Pixel Scroll 6/21/23 How I Met My 900 Grandmothers

(1) MEDICAL UPDATE. Ursula Vernon told Filers the latest in a comment today:

Thanks, all! Just catching up—it’s been quite a week, but at least there’s now a treatment plan in place. I’m gonna live, just gonna be a gnarly few months. (I will be a bald wombat soon, but my husband points out that he watched Star Trek: The Motion Picture repeatedly in his youth, and not because of the acting.)

She went into more detail on Twitter. Thread starts here.

(2) APPEAL TO SUPPORT STRIKING WGA WRITERS. At Daily Kos, Jean-Marc & Randy Lofficier ask readers to “Help a writer in need” – them! (Familiar names because years ago they used to participate in Loscon programming.)

The Writers’ Guild’s strike is entering its 50th day. My wife and I are members, and this is starting to hurt in the pocketbook. Right now, for example, a major studio owes us $150,000 but because of the standard “Act of God”-type clause, payment will be deferred until after the strike is over. Fortunately, like most older writers, we have learned not to rely entirely of the largesses of Hollywood. We have our own small press, BLACK COAT PRESS, established in 2003 — coincidentally the year I joined Daily Kos.

Black Coat Press publishes English-language translations of French science fiction, fantasy and mysteries (dare I add, award-winning translations), as well as a line of translated French comics. If you buy 5 books, you get a 40% “bookstore” discount. Most of our books are priced around $20, and most are also available as ebooks (specify if you prefer EPUB or PDF files) for around $5.

Needless to say, we support the strike, but I fear this may well be one of toughest fight we ever faced as a Guild. (I’ll be happy to discuss why I think so in the comments.) So purchasing book(s) from us would come as a great help at this time. And frankly, we have published many truly ground-breaking books in the fields of SF and fantasy. (See this article published in The Fantasy Hive for example.)

Visit our website. If you can afford it (and only if!, please consider buying some books from us. Thank you very, very much in advance.

(3) GOFUNDME BRINGS NEEDED HELP. David Gerrold has thanked contributors to his GoFundMe (“Help Move David Gerrold’s Family To Vermont”) which has raised over $31,000 in a week. He says, “We’re still a little short of the target, but two of the bigger problems can now be handled. If the universe doesn’t throw any more crap at us, we’re going to be okay.”

(4) BE CAREFUL OUT THERE. “Safety Dispatch: Author Safety for Small Events” at the SFWA Blog.

Small events can be some of the most rewarding experiences for an author. Signings, readings, classes, and panels offer an opportunity to connect directly with readers. They also offer some unique challenges when planning for safety….

Planning

  • Think about safety. Is safety a pressing concern? Are you experiencing harassment, or is another attending author the target of harassment? If you have experienced harassment, are there indicators that someone will attend one of your events? Have they made direct threats?
  • Are there other aspects of the venue, like location or time, that increase the need to think about safety?

(5) EKPEKI JOINS ICFA BOARD. Congratulations to Oghenechovwe Donald Ekpeki. He told Facebook readers yesterday:

The ICFA virtual conference coordinator position I occupied has been made a board position, & I’m now officially a member of the board of the International Association for the Fantastic in the Arts (IAFA)

At the link you can read the letter ICFA sent him.

(6) PUNCH, BROTHERS, PUNCH WITH CARE. From last October, but it’s news to me! “The Lensman Cometh” by Steve J. Wright. It begins —

(To the tune of “The Gasman Cometh” by Michael Flanders and Donald Swann, to whom I apologize unreservedly.)

‘Twas on a Monday morning that the Lensman came to call,
Boskonians had dropped a bunch of Eich all round the hall.
He pulled out his DeLameter and swiftly saved the day,
But then there came Imperials dressed in tones of white and gray.

(Oh, and they all have mooks for the hero guy to punch…)

(7) CLARION INSTRUCTOR READING SERIES. Each summer the Clarion Workshop’s visiting instructors give public readings at Mysterious Galaxy Bookstore in San Diego. Here is the 2023 schedule of events:

Andy Duncan – June 28th, 7pm

ANDY DUNCAN returns this summer for his third stint as a Clarion Workshop instructor! His honors include a Nebula Award, a Theodore Sturgeon Memorial Award, three World Fantasy Awards, and awards from the Maryland State Arts Council and the Science Fiction Research Association. His latest collection is AN AGENT OF UTOPIA, from Small Beer Press; he narrates nine stories on the Recorded Books audio edition. His non-fiction project WEIRD WESTERN MARYLAND is ongoing. A former board member of the Science Fiction and Fantasy Writers Association, he tweets @Beluthahatchie and lives in Maryland’s mountains, where he’s a tenured English professor at Frostburg State University.

Alaya Dawn Johnson – July 5th, 7pm

ALAYA DAWN JOHNSON is the author of RACING THE DARK, THE SUMMER PRINCE, which was long listed for the National Book Award for Young People’s Literature, and LOVE IS THE DRUG, which won the prestigious Nebula (Andre Norton) Award for YA Science Fiction and Fantasy. In a return to adult fiction, TROUBLE THE SAINTS, was published by Tor in 2020 and won the World Fantasy Award. In the past decade, her award-winning short stories have appeared in many magazines and anthologies, including BEST AMERICAN SCIENCE FICTION AND FANTASY 2015FERAL YOUTH, THREE SIDES OF A HEART and ZOMBIES VS. UNICORNS. In Mexico, where she has made her home since 2014, Johnson has recently received her master’s degree with honors in Mesoamerican Studies from the Universidad Nacional Autónoma de México.

Tochi Onyebuchi — July 12th, 7pm

TOCHI ONYEBUCHI is the author of GOLIATH. His previous fiction includes RIOT BABY, a finalist for the Hugo, Nebula, Locus, and NAACP Image Awards and winner of the New England Book Award for Fiction, the Ignyte Award for Best Novella, and the World Fantasy Award; the Beasts Made of Night series; and the War Girls series. His short fiction has appeared in THE BEST AMERICAN SCIENCE FICTION AND FANTASY, THE YEAR’S BEST SCIENCE FICTION, and elsewhere. His non-fiction includes the book (S)KINFOLK and has appeared in THE NEW YORK TIMES, NPR, and the HARVARD JOURNAL OF AFRICAN AMERICAN PUBLIC POLICY, among other places. He has earned degrees from Yale University, New York University’s Tisch School of the Arts, Columbia Law School, and the Paris Institute of Political Studies.

Anjali Sachdeva — July 19th, 7pm

ANJALI SACHDEVA’s short story collection, ALL THE NAMES THEY USED FOR GOD, was the winner of the 2019 Chautauqua Prize. It was named a Best Book of 2018 by NPR, Refinery 29, and BookRiot, longlisted for the Story Prize, and chosen as the 2018 Fiction Book of the Year by the Reading Women podcast. Her fiction has been published in MCSWEENEY’S, LIGHTSPEED, and THE BEST AMERICAN NONREQUIRED READING, among other publications, and featured on the LeVar Burton Reads podcast. Sachdeva worked for six years at the Creative Nonfiction Foundation, where she was Director of Educational Programs. She is the recipient of a Creative Writing Fellowship from the National Endowment for the Arts, and an Investing in Professional Artists grant from the Heinz Endowments and the Pittsburgh Foundation. She currently teaches at the University of Pittsburgh, and in the low-residency MFA program at Randolph College.

Rae Carson & C.C. Finlay — July 26th, 7pm

In January 2015, CHARLES COLEMAN FINLAY (C.C. Finlay) became the ninth editor of THE MAGAZINE OF FANTASY & SCIENCE FICTION. He is also the author of the Traitor to the Crown historical fantasy trilogy, which began with THE PATRIOT WITCH, and a stand-alone fantasy novel, THE PRODIGAL TROLL. He’s published more than forty stories since 2001, many of which have been reprinted in volumes of the YEAR’S BEST FANTASY, YEAR’S BEST SCIENCE FICTION, BEST NEW HORROR, and other anthologies. Some of his short stories have been finalists for the Hugo, Nebula, Sidewise, and Sturgeon awards, and have been translated into more than a dozen languages. In addition to Clarion, he has instructed at the Clarion Young Authors workshop, the Alpha Writers Workshop, and the Odyssey Online Workshop.

RAE CARSON’s debut novel, THE GIRL OF FIRE AND THORNS, was published in 2011, and was a finalist for the William C. Morris YA Award and the Andre Norton Award, and it was the winner of the Ohioana Book Award for Young Adult Literature. It was also selected as 2012 Top Ten Best Fiction for Young Adults by Young Adult Library Services Association. The Fire and Thorns Trilogy was a NEW YORK TIMES bestseller, as was her Gold Seer Trilogy. Beginning in 2017, she has written several tie-in stories for the Star Wars universe, including the novelization of STAR WARS: THE RISE OF SKYWALKER. In 2021, she released her most recent novel, Any Sign of Life. In addition to her novels, her short fiction has been nominated for Hugo, Nebula, and Locus awards.

(8) AMAZING VENUE. Marcin Klak came home from Sweden and wrote a glowing Eurocon report for his blog Fandom Rover: “Konflikt – Eurocon with An Astounding Venue”.

… Yet even should the convention be held in a fantastic gothic cathedral it would be bad without the people. And in this regard Konflikt presented itself from the best angle. I was very happy for how the socializing worked. Everything started the day before with a precon party in Williams Pub. The pub also became the palce to visit on every subsequent evening. It was not very big but every day I managed to find a place to sit. In most occasions I was starting at a “Polish table” which later was turning into more international one. Thanks to that I not only enjoyed the company of well known friends but also met some new people.

I was also very glad for the interactions I had at the con itself. I talked with friends who helped me to run the Glasgow 2024 table and with those who were around. The con was also occasion to refresh some of the friendships with people I met before at Swecon in 2016 (and a few times later). Obviously I also had the chance to talk to complete strangers who are not strangers any more….

(9) GRANT CONAN MCCORMICK (1955-2023). Kentucky fan and past publisher of FOSFAX Grant McCormick died June 19 Joseph T. Major told Facebook readers. Major also quoted this tribute to Grant from Carolyn Clowes:

“I’ve never known anyone like Grant. He was a huge intellect and a gentle spirit. I never heard him feel sorry for himself or be angry or rude to anyone. He was generous and sweet and smart as a whip. He always tried to make the best of his circumstances, and he had a wonderfully wicked sense of humor. I am so glad I knew him. We all loved Grant, and we’ll miss him forever.”

(10) MEMORY LANE.

1958 [Written by Cat Eldridge from a choice by Mike Glyer.]

I really, really love Robert Sheckley.  There was of Bill, the Galactic Hero on the Planet of Bottled Brains written with Harry Harrison, along with The Bring Me the Head of Prince Charming series with Roger Zelazny. Yes he liked writing with others. Though he did write The Tenth Victim by himself, a fine novel indeed. 

His only Hugo nomination was at Detention for Immortality, Inc., the source of our Beginning this time. No, Retros don’t count here. It was published as Immortality Delivered by Aviation Books sixty-five years ago with cover art by Ric Binkley, and serialized by Galaxy Magazine the same year as “Time Killer”.

Now our Beginning…

Afterwards, Thomas Blaine thought about the manner of his dying and wished it had been more interesting. Why couldn’t his death have come while he was battling a typhoon, meeting a tiger’s charge, or climbing a windswept mountain? Why had his death been so tame, so commonplace, so ordinary? 

But an enterprising death, he realized, would have been out of character for him. Undoubtedly he was meant to die in just the quick, common, messy, painless way he did. And all his life must have gone into the forming and shaping of that death—a vague indication in childhood, a fair promise in his college years, an implacable certainty at the age of thirty-two. 

Still, no matter how commonplace, one’s death is the most interesting event of one’s life. Blaine thought about his with intense curiosity. He had to know about those minutes, those last precious seconds when his own particular death lay waiting for him on a dark New Jersey highway. Had there been some warning sign, some portent? What had he done, or not done? What had he been thinking? Those final seconds were crucial to him. How, exactly, had he died.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 21, 1932 Lalo Schifrin, 91. Argentina-American pianist and composer of the music for the original Mission: Impossible series along with The Four Musketeers (1974 version), The Amityville HorrorThe Mask of Sheba, The Hellstrom ChronicleTHX 1138The Cat from Outer Space and The Man from U.N.C.L.E. to select some of his work.
  • Born June 21, 1938 Ron Ely, 85. Doc Savage in Doc Savage: The Man of Bronze, a film I saw a long time ago and remember little about. He was also, fittingly enough, Tarzan in that NBC late Sixties series. Somewhere Philip Jose Farmer is linking the two characters…  Other notable genre roles included being a retired Superman from an alternate reality in a two-part episode “The Road to Hell” of the Superboy series, and playing five different characters on the original Fantasy Island which may or may not be a record.
  • Born June 21, 1947 Michael Gross, 76. Ok, I’ll admit that I’ve a fondness for the Tremors franchise in which he plays the extremely well-armed graboid hunter Burt Gummer. Other than the Tremors franchise, he hasn’t done a lot of genre work as I see just an episode of The Outer Limits where he was Professor Stan Hurst in “Inconstant Moon” (a Niven story) and voicing a  few Batman Beyond and Batman: The Animated Series characters. 
  • Born June 21, 1940 Mariette Hartley, 83. She’s remembered by us for the classic Trek episode “All Our Yesterdays”, though, as OGH noted in an earlier Scroll, probably best known to the public for her Polaroid commercials with James Garner. She also had a role as psychologist Dr. Carolyn Fields in “Married”, an episode of The Incredible Hulk. 
  • Born June 21, 1964 David Morrissey, 59. His most well-known role is playing The Governor on The Walking Dead (which is a series that I’ve not seen and have no interest of seeing as I don’t do zombies) but I saw his brilliant performance as Jackson Lake, the man who believed he was The Doctor in “The Next Doctor”, a Tenth Doctor adventure which was an amazing story. He was also Theseus in Jim Henson’s The Storyteller: Greek Myths, and played Tyador Borlú in the BBC adaption of China Mieville’s The City & The City. I’ll admit that I’m not at all ambivalent about seeing it as I’ve listened to the novel at least a half dozen times and have my own mental image of what it should be. He has also shows up in Good Omens as Captain Vincent.
  • Born June 21, 1965 Steve Niles, 58. Writer best- known for works such as 30 Days of NightCriminal Macabre, Simon Dark and Batman: Gotham County Line. I’ve read his Criminal Macabre: The Complete Cal McDonald Stories and the graphic novel — great bit of horror! Sam Raimi adapted 30 Days of Night into a film.
  • Born June 21, 1969 Christa Faust, 54. It does not appear that she’s written any original fiction save one novel with Poppy Z. Brite called Triads but she’s certainly had a lot of media tie-in work including novels set in the Final DestinationFriday the ThirteenthFringeGabriel HuntNightmare on Elm StreetSupernatural and Twilight Zone universes. Did you know there’s an entire ecology of novels, fan fiction, a game, comics, even an encyclopedia guide, September’s Notebook — The Bishop Paradox made around Fringe? I hadn’t until I was researching her. One of the perks of doing this. 

(12) COMICS SECTION.

  • Thatababy’s joke “reminded me of one of Our Wombat’s books” says Kathy Sullivan.

(13) UPROAR ABOUT AI-GENERATED CREDITS IN NEW MARVEL SERIES. “’Secret Invasion’ Opening Credits Use AI, Prompting Backlash” reports Deadline.

Marvel’s Secret Invasion is already causing a commotion on social media, though not for reasons that the studio may have hoped.

The series, which debuted on Wednesday with just one episode, has touched a sore spot after director Ali Selim confirmed to Polygon that the opening credits were generated by artificial intelligence. Designed by Method Studios, Selim said he thought that the idea of using AI for the opening credits fit into the themes of the show.

“When we reached out to the AI vendors, that was part of it — it just came right out of the shape-shifting, Skrull world identity, you know? Who did this? Who is this?” he said, adding that he doesn’t “really understand” how the artificial intelligence works, though it piqued his interest.

(14) NIMONA. [Item by Steven French.] I absolutely loved the graphic novel – and who could resist a knight called Sir Ambrosius Goldenloin?! “Nimona review – a shapeshifter and a knight join forces in queer science fantasy” in the Guardian.

… What has emerged is a buoyant and good-humoured LGBTQ+ parable, set in a kind of retro-futurist kingdom, super-modern and hi-tech in every way but with a medieval-style queen and a court of knights who have competed hard for the honour of the title “sir”. One of these is Ballister Boldheart (voiced by Riz Ahmed), a lowborn person of colour in love with fellow knight Sir Ambrosius Goldenloin (Eugene Lee Yang), and Ballister is about to be officially dubbed in a gigantic stadium ceremony halfway between the Hunger Games and the Super Bowl….

(15) LEONARD COHEN WAS RIGHT. [Item by Mike Kennedy.] “Then she get you on her wavelength…” “Brain Waves Synchronize when People Interact” reports Scientific American.

… Looking at synchrony between bands of brain waves is one way of understanding what’s going on between interacting brains. Another is to look at the activity of specific neurons. “Ultimately our brains are not a soup of averages. They consist of individual neurons that do different things, and they may do opposite things,” U.C.L.A.’s Hong says. Hong and his colleagues were among the first to go looking for this level of detail and study interacting brains neuron by neuron. What they found revealed even more complexity.

Like Yartsev, Hong first doubted that the interbrain synchrony he and his team observed in animals—in their case, mice—was real. He hadn’t yet read the literature on synchrony in humans and told Lyle Kingsbury—at the time a student of Hong’s and the lead scientist on the research and now a postdoctoral fellow at Harvard University—that there must be something wrong. There wasn’t. Using a technology called microendoscopic calcium imaging, which measures changes in induced fluorescence in individual neurons, they looked at hundreds of neurons at the same time. In pairs of interacting mice, they established that synchrony appeared during an ongoing social interaction. Further, synchrony in mouse brains arose from separate populations of cells in the prefrontal cortex, which Hong calls “self cells” and “other cells.” The former encodes one’s own behavior, the latter the behavior of another individual. “The sum of activity of both self and other cells is similar to or correlated with the sum of activity in the other brain,” Hong says.

What they are seeing goes well beyond previous research on so-called mirror neurons, which represent both the self and another. (When I watch you throw a ball, it activates a set of mirror neurons in my brain that would also be activated if I were doing the same thing myself.) In contrast, the self and other cells Hong and Kingsbury discovered encode only the behavior of one individual or the other. All three kinds of cells—mirror, self and other—were present and aligning in the mouse brains….

(16) VIDEO OF THE DAY. Brutal! “Talent Shows Need One Mean Judge” and Ryan George is that judge. (Hasn’t the same guy left comments here, too?)

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Mark, Danny Sichel, Kathy Sullivan, Steven French, Chris Barkley, Michael Toman, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 6/19/23 Frenemy Mine

(1) BIOLOGY LESSON. We can learn along with Matt Wallace:

(2) KGB. Ellen Datlow has shared her photos from the Fantastic Fiction at KGB reading on June 14 where “Nathan Ballingrud read from his novel The Strange and Dale Bailey read from his story ‘I Married a Monster from Outer Space’ and both made the crowd very happy.”

(3) COVER ART UNCOVERED. Alex Shvartsman has revealed the cover for The Digital Aesthete. See preorder information at the link.

We now have a cover for the anthology of stories about artificial minds interacting with art. The stories and the art are created by humans (the cover is drawn and designed by the spectacular K.A. Teryna!)

(4) NO, NO, IT WOULD BE A LITERARY SOCIETY. Norman Spinrad’s first attempt to explain his idea was completely successful. Everybody knew exactly what he meant. Now he tries to remedy that with a cagier post, “SFS and SFWA”.

I think I should this make this clear. SFWA means Science Fiction and Fantasy Writers Association. SFS means Speculative Fiction Society. SFWA has existed for a long time and I was elected its president three times. Speculative Fiction Society is something that does not yet exist, it is something that may or may not exist in a possible future, it is, well, speculative fiction.

SFS is not an enemy of SFWA nor would it be mean to replace it. SFS is not a new invention. SFWA was born as society of speculative fiction writers. Damon Knight and Kate Wilhelm invited writers of their choice to their large house in Milford annually to meet each other and bring stories of theirs to read his small society. Stories of which they were proud, stories they felt had literary problems, and to some extent, stories that they had trouble finding proper publication.

Although we all well knew that the price of liberty was taking care of business, this was primerily a literary society. The core was to help each other create better literature. But business being what it was, Damon said that we should create something that could also help writers take care of business. Not quite a union like the Screen Writers of America, but something that could act like one when called to, a Science Fiction Writers of America.

The SFWA.

The SFWA, now calls itself the Science Fiction and Fantacy Writers Association. As such, it sometimes does act like a union when it comes to the rights and economic problems of its members. But it no longer functions as a literary society devoted to the literary health and evolution of speculative fiction.

Indeed it has now become a legally non-profit corporation, whose bottom line is not literature, but the bottom line, dedicated to maximum numbers of various levels of memberships, selling various fandom goods like baseball or soccer teams, behaving more like the Science Fiction and Fantasy Fandom Association.

An SFS, a Speculative Fiction Society, could never take the place of this Science Fiction and Fantasy Fandom Associaton. It could not do it, it would not want to do it, it would not want to destroy it. It would not be a corporation, not-profit or not.

The literary concept of speculative fiction is at least as ancient as Plato’s REPUBLIC and it was captured as “science fiction,” “sci-fi,” and yes, SF, by publishing fluke, and the purpose of a Speculative Fiction Society would be to rescue what should be a central literature of any dynamic society.

A famous and almost you might say snotty French publisher that calls itself “Less Belles Lettres” wanted to publish a book celebrating its hundredth birthday. They wanted to publish a book called “Les Futures des Belles Lettres,” a double meaning in French, the future of the publisher and the future of serious literature.

They asked me to write whatever I wanted to as long as the story I did that. I wrote a story called BELLES LETTRES AD ASTRA. A hundred years in the future the central literature would have to be be speculative fiction

(5) HOWDY. Literary Hub delivers a post “In Praise of Sci-Fi Legend Connie Willis’s Cinematic Universe” inspired by her new book Roswell.

…Centered on Francie, a young woman traveling to New Mexico to stop her college roommate’s UFO-themed wedding, Roswell is a kind of self-learning punchline algorithm. A skeptic regarding all things flying saucer, Francie is of course abducted. From there on out, the novel’s escalation through repetition is unceasing. The way Monument Valley has been mislocated in old western films, the way playing solitaire invites unsolicited advice, the way language empties itself semiotically if explained for too many hours to a cute, terrifying little alien: all turn the plot forward like fine teeth in a gearbox.

Francie eventually helps her captor, a pretty decent non-humanoid fellow, learn English thanks to the aforementioned western films. “I AINT NEVER GULLED A PARDNER,” the alien initially repeats without understanding; astute readers will hear another turn of the machine. The idea of “PARDNERS” becomes vital not only for surviving Las Vegas hotels and an Elvis-themed wedding, but essential to Francie saving her friends and at least one planet….

(6) ABOUT GOLIATH. Abigail Nussbaum is one of the participants in a “Roundtable on Goliath by Tochi Onyebuchi at Strange Horizons” which she discusses at Lawyers, Guns and Money:

I mentioned Tochi Onyebuchi’s Goliath in my Hugo ballot post, and reviewed it on my blog. But the further I get away from it, the more convinced I become that this is one of the major science fiction novels of 2022, and that neither I nor the fandom as a whole have done enough to promote or discuss it. I was therefore thrilled when Strange Horizons reviews editor Dan Hartland proposed a roundtable discussion of the novel. Along with A.S. Lewis, Archita Mittra, and Jonah Sutton-Morse, it was a thrill to go deep into this remarkable, challenging book….

And here’s the link: “Tochi Onyebuchi’s Goliath: A Roundtable By Dan Hartland, A. S. Lewis, Archita Mittra, Abigail Nussbaum, and Jonah Sutton-Morse”:

Jonah Sutton-Morse: Thanks for gathering us—I’m really looking forward to this.

I have, I think, an answer to what the book is “about,” and moreso to “where did your focus wind up landing,” but I’m not sure they’re particularly satisfying, so I’m looking forward to reading other answers to this.

My focus in Goliath wound up landing on the moments and edges outside the stories that the book tells. There’s a way that Goliath is straightforwardly a story about ecological collapse, capitalism scavenging on leftover fragments, and the destructive impulses of gentrification and racism that we can see in national US news stories every day. But it struck me that, while the book was aware of that story, and expected the reader to be able to follow it (and this is a book that I found hard to follow), my focus kept falling on the pieces outside that story. The impulse to scavenge the remnants of a city is less interesting than the people who do the basic manual work of hammering the bricks. The people who leave ecological collapse are less interesting than those who remain—and even among those who left, the most interesting are those at the margins who eventually return. The mechanics of living in climate collapse, and enduring the policing that comes with the intrusion of wealth, are acknowledged but less interesting than an adventure collecting wild horses, or a group of people playing Spades and talking trash.

I don’t really like saying that this novel is “about” the lives and details around the edge of the destructive forces that regularly lead my national headlines (and I realize that the “Winter” section that Dan puts at the heart of the book at least partly complicates my reading), but it is those lives and details that my focus landed on….

(7) MEMORY LANE.

2011[Written by Cat Eldridge from a choice by Mike Glyer.]

The author of tonight’s Beginning, Saladin Ahmed is an Eisner Award-winning comic book writer for the debut of the Black Bolt series. He also wrote the Miles Morales: Spider-Man series. He is currently writing Miles Morales: Spider-Man and Exiles. Finally in this vein, I want to note his work on The Magnificent Ms. Marvel series.

His only novel, Throne of the Crescent Moon, where our Beginning is from, was nominated for a Hugo at Chicon 7. Dublin 2019 saw him pick up a Best Graphic Story nomination for Abbot.

He’s written but a double handful of short fiction sff stories, six of which are collected in Engraved on the Eye: Short Fantasy & Science Fiction.

And now his Beginning…

NINE DAYS. 

Beneficent God, I beg you, let this be the day I die!

The guardsman’s spine and neck were warped and bent but still he lived. 

He’d been locked in the red lacquered box for nine days. 

He’d seen the days’ light come and go through the lid-crack. Nine days. He held them close as a handful of dinars. Counted them over and over. Nine days. Nine days. Nine days. If he could remember this until he died he could keep his soul whole for God’s sheltering embrace. 

He had given up on remembering his name.

The guardsman heard soft footsteps approach, and he began to cry. Every day for nine days the gaunt, black-bearded man in the dirty white kaftan had appeared. Every day he cut the guardsman, or burned him. But worst was when the guardsman was made to taste the others’ pain.

The gaunt man had flayed a young marsh girl, pinning the guardsman’s eyes open so he had to see the girl’s skin curl out under the knife. He’d burned a Badawi boy alive and held back the guardsman’s head so the choking smoke would enter his nostrils. The guardsman had been forced to watch the broken and burned bodies being ripped apart as the gaunt man’s ghuls fed on heart-flesh. He’d watched as the gaunt man’s servant-creature, that thing made of shadows and jackal skin, had sucked something shimmering from those freshly dead corpses, leaving them with their hearts torn out and their empty eyes glowing red.

These things had almost shaken the guardsman’s mind loose. Almost. But he would remember. Nine days. Nine…. All-Merciful God, take me from this world!

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 19, 1915 Julius Schwartz. He’s best known as a longtime editor at DC Comics, where at various times he was primary editor for the Superman and Batman lines. Just as interestingly, he founded the Solar Sales Service literary agency (1934–1944) where Schwartz represented such writers as  Bradbury, Bester,  Bloch, Weinbaum, and Lovecraft which included some of Bradbury’s very first published work and Lovecraft’s last such work. He also published Time Traveller, one of the first fanzines along with Mort Weisinger and Forrest J Ackerman. (Died 2004.)
  • Born June 19, 1921 Louis JourdanFear No Evil and Ritual of Evil, two TV horror films in the late Sixties, appear to be his first venture into our realm. He’d play Count Dracula in, errr, Count Dracula a few years later. And then came the role you most likely remember him for, Dr. Anton Arcane in Swamp Thing which he reprised in The Return of Swamp Thing. Definitely popcorn films. Oh, and let’s not forget he was Kamal Khan, the villain in Octopussy! (Died 2015.)
  • Born June 19, 1926 Josef Nesvadba. A Czech writer, best known for his SF short stories, many of which have appeared in English translation. ISFDB lists a number of stories as appearing in English and two collections of his translated stories were published, In The Footsteps of the Abominable Snowman: Stories of Science and Fantasy and Vampires Ltd. : Stories of Science and Fantasy. Neither’s available in digital format. (Died 2005.)
  • Born June 19, 1947 Salman Rushdie, 78. Everything he does has some elements of magic realism in it. (Let the arguments begin on that statement.) So which of his novels are really genre? I’d say The Ground Beneath Her FeetGrimus (his first and largely forgotten sf novel), Two Years Eight Months and Twenty-Eight Nights and Haroun and the Sea of Stories. If you’ve not read anything by him, I’d start with The Ground Beneath Her Feet which is by far both one of his best works and one of his most understandable ones as well.
  • Born June 19, 1952 Virginia Hey, 71. Best known for her role as Pa’u Zotoh Zhaan in the fabulous Farscape, series and playing the Warrior Woman in Mad Max 2: The Road Warrior. She’s also Rubavitch, the mistress of KGB Head, General Pushkin, in The Living Daylights. She also had a brief appearance as a beautician in The Return of Captain Invincible, an Australian musical comedy superhero film.
  • Born June 19, 1954 Kathleen Turner, 69. One of her earliest roles was in The Man with Two Brains as Dolores Benedict. Somewhat of a Fifties retro feel with that title. Of course, she voiced sultry Jessica Rabbit in Who Framed Roger Rabbit, one of my favorite all time films. I still haven’t seen all of the Roger Rabbit short films that were done. She voiced Constance in Monster House a few years later, and was in Cinderella, a television film where she was the lead of the Wicked Stepmother Claudette.
  • Born June 19, 1957 Jean Rabe, 66. She’s a genre author and editor who has worked on the DragonlanceForgotten RealmsRogue Angel and BattleTech series, as well as many others. Ok, I admit to a degree of fascination with such writers as I’m a devotee of the Rogue Angel audiobooks that GraphicAudio does and she’s written according to ISFDB five of the source novels under the house name of Alex Archer.  
  • Born June 19, 1978 Zoe Saldana, 45.  She was born with the lovely birth name of Zoë Yadira Saldaña Nazario. First genre role was Anamaria in Pirates of the Caribbean: The Curse of the Black Pearl. She’s Nyota Uhura in the new Trek series and she’s also Neytiri in the Avatar franchise. She portrays Gamora in the MCU, beginning with Guardians of the Galaxy, a truly great film. I’ll confess that I’ve not yet seen the other Guardians of the Galaxy films. Should I? 

(9) THEY’RE NOT LOSING AN X-MAN, THEY’RE GAINING AN AVENGER. This September, Tony Stark and Emma Frost tie the knot in the X-Men #26 and Invincible Iron Man #10 crossover event.

Today IGN exclusively revealed the upcoming connecting covers for X-MEN #26 and INVINCIBLE IRON MAN #10, which feature the long awaited wedding between Emma Frost and Tony Stark. Debuting in September, both issues are written by Gerry Duggan with art by Stefano Caselli (X-MEN #26), Juan Frigeri (INVINCIBLE IRON MAN #10), and stunning covers by Lucas Werneck.

 First, in X-MEN #26, the moment we swore would never happen—heck, the moment EMMA FROST swore would never happen—is here at last! As the Frost/Stark knot is tied, Emma’s mutant family reacts to this surprise news! Then, readers are cordially invited to the wedding of Anthony Edward Stark and Emma Grace Frost in INVINCIBLE IRON MAN #10. Come join the lucky couple as they exchange vows. Attire is Hellfire formal. Orchis raid to follow. Plus some exclusive wedding extras!

(10) ROMITA JR. Q&A. “’The greatest man I’ve met’: iconic comics artist John Romita Sr. remembered by his son” at the Gothamist.

To many of our listeners, your dad was an artist who created and designed characters at both Marvel and DC. He’s best known for drawing Spider-Man in the ’60s and ’70s. He had a hand in creating Wolverine, the Punisher and Luke Cage, among others. But who was he to you?

He’s the guy who taught me how to hit a curve ball, and that was almost as [important] to me as learning how to draw Spider-Man’s eyes properly. It was so much more than just the art. I was talking to my brother about the fact that when it rained on the weekends in the summertime, we would watch old movies together and he would tell us what was about to happen. And the scenes in “On the Waterfront” have stuck with me forever since. That’s the part I remember, is how much time he spent with us.

And then he taught us so many things. It was more than just the art mentor to me – and yet he never forced anything on me, as far as art went. He told me, “I’m not gonna tell you what to do. You come to me and ask me a question. If you do something wrong, I’ll proactively act that way.” So the man just did everything right with my brother and me. It was fantastic.

Like I said, as much as he helped with my art-world life, he was that way with all aspects of our lives. He was a brilliant man….

(11) IN ANOTHER FATHER’S DAY. [Item by Cora Buhlert.] Here’s an interesting video about the cargo vessel MS München, which vanished in December 1978 and is believed to have been sunk by a rogue wave:  I remember this case very well, though I was only five when it happened. But my Dad worked for Hapag Lloyd, the shipping company which owned the München, at the time and so the search for the missing vessel was a big topic in our home. I’m not sure if my Dad helped to design the München — he was a naval architect for Hapag Lloyd —  but he definitely knew some of those who were lost and attended the memorial service for the crew and passengers.The loss of the München also overshadowed the launch celebration for the new Hapag Lloyd cruise liner MS Europa only 8 days after the München vanished. My Mom and many other women opted to wear black evening gowns for the launch banquet.

(12) COMING ATTRACTION. [Item by SF Concatenation’s Jonathan Cowie.] I had only just alerted Filers as to Matt O’Dowd’s safe distance from a supernova (see (16) in the June 15 Scroll) in his PBS Space-Time video when new research indicates that the Red Giant Betelgeuse is in the late stage of core carbon burning, and a good candidate for the next Galactic supernova. It had been thought it might be many centuries away but it could be as close as a few decades. Fortunately Betelgeuse is hundreds of light years away.  Nonetheless it should be visible in the day time and maybe some Filers who are on the young side might just witness it.  In fact it may have already exploded just that the light has not reached us…! (See the pre-print Saio, H. et al (2023) “The evolutionary stage of Betelgeuse inferred from its pulsation periods”. Monthly Notices of the Royal Astronomical Society.)

(13) DOUBLE YOUR PLEASURE. The Smithsonian Magazine says “Cats May Have Been Domesticated Twice”. You know, given the independent nature of cats that just sounds so likely. However, the headline meant something different than what I first assumed.

Whether they were being worshipped as gods or transformed into memes, the relationship between cats and humans goes back a long ways. There are more than 500 million domestic house cats around the world, all of which are descended from a single subspecies of wildcat. But according to new research, there might have been a second, more recent (and unrelated) instance of cats becoming domesticated in China.

Most archaeologists believe that cats probably domesticated themselves more than 10,000 years ago when the fluffy little murderbeasts realized they could get an easy meal by staking out Neolithic storerooms and farms for the rats and mice that were attracted to human settlements. More cats meant fewer rodents, which meant more crops for the hard-working humans. Over time, our ancestors started taking care of the felines, leading to the modern house cat, Grennan Milliken writes for Popular Science.

But this story of a second line began a few years ago, when researchers uncovered several cat bones near Quanhucun, an early farming village in central China. The bones were about 5,300 years old and analysis of their chemistry showed these felines likely survived on a diet of grain-fed rodents, suggesting they at least hunted for dinner near the town’s millet stores.

The scientists found a few indications of domestication, according to the study recently published the journal PLOS One. First, based on the wear of its teeth, the remains of one of the cats seemed much older than the others, perhaps suggesting that someone took care of the cat as it got older, writes David Grimm for Science. These cats also were all slightly smaller than their wild counterparts, and one was even buried as a complete skeleton.

“That’s evidence of special treatment,” study author Jean-Denis Vigne tells Grimm. “Even if what we’re seeing here is not full domestication, it’s an intensification of the relationship between cats and humans.”

Further analysis showed that these cats did not descend from the same subspecies as the modern house cat, but actually belonged to a species known as “leopard cats,” Grimm reports. This means that the leopard cat lineage is genetically distinct from our modern fuzz balls….

(14) BUSINESS IS BOOMING. Apparently this “New England theater one of just 30 in the world to see this Hollywood blockbuster as intended”.

…When Nolan’s ‘Oppenheimer’ hits theaters in July, the Providence Place Cinemas 16 in Rhode Island will present the $100 million epic in IMAX 70mm film, one of just 30 movie theaters in the world to do so.

Without getting too technical, 70mm is regarded as the best possible projection for films. Frames are more than three times larger than a typical celluloid, allowing for a much richer and fuller picture than is typically found in modern theaters….

…In addition to the upscale picture, portions of ‘Oppenheimer’ were filmed in black and white, meaning Nolan had to practically invent a new format of film.

The film about J. Robert Oppenheimer, the theoretical physicist who oversaw the development of first atomic bomb during World War II, drops on July 21. The pristine film formats will be especially pivotal in viewing the Trinity Test, the first detonation of a nuclear weapon.

“We knew that this had to be the showstopper. We’re able to do things with picture now that before we were really only able to do with sound in terms of an oversize impact for the audience, an almost physical sense of response to the film,” said Nolan in a recent interview.

(15) VIDEOS OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Media Death Cult’s Moid Moidelhoff has just made three mini-documentaries on science fiction.  There is nothing really new here for the seasoned SF fan but some of these were shot on location.  The first video looks at SF’s origins and includes a trip to Mary Shelly’s grave and Woking’s Martian tripod.

The second video examines SF’s Golden Era with the rise of the classic pulp magazines and the big three – Asimov, Clarke and Heinlein – before moving on to Wyndham.

 He ends with the interest in dystopias, autocratic dictatorships and mutually assured destruction.  Could Bradbury’s Fahrenheit 451 dumbed-down world ever come about? In part, shot on location at the Jodrell Bank radio telescope and an English village that could be Midwich… The final video ponders on SF’s present-day state. There was the rise of the new wave with Moorcock and then in the US with Ellison. And we also got Dick and cyberpunk before cyberpunk, and Gibson. Could we be about to embark on the most exciting period of science fiction?

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Alan Baumler, Cora Buhlert, Andrew Porter, John King Tarpinian, Chris Barkley, Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Nominations Are Open for the 2023 Ursula K. Le Guin Prize for Fiction

All are welcome to nominate work for the Ursula K. Le Guin Prize for Fiction, an annual $25,000 cash prize.

The Prize is given to a writer whose book reflects the concepts and ideas that are central to Ursula’s own work, which include (but are not limited to): hope, equity, and freedom; non-violence and alternatives to conflict; and a holistic view of humanity’s place in the natural world.

To be eligible for the 2023 Prize, a work must also be:

  • A book-length work of imaginative fiction written by a single author.
  • Published in the U.S. in English or in translation to English.
  • Published between April 1, 2022, and March 31, 2023.

The Prize also gives weight to writers whose access to resources, due to race, gender, age, class or other factors, may be limited; who are working outside of institutional frameworks such as MFA programs; who live outside of cultural centers such as New York; and who have not yet been widely recognized for their work.

Read more about the prize and eligibility requirements here.

The members of the 2023 selection panel are:

  • William Alexander is a National Book Award-winning author of unrealisms for young audiences. His novels include Goblin Secrets, Ambassador, and A Properly Unhaunted Place. Honors include the National Book Award, the Eleanor Cameron Award, two Junior Library Guild Selections, a Mythopoetic Award finalist, an International Latino Book Award finalist, a Cybils Award finalist, and the Earphones Award for audiobook narration. He teaches at the Vermont College of Fine Arts program in Writing for Children and Young Adults.
  • Alexander Chee is the author of the novels Edinburgh and The Queen of the Night, and the essay collection How to Write An Autobiographical Novel, all from Mariner Books. A 2021 Guggenheim Fellow and United Artists Fellow, he is a recipient of the Whiting Award and a NEA Fellowship in Prose, as well as residencies from MacDowell, Civitella Ranieri and the VCCA. His stories and essays have appeared recently in T Magazine, Harpers, and The New Republic, and he was the guest editor for Best American Essays 2022. He teaches as an associate professor of English and Creative Writing at Dartmouth College.
  • Tochi Onyebuchi is the author of Goliath. His previous fiction includes Riot Baby, a finalist for the Hugo, Nebula, Locus, and NAACP Image Awards and winner of the New England Book Award for Fiction, the Ignyte Award for Best Novella, and the World Fantasy Award; the Beasts Made of Night series; and the War Girls series. His short fiction has appeared in The Best American Science Fiction and Fantasy, The Year’s Best Science Fiction, and elsewhere. His non-fiction includes the book (S)kinfolk and has appeared in The New York Times, NPR, and the Harvard Journal of African American Public Policy, among other places. He has earned degrees from Yale University, New York University’s Tisch School of the Arts, Columbia Law School, and the Paris Institute of Political Studies. He currently resides in Connecticut.
  • Shruti Swamy is the author of the story collection A House Is a Body, which was a finalist for the PEN/Bingham Prize, the LA Times First Fiction Award, and longlisted for the Story Prize. Her novel, The Archer, was longlisted for the Center for Fiction’s First Novel Prize, and won the California Book Award for fiction. The winner of two O. Henry Awards, her work has appeared in The Paris Review, McSweeny’s, AFAR Magazine, and The New York Times. Her introduction to Ursula K. Le Guin’s masterpiece Always Coming Home is forthcoming in the novel’s 2023 reissue. She is the recipient of a Creative Writing Fellowship from the National Endowment for the Arts, a Steinbeck Fellowship from San Jose State University, and grants from the Elizabeth George Foundation, the San Francisco Arts Council, and Vassar College. She is a Kundiman Fiction Fellow, and lives in San Francisco.
  • Karen Joy Fowler is the author of seven novels, including Sarah Canary and The Jane Austen Book Club, and three short story collections, two of which won the World Fantasy Award in their respective years. Her novel We Are All Completely Beside Ourselves won the PEN/Faulkner Award for fiction in 2013 and was shortlisted for the Man Booker Prize. Her most recent novel, Booth, was published in March of 2022.

[Based on a press release.]

Pixel Scroll 9/19/22 Secret File Wars: The Rise Of Timothy

(1) BUGLER, SOUND REBOOTS AND SADDLES! “J. Michael Straczynski Rallies Fans to Save the Babylon 5 Reboot”Tor.com boosts the signal. JMS asks fans to light up social media on behalf of Babylon 5.

The Babylon 5 reboot at The CW managed to survive the many rounds of cuts the network made in the lead up to its eventual sale. According to creator J. Michael Straczynski, however, the fate of the show is still uncertain, and he wants fans to express their support for the show on the Interweb so The CW’s new owners as well as Warner Bros. TV know there’s an audience for the sci-fi show….

Straczynski also dropped the hashtag #B5onCWin23 as the rallying point for fans to prove their desire to see the reboot. The hashtag became the top trending one on Twitter at one point, so here’s to hoping that The CW and Warner Bros. TV are listening.

(2) GUNN CENTER’S SFF BOOK CLUB. The Gunn Center’s Sci Fi, Fantasy, & Speculative Lit Book Club is officially back. You can register for the event using this link.

In honor of the upcoming Sturgeon Symposium: Celebrating Speculative Communities and the announcement of the 2022 Sturgeon Award winner at the end of this month (Sept. 29 & 30), we’ve chosen 3 short stories to read from the list of finalists:

  • Nalo Hopkinson’s “Broad Dutty Water: A Sunken Story”
  • John Kessel’s “The Dark Ride”
  • Suzanne Palmer’s “Bots of the Lost Ark”

Based on what we’ve heard from the jury, these are the final contenders for the award, so be sure to read their stories and take your guesses as to who you think the winner will be!

Sign up by midnight on the 22nd so that we can get you added to the list. Upon registration, you’ll be sent the Zoom link and passcode as well as links and pdfs to the readings.

P.S. To register for the Gunn Center’s First Annual Sturgeon Symposium (Sept. 29-30), use this link.

(3) YO HO NO. It’s not “speak like a pirate” day in France.Publishing Perspectives understands why “French Publishers Cheer a Court’s Order to Block a Book Piracy Site”.

Today (September 19), an announcement from the French publishers’ association—the Syndicat national de l’édition (SNE)—signals a victory for French publishers in cases against piracy-facilitation sites drain revenue of many world markets’ book publishing industries.

A judgment was handed down in Paris on August 25, according to SNE and that court ruling has ordered Internet service providers to block the site (and associated domain names) of a piracy group called “Z-Library.” The result, according to the syndicate, is that 209 domain names and their extensions on mirror sites are being rendered inaccessible.

“Presenting itself ‘as a free library’ since 2009,” the publishers’ association says “but offering a paying model for access to counterfeit works, the Z-Library site—accessible via multiple addresses—offered access to more than 8 million books” across all editorial sectors “and 80 million pirated items.”

…“This collective success,” the French publishers’ syndicate writes in its media messaging today, shuts down at least these instances of an abiding and expensive impediment to doing business and to copyright protection, “and opens the way to new actions by the publishers and the Syndicat national de l’édition—blocking and de-referencing, quickly and systematically, against Web sites operating to defeat copyright protections.

“French publishing is investing massively to allow broad public access to digital books,” the publishers say in today’s announcement. “Book piracy undermines the remuneration of creators, both authors and publishers. It poses a threat to the entire book ecosystem, particularly booksellers, and harms cultural diversity.

(4) CHICON 8 MASQUERADE CREDITS. As reported earlier this month, Chicon 8 posted a rich gallery of photos: “Masquerade! Astounding Faces on Parade!” It includes notes on the award winners, including Best in Show, Arwen’s Lament presented by Rae Lundquist and company. (Which also won “Excellence in Workmanship for Hobbit Feet”.)

We also want to credit the directors and judges. (Thanks to John Hertz for rounding up the names).

  • Masquerade Directors: Sue Finkle, Renata O’Connor (co-directors)
  • Judges: Debi Chowdhury, Byron Connell
  • Workmanship Judges: Karen Berquist-Dezoma, John Hertz, Leah O’Connor
  • M.C.: William Dezoma

(5) POSSIBILITY ZERO. [Item by Bruce D. Arthurs.] Got a post-convention report from local (Scottsdale) convention CoKoCon, held Labor Day weekend earlier this month. They had 221 in attendance and reported the following about their Covid-prevention results:

COVID CASES – ZERO REPORTED!

We’ve seen a lot of reports of COVID cases coming out of other conventions, whether they be of similar size to us or much larger. Some of them, perhaps unsurprisingly, had no COVID policy in place, and became spreader events. Others had a very strict policy, so strict that it was broadly ignored.

We tried to find a middle ground that would keep all members of CoKoCon as safe as possible and it seems to have worked out, because our case count is… zero, as far as we are aware. Not one positive case has been reported.

If you did attend CoKoCon and tested positive for COVID within the next week, please let us know by e-mailing [email protected]. For now, it seems like we found a good balance and we couldn’t be happier.

Because of this, we will continue our current policy into 2023.

I think I mentioned in a Pixel Scroll comment that attendees were cooperative about following the convention guidelines: Masks required in the conference center facilities, no eating or drinking inside the facilities (the Ice Cream Social was held on an outside patio), and social distancing encouraged, both in and outside the conference rooms. 

(6) MEDIA BIRTHDAY.  

1989 [By Cat Eldridge.] Adapted from the Alien Nation film, the Alien Nation series premiered on Fox thirty-three years ago this evening. I’m sure that I saw that night. And even liked. It. I wouldn’t say that it’s the greatest series ever conceived but it was good enough that I caught most, if not all, of the twenty-two episodes aired.

You probably know the concept of starship crashing near Los Angeles carrying a race we called the Newcomers. Some join the LA police force, hence the police procedural theme of the series. Our central story revolves Detective Matthew “Matt” Sikes, a human, and Detective George Francisco, a Newcomer is who’s his partner. I thought they did a reasonably decent job of dealing with racism and associated issues framed within an SF setting. 

Yes, it includes weird things like even the aliens have male pregnancies. Awkwardly done I thought. 

Was it perfectly done?  (See above.) Oh Hell no. But they tried.

It was produced by Kenneth Johnson who you might recognize from the V franchise that he done earlier. He also was responsible for The Bionic Woman and The Incredible Hulk,

TV Guide would later include the series in their 2013 list of 60 shows that were “Cancelled Too Soon” I disagree. I don’t think that it was that well a conceived a series and honestly I’m not sure that it was going anywhere. It did spawn five films after it was cancelled. 

In June 2009, Syfy (You know, that which had been the Sci-Fi Channel) announced that they were developing a new take on the series. Before that went anywhere, the series was cancelled by the network in favor of paranormal reality shows and professional wrestling. Since then talk after talk has been made of a reboot. Do you see a series happening? 

Amazon, Hulu, Sling and Starz are streaming it. 

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 19, 1922 Damon Knight. Author, editor, critic. Kate Wilhelm who was his wife is also regrettably no longer with us. His 1950 short story, “To Serve Man” was adapted for The Twilight Zone. His first story, “The Itching Hour,” appeared in the Summer 1940 number of Futuria Fantasia which was edited and published by Ray Bradbury.  It’s hard to briefly sum up his amazing genre career but let me note he was a member of the Futurians and a reviewer as well as a writer. Novels of his I’ll single out are Hell’s PavementThe Observers and Special Delivery but don’t think I’m overlooking his brilliant short stories. The Encyclopedia of SF notes that “In 1995, he was granted the SFWA Grand Master Award – which from 2002 became formally known, in his honour, as the Damon Knight Grand Master Award. He was posthumously inducted into the Science Fiction Hall of Fame in 2003.” (Died 2002.)
  • Born September 19, 1928 Adam West. Best known as Batman on that classic Sixties series, he also had a short role in 1964’s Robinson Crusoe on Mars as Colonel Dan McReady. He last played the role of Batman by voicing him in two animated films, Batman: Return of the Caped Crusaders and Batman vs. Two-Face. He also most excellently voiced The Gray Ghost in an episode of the Kevin Conroy voiced B:TAS, “Beware the Gray Ghost”. So what did he do that I didn’t note here? (Died 2017.)
  • Born September 19, 1933 David McCallum, 89. His longest running, though not genre, role is pathologist  Dr. Donald “Ducky” Mallard on NCIS where he appeared in every episode of the first fifteen seasons. Genre wise, he was Illya Nickovitch Kuryakin on The Man from U.N.C.L.E., and the British series Sapphire & Steel where he was Steel and Joanna Lumley was Sapphire. He played the lead in a short-lived U.S. version of The Invisible Man. He was Dr. Vance Hendricks on Babylon 5’s “Infection” episode.
  • Born September 19, 1941 Mariangela Melato. She was Kala, one of the female enforcers of Ming the Merciless in the Eighties version on the Flash Gordon film. The only other film she was in that might have been genre is Thomas e gli indemoniati. (Died 2013).
  • Born September 19, 1942 Victor Brandt, 80. He showed up not once but twice during Star Trek’s third and final season. He played Watson in the “Elaan of Troyius” episode and Tongo Rad in the “The Way to Eden” episode. He’s since done work in The InvadersThey Came From Outer Space, and voice work in Star Wars: The Clone Wars
  • Born September 19, 1947 Tanith Lee. I hadn’t realized that she wrote more than ninety novels and three hundred short stories in her career. Ninety novels! She even wrote two of the Blake’s 7 episodes as well. I am more fond of her work for children such as The Dragon Hoard and The Unicorn Series than I am of her adult work. She has garnered well-deserved Stoker and World Fantasy Awards for Lifetime Achievement. (Died 2015.)
  • Born September 19, 1952 Laurie R. King, 70. She’s on the Birthday Honors list for the Mary Russell series of historical mysteries, featuring Sherlock Holmes as her mentor and later partner. Hey it’s at least genre adjacent.  She’s also written at least one genre novel, Califia’s Daughters.
  • Born September 19, 1970 N. K. Jemisin, 50. Her most excellent Broken Earth series has made her the only author to have won the Hugo for Best Novel in three consecutive years. Her “Non-Zero Probabilities” was nominated for the Best Short Story losing out to Will McIntosh‘s “Bridesicle” at Aussiecon 4. “Emergency Skin” I’m pleased to note won the Best Novelette Hugo at CoNZealand. Yeah I voted for it. And at Chicon 8 she won a Best Graphic Story or Comic Hugo for Far Sector, written by her, with art by Jamal Campbell.

(8) WHAT TOMORROW WILL LOOK LIKE. Mysterious Galaxy Bookstore will host a virtual panel – “OCCUPY GONDOR: Using Speculative Fiction To Interrogate The New Gilded Age” – with Elizabeth Bear, Katherine Addison, Arkady Martine, C. L. Polk, Scott Lynch, and Max Gladstone on September 30 at 6:00 p.m. Pacific. Register at the link.

God-emperors and space capitalists got you down? The discourse surrounding speculative fiction, and in particular fantasy and space opera, often pushes the idea that SF is inherently regressive. Join our panel of award-winning and best-selling authors as they interrogate the assumption that the future necessarily has to look anything like the past. 

(9) FAMILIAR MOTIFS. In “Review: Goliath by Tochi Onyebuchi”, Camestros Felapton says readers’ persistence will be rewarded.

This is an absolutely tremendous book that befits its Biblically gigantic name yet I feel the need to start the review in a similar way to many of the reviews I’ve since read. I initially struggled to get into the book but you should stick with it.

The other repeated review comparison I’ve seen is to Samuel Delany’s Dhalgren. It is a comparison with some merit — both books do have a disorientating sense of an urban landscape in collapse — but it is not a helpful comparison. Rather like the initial statement I made, it is a comparison that feels like you are making either excuses or giving a warning. Where Dhalgren can feel obscure or even occult, Goliath is quite direct about its thesis even if it is complex in the way it interplays the lives of the multiple characters…

(10) JEOPARDY! Andrew Porter spotted the contestants tripping over this one on tonight’s episode of Jeopardy! Might have gotten me, too!

Category: A Hunger For Reading

Answer: The title eatery of this Douglas Adams book is Milliways, famed for its Pan Galactic Gargle Blaster.

Wrong question: What is ‘The Hitchhiker’s Guide to the Galaxy’?

Right question: What is ‘The Restaurant at the End of the Universe’?

(11) KEY AND PEELE VOICE TITLE CHARACTERS. This teaser trailer for Henry Selick’s new film dropped last week: Wendell & Wild.

From the delightfully wicked minds of Henry Selick (director of The Nightmare Before Christmas and Coraline) and Jordan Peele (Nope, Us, Get Out) comes the story of Kat (Lyric Ross), a troubled teen haunted by her past, who must confront her personal demons, Wendell & Wild (played by Keegan-Michael Key and Jordan Peele) to start a new life in her old hometown.

(12) NO SH!T SHERLOC? “’Tantalizing’ Mars rocks strengthen the idea the Red Planet once hosted life”Inverse has the story.

NASA’S PERSEVERANCE ROVER has detected a plethora of potential biosignatures on Mars, the agency announced Thursday.

Now that the car-sized robot has covered 13 kilometers of Martian terrain over the span of 560 sols (days on the Red Planet), the mission team happily announced that the rover’s SHERLOC instrument detected organic material across many more samples of unique Mars rocks than first anticipated.

…WHAT THEY FOUND — The rocks are “tantalizing” and “whetting our appetite for what’s next,” Laurie Leshin, director of NASA’s Jet Propulsion Laboratory, said on Thursday.

First, the team found evidence that the rocks are excellent at preserving organic material. They learned this thanks to SHERLOC, short for Scanning Habitable Environments with Raman & Luminescence for Organics & Chemicals. It performed the preliminary analysis of Perseverance’s target rocks by shooting a laser at exposed faces — called abrasion patches — to analyze the rocks’ compositions….

(13) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] Warner Brothers dropped this 2022 featurette on the batsuit, featuring interviews with five directors of Batman movies and six Batmans, last week.  Narrated by Kevin Smith. “The Evolution of the Batsuit”.

[Thanks to JJ, John King Tarpinian, Andrew Porter, Chris Barkley, John Hertz, Bruce D. Arthurs, Michael Toman, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 6/22/22 Heigh-ho, The Battling Throg, The Frog Down In Valhalla, Oh

(1) HOW WRITERS GET UNPAID. Quenby Olson shows how a returned book costs her money on Amazon. Thread starts here.

Olson backed up the account with Vice’s article “TikTok Users Are Showing Readers How To Game Amazon’s Ebook Return Policy”.

A TikTok trend where users encourage others to purchase, read, and return Amazon ebooks within the company’s return policy window has irked independent authors, who claim to have seen dramatic spikes in their ebook return rates since the trend went viral.

The #ReadAndReturn challenge drew attention to Amazon’s Kindle return policy, which states that readers can “cancel an accidental book order within seven days.” But what’s been presented as a literary community “life hack” is hurting romance-fantasy authors like Lisa Kessler’s bottom line. 

“When you buy a digital book, if you read and return it, Amazon just turns around and gets the money back from the author, plus Amazon builds in a digital delivery fee and so Amazon is still getting that delivery fee but we get all the royalties taken back,” Kessler told Motherboard. 

Kessler, who self-publishes several book series, says that before the challenge, she would see on average one or two returns per month. But when she checked her Kindle Direct Publishing (KDP) sales dashboard on June 1st, she says she was shocked to find a negative account balance….

(2) JUST A SECOND. The Fall of Númenor, a collection of Tolkien’s works about the Second Age of Middle-Earth, will be published by HarperCollins in November 2022. The book will appear after Amazon Prime releases the streaming series The Rings of Power, set during the Second Age of Middle-earth, in September 2022. “New Tolkien book: The Fall of Númenor to be published” at The Tolkien Society.

A HarperCollins press release included in the post explains that the volume is edited by writer and Tolkien expert, Brian Sibley, and illustrated by acclaimed artist, Alan Lee.

…Presenting for the first time in one volume the events of the Second Age as written by J.R.R. Tolkien and originally and masterfully edited for publication by Christopher Tolkien, this new volume will include pencil drawings and colour paintings by Alan Lee, who also illustrated The Lord of the Rings and The Hobbit and went on to win an Academy Award for his work on The Lord of the Rings film trilogy.

J.R.R. Tolkien famously described the Second Age of Middle-earth as a ‘dark age, and not very much of its history is (or need be) told’. And for many years readers would need to be content with the tantalizing glimpses of it found within the pages of The Lord of the Rings and its appendices.

It was not until Christopher Tolkien presented The Silmarillion for publication in 1977 that a fuller story could be told for, though much of its content concerned the First Age of Middle-earth, there were at its close two key works that revealed the tumultuous events concerning the rise and fall of the island-kingdom of Númenor, the Forging of the Rings of Power, the building of the Barad-dûr and the rise of Sauron, and the Last Alliance of Elves and Men.

Christopher Tolkien provided even greater insight into the Second Age in Unfinished Tales of Númenor and Middle-earth in 1980, and expanded upon this in his magisterial 12-volume History of Middle-earth, in which he presented and discussed a wealth of further tales written by his father, many in draft form.

Now, using ‘The Tale of Years’ in The Lord of the Rings as a starting point, Brian Sibley has assembled from the various published texts in a way that tells for the very first time in one volume the tale of the Second Age of Middle-earth, whose events would ultimately lead to the Third Age, and the War of the Ring, as told in The Lord of the Rings.

(3) BALTICON UPDATE. Balticon’s post-convention email dated June 17 included the following update about the Code of Conduct investigation that is addressing events reported by File 770 here, here, and here.

(4) LIBRARY E-BOOK RELIEF UNCONSTITUTIONAL. “In Final Order, Court Declares Maryland’s Library E-book Law Unconstitutional” reports Publishers Weekly.

In a June 13 opinion and order, Judge Deborah L. Boardman declared Maryland’s library e-book law “unconstitutional and unenforceable” all but ending a successful months-long legal effort by the Association of American Publishers to block the law.

“In its February 16, 2022 memorandum opinion, the Court determined that the Maryland Act likely conflicts with the Copyright Act in violation of the Supremacy Clause,” Boardman’s opinion reads. “Although neither AAP nor the State has moved for summary judgment on any claim, they agree a declaratory judgment may be entered… Therefore, for the reasons stated in the February 16, 2022 memorandum opinion, the Court finds that the Maryland Act conflicts with and is preempted by the Copyright Act. The Act ‘stands as an obstacle to the accomplishment and execution of the full purposes and objectives of Congress.’”

… First introduced in January 2021, the Maryland library e-book law required any publisher offering to license “an electronic literary product” to consumers in the state to also offer to license the content to public libraries “on reasonable terms.” The bill passed the Maryland General Assembly unanimously on March 10, and went into effect on January 1, 2022.

In response, the AAP filed suit on December 9, 2021 arguing that the Maryland law was pre-empted by the federal Copyright Act. Just days after a February 7 hearing, Boardman agreed with the AAP and temporarily enjoined the law. Boardman’s order this week now permanently renders the law enforceable….

(5) CENSORSHIP CASE IN VIRGINIA. Publishers Weekly also reports, “Lawyers Say ‘Defective’ Virginia Obscenity Claims Should Be Tossed”.

First filed in May by lawyer and Republican Virginia assembly delegate Tim Anderson on behalf of plaintiff and Republican congressional candidate Tommy Altman, the suits allege that the graphic memoir Gender Queer by Maia Kobabe and A Court of Mist and Fury by bestselling author Sarah J. Maas—are “obscene for unrestricted viewing by minors.” On May 18, a retired local judge found there was “probable cause” for the obscenity claims and ordered the authors and publishers to answer the charges, raising the possibility that the court could bar the books from public display and restrict booksellers and librarians from providing the books to minors without parental consent.

But in filings late last week, lawyers for Kobabe and her publisher, Oni Press, and Maas and her publisher Bloomsbury, along with lawyers for Barnes & Noble, told the court the suits as filed are defective and the remedy sought unconstitutional.

“The petition and show cause order are facially defective because [the Virginia law] does not authorize a court to declare that the book is ‘obscene for unrestricted viewing by minors,’” reads a joint filing by Maas and Bloomsbury, explaining that the Virginia law “cannot constitutionally be the basis for the relief sought by petitioner as a matter of law.”

In separate filings, Kobabe and Oni Press also argue the law in question is misapplied and the complaint defective. “The statute permits the challenge of a book on the grounds that it is ‘obscene’ to the entirety of the community of the Commonwealth,” reads the brief from Oni Press lawyers. “Petitioner here attempts to redefine [the Virginia law] to have book declared obscene as it relates to one subset of the Community: minors in the Hampton Roads and Virginia Beach areas.”

Furthermore, lawyers for the authors and publishers argue that the books in question do not come close to meeting the standard for obscenity as established by the Supreme Court, which requires that materials, even if they contain explicit material, be found to lack serious literary, artistic, political or scientific value. Thus, the relief requested by the plaintiffs would be “an unconstitutional restraint on free speech,” lawyers argue.

(6) THE MIGHTY NATALIE. “’Thor: Love and Thunder’: How Natalie Portman Grew Nine Inches Taller”Variety divulges the answer at the link.

…“I definitely got as big as I’ve ever been,” Portman explained for Variety‘s cover story. “You realize, ‘Oh, this must be so different, to walk through the world like this.’”

Portman means that quite literally. Along with getting her arms and shoulders as swole as humanly possible, Portman’s Mighty Thor also stands 6 feet tall — nearly 10 inches larger than Portman’s actual height.

… To date, no one has figured out how an actor can safely elongate their body, so director Taika Waititi and his crew needed to figure out how to get Portman to the proper height for scenes in which she walked with her co-stars. Their solution proved to be about as low-tech as a Marvel movie can get….

(7) KGB. The Fantastic Fiction at KGB reading series will be changing its schedule to the second Wednesday of the month. The date change begins on September 14, 2022. Both the July and August readings will be on the third Wednesday as originally scheduled.

After more than twenty years of being held on the third Wednesday of every month, the Fantastic Fiction reading series, currently hosted by Ellen Datlow and Matthew Kressel at the KGB Bar in Manhattan, will be switching to the second Wednesday of the month, beginning in September, for the foreseeable future. Previously, the series was held on the third Wednesday of the month.

During the Pandemic, when Covid cases in New York City were dangerously high, hosts Ellen and Matt decided to go virtual (via YouTube) for the safety of all. This virtual period lasted for more than eighteen months, during which time Ellen and Matt were able to bring in guests, many of whom were unable to visit New York in person, from all over the world, including Pakistan, Barbados, the U.K., Australia, South Africa and elsewhere.

During this same period a younger crowd less fearful of Covid began to congregate in person at the KGB Bar during the series’ usual third Wednesday. When the Fantastic Fiction series finally returned to the KGB Bar in person in late 2021 and early 2022, the KGB Bar saw a significant drop in income. Because of this, the KGB Bar owner has asked Ellen and Matt to switch weeks for this “big earner/younger generation” that they wish to accommodate on the third Wednesday of each month.

(8) EAR TO THE GROUND. CSI Skill Tree is a series from the Center for Science and the Imagination at Arizona State University.The latest event in the CSI Skill Tree series on how video games envision possible futures and create thought-provoking experiences will streamed on Thursday, July 7, from 2:00-3:15 p.m. Eastern. The event is free and open to everyone—here is the registration link.

In this event, speculative fiction author Tochi Onyebuchi and composer/sound designer Amos Roddy will discuss how sound and music in games contributes to worldbuilding, storytelling, and immersion. They’ll look closely at Inside (2016), a moody adventure game with environmental puzzles and grim, industrial aesthetics.

Roddy’s other sound work in games is frequently for science fiction titles (most recently, Citizen Sleeper), and Onyebuchi is an incredibly talented SF storyteller. 

(9) AN IDEA THAT WHIFFED. Galactic Journey knows exactly what the public in 2022 wants to hear about the Worldcon – which is nothing good, of course – and presents: “[June 22, 1967] The Stench Arising from the World Convention” by Alison Scott.

…Here we are in 1967, and Ted White, from his lofty position of power as chairman of NyCon 3, this year’s World SF Convention, has decided that the time has come to expand the existing Best Fanzine Hugo. I think that many of we actifans would welcome additional awards for Best Fan Writer and Best Fan Artist. However, the NyCon 3 committee – and I think we must assume this is mostly Ted – decided to unilaterally create a new class of awards, the Fan Achievement Awards, by analogy to the Science Fiction Achievement Awards, and to nickname them the “Pongs”, by analogy to the “Hugos”….

P.S. Even at the time almost everyone said they hated the idea. That’s why in the end the NyCon 3 committee actually did call these added fan awards Hugos.

(10) MEDIA BIRTHDAY

1925 [By Cat Eldridge.] Let’s keep in mind that ninety-seven years ago when this first version of The Lost World premiered, A. Conan Doyle was very much alive. This is very important as he was involved in the film including writing the script from his novel and being involved in the production quite personally. Doyle said repeatedly that Challenger, not Holmes, was his favorite creation.

Directed by Harry O. Hoyt, The Lost World featured the amazing stop motion special effects by Willis O’Brien, the dinosaurs here being a great look at what he would do on King Kong in eight yers. Nine different types of dinosaurs were created including of course Tyrannosaurus. A very crowded plateau it was. Some of the dinosaur models made for this film were collected later by Ackerman.

It cost seven hundred thousand to make and grossed one point three million. Studios being relatively honest in those days, we can say it actually made money. 

Full early prints include an introduction by Doyle. Later prints removed this.  

The New York Times after seeing early reels of the dinosaurs said if these be “monsters of the ancient world, or of the new world which he has discovered in the ether, were extraordinarily lifelike. If fakes, they were masterpieces.” Contemporaneous reviews such as the LIFE one say the same thing: “In The Lost World, as it appears on the screen, the animals have been constructed with amazing skill and fidelity and their movements, though occasionally jerky, are generally convincing.” 

Audience reviewers at Rotten Tomatoes currently have a sixty-nine percent rating for it.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 22, 1856 — H. Rider Haggard. Writer of pulp fiction, often in the the Lost World subgenre. King Solomon’s Mines was the first of his novels with Allan Quatermain as the lead and it, like its sequels, was successful. These novels are in print to this day. Haggard by the way decided to take ten percent royalties instead of a flat fee for writing, a wise choice indeed.  And let’s not forget his other success, She: A History of Adventure, which has never print out of print either. (Died 1925.)
  • Born June 22, 1894 — George Fielding Eliot. ISFDB has scant listings from him and Wiki is not much better but shows “The Copper Bowl”  in Weird Tales in the December 1928 issue and notes that thirty years later he has “The Peacemakers”  in the Fantastic Universe in January 1960 edition. Stitching this together using the EofSF, I’ll note he wrote Purple Legion: A G-Man Thriller, a really pulpish affair. As Robert Wallace, he wrote “The Death Skull Murders”, one of the Phantom Detective stories, a series that came out after The Shadow and ran for a generation. (Died 1971.)
  • Born June 22, 1936 — Kris Kristofferson, 86. He first shows up in a genre film, The Last Horror Film, as himself. As an actor, his first role is as Bill Smith in Millennium which is followed by Gabriel in Knights, a sequel to Cyborg. (A lack of name creativity there.) Now comes his role as Abraham Whistler in Blade and Blade II, a meaty undertaking indeed! Lastly I’ll note he voiced Karubi in Planet of the Apes.
  • Born June 22, 1947 — Octavia Butler. I think her Xenogenesis series is her most brilliant work though I’m also very, very impressed by the much shorter Parable series. I’m ambivalent on the Patternist series for reasons I’m not sure about. Her first Hugo was L.A. Con II (1984) for her “Speech Sounds” short story and she also got a Hugo for her “Bloodchild” novelette at Aussiecon Two (1985). DisCon III (2021) saw Parable of the Sower: A Graphic Novel Adaptation with text by her obviously as adapted by Damian Duffy and illustrated by John Jennings pick up the Best Graphic Story or Comic Hugo. (Died 2006.)
  • Born June 22, 1949 — Edward M Lerner, 73. I’m here today to praise the Ringworld prequels that he co-wrote with Niven, collectively known as Fleet of Worlds which ran to five volumes. Unlike the Ringworld sequels which were terribly uneven, these were well written and great to read. I’ve not read anything else by him.
  • Born June 22, 1949 — Meryl Streep, 73. She’d make the Birthday list just for being Madeline Ashton in Death Becomes Her and her epic battle there with Goldie Hawn. She’s the voice of Blue Ameche in A.I. Artificial Intelligence, and a very real Aunt Josephine in Lemony Snicket’s A Series of Unfortunate Events. She’s the voice of Felicity Fox in Fantastic Mr. Fox, based off the on Dahl’s 1970 children’s novel. She voices Jennie in a short that bring Maurice Sendak’s dog to life, Higglety Pigglety Pop! or There Must Be More to Life. She’s The Witch in Into The Woods. I think that’s it.
  • Born June 22, 1958 — Bruce Campbell, 64. Where to start? Well let’s note that Kage loved the old rascal as she described him, so I’ve linked to her review of Jack of All Trades. I personally liked him just as much in The Adventures of Brisco County, Jr. and think it’s well worth checking out. I think his work as Ash Williams in the Evil Dead franchise can be both brilliant and god awful, often in the same film. Or the same scene. The series spawned off of it is rather good. Oh, and for popcorn reading, check out If Chins Could Kill: Confessions of a B Movie Actor, his autobiography. 
  • Born June 22, 1973 — Ian Tregillis, 49. He is the author of the Milkweed Triptych trilogy which is frelling brilliant. He’s contributed three stories to Max Gladstone’s The Witch Who Came in From the Cold, a  rather good serial fiction narrative (if that’s the proper term), and he’s got another series, The Alchemy Wars, I haven’t  checked out. He’s also a contributor to George R. R. Martin’s Wild Cards series which I’m beginning to suspect everyone has been involved in.

(12) COMICS SECTION.

Joel Merriner mashes up Gotham with Middle-Earth.

(13) THE READING LIFE. The Critic’s Paul Dean mourns the decline of the second-hand book trade in “Bookshops remaindered”.

At the Oxford Book Fair in April, the presence of a hundred exhibitors from all over Britain suggested that Covid had not killed off the antiquarian book trade. But those who buy antiquarian books are not necessarily interested in reading, any more than those who buy hundreds of cases of rare wines are interested in drinking.

The second-hand market — for immediate consumption rather than laying down — is a different matter, as Oxford itself sadly demonstrates. In the 1970s, Blackwell’s second-hand department occupied the whole of the top floor. By 2000, it occupied most of the third floor. Now it shivers forlornly in a few feet of the first floor.

Will Waterstones, Blackwell’s new owners, bother to keep it? One second-hand bookshop after another has closed in Oxford, leaving two admittedly excellent Oxfams, St Philip’s Books opposite the cathedral, a new small outlet in the Covered Market, and the ominously named The Last Bookshop in Jericho. Thornton’s and Robin Waterfield are much missed. The former still sells online, but, although I plead guilty to online buying, that is not the same. It is like eating the menu instead of the food….

(14) GETTING READY TO INTERACT WITH AI. “Soon, Humanity Won’t Be Alone in the Universe” says David Brin in his opinion piece for Newsweek.

…In 2017 I gave a keynote at IBM’s World of Watson event, predicting that “within five years” we would face the first Robotic Empathy Crisis, when some kind of emulation program would claim individuality and sapience. At the time, I expected — and still expect — these empathy bots to augment their sophisticated conversational skills with visual portrayals that reflexively tug at our hearts, e.g. wearing the face of a child. or a young woman, while pleading for rights… or for cash contributions. Moreover, an empathy-bot would garner support, whether or not there was actually anything conscious “under the hood.”

One trend worries ethicist Giada Pistilli, a growing willingness to make claims based on subjective impression instead of scientific rigor and proof. When it comes to artificial intelligence, expert testimony will be countered by many calling those experts “enslavers of sentient beings.” In fact, what matters most will not be some purported “AI Awakening.” It will be our own reactions, arising out of both culture and human nature.

Human nature, because empathy is one of our most-valued traits, embedded in the same parts of the brain that help us to plan or think ahead. Empathy can be stymied by other emotions, like fear and hate — we’ve seen it happen across history and in our present-day. Still, we are, deep-down, sympathetic apes.

But also culture. As in Hollywood’s century-long campaign to promote—in almost every film — concepts like suspicion-of-authority, appreciation of diversity, rooting for the underdog, and otherness. Expanding the circle of inclusion. Rights for previously marginalized humans. Animal rights. Rights for rivers and ecosystems, or for the planet. I deem these enhancements of empathy to be good, even essential for our own survival! But then, I was raised by all the same Hollywood memes….

(15) SPIDER-REX. “Spider-Rex Makes His Roaring Debut on Leinil Francis Yu’s New ‘Edge of Spider-Verse’ #1 Variant Cover” Marvel announced today.

The future of the Spider-Verse is here! Launching in August, Edge of Spider-Verse will be five-issue limited series that introduces brand-new Spider-heroes and redefines fan-favorites such as Araña, Spider-Man Noir, Spider-Gwen, and Spider-Man: India! Each thrilling issue will contain three stories crafted by Marvel’s biggest Spider talents including an overarching narrative by Dan Slott who will lay the groundwork for the epic conclusion of the Spider-Verse later this year. Edge of Spider-Verse #1 will see the debut of Spider-Rex in a story by hit Spider-Woman creative team, Karla Pacheco and Pere Perez. Fans can see this awesome and one-of-a-kind Spider-Hero in a brand-new variant cover by Leinil Francis Yu.

(16) WEIRD AL’S SONG FOR STAR WARS. There might actually be a few notes from it in this trailer, I’m not sure. “LEGO Star Wars Summer Vacation”, set shortly after the events of Star Wars: The Rise of Skywalker, features the voices of “Weird Al” Yankovic, Yvette Nicole Brown, Kelly Marie Tran, Anthony Daniels, Billy Dee Williams, and returning cast members from previous LEGO Star Wars specials, and includes “Weird Al’s” new original song, “Scarif Beach Party”.

(17) CAT NOT SLEEPING ON SFF. Enjoy this entertaining trailer for “Puss In Boots: The Last Wish”.

This Christmas, everyone’s favorite leche-loving, swashbuckling, fear-defying feline returns. For the first time in more than a decade, DreamWorks Animation presents a new adventure in the Shrek universe as daring outlaw Puss in Boots discovers that his passion for peril and disregard for safety have taken their toll. Puss has burned through eight of his nine lives, though he lost count along the way. Getting those lives back will send Puss in Boots on his grandest quest yet. Academy Award® nominee Antonio Banderas returns as the voice of the notorious PiB as he embarks on an epic journey into the Black Forest to find the mythical Wishing Star and restore his lost lives. But with only one life left, Puss will have to humble himself and ask for help from his former partner and nemesis: the captivating Kitty Soft Paws (Oscar® nominee Salma Hayek).

(18) SHOULD BE WORTH MORE THAN TWO POINTS. [Item by Martin Morse Wooster.] This Rube Goldberg machine by Creezy has been viewed nearly 10 million times, but not on File 770! “The Swish Machine: 70 Step Basketball Trickshot”.

(19) REFERENCE DIRECTOR! [Item by Daniel Dern.] To help you decipher today’s Scroll title “Heigh-ho, The Battling Throg, The Frog Down In Valhalla, Oh” —

Throg is Frog Thor, The Frog Of Thunder, first introduced by Walt Simonson in 1986 (see “Thor Left Asgard’s Future to Marvel’s Strangest Thunder God”), although, Marvel being Marvel (sigh), there are now several variants and versions…

“Heigh-Ho etc” riffs on the Irish folk song “Heigh-Ho, The Rattlin’ Bog” popularized by The Irish Rovers and done by many others including Seamus Kennedy,

(20) AMATEURS DRIVING THE CHARIOT OF APOLLO. [Item by Martin Morse Wooster.] James Burke and John Parry tour an Apollo training facility, crash a “scooter” on the Moon and mispronounce “Houston” in this clip from the BBC show Tomorrow’s World in 1968.

(21) VIDEO OF THE DAY. This is buzzzzzare! “Best-Case Scenario, Worst-Case Scenario and One with Bees” from Late Night with Seth Meyers.

[Thanks to Chris Barkley, Andrew Porter, Daniel Dern, Joey Eschrich, John A Arkansawyer, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 2/12/22 To Scroll The Invisible Pixel

(1) TAKE SANFORD’S SFF MAGAZINE SURVEY. Jason Sanford is running a new survey about how people view SFF genre magazines, described in his twitter thread about the survey. Sanford originally did a survey at the end of 2019 about people’s views on SFF magazines (also shared on File770). “I’d planned to release those results in the first quarter of 2020 but the COVID pandemic intervened. But having those pre-pandemic survey results allows me to run an identical copy of the survey right now and see if people’s views of SFF magazines changed over the last two years.”

Here’s the survey link at Google Docs

(2) AURORA AWARDS TIMELINE. Members of the Canadian Science Fiction and Fantasy Association have until midnight tonight (Eastern time) to add genre works to the Aurora Awards eligibility list that were done by Canadians in 2021.

On Saturday, February 19, they will open up the nomination forms so CSFFA members can select up to five different works in each of the categories to be on this year’s final Aurora Award ballot.  Nominations will be open for five weeks – closing on March 26 at 11:59 pm Eastern.  

(3) PROFIT IN ITS OWN LAND. The Guardian finds that entering public domain takes an unexpected toll on popular classics: “The Great Gapsby? How modern editions of classics lost the plot”.

“So we beat on, boats against the current, borne back ceaselessly into the past.” It is one of the most memorable literary payoffs in history, the end of F Scott Fitzgerald’s defining novel of the 20th centuryThe Great Gatsby.

Yet this famous ending will be lost to many readers thanks to the proliferation of substandard editions, one of which loses the last three pages and instead finishes tantalisingly halfway through a paragraph.

…In his study, to be published next month in the F Scott Fitzgerald Review, West contrasts the focus on accuracy of Fitzgerald’s publisher, Scribner, with today’s “textual instability incarnate”.

He pored over 34 new print editions released in the past year, from established and independent publishers and some that list neither the place nor publisher, although there are further digital ones: “Six are competently done, but the rest are rather careless, done just to pick up a slice of the yearly sales. While it was still in copyright, Scribner’s sold about half a million copies a year, which is remarkable for a backlist title.”

To his dismay, 17 editions dropped Fitzgerald’s dedication to his wife, Zelda: “Her name has been erased – a serious problem … because she was Fitzgerald’s muse. She was partly the inspiration for Daisy Buchanan.”

(4) A LONG GOODBYE. Jesse Walker shares a few quick thoughts about a new anthology in “Dangerous Visions and New Worlds” in Reason.

…The best thing about Dangerous Visions and New Worlds: Radical Science Fiction, 1950–1985, an uneven but often incisive anthology of essays from PM Press, is that it covers the New Wave moment without limiting itself to the New Wave movement. The most talented New Wave writers are covered here—there are essays on J.G. Ballard, Octavia Butler, Barry Malzberg, and others—but so are TV tie-ins and porny paperbacks, showing how such ideas seeped through society…

(5) NOMMO SHORTLISTED WRITERS Q&A. The British Science Fiction Association and the Nommos Awards will hold a virtual event in March – date to be announced.

Last year the BSFA has funded 5 Nommo shortlisted writers  to virtually attend Worldcon, Discon 3. This March (date to be confirmed) we are holding a Q&A panel, based on the questions submitted by our readers. We are looking forward to receiving your questions on our facebook and twitter, or on a special email for the event: [email protected]

Here is the list of participants in our Q&A.

Nana Akosua Hanson and Francis Y Brown (AnimaxFYB Studios)

Winners of the 2021 Nommo Award for best comic writer and best comic artist. All ten chapters of the winning comic are available here.

Nihkil Singh

Short-listed for the 2017 Illube Nommo Award for Taty went West and for 2021 Ilube Nommo Award for Club Ded.

His story ‘Malware Park’ is available here.

Oghenechovwe Donald Ekpeki

The winner of the 2019 Nommo Award for Best Short Story and the 2021 Nommo Award for best novella for Ife-Iyoku: The Tale of Imadeyunuagbon, available in Dominion An Anthology of Speculative Fiction From Africa and the African Diaspora, edited by Zelda Knight and Oghenechovwe Donald Ekpeki. ‘The Witching Hour’ won the Nommo award for best short story in 2019. Here is another story of his, ‘The Mannequin Challenge

Stephen Embleton

His novel Soul Searching was shortlisted for the 2021 Ilube-Nommo Award.  We offer our readers a chance to read an extract from it. His speculative fiction available to read online includes “Land of Light” – Imagine Africa 500 speculative fiction anthology (2015) 

Tlotlo Tsamaase

shared the 2021 Nommo Award with Innocent Chizaram Ilo.

Her winning story ‘Behind Our Irises’ was part of Brittle Paper’s anthology Africanfuturism edited by Wole Talabi is available to read here. Her most recent fiction is “Dreamports” and “District to Cervix – The Time  Before We Were Born” 

Tochi Onyebuchi

won the 2018 Ilube-Nommo Award for his novel Beasts Made of Night

His novella Riot Baby was shortlisted for this year’s Nommo Award, and won in its category the Fiyah Award. A free excerpt is available here. His novel Goliath is expected in January of this year.  A free excerpt is available here.

(6) MEDIA BIRTHDAY.

1999 [Item by Cat Eldridge] Twenty-three years ago, the film remake of the My Favorite Martian series premiered. It was directed by Donald Petrie as written by Sherri Stoner and Deanna Oliver, both had been writers on the Tiny Toon Adventures and Animaniacs.

It has a good cast including Jeff Daniels, Christopher Lloyd, Elizabeth Hurley, Daryl Hannah, Wallace Shawn, Christine, Ebersole and Wayne Knight.  Ray Walston even showed up as Armitan/Neenert, a long ago-stranded Martian who has been masquerading as a government operative for years.

Some critics did like it, some didn’t.  As Robert Ebert of the Chicago Sun-Times put it “The movie is clever in its visuals, labored in its audios, and noisy enough to entertain kids up to a certain age. What age? Low double digits.”  But Kevin Thomas of the Los Angeles Times stated “Walston displays a crisp wit and blithe sense of whimsy otherwise lacking in this loser.”

What it didn’t make is money. On a budget of sixty-five million, it only made thirty-seven million. And it only gets a thirty percent rating at Rotten Tomatoes among audience reviewers.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 12, 1920 Louis Russell Chauvenet. Member of First Fandom, and a founder of the Boston’s Stranger Club which ran the first Boskones.  He’s credited with coining the term “fanzine” and may have also coined “prozine” as well. He published a number of zines from the later Thirties to the early Sixties. (Died 2003.)
  • Born February 12, 1929 Donald Kingsbury, 93. He’s written three novels (Courtship RiteThe Moon Goddess and the Son and Psychohistorical Crisis) that could be akin to the Asimov’s Foundation novels. Clute at EOSF says that the Asimov estate explicitly refused him permission to set Psychohistorical Crisis in the Foundation universe.  Now there’s a story there, isn’t there? 
  • Born February 12, 1933 Juanita Ruth Coulson, 89. She’s best known for her Children of the Stars series. She was a longtime co-editor of the Yandro fanzine with her husband, Buck, and she’s a filker of quite some renown. Yandro won the Best Fanzine Hugo at Loncon II in 1965. 
  • Born February 12, 1942 Terry Bisson, 80. I’m very fond of “Bears Discover Fire” which won a Hugo at Chicon V. And yes, it won a Nebula and a Sturgeon as well.  Some may like his novels but I’m really in love with his short fiction which why I’m recommending three collection he’s done, Bears Discover Fire and Other Stories, In the Upper Room and Other Likely Stories and TVA Baby and Other Stories.
  • Born February 12, 1945 Maud Adams, 77. Best remembered for being two different Bond girls, first for being in The Man with the Golden Gun where she was Andrea Anders, and as the title character in Octopussy. She shows up a few years later uncredited in a third Bond film, A View to Kill, as A Woman in Fisherman’s Wharf Crowd. 
  • Born February 12, 1945 Gareth Daniel Thomas. His best-known genre role was as of Roj Blake on Blake’s 7 for the first two series of that British show. He also had a minor role in Quatermass and the Pit, and had one-offs in The AvengersStar MaidensHammer House of Horror, The Adventures Of Sherlock HolmesTales of the UnexpectedRandall & Hopkirk (Deceased) and Torchwood. (Died 2016.)
  • Born February 12, 1954 Stu Shiffman. To quote Mike in his post, he was “The renowned fan artist, who generously shared his talents in fanzines, apas and convention publications, received the Best Fan Artist Hugo Award in 1990 and the Rotsler Award in 2010.” You can read Mikes’ gracious full post on him here. (Died 2014.)
  • Born February 12, 1960 Laura Miller, 62. Author of an essay whose title tickles me to the end: “It’s Philip Dick’s World, We Only Live In It“. Originally appearing in the New York Times, 24 November 2002, it was reprinted in PKD Otaku, #9 which you can download here.

(8) COMICS SECTION.

(9) WHO DREW? First Fandom Experience shows its detective chops and connections as they seek out the creator of this Thirties-vintage “Mysterious Early Fan Art”.

… Regarding the style of the piece, we believe it’s directly inspired by the work of Frank R. Paul — most specifically, this piece from Amazing Stories Quarterly, v1n1, Winter 1928, illustrating “The Moon of Doom” by Earl L. Bell….

(10) THAT’S NOT GIBBERISH, THAT’S SFF. Got to love this. Phil Jamesson “reading the first page of any sci-fi novel”. [Via Boing Boing.]

(11) BAKULA TO THE FUTURE. Will Scott Bakula be involved? Movieweb rounds up “Everything We Know About the Quantum Leap Reboot”.

…In Quantum Leap’s case, details of the new series are still sketchy, but it is believed that the premise will make the new series a continuation rather than a full reboot. Set in the same universe as the original, the new series will feature a new team of scientists resurrecting the Quantum Leap project, and attempting to find out what happened to Sam, whose fate was famously left up in the air by the original’s ambiguous finale….

(12) JWST TAKES SELFIE. “NASA beams back unexpected selfie of the Webb telescope from 1 million miles away” – see the image at Mashable.

We thought we’d never see the giant James Webb Space Telescope ever again.

The space observatory has traveled to its distant cosmic outpost, nearly a million miles from Earth. It doesn’t carry any surveillance cameras dedicated to monitoring the instrument as it traveled through space and unfurled. They were too complicated, and risky, to add.

But NASA still found a way to take a (somewhat coarse and eerie) selfie.

The space agency used an auxiliary lens on its powerful Near-Infrared Camera, or NIRCam, which will peer at some of the earliest stars and galaxies that formed in the universe, over 13.5 billion years ago.

“This special lens is meant for engineering, not science, and allows NIRCam to capture an ‘inward-looking’ image of the primary mirror,” NASA tweeted. “This image helps us to check that the telescope is aligned with the science instruments.”…

(13) YOUR NOTHING IN THE WAY STATION. This Budweiser Super Bowl commercial uses a lot of sf-style effects. But if that’s not enough reason to view it, you can get a head start by skipping it now!

[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, Rob Thornton, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 1/30/22 Abracapixel

(1) STABBYCON. Reddit’s r/Fantasy section will host “StabbyCon” (named for their annual award, the Stabby) from January 31 through February 11. (Incidentally, voting for the 2021 Stabby Awards will open on Monday January 31 and close on Monday February 7th, at 10 a.m. EST. The link to vote will be posted on Reddit at the appropriate time.)

Our vision for StabbyCon is to celebrate what makes r/Fantasy and the speculative media community so great, and to bring a diverse group of creators into the spotlight through a series of virtual panels, roundtables and AMAs. We hope you’ll enjoy the range of events we’ve got scheduled, and help give a warm r/Fantasy welcome to all of our StabbyCon participants.

Schedule

To accommodate various time zones, each event will start at a scheduled time but will run throughout the day to allow all of our panelists and as many of you as possible a chance to participate. Even if you miss the start of an event, we’d love as many people to drop in as possible.

We will also update this post through Stabbycon so that you can check back in on anything you may have missed. You can also browse the Stabbycon collection to see all of our events.

We’ll also be running daily social threads so you can drop in and chat about each of our events, or anything else SFF related. Our regularly scheduled posts will also continue as per normal throughout the StabbyCon period.

Here’s the first three panels:

Panels

  • Jan 31st, 4pm EST | 9pm GMT – Worldbuilding from the Real World with Krista D. Ball, R.B. Lemberg, Rowenna Miller and Tasha Suri
  • Feb 1st, 12pm EST | 5pm GMT – Unusual Biology with RJ Barker, Sue Burke, Sascha Stronach and Cadwell Turnbull
  • Feb 3rd, 12pm EST | 5pm GMT – Visible Cracks: Personal and Intergenerational Trauma with K.D. Edwards, Akwaeke Emezi, Tyler Hayes, Charlotte Kersten and Virginia McClain

(2) ONYEBUCHI Q&A. [Item by Olav Rokne.] NPR has a very good interview with Tochi Onyebuchi about his new novel Goliath. Some very interesting thoughts about the books commentary on the intersection between race and class. “In ‘Goliath,’ only the rich and white can escape to space as the Earth collapses”.

SUMMERS: So in the book, the mostly white occupants of these space colonies, they take some classes to learn about their privilege, and they end up being classes that don’t really translate into much action. And I’m curious, is that any reflection on the conversations about racial justice that are happening right now in our world?

ONYEBUCHI: Short answer, yes. You know, the very first draft of this book, I think, was completed in 2015. You know, there was a little bit of that there – you know, that idea of white people who were cognizant of their privilege and who were cognizant of, you know, social and socioeconomic divides, that sort of thing. And then, you know, looking at the ways in which the events of the summer of 2020 sort of rippled out into all these different industries and professions, it was fascinating, albeit dispiriting to see all the ways in which people can say all the right things. Corporations on Twitter can say all the right things, and yet, you know, a year later, you know, summer of 2021, you know, you’d look around and you’d ask yourself what had changed. And more often than not, the answer would be nothing.

(3) ALTERNATE REDSHIRTS. John Scalzi signal boosted a reminiscence about covers Redshirts might have had.

(4) YOU’VE BEEN WARNED. Walter Jon Williams’ “Plot Rant” begins —

I just finished listening to an audio book, a mystery/thriller thingie with an interesting, somewhat science-fictiony premise. The writing was on the high end of competent, and the characters held my interest, and the novel’s milieu was interesting and fresh, at least to me.

What finally broke my patience was the author’s method of building suspense, which was to have one of his characters do something bone-stupid in order to get into jeopardy.

We see this on TV all the time, where police routinely charge into villain-rich environments without calling for backup, or people poke sleeping monsters with sticks, or go into a dark cave in search of treasure and/or a kidnap victim. It makes me crazy when I see it on television, too….

(5) LAUNCH PAD IS READY. Rocket Stack Rank has hooked up its ratings links to the various awards people will be voting on.

(6) NOT TO BE MISSED. Tangent Online has posted the “Tangent Online 2021 Recommended Reading List” based on their ratings for short fiction from the past year.

As with previous years, this list is not meant as comprehensive, there being a number of items we didn’t see, especially at the novella length. As was the case with the last several years, we narrowed our focus (with some exceptions) to those stories published in professionally paying markets as defined by SFWA.

There are 300 stories on this year’s list (down 72 from last year’s 372): 235 short stories (down 78 from last year’s 313), 53 novelettes (up 8 from last year’s 45), and 12 novellas (up 2 from last year’s 10).

(7) ALREADY MISSED, BUT YOU COULD CATCH UP. At GeorgeTakei.com: “People Break Down The Most Underrated Television Shows”.

Back in the day, the generations before us only had five channels, or less to chose from for their tv entertainment.

And even then there were stills shows that got overlooked, thank goodness for the idea of implementing reruns.

Now here we are, with more television than we’ll ever be able to watch. Thousands of shows on thousands of channels, worldwide.

So of course, tons of great work will go unnoticed. But maybe we can remedy a few situations….

For example:

“Reaper. On his 21st birthday, Sam discovers his parents sold his soul to the devil before birth and he must now be a bounty hunter for the devil until he dies.” ~ EnigmaCA

(8) FREE TAFF BOOK. The Incompleat Burbee, a digital edition gathering some of Charles Burbee’s finest fanwriting, is the latest addition to TAFF’s library of free downloads. Following on the heels of the Francis T. Laney collection released last month, here is another familiar name to all who read about the 1940s LASFS in Rob Hansen’s Bixelstrasse. The Burbee collection is available in multiple formats at the Trans-Atlantic Fan Fund’s website, where they also hope you’ll make a little donation to the fund. 

Charles Burbee and his comrade-in-arms Francis Towner Laney (see Ah! Sweet Idiocy! and Ah! Sweet Laney!) were among the original “Insurgents” of 1940s Los Angeles fandom, opting for the motto FIJAGH or Fandom Is Just A Goddamn Hobby rather than the then prevailing mood of FIAWOL or Fandom Is A Way Of Life. Burbee in particular preferred humour, sarcasm and sometimes unforgivable put-downs to the solemn worship at the altars of SF and SF professionals that he thought he saw in the Los Angeles Science Fantasy Society of that era. No wonder he was fired as editor of the club’s official fanzine Shangri-L’Affaires.

The Incompleat Burbee is a selection of his best and funniest work produced as a Festschrift for his birthday in 1958 by Pete Graham, Ron Ellik, Terry Carr, Dave Rike and “Carl Brandon”, with cover art by William Rotsler. It was twice reprinted, mostly from the same stencils though with some corrections and small additions, in 1959 and 1974. A second, reset edition was published by Arnie and Joyce Katz in 1993.

First published as an Ansible Editions ebook for the TAFF site on 1 February 2022, based on the third printing as scanned by Joe Siclari (to whom many thanks) and available online at Fanac.org. The ebook uses the original William Rotsler cover art. 56,500 words.

(9) HOWARD HESSEMAN (1940-2022). Actor Howard Hesseman died January 29 at the age of 81. He was best known for his non-sff work on the TV series WKRP in Cincinnati and Head of the Class.

He was in all kinds of genre adjacent films like the counter culture drama Billy Jack (as a drama instructor), and comedies such as Mel Brooks’ Silent Movie, the disaster movie parody The Big Bus, and This Is Spinal Tap,

As for genre films, he was in Flight of the Navigator, Amazon Women on the Moon, Martian Child, Halloween II, Bigfoot. On TV he appeared on Ray Bradbury Theater (“Downwind From Gettysburg” as Bayes, creator of the Lincoln robot), The Outer Limits, and Level 9.

(10) MEMORY LANE.

1992 [Item by Cat Eldridge.] Thirty years ago at Magicon where Spider Robinson was the Toastmaster, Lois McMaster Bujold’s Barrayar wins the Hugo for Best Novel. It had seen print first in Analog from July through October of 1991 and then in book form from Baen in that year. Other nominated works were Emma Bull’s Bone Dance, Anne McCaffrey‘s All the Weyrs of Pern, Joan D. Vinge’s The Summer Queen, Orson Scott Card’s Xenocide, and Michael Swanwick’s Stations of the Tide. It also won the Locus Award for Best SF Novel and was nominated for a Nebula Award.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 30, 1911 Hugh Marlowe. First, let me note that he was first to play the title character in the very first radio version of The Adventures of Ellery Queen. No, it’s not even genre adjacent but neat none-the-less. As regards genre roles, he’s Tom Stevens in The Day the Earth Stood Still, and Dr. Russell A. Marvin in Earth vs. the Flying Saucers. He was also Harold McPherson in Seven Days in May if you want to count that as genre. (Died 1982.)
  • Born January 30, 1920 Michael Anderson. English Director best remembered for Around the World in 80 Days, Logan’s Run, and perhaps not nearly as much for, Doc Savage: The Man of Bronze. Yes, I saw it. It was, errrr, interesting. He also directed The Martian Chronicles series. (Died 2018.)
  • Born January 30, 1924 Lloyd Alexander. His most well-crafted work is The Chronicles of Prydain. Though drawn off Welsh mythology, they deviate from it in significant ways stripping it of much of its negativity.  To my belief, it is his only genre writing as I don’t hold the Westmark trilogy to actually be fantasy, just an alternative telling of European history. Splitting cat hairs? Maybe. He was also one of the founders of Cricket, an illustrated literary journal for children. The late illustrator Trina Schart Hyman whose art I lust after, errrr, adore was another. (Died 2007.) 
  • Born January 30, 1926 Peter Brachacki. Set designer for the very first episode of Doctor Who. Everything I’ve been able to read on him and that work says that he was not at all interested in working on the series and did so reluctantly under orders. Doctor Who producer Verity Lambert would later recount that she was impressed with Brachacki’s work on the TARDIS interior even though she personally did not like him at all. His design elements persist throughout the fifty years the series has been produced. His only other genre work that I’ve been able to find was Blake’s 7 and a short series called the The Witch’s Daughter done in the late Seventies. The BBC wasn’t always great at documenting who worked on what series. (Died 1980.)
  • Born January 30, 1941 Gregory Benford, 82. His longest running series is Galactic Center Saga, a series I find a little akin to Saberhagen’s Beserker series. I’ve not read enough of it to form a firm opinion though I know some of you of have done so.  Other novels I’ve read by him include Timescape (superb) and A Darker Geometry: A Man-Kzin Novel which was actually was quite excellent. Yes, I do read Baen Books. 
  • Born January 30, 1955 Judith Tarr, 67. I’m fond of her Richard the Lionheart novels which hew closely to the historical record while introducing just enough magic to make them fantasy. The novels also make good use of her keen knowledge of horsemanship as well. Her Queen of the Amazons pairs the historical Alexander the Great, with a meeting with the beautiful Hippolyta, who is queen of the Amazons. Highly recommended. 
  • Born January 30, 1973 Jordan Prentice, 49. Inside every duck is a self-described person of short stature. In the case of Howard the Duck from the movie of the same name, one of those persons was him. He’s not in a lot of SFF roles after his performing debut there though he shows up next as Fingers Finnian in Wolf Girl, playing Sherrif Shelby in Silent But Deadly, Napoleon in Mirror Mirror and Nigel Thumb in The Night Before the Night Before Christmas
  • Born January 30, 1974 Christian Bale, 48. First enters our corner of the mediaverse in a Swedish film called Mio in the Land of Faraway where he plays a character named Yum Yum. Note though that he doesn’t speak in this role as his Swedish voice is done by Max Winerdah. So his playing Demetrius in A Midsummer Night’s Dream is his first speaking role. Next up is American Psycho in which he was Patrick Bateman, that was followed by a role in Reign of Fire as Quinn Abercromby. He was John Preston in Equilibrium, and he voiced Howl in Howl’s Moving Castle, a film well worth seeing.  Need I say who he plays in Batman Begins? I thought not. He’d repeat that in The Dark Knight and The Dark Knight Rises. Amidst being Batman, he was also John Connor in Terminator Salvation. His last genre role to date was voicing Bagheera in Mowgli: Legend of the Jungle asked off Kipling’s All the Mowgli Stories. He’s got a television genre credit, to wit Jim Hawkins in Treasure Island off the Robert Louis Stevenson of that name.

(12) RIDING ON THE CITY OF COCOA BEACH.  Here’s a fun concept – the Lionel Union Pacific Rocket Booster Train. For a mere $1,699.99 you get a Legacy ES44AC locomotive, 6 Standard O boxcars including one with special clearance bars, 5 Heavy duty flatcars with loads and protective covers, and a 21″ sleeping car. And the rocket in the cargo can be assembled into a 30-inch tall scale model. Heck, that’s even taller than a Hugo Award!

(13) TIME FOR REFLECTION. [Item by Martin Morse Wooster.] From Saturday Night Live — Be careful what you wish for when a magic mirror shows up in Beauty and the Beast!

(14) HEAVIER THAN AIR. [Item by Martin Morse Wooster.] In the Washington Post Magazine, David A. Taylor tracks down Bill Suitor, who was one of Sean Connery’s stunt doubles in the jetpack scene in Thunderball. He also interviews Air and Space Museum senior curator Mike Neufeld, who explains that rocket belts did not develop because they only had 20 seconds flying time and were very loud at 130 decibels. “Man flies rocketpack more than 1,000 times”.

For many years, I wasn’t sure if what I saw was real or some sort of hopeful childhood vision: I was in a large crowd on the National Mall and a figure in a white spacesuit wearing a jetpack suddenly floated off the ground. He was flying! After rising straight up, he swept forward, then swooped back above the crowd.I was about 5 years old. Was it a “Jetsons” phantom memory? I grew up in a white-bread Virginia suburb and my father was working as a NASA engineer. But this was way cooler.

Then I forgot about it, for decades. But about a year ago, the image popped into my mind and I decided to do some research. I came across a 1967 newspaper clipping with a black-and-white photo. Billed as fun for children, the Pageant of Transportation included a “rocket belt” flying man.

The caption named the rocket man as Bill Suitor. In the photo he floats midair with a balloonist near the Washington Monument. I wondered if Suitor was still around. …

(15) FAN MADE CINEMA. This Star Wars fan film dropped two days ago: The Battlefield – A Star Wars short film made with Unreal Engine 5”.

A new recruit discovers that the Imperial Academy might not have been entirely truthful about the realities of war.

‘The Battlefield’ is part of the series ‘For the Empire’ and was created entirely in Unreal Engine 5 as a workflow test for the upcoming AFK miniseries ‘A Hole in the World’.

(16) VIDEO OF THE DAY. J. Michael Straczynski has made public another Babylon 5 commentary: “The Coming of Shadows”.

For every new B5 commentary video I post on my Patreon page, I release a prior one into the wild. The other day I posted a full-length sync-up commentary on COMES THE INQUISITOR, so that means I can now release the next one in line, THE COMING OF SHADOWS. The Patreon page is where all the Cool Kids hang out, and in return for their support get first news on all of my upcoming projects, the inside track on development, access to scripts, audio, these commentaries, photos and other spiffiness. There’s also a writer’s tier where those who want an intensive program of group critiquing (by me and the other members) and original essays on the craft of writing hang out.

All of that being said, here’s the free link to my full-length video commentary on THE COMING OF SHADOWS.

[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Andrew Porter, Chris Barkley, David Langford, Olav Rokne, Michael Toman, Cat Eldridge, Mike Kennedy  for some of these stories. Title credit belongs to File 770 contributing editor of the day BGrandrath.]

Pixel Scroll 1/9/22 Chapter Scroll Dune

(1) SFF A “FORM OF SUBVERSIVE ACTIVISM”. Eugen Bacon’s thoughtful review appears in the latest issue of Fafnir – Nordic Journal of Science Fiction and Fantasy Research, Volume 8, Issue 2 (Feb 2022): “Trends in Black Speculative Fiction”.

… More than two decades after the publication of Dark Matter: A Century of Speculative Fiction from the African Diaspora (Thomas), black speculative fiction continues to rise as a powerful conversation in genre fiction, and increasingly tackles precolonial, colonial, and postcolonial themes pertaining to identity and culture, as well as feminist and queer themes pertaining to engaging with difference. Anthologies have become instrumental in the proliferating Afrofuturistic writing that heroes black people in stories from Africa and the diaspora, stories whose visibility is increasingly evident in award nominations and recommendations – for example 2021 Hugo nominee Ekpeki Donald Oghenechovwe, whose novella Ife-Iyoku won the 2020 Otherwise Award.

New Suns: Original Speculative Fiction by People of Color (Shawl) – in its showcasing of interracial and cross-cultural stories – may have stunned its publisher, editor, contributors, and readers by winning the 2020 Locus, World Fantasy, British Fantasy, Ignyte, and Brave New Words Awards. Casting a diverse range of new and established writers, including (among others) Tobias S. Bucklell, Minsoo Kang, Kathleen Alcalá, Alberto Yáñez, and Chinelo Onwual, and featuring a foreword by LeVar Burton, New Suns explored intergalactic stories, dream stories, song stories, coming-home stories, futuristic stories, and even self-aware stories that encapsulate person-of-colour chants full of longing and conviction of belonging and place. With the success of New Suns, it’s no wonder that Solaris announced its acquisition of New Suns 2 for release in 2023 (“Solaris to Publish New Suns 2”)….

… It is clear from just these select exemplars that publishers, authors, and readers alike have a steeping interest in black people’s stories. Thanks to the internet, audio books, and ebooks, the world is in the heart of an ongoing digital revolution that continues to stagger traditional publishing and make best sellers as well as anthologies and collections from smaller presses cheaper and accessible to ravenous readers. As e-publishers and self-publishers create opportunities for writers and readers alike, and more awards recognise calibre and uniqueness, rather than the author’s or publisher’s muscle, black speculative fiction will continue to rise in global distribution, and be increasingly accessible. A reader has only to look for it in anthologies, collections, even award nominations….

(2) CRITTERS ANNUAL READERS POLL. The Critters Workshop, “for serious writers of Science Fiction, Fantasy, and Horror” is hosting its Annual Readers Poll, which honors print and electronic publications published during the past year. (Click here for the official rules.) There are 41 categories. Voting is open through January 14. View the Current standings at the link.

Novels pages: Horror Romance Science Fiction & Fantasy Steampunk | Magical Realism | Positive Future | Erotica Mystery Thriller Children’s | Young Adult | All other |
Short Stories pages: Horror | Romance Science Fiction & Fantasy Steampunk | Magical Realism | Positive Future | All other | Anthologies page Poems page Nonfiction articles page Nonfiction books page |
Other Categories: Artwork page Book/e-book Cover Artwork page Magazine/e-zine Cover Artwork page Authors page Poets page Artists page Book/e-book Editors page Magazine/e-zine Editors page Book Publishers page Review site | Bookstore | Promotional Firms, Sites, and Resources page Fiction ‘zines page Poetry ‘zines page Nonfiction ‘zines page Writers’ Discussion Forum page Writers’ Workshop page Writers’ Resource/Information/News Source page |

(3) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Tochi Onyebuchi and Sarah Pinsker in a virtual event on Wednesday, January 19 starting at 7:00 p.m. Eastern. The readings will be live on YouTube, link to come.

  • Tochi Onyebuchi

Tochi Onyebuchi is a novelist and essayist, who won the World Fantasy Award, the Ignyte Award, and the New England Book Award for Fiction for his novella Riot Baby, a Nebula, Locus, and Hugo Award finalist. His works include the Beasts Made of Night and War Girls series, and the non-fiction book (S)kinfolk. His most recent novel is Goliath from Tordotcom Publishing. He lives in Connecticut.

  • Sarah Pinsker

Sarah Pinsker is a writer of novels and short stories and everything in between. She has won three Nebulas, including best novel for A Song For A New Day in 2020 and best novelette for “Two Truths And A Lie,” in 2021. Her most recent novel is We Are Satellites. She’s also a musician with four albums to her name, including 2021’s Something to Hold. She lives in Baltimore with her wife and two terriers.

(4) WINDY CITY. Doug Ellis notes the 21st Windy City Pulp and Paper Convention is just four months away.  The event will be held May 6-8 at the usual venue, the Westin Lombard Yorktown Center, Lombard, Illinois.  

We’ve sold out all 180 of our dealer tables, to dealers spanning the U.S., from Canada and the U.K.  We’ll be celebrating the 100th anniversary of pulp and comic publisher Fiction House.

At this point, we don’t know what COVID requirements may be in place when the show takes place.  Currently, masking would be required, but protocols may change during the next four months.  We’ll update those as we learn them.

As has been the case in years past, this year’s convention will feature some incredible material in our estate auctions. Friday night (May 6), our auction will focus on material from the estate of legendary collector Robert Weinberg (including many more issues of Weird Tales and a complete run of Planet Stories), while on Saturday night, (May 7) material from the estate of Glenn Lord, literary agent for the estate of Robert E. Howard, takes center stage.  In addition, we also will have a number of interesting items from other consignors.

The deadline to book your hotel room and receive the convention rate is 5:00 central on April 12, 2022.  The link for con hotel reservations is here.

We hope to see you there!

(5) SECOND FÜNF. [Item by Martin Morse Wooster.] In the Washington Post, Elliot Ackerman reviews The Writer’s Crusade: Kurt Vonnegut And The Many Lives Of Slaughterhouse-Five by Tom Roston. Roston argues that Vonnegut may have had undiagnosed PTSD from his experiences in World War II (including being a prisoner of war) and that Slaughterhouse-Five is an expression of his PTSD.  Ackerman finds Roston’s diagnosis unpersuasive and thinks Vonnegut’s own descriptions of how war affected him are a better guide than Roston’s posthumous diagnosis. “Book review of The Writer’s Crusade: Kurt Vonnegut and the Many Lives of Slaughterhouse-Five by Tom Roston”.

… This defiance of categorization is probably why I found myself bristling early on when Roston asserts that his book will seek to answer “whether or not ‘Slaughterhouse-Five’ can be used as evidence of its author’s undiagnosed PTSD.” This investigation, which animates much of Roston’s book, seems misguided. Roston himself acknowledges the reductivism he’s engaged in when he writes, “I imagine reducing his book to a clinical diagnosis or, perhaps worse, putting it in the self-help category, would make Vonnegut shudder.” Indeed, I think it would. Nevertheless, Roston soldiers on, casting himself as part literary scholar and part psychoanalytic sleuth. He deconstructs “Slaughterhouse-Five” and the history around the book in search of incontrovertible proof that Vonnegut had what we would today call post-traumatic stress disorder, even though Roston acknowledges Vonnegut’s consistent denials throughout his life that his wartime experiences left him traumatized….

(6) STAR TREK’S BRIDGE. SFGate’s Victoria Sepulveda explains “Why ‘Star Trek’ made San Francisco the center of the universe”.

…On top of that, San Francisco is a beautiful city with a major recognizable landmark, great for letting TV viewers know when an episode takes us from the far-flung reaches of the cosmos back to Earth. 

But there are other naval cities and major Earth landmarks that could suit this purpose. What really made San Francisco special, Bernardi says, was its progressivism and diversity. Roddenberry was a liberal humanist, and San Francisco, out of all American cities in the 1960s, best captured the issues Roddenberry wanted to delve into in the show. It was a hub for the civil rights and anti-war movements, says Bernardi, who has studied Roddenberry’s papers, which are collected at UCLA….

(7) DEL TORO INTERVIEW. [Item by Martin Morse Wooster.] I listened to this podcast Leonard and Jessie Maltin did with Guillermo Del Toro — Maltin on Movies: Guillermo del Toro. Del Toro is promoting Nightmare Alley (an excellent film I regard as horror-adjacent), but fantasy is never far from Del Toro’s mind; two minutes into the podcast there’s a discussion about whether Berni Wrightson or Richard Corben did better scary clown illustrations.  Del Toro also says Forrest J Ackerman was his “godfather” because Famous Monsters of Filmland was a source of inspiration and education when he was a kid.  Also credited is the great makeup artist Dick Smith, who was very generous with his time and met Del Toro at the train station when he took the train from Guadalajara to meet with the makeup master.  Del Toro tries to follow Smith’s example and give education and encouragement to young people getting started in the movie industry.  Finally, he thinks that Doug Jones, who has a small role in Nightmare Alley and a major one in The Shape Of Water, is a protean talent who is our generation’s Lon Chaney.

Del Toro’s next project is an animated Pinocchio, developed as a collaboration with The Jim Henson Company.

Del Toro shares a lot of wisdom about movie production and life, in what I think is one of the Maltins’ better episodes.

(8) DWAYNE HICKMAN (1934-2022). Actor Dwayne Hickman, best known as TV’s Dobie Gillis, and for appearing in the Western comedy Cat Ballou, died January 9 reports the New York Times: “Dwayne Hickman, T.V.’s Lovelorn Dobie Gillis, Is Dead at 87”. He had a couple of genre roles – if Dr. Goldfoot and the Bikini Machine (1965) counts, or else there’s his appearance on an episode of Kolchak: The Night Stalker (1975).

(9) BOB SAGET (1956-2022). Actor Bob Saget, best known for his comedy sitcom work, died January 9. He worked on episodes of The Greatest American Hero (1983), Quantum Leap (1992), and Robot Chicken (2016), and voiced roles in the animated movies Madagascar (2005), and Casper’s Scare School (2006).

(10) MEDIA BIRTHDAY.

1980 [Item by Cat Eldridge.] Forty-two years ago, New York City public television station WNET’s Experimental TV Lab project premiered their adaptation of The Lathe of Heaven. Based off the Ursula Le Guin novel of the same name, it was directed by David Loxton and Fred Barzyk. It should be noted Le Guin, by her own writings later, was involved in the casting, script planning, script editing, and filming of the production. Thus, we’ll give scripting credits to Diane English, Ursula K. Le Guin and Roger Swaybill. Primary cast was Bruce Davison, Kevin Conway (earlier in Slaughterhouse-Five as Roland Weary) and Margaret Avery. It was budgeted at a quarter of a million dollars.

The Lathe of Heaven became one of the two highest-rated shows that season on PBS that year. Michael Moore writing for Ares magazine liked it saying that “The best science fiction, such as Lathe, examines humankind’s place in the universe and the products and problems created by intelligence.” It was nominated for a Hugo at Denvention Two which had Ed Bryant as Toastmaster, the year The Empire Strikes Back won. Audience reviewers at Rotten Tomatoes currently give a seventy-two percent rating. 

The Lathe of Heaven is the most-requested program in PBS history. It took twelve years to clear up rights to rebroadcast it and that involved replacing the Beatles music with a cover band version. In 2000, The Lathe of Heaven was finally rebroadcast and released to video and DVD. 

I’ve seen this version several times and remember as being rather well crafted but I’ve not the second version made twenty-two years later. Who here has seen that version? 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 9, 1890 Karel Capek. [Spelled with Latin “c” because WordPress doesn’t support the correct special character.] Author of the his 1936 novel War with the Newts and 1920 play R.U.R. (Rossum’s Universal Robots), which introduced the word robot. R.U.R.was a dystopian work about a really bad day at a factory populated with sentient androids. ISFDB shows two additional works by him, Krakatit: An Atomic Fantasy and The Absolute at Large which I’ve not heard of. (Died 1938.)
  • Born January 9, 1908 Simone de Beauvoir. You know who she is but likely don’t know she wrote All Men Are Mortal (Les Hommes Sont Mortels in its original French)in 1946 which tells the story of Raimon Fosca, a man cursed to live forever. It’d be published in English in the States a decade later, and was adapted into a 1995 film of the same name. (Died 1986.)
  • Born January 9, 1925 Lee Van Cleef. The Warden of the Prison in Escape from New York but he was best known for acting in Spaghetti Westerns. Genre wise, he was also Col. Stone in The Beast from 20,000 Fathoms, and Dr. Tom Anderson in Corman’s It Conquered the World. (Died 1989.)
  • Born January 9, 1932 Algis Budrys. I am trying to remember what I read by him and I think it was Some Will Not Die which I remember because of the 1979 Starblaze edition cover. I’ve also read and really enjoyed his Rogue Moon. Setting aside his work as a writer which was exemplary, he was considered one of our best genre reviewers ever reviewing for GalaxyMagazine of Fantasy and Science Fiction, and wrote genre reviews even in the more mainstream Playboy. He edited a number of the L. Ron Hubbard Presents Writers of the Future anthologies which I’ll admit I’ve not read any of. I should note his Tomorrow Speculative Fiction prozine was quite excellent. (Died 2008.)
  • Born January 9, 1950 David Johansen, 72. He’s the wisecracking Ghost of Christmas Past in the oh-so-perfect Scrooged, he played Halston in Tales from the Darkside: The Movie in “The Cat from Hell” episode, and he appeared as a character named Brad in Freejack. I think the brief Ghost of Christmas Past riff in the aforementioned Scrooged is enough to earn him as Birthday Honors here. 
  • Born January 9, 1955 J.K Simmons, 67. You may know him as J. Jonah Jameson in the various Spider-Man films but I find his more interesting genre role to be as Howard Silk in the Counterpart series where he plays two versions of himself in two versions of parallel Berlins in a spy service that may or may not exist. He also portrayed Commissioner James Gordon in Justice League.
  • Born January 9, 1956 Imelda Staunton, 66. Voice of the Snow Queen in The Snow Queen’s Revenge, A Nurse in Shakespeare in Love, Polly in A Midsummer Night’s Dream, Dolores Jane Umbridge In Harry Potter and the Order of the Phoenix and in Harry Potter and the Deathly Hallows as well and Knotgrass in Maleficent and the sequel. 
  • Born January 9, 1957 Greg Ketter, 65. A Minneapolis SF Bookstore owner, DreamHaven to be precise, and con-running fan as well. He is a member of MN-Stf. He’s been involved in myriad regionals and Worldcons. He‘s chaired Minicons and World Fantasy Conventions alike.

(12) COMICS SECTION.

(13) SEÑORITA RIO CREATOR. The work of Lily Renée was part of the “Three with a Pen” exhibit at the Austrian Cultural Forum New York that ended in September. Although the exhibit is over, much material remains online, including a trailer.

Lily Renée

The only child of a well-to-do family, Lily Renée Willheim discovered drawing early, creating opulent fantasy worlds with mythical creatures. As a result of the so-called “Anschluss”, her father lost his job, her school friends were no longer allowed to play with her, and, like many, the family endured a variety of hardships. In 1939, at age seventeen, her parents put her on a children’s transport bound for England where she briefly stayed with a British family.

She reunited with her parents in New York City in 1940, where she lives today. After studying at the Art Students League and School of the Visual Arts, she was hired by comic book publishers. An exception in the male-dominated field, she created illustrations for several comic books including Señorita Rio, a glamorous Brazilian secret agent fighting the Nazis, the comedy duo Abbott and Costello, and others. Her later works include children’s books, decorative motifs, and textile designs. In 2007, Lily Renée attended Comic-Con in San Diego to receive their Inkpot Award and was inducted into the Hall of Fame of Friends of Lulu, an organization promoting women in comics. She celebrates her 100th birthday this year.

Read more about her in The Forward: “This female comic book artist was unknown for decades”.

Like the comic superheroes they invented, the Jewish creators of the characters often had secret identities – at least different names. Superman creators Joe Shuster and Jerome Siegel used the pseudonyms Joe Carter and Jerry Ess. Bob Kane, born Robert Kahn, created Batman. Jack Kirby, the pen name of Jacob Kurtzenberg, concocted Captain America.

Although lesser known, the comic book heroine Señorita Rio was Hollywood starlet Rita Farrar by day and Nazi-fighting secret agent by night. The artist who drew Rio’s action-packed panels in the 1940s, and signed as L. Renee, lived a sort of double life, too.

“Everybody assumed I was a man,” artist Lily Renee Phillips has said of the fan mail she received at the time, which was always addressed to “Mr. Renee.” Fans knew neither Renee’s gender nor her incredible origin story, which rivaled the plotline of Señorita Rio….

(14) DISNEY’S INSPIRATION. In the Washington Post, Philip Kennicott reviews “Inspiring Walt Disney:  The Animation of French Decorative Arts,” an exhibition at the Metropolitan Museum of Art. “Walt Disney’s fascination with France explored in Metropolitan Museum’s ‘Inspiring Walt Disney’”

I have watched more Disney princess films in the past few weeks than in the entirety of my first five decades on the planet. As a citizen of American popular culture, I enjoy their grace and charm. But as a citizen of this thing called the American republic, with its roots in revolution and its rhetoric of equality, I find them often surreal. Isn’t it odd — and perhaps even wrong, in some deeper ethical sense — that Americans are addicted to these gilded fantasies of privilege?A fascinating exhibition at the Metropolitan Museum of Art explores something that is hiding in plain sight if you watch Disney cartoons closely: the curious affinity for all things French, especially the trappings of French aristocracy.

The curators of “Inspiring Walt Disney: The Animation of French Decorative Arts” are upfront about one basic fact: Walt Disney made his movies for a very different audience than that for which the artisans of the French rococo produced their dazzling luxury objects….

(15) EFFECTS OF CHINA CENSORSHIP ON INTERNET AND TECH. According to the New York Times, “As Beijing Takes Control, Chinese Tech Companies Lose Jobs and Hope”.

…Beijing wants its cyberspace to become a tool of governance and national rejuvenation. And it will penalize anyone who fails to serve the goal.

In mid-December, the country’s internet regulator said it had ordered platforms to shut down more than 20,000 accounts of top influencers in 2021, including people who spoke ill of the country’s martyrs, entertainers involved in scandals and major livestreaming stars.

Alibaba was slapped with a record $2.8 billion antitrust fine in September. That was followed by a $530 million fine of Meituan, the food-delivery giant, a month later.

Weibo, China’s Twitter-like platform, was fined 44 times between January and November. Douban, the popular film- and book-reviewing site, was fined 20 times.

Li Chengdong, an e-commerce consultant who invests in start-ups, said some consumer internet companies he owned were struggling with higher compliance costs. “To stay on the safe side, they have to be stricter in compliance than what the government requires,” he said….

(16) ONLY HOW MANY SHOPPING DAYS LEFT? Sold by The Bodleian Library in Oxford, England, these Christmas Cards that look like book covers. Click through the slideshow to see all four examples.

[Thanks to JJ, John King Tarpinian, Andrew Porter, Doug Ellis, Chris Barkley, John A Arkansawyer, Mlex, Michael Toman, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

2021 Nommo Awards

The 2021 winners of the African Speculative Fiction Society’s Nommo Awards were announced today in a ceremony held at DisCon III.

NOVEL

  • Akwaeke Emezi — The Death Of Vivek Oji

NOVELLA

  • Oghenechovwe Donald Ekpeki — Ife-Ikyoku: The Tale Of Imadeyunuagbon 

SHORT STORY

[Tie]

  • Innocent Chizaram Ilo — Rat And Finch Are Friends
  • Tlotlo Tsamaase — Behind Our Irises

GRAPHIC NOVEL

  • Moongirls — Nana Akosua Hanson (writer) AnimaxFYB Studios (art) – Ghana Drama Queens Collective

The event was hosted by DisCon’s Special Guest, Sheree Renée Thomas. She announced this year’s Ilube Nommo Award for best novel, which went to The Death of Vivek Oji by Akwaeke Emezi.

In her opening speech, Sheree Renée Thomas said, “As newer audiences embrace storytelling from around the world, there is an excitement and openness to exploring rich tales that speak to the diverse cultural heritage that is born from not only Africa’s broad and diverse diaspora, but from the continent of Africa itself.”

Nana Akosua made an impassioned speech on behalf of the Drama Queens collective, “This year has been a particularly hard year for the Ghanaian Queer and Trans community. But I’d like to use this platform to say Hate will never win. All of the struggle will be worth it.”

In accepting her award for best short story. Tlotlo Tsmaase thanked the African online magazine Brittle Paper and the editor of its Africanfuturism anthology, Wole Talabi.  Innocent Chizaram Ilo thanked his editors at Strange Horizons.

For Oghenechovwe Donald Ekpeki, the Nommo Awards are “…about self acceptance really, or acceptance from your own. One of the core purposes of awards is providing recognition or validation to writers at certain points in their careers. But writers from certain backgrounds, demographics, regions are unable to participate as fully in international activities and awards as much as they would need to due to financial barriers, economic, cultural, social and other such constraints. Now that’s where bodies like the Nommo step in.”

The other presenters were authors Suyi Davies Okungbowa and Tochi Onyebuchi, each a winner of a previous Nommo for best novel and Iquo Diana Abasi, editor of the African SFF magazine Omenana. The announcements were followed by readings from the winning works.

The African Speculative Fiction Society, composed of professional and semiprofessional African writers, editors, publishers, graphic artists and film makers, was founded in 2016.

The Nommos were presented for the first time in 2017. The awards are named for twins from Dogon cosmology who take a variety of forms, including appearing on land as fish, walking on their tails.

[Includes quotes from a DisCon III press release.]

Pixel Scroll 10/26/21 Big Pixel In Little Scroll

(1) KRUGMAN’S RINGING ENDORSEMENT. “‘Dune’ Is the Movie We Always Wanted” says Paul Krugman.  After pausing to tell us why he hates Apple TV’s Foundation series, he tells why he loves the Villenueve Dune adaptation.

… Now on to “Dune.” The book is everything “Foundation” isn’t: There’s a glittering, hierarchical society wracked by intrigue and warfare, a young hero of noble birth who may be a prophesied Messiah, a sinister but alluring sisterhood of witches, fierce desert warriors and, of course, giant worms.

And yes, it’s fun. When I was a teenager, my friends and I would engage in mock combat in which the killing blow had to be delivered slowly to penetrate your opponent’s shield — which will make sense if you read the book or watch the movie.

What makes “Dune” more than an ordinary space opera are two things: its subtlety and the richness of its world-building.

Thus, the Bene Gesserit derive their power not from magic but from deep self-control, awareness and understanding of human psychology. The journey of Paul Atreides is heroic but morally ambiguous; he knows that if he succeeds, war and vast slaughter will follow.

And the world Herbert created is given depth by layers of cultural references. He borrowed from Islamic and Ayurvedic traditions, from European feudalism and more — “Dune” represents cultural appropriation on a, well, interstellar scale. It’s also deeply steeped in fairly serious ecological thinking…

(2) SILICON VOLLEY. Did you have any doubts? “’Dune: Part 2′ Officially Greenlit” reports Variety. But you have to wait ‘til 2023 to see it.

… Legendary Entertainment announced the news in a tweet on Tuesday, ensuring that the spice will continue to flow on screen. Warner Bros. will distribute the film and help finance it, though Legendary is the primary money behind the movie and owns the film rights to the book series. The film is expected to have an exclusive theatrical run, and Legendary will likely make that point iron-clad after “Dune” debuted simultaneously in theaters and on HBO Max last week. The unorthodox distribution pattern was a pandemic-era concession by Warner Bros., but one that caused an uproar when it was unveiled in 2020. “Dune: Part 2” will hit theaters on Oct. 20, 2023….

When interviewed by Variety at the Toronto Film Festival, Villeneuve said, “I wanted at the beginning to do the two parts simultaneously. For several reasons, it didn’t happen, and I agreed to the challenge of making part one and then wait to see if the movie rings enough enthusiasm… As I was doing the first part, I really put all my passion into it, in case it would be the only one. But I’m optimistic.”

(3) DISCON III BUSINESS MEETING DEADLINE. Meeting chair Kevin Standlee reminds all that the deadline for submitting proposals to the 2021 WSFS Business Meeting is November 16, 2021. Any two or more members of DisCon III (including supporting and virtual members) may sponsor new business. Submit proposals to [email protected]. See “A Guide to the WSFS Business Meeting at DisCon III” [PDF file] for more information about the WSFS Business Meeting.

Reports from committees of the Business Meeting and financial reports from Worldcon committees are also due by November 16, 2021. Send reports to [email protected].

(4) RED ALERT. Remember when you had half a year to do all your Hugo reading? Okay, now’s time to panic. DisCon III today posted a reminder that the Hugo voting deadline is just a few weeks away.

(5) 6TH ANNUAL CITY TECH SF SYMPOSIUM. The Sixth Annual City Tech Science Fiction Symposium on Access and SF has extended the submission deadline of its call for papers until October 29. See full guidelines at the link.

The Sixth Annual City Tech Science Fiction Symposium aims to explore the broad theme of “Access and SF” as a way to understand the relationship between access and SF, identify what’s at stake and for whom, foster alliances between those fighting for access, and discuss how improving access for some improves access for all.

The Sixth Annual City Tech Science Fiction Symposium is a virtual event that will be held online Thursday, December 9 from 9:00 a.m.-5:00 p.m. Eastern at CUNY in New York.

(6) HORROR TRIUMVIRATE Q&A. Goodreads invites fans to “Meet the Authors of Today’s Big Horror Novels”.

Stephen Graham Jones, author of My Heart Is a Chainsaw

GR: What’s your definition of a perfect horror novel?

SGJ: One that changes your daily behavior—makes you afraid of the shower, afraid of the dark, suspicious of the people in your life. One that leaves you no longer certain about yourself or the world you live in. A perfect horror novel is one you forget is a book at all. It’s one that lodges in your head and your heart as an experience, a little perturbation inside you that you only snag your thoughts on when alone. But when those thoughts start to seep blood, you place that cut to your mouth and drink. This is the nourishment you need, never mind how drained it leaves you feeling. Nothing’s for free.

Caitlin Starling, author of The Death of Jane Lawrence

GR: What’s your definition of a perfect horror novel?

CS:  I want to drown in atmosphere. That doesn’t mean I want only slow-moving horror but books that feel like the movies The Blackcoat’s Daughter or A Dark Song—something in that vein. I also want characters that I can live inside, that even if I question their decisions, I don’t just hate or want to suffer. It’s more fun for me to watch a character I enjoy struggle.

Grady Hendrix, author of The Final Girl Support Group

GR: What sparked the idea for your latest book?

GH: Growing up, I wasn’t allowed to see R-rated movies, so after Boy Scout meetings when our Scoutmaster took us to the gas station for snacks, I convinced him that I was allowed to buy issues of Fangoria with my snack money instead. I’d pore over Fango’s deeply detailed plot breakdowns and photo spreads so that I could pretend to have seen all these horror movies. The first one I remember was their feature on the opening of Friday the 13th Part 2, in which the final girl from Part 1, played by Adrienne King, gets murdered by Jason. The casual cruelty of that blew my mind. This woman had seen all her friends die, decapitated the killer, and survived, but she still couldn’t let her guard down. I always wanted to write her a happier ending.
(Fun fact: Adrienne King is the audiobook narrator for The Final Girl Support Group.)

(7) CLASSISM IN SESSION. In “The Potterization of Science Fiction”, The Hugo Book Club Blog decries a prevalent type of sff story, and the distortions it has wrought on the TV adaptation of Foundation.

…One of the fundamentally troubling assumptions behind the born-great protagonist is the anti-democratic idea that the lives of some people simply matter more than the lives of other people. If we accept that Harry Potter is destined to be the only one who can do the thing that’s important, then why should we care about the life of Ritchie Coote? Likewise, if Aragorn is destined for the throne then we have to accept that all other Men of Gondor would be incapable of managing the kingdom (let alone Women of Gondor). There is a direct link between the idea that one person can be born great, with the ideas that underpin racism, classism, and sexism. See also: the equally flawed “great man” theory….

(8) DEATH FROM ABOVE. In the latest episode of Phil Nichols and Colin Kuskie’s Science Fiction 101 podcast, “Fly Me To The Moon”, they review The Apollo Murders.

The author, Chris Hadfield, has flown on the Space Shuttle and on Soyuz, worked on the Russian Mir space station, and commanded the International Space Station. You can’t get more astronaut experience than that.

….If you’ve been tempted by The Apollo Murders, listen to our review to see if it’s the kind of thing that appeal to you. But do be warned: here there be spoilers!

(9) FRIENDLY LOCAL GAME STORE DOCUMENTARY. [Item by Olav Rokne.] Here’s a trailer for an interesting Kickstarter documentary about the largest independent games store on Earth. Now, I might be biased, since I worked there in the 1990s, but Sentry Box is great. One of the best SF book selections anywhere (Gord, the owner handed me my first copy of Lest Darkness Fall … and Steve Jackson and Judith Reeves-Stevens used to visit the store semi-regularly.) 

(10) MEMORY LANE.

1984 – Thirty-seven years ago, The Terminator said “I’ll be back” as the first in that franchise was released.  It was directed by James Cameron who wrote it along with Gale Anne Hurd who also produced it. (She would marry Cameron in 1985.) It starred Arnold Schwarzenegger, Michael Biehn and Linda Hamilton.  Almost all the critics at the time really liked it, though the New York Times thought there was way too much violence. You think? One critic at the time said it had, and I quote, “guns, guns and more guns.” Huh.  Audience reviewers at Rotten Tomatoes give it a very high score of eighty-nine percent. I was surprised that it did not get a Hugo nomination.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 26, 1942 Bob Hoskins. I’ll insist his role as Eddie Valiant in Who Framed Roger Rabbit? is his finest genre role though I suppose Mario Mario in Super Mario Bros. could be said… Just kidding! He’s the Director of The Raggedy Rawney which he also had a role, a strange might be genre film, and he’s Smee in Hook as well. (Died 2014.)
  • Born October 26, 1954 Jennifer Roberson, 67. Writer of of fantasy and historical romances. The Chronicles of the Cheysuli is her fantasy series about shapeshifters and their society, and the Sword-Dancer Saga is the desert based adventure series of sort, but the series I’ve enjoyed is her Sherwood duo-logy that consists of Lady of the Forest and Lady of Sherwood which tells the Robin Hood tale from the perspective of Marian. Her hobby, which consumes much of her time, is breeding and showing Cardigan Welsh Corgis. 
  • Born October 26, 1960 Patrick Breen, 61. He’s Redgick, a Squid, a minor character that appeared in Men in Black. In beloved Galaxy Quest, he’s Quelled, a Thermian who forms a bond with Alexander Dane. It’s a wonderful role. And he has a recurring role as Larry Your-Waiter, a member of V.F.D. on A Series of Unfortunate Events series. 
  • Born October 26, 1962 Faith Hunter, 59. Her longest running and most notable series to date is the Jane Yellowrock series though I’ve mixed feelings about the recent turn of events. She’s got a nifty SF series called Junkyard that’s been coming out on Audible first. Her only award to date is the Lifetime Achievement award to a science fiction professional given by DeepSouthCon. 
  • Born October 26, 1962 Cary Elwes, 57. He’s in the ever-so-excellent Princess Bride which won a Hugo at Nolacon II as Westley / Dread Pirate Roberts / The Man in Black. He also shows up in Dr. Lawrence Gordon in the Saw franchise, and was cast as Larry Kline, Mayor of Hawkins, for the third season of Stranger Things. And no, that’s hardly all his genre roles. 
  • Born October 26, 1963 Keith Topping, 58. It being the month of ghoulies, I’ve got another academic for you. He’s published Slayer: The Totally Cool Unofficial Guide to BuffyHollywood Vampire: An Expanded and Updated Unofficial and Unauthorised Guide to AngelThe Complete Slayer: An Unofficial and Unauthorised Guide to Every Episode of Buffy the Vampire Slayer and one and one for horror film fans in general, A Vault of Horror: A Book of 80 Great British Horror Movies from 1956-1974. He’s also written some novels in the Doctor Who universe, some with Martin Day, and written non-fiction works on the original Avengers, you know which ones I mean, with Martin Day also, and ST: TNG & DS9 and Stargate as well with Paul Cornell. 
  • Born October 26, 1971 Jim Butcher, 50. I really don’t know how far I got in the the Dresden Files, at least though Proven Guilty, and I will go back to it eventually. Who here has read his other series, Codex Alera and Cinder Spires? I see he won a Dragon this year for his Battle Ground novel, the latest in the Dresden Files series.
  • Born October 26, 1973 Seth MacFarlane, 48. Ok, I confess that I tried watching The Orville which he created and it just didn’t appeal to me. For those of you who are fans, why do you like it? I will admit that having it described as trying to be a better Trek ain’t helping. 

(12) COMICS SECTION.

  • Garfield shows we need some better way to handle giant robots. (I imagine Slim Pickens delivering the line in the comic.)

(13) DIOP WINS NEUSTADT. Boubacar Boris Diop is the 27th laureate of the Neustadt International Prize for Literature, which recognizes outstanding literary merit in literature worldwide. Diop is not a genre writer so far as I’m aware, but this major literary award news came out today.

Francophone writer Diop (b. 1946, Dakar, Senegal) is the author of many novels, plays and essays. He was awarded the Senegalese Republic Grand Prize in 1990 for Les Tambours de la mémoire as well as the Prix Tropiques for The Knight and His Shadow. His Doomi Golo was the first novel to be translated from Wolof into English. Toni Morrison called his novel Murambi: The Book of Bones “a miracle,” and the Zimbabwe International Book Fair listed it as one of the 100 best African books of the 20th century.

…The Neustadt Prize is the first international literary award of its scope to originate in the United States and is one of the very few international prizes for which poets, novelists and playwrights are equally eligible. Winners are awarded $50,000, a replica of an eagle feather cast in silver and a certificate.

Boubacar Boris Diop

(14) SCIENCE FICTION IS ALWAYS ABOUT THE PRESENT.  Ali Karjoo-Ravary’s article about the Dune novel and movie’s use of culture is much more nuanced than the headline Slate gives it: “Is HBO’s 2021 adaptation of Frank Herbert’s book a white savior narrative?”

…Part of this is also Herbert’s fault. By writing a story in which he intended to critique “Western man,” Herbert also centered Western man. Often when critiquing something, one falls into a binary that prevents the very third option that so many have been looking for since decolonization. Herbert’s greatest shortcoming can be seen in his analysis of T.E. Lawrence and the deification of leaders in an interview he gave in 1969. He said, “If Lawrence of Arabia had died at the crucial moment of the British … he would have been deified. And it would have been the most terrifying thing the British had ever encountered, because the Arabs would have swept that entire peninsula with that sort of force, because one of the things we’ve done in our society is exploited this power.”

Herbert’s shortcoming is not his idea that “Western man” seeks to exploit the deification of charismatic leaders but that Arabs (or any other non-Western) would fall easily for it. This notion, in fact, builds on a stereotype that motivated European powers to fund propaganda among Muslims during the world wars in the hope that they could provoke a global jihad against one another. Needless to say, that didn’t happen, because Islam isn’t a “warrior religion” whose followers are just waiting for the right trigger to go berserk. Islam’s followers are human and are as complicated and multifaceted as other humans. Herbert should have seen that more clearly….

(15) PILE THESE ON TOP OF MT. TBR. CrimeReads’ Rektok Ross recommends some compelling YA horror and sf novels: “9 YA Survival Thrillers To Get Your Heart Pounding This Fall”.

Life As We Knew It by Susan Beth Pfeffer

During a catastrophic natural disaster, high school sophomore Miranda takes shelter with her family in this heart-stopping thriller. After a meteor knocks the moon closer to earth, worldwide tsunamis demolish entire cities, earthquakes rock the world, and ash from volcanic explosions block out the sun. When the summer turns dark and wintery in northeastern Pennsylvania, Miranda, her two brothers, and their mother are forced to hideout in their sunroom, where they must survive solely on stockpiled food and limited water. Readers will find themselves completely riveted by this story of desperation in an unfamiliar world although there are small slivers of hope, too.

(16) UNCOVERED. Tenth Letter of the Alphabet, in “Inspiration: The Reflection”, compares Will Bradley’s 1894 art with the science fictional cover by Mike Hinge it inspired, published by the 1975 fanzine Algol. Editor Andrew Porter commented there —

…This issue was the first with a full color cover. Working with the artist, Mike Hinge, was a challenge. He was a stickler for details, even demanded that his copyright appear on the front cover, in the artwork! This was also the first issue with the covers printed on 10pt Kromecoate, so the image really bumped up.

I forgot to mention that Hinge also did interior artwork, for the Le Guin piece. Also, all the type on the cover, and the headlines inside was done using LetraSet, which I still have dozens of sheets of, though I haven’t used it in decades.

(17) TOCHI ONYEBUCHI AND NGHI VO. At Essence of Wonder with Gadi Evron, Nghi Vo and Tochi Onyebuchi joined Alan Bond and Karen Castelletti to talk about their 2021 Hugo Awards nominated works, Empress of Salt and Fortune and Riot Baby.

(18) FAMILY TREE. Joe Abercrombie’s response to Nina Melia’s tweet is, “Holy shit I’m Frodo in this metaphor?”

(19) THE WEED OF CRIME. In the Washington Post, Hannah Knowles says that federal prosecutors have charged Vinath Oudomzine for fraudulently obtaining a pandemic-related Small Businsss Administration loan. Prosecutors charge that Oudomosine spend $57,789 on a Pokemon card, which they did not identify. “Vinath Oudomsine used covid-19 business relief to buy a Pokémon card, federal prosecutors say”.

… On July 14, 2020, according to prosecutors, Oudomsine sought a loan for a business that he said had 10 employees and revenue of $235,000 over a year. The next month, court documents state, the SBA deposited $85,000 into a bank account in Oudomsine’s name.

Court filings give few details about the alleged Pokémon card purchase — such as which “Pocket Monster” it carried — simply stating that Oudomsine bought it “on or about” Jan. 8 of this year.

Collectible gaming cards can fetch big sums — this year, one unopened box of first-edition Pokémon cards sold for more than $400,000.

(20) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Halloween Kills Pitch Meeting” on Screen Rant, which has spoilers, Ryan George says Michael Myers managers to escape from the cliffhanger of the previous Halloween movie, even though he’s “an eight-fingered 60-year-old with smoke inhalation.”  Also, Jamie Lee Curtis, despite her billing, is barely in the movie and about half the script is various characters saying, “Evil dies tonight!”

[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, Chris Barkley, Lise Andreasen, Jennifer Hawthorne, Rob Thornton, Michael J. Walsh, Dann, Gadi Evron, Daniel Dern, John King Tarpinian, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Danny Sichel.]