that every person has the opportunity to see themselves reflected in fiction, and we hope that the Norma can have some part to play in making works dealing in themes of race, gender, sexuality, class or disability in speculative fiction more visible.”
(10) CLARK OBIT. Bestselling thriller author Mary Higgins
January 31 at 92. The LA Times notice ends —
Married since 1996 to former Merrill Lynch Futures Chief Executive John J. Conheeney, she remembered well the day she said goodbye to hard times. It was in April of 1977, and her agent had told her that Simon & Schuster was offering $500,000 for the hardcover to her third novel, “A Stranger Is Watching,” and that the publisher Dell was paying $1 million for the paperback. She had been running her own script production company during the day and studying for a philosophy degree at Fordham University at night, returning home to New Jersey in an old car with more than 100,000 miles on it.
“As I drove onto the Henry Hudson Parkway, the tailpipe and muffler came loose and began dragging on the ground. For the next 21 miles, I kur-plunked, kur-plunked, all the way home,” she wrote in her memoir. “People in other cars kept honking and beeping, obviously sure that I was either too stupid or too deaf to hear the racket.
“The next day I bought a Cadillac!”
(11) TODAY IN HISTORY.
February 4, 1983 — Videodrome premiered. It was written and directed by David Cronenberg, with a cast of James Woods, Sonja Smits, and Debbie Harry. It was the first film by Cronenberg to get Hollywood backing and it bombed earning back only two million dollars of its nearly six million budget. In spite of that, critics and audience goers alike found it to a good film. Today it is considered his best film by many, and it holds a sterling 80% rating among reviewers at Rotten Tomatoes.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 4, 1922 — William Phipps. He started off his genre career by being in both The War of The Worlds and Invaders from Mars. He’d later be in Cat-Women of the Moon, The Snow Creature, The Evil of Frankenstein, and the Dune series. He’d have one-offs in Batman, Green Hornet, The Munsters, Wild Wild West and a lead role in the Time Express series which would last four episodes according IMDB. (Died 2018.)
Born February 4, 1925 — Russell Hoban. Author of a number of genre novel of which the best by far is Riddley Walker. Indeed, ISFDB lists some fifteen such novels by him, so I’m curious how he is as a genre writer beyond Riddley Walker. (Died 2011.)
Born February 4, 1936 — Gary Conway, 84. Best remembered I’d say for starring in Irwin Allen‘s Land of the Giants. You can see the opening episode here. He was also in How to Make a Monster, a late Fifties horror film which I’m delighted to say that you can watch here. He’s the Young Frankenstein in it.
Born February 4, 1940 — George A. Romero. He’s got an impressive listing form the Dead films, I count seven of them, to Knightriders, which is truly genre adjacent at best, and one of my favorites of his, Tales from the Darkside: The Movie. Oh, and he wasn’t quite as ubiquitous as Stan Lee, but he did show up in at least seven of his films. (Died 2017.)
Born February 4, 1940 — John Schuck, 80. My favorite SF role by him is as the second Draal, Keeper of the Great Machine, on the Babylon 5 series. I know it was only two episodes but it was a fun role. He’s also played the role of Klingon ambassador Kamarag in Star Trek IV: The Voyage Home and in Star Trek VI: The Undiscovered Country. He guest starred in Deep Space Nine as Legate Parn in “The Maquis: Part II”, on Star Trek: Voyager as Chorus #3 in the “Muse” episode, and on Enterprise as Antaak in the “Divergence” and “Affliction” episodes. Oh, and he was Herman Munster in The Munsters Today. Now that was a silly role! Did you know his makeup was the Universal International Frankenstein-monster makeup format whose copyright NBCUniversal still owns?
Born February 4, 1959 — Pamelyn Ferdin, 60. She was in the “And the Children Shall Lead” episode of Trek. She’ll show up in The Flying Nun (as two different characters), voicing a role in The Cat in The Hat short, Night Gallery, Sealab 2020 (another voice acting gig), Shazam! and Project UFO. She’d have a main role in Space Academy, the Jonathan Harris failed series as well.
Born February 4, 1961 — Neal Asher, 59. I’ve been reading and enjoying his Polity series since he started it nearly twenty years ago. Listing all of his works here would drive OGH to a nervous tick as I think there’s now close to thirty works in total. I’m listening to The Line War right now and it’s typically filled with a mix of outrageous SF concepts (Dyson spheres in the middle of a hundred thousand year construction cycles) and humans who might not be human (Ian Cormac is back again). As I said last year, h the sort of writer that I think drives our Puppies to madness — literate pulp SF pumped out fast that readers like.
Born February 4, 1962 — Thomas Scott Winnett. Locus magazine editorial assistant and reviewer from 1989 to 1994. He worked on Locus looks at books and Books received as well. In addition, he wrote well over a hundred review reviews for Locus. He died of AIDS-related pneumonia. (Died 2004.)
This is the story of a very old, and very big idea. When I first had it, I was thirteen years old, and the idea was so big that I couldn’t even wrap my mind around it. It was the idea for a world of cavern cities, where families were restricted in their professions, and about conflicts of power… but until I’d turned this idea over hundreds of times, over years, it always seemed out of my grasp. I learned about anthropology, and added a new social awareness to my idea, and realized it was for a work of sociological science fiction. I studied linguistics, and added that, too. I tried to write a story about it, knew it was wrong, and learned more, and wrote it again. I concentrated hard on learning how language and the world around us reflect our concepts of our social selves, and wrote it again.
Until it stopped being wrong, and became the world of Varin….
(15) TRUE GRIT. Dune and The Martian are two
of the recommendations on Penguin Random House’s “Books
to Read on a Desert Island”, which makes an unintentionally humorous
kind of sense….
So you found yourself stranded on a desert island, what book do you wish you had with you? More realistically, you’re sitting on a long plane flight or waiting for an appointment, but the question still applies! We’ve suggested a few fiction and nonfiction books below that will have you contemplating life or forgetting reality.
…But in 2000, the FBI got an anonymous tip about an “Uncle Jerry” rigging the McDonald’s competition. The organization launched an investigation that would uncover the fact that many of the winners—despite the out-of-state addresses they listed—actually lived within a 25-mile radius of the lakefront home Jacobson owned. According to the Daily Beast, “25 agents across the country…tracked 20,000 phone numbers, and recorded 235 cassette tapes of telephone calls.” McDonald’s even sent an employee undercover to help the FBI stage a fake TV commercial campaign—Argo–style—to get the fraudulent winners to incriminate themselves on camera. There were raids. And in 2001, in a scene tailor-made for the third act of an action thriller, McDonald’s launched another Monopoly game—knowing that their game had been compromised—because the FBI needed more evidence.
(17) EXTRAORDINARY. Adler #1 will be released in comic shops tomorrow. “Irene Adler is on a mission to take down Sherlock’s greatest nemesis, Moriarty!”
It’s the League of Extraordinary Gentlewomen, as Adler teams up with a host of famous female faces from history and literature to defeat the greatest criminal mastermind of all time!
Written by World Fantasy Award Winner Lavie Tidhar, with art by Paul McCaffrey (TMNT).
Tulane University has acquired the complete archives of bestselling author Anne Rice, who was born and raised in New Orleans and whose books, including “Interview with the Vampire,” often drew inspiration from her hometown.
The collection was a gift from Stuart Rose and the Stuart Rose Family Foundation to the university’s Howard-Tilton Memorial Library, the university said in a statement.
“That Tulane has provided a home for my papers is exciting and comforting,” Rice said in the statement. “All my novels — in a career spanning more than 40 years — have been profoundly influenced by the history and beauty of New Orleans, and by its unique ambience in which my imagination flourished even in early childhood.”
Rice has written 30 novels. She moved to California to attend university and has spent much of her life since then in California, according to her biography. But New Orleans has played a central role in much of her fiction.
Scientists have found a clue to how autism spectrum disorder disrupts the brain’s information highways.
The problem involves cells that help keep the traffic of signals moving smoothly through brain circuits, a team reported Monday in the journal Nature Neuroscience.
The team found that in both mouse and human brains affected by autism, there’s an abnormality in cells that produce a substance called myelin.
That’s a problem because myelin provides the “insulation” for brain circuits, allowing them to quickly and reliably carry electrical signals from one area to another. And having either too little or too much of this myelin coating can result in a wide range of neurological problems.
For example, multiple sclerosis occurs when the myelin around nerve fibers is damaged. The results, which vary from person to person, can affect not only the signals that control muscles, but also the ones involved in learning and thinking.
The finding could help explain why autism spectrum disorders include such a wide range of social and behavioral features, says Brady Maher, a lead investigator at the Lieber Institute for Brain Development and an associate professor in the psychiatry department at Johns Hopkins School of Medicine.
“Myelination could be a problem that ties all of these autism spectrum disorders together,” Maher says. And if that’s true, he says, it might be possible to prevent or even reverse the symptoms using drugs that affect myelination.
“If we get to these kids really early, we might be able to change their developmental trajectory and improve their outcomes,” Maher says.
A man’s doorbell camera has captured a celestial light show as what is thought to be a meteor dropped through the night sky in Derby.
Gary Rogers, 52, who captured the footage about 23:30 GMT on Monday, said he was amazed and felt lucky to have seen it.
Experts at the National Space Centre in Leicester said they believe it was a bolide – a bright meteor that explodes in the atmosphere.
Rob Dawes, chairman of nearby Sherwood Observatory, said the brightness suggested it was larger than a normal meteor.
He said: “[Mr Rogers] was very lucky to get such a nice bright one. But you’d be surprised how many of these do come into the atmosphere at any time of year.”
[Thanks to Chip Hitchcock, Cat Eldridge, John King Tarpinian,
Martin Morse Wooster, JJ, Mike Kennedy, Michael Toman, Daniel Dern, and Andrew
Porter for some of these stories. Title credit goes to File 770 contributing
editor of the day Anna Nimmhaus.]