Tag Archives: Vonda McIntyre

Pixel Scroll 3/21/19 I’ll File You, My Pixel, And Your Little Scroll Too!

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(1) MCINTYRE. Followers of CaringBridge learned today that Vonda N. McIntyre has finished work on her book. Jane Hawkins announced:

Vonda has finished Curve of the World!  Be ready for a great read in a while! (No clue about publication date or anything like that.)

(2) PEAK OF THEIR CAREERS. Congratulations to Jason Heller (interviewed about his shortlisted book by File 770 in February), Alex Acks, and others whose work of genre interest made the finals of the 2019 Colorado Book Awards. Winners will be announced May 18. (Via Locus Online.)

Science Fiction/Fantasy

  • Murder on the Titania and Other Steam-Powered Adventures, Alex Acks (Queen of Swords)
  • While Gods Sleep, L.D. Colter (Tam Lin)
  • Denver Moon: The Minds of Mars, Warren Hammond & Joshua Viola (Hex)

General Nonfiction

  • Strange Stars: David Bowie, Pop Music, and the Decade Sci-Fi Exploded, Jason Heller (Melville House)

Juvenile Literature

  • The Lighthouse Between the Worlds, Melanie Crowder (Atheneum BFYR)
  • Del Toro Moon, Darby Karchut (Owl Hollow)
  • Nadya Skylung and the Cloudship Rescue, Jeff Seymour (Putnam)

(3) MARGINALIZED VOICES IN YA. Neither the headline on Katy Waldman’s New Yorker article, “In Y.A., Where Is the Line Between Criticism and Cancel Culture?”, nor the subhead, “When it comes to young-adult novels, what, precisely, is the difference between the marketplace of ideas and a Twitter mob?”, genuinely reflects her approach to the topic she discusses, however, they’re enough to help you decide whether you’d like to dive into the information she’s assembled.

…[A] disparaging Goodreads review, which took issue with Jackson’s treatment of the war and his portrayal of Muslims, had a snowball effect, particularly on Twitter. Eventually, Jackson tweeted a letter of apology to “the Book Community,” stating, “I failed to fully understand the people and the conflict that I set around my characters. I have done a disservice to the history and to the people who suffered.”

The Jackson fracas came just weeks after another début Y.A. author, Amélie Wen Zhao, pulled her novel before it was published, also due to excoriating criticisms of it on Twitter and Goodreads….

(4) DREAMING ABOUT THE DISNEY/FOX MERGER. Firefly fan and artist Luisa Salazar has created new Disney Princess images for Zoe Washburne, Inara Serra, Kaylee Frye, and River Tam.

(5) TWO RUSCH BOOKS IN NEW BUNDLE. “The 2019 Truly Epic Fantasy Bundle”, curated by Kevin J. Anderson, is available for a short time from StoryBundle.

Epic Fantasy is a genre that stretches the boundaries of the quest. Whether a triumph of good vs. evil, or a search for meaning or truth, these stories take readers to a new place.

For StoryBundle, you decide what price you want to pay. For $5 (or more, if you’re feeling generous), you’ll get the basic bundle of five books in any ebook format—WORLDWIDE.

  • Thought Gazer by Raymond Bolton
  • MythWorld by James A. Owen
  • Rider’s Revenge Trilogy Book 1: Rider’s Revenge by Alessandra Clarke
  • The Fey Book 1: The Sacrifice by Kristine Kathryn Rusch
  • Set in Stone by Frank Morin

If you pay at least the bonus price of just $15, you get all five of the regular books, plus TEN more!

  • Shadow Blade by Chris Barili
  • The Taste of Different Dimensions by Alan Dean Foster
  • The Whisper Prince Book 1: Fairmist by Todd Fahnestock
  • The Fey Book 2: The Changeling by Kristine Kathryn Rusch
  • The First DragonRider by Kevin McLaughlin
  • Accidental Thief by C.J. Davis and Jamie Davis
  • Viridian Gate Online: Side Quests by James A. Hunter, D.J. Bodden, N.H. Paxton & More
  • Half-Bloods Rising by J.T. Williams
  • Nova Dragon – Book One of the Goblin Star by Gama Ray Martinez
  • The Dragon’s Call Book 1: Dragon Sword by Angelique Anderson and Craig A. Price, Jr.

(6) AT THE CORE. The current Nature reports on “X-ray chimneys in the Galactic Centre”. Fermi gets mentioned, no sign of Santa, though.

X-ray observations of the Galactic Centre have uncovered chimney-like structures filled with hot plasma. The discovery might reveal how energy is transported from this central region to far-off locations….

The centre of our Galaxy hosts a supermassive black hole that currently emits electromagnetic radiation extremely weakly, but could have been much more active in the past. Observations of ?-rays have revealed two huge structures known as Fermi bubbles located above and below the Galactic plane1 . These bubbles are filled with highly energetic particles moving at close to the speed of light, which were released from the Galactic Centre a few million years ago. 

(7) TIE-INS. International Association of Media Tie-In Writers President Jonathan Maberry interviews “Pirate King” Chris A. Jackson.

What are you writing now? 

Actually, my latest tie-in gig came right through IAMTW! Thanks, guys! One of our members is not only a tie-in writer himself, but is an editor for Mongoose Publishing, a British game publisher. They’re doing a reboot of the great old SF RPG, Traveller, and the editor, Matthew Sprange, asked the group for anyone familiar with the game who was interested in writing a short story tie-in. I played Traveller a lot back in my college days, and jumped at the chance. I’ve since written four stories for Mongoose and I’m delighted with the experience!

What’s your fan experience been like?

Mixed, but primarily positive. We all get those one-star reviews, right? A few stand out, however, and they are curiously all of the same theme: men who don’t like romance in their fiction. Mostly, I just eye-roll these and let them go. You don’t like romantic elements in your fiction, don’t read mine, but don’t tell me I’m doing it wrong. For the most part, the fan response has been great, and the feedback from my publishers has been wonderful. You know you’re doing your job right when people come up to you at conventions begging for your next novel, and publishers actually solicit you for work without prompting. That, above all else, speaks for itself.

(8) HANRAHAN OBIT. The International Costumers Guild reports Jamie Hanrahan died March 20. He was an early member of S.T.A.R. San Diego, and his other fanac included a term as co-editor of PyroTechnics, “The Now and Then Newsletter of General Technics.” His son Chuck wrote, “There was some kind of cardiac event and despite all heroic attempts, they were unable to restore a cardiac rhythm.”

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 21, 1902 — Gustav Fröhlich. Not widely known before landing the role of Freder Fredersen in Fritz Lang’s Metropolis. Though my German be rusty, I see no indication that anything else he did was genre in nature. (Died 1987.)
  • Born March 21, 1936 — Margaret Mahy. New Zealand author of over a hundred children’s and YA books, some with a strong supernatural bent. She won the Carnegie Medal twice for two of her fantasy novels, The Haunting and for The Changeover, something only seven authors have done in total. (Died 2012,)
  • Born March 21, 1946 — Timothy Dalton, 73. He is best known for portraying James Bond in The Living Daylights and License to Kill but is currently in The Doom Patrol as Niles Caulder, The Chief. As I’ve said before, go watch it now!  He also was Damian Drake in Looney Tunes: Back in Action, Sir Malcolm on the Penny Dreadful series and Lord President of the Time Lords (Rassilon) during the Time of Tenth and Eleventh Doctors. He went to theatre to play Lord Asriel in the stage version of His Dark Materials.
  • Born March 21, 1956 – Teresa Nielsen Hayden, 63. She is a consulting editor for Tor and is best known for Making Light, ablog she shares with her husband Patrick. You can blame them for the Puppy target John Scalzi. And she is also one of the regular instructors for the writing workshop Viable Paradise.
  • Born March 21, 1958 — Gary Oldman, 61. First genre film role was as Rosencrantz in Rosencrantz & Guildenstern Are Dead. Next up is the lead role in Bram Stoker’s Dracula. And, of course, he was Jean-Baptiste Emanuel Zorg In Fifth Element followed by being Lost in Space‘s Dr. Zachary Smith which in turn led to Harry Potter’s Sirius Black and that begat James Gordon in the Batman films. Although some reviewers give him accolades for us as role as Dr. Dennett Norton in the insipid Robocop remake, I will not. Having not seen Dawn of the Planet of the Apes, I can’t say how he is as Dreyfus in it.
  • Born March 21, 1962 — Matthew Broderick, 57. Very long, so let’s get started… He started off in WarGames but appeared over the years in Ladyhawke, Project X, The Lion King franchise (surely talking lions are genre, aren’t they?), Infinity (anything about Richard Feynman is genre), Godzilla, Inspector Gadget, the remake of The Stepford Wives, The Tale of Despereaux and Adventure Time.
  • Born March 21, 1966 — Michael Carroll, 53. He also writes Judge Dreddfor 2000 AD and the Judge Dredd Megazine. He has other genre work such as the New Heroes series (known in the States as the Quantum Prophecy series) and the Pelicos Trilogy which is part noir mystery and part end of all things human as well.
  • Born March 21, 1985 — Sonequa Martin-Green, 34. She currently plays Michael Burnham on Discovery. She had a brief recurring role as Tamara in Once Upon a Time and a much longer recurring role on The Walking Dead as Sasha Williams but I’ve never seen her there as zombies hold no interest to me. Well Solomon Grundy does…  and she was in the Shockwave, Darkside film.
  • Born March 21, 1986 — Scott Eastwood, 33. Deputy Carl Hartman in Texas Chainsaw 3D (truly horrid idea that) Lieutenant GQ Edwards in Suicide Squad and Nathan Lambert in Pacific Rim: Uprising.

(10) NAME THAT MOON. Gently thieved from John Scalzi’s Twitter feed (like so many good things are), Phil Plait’s tweet leads us to his post on SYFY Wire “Contest: Pick names for Jupiter’s new moons!”

We already have wonderful names for some of Jupiter’s moons, like Io, Europa, Ganymede, Callisto (the four Galilean moons), Amalthea, Metis, Adrastea, Themisto, Carpo (also the little-known sixth Marx brother), Himalia, Leda… well, you get the picture. There are dozens more.

Now that these newly discovered moons have been confirmed it’s time to name them. In general, the discoverer can suggest names to the International Astronomical Union (or IAU), the keeper of rules and lists of names. They’ll mull things over and decide if the names are up to snuff.

Faced with this, Sheppard and his team have decided to do something fun: Hold a contest where you, Earthling, can suggest names for these tiny worlds*!

All you have to do is submit your suggestions to the team by simply tweeting them to the handle @JupiterLunacy (ha!) on Twitter, either as a text tweet or as a short video, and adding the hashtag #NameJupitersMoons. Cool!

(11) GIVING WRITER’S BLOCK A NEW MEANING. Also tweeted by Scalzi — he’s discovered a use for the toxic waste social media miscreants aim at GRRM:

(12) YMMV. David Doering has a point: “Saw the announcement of a Funko Stan Lee doll on Amazon to be released in April. What made me curious is the delivery options: I do not think the word ‘Expedited’ means what you think it does…”

(13) BARRIE AWARD. Philip Pullman has won the J.M. Barrie lifetime achievement award. The Guardian has the story —

Author of His Dark Materials acclaimed as ‘a magical spinner of yarns’ who appeals to all ages – especially children

(14) SLEUTH. BookRiot has a neat quiz called “Which kickass literary investigator are you?”

(15) TOUGH NEIGHBORHOODS. At Crimereads, Adam Abramowitz discusses how gentrification threatens crime and noir fiction set in big cities, because the dodgy neighborhoods where those stories are set are rapidly vanishing: “Noir in the Era of Gentrification”.

On the New York end, the bus route would take us through the Bronx, the borough announcing itself unfailingly with the calling card of a vehicle sitting squarely on its rims, hard by the side of the highway, engulfed in flames—welcome to the Bronx! Similarly, the arrival at the Port Authority Bus Terminal at 41st Street and 8th Avenue brought its own thrills. After all, it was a place described in a 1970 New York Times where “two types of people could be found inside, some are waiting for buses. Others are waiting for death.” Though they left out the pimps waiting for those starry-eyed ingénues from Middle America, those corn-fed easy marks, sad scripts in waiting.

 (16) EUROPE REBUILT. Cora Buhlert’s latest article Galactic Journey is about postwar architecture: “[March 21, 1964] Building the City of the Future upon Ruins: A Look at Postwar Architecture in Germany, Europe and the World”.

…One of my favourite new buildings in my hometown Bremen is the Stadthalle, a multi-purpose arena for exhibitions, sports events and concerts. Designed by Roland Rainer and completed only this year, the Stadthalle is notable by the six concrete struts which jut out of the front of the building and hold both the stands as well as the roof in a design reminiscent of tents and sailing ships.

For the Kongresshalle conference centre in Berlin, built for the Interbau exhibition of 1957, American architect Hugh Stubbins designed a spectacular hyperbolic paraboloid saddle roof, inspired by the Dorton Arena in Raleigh, North Carolina. The people of Berlin quickly nicknamed the organic structure the “pregnant oyster”.

(17) VIDEO OF THE DAY. In “How to Write Descriptively” on YouTube, Nalo Hopkinson, in a TedEd talk from 2015, uses the work of Kelly Link, Cornelia Funke, and Tobias Buckell to provide samples of how to write imaginatively.

[Thanks to Cora Buhlert, JJ, Frank Catalano, John King Tarpinian, Chip Hitchcock, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Martin Morse Wooster, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Rob Thornton.]

Pixel Scroll 3/18/19 I Needed Pixels Coz I Had None, I Filed The Scroll And The Scroll Won

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(1) MCINTYRE. CaringBridge readers received a saddening update about Vonda McIntyre’s status:

Vonda has been told she has somewhere between two weeks and two months. She’s doing well enough right now that she will probably last longer than the short end of this estimate but we aren’t seeing much cause for hope she might exceed the long end. 

She has signed up with hospice. The people who have come out this past week all seem smart and kind, and Vonda is pleased with them.

Vonda is, on the whole, fairly comfortable. She gets some pain before her scheduled paracentesis sessions, but she says it isn’t bad and goes away as soon as she gets the procedure. She’s weak, moves slowly, and sleeps a lot. However, she’s alert and engaged when she is awake, and has been enjoying visits from various people. She doesn’t eat much, but is still enjoying food and has no nausea issues.

Emotionally, I find her to be in astonishingly good shape. She’s still grieving the loss of Ursula and her sister, Carolyn, but she says she’s not especially upset about her own situation. She is focused on getting some things down, many of which are fun for her. This stuff could hit harder later but for now she seems calm and accepting.

Frank Catalano sent the link with a note: “Vonda was generous to me when I moved to the Seattle area in the 1980s and I took on the task of administering SFWA’s Nebula Awards. She and I and a small crew of volunteers stuffed and stamped numerous Nebula Awards Reports in my Queen Anne apartment. I consider her a friend and she has also encouraged my writing.”

(2) MONSTER MASH. A new trailer for Godzilla: King of the Monsters has dropped. The move arrives in theaters May 31

Following the global success of “Godzilla” and “Kong: Skull Island” comes the next chapter in Warner Bros. Pictures’ and Legendary Pictures’ cinematic MonsterVerse, an epic action adventure that pits Godzilla against some of the most popular monsters in pop culture history. The new story follows the heroic efforts of the crypto-zoological agency Monarch as its members face off against a battery of god-sized monsters, including the mighty Godzilla, who collides with Mothra, Rodan, and his ultimate nemesis, the three-headed King Ghidorah. When these ancient super-species—thought to be mere myths—rise again, they all vie for supremacy, leaving humanity’s very existence hanging in the balance.

(3) ALSO NSFWWW. Camestros Felapton pauses for breath at almost the halfway point in the series to write a quick review: “Love, Death + Robots: Initial Impressions”.

I’ve watched eight episodes (out of eighteen) of Netflix’s “Adult” anthology series based on contemporary SF short stories. It’s ‘Adult’ in the sense of stereotypes of adolescent male interests which means many episodes with gore and most episodes with CGI boobs. There are some good pieces but they are ones that differ sharply from the general aesthetic.

(4) TECH SUPPORT. Brianna Wu has an opinion piece in today’s Boston Globe: “Senator Warren is onto something: The best way to protect the tech industry is to break it up”.

I’ve spent a career working in tech as a software engineer. And I believe regulated markets are the best way to build and deliver innovative products. That might sound counterintuitive. But increasingly, the largest players in the game aren’t playing by the same rules. Instead, they’re using their power to bully or buy out the competition.

That’s why I was thrilled last week when Senator Elizabeth Warren put forward a bold plan to break up the largest tech companies, including Facebook, Google and Amazon. Many parts of the plan are strong and have widespread support by industry experts, such as breaking up Facebook and Instagram. Other parts inadvertently jeopardize privacy and increase consumer risk of malware and spyware. Overall, it’s a strong start to an antitrust conversation that is long overdue.

(5) WOLFE’S SERVICE RECOGNIZED. Last week at the International Association for the Fantastic in the Arts conference, Gary K. Wolfe received the Robert A. Collins Service Award, “presented to an officer, board member, or division head for outstanding service to the organization.” [Via Locus Online.]

(6) IMPATIENTS. In “Cory Doctorow’s Radicalized and Audience Awareness”, Joseph Hurtgen urges us all to “Put Cory Doctorow’s Radicalized on your reading list. It’s a short and powerful meditation on the power of the internet to radicalize suffering individuals, the broken healthcare system in the US, the exploitation of the poor in America, and the broken judicial system in the US.”

…Doctorow considers a slightly different kind of mass murdering, one with a political agenda. The terrorists in Doctorow’s world kill to force the US to fix the broken healthcare system. In the 21st century, our situation is that experimental treatment for cancer is available to those that can write a seven-figure check. But for the rest of us, no matter how much we’ve paid into the system, death is still the only cure. 

(7) HOLDING FORTH. YouTube has video of Isaac Asimov on The David Letterman Show, October 21, 1980

(8) ELLEN VARTANOFF OBIT. Ellen Vartanoff (1951-2019) died March 17 reports her brother-in-law, Scott Edelman.

Stu McIntire wrote a tribute for ComicsDC:

Ellen Vartanoff was a fan, a collector, creator, artist, teacher, mentor and so much more to countless friends and admirers. Condolences to Irene, Scott, and all of Ellen’s family. I will always carry with me the last time I saw Ellen.

The Washington Post covered a 1997 exhibition she put together from her own cartoon collection:

“I’ve been in love with cartoons since I was 7 years old,” says Vartanoff, 46, who financed her early comic book purchases by collecting returnable soft drink bottles, which brought her 2 cents each. “That amount was more meaningful back when comics cost a dime. My sister and I have been collecting comics since 1957 and began collecting original cartoon art in the 1960s, way before it became a popular thing to do.”

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 18, 1926 — Peter Graves. Star of Mission Impossible and the short lived Australian filmed Mission Impossible which if you’ve not seen it, you should as it’s damn good. I’m reasonably certain his first genre role was on Red Planet Mars playing Chris Cronyn. Later roles included Gavin Lewis on The Invaders, Major Noah Cooper on Buck Rogers in the 25th Century, Doug Paul Martin in Killers from Space and Paul Nelson on It Conquered the World. It’s worth noting that a number of his films are featured on Mystery Science Theater 3000 series. (Died 2010)
  • Born March 18, 1932 — John Updike. It might surprise you to learn that there are two Eastwick novels, The Witches of Eastwick and The Widows of Eastwick, the latter set some three decades after the first novel ended. He wrote a number of other genre-friendly novels including The Centaur, Brazil and Toward the End of Time. (Died 2009.)
  • Born March 18, 1947 — Drew Struzan, 72. Artist known for his more than a hundred and fifty movie posters which include films in Back to the Future, the Indiana Jones, and Star Wars film franchises. In addition, he designed the original Industrial Light & Magic logo for Lucas. My favorite posters? Back to the Future, The Goonies and The Dark Crystal.
  • Born March 18, 1950 — J. G. Hertzler, 69. He’s best known for his role on Deep Space Nine as the Klingon General (and later Chancellor) Martok. He co-authored with Jeff Lang, Left Hand of Destiny, Book 1, and Left Hand of Destiny, Book 2, which chronicle the life of his character. His very TV first role was a genre one, to wit on Quantum Leap as Weathers Farrington in the  “Sea Bride – June 3, 1954” episode. Setting aside DS9, he’s been in Zorro, Highlander, The Adventures of Brisco County, Jr., Lois & Clark: The New Adventures of Superman, Lois & Clark: The New Adventures of Superman, Charmed, Roswell and Enterprise series;  for film genre work, I see The Redeemer: Son of Satan, Treasure Island: The Adventure Begins and Prelude to Axanar (yet another piece of fanfic). In addition, he’s done a lot of video game voice acting, the obvious Trek work but such franchises as BioShock 2, The Golden Compass and Injustice: Gods Among Us. 
  • Born March 18, 1959 — Luc Besson, 60. Oh, The Fifth Element, one of my favorite genre films. There’s nothing about it that  I don’t like. I’ve not seen Valerian and the City of a Thousand Planets and reviews leave me disinclined to do so. The Transporter is not genre but I recommend it as a great film none the less. 
  • Born March 18, 1960 — Richard Biggs. He appeared as Dr. Stephen Franklin on Babylon 5, reprising the role in the final aired episode of Crusade, “Each Night I Dream of Home”. Other genre roles included playing Roger Garrett on Tremors, Hawkes In The Alien Within, An Unnamed Reporter on Beauty and the Beast,  Dr. Thomson on an episode of The Twilight Zone and a Process Server in an episode of The Magical World of Disney. (Died 2004.)
  • Born March 18, 1961 – James Davis Nicoll, 58. A freelance game and genre reviewer. A first reader for SFBC as well. Currently he’s a blogger on Dreamwidth and Facebook, and an occasional columnist on Tor.com. In 2014, he started his website, jamesdavisnicoll.com, which is dedicated to his book reviews of works old and new; and which later added the highly entertaining Young People Read Old SFF, where that group read prior to Eighties SF and fantasy, and Nicoll and his collaborators comment on the their reactions.
  • Born March 18, 1989 — Lily Collins, 30. First genre role was in cyberpunk horror film Priest as Lucy Pace. She next shows up in Mirror Mirror before being Clary Fray in The Mortal Instruments: City of Bones. I did read the first three or four novels in the series. Recommended them wholeheartedly, no idea how the film is. She’s Edith Tolkien in the Tolkien filmnow in post-production. 

(10) STAY TUNED FOR VERSE. John A Arkansawyer sent a note with this link to his sff poem: “Shameless self-promotion for something which will not win the Rhysling But I’m pleased to have written it in the last fifteen minutes.” — “The Synoptic Bump in “Warrior”, by Gordon R. Dickson”.

(11) IT’S STILL NEWS TO ME. From 2011, Tracer’s parody “How David Weber Orders a Pizza”. He nails the style.

The telephone rang.

Jason Wilkins roused himself out of his dough-and-flour-addled stupor, and gazed at the ringing noise emanating from the receiver….

And if you scroll down to item #24 you’ll find Chapter 2 of Weber’s epic “In Ovens Baked.”

Pizza Delivery Person Third Class Alonzo Gomez smoothly turned his control wheel counterclockwise, with the skill of a man who’d practiced this maneuver for years. In the sealed chamber in front of his feet, a gear at the end of the wheel’s shaft pushed the rack-and-pinion assembly to one side, changing the angle of the vehicle’s front wheels. Now, driven onward relentlessly by the vehicle’s momentum, the tires bit into the road surface obliquely, forcing the vehicle’s nose to port and carrying the entire vehicle with them on its new course. Alonzo and his vehicle thereby rounded the corner, taking them off of Elm street and onto 5th Avenue….

(This reminds me of the time I watched a visiting clergyman doing a sendup of “Pastor Jack telling the congregation the church is on fire.” He had everyone in hysterics, with the assistant pastor waving his handkerchief in surrender.)

(12) DUNE BUILDERS. Warner Bros. Pictures has announced the full cast and creative team for the new Dune movie with Brian Herbert as an executive producer. No change in the November 20, 2020 release date: “Cameras Roll on Warner Bros. Pictures and Legendary Entertainment’s Epic Adaptation of ‘Dune’”.

(13) RETRO FUTURE. Popular Mechanics remembers “When Pan Am Promised to Fly Us to the Moon”.

In 1964, Austrian journalist Gerhard Pistor walked into a Vienna travel agency with a simple proposition. He’d like to fly to the moon, and if possible, he’d like to fly there on Pan Am. 

The travel agency, presumably dumbfounded by this request, decided to simply do its job and make the ask: It forwarded the impossible request to the airline, the legend goes, where it attracted the attention of Juan Trippe, the notoriously brash and publicity-thirsty CEO of Pan American World Airways, the world’s most popular airline. Trippe saw a golden opportunity, and the bizarre request gave birth to a brilliant sales ploy that cashed in on the growing international obsession with human spaceflight: Pan Am was going to launch commercially operated passenger flights to the moon. Or, at least, that’s what it was going to tell everyone. 

In hindsight, it’s beyond ludicrous. NASA wouldn’t land men on the moon for five more years; the promise of lunar getaways on a jetliner sounds like a marketing scam at worst, and the most preposterous extension of 1960s techno-optimism at best. And yet, in a striking parallel to today’s commercial space race, would-be customers put down their names on a waiting list for their chance to go to space, joining Pan Am’s “First Moon Flights” Club.

If history is a guide, then Virgin Galactic, SpaceX and Blue Origin should be cautious. Pan Am dissolved in 1991 without ever getting close to launching a spacecraft. Even when it promised the moon and the stars, the airline was far closer to financial oblivion than it was to the cosmos. 

(14) NOW THEY TELL US. “US detects huge meteor explosion” – but we need to hear about it from BBC?

A huge fireball exploded in the Earth’s atmosphere in December, according to Nasa.

The blast was the second largest of its kind in 30 years, and the biggest since the fireball over Chelyabinsk in Russia six years ago.

But it went largely unnoticed until now because it blew up over the Bering Sea, off Russia’s Kamchatka Peninsula.

The space rock exploded with 10 times the energy released by the Hiroshima atomic bomb.

Lindley Johnson, planetary defence officer at Nasa, told BBC News a fireball this big is only expected about two or three times every 100 years.

(15) VIDEO OF THE DAY. In “Disney–The Art of Animation” on YouTube, Kaptain Kristian provides the 15 principles of animation that have ensured Disney’s continued excellence in animation for over 80 years.

[Thanks to Bill, JJ, Cat Eldridge, John King Tarpinian, Daniel Dern, Scott Edelman, Mike Kennedy, Martin Morse Wooster, Chip Hitchcock, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kurt Busiek.]

Pixel Scroll 3/3/19 My File Went So Pix’ly, I Went Lickety-Split, Scrollin’ My Old ‘55

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(1) NAME THAT ROCK. In the Washington Post, Sarah Kaplan profiles the “byzantine and marvelously nerdy naming guidelines” of the International Astronomical Union (“The bizarre and brilliant rules for naming new stuff in space”). Among them:  the mountains and plains of Titan have to be named according to references in Dune or Lord of the Rings, Names for asteroids have relatively few rules, but one of them is not to name an asteroid after your cat, as James Gibson found out when he named an asteroid after his cat, Mr. Spock, and was told that while his asteroid remains “2309 Mr. Spock,” he really shouldn’t do it twice.

[Names for the moons of Jupter] must come from a character in Greek or Roman mythology who was either a descendant or lover of the god known as Zeus (in Greek) or Jupiter (Latin). It must be 16 characters or fewer, preferably one word. It can’t be offensive, too commercial, or closely tied to any political, military or religious activities of the past 100 years. It can’t belong to a living person and can’t be too similar to the name of any existing moons or asteroids. If the moon in question is prograde (it circles in the same direction as its planet rotates) the name must end in an “a.” If it is retrograde (circling in the opposite direction), the name must end in an “e.”

(2) TEMPORARILY CUTE. Sooner or later they’re going to need a new naming convention for these things (Popular Science: “FarFarOut dethrones FarOut for farthest object in the solar system”).

Most people don’t kill time by finding the most distant object ever discovered in the solar system, but most people aren’t Scott Sheppard.

Last week, the Carnegie Institution for Science astronomer announced he had just discovered an object that sits about 140 astronomical units away. One AU equals the 93 million miles between Earth and the sun, so that means this object is 140 times the distance of Earth from the sun, or 3.5 times farther away than Pluto.

This is just a mere couple months after he and his team discovered 2018 VG18, nicknamed “Farout,” which sits 120 AU away, and for a brief moment was the farthest known object in the solar system. Sheppard and his team have already given a pretty apt tongue-in-cheek nickname to the usurper: “FarFarOut.”

(3) SAN DIEGO 2049 SPEAKER SERIES. Annalee Newitz, author of Autonomous and co-founder, io9, will give a talk “San Diego 2049: Your Dystopia Has Been Canceled” on April 4 at UCSD. Free and open to the public; RSVP required.

Realistic worldbuilding requires that we get out of the dystopia/utopia binary and imagine futures that are a diverse mix of worlds. To imagine a plausible future world, we need to look critically at our own history, where progress is uneven and resistance is not futile. Annalee Newitz, journalist, co-founder of the website io9, and author of the acclaimed science fiction novel Autonomous joins us to share her insights into worldbuilding as part of the San Diego 2049 series of programs.

(4) SALAM AWARD JUDGES. The 2019 jury for the Salam Award will be Jeffrey Ford, Mary Anne Mohanraj, Maha Khan Phillips, John Joseph Adams, and Saba Sulaiman. The award promotes imaginative fiction in Pakistan. (Via Locus Online.)

Last year’s winner was Akbar Shahzad for his story Influence

(5) HUGO PICKS. Abigail Nussbaum comments on 20 stories that either made her ballot, or came close, in “The 2019 Hugo Awards: My Hugo Ballot, Short Fiction Categories” at Asking the Wrong Question.

From what I’ve seen–and the effects of the last decade in the genre short fiction scene have been to render it even more diffuse than it already was, so I really can’t say that I’ve had a comprehensive view–2018 was a strong year for SF short fiction, with venues including Strange Horizons, Lightspeed, and Uncanny delivering strong slates of stories.  I was interested to observe how easy it is to discern an editorial voice, and a preoccupation with certain topics, when reading through a magazine’s yearly output.  Uncanny, for example, had a strong focus on disabled protagonists in 2018, with stories that often turn on their struggles to achieve necessary accommodation, with which they can participate and contribute to society.

One topic that I expected to see a great deal more of in my reading was climate change.  Only a few of the pieces I’ve highlighted here turn on this increasingly important topic, and very few stories I read dealt with it even obliquely.  Given how much climate change has been in the public conversation recently (and not a moment too soon) it’s possible that next year’s award nominees will deal with it more strongly, but I was a bit disappointed not to see SF writers and editors placing an emphasis on it already.

(6) WOULD YOU LIKE TO PLAY A GAME? This Kickstarter will fund a table top game, “Necronomicon by Abdul Alhazred with Cthulhu pawns & Idol”.

The Necronomicon is undoubtedly the most emblematic book in the mythology of H.P. Lovecraft. In this game you will assume the role of Abdul Alhazred with the aim of completing all sections of the aberrant book. It is a game for 2 to 4 players with game modes for 20 or 60 minutes.

(7) PLAYING IN THE FIELDS OF D.C. John Kelly in the Washington Post went on the press tour for Tom Clancy’s The Division 2, a Ubisoft video game in which Washington, wiped out by a pandemic, has turned the National Air and Space Museum into an armory and the Lincoln Memorial into a graffiti-covered headquarters for paramilitary groups. (“A new video game invites players to wallow in a dystopian Washington”.)  But Ubisoft couldn’t use the World War II Memorial for copyright reasons and decided not to have shooters blast away at the Martin Luther King Jr. Memorial because “the gamemakers thought it would be disrespectful to have players shooting at each other around the statue of the famous pacifist.”

The game is set in the months after a deadly pandemic has swept the country and transformed the area around the Tidal Basin into a flooded wasteland, the National Air and Space Museum into a heavily guarded armory and the Lincoln Memorial into the smoke-blackened, kudzu-shrouded headquarters of a paramilitary group.

On the plus side, rush hour traffic is pretty light.

The challenge facing anyone designing a video game set in an actual place is making it realistic. The purpose of this junket — events were spread over two days, with a shuttle bus squiring the group from site to site — was to explain that process.

(8) COSPLAY IN CLEVELAND. The Cleveland Plain Dealer) highlighted cosplay in an article about an upcoming convention: “Wizard World shines light on cosplay and the art of transforming (photos)”.

Four years ago, Stephanie Lauren looked into a painting and had an epiphany… “I could do this.”

No, she wasn’t imagining herself as a painter. She already was one, and the painting she was looking at was hers – a colorful portrait of a cute, furry kitty cat.

Rather, she started to imagine herself as one of her works come to life – a character, an expression of childhood and innocence. A new reality, purely of her own making. 

Stitch by stitch, using cloth and Ethylene-vinyl acetate foam and beads, a cosplay character was born…. 

(9) WYNDHAM MEMORIAL. Triffid Alley is a website intended to become a memorial to the author John Wyndham, author of Day of the Triffids, who died in 1969.

It takes its name from Triffid Alley in Hampstead, London, which is the only known existing memorial to John Wyndham in the United Kingdom.

The website reports there will be a 50th Anniversary Commemoration of Wyndham’s death in London on March 11.

It will consist of a talk by David Ketterer and Ken Smith on Wyndham and the Penn Club where he lived from 1924 to 1943 and from 1946 to 1963 followed by drinks and food at a pub on the nearby Store Street, a street which figures on page 98 of the Penguin edition of The Day of the Triffids.

David Ketterer has more or less completed a full scale critical biography entitled TROUBLE WITH TRIFFIDS: THE LIFE AND FICTION OF JOHN WYNDHAM…

Anyone who is interested is invited to gather outside the Penn Club at 21-23 Bedford Place, London W.C.1 (near the British Museum) at 6.00 pm on Monday, 11 March 2019.  We shall move to seating in the Penn Club lounge around 6.15 pm for the talk and questions.  Around 7.00 pm we shall walk to The College Arms at 18 Store Street (near Senate House).

(10) HUGH LAMB OBIT. British anthologist Hugh Lamb, editor of many paperback collections of vintage horror, died March 2. His son, Richard, tells more in a “Tribute to My Father”.

On the night of 2nd March 2019, Hugh Lamb passed away. He died peacefully, in his sleep, after a long illness that had left him frail and weak. At the end he chose to move on, rather than suffer long months of treatment with no guarantees. We, his family, chose to honour his wishes and were with him at the end.

Hugh Lamb was, to many, one of the country’s foremost authorities on Victorian supernatural literature and a respected anthologist of those stories. To me, however, he was just dad. Certainly, I inherited a great love of ghost stories, as well as the cinema of the macabre, from my father. We would recommend movies to each other and enjoy critiquing them. As a child I used to thrill at tales of the supernatural, both real and fictional, all because of my father’s influence. When I wrote a series of screenplays, two of which were optioned by producers, they were all either ghost stories or stories with a supernatural flavour. And when one of my screenplays won the 2008 Rocliffe/BAFTA New Writers award, it was my father who positively glowed with pride. The screenplay was a father and son story, and he recognised himself in the pages with a mischievous delight.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 3, 1863 — Arthur Machen. His novella “The Great God Pan” published in 1890 has garnered a reputation as a classic of horror, with Stephen King describing it as “Maybe the best horror story in the English language.” His The Three Impostors; or, The Transmutations 1895 novel is considered a precursor to Lovecraft and was reprinted in paperback by Ballantine Books in the Seventies. (Died 1947.)
  • Born March 3, 1920 — James Doohan. Montgomery “Scotty” Scott on Trek of course. His first genre appearance was in Outer Limits as Police Lt. Branch followed by being a SDI Agent at Gas Station in The Satan Bug film before getting the Trek gig. He filmed a Man from U.N.C.L.E.film, One of Our Spies Is Missing, in which in played Phillip Bainbridge, during 5he first season of Trek.  Doohan did nothing of genre nature post-Trek. (Died 2005.)
  • Born March 3, 1945 — George Miller, 74. Best known for his Mad Max franchise, The Road Warrior,  Mad Max 2, Mad Max Beyond Thunderdome andFury Road.  He also directed The Nightmare at 20,000 Feet segment of the Twilight Zone film, The Witches of Eastwick, Babe and 40,000 Years of Dreaming. 
  • Born March 3, 1948 — Max Collins, 71. Best known for writing the Dick Tracy comic strip from 1977 to 1993 giving The it a SF flavor. He also did a lot of writing in various media series such as Dark Angel, The Mummy, Waterworld, The War of The Worlds and Batman.  
  • Born March 3, 1955 — Gregory Feeley, 64. Reviewer and essayist who Clute says of that “Sometimes adversarial, unfailingly intelligent, they represent a cold-eyed view of a genre he loves by a critic immersed in its material.” Writer of two SF novels, The Oxygen Barons and Arabian Wine, plus the Kentauros essay and novella.
  • Born March 3, 1970 — John Carter Cash, 49. He is the only child of Johnny Cash and June Carter Cash. To date, he’s written two fantasies, Lupus Rex which oddly enough despite the title concerns a murder of crows selecting their new leader, and a children’s book, The Cat in the Rhinestone Suit, which I think Seuss would be grin at. 
  • Born March 3, 1982 — Jessica Biel, 37. A number of interesting genre films including The Texas Chainsaw Massacre, Blade: Trinity, Stealth, The Illusionist, the remake of Total Recall which I confess I’ve not seen, and the animated Spark: A Space Tail.

(12) COMICS SECTION.

  • Rich Horton, quite rightly, calls this a “very Eganesque” Dilbert.

(13) VARIANT COVERS. Brian Hibbs in his Tilting at Windmills column for Comics Beat “Heroes in (Sales) Crisis” says variant covers are helping to break the market:

Again, the new Marvel catalog leads with a mini-series called “War of the Realms” that has seventeen different covers attached to it. For one single issue worth of release. Even if you try to “ignore variants” they take up catalog and “eye” space, they increase the amount of time it takes to order (let alone find) the comics you want to stock; they also consume distributor resources, ultimately increasing overages, shortages and damages, hurting everyone as a result.

The January 2019 order form features 1106 solicited periodical comic books. Of those, only 454 of those SKUs are new items – the other 652 are variant covers. That means a staggering fifty-nine percent of all solicited comics are actually variants. That’s completely and entirely absurd! It is deluded, it is dangerous, and it actively works against the best interests of the market.

(14) RUH-ROH! The former last man on Earth is among those getting animated (The Hollywood Reporter: “Will Forte, Gina Rodriguez and Tracy Morgan to Star in Animated Scooby-Doo Movie (Exclusive)“).

Last Man on Earth star Will Forte voicing Shaggy, Jane the Virgin star Gina Rodriguez [Velma], Tracy Morgan [Captain Caveman] and Frank Welker [Scooby-Doo] are going for a ride in the Mystery Machine.

The actors have closed deals to voice star in the untitled Scooby-Doo animated movie being made by Warner Bros. and its Warner Animation Group division.

Tony Cervone is directing the feature, which counts Chris Columbus, Charles Roven and Allison Abbate [as] producers.

[…] The story sees the Mystery Inc. gang join forces with other heroes of the Hanna-Barbera universe to save the world from Dick Dastardly and his evil plans…and this time, we are told, the threat is real. The movie is slated for a May 2020 release.

(15) WHERE NO WOMAN HAS GONE BEFORE. [Item by Mike Kennedy.] Sure, some Star Trek projects—going back to Next Gen—have been directed by a woman; but none have taken the helm for the first episode in a series. And certainly no woman of color has been the leadoff batter. Until now. Deadline has the story—”‘Star Trek’: Hanelle Culpepper Will Direct Picard Pilot, First Woman To Launch Starfleet Series“.

Star Trek is boldly going on a new mission where only men have gone before. Hanelle Culpepper will direct the first two episodes of the upcoming untitled Star Trek Jean-Luc Picard series, making her the first woman to direct a pilot or debut episode of a Starfleet series in the franchise’s 53-year history. All 13 feature films in the Trek universe have also been directed by men.

Culpepper has directed two episodes of Star Trek Discovery on CBS All-Access. She helmed the episode titled Vaulting Ambition in Season One as well as an upcoming episode in Season Two, now underway on the subscription streaming site.

Culpepper’s other genre credits include various episodes of Counterpart, Supergirl, The Crossing, The Flash, Lucifer, Gotham, Grimm, and Sleepy Hollow.

(16) THE LOST CAUSE. Yudhanjaya Wijeratne’s post “’Incidentally, there is support for Wijeratne’s story’: a response to file770 and a record of the Nebula Award madness” has attracted notice and comments from people who assume after his experience he should to be ready to lend a sympathetic ear to their propaganda justifying past awards slates.

There’s a comment signed Francis T., which judging from the Gravatar is the Francis Turner who in 2006 tried to convince people not only to vote Baen the Best Editor (Long Form) Hugo the following year but to visualize “A Baen Sweep of the Hugos”.

Also, Sad Puppies 3 leader Brad Torgersen left a lengthy comment touting himself as the hero of an ahistorical version of 2015’s events.

On Torgersen’s own blog he’s worked hard to couch the immediate controversy in cleverly Orwellian terms: “When the Inner and Outer Parties of SFWA attack”.

…Try as they will to style themselves international, the Inner and Outer Party members of American literary SF/F are hopelessly provincial, sharing a painful overlap in ideology, as well as a kind of homogeneous, mushy globalist-liberal outlook. Which, being “woke”, puts a premium on demographics over individualism. Fetishizing ethnicities and sexualities. While remaining borderline-militant about a single-track monorchrome political platform.

So, certain Inner and Outer Party folks proceeded to step all over their own unmentionables in an effort to “call out” the “slate” of the indie Proles from the dirty ghettos of indie publishing. And now the Inner and Outer Parties are in damage control mode (yet again!) trying to re-write events, submerge evidence, gaslight the actual victims of the literary pogrom, blame all evils on Emmanuel Goldstein (cough, Sad Puppies, cough) and crown themselves the Good People once more. Who would never, of course, do anything pernicious, because how could they? They are Good! They tell themselves they are Good all the time! They go out of their way to virtue-signal this Goodness on social media! It cannot be possible that they have done anything wrong!

Rabid Puppies packmaster Vox Day not only reprinted Torgersen’s post at Vox Popoli (“Puppies redux: Nebula edition” [Internet Archive link]), he appropriated to himself others’ credit for indie authors being in SFWA:  

It was funny to read this in my inbox, as it was the first time I’ve had any reason to give a thought to SFWA in a long, long time. Possibly the most amusing thing about this latest SFWA kerfluffle is that it is a direct consequence of SFWA adopting my original campaign proposal to admit independent authors to the membership. Sad Puppy leader Brad Torgersen observes, with no little irony, the 2019 version of Sad Puppies…

(17) DIAL 451. The New Indian Express’ Gautam Chintamani uses a famous Bradbury novel as the starting point to comment on news coverage of the recent Pakistan-India incident in “White Noise”.

Bradbury wrote Fahrenheit 451 as a commentary on how mass media reduces interest in reading literature but considering the times we live in, it is doing more than that. Following the February 14 Jaish-e-Mohammed fidayeen attack on a CRPF convoy in Pulwama that left 44 Indian soldiers dead, most television news channels bayed for blood. There is no denying that the national emotions were running high and it was only natural for citizens of a nation that have been at the receiving end of a proxy war conducted by a neighbour that as a national policy believes in causing loss of life in India to ask for a befitting reply. Yet the fashion in which many news anchors assumed the mantle of judge, jury, and executioner was nothing less than appalling. The constant white noise emanating from most news debates, where everyone was urged to shout louder than the next person, offers a greater emotional bounty to the one who would teach Pakistan a lesson and this showed a committed effort from media to not allow the average citizen a moment to think. 

(18) GAHAN WILSON FUNDRAISER. A GoFundMe to “Help Gahan Wilson find his way” wants to raise $100,000 for the artist’s care. Neil Gaiman gave $1,000. Other donors include artist Charles Vess, editor Ellen Dtalow, and Andrew Porter.

Gahan Wilson is suffering from Dementia

Gahan is suffering from severe dementia. We have helped him through the stages of the disease and he is currently not doing very well.

His wife, Nancy Winters, just passed away

My mother, and his wife of fifty three years, Nancy Winters, passed away on March 2, 2019. She was his rock. His guide through the world. While we all helped with his care, it was my mother who grounded him. He is currently distraught and out of sorts with the world.

Memory care is needed immediately

Gahan and my mother had been residing in an assisted living facility in Arizona. With my mother’s passing, the facility is about to discharge him. We must find him a memory care facility immediately.

… Memory care is wildly expensive. More so than assisted living. If we could cover the cost ourselves, we would. We can’t, and Gahan and my mother did not save for anything like this. We are asking his fans to help us, help Gahan.

(19) CANADA SIGNS ON. Another international partner lends NASA a hand, well, a robotic arm, anyway: “Gateway Moon station: Canada joins Nasa space project”.

Canada will contribute US$1.4bn to a proposed Nasa space station that will orbit the Moon and act as a base to land astronauts on its surface.

Prime Minister Justin Trudeau said the step would “push the boundaries of innovation”.

The space station, called Gateway, is a key element in Nasa’s plan to return to the Moon with humans in the 2020s.

As part of the 24-year commitment, Canada will build a next-generation robotic arm for the new lunar outpost.

“Canada is going to the Moon,” Mr Trudeau told a news conference at Canadian Space Agency’s headquarters near Montreal, according to AFP.

Nasa plans to build the small space station in lunar orbit by 2026. Astronauts will journey back and forth between Gateway and the lunar surface. It will also act as a habitat for conducting science experiments.

(20) SURE OBI-WAN, POINT-OF-VIEW BLAH BLAH BLAH. Gizmodo/io9 says that, “From a Certain Angle, It Looks Like the Dark Phoenix Trailer Takes a Subtle Jab at the Marvel Cinematic Universe.” Um, how is it, again, that you change your viewing angle for a non 3-D movie trailer? Oh, I see what you mean…

A new Dark Phoenix trailer dropped in the dead of night this week and gave us another look at how Sophie Turner’s Jean Grey will transform into her darkest, most cosmically-empowered self on the big screen for the second time in the character’s cinematic history. But a fan also spotted something peculiar…

[…] At one point in the trailer, all of the film’s mutants (save for Jean) are being transported by armed officers on what appears to be an armored tank. Wired UK writer Matt Kamen spotted three very familiar letters on their uniforms. If you look closely they read “MCU” which, as Kamen pointed out, could stand for “mutant containment unit.” But it could also be a clever nod to the Marvel Cinematic Universe and Disney’s recent acquisition of 20th Century Fox and the cinematic rights to the X-Men.

(21)  JAVA. Mashable’s post “Pierce Brosnan drinking a latte of his own face is extremely good” identifies him with James Bond, but he also has the lead in The King’s Daughter, based on Vonda McIntyre’s The Moon and the Sun, which is still awaiting its U.S. release (IMDB says sometime in 2019).

(22) VIDEO OF THE DAY. In “Motion Makes a Masochist” on Vimeo, Dev warns that if you want to be a motion designer for movies, you should be prepared to suffer a lot for your art.

[Thanks to John King Tarpinian, Rich Horton, Mike Kennedy, Frank Olynyk, Chip Hitchcock, Carl Slaughter, JJ, Martin Morse Wooster, Brian Z., Andrew Porter, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day John Winkelman.]

Pixel Scroll 2/23/19 So Come On, Come On, Scroll The Pixellation With Me

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(1) MCINTYRE HEALTH UPDATE. Vonda McIntyre, one of sff’s most loved figures, is seriously ill. A Caringbridge page has been started: “Vonda N.’s Story”.

Vonda spent much of Seattle’s snow week at Swedish Hospital with jaundice and some vertigo, having many tests. The test results are in now, and the news is not good. The diagnosis is inoperable metastatic pancreatic cancer. Her doctor said it isn’t stupid to hope for a year, but it could be less. She’ll probably be getting treatment that may or may not slow things down, no way to know for sure.

(2) #COPYPASTECRIS. Nora Roberts tells some things she’s learned about plagiarists and people scamming Amazon’s Kindle Unlimited author revenue system in “Not a Rant, but a promise”.

The count of my books lifted from is now five. And the count of writers victimized has gone up.

I’m getting one hell of an education on the sick, greedy, opportunistic culture that games Amazon’s absurdly weak system. And everything I learn enrages me.

There are black hat teams, working together, who routinely hire ghosts on the cheap, have them throw books together, push them out–many and fast–to make money, to smother out competition from those self-pubbed writers who do their own work. Those who do their own work can’t possibly keep up with the volume these teams produce by these fraudulent tactics.

They tutor others how to scam the system….

(3) A WHIRLWIND OF FANAC. Joe Siclari of Fanac.org reports “We’ve been getting a lot done, and last weekend we had a particularly productive Boskone.” 

At Boskone, the FANAC scanning station scanned almost 2000 pages of material. Scanning by Mark Olson, Edie Stern and Joe Siclari. History-minded fans stopped by and provided material (thanks Geri Sullivan!), and promised more. We have promises of photos and fanzines, and have already received a historical recording from Fred Lerner, and new scanning hardware too. 

The zines scanned at Boskone will be so marked in the index pages of the title, so you can see what we did. So far, we have put online about 850 pages of it.  So far from the Boston scanning we’ve put up issues of George Locke’s Smoke, Richard Bergeron’s Warhoon, Charles Lee Riddle’s Peon, Don Miller’s WSFA Journal, the Coulsons’ Yandro and brown and Katz’s Focal Point.

They can all be accessed from the Classic Fanzines List. More issues will be forthcoming. 

(4) RIGHT IN THE EYE. How would you like to go out this way? From NPR: “NOAA Researcher’s Ashes Were Dropped Into The Eye Of Hurricane Michael”.

Last fall, as Hurricane Michael was swirling toward the Florida panhandle, NOAA officials say it was carrying something in addition to rain and wind — the ashes of long-time hurricane researcher, Michael Black. Black was a research meteorologist who worked at the Hurricane Research Division of NOAA’s Atlantic Oceanographic and Meteorological Laboratory on Virginia Key, just across the bridge from downtown Miami.

He was a pioneer in the use of dropwindsondes — small measuring devices dropped from airplanes that record wind speed, air pressure, temperature and humidity.

In 1997, on a mission flying through Hurricane Guillermo in the Pacific, he had an audacious idea. Why not drop some dropwindsondes — sometimes called dropsondes — directly into the eyewall of a hurricane?

NOAA research meteorologist Stan Goldenberg, who worked with Michael Black for more than two decades, recalls that flight with Black 21 years ago: “I remember the excitement we felt at seeing these winds and knowing these ‘sondes’ could handle it.” Black’s idea suddenly provided hurricane researchers with an important new data tool.

(5) PARSEC AWARDS. Bruce Press will step down as chair of the Parsec Awards Committee if he can find somebody to take his place. The sff podcast awards organizers have been reeling since December, when four 2018 Parsec Awards winners declined because the committee sustained the decision to give an award an alleged harasser. Today Press sent this statement to his distribution list:

After a pretty grueling 2018 for the committee, we were taking a bit of a breather to get our collective heads together.

We very much want to get trophies out to winners who want them, but we are without funds having done absolutely no fundraising in 2018. Our lack of resources is due to lack of resources. So, that’s item 1.

Item 2 is our perennial problem of manpower and leadership. The committee is severely short-staffed. We hoped to grow by creating sub-committee’s like ceremony and fundraising. However, it turns out that takes leadership and we only had me.

Item 3 is me. While item 2 might have been enough reason alone, I have some really good personal reasons to step down as committee chair. The timing of this is not ideal, but life rarely operates on a convenient schedule. Like previous chairs, I am not immediately leaving the committee.

So, here’s what I’m asking. If you think you have what it takes to lead. If you have a plan and can execute it. Whether overall, ceremony or fundraising. Send us an email [email protected].

(6) TODAY IN HISTORY.

  • February 23, 1896 –Tootsie Roll introduced
  • February 23, 1935 — The Phantom Empire starred Gene Autry, it was an SF musical western.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 23, 1564 — Christopher Marlowe. Author of Doctor Faustus (or The Tragical History of the Life and Death of Doctor Faustus. Look, ISFDB lists him, so he must be genre. More to the point Elizabeth Bear made him a character in her Stratford Man series which is Ink and Steel and Hell and Earth novels which is highly recommended. If you’ve not read them, the Green Man review is here. (Died 1593.)
  • Born February 23, 1930 — Gerry Davis. Mid-Sixties Story Editor on Doctor Who where he created companion Jamie McCrimmon and co-created the Cybermen along with unofficial scientific adviser Dr. Kit Pedler. They would create the Doomwatch series in the Sixties on BBC. Davis briefly returned to writing for Doctor Who, penning the first script for Revenge of the Cybermen though his script was largely abandoned by editor Robert Holmes. In 1989 he and Terry Nation who created the Daleks made a failed bid to take over production of the series and reformat it for the American market. (Died 1991.)
  • Born February 23, 1932 — Majel Barrett. No doubt best remembered for being  Nurse Christine Chapel and Lwaxana Troi as well as for being the voice of most ship computer interfaces throughout the Star Trek series. I’ll note that she was originally cast as Number One in the unused (TOS) Pilot but the male studio heads hated the idea of a female in that role. Early Puppies obviously. (Died 2008.)
  • Born February 23, 1965 — Jacob Weisman, 54. Founder, Tachyon Publications which you really should go look at as they’ve published every great author I’d care to read. Seriously Tidhar, Beagle and Yolen are among their newest releases! He also edited (with Beagle) The New Voices of Fantasy which I highly recommend as most excellent reading.
  • Born February 23, 1970 — Marie-Josée Croze, 49. Bibiane Champagne In Maelström which is genre if only because it’s narrated by a talking fish. In Canada movie theatres, she was in Battlefield Earth: A Saga of the Year 3000 as Mara. Yeah, that film with a long title. Doubt it improved it.  It looks like her first genre acting was on The Hunger in two episodes, in “A Matter of Style” as Dominique and in “I’m Dangerous Tonight” as Mimi. Oh, and she had the lead as Pregnant Woman in Ascension which just looks weird.
  • Born February 23, 1994 — Dakota Fanning, 25. Genre roles include Sally Walden in The Cat in the Hat which is on my worst films of all time list, Katie In Hansel and Gretel, Rachel Ferrier In War of the Worlds which, errr, is on the same list, and as the voice of Fern Arable In Charlotte’s Web which is brilliant.
  • Born February 23, 2002 — Emilia Jones, 17. I’m reasonably sure this is the youngest Birthday I’ve done. At nine years of age, she’s made her acting debut in Pirates of the Caribbean: On Stranger Tides as English Girl. She’s Young Beth in the horror film Ghostland. She shows up on Doctor Who as Merry Gejelh in the “The Rings of Akhaten”, an Eleventh Doctor story. She’s currently in Residue, an SF horror series you can find on Netflix. 

(9) COMICS SECTION.

  • Free Range shows the monstrous side of photography.

(10) CRITICAL FAVORITES. On the Strange at Ecbatan blog Rich Horton is working through his Hugo recommendations.

Of these stories – none of which would disappoint me if they won the Hugo – my four favorites, in no particular order, are…

2.       David Gerrold and Ctein, “Bubble and Squeak” – About a gay couple, hoping to get married, who have their plans interrupted by a tsunami heading to Los Angeles, and who have to find a way to get to higher ground – and, as it turns out, help a bunch of others as well. It’s simply terrifically exciting, involving a plausible mix of heroism, foolishness, brutality, luck, and intelligence, on their part and others, as they struggle to find a way to a safe place, and as various options are closed off over time.

4.       Kelly Robson, “Intervention” (Infinity’s End) — A very intelligent story about child rearing in a heavily inhabited future Solar System. The narrator is from Luna, where creche work is socially frowned upon, so she leaves to work on an asteroid-based creche – and then later gets a chance to work on a bid to reform Luna’s failing creche system. This is just really interesting social speculation; and the characters are also very solidly portrayed, very honest.

5.       Karen Russell, “Orange World” (The New Yorker, 6/4/18) – An older first time mother is driven to make a deal with a literal devil to save the life of her child, and only the intervention of her support group allows her to cope … Really well written, really convincing.

(11) STAR WARS WRAPS. Entertainment Tonight did a red carpet interview of “J.J. Abrams on Wrapping ‘Star Wars: Episode IX’ and Bringing Back Lando (Exclusive)” (video).

(12) DOLLARS AND SENSE. Alasdair Stuart’s The Full Lid for February 22 includes a wryly-named commentary on cancelled cable sff shows – “Boulevard of Broken Streams.”

Netflix have done what Thanos couldn’t; wiped out an entire section of the Marvel universe. It was announced this week that The Punisher is done with season 2 and Jessica Jones with season 3. That will air later this year and be the swan song for a five (and a half) show mini-universe.

My feelings about this are, to mis-quote the best line in the entire Mission: Impossible franchise, complicated.

For a start there’s the Rat King of fan speculation and business practice to try and untie. We can all clap as loud as we want, the shows were never going to the Disney streaming platform because that platform has to aim for the widest possible audience. It’s also almost certainly what raised the renewal costs for the shows beyond practical. So, rationally, this all makes sense. It’s annoying, but it does make sense….

(13) PATIENCE, GRASSHOPPER. And here I thought it was a disaster of Biblical proportions: “What An Insect Can Teach Us About Adapting To Stress”.

What if we told you that you could learn a lot about handling adversity from the life of a bug? In their explorations of humans and how we interact with the world around us, the team that makes NPR’s Invisibilia stumbled on a surprising fact about the insect world — one that could inspire a new way of looking at ourselves.

The epic destruction wrought by swarms of locusts is downright biblical. Exodus tells of a plague that left nothing green in all of Egypt, and we’ve seen these harbingers of destruction at work in modern day Australia, Argentina and Israel, just to name a few. But for centuries, one essential piece of information about these strange insects eluded scientists: Where do they come from?

These massive swarms just seemed to pop up out of nowhere, decimate everything and then vanish.

(14) GRIND YOUR GOGGLES INTO PLOWSHARES. NPR reports “Microsoft Workers Protest Army Contract With Tech ‘Designed To Help People Kill'”.

Microsoft workers are calling on the giant tech company to cancel its nearly $480 million U.S. Army contract, saying the deal has “crossed the line” into weapons development by Microsoft for the first time. They say the use of the company’s HoloLens augmented reality technology under the contract “is designed to help people kill.”

In a letter to Microsoft CEO Satya Nadella and President Brad Smith, the workers also say the company is failing to inform its engineers “on the intent of the software they are building.”

The November contract is for what’s called an Integrated Visual Augmentation System.

“The contract’s stated objective is to ‘rapidly develop, test, and manufacture a single platform that Soldiers can use to Fight, Rehearse, and Train that provides increased lethality, mobility, and situational awareness necessary to achieve overmatch against our current and future adversaries,’ ” the letter said.

(15) KNOCKING THE COMPETITION. A Business Insider reporter was there: “Jeff Bezos just gave a private talk in New York. From utopian space colonies to dissing Elon Musk’s Martian dream, here are the most notable things he said.”

• Jeff Bezos, the founder of Amazon, gave a talk to a members-only event at the Yale Club in New York on Tuesday. 

• During the 30-minute lecture, Bezos said his private aerospace company, Blue Origin, would launch its first people into space aboard a New Shepard rocket in 2019. 

• Bezos also questioned the capabilities of a space tourism competitor, Virgin Galactic, and criticized the goal of Elon Musk and SpaceX to settle Mars with humans. 

• Ultimately, Bezos said he wants Blue Origin to enable a space-faring civilization where “a Mark Zuckerberg of space” and “1,000 Mozarts and 1,000 Einsteins” can flourish. 

• Bezos advised the crowd to hold a powerful, personal long-term vision, but to devote “the vast majority of your energy and attention” on shorter-term activities and those ranging up to 2- or 3-year timeframes. 

(16) THE WEST END ZONE. In the February 16 Financial Times (behind a paywall), Matt Trueman profiles Anne Washburn, whose play based on The Twilight Zone is opening March 4 at The Ambassador Theatre in London.

“Her stage version of The Twilight Zone transfers into town next month.  On the surface, it’s a straightforward celebration of Rod Serling’s cult TV series.  Having watched all 156 episodes,she selected those stories that stuck in America’s psyche.  ‘I was polling anyone I ran into: What Twilight Zone episode traumatized you as a small child? People would answer immediately.  That’s where it lives in our culture.”

“In April, The Twilight Zone‘s getting a high profile reboot by Get Out director Jordan Peele, but Washburn’s incarnation celebrates its loveable, low-fi 1950s charm. Its schlockiness, essentially.’It’s morality,comedy, and horror at the same time,’ beams Washburn.  ‘That’s very appealing.’  The show sends up its arched-eyebrowed asides and cheap cardboard cut-outs.  ‘Where things are less adept, you can see right to its heart.  That’s always moving.’

“Insightful, too, as Washburn unpeels The Twilight Zone‘s skin to show us a glimpse of America’s soul in its recurring images: alien invasions and nuclear oblivion. ‘The Twilight Zone is about America dreaming–or America’s nightmare.'”

(17) SPIDER-SAN. CBR.com: shares the image: “Spider-Man: Far From Home Gets Spectacular Japanese Poster”.

Sony Pictures has released a new poster promoting the Japanese release of the upcoming Marvel film Spider-Man: Far From Home, and it’s really awesome.

This exceptionally creative poster features a typographic image of Spider-Man’s mask composed almost entirely of bold, red Japanese text. The words and phrases used to create Spidey’s face mostly reference different aspects of the film, with the text repeating “summer vacation.” There are also numerous references to Nick Fury. Moreover, where Spider-Man’s mouth ought to be, there is a QR code that links to Spider-Man: Far From Home‘s Japanese trailer, which is the same as the international trailer.

(18) PUMP, BROTHERS. Food Network advises, “Throw Away Your Peanut Butter Knife!” This clearly isn’t genre, but it is a “great” “scientific” advance. Or it is you can’t resist both peanut butter and silly gadgets.

Who knew the world was clamoring for a better – or at least different – way to prepare a peanut butter sandwich?

One week after a Burbank, California, inventor/entrepreneur named Andrew Scherer launched an Indiegogo page to raise funds for his new Peanut Butter Pump, promising a way to eat “Peanut Butter Without the Knife,” the project has raised $46,955 (from more than 1,220 backers) and counting – more than twice its $20,000 goal.

[…] It’s basically a jar top – made to fit onto your standard 40-ounce grocery-store or name-brand peanut butter jar – with a pump top and a plunger inside that presses down the peanut butter, leaving the sides of the jar clean as it goes, and dispensing the peanut butter out the top and directly onto your bread or celery stick or wherever you’re aiming it.

(19) WITH AUTOMATIC UPSELL. Welcome to Uncanny Valley Restaurant. “This Fast Food Drive-Thru Is Now Using AI to Take Orders” – Futurism has the story.

We already had a robot that could make fast food burgers. And now we have an artificial intelligence that can take your order for one.

Earlier this month, Colorado-based startup Valyant AI announced the launch of a voice-based AI customer service platform, which is now taking customer orders at the drive-thru at Denver’s Good Times Burgers and Frozen Custard.

“We’re excited to deliver a customer service experience unlike anything you’ve ever experienced before,” Valyant AI CEO Rob Carpenter said in a press release.

A video demonstration is here.

[Thanks to Chip Hitchcock, Emperox JJ, Martin Morse Wooster, John King Tarpinian, James Davis Nicoll, Mike Kennedy, Cat Eldridge, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Tom Becker.]

Pixel Scroll 5/8/17 I Saw A Pixel Filing Through the Streets of Soho With A Chinese Menu In Its Scroll.

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(1) IT HAD TO BE SNAKES. James Davis Nicoll gives the Young People Read Old SFF panel Vonda McIntyre’s “Of Mist, and Grass, and Sand”.

The second last entry in Phase I of Young People Read Old SFF is Vonda N. McIntyre’s 1973 Nebula award-winning “Of Mist, and Grass, and Sand”, later expanded into the Hugo winning novel, Dreamsnake. I am pretty confident the double win is a good sign, and that McIntyre is modern enough in her sensibilities to appeal to my Young People.

Mind you, I’ve been wrong on that last point before….

(2) GENRE BENDER. Jeff Somers praises Gregory Benford’s new book at B&N Sci-Fi & Fantasy Blog: “Gregory Benford’s The Berlin Project Gives Science and History a Thrilling Twist”.

The lines between book genres can get a blurry as authors push against boundaries, trying to do something new with a story. Sometimes the result is a novel that incorporates the best parts of several genres, creating a category all its own. Gregory Benford’s The Berlin Project is one of those books—equal parts alternate history, spy thriller, history lesson, and physics textbook, it’s one of the smartest, most entertaining sci-fi novels of the year.

(3) EXPANSE. Aaron Pound’s review of Caliban’s War is online at Dreaming About Other Worlds.

Full review: Caliban’s War continues the story started in Leviathan Wakes, with James Holden returning along with the rest of the crew of the Rocicante to deal with yet another interplanetary crisis. They are joined by new characters who replace the missing Detective Miller as view point characters – the tough Martian marine Bobbie, the naive Ganymedean botanist Prax, and the calculating and shrewd U.N. official Avasarala, all of whom must navigate the crisis caused by the raw tensions between the governments of Earth, Mars, and the Belt. Against the backdrop of this raging internecine human conflict, the mysterious alien protomolecule carries out its enigmatic programming on the surface of Venus, sitting in the back of everyone’s mind like a puzzle they cannot understand and an itch they cannot scratch.

(4) ZENO’S PARADOX. You can’t get to the Moon, because first you have to…. “So You Want to Launch a Rocket? The FAA is Here for You by Laura Montgomery”, a guest post at According To Hoyt.

Do you want to put people on your rocket?  There are legal requirements for that, too. There are three types of people you might take to space or on a suborbital jaunt:  space flight participants, crew, and government astronauts. The FAA isn’t allowed to regulate how you design or operate your rocket to protect the people on board until 2023, unless there has been a death, serious injury, or a close call.  Because the crew are part of the flight safety system, the FAA determined it could have regulations in place to protect the crew.  That those requirements might also protect space flight participants is purely a coincidence.   However, just because the FAA can’t tell you what to do to protect the space flight participants doesn’t mean you are out of its clutches.  You have to provide the crew and space flight participants, but not the government astronauts because they already know how dangerous this is, informed consent in writing.  You have to tell them the safety record of your vehicle and others like it, that the government has not certified it as safe, and that they could be hurt or die.

(5) NEWS TO ME. Did you know that Terrapin Beer’s Blood Orange IPA is “the official beer of the zombie apocalypse?”

It is an official tie-in beer with The Walking Dead and has a cool blood red label with a turtle on it!

(6) NEWS TO SOMEONE ELSE. Daniel Dern sent me a non-spoiler review of Suicide Squad when I was in the hospital last August. I didn’t notice it again until today. Sorry Daniel!

(“Non-spoiler” as in, assumes you have seen some or all of the three trailers, particularly trailer #2, done to Queen’s “Bohemian Rhapsody”…)

I enjoyed it enough. Hey, it’s a comics-based movie.

I’ve skimmed some reviews listing the flaws in S/S. Probably mostly correct, but arguably BFD.

The good: it didn’t thematically overreach or overbrood, unlike (cough) BvS (which I liked enough, but accept that it had big problems). A lot of good lines (you’ll see many/most in the trailers), good action, etc. A little (but not too much) Batman.

The big challenges S/S faced IMHO:

– DEADPOOL has set/upped the ante and standard for humor/violent comic-based live-action movies. Particularly the BluRay version of Deadpool, which is what I saw. And before that, lots of Guardians of the Galaxy bits.

– S/S’ Trailer # 2. I would have been happy/er with a shorter, even 12-minute, video not bothering with plot, just lovely musical jump cuts and snappy lines.

– Is it just me, or did S/S seem to do the “who’s who” twice, and not really bring in the antagonist (“big bad(s)”) for an astonishingly long time?

– This is an A-level plan? I mean, Captain Boomerang? Having seen Ghostbusters a week earlier, I would have considered sending that team in instead, in this case.

On the other hand, at least it wasn’t Manhattan that got trashed this time.

I can see how if you aren’t a superhero comic fan you’d find this less satisfying. Granted, I’m still happy-enough when it simply looks reasonable, doesn’t insult continuity gratuitously, and doesn’t try to go all philoso-metaphysical on us.

Recommended enough, particularly if you can get a bargain ticket price…

(7) TV LIFE AND DEATH. Cat Eldridge says Adweek’s “A Guide to 2017’s Broadcast TV Renewals and Cancellations” “on who stays and who gets the ax is fascinating as regards genre shows.”

The renewal is pretty much everyone save Sleepy Hollow, Grimm, Frequency, and possibly iZombie and Agents of S.H.I.E.L.D. The Arrowverse of course was kept intact.

If you’ve not watched the second season of Legends, do so as its far entertaining than the first season was.

(8) O’HARA OBIT. Quinn O’Hara (1941-2017), a Scottish-born actress who starred in The Ghost in the Invisible Bikini, died May 5. The Hollywood Reporter elaborated:

In The Ghost in the Invisible Bikini (1966), from American International Pictures, O’Hara played Sinistra, the nearsighted daughter of greedy lawyer Reginald Ripper (Basil Rathbone); both were out to terrorize teens at a pool party held at a creepy mansion. She also sang “Don’t Try to Fight It” and danced around a suit of armor in the horror comedy.

(9) TODAY IN HISTORY

  • May 8, 1886 — Coca-Cola went on sale.

(10) THE SAME OLD FINAL FRONTIER. Tom Scott explains “Why Sci-Fi Alien Planets Look The Same: Hollywood’s Thirty-Mile Zone.”

There’s a reason that a lot of planets in American science fiction look the same: they’re all filmed in the same places. But why those particular locations? It’s about money, about union rules, and about the thirty-mile zone — or as it’s otherwise known, the TMZ.

 

(11) MEMORIAL NIGHT. See Poe performed in a Philadelphia graveyard, May 18-20.

As the sun sets over the cemetery’s historic tombs, The Mechanical Theater will bring some of Edgar Allan Poe’s most haunting tales to life in this original production, directed by Loretta Vasile and featuring Connor Behm, Neena Boyle, Nathan Dawley, Tamara Eldridge and Nathan Landis Funk.

Two young men hide out in the shadows of Laurel Hill Cemetery while hosting a secret on-line auction. The clock is ticking as they try to sell a priceless, stolen object known only as The Anathema. When the antique expert finally arrives to verify the object’s authenticity, he shares with them some of The Anathema’s dark history as well as rumors of its power. But as the night goes on, one of the thieves starts to suspect these stories are far more than legend. This anthology piece will include Edgar Allan Poe’s “Hop-frog,” “The Masque of the Red Death,” and “The Pit and The Pendulum.”  Written and directed by Loretta Vasile.  Starring Connor Behm, Neena Boyle, Nathan Dawley, Tamara Eldridge and Nathan Landis Funk.

(12) BIG ANSWERS. Coming June 5 on the UCSD campus: “Sir Roger Penrose: Fashion, Faith and Fantasy and the Big Questions in Modern Physics”.

Sir Roger Penrose

The Arthur C. Clarke Center for Human Imagination presents an evening with Sir Roger Penrose, the celebrated English mathematician and physicist as well as author of numerous books, including The Emperor’s New Mind: Concerning Computers, Minds, and the Laws of Physics. The talk is titled “Fashion, Faith and Fantasy and the Big Questions in Modern Physics.” A book signing will follow.

Sir Roger Penrose, Emeritus Professor at the Mathematical Institute of the University of Oxford, winner of the Copley Medal and the Wolf Prize in Physics, which he shared with Stephen Hawking, has made profound contributions encompassing geometry, black hole singularities, the unification of quantum mechanics and general relativity, the structure of space-time, nature of consciousness and the origin of our Universe. His geometric creations, developed with his father Lionel, inspired the works of MC Escher, and the Penrose Steps have been featured in several movies. His tilings adorn many public buildings, including the Oxford Mathematics Institute and will soon decorate the San Francisco Transit Terminal. Their five fold symmetry, which was initially thought impossible or a mathematical curiosity, has now been found in nature. In 1989 Penrose wrote The Emperor’s New Mind which challenged the premise that consciousness is computation and proposed new physics to understand it.

(13) DEARTH WARMED OVER. Trailers are supposed to sell people on a movie. But here’s a pre-dissatisfied customer.

https://twitter.com/nkjemisin/status/861686295101407233

On the other hand, a cast list on IMDB includes three Hispanics and a black actor born in England

(14) DIALING FOR NO DOLLARS. Vote on how Jim C. Hines should spend his time. Well, within certain limits, anyway.

(15) SPLASH. Most SF writers didn’t think about the waste heat of monster computers:” Google Moves In And Wants To Pump 1.5 Million Gallons Of Water Per Day”.

“We’ve invested a lot in making sure the groundwater quality that we treat and send to the customers is of high quality. We also want to protect the quantity side of that,” Duffie said.

In addition to building several reverse osmosis plants to treat the water, Duffie said the community has spent about $50 million since the mid-1990s to install pipelines and purchase surface water from the Charleston Water System to supplement the water being pumped from underground.

Google currently has the right to pump up to half a million gallons a day at no charge. Now the company is asking to triple that, to 1.5 million. That’s close to half of the groundwater that Mount Pleasant Waterworks pumps daily from the same underground aquifer to help supply drinking water to more than 80,000 residents of the area.

(16) WHITE NOISE. On the other hand, sff authors are wellaware of the high noise levels from widespread communication: “Facebook – the secret election weapon”.

A quarter of the world’s population now use Facebook, including 32 million people in the UK. Many use Facebook to stay in touch with family and friends and are unaware that it has become an important political player.

For example, the videos that appear in people’s news feeds can be promoted by political parties and campaigners.

The far-right group, Britain First, has told Panorama how it paid Facebook to repeatedly promote its videos. It now has more than 1.6 million Facebook followers.

(17) AUDIO KILLED THE MUSIC HALL STAR. Edison probably never realized he was killing off the mid-level performer: “Superstar economics: How the gramophone changed everything”

In Elizabeth Billington’s day, many half-decent singers made a living performing in music halls.

After all, Billington herself could sing in only one hall at a time.

But when you can listen to the best performers in the world at home, why pay to hear a merely competent act in person?

Thomas Edison’s phonograph led the way towards a winner-take-all dynamic in the performing industry.

The top performers went from earning like Mrs Billington to earning like Elton John.

But the only-slightly-less good went from making a comfortable living to struggling to pay their bills: small gaps in quality became vast gaps in income.

(18) BANAL HORROR. In other news: the BBC slags Alien: Covenant but still gives it 3 stars: “Film Review: Is Alien: Covenant as good as the original?”

Given that he is now 79, and so he doesn’t have many directing years left, you have to ask whether it’s really the most stimulating use of [Ridley] Scott’s time and talents to churn out yet another inferior copy of a horror masterpiece that debuted nearly four decades ago. He certainly doesn’t seem to be interested in recapturing the scruffy naturalism, the restraint, or the slow-burning tension which turned the first film into an unforgettable classic.

Much of Alien: Covenant is simply a humdrum retread of Alien. Once again, there is a spaceship with a cryogenically frozen crew – a colony ship this time. Once again the crew members are woken from their hypersleep, once again they pick up a mysterious radio transmission, once again they land on an Earth-like world, and once again they discover some severely rotten eggs.

(19) FOLLOW THE MONEY. Pascal Lee, Director of the Mars Institute, talks to Money magazine about the expense of going to Mars: “Here’s How Much It Would Cost to Travel to Mars”

At this point, what would it cost to send someone to Mars?

Pascal Lee: The Apollo lunar landing program cost $24 billion in 1960s dollars over 10 years. That means NASA set aside 4 percent of U.S. GDP to do Apollo. To put things in perspective, we also spent $24 billion per year at the Defense Department during the Vietnam War. So basically, going to the moon with funding spread over 10 years cost the same to run the Department of Defense for one year in wartime.

Now, 50 years, later, today’s NASA budget is $19 billion a year; that’s only 0.3 percent of GDP, so that’s less than 10 times less than what it was in the 1960s.

Meanwhile, the Department of Defense gets $400 billion a year. So the number I find believable, and this is somewhat a matter of opinion, a ballpark figure, doing a human mission to Mars “the government way” could not cost less than $400 billion. And that was going to the moon. This is going to Mars, so you multiply that by a factor of 2 or 3 in terms of complexity, you’re talking about $1 trillion, spread over the course of the next 25 years.

(20) TOP TEN FELLOW WRITERS HELPED BY HEINLEIN, AND WHY: Compiled by Paul Di Filippo. None of these facts have been checked by File 770’s crack research staff.

10) A. E. van Vogt, needed money to open a poutine franchise.

9) Barry Malzberg, stuck at Saratoga racetrack with no funds to get home.

8) Gordon Dickson, wanted to invest in a distillery.

7) Keith Laumer, wanted to erect barbed wire fence around home.

6) Damon Knight, wanted to enroll in Famous Artists School.

5) Anne McCaffrey, ran out of Mane ‘n’ Tail horse shampoo during Irish shortage.

4) Joanna Russ, needed advice on best style of men’s skivvies.

3) Isaac Asimov, shared the secret file of John W. Campbell’s hot-button issues.

2) Arthur C. Clarke, tutored him in American big band music.

1) L. Ron Hubbard, helped perform ritual to open Seventh Seal of Revelation.

(21) SJW CREDENTIAL ENTRYIST INVASION. The Portland Press Herald is aghast: “Cats at the Westminster dog show?”

Dogs from petite papillons to muscular Rottweilers showed off their four-footed agility Saturday at the Westminster Kennel Club dog show, tackling obstacles from hurdles to tunnels. And next door, so did some decidedly rare breeds for the Westminster world:

Cats.

For the first time, felines sidled up to the nation’s premier dog show, as part of an informational companion event showcasing various breeds of both species. It included a cat agility demonstration contest, while more than 300 of the nation’s top agility dogs vied in a more formal competition.

It didn’t exactly mean there were cats in the 140-year-old dog show, but it came close enough to prompt some “what?!” and waggish alarm about a breakdown in the animal social order

(22) POOH ON THE RANGE. Atlas Obscura explains the popularity of “Five Hundred Acre Wood” outside London.

Every year, more than a million people travel to Ashdown Forest to find the North Pole. Ashdown Forest is 40 miles south of , but they’re not crazy. In the forest they’ll find the Five Hundred Acre Wood, and somewhere in the Five Hundred Acre Wood is the place where Christopher Robin discovered the North Pole.

Five Hundred Acre Wood is the place that inspired the Hundred Acre Wood, the magical place in which a fictionalized version of A. A. Milne’s son, Christopher Robin, had adventures with Winnie the Pooh and friends.

In 1925, Milne bought a Cotchford Farm on the edge of Ashdown Forest in East Sussex, and he brought his family there on weekends and for extended stays in the spring and summer. The next year, he published the first collection of stories about a bear that would become one of the most beloved characters in children’s literature, Winnie the Pooh, based on his son, his son’s toys, and the family’s explorations of the woods by their home.

The book’s illustrator, E. H. Shepard, was brought to Ashdown Forest to capture its essence and geography, and a plaque at Gill’s Lap (which became Galleon’s Leap in the Pooh stories) commemorates his collaboration with Milne and its importance to the forest. A pamphlet of “Pooh Walks” is available to visitors who want to visit places like Gill’s Lap, or Wrens Warren Valley (Eeyore’s Sad and Gloomy Place), the lone pine (where the Heffalump Trap was set), a disused quarry (Roo’s Sandy Pit), or, yes, the North Pole.

[Thanks to Chip Hitchcock, Martin Morse Wooster, Cat Eldridge, Andrew Porter, John King Tarpinian, and Daniel Dern for some of these stories. Title credit goes to File 770 contributing editor of the day Kurt Busiek.]

Pixel Scroll 8/15 “Ward, I’m Worried About the Marmot”

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The editor fails to hide how ornery all this Puppy news makes him, in today’s Scroll.

(1) D23 is this weekend and attendees received this Drew Struzan poster for Star Wars: The Force Awakens. It’s a souvenir edition — Struzan will create another primary poster for the film.

star_wars_poster_full_0_0 COMP

(2) Just in time for WorldCon, “Tragedy of the Goats”, Francis Hamit’s epic story about, sex, security,and science fiction Fandom. Download it to your Kindle today and read it on the plane. (No puppies were harmed in this production.)

tragedy of the goats

(3) Spokane Public Radio devoted about three minutes to “Worldcon Brings Science Fiction and Hugo Awards to Spokane”

Tom Whitmore, head of publicity, spoke to me over Skype and explained the twist in this year’s awards. Normally their 10,000 members nominate freely, but this year two writers groups formed a coalition to lobby for certain scifi works.

Whitmore: “And they were very successful in getting the nominations out there. This was not against any of the rules, it’s just not what’s been done in the past, it was against social norms.”

Hugo Awards recognize science fiction works, as voted on by Worldcon members.

And, he says, it has upset a lot of other members. Critics say these writer groups want to make the nominees more homogenous like the genre used to be, ie: winners would be less diverse.

That doesn’t sit well with one very-well known, award winning female writer. Vonda McIntyre will be a guest author at the convention.

McIntyre: “The most amazing writer going when I first started was Samuel R. Delaney…”

A science fiction writer who’s black, and gay.

And who’s named Delany.

(4) If Tom Knighton hadn’t titled his post “Why I no longer care” it would be easier to focus on his actual point:

I read for fun.  If I want to challenge myself, I read non-fiction.  I’m a damn political writer.  I challenge myself daily.  I read fiction for fun, and it’s not your place to suggest I challenge myself in what I do for pleasure.  It’s not anyone’s place.

The truth is that those books I’m told I should challenge myself over are books I don’t want to read.  I don’t care how it handles homosexuality.  I care whether it tells a good story and whether I’ll like the protagonists.  Now, if those protagonists are homophobic, I’m 99 percent sure I won’t like them.  I don’t need to be told that the protagonists are gay, straight, trans, or whatever.  That’s not pertinent to my interests.  Whether the story is fun, is.

Somewhere along the line, folks got hung up on sex and sexuality.  It’s pretty annoying.

However, it’s become clear that for some people, a book’s “message” is vital.  Even books from bygone eras aren’t safe from being dissected for their social message rather than their story.

I’ve been one of those trying to argue that message fiction was a bad idea.  I still think it is.  But now, I just don’t care what those folks do.

(5) George R.R. Martin pre-interprets how any of several possible Campbell Awards winners will be an early sign of how the wind is blowing on Hugo night.

If Wesley Chu takes the Campbell, as he should, I think we will be in for a fairly reasonable night in Spokane. There will be some winners from the slates, and some categories will go the No Award, but most of the rockets will actually go to deserving work. If Chu wins, I think the vast majority of the fans in the auditorium will be more happy than not by night’s end.

If No Award wins, however… if No Award takes the Campbell, it will represent a huge and ominous victory for the “nuclear option,” for the faction of fandom that wants to destroy the village in order to save it. A victory by No Award in this category will signify that the voters decided to throw the baby out with the bathwater, and will likely betoken a long ugly night ahead, with category after category going to No Award. Myself, I think this unlikely. I think the hardcore “vote No Award on everything” voters are a small (if noisy) minority. But I could be wrong. It could happen.

And what if one of the four Puppy finalists takes the tiara?

That would represent a victory for the Puppies, certainly. But even there, certain distinctions should be made. Rolf Nelson was a candidate of the Rabids, but not the Sads. A victory by Nelson would be a singular triumph for Teddy Beale and the most extreme elements of Puppydom… and could suggest even worse results ahead, up to and including VD actually winning one or both of the Editing Hugos for which he is nominated.

Kary English, on the other hand, represents a much more moderate side of Puppydom. Though initially put forward by both the Sad and Rabid slates, VD later dropped her and removed her from his suggested ballot entirely when English put up a couple of blog posts that distanced herself from the Puppy party line.

(6) Miles Schneiderman of YES! Magazine joins the ranks of finger-waggers who haven’t bothered to learn how to spell “Torgersen” in his widely-linked critique “Sad Puppies, Rabid Chauvinists: Will Raging White Guys Succeed in Hijacking Sci-Fi’s Biggest Awards?”

In other words, Torgerson seems to think there are merely a handful of science fiction and fantasy stories worth anyone’s time: the ones that are just plain fun. People don’t want uncomfortable ideas or unorthodox characters; they just want “a rip-roaring good story” full of “broad-chested heroes” with “pioneering derring-do” who, of course, “run off with beautiful women.” Anything else is false advertising, tricking the unsuspecting reader into a story with complicated messages and cultural commentary, when all they wanted was escapist adventure. Torgerson’s version of “old school” speculative fiction seems to be primarily for and about men. Get out of our treehouse, girls! We’re playing space pirates. Didn’t you see the sign?

Not only does this view denigrate women, it denigrates fans of speculative fiction. In fact, it disrespects the entire genre by negating the value of any story element that doesn’t contribute to the reader’s entertainment high. As the Canadian journalist Jeet Heer points out, “the faux-populism of the Puppy brigade is actually insulting to the right, since it assumes that conservatives can’t be interested in high culture.” The Puppy movement is anti-intellectual at its core, and thus anathema to the genre it seeks to redefine.

(7) Jugger Grimrod (would I kid you?) says the butcher’s bill at the Hugos won’t be as bad as you’ve heard, on Silence Is A Weapon.

Everyone says the Hugos will survive, and I tend to agree. I think the Puppy voters will get tired of throwing away their money in the name of making whatever statement they’re trying to make. They will also have a harder time maintaining the charade that their campaign is about anything other than self-promotion, because after this year there will be fewer neutral parties willing to appear on any slate. The nomination rules will probably be changed to make slates less effective, although I’m afraid that will make the whole process more confusing and could scare some potential nominators away. In the long run this will mostly be forgotten, but in the short term it probably means that at least two WorldCons are going to have their Hugos basically invalidated, and I don’t like that they have to make that sacrifice. In my opinion the harassment policy should be invoked against the Puppy organizers and they should be banned from the convention and disqualified from the awards on that basis. I get that the Hugo organizers won’t do this, they would argue that the integrity of the awards depends on strict adherence to the bylaws, not arbitrary decisions by administrators. I could make some counter arguments but I don’t want to go down that road right now. I will just say that when a group has a stated goal of disrupting the awards, it wouldn’t bother me at all if they were barred from participating.

(8) Brianne Reeves breaks down the Antonelli story from a politicial perspective in “Let’s Talk about the Hugo Awards (Now with more libertarianism!)”.

Most recently, a false police report was filed by a Hugo nominee against another, leading to a full WorldCon investigation and the nominee’s work being rejected from a magazine. In the fall out, death threats and harassment ensued. We’ll be talking a little bit about this. For the full background on the story, you can see some of the posts I’ll link below.

While the “victim” of the false police report has accepted Lou Antonelli’s apologies, the actions of Antonelli haven’t ceased to have consequences. Antonelli’s actions in particular aren’t really what I want to talk about. I’m going to be addressing the actions we have seen in our community more broadly. It feels a bit ridiculous that I should even have to do this; these behaviors are far from common. Unfortunately, they’ve insinuated themselves into our world.

I’m approaching much of this from a more libertarian perspective. This is for a few reasons (1) I think that a libertarian discourse about rights and the role of the state is fitting for the behaviors we have seen in this community; and (2) I think that a discourse about positive and negative rights is a broadly applicable approach for the rhetoric that accompanies the behaviors we have seen recently.

I believe Lou Antonelli acted on impulse, not in furtherance of either well- or poorly-considered libertarian principles, though Reeves’ post was interesting to me just the same.

(9) Marcus Bales’ poetic comment appears on Blog, Jvstin Style:

Ballade of Sad Puppies

[first of four verses]

Who knows within what hidden garret
Vox Day scribes his sexist rant,
or why Correia tries to parrot
his vicious views with careless cant,
or Torgerson begins to prate
of how their work has been ignored
providing cover for their slate
behind his merited award;
they’re powered by their privileged fear.
Oh, where are the pros of yesteryear?

(10) I often search Twitter for File 770 references but rarely for Glyer. It seems I have missed a few gems as a result.

https://twitter.com/benjanun_s/status/630820349010010112

https://twitter.com/benjanun_s/status/632156189296472064

[Thanks to redheadedfemme and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Cubist .]

Women in Sci-Fi Storybundle Available

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Kristine Kathryn Rusch has organized a Women in Sci-Fi Storybundle. Pay what you like and get five books. Pay more than $15 and unlock five more books.

Rusch is justly proud –

The women writers in this bundle have written or worked in science fiction for a cumulative 240 years. They have written every kind of sf, from space opera to hard science fiction. They’re all award nominees. Some of them are award winners. They’ve written dozens of bestselling novels. Many of the women in this bundle have written Star Trek tie-in novels. Others have written for popular games. And of course, we’ve written in their own universes. They’re here to share their universes with you.

“I am kinda awed by all of the company,” says participating author Cat Rambo, “and love the fact that Mike Resnick is included in the bundle. He’s been a bit droll about it.” (Resnick and Janis Ian co-edited an anthology in the bundle.)

The five works everybody gets in the bundle are

  • The Phoenix Code by Catherine Asaro
  • Crossfire by Nancy Kress
  • Memory by Linda Nagata
  • Near + Far by Cat Rambo
  • Recovering Apollo 8 by Kristine Kathryn Rusch

The five bonus books are –

  • Strong Arm Tactics by Jody Lynn Nye
  • Starfarers by Vonda N. McIntyre
  • The Diving Bundle by Kristine Kathryn Rusch
  • Forgotten Suns by Judith Tarr
  • Stars – The Anthology by Janis Ian and Mike Resnick

There’s no DRM on any of the books.

Every Puppy Has Its Day 4/16

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What European writers call the Hugo Awards “hack” is getting international coverage. Today’s roundup features quotes from Polish and German articles… or as close as Google Translate can get.

There are geniuses who are mad, writers who are mad, and fans who are mad. No wonder there’s also a psychologist trying to analyze the Sad Puppies phenomenon. And if that doesn’t work, someone else has done a statistical analysis.

One writer thinks so many are alarmed by the controversy she needs to volunteer as a bodyguard —

Vonda McIntyre on Book View Cafe

“I will walk with you” – April 15

I’m distressed to see that some folks who were planning to come to Sasquan are thinking of skipping Worldcon this year.

Because they’re frightened.

I understand why people are frightened, given the racist, misogynistic, and dishonest screeds they’ve been subjected to. It isn’t — alas — unusual for verbal abuse to escalate into physical abuse; and anyway verbal abuse is no fun to begin with.

But I was thinking about what might help counterbalance the situation….

I will walk with you at Worldcon.

I’m not very fond of confrontation. I’m a courtesy 5’1? and my 67th birthday (how did that happen?!) is just after the convention and I’m walking with a hiking pole while recovering from a hiking fall, an injury that’s taking way longer to heal than when I was a pup.

On the other hand I’m a shodan in Aikido.

On the third hand, which I can have because I’m an SF writer, shodan — first degree black belt — is when you realize how much you still have to learn.

But I’m thinking that maybe it would make folks who feel threatened feel a little safer to have someone at their side, maybe even someone with a bunch o’ fancy ribbons fluttering from her name badge, even if that person is shorter, smaller, and older than they are, white-haired and not physically prepossessing. It’s another person’s presence.

 

Lou Antonelli on This Way to Texas

Two more scalps – April 16

Yesterday two people who previously didn’t mind having their names on the list and who are Hugo nominated decided withdraw the names. They are both young and probably afraid theircareers will be hurt. Quite frankly, I think it’s a futile gesture. Their flirtation with deviancy will never be forgiven by the SF establishment.

 

Jason V Brock on Facebook  – April 15

I feel sympathy for those trapped in the scenario who did nothing wrong, yet are suffering the consequences, when they should be able to enjoy themselves.

Additionally, people who take a side against someone should reconsider from the perspective of the folks that have been honored justly, and who do good work. In other words, there are people who have toiled for years building a reputation and then have the misfortune of an angry person/group trying to exact revenge, or tarnish everything (out of jealousy, I’d say, and a warped sense of reality). It’s not fair to block or unfriend people that genuinely did nothing but stand up and say “But I didn’t do anything bad.” These are the actions of cowards. People need to have cooler heads and try to understand things better.

 

Alastair Reynolds on Approaching Pavonis Mons by balloon

“On the present Hugo mess and while I still want one” – April 15

The odd thing is – or perhaps it isn’t odd at all – is that the ongoing trouble with the Puppies only makes me feel more warmly disposed to the Hugos. I certainly should have voted. It would have taken a lot more of us to outweigh the block voting effect of the slate ballot, but that’s no argument not to have tried. As I’ve mentioned earlier, I’ve been striving to read a lot more short fiction this year, and I already feel a lot better informed about the state of the field in 2015 than in recent years. And yes, while the Hugo award has been damaged – it’s hard to see a way around that, irrespective of what happens later in the summer – I would still like to win one eventually. I hope the award can weather this storm, and continue on as it should be – a prized part of SF’s collective heritage.

 

Marcin Zwierzchowski on Geek Blog (Polish)

“Nagrody fantastyczne jest problem”  – April 8

[Google Translate from Polish to English] The latter is the nail in the coffin of awards plebiscite. This year, it hit a huge force in Hugo, where most nominations seized authors connected with the movement Sad Puppies. The initiators of action rightly pointed out that in recent years, this prestigious award has become a mouthpiece through which the environment was manifest on the strength of its tolerance and diversity.  Instead, the text of the loudest discussed whether the nominees and the winners are more women or men, whether it is enough ethnic minorities, whether they are homosexual, etc., Etc.

 

Der Standard

“Was George R.R. Martin zum rechten ‘Hack’ der Hugo Awards sagt” – April 16

[Google Translate from German to English] In the past, it managed to get individual groups to influence the nomination lists on their behalf: Be it the followers of Scientology -Gründers and (often forgotten) SF-author L. Ron Hubbard. Be it the well-organized fandom of “Doctor Who”, which manages year after year in the short film category, to give the impression that there is nothing price worthier throughout the film, television and web video world as the British endless series. But such initiatives were always based on individual works – there has never been such a comprehensive campaign, moreover, an ideological background.

 

George R. R. Martin on Not A Blog

“On the Darkling Plain” – April 15

My friend Janice Gelb, long time worldcon volunteer and SMOF, has suggested that the only thing we can do at this point is abolish the Hugo Awards altogether. When I first heard that notion, I dismissed it out of hand. Some good will, some civility, a mutual exchange of ideas, and surely we could find a way to salvage the situation.

I am no longer convinced of that. The Sad Puppies are digging in and doubling down, and so is worldcon fandom. Meanwhile, off in the cesspools, the Rabid Puppies grow ever more rabid. Nuclear options are being seriously considered, and Vox Day has apparently threatened that if NO AWARD wins in any category, he will see to it that no award is ever given in that category again.

My first inclination was to dismiss that threat as so much toxic wind. But I am not so sure. According to FILE 770 https://file770.com/?p=21877 there have been 1352 new Supporting Memberships purchased this month, an unprecedented number. Very few of these purchases, I fear, were motivated by a sincere desire to support WorldCon. No, all these new supporting members are plonking down their money for a vote on the Hugos.

Ah, but which side do they represent? Are these members of traditional fandom, signing up to take back their awards? Are these Sad Puppy supporters, anxious to vote their slate to victory? Are these all NO AWARDers? Or maybe these are the Vox Day fans. Beale seems to have much more control over his followers than Correia and Torgensen do over theirs… the ballot actually has more Rabid Puppies than Sad ones. Could it be that Vox Day has successfully roused the GamerGate bogeyman that he was been threatening us with? No one knows. Unless…

I think it is All of the Above.

And as for me… I don’t know right now. On odd numbered days, I lean toward opting out of SasQuan entirely. Stay home, work on the book, I don’t need this grief. On even numbered days, I am determined to go… and to go BIG. Take the Hugo Losers Party back. I started it, after all. And this year, so far as the Hugos are concerned, we are all going to be losers.

 

George R. R. Martin on Not A Blog

“Joining Sasquan” – April 16

I have been going to Worldcons for a long time. My icon is a picture of me at Torcon II, the 1973 Worldcon in Toronto, where I lost the very first John W. Campbell Award for Best New Writer. Wasn’t I cute? It was my second Worldcon, following on Noreascon I in Boston in 1971. (I missed LA in 1972).

 

Brandon Morse on EveryJoe

“Exclusive Interview With Sad Puppies’ Brad Torgersen”  – April 16

EJ: In a blog post, Doctor Who critical historian Philip Sandifer recently said that “the moral duty of progressive voices to form a blocking majority, and to loudly admit that fandom as it stands is broken, and that any work proclaimed to be the best of the year by a fandom this broken is demeaned by the association.” Do you think the outrage against Sad Puppies is ultimately because you broke the “blocking majority” that Progressives feel is their moral duty to maintain?

Torgersen: I feel like this is very much about totems. I wrote a long article today, talking about tribalism, and how Worldcon Fandom has reacted to having outside tribe(s) coming to “take away” the totem that is the Hugo Award. We’re committing near-sacrilege when we do that. But the chief problem is that the Hugos self-label as being the award for everybody while Worldcon wants to keep the total deciding process internal to itself; no out-tribe people allowed. An award for all, decided by the few. That’s the core of the problem. So, if the progressives feel a duty to keep out-tribe people from participating, I feel a duty to put a hand to their faces and say, “No, you don’t get to decide who is and is not a fan, or who is and is not worthy.”

 

Maureen O’Danu on Am I The Only One Dancing

“The Psychology of Hugo Sad Puppies and Rabid Puppies” – April 16

Larry Correia’s public attitude makes it pretty clear that he felt that he deserved to win and that the Hugo he was nominated for was stolen from him, rather than simply won by another contender. (Larry denies this verbally, but one of the first rules of psychology is that when there is a conflict between words and actions, believe the actions.) The subjective nature of literary awards makes this a not uncommon problem. In any award where winning is at least partially a matter of opinion instead of mathematics, the language of robbery holds sway. “He was robbed” “She stole that award” “How on earth did he take that away from her.” From ice dancing to dressage to debate to writing, any ranked creative competition is going to generate these sorts of claims.

Correia took this further, speculating on the basis of negative comments he had received from either fans or writers (he has never specified) that he was specifically denied his award because of his political views. He has said that he believes has been specifically denied because he owns a gun store, is Mormon, is conservative, or all or some combination of the above.

It is common for people who feel entitled to look for unjust reasons for exclusion from something they feel they are owed. Afraid to look within, they will search for any confirmations they can find that someone, somewhere has unjust views of them, and then work long and hard to build a case that these views somehow formed the basis of discrimination. The logical leaps and sifting for scant evidence that make up this process are the roots of paranoid beliefs and are pretty common among lots of people, not just people who have diagnoses.

 

Nathaniel Givens on Difficult Run

“Some Sad Puppy Data Analysis” – April 14

If the last chart depicted clearly the reasons why social justice warriors are so opposed to SP / RP, this chart depicts clearly the reasons why SP came into being in the first place. What it shows is the average Goodreads review for the Hugo best novel winners (in red) and nominees (in blue) for every year going back to the first Hugo awards awarded in 1953.8 The most interesting aspect of the chart, from the standpoint of understanding where SP is coming from, is the fairly extreme gap between the scores of the nominees and the winners in the last few years, with the nominees showing much higher scores than the winners. Here it is again, with the data points in question circled:

Let me be clear about what I think this shows. It does not show that the last few Hugo awards are flawed or that recent Hugo winners have been undeserving. There is no law written anywhere that says that average Goodreads score is the objective measure of quality. That is not my point. All those data points show is that there has been a significant difference of opinion between the Hugo voters who picked the winners and the popular opinion. What’s more, they shows that this gap is a relatively recent phenomenon. Go back 10 or 20 years and the winners tend to cluster near the top of the nominees, showing that the Hugo voting process and the Goodreads audience were more or less in tune. But starting a few years ago, a chasm suddenly opens up….

Closing Thoughts

I still think that Sad Puppies have a legitimate point. Their goal was to get a few new faces out there who otherwise wouldn’t have been considered. I think that’s an admirable goal, and I think that there are some folks on the ballot today who (1) deserve to be there and (2) wouldn’t ever have gotten there without Sad Puppies. And I know that even some of the critics of SP3 agree with that assessment (because they told me so).

 

 

Eric Flint

“Some comments on the Hugos and other SF awards” – April 16

[A very long and multifaceted post – this is just the first paragraph.]

I’ve been doing my best to stay away from the current ruckus over the Hugo Awards, but it’s now spread widely enough that it’s spilled onto my Facebook page, and it’s bound to splatter on me elsewhere as well. It’s also been brought to my attention that Breitbart’s very well-trafficked web site—never famous for the accuracy of its so-called “reporting”—has me listed as one of the supposedly downtrodden conservative and/or libertarian authors oppressed by the SF establishment. Given my lifelong advocacy of socialism—and I was no armchair Marxist either, but committed twenty-five years of my life to being an activist in the industrial trade unions—I find that quite amusing.

 

Ian Randal Strock

“Foolishly jumping into the Hugo mishegas” – April 16

So, to bring this back to the Hugo Awards: we have something which a significant number of people value. And it’s something that has a set of operating instructions, which can be followed and gamed. Now, after sixty years of giving out Hugo Awards, some of the voters have realized that acting in concert gives them power within the system, and the Puppies Party has been born and instantly proven its viability.

Many people who are not part of the Puppies Party are decrying their actions, rending their garb, declaiming their love for the Hugos, and announcing their hatred for those people who would dare to “hijack” the award with concerted effort. The Puppies Party appears to have issued an ultimatum that they will keep doing what they’ve done in the future; I don’t doubt they can (I do doubt the value of doing it, but not the ability to do it).

So, to those opposed to the Puppies Party, I can only say: welcome to party politics. If you don’t like what they’ve done, you have a few choices:

1. You can do away with the Hugo Awards, simply retire them as a concept.

2. You can change the rules to make party politics impossible (though off the top of my head, I can’t see an easy way to do so).

3. You can embrace the not-so-modern paradigm and form your own political party.

You can hate the concept of politics within the “purity” of the Hugo Awards, but now that a party has been formed and started operation, complaining about its existence will be a futile exercise. The Puppies Party has the power of unity that those who oppose it don’t yet have. So, who among you is going to step up and start the conversation to form your party?

And for our European viewers, none of this thinking is to deny the validity of the parliamentary system. Perhaps the Hugo Awards may evolve into a multi-party system. Although the awards, as winner-take-all prizes, do tend to lend themselves more to a two-party system.

 

Larry Correia on Monster Hunter Nation

“I’m not Vox Day” – April 16

I cannot disown what I do not own.

I neither condone nor defend any of his public statements. I did not make them.

Of course I do not like some of the things he has said.

Do you think the existence of Rabid Puppies has somehow made my life easier?

I’m not going to burn anyone in effigy. Stop asking.

I’m not going to condemn anyone by association. Stop asking.

 

Brad R. Torgersen

“Sad Puppies: We are not Rabid Puppies” – April 16

I’ll state it again for emphasis: we are not Rabid. None of us wants to burn the Hugos down. We want the Hugos to live up their reputation as the preeminent award in the combined field of Science Fiction & Fantasy. We want Worldcon to be an actually diverse thing with authors and fans participating from across the spectrum, without having to worry about litmus tests or being in the correct groups. We don’t want people to have to be chameleons who hide who they are — or what they like or what they create — because it’s not what the “cool kids” agree with.

The objectives of Sad Puppies 3 have been simple and consistent:

  • Use the democratic selection system of the Hugo awards.
  • No “quiet” logrolling. Make it transparent.
  • Boost authors, editors, and works — regardless of political persuasion.
  • Bring recognition to people who’ve been long overlooked.
  • Get some good promotion for new folks coming up in the field.
  • Have fun!

 

Kate Paulk on Mad Genius Club

“There Hugo Again” – April 6

Claiming that being nominated because people who agree with Vox Day or Larry Correia or Brad Torgerson, or any other person you care to mention voted for their works is some kind of horrible taint is beyond the pale. The more of that kind of totalitarian secret police tactic that’s used, the more I want to stand up and shout, “I am Vox Day.” Or “I am Larry Correia.” Or… you get the point.

Because we are all Vox Day. Or Larry Correia. Or Brad Torgerson. Or anyone else who dares to disagree with the opinions of the would-be power-brokers. If we are not, then Oceania has always been at war with Eastasia, Freedom is Slavery, and two plus two equals five.

 

Sanford Begley on Otherwhere Gazette

“I’m sick and tired of the Hugos”

I’m a 57 year old politically disgusted heterosexual male. I can more or less claim white. Family stories say there are a few other things in there, but none particularly show so, who cares? Now that you know I have privilege you can dismiss me and move on to a more diverse writer. Or stay if you aren’t a bigot. I’m good either way.

 

 

Miguel on Gun Free Zone

“The Hugo Awards, Social Justice Warriors and Sad Puppies” – April 16

Oh dear gods of the pantheon! You would have thought the Barbarians broke into the Vestal Temple and proceeded to rape the curtains and burn the Virgins. First came the accusations of ballot stuffing which went down in flames when it was pointed out that the rules for nominations were followed to a fault. Then it came the generalized accusations of “gaming the rules” to introduce a “Conservative, all-male heterosexual, redneck, icky” slate which died under quick examination of the slate as it was actually more varied in every concept than previous Hugo nominations. Then it came to be that the works were not true SciFi/Fantasy or did not conform to what SciFi should be, but somebody just pointed out that previously nominated works like If You Were A Dinosaur My Love and the whole cookie went down in crumbs.

But something was puzzling the SJW clique: After all the attacks, the Sad Puppies not only were not cowed, they had the balls of actually laugh at them! How dare they! So they went even stupider attacking individual authors. Larry Correia is an official White Anglo-Saxon Supremacist (I reckon that you will find the Portuguese last name in the Mayflower list), death threats were issued which is funny as hell when Larry is the size of a shoggoth, knocked down cows for fun a-lo-Mongo in his youth and is a firearms instructor with possibly more guns and ammo in his basement than many police forces in rural America…and some urban areas too.

 

Alan Davis on LewRockwell.com

“Science Fiction – The Culture War’s Line in the Sand”  – April 16

Why is science fiction–as a book genre–dying, while simultaneously conquering Hollywood, television, and video games?

Over the last twenty or thirty years, the science fiction publishing industry has changed.  Now, all of the major publishers, save one, take the political viewpoints of writers into account before publishing their works.  And if that writer happens to be libertarian, or conservative, or holds any views that don’t mesh neatly with the left-wing attitudes of the editors and publishers, then the only publisher willing to read their material is Baen.  Political correctness has become the key to science fiction, so excellent writers who don’t fit the mold are almost completely excluded from publishing and awards.

 

Ty Burr on Boston Globe

“Trouble brews in the world of sci-fi writing” – April 16

What’s at the bottom of the Sad Puppy complaint? Exclusion, it turns out. Responding to Martin’s comments, Correia blogged of his own memories of being a youthful sci-fi outcast at the Worldcon party: “The cool kids told their cool stories to the other cool kids, and lorded it over those who weren’t part of the In Joke. Honestly, it reminded me of high school, and I was the poor fat kid who had inadvertently pissed off the mean girls.” To which Martin responded, “Surely you have been around fandom long enough to realize that there are no cool kids. We’re all the fat kids, the nerds, the computer geeks, the guys who always had their nose in a book, who loved comics and played chess and couldn’t get a date for a prom.”

This isn’t really about right versus left, in other words, but feeling like you belong. And while there’s a productive conversation to be had when the volume is kept low, the voices on the sidelines, anonymous and otherwise, just pour gasoline on the flames.

More and more, I’m convinced that the Internet is toxic.

The only thing to do, I think — and I’m talking about more than just the Sad Puppies and Gamergate — is to marginalize the crazies on both sides. Which means, in practice, marginalizing the crazies on your side. We have to start making a stand for a big, sane middle and allowing everyone on the spectrum of that middle to express emotions without going on the attack. Anyone who calls names, responds from anger, hate, or fear — block them. Ignore them. Do not feed the trolls.

 

Jason Sanford

On screaming “We’re not VD!” while ignoring your relationship with VD – April 16

I don’t need Larry and Brad or anyone else to say they’re not Vox Day. I know that. Everyone knows VD is responsible for his own actions and statements.

But what many people suspect is that Larry and Brad worked with VD on all this. And based on the evidence, it’s difficult to draw any other conclusion.

For example, Brad ran this year’s Sad Puppies campaign and posted their voting slate on February 1. I can’t tell you the exact time he posted the slate, but the first comment on the post appeared at 8:40 pm, followed quickly by many more.

Vox Day posted his Rabid Puppies ballot on February 2nd. Again, I don’t know the exact time but the comments began coming in a little after 1 am. Depending on the time zone settings of these two sites, that means as little as a few hours separated the posting of the Sad and Rabid Puppies slates.

But hey, let’s be generous and say an entire day separated the launch of their “separate” campaigns. If there was no coordination between the two campaigns that means in less than a day VD read all the stories on the Sad Puppies slate, decided which to discard and which to add to his own slate, and launched his campaign.

Oh, and he also found time to contact the artist who created the Sad Puppies logo and have that artist create a similar but different logo for the Rabid Puppies. (The artist is Lee Madison, who uses the name Artracoon on his art. He even set up a site to sell shirts with both Sad and Rabid Puppies logos.)

If it’s possible to do all that in such a short time frame without coordinating the two campaigns, I’d love to hear how it was done.

 

 

Jim C. Hines on Facebook

Another Hugo Proposal:

Three Hugos for the Mil-SF and their space marines,

Seven for the grimdark-lords in their halls of blood,

Nine for Mortal Fans doomed to blog,…

One for Neil Gaiman on his dark throne

In the Land of Worldcon where the Shadows lie.

 

 

Unpaid ad from Fandom Prime:

Kitten+in+Mail

Hugo Justice Warriors If some Puppy has been calling you an SJW lately, maybe you’d rather identify yourself as a Hugo Justice Warrior. Click through to see our noble shield on a variety of products.

Proudly stand up to the enemies of fair play and quality SF&F by flaunting our shield. The Latin motto means “I will fear no puppies.” either sad or rabid.  I’m sure Heinlein, a man of principle, would have approved.

Considering the merchandise is being marketed to fans, one of the funniest parts is that T-shirts only go up to 3X….

 

Vonda Visits Versailles

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As well as Game of Thrones is doing lately is it any wonder that moviemakers are busy filming the novel that beat it for the Nebula Award?

Okay, so I’m overstating the connection, but I’m glad Vonda McIntyre’s The Moon and the Sun is coming to the screen.

The film stars Pierce Brosnan as Louis XIV, an aging king in search of immortality. Producers were allowed to shoot on location at Versailles last month. Now they’re back in Australia completing the movie on sound stages.

Vonda flew over to Versailles to visit the production:

I was welcomed enthusiastically and with many compliments about the story by everyone I met. As a result, even this classic introvert felt comfortable chatting with a number of members of the production — producers, director, cast members, musicians, the composer, the script supervisor, the IT folks, security. And several people’s mums, all of whom were charming and proud and fun to talk to.

French TV news showed her seated beside Pierce Brosnan in his kingly attire (above).