Pixel Scroll 5/7/19 What The Pixel Saw, It Was Against The Law

(1) IT’S GONE, MAN. Those who view the episode on streaming services won’t be seeing it — “HBO Edits ‘Game of Thrones’ Episode to Remove Errant Coffee Cup” reports Variety.

HBO has quietly scrubbed the misplaced coffee cup out of the “Game of Thrones” episode that aired Sunday night.

The premium cabler acknowledged the gaffe Monday after fans spotted the takeout cup on a table in front of Daenerys Targaryen (Emilia Clarke) in a scene in episode 4 of season 8 just before the 17:40 mark. It resembled a Starbucks cup but in fact came from the production’s craft services — and where someone left it behind in Winterfell.

“The latte that appeared in the episode was a mistake. Daenerys had ordered an herbal tea,” HBO said in a statement.

As of Tuesday morning, the streaming version of the “GOT” episode available on HBO Now and HBO Go had removed the offending cup from the scene. A rep for HBO confirmed the coffee cup was deleted and that future airings of the episode, “The Last of the Starks,” would be of the updated version

(2) CHIANG COLLECTION. Joyce Carol Oates says “Science Fiction Doesn’t Have to Be Dystopian” in a brilliant review of Ted Chiang’s new collection Exhalation for The New Yorker.

…Indeed, irony is sparse in Ted Chiang’s cosmology. It is both a surprise and a relief to encounter fiction that explores counterfactual worlds like these with something of the ardor and earnestness of much young-adult fiction, asking anew philosophical questions that have been posed repeatedly through millennia to no avail. Chiang’s materialist universe is a secular place, in which God, if there is one, belongs to the phenomenal realm of scientific investigation and usually has no particular interest in humankind. But it is also a place in which the natural inquisitiveness of our species leads us to ever more astonishing truths, and an alliance with technological advances is likely to enhance us, not diminish us. Human curiosity, for Chiang, is a nearly divine engine of progress….

(3) MILES TO GO. Rudy Rucker’s entry for Whatever’s The Big Idea is really big!

Real-life road trips end before you want them to. You run into a coastline. The road stops. I wanted a road trip that goes on and on, with ever new adventures, and with opportunities to reach terrain never tread upon before. But how to do that in a car?

I peeled Earth like a grape, snipped out the oceans, shaped the flattened skin into a disk, and put a mountain range around it. Then I laid down a bunch more of these planetary rinds, arranging them like hexagonal tiles on a very wide-ranging floor. All set for a Million Mile Road Trip.

(4) CURRENCY EVENTS. The New York Times tells about an unexpected comics publisher in “Splat! Bam! It’s the Federal Reserve to the Rescue”.  The basic info is that the New York Federal Reserve bank produces comics as teaching tools, and all three have a scifi bent.

…In one scene, a group of itinerant monetary experts lands on Alpha-Numerica (“voted 3,675,927th best place to live”), where a severe recession is underway. Residents of the planet look like pencil erasers, gumdrops and other forms of geometrically sculpted goop. Unemployment is soaring, businesses are failing, and retirees are struggling to survive.

“This is not where I wanted to be at this point in my life,” says one resident, an old purple jelly bean who is sweeping a public square. “Tell me about it,” a younger resident says to itself. This individual, a green egg, wears a cap and gown. In one hand, it holds a diploma; in the other, a sign saying, “HIRE ME?”

The situation is dire but can be solved. What is needed is “expansionary monetary policy,” declares Glix, a green, lizardlike creature who likes to sing and wear capes.

Here is a link to the New York Fed’s download site for its comic books. 

The New York Fed’s Educational Comic Book Series teaches students about basic economic principles and the Federal Reserve’s role in the financial system.

Created for students at the middle school, high school, and introductory college levels, the series can help stimulate their curiosity and raise their awareness of careers in economics and finance. In addition, lesson plans created for each comic book meet national and state standards for New York, New Jersey, and Connecticut.

The New York Fed has published comic books since the 1950s and is reintroducing this popular series with a modern spin. While the comic books are intended for a student audience, they are also available to the public.

(5) AGAINST THE HOUSE. ScienceFiction.com brings word that “Maisie Williams Is Currently Shooting Comic-Based Thriller ‘The Owners’”.

Filming of a new comic book adaptation, ‘The Owners’ has begun outside of London, in an isolated Victorian mansion in Kent.  Based on a Belgian comic book by award-winning artist Hermann (last name Huppen), and written by his son Yves H. ‘The Owners’ is being directed by Julius Berg (‘La forêt’), with a screenplay by Berg and Mathieu Gompel (‘The Dream Kids’).  The film’s producers, XYZ Films, are currently shopping the picture around at the Cannes Film Festival.

Heading up the cast is ‘Game of Thrones’ alum Maisie Williams.  Joining her are Sylvester McCoy, Rita Tushingham, Ian Kenny, Jake Curran, Andrew Ellis, and Stacha Hicks….

(6) HELP IS ON THE WAY. I bet readers of the Scroll can’t wait til I get this — “Microsoft Word AI ‘to improve writing'”. On the other hand, Chip Hitchcock sent the link with a skeptical comment, “I’ll believe it when the spellchecker starts handling context well enough to not make dumb corrections.”

A new feature in Microsoft’s Word aims to help improve writing beyond the usual grammar fixes.

Using artificial intelligence, Ideas will suggest rewrites for clunky sentences as well as changes to make sure language is gender inclusive.

It will help users lay out different parts of a document, including tables, and suggest synonyms and alternative phrases to make writing more concise.

It will be cloud-based and initially available to users of Word Online only.

A test version of Ideas will go live in June, becoming more widely available in the autumn.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 7, 1922 Darren McGavin. Carl Kolchak on Kolchak: The Night Stalker — How many times have seen it? I’ve lost count. Yes it was corny, yes, the monsters were low rent, but it was damn fun. And no, I did not watch a minute of the reboot. (Died 2006.)
  • Born May 7, 1923 Anne Baxter. The Batman series had a way of attracting the most interesting performers and she was no exception as she ended playing two roles there, first Zelda and then Olga, Queen of the Cossacks. Other genre roles were limited I think to an appearance as Irene Adler in the Peter Cushing Sherlock Holmes film The Masks of Death. (Died 1985)
  • Born May 7, 1931 Gene Wolfe. He’s best known for his Book of the New Sun series. My list of recommended novels would include Pirate FreedomThe Sorcerer’s House and the Book of the New Sun series. (Died 2019.)
  • Born May 7, 1940 Angela Carter. She’s often said to be best known for The Bloody Chamber and Other Stories where she took took fairy tales and made them very adult in tone. Personally I’d recommend The Curious Room as contains her original screenplays for the films The Company of Wolves and The Magic Toyshop, both of which were based on her own original stories. (Died 1992.)
  • Born May 7, 1951 Gary Westfahl, 68. SF reviewer for the LA Times, Internet Review of Science Fiction and Locus Online. Editor of The Greenwood Encyclopedia of Science Fiction and Fantasy: Themes, Works, and Wonders; author of  Immortal Engines: Life Extension and Immortality in Science Fiction and Fantasy (with George Slusser) and A Sense-of-Wonderful Century: Explorations of Science Fiction and Fantasy Films.
  • Born May 7, 1968 Traci Lords, 51. Yes, she did a number of reasonably legit genre appearances after her, errr, long adult acting career. She was for example in The Tommyknockers series along with the first Blade film. She’s also in the SF comedy Plughead Rewired: Circuitry Man II (I know, weird title that.) And finally, I should note she was Dejah Thoris in Princess of Mars which later re-released as John Carter of Mars. But the way her first post-adult film was a genre undertaking and that was Not of This Earth. Yes, it is a remake of Roger Corman’s 1957 film of the same name.
  • Born May 7, 1972 Jennifer Yuh Nelson, 46. She is the director of Kung Fu Panda 2, Kung Fu Panda 3, and The Darkest Minds. Yuh is the first woman to solely direct an animated feature from a major Hollywood studio. The Darkest Minds is a dystopian SF film which RT gives a rating of 17% to. Ouch. 

(8) DRAGON AWARDS SEASON. Vox Day kicks off a “Dragon Awards discussion” [Internet Archive link] with his ideas about what comics published by his Arkhaven imprint ought to win Best Comic and Best Graphic Novel. Declan Finn jumps in to tell people which of his and his friends’ books should win the other categories, but meets resistance from a commenter who says he’d rather vote for Brian Neimeier (another Sad Puppy). There might not be enough kibble to go around!

(9) POP CULTURAL APPROPRIATION. “Viggo Mortensen: Vox ‘ridiculous’ to use Aragorn image” – BBC has the story.

Viggo Mortensen has denounced far right Spanish political party Vox after it tweeted a meme featuring the actor playing Aragorn in Lord of the Rings.

The meme, shared by the nationalist party’s official Twitter account in April, showed Aragorn lining up to face off against the assembled hordes of Vox’s apparent enemies, including the media, Catalan separatists and a small ghost wearing the colours of the rainbow flag typically used to represent LGBT pride.

“Let the battle begin,” the party tweeted.

In a letter to the editor of Spanish newspaper El Pais, published on Tuesday, Mortensen said Vox’s use of his image was “absurd”.

“Not only is it absurd that I, the actor who embodied this character for [Lord of the Rings director] Peter Jackson, and a person interested in the rich variety of cultures and languages that exist in Spain and the world, is linked to an ultra-nationalist and neo-fascist political party,” the actor wrote, “it is even more ridiculous to use the character of Aragorn, a polyglot statesman who advocates knowledge and inclusion of the diverse races, customs and languages of Middle Earth, to legitimise an anti-immigrant, anti-feminist and Islamophobic political group.”

(10) GO OUT, YOUNG HUMAN! The Washington Post: “Buzz Aldrin: It’s time to focus on the great migration of humankind to Mars”. In a WaPo oped, Buzz Aldrin advocates for not just returning to the Moon, but going to Mars. And sooner rather than later. He also calls for international cooperation with other countries to make it happen.

Last month, Vice President Pence announced that we are headed back to the moon. I am with him, in spirit and aspiration. Having been there, I can say it is high time we returned. When Neil Armstrong, Michael Collins and I went to the moon 50 years ago this July, we did so with a mission. Apollo 11 aimed to prove America’s can-do commitment to space exploration, as well as its national security and technological superiority. We did all that. We also “Came in Peace for all Mankind.” More of that is needed now.

Today, many nations have eyes for the moon, from China and Russia to friends in Europe and Middle East. That is all good. The United States should cooperate — and offer itself as a willing team leader — in exploring every aspect of the moon, from its geology and topography to its hydrology and cosmic history. In doing so, we can take “low-Earth orbit” cooperation to the moon, openly, eagerly and collegially.

[…] As matter of orbital mechanics, missions from Earth to Mars for migration are complex. That said, human nature — and potentially the ultimate survival of our species — demands humanity’s continued outward reach into the universe. Call it curiosity or calculation, strategic planning or destiny. Put simply: We explore, or we expire. That is why we must get on with it.

In a world of division and distraction, this mission is unifying — for all Americans and for all humankind. So, I am personally glad we are headed back to the moon — and I thank President Trump and the vice p

(11) DECOROUS THEATERS. According to The Week:

The Roxy 8 multiplex in Dickson, Tennessee, is defending its decision to call the new HELLBOY movie HECKBOY in signs outside the theater.  Manager Belinda Daniel explained that the theater does not use ‘profanity’ on signs.  ‘We are located next to an elementary school and across from a church,’ she said.

(12) A DIFFERENT KIND OF GOOD TASTE. BBC introduces you to“The man who discovered umami”, long before it made news in the West.

For centuries, humanity lived with the concept of sweet, salty, bitter and sour – but another flavour was hiding on the sidelines

Kikunae Ikeda had been thinking a lot about soup.

The Japanese chemist had been studying a broth made from seaweed and dried fish flakes, called dashi. Dashi has a very specific flavour – warm, tasty, savoury – and through laborious, lengthy separations in a chemistry lab, Ikeda had been trying to isolate the molecules behind its distinctive taste. He felt sure that there was some connection between a molecule’s shape and the flavor perception it produced in humans.

But as it was just a few years past the turn of the 19th Century, there was not yet a great deal of evidence to support the idea.

Eventually, Ikeda did manage to isolate an important taste molecule from the seaweed in dashi: the amino acid glutamate, a key building block of proteins. In a 1909 paper, the Tokyo Imperial University professor suggested that the savoury sensation triggered by glutamate should be one of the basic tastes that give something flavour, on a par with sweet, sour, bitter, and salt. He called it “umami”, riffing on a Japanese word meaning “delicious”.

(13) LOOK FORWARD TO YOUR KIWI TOUR. Good news! Natural heated swimming hole available to visit on your CoNZealand2020 trip!

Bad News! May contain a staple of SciFi — The Brain-Eating Amoebas of Kerosene Creek

Kerosene Creek is a natural hot spring near Rotorua, on the North Island of New Zealand. And there have been official warnings for years: don’t put your head under water. It turns out that “brain-eating amoebas”, naegleria fowleri, are a real, if rare, thing.

[Thanks to Chris M. Barkley, JJ, Errolwi, John King Tarpinian, Martin Morse Wooster, Tom Boswell, Chip Hitchcock, Cat Eldridge, Carl Slaughter, Mike Kennedy, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Steve Davidson.]

Pixel Scroll 4/5/19 We Can Scroll It For You Wholesale

(1) GAME OF LUNCH. Ethnic cuisine of Westeros? Gothamist tells you how to order it in “Shake Shack Offering ‘Secret’ Game Of Thrones Items For Valyrian Speakers ONLY”.

Below, you’ll find a little guide explaining what you need to say in order to actually purchase these items. It’s more “bend the tongue” than “bend the knee,” but you get the drift

(2) BLOCKING TECHNIQUE. Foz Meadows takes stock of social media as various platforms enter their teenage years: “Cancel Culture: The Internet Eating Itself”.

…I’m tired of cancel culture, just as I was dully tired of everything that preceded it and will doubtless grow tired of everything that comes after it in turn, until our fundamental sense of what the internet is and how it should be managed finally changes. Like it or not, the internet both is and is of the world, and that is too much for any one person to sensibly try and curate at an individual level. Where nothing is moderated for us, everything must be moderated by us; and wherever people form communities, those communities will grow cultures, which will develop rules and customs that spill over into neighbouring communities, both digitally and offline, with mixed and ever-changing results. Cancel culture is particularly tricky in this regard, as the ease with which we block someone online can seldom be replicated offline, which makes it all the more intoxicating a power to wield when possible: we can’t do anything about the awful coworker who rants at us in the breakroom, but by God, we can block every person who reminds us of them on Twitter.

(3) A WARRIOR HANGS UP HIS SHIELD. Fulk Beauxarmes’ protests against the growing influence of white supremacists in the Society for Creative Anachronism, and use of their symbols in its heraldry, inspired me to nominate him for Best Fanwriter. In a new post he decries the continued inaction of the Society’s leadership and also announces that he’s “Leaving the SCA”.

On February 15th a post that Ronan Blackmoor had recently made was brought to my attention. He’d apparently posted to his Facebook page a triumphant announcement that he and Balder had been “completely cleared” of all accusations of wrongdoing and that there would be “consequences” for all the “leftists”, “SJWs” and “SCAntifa” who had brought “fake charges” against him.

…That was the last straw for me….

(4) AIRBNB ISSUE. Do you need to check your reservations?

(5) SURVIVAL REQUIREMENT. James Wallace Harris does a good job of describing the problem and of identifying a solution. If only he sounded more enthusiastic about it! “Subscribe to SF Magazines – Become a Patron of an Art” at Worlds Without End.

…I’ve come to realize that I have to pay if I want certain things in this world to exist, even if I don’t use them.

I subscribe to four SF magazines that I seldom read. I read when I can, or when I see a story recommended, or when a friend tells me about a story. I subscribe because I want them to exist. I subscribe because I want a place for new SF writers to get published. I subscribe because one day if I can ever get back into writing fiction I’ll have a place to submit my stories.

We have to realize that free content on the internet isn’t free. We’ve got to come up with revenue systems that work. I think the internet needs to remain free, so we can always have instant access to content, but we need to find ways to pay publishers who present free content on the web.

(6) THE KISS OF SOMETHING. Chuck Tingle mingles praise and profitmaking in his response to Archive of Our Own’s Hugo nomination.

(7) GHOST OF A MACHINE. In “A Crime Novel for Future Urban Planners” on CrimeReads, Benjamin Samuel interviews Seth Fried, author of The Municipalists, a near future novel in which detective Henry Thompson solves a cyberattack with the aid of OWEN, “an experimental, highly intelligent hologram…who’s developed his own protocol for day drinking.”

Despite being a holographic projection of a supercomputer, OWEN can sometimes feel more human than Henry—or at least OWEN seems to enjoy life a little more. But ultimately, there are limitations to what he can do. What were some of challenges of having an AI character?

OWEN was a lot of fun to write. Since he’s a shape-shifting light projection, he’s essentially a superhero who can’t physically interact with anyone. So anything he wants to accomplish has to come through trickery or convincing Henry to give some life-threatening strategem the old college try. 

(8) FRENCH ADDRESSING. Some authors had fun responding to this idea – Seanan McGuire and John Chu among them – but one took offense (see the thread).

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 5, 1900 Spencer Tracy. Yes, he did some genre, to wit he was in Dr. Jekyll and Mr. Hyde where he played Dr. Henry Jekyll and Mr Edward Hyde! The film even featured Ingrid Bergman and Lana Turner. (Died 1967.)
  • Born April 5, 1908 Bette Davis. She’s in Burnt Offerings, am Eighties horror film that did well with the audience and not so well with the critics; I also see she’s in Madame Sin which I think is SF given the premise. (Died 1989.)
  • Born April 5, 1909 Albert Broccoli. He’s mostly known as the producer of many of the James Bond films, and his heirs continue to produce new Bond films. With Harry Saltzman, he produced the first eight Bond films including From Russia with Love which is still my favorite Bond film though You Only Live Twice with a screenplay by Roald Dahl comes close. (Died 1996.)
  • Born April 5, 1917 Robert Bloch. His Wiki page says he’s best known as the writer of Psycho, but I’ll guarantee that only film geeks and many of y’all know that. I know him best as the writer of the Trek “Wolf in the Fold” episode. His Night of the Ripper novel is highly recommend. And I know that “That Hellbound Train” which won the Hugo Award for Best Short Story is the piece of fiction by him I’ve read the most. (Died 1994.)
  • Born April 5, 1926 Roger Corman, 93. Ahhhh, popcorn films! (See popcorn literature for what I mean.) Monster from the Ocean Floor in the early Fifties was his film and Sharktopus vs. Whalewolf on Syfy just a few years back was another such film. He’s a man who even produced such a film called, errr, Munchies. A Worldcon guest of honor in 1996.
  • Born April 5, 1920 A.C. Crispin. She wrote several Trek and Star Wars novelizations and created her series called Starbridge which was heavily influenced by Trek. She also co-wrote several Witch World novels, Gryphon’s Eyrie and Songsmith, with Andre Norton.  Pirates of the Caribbean: The Price of Freedom was her last novel prior to her death from bladder cancer while in hospice care. (Died 2013.)
  • Born April 5, 1965 Deborah Harkness, 54. She’s the author of the All Souls Trilogy, which consists of A Discovery of Witches and its sequels Shadow of Night and The Book of Life. I listened to the Jennifer Ikeda-narrated audiobooks which was an amazing experience. Highly recommended as Harkness tells a remarkable story here. I’m not even fond ’tall of vampires in any form and hers actually are both appealing and make sense.
  • Born April 5, 1982Hayley Atwell, 37. Agent Carter with her as Peggy Carter I’ll freely admit has been the only series or film in the MCU repertoire that I’ve flat enjoyed so far. Even the misogyny of the males though irritating in that setting made sense. Oh, and I’m interested to see her in Christopher Robin as Evelyn Robin.

(10) EATING THE FANTASTIC. Scott Edelman calls on everyone to “bond over bing bread” with Malka Older in Episode 92 of his Eating the Fantastic podcast.

Malka Older

This turns out to be a perfectly timed episode of Eating the Fantastic, though I didn’t plan it that way, and had no idea while recording such would be the case. The reason for my feeling of serendipity is because my guest is Malka Older, author of the novels InfomocracyNull States, and State Tectonics — which comprise the Centenal Cycle — and which just a few days ago was announced as having made the final Hugo Awards ballot in the category of Best Series….

She joined me for lunch at Momofuku CCDC, a restaurant which will be familiar to regular listeners of this podcast, because Rosemary Claire Smith joined me there a little more than two years ago in Episode 32. I try not to be a repeat customer at any of the spots I visit — at least not while recording for the podcast — but a lot has changed since that visit. David Chang installed a new executive chef, Tae Strain, and gave him orders to “destroy” the menu (according to an article in the Washingtonian), which meant ditching the ramen and pork buns for which Momofuku is so famous. But hey, where else am I going to get a chance to try kimchee potato salad?

We discussed why democracy is a radical concept which scares people (and what marriage has to say about the dramatic potential of democracy), the pachinko parlor which helped give birth to her science fictional universe, how what was intended to be a standalone novel turned into a trilogy, her secrets (and role models) when it comes to writing action scenes, which of her characters moves more merchandise, how (and why) editor Carl Engle-Laird helped her add 20,000 words to her first novel, what she learned about herself from the collaborative Serialbox project, the one thing about her background I was embarrassed to admit I’d never realized, and much more.

(11) OVERFLOWING JOY. Alasdair Stuart’s latest issue of Full Lid includes piece on Mac Rogers’ movie The Horror at Gallery Kay, a look at Us, a detailed look at Project Blue Book (Stuart says “Turns out you can take the boy out of ufology but the man keeps watching tv shows about it”) and some Hugos joy.

Project Blue Book was a real thing, the USAF’s probably whitewashed investigation into the UFO phenomena. Doctor J. Allen Hynek was a real person and remains one of the vanishingly small amount of actual scientists to look into UFOlogy as a field and not a snake oil vending machine. His son Joel is a prolific special effects technician who designed the camouflage effect for the Predator by the way. The cases the episodes are based on are real too, the first two episodes dealing with the Gorman (renamed Fuller) Dogfight and the The Flatwoods Monster. In the first, a pilot engaged a UFO in something approximating combat. In the second, a family were first terrified by what they were sure was a downed UFO and second by the enraged townsfolk who refused to believe them.

(12) FUTURE PLAY. “Books that would make great video games” were considered by Quirk Books. First on their list –

Ninefox Gambit by Yoon Ha Lee

This sci-fi novel features space battles, espionage, and cute talking robots. Obviously, we see this book being turned into a space opera-esque RPG ala Mass Effect, with a touch of shoot ‘em style space battles. Think Galaga but with interdimensional space politics and dueling. 10/10 would play for days.

(13) MORE APRIL FOOLISHNESS. Space.com finds this joke had multiple layers — “Behind the Scent: Lockheed Martin Bottles Astronaut’s Smell of Space”.

Lockheed Martin’s April Fools’ Day joke passed the smell test.

The aerospace company on Monday (April 1) kicked off its prank by announcing a launch, but rather than it being of a rocket or a spacecraft, it was Vector, “the first ever fragrance to capture the aroma of space.” And no sooner did the liftoff occur, than thousands of people came to Lockheed Martin’s website to request a sample.

One might expect that to be the gag, but the company went a step further, not only creating a spot-on ad for the bottled essence of space, but also producing the scent for real, as in actual vials of the unisex (if not also universal) eau de (zero-g) toilette

(14) MONETIZING. “Rare Harry Potter first edition with typos sells for $90,074” – UPI has the news.

Auction house Bonhams said the first-edition copy of Harry Potter and Philosopher’s Stone — known in the United States as Harry Potter and the Sorcerer’s Stone — attracted a high bid of $90,074.

The specific edition is famed in the Potter fandom for containing a handful of typos, including misspelling the word “Philosopher” and the repetition of “1 wand” on the list of items the boy wizard needs to obtain for school.

Think of all the rare typos I make here – I wonder how much Bonhams could get for my blog?

(15) FAILURE TO LAUNCH. SHAZAM! Never Takes Off” for Leonard Maltin.

Shazam! wants to be slick and smartassy except when it suddenly chooses to be warm and sincere—like a TV commercial for some medication or life insurance. You can’t have it both ways but this film repeatedly tries to do so. I’ve always loved the character who originated as Captain Marvel in 1940s comic books (and lost that name to Marvel in a famous lawsuit). He was essentially a rip-off of Superman but he had his own style and flavor. This movie, however, is a muddle.

(16) SLAG HEAPER. Vox Day sneers at this year’s Hugo-nominated novels in “From pulp to Puppies” [Internet Archive link] at Vox Popoli.

Total nonentities. All six of these novels together won’t sell as many copies as a single Galaxy’s Edge novel. Novik would have been considered a C-level talent at best in the 1980s. And people could be forgiven for thinking that the Rabid Puppies were still dictating the nominees with titles such as “The Secret Lives of the Nine Negro Teeth of George Washington” on the short list.

(17) FURTHER VIEWS. Ian Mond remarked on Facebook:

Congrats to all the Hugo nominees. I won’t whinge that the best novel category doesn’t, for the most part, reflect my tastes. Nor will I set up a movement of like minded people to ensure it does so in the future….

Jonathan Strahan responded in a comment:

For about 20 seconds I considered trying to put together an Alternate Hugos Best Novel list, and then I realised (1) there are a lot of those and (2) you can’t have an Alternate Hugo list really. These are the books that fans who nominated *liked* the most. That’s fine and pretty cool.

(18) WHERE IS IT? Adri Joy begins this review with many questions: “Microreview [Book]: Terra Nullius by Claire G. Coleman” at Nerds of a Feather.

I thought I knew what to expect, going in to Terra Nullius. I’d seen the book recommended on speculative sites, I’d read enough about it to know that its take on colonisation and extermination of indigineous people was almost but not quite based on the experience of Australia’s indigenous communities following the British invasion in 1788. And yet, by a hundred pages in, I was starting to doubt what everyone and everything (including the book’s own blurb) was telling me. Was I missing clues to a larger mystery? Were there adjectives that I was misreading or apparently historical references that I was misinterpreting? Where, to be blunt, was all the science fiction?

Of course, if you’re paying attention, that’s an intentional feature of Claire G. Coleman’s brilliant debut novel, which offers a perspective on the invasion of Australia which is very much a speculative novel, and yet still inexctricably and uncomfortably intertwined with the real historical treatment of Aboriginal Australians over centuries of white rule. Coleman herself is Noongar, a community from the south coast of what is now Western Australia, and Terra Nullius is the product of a black&write! indigenous writers fellowship. Despite being a first novel, this is a book that’s utterly confident both in its content and its narrative structure, and for very good reason….

(19) CHICXULUB SNAPSHOT. Douglas Preston tells about the discovery of fossils laid down on “The Day the Dinosaurs Died”.

He began shovelling off the layers of soil above where he’d found the fish. This “overburden” is typically material that was deposited long after the specimen lived; there’s little in it to interest a paleontologist, and it is usually discarded. But as soon as DePalma started digging he noticed grayish-white specks in the layers which looked like grains of sand but which, under a hand lens, proved to be tiny spheres and elongated ­droplets. “I think, Holy shit, these look like microtektites!” DePalma recalled. Micro­tektites are the blobs of glass that form when molten rock is blasted into the air by an asteroid impact and falls back to Earth in a solidifying drizzle. The site appeared to contain micro­tektites by the million.

As DePalma carefully excavated the upper layers, he began uncovering an extraordinary array of fossils, exceedingly delicate but marvellously well preserved. “There’s amazing plant material in there, all interlaced and interlocked,” he recalled. “There are logjams of wood, fish pressed against cypress-­tree root bundles, tree trunks smeared with amber.” Most fossils end up being squashed flat by the pressure of the overlying stone, but here everything was three-dimensional, including the fish, having been encased in sediment all at once, which acted as a support. “You see skin, you see dorsal fins literally sticking straight up in the sediments, species new to science,” he said. As he dug, the momentousness of what he had come across slowly dawned on him. If the site was what he hoped, he had made the most important paleontological discovery of the new century.

(20) HIGH LIFE REVIEW. NPR’s Andrew Lapin concluded: “In The Art-House Sci-Fi Film ‘High Life,’ No Aliens — Just Alienation”.

The spaceship hurtling away from Earth is staffed with men and women sprung from death row to aid in a mysterious science experiment. The once-condemned crew believe they’ve been given a chance to redeem themselves and do one final good deed for humanity. Only later, as their signals to Earth begin to go unanswered and their true mission comes into focus, do they realize they have in fact been condemned twice.

High Life is strange and wondrous, less a traditional sci-fi film than it is a seductive journey into the long, black night of death. For many Americans it will also be a wormhole into the work of French director Claire Denis, who’s been active in cinephile circles for three decades but has never before helmed a movie entirely in English. Of course, having the hipness cred of A24 and Robert Pattinson providing the rocket fuel doesn’t hurt.

A prologue that wouldn’t be out of place in a Tarkovsky film shows Pattinson’s human guinea pig Monte in the aftermath of something horrible, wandering alone on the deck of this rocket to nowhere, with only a mysterious baby keeping him company. It’s a great hook — what the hell happened here? — shot at Denis’ familiar meandering pace, proving that even lightspeed won’t rush her story. It’s also a mission statement. As he hurtles toward oblivion, Monte’s acts of paternal care exist in a kind of vacuum. Maybe life and love are possible within a universe of infinite cruelty, and it’s up to the individual to determine their worth.

(21) ON TRACK. When they write the book it should be titled The Hitchhiker’s Guide to Moby Dick“Fossil of ancient four-legged whale found in Peru”.

The fossil of a 43-million-year-old whale with four legs, webbed feet and hooves has been discovered in Peru.

Palaeontologists believe the marine mammal’s four-metre-long (13 ft) body was adapted to swim and walk on land.

With four limbs capable of carrying its weight and a powerful tail, the semi-aquatic whale has been compared to an otter or a beaver.

Researchers believe the discovery could shed light on the evolution of the whale and how it spread.

“This is the most complete specimen ever found for a four-legged whale outside of India and Pakistan,” Dr Olivier Lambert, a scientist at the Royal Belgian Institute of Natural Sciences and co-author of the study, said.

(22) SJWCS ARE JUST IGNORING YOU. NPR reports: “Cats Don’t Fetch, But Know Their Names As Well As Dogs, Researchers Say”.

Call a dog by his name, and his tail wags, he starts panting happily, and he showers you with love and affection.

Call a cat by his name, and… well, cats are a bit harder to read. Does the cat even know what his name is?

So researchers in Japan set out to answer the question: Can a cat understand the difference between its name and any other random word that sounds like it?

Research on cats is slim compared to research on dogs. That may be because cats can’t be bothered to participate in the experiments. But in a study published Thursday in the journal Scientific Reports, the Japanese researchers devised a way to get results whether or not the cats cared to cooperate.

[Thanks to Chip Hitchcock, Martin Morse Wooster, Greg Hullender, Michael Toman, ULTRAGOTHA, Carl Slaughter, Cat Eldridge, JJ, John King Tarpinian, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 3/3/19 My File Went So Pix’ly, I Went Lickety-Split, Scrollin’ My Old ‘55

(1) NAME THAT ROCK. In the Washington Post, Sarah Kaplan profiles the “byzantine and marvelously nerdy naming guidelines” of the International Astronomical Union (“The bizarre and brilliant rules for naming new stuff in space”). Among them:  the mountains and plains of Titan have to be named according to references in Dune or Lord of the Rings, Names for asteroids have relatively few rules, but one of them is not to name an asteroid after your cat, as James Gibson found out when he named an asteroid after his cat, Mr. Spock, and was told that while his asteroid remains “2309 Mr. Spock,” he really shouldn’t do it twice.

[Names for the moons of Jupter] must come from a character in Greek or Roman mythology who was either a descendant or lover of the god known as Zeus (in Greek) or Jupiter (Latin). It must be 16 characters or fewer, preferably one word. It can’t be offensive, too commercial, or closely tied to any political, military or religious activities of the past 100 years. It can’t belong to a living person and can’t be too similar to the name of any existing moons or asteroids. If the moon in question is prograde (it circles in the same direction as its planet rotates) the name must end in an “a.” If it is retrograde (circling in the opposite direction), the name must end in an “e.”

(2) TEMPORARILY CUTE. Sooner or later they’re going to need a new naming convention for these things (Popular Science: “FarFarOut dethrones FarOut for farthest object in the solar system”).

Most people don’t kill time by finding the most distant object ever discovered in the solar system, but most people aren’t Scott Sheppard.

Last week, the Carnegie Institution for Science astronomer announced he had just discovered an object that sits about 140 astronomical units away. One AU equals the 93 million miles between Earth and the sun, so that means this object is 140 times the distance of Earth from the sun, or 3.5 times farther away than Pluto.

This is just a mere couple months after he and his team discovered 2018 VG18, nicknamed “Farout,” which sits 120 AU away, and for a brief moment was the farthest known object in the solar system. Sheppard and his team have already given a pretty apt tongue-in-cheek nickname to the usurper: “FarFarOut.”

(3) SAN DIEGO 2049 SPEAKER SERIES. Annalee Newitz, author of Autonomous and co-founder, io9, will give a talk “San Diego 2049: Your Dystopia Has Been Canceled” on April 4 at UCSD. Free and open to the public; RSVP required.

Realistic worldbuilding requires that we get out of the dystopia/utopia binary and imagine futures that are a diverse mix of worlds. To imagine a plausible future world, we need to look critically at our own history, where progress is uneven and resistance is not futile. Annalee Newitz, journalist, co-founder of the website io9, and author of the acclaimed science fiction novel Autonomous joins us to share her insights into worldbuilding as part of the San Diego 2049 series of programs.

(4) SALAM AWARD JUDGES. The 2019 jury for the Salam Award will be Jeffrey Ford, Mary Anne Mohanraj, Maha Khan Phillips, John Joseph Adams, and Saba Sulaiman. The award promotes imaginative fiction in Pakistan. (Via Locus Online.)

Last year’s winner was Akbar Shahzad for his story Influence

(5) HUGO PICKS. Abigail Nussbaum comments on 20 stories that either made her ballot, or came close, in “The 2019 Hugo Awards: My Hugo Ballot, Short Fiction Categories” at Asking the Wrong Question.

From what I’ve seen–and the effects of the last decade in the genre short fiction scene have been to render it even more diffuse than it already was, so I really can’t say that I’ve had a comprehensive view–2018 was a strong year for SF short fiction, with venues including Strange Horizons, Lightspeed, and Uncanny delivering strong slates of stories.  I was interested to observe how easy it is to discern an editorial voice, and a preoccupation with certain topics, when reading through a magazine’s yearly output.  Uncanny, for example, had a strong focus on disabled protagonists in 2018, with stories that often turn on their struggles to achieve necessary accommodation, with which they can participate and contribute to society.

One topic that I expected to see a great deal more of in my reading was climate change.  Only a few of the pieces I’ve highlighted here turn on this increasingly important topic, and very few stories I read dealt with it even obliquely.  Given how much climate change has been in the public conversation recently (and not a moment too soon) it’s possible that next year’s award nominees will deal with it more strongly, but I was a bit disappointed not to see SF writers and editors placing an emphasis on it already.

(6) WOULD YOU LIKE TO PLAY A GAME? This Kickstarter will fund a table top game, “Necronomicon by Abdul Alhazred with Cthulhu pawns & Idol”.

The Necronomicon is undoubtedly the most emblematic book in the mythology of H.P. Lovecraft. In this game you will assume the role of Abdul Alhazred with the aim of completing all sections of the aberrant book. It is a game for 2 to 4 players with game modes for 20 or 60 minutes.

(7) PLAYING IN THE FIELDS OF D.C. John Kelly in the Washington Post went on the press tour for Tom Clancy’s The Division 2, a Ubisoft video game in which Washington, wiped out by a pandemic, has turned the National Air and Space Museum into an armory and the Lincoln Memorial into a graffiti-covered headquarters for paramilitary groups. (“A new video game invites players to wallow in a dystopian Washington”.)  But Ubisoft couldn’t use the World War II Memorial for copyright reasons and decided not to have shooters blast away at the Martin Luther King Jr. Memorial because “the gamemakers thought it would be disrespectful to have players shooting at each other around the statue of the famous pacifist.”

The game is set in the months after a deadly pandemic has swept the country and transformed the area around the Tidal Basin into a flooded wasteland, the National Air and Space Museum into a heavily guarded armory and the Lincoln Memorial into the smoke-blackened, kudzu-shrouded headquarters of a paramilitary group.

On the plus side, rush hour traffic is pretty light.

The challenge facing anyone designing a video game set in an actual place is making it realistic. The purpose of this junket — events were spread over two days, with a shuttle bus squiring the group from site to site — was to explain that process.

(8) COSPLAY IN CLEVELAND. The Cleveland Plain Dealer) highlighted cosplay in an article about an upcoming convention: “Wizard World shines light on cosplay and the art of transforming (photos)”.

Four years ago, Stephanie Lauren looked into a painting and had an epiphany… “I could do this.”

No, she wasn’t imagining herself as a painter. She already was one, and the painting she was looking at was hers – a colorful portrait of a cute, furry kitty cat.

Rather, she started to imagine herself as one of her works come to life – a character, an expression of childhood and innocence. A new reality, purely of her own making. 

Stitch by stitch, using cloth and Ethylene-vinyl acetate foam and beads, a cosplay character was born…. 

(9) WYNDHAM MEMORIAL. Triffid Alley is a website intended to become a memorial to the author John Wyndham, author of Day of the Triffids, who died in 1969.

It takes its name from Triffid Alley in Hampstead, London, which is the only known existing memorial to John Wyndham in the United Kingdom.

The website reports there will be a 50th Anniversary Commemoration of Wyndham’s death in London on March 11.

It will consist of a talk by David Ketterer and Ken Smith on Wyndham and the Penn Club where he lived from 1924 to 1943 and from 1946 to 1963 followed by drinks and food at a pub on the nearby Store Street, a street which figures on page 98 of the Penguin edition of The Day of the Triffids.

David Ketterer has more or less completed a full scale critical biography entitled TROUBLE WITH TRIFFIDS: THE LIFE AND FICTION OF JOHN WYNDHAM…

Anyone who is interested is invited to gather outside the Penn Club at 21-23 Bedford Place, London W.C.1 (near the British Museum) at 6.00 pm on Monday, 11 March 2019.  We shall move to seating in the Penn Club lounge around 6.15 pm for the talk and questions.  Around 7.00 pm we shall walk to The College Arms at 18 Store Street (near Senate House).

(10) HUGH LAMB OBIT. British anthologist Hugh Lamb, editor of many paperback collections of vintage horror, died March 2. His son, Richard, tells more in a “Tribute to My Father”.

On the night of 2nd March 2019, Hugh Lamb passed away. He died peacefully, in his sleep, after a long illness that had left him frail and weak. At the end he chose to move on, rather than suffer long months of treatment with no guarantees. We, his family, chose to honour his wishes and were with him at the end.

Hugh Lamb was, to many, one of the country’s foremost authorities on Victorian supernatural literature and a respected anthologist of those stories. To me, however, he was just dad. Certainly, I inherited a great love of ghost stories, as well as the cinema of the macabre, from my father. We would recommend movies to each other and enjoy critiquing them. As a child I used to thrill at tales of the supernatural, both real and fictional, all because of my father’s influence. When I wrote a series of screenplays, two of which were optioned by producers, they were all either ghost stories or stories with a supernatural flavour. And when one of my screenplays won the 2008 Rocliffe/BAFTA New Writers award, it was my father who positively glowed with pride. The screenplay was a father and son story, and he recognised himself in the pages with a mischievous delight.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 3, 1863 Arthur Machen. His novella “The Great God Pan” published in 1890 has garnered a reputation as a classic of horror, with Stephen King describing it as “Maybe the best horror story in the English language.” His The Three Impostors; or, The Transmutations 1895 novel is considered a precursor to Lovecraft and was reprinted in paperback by Ballantine Books in the Seventies. (Died 1947.)
  • Born March 3, 1920 James Doohan. Montgomery “Scotty” Scott on Trek of course. His first genre appearance was in Outer Limits as Police Lt. Branch followed by being a SDI Agent at Gas Station in The Satan Bug film before getting the Trek gig. He filmed a Man from U.N.C.L.E.film, One of Our Spies Is Missing, in which in played Phillip Bainbridge, during 5he first season of Trek.  Doohan did nothing of genre nature post-Trek. (Died 2005.)
  • Born March 3, 1945 George Miller, 74. Best known for his Mad Max franchise, The Road WarriorMad Max 2Mad Max Beyond Thunderdome andFury Road.  He also directed The Nightmare at 20,000 Feet segment of the Twilight Zone film, The Witches of Eastwick, Babe and 40,000 Years of Dreaming
  • Born March 3, 1948 Max Collins, 71. Best known for writing the Dick Tracy comic strip from 1977 to 1993 giving The it a SF flavor. He also did a lot of writing in various media series such as Dark Angel, The Mummy, Waterworld, The War of The Worlds and Batman.  
  • Born March 3, 1955 Gregory Feeley, 64. Reviewer and essayist who Clute says of that “Sometimes adversarial, unfailingly intelligent, they represent a cold-eyed view of a genre he loves by a critic immersed in its material.” Writer of two SF novels, The Oxygen Barons and Arabian Wine, plus the Kentauros essay and novella.
  • Born March 3, 1970 John Carter Cash, 49. He is the only child of Johnny Cash and June Carter Cash. To date, he’s written two fantasies, Lupus Rex which oddly enough despite the title concerns a murder of crows selecting their new leader, and a children’s book, The Cat in the Rhinestone Suit, which I think Seuss would be grin at. 
  • Born March 3, 1982 Jessica Biel, 37. A number of interesting genre films including The Texas Chainsaw MassacreBlade: Trinity, StealthThe Illusionist, the remake of Total Recall which I confess I’ve not seen, and the animated Spark: A Space Tail.

(12) COMICS SECTION.

  • Rich Horton, quite rightly, calls this a “very Eganesque” Dilbert.

(13) VARIANT COVERS. Brian Hibbs in his Tilting at Windmills column for Comics Beat “Heroes in (Sales) Crisis” says variant covers are helping to break the market:

Again, the new Marvel catalog leads with a mini-series called “War of the Realms” that has seventeen different covers attached to it. For one single issue worth of release. Even if you try to “ignore variants” they take up catalog and “eye” space, they increase the amount of time it takes to order (let alone find) the comics you want to stock; they also consume distributor resources, ultimately increasing overages, shortages and damages, hurting everyone as a result.

The January 2019 order form features 1106 solicited periodical comic books. Of those, only 454 of those SKUs are new items – the other 652 are variant covers. That means a staggering fifty-nine percent of all solicited comics are actually variants. That’s completely and entirely absurd! It is deluded, it is dangerous, and it actively works against the best interests of the market.

(14) RUH-ROH! The former last man on Earth is among those getting animated (The Hollywood Reporter: “Will Forte, Gina Rodriguez and Tracy Morgan to Star in Animated Scooby-Doo Movie (Exclusive)“).

Last Man on Earth star Will Forte voicing Shaggy, Jane the Virgin star Gina Rodriguez [Velma], Tracy Morgan [Captain Caveman] and Frank Welker [Scooby-Doo] are going for a ride in the Mystery Machine.

The actors have closed deals to voice star in the untitled Scooby-Doo animated movie being made by Warner Bros. and its Warner Animation Group division.

Tony Cervone is directing the feature, which counts Chris Columbus, Charles Roven and Allison Abbate [as] producers.

[…] The story sees the Mystery Inc. gang join forces with other heroes of the Hanna-Barbera universe to save the world from Dick Dastardly and his evil plans…and this time, we are told, the threat is real. The movie is slated for a May 2020 release.

(15) WHERE NO WOMAN HAS GONE BEFORE. [Item by Mike Kennedy.] Sure, some Star Trek projects—going back to Next Gen—have been directed by a woman; but none have taken the helm for the first episode in a series. And certainly no woman of color has been the leadoff batter. Until now. Deadline has the story—”‘Star Trek’: Hanelle Culpepper Will Direct Picard Pilot, First Woman To Launch Starfleet Series“.

Star Trek is boldly going on a new mission where only men have gone before. Hanelle Culpepper will direct the first two episodes of the upcoming untitled Star Trek Jean-Luc Picard series, making her the first woman to direct a pilot or debut episode of a Starfleet series in the franchise’s 53-year history. All 13 feature films in the Trek universe have also been directed by men.

Culpepper has directed two episodes of Star Trek Discovery on CBS All-Access. She helmed the episode titled Vaulting Ambition in Season One as well as an upcoming episode in Season Two, now underway on the subscription streaming site.

Culpepper’s other genre credits include various episodes of CounterpartSupergirlThe CrossingThe FlashLuciferGothamGrimm, and Sleepy Hollow.

(16) THE LOST CAUSE. Yudhanjaya Wijeratne’s post “’Incidentally, there is support for Wijeratne’s story’: a response to file770 and a record of the Nebula Award madness” has attracted notice and comments from people who assume after his experience he should to be ready to lend a sympathetic ear to their propaganda justifying past awards slates.

There’s a comment signed Francis T., which judging from the Gravatar is the Francis Turner who in 2006 tried to convince people not only to vote Baen the Best Editor (Long Form) Hugo the following year but to visualize “A Baen Sweep of the Hugos”.

Also, Sad Puppies 3 leader Brad Torgersen left a lengthy comment touting himself as the hero of an ahistorical version of 2015’s events.

On Torgersen’s own blog he’s worked hard to couch the immediate controversy in cleverly Orwellian terms: “When the Inner and Outer Parties of SFWA attack”.

…Try as they will to style themselves international, the Inner and Outer Party members of American literary SF/F are hopelessly provincial, sharing a painful overlap in ideology, as well as a kind of homogeneous, mushy globalist-liberal outlook. Which, being “woke”, puts a premium on demographics over individualism. Fetishizing ethnicities and sexualities. While remaining borderline-militant about a single-track monorchrome political platform.

So, certain Inner and Outer Party folks proceeded to step all over their own unmentionables in an effort to “call out” the “slate” of the indie Proles from the dirty ghettos of indie publishing. And now the Inner and Outer Parties are in damage control mode (yet again!) trying to re-write events, submerge evidence, gaslight the actual victims of the literary pogrom, blame all evils on Emmanuel Goldstein (cough, Sad Puppies, cough) and crown themselves the Good People once more. Who would never, of course, do anything pernicious, because how could they? They are Good! They tell themselves they are Good all the time! They go out of their way to virtue-signal this Goodness on social media! It cannot be possible that they have done anything wrong!

Rabid Puppies packmaster Vox Day not only reprinted Torgersen’s post at Vox Popoli (“Puppies redux: Nebula edition” [Internet Archive link]), he appropriated to himself others’ credit for indie authors being in SFWA:  

It was funny to read this in my inbox, as it was the first time I’ve had any reason to give a thought to SFWA in a long, long time. Possibly the most amusing thing about this latest SFWA kerfluffle is that it is a direct consequence of SFWA adopting my original campaign proposal to admit independent authors to the membership. Sad Puppy leader Brad Torgersen observes, with no little irony, the 2019 version of Sad Puppies…

(17) DIAL 451. The New Indian Express’ Gautam Chintamani uses a famous Bradbury novel as the starting point to comment on news coverage of the recent Pakistan-India incident in “White Noise”.

Bradbury wrote Fahrenheit 451 as a commentary on how mass media reduces interest in reading literature but considering the times we live in, it is doing more than that. Following the February 14 Jaish-e-Mohammed fidayeen attack on a CRPF convoy in Pulwama that left 44 Indian soldiers dead, most television news channels bayed for blood. There is no denying that the national emotions were running high and it was only natural for citizens of a nation that have been at the receiving end of a proxy war conducted by a neighbour that as a national policy believes in causing loss of life in India to ask for a befitting reply. Yet the fashion in which many news anchors assumed the mantle of judge, jury, and executioner was nothing less than appalling. The constant white noise emanating from most news debates, where everyone was urged to shout louder than the next person, offers a greater emotional bounty to the one who would teach Pakistan a lesson and this showed a committed effort from media to not allow the average citizen a moment to think. 

(18) GAHAN WILSON FUNDRAISER. A GoFundMe to “Help Gahan Wilson find his way” wants to raise $100,000 for the artist’s care. Neil Gaiman gave $1,000. Other donors include artist Charles Vess, editor Ellen Dtalow, and Andrew Porter.

Gahan Wilson is suffering from Dementia

Gahan is suffering from severe dementia. We have helped him through the stages of the disease and he is currently not doing very well.

His wife, Nancy Winters, just passed away

My mother, and his wife of fifty three years, Nancy Winters, passed away on March 2, 2019. She was his rock. His guide through the world. While we all helped with his care, it was my mother who grounded him. He is currently distraught and out of sorts with the world.

Memory care is needed immediately

Gahan and my mother had been residing in an assisted living facility in Arizona. With my mother’s passing, the facility is about to discharge him. We must find him a memory care facility immediately.

… Memory care is wildly expensive. More so than assisted living. If we could cover the cost ourselves, we would. We can’t, and Gahan and my mother did not save for anything like this. We are asking his fans to help us, help Gahan.

(19) CANADA SIGNS ON. Another international partner lends NASA a hand, well, a robotic arm, anyway: “Gateway Moon station: Canada joins Nasa space project”.

Canada will contribute US$1.4bn to a proposed Nasa space station that will orbit the Moon and act as a base to land astronauts on its surface.

Prime Minister Justin Trudeau said the step would “push the boundaries of innovation”.

The space station, called Gateway, is a key element in Nasa’s plan to return to the Moon with humans in the 2020s.

As part of the 24-year commitment, Canada will build a next-generation robotic arm for the new lunar outpost.

“Canada is going to the Moon,” Mr Trudeau told a news conference at Canadian Space Agency’s headquarters near Montreal, according to AFP.

Nasa plans to build the small space station in lunar orbit by 2026. Astronauts will journey back and forth between Gateway and the lunar surface. It will also act as a habitat for conducting science experiments.

(20) SURE OBI-WAN, POINT-OF-VIEW BLAH BLAH BLAH. Gizmodo/io9 says that, “From a Certain Angle, It Looks Like the Dark Phoenix Trailer Takes a Subtle Jab at the Marvel Cinematic Universe.” Um, how is it, again, that you change your viewing angle for a non 3-D movie trailer? Oh, I see what you mean…

new Dark Phoenix trailer dropped in the dead of night this week and gave us another look at how Sophie Turner’s Jean Grey will transform into her darkest, most cosmically-empowered self on the big screen for the second time in the character’s cinematic history. But a fan also spotted something peculiar…

[…] At one point in the trailer, all of the film’s mutants (save for Jean) are being transported by armed officers on what appears to be an armored tank. Wired UK writer Matt Kamen spotted three very familiar letters on their uniforms. If you look closely they read “MCU” which, as Kamen pointed out, could stand for “mutant containment unit.” But it could also be a clever nod to the Marvel Cinematic Universe and Disney’s recent acquisition of 20th Century Fox and the cinematic rights to the X-Men.

(21)  JAVA. Mashable’s post “Pierce Brosnan drinking a latte of his own face is extremely good” identifies him with James Bond, but he also has the lead in The King’s Daughter, based on Vonda McIntyre’s The Moon and the Sun, which is still awaiting its U.S. release (IMDB says sometime in 2019).

(22) VIDEO OF THE DAY. In “Motion Makes a Masochist” on Vimeo, Dev warns that if you want to be a motion designer for movies, you should be prepared to suffer a lot for your art.

[Thanks to John King Tarpinian, Rich Horton, Mike Kennedy, Frank Olynyk, Chip Hitchcock, Carl Slaughter, JJ, Martin Morse Wooster, Brian Z., Andrew Porter, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day John Winkelman.]

48 Hours Later Vox Day Pulls the Plug on SocialGalactic

Announced only two days ago, Vox Day’s Twitter substitute SocialGalactic is already being shut down (“Another curve ball” [Internet Archive link].) The team that works on InfoGalactic, his alt-right revision of the Wikipedia, had joined forces with OneWay to build SocialGalactic on Fediway’s distributed network engine. The platform claimed 2,500 users after the first 48 hours of operation.

Vox Day did not go into detail about the decision. However, in comment a few hours after the initial announcement he had written —

Note that if you’re in the EU, you’re not going to be able to use it until we can resolve the GDPR compliance issue. 

The General Data Protection Regulation  (“GDPR”) regulates data protection and privacy for all individuals within the European Union (EU) and the European Economic Area (EEA), and also addresses the export of personal data outside the EU and EEA areas.

Since Vox himself lives in the EU, such a ban would be no small problem for him.

Day’s Finnish confederate Markku Koponen wrote some more revealing comments. When someone asked how soon people in the EU could gain access he wrote —

Not at this point. Could be never. We’ll have to have a lawyer take a serious look at GDPR. Then we’ll know what it takes, do we need data protection officers, and so forth. There is a chance that the simplest thing is to just block EU altogether (I will of course have backdoor access). We shall see.

…Yes, but that notice is only a small part of it. Blogger [where Vox Day’s blog is hosted] can afford to have the bureaucracy required to allow access, and just nag you with the notice. You still need to comply with the entirety of GDPR and it’s so complicated that there are companies whose whole business is to explain it to you.

…No, I’m just a moderator. But since I’ve had to think about GDPR myself, I tipped Vox off that this is going to be an obvious attack vector for SJWs and it’s best to plug it right from the start.

…There’s always going to be some Soros-paid troll who will spend all his waking hours trying to find some small mistake somewhere in GDPR compliance. Better to just shut it down.

Being unprepared to comply with EU rules may have been the new platform’s Achilles heel.

Pixel Scroll 2/8/19 It’s Just A Pixel To The Left, And A Scroll To The Right

(1) TAPPING MORE REVENUE STREAMS. Peter Grant has his own spin on the recent “day job” meme in “Disruption and the business of writing” at Mad Genius Club.

…In essence, we have to stop looking at each book as an income generator, and start thinking about multiple income streams.  Very few authors, indie or otherwise, make a living out of their writing.  Most of us have to have a “day job” as well.  I think we need to look at our writing as a series of small “day jobs”.  Writing a book alone won’t be sufficient;  we need to leverage that fan base into more income opportunities.  Some are already common.  Others will have to become so.  Examples:

  • Open some sort of support account (e.g. Patreon, etc.) where your serious fans can support you over and above buying your books.  It may be a small, slow start, but it’s something on which one can build.
  • Consider podcastingIt’s a growing trend, and it can be a money-maker if it’s handled correctly.
  • A tip jar on your blog or social media account can be a useful way for fans to offer support.
  • Consider offering appearances in your work to your fans.  They can have their names used for a character, and pay for the privilege (anything from a few dollars for a very minor character, appearing once, to a higher price for a major character with more “face time”).  This will probably only work if you’re an established writer, of course – it needs that sort of fan base.

And that’s just the first four of his seven bullet points.

(2) SOCK IT TO ME. Here’s how Rod Serling was supplementing his income back in the day:

(3) A BROADER PORTRAIT OF THE COUNTRY. Victor LaValle’s “Stories That Reclaim the Future” at The Paris Review is an excerpt from A People’s Future of the United States, edited by Victor LaValle and John Joseph Adams.

My father and I saw each other only three times before he died. The first was when I was about ten, the second was in my early twenties, and the last doesn’t matter right now. I want to tell you about the second time, when I went up to Syracuse to visit and he tried to make me join the GOP.

Let me back up a little and explain that my mother is a black woman from Uganda and my dad was a white man from Syracuse, New York. He and my mother met in New York City in the late sixties, got married, had me, and promptly divorced. My mother and I stayed in Queens while my dad returned to Syracuse. He remarried quickly and had another son with my stepmother. Paul.

When I finished college I enrolled in graduate school for writing. I’d paid for undergrad with loans and grants, and debt already loomed over me. I showed up at my dad’s place hoping he’d cosign for my grad-school loans. I felt he owed me since he hadn’t been in my life at all. Also, I felt like I’d been on an epic quest just to reach this point. I got into Cornell University, but boy did I hate being there. Long winters, far from New York City, and the kind of dog-eat-dog atmosphere that would make a Wall Street trader sweat. But I’d graduated. And now I wanted to go back to school. More than that, I wanted to become a writer. Couldn’t my dad see me as a marvel? Couldn’t he support me just this once?

Nope….

(4) SECOND VIEW. Amal el-Mohtar for NPR says “‘Black Leopard, Red Wolf’ Is A Beast Of A Book”.

I was once driving, alone and at dusk, down a dark and winding road that hugged a mountain thick with woods. I saw a black bear cross the road, from fields on the left to the mountain on the right.

I had never seen a bear so close before. Excited, I pulled the car up and parked near where I saw the bear vanish, and had my hand on the door before I came back to myself and thought, what am I doing? It’s a bear! I drove away unharmed.

There are things in one’s life that are best appreciated from a distance, and this book is one of them.

Meanwhile, the book’s film rights have been acquired: “Michael B. Jordan, Warner Bros. Nab Film Rights to ‘Black Leopard, Red Wolf’” reports Variety.

Michael B. Jordan’s Outlier Society and Warner Bros. have nabbed the film rights to “Black Leopard, Red Wolf,” a buzzy new fantasy novel by Marlon James.

“Black Leopard, Red Wolf” draws on African mythology to tell the story of Tracker, whose acute sense of smell leads him to be hired to find a missing child against a backdrop of warring kingdoms and political chaos. The child he seeks may be the heir to an empire, something that complicates matters. James referred to the often bloody epic as an “African ‘Game of Thrones,’” but later said he was joking. Still, it includes plenty of the elements that made that HBO show a water-cooler phenomenon including witches, a shape-shifting leopard, a killer hyena, and conjoined twins.

(5) SHRUNKEN TROPES. James Davis Nicoll explores “SF Stories That Cut the Vastness of Space Down to Size” at Tor.com.

…Then there’s the ever-popular “we found these abandoned transit stations” scenario. If humans aren’t the builders of the system, they probably don’t know how to expand it or change it. Because Ancients are notorious for their failure to properly document their networks, humans and other newcomers have to explore to see where the wormholes/tunnels/whatever go. Explorers are like rats wandering through an abandoned subway system. Examples…

(6) ANOTHER READING TOOL. Rocket Stack Rank has posted its annual  annotated Locus Recommended Reading List. Eric Wong says, “New this year is merging the Locus list with RSR’s 2018 Best SF/F list, with Locus stories highlighted in red.”

By pivoting the merged list on category (novella, novelette, short story), publication, new writers, or author, and browsing the results, some noteworthy observations jump out visually.

  • Overlooked stories include “The Independence Patch” by Bryan Camp (score 8), “What is Eve?” by Will McIntosh (score 8), “Carouseling” by Rich Larson (score 7), each of which got recommendations from 5 prolific reviewers.
  • The traditional paid-only magazines (Analog, Asimov’s, F&SF, Interzone) had between 0%-6% of their stories in the Locus list, versus many free online magazines at 9%-16%, or Tor.com and Tor novellas which had a remarkable 31%-33% of their stories recommended by Locus.
  • There were 13 stories in the Locus list by Campbell Award-eligible writers.
  • Matthew Hughes, Robert Reed, and Kristine Kathryn Rusch each had 4 broadly recommended stories in RSR’s aggregated list, but none were in the Locus list. By comparison, Kelly Robson had 4 stories in the merged list and all 4 were recommended by Locus.

More details are available in the article, plus RSR features for flagging/rating stories that make it easy to track your progress when reading stories from a big list.

(7) FINNEY OBIT. Albert Finney (1936-2019): British actor, died today, aged 82. Genre appearances include: A Midsummer Night’s Dream (1959), Scrooge (1970), Looker, Wolfen (both 1981), The Green Man (mini-series, 1990), Karaoke, Cold Lararus (connected mini-series, both 1996), Delivering Milo (2001), Big Fish (2003), Corpse Bride (2005, voice). His final movie appearances were in 2012, for opposing camps in the superspy genre: The Bourne Legacy and Skyfall. 

(8) OREO OBIT. I managed not to know there was a model for the character until it was too late — “Oreo the raccoon: Guardians of the Galaxy model dies aged 10”.

Oreo the raccoon, the real-life model for Guardians of the Galaxy character Rocket, has died aged 10.

The news was announced on the comic book superhero team’s Facebook page. “Oreo passed away in the early hours of this morning after a very short illness,” it reads. “Many thanks to our wonderful vets for their compassion and care.”

Rocket the raccoon was voiced by Bradley Cooper in the 2014 film and its 2017 sequel.

Oreo died after a short illness early on Thursday morning, the Facebook post says “You have been an amazing ambassador for raccoons everywhere,” it reads. “You were perfect.”

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 8, 1819 John Ruskin. Much to my surprise, this English art critic and pretty much everything else of the Victorian Era is listed by ISFDB as having a genre writing, to wit The King of the Golden River, or The Black Brothers: A Legend of Stiria. Anyone ever read. (Died 1900.)
  • Born February 8, 1828 Jules Verne. So how many novels by him are you familiar with? Personally I’m on first hand terms with Twenty Thousand Leagues Under the SeaJourney to the Center of the Earth and Around the World in Eighty Days. That’s it. It appears that he wrote some some sixty works and a lot were genre. And of course his fiction has become the source of many other fictions in the last century as well. (Died 1905.)
  • Born February 8, 1932 John Williams, 87. Composer of the Star Wars series, Jaws, Close Encounters of the Third Kind, one of the Superman films, E.T. the Extra-Terrestrial, the Indiana Jones franchise,  Hook, the first two Jurassic Park films and the first three Harry Potter films.
  • Born February 8, 1953 Mary Steenbergen, 66. She first in a genre way as Amy in Time After Time. She followed that up by being Adrian in A Midsummer Night’s Sex Comedy which I suppose is sort of genre. She shows up next in the much more family friendly One Magic Christmas as Ginny Grainger. And she has a part in Back to the Future Part III as Clara Clayton Brown which she repeated in the animated series. And, and keep in mind this is not a full list, she was in The Last Man on Earth series as Gail Klosterman.
  • Born February 8, 1969 Mary Robinette Kowal, 50. Simply a stellar author and an even better human being. I’m going to select out Ghost Talkers as the work by her that I like the most. Now her Forest of Memory novella might be more stellar. She’s also a splendid voice actor doing works of authors such as John Scalzi, Seanan McGuire and Kage Baker. I’m particularly pleased by her work on McGuire’s Indexing series. So let’s have Paul Weimer have the last words this time: “I thought it was Shades of Milk and Honey for a good long while, but I think Calculating Stars is my new favorite.”

(10) JOHN WILLIAMS BIRTHDAY. Steve Vertlieb sent a link to a retro review he wrote at the request of the premier John Williams web site, JWFAN, following Maestro Williams Summer, 2012 appearance at The Hollywood Bowl — John Williams – Hollywood Bowl 2012 (Review, Photos & Video) « JOHN WILLIAMS Fan Network – JWFAN

 (11) COMICS SECTION.

(12) EATING THE FANTASTIC. Scott Edelman calls on fans to pig out on pork belly tacos with Alan Smale in episode 88 of his Eating the Fantastic podcast.

Alan Smale

My guest this episode is Alan Smale, who has published short fiction in Asimov’s, Realms of Fantasy, Abyss & Apex, and other magazines. He won the 2010 Sidewise Award for Best Short-Form Alternate History for “A Clash of Eagles,” about a Roman invasion of ancient America. That’s also the setting for his trilogy, which includes the novels Clash of Eagles, Eagle in Exile, and Eagle and Empire, all published by Del Rey in the U.S. and Titan Books in the UK. When not writing, he’s a professional astronomer at NASA’s Goddard Space Flight Center.

We met for lunch at Mad Chef Kitchen & Bar, a gastropub which opened recently in Ellicott City, Maryland’s Turf Valley Towne Square. We were looking for something equidistant from both of us with good food, and based first on my research and then our experience, we definitely found it.

We discussed why an astrophysicist’s chosen field of fiction is alternate history rather than hard science, how his fascination with archeology and ancient civilizations began, the reason he started off his novel-writing career with a trilogy rather than a standalone, the secrets to writing convincing battle sequences, the nuances of critiquing partial novels in a workshop setting, how his research into Roman and Native American history affected his trilogy, what steps he took to ensure he handled Native American cultures appropriately, that summer when at age 12 he read both War and Peace and Lord of the Rings, one of the strangest tales of a first short story sale I’ve ever heard, how and why he joined forces with Rick Wilber for their recent collaboration published in Asimov’s, and much more.

(13) LATINX STORYBUNDLE. Now available, The Latinx SFF Bundle curated by Silvia Moreno-Garcia

Latin American science fiction and fantasy occupy an odd in-between space. The commercial categories we denominate fantasy, science fiction and horror don’t traditionally exist in Latin America. Instead, the fantastical is either simply called literature or receives the moniker of magical realism.

This means finding speculative fiction is trickier and more complex in this part of the world. It also means that Latinx authors may derive their SFF canon from a very different well than their Anglo counterparts. While science fiction and fantasy are normally associated with Tolkien or Asimov, a Latinx writer might be more inclined to think of Isabel Allende or Julio Cortázar. At the same time, it is not unusual for Latinx authors to have also been exposed to Anglo pop culture, fantasy and science fiction. Finally, since Latin America is a large region, the history, culture and folklore of Latinx writers may be radically different from one another.

The result is a wild, eclectic field of the fantastic, which is reflected by the selections in this bundle.

Read more about the bundle here.

For StoryBundle, you decide what price you want to pay. For $5 (or more, if you’re feeling generous), you’ll get the basic bundle of four books in any ebook format—WORLDWIDE.

  • Virgins & Tricksters by Rosalie Morales Kearns
  • The Haunted Girl by Lisa M. Bradley
  • Lords of the Earth by David Bowles
  • The Assimilated Cuban’s Guide to Quantum Santeria by Carlos Hernandez

If you pay at least the bonus price of just $15, you get all four of the regular books, plus SEVEN more!

  • Signal to Noise by Silvia Moreno-Garcia
  • Ink by Sabrina Vourvoulias
  • The Closet of Discarded Dreams by Rudy Ch. Garcia
  • Mrs. Vargas and the Dead Naturalist by Kathleen Alcalá
  • Soulsaver by James Stevens-Arce
  • High Aztech by Ernest Hogan
  • Salsa Nocturna by Daniel José Older

(14) MORE TREK TECH. Nature advises: “Forget everything you know about 3D printing — the ‘replicator’ is here”. Rather ?than building objects layer by layer, the printer creates whole structures by projecting light into a resin that solidifies.

They nicknamed it ‘the replicator’ — in homage to the machines in the Star Trek saga that can materialize virtually any inanimate object.

Researchers in California have unveiled a 3D printer that creates an entire object at once, rather than building it layer by layer as typical additive-manufacturing devices do — bringing science-fiction a step closer to reality.

Attached pic of The Thinker replicated.

(15) STOP LIGHT. Nature discusses another almost-SF concept: “A traffic jam of light”.

A technique that harnesses energy loss has been used to produce a phase of matter in which particles of light are locked in place. This opens a path to realizing previously unseen exotic phases of matter.

When light passes through matter, it slows down. Light can even be brought to a standstill when it travels through carefully designed matter. One way in which this occurs is when the velocity of individual particles of light (photons) in a material is zero. Another, more intriguing, way is when photons, which normally pass through each other unimpeded, are made to repel each other. If the repulsion is strong enough, the photons are unable to move, and the light is frozen in place.

The ability to engineer quantum states promises to revolutionize areas ranging from materials science to information processing… The robustness and generality of this scheme will ensure that, as it is refined, it will find a home in the quantum mechanic’s toolbox.

(16) SOCIALGALACTIC. Vox Day is creating a more pliable form of Twitter – or is it a version of Gab that will obey him? (Didn’t Mark Twain say that the reason God created man is that he was disappointed in the monkey?) “Introducing Socialgalactic” [Internet Archive link].

Twitter is SJW-controlled territory. Gab is a hellhole of defamation and Nazi trolls. So, after many of Infogalactic’s supporters asked us to provide something on the social media front, the InfoGalactic team joined forces with OneWay and created a new social media alternative: SocialGalactic.

Free accounts have 140-character posts and 1MB storage, which is just enough for an avatar and a header. We’ll soon be making Pro accounts available at three levels, which will provide posts of 200, 480, and 999 characters, and image storage up to 500MB. Sign up and check it out!

(17) GAME V. INFINITY. Dakota Gardner and Chris Landers, in “Would Thanos’ Finger Snap Really have Stopped Baseball In Its Tracks?”  on MLB.com, have a pro and con about whether Thanos really wiped out Major League Baseball (as a shot of a devastated Citi Field in the Avengers: Endgame trailer shows), with one writer arguing that baseball would be doomed by Thanos and the other arguing that MLB would fill its rosters with minor leaguers after thanos wiped out half of the major leaguers because baseball always comes back.

Ask yourself this: Do you honestly believe baseball would simply stop if Thanos dusted half of all of MLB’s players, managers, front office staff, stadium personnel and fans? Do you think that if the universe had been placed into an existential funk, that baseball wouldn’t be even more necessary than it is today? Do you honestly believe that Alex Bregman or Clayton Kershaw or Mookie Betts, if they survived the snap, would be totally fine sitting on their butts and doing nothing for the rest of time?

(18) SAVING THE WORLD WITH LOVE TAPS. Tim Prudente in the Baltimore Sun profiles researchers at the Johns Hopkins Applied Physics Laboratory who are creating a satellite called DART (Double Asteroid Redirection Test) which, for the first time, will test to see if it’s possible to smash a satellite into an asteroid to deflect the asteroid from a course with earth: “An asteroid could destroy humanity like it did dinosaurs. A Hopkins team has a plan to save the world”.

…They plan for DART to reach speeds as fast as 15,000 miles per hour. The crash in October 2022 will fling debris from the asteroid moon. A small satellite will accompany the DART spacecraft to measure the effect.

The team wants to hit the asteroid moon with enough force to bump it, but not break it apart. The moon orbits the asteroid at a speed of about seven inches per second. They hope to change the speed by about a centimeter per second.

“We’re just going to give it a love tap,” said Andy Rivkin, the mission’s other co-lead and planetary astronomer at APL.

In theory, a series of taps over time could deflect an asteroid off a course for Earth.

(19) WHY LILLY WASN’T LEIA. Among other career goals, actress and writer Evangeline Lilly says she wanted to be Leia. It turned out that someone else had a lock on the part. (SYFY Wire: “Why Evangeline Lilly loved The Hobbit, was meh on the Lost ending, and wanted to be in Star Wars”).

“Several years ago, when I found out that J.J. Abrams was remaking, or rebooting, the Star Wars franchise, it was the only time in my career that I’ve ever put a call out,” she admits. “I wanted to be Leia. If I got to be a woodland elf [Tauriel in The Hobbit] and Kate from Lost and Leia, that would cover it. And then I got to be the Wasp! That’s all the big franchises.

“I was so in love with Leia when I was a little girl. Those were my two fantasies – to be a woodland elf and to be Leia tied to Jabba the Hutt in her sexy bikini. But then they called me back and said, ‘Well, there’s a little-known actress called Carrie Fisher who will be playing Princess Leia.’ Well, FINE, I guess that’s OK.”

While much better know for her acting, she says about her writing, “I see myself as a writer who has a fantastic day job.” Her children’s book series is The Squickerwonkers.

“I don’t know many stories that have lived with someone as long as this has lived with me,” she says. “I was a reclusive young woman and a bit of a loner. I was somebody who came to literature very late, and when I did, I just fell in love with such a passion that I kind of became very focused on not just reading but writing as well. And seriously, that was my idea of a great Friday night at 14 – staying home and writing by myself.

“I was a big fan of Dr. Seuss, believe it or not. Where most people come to him at four, I was reading him at 14,” she continues. “And I think the adult side of me realized what he was doing. The subtlety of the messages he’d thread into these simple, silly poems really struck me as meaningful. And I realized that this adult took the time to put these sophisticated, important messages into my childhood stories.”

(20) SHARED WORLD. George R.R. Martin pointed to this recently uploaded Wild Cards authors video:

In August 2017, a large group of Wild Carders assembled at my Jean Cocteau Cinema in Santa Fe for a mass signing, and we interviewed them about the up and downs of writing other people’s characters, and having other people write yours.

[Thanks to John King Tarpinian, Steve Green, JJ, SF Concatenation’s Jonathan Cowie, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, Chip Hitchcock, Eric Wong, Paul Weimer, Carl Slaughter, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day C.A. Collins.]

Amazon Reopens Castalia House’s KDP Account

Castalia House’s Amazon Kindle Digital Publishing account was restored yesterday within hours after Vox Day told readers it had been taken down (see “Amazon Terminates Vox Day’s Castalia House Account”.) The problems were caused by Castalia’s Collapsing Empire parody Corrosion by “Johan Kalsi” with the look-alike cover, which has brought Day’s business into conflict with Amazon’s rules many times since the book came out in 2017.

Collapsing Empire author John Scalzi seems to have had this news in mind when he tweeted on Thursday —

Although the Amazon account was reopened, Markku Koponen of Finland, where the Castalia House entity is based, told readers of Vox Day’s blog that the “Kalsi” book will no longer be sold on Amazon.

But the sales had dropped so low on it (because people seem to connect it only with the Scalzi events, which isn’t really fair. Again, it’s an actual, serious book) that removing that tool from them had more value than having the title there. And it’s still available on our own site, from which we keep 100% of the revenue instead of 70%.

And he said they have asked Audible to take down the audiobook.

Vox Day also contacted File 770 “to set the record straight,” saying —

  1. CORROSION by Johan Kalsi was cleared of being “misleading” no less than 7 times by the highest-level managers at KDP. The previous time it was depublished by the Quality Assurance employee, in September 2018, it was republished before we even received the email telling us it had been depublished.
  2. The reason we were given for our account was terminated was a claim of copyright infringement. This claim was incorrect and was subsequently acknowledged to have been incorrect when our account was restored.
  3. What Amazon did yesterday affected more than 60 authors, and any author who was feeling schadenfreude would do well to keep in mind that not every employee at Amazon with access to their account is fully in agreement with them either. We are very far from the first to have our account terminated, even if it was only for 20 hours in our case.
  4. We sold more copies of Corrosion via our direct store yesterday than we had sold in the previous three months on Amazon. We’ve sold even more copies of it today. That is why we decided not to republish it on KDP and why we will remove it from Audible as well. It’s simply not worth the potential conflict.

When one of his fans encouraged him to initiate legal action against Amazon. Vox Day replied —

No. We’re already in a significant legal battle with Indiegogo. We will not take on any additional conflict unless it is forced on us. Nor are we interested in going to war against our own distribution channel.

Day was referring IndieGoGo’s action last October, shutting down Arkhaven’s current fundraiser for Alt-Hero: Q, and refunding backers’ money (see “After Bleeding Cool Interviews Vox Day, IndieGoGo Axes Latest Alt-Hero Comic Campaign”.) Arkhaven is Castalia’s comics imprint.

Amazon Terminates Vox Day’s Castalia House Account

Update: Vox Day says his Amazon KDP account is now “Reinstated” [Internet Archive link.]


Amazon told Vox Day they have shut down his Castalia House Kindle Direct Publishing (KDP) account because of the latest issues about its goon book Corrosion (The Corroding Empire Book 1), a parody of John Scalzi’s The Collapsing Empire which Castalia markets with a look-alike cover.

Castalia House’s efforts to sell the book have repeatedly brought it into conflict with Amazon rules since the work first appeared in March 2017 (see “Amazon Yanks Castalia House’s ‘The Corroding Empire’”). According to Vox Day (“Amazon Takes Down Castalia House” [Internet Archive link]): “This is the second attack on that book this month, as ten days ago, they pulled the book itself down for the sixth or seventh time due to claims that it was ‘misleading’.”

Day says he received the following message from Amazon on January 21. At that time they only removed the one book from sale on Amazon.

From: Amazon.com [kdp-quality-assurance@amazon.com]
Sent: 21 January 2019 21:59
Subject: Notification from Amazon KDP

While reviewing the following books we found the title, cover image, descriptions and/or authors of the following book(s) are misleading to our customers:

Title: Corrosion (The Corroding Empire Book 1)
ASIN: B06XFQ24QC

As a result, the book(s) have been removed from sale from Amazon.

However, today Amazon shut down the Castalia House KDP account and banned Day from opening any others. Not only that, Day was told he will not receive any unpaid royalities that he may be owed on sales.

As last communicated in the message on January 21, 2019, we have identified the submission of content for which you did not have the necessary rights. Due to this and previous violations, we are terminating your account and your Agreement effective immediately.

As part of the termination process, we will close your KDP account and remove the books you have uploaded through our channels from sale on Amazon. Note that you are no longer eligible to receive unpaid royalties for sales that occurred prior to this termination.

Additionally, as per our Terms and Conditions, you are not permitted to open any new KDP accounts.

Despite the message, Day sounded confident the account would be reopened.

Of course, there were no previous violations that internal SJWs did not invent as we’ve been repeatedly cleared of the “misleading” charge for that book. Needless to say, we will not be taking this latest SJW attack lying down. I won’t be surprised if the account is rapidly restored once we contact the manager who has been repeatedly dealing with this issue, especially since we were promised that it would never happen again after the last time.

Or he did before he updated the post with this calamitous discovery —

UPDATE: Amazon can’t even find the account information. It looks like whoever was responsible actually wiped all the data.

[Thanks to rcade for the story.]

Pixel Scroll 10/31/18 Niels Pixel’s Underground Scrolls

(1) REALLY AND SINCERELY DEAD. [Item by Bill.] Harry Houdini died 92 years ago today:

The Official Houdini Seance will be held this year in Baltimore at the Jewish Museum of Maryland. The event will feature talks by Houdini experts and performances by magicians. The museum is currently home to the exhibition Inescapable: The Life and Legacy of Harry Houdini. Note: This event is SOLD OUT.

Although his fame was based on his magic and escapes, he was genre-adjacent:

  • His movie serial Master Mystery (1919) featured Q the Mechanical Man, one of the first robots on film.

  • In his film The Man from Beyond (1922), he plays a man frozen in ice in 1820 and revived in 1922.

  • He had a couple of pieces of fiction published in Weird Tales (ghost-written by H. P. Lovecraft).

(2) WEAR YOUR HALLOWEEN COSTUME TO WORK. This won the Internet today:

(3) CANDY CONVERTER. Here’s what you all are going to be looking for later tonight – from Adweek, “Reese’s Halloween Vending Machine Lets You Exchange Trash Candy for the Good Stuff”.

According to the Food Network, the machines had their maiden voyage on October 27 in Tarrytown, New York, birthplace of the Legend of Sleepy Hollow, at the town’s big annual Halloween parade. And on Halloween, October 31, Reese’s will set up a Candy Exchange Vending Machine in New York City, so New Yorkers can ditch whatever candy they’re not that into for Reese’s Peanut Butter Cups.

(4) SERIOUS SCIENTIFIC CANDY TALK. From LAist, “LAist’s Ultra Scientific Halloween Candy Ranker Proves Reese’s Is The Best Candy Bar Ever”.

(5) BLACK PANTHER ON HALLOWEEN. Michael Cavna and David Betancourt in the Washington Post ask if it’s all right for white kids to dress as characters from Black Panther for Halloween, with many white parents bothered by this but African-Americans such as director Reg Hudlin and Black Panther costume director Ruth E. Carter told him, “Yes, any kid can wear a Black Panther costume, say creators who helped shape the character”.

SINCE FEBRUARY, when Disney/Marvel’s smash “Black Panther” first captured not only audience attention but also the cultural zeitgeist, reporters have been asking the question: Which kids are permitted to don the superhero costume from the fictional African nation of Wakanda?

Or as Joshua David Stein wondered in a column at the time for Fatherly: “Should I allow my white son to dress as a black superhero?”

Jen Juneau wrote on People.com this month: “Parents of white children may want to think twice before purchasing a Black Panther Halloween costume this year.” And Steph Montgomery, writing this month for the online publication Romper, said: “I don’t think it’s appropriate for my white children to dress up as main characters T’Challa and Shuri, or the members of Dora Milaje — the badass women special forces of Wakanda.

…But in interviews with The Washington Post, several creators who have helped shape the Black Panther character, along with other prominent authors who have written characters of color, are adamant: Any kid can dress as Black Panther.

“The idea that only black kids would wear Black Panther costumes is insane to me,” said Reg Hudlin, the Oscar-nominated filmmaker who has worked on Wakanda-set projects for both the page and screen, including the animated TV miniseries “Black Panther.” “Why would anyone say that?”

…Ruth E. Carter, the Oscar-nominated costume designer (“Malcolm X,” “Amistad”), created the beautifully intricate attire for Ryan Coogler’s “Black Panther,” drawing inspiration from not only the comics but also from real-world designs in Africa.

She says the point in creating such Afrofuturistic art is to build not barriers but, rather, cultural bridges — and so fans should embrace that the world of Black Panther is “taking its royal place in the vast Comic-Con and cosplayer universe.”

So why are people posing this question over T’Challa now, Carter says rhetorically.

“The only reason we’re asking that question now is because the Black Panther is a black man. And I think that’s what’s wrong with people — that’s what’s wrong with parents,” Carter said. “Because I see kids far and wide embracing the concept of a superhero. I believe they see him as someone who is majestic and powerful and doing good, and has a kingdom and a legacy and is pretty cool. I don’t think they see a black guy — I think they see the image of a superhero,” she added, and “it happens to be the Black Panther just as it happens to be Superman.”

(6) FUTURE TENSE. Each month in 2018, Future Tense Fiction—a series of short stories from Future Tense and ASU’s Center for Science and the Imagination about how technology and science will change our lives— is publishing a story on a theme.

This month’s entry in the Future Tense Fiction series is: “Burned-Over Territory” by Lee Konstantinou.

I’m halfway through a plate of soggy risotto, giving my opinion about the Project Approval Framework, when my phone buzzes. I thought I’d muted notifications. I’m tempted to check the alert, but 30 faces are watching me, all Members, some from Zardoz House, the rest from other Houses around Rochester. We’re at a table made from reclaimed wood, which is covered with food and drink. It’s freezing. Everyone’s wearing sweaters, hats, coats, scarves, mittens; I’m in a blue blazer over a T-shirt, jeans, and leather boots. My hair is buzzed into a crew cut, and even though it makes me feel like an ass clown, I’m wearing makeup….

It was published along with a response essay, “What Problem Is Universal Basic Income Really Trying to Solve?”, by UBI advocate Sebastian Johnson.

…Many policy advocates and technologists have promoted universal basic income, or UBI, as one way to cope with the specter of joblessness wrought by advances in artificial intelligence. UBI would provide each individual with a no-strings-attached payment each month to cover basic needs and prevent individuals from falling below the poverty line. The benefits of UBI, according to proponents, would include the elimination of poverty, the fairer distribution of technologically generated wealth, and human flourishing. Critics are less sanguine, variously seeing in UBI a Trojan horse for dismantling the welfare state, an ill-considered policy that will sap humans of the self-actualization and pride derived from work, and a wholly inadequate response to the structural problems with late capitalism….

(7) WATCH THE WATCH. Deadline reports “Terry Pratchett’s ‘Discworld’ Adaptation ‘The Watch’ Lands At BBC America”.

The U.S. cable network describes the show as a “punk rock thriller” inspired by the City Watch subset of Discworld novels. The character-driven series centers on Terry Pratchett’s misfit cops as they fight to save a ramshackle city of normalized wrongness, from both the past and future in a perilous quest.

The Watch features many Discworld creations including City Watch Captain Sam Vimes, the last scion of nobility Lady Sybil Ramkin, the naïve but heroic Carrot Ironfoundersson, the mysterious Angua and the ingenious forensics expert Cheri together with Terry Pratchett’s iconic characterization of Death…

(8) KEPLER OBIT. Phys.org bids farewell to an exoplanet pioneer: “Kepler telescope dead after finding thousands of worlds”.

NASA’s elite planet-hunting spacecraft has been declared dead, just a few months shy of its 10th anniversary.

Officials announced the Kepler Space Telescope’s demise Tuesday.

Already well past its expected lifetime, the 9 1/2-year-old Kepler had been running low on fuel for months. Its ability to point at distant stars and identify possible alien worlds worsened dramatically at the beginning of October, but flight controllers still managed to retrieve its latest observations. The telescope has now gone silent, its fuel tank empty.

“Kepler opened the gate for mankind’s exploration of the cosmos,” said retired NASA scientist William Borucki, who led the original Kepler science team.

Kepler discovered 2,681 planets outside our solar system and even more potential candidates.

(9) TODAY IN HISTORY

They were out there on Halloween 1936 to try what few people at the time had tried: lighting a liquid rocket engine. It took them four attempts to get a rocket to fire for a glorious three seconds — though an oxygen hose also broke loose and sent them scampering for safety as it thrashed around.

  • October 31, 1962The First Spaceship On Venus premiered at your local drive-in.

(10) TODAY’S BIRTHDAYS

[Compiled by Cat Eldridge and JJ.]

  • Born October 31, 1923 – Art Saha, Writer, Editor, Conrunner, and Member of First Fandom who is credited with coining the term “Trekkies”. After becoming an editor at DAW books, he edited 8 volumes of The Year’s Best Fantasy, and, with Donald Wollheim, 19 volumes of The Annual World’s Best SF. He also edited the souvenir program book for the 1977 Worldcon and was a co-editor of the fanzine Parnassus. He was president of First Fandom and the NY Science Fiction Society (the Lunarians), chaired a number of Lunacons, and was named to the First Fandom Hall of Fame in 1992.
  • Born October 31, 1930 – Michael Collins, 88, Astronaut and Test Pilot who was the Command Module pilot for Apollo 11 while Neil Armstrong and Buzz Aldrin descended to become the first astronauts on the moon. He later served as U.S. Assistant Secretary of State for Public Affairs, then went on to be director of the National Air and Space Museum, before becoming undersecretary of the Smithsonian Institution.
  • Born October 31, 1937 – Jael, 81, Artist, Illustrator, and Fan whose work has appeared in books, magazines, and calendars. She became interested in producing speculative art after attending a symposium on contact with aliens and meeting writers C J Cherryh, Larry Niven, and Jerry Pournelle. In her 50-year career, she has created more than 38,000 paintings and images, many of which are housed in public and private collections. She has received eight Chesley Award nominations, and has been Guest of Honor at numerous conventions.
  • October 31, 1941 – Dan Alderson, Rocket Scientist and Fan who worked for NASA’s Jet Propulsion Laboratory, where he wrote the navigation software for Voyagers 1 and 2, as well as trajectory monitoring software for low-thrust craft which was used for decades. He was a member of the Los Angeles Science Fantasy Society, an Official Editor of the comic book APA CAPA-alpha, and an early member of gaming fandom. He died of complications of diabetes at the far-too-young age of 47, but has been immortalized as “Dan Forrester” in Niven and Pournelle’s Lucifer’s Hammer.
  • Born October 31, 1950 – John Franklin Candy, Actor and Comedian from Canada best known in genre circles for playing Barf in Mel Brooks’ Spaceballs, as well as appearing in Frank Oz’s Little Shop of Horrors, Splash, Heavy Metal, Boris and Natasha, and the hilarious alt-history Canadian Bacon (one of JJ’s favorites). He was the narrator of “Blumpoe the Grumpoe Meets Arnold the Cat/Millions of Cats” for Shelley Duvall’s Bedtime Stories. His talents were lost to the world far too early when he passed away in his sleep at the age of 43.
  • Born October 31, 1959 – Neal Stephenson, 59, Writer and Game Designer who is well known for doorstopper-length, award-nominated science fiction novels, including The Diamond Age, Cryptonomicon, Anathem, the Baroque Cycle trilogy, Snow Crash, and the hotly-debated Seveneves. His works have been translated into numerous languages and have won Hugo, Clarke, Prometheus, Premio Ignotus, Kurd Laßwitz, and Prix Imaginaire Awards. This year he was recognized with the Robert A. Heinlein Award, which recognizes authors who produce exceptional works promoting space exploration.
  • Born October 31, 1961 – Peter Jackson, 57, Writer, Director, and Producer from New Zealand whose most famous genre works are the spectacular Lord of the Rings and Hobbit movies, as well as The Frighteners, King Kong, The Lovely Bones, and the upcoming Mortal Engines. His use of the NZ-based Weta Workshop for his films has helped turn that firm into a computer graphics and special-effects powerhouse now known for their work on many Hollywood blockbusters.
  • Born October 31, 1982 – Justin Chatwin, 36, Actor from Canada who was the principal guest star in the rather delightful 2016 Doctor Who Christmas special “The Return of Doctor Mysterio”. He’s also been in War of The Worlds, Dragonball Evolution, and The Invisible; had recurring roles in the Orphan Black and American Gothic series; and appeared in episodes of The Listener, Lost, Smallville, Mysterious Ways, and Night Visions.
  • Born October 31, 1979 – Erica Cerra, 39, Actor from Canada who is best known for her portrayal of Deputy Jo Lupo on the Eureka series, but has extensive genre credentials which include recurring roles on Battlestar Galactica and The 100, and guest parts in episodes of Supernatural, The 4400, Smallville, The Dead Zone, Warehouse 13, iZombie, Reaper, Dead Like Me, Special Unit 2, and Sanctuary. You get to guess how many were filmed in Vancouver, BC…
  • Born October 31, 1994 – Letitia Michelle Wright, 24, Guyanese-born British Actor who, in just 8 short years, has built a substantial genre resume including a recurring role in the TV series Humans and guest parts in the Doctor Who episode “Face the Raven” and the Black Mirror episode “Black Museum”, for which she received an Emmy Award nomination. Her genre film credits include a Saturn-nominated role as Shuri in Black Panther (a character which will be the subject of a new comic book series by Hugo winner Nnedi Okorafor), Ready Player One, Avengers: Infinity War, and the upgoming Avengers sequel.

(11) WIMPY BOOK TOUR. Christina Barron in the Washington Post says that Diary of a Wimpy Kid author Jeff Kinney, rather than a traditional book tour, is having “Wimpy Kid Live: The Meltdown Show,” with “costumes, cartooning, and the chance to stump the author on Wimpy Kid trivia: “Jeff Kinney puts on a show to launch new ‘Wimpy Kid’ book”.

Considering “The Meltdown” is Number 13 in the series, you might expect Kinney’s next book to be “Diary of a Weary Writer.” But instead of slowing down, the author is changing up what he does when he meets his many fans. He’s doing a few typical talks and book signings, but Kinney is also putting on a show.

“We thought it would be really fun to change the idea of what a book signing is,” Kinney said in a recent phone conversation.

(12) AGITPROP. The Hollywood Reporter takes note when a “’Rehire James Gunn’ Billboard Appears Near Disneyland”:

On Monday, a digital billboard popped up in Garden Grove, California, at an intersection just over four miles away from Disneyland in Anaheim. The billboard, which reads “Save the Galaxy: James Gunn for Vol. 3,” was paid for via a GoFundMe campaign that has raised nearly $5,000 since launching last month. The campaign sprang from the minds of a group of fans who organized online soon after Disney fired Gunn as director of Guardians 3 on July 20, after conservative personalities resurfaced old tweets in which the filmmaker joked about rape and pedophilia.

(13) SUMMER SCARES. The Horror Writers Association announced its “Summer Scares Reading Program”.

The Horror Writers Association (HWA), in partnership with United for Libraries, Book Riot, and Library Journal/School Library Journal, has launched a reading program that provides libraries and schools with an annual list of recommended horror titles for adult, young adult (teen), and middle grade readers. The goal is to introduce new authors and help librarians start conversations with readers that will extend beyond the books from each list and promote reading for years to come.

Each year, a special guest author and a committee of four librarians will select 3 recommended fiction titles in each of 3 reading levels (Middle Grade, Teen, and Adult), for a total of 9 Summer Scares selections. The goal of the program is to encourage a national conversation about the entire horror genre, across all age levels, at libraries all over the country and ultimately get more adults, teens, and children interested in reading. Official Summer Scares designated authors will also be available to appear, either virtually or in person, at public and school libraries all over the country, for free.

The committee’s final selections will be announced on February 14— National Library Lover’s Day. Some or all of the authors of those titles will appear on kickoff panels during Librarian’s Day at StokerCon each year.

(14) CIXIN LIU ADAPTATION. At The Verge, Weekend Editor Andrew Liptak seems to be taken with the teaser trailer for the Chinese film The Wandering Earth, an adaptation of a Cixin Liu story. (“The Wandering Earth could be China’s breakout sci-fi blockbuster film”) The movie appears to be the first in a proposed six-film franchise.

China isn’t typically known for its science fiction blockbusters, but a new trailer for an upcoming film called The Wandering Earth has all the hallmarks of a big, Hollywood-style genre movie: it features a dramatic story of the Earth in peril, complete with eye-popping scenes of spaceships escaping Earth.

The Wandering Earth is based on a story by Cixin Liu, the author best known for The Three-Body Problem, and, more recently, Ball Lightning. In the original story, scientists discovered that the sun is on the verge of turning into a red giant, and when it does, it’ll expand beyond the orbit of Mars, incinerating all of the solar system’s potentially habitable planets. They concoct a desperate plan to move Earth out of the solar system to a new star, Proxima Centauri.

 

(15) NOT GOING AT NIGHT. Popular Science raised a cheer because “NASA’s Parker Solar Probe just smashed two all-time records on its way to the sun”. The Parker Solar Probe has broken records as the fastest moving manmade object (relative to the Sun) and the closest manmade object to the Sun. Over a series of orbits, the perihelion will get progressively closer to the Sun, until the PSP dips into the solar corona.

The corona paradoxically burns millions of degrees hotter than the surface of the star itself, despite extending millions of miles into space. NASA expects that Parker will directly sample this unexplored zone on its 22nd orbit, which will take place in about six years.

Until then it will continue to best its own speed and closest approach records, which McDowell says is a fitting update to the largely overlooked legacy of Helios 1 and 2. “The great 1970s space probes, the really ambitious ones, there were three pairs: Viking, Voyager, and Helios. You’ve heard of Viking and Voyager, but you’ve never heard of Helios,” [astrophysicist Jonathon] McDowell says. Its measurements of the solar wind and magnetic field didn’t capture the public’s imagination in the same way as its camera-bearing cousins did, he suggests, but its speed record stood for nearly 42 years nonetheless.

(16) THE OLD EQUATIONS. Geek Tyrant can’t wait: “Anna Kendrick Heads To Mars in a New Sci-Fi Film Called STOWAWAY”.

Anna Kendrick is set to star in a new sci-fi thriller from XYZ Films called Stowaway. We’ve never really seen Kendrick in a sci-fi film before, so it’s cool to see her try something new.

Stowaway follows “the crew of a spaceship headed to Mars that discovers an accidental stowaway shortly after takeoff. Too far from Earth to turn back and with resources quickly dwindling, the ship’s medical researcher (Kendrick) emerges as the only dissenting voice against the group consensus that has already decided in favor of a grim outcome.”

(17) WOMEN OF THE GALAXY. A new book shows off badass female characters from the Star Wars universe (Polygon: “New art showcases the badassest women in the Star Wars universe”). The hardcover is a 30 October release from Chronicle Books and features a foreword by producer Kathleen Kennedy. It lists for $29.95.

Women of the Galaxy, a new art book examining female characters from every corner of the Star Wars universe, is exactly the kind of thing I would have read cover to cover twice in one sitting if you’d given it to me when I was nine.

From Jedi Master Aayla Secura to bounty hunter Zam Wesell, each alphabetical entry features art from a group of 18 women illustrators, as well as an explanation of the character’s history from Nerdist and StarWars.com writer Amy Ratcliffe. And with more than 70 characters in the book, there’s bound to be someone in here you’ve never heard of, but wish you had.

(18) DINO SUIT. Here’s our chance to test who are the most ferocious predators, Jurassic Park dinos or Hollywood lawyers: “‘Jurassic World’ Campaign to “Save the Dinos” Sparks $10M Lawsuit”

The Jurassic World: Fallen Kingdom campaign to “Save the Dinos” has sparked a $10 million trademark infringement and breach of contract lawsuit against producers.

Frederick Zaccheo of The Dinosaur Project claims filmmakers breached their contract with him by using the slogan on merchandise.

According to the complaint filed Tuesday in New York federal court, lawyers for Universal and Steven Spielberg’s Amblin Entertainment contacted Zaccheo requesting his consent to use his trademarked phrase. They paid him $50,000 for the right to use it in advertising for the film and promised not to use it in connection with clothing or to promote any charity, specifically animal rights, endangered species and environmental causes. They also agreed that the slogan must always be used with Jurassic Park franchise branding.

“In the months leading up to the release of Jurassic World: Fallen Kingdom, Defendants launched a multi-faceted advertising and marketing campaign centered around the theme of saving the fictional dinosaurs on the fictional island from the fictional volcano,” writes attorney Hillel Parness in the complaint. “To that end, Defendants created the ‘Dinosaur Protection Group,’ a fictional organization run by the character of Claire Dearing from the first Jurassic World film and portrayed by Bryce Dallas Howard.”

The campaign included a Dinosaur Protection Group website and social media sites and featured an Adopt-A-Dinosaur contest which offered Save the Dinos merchandise as prizes. (See the complaint below for screenshots.)

(19) ORLY? Camestros Felapton was surprised to hear the founder of Infogalactic touting it as a success: “Voxopedia Again”.

…What had caught my interest was that much of the content was actually about Voxopedia, the vanity Wikipedia project that’s just like Wikipedia but out of date and with nonsense attached. I was curious because manifestly as a project it has failed and clearly at some point it will be abandoned. I had assumed that it had already slipped into a zone of lack-of-interest as newer, shinier projects competed for attention*. But it seems not. rather Vox was holding up Voxopedia as a shining example of how he has all the experience he needs to run a social network.

Now note, currently Voxopedia has about 6-10 active editors or whom only two really are doing any work, two of whom are just feuding conspiracy theories maintaining their own separate (and incompatible) conspiracy pages, one of whom is engaged  in a personal campaign to document all things about Englebert Humperdinck (and nothing else) and one of whom is doing nothing but write hate pieces about transgender people….

(20) VIDEO OF THE DAY. In “Halloween: John Locke vs. The Zombies” on YouTube, American Enterprise Institute fellow Jonah Goldberg explains why political philosopher John Locke would support killing zombies during a zombie apocalypse.

[Thanks to Bill, John King Tarpinian, Joey Eschrich, Mike Kennedy, Chip Hitchcock, JJ, Cat Eldridge, Martin Morse Wooster, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Lise Andreasen.]

Pixel Scroll 10/18/18 Last Week I Went To Pixeldelphia But It Was Scrolled

(1) EATING THE FANTASTIC. Scott Edelman, in Episode 79 of Eating the Fantastic, invites podcast listeners to join him for lunch with Rebecca Roanhorse at Zona Rosa Mexican restaurant.

Rebecca Roanhorse

Roanhorse’s short story “Welcome to Your Authentic Indian Experience (TM),” which appeared in Apex magazine, won the Nebula Award earlier this year, and was also nominated for this year’s Hugo Award, an amazing feat for a writer’s first published short story. Plus she was also nominated for the John W. Campbell Award for Best New Writer. And the following night after she and I dined, she was the winner in both of those categories. (By the way, she was the first writer since 1980 to win the Hugo Award, the Nebula Award, and the Campbell Award for Best New Writer the same year. It’s only been done once before, by Barry B. Longyear with his novella “Enemy Mine.”)

Roanhorse’s debut novel, Trail of Lightning, was published this summer by Saga Press, about which the New York Times had this to say: “Someone please cancel Supernatural already and give us at least five seasons of this badass indigenous monster-hunter and her silver-tongued sidekick.” It’s the first book is The Sixth World series, and will be followed next year by Storm of Locusts.

We discussed the spark without which her award-winning short story would never have been written, the differing reactions her tale garnered from inside and outside of the Native American community, the compelling reason she chose to write it in the second person, what she learned as a lawyer that helped in writing her first novel, how she upped her game when she decided to be a writer for real, why she fell out of the reading habit and how a Laurel K. Hamilton novel drew her back in, what it was like to hear Levar Burton read her award-winning story, and much more.

(2) ARTHUR FOR PURISTS. James Davis Nicoll tells Tor.com readers these are “The Best Arthurian Novels for Fans of Actual History”

I suspect a lot of people’s minds ran in the same direction mine did at the news that a girl named Saga had pulled a fifteen hundred-year-old sword from a lake. Not all swords are Excalibur, of course, and the lake in question was in Sweden, but Britain could do worse than seeing if Saga has any interest in becoming Prime Minister.

All of which reminded me of Arthuriana, and my first and favorite Arthur novel, Rosemary Sutcliff’s The Lantern Bearers (1959)….

(3) NEUKOM TAKING ENTRIES. Tor.com reports “Neukom Institute Literary Arts Award Opens Submissions for Second Year Honoring Speculative Fiction”.

The three award categories are —

1 • The Neukom Institute Literary Arts Award for Speculative Fiction

2 • The Neukom Institute Literary Arts Award for Debut Speculative Fiction (for a first book)

3 • The Neukom Institute Literary Arts Award for Playwriting

…The submission window recently opened for the second year of the Neukom Institute award. Asked how they are approaching the second season, Rockmore responded, “We are not just award judges, we are readers. We can’t wait to read the next crop of speculative fiction that is being submitted for the second Neukom season. We are hoping that we can build on the success of the inaugural year of the Neukom Institute Literary Arts Awards to gather an even stronger and broader collection of submissions for this year. We continue to welcome speculative fiction in all of its many forms and look forward to continuing to bring greater attention to this important genre.”

Eligible books include any works published no earlier than June 1, 2016 or under contract to be published no later than December 31, 2018; the submission deadline for all three awards is December 31. More detailed submission guidelines here. The awards will be announced in spring 2019.

(4) MORE ABOUT EREWHON. The press release from Liz Gorinsky’s new Erewhon Books fills in more details:

Erewhon’s founder, President, and Publisher Liz Gorinsky came to Erewhon after nearly fifteen years at SF&F publisher Tor Books, where she edited a list that included acclaimed and award-winning speculative fiction authors Liu Cixin, Annalee Newitz, Cherie Priest, Nisi Shawl, Catherynne M. Valente, and Jeff VanderMeer. She was part of the team that founded Tor..com and has won multiple prestigious awards for editing, including the Hugo Award for Best Editor, Long Form. Gorinsky remarked, “I started to learn about science fiction and fantasy at Tor Books as an intern, but I’ve loved those genres ever since I started reading. I’ve been honored to publish many beautiful SF&F books that have been bestselling, award-nominated, critically acclaimed (or all three!), and I’m thrilled to carry on my work with the many great authors in this genre and build the special attention and individual approach that a boutique independent publisher can provide.”

The rest of the Erewhon team includes Editorial Assistant Jillian Feinberg and business advisor Peter Burri, who is the co-founder of the successful independent press The Experiment and has twenty-five years of experience in publishing operations and financing. Erewhon also has substantial financial backers who come from families with over fifty years of publishing experience and are committed to the long-term growth of the company.

Erewhon is pleased to have signed on as a distribution client of independent publisher Workman Publishing, which has fine imprints including Algonquin Books and Artisan Books and a select distribution group that includes The Experiment and duopress. Previously, Workman has had very little presence in the speculative fiction world and is excited to be expanding its offerings in that direction. Workman’s Chief Executive Officer Daniel P. Reynolds commented, “It’s exciting to be part of the talented team starting up Erewhon Books. Many years ago, Workman had a bestseller with Good Omens – our first and only SF&F title, so it’s about time we got back into this category. We can’t wait to help Erewhon develop their own list of bestsellers.”

Erewhon opened its New York City office in June 2018 and is starting to build its list with the aim of debuting its first season of new titles in 2020.

(5) ALL BRADBURY ALL THE TIME. Mallory O’Meara, in “10 Great Horror Books for Wimps”  on Vulture, selects books for people who think Halloween is a good time to read a horror novel, but would want to read “books that won’t keep you up at night.” Her good taste is evident because one of the books she picks is Something Wicked This Way Comes, and she mentions Bradbury in connection with another choice —

Get in Trouble by Kelly Link

Kelly Link is the literary heir to Ray Bradbury’s short fiction throne, and her latest collection is filled with fantastic, genre-melding tales. These stories incorporate various horror elements, like vampire boyfriends and creepy faeries, but they fascinate instead of scare, making it the perfect book to test the spooky waters with. Also notable: Get in Trouble was a national bestseller and a finalist for the Pulitzer Prize.

(6) USING SFF TO TEACH COMPUTER ETHICS, Teachers at the University of Kentucky and the University of Chicago have been using science fiction to offer students a way to cultivate their capacity for moral imagination. In the recent edition of the Communications of the Association for Computing Machinery, they write: ” Teaching ethics to computer science students is a pressing responsibility for computer science faculty but also a challenge. Using fiction as the basis for an ethics course offers several advantages beyond its immediate appeal.” — “How to Teach Computer Ethics through Science Fiction” at Communications of the ACM.

(7) TODAY’S BIRTHDAYS.

  • Born October 18, 1924 – Vol Molesworth, Mathematician, Editor, Publisher, and Fan from Australia who led a revival of the Sydney Futurians in 1947, becoming one of the leading Australian fans in the 50s. He played a major role in the three Australian Natcons held in Sydney during the 50s, and founded and operated the Futurian Press. His works include An Outline History of Australian Fandom and A History of Australian Science Fiction Fandom 1935-1963, and the fanzines  Luna, Cosmos, and Telefan.
  • Born October 18, 1944 – Katherine Kurtz, 74, Writer who has published sixteen novels in the Deryni series, which is notable for being one of the first historical fantasy series (as opposed to Tolkien-type high fantasy), has garnered her several Mythopoeic and BFA nominations, and has been a perennial favorite in the Locus Reader’s Choice polls. With Deborah Turner Harris, she has co-written the alternate history Templar Knights series and the Adept urban fantasy series. She has written several standalone novels, of which I strongly recommend both Lammas Night and St. Patrick’s Gargoyle. She also contributed a number of recipes to Serve It Forth: Cooking with Anne McCaffrey which was co-edited by McCaffrey and John Gregory Betancourt (I’m curious – have any Filers seen that work?). She has been Guest of Honor at more than two dozen conventions, including a World Fantasy Convention.
  • Born October 18, 1946 – Howard Shore, 72, Oscar-winning Composer from Canada who has created the scores for nearly 80 films, many of them genre, including Peter Jackson’s Lord of the Rings trilogy (all of which won Hugo Awards), the Hobbit movies, eXistenZ, Scanners, Videodrome, Dogma, and the Hugo finalists Big and Hugo (which was based on The Invention of Hugo Cabret, about science fiction film pioneer George Méliès and his automata).
  • Born October 18, 1947 – Joe Morton, 71, Tony- and Emmy-nominated Actor of Stage and Screen, who had a lead role on Eureka and a recurring role on Smallville, as well as guest parts on Mission: Impossible, The X-Files, and Warehouse 13. He starred in the film The Brother from Another Planet and had roles in the Hugo-winning Terminator 2: Judgment Day, Paycheck, The Astronaut’s Wife, What Lies Beneath, Dragonfly, Stealth, The Clairvoyant, Batman vs Superman, and Justice League.
  • Born October 18, 1950 – Tony Roberts, 68, Artist from England who, from the 60s to the 90s, produced more than 100 SFF book covers as well as numerous interior illustrations, many of them for the first editions of books by well-known authors, including Heinlein, Le Guin, Leiber, Dick, and van Vogt; they were distinctive for their spaceships and futuristic architecture, and many of them are still instantly recognizable to long-time SFF readers. His work yielded a nomination for the British Fantasy Award Best Artist; however, in the mid-90s, he mostly left the field to pursue fine art painting. In 2000, he made international news for suing artist Glenn Brown, who had plagiarized  reinterpreted his 1974 cover for Heinlein’s Double Star in a painting which became a finalist for the £20,000 Turner Prize.
  • Born October 18, 1964 – Charles Stross, 54, Computer Programmer, Writer, and Fan from England who has transplanted himself to Scotland. His longest-running series is The Laundry Files, a sort of Bondian occult pastiche that can only truly be appreciated if read from the beginning. His Halting State and Rule 34 series novels might, I think, be his best work, but The Merchant Princes series got much better when they were released by Tor in their second incarnation. His Heinlein-homage Saturn’s Children novels are a quick, fun read. His works have racked up an impressive array of more than 50 Hugo, Nebula, Campbell, Sturgeon, Tiptree, Sidewise, Prometheus, Skylark, and Kurd Laßwitz Award nominations including 7 wins (his novel Accelerando alone being responsible for 7 of those nominations). He has been Guest of Honor at more than 20 conventions, including a Eurocon.
  • Born October 18, 1987 – Nicola Posener, 31, Actor from England with an amazingly prolific resume of genre films of which I don’t recognise a one: Lab Rats, House Of Anubis, Dawn Of The Dragonslayer, The Crown And The Dragon, Survivor, Mythica: A Quest For Heroes , Mythica: The Darkspore, Mythica: The Necromancer, Mythica: The Iron Crown, Mythica: The Godslayer and Magellan  – which, trust me, is not a complete list.
  • Born October 18 – Filer NickPheas (who is welcome to provide his own capsule bio if he is so inclined; photos of credentials are also welcome).

(8) COMICS SECTION.

  • A super inept job interview at Bizarro.

(9) IF YOU’RE NOT CHEATING YOU’RE NOT TRYING. Some cheating video gamers have been hauled into court —

A YouTube gamer who posted videos of himself cheating at Fortnite is being sued by its developer Epic Games.

Brandon Lucas has attracted 1.7 million subscribers to his Golden Modz channel, where he plays modified or hacked versions of Fortnite and other games.

He also runs a website where he sells cheats, such as automatic aiming, for more than $200 (£150).

“Defendants are cheaters. Nobody likes a cheater,” Epic Games said in its legal filing.

“Defendant Lucas not only cheats, he also promotes, advertises, and sells software that enables those who use it to cheat,” the document states.

The publisher of video game Grand Theft Auto V has been granted the right to search the homes of five people accused of making cheat software.

The court order allowed Rockstar Games and its parent company, Take-Two Interactive, to search two properties in Melbourne, Australia, for evidence related to a cheat known as Infamous.

The Australian federal court has also frozen the assets of the five, who have not yet filed a defence.

The cheat went offline six months ago.

(10) ABOUT ALT COMICS. A transcript of last month’s Reveal “Never meet your (super) heroes” interview with Vox Day and Chuck Dixon is available online.

Al letson: So how does this book become a bestseller?

Amanda Rob: Well it’s possible that a lot of people are really reading it, and it’s possible that Vox is taking advantage of something that Amazon does which is called micro-categorizing. So right now, one of the issues of Alt-Hero is the number one new release in Superhero Graphic Novels. That’s a pretty small category, but it is number one in that category.

Al letson: Is there a way to game the system?

Amanda Rob: Sure. There’s a way to game the system. You have your fans and followers click on the book. If you have Kindle Unlimited, it’s free.

***

Chuck Dixon: See, that’s the problem. That’s where the agenda, putting the agenda … I’m not saying you have an agenda. There’s nothing wrong with you wanting to see a character that you can relate to more closely, but, when you put the agenda before the story, that’s where the problem lies because then you come up with uninteresting characters for the sake of diversity.

Al letson: Then, I asked the question that brought me all the way down to Florida. Why work with Vox Day?

Chuck Dixon: Well, there’s … He approached me. I didn’t know much about him, I still don’t know a whole lot about him, but this is the first time in my experience that I’ve gone to work on a job and everybody’s concerned with who is publishing it and their background, their beliefs, and everything else because this guy is … Man, is this guy a lightning rod. I don’t agree with a whole lot of what he says but he was offering me an opportunity to create our own work. He had a funding thing and he had a distribution deal set up. He admitted that he didn’t know what he didn’t know, so he wasn’t telling me what to do, he was asking me what I should do or what would be best for me and all the rest of it.

Offering me an opportunity and didn’t tell me what to write, and still has not told me what to write, so, to me, it was just an opportunity to be free of the kind of constraints that are put on you at the major companies, the political correctness constraints. I wasn’t interested in doing a book that was political. I wasn’t interested in doing a message book.

Al letson: So he’s not asking you to write anything political, but you understand how just working with him is political?

Chuck Dixon: I’ve read the “Alt-Hero” thing and I’ve rejected parts of it I didn’t want to do, that I don’t agree with. I don’t write for that.

(11) SPIDEY SINGS, KINDA. At The Verge, Patricia Hernandez gives a strong, if reluctant recommendation for a new music video set in the universe of Spider-Man: Into the Spider-Verse (“To see this gorgeous new Into the Spider-Verse footage, you must endure Post Malone”).

I’m sorry to direct Verge readers to a Post Malone song, but the grubby musician has made his latest music video hard to pass up: “Sunflower” is a collaboration with Swae Lee that the pair wrote and recorded to accompany Spider-Man: Into the Spider-Verse, the gorgeous upcoming animated film that follows Miles Morales (and basically every other Spidey that ever existed).

Spider-Man: Into the Spider-Verse is in theaters on December 14th.

(12) WE GOT US A CONVOY. Vice brings the news “The Army is preparing to send driverless vehicles into combat’—as transportation, not as fighting vehicles.

The Army is getting ready to drive into war — in driverless trucks.

Next fall, its “Leader-Follower” technology will enable convoys of autonomous vehicles to follow behind one driven by a human. It’s a direct response to the improvised explosive devices that caused nearly half the casualties in Iraq and Afghanistan.

The military has been trying to bring robots into wars since the 1950s, a long line of technological innovations that began with a bulky roving platform and carried into bomb-defusing robots.

The same basic idea is always at play: “remoting the lethality,” essentially creating a bigger, safer distance between American soldiers and the enemy they are trying to kill.

(13) CHENGDU MIRRORSAT FOLLOW-UP. The Asia Times has a followup on the plan announced by Chengdu to orbit a mirrorsat (“Chinese city to launch man-made moon to light up skies”), with a few additional details.

The satellite would be able to light an area with a diameter of 10 to 80 kilometers, while the precise illumination range can be controlled within a few dozen meters, according to the People’s Daily, which quoted a developer with the Chengdu Aerospace Science and Technology Microelectronics System Research Institute as saying.

…The man-made moon has a highly reflective coating to reflect light from the sun with solar panel-like wings whose angles can be adjusted to realize “precise lighting.” The 14,300-square-meter city of Chengdu would be the primal focus of the light from the man-made moon, and astronomers throughout China and overseas should be able to spot the glowing star at night.

…The idea of an “artificial moon” came from a French artist, who imagined hanging a necklace made of mirrors above the earth, which could reflect sunshine through the streets of Paris all year round.

(14) FICTION FEAST. Charles Payseur dishes up a first serving of short fiction reviews from Beneath Ceaseless Skies — “Quick Sips – Beneath Ceaseless Skies #262 [part 1/2]”.

The anniversary offerings continue with a second special double issue from Beneath Ceaseless Skies. Again, for the sake of my sanity, I’m going to break this out into two parts. The first features a novelette and short story that for me deal very much with narratives and with learning. They both have the feel of engaging with fable, with magic, and with characters learning lessons that they weren’t really expecting to. Whether that lesson is about the nature of growing up or of becoming a better person, in both there’s a focus on people seeking something that will give them power and answers and then, ultimately, wondering if that’s what they really want. Both carry a sense of strangeness and wonder, as well, and are warm and cozy at the same time. Before I give too much away, though, let’s get to the reviews!

(15) SECOND OPINION. According to NPR, “Geologists Question ‘Evidence Of Ancient Life’ In 3.7 Billion-Year-Old Rocks”.

That’s according to a new analysis, published Wednesday in the journal Nature by a different team of experts.

This second group examined structures within the rock that were thought in 2016 to have been produced by communities of single-celled microbes that grew up from the bottom of a shallow, salty sea. A three-dimensional look at these structures shows that instead of having a telltale upside-down ice-cream cone shape — the kind produced by microorganisms — they are shaped like a Toblerone candy bar.

“They’re stretched-out ridges that extend deeply into the rock,” said Joel Hurowitz, a geochemist at Stony Brook University in New York and an author of Wednesday’s paper. “That shape is hard to explain as a biological structure and much easier to explain as something that resulted from rocks being squeezed and deformed under tectonic pressures.”

(16) WHAT’S IN THE GIN? Theoretically, this could be yummy — “Not Just For Cows Anymore: New Cottonseed Is Safe For People To Eat”.

You probably don’t think of cotton as food.

There’s a good reason for that. Farmers grow it mostly for the fluffy white fibers that turn into T-shirts or sheets. Cotton plants do produce seeds, but those seeds are poisonous, at least to humans.

This week, though,the U.S. Department of Agriculture approved a new kind of cotton — one that’s been genetically engineered so that the seeds are safe to eat.

The invention promises to open new markets for cottonseed, and it could give cotton farming a big boost. Because cotton plants are prodigious seed producers: Every pound of cotton fiber, or lint, comes with 1.6 pounds of seed.

“You’re getting more cottonseed than you are lint,” says Greg Holt, who leads research on cotton production and processing at a USDA research station in Lubbock, Texas.

Each seed is the size of a small peanut. In principle, it could be highly nutritious. It contains lots of oil and protein.

(17) PARENTAL CAUTION. Watchers of Ellen found out “Keira Knightley bans daughter from watching some Disney films”.

Keira Knightley says she has banned her three-year-old daughter from watching Disney films whose portrayal of women she disagrees with.

Edie Knightley Righton is not allowed to watch Cinderella or Little Mermaid.

Knightley told Ellen DeGeneres that 1950’s Cinderella “waits around for a rich guy to rescue her. Don’t! Rescue yourself. Obviously!”

She said of Little Mermaid: “I mean, the songs are great, but do not give your voice up for a man. Hello!”

Presumably on the OK list is the Disney film Knightley is promoting, The Nutcracker and the Four Realms, in which she plays the Sugar Plum Fairy.

(18) VIDEO OF THE DAY. Hedgehog on Vimeo is a short animated film from France about a little boy obsessed by hedgehogs.

[Thanks to Olav Rokne, John King Tarpinian Carl Slaughter, Chip Hitchcock, Cat Eldridge, JJ, Martin Morse Wooster, Mike Kennedy and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Nigel.]

After Bleeding Cool Interviews Vox Day, IndieGoGo Axes Latest Alt-Hero Comic Campaign

Bleeding Cool interviewed Vox Day about his nascent comics publishing business in “Vox Day: Altered States of America” [Internet Archive link — but see Update] . Day’s Castalia House imprint Arkhaven Comics has published 22 comic books and graphic novels in the past year, using crowdfunding to generate capital and create sales.

Mark Seifert precedes his interview with a multi-thousand word apologetic seeking to manage fan reaction to Bleeding Cool’s platforming of the controversial figure, the kind of response Vox Day anticipated (see “Interview with Bleeding Cool” [Internet Archive link]) when he promoted it on Vox Popoli

I expect a fair number of SJWs will be outraged by the fact that Bleeding Cool acknowledged my existence at all, and when they did, failed to devote the entire interview to angrily denouncing NAZICOMICSHATE, but then, birds will fly and fish will swim too.

And, indeed, there was a hostile reaction on Twitter —

Throughout Bleeding Cool’s interview Matt Seifert delivers plenty of pitches right into Vox’s wheelhouse. For example —

BC: Now let’s talk about the other part of your response there — your assertion that major publishers are restricting who they will hire to produce comics based on their political beliefs. One of the elephants in the room there is that Ike Perlmutter, chairman of Marvel Entertainment, is one of the Republican Party’s largest donors. He’s a man who has President Trump’s ear. He is also legendary for his attention to the details, and for the level of control he exerts over those details. There’s little doubt that if he thought an ideological course correction in Marvel’s output was necessary and/or more profitable, he would be bringing that about with speed. Why hasn’t he been doing that?

VD: Mr. Perlmutter’s mysterious inaction notwithstanding, it is an absolute fact that major publishers, in both comics and science fiction, restrict who they will hire and who they will publish based on their political beliefs. Two of the writers I publish, Chuck Dixon and Nick Cole, were directly told by editors at Marvel and HarperCollins that they would never be permitted to work with them again. I am a novelist myself and I have been personally told by people who work for Tor Books as well as authors published by Tor Books, the largest science fiction publisher, that I would never be published by Tor due to my ideological beliefs. I also know several illustrators and colorists who have been blackballed by either Marvel or DC. Why do you think it’s so easy for Arkhaven to find excellent, experienced artists who are excited to work with us? They understand we aren’t interested in policing their thoughts or opinions.

An unexpected consequence of the interview is that IndieGoGo shut down Arkhaven’s current fundraiser for Alt-Hero: Q, refunded backers’ money, and posted this banner over the webpage —

This campaign has been closed by Trust and Safety due to a violation of our Terms of Use. The campaign will no longer be accepting contributions, and the Campaign Owners no longer have access to the campaign.

The comic had been advertised to be “an incendiary 150-page graphic novel in six parts that explores the mysterious phenomenon of QAnon. The story is written by the legendary Chuck Dixon, who is backed by a first-rate professional art-and-production team.”

In a video commentary posted this afternoon, Vox Day said he believes Bleeding Cool readers lobbied IndieGoGo to get the Alt-Hero: Q book pulled from the crowdfunding site.

And he told readers of his blog (“Indiegogo cancels AH:Q” [Internet Archive link]) —

Needless to say, we’re looking into this. We’ve got everyone’s email addresses and so forth, so if we have to set up our own crowdfunding platform, we will do so. However, in light of the fact that Indiegogo has done this retroactively, we are already looking into the legal aspects of their actions. I am not yet aware of any reason, in fact, I do not even know if the scheduled payment for the campaign was delivered on schedule or not two weeks ago. I assume not, but I won’t be able to confirm that until tomorrow.

Update: Bleeding Cool Removes Interview and Apologizes: Seifert’s interview didn’t last to the end of the first day before public reaction prompted Bleeding Cool to remove it and issue “An Apology Concerning Vox Day: We Made a Mistake” —

Today one of our writers made an error in judgement resulting in giving exposure to viewpoints that we abhor. We will do better, going forward, and that is a promise. The author admits that this was an extreme error of judgement that never should have been made and that other members of the Bleeding Cool writing staff were unaware of the contents of this article.

Seifert has been Bleeding Cool’s managing editor, however, Kaitlyn Booth, who wrote the apology, announced —

In a first step towards that end we are announcing, effective immediately, I am stepping into the role of Editor-in-Chief and will be implementing new review policies across the Bleeding Cool teams.

Update 10/11/2018: Soon after this post went online Bleeding Cool yanked the Seifert interview. I then changed the link to the Wayback Machine’s capture of the page, which worked when I first searched it, however, that link isn’t working now. No idea what’s making it impossible to retrieve. Subsequently Jon Del Arroz posted a different archive link which is working and looks like a valid copy, so I have changed to that.