Pixel Scroll 12/8 When Blogs Collide

(1) ROBOTS FLASH. At the Barnes & Noble blog they’re “Introducing the 12 Days of Robot Christmas” — 12 Days of Flash Fiction from Angry Robot Authors (plus eBook discounts). Posted so far —

Still to come — Adam Rakunas (12/9), Marianne de Pierres (12/10), Peter McLean (12/11) , Carrie Patel (12/14), Ferrett Steinmetz (12/15), Peter Tieryas (12/16), Rod Duncan (12/17), and Matthew De Abaitua (12/18)

Matt Hill’s installment “The New Tradition” begins with a strong hook –

Every Christmas Eve since the biological attack, they let me visit Nan to see what was left of her.

(2) LANSDALE. Joe R. Lansdale will be honored with the 2015 Raymond Chandler Award at Courmayeur during the Noir in Festival to be held December 8-13.

With over forty novels and hundreds of stories to his credit, Lansdale is perhaps the most prolific and brilliant writer working in the noir genre today. With models such as Edgar Rice Burroughs, Mark Twain and Jack London, but also the science fiction of Ray Bradbury and Fredric Brown, as well as comic strips, B movies and “pulp” fiction, Lansdale´s novels are a blend of his jaded sense of humor, unbridled imagination and an unsparing description of reality in its most ruthless, violent and absurd incarnations. His books include The Drive-In and The Drive-In 2, Mucho Mojo, Two-Bear Mambo, Bad Chili, Rumble Tumble, Edge of Dark Water, Devil Red, The Bottoms (winner of an Edgar Award in 2001), Bubba Ho-Tep, and Hap & Leonard.

At Courmayeur, Lansdale will be presenting his latest novel, Honky Tonk Samurai (published in Italian by Einaudi): a new investigative romp featuring the popular characters Hap Collins and Leonard Pine.

The Raymond Chandler Award is a lifetime achievement award. Past winners include sf/f/h writer J.G. Ballard (1995), and Michael Connelly, Scott Turow and John le Carré,

(3) COMPANION ISSUES. James Whitbrook tells how he deals with post-traumatic television series stress in his confessional “The Exact Moment When Doctor Who Taught Me to Never Trust Television Again” at io9.

And being an idiot teen, it was shocking enough to basically make myself vow to never be hurt by television again. Oh, teen James. TV drama basically exists to hurt us on an emotional level, you silly fool. But it kickstarted a habit I still have to this day—if I’m invested in a television series, be it Doctor Who or anything else, I keep up with all the behind the scenes info I can. I go as far as to hunt out spoilers, just to see what’s happening or if people are leaving a show, so I can prepare myself. If I’m binge-watching a show and find myself liking a certain character, I absent-mindedly Google them on my phone to find out if they inevitably die or leave the series before it ends. It infuriates my friends and family, but it’s a force of habit for myself now.

(4) Alamo Drafthouse will host a movie-watching endurance contest in Austin — Star Wars : The Marathon Awakens.

Starting promptly at 4 AM, December 17th, the seven pre-selected fans will take their seats at Alamo’s South Lamar venue to view the first six STAR WARS films in sequential order. Following the close of the initial marathon they will then participate in an endless, round-the-clock screening of STAR WARS: THE FORCE AWAKENS until one final fan is left to claim their mantle of inter-galactic super fan supremacy….

For a chance to be chosen as one of the seven lucky participants in STAR WARS: THE MARATHON AWAKENS, fans need to show the Alamo Drafthouse their Jedi devotion on Instagram, Twitter and Facebook using the #AlamoJedi hashtag. Tattoos, toy collections, cosplay, Hoth haiku — whatever he or she feels shows their ultimate dedication to STAR WARS should be posted to sway the votes of the Alamo’s Jedi Council.

Rules are a requirement for every budding Jedi and STAR WARS: THE MARATHON AWAKENS is no exception. Participants will be given breaks between movies to stretch their legs and channel their inner Force. Sleeping, illegal drugs and talking & texting during the movies (of course) will result in disqualification and a swift trip to the Sarlacc Pit. However, for those strong enough to persevere, intergalactic immortality awaits.

(5) EDELMAN REVISITS 1974. Scott Edelman’s first Worldcon was Discon II in 1974. He has posted scans of the event schedule.

So which of these programming items did I choose to attend?

Well, there was no way I was going to miss Isaac Asimov and Harlan Ellison hurling insults at each other across a crowded ballroom, or the screening of a rough cut of A Boy and His Dog, or Roger Zelazny’s Guest of Honor speech, or the Hugo banquet and ceremony. Or endless wandering through the dealers room, where I picked up several items I still own to this day.

Sadly, of many panels I remember little. A women in science fiction panel featuring Susan Wood, Katherine Kurtz, and Chelsea Quinn Yarbro? A panel on the problems facing today’s (well, 1974’s) science fiction magazines, with Jim Baen, Ben Bova, Ed Ferman, and Ted White? How I wish there was audio or video of those for us to relive those presentations today!

(6) TRAILER FORECAST. ScreenRant has learned the Star Trek Beyond trailer will premiere with Star Wars 7.

THR is reporting that Star Trek Beyond‘s first trailer will be attached to The Force Awakens in theaters – though, of course, it’s far from the only 2016 tentpole that is expected to hitch a ride aboard the Star Wars train. Indeed, both the recently-unveiled Captain America: Civil War teaser trailer and Batman v Superman: Dawn of Justice‘s third theatrical preview are both likely candidates to be shown before The Force Awakens. Furthermore, it’s been reported in the past that the first X-Men: Apocalypse trailer will make its debut on the big screen with co-writer/director J.J. Abrams’ Star Wars feature, as might also be true for another 20th Century Fox project – Roland Emmerich’s alien invasion sequel, Independence Day: Resurgence.

(7) SCULL ANALYZES TOLKIEN BIOS. Christina Scull assays the field in “Tolkien Biographies Continued, Part One” on Too Many Books and Never Enough.

Christina writes: In the Reader’s Guide volume of our J.R.R. Tolkien Companion and Guide Wayne and I devoted nearly seven pages to a review of biographies of Tolkien which had appeared to date (2006). Carpenter’s of course was, and remains, the standard life, and the source upon which most subsequent biographers of Tolkien have relied to a great extent. The major exceptions, in terms of new research, are John Garth in Tolkien and the Great War and ourselves in the Companion and Guide, but a few others have made notable contributions to the literature. Diana Pavlac Glyer in The Company They Keep: C.S. Lewis and J.R.R. Tolkien as Writers in Community (2007) has a worthwhile discussion of the importance of the Inklings to Tolkien. Andrew H. Morton has produced two studies (the first in association with John Hayes) centred on Tolkien’s Aunt Jane Neave: Tolkien’s Gedling 1914: The Birth of a Legend (2008) and Tolkien’s Bag End: Threshold to Adventure (2009). Phil Mathison has filled in some details about Tolkien’s life during the First World War in Tolkien in East Yorkshire 1917–1918 (2012). And Arne Zettersten in J.R.R. Tolkien’s Double Worlds and Creative Process: Language and Life by Arne Zettersten (2011, previously published in Swedish in 2008) recalls his meetings and conversations with Tolkien in the latter’s final years (although Zettersten refers to correspondence, no quotations are given) and usefully discusses Tolkien’s academic work on the ‘AB language’.

(8) A ROAD NOT TAKEN. The actor’s daughter told the Guardian that “Toshiro Mifune turned down Obi-Wan Kenobi and Darth Vader Roles” when George Lucas was casting the original Star Wars movie.

The star of Rashomon and Seven Samurai was approached by George Lucas to appear in his 1977 sci-fi adventure, but the two couldn’t strike a deal, according to the Hollywood Reporter.

“I heard from my father that he was offered the role of Obi-Wan Kenobi, but he was concerned about how the film would look and that it would cheapen the image of samurai, on which George Lucas had based a lot of the character and fighting style,” said Mika.

The plot of Star Wars was loosely based on The Hidden Fortress, a 1958 film that Mifune starred in for director and frequent collaborator Akira Kurosawa.

“At the time, sci-fi movies still looked quite cheap as the effects were not advanced and he had a lot of samurai pride,” Mika said. “So then, there was talk about him taking the Darth Vader role as his face would be covered, but in the end he turned that down too.”

Other actors who turned down roles in the film include Al Pacino, Jack Nicholson, Burt Reynolds, Robert De Niro and James Caan.

(9) BRACKETT SMACK. Christopher M. Chupik volunteers his previously unsuspected ability to identify deserving feminist icons in “To Tower Against The Sky”.

Despite being an inspiration to such writers as Ray Bradbury, Michael Moorcock and E. C. Tubb, Brackett seems to have fallen into a curious limbo. Feminists like to invoke her name in lists of female SF authors, but there seems to be a curious reluctance to speak of the woman or her work. A female writer who held her own in a male-dominated field long before the women’s liberation movement would seem to be the kind of role model modern feminists would want to celebrate, right?

Wrong. Nowadays, she’s mostly known for having written the first draft of The Empire Strikes Back, very little of which made it to the screen. And this is often portrayed as the crowning achievement of her career….

And here, I suspect, we come to the real reason the feminists have marginalized Brackett: she was a conservative.

I had to dig a bit to confirm this. I had a suspicion based on her work that her opinions were not quite in tune with modern leftist orthodoxy. Brackett, along with her husband Edmond Hamilton, were signatories to the pro-Vietnam War petition that appeared in the June 1968 issue of Galaxy. Combine that with her disinterest in feminism, and it becomes very clear why Brackett has been allowed to drift towards obscurity

(10) THEY TOLD DISNEY NO THANKS. The Hollywood Reporter says “Plans for Unfinished Disney Park in St. Louis Up for Auction”  — by Profiles in History, on Thursday.

In the 1960s, Disney drew up plans for an indoor theme park in downtown St. Louis before giving up in a dispute over money and turning attention to Florida.

Imagine packing up the kids and heading for that dream vacation to a Disney theme park … in St. Louis.

It almost happened a half-century ago when Disney drew up plans for an indoor theme park in downtown St. Louis before giving up in a dispute over money and turning its attention to Florida. St. Louis’ loss was the Orlando area’s gain: Walt Disney World became one of the world’s top tourist attractions.

St. Louis can only lament what might have been….

On Thursday, one of the few remnants of the park goes on the auction block — 13 pages of 1963 blueprints spelling out plans for “Walt Disney’s Riverfront Square” in St. Louis. The Calabasas, Calif.-based company Profiles in History is offering up the blueprints as part of its “Animation and Disneyana” auction

(11) CANDIDATES FOR MST3K. Now that Mystery Science Theater 3000 has successfully crowdfunded a string of new episodes, the crew will have to pick some bad flicks to abuse. CNET’s Danny Gallagher helpfully names “7 movie turkeys the new MST3K needs to tackle”.

Any movie buff knows there are still plenty of bad movies out there that deserve to get the MST3K treatment. Here are seven of those stinkers.

  1. “Yor, the Hunter from the Future”

…The people who made this dud don’t seem sure what genre they want it to be. “Yor” starts as a prehistoric adventure movie, but it morphs into science fiction when UFOs and technological warfare are shoved into the plot. They should have called this one, “Yor, the Warrior from…Squirrel!”

(12) A POLITICAL COMMENT. Apparently having a nose isn’t enough to recommend him — J.K. Rowling tweeted Tuesday that Donald Trump is worse than Lord Voldemort.

Rowling’s tweet came after Trump called for preventing all Muslims from entering the United States.

(13) FOUNDING A CON. Lou J. Berger and Quincy J. Allen’s We Are ALL Science Fiction theme will be embodied by a convention bearing the same name, to be held November 4-6, 2016 in Ocean Shores, WA.

Put on by an all-fan, all-volunteer, non-profit group made up of fans with decades of experience in con running and attending (from all over the globe), our first annual convention will feature award-winning authors Mike Resnick, Nancy Kress, Elizabeth Ann Scarborough, Jody Lynn Nye, and many others, including Hugo nominee Jennifer Brozek, Anna Korra’ti, Raven Oak, with other guests such as Scott Hungerford (Games), Marvel comic artist (and fine artist) Jeffrey Veregge, Musical guest Dara Korra’ti of Crime & the Forces of Evil, Tor editor Beth Meacham, and actor Drew Hobson (Voice of Marcus, State of Decay).  We hope to be an international fan destination as we add more speakers and guests in the coming months!

An Indiegogo appeal to pay the expenses has raised $25 of its $9,000 goal in the first 23 hours.

(14) THE FOUNDERS’ CODE. The We Are ALL Science Fiction Code of Conduct announced by Lou J. Berger and Quincy J. Allen is:

#WeAreALLSF is open to all comers, no exceptions, no exclusions, and in this place we treat everyone with respect, even if we disagree with them.

There is one rule: If you don’t have something nice to say, then say it someplace else. Lou and I will be rather draconian in removing those who can’t follow such a simple rule.

That is our one code of conduct.

(15) THE PAST THROUGH PHOTOSHOP. artworkofarmies’ collection “Images may not be historically accurate” improves WWII-era photos by adding science fictional references.

View post on imgur.com

(16) RETRO MOVES FORWARD. Von Dimpleheimer, our correspondent from 1940, has made progress with his due diligence for Volume 5 of Retro-Hugo eligible stories.

I went back and double and triple checked all the previous stories and the ones that would be in Volume Five and I found another mistake. In 1950, Nelson Bond made a fix-up novel of the Lancelot Biggs stories and did renew the copyright of that book in 1977. I removed “Lancelot Biggs Cooks a Pirate” from Volume One and uploaded the new version. I actually knew about the book and remember checking for a renewal, but just missed it somehow.

I cut the Lancelot Biggs stories from Volume Five and I am sure the remaining stories are public domain, but I’ll quintuple check them before I send you the links later this week.

On the plus side, all this checking led me to the fact that “Russell Storm” was actually Robert Moore Williams and I now have two more of his stories for future volumes.

(16) FAVORITE 2015 FANTASY. Stephanie Bugis’ list of “Favorite Fantasy Novels from 2015” leads off with a book by Aliette de Bodard.

 

  1. The House of Shattered Wings, by Aliette de Bodard. Rich, immersive, gorgeous dark fantasy with fallen angels and Vietnamese Immortals, set in a magically post-apocalyptic version of twentieth-century Paris. I read the whole thing on my overnight plane ride back from America to the UK this summer and was so absorbed, I didn’t even mind the lost sleep! You can read my full Goodreads review here.

(17) STOCK THE SHELVES. Melissa Gilbert’s post “Read Like a Writer” at Magical Words takes inspiration from several Stephen King quotes.

I am going to start with the first quotation: “If you want to be a writer, you must do two things above all others: read a lot and write a lot. There’s no way around these two things that I’m aware of, no shortcut.”

I cannot express how much truth there is to these statements. Writing is hard work, contrary to the romanticized ideal of a guy with a beret sitting in a Parisian coffee shop daydreaming about the next bestseller. Being a writer is sitting at the keyboard and pushing keys in rapid succession trying to convey into words the sometimes jumbled picture that is floating around in your brain. It’s living off Snickers bars for a while because you have a deadline and no time to cook actual food. It’s reading in the bathroom instead of Facebooking because you need to finish that next chapter. It’s lugging a book or forty with you in your suitcase when you go on vacation so that you don’t run out of things to read. It’s typing with your thumbs on your smartphone while waiting for the elevator or while commuting on the train so you can get your thousand words in that day. It’s talking to people when you get stuck. It’s staring at the blank page in abject fear that no ideas will come. Writing isn’t easy. Okay, maybe it is. Let me rephrase. GOOD writing isn’t easy. But some things (like reading) can help to make it pleasurable.

(18) ONE’S THE LIMIT. Madeleine E. Robins advocates limiting a character’s advantages over others in “A Rule of One” at Book View Café.

I have this theory. Or maybe it’s just an idea. It’s about the advantages you give your characters. And how many advantages you can give them without distracting from the story or making them unbearable.

Advantages? Beauty is one, and very common; but there’s also intelligence, skill, charm, grace, wit, fortune, discernment, athletic ability, good birth, kind parents, a person who encourages them to follow their dreams, etc. All of these things are wonderful. But most people don’t get to have them all. And if you write a character who does get them all, it’s sort of cheating.

This is particularly important in writing historical fiction, or fantasy set in an historically inspired context (it works for SF too, but to keep things simple I’m limiting my scope). It is easy, and tempting, to create a character who is ahead of her/his time: “You fools, feudalism is doomed! Let us storm the castle and demand the birth of democracy!” A reader may want to sympathize with a character who partakes of our sensibilities more than he does of those of his time, but some writers leave out any clue as to where that vision came from.

(19) RED MARS. According to io9, a live-action adaptation of Kim Stanley Robinson’s Red Mars is coming to Spike TV.

J. Michael Straczinski and Game of Throne’s Vince Gerardis are executive producing, and believe it or not, Spike TV has ordered it “straight-to-series” without a pilot.

(20) SELDES OBIT. Editor and literary agent Timothy Seldes died December 5 reports Newsday. He was 88.

Raised in New York City and a graduate of the University of California, Los Angeles, Seldes grew up around words, ideas and the performing arts. He was the brother of Tony-winning actress Marian Seldes, son of the drama critic and author Gilbert Seldes and nephew of the pioneering press critic George Seldes. He spent much of his editing career at the Doubleday house, where he rose to managing editor and authors included [Richard] Wright and Isaac Asimov.

(21) TWITTER. Your tweetage may vary. Ann Leckie’s certainly does, as she explains in “Me and Twitter”.

Now, I do look at my mentions, and not infrequently reply to those in some way. I do enjoy doing that. But every now and then, someone will turn up in my mentions in some way that’s very clearly designed to get my attention in a particular way–the tweeter wants me to notice their book, or asks explicitly that I follow them back (and they’re not someone I already know). I’m going to be honest, this irritates me. No offense, right? They’re obviously using Twitter as a promotional tool, where I’m using it to hang with people. This is mostly fine with me, in the abstract, I’ve got no problem with publicity or promotion. In the concrete and specific, I’d suggest that approaching promotion on Twitter as largely a question of amassing a lot of followers who you can then tweet to about your book is, perhaps, not as effective as you imagine it might be. I’ll also suggest that, if you want to engage the interest of someone with a lot of twitter followers, whose retweets or conversations with you might bring you the visibility you’re after, you might want to do your research about who that person is and why they have those followers, and not try to engage them with generic questions, let alone passive-aggressive tweets meant to guilt or provoke that person into replying or following back. But, you know, it’s your call, your life, your Twitter feed. And I’m totally okay with using the block and mute buttons whenever it seems convenient. (That would be the way the “react badly” mentioned in the tweets above usually manifests itself.)

(22) DRAWING TO A PAIR OF VONNEGUTS. Ginger Strand’s biography The Brothers Vonnegut is receiving mixed reviews, though all the critics say it’s interesting.

Katy Waldman on Slate finds some of connections discovered by the author “immensely satisfying.”

The Brothers Vonnegut, with its perfect-storm-of-concepts subtitle “Science and Fiction in the House of Magic,” focuses on Bernard and Kurt Vonnegut during the late ’40s and ’50s, when both were involved in the glittering ascent of General Electric during the postwar prosperity boom. Bernard, an MIT graduate and model elder son, researches at the company’s prestigious science lab. Kurt, having survived the Western Front (where he saw the firebombing of Dresden firsthand), takes a job as a PR flack, issuing zingy press releases about GE’s latest innovations.

Ben Jackson at the Guardian concludes:

[Kurt] didn’t hold out much hope for us: in Fates Worse than Death he wrote: “My guess is that … we really will blow up everything by and by”. No doubt Strand is right to locate the origin of many of his concerns in his time at GE, and there is certainly a lot to be said for her interesting book, but Kurt Vonnegut had more on his mind than the weather.

Jeff Milo at Paste Magazine is the most enthusiastic:

The benefits of The Brothers Vonnegut are threefold, starting with Strand’s insights into the professional and domestic lives of these two brothers, both equally strong-willed in their works despite their fields being worlds apart. Strand also draws attention to the vital support these brothers received from their wives, Lois Bowler with Bernard and Jane Marie Cox (Kurt’s first wife). More than that, though, these women are able to substantially enter into the narrative’s insightful spotlight, rather than being merely supportive backdrops for the brothers.

(23) RAMPAGE ON RECORD. Jim Mowatt’s run to Save the Rhino made the Cambridge News.

Mowatt in Cambridge News

(24) PLUTO ON CAMERA. NASA has released a video composed of the sharpest views of Pluto obtained by its New Horizons spacecraft during its flyby in July.

[Thanks to Von Dimpleheimer, Alan Baumler, David K.M. Klaus, JJ, Andrew Porter, Hampus Eckerman, Cat Eldridge, Rob Thornton, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Brian Z.]

Fourth Volume of Free Stories Eligible for 1941 Retro Hugos

Short Fiction Eligible for the 1941 Retro-Hugos Vol. 4, a collection of 13 12 public domain novellas published in 1940, is the latest collection from File 770 commenter von Dimpleheimer. (Earlier posts contain links to Volume One, Volume Two, and Volume Three.)

Volume Four is the all novella volume, with nine eight new novellas and four others repeated from previous volumes.

These books are created to help MidAmeriCon II members who will vote next year on the Retro Hugos (along with the regular Hugos).

The links lead to a Google storage drive.

Von Dimpleheimer’s introduction explains the limits of his own collection, and drops loud hints where to find the others, at least some of which are still be under copyright.

The 13 novellas included here constitute 20% of the approximately 62 novellas published in 1940. So if you dust off your copy of The Complete Compleat Enchanter, rummage though your stack of Heinlein paperbacks, and shell out a few bucks for a collection or two, you will not only become an authority on the novellas of 1940 and be invited to speak at conferences around the world, you will be able to nominate with a confidence unobtainable in the short story category.

And he obligingly includes a list of 49 other 1940 novellas that are not in the collection.

Meanwhile, here is the table of contents of Volume Four.

  • Nelson S. Bond “The Ultimate Salient” Planet Stories, Fall 1940
  • Ray Cummings “Space-Liner X-87” Planet Stories, Summer 1940
  • Oscar J. Friend “Roar of the Rocket” Thrilling Wonder Stories, April 1940
  • André Maurois “Fatapoufs and Thinifers” Fatapoufs and Thinifers French 1930. Translated from French by Rosemary Benét. Fattypuffs and Thinifiers, English, 1940
  • Phil Nowlan “Space Guards” Astounding Science-Fiction, May 1940
  • Norvell W. Page “But Without Horns” Unknown, June 1940
  • Ray Palmer “Black World” Amazing Stories, March 1940 and April 1940
  • John Murray Reynolds “Goddess of the Moon” Planet Stories, Spring 1940
  • Nat Schachner “Master Gerald of Cambray” Unknown, June 1940
  • Don Wilcox “The Robot Peril” Fantastic Adventures, January 1940
  • Don Wilcox “The Whispering Gorilla” Fantastic Adventures, May 1940
  • Robert Moore Williams “The Golden Princess” Fantastic Adventures, August 1940
  • Robert Moore Williams “Jongor of Lost Land” Fantastic Adventures, October 1940

A fifth volume is in the works, and he says, “Barring the unforeseen inheritance of a literary estate or a pile of 75 year-old magazines, all new stories in Volumes Five and up will be less than 17,500 words long.”

Update 12/07/2015: Von Dimpleheimer has removed “Fattypuffs and Thinifiers” from Volume Four and uploaded a new file without the story. He says: “Someone pointed out they had a version that has a copyright renewal date of 2006. After doing some more research, I don’t know if it is protected by copyright or not, so I have to assume it is.”

Pixel Scroll 12/2 Have Rocket, Will Unravel

(1) SECOND OPINION. The President of Turkey is not a forgiving audience for social satire. So we learn from “Turkish Court to Determine if Gollum-Erdogan Comparison is Insult” at Voice of America.

The fate of a Turkish doctor is in the hands of experts who are tasked with determining whether he insulted the Turkish president by comparing him with the Gollum character from the “Lord of the Rings.”

Bilgin Ciftci could face two years in jail for sharing images on Facebook that seemed to compare President Recep Tayyip Erdogan to the creepy character from J.R.R. Tolkien’s novels and film adaptations….

Turkish law states that anyone who insults the president can face a prison sentence of up to four years. Even stiffer sentences could befall a journalist.

Between August 2014, when Erdogan was elected, to March of this year, 236 people have been investigated for “insulting the head of state,” according to the BBC. Just over 100 were indicted.

 

Erdogan Gollum

(2) DIANA’S BOOK ON KINDLE. Now you can pre-order a Kindle edition of Bandersnatch, Diana Pavlac Glyer’s book about the Inklings. The release date is December 8.

You can also request a download of the first chapter at the Bandersnatch website.

(3) THESE THINGS COST MONEY! Destroying Death Stars is bad for galactic business. Or so claims a Midwestern academic. “Professor calculates economic impact of destroying ‘Death Stars’”.

Assistant professor of engineering at Washington University Zachary Feinstein recently published a study entitled “It’s a Trap: Emperor Palpatine’s Poison Pill” which posits that there would be a “catastrophic” economic crisis in the Star Wars universe brought on by the destruction of the Death Stars.

Feinstein’s research indicates that the two Death Stars constructed in the films cost approximately $193 quintillion and $419 quintillion respectively to complete. He calculated the cost of the planet-destroying space weapons by comparing them to the real life USS Gerald Ford.

According to Feinstein, the economic impact of both Death Stars being destroyed within a four-year period would cause an economic collapse comparable to the Great Depression.

Feinstein says the size of the Galactic economy would drop by 30 percent without a government bailout, which he doesn’t believe the Rebel Alliance would provide.

Well, there’s your problem. Rebel governments are notoriously reluctant to bail out recently overthrown tyrants.

(4) MONDYBOY TAKES STOCK. Ian Mond is “Moving Forward” at The Hysterical Hamster.

For the last three months I’ve had the nagging suspicion that I was a dead man walking when it came to writing reviews.  As much as I’ve enjoyed the process of reading novels on shortlists and then sharing my thoughts, the time it was taking to write a half decent review meant I wasn’t keeping pace with my reading.  And as the gap between reviews and books read widened that nagging suspicion became a cold hard reality.

I simply don’t have the time to produce reviews of a quality high enough that I’m happy to see them published.  Yes, I could try to write shorter pieces, limit myself to 500 words, but every time I’ve attempted this my inner editor has taken a nap and before you know it I’ve spent five days writing a 1,500 word ramble.  And, yeah, I could Patreon the shit out of this blog in the vain hope that asking for cash will compel me (more likely guilt me) into writing a review every couple of days.  But fuck that.  I’d rather enjoy the books I’m reading then feel weighed down by the responsibility of having to review them.

So I’ve made the mature decision to quit while I’m ahead….

Will it last?  Will I be back in eight months with a similar post talking about how I no longer have the time to turn on my computer let alone snark about the Hugo Awards?  Very likely.  (I mean, it’s taken me three days to write this blog post).

(5) ROOTS. SF Signal’s latest “MIND MELD: The Influential roots of Science Fiction”, curated by Shana DuBois, asks:

What genre roots have you found to be most influential and inspiring for you and your own writing?”

Providing the answers this time are Usman T. Malik, SL Huang, Nicole Kornher-Stace, Ferrett Steinmetz, Wendy N. Wagner, Kat Howard, Daryl Gregory, Amal El-Mohtar, Lesley Conner, and Jennifer Marie Brissett

(6) AH, THE CLASSICS. Cat Rambo says yes, the “classics” are worth reading, in “Another Word: On Reading, Writing, and the Classics” at Clarkesworld.

The point I want to make about my perspective on the “classics” is that I’ve read a substantial portion, both of the F&SF variety and the larger set, and made some of them the focus of study in grad school. (Again from both sets, since that focus was an uneasy combination of late 19th/early 20th American lit and cultural studies with a stress on comics/animation. You can see me here pontificating on The Virtual Sublime or here on Tank Girl. I’m not sure I could manage that depth of theory-speak again, at least without some sort of crash course to bring me back up to speed. But I digress.)

So here’s the question that brought me here: should fantasy and science fiction readers read the F&SF classics? And the answer is a resounding, unqualified yes, because they are missing out on some great reading in two ways if they don’t. How so?

  1. They miss some good books. So many many good books. At some point I want to put together an annotated reading list but that’s a project for tinkering with in one’s retirement, I think. But, for example, I’m reading The Rediscovery of Man: The Collected Stories of Cordwainer Smith right now (in tiny chunks, savoring the hell out of it) and they are such good stories, even with the occasional dated bit.
  2. They miss some of the context of contemporary reading, some of the replies those authors are making to what has come before. The Forever War, for example, is in part a reply to Bill the Galactic Hero; read together, both texts gain more complexity and interest.

(7) This Day In History

  • December 2, 1939 – Laurel & Hardy’s The Flying Deuces is released, a movie without any science fictional content of its own (unless you count Oliver Hardy’s reincarnation as a horse in the final scenes), but figures strangely into an episode of Doctor Who. During “The Impossible Astronaut” (Doctor Who, S.6 ,Ep.10),Amy Pond, the Doctor’s companion, and Rory Williams watch the movie on DVD. Per the Wikipedia: “Rory sees The Doctor (Matt Smith) appear in the film running towards the camera wearing his fez and waving, before returning to dance with Stan and Ollie. This was achieved with Matt Smith dancing in front of a green screen.”

(8) BAXTER MARS SEQUEL. Gollancz has announced plans to publish Stephen Baxter’s sequel to Wells’ War of the Worlds.

The Massacre of Mankind is set in 1920s London when the Martians from the original novel return and the war begins again. However, this time they have learnt from their mistakes, making their attempts to massacre mankind even more frightening.

Baxter, who also co-wrote the Long Earth novels with Terry Pratchett, said it was an “honour” to write the sequel. “H G Wells is the daddy of modern science fiction. He drew on deep traditions, for instance of scientific horror dating back to Mary Shelley’s Frankenstein and fantastic voyages such as Jonathan Swift’s Gulliver’s Travels. And he had important near-contemporaries such as Jules Verne. But Wells did more than any other writer to shape the form and themes of modern science fiction, and indeed through his wider work exerted a profound influence on the history of the twentieth century.”

It’s due to be published in January, 2017. This time, we’re told, the Martians have learned the lessons of their failed invasion: they’ll no longer fall prey to microbial infection.

(9) FASTER. Gregory Benford has posted John Cramer’s contribution to The 100 Year Starship Symposium, “Exotic Paths To The Stars.”

I was Chairman of the Exotic Technologies Session held on October 1, 2011, at the 100 year Starship Symposium in Orlando Florida.  This chapter draws on the talks given in that session, but it does not represent a summary of the presentations.  Rather, I want focus on three lines of development in the area of exotic technologies that were featured at the Symposium, developments that might allow us to reach the stars on a time scale of a human lifetime: (1) propellantless space drives, (2) warp drives, and (3) wormholes.  With reference to the latter two topics, I will also discuss some cautions from the theoretical physics community about the application of general relativity to “metric engineered” devices like wormholes and warp drives that require exotic matter…

(10) HINES DECOMPRESSES. Jim C. Hines has “Post-Convention Insecurities” after his stint as Loscon 42 GoH.

I understand the phenomenon a bit better these days, but it still sucks. Partly, it’s exhaustion. You’re wiped out after the convention, and being tired magnifies all those insecurities. And the fact is, I know I stick my foot in it from time to time. We all do. It’s part of being human.

But I spend conventions trying to be “on.” Trying to be friendly and entertaining and hopefully sound like I know what the heck I’m talking about. Basically, trying to be clever. And I trust most of you are familiar with the failure state of clever?

Sometimes a joke falls flat. Sometimes I say something I thought was smart and insightful, realizing only after the words have left my mouth that it was neither. Sometimes an interaction feels off, like I’ve failed at Human Socializing 101. Or I get argumentative about something. Or I fail to confront something I should have gotten argumentative about. I could go on and on about the possibilities. That’s part of the problem.

The majority of the conversations and panels and interactions were unquestionably positive. But there’s a span when my brain insists on wallowing through the questionable ones, and I keep peeking at Twitter to double-check if anyone has posted that Jim C. Hines was the WORST guest of honor EVER, and should be fired from SF/F immediately.

Whether or not Jim had any influence on the result, I think it’s appropriate that in a year when he was GoH Loscon put together its most diverse range of program participants, probably ever – substantive speakers from all kinds of backgrounds.

(11) HOW GOOD WAS GOODREADS CHOICE? Rachel Neumeier browses the genre winners of the 2015 Goodreads Choice Awards.

If it’s a massive popularity contest you aim for, then the Goodreads Choice Awards is ideal. I dunno, I think in general I am most interested in the results of awards like the World Fantasy Award, which has a panel of judges; or the Nebula, which requires nominations to come from professional writers. In other words, not wide-open popularity contests. On the other hand, there’s a place for pure popularity too, obviously, and it was really quite interesting seeing what got nominated in all the Goodreads categories.

Of course I read mainly books that have been recommended by bloggers I follow and Goodreads reviewers I follow and so on, so these awards don’t much matter to me — no awards matter to me in that sense — but still, interesting to see what’s shuffled up to the top of the heap for 2015…

(12) SEE TWILIGHT ZONE WITH HARLAN. Cinefamily’s December events at the Silent Movie Theater in LA includes a celebration of the 30th anniversary of CBS’ 1985 version of The Twilight Zone, with Harlan Ellison, Rockne S. O Bannon, Bradford May, Michael Cassutt, Alan Brennert, Paul Lynch, William Atherton, J.D. Feigelson, Martin Pasko, Rebecca (Parr) Beck & Steven Railsback in person. December 5, starts at 5:30 p.m., tickets cost $14 (free for members).

Twilight zine new

You unlock this door with the key of imagination. Beyond it is another dimension-a dimension of sound, a dimension of sight, a dimension of mind. You’re moving into a land of both shadow and substance, of things and ideas-you just crossed over into the Twilight Zone…

Rod Serling opened his beloved, suspenseful, witty, and social commentary-filled drama with the same intonation every time, before presenting each delightfully formulaic science fiction fantasy, from 1959 to 1964. Those episodes will never cease to be replayed, but in 1985 CBS gave fans some new material to latch onto… an 80s revival of the series, created with the participation of writers, filmmakers, and actors for whom the original was a beloved memory. Join Cinefamily and the cast & crew of the 80s Twilight Zone at this 30th anniversary marathon and celebration, showcasing our absolute favorite 80s style sci-fi!!!

 

(13) KUNKEL FOLLOW-UP. After last week’s post “Kunkel Awards Created”, I was able to ask some follow-up questions of the organizers. James Fudge, managing editor of Games Politics and Unwinnable, filled in some more background.

Most of the heavy lifting on this award needs to be credited to Michael Koretzky and the SPJ. Prior to AirPlay, Michael had talked to me about creating some kind of award to incentivize good games journalism. I thought this was a great idea. I also have a lot of respect for Bill Kunkel, and seeing how he is considered to be the very first “games journalist”  (and helped created the first publication dedicated to video games) it seemed right and fair that he should be honored by having an award named after him. I didn’t know Bill personally but we talked a lot about journalism, the industry, and wrestling on a mailing list dedicated to games journalists called “GameJournoPros.”

After the criteria for the awards was sorted out I reached out to the widow of Bill Kunkel to ask for permission, She kindly gave us her approval.

(14) THE YEAR IN AFROSFF. Wole Talabi lists “My Favorite African Science Fiction and Fantasy (AfroSFF) Short Fiction of 2015”.

2015 has been a good year for African Science Fiction and Fantasy (or AfroSFF, as seems to be the consensus abbreviation). The year saw the release of Jalada’s Afrofutures anthology, Issues 2, 3, 4 and X of the new and excellent Omenana and  Short Story Day Africa’s Terra Incognita. Still to come are AfroSFv2 (edited by Ivor Hartmann), African Monsters (edited by Margret Helgadottir and Jo Thomas) and Imagine Africa 500 (edited by Billy Kahora and Trine Andersen). So much good stuff to read and more to come….

So in the interest of fueling discussion and analysis of AfroSFF stories in general, here are my favorite AfroSFF stories of 2015 in no particular order.

(15) Filer Von Dimpleheimer has done some light housekeeping in the first two volumes of his Short Fiction Eligible for the 1941 Retro-Hugos series.

I uploaded version 1.1 of Volume Two. I fixed some minor errors, but the main thing is that I put in the disclaimer page that was in Volume Three. I’ll do the same for Volume One as well.

The links should all be the same and still work. They worked for me after I had signed out of that account, but if you or any Filers have any problems, just let me know and I’ll try to sort it out.

(16) Harrison Ford was hilarious on The Tonight Show with Jimmy Fallon.

First, he tried explaining how he dislocated his ankle on the Star Wars: The Force Awakens set, using a Han Solo action figure.

Then, Ford and Jimmy downed Greedo shots and debuted a colorful drink created in honor of Star Wars: The Force Awakens.

(16) IT’S ONLY ROCK’N ROLL BUT I LIKE IT. Bill Roper says an ancient filk mystery has been solved.

Over 40 years ago, at the Toronto Worldcon in 1973, a young man joined the filk circle, sang a song, and vanished without a trace. The song was a lovely piece based on Arthur C. Clarke’s story, “The Sentinel”. Anne Passovoy was there and ended up reconstructing the song as best she could and adding it to her repertoire, noting that the song wasn’t hers, but presumably was something written by the anonymous young man.

And that was where things rested until last weekend at Chambanacon, when Bill Rintz and Bill Furry pulled out a song at their concert.

It was almost, but not quite the song that Anne had reconstructed. It was clearly the song that Anne had heard. All of the bones matched.

And so, as it turned out, did the feathers. Because this song was on The Byrds 1968 album, The Notorious Byrd Brothers, and titled “Space Odyssey”.

You can hear the original here. The lyrics are here.

(17) CARDS AGAINST WHOMANITY. io9 will let you “Print out the Doctor Who version of Cards Against Humanity right now”

Cards Against Humanity is the hilarious party game for horrible people, and now you can mix the game’s political incorrectness with your knowledge of Doctor Who thanks to a fan-made edition called Cards Against Gallifrey.

Because Cards Against Humanity is published under Creative Commons Attribution-NonCommercial-ShareAlike, anyone can make their own cards for the game, provided they publish them under the same license and don’t sell them. The comedy group Conventional Improv performs a game show based on Cards Against Humanity at different conventions, and this fall, in honor of the Doctor Who 50th anniversary, they played Cards Against Gallifrey and have made their version of the game available to the public. Naturally, it’s crude, offensive, and imagines most of the cast naked.

(18) GREEN ACRES. Kind of like living in a Chia Pet. “This kit lets you assemble your own green-roofed Hobbit home in just 3 days”  at The Open Mind.

Magic Green Homes fabricates such structures using prefabricated vaulted panels and covers them with soil, creating flexible green-roofed living spaces with a Tolkienesque charm. And the kicker? They’re so easy to construct, just about anyone can build one.

(19) ZICREE. Sci-fi writer-director-producer Marc Zicree gives you a tour of his Space Command studio while shooting Space Command 2: Forgiveness — and shows clips

[Thanks to Hampus Eckerman, von Dimpleheimer, Alan Dorey, John King Tarpinian, and Steven H Silver for some of these stories. Title credit goes to File 770 contributing editor of the day Brian Z.]

Third Volume of Free Stories Eligible for 1941 Retro Hugos

Short Fiction Eligible for the 1941 Retro-Hugos Vol. 3, a collection of 30 public domain stories by Ray Cummings and Henry Kuttner, has been issued by File 770 commenter von Dimpleheimer. (Earlier posts contain links to Volume 1, and Volume Two.)

These books are created to help MidAmeriCon II members who will vote next year on the Retro Hugos (along with the regular Hugos).

The stories in Volume Three are:

  • Ray Cummings “Arton’s Metal” in Super Science Stories, May 1940.
  • Ray Cummings & Gabrielle Cummings (as Gabriel Wilson) “Corpses from Canvas” in Horror Stories, May 1940.
  • Ray Cummings “The Girl from Infinite Smallness” in Planet Stories, Spring 1940.
  • Ray Cummings “Ice over America” in Thrilling Wonder Stories, August 1940.
  • Ray Cummings (as Ray King) “The Man Who Killed the World” in Planet Stories, Spring 1940.
  • Ray Cummings “Perfume of Dark Desire” by in Horror Stories, May 1940.
  • Ray Cummings “Personality Plus” in Astonishing Stories, October 1940.
  • Ray Cummings “Phantom of the Seven Stars” in Planet Stories, Winter 1940.
  • Ray Cummings “Priestess of the Moon” in Amazing Stories, December 1940.
  • Ray Cummings “Revolt in the Ice” Empire in Planet Stories, Fall 1940.
  • Ray Cummings “Space-Liner X87” in Planet Stories, Summer 1940.
  • Ray Cummings “The Thought-Woman” in Super Science Stories, July 1940.
  • Ray Cummings “The Vanishing Men” in Thrilling Wonder Stories, September 1940.
  • Ray Cummings “When the Werewolf Howls” in Horror Stories, May 1940.
  • Ray Cummings “World Upside Down in Thrilling Wonder Stories, December 1940.
  • Henry Kuttner (as Peter Horn) “50 Miles Down” in Fantastic Adventures, May 1940.
  • Henry Kuttner (as Kelvin Kent) “Beauty and the Beast” by Thrilling Wonder Stories, April 1940.
  • Henry Kuttner “A Comedy of Eras” in Thrilling Wonder Stories, September 1940.
  • Henry Kuttner “Dr. Cyclops” in Thrilling Wonder Stories, June 1940.
  • Henry Kuttner “The Elixir of Invisibility”  in Fantastic Adventures, October 1940.
  • Henry Kuttner (as Paul Edmonds) “Improbability” in Astonishing Stories, June 1940.
  • Henry Kuttner (as Paul Edmonds) “The Lifestone” in Astonishing Stories, February 1940.
  • Henry Kuttner (as by Kelvin Kent) “Man About Time” in Thrilling Wonder Stories, October 1940.
  • Henry Kuttner “No Man’s World” in Thrilling Wonder Stories, August 1940.
  • Henry Kuttner “Pegasus” in Famous Fantastic Mysteries, May-June 1940.
  • Henry Kuttner “Reverse Atom” in Thrilling Wonder Stories, November 1940.
  • Henry Kuttner “The Shining Man” (as Noel Gardner) in Fantastic Adventures, May 1940.
  • Henry Kuttner “Threshold” in Unknown, December 1940.
  • Henry Kuttner “The Uncanny Power of Edwin Cobalt” (as Noel Gardner) in Fantastic Adventures, October 1940.
  • Henry Kuttner “World without Air” in Fantastic Adventures, August 1940.

Click on the appropriate link to download a version from a Google storage drive.

Von Dimpleheimer has a fourth volume in process, however, his introduction to Volume 3 explains why you won’t be seeing some of 1940’s other most prolific authors in it – their work isn’t in the public domain.

According to ISFDB, Ray Cummings published 30 new stories in 1940 and Henry Kuttner published 23 stories and a novel. I believe this makes them the most prolific and fifth most prolific SF writers of that year, though they both sometimes (often?) wrote with their wives. Eando Binder (the brothers Otto and Earl Binder) are another team in the top five for 1940. In addition to being very productive, the brothers also had either a good record-keeping system, or Otto had a very good memory, for he was one of the handful of authors who renewed the copyrights for almost all of their 1940 stories in 1968. Therefore, none of their stories will be included in these volumes.

Of the top five, the only to write all of their stories alone (as far as is known) are John Russell Fearn and Nelson S. Bond. Fearn was British, so retroactively received life+70 years copyright for all his works, which will not become public domain until 2030. None of his stories will be included here either.

Second Volume of Free Stories Eligible for 1941 Retro Hugos

Short Fiction Eligible for the 1941 Retro-Hugos Vol. 2, a collection of 25 public domain stories, has been issued by File 770 commenter von Dimpleheimer. (A link to the first volume is here.)

The stories included in Short Fiction Eligible for the 1941 Retro-Hugos Vol 2 are free of known copyright restrictions. The PulpScans group scanned in the original magazines. Stories were then checked for copyright, compiled, converted, formatted, and proofread by von Dimpleheimer Press.

These books are created to help MidAmeriCon II members who will vote next year on the Retro Hugos (along with the regular Hugos).

The links lead to a Google storage drive.

The editor adds:

This time I also created a Kindle version, converted that back to epub and it works fine with ADE 4.5. I would only recommend the ADE epub if the epub from the first link doesn’t work well with a particular reading program.

(He has also produced an ADE epub version of Volume 1, to complement the existing epub and Kindle versions.)

The stories in Volume Two are:

  • “The Oversight” by Miles J. Breuer in Comet, December 1940.
  • “Land of Wooden Men” by John Broome in Fantastic Adventures, April 1940.
  • “In the Earth’s Shadow” by John L. Chapman in Comet, December 1940.
  • “The Girl from Infinite Smallness” by Ray Cummings in Planet Stories, Spring 1940.
  • “Heart of Atlantan” by Nictzin Dyalhis in Weird Tales, September 1940.
  • “Mind Over Matter” by Oscar J. Friend in Startling Stories, January 1940.
  • “Eyes That Watch” by Raymond Z. Gallun in Comet, December 1940.
  • “The Wizard of Baseball” by Milton Kaletsky in Fantastic Adventures, May 1940.
  • “The Ultimate Image” by P. Schuyler Miller in Comet, December 1940.
  • “Oscar, Detective of Mars” by James Norman in Fantastic Adventures, October 1940.
  • “The Man the World Forgot” by David Wright O’Brien (as John York Cabot) in Fantastic Adventures, April 1940.
  • “The Space Flame” by Alexander M. Phillips in Planet Stories, Spring 1940.
  • “Norris Tapley’s Sixth Sense” by Ed Earl Repp in Fantastic Adventures, April 1940.
  • “Worlds at War” by Ed Earl Repp in Fantastic Adventures, May 1940.
  • “Goddess of the Moon” by John Murray Reynolds in Planet Stories, Spring 1940.
  • “The Scientific Miler of Bowler U.” by Ivan Sandrof in Fantastic Adventures, October 1940.
  • “Revolt on the Earth-star” by Carl Selwyn in Planet Stories, Spring 1940.
  • “The Lodestone Core” by D. D. Sharp in Astonishing Stories, August 1940.
  • “New York Fights the Termanites” by Bertrand L. Shurtleff in Fantastic Adventures, February 1940.
  • “Bratton’s Idea” by Manly Wade Wellman in Comet, December 1940.
  • “Let War Gods Clash!” by Don Wilcox in Fantastic Adventures, February 1940.
  • “The Whispering Gorilla” by Don Wilcox in Fantastic Adventures, May 1940.
  • “Emergency Landing” by Ralph Williams in Astounding Science Fiction, July 1940.
  • “Lord of the Silent Death” by Robert Moore Williams in Comet, December 1940.
  • “Equation for Time” by R. R. Winterbotham in Comet, December 1940.

Free Collection of Stories Eligible for 1941 Retro Hugos

When File 770 commenter von Dimpleheimer heard about the 1941 Retro-Hugos, which MidAmeriCon II members will select in 2016 (in addition to the regular Hugos), he realized many of the eligible stories must be in the public domain.

He has assembled 26 of those stories in an epub that can be downloaded from his Google drive. Here is the link:

https://drive.google.com/file/d/0B2Q8-08mD2rFMk1BYVdRM2N3MEU/view?usp=sharing

In establishing their public domain status, he says research showed none of the stories had their copyrights renewed individually and most of them appeared in magazines which did not have their copyrights renewed. The magazines which did have their copyrights renewed were unable to renew the copyrights for these particular stories since their authors had died by then and death negates any contract the author may have had with a magazine.

I downloaded the volume and spent a few minutes seeing how easy it was to use. My epub reader (Adobe Digital Editions) couldn’t display the cover properly, and seemed to take a bit of time to open the pages, but in due course the text appeared onscreen, perfectly readable.

Table of Contents

  • “The Ray that Failed” by Albert Bernstein (as Donald Bern) in Fantastic Adventures, August 1940.
  • “Queen of the Metal Men” by Robert Bloch in Fantastic Adventures, April 1940.
  • “The Syphonic Abduction” by Hannes Bok in Futuria Fantasia, Winter 1940.
  • “The Voice of Scariliop” by Hannes Bok (as H. V. B.) in Futuria Fantasia, Winter 1940.
  • “Lancelot Biggs Cooks a Pirate” by Nelson S. Bond in Fantastic Adventures, February 1940.
  • “The Stellar Legion” by Leigh Bracket in Planet Stories, Winter 1940.
  • “The Flight of the Good Ship Clarissa” by Ray Bradbury in Futuria Fantasia, Spring 1940.
  • “The Piper” by Ray Bradbury (as Ron Reynolds) in Futuria Fantasia, Spring 1940.
  • “The Man Who Killed the World” by Ray Cummings (as Ray King) in Planet Stories, Spring 1940.
  • “Sabotage on Mars” by Maurice Duclos in Fantastic Adventures, June 1940.
  • “Glamour Girl-2040” by Oscar J. Friend in Startling Stories, May 1940.
  • “HEIL!” by Robert Heinlein (as Lyle Monroe) in Futuria Fantasia, Spring 1940.
  • “Tickets to Paradise” by D. L. James in Comet, December 1940.
  • “The Itching Hour” by Damon Knight in Futuria Fantasia, Spring 1940.
  • “50 Miles Down” by Henry Kuttner (as Peter Horn) in Fantastic Adventures, May 1940.
  • “The Shining Man” by Henry Kuttner (as Noel Gardner) in Fantastic Adventures, May 1940.
  • “Hell in Eden” by Richard O. Lewis in Fantastic Adventures, January 1940.
  • “Inflexible Logic” by Russell Maloney in The New Yorker, February 1940.
  • “Song in a Minor Key” by C. L. Moore in Scienti-Snaps, February 1940.
  • “Blue Tropics” by James Norman in Fantastic Adventures, April 1940.
  • “The Strange Voyage of Hector Squinch” by David Wright O’Brien in Fantastic Adventures, August 1940.
  • “The Intruder” by Emil Petaja in Futuria Fantasia, Winter 1940.
  • “Martian Terror” by Ed Earl Repp in Planet Stories, Spring 1940.
  • “The Tantalus Death” by Ross Rocklynne in Planet Stories, Spring 1940.
  • “The Girl in the Whirlpool” by Don Wilcox in Fantastic Adventures, August 1940.
  • “The Golden Princess” by Robert Moore Williams in Fantastic Adventures, August 1940.
  • “Captives of the Void” by R. R. Winterbotham in Fantastic Adventures, January 1940.