SFWA Releases the Bud Webster Legacy Kit to Aid Authors in Protecting Their Literary Estates

Science Fiction and Fantasy Writers of America, Inc. (SFWA) has released the Bud Webster Legacy Kit to aid professional writers in compiling the resources they need to protect their legacies. The Legacy Kit is available online at the SFWA website and as a PDF

The Legacy Kit was created in honor of Bud Webster, a driving force behind the SFWA Estates Program. It includes a checklist of important documents, sample book inventories and tables, and a layman’s glossary of important terms in addition to explanatory articles on the relevant topics. With this resource, writers can begin to plan what happens to their literary properties after their deaths. These materials will aid in that process, though they do not constitute or replace advice from a lawyer. 

The kit is available for all writers, not just SFWA members, to read or download and can be freely distributed with proper credit given. Other writing organizations are encouraged to share these materials, and the SFWA Legacy Committee members may be approached to develop seminars, workshops, and presentations on this important topic. The material will be updated quarterly to ensure relevance and incorporate new information as needed.

“SFWA hopes the Legacy Kit will help writers and their loved ones prepare their estates and protect their intellectual property in the event of emergencies or passing on,” said SFWA Vice President Tobias S. Buckell.

The Legacy Kit was written, researched, compiled, and produced by the members of the SFWA Legacy Committee, which falls under the umbrella of SFWA’s Estate Project. Committee members include Jean Marie Ward, Jeanne Adams, and Erin Wilcox. Others who contributed time and expertise to the effort include Julian Block, M. L. Buchman, Kim Headlee, James P. Nettles, Kristine Kathryn Rusch, Lawrence M. Schoen, Jonathan M. Wall, and Diane Whiteside. 

Bud Webster (1952-2016)

“It’s been a privilege to work on the Bud Webster Legacy Kit from its inception under Lawrence M. Schoen, to the creation of the Legacy Committee under Tobias Buckell, to today when it takes its place on the SFWA website alongside the Bud Webster Estate Project,” said Jean Marie Ward, who led the committee. “It’s not just about what happens to a writer’s legacy after their death. It’s also about helping writers get the most value for their creative endeavors while they live.”

A PDF copy of the Legacy Kit is available here.

The SFWA Estate Project promotes and helps preserve the work of those writers who helped build the science fiction and fantasy field, as well as more recently deceased writers, to ensure that legitimate publication of their works can take place without violating copyright protection.

[Based on a press release.]

More Bradbury Literary Dividends

(1) IN VINO VERITAS. How’s your Finnish? Tähtivaeltajablogi has put up a post about the translation of Bradbury’s Dandleion Wine, “Kirjat – Ray Bradbury: Voikukkaviiniä”. The beautiful cover speaks for itself!

(2) LASFL DAZE. “Ray Bradbury’s Clubhouse” chronicles Ray’s earliest contact with fandom at First Fandom Experience.

…In Surround Yourself With Your Loves and Live Forever, edited by John L. Coker III, Bradbury’s friend Ray Harryhausen later recalled:

“In the mid-1930s when I was still in high school, Forry told me about the little brown room in Clifton’s Cafeteria, where the Los Angeles chapter of the Science Fiction League would meet every Thursday. Robert Heinlein used to come around, and a guy named Ray Bradbury. We were a group who liked the unusual.

“Ray would arrive wearing roller skates. After selling newspapers on the street corner he would skate to the meetings because he had no money. He used to go meet the stars at the Hollywood Theater where they did weekly radio broadcasts.”

(3) RAY & RAY. Eyes on Cinema presents an undated video of these two friends and creators in dialog: “The importance of curiosity with Ray Bradbury and Ray Harryhausen.”

(4) CALLING. This is from an interview with Tobias S. Buckell in the June Locus.  Buckell grew up biracial in the Caribbean Islands.

“Ray Bradbury has a story in The Martian Chronicles about a couple with a kid that dies.  The Martians can adopt whatever form people around them want, so one of them goes to their parents and looks just like the kid.  Their son is back from the dead, and they don’t care why–they fold him into their routine.  He starts disappearing a lot, so they follow him, and realize he’s also being a lot kid for another family along the way.  The two families call him back and forth like a dog until he just rips apart and dies.  I read that in high school in the US Virgin Islands and broke into tears.  That story literalizes a metaphor about the question you asked earlier, about being pulled to one side or the other.  That story is not about being biracial–but for me it was.”

(5) DESPARACION DE LOS LIBROS. Ray Bradbury was interviewed by Cristina Mucci on the Argentine TV show Los siete locos in 1997. The program is “dedicated to the dissemination of books and culture.” Bradbury’s answers were broadcast with Spanish subtitles. Early on, he was asked about Fahrenheit 451.

(6) A VISIT ON CABLE TV. The Planetary Society has posted this 1982 interview with Bradbury on their YouTube channel.

Mat Kaplan crossed paths with author, poet, and visionary Ray Bradbury many times across three decades. UK Planetary Radio fan and Bradbury expert Dr. Philip Nichols recently revealed that he had a VHS copy of Mat’s first interview with Ray, conducted in 1982. The author of The Martian Chronicles was a frequent visitor to Long Beach, California where Mat managed a cable television channel. Here’s that interview.

(7) SCREEN PASS. Christine Novell considers “Modern Plagues and the Prescience of Ray Bradbury” at The Imaginative Conservative.

…In the world of pandemia in 2020, Bradbury’s stories resonate with a different irony. For those who can afford the technology, screen life has become more critical than ever, critical to education, business, government, and ministry. It has become a way of connecting, a method of community. It keeps us close, yet as Bradbury thought, isolated from our neighbors and family. But that’s the nature of the current virus, a destroyer of community. Bradbury did not predict a plague-inspired isolation, at least not this type of plague.

Instead I think he saw technology as the plague that isolates, a relentless social force. He would ask us, “What are we dependent on? What can we not live without?” As if Bradbury was thinking aloud, he offers several “solutions.” We could destroy technology, especially if we realize it controls us too much. In “The Murderer” (1953) Albert Brock is arrested for shooting a television set, murdering a telephone, a wall radio, a wrist radio, intercom system, and other things. Brock is happily committed to an institution for six months in a quiet cell. This is the stance of a rebel, not a conformist….

(8) THE TAKEAWAY. Sam Weller, the Bradbury biographer, has assembled an online course for Columbia College Chicago, “Creative Storytelling Featuring Ray Bradbury”.

Experience the transformative power of creative writing through the life and works of famed fantasy writer, Ray Bradbury. As the author of Fahrenheit 451, Bradbury remains one of the 20th century’s most visionary and celebrated writers. This course explores practical creative writing strategies through a deep dive into the “dark fantasy” of Ray Bradbury.

(9) APOLLO 11 NIGHT. Ray Bradbury is interviewed on the night of the first moon landing by Mike Wallace. From Comic-con 2009, Ray’s own DVD. Part 1 of 2

Ray Bradbury Moon Landing Interview part 2

Marc Scott Zicree (“Mr. Sci-Fi”) tells where he was when the Moon landing happened. And he also relates Ray Bradbury’s anecdote about why he skipped out on David Frost’s show that night to find someone who would interview him about this great event.

(10) WICKED GOOD. [Item by Martin Morse Wooster.] In the Washington Post, Angela Haupt asked 13 novelists “which books they like best when they need to get away.”  Pierce Brown recommended Something Wicked This Way Comes.  Diana Gabaldon is the only sf or fantasy novelist whose name I recognize (I don’t know current YA novelists) and she recommended Shogun. “Salman Rushdie, Diana Gabaldon and other authors reflect on the books they find most transporting”.

(11) NO THANKS. It’s a 1980 rejection letter from Ray Bradbury to Stan Lee. Makes you wonder what Stan submitted to Ray…

[Thanks to John King Tarpinian, and Martin Morse Wooster, for these stories.]

Pixel Scroll 6/2/20 The Pixel-Hinged File

(1) WOULD YOU BUY IT FOR A QUARTER? “Royal Mint launches first-ever augmented reality dinosaur coins”.

Royal Mint have released some very special dino coins.

Not only do they have amazing pictures of dinosaurs on them but they also are the first-ever to use augmented reality (AR).

Royal Mint, which makes most of the the UK’s coins, used the latest colour printing techniques to vividly show the megalosaurus, iguanodon and hylaeosaurus on the coins.

It worked closely with experts at the Natural History Museum to try to bring the prehistoric creatures to life.

The coins feature the dinosaurs and show where and when the first fossil was discovered.

After receiving the coin, collectors can use AR to scan the packaging to unearth facts, clips and images about the prehistoric beasts.

(2) FUTURE TENSE. The May 2020 entry in the Center for Science and the Imagination’s Future Tense Fiction series is “Scar Tissue” by Tobias S. Buckell.

The evening before you sign and take delivery of your son, you call Charlie and tell him you think you’ve made a huge mistake.

“Let me come on over and split a few with you,” he says. “I haven’t seen the fire pit yet.”

It was published along with a response essay, “When the Robot You Consider Family Tries to Sell You Something” by John Frank Weaver, an attorney who works on AI law, and author of the book Robots Are People Too

… That’s the part that worries me, as artificial intelligence applications may be able to leverage the data to manipulate Cory and other people—just as technology, PR, and marketing companies try to do in our lives today.

(3) A BRAND NEW ENDING. OH BOY. “Missing The Jackpot: William Gibson’s Slow-Cooked Apocalypse” – Robert Barry interviews the author for The Quietus.

“There’s never been a culture that had a mythos of apocalypse in which the apocalypse was a multi-causal, longterm event.” William Gibson speaks in the whisper-soft drawl of a man who for a long time now has never had to speak up in order to be heard. Though a certain edge had crept into our conversation by this point, watching him stretch out on the leather chaise longue of this hotel library (“my second home,” he calls it, as we make our way up from the lobby), it struck me that few people are able to seem at once so apprehensive and yet so intensely relaxed about the prospect of the end of the world as we know it.

“But if we are in fact facing an apocalypse,” he continues, getting now into the swing of this particular riff, “that’s the sort we’re facing. And I think that that may be what makes it so difficult for us to get our heads around what’s happening to us.”

(4) X MAGNIFICATION. In his column for CrimeReads, “Chris Claremont And The Making of an X-Men Icon”, Alex Segura interviews Claremont on his creation of Jean Grey, the Dark Phoenix, and her role in the X-Men saga.

…Though Claremont accepts the thesis that Dark Phoenix is, in many ways, in tune with the femme fatale trope, he’s not sure it’s totally apt.

“I’m not sure I would consider her a femme fatale. That actually is more Mystique’s side of the ledger,” Claremont said, referring to the blue-skinned, shape-changing mutant villain he’d introduce a bit later in his run. But the writer cannot deny the influence he and initial X-Men series artist Dave Cockrum had in reshaping Jean Grey—moving her from soft-spoken B-list heroine to full-on goddess.

“The fun with Jean for example was that when I first took over X-Men, Jean was a relatively two-and-a-half-dimensional character,” Claremont said. “What you had there was essentially unchanged from what [X-Men co-creator] Stan Lee had introduced years before. And we wanted to, I think, rough things up a tad but in the process, explore her more.”

(5) SAY CHEESE. In the Washington Post, Lela Nargi reports on the U.S. Geological Survey’s Unified Geologic Map Of The Moon, in which the survey combined maps made during the Apollo missions with subsequent satellite photo missions to create “the definitive blueprint of the moon’s surface geology.” “A new map shows the moon as it’s never been seen”.

…The USGS, which released the map in April, makes a lot of maps of Earth. It is also the “only institution in the world that creates standardized maps for surfaces that are not on Earth,” says USGS research geologist James Skinner. That includes Mars and other planets and moons in our solar system.

The new moon map took more than 50 years to make. It started with six original maps collected from the Apollo missions to the moon in the 1960s and ’70s. The maps did a good job of showing the basic layout of the moon.

New technology has made it possible to create an updated map and “turn it into information scientists can use,” says Skinner.

(6) I WAS BORN UNDER A WANDERING STAR. James Davis Nicoll introduces us to lots of characters who can make that claim in “Planets on the Move: SF Stories Featuring World-Ships” at Tor.com.

Recently, we discussed science fiction stories about naturally occurring rogue worlds; there is, of course, another sort of wandering planet. That would be the deliberately-impelled variety, featured in stories in which ambitious travellers take an entire world along with them. This approach has many obvious advantages, not the least of which is that it greatly simplifies pre-flight packing….

(7) TODAY IN HISTORY.

  • June 2, 1950 Rocketship X-M premiered. The film was produced and directed by Kurt Neumann. The screenplay was by Orville H. Hampton, Kurt Neumann and Dalton Trumbo (of Johnny Got His Gun fame). It starred Lloyd Bridges, Osa Massen, John Emery, Noah Beery, Jr., Hugh O’Brian, and Morris Ankrum. It was shot on a budget of ninety-four thousand dollars. It was nominated for the 1951 Retro Hugo Award for Best Dramatic Presentation at the Millennium Philcon when Destination Moon won that Award. Fandom holds it in higher esteem than audience reviewers at Rotten Tomatoes do who give it a 16% rating! Oh, and it was the first SF film to use a theremin in the soundtrack. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born June 2, 1857 – Karl Gjellerup.  In The Pilgrim Kamanita, the Pilgrimmeets a strange monk who he does not know is Gautama Buddha.  In The World-Roamers, characters re-experience happenings of former eons.  In The Holiest Animal, the snake that killed Cleopatra, Odysseus’ dog, Jesus’ donkey, and others, meeting after death, choose as the holiest animal the Buddha’s horse – but he has vanished without a trace, to Nirvana.  Nobel Prize in Literature.  Translated into Dutch, English, German, Polish, Swedish, Thai.  (Died 1919) [JH]
  • Born June 2, 1899 – Lotte Reiniger.  Pioneer of silhouette animation.  Animated intertitles and wooden rats for Paul Wegener’s Pied Piper of Hamelin (1918); a falcon for Fritz Lang’s Nibelungen (Part 1 – Siegfried, 1924).  Her own Adventures of Prince Achmed (1926) is the oldest known surviving feature-length animated film.  Doctor Dolittle and His Animals, 1928.  Her early version of a mutiplane camera preceded Walt Disney and Ub Iwerks by a decade.  Great Cross of the Order of Merit of the Fed’l Republic of Germany, 1979.  (Died 1981) [JH]
  • Born June 2, 1915 – Lester del Rey.  Fan, pro, short-order cook.  Used many names, not least of which was Ramon Felipe San Juan Mario Silvio Enrico Smith Heathcourt-Brace Sierra y Alvarez-del-Rey de los Verdes.  Two dozen novels alone and with others; a hundred shorter stories (see the 2-vol. Selected Short Stories); half a dozen non-fiction books; Skylark Award, SFWA (Science Fiction & Fantasy Writers of America) Grand Master; translated into Croatian, Dutch, French, German, Italian, Japanese, Norwegian, Polish, Portuguese, Romanian, Russian, Spanish, Swedish; reviews for Analog, features editor for Galaxy; SF editor for Ballantine; with Judy-Lynn del Rey and after her death, Del Rey Books.  (Died 1993) [JH]
  • Born June 2, 1920 Robert A. Madle, 100. File 770 celebrates Bob’s big day in a separate post about his fannish career. And fanhistory website Fanac.org dedicated its splash page to a collection of pointers to the audio and video they have of Bob, such as a recording of his 1977 Worldcon Guest of Honor speech, as well as links to the fanzines he edited in the 1930s. (OGH)
  • Born June 2, 1921 Virginia Kidd. Literary agent, writer and editor, who worked mostly in SF and related fields. She represented R.A. Lafferty, Ursula K. Le Guin, Anne McCaffrey, Judith Merril, and Gene Wolfe. She was married to James Blish, and she published a handful of genre short fiction.  Wolfe modeled Ann Schindler, a character in Castleview, in large part on Kidd. (Died 2003.) (CE)
  • Born June 2, 1929 Norton Juster, 91. Author of The Phantom Tollbooth, he met Jules Feiffer who illustrates when he was taking his trash out. There is of course the superb film that followed. And let’s not forget The Dot and the Line: A Romance in Lower Mathematics, a work well worth an evening spent reading. (CE)
  • Born June 2, 1937 Sally Kellerman, 83. She makes the list for being Dr. Elizabeth Dehner in the superb episode of Trek “Where No Man Has Gone Before”. She also had one-offs on the Alfred Hitchcock HourThe Twilight ZoneThe Outer LimitsThe Invaders, and The Ray Bradbury Theater. She played Natasha Fatale in Boris and Natasha: The Movie. (CE)
  • Born June 2, 1948 – Leigh Edmonds.  Founder of ANZAPA (Australia – New Zealand Amateur Press Ass’n).  Melbourne SF Club Achievement Award.  First DUFF (Down Under Fan Fund) delegate, published Emu Tracks Over America.  First A-NZ Administrator of GUFF (Get-Up-and-over Fan Fund, or Going Under Fan Fund, in alternate years).  Helped organize 10th Australian natcon (i.e. national convention); Fan Guest of Honour (with Valma Brown) at 30th.  Two Ditmars for Best Fanzine, three for Best Fanwriter.  [JH] 
  • Born June 2, 1959 – Lloyd Penney.  Thirty years on Ad Astra con committees (Toronto); Chair 1993 & 1994. “Royal Canadian Mounted Starfleet” (with Yvonne Penney & others – and song) in Chicon IV Masquerade (40th Worldcon).  Also with Yvonne, Chairs of SMOFcon VI (Secret Masters Of Fandom, as Bruce Pelz said “a joke-nonjoke-joke”; con-runners’ con); CUFF (Canadian Unity Fan Fund) delegates, published Penneys Up the River; Fan Guests of Honor, Loscon XXXIV.  Prolific loccer (loc or LoC = letter of comment, the blood of fanzines); 5 FAAn (Fan Activity Achievement) Awards.  [JH]
  • Born June 2, 1963 – Katsuya Kondô.  Manga artist, character designer, animator, animation director.  His character designs are considered the epitome of the Studio Ghibli style.  Known for Kiki’s Delivery ServiceOcean Waves (both Ghibli); Jade Cocoon (PlayStation game); D’arc (2-vol. manga about Joan of Arc; with Ken’ichi Sakemi).  Recently, character design for Ronya, the Robber’s Daughter (Ghibli, 2014).  [JH]
  •  Born June 2, 1972 Wentworth Miller, 48. I’m including him here today as he plays Captain Cold on the Legends of Tomorrow which might one of the best SF series currently being aired. His first genre role was on Buffy and other than a stint on the Dinotopia miniseries, this role is his entire genre undertaking along with being on Flash. (CE) 
  • Born June 2, 1973 – Carlos Acosta.  Cuban director of Birmingham Royal Ballet; before that, 17 years at The Royal Ballet, many other companies.  Prix Benois de la Danse.  Commander of the Order of the British Empire for services to ballet.   Besides dancing in many fantasies (Afternoon of a FaunApolloThe NutcrackerSwan Lake) – and finding time for a wife and three children – he’s written a magic-realism novel, Pig’s Foot.  Memoir, No Way Home.  [JH]

(9) A POEM FOR THE DAY. By John Hertz:

May didn’t do it.
A month whose name’s almost young
Dealt him out to us.
Lively-minded, he connects
Energizing give and take.

 __________

An acrostic (read down the first letters) in 5-7-5-7-7-syllable lines.

(10) COMICS SECTION.

  • Speed Bump has a joke about dragon housekeeping.
  • Cul de Sac tries to imagine what makes up the universe.
  • Frazz tells us how to recognize “literature” when we read it. 

(11) CLASSIC SFF ART. The host of Science Fiction and Other Suspect Ruminations creatd a thread about the careers of artists Leo and Diane Dillon. It starts here.

(12) IN FRONT OF THE CAMERA. Lois McMaster Bujold has posted about her experiences at the online SFWA Nebula Conference, including the text of her Grandmaster award acceptance remarks which end —

… And, throughout it all, I have been endlessly supported by my agent, Eleanor Wood of Spectrum Literary Agency. We first met face-to-face at the Nebula weekend in New York City in 1989. The morning after _Falling Free_ won my first Nebula Award, we shook hands over a hotel breakfast in a deal I trust neither of us has had cause to regret. Though I don’t think either of us realized how long it would last, three decades and counting.

(13) HARE GROWTH. A new collection of shorts on HBO Max, Looney Tunes Cartoons, captures the look and feel of the originals. The New York Times article may be paywalled; here are the key points and cartoon link.

In “Dynamite Dance,” Elmer Fudd comes at Bugs Bunny with a scythe, prompting the hare to jam a stick of lit dynamite in Elmer’s mouth.

Over the course of the short animated video, the explosives get bigger and more plentiful, as Bugs jams dynamite in Elmer’s ears, atop his bald head, and down his pants. The relentless assault moves from rowboat to unicycle to biplane, each blast timed to the spirited melody of Ponchielli’s “Dance of the Hours.”

The short has the look, feel and unabashed mayhem of a classic “Looney Tunes” cartoon, circa the early 1940s. But “Dynamite Dance” is of much more recent vintage, one of scores of episodes created by a new crop of WarnerBros. animators over the past two years.

…“I always thought, ‘What if Warner Bros. had never stopped making “Looney Tunes” cartoons?’” said Peter Browngardt, the series executive producer and showrunner. “As much as we possibly could, we treated the production in that way.”

…The creators of the new series hope to do justice to the directors, animators and voice artists of the so-called Termite Terrace, a pest-ridden animation facility on Sunset Boulevard where many of the franchise’s most beloved characters were born.

“There was something about the energy of those early cartoons,” Browngardt said. “And those five directors: Frank Tashlin, Bob Clampett, Tex Avery before he left for MGM, Chuck Jones, and Friz Freleng. They literally invented a language of cinema.”

(14) EMPLOYEES ABOUT FACE AT FACEBOOK. NPR reports “Facebook Employees Revolt Over Zuckerberg’s Hands-Off Approach To Trump”.

Facebook is facing an unusually public backlash from its employees over the company’s handling of President Trump’s inflammatory posts about protests in the police killing of George Floyd, a black man in Minneapolis.

At least a dozen employees, some in senior positions, have openly condemned Facebook’s lack of action on the president’s posts and CEO Mark Zuckerberg’s defense of that decision. Some employees staged a virtual walkout Monday.

“Mark is wrong, and I will endeavor in the loudest possible way to change his mind,” tweeted Ryan Freitas, director of product design for Facebook’s news feed.

“I work at Facebook and I am not proud of how we’re showing up,” tweeted Jason Toff, director of product management. “The majority of coworkers I’ve spoken to feel the same way. We are making our voice heard.”

(15) GOING DOWN. NPR presents excerpts of the resetting of Orpheus and Eurydice (and Tony winner for Best Musical of 2019): “Hadestown: Tiny Desk Concert” — long audio/video.

You can probably guess that we recorded the original Broadway cast of Hadestown before the coronavirus pandemic made live theater (live anything) an untenable risk. The reminders are everywhere — in the way 16 performers bunch up behind the desk, singing formidably in close proximity as a large crowd gathers just off camera — that this took place in the Before-Times. To be specific, on March 2.

We’d actually been trying to put this show together since the spring of 2019, when Hadestown was a freshly Tony-nominated hit musical. We hit several delays along the way due to scheduling issues, only to end up rushing in an attempt to record while playwright Anaïs Mitchell — who wrote both the musical and the 2010 folk opera on which it’s based — was eight months pregnant.

Thankfully, we captured something truly glorious — a five-song distillation of a robust and impeccably staged Broadway production. A raucous full-cast tone-setter, “Way Down Hadestown” lets Hermes (André De Shields, in a role that won him a Tony) and Persephone (Kimberly Marable, filling in for Amber Gray) set the scene before a medley of “Come Home With Me” and “Wedding Song” finds Orpheus (Reeve Carney) and Eurydice (Eva Noblezada) meeting and falling in love. “When the Chips Are Down” showcases the three Fates — spirits who often drive the characters’ motivations — as played by Jewelle Blackman, Yvette Gonzalez-Nacer and Kay Trinidad. And in “Flowers,” Eurydice looks back with regret and resignation on her decision to leave Orpheus for the promise of Hadestown.

(16) NO NOSE IS BAD NOSE. From the Harvard Gazette: “Loss of taste and smell is best indicator of COVID-19, study shows”.

MGH, King’s College London researchers use crowdsourced data from app to monitor symptoms in 2.6 million, study how the disease spreads

Though fever, cough, and shortness of breath are the symptoms most commonly associated with COVID-19 infection, a recent study in which 2.6 million people used a smartphone app to log their symptoms daily showed that the most oddball pair of indicators — loss of smell and taste — was also the best predictor, and one that scientists said should be included in screening guidelines.

…The scientists adapted a smartphone app that had been created by corporate partner ZOE, a health science company, for research on how to personalize diet to address chronic disease. The new program, a free download from the Apple or Google app stores, collects demographic and health background information and then asks how the participant is feeling. If they’re feeling well, that’s the end of the daily entry. If they’re not it asks further questions about symptoms.

(17) BLIT FOR ANDROID? BBC asks “Why this photo is bricking some phones”.

Dozens of Android phone owners are reporting on social media that a picture featuring a lake, a cloudy sunset and a green shoreline is crashing their handsets when used as wallpaper.

Several brands seem to be affected, including Samsung and Google’s Pixel.

The bug makes the screen turn on and off continuously. In some cases a factory reset is required.

The BBC does not recommend trying it out.

Samsung is due to roll out out a maintenance update on 11 June. The BBC has contacted Google for comment but not yet had a response.

(18) VIDEO OF THE DAY. At Axios “Science fiction writers tell us how they see the coronavirus pandemic”.

  • Neil Gaiman, author of “Coraline”: “I think this period of time is going to be a fertile time for storytellers for decades and, I hope, centuries to come.
  • Lois Lowry, author of “The Giver”: “We’re at the part of the book where the reader is feeling a terrible sense of suspense.”
  • Nnedi Okorafor, author of “The Shadow Speaker”: “One thing I’ve felt since all of this has happened, is this idea of … oh my gosh, it’s finally happening.”
  • Max Brooks, author of “World War Z”: “Those big crises that affect us all have to be solved by all of us … it may not be some alpha male with a big gun or some clairvoyant wizard or someone with magical powers.”

[Thanks to Martin Morse Wooster, JJ, Chip Hitchcock, John King Tarpinian, Darrah Chavey, Joey Eschrich, Mike Kennedy, Michael Toman, Cat Eldridge, John Hertz, and Andre Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Joseph Hurtgen.]

Pixel Scroll 8/8/19 Damnit, Captain, I Am A Doctor, Not A Pixel-Scroller

(1) CODE OF CONDUCT INCIDENT. The Armadillocon 41 committee has posted an “ArmadilloCon Incident Report” about an event that happened August 3. The person removed from the con was not identified, nor have I found any statement of their own.

There was an incident at ArmadilloCon on Saturday night. A program participant who had gone significantly off-topic on a panel subsequently laid hands on another attendee. Several other attendees intervened and separated the two. 

The convention was notified of the incident and proceeded to suspend the program participant from programming pending the outcome of the investigation.  After speaking to several witnesses of this public incident and the program participant, the convention committee concluded that the program participant had violated the ArmadilloCon Code of Conduct.

The program participant was removed permanently from the programming schedule, their membership was revoked, and they left the convention without incident. 

ArmadilloCon cannot and will not tolerate violations of our Code of Conduct at the convention. Respect toward fellow attendees is paramount. 

(2) JMS. Yesterday’s Reddit “Ask Me Anything” with the Babylon 5 creator is available to read: “I’m J. Michael Straczynski, AKA JMS and we’re having an AMA to commemorate the release of my autobiography Becoming Superman we’re here to have a freewheeling back-and-forth on the TV series movies and comic books I’ve worked on.” Here’s his answer to “How fast can you write?”

I generally try to avoid writing something until it’s all right there in my head, and I have to get it all down before it disappears, so I end up writing in white heat, but only after a prolonged period of just thinking about it really hard. I’ve written hour-long TV scripts in 48 hours or less when there was an urgent need to do so, and I once rewrote an outside movie script in 72 hours when there was, again, a crisis situation and someone needed my help.

(3) BRADBURY CENTENNIAL. Symphony Space, a performing arts center on the Upper West Side of Manhattan presenting hundreds of music, literary, family, film, theatre, and dance events each year, will offer “Selected Shorts: Ray Bradbury Centennial Celebration” on May 20, 2020.

Selected Shorts salutes science fiction icon Ray Bradbury, credited as “the writer most responsible for bringing modern science fiction into the literary mainstream” by The New York Times. Host Neil Gaiman (Good Omens) takes the stage with Bradbury admirers who pay tribute to the legendary author’s unearthly short fiction and its enduring influence.

(4) MELVILLE BICENTENNIAL. The Argonaut’s Bliss Bowen describes Ray Bradbury’s contribution to the whale tale: “A celebration of “Moby Dick” recalls the sci-fi icon’s Venice-inspired take on Melville’s classic”.

“It’s not often in the life of a writer lightning truly strikes. And I mean, there he is on the steeple, begging for creative annihilation, and the heavens save up spit and let him have it. In one great hot flash, the lightning strikes. And you have an unbelievable tale delivered in one beauteous blow and are never so blessed again.”

That’s how Ray Bradbury described creative inspiration in his 1992 book “Green Shadows, White Whale.” It’s a lightly fictionalized account of six months he spent adapting Herman Melville’s 1851 novel “Moby Dick” into a screenplay for mercurial director John Huston’s 1956 film, when tensions between them were bristling because literary lightning bolts were not striking. Bradbury had by then published “The Martian Chronicles” (1950) and “Fahrenheit 451” (1953) but was not yet the science fiction master he became before his death in 2012…

(5) WE’LL JUST KEEP THIS OUR LITTLE SECRET. Seanan McGuire has an unusual way of avoiding publicity. Thread starts here.

(6) THE COLD-BLOODED EQUATION. As part of his dinosaur-themed series of posts, Camestros Felapton reacts to the ethical conflicts in an award-winning novelette: “Hugosauriad 3.7: Think Like a Dinosaur by James Patrick Kelly”.

…The idea that a teleport is actually a machine that kills you and makes a living copy of yourself somewhere else has been explored in fiction including by Stanislaw Lem. The most famous philosophical example though is in Derek Parfit’s 1984 book Reasons and Persons*. In Chapter 10 “What we believe ourselves to be” Parfitt opens with a sci-fi vignette…

(7) FIELD OF DREAMS. Surprisingly enough, if you build it they will come. “MLB Sets 2020 Game at ‘Field of Dreams’ Location”The Hollywood Reporter has the story.

…The Chicago White Sox and the New York Yankees will play a regular season game Aug. 13, 2020 in Dyersville, Iowa, at the site of the beloved baseball flick. What’s more, the league will begin construction on a temporary 8,000-seat ballpark on the Dyersville site that neighbors the iconic movie location. A pathway through a cornfield will take fans to the ballpark, which will overlook the famed site. The right field wall will include windows to show the cornfields beyond the ballpark. Aspects of the ballpark’s design will pay homage to Chicago’s Comiskey Park, home of the White Sox from 1910 to 1990, including the shape of the outfield and bull pens beyond the center field fence.

The game, which will be broadcast by Fox and begin at 7 p.m. ET, marks the first-ever MLB game ever held at the location as well as in the state of Iowa. That the White Sox are participating is fitting, given that the 1919 squad featuring Shoeless Joe Jackson and dubbed the Black Sox for throwing the World Series (against the Reds) were featured in Field of Dreams. The game is being staged with the participation of Field of Dreams producers Universal Studios.

(8) THIRTEENTH DOCTOR. Titan Comics will have a new issue of Doctor Who on sale August 28.

DOCTOR WHO: THE THIRTEENTH DOCTOR VOL. 2 TP – This second collection of the new Doctor’s adventures sends her to medieval Europe, where bloodsucking aliens are making a dent in the tourist trade…

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 8, 1919 Dino De Laurentiis. Maker of Dune obviously but less obviously also a lot of other genre including Conan the Barbarian, Flash GordonKing KongHalloween II and Halloween III, Dead Zone and The Last Legion. (Died 2010.)
  • Born August 8, 1930 Terry Nation. Best known as scriptwriter for Doctor Who and creator of the Daleks. He later created Blake’s 7. He would also write scripts for The Avengers, The Champions andMacGyver. (Died 1997.)
  • Born August 8, 1935 Donald P. Bellisario, 84. Genre shows include Tales of the Gold MonkeyAirwolf and of course that truly amazing show Quantum Leap. OK, is Tales of the Gold Monkey genre? Well if not SF or fantasy, it’s certainly pulp in the best sense of that term. 
  • Born August 8, 1937 Dustin Hoffman, 82. Ahhh, Captian Hook, the man who got swallowed by the vast crocodile in Hook. Yeah, I like that film a lot. By no means his only genre appearance as he was Mumbles, Caprice’s fast-talking henchman in Dick Tracy (not a film I love), Mr. Edward Magorium in Mr. Magorium’s Wonder Emporium and the voice of Master Shifu in Kung Fu Panda
  • Born August 8, 1950 John D. Berry, 69. Editor of myriad fanzines, notable as one of featured a column in the Eighties written by his longtime friend, William Gibson. “The Clubhouse”which he wrote from July 1969 to September 1972 for Amazing Stories reviewed fanzines. His last published piece was “Susan Wood: About and By”, an appreciation of the late author. Partner of Eileen Gunn.
  • Born August 8, 1961 Timothy P. Szczesuil, 58. Boston based con-running fan who chaired chaired Boskone 33 and Boskone 53. He’s also edited or co-edited several books for NESFA, Strange Days: Fabulous Journeys with Gardner Dozois and His Share of Glory: The Complete Short Science Fiction of C. M. Kornbluth.
  • Born August 8, 1974 Dominic Harman, 45. Wandering through the Birthday sources, I found this UK illustrator active for some twenty years. He’s won three BSFA Awards, two for Interzone covers and one for the cover for 2011 Solaris edition of Ian Whates’ The Noise Revealed. My favourite cover by him? Naomi Novik’s His Majesty’s Dragon cover, the 2006 Del Rey / Ballantine edition, is an outstanding look at his work.
  • Born August 8, 1987 Katie Leung, 32. She played Cho Chang, the first love interest for Harry in the Potter film series. Her only other genre appearance to date is as Dou Ti  in Snow in Midsummer at the Swan Theatre, Stratford-upon-Avon. Dou E Yuan, often also translated as The Injustice to Dou E,  is a Chinese play written by Guan Hanqing (c. 1241–1320) during the Yuan dynasty with serious bloody magic realism in it. End of your history lesson. 
  • Born August 8, 1993 Kawennáhere Devery Jacobs, 26. She’s an Kahnawake Mohawk. Why I mention that will be apparent in a moment. Her most recent role is recurring one as Sam Black Crow on American Gods but she has a very long genre history starting being Monique on the Stephen King’s Dead Zone series. From there, she was Claudia Auditore in Assassin’s Creed: Lineage, a series of three short films based on the Assassin’s Creed II video game before showing up as Ali’s in Rhymes for Young Ghouls which is notable for its handling of First Nations issues. She’s Daisy in Another WolfCop (oh guess which monster), an unnamed bar waitress in Being Human, Nourhan in Exploding Sun and Sam in the The Walking Dead: Michonne video game. Out soon is Blood Quantum about a zombie uprising on a First Nations homeland.

(10) COMICS SECTION.

  • Garfield plays a variation on a familiar sci-fi movie theme.
  • Life on Mars? Well, sure, if you can call this life: Close To Home.

(11) RADIO 4. Two more episodes of Stranger Than Sci-Fi are available for listening on BBC Radio 4 for the next few weeks. SF Concatenation’s Jonathan Cowie says, “Last week’s episode included a fair bit on Sue Burke’s Semiosis about the science (compared with the SF) of plant intelligence, communication etc.  Apparently, they (plants) can hear bees buzzing! (By the way, we – in our SF2 Concatenaton team annual round robin – cited Semiosis as one of the ‘Best SF Novels of 2018’ – though this is a bit of annual fun for us, we do seem to get a few that go one to be shortlisted and/or win awards. See our past year’s performance here ‘Best Science Fiction of the Year’).”

In this episode, Jen and Alice investigate the science behind Sue Burke’s book, Semiosis, about a mysterious breed of intelligent plants. They talk to Sue about how watching her houseplants formed the inspiration for the book. Then they ask the linguist Dr Hannah Little if we could ever learn the language of something that has a completely different understanding of what communication means. Finally, Professor Lilach Hadany explains how a radical new study might show plants are listening to each other – and maybe even to us.

Jen and Alice explore one of the oldest questions in science and science fiction – why should we travel into space? At a time when Elon Musk and Jeff Bezos are promising space colonies in the next fifty years, is it time to rethink our relationship with space? They talk to the astro-biologist Dr. Louisa Preston about whether there is life out there on other planets. Then they find out how we might already be endangering that potential life. The space archeologist Dr Alice Gorman explains how we are polluting our solar system, why we should worry about space junk and what a manifesto for sustainable space travel might look like.

(12) SFF ON STAGE. Prize-winning play Machine Learning got a live reading – “Neukom Institute Literary Arts Awards: VoxFest 2019”.

The Neukom Institute for Computational Science awarded the second annual Neukom Literary Arts Award for Playwriting to Francisco Mendoza. Mendoza was presented with a $5,000 honorarium and his award at this summer’s VoxFest, a week-long festival hosted at Dartmouth College and co-produced by Dartmouth’s department of theater and Vox Theate…

Daniel Rockmore, director of the Neukom Institute for Computational Science, left, congratulates Francisco Mendoza. “When we first read Francisco’s play we were taken by its thoughtful and moving treatment of the possible effects of our relationships with machines and each other. It was clear from the performance that great strides were made with just one week’s worth of development and we very much look forward to see how Francisco’s continued work with VoxFest will strengthen an already strong and imaginative vision. I was thrilled with the reading and am excited by this continued collaboration between the Neukom Institute, Dartmouth’s Department of Theater, and Northern Stage,” said Rockmore.

(13) WHAT ARMADILLOCON IS ABOUT. Marshall Ryan Maresca’s “ArmadilloCon 41 Toastmaster Speech” was so good it got a shout-out from Martha Wells (“Toastmaster Marshall Ryan Maresca did a wonderful opening ceremonies speech about acknowledging the problematic past of fandom and SF/F and moving into the future, and how ArmadilloCon and the writers workshop give us the chance to pay forward to the next generations:”)

…Because—and this is so important—this isn’t just a place that celebrates what’s happening now in all the tremendously geeky and fannish things we love. Nor is it a place that just looks to the fascinating and problematic past of those things.  It is a place that fosters the people who will make those things tomorrow.  We do that with our writers workshop, with the multiple panels on craft and business.  We do that by filling the room with people who want to share, who want to pay it forward, who want to hold out a hand to the person behind them and say, “Hey, let’s go.”

If you are a person who ever whispered to yourself, “Maybe I could do that.  Maybe I could write that.  Maybe I could make that.  Maybe I could be that.” 

This is a place that opens its doors to you.

You are seen.

You are heard.

You are believed in.

(14) BEING A REAL WRITER. Tobias Buckell exhorts writers to remember that a successful writing career doesn’t look only one way. His terrific thread starts here.

(15) IT’S THE POLICE FORCE, LUKE. The Hollywood Reporter noticed the suspect has familiar name – so did the actor who plays the character: “Mark Hamill Responds to Warrant Being Issued for Luke Sky Walker”.

Mark Hamill is again having some fun after a man named Luke Sky Walker seems to still be getting in hot water.

It was reported on Wednesday that the 22-year-old Walker had a warrant issued for his arrest in Carter County, Tennessee, concerning a charge of property theft over $1,000, according to the sheriff’s office. 

Just as he did last year when Walker was arrested for violating probation after a felony theft charge, the Luke Skywalker actor took notice and had some quips.

(16) WOULD YOU DRINK IT FOR A QUARTER? BBC explains why it’s rare — “Chernobyl vodka: First consumer product made in exclusion zone”.

“It’s the only bottle in existence – I tremble when I pick it up,” says Prof Jim Smith, gingerly lifting a bottle of Atomik grain spirit.

The “artisan vodka”, made with grain and water from the Chernobyl exclusion zone, is the first consumer product to come from the abandoned area around the damaged nuclear power plant.

The team started the vodka project by growing crops on a farm in the zone.

“Our idea then was [to use that rye grain] to make a spirit,” they say.

As well as Prof Smith, who is based at the University of Portsmouth, UK, the team behind the spirit is made up of researchers who have worked in the exclusion zone for many years – studying how the land has recovered since the catastrophic nuclear accident in 1986.

They hope to use profits from selling it to help communities in Ukraine still affected by the economic impact of the disaster.

(17) EYES ON THE PRIZE. “Staring at seagulls helps protect food, say scientists”. (Or you could always just eat it.)

The secret to protecting your seaside chips from scavenging seagulls is to stare at them, scientists have said.

The birds are more likely to steal food when they can avoid the gaze of their victims, according to a new study.

Researchers at the University of Exeter put a bag of chips on the ground and timed how long herring gulls took to approach when they were being watched.

They compared this to how long it took for the gulls to strike when the person looked away.

(18) FERAL BARD.  A mashup of Shakespeare and D&D — thread starts here.

[Thanks to Lise Andreasen, Karl-Johan Norén, Mike Kennedy, Carl Slaughter, JJ, Chip Hitchcock, Avilyn, SF Concatenation’s Jonathan Cowie, Cat Eldridge, Martin Morse Wooster, Andrew Porter, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Ingvar.]

2019 SFWA Officer Election Results

Science Fiction & Fantasy Writers of America posted the outcome of its 2019 officer elections.

President: Mary Robinette Kowal (unopposed)

Secretary: Curtis Chen (unopposed)

Director-at-Large: 3 Open Positions 

  • Andy Duncan
  • Jeffe Kennedy
  • Sarah Pinsker

Runners-up: James Beamon, Tobias Buckell, John Chu, Walter L. Fisher, Kevin McLaughlin, Peng Shepherd, Eric James Stone, William Alan Webb

Board vacancy also filled: Tobias Buckell has been asked to fill the position left vacant by Lawrence Schoen’s resignation.  

The SFWA Board and staff also thanked the volunteers who make up the Elections Committee: Fran Wilde (Chair), Matthew Johnson (Member), Laura Anne Gilman (Member), Maurice Broaddus (Member), and Kate Baker (Executive Director & Adviser).

[Thanks to JJ for the story.]

Pixel Scroll 4/9/19 In The Comments The Filers Come And Go Scrolling Pixelangelo

(1) MISSING SUPERHEROES FORMATION. The Wrap tells how “‘Avengers: Endgame’ Press Conference Leaves Seats Empty for Thanos’ Victims”.

In a cheeky nod to the end of “Infinity War,” Sunday’s press conference for the upcoming “Avengers: Endgame” left several seats empty for the actors who played characters snapped into oblivion by Thanos.

“Post-Snap, there’s a few empty seats, so I’d like to welcome back the people that you see here onstage,” said “Iron Man” director and star Jon Favreau, who hosted the event.

Those who did make it included Marvel Studios head Kevin Feige, “Endgame” directors Anthony and Joe Russo, and stars Robert Downey Jr., Chris Evans, Mark Ruffalo, Danai Gurira, Chris Hemsworth, Don Cheadle, Scarlett Johansson, Paul Rudd, Karen Gillan, Jeremy Renner, and “Captain Marvel” newcomer Brie Larson.

(2) CAPTAINS UMBRAGEOUS. Yahoo! Lifestyle brings us a sneak peek released yesterday on Good Morning America: “Marvel Released a New Clip from ‘Avengers: Endgame’ and Someone Isn’t Happy About Captain Marvel Joining the Team”.

(3) CELLAR DOOR (NOT INTO SUMMER). Empire posted an exclusive clip from the Tolkien biopic.

Tolkien explores the formative years of the orphaned author as he finds friendship, love and artistic inspiration among a group of fellow outcasts at school. This takes him into the outbreak of World War I, which threatens to tear the “fellowship” apart. All of these experiences would inspire Tolkien to write his famous Middle-Earth novels.

(4) INSPIRING CHART. The Book Smugglers host “Fran Wilde: A Map of Inspirations and Influences for RIVERLAND”. Wilde’s post begins —  

The last time I did an inspirations and influences post here, I drew you a literary family tree for Updraft. It got a little out of hand. (Carmina Burana and a taxidermied weasel qualify as out of hand.)

This time, for Riverland, which is my first middle grade novel, I drew you a map. …

(5) APOLOGIA FOR AO3. Slate’s Casey Fiesler tries to explain “Why Archive of Our Own’s Surprise Hugo Nomination Is Such a Big Deal”.

…But fan works, and the community that surrounds them, often don’t get the respect they deserve. So AO3’s nomination for the prestigious award—both for the platform itself and for the platform as a proxy for the very concept of fan fiction—is a big deal. Many, both inside and outside the sci-fi and fantasy community, deride fan fiction as mostly clumsy amateur works of sexual fantasy—critiques that, as those who have looked at them closely have pointed out, have a glaringly gendered component. Erotic fan fiction is part of the landscape—and, frankly, can be a wonderful part of it—but it’s about more than that. It’s about spending more time in the worlds you love and exploring characters beyond the page. It’s about speculating over how things could be different, just as good science fiction and fantasy does. And it’s also about critiquing source texts, pushing back against harmful narratives, and adding and correcting certain types of representation (including the ways women and LGBTQ people are portrayed in these genres).

(6) SHOOTING THE MOON. Christian Davenport in the Washington Post questions whether the administration’s goal of landing on the Moon in 2024 can be met, since the plan is based on a lunar orbital station that has not been built, much less contracted.  Davenport notes that Vice-President Pence “has dedicated more time to space than any other White House official since the Kennedy administration.” — “Trump’s moonshot: The next giant leap or another empty promise?”.

…NASA officials also face a major test of their agency’s effectiveness: Is this another empty promise by an administration nostalgic for the triumph of Apollo and looking to make a splash while in office, or can NASA somehow pull off what would be an audacious step just in time for the presidential election?

Already, there are signs that the White House’s plan is running into fierce head winds.

At a hearing Tuesday, Rep. Eddie Bernice Johnson (D-Tex.), the chair of the House Committee on Science, Space and Technology, blasted Pence’s speech for lacking any details of how NASA would achieve what she called a “crash program” or what it would cost.

“We need specifics, not rhetoric,” she said. “Because rhetoric that is not backed up by a concrete plan and believable cost estimates is just hot air. And hot air may be helpful in ballooning, but it won’t get us to the moon or Mars.”

(7) EARLY LESSONS. Tobias Buckell tells about the famed magazine’s significance to him, and empathizes with those affected by its parent company’s recent bankruptcy filing, in “100 Years of Writer’s Digest (#WritersDigest100): Some Thoughts”.

…I did a keynote for Writer Digest conference in Cincinnati not too long ago. I really tried to kick my keynoting abilities up to a new level, and I think I was able to deliver. But while there, I met quite a few staff from Writers Digest. I really hope this ends well for them, as they were all excited about helping writers and celebrating books.

(8) SAY (SWISS) CHEESE! Science says we may know tomorrow: “Here’s what scientists think a black hole looks like” .

More than half a dozen scientific press conferences are set for 10 April, raising hopes that astronomers have for the first time imaged a black hole, objects with gravitational fields so strong that even light cannot escape. Although their existence is now almost universally accepted, mostly from the effect of their gravity on nearby objects, no one has actually seen one.

Black holes themselves are entirely dark and featureless. The giant ones at the centers of galaxies are also surprisingly small, despite containing millions or billions of times the mass of our sun. To make observing them yet more difficult, those giants are shrouded in clouds of dust and gas. But streams of superhot gas swirl around the holes, emanating radio waves about a millimeter in wavelength that can penetrate those clouds.

Two years ago, an international collaboration known as the Event Horizon Telescope (EHT) corralled time on eight different radio telescopes around the world to try to image the supermassive black hole at the center of our galaxy, known as Sagittarius A*, and another at the center of nearby galaxy M87. They used a technique known as interferometry to combine the output of the globally scattered instruments to produce images as if from a single dish as wide as Earth. A dish that large is needed to see the details of something that would fit easily within the orbit of Mercury and is 26,000 light-years away.

(9) MORE MCINTYRE MEMORIES. A lovely tribute to Vonda McIntyre by Arwen Curry, director of Worlds of Ursula K. Le Guin:

On camera in Worlds of Ursula K. Le Guin, Vonda keenly describes the moment when women began to make a space for themselves in science fiction and fantasy, and the controversy it stirred up. I recorded her during a vacation with Ursula and Charles Le Guin in the southeast Oregon desert on a blistering day — a day so hot that the camera overheated and we had to pause filming and cool off. I still feel a little guilty about the heat of that afternoon, and grateful that she endured it.

(10) TODAY IN HISTORY.

  • April 9, 1960 – The Mercury Seven astronauts were introduced to the public.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 9, 1911 George O. Smith. He was an active contributor to Astounding Science Fiction during the Forties. His collaboration with the magazine’s editor, John W. Campbell, Jr. ended when Campbell’s first wife, Doña, left him in 1949 and married Smith. Ouch.  He was a prolific writer with eight novels and some seventy short stories to his name.  He was a member of the all-male dining and drinking club the Trap Door Spiders, which was the inspiration for Asimov’s the Black Widowers. (Died 1981.)
  • Born April 9, 1926 Hugh Hefner. According to SFE, he  had been an avid reader of Weird Tales when he was younger.  Perhaps as a result, Playboy came to feature stories from the likes of Poul Anderson, Isaac Asimov,  Algis Budrys, Ray Bradbury,  Richard Matheson, James Blish,  Robert A Heinlein, Frederik Pohl and Rod Serling.  Arthur C. Clarke’s “A Meeting with Medusa” which would first run here won a Nebula. (Died 2017.)
  • Born April 9, 1926 Avery Schreiber. Principal genre claim is being in Galaxina which parodied Trek, Star Wars and Alien. Other genre appearances included being a rider on a coach in Dracula: Dead and Loving It, the Russian Ambassador in More Wild Wild West and the voice ofBeanie the Brain-Dead Bison on the Animaniacs. (Died 2002.)
  • Born April 9, 1954 Dennis Quaid, 65. I’m reasonably sure that his first genre role was in Dreamscape as Alex Gardner followed immediately by the superb role of Willis Davidge in Enemy Mine, followed by completing a trifecta with Innerspace and the character of Lt. Tuck Pendleton. And then there’s the sweet film of Dragonheart and him as Bowen. Anyone hear of The Day After Tomorrow in which he was Jack Hall? I hadn’t a clue about it.
  • Born April 9, 1972 Neve McIntosh, 47. During time of the Eleventh Doctor, She plays Alaya and Restac, two  Silurian reptilian sisters who have been disturbed under the earth, one captured by humans and the other demanding vengeance. Her second appearance on Doctor Who is Madame Vastra, in “A Good Man Goes to War”.  Also a Silurian, she’s a Victorian crime fighter. She’s back in the 2012 Christmas special, and in the episodes “The Crimson Horror” and “The Name of the Doctor”. She reprises her role as Madame Vastra, who along with her wife, Jenny Flint, and Strax, a former Sontaran warrior, form an private investigator team. 
  • Born April 9, 1982 Brandon Stacy, 37. He worked on both of the new Trek films as a stand-in for Quinto with obviously the acting jones as he become involved in two of the Trek video fanfics, Star Trek: Hidden Frontier and Star Trek: Phase II, the latter in which he portrays Spock of course. 
  • Born April 9, 1990 Kristen Stewart, 29. She first shows up in our area of interest in The Flintstones in Viva Rock Vegas as a Ring Toss Girl (ok, it wasn’t that bad a film). Zathura: A Space Adventure based off the Chris Van Allsburg book has her playing Lisa Budwing. Jumper based off the Stephen Gould novel of the same name had her in a minor role as Sophie. If you’ve not seen it, I recommend Snow White and the Huntsman which has her in the title role of Snow White. It’s a really great popcorn film. Finally she’s got a gig  in The Twilight Saga franchise as Bella Cullen. 
  • Born April 9, 1998 Elle Fanning, 21. Yes, she’s from that acting family. And she’s certainly been busy, with roles in over forty films! Her first genre film is The Curious Case of Benjamin Button followed by Astro Boy, Super 8MaleficentThe BoxtrollsThe Neon Demon, the upcoming Maleficent: Mistress of Evil and a recurring role on The Lost Room, a Cursed Objects miniseries that aired on Syfy. 

(12) COMICS SECTION.

  • Grimmy tries a familiar origin story on for size – and it doesn’t fit!

(13) BIGGEST BANG. The makers of the Top Sci-Fi Weapons infographic say —

Sci-fi movies aren’t complete if they don’t show highly advanced and destructive weapons. From lightsabers to photon torpedoes, they’ve been iconic on their own.

As these weapons caught our interest, we’ve put together the ultimate arsenal of reality-warping weapons in order to compare which is the most powerful sci-fi weapon in the universe.

This is not just random ranking. Would you believe we worked with physicists and engineers on this infographic.

(14) WAKANDA SOUND. Hear “Wakanda Funk Lounge” by SassyBlack at Bandcamp.

“Wakanda Funk Lounge” by SassyBlack, is a svelte slab of hologram funk delivered directly from the Black Panther nation of Wakanda. This four-song EP contains the chart-topping hits from that nation’s funk lounges, and rising star, SassyBlack.

SassyBlack is a queer “blaxploitation, sci-fi warrior queen” and is also a multi-talented, space-aged songwriter, beatmaker, composer and singer. Her music has been described as “electronic psychedelic soul,” with roots in experimental hip-hop, R&B, and jazz. Her voice has been compared to that of Ella Fitzgerald, Erykah Badu, and Georgia Anne Muldrow and her beats owe a debt to Herbie Hancock and Quincy Jones. Like Queen Latifah, she sings, raps, is an actor (who recently appeared on Broad City) and produces all her own music. Before going solo, she recorded and performed as half of the Afrofuturist hip-hop duo THEESatisfaction. Her music has received attention from Okayplayer, Afropunk, The Fader, Pitchfork, Bitch magazine and more.

Her brand new “Wakanda Funk Lounge” EP has been recently released as a 500-copy special-edition 7” single on Seattle hip-hop record label Crane City Music. The cover was designed by visual artist Wutang McDougal and each copy is pressed on colored vinyl and is individually numbered. The music is also available online on all major streaming services and can be purchased digitally through Bandcamp. It’s funky music that reminds us that Wakanda’s main export is “VIBE-ranium.” 

In describing the project, SassyBlack says that “Wakanda Funk Lounge is about black freedom. When I think of “Black Panther,” it is talking about black freedom, so much that we have our own secret space. What would be freer than a Wakanda funk lounge?”

This is not her first sci-fi or superhero-themed project. SassyBlack performed at 2018’s Emerald City Comic Con, and her 2016 full-length album, “No More Weak Dates” contains numerous references to Star Trek. In an interview with Hearst publication Shondaland, she explains her sci-fi fascination: “Star Trek and Star Wars have always had bars and concerts. There’s no culture without music… And so Black Panther’s M’Baku invites me to come and perform in one of Wakanda’s funk lounges. This EP is the music I perform there. And where it gets crazy is that I’m like, ‘Listen, I have to leave Wakanda now because I’m going to go join Starfleet.’ [laughs] It could technically work.”

(15) SEE SPACEX MISSION. NBC News: “SpaceX’s Falcon Heavy rocket set for first commercial launch. Here’s how to watch it live online.”

Thirteen months after its maiden flight, SpaceX’s huge Falcon Heavy rocket is being readied for its first commercial launch on Wednesday.

The 230-foot-tall rocket is scheduled to lift off at 6:35 p.m. ET from the Kennedy Space Center in Cape Canaveral, Florida. This will be only the second flight for the world’s most powerful rocket now in operation.

(16) SPFBO ENTRY. Jessica Juby reviews Self-Published Fantasy Blog-Off #4 finalist Symphony of the Wind by Steven McKinnon” at Fantasy-Faction.

…You’d be wrong if you thought this was going to be a light-hearted jaunt on airships. We’re quickly introduced to our rag-tag crew aboard the Liberty Wind, with plucky protagonist Serena and the chip on her shoulder, discovering their unique personalities. It’s not long into the story before things start going wrong, the pace immediately picks up and gives us a taste of what’s yet to fully unfold.

It’s commendable that the author strikes while the iron is hot and gets down and dirty within the first chapter…

(17) IN MEMORY NOT GREEN. Out of This World SFF Reviews’ Nick T. Borrelli delves into After the Green Withered  by Kristin Ward.

AFTER THE GREEN WITHERED is definitely a book with a relevant political and social message.  Author Kristin Ward does not pull any punches in this regard and the reader absolutely gets a taste of what the world could possibly be like if we continue down our current path with regard to how we are addressing environmental issues.  I’m a fan of dystopian SF like this one, and I thought that by and large the author did a solid job of creating an atmosphere that delved into the hopelessness that living under these conditions would obviously engender. 

(18) SERIES REVIVED. Joe Sherry heralds an author’s return to an iconic setting in “Mircoreview [book]: Alliance Rising, by C.J. Cherryh and Jane Fancher” at Nerds of a Feather.

Alliance Rising marks the return of C.J. Cherryh to her Alliance-Union Universe. It’s been ten years since the publication of Regenesis, and since then she’s published nine more Foreigner novels, but it’s been a long wait for Alliance-Union fans. Alliance Rising is the earliest novel set in the timeline. Set on the cusp of the Company Wars, there are plenty of references for long time Cherryh readers: Pell Station, Cyteen, the azi and the Emorys, the ship Finity’s End and its captain JR Neihart. Put together, the novel is grounded in a particular time and the edges of a setting that many readers are well familiar with even though no prior knowledge is required.

(19) KARMA CHAMELEON. To beat computer hackers, do cybercrime professionals need to change their Patronus? — “Should cyber-security be more chameleon, less rhino?”

Billions are being lost to cyber-crime each year, and the problem seems to be getting worse. So could we ever create unhackable computers beyond the reach of criminals and spies? Israeli researchers are coming up with some interesting solutions.

The key to stopping the hackers, explains Neatsun Ziv, vice president of cyber-security products at Tel Aviv-based Check Point Security Technologies, is to make hacking unprofitable.

“We’re currently tracking 150 hacking groups a week, and they’re making $100,000 a week each,” he tells the BBC.

“If we raise the bar, they lose money. They don’t want to lose money.”

This means making it difficult enough for hackers to break in that they choose easier targets.

And this has been the main principle governing the cyber-security industry ever since it was invented – surrounding businesses with enough armour plating to make it too time-consuming for hackers to drill through. The rhinoceros approach, you might call it.

But some think the industry needs to be less rhinoceros and more chameleon, camouflaging itself against attack.

(20) END OF AN ERA? BBC asks “Is ‘Game of Thrones’ the last great blockbuster TV show?” And I obligingly click…

As the fantasy saga returns for its final series, Chris Mandle asks whether the small screen will ever produce such a worldwide obsession again.

…In the US, season seven had an astonishing average viewership of 32.8 million people per episode – to put that in context, the finale of Mad Men, another critically acclaimed, much talked about prestige drama, pulled in 4.6 million US viewers in 2015 – while in recent years, interest in the show has surged in Asian markets, among others.

But while Thrones changed television, it’s also true that television itself changed during the show’s run. As the wars between the factions of Westeros’s Seven Kingdoms have raged, traditional television has been usurped by streaming services, non-linear viewing and ‘binge’ culture, where consumers, rather than wait patiently for an episode airing each week, are more used to having an entire season dropped in their lap to watch at their leisure.

What seems likely is that Game of Thrones’ swansong might also mark the end of TV’s monoculture era – the age of shows that everyone watches and talks about together. Certainly, nothing else that appears on traditional broadcasters seems primed to roll out on its scale….

(21) UNEXPECTED TRAIT. And he’s not the only one at the studio who has it — “Aphantasia: Ex-Pixar chief Ed Catmull says ‘my mind’s eye is blind'”.

The former president of Pixar and Walt Disney Animation Studios says he has a “blind mind’s eye”.

Most people can close their eyes and conjure up images inside their head such as counting sheep or imagining the face of a loved one.

But Ed Catmull, 74, has the condition aphantasia, in which people cannot visualise mental images at all.

And in a surprising survey of his former employees, so do some of the world’s best animators.

Ed revolutionised 3D graphics, and the method he developed for animating curved surfaces became the industry standard.

He first realised his brain was different when trying to perform Tibetan meditation with a colleague.

(22) TIME FOR SILVERBERG. Rob Latham discusses “Temporal Turmoil: The Time Travel Stories of Robert Silverberg” at LA Review of Books.

… But throughout his career, Silverberg returned obsessively to one of the genre’s key motifs — time travel — upon which he spun elaborate and strikingly original variations. During his New Wave heyday, when he was one of the preeminent American SF writers, he produced six novels dealing centrally with themes of temporal transit or displacement — The Time Hoppers (1967), Hawksbill Station (1968), The Masks of Time (1968), Up the Line (1969), Son of Man (1971), and The Stochastic Man (1975) — his treatment of the topic ranging from straightforward adventure stories to heady philosophical disquisitions. The new collection Time and Time Again: Sixteen Trips in Time (Three Rooms Press, 2018), which gathers 16 stories published between 1956 and 2007, provides a robust — and very welcome — conspectus of Silverberg’s short fiction on the subject….

(23) NO SPARKLES. BBC wants to explain “What unicorns mean to Scottish identity”.

From Edinburgh to St Andrews and Glasgow to Dundee, the one-horned mythological horse is real in Scotland.

In a corner of Edinburgh, outside the Palace of Holyroodhouse with its witches’ hat towers and crenellated turrets, 74-year-old tour guide Kenny Hanley can often be found pointing to a little piece of magic atop an ornamental gateway at the residence’s southern approach.

The focus of his attention is an almost-forgotten stone emblem of the city and country in which he lives, and yet few realise it’s one that teems with meaning, telling an almost unbelievable story about Scotland’s national identity.

Take a step back, and the fuller picture emerges. There’s a second cast-stone figure opposite – a rampant lion, crowned, and holding a ceremonial flag as it stands guard. But Hanley’s gaze remains drawn to the slender, mythical creature wrapped in chains to our right.

The stone is just stone and the lion is just a lion, but this horse-like figure – adorned with a singularly fancy horn on its forehead – is extraordinary. It is a unicorn. And, believe the hype or not, it is Scotland’s national animal.

…“It’s long been a symbol of purity and power, but also of virginity and subtlety,” said Hanley, who works as a Blue Badge guide for the Scottish Tourist Guides Association. “And those values still stand up when thinking about Scotland today. These are characteristics embedded in the Scottish psyche.”

…According to the National Museum of Scotland, medieval legend further suggests only a king could hold a unicorn captive because of the supposed danger it posed, something that may have given rise to its widespread adoption. What is known is James II wholeheartedly embraced the legend, and the unicorn became the symbol of purity and power that Scottish kings and nobility identified with in the 15th Century. Over time, this led to the unicorn becoming officially recognised as Scotland’s national animal.

[Thanks to John King Tarpinian, Martin Morse Wooster, JJ, Chip Hitchcock, Cat Eldridge, Mike Kennedy, SF Concatenation’s Jonathan Cowie, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint, who wears his scrolls rolled.]

Pixel Scroll 3/31/19 Those Who Do Not Learn Their Pixel Scrolls Are Doomed To Repeat Them

(1) HARD SF FOR HARD MONEY. In a field where a lot of magazines release their content free, you wonder how they survive. Here’s one answer to that question.Compelling Science Fiction editor Joe Stech says “Compelling Science Fiction is going to a paid subscription model”.

I’m proud that over the last three years we’ve released 63 phenomenal stories and paid professional rates to 57 wonderful authors. However, over the last three years I’ve also spent a significant amount of money keeping the magazine afloat. Year one I spent a lot, and years two and three leveled out to almost break-even (but revenue stopped growing). Based on these numbers, I’ve decided that I need to go to a subscription-only model to keep the magazine strong and growing.

(2) ANNE BUJOLD ART. Lois McMaster Bujold wrote on Facebook –

Recently, the work of my daughter Anne Bujold, presently an artist-in-residence at the Appalachian Center for Craft, was showcased by the local TV folks. They did an excellent job, I thought. The segment is now up on YouTube:

(3) EXPLOSIVE TOPIC. Steve Davidson is peeved at anyone who would call A. Bertram Chandler’s books “popcorn” reading:

I don’t care what anyone says: A. Bertram Chandler’s works are not “popcorn”.
Popcorn does not win awards, except at popcorn festivals…

Two of his stories are the UR tales for “humans locked in an alien zoo (The Cage) and “mutated rats take over” (Giant Killer); both were frequently included in anthologies of SF through the 80s.

Harlan Ellison was so impressed with his short story Frontier of the Dark that he talked ‘Jack’ into expanding it into a novel; then, when Chandler admitted he didn’t have his own copy of the original manuscript, Ellison pulled his copy of Astounding and sent it off (and the novel was written)

He wrote about major social issues in the 60s, well before they became mainstream…

(4) A SOCIAL MEDIA POLICY. Eric Flint preceded a very brief political opinion with a long introduction about why he rarely talks politics on Facebook. (See the opinion at the link.)

I don’t usually post political comments on my Facebook page for the same reason I don’t use my novels to expound my own political philosophy.

In a nutshell, It’s false advertising. My novels (and other pieces of fiction) purport to be entertainment, not political screeds. If I want to write political screeds, nothing prevents me from doing so. In point of fact, I _have_ written political screeds. Plenty of them. If you were to compile my various political writings done in the quarter of a century or so when I was a socialist activist, they would add up to several volumes worth.

But I wasn’t trying to make a living from those political writings, and so I didn’t try to pass them off to the unsuspecting public as “entertainment.” I didn’t do it then, and I’m not about to do it now.

Albeit watered down, I feel somewhat the same way with regard to my Facebook page….

(5) GENRE INFERIORITY COMPLEX.The Guardian’s Sam Jordison convinces himself this is no longer an issue: “‘Screw the snobbish literati’: was Kurt Vonnegut a science-fiction writer?”

I’m willing to concede that people may see things differently. The New York Times obituary may have been fulsome in its praise for Vonnegut, but it also noted that publishing Slaughterhouse-Five helped him to “shed the label of science fiction writer”. Vonnegut was painfully aware of this stigma; in an essay called Science Fiction, he wrote: “I have been a soreheaded occupant of a file drawer labelled ‘science fiction’ … and I would like out, particularly since so many serious critics regularly mistake the drawer for a urinal.”

(6) KURT AND RAY. Open Culture remembers when they had TV shows on the same year — “Discover Ray Bradbury & Kurt Vonnegut’s 1990s TV Shows: The Ray Bradbury Theater and Welcome to the Monkey House.

…I never know exactly when to take Vonnegut seriously. He also calls TV everybody’s “rotten teacher” and says “I’m sorry television exists,” but he had long been a TV writer in its “so-called golden days,” as John Goudas put it in a Los Angeles Times interview with Vonnegut in 1993, when his seven-episode run of Kurt Vonnegut’s Monkey House, hosted by himself, would soon come to a close. Vonnegut found himself very pleased by the results, remarking of his stories that “TV can do them very well,” and especially praising “More Stately Mansions,” above, starring an irrepressible Madeline Kahn, whom he called “a superb actress.”

Another very direct, witty speculative writer in the same year’s issue of The Cable Guide, Ray Bradbury, appeared with Vonnegut as part of two “dueling, short features,” notes Nick Greene at Mental Floss, “under the auspices of promoting the authors’ upcoming cable specials,” Monkey House and The Ray Bradbury Theater. Bradbury was also an old media hand, having written for radio in the 50s, and seeing adaptations of his stories made since that decade, including one on Alfred Hitchcock’s Alfred Hitchcock Presents. Like Hitchcock, when it came time for his own show, The Ray Bradbury Theater in 1985, Bradbury introduced the episodes and became a public face for thousands of viewers….

(7) WHEN I’M (IN) ’64. Galactic Journey’s Victoria Lucas reacts to the adaptation of Jack Finney’s novel: “[March 31, 1964] 7 Faces and 7 Places (The movie, 7 Faces of Dr. Lao)”.

If you saw my review of Finney’s Circus of Dr. Lao back on June 16, 1962 you would know why I went to such (literally) lengths to see this movie.  It did not disappoint, but I did object to the interpolations of a soppy romance and a hackneyed Western takeover-the-town plot.  The “Circus” was filmed, according to sources, on the MGM back lots, although some of those Culver City hills must be pretty rough if that’s so.  My theory is that filming on location was out due to the many roles of Tony Randall, who plays Dr. Lao, the Abominable Snowman, Merlin, Apollonius of Tyana, Pan, The Giant Serpent, and Medusa.  All those makeup and costume changes (to say nothing of any other cast) must have needed the workshop of famed makeup artist William Tuttle and a large selection of MGM costumes, as well as (not credited) costumer Robert Fuca.

(8) SFF EVENT IN LISBON. Free admission to Contacto 2019 in Lisbon, Portugal on April 4-5.

Imaginauta (a literary publisher of speculative fiction), in partnership with the Library of Marvila and BLX, the Libraries of the Network of Municipal Library of Lisbon are pleased to present the 2nd Edition of Contact – Literary Festival of Science Fiction and Fantasy.

FREE ENTRY FOR THE ENTIRE FAMILY

Come live two days filled with activities for whom a world just is not enough.

– Book Fair

– Book Launching

– Sessions with Portuguese authors

– Thematic areas (Harry Potter, Star Wars, Steampunk)

– Board games and narratives

– Speeches

– Movie theater

– Stories Counters

– Exhibitions

– Live performances

– Stand-up comedy

– Medieval Bar

– Activities for schools

Come join the new generation of science fiction and fantasy!

(9) TODAY IN HISTORY.

  • March 31, 1969 — Kurt Vonnegut’s novel, Slaughterhouse Five, published.
  • March 31, 1987Max Headroom made his television premiere.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 31, 1844 Andrew Lang. To say that he is best known as a collector of folk and fairy tales is a bit of understatement. He collected enough tales that twenty five volumes of Andrew Lang’s Fairy Books  for children were published between 1889 and 1913. That’s 798 stories. If you’re interested in seeing these stories, you can find them here. (Died 1912.)
  • Born March 31, 1932 John Jakes, 87. Author of a number of genre series including Brak the Barbarian. The novels seem to fix-ups from works published in such venues as Fantastic. Dark Gate and Dragonard are his other two series. As  Robert Hart Davis, he wrote a number of The Man From UNCLE novellas that were published in The Man from U.N.C.L.E. Magazine. The magazine apparently only existed from 1966 to 1968.
  • Born March 31, 1934 Richard Chamberlain, 85. His first dive into our end of reality was in The Three Musketeers as Aramis, a role he reprised in The Return of Three Musketeers. (I consider all Musketeer films to be genre.) some of you being cantankerous may argue it was actually when he played the title character in Allan Quatermain and the Lost City of Gold which he did some years later. He listed as voicing the Jack Kirby created character Highfather on the superb Justice League: Gods and Monsters but that was but a few lines of dialogue I believe. He was in the Blackbeard series as Governor Charles Eden, and series wise has done the usual one-offs on such shows as Alfred Hitchcock PresentsBoris Karloff’s Thriller, Chuck and Twin Peaks
  • Born March 31, 1936 Marge Piercy, 83. Author of He, She and It which garnered won the Arthur C. Clarke Award for Best Science Fiction novel. Of course she also wrote Woman on the Edge of Time doomed to be called “classic of utopian speculative sf”. 
  • Born March 31, 1943 Christopher Walken, 76. Yet another performer whose first role was in The Three Musketeers, this time as a minor character, John Felton. He has a minor role in The Sentinel, a horror film, and a decidedly juicy one in Trumbull’s Brainstorm as Dr. Michael Anthony Brace followed up by being in Cronenberg’s The Dead Zone as Johnny Smith. Damn, I’d forgotten he was Max Zorin, the villain in A View to a Kill! H’h, didn’t know he was in Gibson’s New Rose Hotel but then I haven’t then I haven’t actually seen it yet. And let’s wrap this up by noting his appearance in The Stepford Wives as Mike Wellington.
  • Born March 31, 1960 Ian McDonald, 59. I see looking him up for this Birthday note that one of my favorite novels by him, Desolation Road, was first one. Ares Express was just as splendid. Now the Chaga saga was, errr, weird. Everness was fun but ultimately shallow, Strongly recommend both Dervish House and River of Gods. Luna series at first blush didn’t impress me, so other opinions sought. 
  • Born March 31, 1962 Michael Benson. 57. Author of Space Odyssey: Stanley Kubrick, Arthur C. Clarke, and the Making of a Masterpiece. His earlier book Beyond: Visions of the Interplanetary Probes featured an intro by Clarke. Benson is an artist and journalist who also mounts shows of astronomical art and who advocates for such things as keeping the Hubble telescope operating. His site is here.
  • Born March 31, 1971 Ewan McGregor, 48. Nightwatch, a horror film, with him as lead Martin Bell is his first true genre film.  That was followed by The Phantom Menace and him as Obi-Wan Kenobi, a role repeated in Attack of the Clones, Revenge of the Sith and The Force Awakens. His latest role of interest, well to me if to nobody else, is as Christopher Robin in the film of the same name.

(11) US AT A GLANCE. Camestros Felapton is back from the multiplex — “Review: Us (spoiler free)”.

So I like horror best in small doses. I like a taste of it, circumscribed by the way horror overlaps with other genres (thrillers, fantasy and science-fiction). So I probably shouldn’t have gone to see Us.

Jordan Peele’s first film Get Out, was just about the right ratio for me. Undoubtedly scary and tense but also full of interesting ideas. The final premise was knowingly absurd and tapped into that rich seam of conspiratorial mythology of secret societies and grand sinister designs of powerful people.

Us has all of that and quite a lot more. There are no shortage of horror movie tropes in the film, indeed at a given moment the film plays along with standard styles of horror movie but only for awhile and then it moves on….

(12) PERMAFROST. At Rapid Transmissions, Joseph Hurtgen reviews Alastair Reynolds’ Permafrost and finds the parallels with La Jetee — and 12 Monkeys by way of La Jetee — are hard to miss, and make the book enjoyable.

The book wrangles a great deal over the time paradox. The time paradox wrangling is enough to make your head spin and the characters in the novel throw up more than once as a result of time travel paradox complications.

Paradoxically, Reynolds never has the characters reflect on the absurdity of humans developing futuristic technologies–nuclear power, time travel, artificial intelligence–while persisting in myopia about their impact on the environment. Reynolds isn’t treading new material here, Asimov discussed the problem of science’s interest in doing science over and above environmental concerns in The God’s Themselves (1972). But Reynolds’ story is quick, fun, and is sure to give you the feels. 

(13) A WORD FROM SOMEBODY’S SPONSOR. Daniel Dern writes:

I don’t know if this qualifies as a “Meredith Moment,” but, via KinjaDeals via io9, you can get 2 months of Kindle Unlimited for $1/month, before it automatically goes to the normal $10/month — not as cheap as the free 1-month trial, but good for 2x as long. I’ll be giving it a try, soon. (The deal is available for another month or so, but I’ll probably sign up today or tomorrow)

More info at the post: “Turn Off the Internet and Read Some Damn Books – Kindle Unlimited Is $1 For Two Months”.

(14) MORE DC. As announced this weekend at WonderCon: “DC Universe Unveils Expanded Digital Comics Library, STARGIRL Suit, & More at WonderCon!”

At no extra charge or increase in the price of a subscription, DC Universe subscribers will be able to enjoy access to DC’s enormous digital comics library, starting in April of 2019. (Each of these comics will appear at least 12 months after it was first published). That’s over 20 thousand comic books!

Daniel Dern notes: “This brings DC/U closer to Marvel’s streaming offering, which is ‘many comics each week once they’re at least 6 months old’ and 25,000+ comics. I’ll know (somewhat) more once I log onto my DC/U account and browse.”

(15) PUT ON YOUR AVENGERS FACE. Yahoo! enthuses: “Ulta and Marvel Are Launching an Avengers Makeup Collection, and the Prices Are Heroic”.

The star of the collection is arguably the Eyeshadow Palette (above), which includes 15 colors — mostly shimmers with a few mattes thrown in — for just $20. Under a lid that reads “Courageous. Tenacious. Fearless. Legendary,” you’ll find the aptly named shades Hero Vibes (copper shimmer), Games Changer (burnished gold), Save The World (champagne shimmer), Amazed (cream matte), Gauntlet (burgundy shimmer), Super Charged (mauve taupe matte), Out Of This, World (khaki brown shimmer), Last Shot (vanilla shimmer), Cosmic (eggplant shimmer), Smash (olive green shimmer), Legend (dirty aqua shimmer), Reassemble (smoky navy matte, I’ve Got This (ivory shimmer), Built For Battle (peach nude shimmer), and Fearless (moss graphite shimmer).

(16) WE THE FUTURE PEOPLE. In “Sci-Fi Writers Are Imagining a Path Back to Normality”, WIRED touches base with contributors to the anthology A People’s Future of the United States, edited by Victor LaValle and John Joseph Adams

Tobias S. Buckell on metaphors:

Nora K. Jemisin was just saying on Twitter the other day that in science fiction we have this venerable tradition of using metaphor to dig at some of these problems—like race and power and structure and history—and that it’s been a mistake, because in the past we would always use the metaphor assuming that our fellow readers and fans of the genre were following along, getting the metaphor, and it turns out that they weren’t. In other words, you needed to be way more in-your-face and say, ‘This is what I’m trying to say.’ Because they were looking at a metaphor of an alien that is powerless and out on the fringes of society—and that that society was being racist toward, and things like that—and then when they were done with that story they’d say, ‘That poor alien,’ and they’d never make the implicit connection.”

(17) ARMSTRONG’S PURSE. Space.com shares a flock of photos as “Smithsonian Debuts Apollo 11 ’50 Years from Tranquility Base’ Exhibit”.

The Apollo 11 “50 Years from Tranquility Base” display case was installed on Monday (March 25) at the Washington, D.C. museum, opposite its Space Race gallery on the first floor. The exhibit offers a look at almost two dozen artifacts that flew on board the July 1969 Apollo 11 mission that landed Armstrong and Buzz Aldrin in the Sea of Tranquility on the surface of the moon.

“’50 Years from Tranquility Base: Humanity’s First Visit to Another World’ highlights some of the smaller artifacts the crew needed to live and work on their way to and on the moon. Of particular interest are Neil Armstrong’s Omega chronograph, which hasn’t been on public display for over 20 years at least, and some of the items found in Armstrong’s purse,” said Jennifer Levasseur, a curator in the space history division of the National Air and Space Museum.

(18) TIME LORD. Beautiful video: “The guardian of the sands of time”.

Adrian Rodriguez Cozzani has a passion for time, the way it flows and the way we keep track of it. For nearly 30 years he has been crafting beautiful hourglasses and sundials by hand in his small workshop in Trastevere, a colourful neighbourhood in Rome, Italy.

[Thanks to ULTRAGOTHA, Cat Eldridge, Joseph Hurtgen, John King Tarpinian, JJ, Chip Hitchcock, Mike Kennedy, Martin Morse Wooster, Mlex, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Darren Garrison.]

Pixel Scroll 6/8/17 The Pixel Who Circumnavigated Filerland In A Scroll Of Her Own Making

(1) BUM OF THE MONTH CLUB. The time is ripe for “The Official Pornokitsch Taxonomy of Villains”.

So we’ve been at this Villain of the Month thing for a while now — since August 2016, to be precise — and by this point we’ve accumulated an interesting roster of villains….

First up, we have the True Believer (the Operative, Dolores Umbridge). True Believers have a cause to which they are faithfully devoted. That’s not to say they lack other ambitions — wealth, for example, or glory — but those take a back seat to one all-important ideological goal. For the Operative, that goal is creating “a world without sin”. For Umbridge, it’s a fascist regime ruled by the Ministry of Magic. Villains who obsequiously serve a Dark Lord (e.g. Bellatrix Lestrange) or fight to preserve the existing order (e.g. Agent Smith) would also fall into this category. For me, the most interesting True Believers are those fighting for a cause the audience could nominally get behind (e.g. the aforementioned world without sin), but whose methods are beyond the pale….

(2) MISSING THE APOCALYPSE. “Yeah, why DON’T authors deal with climate change??? <rolleyes>,” wrote JJ after seeing Tobias Buckell, Daniel Abraham and some other sff authors on Twitter get a little peeved because Publishers Weekly touted an article by Siddhartha Deb in The Baffler that said only nonfiction writers seemed to be dealing with it.

Such are the absurdities of the fossil-fuel lifestyle we are locked into globally, folly piling upon folly, the latest among them the decision by the United States to pull out of a Paris Climate Agreement that itself is like a band-aid applied to an earthquake. (Its target is to limit the global rise in temperature to between 1.5 and 2 degrees centigrade but, since it comes into effect only in 2020, it is seen by many critics as putting such a target beyond reach.) Yet in spite of all the evidence of the destruction visited upon the world by our resource-heavy appetites, accompanied by a gnawing recognition that something is fundamentally wrong in our relationship with the Earth and in the way we live, and all the cumulative knowledge about climate change and the irreplicable characteristics of an era that some have named the Anthropocene, the end result is still a kind of imaginative fatigue.

This makes itself evident in the paucity of fiction devoted to the carbon economy, something the Brooklyn-based Indian writer Amitav Ghosh addresses in his marvelous recent book, The Great Derangement, writing, “When the subject of climate change occurs . . . it is almost always in relation to nonfiction; novels and short stories are very rarely to be glimpsed within this horizon.”

(3) FAUX POP CULTURE. The Book Smugglers reminds all that Yoon Ha Lee’s Raven Stratagem comes out next week with this guest post from the author, “You Were Watching What on TV, Cheris?”

One of the most entertaining things I’ve gotten to do in the background worldbuilding for the hexarchate is its popular culture. For example, in Ninefox Gambit, my heroine Cheris spends her free time watching crackalicious TV shows (“dramas”). In Raven Stratagem, one of the Kel recalls a classmate who used to read trashy adventures involving “dungeon-crawling” in the bowels of the campus. And it also reveals that Jedao’s mom used to like reading equally trashy sci-fi novels involving survivalists and tentacled monsters from outer space. Just because she’s a science fantasy character doesn’t mean she can’t like sci-fi, right?

(4) INDIGENOUS VOICES. Silvia Moreno-Garcia and Robin Parker have succeeded in creating the Emerging Indigenous Voices Awards, which is now hosted by the Indigenous Literary Studies Association. And the ILSA has announced the award judges. (No excerpt, because the news item is one big image file — not text!) ILSA has set a funding target of $150,000 to”make the award sustainable for many years to come.” As of this writing, the Indiegogo appeal has raised $109,298 (Canadian). [H/T to Earl Grey Editing.]

(5) TIPTREE FELLOWSHIP REPORTS. The two 2016 Tiptree Fellowship winners have reported on how their work has been facilitated by the fellowships. [H/T to Earl Grey Editing.]

First on Porpentine Charity Heartscape’s list:

Here’s what I’ve been up to since I got the Tiptree fellowship. I made Miniskirt World Network: Business Slut Online, a video/music hypertext about a femme vaporwave world where fashion is a basic computer peripheral. I wanted to evoke the contradictory tensions of feminine-coded clothing and the weird emotional textures that come with it.

Mia Sereno (Likhain) explains:

I cannot separate my being Filipino, of the Philippines, from my being a woman; they are inextricably intertwined. Thanks to the Tiptree Fellowship I was able to examine this intertwining more closely through my art. Life has not been easy this past year and between trying to keep my household afloat and taking care of my own health, I’ve had less time than I would have liked to work on my art series built around the concept of Filipinas as monsters, monstrosity reclaimed and embraced. Still, I’d like to share with you some work-in-progress pencils and concept sketches featuring both high fantasy settings and the supernatural as the second skin of our everyday.

(6) THIS LAND IS YOUR LAND. The Wombat Conservancy, Winery, and Writer’s Retreat — a hilarious conversation on Twitter.

To reach the beginning, JJ advises, “You have to keep scrolling up until you get to the top (land for sale listings).”

(7) RARE POWER. ScreenRant tells you what they think is the “Wonder Woman Movie’s Most Important Scene”. But I will excerpt a less spoilery part of the article.

By now most superhero fans with an eye for gender representation will have noticed a discrepancy between males and females with superpowers in comic movies, fantasy, science fiction, etc., etc.. Where the men either immediately or eventually see their superpowers as a gift, and the testing and mastery of the powers as a thrilling ‘coming of age’ story (or montage), women face a different road ahead. Often, the surfacing of a latent or new superpower is treated as an illness: something to hide, remove, control, or at the very least suspect as a problem to be solved (no matter how cool those superpowers may be). For every ‘Professor X’ there is a Jean Grey, for every Flash there is a Killer Frost, for every super-fast Quicksilver, there is a mentally-traumatized Scarlet ‘Witch.’

It’s a gender difference that means men will typically exert power by hitting things, while women are given powers rendering them unpredictable, mentally unstable, or simply tied to forces from an ‘unknown, mystical, potentially harmful’ source. But with Wonder Woman, Diana’s discovery of her ability to punch straight through stone is treated as the world-altering, empowering, and thrilling gift the viewers would take it to be. After smashing her hand through the stone in a frantic fall, Diana deduces that she is stronger than any Amazon before her

(8) NEBULA SHOWCASE. Don’t forget the Nebula Awards Showcase 2017 edited by Julie Czerneda.

The Nebula Awards Showcase volumes have been published annually since 1966, reprinting the winning and nominated stories of the Nebula Awards, voted on by the members of the Science Fiction and Fantasy Writers of America (SFWA). This year’s editor, selected by SFWA’s anthology Committee (chaired by Mike Resnick), is Canadian science fiction and fantasy writer and editor Julie Czerneda. This year’s Nebula Award winners are Naomi Novik, Nnedi Okorafor, Sarah Pinsker, and Alyssa Wong, with Fran Wilde winning the Andre Norton Award for Young Adult Science Fiction and Fantasy Book. Also included in this volume are works by N. K. Jemisin and Ann Leckie.

(9) ON THE ROAD. I laughed.

(10) TODAY IN HISTORY REDUX

  • June 8, 1949 — George Orwell published his most significant book, 1984. (You may be pardoned for thinking there’s an echo around here.)
  • June 8, 1984 Ghostbusters is released in theaters across the United States.

(11) TODAY’S BIRTHDAY BOY

  • June 8, 1910 — John W. Campbell, Jr

(12) BRYANT MEMORIAL. George R.R. Martin tells about attending the memorial service for Ed Bryant in “Saying Farewell”.

Ed was a talented writer and a great workshopper, who mentored and encouraged many writers younger than himself and helped them on their way. He was one of my Wild Cards authors, creator of Sewer Jack and Wyungare. But most of all he was a sweet, kind man, with a warm smile and a gentle wit. Science fiction and fantasy will be poorer without him. Memorials like this are not for the deceased so much as they are for those left behind, I believe. It was good to get together with so many others who cared about Ed, and to share our memories of him, with laughter and love.

(13) TURNABOUT. Queen Idia’s Africa: Ten Short Stories by Cordelia Salter was released May 11.

Africa is rich and the West is poor. That’s the setting for Queen Idia’s Africa: Ten Short Stories by Cordelia Salter with a foreword by Zeinab Badawi.

This is a world where slavery and colonialism never happened and Africa is the rich global superpower.

The West is mired in poverty, politically unstable and relies on aid from Africa. Zeinab Badawi, Chair of the Royal African Society, points out in the foreword that the stories make us think what things could have been like if the boot had been on the other foot.

What would Africa do about swarms of illegal European migrants trying to get to Africa in search of a better life? How would Africa respond to droughts, famines and rebel warfare in North America? Could there have been apartheid the other way round?

(14) SHE, THE JURY. Naomi Alderman, whose sf novel The Power just won the Baileys Prize for Women’s Fiction, has been added to the jury for the The Royal Society Insight Investment Science Book Prize.

Alderman will be one of five judges, chaired by award-winning writer and television presenter, palaeontologist and Royal Society Fellow, Richard Fortey. They are joined by: writer and presenter of BBC Radio 4’s All in the Mind, Claudia Hammond, Channel 4’s Topical Specialist Factual Commissioner, Shaminder Nahal and former Royal Society University Research Fellow, Sam Gilbert.

The Prize has worked with many eminent judges over its illustrious 30-year history, among them Ian McEwan, Sarah Waters, Terry Pratchett, David Attenborough, Tracy Chevalier and Michael Frayn.

The Prize celebrates outstanding popular science books from around the world and is open to authors of science books written for a non-specialist audience. Over the decades, it has championed writers such as Stephen Hawking, Jared Diamond, Stephen Jay Gould and Bill Bryson.

Naomi Alderman commented: “It’s a terrible shame that arts and sciences are so often seen as mutually opposed, and that there’s so little understanding of what makes great work in ‘the other’ culture. So many of the most urgent problems that face us today can only be solved by thinking in an interdisciplinary way. That’s why I’m particularly thrilled to be a judge of this Prize, where we’ll be looking both for great science and excellent writing and storytelling. There’s no reason that a science book can’t be a bloody good read, and I can’t wait to get stuck in, and to discuss the best new science writing with the other judges.”

(15) ILLEGAL ESPIONAGE. In Section 31: Control, frequent Star Trek novelist David Mack takes on Starfleet’s secretive, rogue agency. Dr. Bashir, as he was in Deep Space Nine episodes involving Section 31, is the chief protagonist.

No law…no conscience…no mercy. Amoral, shrouded in secrecy, and answering to no one, Section 31 is the mysterious covert operations division of Starfleet, a rogue shadow group pledged to defend the Federation at any cost.

The discovery of a two-hundred-year-old secret gives Doctor Julian Bashir his best chance yet to expose and destroy the illegal spy organization. But his foes won’t go down without a fight, and his mission to protect the Federation he loves just end up triggering its destruction.

Only one thing is for certain: this time, the price of victory will be paid with Bashir’s dearest blood.

(16) TOASTY. A “heat battery” in use in real world: “From hand-warmer to house-warmer for tech firm”.

It took a creative leap to take the idea further: could you scale up the phase change process so a hand-warmer became a house-warmer?

Several big corporations – over several decades – tried to make it happen but each time the research petered out.

Now an East Lothian company with fewer than 30 employees has succeeded.

The equipment Sunamp have developed at their base in Macmerry has already been installed in 650 Scottish homes, providing heat and hot water for about half the cost of gas.

(17) HAWKING MEDAL. Space.com reports “Neil deGrasse Tyson Becomes 1st American to Receive Stephen Hawking Medal”.

Astrophysicist Neil deGrasse Tyson received the Stephen Hawking Medal for Science Communication Tuesday (June 6), becoming the first American scientist to earn the prestigious award.

Tyson, who refers to himself as “your personal astrophysicist,” is most known for his television series “Cosmos: A Spacetime Odyssey” and podcast-turned-television-series “StarTalk.” He is the director for the Hayden Planetarium at the American Museum of Natural History here in New York City, where Tuesday’s announcement was made.

The Stephen Hawking Medal is an annual award created in association with the Starmus Festival, an international gathering celebrating science and art that will take place in Trondheim, Norway, on June 18-23 this year. Medals are given to science communicators in three categories: writers, musicians and artists, and people in the film and entertainment industry. Hawking, a famous theoretical physicist and author of several best-selling books about the universe, handpicks the recipients himself. [The Most Famous Astronomers of All Time]

(18) WHEN MEN WERE MEN AND DINOS WERE FROGS. Looking for a Father’s Day present? How about this “ORIGINAL JURASSIC PARK Screenplay SPECIAL Copy”, asking price (reduced 30%!) now $2,450 on eBay.

[JURASSIC PARK – THE FILM]. CRICHTON, MICHAEL, DAVID KOEPP. Original Limited and Numbered Confidential Shooting Script for the Film ‘Jurassic Park’ by David Koep. Based on the Novel by Michael Crichton and on Adaptations by Michael Crichton and Malia Scotch Marmo. Los Angeles: Amblin Entertainment, 1992. Original limited and numbered copy of a 126 page shooting script with color rewrite pages for the film ‘Jurassic Park’ by David Koep, based on the novel by Michael Crichton and on adaptations by Michael Crichton and Malia Scotch Marmo. A special printed page at the beginning reads: “HIGHLY CONFIDENTIAL – You are a part of a very limited distribution. This numbered copy of JURASSIC PARK has been assigned to you and is for your eyes only.” next to which “JP” and “64” are stamped in red and throughout the script. This copy belonged to the film’s safety coordinator

(19) MARKET OVERVIEW. David Steffen’s “SFWA Market Report for June” at the SFWA Blog includes these opening markets.

OPENING MARKETS

(20) NOT THAT ANYONE WOULD REMEMBER. Chris Chan continues his Orwellian remaking of recent fanhistory in “‘No Award’: The Hugo Awards, Sad Puppies, and Sci-Fi/Fantasy Literature — Part Two: A Short History of the Sad Puppies at the Hugos” at Nerd HQ.

The results of the 2015 experiment were dramatic and explosive. The recommendations of the Sad Puppies (and also those put forward by the Rabid Puppies) dominated the 2015 Hugo Nominations. John C. Wright received five nominations in three categories (he initially was awarded a sixth slot, but one was revoked on a technicality). The Hugo nominee list changed over the coming weeks. Aside from the aforementioned instance, some nominees chose to decline their nomination (Hugo nominees have this option and can decline for any reason they like — some original nominees did not approve of the Sad or Rabid Puppies and did not wish to have any connection with them, and others objected that they believed that the voting process was being corrupted), and the slots were then filled by the runners-up. Incidentally, Correia’s Monster Hunter Nemesis received enough votes to qualify for a Best Novel nomination, but he turned down the nod to make the point that Sad Puppies was not being organized in order to receive honors for himself.

And yet that’s exactly why Correia started down this road — see the first post in 2013, “How to get Correia nominated for a Hugo. :)”, and the follow-up post that initiated the Sad Puppies theme, “How to get Correia nominated for a Hugo PART 2: A VERY SPECIAL MESSAGE”. There was really nothing noble about it, in the beginning or later.

(21) THERE ARE TWO KINDS OF PEOPLE. Jon Del Arroz, after studying the wildlife in its native habitat, offers his “Behavioral Observations In Science Fiction”.

There’s two groups, the old guard burnout mentality, and the new indie pulp revolution. There’s a bit of a line up along political lines, but not as much as you’d expect, and in fact, that’s used as an excuse a lot of the time to poo poo the new. This is the state of science fiction today. I’ve talked about it briefly before, but here’s a broader look at the experiences I’ve had after engaging with both.

Old Guard

You walk into social media, or a group, or a convention of what I called the “old guard”, they’e hesitant. They’re the type to complain that they’re introverts, having to recharge after social interactions (which is fine to be, but knowing that — why complain so often?). A new person is immediately greeted with a stand-offish attitude, like they have to vet you to make sure you’re “really one of them” or that you have to pay your dues to prove yourself somehow. They’re hyper-political. If you look at their social media posts, 70-90% of them are endless shrieking about politics they don’t like. They keep talking about how they’re too busy for anyone or anything — including the next generation of fans and writers. And this is all before they know that you’re on the “wrongthink” side of politics.

(22) WE INTERRUPT THIS PROGRAM. The Coode Street Podcast will take a couple of breaks this year. The announcement provoked this hilarious exchange.

(23) ALTERNATE REALITY HUMOR. It might be too late for this to be funny — Loki Runs For President, a video from last November. (Was it funny then? It’s basically somebody talking a mile a minute over scans of a comic book.)

(24) APE CLIP. Two minutes of War for the Planet of the Apes about “Meeting Nova.”

She is the future. Meet Nova in the first clip from #WarForThePlanet and be the first to #WitnessTheEnd on Monday, June 19

 

[Thanks to JJ, Chip Hitchcock, John King Tarpinian, Earl Grey Editing, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor the day Oneiros.]

Pixel Scroll 6/29/16 Owner Of A Lonely Pixel

(1) CASUALTY OF INTOLERANCE. Al Davison’s writeup about being harassed on the street in his hometown of Coventry comes recommended by James Bacon with the note: “New Britain — bigots empowered — comic artist and martial arts expert Al Davison racially abused. His view and experience must be read. A decent man doesn’t want to live here anymore and fears for those who are kind to him. It’s not good.”

WHY I DON’T WANT TO LIVE HERE: Sunday night I’m almost home, it’s started raining, I’m rushing because my immune system sucks, I only have to smell rain and I get ill. Two men on the other side of the road shout ‘Fu**in’ islamist cripple! One adds, ‘takin our fu**in’ benefits’, while the other shouts, ‘What happened, didn’t your fu**in’ suicide vest do the job properly?’

They get a bit ahead walking backwards so they can keep looking at me, the older of the two, puts his hand two his mouth and laughs ‘Sorry mate, thought you were a P*ki, Sorry, ‘And what if I was’, I shout’, still looking ahead, and not at them. The other responds with, ‘why you sayin’ sorry, he’s still a fu**in’ scroungin’ cripple.” They start chanting ‘scrounger’, and and literally dance off down the road, like a couple of teenagers, the youngest was in his thirties, the other around fifty. Morons. I have a beard and wear a hat, that makes me an islamist! I know I am more than capable of defending myself, I’ve survived numerous physical attacks, but many aren’t equiped to defend themselves the way I am. ‘WE SHOULDN’T FU**KING HAVE TOO! …

(2) PRIME TIME. The CBC has the story: “Justin Trudeau joins Canadian superheroes for Marvel Comics cover”.

trudeau-comic-cover-20160628

Make way, Liberal cabinet: Prime Minister Justin Trudeau will have another all-Canadian crew in his corner as he suits up for his latest feature role — comic book character.

Trudeau will grace the variant cover of issue No. 5 of Marvel’s “Civil War II: Choosing Sides,” due out Aug. 31.

Trudeau is depicted smiling, sitting relaxed in the boxing ring sporting a Maple Leaf-emblazoned tank, black shorts and red boxing gloves. Standing behind him are Puck, Sasquatch and Aurora, who are members of Canadian superhero squad Alpha Flight. In the left corner, Iron Man is seen with his arms crossed.

“I didn’t want to do a stuffy cover — just like a suit and tie — put his likeness on the cover and call it a day,” said award-winning Toronto-based cartoonist Ramon Perez.

“I wanted to kind of evoke a little bit of what’s different about him than other people in power right now. You don’t see (U.S. President Barack) Obama strutting around in boxing gear, doing push-ups in commercials or whatnot. Just throwing him in his gear and making him almost like an everyday person was kind of fun.”

The variant cover featuring Trudeau will be an alternative to the main cover in circulation showcasing Aurora, Puck, Sasquatch and Nick Fury.

Trudeau follows in the prime ministerial footsteps of his late father, Pierre, who graced the pages of “Uncanny X-Men” in 1979. [Volume 120]

(3) VICE VERSA SQUAD. Camestros Felapton reviews “Batman versus Superman: Or Is it Vice Versa”.

I finally watched Batman versus Superman: Dawn of Justice. This was the Extended Cut and at least one review I’ve read suggest that the extra 30 minutes makes the film substantially better. Ah. Hmm. I didn’t see the theatrical version but either that was a huge mess of a film or the extra 30 minutes made the central problem far worse. This was a film that needed editing or some sort of substantial re-jigging. Perhaps what hit the theatres was a failed attempt at that?

Beyond this point there are spoilers aplenty – so don’t read on if you don’t want to discover who the alter-ego of Superman is or what house Batman lives in [HINT: its an anagram of Mayne Wanor].

(4) GAIMAN’S NEXT. “Neil Gaiman Delves Deep Into Norse Myths for New Book” announced the New York Times.

Mr. Gaiman’s forthcoming book “Norse Mythology,” which Norton will publish next February, is an almost novelistic retelling of famous myths about the gods of Asgard. The book will explore the nine Norse worlds, which are populated by elves, fire demons, the Vanir gods, humans, dwarves, giants and the dead. There are ice giants and elves, familiar deities like Thor, Odin (the wise and occasionally vengeful highest god) and Loki (the giant trickster), and a frightening doomsday scenario, Ragnarok, where the gods fight a fire giant with a flaming sword in an apocalyptic, world-ending battle.

Gaiman joked about his posed photo accompanying the article.

(5) THE FIRST. Petréa Mitchell noted in comments that The Atlantic has an article on the adoption of word processors by writers which includes anecdotes about Jerry Pournelle and Isaac Asimov, and some general comments on the effect of word processors on sf writing.

Robinson Meyer: “Who was the first author to write a novel on a word processor?” You cast that question as what drove you to write this book. Is there something close to a definitive answer for it?

Matthew Kirschenbaum: We can’t know with absolute certainty, I don’t think, but there are a couple of different answers.

If we think of a word processor or a computer as something close to what we understand today—essentially a typewriter connected to a TV set—there are a couple of contenders from the mid- to late-1970s. Notably Jerry Pournelle, who was a science fiction author. He is probably the first person to sit and compose at a “typewriter” connected to a “TV screen”—to compose there, to edit, and revise there, and then to send copy to his publisher. That was probably a novella called Spirals.

If we move back a little bit further, there’s an interesting story about a writer named John Hersey, the novelist and journalist. He did the famous book Hiroshima. He was at Yale in the early 1970s, so maybe about five years before Pournelle, and he worked on one of the mainframe systems there. He didn’t compose the draft of the novel he was working on at the keyboard, but he did edit it, and use the computer to typeset camera-ready copy.

So those are two candidates.

And yet neither of them is Kirschenbaum’s choice…

(6) MEANWHILE, BACK IN THE 21ST CENTURY. Tobias Buckell has a post on “How to collaborate on fiction in 2016 using pair programming, Skype, and Google Docs”.

I just finished a new collaboration. It’s a short story of nearly 10,000 words that will be in Bridging Infinity (you can pre-order here), edited by Johnathan Strahan “The latest volume in the Hugo award-winning Infinity Project series, showcasing all-original hard science fiction stories from the leading voices in genre fiction.”

The writer I collaborated with was Karen Lord, who currently lives in Barbados (author of Galaxy Games, Redemption in Indigo, you’re reading her, right?).

(7) NO POWER. Kim Lao argues “Why You Should Aim for 100 Rejections a Year” at Lithub.

I asked her what her secret was, and she said something that would change my professional life as a writer: “Collect rejections. Set rejection goals. I know someone who shoots for one hundred rejections in a year, because if you work that hard to get so many rejections, you’re sure to get a few acceptances, too.”

This small piece of advice struck a deep chord in my fragile creative ego. My vulnerable ego only wants to be loved and accepted, to have my words ring out from a loudspeaker in Times Square while a neon ticker scrolls the text across a skyscraper, but it’s a big old coward….

(8) LOST SERIES AND VANISHED VISUALIZATIONS. Suvudu will make you nostalgic for a TV show you likely have never heard of before: “’Out of the Unknown’: The BBC Sci-Fi Series Americans Should Have Seen”.

The Guardian’s Phelim O’Neill just published a rather nice review of the long gone BBC science-fiction and horror anthology program “Out of the Unknown”. While I’ve never seen it myself, from what O’Neill wrote, it sounds like it was a real doozy. Consisting of four seasons aired on BBC 2 from 1965 to 1971, “Out of the Unknown” adapted literary works by the likes of Isaac Asimov, Ray Bradbury, and J.G. Ballard.

Out of the 49 episodes filmed, only around 20 or so remain. As “Doctor Who” fans are already aware, it was standard procedure for the BBC to delete old episodes of what was at one time deemed disposable entertainment. Coincidentally, one of the lost episodes of “Out of the Uknown” actually featured Doctor Who’s arch nemeses: The Daleks.

(9) ISHER IN AMERICA. Jeb Kinnison, who thinks File 770 readers will be intrigued by the sf aspects of this post, is honestly not optimistic very many will agree with his political comments — “The Justice is Too Damn High! – Gawker, The High Cost of Litigation, and The Weapons Shops of Isher”.

Gawker filed for Chapter 11 bankruptcy to avoid paying the bond which would otherwise be necessary to appeal the $140 million judgment against them in the Hulk Hogan sex tape lawsuit. (It’s a good thing I don’t have to explain that sentence to a time traveler from the last century — would take a long time.) There have been plenty of stories and hot takes on it, so I’ll reach back to discuss what the real problem is — the cost of justice is too damn high. ….

Today’s United States resembles the Empire of Isher more than a little — a relatively prosperous population, but with layer upon layer of accreted law, regulation, and bureaucracy, with ideals of justice corrupted in practice so that only the wealthiest can afford government-sanctioned courts…. The impunity with which Gawker operated for years while stepping on the privacy rights of people for profit is just one symptom of the inability to get justice at a reasonable price. The simmering resentments of citizens made unknowing scofflaws while going about their lives and the increasing regulatory overhead to start and run a small business are slowing growth and damaging the careers of young people who have been trained to ask permission before trying anything new….

(10) KELLY OBIT. Peter David took note of the passing of a behind-the-scenes figure: Lorna Kelley, RIP.

The chances are spectacular that you have not heard of Lorna Kelly. For the vast majority of you, there is no reason that you would have. Lorna was an auctioneer who worked for Sotheby’s for a time–one of the first female fine arts auctioneers in the world–and she recently died of a stroke at the age of 70.

The reason that the David family knew her was because every year for over a decade, she was the auctioneer at the Broadway Bears charity auction sponsored by Broadway Cares/Equity Fights AIDS. Every year she would coax and cajole individuals into bidding ridiculous amounts of money for bears that had been lovingly costumed in exact replicas of Broadway character outfits. But that was hardly the extent of her life. She treated AIDS patients in Calcutta working with Mother Teresa. According to the NY Times, “She also traveled to Senegal, where she vaccinated thousands of children. In Cairo, she ministered to impoverished residents of a vast garbage dump; she likewise served the poor in Jordan, Gaza and the Bronx.” To say she led a well-rounded life is to understate it, and we were privileged to have met her and spent time with her.

(11) TODAY’S BIRTHDAY BOYS

  • Born June 29, 1911 – Bernard Hermann
  • Born June 29, 1920 – Ray Harryhausen

And did they ever work together? I’m glad you asked – Internet Movie Database shows Hermann did the music for Mysterious Island and Jason and the Argonauts, two films for which Harryhausen created the special visual effects.

harryhausen

(12) GUILLERMO DEL TORO. Another film available to fans and collectors.

Slashfilm covers the news: “Pan’s Labyrinth Criterion Collection Release Announced”.

The 2006 film is often looked at as the filmmaker’s best work, and understandably so. Most of del Toro’s films have plenty of heart, horror, and beauty, but Pan’s Labyrinth, narratively and dramatically speaking, it is his most satisfying work. Good luck trying not to tear up during Ofelia’s (Ivana Baquero) heartbreaking journey.

(13) STRUGATSKY ADAPTATION. In the film of Roadside Picnic, Matthew Goode takes top billing.

The Good Wife and Downton Abbey alum Matthew Goode is set as the lead in WGN America’s alien saga pilot Roadside Picnicbased on the famous novel by top Soviet/Russian science fiction writers Arkady and Boris Strugatsky.

Written by Transcendence scribe Jack Paglen, with Terminator Genisys and Game Of Thrones helmer Alan Taylor attached to direct and Neal Moritz producing, Roadside Picnic explores a near-future world where aliens have come and gone, leaving humankind to explore the wondrous and dangerous mysteries left behind. The story also explores the social ramifications of their visit, as seen through the eyes of Red (Goode), a veteran “stalker” who has made it his mission to illegally venture into the once inhabited zone and scavenge the abandoned remains of the alien culture.

(14) MST3K. Ceridwen Christensen may leave you green with envy: “I Attended the MST3K Reunion Show, and It Was Everything I Wanted It to Be” (B&N Sci-Fi & Fantasy Blog.)

Last night at the State Theatre in Minneapolis, I had the absolute pleasure to experience the Mystery Science Theater 3000 reunion show, hosted by Rifftrax, purveyors of downloadable movie-mocking commentary tracks, a company founded by several alums of the show. It also featured members of Cinematic Titanic, likewise the brainchild of ex-MST3K cast members. Last night, they got the band back together, uniting writers and actors from several eras of the show, both past and future. It was a celebration of the fact that Joel Hodgson, the original creator, recently wrapped the most successful film and video Kickstarter of all time: a successful bid to revive the show after more than 16 years off the air; squee. Hodgson riffed on a short with the new lead, Jonah Ray. I think I actually hurt my throat laughing….

(15) DAVID D. LEVINE COMING TO LA. Shades & Shadows 17 will be at Bearded Lady’s Mystic Museum in Burbank, CA on July 16. Doors at 7:30 p.m. Readings begin at 8:00 p.m. $10.

It’s summer. Everything is on fire, melting, or exploding. Everybody is one power outage away from convincing themselves we’ve entered the world of Mad Max.

Which, hey, isn’t far off from what we’re offering. Leave reality behind for a while. Come see what we have on tap as we bring in our mix of award winning authors and emerging voices in the literary scene! It’s a genre experience like no other!

Featuring: PAUL TREMBLAY, STEPHEN GRAHAM JONES, VESTA VAINGLORIA, DAVID D. LEVINE, GLEN HIRSHBERG, +1 TBA!

(16) HELP FRAN EVANS. Karen Willson alerted me that contributions are requested to the Fran Evans Assistance Fund (on GoFundMe) to help a longtime LASFSian.

This fundraiser is for a friend of mine, Fran Evans.  Fran just had brain surgery and can’t work.

She says that “the money would be used to “pay my bills/rent for the next couple of months while I recovery from having holes drilled in my head.  Whatever moneys I normally get go to my rent, this would help pay the difference and other bills.  Not many, I’m pretty frugal.   I have no credit cards.  If I can’t pay by check or debit – it doesn’t happen.  Water, for the moment, is free.

“I don’t smoke or drink or go shopping.  My idea of a big splurge is a used paperback on Amazon.  I just want  couple of months to heal without any worries about money.  The doctors said about two months before my balance begins to come back online.  I seem to spend a lot of time resting or sleeping.  Gee, wonder why.

“I’d like to get $2,000. to $2,500.  But whatever I can get would be nice.”

Fran has worked many years in the film industry and the Bob Burns Halloween show. Folks at conventions will remember her for her backstage help at many events.

Your assistance will mean a lot to Fran.  Thank you for thinking about it!

(17) PROFESSIONAL PREFERENCES. Sarah A. Hoyt advocates for writing in “First Person, Singular”.

1- The main reason I like first person singular is that for a moment it tricks you into that space behind the eyes of another person, relieving the loneliness of that narrative voice that can only ever describe your own life.

This is a universal and enduring quality.  I’ve had teachers tell me — and to an extent they’re right — that first person is “less believable” because you KNOW you haven’t done those things.

To which I counter that WELL done, with the right balance of external activity and internal dialogue, with just enough of a “touch of nature makes the whole world kin” i.e. of physical sensation that the readers, too, have experienced, it can make you feel it is happening/happened to you.

(18) TIME IN A BOTTLE. At Examined Worlds, Ethan Mills discusses the philosophical questions within the classic sf novel: “At War with Time: The Forever War by Joe Haldeman”.

In addition to the emotional scars of returning soldiers, the time dilation speaks to the feeling of aging while the world moves on around you.  This is something I feel acutely as an aging college professor constantly encountering fresh crops of young whipper-snappers with their new fangled cultural references and ways of being!  The time dilation reminds us that we are all at war with time, which is of course relative to the observer’s position.  It’s also by far the most interesting aspect of the book and allows Haldeman to write the history of the next 1,000 years.

Suffice to say there are some ruminations on this war and war in general.  Why are they fighting?  Why can’t they learn more about the alien Taurans?  How is the war the cornerstone of the economy?  Does the war make it possible for the government to control most aspects of society?

The philosophical questions are more implied than pedantically presented.  You don’t get anything quite like the classroom scenes of Starship Troopers.  I honestly would have liked a little more explicit philosophy to chew on.

(19) YOUTH REACT. James Davis Nicoll tells me his second post on Young People Read Old SF goes live 9:00 a.m. Thursday.

(20) HUGO CONTENDER. Lisa Goldstein reviews “Short Story: ‘Space Raptor Butt Invasion’” for inferior4+1. The last line is the most surprising part of her post:

I have no idea why this story was on the Rabid Puppies’ slate.

I believe a lot of readers here could explain it.

(21) SUCCESSFUL COUP IN BRITAIN. The Evening Harold has scooped the mainstream media with its report “Lord Vetinari takes control of the UK” (via Ansible Links.):

The UK is under new leadership this morning following a coup by the Patrician of Ankh-Morpork, Lord Havelock Vetinari…..

[Thanks to Karen Willson, Petréa Mitchell, John King Tarpinian, Taral Wayne, and David K.M. Klaus for some of these stories. Title credit goes to File 770 contributing editor of the day Bruce Baugh.]

Pixel Scroll 5/9/16 A Transatlantic Tunnel In The Sky, Hurrah!

(1) CONVERSATION. At Tor.com, Natalie Zutter tells about the appearance of N.K. Jemisin, Nnedi Okorafor, and Ibi Zoboi at the Brooklyn Museum’s Target First Saturday, in “Masquerade, Initiation, and Sci-Fi/Fantasy: N.K. Jemisin and Nnedi Okorafor in Conversation”.

…Okorafor’s initiation was her experience with paralysis as a teenage athlete, a difficult period during which she had to relearn how to walk but during which she also turned to writing as a way to cope. Her first story was about a flying woman, “because when you can fly, you don’t have to walk.” She explained, “I know that that experience was my initiation into becoming a writer. When I look back, when it was happening, I didn’t know. I just knew that I was learning how to cope and going deep like that, being so distraught that the only way I [could] stay sane was to go into myself, was how I discovered that thing, that storytelling. From that point on, there is this mystical aspect to storytelling; I’ve had several times where I’m writing stories and I just go somewhere, and something is there. An hour will go by and I’ll look at what I’ve written and it will be new to me and I’m like, ‘Who wrote that?’ […] That actually is very scary to me, but over the years I’ve come to deal with that fear and be comfortable with it and expect it, and know to just sit back and let it happen.”

While Okorafor turned into herself, Jemisin’s initiation was the inverse—she went outward through countless adventures as a child and extensive traveling as an adult. Growing up in Mobile, Alabama, the kind of child who would make little books out of construction paper tied together with yarn, she would visit her father up in New York City (specifically, pre-hipster Williamsburg). “This was my wonderland,” she said, remembering how her father would give her a handful of money and mark a spot on the map, then send her out to traverse the subway system and find her way to her destination. “This was the place I came to become my true self,” she said, “where I shed the masks that I had to wear in Alabama in order to be safe, in order to fit in, to be accepted. I came here, and I could be my little nerdy self and be where I needed to be.” Those childhood adventures prepared her for adulthood as an author navigating the publishing industry: “I’ve always been the little black face, the little ink spot on the page. It did not feel to me like having to go into that space and ask for acceptance or fight to be understood. It felt like ‘You need to reshape yourselves. I am here, this is the industry that you claim to be, you need to be what you claim to be.’ And the industry has been changing in that way, in the last few years. I don’t think it’s me; it’s a lot of people. But the fact that I felt that has been built from that early-adapter stuff I had to do.” …

(2) DISCUSSING DISABILITIES. Today saw the launch of Our Words: Discussing Disabilities in Science Fiction.

The purpose of Our Words is to focus on disabilities in speculative fiction, and give the disabled a place to talk freely and openly about our experiences in the genre. Furthermore, I hope to educate genre fans, authors, publishers, and whoever else about disabilities in the genre, in a comprehensive, well-rounded sort of way. This website will eventually expand to do interviews, discuss and review books, have personal essays, highlight issues in the genre, at conventions, and so more.

Our Words is a website run by a disabled genre fan, for disabled genre fans. This is a place for us to all have a voice. A place for us to use our words, and be heard.

(3) HARRY DRESDEN CARD GAME. Jim Butcher’s Dresden-verse has spawned a cooperative card game that is in the midst of being lavishly funded by fans on Kickstarter. Asked for $48,000, supporters have pledged over $379,000 so far, with nine days to go.

Backers will be rewarded with many extras, including the first chapter of Peace Talks (mid May 2016). More details at: The Dresden Files Cooperative Card Game. (Here’s a video that explains how the game is played.)

(4) OWN A BRICK FROM BRADBURY’S HOME. Con or Bust is gathering items for its 2016 fundraising auction. John King Tarpinian has donated a brick from Ray Bradbury’s home, which was demolished in January 2015.

Bidding opens on Wednesday, May 25, 2016 at 12:01 a.m. Eastern. It will close on Sunday, June 5, 2016 at 4:00 p.m.

(5) CAREER LAUNCH. Tina Jens at Black Gate mentions the magic number in “Things Your Writing Teacher Never Told You: Going to the Nebulas”.

I require the students in the more advanced course, the Fantasy Writing Workshop, to complete at least one story and submit it to a semi-pro or pro market. But the course aimed at writing majors and non-writing majors alike, Exploring Fantasy Genre Writing, has more than half the students ready to submit a poem or short story for publication, as well. There’s always a few, each semester, but more this semester, I think….

As part of the last week of classes, for both my courses, I’m having a representative from our department’s Publishing Lab (run by students, for students, to help them submit their poetry, fiction, and creative nonfiction) come in. They help read proposed cover letters, find markets, and provide emotional support. The drill is this, with their laptops open and everyone tapped in to the school wi-fi, when a student author says they’re ready to submit, their finger hovering over the send button, the group does a mission-control countdown from five.

Five, four, three, two, one, SEND! When the button is pushed, we ring a bell and give them a cookie. An actual bell, and an actual cookie. We’ve found both help.….

(6) CARL BRANDON AWARD. Nominations are open for the 2014 and 2015 Carl Brandon Awards.

Two awards are given each year:

The Carl Brandon Parallax Award is given to works of speculative fiction created by a self-identified person of color. This Award includes a $1000 cash prize.

The Carl Brandon Kindred Award is given to any work of speculative fiction dealing with issues of race and ethnicity; nominees may be of any racial or ethnic group. This Award includes a $1000 cash prize.

Nominations open through July 16, 2016

(7) KEN MACLEOD. The Herald of Scotland profiled “Science fiction writer Ken MacLeod on his Free Presbyterian childhood, his time as a Communist Party member and the future of humanity”.

“I got disillusioned with my early Trotskyism and joined the Communist Party at exactly the wrong time in the mid-1980s.” You join us as Ken MacLeod, a man once described as “the greatest living Trotskyist libertarian cyberpunk science-fiction humourist,” is recalling his political history. “I think I left in 90 or 91,” he continues, “a few months before it dissolved itself.

“The CP at that time was certainly a very interesting place to be because they were having their terminal crisis as it were. So it was certainly intellectually stimulating.”

He stops and sips his coffee, looks out through the window of the South Queensferry café where we are sitting at the looming Forth rail bridge. For a moment Scotland’s industrial past and service sector present are invisibly united in the eyesight of one of the country’s most entertaining, politically engaged futurists.

(8) TODAY IN HISTORY.

…My wife, Emily, has joined me to help out with the freelancing. So the business has grown. We haven’t killed each other yet being home all the time.

I almost died just a few years into freelancing. Found out I had a heart defect. Spent years recovering and learning how to manage a whole new life.

Had twins. Still trying to figure out this dad thing. Very much a learn as you go.

I have published 9 novels in that 10 years, 2 under a pseudonym. There are two more written as of yet unsold as well. I’ve also done 4 collections, 5 novellas, and sold 36 short stories….

(9) COSPLAY ORIGINS. Jennifer Culp invites everyone to “Meet the Woman Who Invented Cosplay” in her article for Racked.

Myrtle Rebecca “Morojo” Douglas Smith Gray Nolan was a Gemini, born in June 1904. She was an atheist, an active member of the Los Angeles Science Fiction Society, and a proponent of the 19th-century constructed auxiliary language Esperanto, meant to foster communication and understanding between people of all cultures. (Obviously, she was a big nerd.)

Between the years of 1938 and 1958, she edited three separate long-running sci-fi fanzines (“editing” including all of the typing, mimeo, and physical work required to manufacture the zines, naturally) and wrote editorials for several major early sci-fi “pro”-mags in the early ‘40s. Basically she was the mid-20th century equivalent of a prolific, influential blogger. She married three times, had one son, and shared a decade-long romantic and creative relationship with fellow fan Forrest J Ackerman, with whose help she sparked off a phenomenon that would develop into costume-loving fan culture we know today. In the decades following her death, her memory has largely been resigned to footnotes designating her a mere “girlfriend,” and that’s a damn shame, because both with and without Ackerman Morojo was a badass….

Following her death in 1964 at the age of 60, Morojo found herself in an unenviable posthumous predicament: the most detailed and accessible record of her life and work exists in the form of eulogies written by two of her ex-boyfriends. (Hold up, just take a second here: can you freakin’ IMAGINE what a hell that could be???) Amazingly, her old flames Elmer Perdue and, of course, Forrie, seem to have done pretty damn right by her memory, publishing (of course!) a fanzine in her honor.

Ackerman comes across as — frankly — a self-absorbed ass in his brief essay “I Remember Morojo,” openly acknowledging his surprise at being asked to contribute. He had barely spoken to the woman since he “got mad at her about half my life ago,” as he puts it. But in spite of the teeth-grindingly irritating paragraph he spends speculating about her position in his own imaginary hierarchy of female sci-fi fandom and the insulting description of 17 years of dedicated work on Guteto as “her own little” zine, Forrie gives Morojo what he surely perceived as the ultimate in (awkward nerd) respect, meticulously listing all of the fannish achievements he could recall to ascribe to her. It is through Ackerman’s remembrance that we know that Morojo was responsible for the world’s first fan costumes, which he specifically notes that she “designed and executed.”

You can download a scanned copy of Ackerman’s I Remember Morojo at eFanzines. Here’s FJA’s quote about her leading role in early costuming —

“She designed & executed my famous ‘futuristicostume’ – and her own – worn at the First World Science-Fiction Convention, the Nycon of 1939. In 1940 at the first Chicon she and I put on a skit based on some dialog from THINGS TO COME, and won some kind of prize. In 1941 at the Denvention she wore a Merrittesque AKKA-mask (frog face) devised by the then young & as yet unknown master filmonster model maker & animator, Ray Harryhausen. In 1949 at the Pacficon in LA, I understand she created a sensation as A. Merritt’s Snake Mother…”

Although Ackerman surpassed all others at drawing fannish attention to himself, as you can see he gave the credit in this case to Morojo. Nor was he the one who gave himself the title the inventor of cosplay. That was masquerade fans of an earlier era who named Ackerman the father of costuming, a move that may have been designed to catch some of his reflected glory for costumers, who at times have felt pushed to the margins by conrunners and fanzine fans. Just the same, Morojo – the actual creator of the costumes – was never treated as the primary historical figure before now.

(10) BRITISH MILIARY SF. SFFWorld has an “Interview with Tim C. Taylor author of The Human Legion series”.

The first book in the series, Marine Cadet has been released as part of the Empire at War collection. How has it been to join forces with fellow British authors and promote British military SF like this?

It’s been wonderful to meet a few fellow military SF authors in the flesh at the recent British convention called Eastercon, because writing can at times be a lonely profession. To begin with, I had a lot of doubts. Can really do this? I had the idea of putting together a box set of military SF books, and hit upon British military SF as a theme, but I was treading new ground. American readers might find this strange, but to the best of my knowledge there has never been such a thing as a ‘British military SF scene’. I mean, the Warhammer 40K novels have been enormously successful, and one of the most successful of all British science fiction authors of recent years is Karen Traviss with her four Halo military SF novels that were all New York Times bestsellers. So it’s not a new thing for British authors to write military SF, but Warhammer 40K and its Black Library publishing arm seems to sit in a splendid and psychotic isolation, and Karen Traviss seems to be largely ignored by much of British fandom, as if writing the tie-in novels where she has seen greatest success so far means that she is not a ‘proper’ writer.

To be honest, I haven’t previously placed a lot of interest in where an author was based, but when I looked at the bios of the new wave of military SF authors I had read in recent years, I was astonished to find how many were British.

So when I started inviting authors (and an artist for the cover and interior illustrations) and saying, “Let’s do something together and call it British military SF”, I don’t think anyone had ever used that term before. Now that I’m more attuned to where people are based, I realize there are many more British authors I could have invited.

By the way, I want to point out that although I kicked off ‘The Empire at War’ project, it was far from just myself doing the work, and it is a good feeling to create something as a group that we can all be proud of.

(11) DAMN RIGHT. Here’s the wisdom Sigrid Ellis serves between two slices of Hamilton and Burr:

…I so often feel this way about Wiscon. It feel like the big things, the stuff everyone talks about later, are always taking place somewhere I am not. In some other panel, some other party, some other room. Never the room I am in.

But I gave this some serious thought and realized that I’ve actually been IN “the room” while “it” is happening at some points in the past. At Wiscon, or other events. I’ve been there. I’ve been, from time to time, the insider. It just never felt that way at the time.

And that made me think how utterly stupid I am being. I mean, way to proactively ruin a great convention, being upset about whether or not the “important” things are happening where I can see them. It’s my convention experience, dammit! I can and will enjoy it for my friends, the conversations I have, the sleep I’ll get, the people I’ll meet, the dinners I’ll have! …

(12) THE AUTOBIOGRAPHICAL CAT. Ursula K. Le Guin continues “Annals of Pard: My Life So Far, by Pard, Part II” at Book View Café.

I cried very loudly in the roaring moving room-thing on the way here, because I thought the awfulness and strangeness was all happening over again forever. I still always think that when they put me in box that smells of fear and the roaring moving room-thing. But except for that I have hardly cried at all since coming here.

The aunty human went away and left me with the old queen and an old tom. I was distrustful of him at first, but my fears were groundless. When he sits down he has an excellent thing, a lap. Other humans have them, but his is mine. It is full of quietness and fondness. The old queen sometimes pats hers and says prrt? and I know perfectly well what she means; but I only use one lap, his. What I like to use about her is the place behind her knees on the bed, and the top of her head, which having a kind of fur reminds me a little of my Mother, so sometimes I get on the pillow with it and knead it. This works best when she is asleep.

(13) FREE COMICS. James Bacon tells about spending Free Comic Book Day with the creators signing at Forbidden Planet, in  “Fiends of the Eastern Front: Fodder by Hannah Berry and Dani at FCBD in Orbital”.

It is rare that so many cool things could align so nicely.

A free copy of 2000 AD is pretty much a boon, but finding that it contains a ‘Fiends of the Eastern Front’ story was really rather exciting. Entitled ‘Fodder’ the artwork is by Dani and is really quite lovely, but apart from it being on the paper pages, the originals are concurrently on display as part of Orbital comics Danistrips ‘Stay Cool’ exhibition on now until the 31st of May.

This allows fans to get a closer look at the original work, which is always a pleasure to behold.

Added to this, Dani the artist, and the writer, Hannah Berry were doing a signing with Peter Milligan, Matt Smith, Clint Langley and Alec Worley in the same location, to celebrate Free Comic Book Day.

(14) CENSUS OF SF REVIEWERS. Strange Horizons has posted “The 2015 SF Count”.

Welcome to the sixth Strange Horizons “SF count” of representation in SF reviewing. The goal of the count is straightforward: for the last calendar year, for a range of SF review venues, to calculate the gender and race balance of books reviewed, and of reviewers….

A number of limitations should be taken into account when interpreting these data. For gender, the limitations include limited accounting for pseudonyms and, more generally, a reliance on public presentation of gender. The count divides individuals into “men” or “women and non-binary.” However, reliable information about gender identity for the vast majority of people counted is not accessible through our methodology, which means it is probable that some individuals have been misrepresented. We will continue to review our methodology each year, and welcome suggestions. (For instance, we are considering changing our terminology to “women and genderqueer,” based on feedback from genderqueer individuals and the inclusion of that term in the Merriam-Webster dictionary this year.)

For race, our categories were “white” and “person of color.” These are crude, and such a binary division is arguably only valid here (as opposed to more specific categorisation) because the total number of POC is so low. Since race is difficult to determine reliably using only names and Google, it is probable that here, too, some authors, editors, or reviewers have been incorrectly allocated. We nevertheless believe that the count is worth publishing because the number of incorrect allocations is likely to be small compared to the overall number of individuals counted….

(15) GRRM IN GE. This month’s Galaxy’s Edge features short fiction by, and an interview with, George R.R. Martin.

(16) JOE ABERCROMBIE. A week before he placed two novels as finalists in the Locus Awards, Joe Abercrombie participated in a Reddit Ask Me Anything session.

Hi Joe, can you tell us about your day to day writing process? How much do you outline scenes and how many words do you tend to write a day? Are there any tricks that help you get into it? – Actevious

It depends a lot what stage of the process you’re at, so the workflow is very different depending on whether you’re planning something, drafting something, or revising and editing. There’s always a fair bit of work to do that’s not actually writing – emails, interviews, dealing with the business side. When I’m drafting new stuff I try to make sure I actually write, uninterrupted, for 3 hours each day. That doesn’t sound like much but you can cover a lot of ground if you’re focused. 1,200 words in a day I consider acceptable. 2,000 would be good. 3 or 4,000 would be a great day. But then when you’re revising you might measure progress by how many words you cut. If there’s a trick I’m aware of, it’s just to make sure you put in the time even when you’re not feeling inspired. Sometimes you feel like you’re writing real junk, but just get it down, when you come back maybe you cut a lot of it, but there’ll still be stuff that’s worthwhile in there.

A theme I notice you write quite a lot about is war, vengence and the endless circle of misery and horror they create. How did you come to write about this? – TheOtherWhitman

Well war is certainly a fundamental of epic fantasy – Lord of the Rings is all about a war, likewise the Belgariad, Dragonlance, Wheel of Time, etc., etc. I guess I felt the fantasy I read as a kid had come to show the shiny and heroic side of warfare a bit too much, and the dark actions and dark characters were somewhat overlooked. Not a lot of trauma or PTSD. I wanted to look at the other side of it.

(17) GLADIATOR JOINS MUMMY. CinemaBlend reports Russell Crowe has joined the cast of The Mummy.

It seems like everyday a new reboot or long awaited sequel gets announced. We’ve seen streaming services like Netflix bring back previously cancelled series, and even movies like Independence Day get their sequel after 20 years. One of the most recent of these sequels is the upcoming Mummy reboot, starring Tom Cruise. Now it appears that the film has booked another huge star for its already impressive cast. Collider recently sat down with actor Russell Crowe, where they asked him to confirm or deny the rumors of his involvement in the sequel. He had to say the following:

Yeah, I’m gonna do it. I’m gonna play Dr. Henry Jekyll, Fellow of the Royal Society. It’s very interesting, what they’re gonna do with that stuff. I’ve had a couple of chats about it with the director (Alex Kurtzman).

There you go, ladies and gents. Russell Crowe will officially be freaking us all out in The Mummy.

(18) KIP THORNE IN SOCAL. The OC Breeze announced “Astrophysicist Kip Thorne to give free talk on intersection of arts and science” at Chapman College on May 12.

Noted astrophysicist Kip Thorne, Ph.D. knows a lot about the weird phenomena of time and space: black holes, wormholes, time travel and more. As one of the world’s leading experts on Einstein’s Theory of Relativity, Dr. Thorne has collaborated with many of the top names in science, including Stephen Hawking, and served as science advisor and executive producer on the recent blockbuster movie “Interstellar.” His multi-faceted interests in art, science and the universe know no bounds – and it is precisely this intersection of big ideas that Dr. Thorne will discuss in a free talk at Chapman University on Thursday, May 12, 7:30 p.m. in Musco Center for the Arts.

Admission is free and open to the public, but a ticket is required for entry and can be obtained online at www.muscocenter.org or by calling 844-OC-MUSCO (844-626-8726).

(19) CHEAP SEATS. They aren’t that cheap. Neil Gaiman and Audrey Niffenegger will join forces at a London event on May 31. Break your piggy bank.

Author Neil Gaiman will do a rare public event in London to celebrate his new non-fiction collection, “The View from the Cheap Seats” (Headline), together with Audrey Niffenegger, author of The Time Traveler’s Wife (Vintage).

The event, run in association with Headline Publishing Group, Penguin Random House, Waterstones and video streaming agency Streaming Tank, will take place at The Union Chapel, Islington, on Tuesday, 31st May. The two US-based writers will discuss Gaiman’s latest work, with “a couple of surprises” also in store, according to publishers.

Tickets are £20 each, and include a free signed copy of The View from the Cheap Seats for every ticket-holder. The books will be distributed on the night by Waterstones, which will have a pop-up bookshop in place on the evening.

The event will be live-streamed across the globe by Streaming Tank, via YouTube, Facebook and Twitter, so anyone unable to attend can also enjoy the “one-off” event.

Gaiman and Niffenegger will be answering audience questions, both from within the chapel and viewers at home or in bookshops tuning in. Questions can be submitted via Twitter ahead of the event too using the hashtag #CheapSeats.

[Thanks to robinareid, Xtifr, Andrew Porter, Will R., James David Nicoll, JJ, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]