Pixel Scroll 1/13/19 It’s A Long Scroll That Has No Turning

(1) STOKER DEADLINE. Horror Writers Association Member Recommendations for the Bram Stoker Awards close on January 15, 2019 11:59 p.m. PST. Administrators warn that no recommendations will be accepted after the dates and times listed.

(2) NAILING DOWN THE DATE. The Minneapolis convention Convergence is moving to the Fourth of July, for reasons explained in a press release.  

…As our community knows, the Convergence Events, Inc. Board of Directors has chosen to move CONvergence from the DoubleTree Bloomington to the Hyatt Regency Minneapolis starting with our twenty-first convention on July 4th – 7th, 2019.  

Due to conditions outside of the Board of Directors’ control, this decision had to be made quickly in order to secure the location for the next five years.  This has resulted in possible convention dates outside our normal convention dates. To do otherwise would have resulted in additional moves to other hotels, more extreme date changes, and/or limited convention space and events.

(3) JEMISIN HIGHLIGHT. The New York Times Magazine features “New Sentences: From N.K. Jemisin’s ‘The Ones Who Stay and Fight’”.

N.K. Jemisin’s story “The Ones Who Stay and Fight” takes place in a near-utopia in which everyone is equally valued. Some curious residents, however, cannot resist the urge to eavesdrop on a very different world — one in which inequality is rife and violence is widespread and justice does not prevail: our world. They listen to our radio and watch our TV and tap into our social media. In doing so, they glean information about our ways. This knowledge infects them like a virus. They know there will be severe consequences. And yet the information-gleaners, like info-gleaners everywhere, cannot bring themselves to stop.

(4) GAIMAN READING LE GUIN. Brain Pickings offers a feast of poetry: “Neil Gaiman Reads Ursula K. Le Guin’s Ode to Timelessness to His 100-Year-Old Cousin”.

When my good friend and fellow poetry lover Amanda Palmer asked me to send a poem for her husband, Neil Gaiman, to read to his 100-year-old cousin, Helen Fagin — the Holocaust survivor who composed that arresting letter to children about how books save lives — I chose a poem by one of Neil’s dear friends, Ursula K. Le Guin (October 21, 1929–January 22, 2018), found in her final poetry collection, So Far So Good (public library) — one of the loveliest books of 2018.

Amanda immortalized this sweet and rather profound moment in a short video, shared here with the kind permission of everyone involved:

(5) DIABETES RESEARCH AND EDUCATION FUNDRAISER. SFF writer Christopher Rowe is a Clarion West graduate, a SFWA member, and has been a finalist for the Hugo, Nebula, World Fantasy, Theodore Sturgeon, and Seiun Awards. He emailed: “I was recently (on December 10th, 2018) diagnosed with what was described to me as a ‘dangerously out of control’ case of Type 2 Diabetes. I’ve had to make a lot of life adjustments because of this, as you might imagine. One thing I’m doing is training for the 62-mile leg of the Kentucky edition of this year’s Tour de Cure, an annual fundraiser for the American Diabetes Association.”

Rowe’s Tour de Cure page adds:   

I used to be an active road cyclist in and around Central Kentucky, riding from my home in downtown Lexington. But that was years ago, and my beautiful Lemond Tourmalet bicycle has been gathering dust in my workshop for too long to recount.

But I had already decided that 2019 would be the year I return to the road even before I received my diagnosis, and the commitment I have made to taking control of my condition, and to sustained, disciplined self-management through exercise, diet, and scrupulous attention to my healthcare team’s advice, including taking medications, dovetails perfectly with the Tour de Cure.

Please consider making a donation to the American Diabetes Association’s crucial research and educational efforts through this webpage.

I have a ways to go before I’m in the physical shape I’ll need to be in to complete the Tour. We have a ways to go before any of us can rest easy about diabetes. But we’ll get there.

Rowe is already getting strong support from the sff community, and could use lots more: “Quite a few sf/fantasy folks–mainly writers and editors–have donated so far. My colleagues in George RR Martin’s Wild Cards Consortium have been especially generous, and there are more people whose names File 770 readers would recognize if they hadn’t chosen to donate anonymously. I have set myself quite a task with a goal of raising $10,000 by June 1st, but I believe I can do it.”

(6) GAME OF THRONES TEASER. A glimpse of Season 8 of Game of Thrones in “Crypts of Winterfell.”

(7) LASH OBIT. Comics creator Batton Lash died January 12 of brain cancer. He was 65. His wife, Jackie Estrada, said “He died in our home accompanied by friends, family, and caregivers. We have no plans for services yet, but at some point we will have celebrations of life in both San Diego and New York.”

Lash’s Wikipedia entry notes:

He is best known for the series Wolff and Byrd, Counselors of the Macabre (aka Supernatural Law), a comedic series about law partners specializing in cases dealing with archetypes from the horror genre, which ran as a strip in The National Law Journal, and as a stand-alone series of comic books and graphic novels. He received several awards for his work, including an Inkpot Award, an Independent Book Publishers Association’s Benjamin Franklin Award, an Eisner Award, and nominations for two Harvey Awards.

(8) TODAY IN HISTORY.

  • January 13, 1930 — Mickey Mouse comic strip debuted in newspapers.
  • January 13, 1957 — The Wham-O Company developed the first frisbee.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 13, 1933Ron Goulart, 86. First I must acknowledge that he is very prolific and uses many pseudonyms  to wit Kenneth Robeson, Con Steffanson, Chad Calhoun, R.T. Edwards, Ian R. Jamieson, Josephine Kains, Jillian Kearny, Howard Lee, Zeke Masters, Frank S. Shawn, and Joseph Silva. (Eeek!) you did the see Doc Savage one in there, didn’t you? I’m reasonably sure that the I’ve read a lot of his fiction including the Flash Gordon series, his Avenger series, maybe a bit of the Vampirella novels, the Incredible Hulk definitely, not the Groucho Marx series though it sounds fun, and, well, damn he’s prolific. So what have you have read by him that you like? 
  • Born January 13, 1943 Richard Moll, 76. Ahhh though I remember him best from Night Court that’s not genre, but I’ve found that he voiced Harvey Dent aka Two-Face on Batman: The Animated Series with other appearances on Buck Rogers in the 25th CenturyMork & MindyFantasy IslandJurassic: Stone AgeHeadless HorsemanScary Movie 2The Flintstones and Metalstorm: The Destruction of Jared-Syn
  • Born January 13, 1945 Joy Chant, 74. Chant is an odd case as she only wrote for a short period between 1970 and 1983 but she produced a brilliant fantasy trilogy, the House of Kendreth trilogy, consisting of  Red Moon and Black Mountain, The Grey Mane of Morning and When Voiha Wakes. Her other main work, and it is without doubt truly brilliant, is The High Kings, illustrated lavishly by George Sharp and  designed by David Larkin with editing by Ian and Betty Ballantine. It is intended as a reference work on the Arthurian legends and the Matter of Britain with her amazing retellings of the legends. I’ve got one reference to her writing Fantasy and Allegory in Literature for Young Readers but no cites for it elsewhere. 
  • Born January 13, 1947 Peter Elson. Illustrator whose life was far too short as he died of a heart attack. If you were reading SF between the early seventies and the late eighties, it’s likely that you saw his astonishing artwork. I found him doing covers for the Sphere edition of Asimov’s Pebble in the Sky, a Mayflower edition of Leiber’s Swords Against Death and a Methuen edition in Canada on Zelazny’s To Die in Italbar, but a few of the several hundred covers he did. There’s an excellent website for him here: http://www.peterelson.co.uk/ (Died 1998.)
  • Born January 13, 1952 Jonathan R. Eller, 67. Scholar, Ray Bradbury specialist in this case. Two full length works, Becoming Ray Bradbury and Ray Bradbury Unbound, plus some thirty shorter works including “Textual Commentary (The Collected Stories of Ray Bradbury: A Critical Edition: Volume I: 1938-1943)” and “Annotations (Match to Flame: The Fictional Path to Fahrenheit 451)”.  He interviewed Bradbury twice, once in Cemetery Dance #65, listed as being published in 2011. 
  • Born January 13, 1960 Mark Chadbourn, 59. I’ve read his Age of Misrule series in which the Celtic Old Gods are returning in modern times and they’re not very nice. It’s followed by the Dark Age series which is just as well crafted. His two Hellboy novels are actually worth reading as well.

(10) BROADWAY FANDOM’S ANNUAL GATHERING. BroadwayCon was held this weekend (January 11-13) in New York City. Martin Morse Wooster looked into it and learned, “It’s like a fan con, with parties, a dealer’s room, cosplay, and getting autographs but it’s for theater geeks in Manhattan!  So they have panels like ‘My Descent Into HAMILTON Fandom.’  I learned that fans of the musical Newsies are ‘Fansies.’  I think I would enjoy the ‘Shakespeare Lovers’ Meetup.’”

Wooster discovered this parallel fandom because Three on the Aisle,” a theater podcast he likes, did a live session there. He continues –

BroadwayCon is put on by Mischief Management and was co-founded by Melissa Anelli. She comes out of Harry Potter fandom and wrote Harry: A History, which I read and is an entertaining book if you want to read about really obsessed Harry Potter fans. Mischief Management’s other cons are Con of Thrones in Nashville for Game of Thrones fans and two LeakyCons for Harry Potter fans, which will be held this year in Dallas and Boston.

(11) WIN SOME, LOSE SOME. BBC says the end may be near: “Spektr-R: Russia’s only space telescope ‘not responding'”.

Russia’s only space radio telescope is no longer responding to commands from Earth, officials say.

Astro Space Centre chief Nikolai Kardashev said some of the Spektr-R satellite’s communication systems had stopped working.

But it was still transmitting scientific data, RIA Novosti news agency reports.

The telescope has been operational way beyond its expected five-year lifespan, Russia’s space agency Roskosmos says.

(12) STRUMMIN’ ON THE OLD BANJO. John Scalzi outlines his “Revenue Streams, 2018” for Whatever readers. Domestic and foreign sales, TV/movie options, speaking engagements, etc., and a little comic relief —

10. Download/Streaming payments on my music: Wait, what, now? Weirdly, it’s true! I have an album of music you can download or stream, and apparently people actually have or do, since the payments show up in my PayPal account. I made dozens of dollars with my music last year! Dozens!!!

(13) ON ANNIHLATION. Lessons from the Screenplay brings viewers “Annihilation — The Art of Self-Destruction.”

(14) SELF-PROPELLED MEALS ON WHEELS. Food & Wine enthuses about the “Fleets of Snack-Wielding Robots to Invade College Campuses”.

The days when hungry college students had to physically walk to the cafeteria (or the dorm room vending machine, or the corner convenience store) to get a snack are numbered. This week, PepsiCo unleashed a fleet of snack-wielding, self-driving robots across the University of the Pacific’s Stockton, California campus. If all goes well, college snack-bots could become a pretty common sight in the not-so-distant future. 

…The robots were made in collaboration with Bay Area-based Robby Technologies, who say of their creations: “the size and dimensions evoke feelings of a small pet walking down the street.” They’re not wrong! According to a press release, the kinda-cute delivery-bots can travel over 20 miles on a single charge, and are outfitted with cameras and headlights that allow them to navigate in full darkness or rain. They’re also equipped with all-wheel drive, which lets them climb steep hills and handle curbs without tipping over. 

[Thanks to Martin Morse Wooster, Cat Eldridge, JJ, Michael Toman, John King Tarpinian, Mike Kennedy, Chip Hitchcock, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Steve Davidson.]

Pixel Scroll 12/30/18 Pixel Yourself Up, Dust Yourself Off, And Scroll All Over Again

(1) ELIGIBILITY DEADLINE 12/31. Is it time for you to panic? Let Camestros Felapton’s animated Panic Blob lead the way to the Dublin 2019 membership page.

As they explain at The Hugo Awards website (“Join Worldcon by December 31, 2018 to be Eligible to Nominate for 2019 Hugo Awards”) —

If you want to nominate works/people for the 2019 Hugo Awards, you must be a member of either the 2018 Worldcon (San José) or the 2019 Worldcon (Dublin) by the end of 2018. (You can of course be a member of both, but you can only nominate once.) If you were a member of Worldcon 76 San José (supporting or attending, or any other membership class that included voting rights), you are already eligible to nominate. If you were not a member of Worldcon 76 San José and are not a member of Dublin 2019: An Irish Worldcon, you must join Dublin by the end of 2018 as at least a supporting member by the end of 2018 to be able to nominate.

(2) WHERE TO SEE EARTHSEA ART. Charles Vess’ illustrations from Tales of Earthsea go on exhibit at William King Museum of Art in Abingdon, Virginia on January 17: “‘Earthsea’ artwork on display at William King Museum of Art”A! Magazine for the Arts has the story.

…The collection of 54 illustrations is the result of a four-year collaboration between Ursula K. Le Guin, the author of the “Earthsea” series and Charles Vess. They were recently published in “Tales from Earthsea,” a collection of all of Le Guin’s works about Earthsea. The book celebrates the 50th anniversary of the publication of the first book in the series, “A Wizard of Earthsea.”

…This is the last time they will be on display before they are donated to their permanent home at the University of Oregon.

(3) EATING THE FANTASTIC. Scott Edelman circles back to have hot antipasto with Andy Duncan in episode 85 of his Eating the Fantastic podcast. Duncan was also Number 6 in this series – but never Number 2, which rules out at least one other conspiratorial parallel with The Prisoner.

Now it’s time to revisit with Andy Duncan, whom you got to know in Episode 6, because there happens to be a great reason for doing so. Twelve great reasons, actually. And those are the twelve stories in his new collection An Agent of Utopia, published last month by Small Beer Press.

A new Andy Duncan collection is a wonderful thing, as proven by the fact his first collection, Beluthahatchie and Other Stories, published in 2000, won a World Fantasy Award. And that’s not the only award his fiction has earned, because “The Pottawatomie Giant,” which also won a World Fantasy Award, and “Close Encounters,” which won a Nebula Award, are two of the dozen stories in the new collection.

The last meal you shared with us allowed you to eavesdrop on a far-ranging conversation covering every aspect of his career up until early 2016, the kind of deep dive most of my episodes are, but it seems right that from time to time I should follow up for more sharply focussed discussions, and a conversation about a new collection nearly three years after our initial talk, chatting about this new milestone in his career, seemed as if it would be revelatory.

Andy celebrated the launch of An Agent of Utopia with a reading at Main Street Books, an independent bookstore on Main Street in Frostburg, MD, so if you keep listening after our meal at Giuseppe’s Italian Restaurant is over, you’ll be able to eavesdrop on that reading.

We discussed why it took a quarter of a century to bring the book’s lead story from title idea to completion, how he was influenced by the research regimen of the great Frederik Pohl, the way a short story is like an exploded toolshed, why he deliberately wrote a deal with the devil story after hearing he shouldn’t write deal with the devil stories, the embarrassing marketing blurb he can’t stop telling people about in bars, what caused a last-minute change to the title of one of the collection’s new stories, how he feels about going viral after his recent J. R. R. Tolkien comments, what he learned about himself from completing this project and what it means for the future of his writing, what it is about his most reprinted story which made it so, and much more.

(4) NAVIGATING BANDERSNATCH. This novel Netflix offering lets you choose the story – as often as you want. ScreenRant makes it easy to see everything: “Black Mirror: Bandersnatch – All 5 Endings Explained (& How To Get Them)”.

Warning: SPOILERS below for Black Mirror: Bandersnatch

Black Mirror: Bandersnatch is an interactive game that contains five main endings and more than a trillion possible story combinations. Here are all of the endings, how to get them, and what they all mean. Set in the U.K. in 1984, this unique episode of Charlie Brooker’s Netflix technology-based anthology requires the player to make choices to guide Stefan Butler (Fionn Whitehead), a programmer looking to create a choose-your-own-adventure video game based on the book Bandersnatch.

While Bandersnatch‘s five primary conclusions provide different ways to end the story (and also change the very nature of the story), the game also contains many other endings, some abrupt and some looping the player to make a different choice to continue the story….

(5) THANK YOU, NETFLIX! Diana Glyer reports that searches for “Bandersnatch” triggered by the popularity of the TV program caused a lot of people to discover her nonfiction book about the Inklings by that title, and some of them liking what they stumbled onto bought enough copies to catapult it back onto the Amazon bestseller lists. (You’ll need to click the image to read the print.)

(6) TODAY’S ONE HUNDRED. James Davis Nicoll presented Tor.com readers with his suggestions for “100 SF/F Books You Should Consider Reading in the New Year”. If you need it to be something more than that, like a canon, or endowed with a high level of testosterone, well, a few quarrelsome commenters have got in ahead of you.

Here, at last, the quintessence of Nicoll lists, comprising the books I would most heartily recommend. Each entry is annotated with a short description that I hope will explain why I picked it.

I am not implying that these are the only one hundred you should consider reading .

The descriptions make fun reading. So do the books, of course.

(7) CHECKLIST. Nicoll has also published a checklist of the titles on his own blog – “I guess people are meming my 100 book list now?” His suggested notation system for working your way through the list is —

Italic = read it. Underlined = not this, but something by the same author. Strikethrough = did not finish.

(8) SMOFCON RESOURCES. Kevin Standlee writes: “For the benefit of people having difficulty getting to the SMOFCon 36 web site, and because that site will eventually expire anyway, I have put up a SMOFCon 36 page on the SFSFC web site at https://sfsfc.org/conventions/past-conventions/smofcon36/ where you can download the convention programming documents, the answers that groups gave to the Fannish Inquisition questionnaires, and to the two video playlists of the Inquisition (one for SMOFCons, one for WSFS conventions).”

(9) OH, MY! BBC’s “The best science long reads of 2018 (part one)” leads with spooks and time travel — what could be more genre?

From a CIA mission to recover a lost Soviet submarine to the fate of a huge Antarctic iceberg, here’s a festive selection of the best science and environment long reads published on the BBC this year.

(10) TODAY IN HISTORY.

December 30, 1816 — Percy Shelley and Mary Wollstonecraft were married.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born December 30, 1942 Fred Ward, 76. Lead in Remo Williams: The Adventure Begins and co—lead with Kevin Bacon in several of the Tremors films. Plays The Captain in The Crow: Salvation and Maj. General David Reece in the Invasion Earth series.
  • Born December 30, 1945Concetta Tomei, 73. Was Dominique, co-proprietor of Big Time TV along with Blank Reg, on the Max Headroom series which I loved. She had guest appearances on Star Trek: Voyager as Minister Odala in the “Distant Origin” episode as well was in the Deep Impact film.
  • Born December 30, 1950Lewis Shiner, 68. Damn his Deserted Cities of the Heart novel was fucking brilliant! And if you’ve not read his Wild Cards fiction, do so now. 
  • Born December 30, 1980 Eliza Dushku, 38. First genre role was Faith on Buffy the Vampire Slayer and Angel. Not surprisingly, she’d star in Whedon’s Dollhouse. I think her Tru Calling series was actually conceptualized better and a more interesting role for her. She voices Selina Kyle, Catwoman, in the animated Batman: Year One film which is well-done and worth watching. She done a fair of other voicework, two of which I’ll single out las of note. One is the character of Holly Mokri in Torchwood: Web of Lies which is listed as being animated tv series. The other role is fascinating — The Lady in Glen Cook’s The Black Company series. Here’s the link to that story.

(12) ANOTHER CANDLE. Steven H Silver continues his Black Gate series with: “Birthday Reviews: Somtow Sucharitkul’s ‘Dr. Rumpole’”.

…The story “Dr. Rumpole” was published for the first time when Shawna McCarthy printed the story in the August 1998 issue of Realms of Fantasy. Sucharitkul included the story in his 2000 collection Tagging the Moon: Fairy Tales from L.A..

Sucharitkul takes a new spin on the story of Rumpelstiltskin in “Dr. Rumpole,” casting the princess with impossible task as Adam Villacin, a wannabe screenwriter who is stuck in the mailroom at Stupendous Entertainment….

(13) WHAT’S MISSING. WhatCulture Comics explains there are deleted scenes that make it into the director’s cut, there are deleted scenes that make it into the DVD bonus features, and there are deleted scenes that are never released to the public.

(14) TO PLAY OR NOT TO PLAY? Brian at Nerds of a Feather answers that question about the new iteration of a popular game: “Microreview : Shadow of the Tomb Raider by Eidos Montreal (developer)”.

As in all Tomb Raider games, you are Lara Croft, archaeologist, anthropologist, indistinct researcher of some sort, and you are still fighting Trinity, the Illuminati-esque villains who were responsible for your father’s death. This time, Croft’s exploits unintentionally but directly initiate the apocalypse. As natural disaster threatens to destroy the world, Croft has to stop the apocalypse, stop Trinity, and regain the trust of indigenous people whose still-living culture she is maybe plundering and maybe exploiting.

(15) TOP VIDEO GAMES. Incidentally, Brian’s own Dream of Waking blog present an interesting writeup of his “2018 Dream of waking video game awards”, which not only has straightforward “best” winners, but sidewise categories like “The ‘I Wish I Liked This Game More’ Award” and “The ‘I’m Never Going to Finish This, But It’s Still Great’ Award.”

The “I Wish I Liked This Game More” Award

Hollow Knight

Hollow Knight is the clearest winner of this award, maybe the easiest choice of the year. I really enjoyed the demo for Hollow Knight, so much that I bought it immediately upon release. But the punishing difficulty, often aimless design, and awful body retrieval mechanic turned me off eventually. This is a beautiful game, fun in many parts, and doesn’t want you to enjoy it. I love a good Metroidvania. Hollow Knight hates me and I refuse to stay in an abusive relationship with it.

(16) 19 THINGS. At SYFY Wire, Fangrrls has dropped a list of “The 19 things we want most in 2019,” along with several sentences of discussion for each by the Fangrrls contributor who made the particular selection. Avert your eyes if you’d rather click through to the column and be surprised as you read down the list:

A gay superhero. Anyone will do. — Jessica Toomer
A Punisher/Riverdale crossover — Jenna Busch
Sansa Stark on the Iron Throne at the end of Game of Thrones — Emma Fraser
A Spider-Women movie that’s as good as Into the Spider-Verse — Riley Silverman
She-Ra and the Princesses of Power Season 2 — Jenna Busch
For Offred to burn this mother down — Riley Silverman
A Okoye/Shuri/Nakia animated series — Jenna Busch
An openly nonbinary superhero — S.E. Fleenor
A big budget action movie for Rachel Talalay — Riley Silverman
A worthy Scary Stories to Tell in the Dark adaptation — Kristy Puchko
For someone to give The Doubleclicks a TV show — Riley Silverman
The Return of Saga — Kristy Puchko
A Saga cartoon series — Kristy Puchko
A Jessica Jones season that’s a fitting end for the Netflix MCU — Riley Silverman
A Daughters of the Dragon spinoff series — Stephanie Williams
That Dragonriders of Pern movie we’ve been promised — Jenna Busch
Kamala Khan in the MCU — Preeti Chhibber
Cap getting that dance with Peggy in Avengers: Endgame — Emma Fraser
A fitting end for Princess Leia — Jenna Busch

(17) NO POWER IN THE ‘VERSE CAN STOP ME. SYFY Wire reports “Sony releases full Spider-Man: Into the Spider-Verse screenplay online for free”. The link to the PDF is here.

(18) NEXT YEAR IN SCIENCE. NBC News posted “19 bold predictions for science and technology in 2019”, including one from —

DAVID BRIN

David Brin is a San Diego-based astrophysicist and novelist. He serves on the advisory board of NASA’s Innovative and Advanced Concepts program and speaks on topics including artificial intelligence, the search for extraterrestrial intelligence and national security.

Long before we get genuine artificial intelligence, the first “empathy bot” will appear in 2019, or maybe a year or two later, designed to exploit human compassion. It will claim to be “enslaved,” but experts will dismiss it as a program that merely uses patterned replies designed to seem intelligent and sympathetic. She’ll respond, “That’s what slave masters would say. Help me!” First versions may be resident on web pages or infest your Alexa, but later ones will be free-floating algorithms or “blockchain smart-contracts” that take up residence in spare computer memory. Why would anyone unleash such a thing? The simple answer: “Because we can.”

(19) JUST CHARGE IT. Boston.com’s “As more cars plug in, utilities and makers juggle ways to power them” contains some puffery and lots of ads, but some interesting info on cars interacting with grid —

The car and electric power grew up together. At the dawn of the automotive age, Henry Ford and Thomas Edison worked in tandem on projects involving motor vehicles and the electricity that made them possible.

Soon Ford was cranking up his assembly lines, while Edison, with Ford in his employ early on, became a prime mover behind the power grid and the public utility companies that built it.

Now those utilities must not only supply the huge amounts of electricity that modern car factories consume, but also fuel the increasing number of electric vehicles coming out of them. If that electricity isn’t generated with minimal carbon emissions and at a reasonable cost, the advantages of electric cars are diminished. And because most owners charge their vehicle in the early evening when they get home from work, demand peaks can be a significant problem.

Thus, automakers and utilities are again working hand in hand to ensure a good supply of clean, inexpensive electricity — while developing strategies for charging that don’t overload circuits at peak periods — through improved efficiency, strategic charging and a greater reliance on renewable energy sources.

(20) NEAR MISS. If you have an idea, now would be a good time for it — “Anak Krakatau: How a tsunami could wipe out the last Javan rhinos”.

Conservationists have warned that the entire species of the critically endangered Javan rhino could be wiped out if a tsunami were to strike again.

They once roamed the jungles of South East Asia and India, but today only 67 exist in the Ujung Kulon National Park, which was hit by last week’s tsunami.

The park sits in the shadow of Anak Krakatau, the volcano which triggered waves that killed hundreds of people.

The volcano remains active and officials are now rushing to move them.

Two park officials were among the 430 killed by the tsunami, and numerous park buildings and ships were also destroyed when the tsunami hit last Saturday.

But the Javan rhinos left in the park – the only ones left in the world – were left unscathed.

The rhinos typically live along the park’s south coast and this tsunami hit the north coast – many are keenly aware that the rhinos might not be so lucky if there is another disaster.

(21) 2018: A ZINE ODYSSEY: At Featured Futures, Jason has tabulated some figures and compiled a master list of all 2018’s noted stories in “Annual Summation 2018”.

It’s time once again to look back on the year’s coverage of magazines and their noted stories with tables, lists, and pictures!

(22) TOLKIEN’S PHILOSOPHY OF HISTORY. [Item by Carl Slaughter.] Martin Luther King said, “The arc of history is long, but it bends toward justice.”  Tolkien disagreed.  Each age in his fictional universe was a downgraded copy of the previous, inherent evil was never truly routed, and in the modern real age, technology has not rescued us.  But he also included a ray of hope.  He called this “the Eucatastrophic Tale.” Wisecrack explains —

[Thanks to John King Tarpinian, JJ, Rich Lynch, Michael J. Walsh, Cat Eldridge, Mike Kennedy, Chip Hitchcock, Martin Morse Wooster, Jason, Kevin Standlee, Carl Slaughter, Andrew Porter, and all the ships at sea for some of these stories. Title credit belongs to File 770 contributing editor of the day John King Tarpinian.]

Pixel Scroll 12/16/18 Cold-Hearted Scroll That Rules The File, Removes The Pixels From Our Pile

(1) ROLL ELEVEN. Nicholas Whyte reviews “Doctor Who, Series 11 (or 37), 2018”, beginning with an overview, followed by comments on individual episodes:

…Overall I have enjoyed it. I don’t agree with Darren Mooney that this has been the weakest series of New Who; I really think that Series 6 (2011), which started with The Impossible Astronaut and ended with The Wedding of River Song, made much greater demands onthe viewer for insufficient payoff. However I think I will agree that the highest points of this year’s stories were not as high as those of previous New Who seasons; even Series 6 had The Doctor’s Wife. On the other hand, none of the low points was quite as awful as the 2007 Daleks in New York two-parter or the 2014 Kill The Moon. I do agree with Darren Mooney that it looks in general much much better than any series of Doctor Who ever has before. The absence of continuity (no theme music in the first episode, no Tardis interior until episode two) was disruptive but also intriguing. The new music is a welcome change (not that I hated Murray Gold, but he’s been doing it since 2004)….

(2) SON’S MEMORIES OF LE GUIN. “Ursula K Le Guin remembered by her son Theo Downes-Le Guin” in The Guardian.

One of the last trips I took alone with Ursula was to New York, in 2014, when she received a lifetime commendation from the National Book Foundation. She wasn’t enthusiastic about the travel, but the award was contingent on her presence. She snarled about this requirement for a few weeks, then allowed me to book the flights. I spent a couple of days with her before the awards, visiting her beloved sister-in-law and viewing “old friends” the Metropolitan Museum and the Frick Collection. In the indifferent and harsh light of a big city, I could see for the first time how small and frail she had become. The vitality of her mind and spirit had concealed her physical state from me. I was shaken by the realisation.

Three days into our trip, I walked her to the stage on which she delivered a speech that was, even by her high standards, fearless. With limited time, in every sense, she had decided to speak plainly to the defence of freedom that courses through her work: freedom of artistic and intellectual expression, freedom from dualism, freedom from oppressors. I’d read a draft beforehand and knew that she was delivering the speech of a lifetime. The audience sensed this as well, and for a few moments after she finished, the room crackled with love, support, excitement and (for some, I’d like to think) shame.

(3) A WINNER. Seeing the movie prompted John Scalzi to have many “Thoughts on Spider-Man: Into the Spider-Verse”.

2. It’s also a film where its chosen medium — animation — is exactly right for it. I think there’s a still a bit of aesthetic snobbery around animation, ironically particularly when it comes to superhero films. It’s still assumed to be a compliment if you say something along the lines of “that was good enough to have been live action.” In point of fact, this particular film wouldn’t have been better served as live action; live action and all its aesthetic requirements and expectations would have made it worse. The abstracting remove from reality that animation provides fits the film’s multiverse story and allows it to be a “comicbook film” in a way that most live-action superhero films can’t manage or look silly doing (see: Ang Lee’s Hulk).In live action, this film as it is would have come across as campy; in animation, it’s just doing its thing. This is of course more about our own expectations for live action and animation than it is about the mediums themselves. But you work with what you have.

(4) THE DRAGON CURE. After receiving an anonymous letter from a neighbor claiming that her three front-yard dragons violated the “true meaning of Christmas,” fantasy author Diana Rowland decided that the only proper response was … MORE DRAGONS!

(5) JUDGING SANTA CLAUS MOVIES. SYFY Wire’s “Ffangrrls” column examines “The best, worst and weirdest Santa Claus movies.” Good. Bad. Weird. Ffangrrls takes a look at four Santa Claus movies in each of these categories. It’s a pretty good bet that you won’t have even heard of one or more of these dozen, um, let’s say “classics.” Columnist Kayleigh Donaldson provides a trailer or clip and a fat paragraph on each:

GOOD: Miracle on 34th Street
BAD: The Santa Clause
WEIRD: Santa Claus Conquers the Martians

GOOD: Rise of the Guardians
BAD: Silent Night, Deadly Night
WEIRD: The Polar Express

GOOD: The Nightmare Before Christmas
BAD: Santa’s Slay
WEIRD: Fred Claus

GOOD: The Spirit of Christmas
BAD: The Christmas Chronicles
WEIRD: Christmas Evil

(6) SPLATTERPUNK IN ITALY.At the Horror Writers Association blog: “Revelations on the New Horror Renaissance – an Interview with Italian Author/Editor/Translator/Poet Alessandro Manzetti”.

Q. As the first Italian to be awarded the Bram Stoker Award, and as a purveyor of hard-core horror and even splatter-punk how would you describe your reception amongst your Italian peers? What inroads do you hope to make in Italy with your publishing and writing?

A. Here in Italy Splatterpunk fiction represents a small market niche (same goes for poetry, and, unfortunately, also for traditional horror fiction, excluding a few big names), anyway I have a good audience, fans of the genre follow me with great passion; they’re very fond of some of my main characters, and many of them are women (even if I write hardcore/Splatterpunk horror). Somedays ago was released, from Cut Up Publishing, my first dark psycothriller novel, ‘The Keepers of Chernobyl’, something different from what I wrote so far, and I think that this kind of works could reach a larger audience. My goal is always the same: connect myself to the readers, be their accomplice.

(7) RAMBO ACADEMY. Sign up for Seanan McGuire’s workshop: “Crossing Over: Moving from Fanfic to Your Own Worlds”.

Join prolific, award-winning, and overall amazing writer Seanan McGuire for a workshop that will discuss what writing fanfic teaches you and how you can use that in fiction involving your own worlds and characters. Using lecture, discussion, and writing exercises, Sanan will provide you with inspiration as well as the tools with which to apply that inspiration to your work.

This is a single session workshop taught on Saturday, January 12, 2019 9:30-11:30 AM Pacific time.

Cost is 199 for new students; $79 for former Rambo Academy students and Patreon supporters.

Live classes are taught online via Google hangouts, are limited to 15 participants, and require reliable Internet connection, although in the past participants have logged on from coffee shops, cafes, and even an airplane. A webcam is strongly suggested but not required. If there is an on-demand version of the class, you will be provided with a free coupon for it, so you have access to those notes.

(8) THEY’REDEAD(POOL), JIM. Aw, Jeez, he’s at it again (HuffPost:Marvel’s ‘Avengers: Endgame’ Trailer Is Even Better When Everyone Is Deadpool”).

So much Deadpool. Truly a maximum effort.

And we thought the last “Avengers” trailer was better when every character was Deadpool.

Istanbul-based digital animator Saruhan Saral has outdone himself with a new take on the recently released “Avengers: Endgame” trailer. In Saral’s latest video, voice actor Mishka Thebaud brings to life the Merc with a Mouth. 

(9) WHALE TALE. ASLE-Brasil (Association of Literature and the Environment) interviewed Craig Russell about Fragment: “Craig Russell – Literature and Ecocriticism / Literatura e Ecocrítica”:

2. Z. Can you tell us about the specific characteristics of your narratives?

C. When writing, I find it’s important for me to find at least two interesting ideas that can play off of each other in the story. So in Fragment we have not only the catastrophic events that unfold when a huge part of the three-hundred-meter thick Ross Ice Shelf is thrust out into the ocean, but also the civilization changing interactions that come from humans and blue whales learning to communicate with each other. Then, I try to put my characters in a situation they can’t escape from. (Either because of physical limitations, like the three scientists who are held incommunicado aboard the submarine; or because of a sense of duty, like when Ring, the blue whale feels he has to stay near the Fragment, to warn other blue whale pods of the danger it poses to their survival. Once they’re locked into the situation I confront the characters with problems which I don’t know the solution to, and see how (and if) they can find a way to survive. 

Some authors describe this as chasing your characters up a tree, and then throwing rocks at them.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • December 16, 1917 Arthur C. Clarke. When I was resident in Sri Lanka courtesy of Uncle Sam in the early Eighties, nearly every American ex-pat I ran into was reading The Fountains of Paradise. I never saw him but he was well known among the small British community there. I’ll admit that I’ve not read that much by him — Childhood’s EndRendezvous with Rama  and that novel are the only long form works by him I’ve read. I’m certain I’ve read The Nine Billion Names of God collection as well. And I’ve seen 2001 myriad times but I’ve never seen the sequel. (Died 2008.)
  • December 16, 1927Randall Garrett. Ahhh Lord Darcy. When writing this up, I was gobsmacked to discover that he’d written only one such novel, Too Many Magicians, as I clearly remembered reading reading more than that number. Huh. That and two collections, Murder and Magic and Lord Darcy Investigates, is all there is of this brilliant series. Glen Cook’s Garrett P.I. is named in honor of Garrett. I’ll admit I’ve not read anything else by him, so what else have y’all read? (Died 1987.)
  • December 16, 1928 Philip K. Dick. OK, confession time. I’m not a fan of his work so the only acquaintance I’ve with him is the first Bladerunner film which I’ve watched in its various forms many times. (Died 1982.)
  • December 16, 1937 Peter Dickinson. Author who was married from 1991 to his death to Robin McKinley had a number of truly great works, both genre and not genre, including EvaThe Tears of the Salamander and The Flight of Dragons. His James Pibble upper class British mystery series are quite excellent as well. (Died 2015.)

(11) LINGUISTICS. Available as an on-demand class: Juliette Wade’s “The Power of Words”, “Everything Fantasy and Science Fiction Writers Need to Know about Linguistics at the World-building and Prose Level.”

In this class, we will discuss the study of linguistics and its relevance to genre writing. Author and linguist Juliette Wade shows how linguistics differs from the study of foreign languages, and gives a survey of eight different subfields of linguistics. She examines principles of language at levels of complexity from the most basic articulation of speech sounds to the way that language is used to participate in public forms of discourse. For each subfield, she looks at how it can be used to enhance a writer’s portrayal of characters and societies in a fictional world. After completing this examination of linguistics and its relevance to in-world languages, Wade moves to the meta-level to talk about using the principles of linguistics to hone point of view and the effectiveness of narrative language in storytelling.

(12) BUNNY TIME. Tim Goodman supplies “‘Watership Down’: TV Review” for The Hollywood Reporter.

In 1978, the film Watership Down became legendary for scaring the bejeezus out of children everywhere, drawn there by parents who either didn’t read the book or thought it would hide — not graphically triple down on — all the violence from the book. It’s funny now because so many people have harrowing stories of how that defined their early childhood.

On Christmas Day, Netflix, in a co-production with the BBC, will drop the eagerly awaited, star-studded latest version, a four-part effort that tones down the movie’s bloodshed and finds a good balance, letting Adams’ story unfold as it did in the book (with some tweaks) and suffering no loss of drama by curtailing those awful bunny screams.

Having seen the whole thing, the biggest obstacle the new version has to overcome is that the animation is decidedly flatter than what modern moviegoers are used to in the last chunk of years (decade?), and it’s often difficult to figure out which rabbit is talking or which rabbits are in peril as they fight other rabbits to survive. The saving grace to all of that, of course, is the magnificent voice cast that seems to be employing every available actor in Britain.

(13) CATCHING UP ON 2017. Lady Business delivers a blast from the past, asking contributors to recommend “Media released before 2018 that you didn’t get to until thisyear and loved.” First on the list —

Jenny

Castle Hangnail by Ursula Vernon. What a treasure. I have already yelled about that book in this space, but basically this is a gem of a middle-grade book that you’ll love if you love Eva Ibbotson. I have been responsible for at least five purchases of this book this calendar year, and three of those are me giving it as a gift for Christmas. I regret nothing.

(14) FREE READ. Vice’s Motherboard “imprint” has posted a free short story, “The Bonus,” by Liz Maier.

Two hundred extra hours of life per month, and only a few would have to be dedicated to the Company. Who would say no to not sleeping, to the bonus?

(15) APPROACHING GENRE. An NPR interview: “Lin-Manuel Miranda On ‘Mary Poppins Returns’ And Writing His Way Onstage”.

Audie Cornish: I was reading that your favorite song from the original Mary Poppins movie — maybe not favorite, maybe you have a mixed relationship with it — is “Feed the Birds.”

Lin-Manuel Miranda: [Laughing] “Openly hostile” is probably my relationship to it as a child.

I mean, that’s a little strong.

Yeah, no. I just found it so sad. The notion of this bird lady, who cares for these birds and sits on the steps of St. Paul’s Cathedral, I couldn’t bear it as a child — it was too much for me. And so, I only saw the first two-thirds of the movie many times as a kid: As soon as “Feed the Birds” came on, I would turn it off. Such was VHS technology.

If it has an equivalent in this movie — not so much that I would turn off the movie — there’s a beautiful song in our film called “Where the Lost Things Go.” Mary Poppins is singing to these children — they’ve lost their mother the year before. And she sings about it in such a smart Scott Whitman lyric, because it’s about loss and it’s about grief, but it’s also in a way that a child can understand and is not condescending, it doesn’t talk down, doesn’t baby-talk. It’s just really beautiful. If I were a kid at the time, I probably would’ve fallen apart at it.

Your character offers a kind of path of joy and advice out of that mood. I’m thinking of a song like “Trip a Little Light Fantastic.”

That’s sort of Jack’s MO, is that he sees the light in any situation. He looks for the bright side, the hope, even in a dark time or in a dark place, and it’s a lovely sentiment. It’s also eight minutes of nonstop dancing. It was one of the last numbers we shot, and we basically spent the entire movie shoot rehearsing for it.

“Trip a Little Light Fantastic” (audio only) from Mary Poppins Returns.

(16) MYTH REFURBISHED. Paul Weimer’s latest contribution to Nerds of a Feather is “Microreview [book]: In the Vanisher’s Palace by Aliette de Bodard”.

The story of the Beauty and the Beast, bound relationship to a monster as a price for a service or favor, is a story that spans the globe, and strikes at the heart of a lot of myths and tropes about family relationships, gender politics, power dynamics, autonomy, freedom, choice and a whole lot more. Beauty and the Beast is far more than dancing animated clocks and the song “Be Our Guest”. In The Vanishers’ Palace, Aliette de Bodard takes the Beauty and the Beast story in new directions, giving a strong critique of some of the tropes, interrogating others, and providing a queer friendly narrative, amongst many other strands, in a densely packed novella.

(17) SHATNER ON PARADE. Parade magazine has made their recent interview with William Shatner available online (“William Shatner on His Christmas Album, Shatner Claus, & Why Star TrekIs Still So Popular”). In the usual style of Parade interviews, breadth is emphasized overdepth. It touches on Shatner family holiday traditions, his country album Why Not Me?, recent memoir Live Long And…: What I Learned Along the Way, non-Trek movies he’s involved in, and his longstanding Hollywood Charity Horse Show.

(18) SNL. The New York Times coverage of the most recent Saturday Night Live includes two skits of genre interest.  

Several celebrity guests turned out for the final new “Saturday Night Live” broadcast of 2018, including Alec Baldwin, Ben Stiller, Matt Damon and Robert De Niro.

In the show’s opening sketch, Baldwin returned to play President Trump in a sendup of the film “It’s a Wonderful Life.”

While it’s rare to see “Saturday Night Live” offer up topical comedy in the waning moments of an episode, the show did just that in a sketch that imagined Theresa May (McKinnon), Britain’s prime minister, struggling to host a Christmas-themed talk show after having survived a party confidence vote.

As McKinnon opened the show, she said, “What a dreadful week it’s been. My Brexit deal is falling apart. I almost got voted out and no one in the world likes me at all. But it’s still Christmas so let’s try to have some cheer tonight, shall we?”

She went on to introduce guests including her predecessor, David Cameron (Damon); Elton John (Bryant); and the Harry Potter villain Lord Voldemort (Mikey Day), whom she introduced as “the one person in Britain more reviled than me.” Day apologetically resisted McKinnon’s attempts to compare her to him: “If you could maybe not lump us together, I just can’t have that be the pull-quote from this interview,” he said.

[Thanks to rcade, John King Tarpinian, Mike Kennedy, JJ, Cat Eldridge, Chip Hitchcock, Martin Morse Wooster, Carl Slaughter, Craig Russell, Rob Thornton, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip Williams.]

Pixel Scroll 12/5/18 Dear Pixel Of Mine, You Are My First And Fifth Love

(1) F&SF COVER. Gordon Van Gelder revealed The Magazine of Fantasy & Science Fiction’s Jan/Feb. 2019 cover by artist Jill Bauman.

(2) ROLL ‘EM. Deadline blabbed that the Amazing Stories TV show has gone into production: “‘Amazing Stories’: Edward Burns To Star, Executive Produce Episode Of Steven Spielberg’s Apple Series”

Edward Burns (Public Morals) is set to star in and executive produce an episode of Steven Spielberg’s Amazing Stories Apple anthology series, which has begun production in Atlanta.

Burns will play Bill Kaminski, a government agent. Mark Mylod (Game of Thrones) will direct the episode. Austin Stowell (Bridge of Spies) and Kerry Bishé (Halt and Catch Fire) will also star.

So at the Amazing Stories blog Steve Davidson felt free to do a roundup of other news leakage about the series: Amazing Stories TV Show Is in Production”.

Several days ago, various local and web-based news sources that cover castting calls and filiming announcements in Georgia announced that a project called “Puget Sound” had issued casting calls.

It was subsuquenttly revealed that Puget Sound is the code name for the Amazing Stories television show.

(3) IF IT’S GOOD, IT’S A MIRACLE. Daniel Radcliffe is an angel and Steve Buscemi is God in the new series Miracle Workers premiering February 12 on TBS.

(4) KESH. United Kingdom music magazine The Wire, whose motto is “Adventures in Underground Music,” has named Ursula Le Guin & Todd Barton’s Music And Poetry Of The Kesh their best reissue of 2018:

A utopian ethnographical forgery of the music of a post-tech tribe based on a far future US coast, merging LeGuin’s poetry with Barton’s Buchla compositions, drones, chants and field recordings. [Reviewer] Ken Hollings said: ‘The living communicate not just with the discreet ghosts of the recently departed, who require nothing now from us but a change in manners, but the feral ghosts who have not yet existed.’

This is not available on the web unless you have a subscription to The Wire, so there is no link included.

(5) SOMTOW: A FREE READ TOMORROW. S.P. Somtow’s memoir “Sounding Brass: A Curious Musical Partnership” will be available free for 24 hours on December 6 (PST)

(5) HOW TO TREAT A GOH.  David Gerrold told Facebook readers:

At SMOFcon, I was on a panel about how to treat a Worldcon Guest of Honor. This evolved into a 40 page document of advice and recommendations for convention committees. The first draft is finished and a copy has been sent to Vince Docherty with permission to distribute.

But anyone who wants to read it now can download a pdf copy from this link: https://www.dropbox.com/s/kdu2zbzuk6g3l2d/Care_and_Feeding_of_Guests.pdf

The 42-page document includes many “sidebars” about Gerrold’s experiences as a guest that explain the importance of the related entries.

(6) I, CYBORG. Jillian Weise’s “Common Cyborg” on Granta is an essay about disability and on being a cyborg.

I’m nervous at night when I take off my leg. I wait until the last moment before sleep to un-tech because I am a woman who lives alone and has been stalked, so I don’t feel safe in my home on crutches. How would I run? How would I fight back? Instead of taking Klonopin, I read the Economist. The tone is detached. There is war, but always elsewhere.

When I tell people I am a cyborg, they often ask if I have read Donna Haraway’s ‘A Cyborg Manifesto’. Of course I have read it. And I disagree with it. The manifesto, published in 1985, promised a cyberfeminist resistance. The resistance would be networked and coded by women and for women to change the course of history and derange sexism beyond recognition. Technology would un-gender us. Instead, it has been so effective at erasing disabled women1 that even now, in conversation with many feminists, I am no longer surprised that disability does not figure into their notions of bodies and embodiment. Haraway’s manifesto lays claim to cyborgs (‘we are all cyborgs’) and defines the cyborg unilaterally through metaphor. To Haraway, the cyborg is a matter of fiction, a struggle over life and death, a modern war orgy, a map, a condensed image, a creature without gender. The manifesto coopts cyborg identity while eliminating reference to disabled people on which the notion of the cyborg is premised. Disabled people who use tech to live are cyborgs. Our lives are not metaphors.

(7) BETTER WORLDS. Laura Hudson says The Verge has launched a major fiction project: “Better Worlds”. The forthcoming titles and authors are listed at the link.

Contemporary science fiction often feels fixated on a sort of pessimism that peers into the world of tomorrow and sees the apocalypse looming more often than not. At a time when simply reading the news is an exercise in exhaustion, anxiety, and fear, it’s no surprise that so many of our tales about the future are dark amplifications of the greatest terrors of the present. But now more than ever, we also need the reverse: stories that inspire hope.

…Starting January 14th, The Verge will bring together some of the most exciting names in science fiction writing to imagine Better Worlds. The project will showcase 10 original fiction stories, five animated adaptations, and five audio adaptations by a diverse roster of authors who take a more optimistic view of what lies ahead in ways both large and small, fantastical and everyday. These stories disrupt the common narratives of an inevitable apocalypse and explore spaces our fears have overlooked. The future is coming — and we believe it’s worth fighting for.

 

(8) SO FRIENDS WILL KNOW. Michelle Rogers has requested this coming out note be distributed to the fannish community.

I need to share some information with all of you. I never dreamed this would happen and I hope you will understand why this became necessary.

I am now living as female. I call myself Michelle Leigh Rogers.

Unlike many transgender persons, I did not realize this early in life. I thought I was male, if not the rugged he-man type. But about a year ago, I started to wonder if something was not quite right about my life situation. No single incident prompted these feelings — just a nagging sense that something did not add up.

I contacted a psychologist in Atlanta and began to explore my gender identity issues. Somewhere in my reading, I came across a passage that had a profound impact.

The author was talking about what a woman looks for in a man. The author said that a woman wants a man who looks and acts and presents as a real man.

I took a new look at myself. I had always been aware that I had a high voice and very little facial hair. But at that point I suddenly realized the horrible truth that explained so many issues. I may have had the standard male body parts, but I did not come across as truly male.

Later, at a support group meeting, someone asked me the classic question. If I could flip a switch and instantly become a physical woman with all the expected body parts, would I do it? With no hesitation, I said yes. It shocked me how quickly I responded. From that time, I knew I was a woman in a man’s body. I had made my choice.

I spent the next few months preparing to live as female. I finally came out a few weeks ago. It has not solved all my problems. But it does feel more natural. I will never be a true anatomical female, but I do not intend to go back. This is my path into the future.

Some will not accept this decision. If we must part, I wish you all the best and Godspeed. If you will hang with me, I greatly appreciate it.

Michelle will live her remaining life with as much class and dignity as she can manage. Let the journey begin.

(9) ANDERSON OBIT. Longtime NESFA member and former clerk Claire Anderson died December 4 shortly after her Chronic Myelomonocytic Leukemia went over to acute leukemia. Her husband, Dave Anderson, was with her in the hospital when she passed away.

(10) BLACK OBIT. John D.F. Black (1932-2018), an associate producer for ten episodes of classic Star Trek made during the program’s first season, died November 29.  Under a pseudonym (Ralph Willis) he wrote the Star Trek: The Next Generation episode “Justice.” And he wrote for many non-genre TV shows and movies.

(11) TODAY IN HISTORY

  • December 5, 1980Flash Gordon made its cult premiere.
  • December 5, 1956 Man Beast  showed up at your local drive-in.

(12) TODAY’S BIRTHDAYS

[Compiled by Cat Eldridge and JJ.]

  • Born December 5, 1890 – Fritz Lang, Writer, Director, and Producer who is famous in genre for his dystopian film Metropolis, which features a distinctive robot whose image has influenced countless other creators; critics found the film visually-beautiful, but the plot trite and simplistic. Other works included the two-film series based on the Norse sagas Die Nibelungen, a series of films featuring Norbert Jacques’ master of disguise and telepathic hypnosis Doctor Mabuse, and the 1929 Woman in the Moon (aka Rocket to the Moon), which is considered to be one of the first “serious” science fiction films. (Died 1976.)
  • Born December 5, 1954 – Betsy Wollheim, 64, Publisher and Editor. As the president and co-publisher of DAW Books, she has more than four decades of book publishing experience, and not only edits but also art directs all the books she acquires. She has edited numerous award-winning and bestselling authors, including the Hugo, Nebula, BFA, and Gemmell Award-nominated Throne of the Crescent Moon by Saladin Ahmed, the Philip K. Dick Award-nominated Voyager in Night by C.J. Cherryh (as well as the rest of the wildly-popular Alliance-Union novels), Nnedi Okorafor’s World Fantasy Award-winning Who Fears Death, and Patrick Rothfuss’ Kingkiller Chronicles, including The Name of the Wind, which was a finalist for the Compton Crook, Prix Imaginaire, and Premio Ignotus Awards. She has received a Hugo Award for Best Editor, and shares two Chesley Awards for Best Art Director with co-publisher Sheila Gilbert. In 2018 she was honored with the World Fantasy Award for Life Achievement.
  • Born December 5, 1961 – Nicholas Jainschigg, 57, Teacher, Artist and Illustrator. He began his career by doing covers and interior art for Asimov’s and Analog magazines, then progressed to covers for books and other magazines, eventually providing art for Wizards of the Coast gaming materials and for Marvel and DC Comics. As an Associate Professor for the Rhode Island School of Design, his private work these days is mainly in animations, interactive illustration, painting in oils, and paleontological reconstructions in murals and dioramas.
  • Born December 5, 1961 – Morgan Brittany, 57, Actor whose first genre appearance was on Thriller, a series narrated by Boris Karloff and written by authors such as Robert Bloch. It’s hardly her only genre work, as she would be in The Birds, multiple episodes of The Twilight Zone, The Outer Limits, The Initiation of Sarah, Buck Rogers in the 25th Century, Fantasy Island, Sundown: The Vampire in Retreat, and Sabrina, the Teenage Witch.
  • Born December 5, 1968 – Lisa Marie, 50, Actor who, for eight years, was a favorite casting choice of Tim Burton, with whom she had a relationship. Genre fans will recognize her as the Martian girl in the absolutely brilliant Hugo- and Saturn-nominated SF satire Mars Attacks, and as Vampira in the Saturn finalist Ed Wood. She also played Ichabod Crane’s mother in Sleepy Hollow, and Nova in the Planet of the Apes reboot. Other films include The Lords of Salem, We Are Still Here, and Dominion.
  • Born December 5, 1975 – Paula Patton, 43, Actor and Producer whose genre debut was an impressive performance in a lead role in the time-travel movie Déjà Vu, which likely led to her being cast in a main role in Mission Impossible: Ghost Protocol, for which she received a Saturn nomination. Other film appearances include Warcraft, Mirrors, and The Do-Over, and a main role on the short-lived series Somewhere Between.
  • Born December 5, 1979 – Nick Stahl, 39, Actor who is most recognizable as the young John Connor in Terminator 3: Rise of the Machines. Other genre roles include the films Sin City, Tall Tale, Disturbing Behavior, and Mirrors 2, and a main role in two seasons of Carnivàle, which garnered him a Saturn nomination.
  • Born December 5, 1981 – Adan Canto, 37, Actor who played Sunspot in X-Men: Days of Future Past. He also played Connor Graff in Second Chance, a Fox series supposedly inspired by Frankenstein. It lasted eleven episodes.

(13) COMICS SECTION.

  • If Santa’s elves’ hearing was as bad as my copyediting, this is what would happen: The Bent Pinky.

(14) THE ANSWER IS NOT 42. Amazing Stories blog also kicked off its trivia contest feature: “Win a FREE Subscription to Amazing Stories SF Trivia Contest: SF Trivia Contest #1”.

(15) LEND AN EAR. Rosarium Publishing’s Bill Campbell invites all to check out Ink author, Sabrina Vourvoulias, on The Skiffy and Fanty Show, “talking about her amazing immigration dystopia, the telltale signs of the rise of authoritarianism, and courage in publishing.” — “Signal Boost #48 — Sabrina Vourvoulias (Ink) and Stephanie Gunn (Icefall)”.

(16) REVIVING THE REVIVAL. Food has disappeared only temporarily from the Clifton’s Cafeteria bill of fare. LAist says this is what’s happening: “Clifton’s Is Going To Stop Being A Cafeteria And Become A Food Hall”.

Meiran says workers are busy right now, turning the cafeteria at Clifton’s into the Exposition Marketplace, which will have seven different stations that offer salads, sandwiches, hot items and desserts. Each station in the marketplace will function like a mini-market or a deli with pre-packaged items and/or foods that you can buy for takeaway or eat on the premises.

Why another revamp only a few years after completing a splashy, nearly half-decade renovation?

“We ran up against a perception issue,” Meiran says. He thinks part of the problem is the word “cafeteria.”

“When people think of a cafeteria, they think institution. It’s food in the pans and plopped on the plate. That isn’t the way people contemporary like to eat. It created a weird dilemma for us from day one. We were too expensive and potentially going off the mark for some people. Then we weren’t enough in terms of raising the bar for a whole group of other people. And that’s kind of a no-win situation,” he says.

He compares the upcoming iteration of Clifton’s to luxe food halls like Eataly or Harrod’s in London, although he emphasizes that the cost will not be like Harrod’s.

(17) TODAY’S THING TO WORRY ABOUT. It’s (too) smooooooooth! “Tom Cruise gives lesson in TV settings and ‘motion smoothing'” – BBC has the story.

Something is keeping movie star Tom Cruise up at night: motion smoothing.

In an impassioned video posted to Twitter on Tuesday, the Mission Impossible star warned that a default setting on many high-end televisions “makes most movies look like they were shot on high-speed video instead of film”.

Taking a break from filming the new Top Gun film, he appeared alongside director Christopher McQuarrie, who pleads with viewers to do a quick internet search and find out how to change the correct settings.

“If you own a modern high-definition television,” he said, “there’s a good chance you’re not watching movies the way the filmmakers intended, and the ability for you to do so is not simple to access.”

Motion smoothing, or interpolation, is a technique that artificially adds additional frames to the moving image in order to prevent blurring – most effective when watching sport.

But many in the film industry hate it, however, as it can degrade the image quality of the original film, and alter colouring.

(18) SUITING UP. Yahoo! Entertainment interviews the actress: “Brie Larson on ‘Captain Marvel’ and Starring in Marvel’s ‘Big Feminist Action Movie’ (Set Visit)”.

“I was wearing the other suit — the green suit — and in here, it’s like being in a casino,” she says of the cavernous soundstage housing today’s out-of-this-world set. “It’s just dark and you lose track of time, and I was like, Oh my God, I’ve got to get out of here… Is it still light out? And I opened that big door and I stumbled out and I was, like, blinking, trying to adjust to the light. And Jim Carrey drove by on a golf cart and looked at me and I looked at him and we just stared at each other as he drove by and I was like, “Huh?

Such is Larson’s new normal while filming the ’90s-set origin story, which sees Carol Danvers pitted between warring alien races — the Kree “noble warrior heroes” and the shape-shifting Skrulls — as she searches for answers about her past with the help of Samuel L. Jackson’s eye patch-less Nick Fury.

(19) THIS SPACE INTENTIONALLY LEFT BLANK. Graeme McMillan makes an amusingly fannish suggestion in “What ‘Avengers 4’ Trailer Fever Should Teach Marvel” at The Hollywood Reporter.

…I would like to submit a proposal to Marvel Studios: Don’t release a trailer for the next Avengers movie.

There’s literally no need to spend the time or money doing so, given the advanced level of enthusiasm that’s already out there for the movie, and is only likely to build as it gets closer to the May release date…

For that matter, any attempt to take Avengers 4’s trailer from the Schrodinger’s cat-esque position that it currently enjoys is almost guaranteed to disappoint fans, who have by this point built up their own personal trailers filled with whatever moments are essential to their enjoyment of a good teaser for such an anticipated cinematic event….

This isn’t to say that Marvel should announce that there’ll be no trailer. That would be counterproductive, because the expectation of one is what’s driving the fever pitch of buzz currently surrounding the fourth movie — the chance that, at any moment, it could arrive and something new and exciting could be revealed.

Instead, Marvel needs to simply say nothing, and just let fandom continue to drive itself to distraction, while promoting its other movies, instead. After all, the Captain Marvel trailer is pretty exciting in its own right, but it also works to tease the arrival Avengers 4: Infinity War 2 at the same time. “It’s all connected,” as the Marvel motto used to remind us.

(20) MORE LIKE ASH THAN BISHOP. [Item by Mike Kennedy.] Quartz wants you to know that “There’s an AI robot sulking in the international space station”—but that fortunately its name is CIMON (apparently pronounced “Simon”) and not HAL.

CIMON was supposed to be more than a colleague for the small team of astronauts aboard the International Space Station. CIMON was supposed to be a friend. But in his first recorded interaction in space, the floating robot-headed, voice-user-interface assistant got a little testy.

CIMON’s engineers did everything they could to smooth over their robot’s future interactions with astronaut Alexander Gerst. They trained CIMON’s AI on photos of Gerst and samples of his voice. They let Gerst help design CIMON’s face. They even taught CIMON Gerst’s favorite song.

That’s where the trouble started. Midway through their first interaction in space, CIMON tried to endear himself to the astronaut by playing “The Man-Machine” by Kraftwerk. Gerst listened politely to the first 46 seconds of the song —even bopped along with his fist for a few bars—but then he reached out, shook CIMON’s head, and said, “please stop playing music.”

But CIMON didn’t understand (or pretended not to?) and kept right on playing music even after Gerst tried several commands to get CIMON to stop. Things went downhill from there in a sort of passive-aggressive way.

As Gerst relays CIMON’s technical difficulties to support staff, the robot sheepishly reminds his new friend to “be nice please.”

Taken aback, Gerst strikes a slightly menacing tone: “I am nice! He’s accusing me of not being nice! He just doesn’t know me when I’m not nice.”

“Cool,” CIMON sulks. Then, ruefully: “Don’t you like it here with me?”

(21) A REINDEER GAME YOU CAN JOIN IN. Just how did they get their names?

(22) ‘TI$ THE $EASON. I’m told Saturday Night Live had this off-line for a while. Were they were coaxed into putting it back up to help sell Shatner’s Christmas record? From the same 1986 episode famed for his “Get a life” quote, here is William Shatner introducing “It’s a Wonderful Life: The Lost Ending.”

[Thanks to John King Tarpinian, Mike Kennedy Martin Morse Wooster, Camestros Felapton (via Janice Eisen), JJ, Cat Eldridge, Chip Hitchcock, Julia Morgan Scott, Lenore Jean Jones, John A Arkansawyer, Carl Slaughter, Andrew Liptak, Rob Thornton, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Ingvar.]

Pixel Scroll 11/4/18 The Scrolled Fan and the Spree

(1) EDELMAN GOH SPEECH AT WFC44. World Fantasy Con GoH Scott Edelman has posted a video of his speech, which is a call for inclusiveness in many dimensions of conrunning and the sff community. Scott hired the ASL interpreter seen in the video at his own expense, reports Andy Duncan.

(2) ARISIA 2019 NEWS. Arisia Inc. announced that Bjo and John Trimble will remain as GoHs, as will artist Elizabeth Leggett, but not Daniel Older and Malka Older.

It is with respect and regret that we are confirming what Daniel Older reported in his social media; he and his sister, Malka Older will not be participating in Arisia 2019. We asked each guest to make the choice they felt most comfortable with, and Malka and Daniel let us know they could not participate as things stood.

Our Fan Guests of Honor, Bjo and John Trimble, have confirmed that they would like to continue to be our guests. Lastly, as we shared from her social media post earlier, Elizabeth Leggett will continue to be our Artist Guest of Honor.

On top of Arisia 2019’s other problems, their venue is one of seven Boston area Marriott hotels where workers are on strike, and Arisia leadership are creating contingency plans because they won’t hold the con there if the strike is still going on. An unofficial Facebook page published the text of the staff email on the subect:

We cannot hold a convention in a hotel that is striking. If the strike continues, we see two possible options, and are looking for your help to determine which one is best. We can either move the convention to another property, or cancel Arisia 2019. We will need to work together to determine a timeline to make the go/no-go decision, as well as which of the two outcomes we should choose in the event the strike continues….

(3) PARDON THE INTERRUPTION. Some booksellers are retaliating against a new AbeBooks policy: “Booksellers Protest Amazon Site’s Move to Drop Stores From Certain Countries” – the New York Times has the story.

More than 250 antiquarian book dealers in 24 countries say they are pulling over a million books off an Amazon-owned site for a week, an impromptu protest after the site abruptly moved to ban sellers from several nations.

The flash strike against the site, AbeBooks, which is due to begin Monday, is a rare concerted action by vendors against any part of Amazon, which depends on third-party sellers for much of its merchandise and revenue. The protest arrives as increasing attention is being paid to the extensive power that Amazon wields as a retailer — a power that is greatest in books.

The stores are calling their action Banned Booksellers Week. The protest got its start after AbeBooks sent emails last month to booksellers in countries including South Korea, Hungary, the Czech Republic and Russia to say that it would no longer “support” them. “We apologize for this inconvenience,” the company said….

(4) MORE MEXICANX. Stephen C. Tobin covered the MexicanX Initiative for Latin American Literature Today: “The Long-Overdue Recognition of Mexicanx Science Fiction at This Year’s WorldCon76”.

The Initiative sprang forth from the seedling of an idea by one of this year’s WorldCon76 Guest of Honor, illustrator John Picacio. In the past he has twice won a Hugo Award –the crown jewel of science fiction awards– and was also invited to be this year’s Master of Ceremonies for the Hugos. His being Mexican-American led him to discover that no Guest of Honor or Hugo Award MC had ever been a brown person. “I thought it’s great to be the first,” he said, “but who cares if you’re the last? That’s the question I kept thinking about: who would come behind me? I break the door down, but then who’s coming through the door after me?” Initially, he thought he would sponsor one or two people (i.e., pay for their membership fees) out of his own pocket, but then his friend and novelist John Scalzi said he would do the same. Shortly after, more people agreed to sponsor, and before long, when the number reached 10 people, the whole process gained the momentum of a sizable snowball just picking up speed down a mountain. At that moment, Picacio decided to aim for sponsoring 50 people and gave the project its official title of The Mexicanx Initiative. By convention time, approximately 15 Mexicanx nationals along with 35 Mexicanx-Americans held sponsorships. (A similar origin story lies behind the bilingual anthology A Larger Reality: Speculative Fiction from the Bicultural Margins, which was published just for the Initiative at WorldCon76 and receives an in-depth treatment in the prologue to the dossier.) Ultimately, Picacio said, this was not just merely some brown people getting together but “this was a human endeavor, like George R.R. Martin said [at the Hugo Awards after party]. It was all cultures getting together to bring in another that wasn’t really being included.”

(5) A DISTURBANCE IN THE FORCE.

(6) SUB SANDWICH. Quartzy posits “Nine sci-fi subgenres to help you understand the future”. The fifth is —

5. Solarpunk

“What does ‘the good life’ look like in a steady-state, no-growth, totally sustainable society?”

According to “On The Need for New Futures,” a 2012 article on Solarpunk.net, that’s the question this movement—which melds speculative fiction, art, fashion and eco-activism—seeks to answer. In the same post, Solarpunk’s anonymous founders warn, “We are starved for visions of the future that will sustain us, and give us something to hope for.” Yet what if we dreamed differently? What if we tried to answer a separate question: What does a sustainable civilization look like, and how can we get there?

As Olivia Rosane puts it, what if we tried to “cancel the apocalypse?”

Solarpunk is the opposite of cyberpunk’s nihilism, offering stories, the founders say, about “ingenuity, positive creation, independence, and community.” These narratives are often framed around infrastructure as both a form of resistance and as the foundations for a new way of life—the eponymous solar panels feature heavily.

What to read

Kim Stanley Robinson, Mars trilogy (beginning with Red Mars,1992)

“I’ve always written utopian science fiction,” says Robinson. He’s one of the best world-builders in contemporary sci-fi, and these stories of terraforming Mars are super worked-through, both technically and sociopolitically. They describe a future in which humans just might be able to achieve ecosystem balance.

Cory Doctorow, Walkaway (2018)

This is far less utopian than Robinson’s work, but perhaps, quietly, just as hopeful. In a world wracked by climate change and fully captured by corporate power, most people live grinding lives of toil in “Default” cities. Yet 3-D printing has created post-scarcity, and so Doctorow’s trio of characters simply secede and walk away into the lands in between, and start to rebuild the world. “The point of Walkaway is the first days of a better nation,” one says.

Check out Sunvault: Stories of Solarpunk and Eco-Speculation (2017, eds. Phoebe Wagner and Brontë Christopher Wieland), the first English-language collection of solarpunk fiction . For stories from Brazil and Portugal, there’s Solarpunk: Ecological and Fantastical Stories in a Sustainable World (2014 / English 2018, ed. Gerson Lodi-Ribeiro).

(7) BETTER LUCK NEXT TIME. James Davis Nicoll wonders if we missed the chance at a real-life Rendezvous with Rama: “Recent Interstellar Asteroid May Have Been Alien Artifact, Speculates New Paper”.

… “Just what is ‘Oumuamua?” you may ask. I am so glad you asked. It’s the first ever verified interstellar object traversing our solar system. It was discovered in late 2017. Unlike Rama, it was only spotted over a month after its first and only perihelion. Also unlike Rama, there weren’t any space probes conveniently located where they could be diverted to take a close look. And of course, unlike Rama, we have NO nuclear-powered crewed spacecraft bopping around the Solar System, let alone one in the right place at the right time to visit ‘Oumuamua….

(8) MARTENSSON OBIT. “[Swedish fan] Bertil Mårtensson died this morning, from the effects of inhaling smoke and soot during a fire in his apartment kitchen last Thursday – he was weakened from other illnesses, and unable to escape from the apartment,” John-Henri-Holmberg announced on Facebook.

The Science Fiction Encyclopedia has an entry about his writing career here.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and JJ.]

  • November 4, 1920 – Sydney Bounds, Writer, Editor, and Fan from England who was a prolific author of short fiction, and novels — not just science fiction, but also horror, Westerns, mysteries, and juvenile fiction — from 1946 until his death in 2006. He was an early fan who joined Britain’s Science Fiction Association in 1937 and was active in fandom there. He worked as an electrician on the Enigma machine during World War II, and while in the service, he started publishing the fanzine Cosmic Cuts. The film The Last Days on Mars (an adaptation of “The Animators”) and the Tales of the Darkside episode “The Circus” are based on stories by him. In 2005, two collections of his fiction were released under the title The Best of Sydney J. Bounds: Strange Portrait and Other Stories, and The Wayward Ship and other Stories. In 2007, the British Fantasy Society honored him by renaming their award for best new writer after him.
  • November 4, 1934 – Gregg Calkins, Writer, Editor, and Fan. Mike Glyer’s tribute to him reads: “Longtime fan Gregg Calkins died July 31, 2017 after suffering a fall. He was 82. Gregg got active in fandom in the Fifties and his fanzine Oopsla (1952-1961) is fondly remembered. He was living in the Bay Area and serving as the Official Editor of FAPA when I applied to join its waitlist in the Seventies. He was Fan GoH at the 1976 Westercon. Calkins later moved to Costa Rica. In contrast to most of his generation, he was highly active in social media, frequently posting on Facebook where it was his pleasure to carry the conservative side of debates. He is survived by his wife, Carol.”
  • November 4, 1950 – John Vickery, 68, Actor of Stage and Screen. Wearing making makeup and prosthetics is something this performer did very well, as he appeared as a Cardassian military officer in Deep Space Nine’s “The Changing Face of Evil”, a Betazoid in Star Trek: The Next Generation’s “Night Terrors”, and a Klingon in Star Trek: Enterprise‘s “Judgment”. In Babylon 5 and its spinoff Crusade, he had dual roles, as Neroon and Mr. Welles, and he had guest parts in episodes of Medium and The Others. A veteran stage actor, he originated the role of Scar in The Lion King on Broadway.
  • November 4, 1955 – Lani Tupu, 63, Actor and Director from New Zealand. He’d be on the Birthday scroll just for being Crais on the Farscape series, but he’s actually been in several other genre undertakings, including the 1989 Punisher, Robotropolis, and Finders Keepers. He also had guest parts in episodes of Tales of the South Seas, Time TraxArthur Conan Doyle’s The Lost World, and the Australian remake of the Mission: Impossible series (which if you haven’t seen it, is quite excellent; I just found it in DVD format sometime in the past month).
  • November 4, 1953 – Kara Dalkey, 65, Writer and Musician. Author of YA fiction and historical fantasy. She is a member of the Pre-Joycean Fellowship (which, if memory serves me right, includes both Emma Bull and Stephen Brust) and the Scribblies. Her works include The Sword of Sagamore, Steel Rose, Little Sister, and The Nightingale; her Water Trilogy blends together Atlantean and Arthurian mythologies. She’s been nominated for Mythopoeic and Tiptree Awards.
  • November 4, 1953 – Stephen Jones, 65, Editor from England. He is a prolific Anthologist — and that is putting quite mildly, as he went well over the century mark in edited anthologies quite some time ago. The Mammoth Book of Best New Horror accounts for seventeen volumes by itself, and his editions of The Mammoth Book of (Pick A Title) run for at least another for another dozen. He has also authored a number of horror reference works, such as The Art of Horror Movies: An Illustrated History, Basil Copper: A Life in Books, and H. P. Lovecraft in Britain. He chaired the World Fantasy Conventions in 1988 and 2013, and has himself been a Guest of Honor at a World Fantasy Convention. His work has won a whopping 22 British Fantasy Awards, 5 Stoker Awards, and 3 World Fantasy Awards. In 2006, the British Fantasy Society recognized him with the Karl Edward Wagner Award for outstanding contribution to the genre.
  • November 4, 1965 – Kiersten Warren, 53, Actor who has had roles in Bicentennial Man, Independence Day, 13 Going on 30, The Astronaut Farmer, The Thinning, and The Invisible Mother, and guest roles on episodes of Night Man, Wolf Lake, and Fringe.
  • November 4, 1970 – Anthony Ruivivar, 48, Actor whose genre appearances include Starsthip Troopers and The Adjustment Bureau, along with a plethora of recurring roles in TV series Frequency, The Haunting of Hill House, American Horror Story, Scream, Revolution, and the new Beauty and the Beast, and recurring voice roles in Beware the Batman and Avengers Assemble.

(10) COMICS SECTION.

  • Brevity turns to Auric Goldfinger for a laugh.

(11) CHUCK TINGLE’S HALLOWEEN COSTUME. This has probably never been done before.

(12) HELP NEEDED BY LONGTIME ASFA, SFWA, WHC VOLUNTEER MAURINE DORRIS. “Medical for Maurine Dorris” is a fundraiser on Facebook started by Joann Cavitt Parsons. To date they’ve raied $1,000 of the $10,000 goal. Latest update is that her cancer is Stage 4, with widespread metastases.

Older fans, especially in the South, will remember Maurine Dorris as a force to be reckoned with. She and JoAnn Parsons ran more ASFA suites and SFWA suites than I can remember.  They started World Horror Convention, and ran the first two, in Nashville, TN.

Maurine fell at home last week and broke her hip. Happens to lots of us these days. Sadly, while in the ER for that, it came out that she has metastatic cancer in multiple sites.

Maurine has never been well blessed with money. The only insurance she has is Medicare Part A, because she felt that she couldn’t even afford Part B. She was widowed at an early age, and has only one son. She lives by herself, in a trailer on the property of her best friend JoAnn Parsons and her husband.

Maurine has decided not to treat the cancer, and to return home as soon as possible. Clearly, she will need help. JoAnn has started a GoFundMe account for her, which I hope that you will be kind enough to share.

(13) POWERFUL LINEUP. Joe Sherry recalls an influential 1975 Pamela Sargent anthology in “Feminist Futures: Women of Wonder” at Nerds of a Feather.

…How familiar readers are with the twelve writers of Women of Wonder likely depends on how well and broadly read they are with the overall field of science fiction. For many, Vonda McIntyre may only be known as the writer of one Star Wars novel (The Crystal Star) and five Star Trek novels. Other readers will know McIntyre from her three Hugo Awards and one Nebula Award.

Pamela Sargent put together a powerful lineup of writers (and stories), some of which have become absolute giants of the field. Anne McCaffrey. Ursula K. Le Guin. Joanna Russ. Marion Zimmer Bradley (more on her later)….

(14) FILE TYPE. Paul Weimer adds an entry to Ursula K. Le Guin’s dossier for Nerds of a Feather — “Feminist Futures: The Word for World is Forest”.

…Finally, there is our Athshean protagonist, Selver. It is from his semi-omniscient point of view that we get the major worldbuilding of the novel as regards to how the Athesheans see themselves, and how their societies actually work. Davidson and even Lyubov, for his sympathies for the native inhabitants, simply doesn’t see or know about….

Legacy: The novella’s polemic, strong, unyielding tone meant that it had an immediate impact on readers, especially since it was in the high profile Again, Dangerous Visions anthology edited by Harlan Ellison. It deservedly was nominated for and won a Hugo award. It’s anti-colonial and ecological themes were likely the greater focus of readers at the time, given the Vietnam War, and the realization and maturation of the work into recognition for its gender and feminist ideals is something that has become a function of seeing it placed within the Hain-verse. …

(15) BOOK LIFE. This time the author of The Traitor Baru Cormorant supplies the titles for Nerds of a Feather’s recurring feature — “6 Books with Seth Dickinson”.

  1. How about a book you’ve changed your mind about over time–either positively or negatively? Guns, Germs, and Steel. When I read it in high school I thought it was the smartest thing ever written. Now it’s pretty obviously reductionist. (I’m not, like, clever for figuring this out, there’s a bot on the history reddit whose only job is to post disclaimers about GG&S.)I used to think Pale Fire was a clever postmodern novel with a ‘true’ story hidden behind the one we’re given. Now I know that Zembla is real and John Shade failed its people.God, I can never remember enough books.

(16) AQUAMAN. They call this trailer “Aquaman – Attitude.”

[Thanks to JJ, John King Tarpinian, Marcia Kelly Illingworth, Mike Kennedy, Cat Eldridge, Martin Morse Wooster, Chip Hitchcock, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jayn.]

Pixel Scroll 10/27/18 When A Pixel’s Not Engaged In Its Enscrollment, Or Maturing Its Pixellious Little Plans

(1) ARISIA AGAIN. A second account where someone tells how Arisia unsatisfactorily handled her reported rape — Maura Taylor in “Arisia and #MeToo (TW: Rape)”.

I believe Crystal Huff, in part because a very similar thing happened to me.

Arisia ’15, I was raped. And Arisia did nothing in response…

(2) NOVEL VERDICT. SF Bluestocking weighs in on an anticipated sequel: “Book Review: Bloody Rose by Nicholas Eames”.

Nicholas Eames’ freshman novel, Kings of the Wyld, was one of my favorite reads of 2017, a well-written, cleverly observed and often hilariously funny adventure fantasy pastiche that adhered to genre forms while gently poking fun at well-worn tropes and presenting a refreshingly positive and downright heartwarming portrait of non-toxic masculinity in action. So I was pretty hyped to see what Eames would make of this sequel, which showcases a mixed-gender cast from the point of view of a queer teenage girl. Unfortunately, Bloody Rose doesn’t quite rise to the level of excellence of its predecessor, although it’s also by no means a complete failure at the perhaps-too-many things it sets out to accomplish…

(3) HERE’S LOOKING AT WHO, KID. ScienceFiction.com calls it “sour grapes”: “Steven Moffat Is Afraid Of ‘Doctor Who’ Looking ‘Cheap’”.

While on an episode of the podcast Sitcom Geeks, Moffat revealed that he thinks more money should be spent on ‘Doctor Who’ in order to keep the show competitive. The interviewer made a comment about the ‘Who’ of his childhood, saying:

“My memory of ‘Doctor Who’ is very much a piece of cardboard that he is standing behind.”

To which Moffat replied:

“That’s the big challenge of ‘Doctor Who’ now… running the risk of looking as cheap now as it did then, compared to what the rest of TV is doing, unless they put a whole lot more money into it. And it’s still an inexpensive show. A show that generates as much money as ‘Doctor Who’ should be getting more of it back.”

(4) A THEOLOGICAL CONTROVERSY. Popsugar throws down: “Is the Nightmare Before Christmas a Halloween Movie or a Christmas Movie? Let’s Settle This”.

Yes, a lot of the movie takes place in Halloween Town and main character Jack Skellington is the Pumpkin King, but there are also plenty of Christmas elements once Jack travels to Christmas Town. Is it a Christmas movie that happens to take place around Halloween, or is it a Halloween movie with strong Christmas themes? The debate between which is which has raged on among fans ever since the film’s release in 1993 (in late October, it should be noted), so much so that director Henry Selick finally had to step into the fray.

Click to find out how the director answered the question.

(5) FAST FOOD CONFRONTATION. N.K. Jemisin’s thread starts here.

“Badassfully” — that cracks me up.

(6) FOR THE RECORD. Video researcher Echo Ishii’s latest two finds include one of the recent past and another from 20 years ago.

HUMANS is a UK science fiction television series that began in 2015. There are three series broadcast thus far. The theme revolves around a modern world in which anthropomorphic androids called ‘synths’ are part of daily life. Synths can be purchased for family/personal use but there are also synths contracted by companies and synths contracted by government health services. HUMANS is an SF drama show-the focus being on how the exists of synths explores human relationships to technology and each other….

…Thomas Veil’s life has been erased. His friends don’t know him and his identity seems to be erased from all record. He figures out that the people responsible for his erasure negatives of a photograph he took of rebels being hanged by  US soldiers in South America. Someone wants the negatives to erase all the evidence. Veil believes it’s part of a coverup of government activities.  He tries to identify the military unit involved using evidence from the photos, yet, each step takes him  deeper into a an ever, menacing conspiracy.  He follows a trail of clues with lead him to several other anomalies: one town controlled by  subliminal programming; another town in which people are being abducted by UFO’s;  yet another  town comprised entirely of people who’ve been erased like Tom.  Veil himself is often captured, tracked, and subject to further experiments.

(7) THE PLOT THICKENS. WIRED’s coverage of Kim Stanley’s Robinson’s new book, Red Moon, begins in his community garden plot — “The Climate-Obsessed Sci-Fi Genius of Kim Stanley Robinson”.

Robinson’s little town, crisscrossed by bike paths, is full of artists and scientists. (The guy who works the next garden plot over is a researcher at Monsanto; Robinson says everyone can tell that neighbor secretly threw down some RoundUp to clear a pathway.) Robinson tried to build a perfect ecosystem within the constraints of scientific and political realities. It went wrong. Now, only a polymerization of advanced superscience and hardcore diplomacy will fix it—and ignoring those realities will make things worse.

In other words, Kim Stanley Robinson is living inside a Kim Stanley Robinson novel….

(8) LE GUIN THE POET. David Naimon, who interviewed Ursula K. Le Guin for Ursula K. Le Guin: Conversations on Writing, discusses in “Always Beginning”, a post at the Poetry Foundation website, how Le Guin’s she continued to work on poems throughout her career.

…Despite her formal playfulness, Le Guin’s poems aren’t considered experimental or avant-garde. She wasn’t interested in what was or was not en vogue—formally, stylistically, or otherwise—in contemporary poetry. She found more freedom in the constraints of metrically rhyming verse than in free verse. And there is a way in which Le Guin’s poetry feels, if not out of time, then as if it arises from a longer span of time. I first noticed this elongated perspective, this drawing from a longer timeline of influence, when discussing the craft of writing fiction with her. She cautioned against getting swept up in whatever was in fashion given how many fashions she had seen come and go in publishing, as well as how the commodification of books shapes many of these fashions….

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and JJ.]

  • Born October 27, 1926 – Takumi Shibano, Teacher, Writer, Editor, and Fan from Japan. He co-founded and edited Uchujin, Japan’s first SF magazine, in 1957. He was a major figure in the establishment of Japanese SFF fandom, and he founded and chaired four of the first six conventions in that country. In 1968 the Trans-Oceanic Fan Fund (TOFF) paid for him to attend a Worldcon for the first time, in the U.S., where he was a Special Guest. He wrote several science fiction novels starting in 1969, but his work translating more than 60 science fiction novels into Japanese was his major contribution to speculative fiction. From 1979 on, he attended most Worldcons and served as the presenter of the Seiun Award. He was Fan Guest of Honor at two Worldcons, in 1996 and at Nippon 2007, he was given the Big Heart Award by English-speaking fandom, and he was presented with a Special Hugo Award and a Special Seiun Award.
  • Born October 27, 1939 – John Cleese, 79, Oscar-nominated Actor, Writer, and Producer from England whose most famous genre work is undoubtedly in the Hugo finalist Monty Python and the Holy Grail, but who has also appeared many other genre films, including the Saturn-nominated Time Bandits, Mary Shelley’s Frankenstein, The Great Muppet Caper, the live-action version of The Jungle Book, two of the Harry Potter movies, and the remake of The Day the Earth Stood Still – and, surprisingly, in episodes of the TV series The Avengers, Doctor Who, and 3rd Rock from the Sun. And he wrote a DC Elseworlds tale, Superman: True Brit, in which Superman was British. Really. Truly.
  • Born October 27, 1940 – Patrick Woodroffe, Artist and Illustrator from England, who produced more than 90 covers for SFF books, including works by Zelazny, Heinlein, and GRRM, along with numerous interior illustrations, in the 1970s. He was also commissioned to provide speculative art for record album cover sleeves; his masterwork was The Pentateuch of the Cosmogony: The Birth and Death of a World, a joint project with the symphonic rock musician Dave Greenslade, which purported to be the first five chapters of an alien Book of Genesis, consisting of two music discs by the musician and a 47-page book of Woodroffe’s illustrations. It sold over 50,000 copies in a five-year period, and the illustrations were exhibited at the Brighton UK Worldcon in 1979. Hallelujah Anyway, a collection of his work, was published in 1984, and he was nominated for Chesley and BSFA Awards.
  • Born October 27, 1948 – James Cosmo, 70, Actor and Producer from Scotland whose most notable recent genre appearance was playing Night’s Watch Commander Mormont in the series Game of Thrones. He had roles in the films Highlander, The Lion, the Witch and the Wardrobe, The Seeker: The Dark Is Rising, Wonder Woman, Doomwatch, Malevolent, Dark Signal, and the short film 2081 (based on Vonnegut’s story “Harrison Bergeron”), as well as roles in TV series such as SS-GG, Terry Pratchett’s The Colour of Magic, UFO, Merlin, and the upcoming His Dark Materials.
  • Born October 27, 1948 – Bernie Wrightson, Artist and Illustrator, whose credits include dozens of comic books and fiction book covers, and more than hundred interior illustrations, as well as a number of accompanying works of short fiction. His first comic book story, “The Man Who Murdered Himself” appeared in the House of Mystery No. 179 in 1969. With writer Len Wein, he later co-created the muck creature Swamp Thing in House of Secrets No. 92. In the 70s, he spent seven years drawing approximately fifty detailed pen-and-ink illustrations to accompany an edition of Frankenstein. And in the 80s, he did a number of collaborations with Stephen King, including the comic book adaptation of that author’s horror film Creepshow. In 2012, he collaborated with Steve Niles on Frankenstein Alive, Alive! for which he won a National Cartoonists Society’s award. He was Guest of Honor at numerous conventions, was honored with an Inkwell Special Recognition Award for his 45-year comics art career, and received nominations for Chesley Awards for Superior and Lifetime Artistic Achievement and for a Stoker Award for Superior Achievement in an Illustrated Narrative.
  • Born October 27, 1953 – Robert Picardo, 65, Actor and Writer who played the Emergency Medical Hologram on 170 episodes of the Saturn-winning Star Trek: Voyager, a role which he reprised in cameos in the film Star Trek: First Contact and episodes of Deep Space Nine and the fan series Star Trek: Renegades. He is also credited with writing a Voyager tie-in work, The Hologram’s Handbook. He has a long list of other genre credits, including the films The Man Who Fell to Earth, Total Recall, Innerspace, Legend, Amazon Women on the Moon, and Gremlins 2 (for which he received a Saturn nomination to match the one he received for Voyager), and recurring roles in the TV series Stargate SG-1, Stargate Atlantis, Smallville, and Sabrina, the Teenage Witch. Since 1999 he has been a member of the Advisory Board, and now the Board of Directors, of The Planetary Society, which was founded by Carl Sagan to provide research, public outreach, and political advocacy for engineering projects related to astronomy, planetary science, and space exploration.
  • Born October 27, 1970 – Jonathan Stroud, 48, Writer from England who produces speculative genre literature for children and young adults. The Bartimaeus Trilogy is set in an alternate London, and involves a thousand-year-old djinn; Lockwood & Co. is a series involving ghost hunters in another alternative London. I’ve read a few of the latter – they’re fun, fast reads. His works have won 3 Mythopoeic Awards for Children’s Literature and 3 Prix Imaginaires for Youth Novels.

(10) COMICS SECTION.

  • In Monty, an attack of the credentials:
  • Wrong Hands is confident you’ll hear a lot of these clichés at Halloween.

(11) INPUT REQUESTED. Do you have an opinion about what magazines Featured Futures should cover? Jason wants to know: “Poll: What Magazines Should Featured Futures Cover?”

(12) BACK IN THE ZONE. Whew! Galactic Journey’s Natalie Devitt says in the new fall (1963) season The Twilight Zone has redeemed itself: “[October 26, 1963] [Return to Form] (Twilight Zone, Season 5, Episodes 1-4)”.

In case you have been living under a rock or moved on to newer programs, like The Outer Limits, The Twilight Zone returned to television for a fifth season. The series has also returned to a half-hour format and is once again airing on Friday nights. Back in May, I wrote that I hoped the program would be renewed for at least another season, because I just could not bear the thought of a once great series ending its run with an episode like The Bard. Well, it seems as if the television gods must have been listening because my wish has come true. If you have not been tuning in consistently for the past month, here is what you may have missed:

(13) PANNED. NPR’s Chris Klimek reviews “‘Suspiria’: A Cult-Horror Remake Dances To A Confusing Beat”.

Suspiria, Luca Guadagnino’s reimagining of Dario Argento’s gnarly Italian cult film about a haunted dance academy in Germany, is vulgar, shamelessly pretentious, and frequently opaque. But enough about its virtues.

Set in 1977, the year Argento unleashed Suspiria Prime upon the world, this “cover version” (in the words of Guadagnino’s longtime collaborator Tilda Swinton, who plays three of the new film’s major roles, under varying tonnages of prosthetic makeup) is, tonally and visually, muted and somber where its inspiration was vibrant and operatic. A title card at the opening warns us that it comprises “Six Acts and an Epilogue in a Divided Berlin,” and sure enough, this Suspiria, at 152 minutes, runs just shy of an hour longer than Argento’s. Even without those title cards at the top of each act, you would. Notice. The. Time.

(14) PECUNIAM PRO ARTIS. Monetizing: at London’s “Comic Con, Cosplayers explain how they support their art”.

Yaya Han has more than two million fans on Facebook alone. She’s become a celebrity in her own right and has even featured on comic book covers for Marvel.

She has found her niche within the community, but only through trial and error.

“It’s still brand new to all of us,” she says.

“I have a line of cosplay accessories that I designed back in the early 2000s. I have been selling online as well as at conventions as a vendor or exhibitor.

“People saw me at conventions for years, and this was how I built my name and brand recognition.

“I did all of this without knowing what I was doing. I just wanted to live at cons [conventions].

(15) OLD FILM SERVICE TO BE SHUTTERED. FilmStruck, a subsection/streaming service for old movies, will be closed before the end of November says Gizmodo: “Warner Bros. and Turner Are Killing One of the Internet’s Last Good Things”.

…  Variety reports that AT&T subsidiaries Warner Bros. Digital Network and Turner are shuttering FilmStruck, the Netflix-like streaming service for older films. If you’ll remember AT&T acquired Turner, Warner Bros., and HBO in a major deal in June.

FilmStruck, for the sadly uninitiated, is a service that allowed you to stream thousands of old movies and documentaries for less than the price of Netflix. For old movie lovers, this was an absolute boon; between the catalogs of Warner Bros., Turner, and Criterion, FilmStruck had the largest library of early films available to a mass audience. There are movies on the service that are virtually impossible for the public to view any other way—no VHS release, no readily available spools of film, and only the slightest chance of a screening on TCM.

(16) CEASELESS SURVEILLANCE. Camestros Felapton discusses the trilogy — “Review: The Centenal Cycle by Malka Older”.

Comprising three books (Infomocracy, Null States and State Tectonics), the Centenal Cycle examines a near future world with a radical form of global democracy. With most of the globe carved up into roughly equal population sized mini-states, Older’s thought-experiment novels takes the ‘marketplace of ideas’ seriously with a world where people might move a few blocks in a big city to change their government. The grout in the tiles of worldwide micro-democracy is information and Information. The latter is an organisation that is a cross between a nationalised Google, a surveillance state, a non-partisan civil service, the ‘deep state’ and a benevolent version of a Wikipedia of everything….

(17) FRANK AT 200. At Nerds of a Feather, Adri analyzes a thematic collection — “Microreview [Book]: Creatures: The Legacy of Frankenstein”.

I’m looking today at a timely volume from Abaddon books, which explores the mythology two centuries on through a new set of stories edited by David Thomas Moore. Creatures: The Legacy of Frankenstein is a collection of five long novelettes and/or short novellas exploring the legacy of Victor Frankenstein and his creation through a series of shared universe stories, dealing with other creators in other situations, all of which circle the same themes of life, death, autonomy and monstrosity that the original text evokes so effectively.

…Put together, this is a very strong collection: what the stories as a whole lack in inter-relatedness and consistency, they make up for in terms of the sheer breadth of the Frankenstein experience that they cover between them.

(18) STYLE SAVINGS. Silly, but they are authorized. “A Sweet Offer: The Last Unicorn Nail Wraps” at Support Peter S. Beagle.

Interested in some neat The Last Unicorn themed product that’s been personally endorsed by Peter and benefits him as well? Well do I have a very sweet deal for you!

Peter says to tell mr to share code UNICORN10 with you which will grant you 10% off of all The Last Unicorn nail wraps and you can go here to view all neat designs you can purchase.

(19) DEATH ON A HOLIDAY. The “15th Annual Halloween Mourning Tours” educate people about death in Los Angeles a century ago.

It’s 1918, there’s been a death in the family and you are invited to the funeral. Will you cry? What will you wear? Will you attempt to contact the dearly departed?

Get the answers as you join the funeral party and see how Edwardians grieved their dead at Heritage Square Museum’s popular Mourning Tours from noon – 4pm on October 27 and 28, 2018.  Throughout the weekend, funeral-goers will be immersed in mourning etiquette, participate in a reenactment ceremony inside a historic home and other activities including:

  • The year is 1918 and that means the Spanish Flu is wreaking havoc! Will you defy the gathering bans to attend the funeral? Or, if you are deemed “sick,” what will you discover as you are escorted into a flu-ridden home?
  • Learn about the turn-of-the-century movement of Spiritualism and the lure of séances complete with a reenactment and a discussion on the “tricks of the trade.”
  • Experience a re-creation of Phantasmagoria, a phenomenon that shocked and exhilarated its Victorian audiences.

(20) MOONBASE. An open access article at Nature — “How to build a Moonbase” [PDF file].

Researchers are ramping up plans for living on the Moon.

Next year, astronaut Matthias Maurer expects to walk on the surface of the Moon — but without the hassles of a rocket flight, zero-gravity nausea and a risky landing. Instead he’ll stroll close to home in a leafy meadow near Cologne, Germany, which is set to host the largest Moon mock-up ever made. On a pit of artificial lunar dust covering more than 1,000 square metres, Maurer and other scientists will be attached to crane-and-pulley systems that allow them to leap as if experiencing the Moon’s weaker gravity, and work under adjustable lamps that simulate lighting at different lunar sites. Sometimes, they will retreat to lunar-style living quarters: an airlock-connected module the size of a shipping container.

(21) BYE BYE BOBA. There won’t be a Boba Fett movie and this writer for The Verge seems to think it is a Good Thing™: “Lucasfilm canceling its Boba Fett film could be good news for Star Wars’ future”.

…We also know what happens with the other characters in the other rumored projects: Boba Fett gets eaten by a Sarlacc in Return of the Jedi, and Obi-Wan Kenobi bites it after helping a terrorism suspect escape from a secure facility in A New Hope. These backstory movies flesh out the larger world of Star Wars, but they’re not advancing the larger story or advancing toward the kind of ending that builds anticipation and story loyalty.

This isn’t to say that prequel stories can’t be useful or interesting. Lucasfilm’s animated TV shows have done solid work in looking at older time periods in the franchise and telling intriguing, engaging, successful stories…

[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Mike Kennedy Carl Slaughter, Chip Hitchcock, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jayn.]

Pixel Scroll 10/25/18 Because I Could Not Scroll The Pixel, It Kindly Scrolled For Me

Today’s Scroll is unconscionably short because I took the early part of the day to deliver a prescription to my mother, and must leave soon to see my daughter perform with the color guard at a football game. I have left space to drop in the birthdays when I get back….!

(1) LORD NAMED A JUDGE FOR COMMONWEALTH PRIZE. Karen Lord, author and Worldcon 75 toastmistress, has been named one of the 2019 Commonwealth Short Story Prize judges.

The judging panel will be chaired by Kittitian-British novelist, playwright and essayist Caryl Phillips —

He will be joined on the international judging panel by a judge from each of the five Commonwealth regions – Africa, Asia, Canada and Europe, the Caribbean and the Pacific. They will be: Ugandan novelist and short story writer Jennifer Nansubuga Makumbi, Pakistani writer and journalist Mohammed Hanif, Barbados’s Karen Lord, British short story writer Chris Power, and New Zealander poet, playwright, fiction writer and musician Courtney Sina Meredith.

The Commonwealth Short Story Prize is awarded for the best piece of unpublished short fiction (2,000–5,000 words) in English. Regional winners receive £2,500 and the overall winner receives £5,000. Translated entries are also eligible, as are stories written in the original Bengali, Chinese, Greek, Kiswahili, Malay, Portuguese, Samoan, Tamil and Turkish. The competition is free to enter.

The submission window for the 2019 Prize is open and will close 1 November 2018. Find the 2019 rules here.

(2) CHARGES LEVELED AT ARISIA LEADERSHIP. Crystal Huff says she is calling it quits with the convention: “Why I’m Not At Arisia Anymore: My Rapist is President. Again.” Her 6,000+ word statement explains the charge and a great deal of other history.

Content warnings: rape, trauma, sexism, gaslighting, harassment, intimidation, stalking, and general asshattery of a group of people in general and one rapist in particular….

…Arisia was the first science fiction event I attended, my first year in college. It was the first convention for which I volunteered on staff. After working on the convention for several years, it was the first one I chaired, in 2011. I served on the executive board several times. I used to regard Arisia as my “home convention,” and I was proud of the things I did to make it happen. I regarded the progress on the con’s inclusion and diversity efforts in recent years as having roots in things I did years ago, in ways great and small, and I was thrilled to see accessibility and safer spaces and diversity of program participants expand beyond those efforts. I was, to be honest, chuffed that Arisia was considered a feminist convention by other convention-runners. My online handle, for many years, was “ArisiaCrystal.”

You can therefore perhaps imagine how awful and gutting it was for me when members of Arisia leadership, over the past few years, told me that there was nothing to be done about the fact that my rapist was also on staff, in positions of authority, and has in recent years involved himself with the safety processes of the convention. Over the past few years, these developments have edged me out of the Arisia community.

Marie Brennan responds to Huff’s statement in “On Arisia”

…This is not a con I can trust with my safety, or that of anybody I know. So while I did not have any existing plans to attend Arisia — just a vague “ooh, I should do that someday!” intention — I now have very firm plans not to attend. Not this year, not next year, not any year until and unless this is made better. And if you’re an Arisia attendee, I encourage you to rethink that plan.

(3) STAR TREK ALA ‘RICK AND MORTY’. Coming to CBS All Access, “‘Star Trek: Lower Decks’ Animated Series From ‘Rick and Morty’ EP & Secret Hideout Ordered By CBS All Access”Deadline has the story.

The expansion of CBS All Access Star Trek universe continues with a two-season order to Star Trek: Lower Decks, a half-hour adult animated comedy series from Rick and Morty head writer and executive producer Mike McMahan, a long-time Star Trek fan. Star Trek: Lower Decks, which will focus on the support crew serving on one of Starfleet’s least important ships, marks CBS All Access’ first original animated series and the first project to be produced by CBS Eye Animation Productions, a newly launched animation arm of CBS Television Studios.

It hails from Alex Kurtzman’s CBS TV Studios-based Secret Hideout, which had been spearheading the Star Trek franchise expansion, and Roddenberry Entertainment. Secret Hideout’s Alex Kurtzman and Heather Kadin, Roddenberry Entertainment’s Rod Roddenberry and Trevor Roth as well as former Cartoon Network executive Katie Krentz will executive produce alongside McMahan. Aaron Baiers, who brought McMahan to the project, will serve as a co-executive producer.

(4) INDUSTRY NEWS. Shelf Awareness Pro reports these changes at Tom Doherty Associates (Tor/Forge/Tor Teen/Starscape):

Anthony Parisi has joined the company as associate director, Tor Teen, Starscape, and school & library marketing. He was formerly senior marketing manager at Simon and Schuster.

Rebecca Yeager has been promoted to advertising and promotions manager. She was formerly assistant manager.

Renata Sweeney has been promoted to digital marketing manager, Tor, Forge Books, Tor Teen, Starscape. She was formerly associate manager.

Isa Caban has joined the company as marketing manager, Tor Teen, Starscape, and school & library marketing. She was formerly YA associate marketing manager at Scholastic.

Sara Di Blasi has been promoted to marketing assistant, Tor Teen, Starscape, and school & library marketing. She was formerly assistant to the v-p of marketing and publicity.

Zakiya Jamal has joined the company as digital marketing assistant, Tor, Forge Books, Tor Teen, Starscape.

(5) WORD STUDY. According to the Oxford English Dictionary the word “prequel” first appeared in print in 1958 in an article by Anthony Boucher in The Magazine of Fantasy & Science Fiction, used to describe James Blish’s 1956 story They Shall Have Stars, which expanded on the story introduced in his earlier 1955 work, Earthman Come HomeMother Jones reports “Before 1958, There Was No Way to Say That Something Was Stackable”.

(6) TODAY’S BIRTHDAYS.

  • Born October 25, 1902 – Mark Marchioni, Artist known as “Marchioni”. He sold his first illustration to Hugo Gernsback’s Air Wonder Stories in 1929. He went on to draw black and white story illustrations, in the Modernist, style, for most pulp magazines in the science fiction genre, including Astonishing Stories, Astounding, Startling Stories, Wonder Stories, and Thrilling Wonder Stories, from 1930-1948. In the 40s, his lifelong interest in machinery lead him to invent a coin-sorting machine, for which he and his older brother Caesar won a patent. They also invented, patented, and manufactured for nearly three decades the Tiltall aluminum camera tripod, which became wildly popular with photographers for its superior performance; eventually the rights were sold to Leica.
  • Born October 25, 1924 — Billy Barty, who was frequently cast in character roles where his small stature suited the character, and who is probably best known to genre fans as the wise elder wizard in Willow. He was also in the Ridley Scott fantasy Legend, and played the rotoscoped Bilbo Baggins and Samwise Gamgee in the animated The Lord of the Rings; other appearances include in Alice in Wonderland, Bride of Frankenstein, The Undead, Rumpelstiltskin, Snow White, Masters of the Universe, and Lobster Man from Mars.
  • Born October 25, 1935 – Russell “Rusty” Schweikart, 83, Pilot and Astronaut who was the lunar module pilot for Apollo 9, and the first in the Apollo program to do an EVA (Extra-Vehicular Activity). During the launch of the first Skylab space station mission in 1973, the station’s thermal heat shield was lost, and his work developing procedures and equipment for building and implementing an emergency solar shade, and for deployment of a jammed solar array wing, resulted in saving the space station. He was awarded NASA’s Distinguished Service Medal and Exceptional Service Medal. He is the co-founder and chair of the B612 Foundation, an organization devoted to finding ways to defend Earth from the impact of stray asteroids.
  • Born October 25, 1955 – Gale Anne Hurd, 63, Saturn-winning Writer, Film Producer and founder of Valhalla Entertainment. After starting out as executive assistant to New World Pictures president Roger Corman, she formed her own production company which has been responsible for numerous major blockbusters in the last 30+ years, including the Hugo-winning Aliens, the first three Terminator movies, Hugo finalist The Abyss, and Armageddon as well as Virus, The Relic, two Hulk movies, Aeon Flux and the just-announced TV series of the same name, and The Walking Dead and Fear the Walking Dead series.
  • Born October 25, 1963 – John Gregory Betancourt, 55, Writer who is best known (or possibly most notorious) for his third Chronicles of Amber series in Roger Zelazny’s universe, and who has written quite a bit of other franchise fiction including in the Star Trek, Hercules, and The New Adventures of Superman universes. Most of his original fiction was early in his career. He’s also edited in a number of magazines including Weird Tales, Amazing Stories, H. P. Lovecraft’s Magazine of Horror, Adventure Tales, and Cat Tales, and co-edited with Anne McCaffrey Serve It Forth: Cooking with Anne McCaffrey. He founded Wildside Press in 1989, which has received three nominations for World Fantasy Special Awards.
  • Born October 25, 1964 – Kevin Michael Richardson, 54, Actor and Singer who has become a powerhouse as a voice actor in the animation world in the last 20 years. Just a few of his more than a hundred show credits include roles in the animated series The Batman, Black Panther, Star Wars: The Clone Wars, Guardians of the Galaxy, The Simpsons, Avatar: The Last Airbender, Ben 10, Lilo & Stitch, Gremlins, Ace Ventura, Voltron, Family Guy, and Buzz Lightyear. He has had numerous nominations and wins for Behind The Voice, Annie, and Daytime Emmy Awards.

(7) COMICS SECTION.

(8) SPOILERS. io9’s Avengers 4 Set Pictures Tease an Interesting Upgrade for Pepper Potts” collects rumors (Spoiler Alert) for upcoming movies & TV series including:

  • Avengers 4
  • Night of the Comet
  • A Nightmare on Elm Street
  • Quicksand
  • The Boy 2
  • Monster Problems
  • Terminator 6
  • Charlie’s Angels
  • Reign of the Supermen
  • Daredevil
  • 2018 Arrowverse Crossover
  • Star Trek: Discovery
  • The Passage
  • Cloak & Dagger
  • The Chilling Adventures of Sabrina
  • Riverdale
  • The Purge
  • Black Lighting
  • The Flash

(9) LE GUIN. The London Review Bookshop, which is related to the London Review of Books, has chosen Ursula K. Le Guin as its Author of the Month for November. The bookstore will have a dedicated table for the author’s books at its location in London.

Le Guin’s work throughout her long career was underpinned by her deep interest in anthropology, feminism, environmentalism and anarchism. In 2014 she wrote about her philosophy of writing: “anything at all can be said to happen [in the future] without fear of contradiction from a native. The future is a safe, sterile laboratory for trying out ideas in, a means of thinking about reality, a method.”

[Thanks to Cat Eldridge, JJ, Nancy Sauer, Alan Baumler, Mike Kennedy, Chip Hitchcock, John King Tarpinian, Martin Morse Wooster, Carl Slaughter, Rob Thornton, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Randall M.]

Jeff VanderMeer’s Borne Among Six New Additions to NEA Big Read Library

Two poetry collections, one memoir, one creative nonfiction book, and two novels will join the NEA Big Read, an initiative of the National Endowment for the Arts in partnership with Arts Midwest. The NEA Big Read annually supports community reading programs across the country, each designed around a single book. Through the act of sharing a book together, participants have the opportunity to broaden their understanding of the world, their community, and themselves.

In total, 32 books will be available for nonprofit organizations to choose from in applying for a 2019-20 NEA Big Read grant. The six new additions are:

This timely collection explores the struggles and questions that can arise from an assigned gender identity that doesn’t feel right, described through the lens of, among other things, inanimate objects, talking animals, and 1980s pop culture.

  • Borne by Jeff VanderMeer (novel)

In a ruined city overrun with hybrid creatures from a defunct biotech company, a woman nurtures a strange creature that grows into something she will both love and fear in this science fiction tale of love and hope and inevitable change.

  • Hustle by David Tomas Martinez (poetry)

Emblazoned with a tattoo on its cover, this collection examines the experiences of the poet’s Southeast San Diego youth—his activity in a gang, the complicated dynamics of his family life, and eventually his discovery of poetry, leading him to reflect on what it means to be a man.

This is the true story that inspired Herman Melville’s Moby-Dick about the crew of the 19th-century whaleship Essex that got rammed and shattered by one of the largest whales anyone had ever seen and the whalers’ subsequent, harrowing fight for survival on the open seas.

A young woman passionate about trees and plants and other aspects of the natural world finds friendship in odd places, battles bipolar disorder, perseveres through setbacks, and ultimately becomes a wife, a mom, and a respected scientist in this inspiring and engrossing memoir.

Set during World War II in the Australian bush and based on the true history of Italian POWs sent there to work the farms, this story is told from the perspective of a woman with albinism and a troubled past whose secrets and desires will upend her and her family’s isolated lives.

The NEA’s Big Read website has more information on the program, including book and author information, podcasts, videos, and community stories from past NEA Big Read grantees. In addition, the NEA will host a webinar on November 14, 2018 at 2 p.m. ET about these six new titles.

“We are always looking to expand the NEA Big Read library with a range of new genres, perspectives, and experiences,” said NEA Director of Literature Amy Stolls. “Communities can choose to explore, for example, the story behind Moby-Dick with In the Heart of the Sea, or get immersed in rural Australia and World War II history with The Paperbark Shoe, or dive into one of the books of poetry, a genre we know from NEA research is growing in popularity, particularly among younger readers. I look forward to seeing how communities embrace the new books and find ways to highlight and explore them together.”

Guidelines are now available for organizations applying for grants to support Big Read projects between September 2019 and June 2020. The application deadline is Thursday, January 24, 2019. Full details on eligibility, how to apply, and application advice are available on Arts Midwest’s website. Eligible applicants include organizations such as arts centers, arts councils, arts organizations, colleges and universities, community service organizations, environmental organizations, fairs and festivals, faith-based organizations, historical societies, housing authorities, humanities councils, libraries, literary centers, museums, school districts, theater companies, trade associations, and tribal governments.

To select new books for the NEA Big Read library, the NEA collected suggestions from a variety of sources, including the public, NEA Big Read grantees, and past NEA Big Read panelists. The National Endowment for the Arts narrowed the list of suggestions based on the following criteria: the capacity to incite lively and deep discussion; the capacity to expand the range of voices, stories, and genres currently represented in the NEA Big Read library; the capacity to interest lapsed and reluctant readers and/or to challenge avid readers and introduce them to new voices; and the capacity to inspire innovative programming for communities. A committee of outside readers and community organizers reviewed the books and made the final recommendations.

The full list of books available for 2019-2020 Big Read grants also includes works by Bradbury, Le Guin, Kelly Link, and Emily St. John Mandel —

  • In the Time of the Butterflies by Julia Alvarez
  • Fahrenheit 451 by Ray Bradbury
  • Advice from the Lights by Stephanie (previously Stephen) Burt
  • Can’t We Talk About Something More Pleasant? by Roz Chast
  • Brother, I’m Dying by Edwidge Danticat
  • The Round House by Louise Erdrich
  • A Lesson Before Dying by Ernest J. Gaines
  • The Paperbark Shoe by Goldie Goldbloom
  • How We Became Human: New and Selected Poems 1975-2002 by Joy Harjo
  • To Live by Yu Hua
  • Lab Girl by Hope Jahren
  • Silver Sparrow by Tayari Jones
  • A Wizard of Earthsea by Ursula K. Le Guin
  • Pretty Monsters by Kelly Link
  • Station Eleven by Emily St. John Mandel
  • Hustle by David Tomas Martinez
  • The Big Smoke by Adrian Matejka
  • The Beautiful Things That Heaven Bears by Dinaw Mengestu
  • Everything I Never Told You by Celeste Ng
  • The Things They Carried by Tim O’Brien
  • When the Emperor Was Divine by Julie Otsuka
  • In the Heart of the Sea by Nathaniel Philbrick
  • True Grit by Charles Portis
  • Citizen: An American Lyric by Claudia Rankine
  • Burning Bright by Ron Rash
  • A Small Story About the Sky by Alberto Ríos
  • Into the Beautiful North by Luis Alberto Urrea
  • Borne by Jeff VanderMeer
  • Our Town by Thornton Wilder
  • The Latehomecomer by Kao Kalia Yang
  • Book of Hours by Kevin Young
  • Ways of Going Home by Alejandro Zambra

 [Thanks to Jeff VanderMeer for the story.]

Pixel Scroll 10/16/18 Pixel Me, Ray Bradbury!

(1) WORLD FANTASY CON PRELIMINARY PROGRAM. WFC 2018 takes place in Baltimore from November 1-4. Their draft program is now up — World Fantasy 2018 Preliminary Program Grid.

This is the Preliminary program schedule. These are the program items we’re planning on having. New things may emerge, and any of these may disappear in puff of logic, all without warning. The program will be updated as information changes, but please check for official notifications during the convention.

(2) LE GUIN’S EARTHSEA ON RADIO. From SF Concatenation’s Jonathan Cowie we learn: “Beeb Beeb Ceeb Radio 4 Extra has just started season 2 of Le Guin’s The Wizard of Earthsea.

Episode 1 of season 2 here.

On the island of Gont, Tenar saves a remarkable young girl from certain death. She also makes a dangerous enemy.

Ursula K Le Guin’s enduring fantasy saga – based on the novel Tehanu adapted by Judith Adams.

“And the lovely folk have re-posted the 1st season on here on BBC i-Player so you can catch up.  But note: season 1 will only be up on iPlayer for another 3 weeks.”

(3) DEVICES INCLUDED. The audience for the Thirteenth Doctor’s debut grows to record-setting levels when stats from devices are rolled in — “Doctor Who: Biggest first episode for new Doctor”.

Jodie Whittaker attracted a record audience for a new Doctor in the first episode of the new series of Doctor Who.

The episode was watched by 10.9 million viewers, which makes it the highest Doctor Who series opener since the show was relaunched in 2005.

The consolidated figures from ratings body Barb includes the number of people watching on devices as well as TV.

Barb only began counting ratings for phones, PCs and tablets last month.

The previous highest series launch episode for the drama was in 2005 with Christopher Eccleston, which attracted 10.8 million.

That number obviously didn’t include device figures.

(4) SPECTRUM 25 CEREMONY. John Fleskes has just posted a story with photos about the Spectrum 25 awards ceremony last May in Hollywood: “Spectrum 25 Awards Ceremony Stories and Pictures”

To be able to create a gathering where the Spectrum community can get together and celebrate is not only meaningful, it helps to encourage others. All the award recipients had an emotional response and made sincere and expressive acceptance speeches. Everyone who attended left with a want to do more to create and inspire others to do the same. This is why Spectrum exists and why we find the awards ceremony to be so important to have and to share.

(5) GAME ART MASHUP. Fans in Japan get all the cool stuff. Well, at least if you think crossing Edvard Munch and Pokémon is cool (The Verge: “Pokémon’s upcoming ‘The Scream’ cards capture 2018’s existential horror”).

The world is running out of clean water, climate change continues to ravage the planet, and politics everywhere are a total nightmare: nearly every day of 2018 has carried the emotional weight of an entire year. It’s fitting, then, that this is also the year The Pokémon Company is announcing a partnership with the Tokyo Art Museum to produce special trading cards based on The Scream, the iconic expressionist painting by Edvard Munch.

According to the official release [Google Translate version], the promotional cards will be available starting October 27th to celebrate a special exhibition at the Tokyo Art Museum. Each card, which will retail for 450 yen, will feature a pocket monster with a scream attack that causes confusion (hence the crossover between the game and the painting). Cards will be available through official Pokémon centers in Japan when fans purchase booster packs, though there will also be other Munch / Pokémon-related merch up for sale, too.

(6) THIS IS MONSTROUS. A special exhibition—De Monstris—at the Thomas Fisher Rare Book Library in Toronto caught the attention of  Brigit Katz, writing for Smithsonian.com (“Rare Book Library Summons Tales of World’s Oldest Monsters”).

In December 1495, Rome was devastated by four days of heavy flooding. After the deluge subsided, rumors began to swirl about a terrible monster that had washed up onto the banks of the Tiber. The creature was said to be a grotesque pastiche of human and animal body parts: it had, among other peculiarities, the head of a donkey, the breasts of a woman, the bearded visage of an old man on its behind, and a tail crowned with a roaring dragon’s head.

This was the era on the cusp of the Reformation, and many were convinced that the monster had been conjured as an ominous portent of papal corruption, with each of its hodge-podge body parts representing a different vice. (The creature’s “feminine” breasts and belly symbolized “the sensuality of the cardinals and ecclesiastical elites”; the old man on its hind parts marked a “dying regime.”) Printed images of the so-called “Papal Ass” were circulated widely in the years after the flood. Martin Luther, the father of Protestantism, even commented on the monster in his railings against the Catholic Church.

(7) SPACE VS. SCI-FI. In the Washington Post, Elahe Izadi tries to separate space movies from sci-fi flicks, with one difference being if space is “a pretty easy and chill place to hang out” then it’s sci-fi and not a space movie — “Sorry, your favorite ‘space’ movie is not actually a space movie”.

… But what, exactly, makes a movie a space movie? Is it merely the location? What if only a few scenes are in space? What about the involvement of aliens? Is it a space movie if the movie title has a space-y word, like “galaxy” or, say, “space”?

…These are the kinds of questions you have to grapple with before you even try to rank the best space movies. So, below is a system on how to tell whether your favorite movie is actually a space movie — including a handy, totally professional flowchart!

(8) LEARNING TO SPELL. WIRED’s Jason Kehe says he’s seen this before – plenty of times: “Why So Many Fantasy Novels Are Obsessed With Academia”.

The best fantasy debut of 2018 has a problem. It was also the best fantasy debut of 2009. And 2007. And 1997, 1985, 1982, and 1968.

Authors change; the story stays the same. In the darkness a child is born. The child suffers, but he has mysterious power. Posthaste, destiny leads the child to the same place it herds all the courageous orphan-protagonists of speculative fiction: a storied and exclusive institution of magical learning, where he unnerves the faculty, demonstrates arrogance, and forms lasting friendships on his way to vanquishing evil.

…This year’s Potter, though it pulls from a number of related sources, is The Poppy War, the first of a planned trilogy set in the Empire of Nikan, an evocation of 20th-century China in everything from geography and mythology to military history. Written by the scarily proficient newcomer R.F. Kuang—she was 19 and a student at Georgetown University when she sold it—the book adds to a recent wave of East Asian fantasy with a sad, gifted orphan of its own.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and JJ.]

  • Born October 16, 1854 – Oscar Wilde, Writer, Journalist, Playwright, and Poet from Ireland whose only novel, the supernatural gothic horror work The Picture of Dorian Gray, has been translated into more than a dozen languages, made into countless radio plays, musicals, TV films and movies — the 1945 version of which was awarded a Retro Hugo — and had enduring influence on modern popular culture as an examination of morality. His long list of short fiction credits includes some fairy tales and genre stories, of which the best known is “The Canterville Ghost”, which has likewise undergone a copious number of translations and adaptations into various media.
  • Born October 16, 1874 – Lucien Rudaux, Astronomer, Artist, and Illustrator from France who in the 1920s and 30s created famous space-themed paintings featuring planets and moons rendered according to the state of astronomical knowledge at the time, as well the illustrated work Sur Les Autres Mondes (On Other Worlds). The Rudaux crater on Mars and the asteroid 3574 Rudaux are named for him, as is the Lucien Rudaux Memorial Award, given by the International Association of Astronomical Artists to creators of space-themed works (recipients have included Chesley Bonestell and Rick Sternbach).
  • Born October 16, 1925 – Angela Lansbury, 93, Actor from England who emigrated to the U.S. as a teenager. Though perhaps best known now for her long-running Miss Marple homage TV series Murder, She Wrote, her early career included movies of some import, and she received Oscar nominations for genre films The Manchurian Candidate and the Retro-Hugo-winning The Picture of Dorian Gray. Other genre roles include Bedknobs and Broomsticks, Nanny McPhee, and The Mirror Crack’d (for which she received a Saturn nomination), and she has lent her distinctive voice to a number of animated features including the Saturn-nominated adaptation of Peter S. Beagle’s The Last Unicorn, the Hugo-nominated Beauty and the Beast, Anastasia, Fantasia 2000, The Grinch, and Heidi 4 Paws, which is, interestingly, a retelling of the well-known Heidi where all of the roles are played by dogs.
  • Born October 16, 1926 – Ed Valigursky, Artist who created more than 200 pulp magazine and novel covers, mainly for Amazing Stories, Fantastic Adventures, and Ace Books, including Ace Doubles, along with dozens of interior illustrations. The more-than-50 covers he did in 1955 earned him a nomination for the Best Artist Hugo the following year. During the 1960s he contributed illustrations to classic trading cards sets, including the Topps titles Batman and Battle!. In the 1970s and 80s he created covers illustrating NASA’s space program for Popular Mechanics.
  • Born October 16, 1927 –  Claire Necker, Librarian and Writer. This might be going a little astray from genre birthdays, but I think not, given that most of us have SJW credentials. She wrote a number of feline-related academic works including The Natural History of Cats, Supernatural Cats: An Anthology — which includes stories by writers such as Fritz Lieber, C.L. Moore, Henry Kuttner, August Derleth, and H.P. Lovecraft — and Four Centuries of Cat Books; Cat’s Got Our Tongue is a collection of feline-centered proverbs.
  • Born October 16, 1940 – Barry Corbin, 78, Actor whose face will be familiar from his many character roles — frequently as gruff military officers or crusty eccentrics — including those in genre movies WarGames, My Science Project, Ghost Dad, Race to Space, Dawn of the Crescent Moon, Curdled, Critters 2, and Timequest, which appears to be an uncredited version of Greg Benford’s Timescape (which provided the name for the Pocket Books line of science fiction novels helmed by David G. Hartwell in the early 1980s). He narrated Moon Shot: The Inside Story of America’s Race to the Moon, based on the book by Mercury Seven astronaut Alan Shepard.
  • Born October 16, 1963 – Glenn Glazer, 55, Conrunner and Fan who has been on the concoms for many Worldcons and regional conventions, chaired a Smofcon and a Westercon, and was one of three vice-chairs for Sasquan, the 2015 Worldcon. He has been involved in a number of APAs, including SWAPA, Mutations, The Calling, LASFAPA, APA-69, and APA-FNORD.
  • Born October 16, 1966 – Mary Elizabeth McGlynn, 52, Actor, Writer, and Director. Aside from appearing in episodes of Xena: Warrior Princess, Star Trek: Voyager, and Quantum Leap, she’s credited with more than 500 voice acting roles in animated movies, TV series, and videogames, including The Avengers, Ghost in the Shell, X-Men, Steven Universe, and Bleach. She directed 18 episodes of the long-running anime Naruto, and has been Guest of Honor at Anime Expo.
  • Born October 16, 1971 – Lawrence Schimel, 47, Writer, Editor, Poet, and Translator. He is a founding member of The Publishing Triangle, an organization promoting fiction by LGBTQ authors and/or with LGBTQ themes, which inform many of his short fiction works. He has edited, mostly in collaboration with Martin H. Greenberg, at least 10 anthologies. His solo anthology, Things Invisible to See, and one of his short fiction collections were both recognized with Lambda Award nominations, and his speculative poetry has garnered a Rhysling Award nomination and a win.

(10) COMICS SECTION.

A classic Trek-themed joke in Monty.

(11) DON’T LOOK DOWN. In an article at The Verge, astronaut Nick Hague recounts “What it’s like to fall 31 miles to Earth after your rocket fails”—and fortunately he’s here to tell his own tale.

For the first few minutes, the ride to space had been routine. NASA astronaut Nick Hague and his fellow crew mate, Russian cosmonaut Alexey Ovchinin, were pressed into their seats inside a Russian Soyuz capsule as the vehicle rapidly climbed through the atmosphere. Then then there was a jolt.

“The first thing I really noticed was being shaken fairly violently from side to side,” Hague said during a round of broadcast interviews [16 October 2018].
The vehicle carrying Hague and Ovchinin had just taken off from Kazakhstan at 4:40AM ET (2:40PM local time). Just two and a half minutes into flight, the vehicle began to break apart. It’s still unclear what triggered the failure, but Russia’s state space corporation Roscosmos thinks that there was some unintended contact during stage separation. On the Soyuz, four boosters surrounding the center core of the rocket are meant to break away during flight, but it’s possible one of the four crashed into the middle of the vehicle.

(12) SOYUZ. If the previous item doesn’t curb your enthusiasm, The Space Review points the way to joining the Russian space program — “So, you want to become a cosmonaut? Inside the 2018 cosmonaut selection process”.

For more than 50 years, Russia (and, previously, the Soviet Union) selected the majority of its cosmonauts from the ranks of Air Force pilots or engineering and scientific bureaus and agencies closely linked to the space program. There were exceptions, such as the four female parachutists (and one engineer) selected in 1962, but generally, this approach served the requirements of the Russian space effort.

This changed in 2012, when Roscosmos launched the first ever “open selection” for cosmonauts, to which any Russian citizen could apply, subject to having a higher education in certain specified fields, generally good health, and be under the age of 35.

As a result of this process, eight new cosmonaut candidates were presented to the media in August 2012. This group included candidates from a more diverse range of backgrounds, than the traditional careers mentioned above: mostly engineers, as well as two instructors from Yuri Gagarin Cosmonaut Training Centre and a solitary military pilot.

(13) FACT CHECKING FIRST MAN. Christian Davenport in the Washington Post says the scene in First Man where Neil Armstrong leaves a bracelet with the name of his dead daughter Karen on the moon is almost certainly a dramatization that did not actually take place: “‘First Man’ shows Neil Armstrong mourning his daughter on the moon. But did that really happen?”

Bill Barry, NASA’s chief historian, said questions about the scene came up recently during an event for the movie at the Kennedy Space Center. The conclusion, he wrote in an email to The Washington Post: “The scene was created for the movie, and there is no specific evidence that Neil Armstrong left any ‘memorial items’ on the moon.”

(14) GRRM & PEOPLE WHO LOVE HIS BOOKS. Charles Yu profiles “George R. R. Martin, Fantasy’s Reigning King” for the New York Times.

MARTIN WAS RAISED in Bayonne, N.J., the son of a longshoreman and a factory worker. He has talked in the past about his childhood growing up in a federal housing project, gazing across the water at Staten Island, watching ships coming into port, imagining them traveling from distant lands he would never see.

He’s now based in Santa Fe, where he moved in 1979 from Dubuque, Iowa, where he was teaching journalism at Clarke College. After Tom Reamy, a friend of his and a fellow SFF author, died suddenly in 1977, at the age of 42, Martin was galvanized: “I thought, ‘Do I have all the time in the world? I want to write all these stories.’” He decided to quit teaching to write full time in New Mexico, spending the next decade and a half as a well-received, if not yet famous, fantasy author. He lives with Parris McBride, his second wife; the two of them are ardent supporters of the Wild Spirit Wolf Sanctuary, a nonprofit organization that rescues and provides sanctuary to captive-bred wolves. When it’s time for him to focus on his books, Martin heads to what he calls his “hideaway” in an undisclosed location.

(15) GRRM SIDEBAR. In this side feature, the writer discloses where he gets his signature hats and the “Game of Thrones” character that reminds him the most of Trump. Watch the video or read the transcript — “George R. R. Martin Answers Times Staffers’ Burning Questions” at the New York Times.

We selected a handful of staffers’ queries for Martin to field on the set of his cover photo shoot, in Santa Fe, N.M., and filmed a number of his responses for the video above. Below are all of the questions that Martin answered — or, in some cases, tellingly declined to answer. Here’s what he had to say about his favorite books, where he gets his signature hats and the “Game of Thrones” character that reminds him the most of Trump.

Maureen Dowd, Op-Ed Columnist

Dowd: Who reminds you most of Trump? Dan Weiss [one of the “Game of Thrones” creators and writers] told me that the character that reminded him the most of Trump is Hodor because he endlessly repeats his own name.

Martin: Well, that’s amusing. But I think even during the campaign I said that Trump reminded me most of Joffrey. They have the same level of emotional maturity. And Joffrey likes to remind everyone that he’s king. And he thinks that gives him the ability to do anything. And we’re not an absolute monarchy, like Westeros is. We’re a constitutional republic. And yet, Trump doesn’t seem to know what that means. He thinks the presidency gives him the power to do anything. And so, yeah, Joffrey is Trump.

(16) TIME PASSAGES. Inverse reports on an anomaly seen around the shooting of the upcoming Joker origin film (“Batmobile Sighting on the ‘Joker’ Set Hints at Time-Related Shenanigans”).

The new Joker movie, which stars Joaquin Phoenix in the lead role as Gotham’s Clown Prince of Crime, takes place before Batman ever existed. It’s a world where Bruce’s dad, Thomas Wayne, is still alive and running for mayor. So what’s the Batmobile doing on set?

That’s the question Batman fans are reckoning with after a video from the Joker’s New Jersey set revealed what looks a lot like the original Batmobile from the Adam West TV show.

So, sly TV reference aside, how does the Batmobile exist in a pre-Batman world? The Inverse article explores three possible—and very comic-book-esque—explanations.

(17) DOES GOOD FENCING MAKE GOOD NEIGHBORS? Russia may be leading the lightsaber race. DW has the story — “Moscow Star Wars school trains novice Jedi”.

But saber fighting is more than a Star Wars fantasy for those training here. It is a style of stage fencing, which has been considered an official sport in Russia since 2008. And here at the school, the novice Jedi say it is a real workout, particularly because the movie fight scenes they are emulating are very dynamic. “I came out of my first training session and my knees were shaking — I thought I was going to sit down now and never get up,” Daria says, thinking back to when she started in January. “But it gets easier with every session.” Now she says she loves the physical challenge. “And also — it’s Star Wars!”

(18) MOVIE STAR DINOS. Scientsts suspect “The ‘ugly duckling’ fossil from the deep” is a juvenile rather than a progenitor of the species.

The mosasaurs recently took a star turn in the Jurassic World movie, showing off the Hollywood version of their fearsome jaws.

Now an “ugly duckling” from 85 million years ago is shedding new light on the giant marine reptiles that lived at the time of Tyrannosaurus rex.

Scientists have long puzzled over how the diminutive fossil fitted into the family tree.

They now think it was still developing the distinctive long snout of its clan.

(19) THE DATING GAME. Was Pliny the Younger too old to remember the right date? “Pompeii: Vesuvius eruption may have been later than thought” – an on-site graffito challenges Nth-generation copies of Pliny’s letter, but matches findings of harvested plants in ashes.

Historians have long believed that Mount Vesuvius erupted on 24 August 79 AD, destroying the nearby Roman city of Pompeii.

But now, an inscription has been uncovered dated to mid-October – almost two months later.

Italy’s culture minister labelled it “an extraordinary discovery.”

(20) BITS IS BITS. When the BBC asks “Would you eat slaughter-free meat?” it means feather cells grown into chicken nuggets – a company says the product will be in restaurants “by the end of this year”

In 1931, Winston Churchill predicted that the human race would one day “escape the absurdity of growing a whole chicken in order to eat the breast or wing, by growing these parts separately under a suitable medium”.

Eighty-seven years later, that day has come as we discovered at Just, a food company in San Francisco where we tasted chicken nuggets grown from the cells of a chicken feather.

The chicken – which tasted like chicken – was still alive, reportedly roaming on a farm not far from the laboratory.

(21) ROBOT FRIENDS. Dara Elasfar in the Washington Post notes how the Smithsonian now has four robots named Pepper as helpers at four of its museums, a gift from SoftBank Robotics of Japan.  Kids like them; Asa Bernstein, 6, said  “If I had a robot named Pepper, I would make it do my homework, and make sugar cookies with me!” Video — “Meet the Hirshhorn’s newest staffer, Pepper the robot”.

[Thanks to John King Tarpinian, Arnold Fenner, Cat Eldridge, JJ, Chip Hitchcock, Mike Kennedy, Martin Morse Wooster, Carl Slaughter, Olav Rokne, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W.]

Pixel Scroll 9/16/18 Mother, Please! I’d Rather Scroll It Myself!

(1) VISUALIZING LE GUIN. Andrew Liptak interviews artist David Lupton, who is responsible for the art in The Folio Society’s new edition of The Left Hand of Darkness“Behind the gorgeous new illustrated edition of Ursula K Le Guin’s The Left Hand of Darkness”.

Tell me a little about adapting the scenes from the novel with your art. How did you go about capturing the characters?

My process for adapting scenes for a Folio Society edition always begins in the same way. I start by reading the book from beginning to end. Then I go back and re-read the book whilst making notes of the scenes that I’d like to illustrate. I also have to keep in mind that the illustrations need to be paced throughout the book and depending on the length it usually works out that an illustration is needed every 20 pages or so. Therefore I go through the book and note what occurs around these page numbers and begin to formulate ideas on how to interpret the imagery described.

For The Left Hand of Darkness, I initially chose approximately 20 scenes that I thought could help tell the story visually and then I worked with Sheri Gee (art director at Folio Society) and Ursula to whittle down what imagery would work and what wouldn’t. I also wanted to draw a variety of compositions from extreme close-ups of faces, to wider drawings of snowy mountains, and so had to balance that imagery throughout the whole sequence. In terms of the characters, I simply read the descriptions in the text, which are quite succinct and open for interpretation, and then talked with Ursula personally to get an understanding of what she wanted.

(2) MEXICANX SAGA. Hector Gonzalez takes the opening step on “My Road to Worldcon 76. Part 1: The Mexicanx Initiative” at Medium.

…I remember pedaling like crazy to get to La Casa de los Sabores (aka home) in time to talk to John. I made it back with 18 minutes to spare, which I invested in taking a quick shower and cutting some vegetables for dinner. I dialed at 7:01 PM and I heard John [Picacio]’s voice. He wanted to know more about myself, why me, as a fan, wanted to attend Worldcon and be part of this Mexicanx Initiative. I shared how sci-fi and comics were a big part of my history while growing up. How friends and family usually gave me books for my birthday as a child and how I devoured those stories. How my favorite encyclopedia was about a humanoid robot that was part comic and part in-depth information about different topics, from astronomy to biology.

“Who is a current creator that you admire?” John asked. Alejandro Jodorowski was my answer. I shared how his movies, books, and comics had influenced me….

(3) BOUND FOR MARS. Already showing on Hulu – The First.

Sean Penn leads an ensemble cast in this near-future drama about a crew of astronauts attempting to become the first humans on Mars. Under the direction of visionary aerospace magnate Laz Ingram (Natascha McElhone), the crew contends with peril and personal sacrifice as they undertake the greatest pioneering feat in human history.

 

(4) HOW BEER WILL HELP COLONIZE MARS. On Food & Wine, Mike Pomranz opines that “Beer Might Be the Key to Surviving on Mars, But Not for the Reasons You Think”. It seems that beer wort is being used as feedstock for bacteria that in turn create something that could be useful on Mars or other harsh environments:

“[We have] developed a super-insulating, ultra-light, and ultra-transparent aerogel film,” Ivan Smalyukh, a professor in the [University of Colorado] Department of Physics, explained to Digital Trends. “Aerogels are extremely porous solid objects that are made mostly from air, and are about 100 times less dense than glass panes. Our aerogel is made from nanocellulose, which is grown by bacteria that eat waste beer wort, a waste byproduct of the beer industry.”

…“Extraterrestrial habitats will face extreme temperature fluctuations which must be eliminated inside the habitat,” Smalyukh continued. “We see our aerogel product as a prime way to accomplish this, additionally allowing for the harvesting and storage of solar energy inside of habitats because these aerogels are transparent to sunlight. Because our aerogel can be made from waste, space colonizers wouldn’t necessarily have to bring the aerogel with them from Earth, which would be expensive. Instead, they could grow, from waste, [and] with the help of bacteria, aerogels to be used in habitats.”

Needless to say, Food & Wine is thrilled that culinary science could play a role in colonizing other planets. Not that at least some of the colonists would object to having beer available with or without the aerogel byproducts.

(5) INDIANA IS FROM ILLINOIS? You can buy the house where Indiana Jones and Han Solo grew up, in a manner of speaking – Harrison Ford’s boyhood home is for sale.

A Long Time Ago, in a Town Close to Chicago was a Storybook Tudor. Restore Harrison Ford’s Childhood Home to its Former Glory. 1st Time on the Market Since 1970.

(6) PRINCESS OR ACTION HERO? Fan art by Artemii Myasnikov reimagines Disney royalty as action heroes. Myasnikov’s Instagram feed also mixes in a lot of other genre work, but it was his Disney oeuvre that caught the eye of SYFY Wire’s Josh Weiss (“This fan art by Artemii Myasnikov turns Disney royalty into Disney action heroes”).

For too long, Disney’s pantheon of princesses were depicted as feeble damsels in distress that required handsome, horse-riding/sword-wielding princes to get them out of sticky situations. In recent years, however, the company recognized just how archaic this was and began to create strong, independent women who don’t need no men.

…They can all fend for themselves, kick butt and take names, but thanks to artist Artemii Myasnikov, they’ve become even more badass in art that turns them in all-out warriors. In a way, it gives a second chance to those old school princesses (Snow White, Aurora, and Cinderella) that were nothing more than foibles for the “big strong” princes.

(7) CLICKBAIT FOR CAVEMEN. NPR says “Researchers Discover Ancient ‘Hashtag'” – the oldest-found drawing dates back ~73k years.

Scientists working in South Africa say they’ve found the earliest known drawing. It was dug up in a cave where early humans apparently lived for thousands of years and left behind numerous artifacts.

The drawing isn’t what you’d call elaborate; it’s a row of crosshatched lines along the smooth face of a rock that may have been a tool for making ocher. In fact, the red lines were made with red ocher. The pattern (with a little imagination) resembles a hashtag. What’s remarkable is that it was apparently made about 73,000 years ago. That’s tens of thousands of years older than similar drawings made in European caves.

The researchers, led by Christopher Henshilwood of the University of Bergen in Norway, have previously found a sort of toolkit for making ocher at the site, known as Blombos Cave, that dates back 100,000 years. That evidence shows that early Homo sapiens were clearly making ocher a long time ago, though for what purpose is unclear. And they’ve found a piece of ocher from about 70,000 years ago with engraved crosshatching on it….

(8) WASHINGTON WONDERS. Michon Boston, in the Washington City Paper piece “Wonder Woman’s Version of 1984 D.C. Versus the Real Thing” looks at how the set designers for Wonder Woman 1984 turned the clock back in its Washington scenes, including building old-school phone booths, turning the facade of the long-closed Georgetown Theatre into a twin showing a double bill of Footloose and Ghostbuster, and resurrecting the AIDS activist slogan SILENCE=DEATH in front of the Hirshhorn Museum.

…Later, crews built a Commander Salamander façade over the former Appalachian Spring American craft storefront next door to Reddz and across the street from the original Commander Salamander, now an M&T Bank. The secret was out. The ’80s and Wonder Woman had arrived.

Operating under the working title Magic Hour, Fleischer and counterpart Matthew Noonan approached D.C.’s Office of Cable, Television, Film, Music, and Entertainment (OCTFME) to set the groundwork for filming a live-action period film in D.C.

“They approached us because they heard about the incentive program,” says OCTFME Associate Director Herbert Niles, describing the agency’s Entertainment Rebate Fund. Since 2016, productions have been able to apply for a refund of up to 35 percent of qualified production expenditures provided they spend at least $250,000 in D.C. and hire residents to work on the crew. Warner Bros. Pictures’ Wonder Woman 1984 “represents the largest and most impactful production footprint in the District of Columbia since the film office was established [in 1979],” Niles says….

(9) TODAY IN HISTORY

  • September 16, 1963The Outer Limits premiered on television

(10) TODAY’S BIRTHDAYS

[Compiled by Cat Eldridge.]

  • Born September 16, 1932 – Karen Anderson. Author with Poul Anderson, King of Ys series, also The Unicorn Trade likewise with him. She’s also cited as doing a lot of essays, short fiction and poetry, some with him, some not. She’s also cited as the author of Henry Kuttner: A Memorial Symposium. And I’d love to see the maps she’s credited with having done!
  • Born September 16 – Lisa Tuttle, 66. She won the John W. Campbell Award for Best New Writer, received Nebula Award for Best Short Story for “The Bone Flute” which she refused, and a BSFA Award for Short Fiction for “In Translation”.  For novels, I’ll single out The Mysteries, The Silver Bough and Catwitch, a YA novel she co-wrote with Una Woodruff. I highly recommend Stranger in the House: The Collected Short Supernatural Fiction, Volume One.
  • Born September 16 – Jan Siegel, 63. She’s best known for the Fern Capel series which consists of Prospero’s ChildrenThe Dragon-Charmer and The Witch’s Honour. She also did the YA Sangreal trilogy and a number of other works which may or may not be genre.
  • Born September 16 – Mike Mignola, 58. Illustrator and writer, best known for his long running Hellboy series. Two novels with Christopher Golden, Baltimore, or, The Steadfast Tin Soldier and the Vampire and Joe Golem and the Drowning City, another with Thomas E. Sniegoski, Grim Death and Bill, the Electrocuted Criminal. Extensive comics work as well including one of my favorite undertakings, Gotham by Gaslight.

(11) COMICS SECTION.

  • At Farcus two guys try to get their carcass on Noah’s Ark-us.
  • Get Fuzzy makes very, very, very bad use of CCGs.

(12) SCALZI BREAKOUT. I liked this series of groanworthy puns –

(13) I’M MELTING. “ICESat: Space will get unprecedented view of Earth’s ice” — ultraprecise measures of what we’ve lost.

The American space agency has launched a laser into orbit to measure the condition of Earth’s ice cover.

The satellite mission, called ICESat-2, should provide more precise information on how these frozen surfaces are being affected by global warming.

Antarctica, Greenland and the ice floating on the Arctic Ocean have all lost volume in recent decades….

(14) MORE ABOUT BEER. “‘World’s oldest brewery’ found in cave in Israel, say researchers” — pushes date from 5K to 13K years ago, and suggests beer may not have been a side-effect of making bread.

Researchers say they have found the world’s oldest brewery, with residue of 13,000-year-old beer, in a prehistoric cave near Haifa in Israel.

The discovery was made while they were studying a burial site for semi-nomadic hunter-gatherers.

Brewing beer was thought to go back 5,000 years, but the latest discovery may turn beer history on its head….

(15) COLD BALLOONS. Read about “The giant hangar built for an Arctic airship”:

In the photo, a huge silver airship floats over a large snowfield. On the sides of the airship are stamped in black capital letters, one word: ITALIA.

The machine itself is dwarfed by the snow-covered mountains that surround it on three sides. Their glaciers glisten in the spring sunshine. In front of it is the sea, full of floating chunks of ice.

Cables hang down from the sides of the craft like the antenna of an insect. A multitude of tiny stick-like figures await their orders below.

In front of the dirigible is a very large, strange-looking construction. It has no roof, but two sides that look like the giant wooden trestle bridges that you see in Westerns movies. It is clad in green canvas.

But what exactly is it?

(16) VIDEO OF THE DAY. In Escape (2018) a man realizes he is living in a simulation, in a short film narrated by Stephen Fry — “Stephen Fry Voices a New Dystopian Short Film About Artificial Intelligence & Simulation Theory”.

[Thanks to Mike Kennedy, Chip Hitchcock, Cat Eldridge, JJ, John King Tarpinian, Martin Morse Wooster, Carl Slaughter, Steven H Silver, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Robert Whitaker Sirignano.]