Pixel Scroll 9/12/21 The Old File-Hidden-In-The-Pixel-Scroll Trick

(1) THE TROUBLE WITH KIBBLES. With Camestros Felapton 63 chapters into Debarkle, a chronicle of how the Sad/Rabid Puppies were the sff genre’s reflection of broader right-wing movements, John Scalzi shares his own retrospective “Thoughts on the ‘Debarkle’” at Whatever.

1. It really does seem like so long ago now. The nonsense the Sad/Rabid Puppies (henceforth to be referred to as “the Pups”) perpetrated is largely contained in the years of 2014 – 2016, and while that’s not actually all that long ago — a mere five years since MidAmericon II, where new Hugo nomination rules were ratified to minimize slate nominating, and NK Jemisin won the first of her three consecutive Best Novel Hugo Awards — it feels like a distant memory now, a kind of “oh, yeah, that happened,” sort of event.

There are reasons for that, but I think the largest part has to do with the fact that the Pups, simply and bluntly, failed at every level that was important for their movement. The bifurcated goals of the Pups were to champion science fiction with a certain political/cultural point of view (i.e., largely white, largely conservative), and to destroy the Hugos by flooding the nominations with crap. They did neither very well. Toward the former, the material they slated was largely not very good, and with respect to the latter, the Hugos both still persist and remain a premier award in the field.

Their strategy was bad because it was addressing a problem that largely did not exist and was arrived at in a backward fashion, and their tactics were bad because they exploited loopholes and antagonized everyone who was not part of their clique, activating thousands of dormant Hugo voters against them. They were routed through a simple mechanism for which they had not accounted (“No Award”), and once their slating tactic was blunted by a nomination rule change, they flounced entirely.

When your only track record is that of complete failure, it’s not surprising you don’t have much of an impact….

John Lorentz says in a comment there:

As the 2015 Hugo Administrator, I can tell you that five years (or six years since it affected me directly), is not nearly enough to for me to forget it.

I used to enjoy administering the Hugos (I’ve done it four times)–2015 was a shit show that destroyed any joy I had regarding the Hugos. in the long run, the Puppies didn’t affect the field, but they sure affected me.

Also:

It was, however, the only thing I’ve ever been involved with that has show up both as a question on Jeopardy and a song on Doctor Demento.

So there’s that.

(2) WHOSE FAULT? Paul Weimer finds more than he expected, as he explains in his review for Nerds of a Feather: “Microreview [book]: Fault Lines by Kelly Jennings”.

…Like that original story, and like the other stories in that anthology by other authors, the central characters in the universe that Jennings has constructed here and the central characters are women (and note the name of Velocity’s ship). Given the preponderance of men as leads of a lot of space opera to this day, Jennings’ work is a refreshing rebalancing of that. The novel is a two-hander, with Velocity Wrachant, captain and owner of the Susan Calvin, and Brontë, a young woman who is far more than she first appears.

The story’s point of view focus on both Velocity and Brontë, although we do not see the latter’s point of view until her hijacking, and even then, it is initially months in the past. I didn’t like her at first: after all, she HAD hijacked Velocity’s ship, and I thought at first that the flashbacks from her point of view were merely to flesh her out and give us perspective and point of view to sympathize with her, however grudgingly so. As the back half of the narrative continued to build and events in the present continued, I saw the careful crafting of plot, and the central mystery at the heart of Fault Lines….

(3) HANNA MEMORIES. Joseph Nicholas penned The Guardian’s “Judith Hanna obituary”.

During her 30 years of working for a range of campaigning bodies and NGOs, my wife, Judith Hanna, who has died aged 67 of liver cancer, saw concern about the environment go from a fringe issue for community activists to a mainstream subject with a professionalised career structure.

Her life and career embodied the principle of “being the change you want to see”, through such local activities as organising annual seed swaps, promoting community gardens, calling for traffic calming measures in residential streets and, at national level, working for nuclear disarmament and better public transport. In her final role, as a social evidence principal specialist at Natural England, she promoted the now widely accepted health benefits of everyday contact with the natural world….

(4) BOLTS FROM THE BLUE. In the Future Tense newsletter, Torie Bosch says “We need a Muppet version of Frankenstein”.

On Aug. 30, my heart broke a tiny bit.

That day, the Guardian published a remarkable interview with Frank Oz, Jim Henson’s longtime collaborator and the puppeteer behind Fozzie Bear, Miss Piggy, and other classic Muppets. Oz hasn’t been involved with the Muppets since 2007, three years after Disney purchased the franchise. He tells the Guardian: “I’d love to do the Muppets again but Disney doesn’t want me, and Sesame Street hasn’t asked me for 10 years. They don’t want me because I won’t follow orders and I won’t do the kind of Muppets they believe in. He added of the post-Disney Muppet movies and TV shows: “The soul’s not there. The soul is what makes things grow and be funny. But I miss them and love them.” As a lifelong Muppets fan, I have to agree: There were delightful moments in the Muppet reboots of recent years, but they were a little too pale, the chaos and the order a little too calculated.

But I think that there’s a way to bring the Muppets back, one that could also—and here comes the Future Tense agenda—help spark smart  discussions about scientific ethics, especially around what it means to be human and how to approach innovation responsibly. We need Frank Oz to helm a Muppet Frankenstein….

(5) I AM THE FIRE. Brain Pickings’ Maria Popova discusses “Einstein’s Dreams: Physicist Alan Lightman’s Poetic Exploration of Time and the Antidote to the Anxiety of Aliveness”.

“When you realize you are mortal,” the poet, painter, and philosopher Etel Adnan wrote while regarding a mountain, “you also realize the tremendousness of the future.” A decade earlier, shortly before a heart attack severed her life-time, Hannah Arendt observed in her superb Gifford Lectures lectures on the life of the mind that our finitude, “set in an infinity of time stretching into both past and future, constitutes the infrastructure, as it were, of all mental activities.” While Arendt was composing these thoughts and silent cells were barricading one of her arteries, Ursula K. Le Guin was composing her novelistic inquiry into what it means to live responsibly, observing: “If time and reason are functions of each other, if we are creatures of time, then we had better know it, and try to make the best of it.” A generation before her, Borges had formulated the ultimate declaration of our temporal creatureliness, declaring: “Time is the substance I am made of. Time is a river which sweeps me along, but I am the river; it is a tiger which destroys me, but I am the tiger; it is a fire which consumes me, but I am the fire.”…

(6) SCANNERS IN VAIN. Tony Lewis, reporting on behalf of the NESFA Press in Instant Message #979, told about some problems encountered with their republication of Zenna Henderson’s Ingathering: The Complete People Stories collection.

An Amazon customer who bought our Ingathering ebook reported 58 typos in it. Amazon took down the book, which had been on sale for a year, until we could fix the typos. A number of NESFA Press proofers have spent the past three weeks going over the Ingathering ebook. We have found more than 400 typos, nearly all caused by unproofed OCR used to create the ebook. We also found that approximately 20 of those 400+ typos existed in the original hardcover. This proofing project is expected to be finished the week after the August Business Meeting.

(7) MEMORY LANE.

1976 — Forty-five years ago at MidAmeriCon where Wilson Tucker was the Toastmaster, Roger Zelazny would win the the Best Novella Hugo for “Home is The Hangman”. It was published in Analog Science Fiction/Science Fact, the November 1975 issue. The other nominated works were “The Storms of Windhaven” by George R. R. Martin and Lisa Tuttle, “ARM” by Larry Niven, “The Silent Eyes of Time” by Algis Budrys and “The Custodians” by Richard Cowper. It would also win a Nebula Award. It’s in one of the three stories in My Name is Legion which is available from the usual digital suspects.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 12, 1897 — Walter B. Gibson. Writer and professional magician who’s best known for his work creating and being the main writer of the pulp character The Shadow. He used the pen-name Maxwell Grant, wrote 285 of the 325 Shadow stories published by Street & Smith in The Shadow magazine of the Thirties and Forties. He also wrote a Batman prose story which appeared in Detective Comics #500 and was drawn by Thomas Yeates. (Died 1985.)
  • Born September 12, 1914 Desmond Llewelyn. He’s best known for playing Q in 17 of the Bond films over thirty-six years. Truly amazing. Live and Let Die is the only one in the period where Q was not in it. He worked with five Bonds, to wit Sean Connery, George Lazenby, Roger Moore, Timothy Dalton and Pierce Brosnan. Other genre appearances include The Adventures of Robin Hood, the Strange Case of Dr Jekyll and Mr HydeThe Curse of the Werewolf and Chitty Chitty Bang Bang. (Died 1999.)
  • Born September 12, 1921 Stanislaw Lem. He’s best known for Solaris, which has been made into a film three times. The latest film made off a work of his is the 2018 His Master’s Voice (Glos Pana In Polish). The usual suspects have generous collections of his translated into English works at quite reasonable prices. (Died 2006.) [Note: In three instances “L” has been substituted because WordPress doesn’t support the correct special character.]
  • Born September 12, 1922 John Chambers. He’s best known for designing Spock’s  pointed ears, and for the prosthetic make-up work on the Planet of the Apes franchise. Some of those character creations, including Cornelius and Dr. Zaius from the Planet of the Apes series, are on display at the Science Fiction Museum. He worked on the MunstersOuter LimitsLost in SpaceMission Impossible, Night Gallery and I-Spy along with uncredited (at the time) prosthetic makeup work on Blade Runner. (Died 2001.)
  • Born September 12, 1940 John Clute, 81. Critic, one of the founders of Interzone (which I avidly read in digital form) and co-editor of the Encyclopedia of Science Fiction (with Peter Nicholls) that I use every day for these Birthdays, and of the Encyclopedia of Fantasy (with John Grant) as well as writing the Illustrated Encyclopedia Of Science Fiction. All of these publications won Hugo Awards for Best Non-Fiction. And I’d be remiss not to single out for praise The Darkening Garden: A Short Lexicon of Horror which is simply a superb work.
  • Born September 12, 1942 Charles L. Grant. A writer who said he was best at what he called “dark fantasy” and “quiet horror”. Nightmare Seasons, a collection of novellas, won a World Fantasy Award, while the “A Crowd of Shadows” story garnered a Nebula as did “A Glow of Candles, a Unicorn’s Eye novella. It would also be nominated for a Hugo at SunCon. And the “Temperature Days on Hawthorne Street” story would become the Tales from the Darkside episode “The Milkman Cometh”.  The usual suspects have an outstanding selection of his works including Nightmare Seasons and Shadows, another excellent  collection. (Died 2006.)
  • Born September 12, 1952 Kathryn Anne Ptacek Grant, 69. Widow of Charles L. Grant. She has won two Stoker Awards. If you’re into horror. Her Gila! novel is a classic of that genre, and No Birds Sings is an excellent collection of her short stories. Both are available from the usual suspects.  
  • Born September 12, 1962 Mary Kay Adams, 59. She was Na’Toth, a Narn who was the aide to G’Kar in the second season of Babylon 5, and she would show up as the Klingon Grilka in the episodes “The House of Quark” and “Looking for par’Mach in All the Wrong Places” in Deep Space Nine. Her first genre role is actually an uncredited role in The Muppets Take Manhattan. No idea what it is. 

(9) COMICS SECTION.

(10) SHORTS SUBJECT. [Item by Martin Morse Wooster.] In the Washington Post, Michael Cavna has a piece about the “masterpieces” John Oliver is lending to museums in return for a $10,000 grant.  He talks to the heads of the Judy Garland Museum and the Cartoon Art Museum and how the Garland Museum said they could only accept the paintings if the mousehood of the “vermin-love-watercolor-on-paper” drawing by Brian Swords of nude cartoon mice was covered up. “John Oliver is helping museums through the pandemic — by lending them rat erotica”.

Melanie Jacobson was on the hunt for covid-relief cash in October when she happened to flip to HBO. As fortune would have it, “Last Week Tonight” host John Oliver was announcing a contest to offer financial help to museums in need. The catch was, they had to be willing to exhibit his freshly acquired collection of three “masterpiece” paintings: a still-life of ties,a portrait of TV host Wendy Williams eating a lamb chop, plus— his “pièce de résistance” — amorous rats in the buff.Jacobson is a board member for theJudy Garland Museum in Grand Rapids, Minn. — right where a star was born. Her catch was, the institutionshares a building with the very G-rated Children’s Discovery Museum, which meant that “I knew we would not be able to show the rat painting with certain private parts,” she said by phone this week.

So with blessing from board leadership, Jacobson submitted a proposal to the “Last Week Tonight” contest with one stipulation, she recalled: “I’m going to have to put pants on the rat.” ….

(11) NOT FOR MUGGLES. Thrillist wants to be sure you’re getting enough genre-related calories. “Dairy Queen Secret Menu: You Can Get a Butterbeer Blizzard Inspired by Harry Potter”.

We’re still flying high off the news of Dairy Queen’s fall Blizzard lineup. After all, the Pumpkin Pie is back, folks. But it’s not the only flavor on our radar as of late. In fact, DQ employee-slash-TikToker @thedairyqueenking shared a secret menu item that’s going to wow Harry Potter fans.

The soft serve insider took to the video-sharing platform with the chain’s hush, hush Butterbeer Blizzard, which boasts vanilla syrup, butterscotch syrup, Butterfinger pieces, and a healthy swirl of whipped cream topping, mirroring the fan-favorite beverage from the books….

(12) A SCRAPBOOK OF CASES. In an article composed of various incidents and testimonies, The Guardian wonders whether it is time to take reports about UFOs and aliens more seriously: “’What I saw that night was real’: is it time to take aliens more seriously?”

…But Nick Pope, a former UFO investigator for the Ministry of Defence, is not convinced and thinks that Godfrey is genuine. “He had a lot to potentially lose by coming out with this and yet stuck to his guns.”

Doesn’t a hallucination explain what he saw? “I get that people do have hallucinations, but they tend to be the result of either mental illness or some sort of hallucinogenic substance, and this guy was on duty and was, by all accounts, rational. And so those explanations don’t seem to apply – I’m stumped when it comes to that particular case. Ask yourself: how many times have you been tired and come to the end of a long day? We’ve all been in that situation, and we don’t suddenly construct bizarre narratives about spacecraft and aliens.”

Is it time to start taking these stories more seriously? “I’m not saying that I believe it’s literally true that these are alien spaceships,” says Pope. “But at the very least, these people who were previously disbelieved and ridiculed should be listened to and given a hearing….

(13) SWORD & SOUL. Flecher Vredenburgh takes “A Look at Milton Davis’ Changa’s Safari and the rest of the series at Goodman Games.

I started my blog, Stuff I Like, nearly eleven years ago with a plan of writing about swords & sorcery. When I reviewed “The City of Madness” by the late and greatly-missed Charles Saunders, I discovered he had co-edited a new story collection called Griots (2011). I bought it and found it to be one of the best batches of fantasy stories I’d read in years. It introduced me to the term sword & soul, as well as some very good writers, such as Carole McDonnell, P. Djeli Clark, and Milton Davis himself….

(14) CLASH OF THE TITANS. In the Washington Post, Christian Davenport says the battle between Elon Musk and Jeff Bezos over NASA contracts is getting increasingly personal, with Musk’s SpaceX ahead on technical issues but Bezos fighting back not only on NASA contracts awarded to Space X but also trying to block Space X’s plan to build thousands of small satellites for Internet communications. “Elon Musk is dominating the space race. Jeff Bezos is trying to fight back”.

For years, Jeff Bezos and Elon Musk have sparred over the performance of their rockets and space companies in a simmering feud that flared during a fight over who could use a NASA launchpad and which company was the first to successfully land a rocket.

But now the two billionaires, among the world’s richest men, are waging an increasingly bitter battle that pits two enormous business empires in clashes that are playing out in the courts, the Federal Communications Commission and the halls of Congress in what’s become one of the greatest business rivalries in a generation….

(15) THE MEANING OF NONLIFE. The New York Times’ Brian Ng considers, “Could Robots From Boston Dynamics Beat Me in a Fight?”

…Boston Dynamics has uploaded videos like this for more than a decade, cataloging the progress of its creations as they grow more lifelike, and more unsettling. One of its models is a robotic dog called Spot, with four legs and, sometimes, a “neck” topped with a camera “head” — an android’s best friend.

Although the company maintains that its creations are research projects, it does sell Spot and has leased one to the N.Y.P.D. It could have been used to accomplish tasks too risky for a living being, such as delivering food in a hostage situation or checking areas with high amounts of radiation. But its appearance accompanying police officers during an arrest in public housing sparked enough public backlash for its trial to be prematurely terminated. People found the robodog both wasteful and chilling, especially in the possession of the institution most likely to use force against them. It surely didn’t help that the robodog looked quite similar to the horrific killer machines in an episode of the show “Black Mirror” called “Metalhead” — probably because the show’s creator Charlie Brooker, who wrote the episode, was inspired by previous Boston Dynamics videos.

We can ask the same question of the Atlas: What is it for? The video only shows us what it can do. For now, the robots don’t want anything; apart from not falling over, they await a reason for being. The company says the goal is to create robots that can perform mundane tasks in all sorts of terrain, but the video contains no such tasks; we see only feats of agility, not the routine functions these robots would be back-flipping toward. Through this gap enter the tendrils of sinister speculation…..

(16) BOOKS IN SIGHT. Marie Powell’s adventures in castle-hopping across North Wales resulted in her award-winning historical fantasy series, Last of the Gifted. Spirit Sight (Book 1) and Water Sight (Book 2). An omnibus volume of the two books is coming out in October. And the audiobook of Spirit Sight is available from Kindle, Amazon.ca, Audible, and Apple.

Two siblings pledge their magic to protect their people from the invading English, with the help of the last true Prince of Wales—after his murder.

Welsh warrior-in-training Hyw can control the minds of birds and animals.

His sister Catrin can see the future in a drop of water.

Now Hyw and Catrin must stretch their gifts to stand between their people and the ruthless army of Edward I (a.k.a. Longshanks). When the prince is slain, Hyw’s gift allows him to meld with the prince’s spirit, to guide them in fighting back against the English invaders.

This award-winning medieval fantasy combines magic, mythology, and historical legends with the realities of 13th Century Wales.

[Thanks to Martin Morse Wooster, JJ, Michael Toman, Joyce Scrivner, Cora Buhlert, Ruth Berman, John King Tarpinian, Cat Eldridge, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to contributing editor of the day Jim Janney.]

NESFA Presents Skylark, Gaughan Awards at Boskone 58

The New England Science Fiction Association honored the winners of two annual awards at Boskone 58 on February 13.

SKYLARK AWARD

  • Anthony Lewis

The Edward E. Smith Memorial Award for Imaginative Fiction (the Skylark) is presented annually by NESFA® to some person, who, in the opinion of the membership, has contributed significantly to science fiction, both through work in the field and by exemplifying the personal qualities which made the late “Doc” Smith well-loved by those who knew him.

Skylark Award winner Anthony Lewis in 2002.

GAUGHAN AWARD

  • Hilary Clarcq

The Gaughan Award honors the memory of Jack Gaughan, a long-time friend of fandom and one of the finest SF artists of the 20th century. Because Jack felt it was important to encourage and recognize new blood in the field, The New England Science Fiction Association, Inc., presents the Gaughan Award annually to an emerging artist (an artist who has become a professional within the past five years) chosen by a panel of judges.

Clarcq’s website, with images of many more works, is here.

Gaughan Award winner Hilary Clarcq

Pixel Scroll 4/5/20 Tonight, We’re Secretly Replacing Glyer’s Regular Pixel Scroll With Dark, Sparkling, Decaffeinated Folgers Crystals

(1) TREADING THE BOARDS. Should things go better than seems likely right now, the Bloomington Playwrights Project, “the only professional theatre in the entire state of Indiana focused solely on new plays,” will be putting on a genre play during the first week in May: The Absentee.

THE ABSENTEE

Woodward/Newman Drama Award Winner

MAY 1 – MAY 9

Written by Julia Doolittle
Directed by Kate Bergstrom
Sponsored by Susan & David Jones

Far out in the Milky Way, “Beacons” serve as lighthouses for warping spaceships around the galaxy. When a U.S. Space Forces ship explodes near Beacon 44.AR.90, its Operator finds herself alone in deep space with only her ship’s AI for companionship. That is, until a persistent canvasser calls, desperate to convince her to vote absentee in the 2088 election.

…The Woodward/Newman Drama Award is an exclusive honor offered by Bloomington Playwrights Project, remembering the many great dramas Joanne Woodward and Paul Newman performed in together.

It presents the best unpublished full-length drama of the year with a cash prize of $3,000 and a full production as part of the BPP’s Mainstage season, along with travel reimbursement. 

(2) GERROLD INTERVIEW. What would you like to know?

Troy Parkins from Triton Leadership Coaching talks to Hugo Award winning author, David Gerrold about transformation, Star Trek, and the Sleestaks.

(3) NOT GREAT EXPECTATIONS. “A Door for You Alone: Reading Kafka’s ‘The Trial’ in Self-Isolation” is an analysis by Robert Zaretsky in the LA Review of Books.

…Few of his works, however, hinge more closely on doors than does The Trial. Seemingly overnight, Kafka’s novel has become our trial. Not only do doors open and close for the protagonist Josef K., but they are now opening and closing for all of us struggling to understand our changing world. For the most part, the light is as dim on one side as the other. It is all very, well, Kafkaesque.

…Since late January, the term “Kafkaesque” has metastasized in the traditional and print media. The odds are good that this week you’ve read an account in the media that uses or quotes someone using the word. Most often, it is used to describe the federal, state, or local bureaucracies that the sick and those trying to care for them confront in seeking tests or treatment. The word has festered as quickly as the virus, with Merriam-Webster reporting a dramatic uptick of people looking up its meaning.

For someone who doubled over in laughter while reading aloud parts of The Trial to his friends, Kafka would probably get a chuckle over this factoid. There are, of course, as many definitions of the Kafkaesque as there are readers of Kafka. There are also those readers who admit they cannot define it but know it when they see it — or know it when they see it in someone else’s definition. As one of those readers, I find that one of Kafka’s many biographers, Frederick R. Karl, seems to get it right. We enter the Kafkaesque, he writes, when “we view life as somehow overpowering or trapping us, as in some way undermining our will to live as we wish.”

(4) ETERNAL. “’Part of me expects to go on forever’ — Michael Moorcock at 80” – an epic profile by David Barnett at Medium.

…Moorcock is a grandfather now, and recalls that at a family meal in a restaurant a few years ago one of his grandsons said loudly, “Grandpa, please don’t give my mummy any more weed!” To which his response was that he’d never given his daughter drugs… he’d always sold them to her.

Notting Hill had a large West Indian population then, and was often the focus of right wing attention. Moorcock and a friend famously infiltrated a fascist organisation that turned out to be run by a white haired old lady who poured tea from a pot and held forth with her opinions on Jews and people of colour. It further turned out that absolutely everyone else in the gathering aside from the elderly host were also left-wingers who had infiltrated the group. Moorcock joined the Race Relations Council and lobbied for legislation to make racism against the law.

He was being a father, and a husband, and editing magazines and writing novels. He was writing novels at a terrific pace. He wrote his Corum books in just three days apiece. He didn’t have time to read them before sending them off to his editor, who didn’t have time to read them before sending them to the printer.

(5) WOOD OBIT. Longtime fan JoAnn Wood has died. Anthony Lewis reported on Facebook:

Bad news. I just heard from Larry Wood that his mother JoAnn Wood has died. JoAnn was active in Ohio fandom, was an early member of NESFA. In later years she lived in Texas. Her husband Ed was one of the partners in Advent: Publishers and I remember her being involved in packing books for shipment. She is survived by a son, daughter-in-law, and two granddaughters.

JoAnn Wood started the Connecticut Valley SF Society in Hartford, CT in 1969. She was one of the bidders for 7 in ’77 (nucleus of the group that ended up running the 1977 Worldcon in Miami) and Hawaii in 1981 (which lost to Denver).

(6) RAMSEY OBIT. Veteran effects creator Rebecca Ramsey died March 7. Deadline’s notice begins:

Rebecca Ramsey, whose dozens of visual effects credits include Watchmen, The Hunger Games and Harry Potter and the Deathly Hallows, has died. She was 53. Ramsey passed on March 7 from complications related to a fall in her home, according to her longtime friend, Jenny McShane.

Ramsey was a producer and EP of VFX, VR/AR/MR, 3D stereo, design and motion graphics for features, TV, titles, commercials and new media. She was a board member for the Visual Effects Society for several years and a longtime member of the Producers Guild.

(7) TODAY’S DAY.

April 5 — Fans of Star Trek celebrate First Contact Day on April 5 to mark the day in 2063 when humans make their first contact with the Vulcans.

 #FirstContactDay is trending on Twitter. Pick the best tweets accordingly.

And in case you wondered

Why did the writers of First Contact choose April 5th as First Contact Day? Writer Ronald D. Moore made that decision. He told StarTrek.com, “The short answer on First Contact Day is that it’s my oldest son, Jonathan’s birthday. And that’s the only reason the date was chosen.”

(8) TODAY IN HISTORY.

  • April 5, 1940 One Million B.C. premiered. It is also known as Cave ManMan and His Mate, and Tumak. Directed by Hal Roach and Roach Jr. it was produced by Hal Roach from a script by Mickell Novack, George Baker and Joseph Frickert. It starred Victor Mature, Carole Landis And Lon Chaney Jr. The film was a popular success and was nominated for two Academy Awards for its special effects and musical score which was by Werner R. Heymann. Neither it, nor the Sixties remake with Raquel Welch for that matter, are held in great liking by the audience reviewers at Rotten Tomatoes. This one gets a 34% rating, the remake a 37% rating. You can see the original here.
  • April 5, 1992 Mann & Machine premiered on 1992. It would last for only nine episodes. Starring  David Andrews, Yancy Butler and S. Epatha Merkerson, it was a Dick Wolf production, he of the eventually myriad Law & Order series. Yancy Butler would go on to be the lead a decade late in Witchblade. It has no audience rating at Rotten Tomatoes but the critic rating there is 20%.  NBC has the pilot available here for your viewing. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 5, 1916 Gregory Peck. You might remember him for his genre role as Robert Thorn in The Omen and definitely should remember him as Josef Mengele in The Boys from Brazil, thoughhis ‘purest’ SF role was Charles Keith in Marooned. (Died 2003.)
  • Born April 5, 1909 Albert Broccoli. American film producer responsible for all the Bond films up to License to Kill, either by himself or in conjunction with others. He also was the producer of Chitty Chitty Bang Bang, and executive produced The Gamma People which is in the public domain so you can see it here. (Died 1996.)
  • Born April 5, 1917 Robert Bloch. His Wiki Page says he’s best known as the writer of Psycho, but I’ll guarantee that only film geeks and many of y’all know that. I know him best as the writer of the Trek “Wolf in the Fold” episode. His Night of the Ripper novel is highly recommended by me. And I know that “That Hellbound Train” which won the Hugo Award for Best Short Story is the piece of fiction by him that I’ve read the most. He handed OGH two Hugos while emceeing the award ceremony at the 1984 Worldcon. His fiction is not well represented at the usual digital suspects. (Died 1994.)
  • Born April 5, 1926 Roger Corman, 94. Ahhhh popcorn films! (See popcorn literature for what I mean.) Monster from the Ocean Floor in the early Fifties was his first such film and Sharktopus vs. Whalewolf on Syfy just a few years back was another such film. He’s a man who even even produced such a film called, errr, Munchies. A Worldcon guest of honor in 1996.
  • Born April 5, 1950 A.C. Crispin. She wrote several Trek and Star Wars novelizations and created her series called Starbridge which was heavily influenced by Trek. She also co-wrote several Witch World novels, Gryphon’s Eyrie and Songsmith, with Andre Norton. Pirates of the Caribbean: The Price of Freedom was her last novel prior to her death. (Died 2013.)
  • Born April 5, 1950 Anthony Horowitz,70. He wrote five episodes of Robin of Sherwood, and he was both creator and writer of Crime Traveller. He’s also written both Bond and Holmes novels. If you can find a copy, Richard Carpenter’s Robin of Sherwood: The Hooded Man is a very nice fleshing out of that series in literary form.
  • Born April 5, 1965 Deborah Harkness, 55. She’s the author of the All Souls Trilogy, which consists of A Discovery of Witches and its sequels Shadow of Night and The Book of Life. I listened to the Jennifer Ikeda narrated audiobooks which are an amazing experience. Highly recommended as Harkness tells a remarkable story here. I’m not even fond ’tall of vampires in any form and hers actually are both appealing and make sense. I’ve not seen the series made from the novels. 
  • Born April 5, 1982 Hayley Atwell, 38. Agent Carter with her as Peggy Carter I’ll freely admit had been the only series or film in the MCU repertoire save the first Iron Man and Avengers films being the ones that I’ve flat out enjoyed so far. Even th,e misogyny of the males though irritating in that setting made sense. Oh, and I’m interested to see her in Christopher Robin as Evelyn Robin.

(10) COMICS SECTION.

  • Foxtrot has the scoop on life after climate change.

(11) THE LID OF OTHER DAYS. Let Alasdair Stuart tell you about his latest: The Full Lid (3rd April 2020).

This week on The Full Lid, I take a look at the different versions of Jean Luc Picard the just concluded first season of his show explored. I also talk to author Marieke Nijkamp about their excellent graphic novel The Oracle Code and listen to the first episode of new speculative thriller/romance/mystery/awesome podcast Null/Void. We round things off with a Signal Boost section so large it’s basically a kettle bell, crammed full of amazing things. Finally, the triumphant return of The Magnus Archvies is celebrated with a raft of Magnus-themed interstitial pieces. Enjoy:)

(12) THE WORM RETURNS. Ars Technica reports “NASA brings back its iconic “worm” logo to mark return of human spaceflight”.

The space agency said the retro-looking logo will be stamped on the side of the Falcon 9 rocket that will carry astronauts to the International Space Station as part of SpaceX’s Demo-2 flight, presently scheduled for mid to late May. NASA says there’s a good chance you’ll see the logo featured in other missions, too.

The change was driven by the space agency’s administrator, Jim Bridenstine, who told Ars he is a “huge fan” of the worm symbol.

(13) NITTY GRITTY. The details on how “Pixar pioneers behind Toy Story animation win ‘Nobel Prize’ of computing”.

…”The digital revolution we have seen in all kinds of movies, television, games – probably no one made more of the difference to that then Ed and Pat,” says David Price, author of the book The Pixar Touch.

To make Toy Story and other computer-animated films possible, Dr Catmull, Dr Hanrahan and their teams had to develop ways to get computers to visualize three-dimensional objects.

During his postdoctoral studies, Dr Catmull created a way to make a computer to recognize a curved surface. Once developers had a mathematically defined curve surface they could begin to add more features to it – like texture and depth.

“Step by step you figure out what kind of lighting should be applied. Then you begin to put in the physics of it because plastic reflects light one way and metal reflects it in a very different way,” Dr Catmull explains.

Dr Catmull had always had an interest in animation and film.

After earning, his doctorate and working in a graphics lab in New York, he eventually became the head of computer division of Lucasfilms, founded by George Lucas. The creator of Star Wars and Jurassic Park saw the potential of computer animation in movies.

But Dr Catmull’s says his dream to make a feature-length computer-animated film was still seen as “wildly impractical”.

“Most people dismissed the idea as an irrelevant pipe dream.”

(14) SPECIES JUMP. A few weeks ago, conservationists were worried that endangered populations of gorillas would be sickened, but the BBC reports “Tiger at US zoo tests positive for coronavirus”.

A four-year-old female Malayan tiger at the Bronx Zoo has tested positive for the coronavirus.

The Bronx Zoo, in New York City, says the test result was confirmed by the National Veterinary Services Laboratory in Iowa.

Nadia, her sister Azul, as well as two Amur tigers and three African lions, had developed a dry cough and all are expected to fully recover, it says.

The cats are believed to have been infected by a zoo keeper.

“We tested the cat [Nadia] out of an abundance of caution and will ensure any knowledge we gain about Covid-19 will contribute to the world’s continuing understanding of this novel coronavirus,” the zoo said in a statement on Sunday.

The big cats did have some decrease in appetite but “are otherwise doing well under veterinary care and are bright, alert, and interactive with their keepers”.

(15) EMERALD CITY WITHOUT PITY. From the New York Review of Books archives, Gore Vidal’s 1977 article “On Rereading the Oz Books”.

In the preface to The Wizard of Oz, L. Frank Baum says that he would like to create modern fairy tales by departing from Grimm and Andersen and “all the horrible and blood-curdling incident devised” by such authors “to point a fearsome moral.” Baum then makes the disingenuous point that “Modern education includes morality; therefore the modern child seeks only entertainment in its wondertales and gladly dispenses with all disagreeable incident.” Yet there is a certain amount of explicit as well as implicit moralizing in the Oz books; there are also “disagreeable incidents,” and people do, somehow, die even though death and illness are not supposed to exist in Oz.

I have reread the Oz books in the order in which they were written. Some things are as I remember. Others strike me as being entirely new. I was struck by the unevenness of style not only from book to book but, sometimes, from page to page. The jaggedness can be explained by the fact that the man who was writing fourteen Oz books was writing forty-eight other books at the same time…. 

(16) VIDEO OF THE DAY. In “Simon Pegg Offers Coronavirus Advice in Shaun Of The Dead Spoof” on YouTube, Pegg tells his friend Nick Frost that even though they survived the zombie apocalpyse on YouTube by hiding the Winchester pub, it’s better now to stay at home now that Britain has closed all the pubs for the duration of the pandemic.

[Thanks to Cat Eldridge, John King Tarpinian, Andrew Porter, JJ, Darrah Chavey, Chip Hitchcock, Michael Toman, Mike Kennedy, N., and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Kendall.]

Your Retro Jovian Award Winners

Brian Aldiss being serenaded with "Happy Birthday" at LonCon 3 in 2014.

Brian Aldiss being serenaded with “Happy Birthday” at LonCon 3 in 2014. Photo by Francis Hamit.

Jovian Awards were sent anonymously to the 2015 Hugo nominees who finished second to No Award (Pixel Scroll 12/17, item 14). Warren Buff, in a comment to Andrew Trembley on Facebook, said “Part of me would love to see them track down the equivalent data for the previous five No Awards and do the same there.”

I wondered how hard that would be. I began by looking at the years involved in my post “The Extremely Short History of No Award”.

All past No Awards occurred in years before the rules were changed to require a report of voting statistics, however, committees sometimes announced the ranking of the finalists.

1959 – SF or Fantasy Movie: No Award

The Long List of Hugo Awards for 1959 does not know the order of finish for the three finalists, which were

  • The Fly
  • The 7th Voyage of Sinbad
  • Dracula (from Hammer)

1959 – Best New Author: No Award

Somewhat inconsistently, the 1959 Worldcon committee did announce Brian W. Aldiss as the writer who finished second to No Award, and they gave him a plaque. (See Michael Ashley, in Transformations: The Story of the Science-fiction Magazines from 1950 to 1970.) Of course, Aldiss still could be given a Retro Jovian, and he might even enjoy it.

1963 – Dramatic Presentation: No Award

The Long List of Hugo Awards for 1963 also did not report how the finalists ranked in voting. They were:

  • Burn, Witch, Burn
  • The Day the Earth Caught Fire
  • Last Year at Marienbad
  • The Twilight Zone

1971 – Dramatic Presentation: No Award

Who finished second to No Award in 1971 needs to be resolved. The Long List of Hugo Awards for 1971 says it was Colossus: The Forbin Project – a film that is getting some love in the current SF Movie Bracket. But Tony Lewis, chair of the 1971 Worldcon, who also tallied the Hugo votes, told File 770 in 2009 that No Award got a majority of votes while Jefferson Starship’s Blows Against the Empire received the largest number of votes of any nominated work. Somebody should be able to reconcile these two answers.

1977 – Dramatic Presentation: No Award

According to the Long List of Hugo Awards for 1977 this was another year where the final rankings were not disclosed. The nominees were –

  • Carrie
  • Logan’s Run
  • The Man Who Fell to Earth
  • Futureworld

I leave the rest as an exercise for DIY trophy makers…

“If I Ran The Z/o/o/ Con” Reloaded and Reissued

If I Ran The ZooSasquan guest of honor Leslie Turek is preparing a 4th edition of the Worldcon runners’ role playing game If I Ran the Zoo…Con for delivery in Spokane. The cover illustration is by Merle Insinga, and interior cartoons by Steve Stiles. Preorders are being taken by OffWorld Designs.

First introduced and played at Smofcon 3 in 1986, If I Ran the Zoo…Con lets players lead a committee through the Bidding, Planning, and At-Con phases of a World Science Fiction Convention.

The game has been revised and updated with nine new scenarios, some contributed by Priscilla Olson, Mark Olson, and John Pomeranz.

The new scenarios include a crisis about losing a hotel while bidding, and a thinly-disguised adaptation of the 1997 Disclave flood. Leslie Turek continues: “Other scenarios cover things that are new in Worldcon-running since the 1980’s, such as web sites, social media storms, exhibit space layout, and the Hugo Loser’s party. No, we don’t address the Hugo controversy (too soon), but we do talk about Hugo base design (couldn’t resist the phrase ‘People are losing their balls’ – if you were at N3, you’ll understand that one).”

I was one of the lucky players when the game debuted in 1986.

Here’s is Leslie Turek’s description of that experience from Mad 3 Party #16 (February 1987):

The game was designed to be both an ice-breaker and also something to get people thinking about some of the perennial con-running problems in a humorous setting. (Joe Mayhew referred to it as a consciousness-raising technique.) It’s not clear how many consciousnesses were raised, but there certainly was a lot of hilarity.

First, three teams (known as con committees) were selected by leaders from each region: Mike Walsh for the East. John Guidry for the Central, and Mike Glyer for the West. Game officials were Chip Hitchcock as the SMOF (who read the game scenarios). Alexis Layton as the Independent Accountant (who kept track of the score), and Tony Lewis as Murphy (the element of chance). Murphy was aided in his job by a spinner in the form of a day-glo propeller beanie created by Pam Fremon.

The game took the committees through three phases: bidding, planning, and at-con. For each turn, the committee chose a chairman and also drew a scenario to play. Scenarios, which were written by a number of contributors, including such titles as:

Bidding:

  • Choosing the Bid Committee
  • GoH Choice
  • Booze
  • Pre-Supporting Memberships

 

Planning

  • Masquerade Length
  • The Big Premiere
  • The “Relationship”
  • Kids’ Programming
  • Ups and Downs (Elevator Management)
  • The Contract

At-Con

  • Turning the Tables (No-show Hucksters)
  • The Lady and the Snake
  • The Ice
  • Keep on Truckin’ (Logistics)

As each situation was read, the chairman would be given a number of options to select from. The committee could be consulted, but the chairman had to make the final decision. In some cases, the next situation was a direct result of the chairman’s choice, but in most cases, Murphy was also consulted. Murphy would spin the spinner and the SMOF would select the next situation according to that result. As the situations progressed, the team would win or lose Financial poings (representing money), People points (representing staff effort), and Goodwill points (representing the reaction of fandom and others whose cooperation is needed by the committee).

Many of the scenarios covered more than one phase. For example, a decision made in the planning phase might have results later in the game during the at-con phase. Murphy played a role here in deciding when each team would have to deal with the consequences of its earlier decisions. Murphy’s favorite line began, “Remember when you decided to….?”

The total game consists of 43 scenarios, and in about 2 hours of play we managed to go through only about 2/3 of them. After the game (which was won by the Central team), each member was given a printed copy of the full game to take home with them.

There were big plans in the 1980s to make a text-based computer game from the script. So far as I know that never happened, but MCFI and NESFA have kept the print version going for nearly 30 years.

1971 BDP: No Award Really Did “Win”

David Klaus commented that Wikipedia’s entry about Jefferson Starship’s album “Blows Against the Empire”, nominated for the 1971 Best Dramatic Presentation Hugo, makes the claim:

Although the album garnered the most votes for the award, no award was given in 1971 for this category.

The article gives no cross-reference. That outcome should have been impossible under the 1971 rules (or today’s) where voters must rank “No Award” along with the nominated works. I wondered if the statement had a basis in reality or if it was sheer nonsense? Fortunately, the person best able to answer the question was easy to find: Tony Lewis. He replied:

Mike, I was chair [of Noreascon, the 1971 Worldcon] and also Hugo administrator. I ruled that Jefferson Starship’s Blows Against the Empire was eligible. Some people disagreed because it was a record (remember them) and thus not been performed on tv, film, or radio. I told them it had been played publicly. Another argument was that it was just singing with brief narrative threads to connect them; well, that’s Grand Opera also.

It received the largest number of votes for actual items in that category but No Award received a majority of the votes–I seem to remember that that happened on the first round.

The statement in Wikipedia might be considered true in some sense but it is certainly incomplete and misleading.

Thanks Tony. Add me to the list of people who are glad you broke down the walls in the Best Dramatic category. A friend of mine played the album for me in 1970 and when I saw it on the Hugo ballot I remember thinking it was exciting that sf music could compete for the award.

Who Owns the Moon?

Can someone own land on the Moon? That was the question before the house at the Luna Philosophie on August 20. Luna Philosophie is the “salon and discussion” hosted by NASA’s CoLab at every full moon in San Francisco. Steve Durst from the Board of Directors of the International Lunar Observatory Association and Dr. William Marshal of NASA Ames each took a crack at the answer. Surprisingly, they both got it wrong! Neither seemed to know that two science fiction clubs already claimed the Moon. (See their video.)

It’s quite appropriate that the meeting happened across the bay from Berkeley, historic home of the Bay Area Elves’, Gnomes’ and Little Men’s Science Fiction, Chowder, and Marching Society. It was the Little Men who, in 1951, filed a claim for mining rights to 2,250 sq. mi. of the Moon. Their claim was widely reported in the media – even by Time magazine. Les Cole told the whole story in Mimosa 18:

Incidentally, filing a claim on the moon was old hat; the Bureau of Mines had hundreds of claims on file. But the Little Men’s claim was different in two ways: we would file before the U.N. — anyone of any sense could see that the U.S. Bureau of Mines had no jurisdiction on the moon — and we would file for a very small piece, not all of the moon; we weren’t greedy…

And then came The Letter. Don [Fabuns] and I worked on that one at some length. It was to be sent to the head of the U.N. Legal Department, and in it, we offered to cede back 85% of the mineral rights, all of any radioactives found (this was 1951, remember, and the romance with them had not yet fizzled), and perpetual U.N. rights to a presence in the triangular area. All the U.N. had to do was recognize our claim.

According to Les, when Neil Armstrong and Buzz Aldrin landed on the moon his wife, Es, wanted to bill NASA $0.90/hour for parking.

Unfortunately, the governments of the world bigfooted all over the Little Men’s claim in January 1967 when they signed the Outer Space Treaty declaring that the Moon belongs to all mankind.

Science fiction fandom did not take this lying down. At a December 1970 meeting of the New England Science Fiction Association, “[Tony Lewis] showed the moon map from the Nov 1970 issue of Sky and Telescope. Hugo Gernsback crater was identified, as were Wiener, Ley, Verne, Wells, etc. As a result of this increase in cultural knowledge it was [moved, seconded and passed] that the Moon be designated NESFA’s Moon and that the Aerospace Cadets protect it.” NESFAn Harry Stubbs, then a Lt. Col. in the Air Force, was named commander of the Aerospace Cadets, holding the title “Lord of the Wings.” Later, Alan Frisbie and Paula Lieberman were also enrolled as Cadets.

NESFA shieldNESFA has kept a close eye on its property ever since. When there was a total eclipse of the Moon in July 1982, Tony Lewis wrote a letter protesting the unauthorized use of NESFA’s Moon. The club voted him responsibility for preventing the occurrence of any further unauthorized eclipses. In 1984, Chip Hitchcock reported that Walt Disney’s movie Splash abused NESFA’s Moon by having it wax in the wrong direction. Members voted Chip the job of writing their letter of complaint to Disney Studios’ publicity agency, Craig Miller’s “Con-Artists.”

NESFA even managed to turn Moon ownership into a money-raising tool. They created NESFA Realty Trust bonds to finance the purchase of their clubhouse in 1985.

Inexplicably, NESFA never seems to have objected to the practice of selling land on the moon. And they might want to issue a warning to all the entrepreneurs working on spacecraft to send to the Moon who plan to take ownership of the patch they land on, among them Luna Philosophie speaker Steven Durst himself:

[Durst is] linked to one of the Google Lunar [X Prize] competitors, Odyssey Moon, and he said during the talk that he hopes to scratch out his initials on one of the legs of a lunar rover and “claim his acre.”