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Pixel Scroll 2/26/20 The Scroll Goes Ever On And On, Down From The Pixel Where It Began

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(1) AT LONG LAST. “‘Last and First Men’ Exclusive Trailer: Jóhann Jóhannsson’s Gorgeous First and Last Directorial Feature”

One the most emotional world premieres at the upcoming 2020 Berlin International Film Festival is bound to be “Last and First Men,” the directorial feature debut of the late Icelandic composer Jóhann Jóhannsson. The musician died in February 2018 at the age of 48 amid an acclaimed career that saw him score back-to-back Oscar nominations for Best Original Score in 2015 and 2016 thanks to his work on “The Theory of Everything” and “Sicario.” The latter was one of several collaborations between Jóhannsson and Denis Villeneuve. Jóhannsson’s other score credits include Villeneuve’s “Prisoners” and “Arrival,” plus “Mandy” and “The Mercy.” Jóhannsson served as a mentor to Hildur Guðnádottir, who recently won the Oscar for her “Joker” original score.

Jóhannsson’s only directorial feature, “Last and First Men” is an adaptation of his touring multimedia project of the same name. The movie — shot on 16mm black-and-white film with “Victoria” and “Rams” cinematographer Sturla Brandth Grøvlen — played in concert halls, accompanied by Jóhannsson’s score with a live orchestra. The feature film playing at Berlin includes the composer’s original score and narration from Tilda Swinton….

The Hollywood Reporter’s review of the film has this to say — 

Long considered one of the most unfilmable classics of science fiction, Last And First Men has been adapted to the screen by Oscar-nominated Icelandic composer Johann Johannsson. The results are being lauded as “dazzling” and “visionary. This might be one of the films I’m most anticipating this year. 

“Halfway between fiction and documentary, Last and First Men is a visionary work about the final days of humankind that stretches the audience’s ability to imagine not only an immense time frame reaching over billions of years, but huge steps in human evolution.”

(2) SOCIAL MEDIA NEVER FAILS TO GET WORSE. A Twitter thread contends Bronys (My Little Pony fandom) has been co-opted by white nationalists. Wootmaster’s thread starts here. Warning about the images, which is why the tweets are not fully reproduced here.

For many years the pony fandom has been a decidedly neutral, “apolitical” one. Even with its origins on 4chan, there was a sort of innocence and naivete that pervaded the fandom, and even the internet as a whole. Hell, even the 4chan of 2010 hardly resembled the 4chan of today….

Then in 2016 something happened that would transform both 4chan and the fandom forever, even if most bronies wouldn’t realize it for years. The polarization of politics reached its peak with the election of Donald Trump. Right-wing populism entered its heyday, with 4chan in tow….

Only a year later another event happened, almost in tandem with the first. For April Fool’s 2017 4chan’s then admin moot thought it’d be hilarious to combine several boards together. As a cheap joke, he combined My Little Pony and the political board into one entity. /mlpol/…

It was supposed to be a joke. The two communities should have hated each other. A fandom of full of guys who idolized a girl’s cartoon show, and community of far-right fascists LARPers who idolized hitler and wanted to massacre jews. But a strange thing happened. They got along.

(3) BRADBURY POSTERS. Three poster sets are being published by the Ray Bradbury Experience Museum (RBEM) through an Illinois Humanities grant. The poster sets are free for schools, libraries, and other public display.

Poster Set 1 currently available now: “How did I get from Waukegan to Red Planet Mars?” highlights places named for Ray Bradbury in Waukegan, Hollywood, on the Moon and, yes, even on Mars. Click here for full information.  Sets 2 and 3 will be available this spring.

How To Obtain   Download Poster Set 1 below! Limited additional poster sets are available. For more information, contact us or email [email protected].

(4) MOOSE & SQUIRREL BACK IN TOWN. The City of West Hollywood will celebrate the permanent installation of the “Rocky & Bullwinkle” statue on the Sunset Strip at the intersection of Sunset Boulevard and Holloway Drive on March 28 at 10:00 a.m. “Rocky & Bullwinkle” Statue Unveiling.  Los Angeles Magazine traced the history of the icon last August: “WeHo Has Strong Feelings About a Rotating Moose Returning to the Sunset Strip”

He’s 14 feet tall, 700 pounds and, some would say, a bit of an icon.

A beloved spinning statue of Bullwinkle holding his friend Rocky was first installed outside Jay Ward Productions’ animations studios on the Sunset Strip in 1961, across the street from the Chateau Marmont. Meant to parody a twirling showgirl advertising the Sahara Hotel, Bullwinkle’s outfit would change colors whenever hers did, injecting a dose of silliness and whimsy into the Strip’s capitalist jousting.

The statue was hoisted away in 2013 to the lament of neighbors and fans, many of whom made their voices heard at a recent, bizarre West Hollywood city council meeting. The night’s agenda? Re-anointing the moose on a traffic island where Holloway and Sunset meet….

(5) CUSSLER OBIT. Dirk Pitt’s creator author Clive Cussler, who also funded searches for historic wrecks, died February 24. The New York Times traces his career: “Clive Cussler, Best-Selling Author and Adventurer, Is Dead at 88”.  (The Encyclopedia of Science Fiction has an entry about his work here.)

… Despite an improbable plot and negative reviews, “Raise the Titanic!” sold 150,000 copies, was a Times best seller for six months and became a 1980 film starring Richard Jordan and Jason Robards Jr.

While Dirk Pitt books appeared throughout his career, Mr. Cussler also wrote other series: “The NUMA Files,” featuring the hero Kurt Austin and written with Graham Brown or Paul Kemprecos; “The Fargo Adventures,” about husband-and-wife treasure hunters, written with Grant Blackwood or Thomas Perry; “The Oregon Files,” set on a high-tech spy ship disguised as a freighter, written with Jack DuBrul or Mr. Dirgo; and “The Isaac Bell Adventures,” about an early-20th-century detective, written with Justin Scott.

…With Mr. Cussler leading expeditions and joining dives, the organization eventually located some 60 wrecks. Among them were the Cunard steamship Carpathia, first to reach survivors of the lost Titanic on April 15, 1912, then itself sunk by German torpedoes off Ireland in 1918; Commodore Cornelius Vanderbilt’s coastal steamer Lexington, which caught fire and went down in Long Island Sound in 1840; and Manassas, the Confederacy’s first Civil War ironclad, sunk in battle in the Lower Mississippi in 1862.

(6) TODAY’S DAY.

What were once oral histories, myths, and legends retold around the fire or by traveling storytellers, have been written down and become known the world over as fairy tales.

The origins of most fairy tales were unseemly and would not be approved or rated as appropriate for children by the Association of Fairy Tales by today’s standards. Most were told as a way to make children behave, teach a lesson or pass the time much like ghost stories around a campfire today.

Many of the stories have some basis in truth. For example, some believe the story of Snow White and the Seven Dwarfs is inspired by the real-life of Margarete von Waldeck, the daughter of the 16th century Count of Waldeck. The area of Germany where the family lived was known for mining. Some of the tunnels were so tight they had to use children – or small people such as dwarfs – to work the mines.

(7) TODAY IN HISTORY.

  • February 26, 1988 — The Alien From L.A. premiered. directed by Albert Pyun. It was produced by Menahem Golan and Yoram Globus from a story written  by Regina Davis,  Albert Pyun and Debra Ricci.  It starred Kathy Ireland in what was supposed to be a break-out role for her. William Mose and Richard Haines also had lead roles with the latter playing Arnold Saknussemm, a reference to Arne Saknussemm in Verne’s Journey to the Center of the Earth. How it was received is best judged by it being featured in an episode of Mystery Science Theater 3000. Band the audience rating at Rotten Tomatoes is 4%.  You can see it here.
  • February 26, 1977 — Doctor Who’s “The Talons Of Weng-Chiang, Part 1” first aired. It featured Tom Baker, one of the most liked of all the actors who’ve played The Doctor, and Leela, the archetypal savage that British Empire both adored and despised, played by Louise Jameson. The villain was most likely a not accidental take-off of Fu Manchu. You can see the first part here with links to the rest of the story there as well. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 26, 1921 — Bill Evans. First Fandom member who wrote a number of important works, With Bob Pavlat, Evans edited/published the Evans-Pavlat Fanzine Index during the Fifties which he followed up with Index of Science Fiction Magazines 1926 – 1948 that Bob Petersen co-wrote. With Francis T. Laney, Evans published Howard Philips Lovecraft (1890-1937): A Tentative Bibliography. His final work was with Ron Ellik, The Universes of E. E. Smith. (Died 1985.)
  • Born February 26, 1918 — Theodore Sturgeon. Damn, I hadn’t realized that he’d only written six novels! More Than Human is brilliant and I assumed that he’d written a lot more long form fiction but it was short form where he excelled with more than two hundred such stories. I did read over the years a number of his reviews — he was quite good at it. (Died 1985.) 
  • Born February 26, 1945 — Marta Kristen, 75. Kristen is best known for her role as Judy Robinson, one of Professor John and Maureen Robinson’s daughters, in Lost in Space. And yes, I watched the entire series. Good stuff it was. She has a cameo in the Lost in Space film as Reporter Number One. None of her other genre credits are really that interesting, just the standard stuff you’d expect such as an appearance on The Man from U.N.C.L.E. and Alfred Hitchcock Presents. 
  • Born February 26, 1948 — Sharyn McCrumb, 72. ISFDB lists all of her Ballad novels as genre but that’s a wee bit deceptive as how genre strong they are depends upon the novel. Oh, Nora Bonesteel, she who sees Death, is in every novel but only some novels such as the Ghost Riders explicitly contain fantasy elements.  If you like mysteries, all of them are highly recommended.  Now the Jay Omega novels, Bimbos of the Death Sun and Zombies of the Gene Pool are genre, are great fun and well worth reading. They are in print which is interesting as I know she took out of print for awhile.
  • Born February 26, 1957 — John Jude Palencar, 63. Illustrator whose artwork graces over a hundred genre covers. In my collection, he’s on the covers of de Lint’s The Onion Girl and Forests of the Heart (one of my top ten novels of SFF), Priest’s Four & Twenty Blackbirds and Le Guin’s Tehanu: The Last Book of Earthsea. Origins: The Art of John Jude Palencar is a perfect look at his work and marvelous eye candy as well. 
  • Born February 26, 1963 — Chase Masterson, 57. Fans are fond of saying that she spent five years portraying the Bajoran Dabo entertainer Leeta on Deep Space Nine which means she was in the background of Quark’s bar a lot though she hardly had lines. Her post-DS9 genre career is pretty much non-existent save one-off appearances on Sliders, the current incarnation of The Flash and Star Trek: Of Gods and Men, a very unofficial Tim Russ project. She has done some voice work for Big Finish Productions as of late. The series features as Vienna Salvatori, an “impossibly glamorous bounty hunter” as the publicity material puts it. 
  • Born February 26, 1965 — Liz Williams, 55. For my money, her best writing by far is her Detective Inspector Chen series about the futuristic Chinese city Singapore Three, its favourite paranormal police officer Chen and his squabbles with Heaven and Hell. I’ve read most of them and recommend them highly. I’m curious to see what else y’all have read of her and suggest that I read.
  • Born February 26, 1977 — Ingrid Oliver, 43. She’s played the rare secondary character in the Who verse who had a recurring presence as she was around for quite awhile and I’m going to let Doctor Who Online tell her tale: “She appeared in the 50th anniversary special of Doctor Who, ‘The Day of The Doctor’, as Osgood. She was seen wearing the Fourth Doctor’s iconic scarf. In November 2014 she appeared again as Osgood in the series finale of Peter Capaldi’s first series, dressed as The Doctor, this time mimicking Matt Smith’s 11th Doctor (shirt and red bow tie) as well as David Tennant’s 10th Doctor (blue trousers and red Converse shoes) as they faced the Cybermen, where she is vaporized by Missy.” 

(9) SCALING UP. George R.R. Martin is delighted by this news about “Real Life Prehistoric Dragons”.

This is really too cool.

A new genus of pteradon has been discovered, and named after the dragons of House Targaryen.

https://www.iflscience.com/plants-and-animals/soaring-dragonlike-dinosaur-named-for-game-of-thrones-house-targaryen/

I am delighted, needless to say.   Especially by the kind words of the discoverer, paleontologist Rodrigo Pegas, who is solidly on my side about dragons having two legs, not four, and pfui on those medieval heralds with their wyvern talk.

(10) ACQUISITION NEWS. Riverdale Avenue Books has acquired the assets of sff publisher Circlet Press, which specializes in science fiction erotica. They will continue to publish Circlet’s over 170-title catalog under a new Circlet imprint. Founder Cecilia Tan will remain on staff to edit upcoming titles.

Cecilia Tan. Photo by and © Andrew Porter

(11) NOT-SO-HIDDEN FIGURE. “This NASA Engineer Is Bringing Math And Science To Hip Hop” — transcript of NPR’s interview.

… DAJAE WILLIAMS: Mmm hmm. So I get to get in the cleanroom every day and do a lot of inspections on how tight a screw is being tight or how – are we keeping this hardware clean so that we don’t get our germs into space? We make sure this thing actually works once it is launched.

NADIA SOFIA, HOST: She loves her job, but it didn’t start that way. When Dajae got to NASA in 2018, just out of college…

WILLIAMS: It was very exciting, a little bit overwhelming. I suffered from a little bit of imposter syndrome, for sure – and a bit confusing, I will be honest.

SOFIA: What do you mean by a bit confusing?

WILLIAMS: There’s no women in my group. There are only a few African Americans in my group or people of color, for that matter. So nobody looks like me. No one acted like me. So it was definitely different, and I did not fit in.

SOFIA: That feeling of not fitting in at a place like NASA is something that Dajae is working to change. And she’s doing it in kind of an awesome way, a way that helped her fall in love with math and science when she was a teenager.

WILLIAMS: (Singing) Energy of force, mathematics, studying the Big Bang. I’m observing something, and it may be nothing. A hypothesis could change the game, OK.

(12) SURGIN’ VIRGIN. We’re not quite at the stage of “Requiem”, the Heinlein story in which people can take short rocket rides at county fairs, but “Virgin Galactic sees demand for space travel surge”.

Virgin Galactic has said it will release more tickets for flights into space amid surging demand.

Sir Richard Branson’s firm, which completed its first sub-orbital test flight in 2018, said it had received almost 8,000 registrations of interest for future commercial flights.

That is more than double the amount it recorded at the end of September 2019.

The firm has so far sold 600 tickets for its inaugural flights, scheduled for later this year.

(13) NOSTALGIA. They’re obsolete but coming back — “Solari boards: The disappearing sound of airports”?

As day turns to night in Singapore’s Changi Airport, a queue of people wait patiently for a picture with an old star.

They leave their bags by a bench, turn their cameras on themselves, and pose for a photo.

Some smile; some jump like starfish; one even dances. As they upload to Instagram, the old star watches on, unmoved.

And then – a noise. The moment they’ve been waiting for. The travellers turn their cameras round, and the star begins one last turn.

In a blur of rotation, Kuala Lumpur becomes Colombo; Brunei turns into Tokyo; and a dozen other cities whirr into somewhere else.

Two people taking photos, Eileen Lim and Nicole Lee, aren’t even flying. They have come especially to see the departures board.

“It’s therapeutic to see the names turn round,” says Eileen, a teacher in Singapore. “And that sound – I love it.”

Every time she comes to Terminal 2, Eileen takes a photo with the board. But now, she is saying goodbye.

In less than three hours, the hoardings will come up, and the sign will come down. Changi Airport, like hundreds of others already, will whirr, spin, and flap for the final time.

…Solari di Udine, as it is now known, was founded in 1725 – more than 250 years before Changi Airport opened – in a small town in northern Italy. It specialised in clocks for towers.

After World War Two, the company began working with designer Gino Valle. He and Remigio Solari developed a sign with four flaps, each containing ten digits – perfect for telling the time.

The now-familiar design, with white numbers on black flaps, won the prestigious Compasso D’Oro award in 1956. In the same year, Solari sold its first moving sign to Liege railway station in Belgium.

…In 2013, six engineers who worked together at Drexel University, Philadelphia, formed Oat Foundry – a company that built “cool mechanical things for brands and companies”.

Three years later, they were approached by a “fast-casual” restaurant who wanted to display orders in a “non-digital way…without guests bathing in that blue light glow”.

The client suggested “an old-school train departure board”, and, after four months of research, they had a prototype.

The product was a mixture of old – they tested a number of materials “to get that iconic sound of 1960s airports and stations” – and new: it was integrated with an iPad point of sales system.

[Thanks to Rob Thornton, Olav Rokne, JJ, Cat Eldridge, Martin Morse Wooster, Chip Hitchcock, Mike Kennedy, John King Tarpinian, Steven H Silver, Michael Toman, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Xtifr.]

Pixel Scroll 2/17/20 From Rishathra With Love

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(1) NOT FAR FROM THE TREE. Apple TV+ has dropped the Amazing Stories — Official Trailer. The show debuts March 6 on the Apple TV app – if you have an Apple TV+ subscription: Amazing Stories.

From visionary executive producers Steven Spielberg and Edward Kitsis & Adam Horowitz, this reimagining of the classic anthology series transports everyday characters into worlds of wonder, possibility, and imagination

(2) IN THE AUDIENCE AT BOSKONE. Filer Mlex posted a report about the sessions he attended at this weekend’s “Boskone 2020”.

Fairy Tales from the Dark Side

Theodora Goss started off this session by noting that she spent some years of her childhood in Budapest and that she takes particular interest in the fairy tales of Hungary, with their typical strong heroines. She went on to say that fairies vary quite a lot, not only in different cultural traditions, but depending on the date and conditions where they were formed. Victorians had their small flower fairies, for example, and subtle messages could be presented in the form of fairy tales about feminism or other social and political movements. Think of the women brewing eels, bats, herbs, and potions. The fairy represents the human encounter with the magical other.

Isabel Yap noted that Fillipino fairies do not play by human rules. They are not so clearly anthropomorphized and might often turn into fish, or other creatures. These fairy tales might be quite violent, and the fairies are not on our side.

(3) LISTENING TO A CULTURE. [Item by SF Concatenation’s Jonathan Cowie.] There is something of a theme taking place in British culture this spring.

Second Sleep

First we had The Second Sleep by Robert Harris which then became BBC Radio 4’s book at bed time last month (and still downloadable in 15 minute episodes. Here the end of the world was IT related (not really a spoiler as it is hypothesized in first few chapters).

Then on the non-fiction front a vaguely respected Brit senior politician (i.e. pre-Boris /Trump) is to have a book published next month warning that our IT society has no fall-back back-up system in place. This book uses an SF novelette interspersed with factual comment and explanation to elucidate such things as Black Swan events among much else.

And finally, back at the BBC, Radio 4 has just launched another season of its SFnal Dangerous Visions the first episode of 4 is ‘Blackout’ and concerns what happens when the internet (hence power as the grid is web managed) crashes…

Be thankful you can still read this post….

Dangerous Visions

(4) VISUALIZING THE CULTURE. I don’t know how I missed this — The Culture: Notes and Drawings by Iain M. Banks and Ken MacLeod is set for a November 26 release date.

Iain M. Banks, the modern master of SF, created many original drawings detailing the universe of his bestselling Culture novels. Now these illustrations – many of them annotated – are being published for the very first time in a book that celebrates Banks’s grand vision, with additional notes and material by Banks’s longtime friend and fellow SF author Ken MacLeod. It is an essential addition to the collection of any Iain M. Banks fan.

(5) CROWDFUNDING. Apex Publications has launched a Kickstarter to raise $20,000 to publish Invisible Threads: Cutting the Binds That Hold Us edited by Jason Sizemore and Lesley Conner.

No matter who you are or where you come from, there are boundaries and barriers that dictate what you can do, where you can go, and who you can become. Invisible threads running through society, pulling you this way or that, tripping you when you try to better yourself, ensnaring and holding you back.  Invisible Threads is an anthology of dark sci-fi, fantasy, and horror stories that examine these barriers.

Confirmed authors include Alix Harrow, Andi Buchanan, Maurice Broaddus, Fran Wilde, Chesya Burke, Merc Fenn Wolfmoor, Stephanie Malia Morris, Jordan Kurella, K.T. Bryski, ZZ Claybourne, A.C. Buchanan, Damien Angelica Walters, Beth Dawkins, Geoffrey Girard, Sabrina Vourvoulias, A.C. Wise, and Michael Wehunt. We plan to hold an open submissions call should we fund.

(6) EVEN IF IT IS JOSHI. The John Hay Library at Brown University invites applications for its 2020-2021 S.T. Joshi Endowed Research Fellowship for research relating to H.P. Lovecraft, his associates, and literary heirs. The application deadline is March 13, 2020.

The Hay Library is home to the largest collection of H. P. Lovecraft materials in the world, and also holds the archives of Clark Ashton Smith, Karl Edward Wagner, Manly Wade Wellman, Analog magazine, Caitlín Kiernan, and others. The Joshi Fellowship, established by The Aeroflex Foundation and Hippocampus Press, is intended to promote scholarly research using the world-renowned resources on H. P. Lovecraft, science fiction, and horror at the John Hay Library (projects do not need to relate to Lovecraft directly). The Fellowship provides a monthly stipend of $2,500 for up to two months of research at the library between July 2020 and June 2021. The fellowship is open to students, faculty, librarians, artists, and independent scholars.

(7) DOOM IN BLOOM. In “The Pleasure (Reading) of Impending Doom” at CrimeReads, Tosca Lee recommends novels by Ben H. Winters, William Fortschen, A.G. Riddle if you want to read novels about global apocalypses.

As a lifelong lover of a good doomsday story, I’ve always considered the tenacity and resourcefulness of the human spirit to be the category’s major appeal—along with the it-could-really-happen scary plausibility and ingenious “prepping” specifics, of course. But it wasn’t until I started writing my apocalyptic thriller, The Line Between, that the real charm of the genre became apparent to me. 

I’d recently married a single father and become an insta-mom to four. Life was busy and crowded with details. But as I began to plot my literary cataclysm, the chaos of daily life—work, bills, school schedules, errands, house stuff, holidays, political noise, grocery lists, social media, bucket lists, and those ever-elusive last ten pounds—fell away in the face of a story with a single goal: survival. Suddenly, that looming list of to-dos doesn’t seem so insurmountable—or even important—compared to savoring time with those we love while we’re all here on earth together.

(8) NAKAHARA OBIT. Kellye Nakahara, best known for her work on M*A*S*H but who also had several genre roles, died February 17. Consequence of Sound paid tribute: “R.I.P. Kellye Nakahara, M*A*S*H Actress Dies at 72”.

…Nakahara portrayed Nurse Kellye Yamato for 167 episodes of the hit show (according to IMDb). It would go on to be her largest and most memorable role. She followed it up with bit parts in television series such as At Ease, Hunter, Sabrina the Teenage Witch, and with film roles in Clue (the cook, Mrs. Ho), Black Day Blue Night (as Fat Mama), and Eddie Murphy’s version of Doctor Dolittle (credited as Beagle Woman).

(9) TODAY IN HISTORY.

  • February 17, 1959 — The Cosmic Man premiered. It produced by Robert A. Terry and directed by Herbert S. Greene. The film stars John Carradine, Bruce Bennett and Angela Greene. The film was shot quickly, primarily on a hotel lobby set, and in Griffith Park in L.A., where the Griffith Observatory was used as stand-in for the Pacific Institute of Technology. At least in Los Angeles, it played on a double bill with House on Haunted Hill. With the notable exception of Variety who really didn’t like it, most critics at the time found it to be a pleasant, fun experience. The audience rating at Rotten Tomatoes does not reflect that — it has a 0% rating from the very few, only thirty four, who’ve given it a score. You can see it here.
  • February 17, 1966 — On this day in Dublin, The Projected Man premiered. It was directed by Ian Curteis from a script by Peter Bryan, John C. Cooper, and Frank Quattrocchi, and starred Bryant Haliday, Mary Peach, Norman Wooland, Ronald Allen, and Derek Farr. Universal Studios released it on a double bill with Terror Island. Critics noted the monster’s resemblance to that of one in The Fly but those involved here denied that film inspired the look of the creature in this movie. It was featured in a ninth season episode of  Mystery Science Theater 3000, and currently the audience over at Rotten Tomatoes gives it a 3% rating. You can see it here.

February 17, 1966 — In the United Kingdom, Episode Twenty-one of the first season of The Thunderbirds,  “The Duchess Assignment”, aired. Created by Gerry and Sylvia Anderson, and. filmed by their production company. The electronic marionette puppetry which they called Supermarionation  was combined with scale-model special effects sequences.  It was the fifth such project by their company. You can see this episode of the Thunderbirds here.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 17, 1903 — Kenne Duncan. He’s got a number of genre credits starting with the 1938 Flash Gordon’s Trip to Mars serial where he was the Airdrome Captain. He’d play Ram Singh, the butler to the Spider, in The Spider’s Web and The Spider Returns serials, and he’d be Lt. Lacy in the 1939 Buck Rogers serial. Several years later, he’d be Cheney Hencheman Barnett in The Adventures of Captain Marvel serial. You can see him in the first chapter of Spider’s Web serial here. (Died 1972.)
  • Born February 17, 1912 — Andre  Norton. She penned well over a dozen series, but her major series was Witch World which began rather appropriately with Witch World in 1963. The first six novels in that series were Ace Books paperback originals published in the Sixties. I remember them with some fondness quite some decades after reading them. (Died 2005.)
  • Born February 17, 1920 — Curt Swan. He’s the artist most associated with Superman during the Silver Age, and he produced hundreds of covers and stories from the Fifties through the Eighties. He would be let go in the DC reorganization of the Eighties with his last work as a regular artist on Superman being the 1986 story “Whatever Happened to the Man of Tomorrow?” that was written by Alan Moore. (Died 1996.)
  • Born February 17, 1930 — Ruth Rendell. I’ve read and enjoyed some of her mysteries down the decade but am not familiar at all with the three listed as genre by ISFDB (The Killing Doll, The Tree of Hands and The Bridesmaid). Who of you is familiar with these? (Died 2015.)
  • Born February 17, 1931 — Johnny Hart. The creator of B.C. and The Wizard of Id. (Brant Pant was the other creator of the latter strip.)  He certainly wasn’t without controversy as this strip attests. (Died 2007.)
  • Born February 17, 1954 — Don Coscarelli, 66. A film director, producer, and screenwriter best known for horror films. His credits include the Phantasm series, The Beastmaster, and Bubba Ho-Tep, the latter based on a novella by Joe R. Lansdale whom I’ve met and who is a really nice person
  • Born February 17, 1971 — Denise Richards, 49. Her first genre role was as Tammy in Tammy and the T-Rex (really don’t ask). Her next role was the one she’s known for as Carmen Ibañez in Starship Troopers. She’ll be a few years later Dr. Christmas Jones in The World Is Not Enough, the eighteenth Bond film. She’s been announced as playing Victoria Darw in the still to be scheduled Timecrafters: The Treasure of Pirate’s Cove.
  • Born February 17, 1974 — Jerry O’Connell, 46. Quinn Mallory on Sliders, a series whose behind the broadcast politics is too tangled to detail here. His first SF role was on Mission to Mars as Phil Ohlmyer with the SF dark comedy Space Space Station 76 with him as Steve being his next role. He’s done a lot of of DCU voice work, Captain Marvel in Superman/Shazam!: The Return of Black Adam, Clark Kent / Superman in Justice League vs. Teen Titans and Justice League: Throne of Atlantis, Justice League Dark, The Death of Superman and Reign of the Supermen where he also plays Cyborg Superman to great, chilling effect. The latter film is kickass excellent. 

(11) SH-BOOM. High Seas Trading Co. has reason to brag about its “Outer Space” design:

The Hawaiian Shirt that the Astronauts wore on Aloha Friday on the International Space Station.This space themed Hawaiian shirt is out of this world.

(12) FRESH LID. Alasdair Stuart’s “The Full Lid for 14th February 2020” maps the abstractions of nautical horror with Underwater and The Lighthouse, take a look at the amazing Parasite and shows him learning to Hack the Panic!

Signal Boost this week is Mockery Manor ,Mike Underwood, Kevin Petker‘s Princess World is live on Kickstarter from next week. Be sure to check it out, Rosarium are currently crowdfunding ‘Hellraiser meets Black History Month’ graphic novel, Box of Bones.. Gordon B. White‘s splendidly titled anthology As Summer’s Mask Slips, and Other Disruptions just got a starred PW review!!

Finally Tracacy Barnett’s current project, This Thing We Started is crowdfunding now. They’ve also recommended Descent into Midnight, launching on Saturday and VERY much my sort of thing.

(13) SPATIAL DELIVERY. James Davis Nicoll found copies of “Five SF Stories About Teleportation Systems Gone Awry” at Tor.com. At least.

In Thomas Disch’s 1967 novel Echo Round His Bones, Nathan Hansard is transmitted to America’s Camp Jackson Mars via teleporter. This is a routine operation…or so it is believed. Wrongly. Hansard is surprised to discover himself somewhere other than Mars. Teleportation creates phantom duplicates on Earth, living ghosts dependent on the phantom duplicates of supplies sent to Mars. Food is in short supply, but no matter. Some of Hansard’s predecessors have solved the problem in a straightforward manner: by eating their fellow phantoms….

But if they eat The Phantom, who will remain to leave comments on Lela Buis’ blog?

(14) EASY DOES IT. So, more like smushing together mudpies? “New Horizons spacecraft ‘alters theory of planet formation'”.

Scientists say they have “decisively” overturned the prevailing theory for how planets in our Solar System formed.

The established view is that material violently crashed together to form ever larger clumps until they became worlds.

New results suggest the process was less catastrophic – with matter gently clumping together instead.

The study appears in Science journal and has been presented at the American Association for the Advancement of Science meeting in Seattle.

…The claim arises from detailed study of an object in the outer reaches of the Solar System. Named Arrokoth, the object is more than six billion km from the Sun in a region called the Kuiper belt. It is a pristine remnant of planet formation in action as the Solar System emerged 4.6 billion years ago, with two bodies combining to form a larger one.

Scientists obtained high-resolution pictures of Arrokoth when Nasa’s New Horizons spacecraft flew close to it just over a year ago. It gave scientists their first opportunity to test which of the two competing theories was correct: did the two components crash together or was there gentle contact?

The analysis by Dr Stern and his team could find no evidence of violent impact. The researchers found no stress fractures, nor was there any flattening, indicating that the objects were squashed together gently.

(15) HIGH FLIGHT. BBC is there: “Virgin Galactic: Unity rocket ship moves to operational base”.

Sir Richard Branson has moved his rocket plane from its development base in California to what will be its operational centre in New Mexico.

The transfer of the Unity vehicle and its mothership, Eve, to the Spaceport America complex signals the start of final testing.

Sir Richard’s Virgin Galactic company is now close to beginning commercial service.

More than 600 individuals have paid deposits to ride Unity to over 80km.

The trip will enable them to experience a few minutes of weightlessness around the top of the rocket ship’s climb.

Already almost 100 Virgin Galactic staff have moved to the southern New Mexico spaceport to prepare it – and themselves – for operations.

Unity will now perform a series of test flights above the desert.

Some of these will see it dropped from altitude to simply glide back to the runway. Others will involve firing its rocket motor to power skyward.

(16) WHAT A CAST. Does a show about Skeletor and He-Man deserve this array of talent? “Mark Hamill and Lena Heady Lead Expansive Voice Cast for Kevin Smith’s ‘Masters of the Universe’ Series”.

Netflix and Mattel TV announced an expansive voice cast for its upcoming “Masters of the Universe” series from Kevin Smith. The cast is led by Mark Hamill as Skeletor, Lena Headey as Evil-Lyn and Chris Wood as Prince Adam aka He-Man.

The new series, “Masters of the Universe: Revelations,” will focus on the unresolved storylines of the original 1982 TV series, picking up many of the characters’ journeys where they left off decades ago.

In addition to those three, the cast also includes Sarah Michelle Gellar (Teela), Liam Cunningham (Man-At-Arms), Stephen Root (Cringer), Diedrich Bader (King Randor/Trap Jaw), Griffin Newman (Orko), Tiffany Smith (Andra), Henry Rollins (Tri-Klops), Susan Eisenberg (Sorceress), Alicia Silverstone (Queen Marlena), Justin Long (Roboto), Jason Mewes (Stinkor), Phil LaMarr (He-Ro), Tony Todd (Scare Glow), Cree Summer (Priestess), Kevin Michael Richardson (Beast Man), Kevin Conroy (Mer-Man) and Harley Quinn Smith (Ileena).

(17) INSPECTOR SPOT-ET. [Item by Mike Kennedy.] Spot may not be designed to follow the Three Laws (yet?), but it is starting to protect humans by taking over certain hazardous and/or mind-numbingly repetitive jobs. Of course, some people would argue that it’s also starting to threaten humans by taking over certain hazardous and/or mind-numbingly repetitive jobs. SYFY Wire: “Boston Dynamics’ robotic dog gets a job working an offshore oil rig”.

See Spot walk. See Spot sit. See Spot roll over. See Spot run onto a Norwegian oil rig to sniff out lethal gas leaks!

Boston Dynamics’ next-generation robotic device, affectionately nicknamed Spot, will soon be embarking on a new test mission aboard an offshore oil rig for petroleum product producer Aker BP and AI software company Cognite. The newly announced project will be rolled out to test a number of advanced robots and drones on Aker BP’s Skarv installation in the Norwegian Sea later this year.

[…] “Our vision is to digitalize all our operations from cradle to grave in order to increase productivity, enhance quality, and improve the safety of our employees,” Aker BP’s CEO Karl Johnny Hersvik said in a press release. “Exploring the potential of robotics offshore underpin our digital journey.”

(18) COLLECTIBLE ROBOT. Michael Crawford provides a review and photos of Wal-Mart’s “Robby the Robot Forbidden Planet action figure” at Captain Toy.

Sculpting – ****
The sculpt isn’t particularly detailed, but the original robot had a lot of smooth surfaces.

What sets this guy apart is all the individual pieces that went into making him, particularly inside and attached to the dome. Check out the levers and doo-dads which would spin and turn and clack along as he spoke and moved, demonstrating the very analog way we looked at robots back then. You could almost see the zeroes and ones flitting through his mechanical brain. Of course none of the interior dome pieces on this figure move, but the detail work is quite impressive for this price point.

The body recreates the original look quite well, although the proportions are a smidge off. Still, at a solid 14″ tall, he’s about the right height and scale to fit in great with other sixth scale figures, including the old Lost In Space characters.

(19) FRENCH VIDEO OF THE DAY. (A) Vous Regardez Un Film on Vimeo is a cartoon by Jon Boutin about the drudgery of going to the office.

[Thanks to Cat Eldridge, John King Tarpinian, JJ, Mike Kennedy, Martin Morse Wooster, Chip Hitchcock, Michael Toman, Daniel Dern, Mlex, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern, who scores a Rishathra hat trick.]

Pixel Scroll 1/12/20 Mongo Only Pawn In Scroll Of Pixels

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(1) AVOIDING CALENDRICAL ROT. Odyssey Writing Workshop presents “Interview: Guest Lecturer Yoon Ha Lee”.

You recently completed the Hugo Award-nominated Machineries of Empire trilogy. Did you know how the trilogy would end when you began writing the first book? Are you more of a planner, or more of a pantser?

I didn’t know it was going to be a trilogy! I originally intended Ninefox Gambit to be a standalone. But after I finished drafting it, I had an idea for a sequel. And after I committed to Raven Stratagem, I had another idea, and that became Revenant Gun. I plan individual novels because I’m not smart enough to figure out the plots on the fly. But on the series level…well, I didn’t plan to write a trilogy. It just happened.

(2) SOMTOW IN THE NEWS. Forward’s Benjamin Ivry interviews Somtow Sucharitkul: “A new Holocaust opera premieres — in Thailand”.

Thailand might not seem the most probable point of origin for a new opera about the Holocaust, but on January 16, the world premiere of “Helena Citrónová” by the composer Somtow Sucharitkul, 67, will be staged in Bangkok.

It is about a real-life Auschwitz survivor of Slovak Jewish origin who at a trial in 1972, testified that a Nazi officer had fallen in love with her and thereafter, saved her and her sister. Despite testimony from others attesting to his crimes, the Nazi was allowed to go free due to a statute of limitations.

Citrónová’s story gained further currency in a 2005 BBC-TV documentary, “Auschwitz: The Nazis and the ‘Final Solution’” in which she was interviewed.

It inspired a controversial romance novel about a Jewish prisoner at a Nazi concentration camp whose love for a Nazi commandant redeems him. As The Forward reported in August 2015, this book sparked objections, notably from Katherine Locke, a Jewish writer based in Philadelphia.

Far from Auschwitz and Philadelphia, Somtow Sucharitkul, who writes and composes under the name S.P. Somtow, published his libretto for Helena Citrónová in 2018….

Last October, you tweeted a response to those who wonder why you chose the subject of Helena Citrónová by citing lines from Yevgeny Yevtushenko’s poem “Babi Yar,” about Nazi atrocities in the USSR: “Today, I am as old/ As the entire Jewish race itself,” adding “This story belongs to all of us.” What did you mean by that?

Somtow Sucharitkul: People ask me all the time why should I talk about these things as if I were somehow schnorring in on someone else’s life. I was born in Thailand, but left when I was six months old and lived in Europe for most of my childhood, so it feels like more of my past than what happened in Asian countries. The reason I started getting involved in Jewish issues in Thailand were that none of my students here knew whether Thailand had won or lost the Second World War. I was in the Terminal 21 Shopping Mall [in Bangkok] and saw a statue of Hitler dressed as Ronald McDonald. No one meant anything by it, but it was a terrible moment of disjunction, and I felt that I should explain to young people around me and those in a wider range.

You posted on Facebook in October that in the opera’s final scene, when you set the heroine’s words, “My father told me once, never forget you’re a Jew,” you chose to rework a melody from Wagner’s “Die Walküre.” You add that this was done “unconsciously,” but using the notorious anti-Semite Wagner’s music in this context was an “allusion so cogent and so trenchant that my unconscious must have intended it.” So was it intentional or unconscious?

I imagine it was unconsciously intentional. At the time I wrote those notes, I thought to myself, this is Wagner, but I couldn’t place it. That was an odd moment, I have to admit….

(3) A COMPLETE TRIUMPH. Edgar Allan Poe’s “William Wilson” is Library of America’s “Story of the Week.” It’s preceded by a long and interesting note about its reception.

Since returning from Europe in 1832, Irving had done much to help younger American writers, and he responded without hesitation as soon as the letter reached him at his home in Tarrytown. “I have read your little tale of ‘William Wilson’ with much pleasure,” Irving wrote. “It is managed in a highly picturesque style, and the singular and mysterious interest is well sustained throughout. . . . I cannot but think a series of articles of like style and merit would be extremely well received by the public.” Irving added that he much preferred this new work over Poe’s previous story in the magazine, which suffered from “too much coloring.” (That tale, incidentally, was “The Fall of the House of Usher.”) While the endorsement might seem somewhat equivocal, Poe boasted to one editor that Irving’s support represented “a complete triumph over those little critics who would endeavor to put me down by raising hue and cry of exaggeration in style, of Germanism & such twaddle.” The quote from Irving was featured prominently in publicity for Poe’s new book, Tales of the Grotesque and Arabesque.

(4) NISI SHAWL CLASS. Cat Rambo tweeted “Highlights from Nisi Shawl’s A Taste of Writing the Other”

(5) AN ALLUSION, In The Village Voice, Thulani Davis recounts how “Black Women Writers Reclaim Their Past”. Tagline: “Like a number of other black women writers, I have made it a point to speak of our ‘tradition,’ yet I know that no such tradition is assumed by the rest of the world, primarily because our books have not been read or taught”

…Imagine a John Coltrane who had only heard one 78 by Charlie Parker, one LP by Billie Holiday. Imagine a Cecil Taylor who did not grow up with the sounds of Art Tatum and Duke Ellington, and you have some idea how amazing it is that we have writers like Lorraine Hansberry and Toni Morrison.

Each generation of black women has cer­tainly taken ideas from known forms, yet in the matter of content — the telling of black women’s stories — the same impulses appear time and again, with little revision over the decades. Only lately have we seen work that makes conscious nods to the past. And no wonder: Morrison, Alice Walker, Gayl Jones, Toni Cade Bambara, Gloria Naylor, Sherley Anne Williams, Ntozake Shange, and others are the first generation to have a body of work on the black woman’s condi­tion readily at hand.

(6) TODAY IN HISTORY.

  • January 12, 1932 – In Mexico, Doctor X premiered. A pre-Code film, it was directed by Michael Curtiz and was headlined by Lionel Atwill and Fay Wray. Because it was pre-Code, murder, rape, cannibalism, and prostitution were part of the story. It’s based on the play titled “The Terror” (New York, February 9, 1931) by Howard W. Comstock and Allen C. Miller. It was well received both by critics and at did very well at the box office. Warner Bros. followed up with Mystery of the Wax Museum, another pre-Code film.  Critics at Rotten Tomatoes rate it considerably higher (75%) than reviewers do (48%). 
  • January 12, 1940 — The Invisible Man Returns, the sequel to The Invisible Man, premiered. Directed by John May and produced by Ken Goldsmith, it starred Vincent Price in the title role. The screenplay was written by Lester Cole and Curt Siodmak (as Kurt Siodmak). Its success led to a third film, The Invisible Woman, a comedy billed as a sequel. Critics at Rotten Tomatoes love it giving a 82% rating while reviewers give a not so bad 58% rating.
  • January 12, 1966 — Batman made its television debut.
  • January 12, 1967 – Star Trek’s “The Squire of Gothos” first aired on CBS. Starring William Campbell as Trelane, it was written by Paul Schneider, and directed by Don McDougall. Trelane Is considered by many Trekkies to be a possible Q. Critics loved it giving such comments as “one of TOS’s most deservedly iconic hours” and voting the William Campbell performance as Trelane, as the fifth best guest star of the Trek series. 
  • January 12, 2018 — Amazon dropped Philip K. Dick’s Electric Dreams unto the public for viewing.  The first episode of the first season was titled “The Hood Maker”.  It was originally published in the June 1955 issue of Imagination hich was born in the Fifties and ceased publishing in the the Fifties as well.The screenplay was by Matthew Graham. 

(6) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 12, 1916 — House Peters Jr. Though he’s best remembered as Mr. Clean in the Procter and Gamble commercials of the Fifties and Sixties, he did appear in a fair amount of SFF including Flash Gordon, Batman and Robin, King of the Rocket Men, The Day The Earth Stood Still, Red Planet Mars, Target Earth and The Twilight Zone. (Died 2008.)
  • Born January 12, 1937 — Shirley Eaton, 83. Bond Girl Jill Masterson in Goldfinger, and yes, she got painted gold in it. She also shows up as the title character in The Million Eyes of Sumuru, the Sax Rohmer based film we just discussed. Her other significant role would be as Dr. Margaret E. ‘Maggie’ Hanford in Around the World Under the Sea. She retired from acting in 1969. 
  • Born January 12, 1948 — Tim Underwood, 72. Bibliographer with such works as Fantasy and Science Fiction by Jack Vance (done with Jack Miller), Shameless Art: Paintings of Dames, Dolls, Pin-ups, and Bad Girls (genre adjacent at the very least) and Stephen King Spills the Beans: Career-Spanning Interviews with America’s Bestselling Author.  
  • Born January 12, 1951 — Kirstie Alley, 69. She’s here for being Saavik on Star Trek II: The Wrath of Khan. It was, errr, interesting reading the various rumors why this was her only Trek film. Her SFF experience otherwise was brief limited to being an uncredited handmaiden on Quark, and being in the Village of the Damned as Dr. Susan Verner.
  • Born January 12, 1952 — Walter Mosley, 68. An odd one as I  have read his most excellent Ezekiel “Easy” Rawlins series but hadn’t been aware that he wrote SF of which he has four novels to date, Blue Light, Futureland: Nine Stories of an Imminent Future, The Wave, and 47. There’s a Jack Kirby art book called Maximum Fantastic Four that was conceived of and orchestrated by him.  Interestingly enough, he’s got a writing credit for episode of Masters of Science Fiction called “Little Brother” where Stephen Hawking is the Host according to IMdB.
  • Born January 12, 1952 — Rockne S. O’Bannon, 68. He’s The genius behind  Farscape, SeaQuest 2032, the Alien Nation series and Defiance. Only the latter couldn’t I get interested in. 

(7) TAKE A RIDE ON THE READING. “For William Gibson, Seeing the Future Is Easy. But the Past?” – a New York Times interview.

Describe your ideal reading experience (when, where, what, how).

The ideal reading experience, for me, is wholly induced by the text, with a complete lack of interruption. My most memorable adult experience of this remains my initial reading of Cormac McCarthy’s “Blood Meridian,” which I began in the cab, in Vancouver, on my way to the airport, in 1991 or so, for my first visit to Berlin. I remember nothing of the journey, between my door in Vancouver and the hotel room in which I finished the book. Just the Judge and I, here to there. Leaving him (as much as any receptive reader ever can) I stepped to the window, blinking out at this city, whenever and wherever it was. I was late getting to the Kunsthalle, to greet Samuel Delany and Wim Wenders, though I was able to later.

(8) FARSIGHT. “Everybody talks about the weather,” begins a Mark Twain quote. Now they’ll have even more to talk about: “Aeolus: Weather forecasts start using space laser data”.

Europe’s novel wind-measuring satellite, Aeolus, has reached a key milestone in its mission.

The space laser’s data is now being used in operational weather forecasts.

Aeolus monitors the wind by firing an ultraviolet beam down into the atmosphere and catching the light’s reflection as it scatters off molecules and particles carried along in the air

The European Centre for Medium-Range Weather Forecasts says the information is now robust enough for routine use.

The Reading, UK-based organisation is ingesting the data into its numerical models that look from one to several days ahead.

Forecast improvements are most apparent for the tropics and the Southern Hemisphere.

…The European Space Agency’s Aeolus satellite is regarded as a breakthrough concept.

Wind measurements have traditionally been very patchy.

You can get data from anemometers, weather balloons and aeroplanes – and even from satellites that infer air movements from the way clouds track across the sky or from how rough the sea surface appears at different locations.

But these are all limited indications that tell us what is happening in particular places or at particular heights.

Aeolus on the other hand gathers its wind data across the entire Earth, from the ground to the stratosphere (30km) above thick clouds.

(9) IF YOU’VE GOT IT… BBC reports that “The woman who paid $250,000 to go into space” may get there yet.

Ketty Maisonrouge has waited 15 years for a trip that she knows will be out of this world.

The 61-year-old business school professor signed up back in 2005 for the promise of five minutes in zero-gravity, paying $250,000 (£190,500) to travel beyond the earth’s atmosphere.

Now the company that sold her the ticket, Virgin Galactic, says it will finally begin flights this year. Its founder, Sir Richard Branson, will be on the first trip, and Mrs Maisonrouge won’t be far behind.

“Hopefully it will be as amazing as I think,” says Mrs Maisonrouge.

If all goes to plan, Virgin Galactic will be the first private company to take tourists into space. The company says 600 people have already purchased tickets, including celebrities like Justin Bieber and Leonardo DiCaprio.

But rival firms are close behind. Blue Origin, started by Amazon founder Jeff Bezos, has also starting speaking to possible passengers for trips it hopes to start this year, while SpaceX, founded by Tesla’s Elon Musk, announced in 2019 that a Japanese billionaire would be its first passenger for a trip around the moon.

(10) ANOTHER HITCHHIKER. Martin Plimmer lets us share a ride “In Roald Dahl’s Car” in his essay for the New York Times.

…I told him I was a reporter on the local paper, The Bucks Herald. I needed to get back for work the next day. My first task every Monday morning, as the most junior reporter on the paper, was to call on the town’s undertakers and compile a list of people who had died over the weekend. Then I had to phone or visit the next of kin. It was my job to populate the newspaper’s obituary column.

He chuckled. “Sounds grim,” he said.

“It’s not really,” I said. “Well, the undertakers are grim, but people are actually very happy to be approached for an obituary. And they’re good stories too. Obituaries celebrate whole lives. It would be hard not to find a couple hundred interesting words to write about someone’s whole life.”

“I can see that,” he said. “I also do a bit of writing.”

I’d had a feeling this was coming. In my experience of conversations with people who stopped to give me lifts, it was quite common to be told that they were also “writers.” Sometimes it would be a couple of articles in the parish magazine, or a half-finished novel in a bedroom drawer, or, more commonly, they would claim to have easily a book’s worth of fascinating ideas in their heads, just itching to become a best seller. This man had the look of a gentleman tinkerer, someone who might do a bit of scribbling in his spare time. “What sort of writing?” I asked.

“Oh, plays, film screenplays, some TV. Children’s novels seem to be taking up a lot of my time just lately. I suppose, though, that I’m best known for short stories. Stories with a macabre element — I’ve written quite a lot of them.”

His answer surprised me. I asked him his name.

“Roald Dahl,” he said.

It meant nothing to me. “I haven’t come across your work,” I said. “So … ‘a macabre element’ — are these horror stories?”

“Not exactly,” he said, “though, unlike your jolly obituaries, they can be pretty horrible. They don’t always end well; there’s often a twist in the tail. Actually, I think I’m writing funny stories, because they can be very comical. There’s such a narrow line between the macabre and laughter.” I could sense him smiling as he said it….

(11) LONG REMEMBERED THUNDER. In “Samuel R. Delany: Portrait of the Artist as a Young Super-Nova”, Jeet Heer rediscovers that the field’s reception of this new author had its bright spots, too, despite the resistance of editors John W. Campbell and Michael Moorcock.

…It was only after his appearance at the 24th World Science Fiction Convention, held in Cleveland in 1966, that Delany’s existence was recognized, which led to the quick consensus that he was a leading figure in the field. In 1967, the contentious editor Harlan Ellison wrote that Delany gave “an indefinable but commanding impression that this was a young man with great work in him.” The following year, Algis Budrys, a respected novelist and at the time the sharpest critic in science fiction, hailed Nova by saying the novel proved that “right now, as of this book” Delany is “the best science-fiction writer in the world, at a time when competition for that status is intense.” Delany was all of twenty-six years old when he earned that accolade.

[Thanks to Cat Eldridge, John King Tarpinian, JJ, Chip Hitchcock, Martin Morse Wooster, Michael Toman, Mike Kennedy, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Bill.]

Pixel Scroll 10/28/19 I Robot
— R U Robot?

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(1) JUST LET ME GO NATURALLY. Naomi Booth gives an overview of eco-horror in her essay “For Some Horror Writers, Nothing Is Scarier Than a Changing Planet” in the New York Times.

“Why does climate change cast a much smaller shadow on literature than it does on the world?” asked the novelist Amitav Ghosh, writing in The Guardian in 2016. “Is it perhaps too wild a stream to be navigated in the accustomed barques of narration?”

…Yet the idea of a world in crisis is fundamental to horror, a genre historically devalued by the gatekeepers of high culture as, well, outlandish and unserious. Horror has always sought to amplify fear. It works against false comfort, complacency and euphemism, against attempts to repress or sanitize that which disturbs us. Inevitably, the climate crisis has given rise to a burgeoning horror subgenre: eco-horror. Eco-horror reworks horror in order to portray the damage done to the world by people, and the ways the world might damage or even destroy us in turn. In eco-horror, the “natural” world is both under threat and threatening.

The best-known work of eco-horror might be Jeff VanderMeer’s “Southern Reach” trilogy (2014), about a beautiful and deadly exclusion zone known as Area X. The first book, “Annihilation,” which was made into a Hollywood film last year, is narrated by a biologist on a mission to explore the area. She records her initial impressions of the abandoned landscape, including a “low, powerful moaning” audible at dusk. Her team discovers a structure in the earth, an inverted tower. The biologist is lowered into it. There is a smell like rotting honey. The walls are covered with words, the writing system of some kind of fruiting body. She hears a heartbeat. The structure turns out to be a living organism, a “horror show of … beauty and biodiversity.” The biologist leans in close and is sprayed with golden spores — infected….

(2) A LOT OF GOLD IN THEM THAR HILLS. The Hugo Book Club, an unofficial blog about its namesake, has tweeted a long, thoughtful thread about the Best Fan Writer Hugo category, probing how meaningful it is — or isn’t — that any given fan has previously heard of all the finalists. Thread starts here.

(3) IT’S MONEY THEY HAVE. Got $30,000? Then you could make the required minimum bid on this “Apollo 11 Flown and Crew-Signed Beta Cloth Mission Insignia Originally from the Personal Collection of Mission Command Module Pilot Michael Collins, Signed and Certified”, a lot coming up in Heritage Auctions’ Armstrong Family Collection IV sale November 14-16.

(4) PUBLISHING NEWS. This year’s Hugo-winning Best Editor – Long Form, Navah Wolfe, is surprisingly available after a shakeup at Saga Press.

(5) GOVERNMENT FIGURE KNOWS GENRE. France’s new EU Commissioner is a science fiction fan and author according to Politico’s summary “4 things to know about Thierry Breton”.

He’s into sci-fi

Back in 1984, Breton co-wrote a science fiction novel called “Softwar” based around the National Software Agency (which in no way resembles the U.S. National Security Agency). Billed as a “technology thriller,” the novel’s plot is centered on an American cyberattack on Soviet computers. “At the time no one was speaking about viruses, the word didn’t exist,” Breton said, according to Liberation.

However, his co-author Denis Beneich later claimed Breton “never wrote a word of this novel” although “he had the idea for it.”

Breton, whose Commission portfolio would include the space industry, wrote two other novels in the mid to late 1980s — “Vatican III” and “Netwar” (all three of his books are worth checking out, if only for the cover art).

His love of sci-fi doesn’t stop with books, however. Breton also helped come up with the idea for a high-tech theme park called “Futuroscope” in Chasseneuil-du-Poitou, just north of Poitiers in western France. Its tag-line is “Expect the unexpected,” which sounds like good advice ahead of a hearing before the European Parliament.

(6) MILFORD. The New York Times reintroduces people to Milford, PA’s publishing and film history in “A Cabin With a Literary Pedigree”.

Charlie Chaplin slept here. So did Sarah Bernhardt, Mary Pickford, Lillian Gish, Franz Liszt, Warren Harding, Andrew Carnegie, Thomas Wolfe, Cloris Leachman and Arlene Dahl. Likewise, D.W. Griffith, who, in 1912, shot two movies — “A Feud in the Kentucky Hills” and “The Informer” — in this dot of a town in the foothills of the Poconos.

Josh Sapan has slept here too — as often as his schedule permits. But 33 years ago, when Mr. Sapan learned of Milford’s many charms from a friend, he knew nothing about the town’s past. Still, he was sufficiently captivated to buy a waterfront cabin.

It was enough that he could look out his windows after dark and see no illumination but the moon, enough that the Delaware rolled along mere steps from his door. “I just love houses on rivers and I really love this house,” said Mr. Sapan, 67, the president and chief executive of AMC Networks, a Manhattan-based company that owns and operates cable channels including AMC, BBC America and SundanceTV. “I don’t know what it is. I find it quite magical, if that’s the right word.”

Mr. Sapan had yet to learn that the novelist Stephen Crane had camped out for a summer in Milford with friends, and published a satirical newspaper during his stay, that Milford was the birthplace of the conservation movement, and that in the 1950s and 1960s, it was the red hot center of the science fiction writers’ universe, even figuring in Kurt Vonnegut’s novel “God Bless You, Mr. Rosewater,” because several big names in the genre, notably the literary agent Virginia Kidd, had settled in town….

Andrew Porter left a comment there filling in more of the “big names” only alluded to in the article:

Milford is associated with many science fiction writers. Authors Damon Knight, James Blish and Judy Merrill also lived there. It was the setting for the annual Milford Science Fiction Writers Conference for many years, starting in the 1950s, which spun off other “Milford” conferences, most notably in the UK and Seattle, as well as the “New Wave” in SF in the mid-1960s. Also in Milford, the foundations were laid for the Science Fiction & Fantasy Writers of America, an active organization which presents the annual Nebula Awards. For more information about how Milford looms so large in the science fictional universe, see the Wikipedia page here: https://en.wikipedia.org/wiki/Milford_Writer’s_Workshop

(7) EVANS OBIT. “Robert Evans, colorful Paramount boss behind Rosemary’s Baby, dies at 89” reports SYFY Wire.

…Given the reins of Paramount Pictures with little experience in 1966 thanks to a friendship with corporate owner Gulf & Western’s Charles Bluhdorn, Evans turned the company around thanks to a string of critical darlings that would eventually become classics. During his tenure as production VP, he oversaw genre fare like Rosemary’s Baby, Don’t Look Now, and Willy Wonka & the Chocolate Factory.

Moving on from leading the studio, Evans personally produced movies like the adaptation of William Goldman’s Marathon Man (starring Dustin Hoffman), Popeye (with Robin Williams), and early comic book film The Phantom. Some hit higher highs than others, but Evans was a constant presence in the industry.

(8) BRETT OBIT. “Robin Brett, NASA scientist who studied ‘moon rocks,’ dies at 84” – the Washington Post has the story.

Robin Brett, a NASA scientist who 50 years ago was among the first to study and direct research on lunar samples — popularly known as ‘‘moon rocks’’ — from the Apollo space missions, died Sept. 27 at his home in Washington. He was 84.

The cause was Alzheimer’s disease, said his wife, Jill Brett.

From 1969 to 1974, Dr. Brett was chief of the geochemistry branch at NASA’s Lyndon B. Johnson Space Center in Houston. In July 1969, he was among a select four scientists present for the opening of a sealed box containing the first moon rocks from the initial Apollo lunar mission.

…When the lunar samples were first brought to Earth, they were kept for a period in a quarantined and sterile environment, lest they contain or exude a noxious substance that might be harmful in earth’s atmosphere.

Dr. Brett doubted the necessity of this precaution, which he demonstrated, he said, by becoming the first man on Earth to lick a moon rock.

What did it taste like?

‘‘A dirty potato,’’ he answered.

(9) TRIVIAL TRIVIA.

[Item by Martin Morse Wooster.] I saw Zombieland: Double Tap, which delivers if you want a pretty gory zombie movie with many good jokes.  Early in the film the four main characters are hiding out in the ruins of the White House.  They exchange Christmas presents even though it’s November 17 because they don’t have anything else to do.  Emma Stone gives Jesse Eisenberg a copy of the first edition of The Fellowship of the Ring.  (We don’t know why the White House has first editions of Tolkien.

“Why thank you,” Eisenberg says, “and look, you’ve ruined the book by scribbling on the first page.”

Of course, it isn’t really a Tolkien book but they did fake the original cover…

(10) TODAY IN HISTORY.

  • October 28, 1951 — The Out There series premiered. It was one of the first SF anthology series. It lasted a mere twelve episodes. Some of the SF writers it adapted were Heinlein, Sturgeon, Bradbury,  Bissell and Long. Heinlein in particular was a favorite source for them. 
  • October 28, 1994 — Stargate premiered. Starring Kurt Russell and James Spader, critics intensely hated it, and it rated 50% at Rotten Tomatoes. It of course spawned Stargate SG-1 series franchise.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 28, 1902 — Elsa Lanchester. The Bride in 1935’s The Bride of Frankenstein with Boris Karloff. In 1928 she appeared in three silent shorts written for her by H. G. Wells: Blue Bottles, Daydreams and The Tonic. Ray Bradbury originally wrote “Merry Christmas 2116” to be performed by Lanchester and her husband Charles Laughton. (Died 1986.)
  • Born October 28, 1951 — William H. Patterson, Jr. Author of Robert A. Heinlein: In Dialogue with His Century, a two-volume look at Heinlein which arguably is the best biography ever done on him. He also did The Martian Named Smith: Critical Perspectives on Robert A. Heinlein’s Stranger in a Strange Land. This Tribute to Bill Patterson by Mike with comments by Filers is touching indeed. (Died 2014.)
  • Born October 28, 1951 — Joe Lansdale, 68. Writer and screenwriter whose DCU Jonah Hex animated screenplays are far superior to the live action Hex film. Bubba Ho-Tep is a American comedy horror film starting Bruce Campbell is his best known genre work though he has done a number of another works including The God of The Razor and  Reverend Jedidiah Mercer series which are definitely Weird Westerns. 
  • Born October 28, 1952 — Annie Potts, 67. Janine Melnitz in the still-best Ghostbusters and in Ghostbusters II as well. She has a cameo as Vanessa the hotel clerk in the Ghostbusters reboot. She is listed as reprising her original role in the forthcoming Ghostbusters 2020 which I’ll freely admit I know nothing about. 
  • Born October 28, 1958 — Amy Thomson, 61. Writer of four novels in a decade twenty years ago including Virtual Girl which won her the Astounding Award for Best New Writer. She published one piece of short fiction, “The Ransom of Princess Starshine”, in 2017 in Stupefying Stories which is edited by Bruce Bethke.
  • Born October 28, 1958 — Kristin Landon. Though she was working on a fourth novel in the series at the time of her death, the published novels will comprise the Hidden Worlds trilogy: The Hidden Worlds, The Cold Minds, and The Dark Reaches. (Died 2019.)
  • Born October 28, 1962 — Daphne Zuniga, 57. Her very first was as Debbie in The Dorm That Dripped Blood, labelled a Video Nasty in the UK.  You know her much better as Princess Vespa in Spaceballs, and she also in The Fly II being Beth Logan. Series work include Nightmare Classics, Batman Beyond, Happily Ever After: Fairy Tales for Every Child, Twilight Zone, The Outer Limits and, no surprise here, Spaceballs: The Animated Series where she voicedPrincess Vespa
  • Born October 28, 1967 — Julia Roberts, 52. How can I resist giving Birthday Honors to Tinker Bell in Hook? Not to mention she was in the seriously weird Flatliners that I saw at a virtually empty theater. Of course, there’s the ever weirder Mary Reilly with her in the title role. For something more charming, she voiced Charlotte the Spider in Charlotte‘s Web. I’m going to skip her as a Smurf I think…
  • Born October 28, 1974 — Joaquin Phoenix, 45. Currently The Joker. He hasn’t done much genre acting setting aside being Max in SpaceCamp when he was twelve, and being Billy Hercules in the “Little Hercules” episode of Superboy. Well he did a Shyamalan film but I refuse to consider them genre. 
  • Born October 28, 1982 — Matt Smith, 37. The Eleventh Doctor, also Alex in Terminator Genisys, a film I’ve not seen. Nor likely will. He’s also Jim in The Sally Lockhart Mysteries: The Ruby in the Smoke based off the Philip Pullman novels.

(12) EL-MOHTAR REVIEWS. Amal El-Mohtar, in a book review column for the NYT, “Dark Books for Dark Times”, opines about His Hideous Heart, a collection edited by Dahlia Adler, Tamsyn Muir’s Gideon the Ninth, Paul Krueger’s Steel Crow Saga, and Annalee Newitz’s The Future of Another Timeline.

… Conceptually “The Future of Another Timeline” is breathtakingly brilliant, and part of a constellation of time-travel stories this year that wed present-day activism to a willingness to change the past. But as I read, I found myself far more affected by the smaller, fiercer story of Tess and Beth’s early years — the story of feral friendships formed in extreme circumstances, of surviving abuse and finding the power to seek revenge or walk away from it. Everything about that story clutched at my heart, while the broader time-travel stakes and narrative diminished in effect; I became less concerned with the overarching conceit than with the story of these young women arguing over what love and honesty demand. But time travel creates the space for that story to happen — and Newitz’s book is, more than anything else, about the importance of fighting for such spaces. In that, it’s entirely successful.

(13) POWER OFF. Californian Abraham Lustgarten addressed the New York Times about the state’s power shutdowns: “Letter of Recommendation: Mandatory Blackouts” .

…The blackouts solved nothing, of course. De-energizing the electrical grid is a bludgeon: imprecise, with enormous potential for collateral damage as people deal with a darkened world. It doesn’t even eliminate fire risk. What it largely does is shift responsibility away from Pacific Gas & Electric, the state’s largest utility company, whose faulty transmission lines had been found to have caused some of the most destructive wildfires on record.

In fact, cutting power can exacerbate some fire risks. In a blackout, more people rely on home generators, many of which have been installed without permits and might be no less faulty than the utility’s own equipment. Detours and gridlock force more cars into vulnerable places. (Sparks off roadways are another top cause of wildfire.) The blackout makes it harder for the public to respond to fire emergencies even as it does little to prevent all the other factors that cause them — from careless barbecues to tossed-out cigarette butts to plain old arson. One of the state’s most serious fires so far this year was ignited by burning garbage.

But a mandatory blackout does have one radically positive effect. By suddenly withdrawing electrical power — the invisible lifeblood of our unsustainable economic order — PG&E has made the apocalyptic future of the climate crisis immediate and visceral for some of the nation’s most comfortable people. It is easy to ignore climate change in the bosom of the developed world. But you can’t fail to notice when the lights go out.

…In the American West, our climate will only get hotter and drier, our wildfires worse. Every year more places are going to burn, and we will, repeatedly, be horrified by the losses. But we should not be shocked by them. The blackouts have laid bare the uncomfortable fact that the infrastructure we’ve built and maintained over the course of many decades isn’t matched to the threats we face in our rapidly unfolding climate emergency….

(14) THAT HAWAIIAN BURGER JOINT. Eater: Los Angeles says this non-genre yet irresistible film reference will come to life on October 30 and 31 (only): “Big Kahuna Burger From ‘Pulp Fiction’ Pops Up in Hollywood Next Week”

… Fat Sal’s, the overstuffed sandwich makers in Hollywood, have gotten into the mix before, and now for Halloween the group is transforming its corner address off Highland into a Big Kahuna Burger from the movie Pulp Fiction.

Much like in years past, Fat Sal’s plans to its dining area to fit the new temporary theme. Expect a grassy Hawaiian-tinged awning and overt nods to the 1994 film everywhere, including slogans (“Now that is a tasty burger” or “That’s that Hawaiian burger joint”) and an image of Jules Winnfield, the character played by Samuel L. Jackson in the Tarantino flick. A separate area will be turned into the pawn shop from the film as well, and diners will be able to check out merchandise in that space…

Fat Sal’s Hollywood. 1300 N. Highland Ave., Los Angeles.

(15) ANOTHER TRIUMPH. BBC finds thumbs up all over: “Seven Worlds, One Planet: ‘Gorgeous’ nature series gets five-star reviews”.

Sir David Attenborough’s latest nature series has received five-star reviews from critics, one of whom says it may be the BBC’s “best wildlife show ever”.

Seven Worlds, One Planet, the Mail’s Christopher Stevens says, is “visually magnificent” and has photography that is “almost abstract in its beauty”.

The show, says the Telegraph’s Michael Hogan, is “another landmark series” from “the indefatigable Sir David”.

(16) IPO. “Virgin Galactic: Branson’s space firm set for stock market launch”.

Virgin Galactic, the space venture backed by Sir Richard Branson, is ready to launch – not into space but on the New York Stock Exchange (NYSE).

Shares in Virgin Galactic are set to start trading on Monday, a first for a space tourism company.

The move follows Virgin’s merger with publicly-listed Silicon Valley holding firm Social Capital Hedosophia.

That deal brought $800m (£624m) to Virgin as it rushes to meet its goal of sending customers to space in 2020.

Taking the firm public will “open space to more investors and in doing so, open space to thousands of new astronauts,” Sir Richard said at the time.

…The company, founded in 2004, has spent more than $1bn developing its programme, which is years behind schedule and took a hit after a fatal accident in 2014.

However, Virgin has told investors it hopes to make 16 trips to space with customers as soon as next year.

In a presentation, it predicts that revenue will skyrocket as the number of flights increases.

In 2023, the expects to make 270 trips to space, bringing in nearly $600m and generating profit of more than $430m.

About 600 people, including pop star Justin Bieber, have already put down deposits for the 90-minute experience at a price of about $250,000 per ticket, according to the company.

(17) AROUND THE WORLD IN A LOT OF DAYS. NPR takes note when “Secret Air Force Space Plane Lands After More Than 2 Years In Orbit”.

After a record-breaking 780 days circling the Earth, the U.S. Air Force’s mysterious X-37B unmanned space plane dropped out of orbit and landed safely on the same runway that the space shuttle once used.

It was the fifth acknowledged mission for the vehicle, built by Boeing at the aerospace company’s Phantom Works.

“Today marks an incredibly exciting day for the 45th Space Wing,” Brig. Gen. Doug Schiess, 45th Space Wing commander, said in a statement. “Our team has been preparing for this event, and I am extremely proud to see their hard work and dedication culminate in today’s safe and successful landing of the X-37B.”

As in previous missions, many of the details about the vehicle’s activities in the past two years are being kept under wraps. One experiment was to “test experimental electronics and oscillating heat pipe technologies in the long-duration space environment,” according to the Air Force statement.

Randy Walden, the director of the Air Force Rapid Capabilities Office, said the latest X-37B mission “successfully hosted Air Force Research Laboratory experiments, among others, as well as providing a ride for small satellites.”

“The statement that this @usairforce X-37 flight deployed small satellites is alarming, since the US has not reported those deployments in its UN Registration Convention submissions,” McDowell tweeted. “This would be the first time that either the USA or Russia has blatantly flouted the Convention.”

[Thanks to Nicholas Whyte, Andrew Porter, JJ, Chip Hitchcock, John King Tarpinian, Mike Kennedy, Martin Morse Wooster, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 10/6/19 Ground Control To Major Scroll, Take Your Pixel Pills And Put Your Helmet On

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(1) SPACEWALKING, STEP-BY-STEP. Mary Robinette Kowal livetweets a spacewalk. Thread starts here.

(2) TICKET TO RIDE. In the Washington Post, Christian Davenport looks at the people who have been waiting to go to space on SpaceShipTwo for a decade.  He also examines the effort NASA made in the 1980s to place civilians in space that ended with the Challenger disaster in 1986. “How much does a ticket to space cost? Meet the people ready to fly.”

When Lori Fraleigh unwrapped the present her husband had given her for her 38th birthday, she found a curious surprise: a model of a spaceship. It was cool, sure, but a toy would be better suited for her young children, then 5 and 1, not her.

Then she noticed the ticket. It took Fraleigh, a Silicon Valley executive, a moment to realize what her husband had purchased for her: a trip to space with Richard Branson’s Virgin Galactic. “I went through a lot of crazy emotions, like, ‘Did you really buy this?’ ” she recalled of the moment in 2011. “ ‘Do we still have enough money to remodel the kitchen?’ ”

Today, her children are 13 and 9. The kitchen remodel has long since been completed. But Fraleigh is still waiting for her trip to space.

…But now, 15 years after Branson founded Virgin Galactic, space tourism could be tantalizingly close to becoming a reality. The company has flown to the edge of space twice and says its first paying customers could reach space next year. Another space venture, Blue Origin, founded by Amazon founder and chief executive Jeff Bezos almost 20 years ago, hopes to conduct its first test flight with people this year, though it hasn’t announced prices or sold any tickets. (Bezos owns The Washington Post.)

And NASA recently announced that it would allow private citizens to fly to the International Space Station on spacecraft built by SpaceX and Boeing.

Which means that Fraleigh may soon finally get her five minutes of weightlessness, a view that promises to be spectacular and a test to see if she has the right stuff.

(3) THE CANALES OF MARS. The Cylinder Floats? International Trailer 3. BBC War of the Worlds. With Italian titles.

(4) I WILL SURVIVE. Leah Price contends “Books Won’t Die” at The Paris Review.

Increasingly, people of the book are also people of the cloud. At the Codex Hackathon, a convention whose participants spend a frenetic weekend designing electronic reading tools, I watch developers line up onstage to pitch book-related projects to potential collaborators and funders….

…The term “ebook” endorses such optimism. Whatever replaces the codex, it implies, will be functionally equivalent: the same textual content in a new and improved (usually shrunken) package. A darker strain of futurology, in contrast, emphasizes political decline over technological progress. Fahrenheit 451 represents book burning as an end in itself, not just a means to suppressing sedition whose medium happens to be print. A few years earlier, 1984 opened with the purchase of a “thick, quarto-sized blank book with a red back and a marbled cover.” A blank notebook speaks louder than a printed volume: “Even with nothing written in it, it was a compromising possession.” The final piece of evidence of thoughtcrime that sends Winston Smith to Room 101? A paperweight found in his possession. Here, as in Amtrak’s Quiet Car, the idea of the book remains more powerful than any ideas that it contains.

(5) THE TESTAMENTS ON BBC RADIO. [Item by SF Concatenation’s Jonathan Cowie.] As promised, the collected links to the BBC Radio 4 Book at Bed Time — Margret Atwood’s The Testaments. It ran for three weeks but Auntie has three omnibus episodes combining each week’s five. Enjoy….

15 years after Offred stepped into the unknown, the stories of three women whose fates are tied to Gilead concludes. Readers: Sara Kestelman, Katherine Press, Samantha Dakin.

This will only be available online for a couple of weeks so check it out while you can. (It’s a great advert for buying the physical book.)

(6) PYTHON ARCHIVES. [Item by SF Concatenation’s Jonathan Cowie.] And now for something completely different…

Monty Python at 50: The Self-Abasement Tapes: To celebrate the 50th anniversary of Monty Python, Michael Palin hunts down lost Python sketches. This programme contains rare and historical material never heard before.

This programme contains rare material never heard before on UK radio, or anywhere else – including the infamous Fat Ignorant Bastards sketch and a Country & Western version of Terry Jones’ I’m So Worried.

In this episode, the historical curiosities include a lost verse from Brave Sir Robin and an all new King Arthur Song. Also, Terry Jones remembers what it was like filming The Holy Grail at Doune Castle.

This third episode digs deep into the archives to excavate recordings relating to the controversial 1979 film, Life of Brian. Eric and Graham negotiate a voiceover fee for the film, John Cleese press-gangs his mother into doing a free radio advert and we meet the infamous freedom fighter Otto – with a deleted scene suggesting that, while the film was causing outrage and offence, even more contentious content was lying on the cutting room floor.

In this episode, Michael reveals a song for Mr Creosote that was left out of The Meaning of Life, and a quiz from the Big Red Book which will test your knowledge of goats.

This programme contains rare material of historical interest, never heard before from the 2014 O2 Shows, including run-throughs of The Argument Sketch and a sensational duet between Eric Idle and Professor Stephen Hawking.

(7) TODAY IN HISTORY.

  • October 6, 1997  — Earth: Final Conflict premiered. Based on ideas developed by Gene Roddenberry, it was produced under the guidance of his widow, Majel Barrett-Roddenberry. It ran for five seasons. The ratings success of the show led to the development of other posthumous Roddenberry projects, most notably Andromeda. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 6, 1942 — Britt Ekland, 77. She starred in The Wicker Man as Willow MacGregor, and appeared as a Bond girl, Goodnight, in The Man with the Golden Gun. She was also Queen Nyleptha in King Solomon’s Treasure based off the H. Rider Haggard novels. 
  • Born October 6, 1946 — John C. Tibbetts, 73. A film critic, historian, author. He’s written such articles as “The Illustrating Man: The Screenplays of Ray Bradbury” and “Time on His Hands: The Fantasy Fiction of Jack Finney”. One of his two books is The Gothic Imagination: Conversations on Fantasy, Horror, and Science Fiction in the Media, the other being The Gothic Worlds of Peter Straub.
  • Born October 6, 1950 — David Brin, 69. Author of several series including Existence (which I do not recognize), the Postman novel, and the Uplift series which is superb. I’ll admit that the book he could-wrote with Leah Wilson, King Kong Is Back! An Unauthorized Look at One Humongous Ape, tickles me.
  • Born October 6, 1955 — Ellen Kushner, 64. If you’ve not read it, do so as her now sprawling Riverside seriesis amazing. I’m reasonably sure that I’ve read all of it. And during the High Holy Days, do be sure to read The Golden Dreydl as it’s quite wonderful.
  • Born October 6, 1955 — Donna White, 64. Academic who has written several works worth you knowing about — Dancing with Dragons: Ursula K. Le Guin and the Critics and Diana Wynne Jones: An Exciting and Exacting Wisdom.
  • Born October 6, 1963 — Elisabeth Shue, 56. Best known as Jennifer, Marty McFly’s girlfriend, in Back to the Future Part II and Back to the Future Part III, she also had roles in Hollow Man and Piranha 3D.
  • Born October 6, 1986 — Olivia Jo Thirlby, 33. She is best known for her roles as Natalie in Russian SF film The Darkest Hour and as Judge Cassandra Anderson in Dredd. And she was Holly in the supernatural thriller Above the Shadows. 

(9) COMIC SECTION.

  • Grant Snider shares a comic about The Book Fair.

(10) PLAYING THE JOKER. The Washington Post’s David Betancourt ranks the actors who have played the Joker, including Zach Galifiankis as Lego Joker.  While he admired Joaquin Phoenix, he ranked Phoenix third, behind Heath Ledger and the greatest Joker of all, Mark Hamill in Batman:  The Animated Series. “Our definitive ranking of the Jokers, from Jack Nicholson to Joaquin Phoenix”.

This week, along comes yet another Joker, Joaquin Phoenix, in the bat-villain’s self-titled movie, which earned the top prize at the Venice Film Festival and generally positive reviews, although there were a handful of harsh ones. In the era of ever-expanding superhero entertainment, it appears we’ll have a new Joker for every generation. There will never be a last laugh.

(11) DEMYSTIFYING SPIDER-HAM. Looper will be happy to explain to you “The untold truth of Spider-Ham”, which also requires that they dispose of a few popular misconceptions, beginning with —

…One of the more well-remembered scenes of 2007’s The Simpsons Movie features the clueless Homer Simpson doing something characteristically stupid and hilarious — holding the family’s pet pig Plopper upside down and forcing it to walk on the ceiling. Meanwhile, Homer sings to the tune of the old ’60s Spider-Man cartoon, “Spider-Pig, Spider-Pig, does whatever a Spider-Pig Does. Can he swing from a web? No, he can’t. He’s a pig.”

It would be understandable if, in light of this, you wondered if Marvel swiped the idea for Spider-Ham from The Simpsons Movie. But alas, it isn’t so. Peter Porker, the Spectacular Spider-Ham, pre-dates Homer Simpson’s Spider-Pig serenade by over 20 years, as he first appeared in 1983’s Marvel Tails #1. So in this is case — as opposed to just about every other example you can think of — the Ham came before the Pig.

(12) FROM PRUFROCK TO CASTLE ROCK. Brenna Ehrlich, in “Stephen King Is Quietly Enthralled By ‘The Love Song of J. Alfred Prufrock’” on CrimeReads, says that Stephen King loves the famous T.S. Eliot poem and quotes it many times in his novels.

…I first noticed King’s proclivity for Eliot when I delved into Pet Semetary in 2018. “Oh, do not ask what is it; let us go and make our visit,” Louis Creed tells himself as he recalls carrying the stiff body of his daughter’s cat Church to the magical burial ground. 

When I was a teen, that line was about possibility, in this context, though, it throbs with anxiety and horror. Creed doesn’t want to acknowledge what he did when he brought the moment “to its crisis,” when he “followed Victor to the sacred place,” as the Ramones put it. Church came back and now he owns that horror.

It was jarring to see my old friend Prufrock waving at me from one of the scariest books I have ever read….

(13) BEFORE YOU BUY. Looking for tons of book reviews? See the links at Friday’s Forgotten Books for October 4. These all were posted in the past week. The name of the reviewer comes first, then the work and author.

  • Patricia Abbott: The Imperfectionists by Tom Rachman
  • Stacy Alesi: The I List: Fiction Reviews 1983-2013
  • Frank Babics: Starshine by Theodore Sturgeon
  • Mark Baker: O is for Outlaw by Sue Grafton
  • Angie Barry: Bootlegger’s Daughter by Margaret Maron
  • Anne Beattie: “The Earliest Dreams” by Nancy Hale, American Mercury, April 1934, edited by H. L. Mencken
  • Brian Bigelow: Life Comes to Seathorpe by Neil Bell
  • Paul Bishop: A Mule for the Marquesa (aka The Professionals) by Frank O’Rourke
  • Les Blatt: Champagne for One by Rex Stout; The Christmas Card Crime and Other Stories edited by Martin Edwards
  • Joachim Boaz: Xenogenesis: Tales of Space and Time by Miriam Allen deFord
  • Paul D. Brazill: GBH by Ted Lewis
  • Brian Busby: Kosygin is Coming (aka Russian Roulette) by Tom Ardies
  • Alice Chang: Thinking Fast and Slow by Daniel Kahneman
  • Martin Edwards: Twisted Clay by Frank Walford
  • James Enge: The Deathworld Trilogy by Harry Harrison
  • Peter Enfantino: Atlas (proto-Marvel) horror comics, October 1952
  • Peter Enfantino and Jack Seabrook: DC war comics, October 1975
  • Will Errickson: Gene Lazuta’s horror novels; The Orpheus Process by Daniel H. Gower
  • José Ignacio Escribano: Bats in the Belfrey and other work by “E. C. R. Lorac” (Edith Caroline Rivett)
  • Curtis Evans: The Murder of the Fifth Columnist by Leslie Ford; “The Last of Mrs. Maybrick” and “The Ordeal of Florence Maybrick” by Hugh Wheeler
  • Olman Feelyus: The So Blue Marble by Dorothy B. Hughes; She and Allan by H. Rider Haggard
  • Paul Fraser: New Worlds SF, October 1965, edited by Michael Moorcock
  • Barry Gardner: The Innocents by Richard Barre
  • John Grant: Shadow by Karin Alvtegen (translated by McKinley Burnett); The Crimes of Jordan Wise by Bill Pronzini
  • Jason Half: X v. Rex (aka The Mystery of the Dead Police) by “Martin Porlock” (Philip MacDonald)
  • Aubrey Hamilton: Not Dead, Only Resting by Simon Brett; Dead Anyway by Christopher Knopf
  • Bev Hankins: The Restless Corpse by Alan Pruitt; The Mind of Mr. Reeder (aka The Murder Book of J. G. Reeder) by Edgar Wallace
  • Rich Horton: The Marquis and Pamela by Edward H. Cooper; In the Courts of the Crimson Kings and short stories by S. M. Stirling; “The Engine of Desire” and other stories by William Barton
  • Jerry House: “Crime on the Coast” (News Chronicle, 1954) and “No Flowers by Request” (Daily Sketch, 1953) by “the Detection Club” (the first by John Dickson Carr, Valerie White, Laurence Meynell, Joan Fleming, Michael Cronin. and Elizabeth Ferrars, the second by Dorothy L. Sayers, “E. C. R. Lorac”, Gladys Mitchell, “Anthony Gilbert”, and “Christianna Brand”)
  • Kate Jackson: Hercule Poirot’s Christmas by Agatha Christie
  • Tracy K: Heartshot by Steven F. Havill
  • Colman Keane: Grinder by Mike Knowles; The Hard Cold Shoulder by L. A. Sykes
  • George Kelley: The Super Hugos, annotated by Isaac Asimov, Charles Sheffield, Edie Stern and Joe Siclari, et al.
  • Joe Kenney: Black Massacre by “Lionel Derrick” (Mark Roberts); From Russia, with Love by Ian Fleming
  • Rob Kitchin: The Devil in the Marshalsea by Antonio Hodgson
  • B. V. Lawson: Is Skin Deep, Is Fatal by H. R. F. Keating
  • Des/D. F. Lewis: Vastarien, Summer 2019, edited by Jon Padgett
  • Evan Lewis: “Introducing the Author” by Robert Leslie Bellem, Fantastic Adventures, July 1941, edited by Raymond Palmer; “The Cutie Caper”, written by “Sam Hill” and art by Harry Lucey, Sam Hill, Private Eye #1, 1950
  • Steve Lewis: “Multiple Submissions” by Catherine L. Stanton and “A Deceitful Way of Dying” by Dick Stodgill, Alfred Hitchcock’s Mystery Magazine, September 1989, edited by Cathleen Jordan; Footsteps in the Night by C. Fraser-Simpson; “Gone Fishing” by Jim Davis, Ellery Queen’s Mystery Magazine, November 2012, edited by Janet Hutchings
  • Gideon Marcus: Analog Science Fact->Science Fiction, September 1964, edited by John W. Campbell, Jr.
  • Todd Mason: The Year’s Best Horror Stories annual, edited by Richard Davis, Gerald W. Page and Karl Edward Wagner; US Best of the Year Fiction Annuals published in 1979; Harlan Ellison and divers hands: Partners in Wonder
  • Francis M. Nevins: The Sins of the Fathers by Lawrence Block
  • John F. Norris: Dead to the World by David X. Manners
  • John O’Neill: The World of Science Fiction: The History of a Subculture by “Lester Del Rey” (Leonard Knapp)
  • Matt Paust: Sea of Cortez by John Steinbeck and Edward E. Ricketts
  • James Reasoner: Night Flight by Antoine de Saint-Exupéry (translated by Stuart Gilbert)
  • Richard Robinson: Norman Rockwell: 332 Magazine Covers, edited and annotated by Christopher Finch
  • Sandra Ruttan: Wilted Lillies by Kelli Owen; Kelli Owen interview
  • Gerard Saylor: Richard Stark’s Parker: The Score graphically adapted from The Score by “Richard Stark” (Donald Westlake) by Darwyn Cooke
  • Steven H Silver: Donald A. Wollheim
  • Kerrie Smith: Sleeping Partner by James Humphreys
  • Kevin Tipple: The Bottom by Howard Owen
  • “TomCat”: The Tattoo Murder Case by Akimitsu Takagi (translated by Deborah Bolivar Boehm); The Spiked Lion by Brian Flynn; “The Stalker in the Attic” by “Edogawa Rampo” (Taro Hirai), Shin-Seinen, August 1925
  • David Vineyard: Lady Macbeth by Nicholas Freeling
  • Bill Wallace: You Can’t Win by Jack Black; Weird Tales, March 1926, edited by Farnsworth Wright
  • Mark Yon: Science Fantasy, September/October 1964, edited by Kyril Bonfiglioli

(14) PULLMAN SERIES. Trailer for HBO’s His Dark Materials: Season 1, premiering November 4.

His Dark Materials stars Dafne Keen, James McAvoy, Ruth Wilson and Lin-Manuel Miranda. Adapting Philip Pullman’s award-winning trilogy of the same name, which is considered a modern masterpiece of imaginative fiction, the first season follows Lyra, a seemingly ordinary but brave young woman from another world. Her search for a kidnapped friend uncovers a sinister plot involving stolen children, and becomes a quest to understand a mysterious phenomenon called Dust. As she journeys through the worlds, including our own, Lyra meets Will, a determined and courageous boy. Together, they encounter extraordinary beings and dangerous secrets, with the fate of both the living?—?and the dead?—?in their hands.

[Thanks to John King Tarpinian, JJ, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Martin Morse Wooster, Chip Hitchcock, Mike Kennedy, Todd Mason, Michael Toman, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Steve Davidson.]

Pixel Scroll 5/15/19 These Groots Are Made For Walking, Ent That’s Just What They’ll Do

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(1) HOGWASH, POPPYCOCK & BALONEY. George R.R. Martin quashed a current rumor in his post “Idiocy on the Internet”.

…All of a sudden this crazy story about my finishing THE WINDS OF WINTER and A DREAM OF SPRING years ago is popping up everywhere. No, I am not going to provide links. I don’t want to reward purveyors of misinformation with hits.

I will, however, say for the record — no, THE WINDS OF WINTER and A DREAM OF SPRING are not finished. DREAM is not even begun; I am not going to start writing volume seven until I finish volume six

It seems absurd to me that I need to state this. The world is round, the Earth revolves around the sun, water is wet… do I need to say that too? It boggles me that anyone would believe this story, even for an instant. It makes not a whit of sense. Why would I sit for years on completed novels? Why would my publishers — not just here in the US, but all around the world — ever consent to this? They make millions and millions of dollars every time a new Ice & Fire book comes out, as do I. Delaying makes no sense. Why would HBO want the books delayed? The books help create interest in the show, just as the show creates interest in the books.

So… no, the books are not done. HBO did not ask me to delay them. Nor did David & Dan. There is no “deal” to hold back on the books. I assure you, HBO and David & Dan would both have been thrilled and delighted if THE WINDS OF WINTER had been delivered and published four or five years ago… and NO ONE would have been more delighted than me.

(2) BUT THIS STORY IS TRUE. Martin confirmed a different report quoting his opinion of two characters created by Tolkien and Rowling:

At the Q&A following the premiere of the new TOLKIEN film in Los Angeles last week, I did indeed say that Gandalf could kick Dumbledore’s ass.

Gandalf COULD kick Dumbledore’s ass. I mean, duh. He’s a maia, folks. Next best thing to a demigod. Gandalf dies and come back. Dumbledore dies and stays dead.

But if it will calm down all the Potterites out there, let me say that Gandalf could kick Melisandre’s ass too.

(3) HORRORMENTARY. The new drama Years and Years, which follows a British family over the next 15 years began Tuesday night on BBC1 in the UK, and will be screened on HBO in the US later in the year. BBC contemplates: “How the near future became our greatest horror”.

…But if [J.G.] Ballard’s thinking was subversive at the time, now we’re beset by the nearest of ‘near future’ narratives. They are intent on imagining not what will become of us in thousands of millennia, or even in a few decades’ time – à la dystopian works like Blade Runner and Soylent Green, previously understood as ‘near future’ – but in as little as the next few years. In doing so, these near-near-future stories create realities that feel immediately recognisable to us, but invariably with a pretty unpleasant twist or three. In literature, these have gone hand in hand with the rise of the ‘mundane science fiction’ movement – which began in the mid-noughties and was built on “not wanting to imagine shiny, hard futures [but give a] sense of sliding from one version of our present into something slightly alienated”, says Roger Luckhurst, a professor in Modern and Contemporary Literature at London’s Birkbeck College and an expert in science fiction.

And, at the moment, such stories are particularly prevalent on the small-screen….

(4) BLACK MIRROR. The show returns to Netflix on June 5:

(5) BEAUMONT REMEMBERED. Pulpfest’s Mike Chomko profiles “THE TWILIGHT ZONE’S Magic Man — Charles Beaumont”, who died too soon —

…At the height of his writing career, Beaumont began to suffer from a mysterious ailment. “By 1964, he could no longer write. Meetings with producers turned disastrous. His speech became slower, more deliberate. His concentration worsened. . . . after a battery of tests at UCLA, Beaumont was diagnosed as having Alzheimer’s Disease; he faced premature senility, aging, and an early death.” He died on February 21, 1967 at the age of thirty-eight.

(6) STORIES REBORN. Paula Guran’s anthology Mythic Journeys: Retold Myths and Legends was released yesterday by Night Shade Books.

The Native American trickster Coyote . . . the snake-haired Greek Gorgon Medusa, whose gaze turned men to stone . . . Kaggen, creator of the San peoples of Africa . . . the Holy Grail of Arthurian legend . . . Freyja, the Norse goddess of love and beauty . . . Ys, the mythical sunken city once built on the coast of France . . . Ragnarok, the myth of a world destroyed and reborn . . . Jason and the Argonauts, sailing in search of the Golden Fleece . . .

Myths and legends are the oldest of stories, part of our collective consciousness, and the source from which all fiction flows. Full of magic, supernatural powers, monsters, heroes, epic journeys, strange worlds, and vast imagination, they are fantasies so compelling we want to believe them true.

(7) FRIEDMAN OBIT. “Stanton Friedman, famed UFO researcher, dead at 84” – CBC has the story.

A nuclear physicist by training, Friedman had devoted his life to researching and investigating UFOs since the late 1960s.

He was credited with bringing the 1947 Roswell Incident — the famous incident that gave rise to theories about UFOs and a U.S. military coverup — back into the mainstream conversation.

(8) TODAY IN HISTORY.

Apparently a big day in the history of B-movies.

  • May 15, 1953 — Phantom From Space premiered in theaters.
  • May 15, 1959 — Invisible Invaders debuted in movie houses.
  • May 15, 1969 – Witchfinder General, starring Vincent Price, screened for the first time.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 15, 1856 — L. Frank Baum. I adore The Wizard of Oz film and I’m betting you know that it only covers about half of the novel which is a splendid read indeed. I’ll confess that I never read the numerous latter volumes in the Oz series, nor have I read anything by him. What’s the rest of his fiction like? (Died 1919.)
  • Born May 15, 1877 — William Bowen. His most notable work was The Old Tobacco Shop, a fantasy novel that was one runner-up for the inaugural Newbery Medal in 1922. He also had a long running children’s series with a young girl named Merrimeg whom a narrator told her adventures with all sorts of folkloric beings. (Died 1937.)
  • Born May 15, 1926 — Anthony Shaffer. His genre screenplays were the Hitchcock’s Frenzy and Robin Hardy’s The Wicker Man. Though definitely not genre, he wrote the screenplays for a number of most excellent mysteries including Death on the Nile, Murder on the Orient Express and Sleuth. (Died 2001.)
  • Born May 15, 1955 — Lee Horsley, 64. A performer who’s spent a lot of his career in genre undertakings starting with The Sword and the Sorcerer (and its 2010 sequel Tales of an Ancient Empire), horror films Nightmare Man, The Corpse Had a Familiar Face and Dismembered and even a bit of SF in Showdown at Area 51. Not sure where The Face of Fear falls has a it has a cop with psychic powers and a serial killer. 
  • Born May 15, 1960 — Rob Bowman, 59. Producer of such series as Alien Nation, M.A.N.T.I.S., Quantum Leap, Next Generation, and The X-Files. He has directed these films: The X-Files, Reign of Fire and Elektra. He directed one or several episodes of far too many genres series to list here.  
  • Born May 15, 1966 — Greg Wise, 53. I’m including him solely as he’s in Tristram Shandy: A Cock and Bull Story. It is a film-within-a-film, featuring Steve Coogan and Rob Brydon playing themselves as egotistical actors during the making of a screen adaptation of Laurence Sterne’s 18th century metafictional novel Tristram Shandy. Not genre (possibly) but damn fun. 

(10) VIRGIN GALACTIC. The company’s press release, “Sir Richard Branson Announces Virgin Galactic Move to Spaceport America this Summer, as Company Readies for Commercial Service”, does not state when service will commence.

At a press conference [on May 10] at the New Mexico State Capitol Building in Santa Fe, hosted by New Mexico Governor Michelle Lujan Grisham, Virgin Founder Sir Richard Branson announced that Virgin Galactic’s development and testing program had advanced sufficiently to move the spaceline staff and space vehicles from Mojave, California to their commercial operations headquarters at Spaceport America, New Mexico. The move, which involves more than 100 staff, will commence immediately and continue through the summer, to minimise schooling disruption for families.

Virgin Galactic partnered with New Mexico in an agreement which saw the state complete construction of Spaceport America, the world’s first, purpose-built commercial spaceport, and Virgin Galactic committing to center its commercial spaceflight activities at the facilities once its vehicles and operations were ready for service.

(11) ZUBRIN’S CASE. The Space Review hosts Jeff Foust’s coverage of Robert Zubrin’s new book The Case for Space: How the Revolution in Spaceflight Opens Up a Future of Limitless Possibility.

…The second part of the book tackles the question of why humanity should move out in the universe. The reasons are familiar ones, from scientific discoveries to new technologies to the survival of humanity itself. For example, Zubrin reiterates a belief, dating back to his The Case for Mars book more than 20 years ago, that a human settlement on Mars will require ingenuity to survive, stimulating new technologies from robotics to fusion power that might not be developed on Earth.

Zubrin offers a comprehensive plan, one rich in technical detail—perhaps too rich at times, with some passages filled with equations describing chemical processes needed to extract resources on Mars or other worlds or discussing the physics of advanced propulsion technologies. But it seems a little fanciful to talk about concepts for interstellar travel like antimatter and magnetic sails when we find it so difficult today simply to get to low Earth orbit reliably and inexpensively.

(12) DAGGERS. The longlists for the The Crime Writers Association Dagger Awards have been posted.

Lavie Tidhar’s “Bag Man”, in The Outcast Hours anthology, edited by Mahvesh Murad and Jared Shurin, is one of the works longlisted for the CWA Short Story Dagger Award.

(13) REBELS WITH A CAUSE. Marie Kondo really struck a nerve.The Independent had no trouble finding people who have no plans to winnow their book stacks: “Going against the decluttering craze: the book hoarers who defy Marie Kondo”. For one example —  

Jane Green, bestselling author who traded England for New England

I’ve run out of space. Books are starting to get stacked up on the floor, underneath tables, underneath chairs, on top of tables. They’re everywhere. With no more room on the bookshelves, I’ve been eyeing this gorgeous French armoire that takes up an entire wall. That wall is just perfect for shelves and would make the room warmer. I know, however, that my husband really likes the armoire. He sees: storage, storage, storage. I see: books, books, books. We’ll see who wins. 

For years, I couldn’t get rid of anything. I have had to learn to manage the flow. Paperbacks I tend not to keep unless I love them and know I’m going to reread them. Hardcovers are really hard for me to get rid of. They all signify a time in my life. They all have stories around the stories. I will sometimes just stand there and look at my books and remember.

(14) ANOTHER BRICK IN THE PAYWALL. Digiday elaborates on a trend that has made it more challenging for me to research Scroll items at sites that think I should pay for their material (the noive!): “Incognito no more: Publishers close loopholes as paywall blockers emerge”.

Subscription publishers have tightened their paywalls, plugging leaks and reducing the number of articles readers access before subscribing. But as reader revenue becomes more of a focus, more sophisticated ways of dodging paying have emerged.

There have always been a number of low-tech ways to circumvent cookie-based metered paywalls, where the same content is freely available in some but not all cases. For instance deleting cookies, using multiple browsers and copying the URL are go-to methods, and are near impossible to mitigate against. However, over the last 18 months, publishers have started plugging these gaps.

In February, The New York Times started tightening its paywall so readers couldn’t access paywalled content by switching their device to incognito mode. A New York Times spokesperson said it’s too early to glean the impacts of these tests.

(15) MORE INFORMATION ABOUT THE NOMMOS. The announcement of the 2019 Nommo Awards shortlist was followed by a press release with additional details:

The 2019 Nommo Awards for Speculative Fiction by Africans announce the shortlists for the Nommo Awards in all four categories – novel, novella, short story and comics/graphic novels.

The roughly 170 members of the African Speculative Fiction Society (ASFS) nominated works for the Awards long list and short lists.  They will now have a three-month period to read the works and vote for the winners of the Awards. 

The short-listed works must be speculative fiction created by Africans and published in calendar year 2018. The winners of the Ilube Nommo Award and the Comic/Graphic Novel award receive UD$ 1000.00.  The winners of the novella and short story awards receive US$ 500.00.  The ASFS thanks its patron Tom Ilube, CBE for his generosity.

The ASFS was founded in 2015. The creation of the Nommo Awards was announced at the Ake Festival in Abeokuta in November 2016.  The winners will be announced at the Ake Festival in Lagos Nigeria in November.

(16) DOES WHATEVER A SPIDER CAN. BBC:“Spider Uses Web As Slingshot To Ensnare Prey, Scientists Find”.

This high-velocity maneuver is a nightmare if you’re a fly.

There’s a type of spider that can slowly stretch its web taut and then release it, causing the web to catapult forward and ensnare unsuspecting prey in its strands.

Triangle-weaver spiders use their own web the way humans might use a slingshot or a crossbow. Scientists from the University of Akron say this is a process called “power amplification,” and they published their research in Proceedings of the National Academy of Sciences this week.

(17) WWW. Cute name: “Wood wide web: Trees’ social networks are mapped”.

Research has shown that beneath every forest and wood there is a complex underground web of roots, fungi and bacteria helping to connect trees and plants to one another.

This subterranean social network, nearly 500 million years old, has become known as the “wood wide web”.

Now, an international study has produced the first global map of the “mycorrhizal fungi networks” dominating this secretive world.

Details appear in Nature journal.

Using machine-learning, researchers from the Crowther Lab at ETH Zurich, Switzerland, and Stanford University in the US used the database of the Global Forest Initiative, which covers 1.2 million forest tree plots with 28,000 species, from more than 70 countries.

(18) ANCIENT PUNCH. “Chang’e-4: Chinese rover ‘confirms’ Moon crater theory” says the BBC.

The Chinese Chang’e-4 rover may have confirmed a longstanding idea about the origin of a vast crater on the Moon’s far side.

The rover’s landing site lies within a vast impact depression created by an asteroid strike billions of years ago.

Now, mission scientists have found evidence that impact was so powerful it punched through the Moon’s crust and into the layer below called the mantle.

Chang’e-4 has identified what appear to be mantle rocks on the surface.

It’s something the rover was sent to the far side to find out.

Chunlai Li, from the Chinese Academy of Sciences in Beijing, and colleagues have presented their findings in the journal Nature.

(19) GAME OF PYTHONS. Funny or Die shows why “Cersei isn’t the only hard-nosed negotiator Tyrion’s ever faced.”

[Thanks to John King Tarpinian, Chip Hitchcock, Martin Morse Wooster, JJ, Cat Eldridge, Mike Kennedy, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editors of the day Daniel Dern and OGH.]

Pixel Scroll 2/22/19 Those Who Don’t Learn From Pixelry Are Doomed To Rescroll It

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(1) RETRO HUGO FAN CATEGORY RESOURCE. Joe Siclari and the FANAC Fan History Project are providing support to Dublin 2019 Retro Hugo voters:

The nomination forms have gone out for Dublin 2019’s Retro Hugo awards for works published in 1943. It’s often very difficult to find materials relevant to the Fan Categories for the Retros, but we have a solution!  FANAC.ORG has assembled the list of fanzines published in 1943, with links to those available on line. We’ve made several hundred fanzines available, and more will be added if they become available at http://fanac.org/fanzines/Retro_Hugos1943.html .

Here you’ll find fanzines from 4sj, Doc Lowndes, J. Michael Rosenblum, Bob Tucker, Jack Speer, Larry Shaw, F. T. Laney and other stalwarts of 1943 fandom (and also Claude Degler). There are genzines, FAPAzines, newszines, and letterzines. There is fannish artwork, and fannish poetry.  There’s even the first publication of Lovecraft’s “Funghi From Yuggoth”. Fanzines which meet the issue requirements for Best Fanzine are so marked. 

Hugo nominations continue through March 15, 2019.

(2) THE SHOW WON’T GO ON. Scott M. Roberts, the editor of Orson Scott Card’s Intergalatic Medicine Show #67 announces the end. The magazine will publish two more issues before shutting down.

I am sad to report that Orson Scott Card’s Intergalactic Medicine Show will be pulling up stakes in June 2019. I’ve been a reader since the first issue, and on the staff since 2009. My kids have grown up with the magazine in their lives, and I am fiercely proud of all that we’ve accomplished.

I am also very, very pleased with the state of science fiction and fantasy in general today. When IGMS first rolled onto the scene, online magazines were few and far between. Now the main mode of consumption of short SFF literature is online in one form or another (podcasts, e-issues, webpages, etc). And the voices of SFF today are vibrant, strident, beckoning, beseeching, screeching, awesome myriads. We have been a part of that polysymphonic wonder. We were one of the first to tell our truest lies on the brave digital frontier.

(3) RAVING ABOUT RAVENS. Adri Joy is an early bird, sharing her reaction to Leckie’s new novel: “Microreview [Book]: The Raven Tower by Ann Leckie” at Nerds of a Feather.

Ah, ravens. They’re smart, they’re beaky, they come in murders, and many in our world are better Londoners than I am. They’re also the subject of more than their share of both folklore and, through that, fantasy interest. Whether they’re harbingers of death, guides to the spirit world, speakers of prophecy and truth or otherworldly tricksters, there’s a lot of mileage in these feathery next-level dinosaurs. Now, in Ann Leckie’s first novel-length foray into fantasy, a raven god is front and centre, alongside a cast whose human members often play second fiddle to their divine counterparts.

(4) EATING THE FANTASTIC. Scott Edelman hopes you’ll share spring rolls with Ruthanna Emrys and him in episode 89 of his podcast Eating the Fantastic.

Ruthanna Emrys

Ruthanna Emrys is best known for the H. P. Lovecraft-inspired Innsmouth Legacy series, which so far includes the 2014 novella “The Litany of Earth,” followed up by the novels Winter Tide in 2017 and Deep Roots in 2018. Her fiction has also appeared in such magazines as Strange Horizons and Analog Science Fiction and Fact, plus anthologies such as Timelines: Stories Inspired by H. G. Wells’ The Time Machine and The Mammoth Book of Cthulhu: New Lovecraftian Fiction.

We discussed the ways in which her first exposure to Lovecraft was through pop culture references rather than the original texts, the reasons for the recent rise of Lovecraft recontextualisation, how tea with Jo Walton convinced her she was right to go ahead and write her first Innsmouth Legacy novel, why she ascribes to the tenets of the burgeoning Hopepunk movement, her love of writing X-Men fanfic and her hatred of gastropods, how she recovered from a college professor’s unconstructive criticism, the time George Takei was nice to her at age 8 after she attended her first con in costume on the wrong day, and much more.

(5) NEW AWARD HONORS SUE GRAFTON. Mystery Writers of America has established the Sue Grafton Memorial Award for the best novel in a series with a female protagonist. (Do I hear Puppies howling?) The announcement is here.

Thirty-five years ago, Sue Grafton launched one of the most acclaimed and celebrated mystery series of all time with A is for Alibi, and with it created the model of the modern female detective with Kinsey Millhone, a feisty, whip-smart woman who is not above breaking the rules to solve a case or save a life. Like her fictional alter ego, Grafton was a true original, a model for every woman who has ever struck out on her own independent way.

Sue Grafton passed away on December 28, 2017, but she and Kinsey will be remembered as international icons and treasured by millions of readers across the world. Sue was adored throughout the reading world, the publishing industry, and was a longtime and beloved member of MWA, serving as MWA President in 1994 and was the recipient of three Edgar nominations as well as the Grand Master Award in 2009. G.P. Putnam’s Sons is partnering with MWA to create the Sue Grafton Memorial Award honoring the Best Novel in a Series featuring a female protagonist in a series that also has the hallmarks of Sue’s writing and Kinsey’s character: a woman with quirks but also with a sense of herself, with empathy but also with savvy, intelligence, and wit.

The inaugural Sue Grafton Memorial Award will be presented at the Edgar Awards on April 25. The nominees are:

  • Lisa Black, Perish – Kensington
  • Sara Paretsky, Shell Game, HarperCollins – William Morrow
  • Victoria Thompson, City of Secrets, Penguin Random House – Berkley
  • Charles Todd, A Forgotten Place, HarperCollins – William Morrow
  • Jacqueline Winspear, To Die But Once, HarperCollins – Harper

(6) A VANCE MYSTERY. At Criminal Element, Hector Dejean reviews The Man in the Cage by John Holbrook Vance, better known as Jack Vance, which won the 1961 Edgar Award for the best first mystery novel, even though it wasn’t his first novel in either genre:  “Jack Vance’s Edgar Award: A Mystery Novel Wrapped in an Enigma”.

Vance was extremely talented and prolific, publishing his first book, The Dying Earth, in 1950, and his last work of fiction, Lurulu, in 2004. In 1957, he published his first mystery novel, Take My Face, using the pen name Peter Held. Later that year, he published another novel, titled either Isle of Peril or Bird Island, under the name Alan Wade. (Different versions exist, and according to some Vance-ologists the book doesn’t really qualify as a crime novel.) A year later, he wrote his first mystery to be published under his full name, John Holbrook Vance. That book’s title, according to sources on the Internet, was Strange People, Queer Notions.

This is where things get odd. Following a trip to Morocco—Vance was as impressive a traveler as he was a writer—Vance wrote a mystery set in North Africa; John Holbrook Vance was the name on this one as well. The book was The Man in the Cage, and it’s quite good—I would even say it’s a standout book, especially for readers curious about Vance who might not care for the conventions of sci-fi and fantasy. The MWA agreed, and in 1961 they gave it an award, making Vance’s awards-shelf one of the more diverse of any American author.

Awarding Vance isn’t the weird part. It’s that the book won the Best First Novel by an American Author award, even though it was not Vance’s first book, nor even his first mystery….

Dejean then goes on to laud the merits of the story itself.

(7) CONTRASTING EDGARS AND HUGOS. Criminal Element is also doing a retrospective of all Edgar Award winners for best novel: “The Edgar Awards Revisited”. Cora Buhlert sent the link with a comment: “It’s an interesting project and I was struck by how many women won Edgar Awards in the early years (the first five winners are four women and Raymond Chandler), which is very different from the early years of the Hugos.”

(8) CRIMEMASTER AWARD. The Maine Writers and Publishers Alliance has awarded its 2019 CrimeMaster Award to Lisa Gardner.

Storied crime author Lisa Gardner writes award-winning novels that are addictive. Thankfully for us, there are more than 30 of them, with some 22 million copies in print. That’s more copies than the entire population of New England, where she and her family live.

(9) TAKE COVER. Regarding the #CopyPasteCris plagiarism scandal, Nora Roberts is one of the authors whose work was appropriated, and as Kristine Kathryn Rusch phrased it —

Nora’s particularly outspoken about what she has gone through, and I have to admit, I snorted tea when I read this comment from Sarah Wendell of Smart Bitches, Trashy Books:

When I saw “Nora Roberts” [on this list] my first thought was, “Everybody, get underground NOW.”

Today Roberts posted her appropriately furious response: “Plagiarism Then and Now”.

…I personally don’t believe fiction writers should use ghosts. Celebrity auto-biographies and such, that’s the job. If a fiction writer uses a ghost to help flesh out a book, or hires a book doctor to whip a book into shape, I strongly believe that person should be acknowledged–on the book.

The reader deserves honesty. The reader’s entitled to know she’s buying the author’s–the one whose name’s on the book–work, not somebody that writer hired for speed or convenience. And I’ll state here as I have before. If a book has my name on it, I wrote it. Every word of it.

I do not, never have, never will comprehend how someone can feel any pride claiming a book they didn’t write.

…A creature like Serruyo can have a decent run, make some money–make some best-seller lists–before she (or he, or they, who knows?) is found out. And the pain, the scars, the emotional turmoil this causes to the victims of plagiarism never ends.

Serruyo won’t be the only one using that underbelly, exploiting the lack of real guardrails on Amazon and other sites for a few bucks.

I’ll have a lot more to say about this, all of this. I’m not nearly done. Because the culture that fosters this ugly behavior has to be pulled out into the light and burned to cinders. Then we’re going to salt the freaking earth….

(10) IT’S OFFICIAL. I learned today that Iowa declared November 2018 to be Speculative Poetry Month. Impressive!

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 22, 1925 — Edward Gorey. I reasonably sure that his animated introduction to the PBS series Mystery! Was my first encounter with him. I will recommend Gorey Cats, The Haunted Tea-Cosy: A Dispirited and Distasteful Diversion for Christmas and The Doubtful Guest. Ok he’s not genre but damn if he’s fun and delightfully weird. Oh, and do go read Elephant House: Or, the Home of Edward Gorey, with superb photographs and text by Kevin McDermott. (Died 2000.)
  • Born February 22, 1929 — James Hong, 90. Though not genre, became known to audiences through starring in The New Adventures of Charlie Chan in the late Fifties. Genre wise, his first role was in Godzilla, King of the Monsters! voicing Ogata/Serizawa. He then pops up in The Satan Bug as Dr. Yang and next is seen playing Ho Lee In  Destination Inner Space. You’ll no doubt recognize him in Colossus: The Forbin Project, he’s Dr. Chin, but I’ll bet you’ve never heard of, oh wait you have, Blade Runner in which he’s Hannibal Chew and Big Trouble In Little China which I love in which he’s wizard David Lo Pan. its back to obscure films after that with next up being Shadowzone where he’s Dr. Van Fleet and Dragonfight where he’s Asawa. He’s next in The Shadow as Li Peng but I’ll be damned if I can remember his role and the same holds true for him as Che’tsai In Tank Girl too.  He’s Mr. Wu in the very loose adaption of the classic The Day the Earth Stood Still. 
  • Born February 22, 1930 — Edward Hoch. The lines between detective fiction and genre fiction can be awfully blurry at times. ISFDB listed him but I was damned if I could figure out why considering he’s known as a writer of detective fiction who wrote several novels and close to a thousand short stories. It was his Simon Ark character who was the protagonist of Hoch’s first published story and who was ultimately featured in thirty-nine  of his stories that made him a genre writer as Ark is the cursed by God immortal doomed to wander forevermore and solved crimes. (Died 2008.)
  • Born February 22, 1937 — Joanna Russ. Is it fair to say she’s known as much for her feminist literary criticism as her SF writings? That The Female Man is her best-known work suggests my question really isn’t relevant as there may be no difference between the two. She was for a long time an influential reviewer for the Magazine of Fantasy & Science Fiction where I think it would fair to say that you knew clearly what she thought of a given work. (Died 2011)
  • Born February 22, 1944 — Tucker Smallwood, 75. Space: Above and Beyond as Commodore Ross is by far my favorite genre role by him. I think his first genre appearance was as President Mazabuka on Get Smart followed by one-offs on Babylon 5, Bio-Dome, X-Files, Contact, Millennium, NightMan, Voyager, Seven Days, The Others, The Invisible Man, The Chronicle, Mirror Man and Spectres. After that he landed a role on Enterprise playingXindi-Primate Councilor for an extended period of one season. 
  • Born February 22, 1956 — Philip Kerr. Though better known for his Bernie Gunther series of historical thrillers set in Germany and elsewhere during the 1930s, his write several genre friendly works. A Philosophical Investigation is set in a near future UK where it is possible to test for violent sociopathy and the consequences of that. The other is Children of the Lamp, a more upbeat YA series set in London involving djinns and rather obviously young children. (Died 2018.)
  • Born February 22, 1959 — Kyle MacLachlan, 60. Genre-wise known for his role as Dale Cooper in Twin Peaks  and its weird film prequel Twin Peaks: Fire Walk with Me, Paul Atreides in Dune, Lloyd Gallagher in The Hidden, Clifford Vandercave In The Flintstones, Calvin Zabo in Agents of S.H.I.E.L.D. and Jeffrey Beaumont in Blue Velvet (OK not genre, just weird).
  • Born February 22, 1968 — Jeri Ryan, 51. Seven of Nine of course but she’s had other genre roles including being Juliet Stewart  in Dark Skies, an UFO conspiracy theory series. She’s showed up in  briefly roles in Warehouse 13, The Sentinel, Helix and had recently showed up in the Arrowverse.
  • Born February 22, 1972 — Duane Swierczynski,47. Though a mystery writer by trade, he’s also worked as a writer at both DC and Marvel on some very impressive projects. He did writing duties on the second volume of time traveling soldier Cable, penned the Birds of Prey as part of The New 52 relaunch and wrote an excellent Punisher one-off, “Force of Nature”.

(12) COMICS SECTION.

(13) LIGHT OF OTHER DAYS. In her monthly column for The Paris Review, YA of Yore, Frankie Thomas takes a second look at the books that defined a generation.

What Was It About Animorphs?

For children’s books in particular it was an era of quantity over quality, an unremitting glut. In those pre–Harry Potter days, a typical “series” meant hundreds of books churned out on a monthly basis by teams of frantic ghostwriters. You could order them by the pound. Often they came with a free bracelet or trinket, as if resorting to bribery. There were 181 Sweet Valley High books, 233 Goosebumps books, and so many Baby-Sitters Club books that their publisher, Scholastic, has never made the full number public (by my count it was at least 345 if you include all the spin-offs)—and they were all, to a certain degree, disposable crap.

But then there was Animorphs….

Harry Potter and the Secret Gay Love Story

The fifth book in the series, Harry Potter and the Order of the Phoenix, was published in the summer of 2003, by which point Harry was fifteen and those of us growing up along with him had discovered sex. The Harry Potter years also happened to coincide with the Wild West era of the internet and the rise of abstinence-only sex education; as a result, for better or for worse, erotic Harry Potter fan fiction played a major and under-discussed role in millennial sexual development. This was especially true if you were queer—or, not to put too fine a point on it, if you were me—and had picked up on the secret gay love story that existed between the lines of Rowling’s text.

I refer, of course, to Sirius and Lupin….

(14) THEY’RE MADE OF MEAT. [Item by Mike Kennedy.] A team from Sweden’s Lund University is searching for the elusive Borkborkborkino particle, which would be proof that the Chef field exists. Or at least I guess that’s what they were doing at this year’s “Stupid Hackathon Sweden” event. Gizmodo has the story: “Particle Physicists Build a Meatball Collider.”

A team of particle physicists wanted “to unveil the deepest secrets of the Universe—and of Swedish cuisine.” So, naturally, they built a Swedish meatball collider.

The MEAL, or MEatball AcceLerator collaboration, could answer important questions such as why we’re made of meatballs, rather than anti-meatballs, or whether we can create dark meatballs. The proof-of-concept experiment was a success.

[…] they’ve got lofty goals for their next steps, according to the project’s slides: “Get funding for a meatball—anti-meatball collider that has the circumference of the solar system and meatballs the size of the Earth.”

(15) VIRGIN TEST. “Virgin test flight blasts to edge of space” — Reuters has video coverage.

A Virgin Galactic rocket plane on Friday soared to the edge of space with a test passenger successfully for the first time, nudging British billionaire Richard Branson’s company closer to its goal of suborbital flights for space tourists.

(16) ONLY THE BEGINNING.It will take two months to land, but it’s on its way: “Israel Launches Spacecraft To The Moon” – NPR has the story. (See also, BBC: “Israel’s Beresheet Moon mission gets under way”.)

An Israeli spacecraft blasted off this evening, aiming to land on the moon. And if the mission is successful, it would make Israel the fourth country to land a spacecraft on the lunar surface – after the U.S., the former Soviet Union and China.

It would also be the first privately initiated project to do so, although it was assisted by government partners, as Nature notes. “The feat seems set to kick off a new era of lunar exploration – one in which national space agencies work alongside private industries to investigate and exploit the moon and its resources,” Nature added.

The spacecraft, which is called Beresheet (Hebrew for “in the beginning”), was launched from Cape Canaveral, Fla.

It was initially conceived as part of Google’s challenge called the Google Lunar XPRIZE for a private company to complete a soft landing on the moon. The Israeli non-profit SpaceIL was one of five international teams in the running for the $20 million grand prize; Google announced last year that the contest would end with no winner because no team was prepared to launch by the deadline. Still, the Israeli engineers at SpaceIL continued to work toward landing a spacecraft on the moon.

(17) A SCALZI CONSPIRACY FONDLY REMEMBERED. John Scalzi’s classic prank showed up in the background of a recent Big Bang Theory episode.

Mayim Bialik photographed the items in Wil Wheaton’s TV set apartment on Big Bang Theory and got him to explain their significance.

Wil and I both grew up on camera, and we also are geeky nerds who share a passion for discussing our mental illness struggles publicly. We are very similar, and it’s so refreshing to work with him.

The set that was used as his living room was really special because it contained actual items from Wil’s real life house. I was so delighted to see artwork, fan art, and memorabilia from his life—and I was so delighted that I photographed all of it and asked him to describe each item.

Wil Wheaton received the painting in 2008 and when it was finally revealed to him who had sent it, he wrote about the experience in “evil and awesome (but mostly awesome)”.

Without knowing that I needed a reminder not to take this stuff so seriously, without knowing – in April, when the wheels were set into motion – that around the beginning of August I’d be feeling pretty lousy about getting cut from the show I look forward to attending every year, John did what good friends do: pick you up when you’re down, and provide reality checks when you need them the most.

(18) UNFORGETTABLE. Nerds of a Feather features “6 Books with Simon Ings”:

5. What’s one book, which you read as a child or a young adult, that has had a lasting influence on your writing?

John Christopher got under my skin as a child and has never let me go. Kids’ books like The Prince in Waiting fed me those nostalgic and valedictory notes you need if you’re going to write into the British fantasy tradition. Much, much later I discovered the man had teeth: Death of Grass is a sort of John-Wyndham-without-the-apology tale about how personal virtue actually works in a disintegrating culture. Kindness is not a virtue. It is a sentiment. There, I’ve said it. But JC said it first.

(19) OSCAR-WORTHY FX. Here are three BBC posts with behind-the-scenes info about movie special effects.

The film Solo: A Star Wars Story has been Oscar nominated in the best visual effects category.

Visual effects supervisor Julian Foddy of ILM London spoke to Al Moloney about some of the challenges the company faced in helping to make the film.

The film Christopher Robin has been Oscar nominated in the best visual effects category.

Visual effects supervisor Chris Lawrence spoke to Al Moloney about some of the challenges the company faced in helping to make the film.

Robert Rodriguez’s latest stint as director is on the sci-fi blockbuster Alita: Battle Angel.

The film was written and produced by James Cameron, who originally planned to direct it.

Rodriguez says he made the movie for half the price Cameron would have, but with a reported budget of $200m (£154m), it still cost considerably more than your average indie-flick.

BBC Click’s Marc Cieslak speaks to the director and cast of the film, to find out more.

[Thanks to John King Tarpinian, Cora Buhlert, Jason, Cat Eldridge, Mike Kennedy, Carl Slaughter, Chip Hitchcock, JJ, Andrew Porter, SF Concatenation’s Jonathan Cowie, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Kip Williams.]

Pixel Scroll 12/13/18 Have Space Suit — But No Visa; Can’t Travel

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(1) DRAGON AWARD NOMINATIONS OPEN. Camestros Felapton found that the “Dragon Award Nominations Are Open Sort Of”  — the “sort of” meaning Camestros experienced the same thing that I did before I tried it out — the actual nominations page is updated for the 2019 awards, but the supporting pages (rules,etc.) are still loaded with last year’s information. They’ll inevitably fix that when they get around to it, I’m sure. No hurry.

(2) ANOTHER LOOK AT SFWA V. WOTF. Keffy R.M. Kehrli responded to Eric James Stone’s criticism of SFWA’s handling of the Writers of the Future Contest (linked the other day in Scroll item #1.) Kehrli’s thread begins here.

(3) A FEW WEE IMPROVEMENTS. In that alternate universe where Camestros Felapton is Doctor Who’s showrunner, here’s what he would have done differently — “Doctor Who: Changing Season 11”.

There are lots of good things to say about the 2018 season of Doctor Who: Jodie Whittaker was great, it was often visually lovely, it took historical episodes seriously and to top it all Alan Cumming deftly eating the scenery.

In my list of least liked Doctor Who episode there is not a single one from the 2018 season but…

…the best episodes weren’t on the same level as the best episodes from previous seasons. What the season gained in consistency it lost in excellence.

I’m going to suggest some changes that I think would have given it a bit more oomph.

(4) SMELLIER ON THE INSIDE. TARDIS versus trashcan? Olav Rokne labeled his link, “The dumbest thing I have ever tweeted, And yet…I’m shockingly proud.” Thread starts here.

(5) SIXTIES SFF. The Library of America’s Fall 2019 offeringsinclude these volumes of genre interest:

American Science Fiction: Eight Classic Novels of the 1960s(two volumes)
Gary K. Wolfe, editor
Volume 1: Four Classic Novels1960–1966
Poul Anderson, TheHigh Crusade • Clifford D. Simak, Way Station • Daniel Keyes, Flowers for Algernon • Roger Zelazny, . . . And Call Me Conrad [This Immortal]
Library of America #321 / ISBN 978-159853-501-3
Volume 2: Four Classic Novels 1968–1969
R. A. Lafferty, PastMaster • Joanna Russ, Picnic on Paradise • Samuel R. Delany, Nova • Jack Vance, Emphyrio
Library of America #322 / ISBN 978-159853-502-0
Boxed set: ISBN 978-159853-635-5
September 2019

The tumultuous 1960s was a watershed decade forAmerican science fiction. As the nation raced to the moon, acknowledged masters from the genre’s “golden age” reached the height of their powers. As it confronted calls for civil rights and countercultural revolution, a “new wave”of brilliant young voices emerged, upending the genre’s “pulp” conventions with newfound literary sophistication—and female, queer, and non white authors broke into the ranks of SF writers, introducing provocative new protagonists and themes. In American Science Fiction: Eight Classic Novels of the 1960s, editor Gary K. Wolfe gathers eight wildly inventive novels in a deluxe, two-volume collector’s set: Daniel Keyes’s heartbreaking Flowers for Algernon and Poul Anderson’s madcap time-travel novel The High Crusade; Clifford D. Simak’s Hugo Award-winning Way Station; Roger Zelazny’s Hugo Award–winning . . . And Call Me Conrad (published in bookform as My Immortal), restored to a version that most closely approximates Zelazny’s original text; Joanna Russ’s Picnic on Paradise, a pioneering work of feminist SF, and Samuel R. Delany’s proto-cyberpunk space opera Nova; R. A. Lafferty’s quirky, neglected, utterly original Past Master; and Jack Vance’s haunting Emphyrio. Wolfe’s introduction offers a new view of the genre’s best, and a discussion of his selections, that ought to provoke rethinking and debate among fans and critics. (Wolfe’s new collection is a successor to American Science Fiction: Nine Classic Novels of the 1950s, the two-volume set he edited for us in 2012.)

(6) RICHARD LUPOFF INTERVIEW. This is the intro to the Richard A. Lupoff: Master of Xero! Interview at Alter Ego #156 – text starts on page 20.

(7) TODAY IN HISTORY

  • December 13, 1961 – The Phantom Planet premiered.
  • December 13, 1996 — Tim Burton’s Mars Attacks! premiered.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • December 13, 1925 – Dick Van Dyke, 93. Seriously you think I wouldn’t write him up? Bert/Mr. Dawes Sr. in Mary Poppins followed shortly by being Caractacus Pott in the film adaptation in Ian Fleming’s novel Chitty-Chitty-Bang-Bang.(No it’s not the same character as he is in the book.)  He voices the lead character in the animated Tubby the Tuba film and plays D.A.Fletcher in Dick Tracy.  He narrates Walt: The Man Behind the Myth whose subject matter you can guess. Played Commissioner Gordon in Batman: New Times as well. Shows up in both of the Night at the Museum films which sort of interest me. And yes he has a role as Mr.Dawes Jr. in Mary Poppins Returns.
  • Born December 13, 1929 – Christopher Plummer, 89. Let’s see… Does Rudyard Kipling in The Man Who Would Be King count? If not, The Return of the Pink Panther does.That was followed by Starcrash, a space opera I suspect hardly no one saw which was also the case with Somewhere in Time. Now Dreamscape was fun and well received. Skipping now to General Chang in Star Trek VI: The Undiscovered Country. Opinions everyone? I know I’ve mixed feelings on Chang. I saw he’s in Twelve Monkeys but I think I’ve deliberately forgotten that film and I’ve not seen The Imaginarium of Doctor Parnassus yet. 
  • Born December 13, 1949 – R.A.MacAvoy, 69. She won the John W. Campbell Award for Best New Writer in 1984.  Loved her Black Dragon series. Other series include the Damiano, Lens of the World and Albatross. If memory serves me right, I read The Grey Horse at a time when I was obsessively into Irish myth and liked it a lot for its storytelling. 
  • Born December 13, 1954 – Emma Bull, 64. Writer of three of the best genre novels ever, Bone Dance: A Fantasy for Technophiles, Finder: A Novel of The Borderlands and War for The Oaks. Will Shetterly, her husband and author of a lot of really cool genre works, decided to make a trailer for the latter.  You can see it here. Oh, and the Faerie Queen is Emma herself.
  • She’s also been in in a number of neat bands, one that has genre significance that being Cats Laughing which has Stephen Brust, Adam Stemple, son of Jane Yolen, and John M. Ford either as musicians or lyricists. They came back together after a long hiatus at MiniCon 50 and you can read the Green Man review of the CD / DVD combo they put out here.
  • Born December 13, 1954 – Tamora Pierce, 64. Her first book series, The Song of the Lioness, taking her character Alanna through the trials training as a knight, sold very well and was well received by readers.That Erie’s, like most of work, is set is in Tortall, world akin to European Middle Ages. What I’ve seen of it I like a lot. She would win in 2005 the Edward E. Smith Memorial Award for Imaginative Fiction, a rare honor indeed. 

(9) PREVIEW OF COMING ATTRACTIONS. Jonathan Cowie writes: “SF2 Concatenation is gearing up now (before the Seasonal festive distractions) for its next seasonal edition to be posted mid-January.But the science part of its content will include…” —

A fuller figure has oft (rightly/or wrongly) been associated with US citizens and even SF fans.  But it seems as if the rest of the world is catching up and, indeed, over-taking!

Research just published today in the BMJ suggests that a number of countries’ restaurant meals have more calories than their counterparts in the US…

Modelling indicated that, except in China, consuming current servings of a full service and a fast food meal daily would supply between 70% and 120% of the daily energy requirements for a sedentary woman, without additional meals, drinks, snacks, appetizers, or desserts.

CONCLUSION
Very high dietary energy content of both full service and fast food restaurant meals is a widespread phenomenon that is probably supporting global obesity. This arguably needs to be addressed.

Stanley Robinson’s Icehenge now a mathematical formula

Kim Stanley Robinson’s 1984 novel Icehenge depicts a long-lived future human society that forgets its recent past…  Now research published in Nature has revealed that in reallife events, concerns, music etc, decays from our cultural memory mathematically.

In addition to science, the forthcoming seasonal edition of SF2Concatenation will have SF news (relating to publishing, TV and film), forthcoming SF as well as fantasy book titles, and convention reports including this year’s Worldcon, plus another in a series of articles of scientist SF authors favourite scientists.

(10) STAN LEE CAMEO. [Item by Mike Kennedy. Vanity Fair: “Behind the Scenes of Stan Lee’s Spider-Man: Into the Spider-Verse Cameo”. Fair Warning: THE VANITY FAIR ARTICLE CONTAINS SPOILERS, though none are (intentionally) included below. (Their spoiler warning appears immediately after the paragraphs quoted below.)

It won’t be his last, but it may be his best.

Though he died last month, Marvel Comics legend and Spider-Man co-creator Stan Lee pre-recorded several cameos for upcoming films before he passed—including a touching, animated appearance in Spider-Man: Into the Spider-Verse. Loaded with a heavy significance that resonates independent of his death, this emotionally resonant appearance is nothing like the zippy, superficial live-action and animated appearances Lee made in the past. That’s because the Spider-Verse filmmakers were determined to honor Lee’s legacy by breaking open narrow definitions of what it means to be a hero—and because of some personal events in Lee’s life that made his Into the Spider-Verse cameo particularly weighty. (The cameo also happens to be wickedly funny, which is part of Lee’s legacy as well.) The filmmakers—including Into the Spider-Verse’s three directors—took Vanity Fair behind the scenes of Lee’s appearance, as well as the in memoriam title card that closes out the film.

(11) A SPACE FIRST. BBC says they made it: “Branson’s Virgin Galactic successfully reaches space”.

The latest test flight by Sir Richard Branson’s Virgin Galactic successfully rocketed to space and back.

The firm’s SpaceShip Two passenger rocket ship reached a height of 82.7km, beyond the altitude at which space is said to begin.

It marked the plane’s fourth test flight and followed earlier setbacks in the firm’s space programme.

Sir Richard is in a race with Elon Musk and Jeff Bezos to send the first fee-paying passengers into space.

(12) BACK IN THE AREA CODE. It can be called a success once the data’s sent back — “Parker Solar Probe: Sun-skimming mission starts calling home”.

Just weeks after making the closest ever flyby of the Sun, Nasa’s Parker Solar Probe is sending back its data.

Included in the observations is this remarkable image of the energetic gas, or plasma, flowing out from the star.

The bright dot is actually far-distant Jupiter. The black dots are repeats that occur simply because of the way the picture is constructed.

Parker’s WISPR instrument acquired the vista just 27.2 million km from the surface of the Sun on 8 November.

(13) BOGUS BOT. Reminds me of the 19th-century chess-playing automaton. From the BBC: “Robot turns out to be man in suit”.

A robot on show at a Russian state-sponsored event has turned out to be a man dressed in a costume.

Robot Boris featured on Russian TV and was apparently able to walk, talk and dance.

But soon after its appearance journalists began to question the bot’s authenticity.

In a picture published afterwards on social media, the neck of a person was clearly visible

(14) HISTORY BELOW THE WATERLINE. “Lake Titicaca: Underwater museum brings hope to shores”.

…The 9,360-sq-m building will have two parts, one located on the shore where pieces salvaged from the lake will be exhibited and another semi-submerged part which will allow visitors to see some of the underwater structures, dubbed “hidden city”, through glass walls.

(15) SEASONS’ EATINGS. Visitors to the UK will have noticed their strangely-flavored potato chips, but the strangeness is spreading to pizza, croissants, and ham: “Marmite sprouts? Why retailers are pushing the boundaries with festive food”.

Many readers will find the thought of Christmas tree-flavoured crisps revolting, but Iceland is betting its customers will feel the opposite this festive season.

The crisps are part of the supermarket chain’s festive food range, and have a distinct pine-like taste thanks to their pine salt seasoning, which is made with pine tree oil.

It is part of a wider trend for novel, sometimes bizarre fusion foods that has swept the UK over the last few years as retailers vie for our attention and our cash.

(16) WELL, SHEET. “Nasa’s IceSat space laser makes height maps of Earth” – BBC has the story.

One of the most powerful Earth observation tools ever put in orbit is now gathering data about the planet.

IceSat-2 was launched just under three months ago to measure the shape of the ice sheets to a precision of 2cm.

But the Nasa spacecraft’s laser instrument is also now returning a whole raft of other information.

It is mapping the height of the land, of rivers, lakes, forests; and in a remarkable demonstration of capability – even the depth of the seafloor.

“We can see down to 30m in really clear waters,” said Lori Magruder, the science team leader on the IceSat mission. “We saw one IceSat track just recently that covers 300km in the Caribbean and you see the ocean floor the entire way,” the University of Texas researcher told BBC News.

[Thanks to Martin Morse Wooster, Andrew Porter, JJ, Carl Slaughter, John King Tarpinian, Mike Kennedy, Cat Eldridge, StephenfromOttawa, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 11/28/18 When The Pixeling Gets Tough, The Tough Get Scrolling

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(1) ATWOOD SEQUEL. With A Handmaid’s Tale enjoying great success as a TV series, Publishers Weekly reports “Margaret Atwood Is Writing a Sequel to ‘The Handmaid’s Tale'”.

Following two years in which Margaret Atwood‘s classic dystopian novel The Handmaid’s Tale saw a skyrocketing in readership and new cultural relevance, both on television and in society at large, the author has announced a sequel.

The Testaments, set 15 years after the final scene of The Handmaid’s Tale, will be published on September 10, 2019, by Nan A. Talese/Doubleday, with an announced first printing of 500,000 copies….

“Dear Readers: Everything you’ve ever asked me about Gilead and its inner workings is the inspiration for this book,” Atwood said in a statement. “Well, almost everything! The other inspiration is the world we’ve been living in.”

The Testaments is not connected to the television adaptation of The Handmaid’s Tale, which is headed into its third season, six Emmy Awards in tow.

(2) NEBULA CONFERENCE PRICE RISE. Sean Wallace reminded people you have only until Friday to get the early bird special convention rate for SFWA’s Nebula Conference before it goes significantly up.

(3) IN FUTURE TENSE. Each month in 2018, Future Tense Fiction—a series of short stories from Future Tense and ASU’s Center for Science and the Imagination about how technology and science will change our lives— publishes a story on a theme. The theme for October–December 2018: Work. And this month’s story is “Overvalued” by Mark Stasenko, a TV writer whose credits include the Peabody Award–winning series American Vandal.

“How was your day?” Jack asked his wife as she took off her black leather pumps at the door of their spacious industrial-chic condo in NoMad.

“Good,” Sophia lied.

They didn’t use to lie to each other, not even about small things. Unfiltered honesty had always come naturally to them, despite their glaring differences—maybe because of them. But for the past six weeks, nothing seemed natural anymore. It was strange how much the death of a stranger had changed things.

It was published along with a response essay, “What’s Stopping Human Capital From Becoming a Security?”, by investor and writer Zachary Karabell.

That’s the specter raised by Mark Stasenko’s macabre short story of a not-too-distant future in which the potential of an individual has been turned into a tradeable security via a Prodigy Market in which investors can buy, sell, or short promising people.

Elements of the story are already real. Insurance companies have for many years insured vital aspects of individual talent and worth—Lloyd’s of London has famously insured Betty Grable’s legs and Bruce Springsteen’s voice….

(4) RESPONSES TO SILVERBERG. Here are a pair of analytical reactions to Robert Silverberg’s Racism and Sexism post on File 770, plus N.K. Jemisin’s answer.

Brianne Reeves of BreeReadsBooks wrote an open letter, “Dear Robert Silverberg…”, a free read on her Patreon page:

…I understand you are upset that someone spread your words around. Such is the way with playground gossip, too. You still need to apologize.

I understand that you don’t mean to cause harm. You should still think critically about how your words have evoked it.

I understand you do not go into your projects with an explicitly biased eye. You should consider one of the truest premises Science Fiction embraces: we are not always aware of our biases.

I understand you are not trying to exclude others. Consider that systems are built with inclusion and exclusion in mind. You should think through who is excluded in our publishing model and how that is painful and harmful to our community….

Will Emmons’ Facebook post tries to place Silverberg’s arguments in cultural and political context:

…The ‘drama’ is sort of beside the point though. Except it’s a place to jump off for a conversation of culture and politics. A better question than Robert Silverberg’s personal views, or even his personal history, is what the politics of fandom and/or other cultural affinity groups is or should be. I’m a communist and have my own views about this but I’m mostly going to be talking about other people’s views as I understand them.

A position common to the old school liberals and conservatives as well as the emergent far right is the intellectually dishonest statement that politics has no place in fandom. Silverberg writes of Jemisin’s Hugo speech that he “felt that her angry acceptance speech had been a graceless one, because I believe that Hugo acceptance speeches should be occasions for gratitude and pleasure, not angry statements that politicize what should be a happy ceremony.”

I say this is dishonest because the old school liberals and conservatives of the generation before Silverberg’s engaged in personal and political struggles against the left-leaning Futurian fans. It came to a head at the 1939 Worldcon when a number of important Futurians were barred from entry. For his own part, back in the 50s Silverberg’s immense output included, among everything else, what Nazis call “message fic,” i.e. stories that disagree with fascist values. Google “The Happy Unfortunate,” a public domain short story where genetically engineered spacemen are kept out of the main city through an apartheid-like arrangement.

N.K. Jemisin’s thread starts here.

https://twitter.com/nkjemisin/status/1067841652100947974

https://twitter.com/nkjemisin/status/1067841653459877889

(5) MORE ON FACIAL RECOGNITION. Writing in Forbes Magazine, Emeritus Professor of AI and Robotics Noel Sharkey looks at the dire warnings of totalitarianism that science fiction has provided, from Orwell to Doctorow, and asks us to consider what the tipping point is at which unfreedom begins: “Get Out Of My Face, Get Out of My Home: The Authoritarian Tipping Point”.

…There is an even more serious question than the massive inaccuracy of face recognition technology outside of the lab. It is even more serious than the racial and gender prejudice of the technology. The question is why the hell are we allowing law enforcement to scan our faces and use them for data?

Inaccurate face recognition creates grave injustices and sooner or later the wrong people will die because of it. But better accuracy may be even worse for the direction of our society. I fully understand how useful it would be for the police to catch dangerous wanted criminals and safely follow potential terrorists wherever they go. But at what cost to our lives?

Imagine if all of the mass of security cameras were equipped with reasonably accurate face recognition – and this is not totally unrealistic – there would be no place to hide. The more this is used, the cheaper it will get and the more AI will be used to act on the data. How long will it be before people are tracked for trivial offenses by face recognition software and told to wait until they are picked up? This technology would put great power in the hands of the authorities.

This is not the society that I wish to live in. Yet huge numbers of us are helping the quest by allowing apps like Facebook to collect data about our faces. When we post pictures of our friends on Facebook and tag them, we are providing data for face recognition algorithms to link those faces with their personal data. Some phones now acquire your face data so that it can be used to recognize you and open your phone….

(6) HILLENBURG OBIT. SpongeBob Squarepants’ creator Stephen Hillenburg died November 26 at age 57 — Variety has the story.

That same year [1992] he won an award for Best Animated Concept at the Ottawa International Animation Festival for his animated short “Wormholes”, which went on to be shown at various international animation festivals. From 1993 to 1996 he would pursue work in television as a director and writer on Nickelodeon’s series “Rocko’s Modern Life.”

From there, he began to work full-time on writing producing, and directing on the animated series that would eventually become “SpongeBob SquarePants.” The first episode aired on Nickelodeon on May 1, 1999 and the series commenced its full run on July 17 of that year. The series has aired nearly 250 episodes to date. It appealed not only to children but older viewers as well, with college students even organizing viewing parties for the show.

(7) BURT OBIT. Andrew Burt (1945-2018): British actor, died November 16, aged 73. Genre appearances include The Legend of King Arthur (seven episodes, 1979), Blake’s 7 (one episode, 1980), Gulliver in Lilliput (four episodes, 1982), Doctor Who (three episodes, 1983), Super Gran (one episode, 1985).

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and JJ.]

  • Born November 28, 1930 – William Sargent, 88, Actor who played Dr. Leighton in “The Conscience of the King”, a first-season episode of Star Trek. He also had guest roles on Mission: Impossible, The Twilight Zone, The Alfred Hitchcock Hour, The Invaders, and Voyage to the Bottom of the Sea, and appeared in the zombie movie Night Slaves. He was in the pilot but not the regular cast for the TV series The Immortal, for which SFWA Grand Master James Gunn was head writer.
  • Born November 28, 1939 – Walter Velez, Artist. His agent and fellow artist Jill Bauman wrote, “Walter created illustrations for most of the major book and gaming companies. He has been long known for his cover art for such popular books such as the Thieves World series and the Myth Adventures series, both edited by Robert Asprin; and the Ebenezum, Wuntor, and Cineverse Cycle series, all by Craig Shaw Gardner. Walter illustrated for TSR games extensively. He applied his multi-faceted talents to trading cards for the Goosebumps series for the Topps Company, and a series of Dune trading cards. In the early 80’s he worked with Random House to create art for several Star Wars books that were licensed from George Lucas.” (Died 2018.)
  • Born November 28, 1946 – Joe Dante, 72, Director and Producer. Warning, this is a personal list of works he directed that I’ve really, really enjoyed – starting off with The Howling, then adding in the Saturn-nominated Innerspace, both of the Saturn-nominated Gremlins films (though I think only the first is a masterpiece, which is why that Saturn nom got him a trophy), Small Soldiers, and The Hole (2009). For television work, he’s directed episodes for quite a number of series, but the only one I can say I recall and was impressed by was his Legends of Tomorrow “Night of the Hawk” episode. As Producer, I see he’s responsible for The Phantom (proving that everyone has a horrible day), the Jeremiah series, and an upcoming horror film called Camp Cold Brook.
  • Born November 28, 1950 – Ed Harris, 68, Actor, Director, and Producer with a lengthy genre resume whose first role was in the Michael Crichton-directed version of Robin Cook’s Coma, but whose most famous genre role, depending on your flavor of fandom, might be his Oscar-nominated turn as Flight Director Gene Kranz in the Hugo finalist Apollo 13 (which earned him a sly voice cameo as Mission Control in Gravity), his Saturn-winning lead role as The Man in Black in the TV series Westworld, his Saturn-nominated performance as an undersea explorer in the Hugo finalist The Abyss, or his Oscar- and Saturn-nominated part as the exploitative genius of The Truman Show.
  • Born November 28, 1952 – S. Epatha Merkerson, 66, Actor who has spent around 25 years in main roles in Dick Wolf’s Law & Order and Chicago procedural dramas, but who managed to sneak in genre roles in the films Jacob’s Ladder, Terminator 2: Judgment Day, and Slipstream, and a main role in the short-lived 1990s cyborg police series Mann & Machine.
  • Born November 28, 1961 – Alfonso Cuarón, 57, Writer, Director, and Producer from Mexico who has directed three impressive genre films: the Hugo finalists Harry Potter and the Prisoner of Azkaban and Children of Men (based on P. D. James’ 1992 novel of the same name) and the Hugo Award-winning Gravity, for which he also won an Oscar. He also produced the Hugo-winning Pan’s Labyrinth, and is the creator of Believe, a TV series about a young girl born with special supernatural abilities she can not control, which lasted thirteen episodes. The Possibility of Hope, a documentary short film which he directed, looks at different matters of the world such as immigration, global warming and capitalism through the eyes of scientists and philosophers.
  • Born November 28, 1962 – Mark Hodder, 56, Writer from England who is best known for his Burton & Swinburne alternate-history Victorian steampunk novels, starting off with The Strange Affair of Spring-Heeled Jack, which deservedly garnered the 2010 Philip K. Dick Award. Books 3 and 4, Expedition to the Mountains of the Moon and The Secret of Abdu El Yezdi, were finalists for Sidewise Awards. His A Red Sun Also Rises recreates a sort of Victorian London on a far distant alien world (emphasis on “sort of”). And then there’s Consulting Detective Macallister Fogg, which appears to be his riff off of Sherlock Holmes, only decidedly weirder.
  • Born November 28, 1984 – Mary Elizabeth Winstead, 34, Actor, Singer, and Producer whose roots are deepest in the horror genre, with notable roles in Sky High, Final Destination 3, Monster Island, Black Christmas (so merry-sounding, that), the recent reboot of The Thing, Abraham Lincoln: Vampire Hunter (anyone seen this?), 10 Cloverfield Lane (for which she won a Saturn Award), The Ring Two, and the upcoming Gemini Man. Her series work includes Touched by an Angel and its spinoff Promised Land, Wolf Lake, Tru Calling, The Returned, and a guest voice role on the animated Danger & Eggs series (which I am not describing).
  • Born November 28, 1987 – Karen Gillan, 31, Actor, Writer, and Director whom Doctor Who fans know as Amy Pond, companion to the Eleventh Doctor; two episodes in which she appeared, “The Pandorica Opens/The Big Bang” and “The Doctor’s Wife”, won Hugo Awards. More recent high-profile roles include playing Nebula in the Guardians of The Galaxy and Avengers movies, and Ruby Roundhouse in Jumanji: Welcome to the Jungle. Other genre appearances include the supernatural thriller films Outcast and Oculus, and the multi-platform horror story The Well.

(9) BOOKSHOP OPENS NEW BRANCH UNDER FANNISH MANAGEMENT. Milwaukee’s Renaissance Bookshop (best known for having the world’s first used-book store in an airport) opened a new branch in suburban Southridge Mall at 6 a.m. on Black Friday. The manager is 23-year-old second-generation fan/bookseller Kelly J.A. Lowrey, child of “Orange Mike” Lowrey and C.Kay “Cicatrice” Hinchliffe. The present staffing at the Southridge store is “heavily fannish”, reports proud papa Mike, and looks likely to remain so.

(10) HIS DAY JOB. Paul Di Filippo excerpted “Philip F. Nowlan’s Early Journalism” in a post at TheInferior4.

Philip F. Nowlan, the fellow who created Buck Rogers, worked as a journalist prior to that milestone. By accident, I stumbled on a column he used to write, three samples of which are here…

(11) DILLON SOLO. Aficianados remember Leo & Diane Dillon’s many collaborative sff book covers. But I haven’t seen much solo work. Now there’s a gallery of Leo Dillon’s solo art at the Flying Cars and Food Pills blog. Andrew Porter sent the link together with his photo of Leo (Diane visible over his left shoulder) from the opening of a show at their son’s Fusion Designs Gallery, a now-closed gallery in Brooklyn.

Leo Dillon. Photo © Andrew Porter

(12) PRINCESS CASTING. The Washington Post’s Michael Cavna interviews Pamela Ribon, a writer of Ralph Breaks the Internet, about a scene where Vannellope Van Schweetz is surrounded by nearly a dozen Disney princesses.  She talks about how she developed the scene and how she recruited seven former Disney princesses to recreate their original roles as cameos. “How ‘Ralph Breaks the Internet’ spoofs the Disney Princess industrial complex”.

That conversation carried over to the early story stages of the “Ralph” sequel. “I thought: ‘Gosh, why isn’t Vanellope canon?’ “ Ribon says. “To me, she’s my kind of princess — in a hoodie.”

“At first we were joking about Vanellope photobombing the [seven] dwarfs,” Ribon says. That brainstorming evolved into having Vanellope — who goes AWOL from her Sugar Rush game — come upon the Oh My Disney area of the Internet.

“What if they’re trying to determine whether or not she’s canon — whatever that thing [is] that they decide at Disneyland that allows some of them to get their coronation,” Ribon says of having the princesses grill Vanellope on her potentially royal résumé. “And so I took it from there.”

But while executing her idea, Ribon says, she began to have a “true panic attack,” so she contacted a friend — a walking Wikipedia of Disney facts — and told her: “I have all these tropes and I just want to make sure I have the right princesses. Which ones were kidnapped? Which ones have daddy issues?

“She was like: ‘What are you doing?’ “

(13) LION KING. In a Washington Post article “‘The Lion King’ remake’s trailer confuses the Internet: Just what is ‘live action’ anymore?”,  Michael Cavna says there is a major controversy over whether Disney’s remake of The Lion King is “live action” when “everything on the screen looks like a painted pixel.” He mentions an article on the Cartoon Brew website called “Don’t Let Disney Gaslight You: The Lion King Remake Is An Animated Film.”

Over the Thanksgiving holiday, Disney released the first trailer for next year’s “Lion King” remake — which trades in the 1994 original’s 2D animation for CGI re-creation — and after more than 224 million views within the first day, the debate was sparked: Just how is this a “live-action” film when everything on the screen looks like a painted pixel?

Some viewers tweeted their confusion over the trailer — perhaps expecting a so-called live-action remake of “The Lion King” to be more in the vein of the costuming in Julie Taymor’s smash Broadway musical.

And the high degree of cinematic similarity prompted some users to post shot-by-shot comparisons of the original and the remake.

(14) IN YOUR COPIOUS SPACETIME. James Davis Nicoll chronicles “Six SF Novels (and One Song) Built Around Space Travel and Time Dilation” at Tor.com.

No hope for men with pretensions of following in Captain Kirk’s footsteps in Joan D. Vinge’s 1974 novella Tin Soldier (originally collected in Orbit 14, later reprinted in Eyes of Amber). Starflight is the exclusive domain of women; men, physiologically incapable of serving as waking crew, are consigned to the status of hibernating cargo. The story follows an intermittent romance between two people: a woman whose career as crew leaves her skipping across decades and her immortal cyborg bartender friend, who is making his way through time the slow way.

(15) VIRGIN GALACTIC ON THE CUSP. Christian Davenport’s Washington Post article “Virgin Galactic’s quest for space” has an article about Virgin Galactic and Sir Richard Branson’s plans for space exploration.  He believes that the company has nearly recovered from the death of test pilot Michael Alsbury in 2014 and that SpaceShipTwo should offer tourist flights very shortly.

Today, four years later, the company says it is once again at that moment. Branson, chastened by the crash and the ensuing federal investigation, recently said that the company is “more than tantalizingly close” and that “we should be in space within weeks, not months.”

Virgin Galactic’s next flight of SpaceShipTwo, its winged and sporty space plane, is scheduled for launch in the coming weeks and could, after years of trying, give Branson his long elusive conquest of blasting through the atmosphere. It would mark a historic milestone for Virgin and Branson, a master of marketing and hype who for years has become an evangelist for space exploration.

[Thanks to Olav Rokne, Steve Green, Joey Eschrich, Cat Eldridge, JJ, John King Tarpinian, Chip Hitchcock, Martin Morse Wooster, Mike Kennedy, rcade, Orange Mike Lowrey, Carl Slaughter, StephenfromOttawa, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Olav Rokne.]

Charity in Space

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A trip into space with Leonardo DiCaprio sold for £1.19 million at an AIDS research fundraiser held during the 2013 Cannes Film Festival.

A seat beside The Great Gatsby actor on Sir Richard Branson’s Virgin Galactic space flight was auctioned at amfAR’s 20th annual gala. Seats on these flights, which Virgin Galactic hopes to commence by the end of 2013, usually sell for £132,406.

After winning, Monaco based Russian estate agent Vasily Klyukin, 37, said: ‘I want to be a bit daring. I will have to give up smoking now for sure!’

Whether the winning bidder wants the company of a wealthy charmer, the assurance of riding with a great aviator, or advice from a capable coach in the event of a wreck, we know DiCaprio has flourished in all three roles.

[Thanks to David Klaus for the story.]