Pixel Scroll 12/7/18 Baby, It’s Scrolled Outside

(1) CARRYING ON. Pat Cadigan continues her series of Dispatches from Cancerland” with “Two Years Of Borrowed Time & I’m Still Not Dead”:

I’d love to write a lot of inspirational entries about still being alive but Buffy the Vampire Slayer was right when she said, ‘The hardest thing in this world is to live in it.’ It’s also the busiest. I’ve been so busy continuing to be alive, I haven’t had time to wax rhapsodic about continuing to be alive.

That my sound sarcastic but in truth, I wish I could. I wish I could tell you that every glitch and inconvenience, every little (and not so little) ache and pain, every boring chore and utterly grey day is a reminder that it’s still great to be alive and to know that I’m going to be alive for some indefinite period of time.

Cancer and I have reached a stand-off that puts it in the background of my life. In fact, it’s so much in the background that I really do forget I have it.

(2) MEXICANX INITIATIVE CELEBRATED. The “Mexicanx Initiative Scrapbook” brings back the memories:

This is a collection of memories, a spontaneous burst of creative works, a celebration of Mexicanx creators and fans, and a documentation of something that started with passion and a vision and grew into so much more.

The Mexicanx Initiative, started by Worldcon 76 Artist Guest of Honor, John Picacio, and sponsored by many wonderful and caring members of the Worldcon community, brought 42 Mexican and Mexican-American people to San Jose, California in August of 2018 to attend Worldcon 76.

Stories, essays, food, poems, art, and so much more were born of this experience….

(3) JEMISIN ON SHORT STORIES. Abigail Bercola discusses How Long ‘til Black Future Month with the author in “A True Utopia: An Interview With N. K. Jemisin” in The Paris Review.

INTERVIEWER

In the introduction to How Long ‘til Black Future Month?, you write that short stories presented a way for you to work out techniques and consider perspectives without the commitment of a novel. What else do short stories offer you that the novel doesn’t?

JEMISIN

Really, that’s the main thing. You’re still putting a pretty hefty mental commitment into making a short story. Even though it’s relatively brief, you still have to come up with a world that’s coherent. I find short stories almost as difficult to write as novels, it’s just less time-consuming. Short stories are hard for me. That’s why the collection is something like fifteen years worth of short stories. They asked me to write several new ones for the collection and I was just like, Not likely to happen. In fact, I can really only write them when I’m between novels because they take away from whatever energy I’m trying to pour into a novel.

(4) GATTS TAKES THE HELM. Giganotosaurus has someone new in charge: “Please Welcome Our New Editor, Elora Gatts”. Departing editor Rashida J. Smith makes the introduction —

I have the distinct joy to hand off the role of editor to Elora Gatts, recently of PodCastle. She is a keen and insightful reader and I can’t wait to read the stories she picks for the zine.

(5) A FUTURE WITHOUT HER. Wow. No sooner did she introduce The Verge’s “Better Worlds” than she was out.

(6) NYRSF’S TWELFTHMONTH. With the aid of C.S.E. Cooney and Carlos Hernandez, the New York Review of SF Readings Series maintains its tradition of having families perform at the December gathering.

The New York Review of Science Fiction Reading Series provides performances from some of the best writers in science fiction, fantasy, speculative fiction, etc.  The series usually takes place the first Tuesday of every month,

C.S.E. Cooney lives and writes in the Borough of Queens. She is an audiobook narrator, the singer/songwriter Brimstone Rhine, a Rhysling Award-winning poet, and the author of World Fantasy Award-winning Bone Swans: Stories (Mythic Delirium 2015).  Her recent short fiction can be found in Sword and Sonnet, an anthology of battle poets, and in Ellen Datlow’s Mad Hatters and March Hares: All-New Stories from the World of Lewis Carroll’s Alice in Wonderland.

Carlos Hernandez is the author of the critically acclaimed short story collection The Assimilated Cuban’s Guide to Quantum Santeria (Rosarium 2016) and most recently, as part of the Rick Riordan Presents imprint of Disney Hyperion, the novel Sal and Gabi Break the Universe (2019).  By day, Carlos is an associate professor of English at the City University of New York, with appointments at BMCC and the Graduate Center, and a game designer and enthusiast.  Catch him on Twitter @writeteachplay.

The event takes place December 11 at the Brooklyn Commons Cafe, 388 Atlantic Avenue, Brooklyn, NY. Doors open at 6:30 — event begins at 7

(7) THE HUMANITY BUREAU. A dystopian thriller set in the year 2030 that sees the world in a permanent state of economic recession and facing serious environmental problems as a result of global warming. The film, starring, Nicolas Cage, Sarah Lind, and Jakob Davies, [correction] was released in April 2018.

(8) NEW CAR SPELL. When John Scalzi went to shift to a higher gear he discovered he’d already used his quota.

And is he getting any sympathy?

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born December 7, 1945 – Clive Russell. Currently Brynden Tully in Game of Thrones. Other genre roles include but are not limited to Helfdane in The 13th Warrior (a retelling of Beowulf), Mr. Vandemar in the Neverwhere series, Lancelot’s Father in King Arthur, Bayard in the Merlin series, Maqueen in the 2010 remake of the classic 1941 film The Wolfman, and Tyr in
    Thor: The Dark World.
  • Born December 7, 1945 – W.D. Richter. As a screenwriter, he was responsible for Invasion Of The Body Snatchers, Dracula, and Big Trouble In Little China. As a director, he brought Late for Dinner and Buckaroo Banzai Across The 8th Dimension to us. He was also co-writer with Stephen King on the adaptation of King’s Needful Things novel to film.
  • Born December 7, 1965 – Jeffrey Wright. Felix Leiter in the James Bond films Casino Royale and Quantum of Solace which I rather liked, Beetee in The Hunger Games films which I’ve not seen, and played the real-life Sidney Bechet in The Young Indiana Jones Chronicles, a series I adored.
  • Born December 7, 1978 – Kristofer Hivju. His first genre role was as Jonas in The Thing, based on the John W. Campbell novella Who Goes There?, and it is a prequel to the 1982 film of the same name by John Carpenter. He next shows up as an unnamed security chief in M. Night Shyamalan’s After Earth. He’s currently Tormund Giantsbane in Game of Thrones.
  • Born December 7, 1979 – Jennifer Carpenter. Ok, usually I pay absolutely no attention to Awards, but she got a nomination for her work as Emily Rose in The Exorcism of Emily Rose. It was the MTV Movie Award for Best Scared-As-Shit Performance. It later got renamed to Best Frightened Performance. She’s apparently only got two other genre credits, both voice work. One is as Black Widow in Avengers Confidential: Black Widow & Punisher which is a horridly-done anime film that I do not recommend; the other is as Selina Kyle aka Catwoman in Batman: Gotham by Gaslight, the animated version of the Mike Mignola Elseworld series which I strongly recommend. Possibly the Limitless series she was in is genre, possibly it isn’t…
  • Born December 7, 1989 – Nicholas Hoult. His first genre role was as Eusebios in Clash of the Titans which was a 2010 remake of of the 1981 film of the same name. He went on to play The Beast aka Hank McCoy in X-Men: First Class and X-Men: Apocalypse. Other roles included that of Jack in Jack the Giant Slayer, followed by a role in Mad Max: Fury Road as Nux, and he’s slated to be in the forthcoming X-Men: Dark Phoenix.

(10) OSCAR BUZZ. The Washington Post’s Ann Hornaday interviews A Quiet Place director John krasinski, who says his film is worthy of an Oscar and voters should think of it as more substantial than the typical horror movie: “John Krasinski turned ‘A Quiet Place’ into a surprise hit. So how about an Oscar?”

John Krasinski knew he had a potential hit on his hands when he attended a test screening for “A Quiet Place.” A horror movie about a family battling largely unseen creatures who attack at the slightest noise, the film transpires with no verbal dialogue: The characters communicate with American Sign Language, or through meaningful glances and gestures. This wasn’t Krasinski’s first effort as a director; still, he and his wife, Emily Blunt — who play the parents in “A Quiet Place” — weren’t sure audiences would accept a genre picture that harked back to cinema’s silent roots more than its special effects-driven present.

(11) FUTURE PAST. Vintage Everyday remembers — “Closer Than We Think: 40 Visions of the Future World According to Arthur Radebaugh”.

From 1958 to 1962, illustrator and futurist Arthur Radebaugh thrilled newspaper readers with his weekly syndicated visions of the future, in a Sunday strip enticingly called “Closer Than We Think”.

Radebaugh was a commercial illustrator in Detroit when he began experimenting with imagery—fantastical skyscrapers and futuristic, streamlined cars—that he later described as “halfway between science fiction and designs for modern living.” Radebaugh’s career took a downward turn in the mid-1950s, as photography began to usurp illustrations in the advertising world. But he found a new outlet for his visions when he began illustrating a syndicated Sunday comic strip, “Closer Than We Think,” which debuted on January 12, 1958—just months after the Soviet Union launched Sputnik—with a portrayal of a “Satellite Space Station.” …


15. Electronic Home Library

The media library of the future was going to be rich and varied. But there’s something a bit off about this prediction from 1959. Maybe it’s the film canisters lining the shelves. Or maybe it’s the 3D-TV sans glasses that Pop is watching. Or maybe it’s the fact that Mother is reading a book on the ceiling in what looks like the most uncomfortable way to read a book of all time.

(12) TREK BEHIND THE SCENES. Titan Comics has released Star Trek: Epic Episodes, a special collection of the best of Star Trek Magazine focusing on the stunning 2-part episodes and landmark episodes of both Star Trek: The Original Series and Star Trek: The Next Generation. Presenting cast and crew interviews, guides, behind the scenes exclusives and revelations on the making of everyone’s favorite epic episodes

(13) SPEAK, MEMORY.

(14) VADER WHIPLASH. [Item by Mike Kennedy.] He’s alive! He’s dead! He’s alive! He’s Daaaaaaaaarth Vaderrrrrrrrr! (Gizmodo/io9: “Marvel Found a Replacement for Chuck Wendig’s Scrapped Darth Vader Comic Surprisingly Quickly”)

In the space of weeks, Marvel went from proudly announcing a new Darth Vader miniseries at New York Comic Con to scrapping the whole thing entirely. Now, less than a month later, they’ve already found a replacement.

Marvel has announced—via the official Star Wars websiteVader: Dark Visions, a new limited miniseries that will launch in March. That’s just two months after the Chuck-Wendig-penned Shadow of Vader miniseries was set to originally debut. Instead, days after its announcement in October, Marvel fired the writer from the project three issues in, with Wendig citing internal concern at the publisher over his political commentary on social media as a primary reason for his exit.

(15) TRAVELING MUSIC. Brian May, former lead guitarist for Queen and current astrophysicist, is writing a soundtrack for the New Horizons flyby of Ultima Thule scheduled for December 31/January 1 — Parabolic Arc has the story: “Brian May Creating New Music for New Horizons Ultima Thule Flyby”.

View this post on Instagram

TO BE CONTINUED !!! NEW !!! New Horizons ! Launched nearly 13 years ago from Cape Canaveral, this NASA probe made history with its spectacular fly-by of Pluto in 2015. Now it’s on course to fly close to Kuiper Belt Object (KBO) Ultima Thule on New Year’s Day – 1st January 2019. This 60 second clip is the first of three brief tasters of my own new “New Horizons“ track, which will pay homage to this mission. We will reveal the song in full on 1st Jan. Visit the official NASA website at http://pluto.jhuapl.edu/ Image credit: NASA and APL. And watch this Space !!! Thanks to the mighty John Miceli for epic drums on this track. Thanks to the legendary Don Black for helping me write it. Also to my co-producers and engineers Justin Shirley-Smith and Kris Fredriksson. And respects to Kris for putting this clip together. And. Special thanks to NH Project Instigator Alan Stern. Bri

A post shared by Brian Harold May (@brianmayforreal) on

(16) SOMETHING DIFFERENT. Paul Weimer finds new frontiers of fantasy in “Microreview [book]: Empire of Sand by Tasha Suri” at Nerds of a Feather.

Empire of Sand is an immersive and compulsively readable epic fantasy that draws on traditions and cultures and milieus, the Mughal Empire, a culture and heritage hitherto rarely seen in the Western fantasy tradition.

(17) HOW TO FIND THEM. Todd Mason’s book review link post, “Friday’s “Forgotten” Books (and Short Fiction, Magazines, Comics and more): the links to the reviews: 7 December 2018″, will get you connected.

This week’s books, unfairly (or sometimes fairly) neglected, or simply those the reviewers below think you might find of some interest (or, infrequently, you should be warned away from); certainly, most weeks we have a few not at all forgotten titles” —

  • Frank Babics: The Reality Trip and Other Implausibilities by Robert Silverberg
  • Les Blatt: Artists in Crime by Ngaio Marsh
  • Elgin Bleecker: Lie Catchers by Paul Bishop
  • Brian Busby: Maclean’s, December 1918, edited by Thomas B. Costain (and featuring Robert Service’s poem “The Wife”)
  • Alice Chang: All Your Worth by Elizabeth Warren and Amelia Warren Tyagi
  • Martin Edwards: On Suspicion by “David Fletcher” (Dulan Barber)
  • Peter Enfantino and Jack Seabrook: DC war comics: December 1973 and the best of ’73
  • Will Errickson: Winter Wolves by Earle Westcott
  • Curtis Evans: Scared to Death and Death in the Round by Anne Morice
  • Paul Fraser: New Worlds, June 1965, edited by Michael Moorcock and Langdon Jones
  • Barry Gardner: Beggar’s Choice by Jerry Kennealy
  • John Grant: The Black Angel by Cornell Woolrich; A Grave Mistake by Ngaio Marsh; The House by the Lock by A. M. Williamson
  • James Wallace Harris: Friday by Robert Heinlein
  • Rich Horton: Where I Wasn’t Going (aka Challenge the Hellmaker) by Walt and Leigh Richmond; Absolute Uncertainty (and other stories) by Lucy Sussex; some short fiction by John Crowley
  • Jerry House: Ahmed and the Oblivion Machines by Ray Bradbury
  • Kate Jackson: Courtier to Death by “Anthony Gilbert” (Lucy Malleson); Murder by Matchlight by E. C. R. Lorac
  • Tracy K: Iron Lake by William Kent Krueger
  • Colman Keane; The First Short Story Collection by “Anonymous-9” (Elaine Ash)
  • George Kelley: The Great SF Stories 4 edited by Isaac Asimov and Martin H. Greenberg
  • Joe Kenney: Glimpses by Lewis Shiner
  • Margot Kinberg: The Invisible Onesby Stef Penney
  • Rob Kitchin: Red Plenty by Francis Spufford
  • B.V. Lawson: Five Passengers from Lisbon by Mignon G. Eberhart
  • Evan Lewis: Dark Valley Destiny: The Life of Robert E. Howard by L. Sprague de Camp, Catherine Crook de Camp and Jane Whittington Griffin; Carmine Infantino et al.: “Charlie Chan: The Hit and Run Murder Case” (Charlie Chan, June/July 1948)
  • Jonathan Lewis: The Boys from Brazil by Ira Levin
  • Steve Lewis: Behold, Here’s Poison by Georgette Heyer; Blood Shot by Sara Paretsky; “Double Dare” by Robert Silverberg (Galaxy Science Fiction, November 1956); “The Silver Mask Murders” by Erle Stanley Gardner (Detective Fiction Weekly, 23 November 1935)
  • Mike Lind: The Moving Target by “Ross Macdonald” (Kenneth Millar)
  • Gideon Marcus: Gamma, July 1963, edited by Charles Fritch
  • Todd Mason: some 1963 and 1973 fantasy magazines: Gamma, July 1963, edited by Charles Fritch; Magazine of Horror, August 1963, edited by Robert A. W. Lowndes; Fantastic, September 1973, edited by Ted White; The Magazine of Fantasy and Science Fiction, August 1973, edited by Edward Ferman; The Haunt of Horror, August 1973, edited by Gerard F. Conway
  • Francis M. Nevins: Q.E.D., Hell-Gate Tides and Dead End Street by [Emma] Lee Thayer
  • John F. Norris: Death at the Wheel by Vernon Loder
  • John O’Neill: The Fungus by “Harry Adam Knight” (John Brosnan and Leroy Kettle, in this case)
  • Matt Paust: Death of a Dissident by Stuart Kaminsky
  • James Reasoner: A Day Which Will Live in Infamy edited by Brian Thomsen and Martin H. Greenberg
  • Richard Robinson: Stakeout on Page Street by Joe Gores
  • Gerard Saylor: The Zealot by Simon Scarrow
  • Jack Seabrook: “And the Desert Shall Blossom” by Loren D. Good (Ellery Queen’s Mystery Magazine, March 1958)
  • Steven H. Silver: “The Tweener” by Leigh Brackett; “Worlds within Worlds” by Roger Dee; “The Power of Kings” by John DeCles; “Intaglio” by Kurt R. A. Giambastiani; “In the Bosom of His Family” by John Dalmas; “Death in Transit” by Jerry Sohl; “Escape to Other Worlds with Science Fiction” by Jo Walton
  • Kerrie Smith: The Honourable Thiefby Meaghan Wilson Anastasios
  • Kevin Tipple: Snowjob by Ted Wood
  • “TomCat”: The Strawstack Murder Case by Kirke Mechem
  • Danielle Torres: Singing in Tune with Time: Stories and Poems About Ageingedited by Elizabeth Cairns
  • Prashant Trikannad: Timequake by Kurt Vonnegut
  • David Vineyard: The Darkness at Windon Manor by “Max Brand” (Frederick Faust)
  • A.J. Wright: the work of W. C./William Chambers Morrow
  • Matthew Wuertz: Galaxy Science Fiction, May 1954, edited by H. L. Gold

(18) ROCKET MAN. iCollector is offering this item for another six days — “Bill Campbell “Rocketeer” costume ensemble with hero metal rocket pack”. They’re looking for a $125,000 bid.

Extraordinary ensemble includes the hero metal Cirrus X3 Art Deco-styled “flame” rocket pack with leather harness and buckles, glove with built-in ignition trigger, signature leather jacket, fireproof stunt jodhpur pants, and a production made signature Rocketeer helmet.

(19) SONGS FOR SCROLL SEASONS. Matthew Johnson reworked a carol in comments:

Hark! The herald pixels scroll
“The comment section’s free of trolls!
Double fifths and sevens filed
Dog and shoggoth reconciled.”
Joyful, all you Filers rise,
For new books are on half-price;
When a typo you proclaim
Of libations appertain.
Hark! The herald pixels file,
Rotating the WABAC dial,
“From Mount Tsundoku’s overlook
I see cats sitting on my books.”

And I’m told Anna Nimmhaus has been singing:

Pixel scroll,
Oh my little pixel scroll,
I’ll comment to you.

You were my first love,
And you’ll be my fifth love,
You won’t lack for egoboo,
I’ll comment to you.

In this whole world
Each day one scroll’s unfurled,
Let me help it unfurl.
I’ll comment to you.

Possibly inspired by the Shirelles’ hit song “Soldier Boy” (F. Green & L. Dixon, 1962)

(20) CALL ME WHATSISNAME. Could it be… Moby Dick in space? In theaters December 14.

When a deep space fishing vessel is robbed by a gang of pirates, the Captain (Holt McCallany) makes a daring decision to go after a rare and nearly extinct species. On the hunt, his obsession propels them further into space and danger as the crew spins into a downward spiral of mutiny and betrayal.

 

[Thanks to Paul Di Filippo, Steven H Silver, Chip Hitchcock, Michael Toman, John King Tarpinian, JJ Cat Eldridge, Martin Morse Wooster, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 9/1/18 Knives, Pixels, Files, Scrolls Of Energy Raved Against The Screens Of The Dentless

(1) SPIDER STORY. Worldcon 76 GoH Spider Robinson’s hometown paper profiled him before the convention: see “Spider Robinson’s star shines in Worldcon’s sci-fi universe” in the Bowne Island Undercurrent.

In the waning charge cycles of a 12-year-old MacBook Pro, Spider Robinson is typing out his autobiography.

“I’m writing the serious, logical case that I’m the luckiest [person] who’s ever lived,” he said.

“My luck ran out, but all luck does.”

It’s extraordinary that a man who lost both his wife and daughter prematurely can still count himself as lucky.

But Robinson concentrates on the joy that his family and career brought to his life.

The well-known science fiction writer, winner of three Hugo awards and a Nebula award, has lived on Bowen Island since 2001.

This week, Robinson is one of the guests of honour at Worldcon, the 76th World Science Fiction Convention, this year held in San Jose.

(2) CANON FIRE. Foz Meadows’ “Trash and Treasure” column for The Book Smugglers does a recap on Worldcon 76, including thoughts inspired by the Author vs Fan Ownership panel there wasn’t enough time to unpack:

 …Afterwards, multiple audience members asked for my thoughts about the recent trend in claims by some fandom extremists that fans literally own the stories they love, whatever those stories might be, just by straight-up virtue of passion.

To give an example of two of the more toxic examples of this sense of fannish entitlement, taken from both ends of the fan-political spectrum, consider both the MRA Star Wars fans who tried to crowdsource funding for a new, lady-free version of The Last Jedi, and the lone Voltron: Legendary Defender fan who tried to blackmail Studio Mir into making their gay ship canon. In both cases, there’s a belief that wanting a personal, idealised, specific version of the narrative to exist in canon should not only trump the plans of the creators, but effectively constitute a shouted BECAUSE REASONS! override of their actual, legal ownership….

(3) MAINTAINING TWEET SILENCE. Is Wil Wheaton coming back to Twitter? Eh, no. He turned it off one day in August, for reasons he explains in “The world is a terrible place right now, and that’s largely because it is what we make it.” Then he thought he found another social media home, but the administrators wearied of the flood of complaints (see post for explanation) and he left there too.

As most of you know, I deactivated my Twitter account earlier this month. It had been a long time coming, for a whole host of reasons, but Twitter’s decision to be the only social network that gives Alex Jones a platform to spew hate, hurt innocent people, and incite violence was the final straw for me. But I haven’t regretted leaving for even one second. Having that endless stream of hate and anger and negativity in my pocket wasn’t good for me (and I don’t think it’s good for anyone, to be honest).

I was on Twitter from just about the very beginning. I think I’m in the first couple thousand accounts. I remember when it was a smallish group of people who wanted to have fun, make jokes, share information and tips on stuff that was interesting, and oh so many pictures of our pets. It was awesome.

It started to get toxic slowly at first, then all at once, starting with the misogynist dipshits who were behing the gate-which-shall-not-be-named. That was clearly a turning point for Twitter, and it never really recovered from it. I watched, in real time, as the site I loved turned into a right wing talk radio shouting match that made YouTube comments and CSPAN call-ins seem scholarly. We tried for a couple of years to fight back, to encourage Twitter to take a stand against bad actors (HA HA LIKE ME BECAUSE I AM A BAD ACTOR RIGHT YOU GOT ME HA HA HA). Twitter doesn’t care about how its users are affected by themselves, though. Twitter cares about growth and staying on the good side of President Shitler’s tantrums….

(4) LIGHT IS THE BEST DISINFECTANT. An event called KekCon set out to publicize itself at Dragon Con and drew criticism on social media. Lura Groen’s thread starts here.

Groen, who received at least one threat after tweeting her thread, reports the KekCon reps left Dragon Con.

(5) PRESCRIPTION FOR ENTERTAINMENT. SF Concatenation’s Jonathan Cowie thinks Filers may enjoy The Third Pill, which BBC Radio 4 has just put on iPlayer.

The Third Pill by James O’Neill

Greg works in children’s publishing but feels middle aged and out of touch. Then something pops up on his computer that will transform his life. A comedy about finding that elusive elixir of youth.

Surely it is a scam, or is it?  And if it works, what are the consequences….

(6) A STROLL DOWN MEMORY ROAD. “A graphic tale: the visual effects of Mad Max: Fury Road” is a nuts-and-bolts of how many of the shots were built over bits of reality. From 2015 – but may be news to you!

But the intense Namibian shoot, and further filming in Sydney, was only half the story in the creation of Fury Road’s insane stunt action and post-apocalyptic landscapes. Hundreds of visual effects artists, led by overall visual effects supervisor Andrew Jackson, would spend considerable time crafting more than 2000 visual effects shots and helping to transform the exquisite photography into the final film that at times feels almost like a single car chase. Even more plate manipulation would also be carried out by colorist Eric Whipp, weaving in a distinctive graphic style for the film with detailed sky replacements and unique day for nights.

(7) A STACK OF REVIEWS, AND A STACK OF WAX. Links to the reviews below at Patti Abbott’s blog: “Friday’s Forgotten Books, August 31, 2018”.

  • Mark Baker. LOST LEGACY, Annette Dashofy
  • Yvette Banek, MURDER MAKES MISTAKES, George Bellairs
  • Les Blatt, AND DANGEROUS TO KNOW, Elizabeth Daily
  • Bill Crider, EPITAPH FOR A TRAMP, David Markson
  • Kate Jackson at CrossExaminingCrime, TILL DEATH DO US PART, John Dickson Carr
  • Martin Edwards, THE EYE OF THE BEHOLDER, Minette Marrin
  • Curtis Evans, THE MAN WITH TWO WIVES, “Patrick Quentin”
  • Rich Horton, THE FOUR FEATHERS, A. E. W. Mason
  • Jerry House, ELECTION DAY 2084, ed. Isaac Asimov and Martin H. Greenberg
  • George Kelley, THE BEST SCIENCE FICTION STORIES AND NOVELS, 9th SERIES, T.E. Dikty and Earl Kemp
  • Margot Kinberg, FACES OF THE GONE, Brad Parks
  • Rob Kitchin, THE SHINING GIRLS, Lauren Beukes
  • Kate Laity, SWITZERLAND, Joanna Murray-Smith
  • Evan Lewis, WATERFRONT FISTS, Robert E. Howard
  • Steve Lewis, SEEING IS BELIEVING, Carter Dickson
  • Todd Mason, 1960s audio recordings: THE ZOO STORY, Edward Albee; NO EXIT, Jean-Paul Sartre (translated by Paul Bowles); LUV, Murray Schisgal; JUST SO STORIES, Rudyard Kipling
  • Matt Paust, LAST BUS TO WOODSTOCK, Colin Dexter
  • James Reasoner, THE WATER BEND FEUD, William MacLeod Raine
  • Richard Robinson, A FALL OF MOONDUST, Arthur C. Clarke
  • Kevin Tipple, BAD LITTLE FALLS, Paul Doiron
  • Tomcat, FLASHPOINT, John Russell Fearn
  • TracyK, DARK PASSAGE, David Goodis

Links to online archives of some of the recordings under discussion at Todd Mason’s post: “THE ZOO STORY, Edward Albee; NO EXIT, Jean-Paul Sartre (translated by Paul Bowles); LUV, Murray Schisgal; JUST SO STORIES, Rudyard Kipling”

(8) EC COMICS REMEMBERED. The Society of Illustrators in New York City will exhibit “Tales from the Crypt: The Revolutionary Art of MAD and EC Comics” from September 5 to October 27, 2018.

For the first time in NYC, an exhibition of the EC comic book art that struck fear in the hearts of arbiters of good taste will see the light of day. Featured are more than 70 large original comic book art pages by comic art masters. On display September 5 through October 27 in the Hall of Fame Gallery….

A big business in the fifties, as many as 100 million comic books were sold monthly. Although the superhero and funny animal titles were popular in the forties the appetite had turned to subjects that reflected current trends and interests.

Perhaps the most prominent comic book publisher at the time was Entertaining Comics (EC), led by William M. Gaines. An aspiring high school teacher, Gaines found himself the 25 year old head of a struggling publishing company when his father died in a boating accident. Gaines knew little about the industry but hired young, creative editor/artists Al Feldstein and Harvey Kurtzman to test new formats and launched a broad slate of revolutionary titles covering science fiction, horror, crime, war, suspense and humor.

The EC team would later be called among the most talented assembly of comic book artists and writers the industry had ever seen. While quickly copied because of their unprecedented success, EC stories were markedly different from the competition. They were expertly illustrated, written for an intelligent audience and offered an unexpected twist ending. Critics would point to the violence depicted in the crime and horror titles or the mature nature of the story subjects. Gaines had assumed an intelligent audience comprised of young adults and older readers and not children who would otherwise find little meaning in the work.

Titles presented in the exhibit include Aces HighCrime Suspenstories, Crypt of Terror, Extra!, Haunt of Fear, Frontline Combat, Impact, Piracy, MAD, Two-Fisted Tales, Tales From the Crypt, The Vault of Horror, Weird Fantasy, Weird Science, Weird Science Fantasy, MAD 3-D art and more. Artists featured include Johnny Craig, Reed Crandall, Jack Davis, Will Elder, George Evans, Al Feldstein, Frank Frazetta, Graham Ingels, B. Krigstein, Harvey Kurtzman, Joe Orlando, John Severin, Marie Severin, Angelo Torres, Al Williamson and Wally Wood.

(9) TODAY IN HISTORY

  • September 1, 1902A Trip to the Moon (Le Voyage dans la Lune) is directed by Georges Méliès is released.
  • September 1, 1954Tobor the Great premiered.

(10) TODAY’S BIRTHDAYS

[Compiled by Cat Eldridge.]

  • Born September 1, 1885 – Edgar Rice Burroughs. Pulp writer (and no I’m not being disparaging with my use of that term) of many series of which I’ll single out the BarsoomPellucidar, Tarzan and Venus series.  Both Rudyard Kipling and Ray Bradbury considered him to be an influential and entertaining writer. Edgar Hamilton in an interview said once that “We sort of grew up on Edgar Rice Burroughs.”
  • Born September 1 — Diana Pleasance Case Gillon, 103. Only one novel, The Unsleep, but noted here for one hundred and three years old! Or at least that’s what three sources think.
  • Born September 1 – C.J. Cherryh, 76. Author of several major series set in different settings including the Alliance-Union universe, the Foreigner universe, the Russian stories, Heroes in Hell, the Fortress universe and Ealdwood. I think my favorites are the Russian stories, particularly Rusalka which was a Locus Fantasy Award nominee. Downbelow Station and Cyteen both won Hugo Awards as did her short story titled “Cassandra.”
  • Born September 1 – Timothy Zahn, 66. I’ll admit that I’ve not read anything by him on and only know of him by his work in the Star Wars Universe. His other work appears largely to be milsf and largely on Baen Books.
  • Born September 1 – Brad Linaweaver. His Moon of Ice novella was a Nebula Award finalist and the novel length version won a Prometheus Award

(11) COMICS SECTION.

  • Frank and Ernest decide it’s better to go with their second favorite name for a new invention.

(12) A COOKIE WITH MORE BITE TO IT. Oreo has introduced two new cookie flavors — wasabi and hot chicken wing. For now, they are only available in China.

(13) A LITTLE LIST. Kendall has read the comments here before and introduced this as “Another list for people to slam!”

Unbound Worlds, who posted a ‘100 Best Fantasy Novels of All Time’ list a while back, now has a 100 Best Sci-Fi Books of All Time list. As before, they’re clear they just asked staffers for top sci-fi recs…

Hey, there are a bunch of books on this list I like, and if I’ve read 41 of them, your count probably will be even higher.

(14) IT’S NOT EPIC BUT IT IS FANTASY. Camestros Felapton reviews Matt Groening’s new series for Netflix, Disenchantment.

A new series from Matt Groening of Simpsons and Futurama fame was bound to generate some excitement. Using an epic fantasy/fairytale faux-medieval setting sounds like a fun premise for the kind of genre subverting humour that worked for Futurama. I’m up to the last two episodes and well, it isn’t great. It isn’t terrible but it isn’t great.

There are two issues:

  • Quite a lot of Futurama wasn’t that great either but your brain edits in the best bits.
  • Disenchantment leans too much on standard jokes and tropes used in its predecessors, making the show feel less fresh and novel.

It gets better, mainly because the characters start working on you and sometimes because of basic plot development.

(15) DOCTORDONNA IS IN. Sometimes the unexpected happens at Dragon Con. Democratic candidate for governor of Georgia Stacey Abrams encountered actress Catherine Tate.

(16) SIDEBAR. Cat Rambo found comic relief at the SFWA business meeting during Dragon Con.

(17) RUGRATS. Airboy notes, “There was a ‘weird news’ story on the front page of August 31’s Wall Street Journal on the odd carpet design of the Marriott Hotel in downtown Atlanta that is one of the DragonCon Hotels.  It had an odd carpet that was eventually removed due to age.  Some fans obsessed over it creating dresses, camo outfits, and eventually a group of them marched together in the annual DragonCon parade in downtown Atlanta.”

The article is online behind a paywall at the Wall Street Journal, “‘We’re Spending Our Hard-Earned Money to Dress Up Like Carpet.’ The Tight-Knit World of Rug Fans”.

These are the people who are obsessed with carpet and rug patterns in hotels, airports and office buildings; Dragon Con at the Marriott

Here’s a lot more material (free!) at the Dragon Con Eternal Members site: “Marriott Carpet Pattern”, including the famous photo of two prone cosplayers whose camo military uniforms blend almost perfectly with the rug.

(18) IN CASE YOU’RE CURIOUS. I’d never seen a photo of Dragon Con CEO Pat Henry before (not that they aren’t available). Writers of the Future’s John Goodwin posted a photo of them together.

He also posted a photo of the Writers of the Future panel with Contest judges Kevin J. Anderson, Robert J. Sawyer, Mike Resnick and Jody Lynn Nye.

(19) MORE CON HEALTH ADVICE. In advance of this weekend’s PAX West convention, the Seattle’s Public Health Insider warned con crud is a thing: “Gaming, Cosplay, and Con Crud, Oh My!”

PAX West opens on Friday and will bring tens of thousands of people to downtown Seattle. Be prepared for legions of cosplayers and badge wearers in downtown, even if you aren’t attending.

So… what is “con crud”?

“Con crud” is an artificial term that refers to the common cold, mild flu, or other non-threatening illness that may strike towards the end of a convention, or soon after leaving. You might have also heard it called PAX pox, festival plague, or even nerd flu.

The balance of the post advises ways to avoid getting it. [Via Ron Oakes.]

(20) AIR APPARENT. Fixing a flat: “Astronauts tackle air leak on International Space Station”.

Astronauts on the International Space Station (ISS) are having to deal with an air leak from a possible collision.

It has been traced to a small hole in a capsule that was used to deliver a new crew to the laboratory 400km (250 miles) above the Earth in June.

It is thought the damage was caused by the impact of a high-speed rocky fragment flying through space.

(21) BACK ON THE RAILS. BBC tells “How the Hogwarts Express was saved from a Welsh scrapyard”.

Emerging from the clouds of steam engulfing platform nine and three-quarters, the gleaming Hogwarts Express commands a special place in the hearts of Harry Potter fans.

Yet there was a time when the only place this engine could call home, was a south Wales scrapyard where it lay rotting among the hulks of a bygone era.

That is because the locomotive that entranced millions of Potter viewers and now sits proudly in Warner Brothers Studios, was once earmarked to be dismantled for the furnace.

Written off, abandoned and forgotten for 17 years, this lowly engine’s final destiny was originally far from Hogwarts School of Witchcraft and Wizardry.

(22) MORE THAN JUST ONLINE. “Telepresence: ‘My robot makes me feel like I haven’t been forgotten'”. – about helping shut-ins keep up with school.

Internet-connected robots that can stream audio and video are increasingly helping housebound sick children and elderly people keep in touch with teachers, family and friends, combating the scourge of isolation and loneliness.

Zoe Johnson, 16, hasn’t been to school since she was 12.

She went to the doctor in 2014 “with a bit of a sore throat”, and “somehow that became A&E [accident and emergency],” says her mother, Rachel Johnson.

(23) CASTING CONTROVERSIES. ScreenRant analyzes “10 Superhero Castings That Caused Fan Backlash.”

(24) ALMOST TIME. The House with a Clock in Its Walls – in theaters September 21.

In the tradition of Amblin classics where fantastical events occur in the most unexpected places, Jack Black and two-time Academy Award® winner Cate Blanchett star in The House with a Clock in Its Walls, from Amblin Entertainment. The magical adventure tells the spine-tingling tale of 10-year-old Lewis (Owen Vaccaro) who goes to live with his uncle in a creaky old house with a mysterious tick-tocking heart. But his new town’s sleepy façade jolts to life with a secret world of warlocks and witches when Lewis accidentally awakens the dead. Based on the beloved children’s classic written by John Bellairs and illustrated by Edward Gorey, The House with a Clock in Its Walls is directed by master frightener Eli Roth and written by Eric Kripke (creator of TV’s Supernatural). Co-starring Kyle MacLachlan, Colleen Camp, Renée Elise Goldsberry, Vanessa Anne Williams and Sunny Suljic, it is produced by Mythology Entertainment’s Brad Fischer (Shutter Island) and James Vanderbilt (Zodiac), as well as Kripke.

 

[Thanks to John King Tarpinian, JJ, Chip Hitchcock, Jonathan Cowie, Cat Eldridge, Todd Mason, Mike Kennedy, Martin Morse Wooster, Carl Slaughter, and Andrew Porter for some of these stories. And belated thanks to Joanna Rivers for an item the other day. Title credit goes to File 770 contributing editor of the day Jack Lint.]

Pixel Scroll 8/10/18 This Pixel Scroll Title Has Been Used Before

(1) TARDIS MAKEOVER. Doctor Who Today has this leaked photo of a new TARDIS design.

(2) ANOTHER BIG $ALE. The Hipsters of the Coast report that the “Art for Chandra, Torch of Defiance SDCC Promo Sells for $35,000”.

Chandra, Torch of Defiance, the third of the five San Diego Comic Con promotional planeswalker paintings by Terese Nielsen, has sold for $35,000. The final bid all but doubled in the closing minutes of the auction that ended on eBay Sunday evening.

…Chandra, Torch of Defiance blew past the final prices of Liliana, Untouched by Death ($22,950) and Nissa, Vital Force ($25,600), eclipsing the highest total by almost $10,000. I did not expect Chandra to surpass these two, and I’m not sure that anyone, even Terese herself, might have guessed she would either.

(3) CHICAGO 8. The Book Smugglers feature an Uncanny Kickstarter promo about Chicago by the hosts-in-waiting of Uncanny TV: “Eight Nerdy Chicago People and Organizations We Love By Matt Peters and Michi Trota (Uncanny Magazine Kickstarter shout out)”

Our home nerd community in Chicago has countless examples of nerdy groups and individuals using their own geeky passions to inspire and shape incredibly diverse and wide-ranging projects. Their work reminds us why stories matter, and wanting to talk with creators like them and hear their own stories is a primary reason we’re so excited for the potential of Uncanny TV. Chicago is one home among many to geeky creators from all walks of life, and our hope is that Uncanny TV will have a chance to visit as many of those communities as possible. We couldn’t possibly name all of the nerds and geeks we know whose art and activism are fueled by their geeky loves, but here are eight based in Chicago who provide a snapshot of the inspiring work being created in fandom.

Acrobatica Infiniti Circus

“Cosplay” and “circus” aren’t two things we would have thought of putting together before but thankfully someone did! Acrobatica Infiniti Circus, also known as “the Nerd Circus,” was created several years ago by Tana “Tank” Karo, who had a background in dance and design but had wanted to create something that allowed her to merge her love for circus and geekery. The resulting collaboration among extraordinarily talented and undeniably nerdy jugglers, acrobats, aerial artists, contortionists, and object manipulators is delightful and surprising each time: Leeloo performing mind-boggling contortionist poses, Totoro juggling sootballs, Harley Quinn on a trapeze. The fact that the group has a rotating cast allows the performers to stay fresh and provides continuous opportunities for new performers to come in and join the show. And rather than approaching the performance scene as a competition, AIC often works in collaboration with similar performance groups to encourage more artistic development and positive ties within the community….

(4) LITTLE-KNOWN WORLDCON BUSINESS. I must have missed this on my first read-through of the agenda. The thread starts here.

(5) 2007 BUSINESS MEETING. Kevin Standlee has uploaded four videos of the 2007 WSFS Business Meeting in Yokohama.

It took him awhile to do it. Kevin says, “My upload bandwidth at home is so poor that I could only upload one file per night overnight.”

(6) SIMULATING MARS. NBC News posts a video (“The human factor: What it will take to build the perfect team for traveling to Mars”) about a simulated mission to Mars that didn’t turn out as planned.

Hi-SEAS in Mauna Loa, Hawaii is a simulated Mars habitat that’s meant to facilitate the study of human behavior. A group of four-to-six participants is selected from a pool of hundreds of astronaut aspirants to make up the crew for each mission. So far five missions have been conducted successfully. Mission VI began earlier this year but things didn’t go exactly as planned.

The Atlantic thoroughly reviews what happened in the article “When a Mars Simulation Goes Wrong”.

… In February of this year, the latest batch of pioneers, a crew of four, made the journey up the mountain. They settled in for an eight-month stay. Four days later, one of them was taken away on a stretcher and hospitalized….

(7) ACROSS THE WALL. Cora Buhlert writes from the divided Germany of 1963 at Galactic Journey“[August 10, 1963] The Future in a Divided Land, Part 3 (An Overview of Science Fiction in East and West Germany)”.

In the last two entries in this series, I gave you an extensive overview of West German science fiction. Now let’s take a look across the iron curtain at what is going on in East Germany. For while the inner German border may be nigh insurmountable for human beings, mail does pass through. A lot of us have family in the East, including myself, and are in regular contact with them via letters and parcels. Parcels from West to East Germany usually contain coffee, nylons, soap, canned pineapple and all sorts of other consumer goods that are hard to come by in Communist East Germany.

Unfortunately, we cannot send books and magazines, cause they will probably be seized at the border for fear of “dangerous” ideas spreading. East Germans, on the other hand, are free to send books and magazines to relatives and friends in the West. And since my love for reading in general and for “space books” in particular is well known to my aunts in East Germany, the occasional science fiction novel from beyond the iron curtain has found its way into my hands.

…However, the most exciting of those voice from beyond the iron curtain is not German at all, but a Polish writer, Stanislaw Lem, whose work I encountered via East German translations. I particularly enjoy Lem’s humorous stories about the adventures of a space traveller named Ijon Tichy, which have been collected as Die Sterntagebücher des Raumfahrers Ijon Tichy (The Star Diaries of the Spaceman Ijon Tichy).

Lem’s more serious works include the novels Eden with its fascinating portrayal of a truly alien society, Planet des Todes (Planet of Death), which was even filmed in 1960, and the generation ship story Gast im Weltraum (Guest in Space), which is currently being filmed in Czechoslovakia.

(8) MASSIVE ROUNDUP. Todd Mason has an ambitious collection of more than three dozen links to recent reviews and essays in “Friday’s ‘Forgotten’ Books and more: the links to the reviews” at Sweet Freedom.

(9) STEAMIN’ WORLDCON. Included in The Steampunk Explorer’s “Steampunk Digest – August 10, 2018”:

Worldcon, the World Science Fiction Convention, will be held August 16-20 in San Jose, within shouting distance of The Steampunk Explorer’s International Headquarters. The program lists several steampunk-themed panels, including “Carriger & Adina Talk Steampunk (tea and silliness optional)” with authors Gail Carriger and Shelley Adina; “The Victorian & Edwardian Tech Tree” with Steve Frankel; and “Defining Steampunk” with Elektra Hammond, Anastasia Hunter, William C. Tracy, Diana M. Pho, and Jaymee Goh. We plan to be there, and for the benefit of attendees, we’ll be posting stories about steampunk-related attractions in San Jose and elsewhere in Silicon Valley.

(10) LOOKING FOR BOOKS. Donations needed –

(11) WE HAVE ALWAYS BEEN AT WAR WITH EAST BAYSIA. The Digital Antiquarian remembers the big brawl between Apple and Microsoft in “Doing Windows, Part 8: The Outsiders”.

…Having chosen to declare war on Microsoft in 1988, Apple seemed to have a very difficult road indeed in front of them — and that was before Xerox unexpectedly reentered the picture. On December 14, 1989, the latter shocked everyone by filing a $150 million lawsuit of their own, accusing Apple of ripping off the user interface employed by the Xerox Star office system before Microsoft allegedly ripped the same thing off from Apple.

The many within the computer industry who had viewed the implications of Apple’s recent actions with such concern couldn’t help but see this latest development as the perfect comeuppance for their overweening position on “look and feel” and visual copyright. These people now piled on with glee. “Apple can’t have it both ways,” said John Shoch, a former Xerox PARC researcher, to the New York Times. “They can’t complain that Microsoft [Windows has] the look and feel of the Macintosh without acknowledging the Mac has the look and feel of the Star.” In his 1987 autobiography, John Sculley himself had written the awkward words that “the Mac, like the Lisa before it, was largely a conduit for technology” developed by Xerox. How exactly was it acceptable for Apple to become a conduit for Xerox’s technology but unacceptable for Microsoft to become a conduit for Apple’s? “Apple is running around persecuting Microsoft over things they borrowed from Xerox,” said one prominent Silicon Valley attorney. The Xerox lawsuit raised uncomfortable questions of the sort which Apple would have preferred not to deal with: questions about the nature of software as an evolutionary process — ideas building upon ideas — and what would happen to that process if everyone started suing everyone else every time somebody built a better mousetrap.

(12) NAVIGATING THE AMAZON. Peter Grant relates more “Lessons learned from a trilogy, Part 2: the impact on sales of rapid releases, and other factors” at Mad Genius Club. He discovered several benefits from releasing a trilogy of new novels in a short timeframe.

You can see at once that sales rose a little per volume after each launch, but not spectacularly so.  What did rise very strongly were KU [Kindle Unlimited] “borrows”.  The triple “bounce” is obvious to the naked eye, even without numbers.  It seems that, once they were aware of the series, KU readers jumped on it, and read each volume in turn (sometimes “binge-reading” all three within a week).  That drove the series’ sales ranks higher, and is still doing so, long after I’d have expected the earlier books’ ranks to drop by much more.  As I write these words, all three volumes are still ranked in the top three-tenths of one percent of all books in the Kindle Store.  Needless to say, I find that very satisfying.

(13) DID THEY GAME THE SYSTEM? Six writers who have been booted from Amazon say they can’t understand why: “Amazon self-published authors: Our books were banned for no reason” at Yahoo! Finance.

In recent weeks, Amazon (AMZN) has taken down e-books written by at least six self-published novelists who say they did nothing wrong and depend on the platform to make their living, those six novelists told Yahoo Finance.

The six authors published many of their books through Amazon’s online self-publishing platform Kindle Direct Publishing Select, and they expressed shock and frustration over losing their livelihoods without understanding why.

Amazon, for its part, has been cracking down on KDP Select authors who supposedly game the system in order to get paid more. But the authors Yahoo Finance spoke to insist they haven’t engaged in this kind of fraud, and that Amazon banned them without sufficient explanation of wrongdoing.

(14) TODAY’S BIRTHDAYS

  • Born August 10 — Rosanna Arquette, 59. Amazon Women on the Moon as well as voice work in Battle for Terra, appearances in Medium and Eastwick.
  • Born August 10 — Antonio Banderas, 58. Genre work in Interview with the Vampire: The Vampire Chronicles, the Spy Kids franchise, voice work in Puss in Boots and Shrek 2, appearances in the forthcoming The Voyage of Doctor Dolittle and The New Mutants.
  • Born August 10 — Suzanne Collins, 56. The Hunger Games trilogy which became a film series as well and The Underland Chronicles, a epic fantasy series.
  • Born August 10 — Angie Harmon, 46. Barbara Gordon in the animated Batman Beyond series and voice work in the current Voltron series, appeared on Chuck. 
  • Born August 10 — Joanna Garcia Swisher, 39. Quite a bit genre work including the From the Earth to The Moon miniseries, the animated The Penguins of MadagascarAre You Afraid Of The DarkThe Astronaut Wives Club,  Kevin (Probably) Saves the World and Once Upon a Time series. 

(15) SHORT FICTION REVIEWS. Charles Payseur sells Ceaseless Sips by the seashore: “Quick Sips – Beneath Ceaseless Skies #257”.

I am sorely tempted to guess that the link between the two latest stories from Beneath Ceaseless Skies is that their both authored by a Christopher. Because, at first glance, these two pieces are very different in terms of character, tone, and theme. Looking closer, though, and the stories seem paired not because of how well they work in harmony, but in how well they contrast, showing two sides of the same coin. On one, we get to see a man on a quest realize that he’s in danger of losing something of himself and pause, take stock, and find comfort and guidance in another person. In the other story, though, we find a man who has fully embraced his quest, regardless of who he needs to destroy or hurt. Both stories feature mostly conversations and philosophy, but in one a lesson is learned, and in the other it is utterly destroyed. So yeah, let’s get to the reviews!

(16) PICK SIX. Grow your TBR pile by reading “Six Books with Sam Hawke” at Nerds of a Feather.

  1. What upcoming book you are really excited about?Probably Foundryside by Robert Jackson Bennett is the one I’m looking forward to the most. He wrote one of my favourite fantasy trilogies of recent years (the Divine Cities) and Foundryside has the thieves and heists in city state, Locke Lamora kind of vibe that I dig. Special mention to The Monster Baru Cormorant (because the Traitor was amaaaaazing) though I am scared of how much it is going to hurt me.

(17) POWER ARRANGERS. Former Archbishop of Canterbury Rowan Williams surprises with his deep interest in the meanings of Lord of the Rings: “Master of his universe: the warnings in JRR Tolkien’s novels” in New Statesman.

…Yes, Sam is an idealised version of a socially ambivalent and archaic stereotype. Forget this for a moment and look at his instinctive realisation that fantasies of high-octane power, celebrity and control are poisonous. He is anything but perfect: his stubborn parochialism and his taunting of Gollum are failings, with bad consequences. But he retains some fundamental instinct of moral realism. This helps him share Frodo’s burden without collapsing. Frodo’s empathy for Gollum (rooted in a shared understanding of the Ring’s terrible seduction), finally leads to a genuinely shocking denouement; but Gollum, furious, alienated by Sam, recklessly greedy for the Ring, saves Frodo from his self-inflicted catastrophe and dies as a result.

Somehow, the tangled web of interaction between these three ends in “salvation”. Some force overrules and rescues them – but only through the weaving together of a whole set of flawed agencies, mixed motives, compassion, prejudice, courage and craving. Tolkien is seeking to model the way in which the creator works not by intervening but by interweaving. It is this starkly unexpected conclusion to the quest and the journey that makes the book most clearly a Christian fiction.

But even for the non-religious reader, this diagnosis of power is a reason for treating Tolkien more seriously than many are inclined to. Look beyond the unquestionable flaws: the blandly patriarchal assumptions, the recurrent patronising of the less “elevated” characters, the awkwardness of the would-be High Style of narrative and dialogue, the pastiche of Scott or Stevenson at their worst; beyond even the fantastically elaborated histories and lores and languages of Middle Earth.

The work is ultimately a fiction about how desire for power – the kind of power that will make us safe, reverse injustices and avenge defeats – is a dream that can devour even the most decent. But it is also a fiction about how a bizarre tangle of confused human motivation, prosaic realism and unexpected solidarity and compassion can somehow contribute to fending off final disaster. Not quite a myth, but something of a mythic structure, and one that – in our current climate of political insanities and the resurgence of varieties of fascistic fantasy – we could do worse than think about.

(18) UP YOUR UPLOAD. BBC discovered “This rigged charger can hijack your new laptop”. “Who ran a sewer through a recreation area?” is joined by “Who put charging on a data line?”

A neat feature of many modern laptops is the ability to power them up through the USB port. Unlike the rectangular USB ports of old, the newer type – USB-C – can carry enough power to charge your machine.

That’s great news: it means you don’t need to add a separate port just for charging. And when the USB port isn’t being used for power, it can be used for something useful, like plugging in a hard drive, or your phone.

But while you and I may look at that as an improvement, hackers see an opportunity to exploit a new vulnerability.

One researcher, who goes by the name MG, showed me how a Macbook charger could be booby-trapped. Modified in such a way it was possible to hijack a user’s computer, without them having any idea it was happening.

(19) SENT BACK LIKE GANDALF? “Gladiator 2: The strangest sequel never made?” — Maximus resurrected by Jupiter to fight a rebel god, then sent time-travelling through wars of the ages.

At the time, [Nick] Cave had written just one produced screenplay, John Hillcoat’s Ghosts… of the Civil Dead, and he was concentrating on his music career. But he couldn’t resist when Crowe offered him the Gladiator 2 job, despite one obvious misgiving. “Didn’t you die in Gladiator 1?” he asked. “Yeah, you sort that out,” replied Crowe.

And that’s what he did. Cave’s Gladiator 2 screenplay opens with Maximus waking up in the afterlife. To his disappointment, it isn’t the sun-kissed Elysium he dreamt of in Gladiator, but an endless rain-sodden netherworld where wretched refugees huddle on the shores of a black ocean. With the help of a ghostly guide, Mordecai, Maximus treks to a ruined temple where he meets Jupiter, Mars and five other diseased and decrepit Roman deities. Jupiter explains that one of their number, Hephaestus, has betrayed them, and is now preaching the gospel of another god who is more powerful than all of them. Just to quibble for a moment, Hephaestus is a Greek god, not a Roman one, so Cave should really have named him Vulcan. But the screenplay compensates for this slip with some writing to relish….

(20) DO YOU REMEMBER WHO KILLED SUPERMAN? At SYFY Wire“An oral history of the original Death and Return of Superman, 25 years later”.

…Jurgens fittingly enough would be the artist who drew that final image of a battle-weary Superman finally succumbing to battle with Doomsday, cradled in Lois Lane’s arms, with Jimmy Olsen forlorn in the background.

Jurgens: As for that final double page splash, well… it first appeared as a triple page spread at the end of Superman #75. I don’t think it has ever been reprinted that way, with a double page spread that then folds out into a triple pager. We spent an extraordinary amount of time getting it to work properly and I think it really helped bring Superman #75 to an appropriate close.

Superman #75 would go on to sell millions copies over multiple printings, reaching sales figure that were bolstered in no small part by the mainstream attention the death of this international icon had attracted.

Ordway: Coincidentally, the public’s actual reaction mirrored what we did in the comics — they suddenly came out in numbers, professing their love for Superman. That was what we wanted all along, though of course none of us had any idea it would sell. We had hopes that people would respond, maybe comic shops might order more Superman comics.

Jurgens: There is no way we, DC or anyone was prepared for the reaction to our story. We were simply trying to tell a good, dramatic story that said something about the nature of a great character.

Carlin: I still can’t believe people believed Superman would be gone forever. Reporter after reporter came up to DC and asked “Why are you killing Superman?” and my standard answer was “When was the last time you bought a Superman comic? Hell, when was the last time you bought ANY comic?” And every reporter said they hadn’t bought a Superman comic since they were kids, to which my response was: “Then you’re the one who killed Superman!” And most of these reporters, men and women, said that they were reporters because of Clark and/or Lois’s inspiration!

For the creative team, the story they yearned to tell was not the slugfest that led up Superman’s death, but the stories of loss afterward.

Bogdanove: In what seemed like no time, we’d written most of “Funeral for a Friend,” which was where the real meat of the story was. I think we accomplished exactly what Louise spoke of. Through the eyes of Metropolis and the world, via the reactions of heroes, villains and the friends and family he knew, I think we got to say a lot about why Superman matters.

Certain scenes stand out in my memory: Bibbo (Bibowski, a supporting character who idolized the Man of Steel) saying, “It shoulda’ been me!” Ma and Pa Kent watching the funeral of their own son on television, all alone by themselves. Some of these scenes we talked about that day still make my eyes tear up just thinking about them.

(21) JOIN THE SPACE FORCE. Commander Fred Willard comes out of retirement to enlist in Trump’s Space Force.  “We’re going to build a big, beautiful wall and those filthy Neptunians are going to pay for it.”  “When there’s trouble in space, we’re on the case.” From the Jimmy Kimmel Show. Fast forward to 3 minutes and 30 seconds.

[Thanks to John King Tarpinian, Kevin Standlee, JJ, Cat Eldridge, Chip Hitchcock, Martin Morse Wooster, Mike Kennedy, David Doering, Carl Slaughter, Andrew Porter, and Hyman Rosen for some of these stories. Title credit belongs to File 770 contributing editor of the day Niall McAuley.]

Pixel Scroll 9/30/17 Anyway For All The Things You Know Tell Me Why Does Appertainment Flow

(1) VERSUS ORVILLE. Nick Izumi conducts his own “Trek Off: Comparing ‘The Orville’ to ‘Star Trek: Discovery’” at Nerd & Tie.

Production Design:

The Orville‘s sets and costumes are also reminiscent of 90s Trek. The inside of the ship is well lit, the Bridge design is almost one-to-one with any Federation ship from Star Trek. Event the titular ship basically has a saucer section and light-speed engines in the back. It really doesn’t look bad, all things considered, just really derivative. We all know it wants to be Star Trek, it just legally isn’t. The show does still look very nice, and it’s not just the ins and outs of the ship — the alien make-up is on point. With some occasional cheesy exceptions, you can’t knock The Orville‘s look.

Discovery uses mostly familiar Trek design language, but the budget is clearly much higher than the TV Trek shows that came before it. This has its ups and downs. Some may not take to the very Kelvin Timeline inspired look of the interiors of the Starfleet ships. The new uniforms also seem to be a continuity hiccup, but they honestly look so snazzy, I personally can’t knock them.

What I will knock is the designs of everything Klingon. While Klingon fashion could easily be different in different parts of the universe, the look of the Klingon’s heads and the design language of their ships simply does not match with the established Klingon aesthetic. Frankly, these deviations are not the kind that are easy to overlook. Still, if it serves the story, there’s then I see it as very deal-with-able.

(2) NOT A FAN. NPR’s Glen Weldon dissects the new TV show: “Introducing … The Inept, Inert ‘Inhumans'”

…OK, that’s exactly what you just said abou-

The thing about mutants, see, is that their special abilities manifest, most often, in adolescence.

Uh-huh.

But with Inhumans, their special abilities only manifest when they’re exposed to a special substance called the Terrigen Mists!

“The Terrigen Mists.”

… Which happens, generally speaking, in their adolescence.

[Sigh.]

Generally but not exclusively! I hasten to point out!

Great. So this show is about a bunch of Not-Mutants. With special abilities.

… Who live on the moon, yes. In a city called Attilan, invisible to humans. They have a king named Black Bolt, played here by a pair o’cheekbones named, improbably enough, Anson Mount. Black Bolt’s voice is hugely destructive, so he never speaks. His queen is Medusa, played by Serinda Swan. She’s got long red hair with tresses that can punch and choke and, I don’t know, play the bass line to Primus’ “Jerry was a Race Car Driver,” probably.

There’s also Black Bolt’s brother Maximus, played by Game of Thrones‘ Iwan Rheon, adding another villain to his IMDB page, although this time a strangely joyless one. He didn’t get special powers when he was exposed to the Terrigen Mists as a kid, which happens sometimes. When it does, the little nonspecial Inhuman in question usually gets sent to the moon mines. But Maximus’ status as a member of Attilan’s royal family kept him free to plot and brood and generally skulk around like a low-key Loki….

(3) APEX MAGAZINE IN PRINT. Jason Sizemore says the “Exciting changes for Apex Magazine in 2018” include the availability of print-on-demand copies of each issue.

Beginning with the January, 2018 double issue (#104), the issue’s content will be published in a 5.5? x 8.5? paperback edition using a POD service and made available for sale from Amazon (and it’s affiliates). The price will be $6 to $8 for a single issue, depending on the size of the content month-to-month. It will only be available for purchase as single issues from Amazon (and possibly Apex–TBD).

When will the print edition become available? About 1 week after the digital release (first Tuesday of each month) of each eBook edition.

What about subscriptions? Subscriptions will only be available as a Patreon backer reward level. There will be a $10 a month backer level (for domestic US backers) that will insure you receive the print version every month. A level will be created for international backers to account for the difference in shipping costs.

Subscriber copies will ship about 2 weeks after the digital release.

Will it have all the short fiction that’s in the digital edition? Yes.

And the nonfiction? Yes.

What about the incredible cover art? Yes. In fact, this was our top priority.

Our January issue is filled with double the stories. Right now, we have original work by Nisi Shawl, Delilah S. Dawson, Nick Mamatas, and Benjamín Naka-Hasebe Kingsley.

(4) CBS TAX STATUS RESTORED. In July, the Carl Brandon Society announced that its IRS tax exemption was reinstated. Nisi Shawl wrote:

The Carl Brandon Society’s Steering Committee is very happy to announce that the U.S. Internal Revenue Service has reinstated our organization as an official 501 (c) 3 nonprofit, tax- exempt group–and furthermore that this nonprofit status has been made retroactive to the date it was first revoked, back in 2013. Donations to us are now itemizable for those past years as well as for all years going forward.

Although we’ve been presenting our Octavia E. Butler Scholarships during this temporary revocation period, and also have been actively pursuing the selection of winners of the Kindred and Parallax literary awards, you may have noticed a lull in our fundraising activities. Now that we can safely guarantee the 501 (c) 3 classification applies to us and all your gifts to us, please feel free to help us out!

Of course this great news inspires us to put more energy into our many programs–the Scholarships, the awards, the panels and parties and online discussions and all the other work the Carl Brandon Society carries out to support the presence of POC in the fantastic genres. It also sharpens our commitment to preventing the unfortunate miscommunications that originally caused the temporary revocation of our nonprofit status. To that end we expect to put together annual reports on what we’re doing, how we’re doing it, and where we stand financially and in terms of our programmatic goals. Look for the first of these reports by February 2018.

(5) FAUX KITSCHIES. The award was on hiatus last year, but a leading author helpfully filled the gap – “Adam Roberts Phantom Kitschies 2016”.

Adam Roberts, in typical overachieving fashion, managed to read enough books to populate a full and complete shortlist.

Adam Roberts

No Kitschies were awarded last year. 2016 was a Kitschless year—for one year only it was Nitch on the Kitsch. Which was a shame, since 2016 saw a wealth of (to quote the Kitschies’ remit) ‘progressive, intelligent and entertaining works containing elements of the speculative or fantastic’. So, [*clears throat*] in my capacity a former judge, I thought I’d post some speculative short-lists for the year the prize didn’t happen….

(6) SHEEP DREAMS. NPR’s Chris Klimek loves it: “‘Blade Runner 2049’: Even Sharper Than The Original”.

“I hope you don’t mind me taking a liberty” are the first words spoken in Blade Runner 2049, an unlikely sequel to the oft-revised Ridley Scott sci-fi sleeper that has confounded and divided normals — and been an object of adoration for nerds — for 35 years.

I certainly don’t mind. This inspired, expansive follow-up, for which Blade Runner screenwriter Hampton Fancher returned, though Scott handed the directorial reins to Sicario and Arrival‘s Denis Villeneuve, is less a generational iteration from its precursor than an evolutionary leap. It chews on the many existential questions introduced in Blade Runner — if our machines can think and feel, are they still machines? How do we know our memories can be trusted? Do androids dream of electric sheep, or unicorns or whatever? — more fully and more satisfyingly than Blade Runner did. Yes, even The Final Cut, which came out some 25 years after the original.

(7) CAMERA NOT SO OBSCURA. France strikes back against unreal body images: “Is she Photoshopped? In France, they now have to tell you”.

It’s no secret that images of models are often retouched to make their bodies look thinner or curvier in certain places, to lengthen their legs to mannequin-esque proportions, or to smooth out their skin and widen their eyes.

From Sunday, in France, any commercial image that has been digitally altered to make a model look thinner will have a cigarette-packet style warning on it.

“Photographie retouchée”, it will say, which translates to “edited photograph”.

Anyone flouting the new rule could be fined €37,500 (£33,000) or 30% of the cost of creating the ad.

(8) UNDERAPPRECIATED. In “FFB: Kit Reed, 1932-2017 and some of her peers”, Todd Mason has more to say about the late author, an early nominee for the Best New Author Hugo.

Reed, as noted here last year, started her writing career as a professional journalist, and made a mark, winning industry awards before selling her first short story to The Magazine of Fantasy and Science Fiction in 1958, “The Wait”…one rather pathetic colleague at the New Haven Register, she recounted not too long ago, would make a point of pulling her office typewriter off her desk and taking over to a corner where he would type out his own attempts at stories, and claimed, upon learning of her F&SF sale, to have sold a story to The New Yorker, which would be appearing Real Soon Now. Reed continued to place fiction with F&SF, and branched out to the Yale Literary Magazine, Robert Lowndes’s  Science Fiction, Joseph Payne Brennan’s Macabre, and by 1960 Redbook…while her colleague had slunk off somewhere to await his further stories’ appearance in equally imaginary issues of The Dial and Scribner’s, no doubt.

(9) TODAY IN HISTORY

  • September 30, 1953 — Mad science classic Donovan’s Brain debuts.
  • September 30, 1959 Men Into Space premiered on television.
  • September 30, 1960 – The day we met The Flintstones
  • September 30, 1988 Elvira, Mistress of the Dark premieres in theaters.

(10) TODAY’S BIRTHDAY BOY

  • Born September 30, 1946 – Director Dan O’Bannon

(11) TAKING CARE OF NUMBER ONE. Yesterday marked a half-century since the show first aired in Britain: “Number Six At 50: The 50th Anniversary Of ‘The Prisoner'”.

As the series went on, and those symbolic elements kept piling up, it became clear that McGoohan — who created the show — was offering an extended, increasingly surreal allegory about the battle of the individual against society.

In the final episode, all that allegorical, Kafkaesque stuff bubbles over. Characters representing Youth and The State deliver monologues about Freedom and Rebellion.

Number Six escapes the prison of the Village but not the prison of himself — get it?

… No, yeah, lots of people didn’t. They wanted clear answers — Where WAS the village? Which side ran it? Who WAS Number One? — but McGoohan gave them symbols and speeches.

(12) DRAWN THAT WAY. At CBR.com, Kieran Shlach says “It’s Time For DC to Acknowledge HG Peter, Wonder Woman’s Co-Creator”.

This year has been a phenomenal year for Wonder Woman. The iconic Amazon has risen to new heights of popularity thanks to the instant-classic story told by Greg Rucka, Liam Sharp, Nicola Scott and Bilquis Evely as part of DC Rebirth, a blockbuster feature film which blew the doors off even the wildest of expectations, and a new biopic chronicling the life and times of Wonder Woman’s creator William Moulton Marston, his wife Elizabeth and their lover Olive.

However, among all those works there’s one name that you won’t see: Harry George Peter, the artist who helped bring Wonder Woman to life along with Marston in the page of 1941’s All-Star Comics #8.

More often than not, comic books are a collaborative format, and everyone deserves credit for their role in that collaboration. The history of comics as an industry is riddled with horror stories of creators being mistreated by publishers when it comes to work-for-hire projects, but recent years has seen those same publishers attempt to make amends. HG Peter created Wonder Woman as much as William Moulton Marston did, and he deserves to be credited for that right alongside his collaborator.

(13) NOT SO SIMPLE MATH. Galactic Journey turns its spotlight to “[September 30, 1962] The Woman Pioneers of Space Exploration”.

But while the Journey has covered the Space Race in lavish detail, it has devoted little space to the woman scientists and engineers involved behind the scenes.  In part, this is because space travel is a new field.  In part, it’s because science is still a heavily male-dominated arena.  While women have risen to prominence as scientists for centuries, from Émilie du Châtelet to Marie Curie to Grace Hopper, it is only very recently that they have made their way to the top ranks of space science.

Times have changed, and there is now a vanguard of women leading the charge that will perhaps someday lead to complete parity between the sexes in this, the newest frontier of science.  To a significant degree, this development was spurred by the digital computer, which you’ll see demonstrated in several of the entries in this, the first installment of The Second Sex in Space Exploration….

(14) MONSTERS FROM THE ODD. At Camestros Felapton’s blog, Timothy the Talking Cat threatened France with a lawsuit in “Tim’s Legal Updates”.

Timothy: I’m going to sue FRANCE. France as the thing that is itself France. Not ‘the French’ not the French Government. Not any kind of the adjectival case of France but France strictly as a noun.

Camestros: Ah, you’ve been at the Krell machine again and given yourself a brain boost, haven’t you?

Timothy: I may have partaken a smidgen. How can you tell?

There followed an official (?!?) response from France channeled by the commenter known as KR:

RE: Cease and Desist – Harassment

Dear Sir:

This letter serves as notice to you and your id monster immediately to cease and desist all harassing activities towards my client the historico-geographic entity currently known as France, aka La Cinquième République, aka La Ve République.

Among your many unwanted gestures, I refer you to the time when you bombarded my client with thousands of documents and old VHS cassette tapes pretending to be Gérard Depardieu making an attempt to regain his citizenship. You sent the Ministre des Affaires sociales et de l’emploi 1848 copies of The Fountainhead with hopes of persuading them of the evils of unionized labour and long summer holidays. You gravely insulted la francophone mondiale by launching a YouTube channel in which you hire Jesse Watters to dress like a mime and throw “Freedom fries” at Antifa in the name of free speech….

And it goes on. As these things do.

(15) PUBLISHED DECISION. This is John Hodgman’s column from the September 17 New York Times Magazine, “Judge John Hodgman on Coerced Bedtime Stories”:

Morgann writes: I bring a case against my husband, Ben, who is an incredibly talented short-fiction writer. I struggle with falling asleep, especially after a stressful workday. I often ask Ben to tell me a short story to help me get sleepy. Ben absolutely refuses. He uses precious wind-down time arguing with me instead of just telling me a silly little story.

There is never a night when my wife asks me to write a short, judgy newspaper column — she knows that I get paid to do that. Also, it would not help her sleep, because I chisel all my first drafts into stone, loudly. (There are no second drafts.) Even if Ben does not write for money, it’s still the case that creativity is work and usually highly personal. Ben deserves as much wind-down time as you do.

(16) TEENIE WEENIE VIBRATION. With the help of colorful animations and graphics, a YouTuber explained “The Absurdity of Detecting Gravitational Waves” in a video released this past January.

[Thanks to John King Tarpinian, JJ, Chip Hitchcock, Carl Slaughter, Cat Eldridge, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day IanP.]