Best Professional Artist Hugo: Eligible Works from 2019

By JJ: To assist Hugo nominators, this post provides information on the artists and designers of more than 660 works which appeared in a professional publication in the field of science fiction or fantasy for the first time in 2019.

These credits have been accumulated over the course of the year from dust jackets, Acknowledgments sections and copyright pages in works, as well as other sources on the internet. This year, Filer Goobergunch also collected this information, and though we had a lot of overlap, his extra entries have greatly increasead the information we are able to provide you. My profound thanks go to Goobergunch for all of his hard work.

You can see the full combined spreadsheet of Editor and Artist credits here (I will be continuing to update this as I get more information).

In this post I will display up to 8 images of artworks for each artist for whom I have identified 3 or more works which appeared in a professional publication in the field of science fiction or fantasy for the first time in 2019.

Please note carefully the eligibility criteria according to the WSFS Constitution:


Professional Artist

3.3.12: Best Professional Artist. An illustrator whose work has appeared in a professional publication in the field of science fiction or fantasy during the previous calendar year.

3.2.11: A Professional Publication is one which meets at least one of the following two criteria:
(1) it provided at least a quarter the income of any one person or,
(2) was owned or published by any entity which provided at least a quarter the income of any of its staff and/or owner.

3.10.2: In the Best Professional Artist category, the acceptance should include citations of at least three (3) works first published in the eligible year.


Under the current rules, artwork for semiprozines and fanzines is not eligible in this category. You can check whether a publication is a prozine or a semiprozine in this directory (the semiprozine list is at the top of the page, and the prozine directory is at the bottom).

Please be sure to check the spreadsheet first; but then, if you are able to confirm credits missing 2019-original works and the names of their artists from Acknowledgments sections, copyright pages, or by contacting authors and/or artists, go ahead and add them in comments, and I will get them included in the spreadsheet, and if the artist is credited with at least 4 works, in this post. If you have questions or corrections, please add those also. Please note that works may or may not be added to the list at my discretion.

PLEASE DON’T ADD GUESSES.

Artists, Authors, Editors and Publishers are welcome to post in comments here, or to send their lists to jjfile770 [at] gmail [dot] com.


(warning: this post is heavily image-intensive, and will probably not work well on mobile devices: flee now, or prepare to meet your doom extremely slow page download)

Only those bying stoute of heyrte and riche in bandwydthe shouldst click hither to proce’d…

2018 World Fantasy Convention Awarded To Baltimore

Ann Marie Rudolph and Bill Lawhorn will co-chair the 2018 World Fantasy Convention, to  be held November 1-4 in Baltimore, MD.

Their first two announced Guests of Honor are Michael J. Walsh and Tom Kidd.

The convention’s themes will be:

Ports in a Storm

During a major storm, there is nothing safer than a good port. Situated in Baltimore’s Inner Harbor, WFC2018 plans to explore all forms of safe havens. From churches to oases and ports, there are many places of sanctuary which provide respite for characters in fantasy, horror, and weird tales. Each of these places will be explored.

Celebrating the 200th Anniversary of Frankenstein

Mary Shelley’s Frankenstein; or, The Modern Prometheus, was first published in 1818. It remains relevant and has influenced writers throughout its history. There are multiple films, novels, and homages to the work. WFC2018 plans to explore these influences and its derivative works.

The 2018 World Fantasy Con’s conduct, accessibility and other policies are posted here.

[Thanks to Michael J. Walsh for the story.]