The 36th issue of Uncanny Magazine, winner of five Hugos and a British Fantasy Award, will be available on September 1.
Hugo Award-winning Publishers Lynne M. Thomas and Michael Damian Thomas are proud to present the 36th issue of their five-time Hugo Award-winning online science fiction and fantasy magazine, Uncanny Magazine. Stories from Uncanny Magazine have been finalists or winners of Hugo, Nebula, Locus, and World Fantasy Awards. As always, Uncanny features passionate SF/F fiction and poetry, gorgeous prose, provocative nonfiction, and a deep investment in the diverse SF/F culture, along with a Parsec Award-winning monthly podcast featuring a story, poem, and interview from that issue.
All of Uncanny Magazine’s content will be available in eBook versions on the day of release from Weightless Books, Amazon, Barnes & Noble, Google Play, and Kobo. Subscriptions are always available through Amazon Kindle and Weightless Books. The free online content will be released in 2 stages- half on day of release and half on October 6.
“The Uncanny Valley” by Lynne M. Thomas & Michael Damian Thomas (9/1)
“Imagining Place: Worldbuilding As” by Elsa Sjunneson (9/1)
“Metal Like Blood in the Dark” by T. Kingfisher (9/1)
“Anchorage” by Samantha Mills (9/1)
“Laws of Impermanence” by Kenneth Schneyer (9/1)
“Juvenilia” by Lavie Tidhar (10/6)
“The City of the Tree” by Marie Brennan (10/6)
“In The Space of Twelve Minutes” by James Yu (10/6)
“The Mouser of Peter the Great” by P. Djèlí Clark (9/1)
“Finding Myself in Speculative Fiction Again After Leaving Other Worlds Behind” by Del Sandeen (9/1)
“The Roots of Hope: Toward an Optimistic Near-Future SF in a Pandemic” by Marissa Lingen (9/1)
“Life, Liberty, and the Pursuit of Excellence” by Nibedita Sen (10/6)
“Sticks and String” by Christopher Mark Rose (10/6)
“Fin” by Terese Mason Pierre (9/1)
“My Cat, He” by Beth Cato (9/1)
“The Body in Revolt” by Rita Chen (10/6)
“As if My Flesh was Summer Soil” by Lora Gray (10/6)
Kenneth Schneyer interviewed by Caroline M. Yoachim (9/1)
Lavie Tidhar interviewed by Caroline M. Yoachim (10/6)
Episode 36A (September 1): “Metal Like Blood in the Dark” by T. Kingfisher, as read by Erika Ensign, “Fin” by Terese Mason Pierre, as read by Joy Piedmont, and Lynne M. Thomas interviewing T. Kingfisher.
Episode 36B (October 6): Editors’ Introduction, “In The Space of Twelve Minutes” by James Yu, as read by Joy Piedmont, “As if My Flesh was Summer Soil” by Lora Gray, as read by Erika Ensign, and Lynne M. Thomas interviewing James Yu.
The WarnerMedia branch of Warner Bros. was hit with a ton of layoffs today, and things seem especially dire this evening for the Warner-owned DC Comics. According to The Hollywood Reporter, a number of high-ranking people at DC are now out, including editor-in-chief Bob Harris, several senior VPs, and some editors (including executive editor Mark Doyle, who was in charge of the publisher’s edgy new Black Label graphic novels). Furthermore, THR’s sources say the layoffs have come for “roughly one third” of DC’s entire editorial staff as well as “the majority” of the people working on the DC Universe streaming service, and the DC Direct merchandise brand has been completely shut down after 22 years of selling Batman toys.
…Insiders also say the majority of the staff of the streaming service DC Universe has been laid off, a move that had been widely expected as WarnerMedia shifts its focus to new streaming service HBO Max.
“DC Universe was DOA as soon as the AT&T merger happened,” said one source.
DC Universe launched in May 2018, and is home to live-action series such as Doom Patrol, Titans and Stargirl, as well as animated offerings including Young Justice and Harley Quinn. Some of those shows have now started to stream on HBO Max.
Also a victim of the layoffs: DC Direct, the company’s in-house merchandise and collectibles manufacturer….
…I don’t want to give the impression that my American Rose is some kind of bastard love child of Kate Bush and the Blair Witch. But like other suspense writers who dip their nibs into the cursed waters of folk horror, its elements may be sprinkled into a contemporary novel to create an atmosphere of dread.
The resurgence of the genre shows that folk horror is apt for our times. Identities are fluid. No bad deed goes unpunished. The civilized world is only a heartbeat away from primal and uncanny threats.
The genre is also nostalgic for a rural England that is as far from Downtown Abbey as you can get in a four-horse carriage. This England is afeared of change. In times of crisis, we return to the old ways, which offer a reassuring connection to a simple past. But at the cost of old evils. There is a sense that all progress is a chimera, that our modern sophistication is itself a form of naivety.
…Before your mind can make sense of it, words in some shade of Watchmen yellow superimpose across the screen: TULSA 1921.
Gotta admit, didn’t see that coming.
Once those two words flashed, what I was looking at resolved into focus. The Tulsa Race Riots of 1921. The Tulsa Massacre. The scene set off a surge on Google as viewers searched for information on the riot—their first time learning about it. Many Black folks, though, didn’t have to go looking. We’d heard some version of this story. I couldn’t even tell you where or when it was passed on to me—one of those bits of common knowledge that travels along Black intra-community networks, written down in our Scriptures on the Sins of White Folk. The story of the all-Black and self-sustaining community that rose up in the middle of Jim Crow. That prospered, with its own businesses and professionals. Black Wall Street, they called it. Even if you didn’t know every detail—like the discrepancies about airplanes dropping dynamite on buildings, or the disputes over mass graves—you had heard something about Tulsa. It was a story of Black excellence, and Black horror. A tragic tale of a lost world like the city of Atlantis, or doomed Krypton—only snuffed out not by natural disaster or hubris, but by the reckless fires of white supremacy.
Still, the cold open of an HBO production was the last place I expected to see this. I’d gone my entire Black life and never seen a single recreation—not once. Our stories didn’t appear in mainstream productions like this. Our histories certainly weren’t centered this way within a major speculative canon. Our perspective wasn’t supposed to fit into stories of superheroes as jaded vigilantes, a physics- bending blue guy, and the greatest hoax ever played on mankind—à la interdimensional psychic squid.
The robot, shaped like a large cooler on wheels, zipped along somewhere ahead of me. My left hand clasped the smooth leather harness of my German shepherd guide dog. “Mylo, forward.” The speed of his four short legs complemented the strides of my longer two — call it the six feet fox trot. Together we glided past the competition.
My quarantine buddy stayed behind filming the race. Mylo: 1, Robot: 0.
My amusement with the little robots shifted to curiosity. Thirty years after the Americans with Disabilities Act of 1990, many tech companies still fail to design for disability. How would the autonomous robots react to disabled pedestrians?
About 10 feet down the sidewalk, I stopped and turned around. Mylo tensed, his alarm crawling up my arm. The white visage of the robot stopped about a foot from his nose.
I hoped the robot would identify a pedestrian and roll away, but it stayed put. Mylo relaxed into a sitting position — guide dog school didn’t teach him about the robot apocalypse. I scratched his ears and he leaned into my hands. The robot was not moved.
(6) MEDIA BIRTHDAY.
August 11, 1955 — X Minus One’s “Almost Human” was broadcast for the first time. The screenplay was written as usual by George Lefferts off of Robert Bloch‘s story of the same name first published in Fantastic Adventures, June 1943. (Last collected in The Complete Stories of Robert Bloch, Volume 1: Final Reckonings, 1990.) Bloch’s tale has a petty criminal taking over an android for what he thinks he is suitable training and has the tables turned on him as the android is too human. The cast included Santos Ortega, Joan Allison, Jack Grimes, Guy Repp, Nat Pollen, Joseph Julian and Lin Cook. You can listen to it here. (CE)
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertx.]
Born August 11, 1902 — Jack Binder. In Thrilling Wonder Stories in their October 1938 issue they published his article, “If Science Reached the Earth’s Core”, with the first known use of the phrase “zero gravity”. In the early Forties, he was an artist for Fawcett, Lev Gleason, and Timely Comics. During these years, he created the Golden Age character Daredevil which is not the Marvel Daredevil though he did work with Stan Lee where they co-created The Destroyer at Timely Comics. (Died 1986.) (CE)
Born August 11, 1923 – Ben P. Indick. Fanzine Ben’s Beat; letters, reviews, in Anduril, Banana Wings, The Baum Bugle, The Call of Cthulhu, Chacal, The Frozen Frog, The Metaphysical Review, Necrofile, Nyctalops, Riverside Quarterly, Rod Serling’s Twilight Zone Magazine, Studies in Weird Fiction, Weird Tales. Wrote Ray Bradbury, Dramatist and George Alec Effinger; eight short stories; contributed to Hannes Bok studies and flights of angels (1968), Bok (1974). First Fandom Hall of Fame. My attempt to recruit him for APA-L produced, briefly, Chez Ondique. (Died 2009) [JH]
Born August 11, 1928 — Alan E. Nourse. His connections to other SF writers are fascinating. Heinlein dedicated Farnham’s Freehold to Nourse, and in part dedicated Friday to Nourse’s wife Ann. His novel The Bladerunner lent its name to the movie but nothing else from it was used in that story. However Blade Runner (a movie) written by, and I kid you not, William S. Burroughs, is based on his novel. Here the term “blade runner” refers to a smuggler of medical supplies, e.g. scalpels. (Died 1992.) (CE)
Born August 11, 1932 — Chester Anderson. His The Butterfly Kid is the first part of what is called the Greenwich Village Trilogy, with Michael Kurland writing the middle book, The Unicorn Girl, and the third volume, The Probability Pad, written by T.A. Waters. I can practically taste the acid from here… The Butterfly Kid is available from all the usual digital suspects. (Died 1991.) (CE)
Born August 11, 1936 – Bruce Pelz, F.N. An omnifan who did clubs, collecting, cons, costuming, fanhistory, fanzines, filking, gaming, and, as the saying goes, much much more. Co-chaired Westercon 22 and L.A.Con the 30th Worldcon (with Chuck Crayne); founded Loscon and chaired Loscon 10; Fan Guest of Honor at Noreascon Two the 38th Worldcon; founded the History of Worldcons Exhibit; twice earned the LASFS (L.A. Science Fantasy Soc.) Evans-Freehafer Award; was named a Fellow of NESFA (New England SF Soc.; service award); Filk Hall of Fame; invented APA-L, contributed to it, FAPA, SAPS, OMPA, The Cult, and for a while every existing apa; recognized fan and pro art with the Fantasy Showcase Tarot Deck (PDF); gave his collection of fanzines, almost two hundred thousand of them, to U. Cal. Riverside. He was an Eagle Scout. Here and here are appreciations by OGH. (Died 2002) [JH]
Born August 11, 1949 – Nate Bucklin, 71. First Secretary of Minn-stf (or stef, from Hugo Gernsback’s word scientifiction) and thus one of its Floundering_Fathers. Guest of Honor at Minicon 16 and 43, Windycon 32, DucKon IV. Five short stories. Fanzine, Stopthink; editor awhile of Rune; founding member of Minneapa. Being a filker (see link under Bruce Pelz) he was Guest of Honor at GAFilk Six, and the Interfilk Guest at Contata 5. Once explained to me “We have half these songs memorized – usually the first half.” [JH]
Born August 11, 1959 — Alan Rodgers. Author of Bone Music, a truly great take off the Robert Johnson myth. His “The Boy Who Came Back From the Dead” novelette won the Bram Stoker Award for Best Long Fiction, and he was editor of Night Cry in the mid-Eighties. Kindle has Bone Music and a number of his other novels, iBooks has nothing available. (Died 2014.) (CE)
Born August 11, 1961 — Susan M. Garrett. She was a well-known and much liked writer, editor and publisher in many fandoms, but especially the Forever Knight community. (She also was active in Doctor Who and The Secret Adventures of Jules Verne fandoms. And no, I had no idea that the latter had a fandom.) She is perhaps best known for being invited to write a Forever Knight tie-in novel, Intimations of Mortality. It, like the rest of the Forever Knight novels, is not available in digital form. (Died 2010.) (CE)
Born August 11, 1970 – Elizabeth Kiem, 50. Four novels for us; collaborated on five books about Balanchine. Three of those four have the Bolshoi Ballet. [JH]
Born August 11, 1972 – Danielle Wood, 48. Tasmanian. Three novels for us (with Heather Rose); dozens more via thus this site (subscription needed). Website here. [JH]
Born August 11, 1976 — Will Friedle, 44. Largely known as an actor with extensive genre voice work: Terry McGinnis aka the new Batman in Batman Beyond which Warner Animation now calls Batman of the Future, Peter Quill in The Guardians Of The Galaxy, and Kid Flash in Teen Titans Go! to name but a few of his roles. (CE)
Born August 11, 1989 – Will Wight, 31. Sixteen novels in three series; fourteen shorter stories, most available only here. Website here. Some of you will know why I keep misspelling his misspelling his name (and may even know how to spell Nesselrode). [JH]
…Even in high school, Walt Kelly had worked at his local newspaper; after graduation, he even drew that paper a comic strip about the life of P.T. Barnum. While he was also hired for a few freelance assignments while living on the East Coast, he wanted to produce a different sort of comic art. Walt Disney Productions was his goal, he applied to work there, and he was hired.
As he worked for Disney on a variety of projects for the next five and a half years, he became friends with several of his fellow writers and artists. Like many other fledgling creators there, he’d eventually go on to work in the new comic book industry.
But wait. We were wrapping up the 1930s. And the 1940s were just ahead….
(10) CONDEMNED BY THE SCI-FI SCRIBE. In “Awards For Works Should Be Judged By The Work Itself” [Archive Today copy] Richard Paolinelli rolls together the week’s kerfuffles – Hugo toastmaster GRRM mispronouncing names, Jeannette Ng’s Hugo, the Retro-Hugos for Campbell and Lovecraft, and the attack on the concept of an sff canon – into one prodigious blunt and fires it up. Every paragraph is like this:
…And now they want to change the rules for future Retro Hugos it seems. No longer can the best work be nominated, they yowl, but if the creator behind said work does not pass the “Officially Acceptable Wokeness Test” they must be chiseled out of the SF/F historical record forever lest future generations ever hear of their vile “un-woke” creations!
And to make sure we know how unwoke he is, Richard repeatedly misspells N.K. Jemisin’s name, and delivers this bonus blast to John Scalzi’s syndicated movie review column of 30 years ago.
…Even John Scalzi jumped into the fray to declare that we really shouldn’t waste our time on the “old SF/F” stuff and only read the “modern (read: acceptably woke) stuff”.
HISTORICAL NOTE: I had the extreme displeasure of having to read his crap when it shot across the McClatchy Newspaper wire back in the mid-1990s when he was at the Fresno Bee and I worked the copy desk for two days a week at the Modesto Bee (thankfully the other three days I escaped that torture by working in the Sports department.)
When I heard Scalzi had jumped to fiction writing I pitied his poor editor. His stuff at the Bee was always the last we worked on and always need massive reworking to be suitable to run….
…In [The Godwulf Mnuscript], a student member of the anticapitalist committee tells Spenser not to laugh at the group, saying that they are “perfectly serious and perfectly right.” Spenser answers that so is everyone else he knows. In a world that revolves around ideologies and declarations of righteousness, Spenser is glad to meet people who don’t take themselves too seriously. The cast of supporting characters is populated by friends of different genders and colors who operate on principle without saying so, who are more about the walk than the talk. This is part of the hard-boiled principle of understatement; other people’s pain is to be taken seriously, but one’s own is not. But it is also a signal that the hard-boiled is beginning to change his parameters.
Ian Brackenbury Channell walks around in black robes and a pointy hat. He’s a tourist attraction, so Christchurch, New Zealand, even pays him. As he steps aside, a successor wizard takes over. Now, you may ask, exactly what magical power does this wizard possess? His answer – every day, the world gets more serious, so fun is the most powerful thing.
When Natalie Monson started her food blog 11 years ago, she didn’t expect to end up embroiled in a fight with the world’s most valuable company.
But the US small business owner is now battling Apple for the right to use a pear in the logo on her recipe app.
In a patent filing, Apple said the image was too similar to its own logo and would hurt its brand.
Ms Monson says the tech giant is simply “bullying” and she feels a “moral obligation” to fight back.
More than 43,000 people have already signed the petition she and her husband Russ, owners of the Super Healthy Kids website, created last week to try to pressure the company to back down.
“This is a real world example of a small business being destroyed by a giant monopoly because they don’t have accountability,” Mr Monson told the BBC. “That was so frustrating to us that we thought we had to do something. We can’t just be the next victim on the list.”
A 99-million year old fossil of a “hell ant” is giving researchers a glimpse into the behavior of these fearsome ancient insects, a new study reports.
Encased in amber (tree resin), the fossil provides the most vivid picture yet of how hell ants once used their uncanny tusk-like mandibles and diverse horns to successfully hunt down victims for nearly 20 million years, before vanishing from the planet.
“Since the first hell ant was unearthed about a hundred years ago, it’s been a mystery as to why these extinct animals are so distinct from the ants we have today,” said study lead author Phillip Barden of the New Jersey Institute of Technology, in a statement.
(17) WHY IT’S GR8T. In “Honest Trailers: Avatar–The Last Airbender” on YouTube, the Screen Junkies explain that the anime series Avatar–The Last Airbender is “full of life lessons that will thrill your inner eight-year-old–because it was written for eight year olds.”
[Thanks to John Hertz, John King Tarpinian, Mike Kennedy, Martin Morse Wooster, Andrew Porter, Chip Hitchcock, Cat Eldridge, JJ, and Michael Toman for some of these stories. Title credit goes to File 770 contributing editor of the day Camestros Felapton.]
On day one they’ve raised $12,566 of their initial $18,700 goal.
“Uncanny features passionate SF/F fiction and poetry, gorgeous prose, and provocative nonfiction, with a deep investment in our diverse SF/F culture. We publish intricate, experimental stories and poems with verve and vision, from writers from every conceivable background. With the hard work of the best staff and contributors in the world,Uncanny Magazine has delivered everything as promised (or is in the middle of delivery) with our Year One, Two, Three, Four, Five, and Six Kickstarters. This year, the magazine has been recognized as a Hugo winner and Locus Award finalist, and three stories plus the editors-in-chief have been recognized as Hugo Award finalists,” Lynne says.
“We couldn’t have done all of this without the amazing support of our Kickstarter community, who we call the Space Unicorn Ranger Corps after our logo mascot. This is also their magazine; their support makes it possible for us to make all of this amazing content available for free on our website. We still feel Uncanny‘s mission is important, especially in these times. And hopefully, we will meet the stretch goals and be able to offer an additional novella this year,” Michael adds.
For Year Seven, Uncanny has solicited original short fiction from Hugo, Nebula, Locus, and World Fantasy Award-winning and nominated authors and bestselling authors including: Aliette de Bodard, Martha Wells, Catherynne M. Valente, Fran Wilde, Tochi Onyebuchi, Sarah Pinsker, Shveta Thakrar, Carrie Vaughn, P. Djèlí Clark, Sam J. Miller, Ellen Kushner, Tananarive Due, Elizabeth Hand, and Caroline M. Yoachim. There will also be numerous slots for unsolicited submissions.
Uncanny Magazine Year Seven plans to showcase original essays by Marieke Nijkamp, Jay Edidin, Alice Wong, Katherine Cross, Troy L. Wiggins, Nisi Shawl, and Sarah Kuhn, plus poetry by Neil Gaiman, Brandon O’Brien, L.X. Beckett, Valerie Valdes, Theodora Goss, Jane Yolen, and Peter Tacy.
And if they get the support, after they hit the initial target here’s what comes next:
Year Seven Stretch Goals:
$20,700 – Original cover art from Galen Dara
$22,700 – Original cover art from Nilah Magruder
$24,700 – Original cover art from Alexa Sharpe
$26,700 – Pay our submissions editors a modest stipend
$28,700 – Increase Essay Pay Rate to $100 per essay
$34,700 – Purchase & Publish 1 Novella Per Year at (up to 30,000 words) $.10 per word
Uncanny Magazine issues are published as eBooks (MOBI, PDF, EPUB) bimonthly on the first Tuesday of that month through all of the major online eBook stores. Each issue contains 5-6 new short stories, a reprinted story, 4 poems, 4 nonfiction essays, and 2 interviews, at minimum.
Material from half an issue is posted for free on Uncanny’s website (built by Clockpunk Studios) once per month, appearing on the second Tuesday of every month (uncannymagazine.com). Uncanny also produces a monthly podcast with a story, poem, and original interview. Subscribers and backers will receive the entire double issue a month before online readers.
The 35th issue of Uncanny Magazine, winner of four Hugos and a British Fantasy Award, will be available July 7.
Hugo Award-winning Publishers Lynne M. Thomas and Michael Damian Thomas are proud to present the 35th issue of their four-time Hugo Award-winning online science fiction and fantasy magazine, Uncanny Magazine. Stories from Uncanny Magazine have been finalists or winners of Hugo, Nebula, Locus, and World Fantasy Awards. As always, Uncanny features passionate SF/F fiction and poetry, gorgeous prose, provocative nonfiction, and a deep investment in the diverse SF/F culture, along with a Parsec Award-winning monthly podcast featuring a story, poem, and interview from that issue.
All of Uncanny Magazine’s content will be available in eBook versions on the day of release from Weightless Books, Amazon, Barnes & Noble, Google Play, and Kobo. Subscriptions are always available through Amazon Kindle and Weightless Books. The free online content will be released in 2 stages — half on the day of release and half on August 4.
The 34th issue of four-time Hugo winning Uncanny Magazine will be available May 5.
Hugo Award-winning Publishers Lynne M. Thomas and Michael Damian Thomas are proud to present the 34th issue of their four-time Hugo Award-winning online science fiction and fantasy magazine, Uncanny Magazine. Stories from Uncanny Magazine have been finalists or winners of Hugo, Nebula, Locus, and World Fantasy Awards. As always, Uncanny features passionate SF/F fiction and poetry, gorgeous prose, provocative nonfiction, and a deep investment in the diverse SF/F culture, along with a Parsec Award-winning monthly podcast featuring a story, poem, and interview from that issue.
All of Uncanny Magazine’s content will be available in eBook versions on the day of release from Weightless Books, Amazon, Barnes & Noble, Google Play, and Kobo. Subscriptions are always available through Amazon Kindle and Weightless Books. The free online content will be released in 2 stages- half on day of release and half on June 2.
Uncanny Magazine Issue 34 Table of Contents
Taking Flight by Julie Dillon
“The Uncanny Valley” by Lynne M. Thomas & Michael Damian Thomas
“Imagining Place: Self-Quarantine Edition” by Elsa Sjunneson
“A Being Together Amongst Strangers” by Arkady Martine (5/5)
“Through the Veil” by Jennifer Marie Brissett (5/5)
“High in the Clean Blue Air” by Emma Törzs (5/5)
“Burn or The Episodic Life of Sam Wells as a Super” by A.T. Greenblatt (6/2)
“Dresses Like White Elephants” by Meg Elison (6/2)
“We Chased the Sirens” by Suzanne Walker (6/2)
“Where the Sky Is Silver and the Earth Is Brass” by Sonya Taaffe (6/2)
“It Is Not That The Spoon Must Bend, or: Cypher’s Steak and Our Online Lives” by Fran Wilde (5/5)
“Cons, Crud, and Coronavirus” by Kelly Lagor (5/5)
“Prayer Room Science Fiction” by Khairani Barokka (6/2)
“Censorship and Genre Fiction—Let’s Broaden our Broader Reality” by Ada Palmer (6/2)
“Assimilation” by Valerie Valdes (5/5)
“Athena Holds Up a Mirror to Strength” by Ali Trotta (5/5)
“deep sleep” by Roshani Chokshi (6/2)
“ask them who is doing the haunting (a vietnamese american underwater fairytale)” by T.K. Lê (6/2)
Emma Törzs interviewed by Caroline M. Yoachim (5/5)
Meg Elison interviewed by Caroline M. Yoachim (6/2)
Uncanny Magazine Podcast 34A (5/5)
“A Being Together Amongst Strangers” by Arkady Martine, as read by Joy Piedmont
“Athena Holds Up a Mirror to Strength” by Ali Trotta, as read by Erika Ensign
Lynne M. Thomas Interviews Arkady Martine
Uncanny Magazine Podcast 34B (6/2)
“Burn or The Episodic Life of Sam Wells as a Super” by A. T. Greenblatt, as read by Erika Ensign
“deep sleep” by Roshani Chokshi, as read by Joy Piedmont
The 33rd issue of four-time Hugo winning Uncanny Magazine will be available on March 3.
Hugo Award-winning Publishers Lynne M. Thomas and Michael Damian Thomas are proud to present the 33rd issue of their four-time Hugo Award-winning online science fiction and fantasy magazine, Uncanny Magazine. Stories from Uncanny Magazine have been finalists or winners of Hugo, Nebula, Locus, and World Fantasy Awards. As always, Uncanny features passionate SF/F fiction and poetry, gorgeous prose, provocative nonfiction, and a deep investment in the diverse SF/F culture, along with a Parsec Award-winning monthly podcast featuring a story, poem, and interview from that issue.
of Uncanny Magazine’s content will be available in eBook versions
on the day of release from Weightless Books, Amazon, Barnes
& Noble, Google Play, and Kobo. Subscriptions are always available
through Amazon Kindle and Weightless Books. The free online content will
be released in 2 stages- half on day of release and
half on April 7.
Issue 33 Table of Contents
Wild Blue Yonder by Galen Dara
“The Uncanny Valley” by Lynne M. Thomas & Michael Damian Thomas
“Imagining Place: New York, New York. It’s a Hell of a Town” by Elsa Sjunneson
“So You Want to Be a Honeypot” by Kelly Robson (3/3)
“The Sycamore and the Sybil” by Alix E. Harrow (3/3)
“If Salt Lose Its Savor” by Christopher Caldwell (3/3)
“Getaway” by Nicole Kornher-Stace (4/7)
“If You Want to Erase Us, You Must Be Thorough” by L. Tu (4/7)
“Georgie in the Sun” by Natalia Theodoridou (4/7)
“Harvest” by Rebecca Roanhorse (4/7)
“Toss a Coin to Your Bitcher” by Suzanne Walker (3/3)
“One Year Older” by Michi Trota (3/3)
“Monsters at the End of the Sewer: Buffy’s Sixth Season is Now” by Bonnie Jo Stufflebeam (4/7)
“The Assassination of Professor X: The Destruction of Marvel’s Most Famous Disabled Character” by John Wiswell (4/7)
“Other Worlds to Save” by Beth Cato (3/3)
“Hungry Ghost” by Millie Ho (3/3)
“behind the self-help section” by D.A. Xiaolin Spires (4/7)
Alix E. Harrow interviewed by Caroline M. Yoachim (3/3)
Natalia Theodoridou interviewed by Caroline M. Yoachim(4/7)
Magazine Podcast 33A
“So You Want to Be a Honeypot” by Kelly Robson, as read by Joy Piedmont
“Other Worlds to Save” by Beth Cato, as read by Erika Ensign
Lynne M. Thomas Interviews Kelly Robson
Magazine Podcast 33B
“Getaway” by Nicole Kornher-Stace, as read by Erika Ensign
“behind the self-help section” by D.A. Xiaolin Spires, as read by Joy Piedmont
(1) BUSIEK TALKS ABOUT NEW SERIES, THE MARVELS. “Anyone. Anywhere. Anytime.”
That’s how acclaimed writer Kurt Busiek describes his new ongoing series, The
Marvels. Busiek said in an interview with Marvel.com
The whole idea of The Marvels is to be able to use the whole Marvel Universe — not just all the characters in it, but all the history of it. The sweeping scope of the whole thing. Big stuff can happen in the Marvel Universe, but we usually see it confined largely to the Avengers in Avengers, to the FF in Fantastic Four, and so on. The Marvels is intended as a freewheeling book that can go anywhere, do anything, use anyone. It’s a smorgasbord of Marvel heroes and history. It’s not a team. It’s a concept, or a universe, depending on how you look at it. The Marvels features the marvels — all the many and varied characters of the Marvel Universe. The heroes, the villains, the oddities — all of it. There’ll be popular characters of today, there’ll be obscure characters from long ago — heck, there’ll be story threads that take place in the past, or possibly the future. We’re not limited to just the present. And there’ll be new characters, too, from the street-level to the cosmic. There are three new marvels in the first issue, although a couple of them are only seen for a panel or so. But we’ll get back to them. I’d say “’the sky’s the limit,’ except in the Marvel Universe, there’s a lot going on beyond that sky. And it’s all open to us.
See the full interview and get a first look at the debut issue at the link The first issue hits the stand in May.
THE MARVELS #1. Written by KURT BUSIEK . Art by YILDIRAY CINAR. Cover by ALEX ROSS.
The rest of the Top Five are: 2- IS A TIE!!! “The Dead, In Their Uncontrollable Power” by Karen Osborne! “A Mindreader’s Guide to Surviving Your First Year at the All-Girls Superhero Academy” by Jenn Reese! 3- “A Catalog of Storms” by Fran Wilde! 4- “How the Trick Is Done” by A.C. Wise! 5- “This Is Not My Adventure” by Karlo Yeager Rodríguez!
“I cannot think of a reason not to share this with the public,” Brianna Wu tweeted.
“Two of my non-campaign Google accounts were compromised by someone in Russia,” she said.
Wu isn’t just any other target. As a Democratic candidate for the U.S. House of Representatives in Massachusetts’ 8th District, she has a larger target on her back for hackers than the average constituent. And as a former software engineer, she knows all too well the cybersecurity risks that come along with running for political office.
But the breach of two of her non-campaign Google accounts was still a wake-up call.
Wu said she recently discovered that the two accounts had been breached. One of the accounts was connected to her Nest camera system at home, and the other was her Gmail account she used during the Gamergate controversy, during which Wu was a frequent target of vitriol and death threats. TechCrunch agreed to keep the details of the breach off the record as to not give any potential attackers an advantage. Attribution in cyberattacks, however, can be notoriously difficult because hackers can mask their tracks using proxies and other anonymity tools.
“I don’t believe anyone in Russia is targeting me specifically. I think it’s more likely they target everyone running for office,” she tweeted….
(4) RETRO DRAMA. Mark Leeper is writing a three-part overview
of all (he hopes) feature-length dramatic presentations eligible for the Retro
Hugo. The installments will be available in the February 7, February 14, and
February 21 issues of MT VOID. The first is here if you
want to check it out.
The full article will be published on Mark’s web page (http://leepers.us)
after the last one runs.
And the Leepers are asking for help to find a copy of Ghost
Catchers (a.k.a. High Spirits) even if it’s not one of the main
Guests visiting Disney California Adventure park prior to the opening of the Avengers Campus this summer can still encounter Spider-Man daily in Hollywood Land between his visits to Avengers Campus. As previously announced, Spider-Man can be seen in his exclusive, new suit designed by Ryan Meinerding, Head of Visual Development at Marvel Studios.
When Avengers Campus opens this summer, guests will be recruited to become the next generation of Super Heroes. The campus will be home to a variety of new experiences giving guests the chance to feel the power, adventure and exhilaration of teaming up with some of their favorite Super Heroes including:
The Worldwide Engineering Brigade – also known as “WEB” – which will house the new Spider-Man attraction where guests can sling webs alongside Spider-Man himself.
Pym Test Kitchen, an all-new eatery, where Pym Technologies Researchers are using Ant-Man and the Wasp’s growing and shrinking technology to create super-sized and super small foods.
Heroic encounters throughout the campus where guests can team up with some of their favorite Super Heroes including Spider-Man, Black Widow, Doctor Strange, the Guardians of the Galaxy, Black Panther and the Dora Milaje, Thor and Loki, Iron Man and for the first time, Ant-Man and The Wasp.
Avengers Headquarters where guests may witness Earth’s Mightiest Heroes springing into action at a moment’s notice all over the building.
(6) DAYS BEFORE OUR LIVES. Screenwriting award at Sundance
goes to genre film Nine Days.
Keep an eye out for this one. Here’s the plot
description from IMDb:
A reclusive man conducts a series of interviews with human souls for a chance to be born.
One of actor Mandy Patinkin’s most popular roles was the 1987 fantasy, “The Princess Bride,” in which he played a man bent on revenge (“Hello, my name is Inigo Montoya. You killed my father. Prepare to die”). In this web exclusive he talked with correspondent Holly Williams about the legacy of his character.
(8) TODAY IN HISTORY.
February 10, 1957 — Attack of the Crab Monsters premiered. It was produced and directed by Roger Corman, and it starred Richard Garland, Pamela Duncan, and Russell Johnson, the latter much better know for his Gillgan’s Island role. It was written by Charles B. Griffith who would later write The Little Shop of Horrors. It was profitable, the best showing by a Corman film to that date, earned the respect of critics for the way it was produced and scripted but currently has a lousy 30% rating among the 1.625 reviewers who gave an opinion at Rotten Tomatoes. Should you be inclined, you can watch it here.
February 10, 1957 — Not Of This Earth premiered. It shared a double bill with Attack of the Crab Monsters. It like the other film was produced and directed by Roger Corman, It stars Paul Birch, Beverly Garland, Morgan Jones, William Roerick, and Anna Lee Carroll. The film was written by Charles B. Griffith and Mark Hanna. Critics liked even better than its Attack of the Crab Monsters with one saying that it was “Corman’s most enjoyable science fiction film”. Notes for this film note that the double bill made back four times what it cost to produce both films in the first week. So how does it currently rate at Rotten Tomatoes? Even worse than Attack of the Crab Monsters as it garners a pitiful 21% rating there from the roughly 400 reviewers. Like Attack of the Crab Monsters, it’s only roughly only an hour long and you can watch it here.
[Compiled by Cat Eldridge.]
Born February 10, 1906 — Lon Chaney Jr. I certainly best remember him playing Larry Talbot in The Wolf Man but he has a lot of other roles as well: The Ghost of Frankenstein as The Monster (look, correct billing!), The Mummy’s Tomb as The Mummy Kharis or Son of Dracula as Count Dracula, he played all the great monsters, often multiple times. (Died 1973.)
Born February 10, 1910 — Douglas Spencer. His most memorable role As an actor was as The Monitor on This Island Earth. As far I can call tell, he only had two other genre roles, one as the First Martian in the “Mr. Dingle, the Strong” episode of Twilight Zone, two other as Ned Scott on The Thing from Another World, a Fifties horror film. (Died 1960.)
Born February 10, 1926 — Hazel Court. She did The Devil Girl from Mars which has been noted previously in File 770, The Curse of Frankenstein, a Hammer Film, and Doctor Blood’s Coffin. She did five different roles on Alfred Hitchcock Presents, and had one-offs on The Invisible Man, Danger Man, (at genre adjacent, isn’t it?), Thriller, Twilight Zone and Mission: Impossible. Her final role, uncredited, was in Omen III: The Final Conflict. (Died 2008.)
Born February 10, 1930 — Robert Wagner, 90. He played the lead in the early Fifties Prince Valiant based off the Hal Foster strip. Next up is being George Lytton in The Pink Panther followed by the same in Curse of the Pink Panther. He’s Number Two in Austin Powers: International Man of Mystery, and the same in Austin Powers in Goldmember. He shows up as President James Garfield in Netherbeast Incorporated, a film that rated better at Rotten Tomatoes than I expected. His latest role is as Charles Benning in What Happened to Monday.
Born February 10, 1958 — Rupert Vansittart, 62. He was portrayed General Asquith in the two Ninth Doctor stories, “Aliens of London” and “World War Three”. He was Wyatt in The Saint: The Brazilian Connection, and Brian Babbacombe on Randall and Hopkirk (Deceased). Lastly, he had he recurring role on Game of Thrones as Yohn Royce.
Born February 10, 1970 — Robert Shearman, 50. He wrote the episode of Who called “Dalek” which was nominated for the Hugo for Best Dramatic Presentation, Short Form in 2006 at L.A. Con IV. (There were three Who entries that year and “The Empty Child”/”The Doctor Dances” won.) His first book, a collection of short stories called Tiny Deaths was a World Fantasy Award winner. He’s written a lot of short fiction since then, collected helpfully into two collections, displayed. Remember Why You Fear Me: The Best Dark Fiction of Robert Shearman and They Do the Same Things Different There: The Best Weird Fantasy of Robert Shearman.
Born February 10, 1976 — Keeley Hawes 44. Ms Delphox/Madame Karabraxos In the most excellent Twelfth Doctor story “Time Heist”. It wasn’t her first genre role as that would’ve been Tamara in that awful Avengers film. She also played Zoe Reynolds which is at least genre adjacent given where the story went.
Born February 10, 1988 — Jade and Nakita Ramsey, 32. Their longest running role was on The House of Anubis series with Jade as Patricia Williamson who in it for the entire run of one hundred and forty five episodes with Nakita showing up for just six episodes. They’d later both be on A Haunting at Silver Falls: The Return playing Heather and Holly Dahl. They play twins frequently, even appearing once in a film with Cassandra Peterson, All About Evil.
(10) COMICS SECTION.
Have a lot of books? Frazz has a question about that.
Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) opened over the weekend to $33 million, marking the lowest opening for any film set in the DC Extended Universe and the lowest start for any DC film since Jonah Hex in 2010. According to Exhibitor Relations box office analyst Jeff Bock, the R-rated Birds of Prey is a “niche comic book movie” whose failings began with its title: not naming the Cathy Yan-directed film Harley Quinn after its starring character (portrayed by returning Suicide Squad star Margot Robbie) was a “huge misfire” for Warner Bros., who months earlier scored a billion-plus box office with the R-rated Joker.
(12) VALUABLE WILD CARD. Joker has gained
acclaim, but also an equal amount of skepticism. YouTuber CinemaWins
looks into the aspects of the film done well in his easily digestible format. (Spoilers)
Joker! Another one of those movies where everyone agrees and I can’t even imagine a single person getting upset! Here’s everything right with Joker!
(13) NO LONGER ON THE FORCE. Maltin on Movies interviews
Actor, musician, director, renaissance man: Peter Weller is all of these, but he’s best remembered as the star of RoboCop. He’s also a fascinating conversationalist, as Leonard and Jessie were delighted to learn, with stories about such luminaries as Mike Nichols and Otto Preminger.
(14) TRAILER TIME. The full trailer for Minions: The Rise of Gru dropped.
(15) VIDEO OF THE DAY. Another cheap umbella.
[Thanks to Cat Eldridge, Chip Hitchcock, N., John King Tarpinian,
JJ, Evelyn Leeper, Martin Morse Wooster, Mike Kennedy, Mlex, Michael Toman, and
Andrew Porter for some of these stories. Title credit goes to File 770
contributing editor of the day Andrew.]
…Let’s take a step back. At 77, Ford apparently hasn’t quite completed the valedictory tour of his most beloved roles which began back in 2008 with Indiana Jones and the Kingdom of the Crystal Skull, continued with Star Wars: The Force Awakens in 2015 and rounded off with Blade Runner 2049 in 2017. During that run it felt like Ford was being very savvy in using Rick Dekkard, Han Solo and Indy to cement his legacy and remind younger audiences that he wasn’t always a man badly CGI’d into the fight scene in Anchorman 2: The Legend Continues.
(2) RAGTIME GAL. [Item by Daniel Dern.] Finally saw The
Rise of Skywalker.
we hadn’t expected to see included:
Jar-Jar Binks’ daughter showing as the new Darth Vader. (Helmet problems, of course, ears ended up dangling out from visor, tssk!)
The Force Ghost of Yoda does a comedy song routine, including some action riffs from Singing in the Rain and Make ‘Em Laugh. Using lightsaber as a cane/umbrella was inspired!
…As a public figure, the contract between an author and a reader is as follows:
Author writes the book. Reader purchases and reads the book.
That’s it. That’s the sum total. Purchasing a book or wanting to be an aspiring author doesn’t entitle you access to an author’s social media any more than it entitles you to sleep in their bedroom at night. Social media is necessary marketing for authors, but that doesn’t mean they have to engage with unpleasantness. Some do. In the past, I often have. But I’m older, and hypertension is a thing, and quite frankly, I don’t need the bullshit. If I invite you into my living room, am I expected to sit there and let you call me an “arrogant egotistical asshole with sycophants surrounding” me simply because you shared a link to my podcast a few days ago, or because you bought a book by me at some point?
I don’t block people for politics. I don’t block them for what they like or dislike, or for who they follow. But if I feel someone is being purposely antagonistic or ignorant, or if I think they’re the latest in a very, very, very, very long line of geniuses whose beginning and ending marketing plan is, “I’ll pick a fight with Brian Keene/Nick Mamatas/Wrath James White/insert other name here and that will get me noticed” (a ploy so old, by the way, that Maurice Broaddus wrote about it way back in 2005), or if I think they have the potential to join in on those shenanigans, then yeah, I block them. It’s better for my mental health, and it’s definitely better for my blood pressure.
In support of the Retro Hugos project for CoNZealand, we’ve added an alphabetical list of 1944 fanzines. It is the largest list of 1944 fanzines that we could compile. We have linked, both from our site and others, all the zines we can find to give you the ability to read what was going on in 1944. We will link to additional zines as we find them, and are also still scanning more ourselves. If you know of appropriate materials not on the list, please let us know. We hope this will give you some ability to judge the 1944 materials first hand. Much of it may not seem of significant quality to us today, but it gives context and the ability to compare the writers and editors of 1944, rather than just relying on their later reputations.”…Joe Siclari
(8) CLI-FI FICTION CONTEST. The Imagination
and Climate Futures Initiative launched their third global climate fiction
writing contest yesterday. The Everything Change Climate Fiction Contest 2020 is
taking submissions until April 15. Full guidelines at the link.
Inspired by the incredible international response to our climate fiction contests in 2016 and 2018, we are proud to announce our third contest in 2020—a momentous year for climate action, and an unprecedented opportunity to reimagine how humans will live on this planet in the future.
Work will be selected and judged by Claire Vaye Watkins, a Guggenheim Fellow, winner of The Story Prize, and the New York Public Library Young Lions Fiction Award, and author of Gold Fame Citrus, a climate fiction novel that was named a best book of 2015 by The Washington Post, The Atlantic, and NPR. Claire will join an interdisciplinary group of judges with expertise in climate science, sustainability, creative writing, and environmental literature.
All genres are welcome. The author of the winning story will receive a $1000 prize, and nine finalists will receive $100 prizes. The winning story and finalists will be published in an anthology by the Imagination and Climate Futures Initiative at Arizona State University.
(9) HEMMING AWARD NOMINEES SOUGHT. The Australian Science
Fiction Foundation (ASFF) is taking entries in the Norma K Hemming Award for
works published in 2019. Submit items here through February 29.
Designed to recognise excellence in the exploration of themes of race, gender, sexuality, class or disability in a published speculative fiction work, the Norma K Hemming Award is now open for entries.
The award is open to short fiction, novellas, novels, anthologies, collections, graphic novels and stage plays, and makes allowances for serialised work. Entry is free for all works, and entries may be provided to the judges in print or digital format.
Two prizes will be given, one for short fiction (up to 17,500 words) and one award for long work (novellas, novels, collections, anthologies, graphic novels and play scripts), with a cash prize and citation awarded.
Nominations are open to all eligible work produced in 2019.
“We encourage publishers and creators to carefully consider their work from the eligible period,” said award administrator Tehani Croft. “It is our goal to see all eligible material considered by the jurors. It is important to us that every person has the opportunity to see themselves reflected in fiction, and we hope that the Norma can have some part to play in making works dealing in themes of race, gender, sexuality, class or disability in speculative fiction more visible.”
(10) CLARK OBIT. Bestselling thriller author Mary Higgins
January 31 at 92. The LA Times notice ends —
Married since 1996 to former Merrill Lynch Futures Chief Executive John J. Conheeney, she remembered well the day she said goodbye to hard times. It was in April of 1977, and her agent had told her that Simon & Schuster was offering $500,000 for the hardcover to her third novel, “A Stranger Is Watching,” and that the publisher Dell was paying $1 million for the paperback. She had been running her own script production company during the day and studying for a philosophy degree at Fordham University at night, returning home to New Jersey in an old car with more than 100,000 miles on it.
“As I drove onto the Henry Hudson Parkway, the tailpipe and muffler came loose and began dragging on the ground. For the next 21 miles, I kur-plunked, kur-plunked, all the way home,” she wrote in her memoir. “People in other cars kept honking and beeping, obviously sure that I was either too stupid or too deaf to hear the racket.
“The next day I bought a Cadillac!”
(11) TODAY IN HISTORY.
February 4, 1983 — Videodrome premiered. It was written and directed by David Cronenberg, with a cast of James Woods, Sonja Smits, and Debbie Harry. It was the first film by Cronenberg to get Hollywood backing and it bombed earning back only two million dollars of its nearly six million budget. In spite of that, critics and audience goers alike found it to a good film. Today it is considered his best film by many, and it holds a sterling 80% rating among reviewers at Rotten Tomatoes.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 4, 1922 — William Phipps. He started off his genre career by being in both The War of The Worlds and Invaders from Mars. He’d later be in Cat-Women of the Moon, The Snow Creature, The Evil of Frankenstein, and the Dune series. He’d have one-offs in Batman, Green Hornet, The Munsters, Wild Wild West and a lead role in the Time Express series which would last four episodes according IMDB. (Died 2018.)
Born February 4, 1925 — Russell Hoban. Author of a number of genre novel of which the best by far is Riddley Walker. Indeed, ISFDB lists some fifteen such novels by him, so I’m curious how he is as a genre writer beyond Riddley Walker. (Died 2011.)
Born February 4, 1936 — Gary Conway, 84. Best remembered I’d say for starring in Irwin Allen‘s Land of the Giants. You can see the opening episode here. He was also in How to Make a Monster, a late Fifties horror film which I’m delighted to say that you can watch here. He’s the Young Frankenstein in it.
Born February 4, 1940 — George A. Romero. He’s got an impressive listing form the Dead films, I count seven of them, to Knightriders, which is truly genre adjacent at best, and one of my favorites of his, Tales from the Darkside: The Movie. Oh, and he wasn’t quite as ubiquitous as Stan Lee, but he did show up in at least seven of his films. (Died 2017.)
Born February 4, 1940 — John Schuck, 80. My favorite SF role by him is as the second Draal, Keeper of the Great Machine, on the Babylon 5 series. I know it was only two episodes but it was a fun role. He’s also played the role of Klingon ambassador Kamarag in Star Trek IV: The Voyage Home and in Star Trek VI: The Undiscovered Country. He guest starred in Deep Space Nine as Legate Parn in “The Maquis: Part II”, on Star Trek: Voyager as Chorus #3 in the “Muse” episode, and on Enterprise as Antaak in the “Divergence” and “Affliction” episodes. Oh, and he was Herman Munster in The Munsters Today. Now that was a silly role! Did you know his makeup was the Universal International Frankenstein-monster makeup format whose copyright NBCUniversal still owns?
Born February 4, 1959 — Pamelyn Ferdin, 60. She was in the “And the Children Shall Lead” episode of Trek. She’ll show up in The Flying Nun (as two different characters), voicing a role in The Cat in The Hat short, Night Gallery, Sealab 2020 (another voice acting gig), Shazam! and Project UFO. She’d have a main role in Space Academy, the Jonathan Harris failed series as well.
Born February 4, 1961 — Neal Asher, 59. I’ve been reading and enjoying his Polity series since he started it nearly twenty years ago. Listing all of his works here would drive OGH to a nervous tick as I think there’s now close to thirty works in total. I’m listening to The Line War right now and it’s typically filled with a mix of outrageous SF concepts (Dyson spheres in the middle of a hundred thousand year construction cycles) and humans who might not be human (Ian Cormac is back again). As I said last year, h the sort of writer that I think drives our Puppies to madness — literate pulp SF pumped out fast that readers like.
Born February 4, 1962 — Thomas Scott Winnett. Locus magazine editorial assistant and reviewer from 1989 to 1994. He worked on Locus looks at books and Books received as well. In addition, he wrote well over a hundred review reviews for Locus. He died of AIDS-related pneumonia. (Died 2004.)
This is the story of a very old, and very big idea. When I first had it, I was thirteen years old, and the idea was so big that I couldn’t even wrap my mind around it. It was the idea for a world of cavern cities, where families were restricted in their professions, and about conflicts of power… but until I’d turned this idea over hundreds of times, over years, it always seemed out of my grasp. I learned about anthropology, and added a new social awareness to my idea, and realized it was for a work of sociological science fiction. I studied linguistics, and added that, too. I tried to write a story about it, knew it was wrong, and learned more, and wrote it again. I concentrated hard on learning how language and the world around us reflect our concepts of our social selves, and wrote it again.
Until it stopped being wrong, and became the world of Varin….
(15) TRUE GRIT. Dune and The Martian are two
of the recommendations on Penguin Random House’s “Books
to Read on a Desert Island”, which makes an unintentionally humorous
kind of sense….
So you found yourself stranded on a desert island, what book do you wish you had with you? More realistically, you’re sitting on a long plane flight or waiting for an appointment, but the question still applies! We’ve suggested a few fiction and nonfiction books below that will have you contemplating life or forgetting reality.
…But in 2000, the FBI got an anonymous tip about an “Uncle Jerry” rigging the McDonald’s competition. The organization launched an investigation that would uncover the fact that many of the winners—despite the out-of-state addresses they listed—actually lived within a 25-mile radius of the lakefront home Jacobson owned. According to the Daily Beast, “25 agents across the country…tracked 20,000 phone numbers, and recorded 235 cassette tapes of telephone calls.” McDonald’s even sent an employee undercover to help the FBI stage a fake TV commercial campaign—Argo–style—to get the fraudulent winners to incriminate themselves on camera. There were raids. And in 2001, in a scene tailor-made for the third act of an action thriller, McDonald’s launched another Monopoly game—knowing that their game had been compromised—because the FBI needed more evidence.
(17) EXTRAORDINARY. Adler #1 will be released in comic shops tomorrow. “Irene Adler is on a mission to take down Sherlock’s greatest nemesis, Moriarty!”
It’s the League of Extraordinary Gentlewomen, as Adler teams up with a host of famous female faces from history and literature to defeat the greatest criminal mastermind of all time!
Written by World Fantasy Award Winner Lavie Tidhar, with art by Paul McCaffrey (TMNT).
Tulane University has acquired the complete archives of bestselling author Anne Rice, who was born and raised in New Orleans and whose books, including “Interview with the Vampire,” often drew inspiration from her hometown.
The collection was a gift from Stuart Rose and the Stuart Rose Family Foundation to the university’s Howard-Tilton Memorial Library, the university said in a statement.
“That Tulane has provided a home for my papers is exciting and comforting,” Rice said in the statement. “All my novels — in a career spanning more than 40 years — have been profoundly influenced by the history and beauty of New Orleans, and by its unique ambience in which my imagination flourished even in early childhood.”
Rice has written 30 novels. She moved to California to attend university and has spent much of her life since then in California, according to her biography. But New Orleans has played a central role in much of her fiction.
Scientists have found a clue to how autism spectrum disorder disrupts the brain’s information highways.
The problem involves cells that help keep the traffic of signals moving smoothly through brain circuits, a team reported Monday in the journal Nature Neuroscience.
The team found that in both mouse and human brains affected by autism, there’s an abnormality in cells that produce a substance called myelin.
That’s a problem because myelin provides the “insulation” for brain circuits, allowing them to quickly and reliably carry electrical signals from one area to another. And having either too little or too much of this myelin coating can result in a wide range of neurological problems.
For example, multiple sclerosis occurs when the myelin around nerve fibers is damaged. The results, which vary from person to person, can affect not only the signals that control muscles, but also the ones involved in learning and thinking.
The finding could help explain why autism spectrum disorders include such a wide range of social and behavioral features, says Brady Maher, a lead investigator at the Lieber Institute for Brain Development and an associate professor in the psychiatry department at Johns Hopkins School of Medicine.
“Myelination could be a problem that ties all of these autism spectrum disorders together,” Maher says. And if that’s true, he says, it might be possible to prevent or even reverse the symptoms using drugs that affect myelination.
“If we get to these kids really early, we might be able to change their developmental trajectory and improve their outcomes,” Maher says.
A man’s doorbell camera has captured a celestial light show as what is thought to be a meteor dropped through the night sky in Derby.
Gary Rogers, 52, who captured the footage about 23:30 GMT on Monday, said he was amazed and felt lucky to have seen it.
Experts at the National Space Centre in Leicester said they believe it was a bolide – a bright meteor that explodes in the atmosphere.
Rob Dawes, chairman of nearby Sherwood Observatory, said the brightness suggested it was larger than a normal meteor.
He said: “[Mr Rogers] was very lucky to get such a nice bright one. But you’d be surprised how many of these do come into the atmosphere at any time of year.”
[Thanks to Chip Hitchcock, Cat Eldridge, John King Tarpinian,
Martin Morse Wooster, JJ, Mike Kennedy, Michael Toman, Daniel Dern, and Andrew
Porter for some of these stories. Title credit goes to File 770 contributing
editor of the day Anna Nimmhaus.]
(1) A CENTURY OF THE GOOD DOCTOR. This week Asimov would have been 100. James Gunn marked the
occasion in an article for Science “Asimov at 100”.
A case can be made that, like H. G. Wells, Asimov came along at the right time. (Wells once commented that he made his writing debut in the 1890s, when the public was looking for new writers.) But Asimov also had a restless and productive mind. His early experience of reading, and then writing, science fiction gave his popular science writing a rare narrative model, while his fiction similarly benefited from his scientific training.
(2) NOW A JOURNALISTIC TECHNIQUE. [Item by Olav Rokne.] The Columbia Journalism Review, in “Journalism and the foreseeable future”, takes note of the trend in mainstream publishing to look at contemporaneous and emerging issues through the lens of science fiction. It’s a welcome trend that is producing excellent work we’ve seen featured on the Pixel Scroll several times, and I’m very glad to see this getting attention within journalistic circles.
Despite its dangers, [Sam] Greenspan sees the value of speculative journalism’s mix of the true and the fanciful. “I think the goal should be to use fiction or sci-fi to tell a better true story,” he says. “And I’m taking seriously the kind of emotional impact these stories have on people. By introducing even just the slightest amount of something fantastical, it gives your audience permission to have their minds wander a bit from what we know to be true, and really opens up this window into possibility and hope.”
(3) GUD LISTENING. On the latest Rite Gud podcast R.S. Benedict’s guest is Stephen Mazur, associate editor
at The Magazine of Fantasy & Science Fiction. They talk about
whether or not originality really matters in writing. Stephen also gets into a
bit of inside baseball regarding F&SF publishing: the recent history
of the magazine, how many submissions they get, what kind of submissions they get,
the process, etc.
(4) ROMANCE WRANGLERS BEWARE. Who but Chuck Tingle would
add “no sex” as a selling point? Or need to?
Gorblin Crimble is an aspiring romance author with a brand new novel that could be his first breakthrough hit. Of course, Gorblin is going to need some help getting his work out there, and starts by seeking likeminded creatives.
After attending a local writer’s group, Gorblin makes a new friend, Amber, who points him towards Romance Wranglers Of America. It sounds like this community is exactly the helpful, loving, supportive group that Gorblin is looking for, but when him and Amber arrive at the Romance Wranglers Of America headquarters, they quickly realize something is wrong. This once loving group has been taken over by a dark and mysterious force; lead by a man named Demon and his chanting coven of board members in jet-black robes.
Something horrible from the depths of the cosmic Void has taken hold, but is it too late to prove that romance is about love, not hate?
This important no-sex tale is 4,300 words of reasonable writers looking for a kind and supportive romance community that respects its members and treats them fairly.
Jason Sanford: I suspect most people in the SF/F genre don’t understand the difficulties of publishing a magazine. What’s one aspect of running a genre magazine you wish more readers and writers knew about?
Lynne M. Thomas and Michael Damian Thomas: We think it’s important that people know the financial margins for magazines to stay in the black are razor thin, and that most of the magazines are unable to generate income for their publishers. (And many aren’t able to pay the editors.) Almost all of the income generated by magazines are going to the writers and artists….
Jason Sanford: Amazing Stories was the first science fiction magazine, and helped launch the pulp fiction era of the 1920s and ’30s. What is it like publishing a magazine with such history? Has that history presented any difficulties to your relaunch of the magazine?
Steve Davidson: Well, you get unexpected support and assistance; a lot of people in the field are still very fond of both the magazine and its place in Science Fiction’s history. But that brings with it two difficulties. One, most younger fans among our potential market seem to assume that we’re publishing reprints of older works or new works in a golden-age style, despite the fact that promotion and discussion of the magazine – let alone our contributor’s own statements – clearly say otherwise. We’re an old, venerable name in the genre publishing new, ground-breaking science fiction from the current era. …
Jason: In many ways Clarkesworld helped birth the current movement in online and genre magazines. How have things changed since the founding of Clarkesworld? Would you say it’s harder or easier to run a genre magazine these days?
Neil: It was a very different world for magazines in 2006. Online fiction wasn’t particularly respected. I remember having established authors tell me point-blank they wouldn’t publish online because it was the domain of “newbie writers and pirates.” The year’s best anthologies and various genre awards rarely featured works from those markets. With two-to-three years, that started changing and today, the awards have heavily swung the other direction – something you could reasonably argue is just as problematic….
When Don Ashby caught a lift through town on Tuesday afternoon, he counted as many as 20 properties destroyed. One was his mother-in-law’s mudbrick cottage. Another was his own home of 20 years.
Ashby had evacuated his family to Melbourne and spent Monday night helping a friend to defend her house.
It had been an exhausting night and morning, punctuated by the rapid combustion of gas cylinders at a nearby storage business.
“It was like we were in the middle of the battle of the Somme,” he said.
When he returned to his own home, it looked unscathed. Then he realised it was just the facade that had been untouched by fire. The rear of the house was a blazing ruin. With no CFA tankers nearby and no water pressure left to fight the fire, he could only stand and watch it burn.
“It is all a bit grim really,” he said. “We really copped it.
“I have been in a few bushfires before but nothing like this. Nothing like this has happened before. The whole of Gippsland was on fire.”
(8) 2020 SIR JULIUS VOGEL AWARD NOMINATIONS OPEN. The Science Fiction and Fantasy Association of New
Zealand (SFFANZ) is taking nominations for the 2020 Sir Julius Vogel awards until
11.59 pm NZT on March 31.
The awards recognise excellence and achievement in science fiction, fantasy, or horror works created by New Zealanders and New Zealand residents, and first published or released in the 2019 calendar year.
…A nomination made by a SFFANZ member carries a weight of two nominations, where non-members’ nominations carry a weight of one.
Full information about the awards, including the
rules and criteria for the Sir Julius Vogel Award, can be found here.
Eligibility list is here.
(9) PRO-ROWLING. Megan McArdle’s opinion piece in the
Washington Post “Has
J.K. Rowling figured out a way to break our cancel culture?” says that Rowling’s defense of Maya Forstater and
her refusal to back down after social media protests shows that “the
opinions of officious strangers, possibly thousands of miles away, who swarm
social media like deranged starlings over and over again” can be safely
The censorious power of Mrs. Grundys always depends on the cooperation of the governed, which is why their regime collapsed the moment the baby boomers shrugged off their finger-wagging. If Rowling provides an unmissable public demonstration that it is safe to ignore the current crop, we can hope others will follow her example, and the dictatorship of the proscriptariat will fall as quickly as it arose.
(10) TODAY IN HISTORY.
January 3, 1970 — Doctor Who’s “Spearhead from Space” serial started airing. The Third Doctor as played by John Pertwee first appears in this episode. It would also be the first appearance of companion Liz Shaw who’s played by Caroline John. She only lasted a season because the next showrunner decided she was too intelligent to be a proper companion.
January 3, 1993 — Star Trek: Deep Space Nine premiered in television syndication. As you know, it would have a seven-year run with one seventy-six episodes in total. S.D. Perry wrote a sort of authorized ninth season in her Avatar novels. She’s written a number of Trek universe novels including a Section 31 one.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born January 3, 1892 — J. R. R. Tolkien. I’m not going to waste my time detailing Tolkien to this group. My go-to book for him for him after over forty years of reading him remains The Hobbit. The book that still annoys me? The Two Towers. Best Tolkien experience? Seeing The Father Christmas Letters read live. (Died 1973.)
Born January 3, 1898 — Doris Pitkin Buck. She’s got my feline curiosity aroused. Wiki says “She published numerous science fiction stories and poems, many of them in The Magazine of Fantasy & Science Fiction.” That’s fine but there’s little said about her or how she came to be a SF writer. ESF notes her “still unpublished tale “Cacophony in Pink and Ochre” has long formed part of the announced contents of Harlan Ellison’s The Last Dangerous Visions.” So what do y”all do about her? (Died 1980.)
Born January 3, 1930 — Stephen Fabian, 90. He specializes in genre illustration and cover art for books and magazines such as H. Warner’s The Werewolf of Ponkert which you can see here. I see he got a World Fantasy Award—Life Achievement, and was nominated seven times for Hugo Award for Best Professional Artist. Is that the most times for being nominated without winning? His collected works include Ladies & Legends and Women & Wonders. Of course, they’re genre.
Born January 3, 1937 — Glen A. Larson. Triple hitter as a producer, writer and director. Involved in Battlestar Galactica, Galactica 1980, The Six Million Dollar Man, Manimal, Buck Rogers in the 25th Century, and Knight Rider. He also was responsible for Magnum, P.I. which I love but I’ll be damned if I can figure any way to claim that’s even genre adjacent. He also did a lot of Battlestar Galactica novels, some with Ron Goulart. (Died 2014.)
Born January 3, 1940 — Kinuko Y. Craft, 80. She is a Japanese-born American painter, illustrator and fantasy artist. True enough. So why is she here? Because she had an amazing run of illustrating the covers of the Patricia McKillip novels until quite recently. I’m linking here to our review at Green Man of The Bards of Bone Plain for a favorite cover she did. There’s a slim volume on Imaginosis called Drawings & Paintings which collects some of her work.
Born January 3, 1956 — Mel Gibson, 64. I know the first thing I saw was genre wise involving him was The Road Warrior in a cinema which would be some forty years ago. Likewise I saw Mad Max 2 and Mad Max Beyond Thunderdome in cinemas, but I admit have mixed feelings about both of those films, though less about the latter as it’s at least fun. He’s in FairyTale: A True Story, a look at the the Cottingley Fairy photographs of the 1920s, and voices John Smith in Pocahontas. He plays Hamlet in Hamlet but I really don’t think I can call that genre, but I know some of you will.
Born January 3, 1975 — Danica McKellar, 45. From 2010–2013 and since 2018, she’s voiced Miss Martian in Young Justice. It’s just completed its third season and it’s most excellent! She’s done far, far more voice work than I can list here, so if you’ve got something you like that she’s done, do mention it.
Born January 3, 1976 — Charles Yu, 44. Taiwanese American writer. Author of How to Live Safely in a Science Fictional Universe and the short-story collections, Sorry Please Thank You and Third Class Superhero. His novel was ranked the year’s second-best science fiction novel by the Center for the Study of Science Fiction at the University of Kansas — runner up for the Campbell Memorial Award.
It was before 10 a.m. on a gray summer Sunday, but already a small crowd had gathered outside Penguin Café at the end of a block in residential Tokyo. A woman named Kyoko, dressed in a white T-shirt and apron, unlocked the doors and motioned for everyone to come inside.
Half a dozen or so people filed in, several with signature pink dog carriers slung over their shoulders. As more entered, the group clustered at the center of the café. Carefully, they unzipped the mesh panels of their carriers and removed the small white and silver dogs inside, setting them down on the wooden floor. One owner peeled back a yellow blanket over a baby carrier strapped to her chest where she held her dog, still asleep.
Some of the owners fussed with the dogs’ outfits before putting them down — straightening a necktie or pulling up the elastic band on a pair of shorts. One owner had dressed their dog in a Hawaiian shirt, while another was wearing aviator goggles and had a strong resemblance to Snoopy. Several had tiny straw hats affixed between their ears. All the dogs were plastic, powered by facial recognition and artificial intelligence….
6. And speaking of that, what’s your latest book, and why is it awesome? Thor: Metal Gods is a Serial Box serialized novel by Aaron Stewart-Ahn (the lead writer), Jay Edidin, Brian Keene, and myself. It features Thor and Loki, both coming to terms with old sins and old friends, a Korean tiger goddess, and a genderfluid space pirate and astronomer. There are black holes, eldritch abominations, heavy metal, and mayhem. We had terrific fun writing it and we hope you’ll enjoy it too.
… The European Space Agency is about to pull one of the bigger hunks of garbage from orbit. But there’s a problem: The same tech that could help make space cleaner might, in the long run, also make it more dangerous.
That’s because the ESA’s ClearSpace-1 orbital garbage truck, as well as other spacecraft like it, could double as a weapon.
Swiss startup ClearSpace designed the ClearSpace-1 vehicle to intercept a chunk of debris, latch onto it, and drag it back into Earth’s atmosphere where it can safely burn up. The ESA has scheduled the clean-up mission for 2025 and has even identified its target: a 265-pound piece of an old rocket orbiting 310 miles above Earth’s surface.
The 2025 mission will involve what ClearSpace CEO Luc Piguet called “non-cooperative capture.” That is to say, the targeted piece of debris wasn’t designed with an interface or any other system that might help a clean-up craft grab onto it.
…In a landmark discovery revealed this month, archaeologists unearthed the remains of four female warriors buried with a cache of arrowheads, spears and horseback-riding equipment in a tomb in western Russia — right where Ancient Greek stories placed the Amazons.
The team from the Institute of Archaeology at the Russian Academy of Sciences identified the women as Scythian nomads who were interred at a burial site some 2,500 years ago near the present-day community of Devitsa. The women ranged in age from early teens to late 40s, according to the archaeologists. And the eldest of the women was found wearing a golden ceremonial headdress, a calathus, engraved with floral ornaments — an indication of stature.
(16) WORDSMITH ALSO TUNESMITH. Don’t say you never got the
chance to hear Norman Spinrad sing. Today on Facebook
he reminded people about the time he performed at the Cirque Electrique in
Not that I’m planning to ever give up my day job, but I’ve had a long slow minor career with music, something around a dozen songs written or co-written, something less than that creating and recording, occasional live performances too such as this one, my best I think.
7. Middlegame: Middlegame is perhaps the most ambitious novels from Seanan McGuire and is a showcase for her skill at telling a good and complex story. Twins, math, alchemy, murder, time-bending, family, secret organizations, impossible powers, and just about everything McGuire can throw into this wonderous novel. Seanan McGuire has blended together as much as she possibly could stuff into one novel and she makes the whole thing work. It’s impressive. McGuire goes big with Middlegame. Doubt Seanan McGuire at your peril. (my review)
Pilkey’s Captain Underpants and the Terrifying Return of Tippy Tinkletrousers, the ninth book in his popular children’s novel series, published in 2012, features a comic strip made by the book’s incorrigible pranksters George and Harold, the stars of the series. This comic-within-a-novel marks the first appearance of Dog Man, Pilkey’s lovable crime-fighting superhero, who is surgically constructed from the body of a cop and the head of his police dog companion after they were both injured in a typically Pilkey-style zany accident.
(19) VIDEO OF THE DAY. From
Savag Entertainment, “Timelapse Reveals How Clever This Billboard Ad For The
BBC’s ‘Dracula’ Is.”
[Thanks to Andrew Porter, John King Tarpinian, Mike Kennedy, SF
Concatenation’s Jonathan Cowie, Cat Eldridge, JJ, Michael Toman, Olav Rokne, Contrarius,
Daniel Dern, Chip Hitchcock, R.S. Benedict, and Martin Morse Wooster for some
of these stories. Title credit belongs to File 770 contributing editor of the
day Daniel Dern.]
The 32nd issue of four-time Hugo
winner Uncanny Magazine will
be available on January 7.
Hugo Award-winning Publishers Lynne M. Thomas and Michael Damian Thomas are proud to present the 32nd issue of their four-time Hugo Award-winning online science fiction and fantasy magazine, Uncanny Magazine. Stories from Uncanny Magazine have been finalists or winners of Hugo, Nebula, Locus, and World Fantasy Awards. As always, Uncanny features passionate SF/F fiction and poetry, gorgeous prose, provocative nonfiction, and a deep investment in the diverse SF/F culture, along with a Parsec Award-winning monthly podcast featuring a story, poem, and interview from that issue.
of Uncanny Magazine’s content will be available in eBook versions
on the day of release from Weightless Books, Amazon, Barnes
& Noble, Google Play, and Kobo. Subscriptions are always available
through Amazon Kindle and Weightless Books. The free online content will
be released in 2 stages- half on day of release and
half on February 4.
Issue 32 Table of Contents
“The Uncanny Valley” by Lynne M. Thomas & Michael Damian Thomas
“Imagining Place: The BBC Miniseries” by Elsa Sjunneson
“Badass Moms in the Zombie Apocalypse” by Rae Carson (1/7)
“My Country Is a Ghost” by Eugenia Triantafyllou (1/7)
“You Perfect, Broken Thing” by C.L. Clark (1/7)
“Where You Linger” by Bonnie Jo Stufflebeam (2/4)
“And All the Trees of the Forest Shall Clap Their Hands” by Sharon Hsu (2/4)
“The Spirit of the Leech” by Alex Bledsoe (2/4)
“Braid of Days and Wake of Nights” by E. Lily Yu (2/4)
“Writing with My Keys Between My Fingers” by Meg Elison (1/7)
“Save Me a Seat on the Couch: Spoiler Culture, Inclusion, and Disability” by Marissa Lingen (1/7)
“Speculative Fictions, Everywhere We Look” by Malka Older (2/4)
“Street Harassment Is an Access Issue” by Katharine Duckett (2/4)
“Who Do You Think You Are” by Ada Hoffmann (1/7)
“Elegy for the Self as Villeneuve’s Belle” by Brandon O’Brien (1/7)
“The Death of the Gods” by Leah Bobet (2/4)
“A tenjô kudari (“ceiling hanger” yôkai) defends her theft” by Betsy Aoki (2/4)
Caroline M. Yoachim Interviews Eugenia Triantafyllou (1/7)
Caroline M. Yoachim Interviews Bonnie Jo Stufflebeam (2/4)
Uncanny Magazine Podcast 32A (1/7)
“Badass Moms in the Zombie Apocalypse” by Rae Carson, as read by Erika Ensign
“Who Do You Think You Are” by Ada Hoffmann, as read by Joy Piedmont
Lynne M. Thomas Interviews Rae Carson
Uncanny Magazine Podcast 32B (2/4)
“And All the Trees of the Forest Shall Clap Their Hands” by Sharon Hsu, as read by Joy Piedmont
“The Death of the Gods” by Leah Bobet, as read by Erika Ensign