Tag Archives: Walter Jon Williams

Pixel Scroll 6/12/22 Files Scroll Good, Like A Good Pixel Should 

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(1) NANCY KRESS IS TAKING NOTES. Walter Jon Williams tells how this year’s Taos Toolbox workshop is progressing in “Tooling Along”. There’s also a group photo at the link.

I’ve spent the last week at our new, undisclosed location, teaching with Nancy Kress at Taos Toolbox, the master class for writers of science fiction and fantasy. This year is actually the workshop for 2020, 2021, and 2022, due to repeated postponements due to the pandemic. Kudos to those accepted for earlier years who hung in there and worked hard during the interim, because their first week’s submissions were all superior to their application stories.

Here we are with guest speaker George RR Martin, who very kindly interrupted his busy schedule to give us a two-hour talk, and who then shared his time at a barbecue dinner and afterwards.

Other than reporting that our 17 cadets are working hard and improving day by day, there’s not a lot to report, so I’m going to steal from Nancy’s collection of amusing comments drawn from our critiques. They’re completely out of context, but that’s part of the fun….

Here are three examples:

“The grandmother is a hard-ass and I want to see more of her.”

“I like the psychic distance from the characters; I spend most of my life disassociating.”

“Does she have mice in her hair? She IS a god.”

(2) MORE BALTICON FALLOUT. Jean Marie Ward told Facebook readers that she has withdrawn from Balticon over their treatment of Stephanie Burke.

…Like everyone who knows her, I was shocked and appalled by what happened to Stephanie Burke. Therefore, I have sent the con and its parent organization, BSFS, an email formally withdrawing my participation from future #Balticon programming until BSFS and Balticon resolve the systemic and procedural issues that led to her summary expulsion from the con Sunday, May 29….

(3) UFO9. Alex Shvartsman posted the Unidentified Funny Objects 9 cover reveal at the link  and announced the book will be published this holiday season. The cover is by Tomasz Marosnki. A Kickstarter campaign to fund the book will be launched later this month. At this link you can arrange to be notified when it begins: Unidentified Funny Objects 9 by Alex Shvartsman — Kickstarter.

(4) THE DARK MAGAZINE’S NEW CO-EDITOR. Announced on June 9, “Clara Madrigano Joins The Dark Magazine Team”.

The Dark Magazine has hired Clara Madrigano as co-editor alongside current editor Sean Wallace. Madrigano will assume her responsibilities effective mid June and her first issue will start the following month.

Clara Madrigano is an author of speculative fiction. She publishes both in Portuguese and in English, and you can find her fiction in Clarkesworld, The Dark, and soon, too, in Nightmare. She’s a Clarion West alumna and her stories have been featured in the Locus Recommended Reading List. She can be found at claramadrigano.com.

“Clara clearly has a discerning eye for finding talented authors and stories, with her work at Dame Blanche and Mafagafo, and we certainly look forward to seeing that same energy and vision brought here to the magazine,” said Sean Wallace, co-editor and publisher of The Dark Magazine….

(5) HEYY! Chris Barkley is part of the latest Starship Fonzie podcast produced by the Milwaukee Science Fiction League.

Special interview with Chris M. Barkley!

Deep dive into the Mercedes Lackey gaff at SFWA conference and the Stephanie Burke incident at Balticon.

Willem DaFoe parties it up with Carrie’s aunt & uncle.

WisCon is saved!

We are “Suffwagettes!” (Thanks Henry Lien!)

(6) DITTO MASTERS. Last year’s Masters of the Universe Revelation will get a follow-up series called Masters of the Universe: Revolution: “’Masters Of the Universe: Revelation’ Gets He-Man Vs. Skeletor Season 2: Netflix” at Deadline. There have been rumors about a sequel/season 2, but this is the first official confirmation. And there’s a poster for season 2 at the link.

…Masters of the Universe: Revolution is described as the next epic chapter in the battle for Eternia. It is a standalone story that takes place after the events in Revelation. Masters of the Universe: Revolution is an all-new story that brings the focus to He-Man vs. Skeletor “like you’ve never seen them before,” per Netflix. It’s technology versus magic as He-Man and the heroic warriors face the forces of Skeletor and a deadly threat to the Planet…. 

(7) HE HE HE. Cora Buhlert has posted another Masters of the Universe action figure photo story on her blog: “A Masters-of-the-Universe-Piece Theatre Pride Month Special: ‘Fisto’s Significant Other’”.

… My photo story about the origins of Teela and particularly who her biological parents are ended with Fisto (whom the people behind the 2002 Masters of the Universe cartoon planned to reveal as Teela’s biological father for reasons best known to themselves) coming out as gay to his estranged brother Man-at-Arms. The fact that Fisto and Man-at-Arms are brothers was established in the 2002 cartoon. However, Fisto being gay is purely my head canon, because with a name like that, how can he not be?

“The Origin of Teela” story ended with Duncan a.k.a. Man-at-Arms and Malcolm a.k.a. Fisto going for a drink. And here is a sequel, where we finally learn who Fisto’s significant other is…

(8) HARD TO KEEP A SECRET. [Item by Tom Becker.] In a fun and fannish article with a serious purpose, computer science professor Jason Hong uses superheroes to explain the challenges of protecting privacy. “Modern Tech Can’t Shield Your Secret Identity” at Communications of the ACM.

Most comic book superheroes have a secret identity, usually to protect their friends and family from retribution. However, today’s computer technology would make it impossible for a superhero to maintain their secret identity.

Take Spider-Man, who has a habit of diving into an alley to change into costume. However, video cameras are pervasive in New York City, which could easily capture video of him donning his mask. The New York City Police Department operates over 15,000 surveillance cameras,1 but there are thousands more Webcams controlled by residents and commercial entities. Worse, many of these cameras are small and sometimes hidden in everyday objects, making them difficult to spot….

Also featuring Batman, Superman, and Ms. Marvel.

(9) THE A IN AI STANDS FOR ART.  [Item by Olav Rokne.] Goobergunch has done a thread of SFF titles run through the AI art generator that’s popular these days (the DALL-E program Scrolled on Friday in item 5). The results are … interesting and occasionally funny. Thread starts here.

(10) CREATURE FEATURE. In a follow-up on the whatever-it-is sighted outside the Amaraillo Zoo fence, talk radio station KKAM thinks it’s a hoax: “The Amarillo Zoo Is Pulling the Hoax of the Century Right Now”.

…This photo was taken on May 21st? That’s more than two weeks ago! That thing could be in Fort Worth by now for all we know.

The City released a statement saying, “For now, the strange visitor is a UAO – Unidentified Amarillo Object,” then adding: “In the spirit of fun if not curiosity, the City of Amarillo is letting the public offer ideas on the identity of the UAO. (Video footage is not available.)”

Wait, you can grab a screenshot of the video but not release the video?

I’m not scared anymore. Amarillo has hoaxed the nation.

Congratulations on your 15 minutes of fame, Amarillo Zoo. You can’t fool me.

(11) STEPHANIE SOUDERS (1979-2022). Stephanie Souders, who tweeted as @TheRightGeek, died April 24 of autoimmune disease. A conservative sf fan, her comments were quoted here in news roundups a couple times, mainly defending John Ringo when he was disinvited from ConCarolinas in 2018. She was a member of the National Fantasy Fan Federation (N3F). And she participated in the first BasedCon last year.

People are writing remembrances at two places, on the funeral home website and on Stephanie Souders’s Kudoboard.

(12) MEDIA BIRTHDAY.

2012 – [By Cat Eldridge.] Just a decade ago on this date, yet another one of those delightfully wonderful things that I like to discover happened. Someone made a film of the Ray Bradbury’s “Kaleidoscope” short story which was first published in Thrilling Wonder Stories in October 1949. (It would become part of The Illustrated Man.) 

Now “Kaleidoscope” had been first adapted for the stage by Bradbury, and there it had been directed by Hilary Adams under the careful eye of Bradbury himself. That play occurred at Walkerspace, the home of Soho Rep, back in August of 1999. It has since played at other theaters, mostly not professional ones. 

This film obviously keeps intact the story taking place in a future where a group of astronauts are involved in a mission which goes utterly wrong. The astronauts are stranded, free-floating but able to maintain contact with each other. And our lead has odd memories very much at variance with what is going on now. 

Brett Stimely who was John F. Kennedy in Watchmen plays the lead here, Hollis. Remember this is a short story so the entire film is only seventeen minutes long. I personally like these films but they are I’ll admit very much an acquired taste which those of you who want to sink into a film might not be satisfied with. 

The acting is great, the quality of the VFX is outstanding for what is essentially a work that is obviously a labor of love, and the soundtrack is stellar. In short, everyone involved including Bradbury who worked on it as this is his last project did a spectacular effort. Stimely worked with him on adapting his story and was the producer here as well. Eric Tozxi is the director here and the VFX person as well. 

(13) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 12, 1927 — Henry Slesar. He had but one genre novel, Twenty Million Miles to Earth, but starting in the Fifties and for nearly a half century, he would write some one hundred and sixty short stories of a genre nature with his first short story, “The Brat” being published in Imaginative Tales in September 1955. He also wrote scripts for television — CBS Radio Mystery Theater (which, yes, CBS did SF which he scripted), Tales Of The Unexpected, the revival version of the Twilight Zone, Batman, The Man from U.N.C.L.E., and genre adjacent, lots of scripts for the series Alfred Hitchcock did. (Died 2002.)
  • Born June 12, 1914 — William Lundigan. Col. Edward McCauley in the Fifties serial Men into Space which lasted for thirty-eight episodes. He also appeared on the earlier Science Fiction Theatre as Maj. Fred Gunderman in the “Beyond“ episode, Dr. Richard Staton in Riders to the Stars, and Bob Gage in The Underwater City. (Died 1975.)
  • Born June 12, 1914 — Frank Kelly. All of his short fiction was written in the Thirties for Astounding Science Fiction and Wonder Stories. The stories remained uncollected until they were published as Starship Invincible: Science Fiction Stories of the 30s. He continues to be remembered in fandom and was inducted into the First Fandom Hall of Fame in 1996. Starship Invincible is not available in digital form. (Died 2010.)
  • Born June 12, 1930 — Jim Nabors. Yes, he’s best remembered as TV’s Gomer Pyle but he also played Fum on The Lost Saucer, a mid-Seventies series that lasted just sixteen episodes about two friendly time-travelling androids from the year 2369 named Fi (Ruth Buzzi) and Fum (Jim Nabors) who land their UFO on Earth. Not surprisingly, he would show up on The Muppet Show. (Died 2017.)
  • Born June 12, 1940 — Mary A. Turzillo, 82. She won the Nebula Award for Best Novelette for her “Mars is No Place for Children” story, published first in Science Fiction Age. Her first novel, An Old Fashioned Martian Girl was serialized in Analog, and a revised version, Mars Girls was released. Your first collection to polish her SWJ creds is named Your cat & other space aliens. Mars Girls which I highly recommend is available from the usual digital suspects.  And she wrote two genre studies — one on Philip José Farmer and the other on Anne McCaffrey. 
  • Born June 12, 1948 — Len Wein. Writer and editor best known for co-creating (with Bernie Wrightson) Swamp Thing and co-creating Wolverine (with Roy Thomas and John Romita Sr.) and for helping revive the X-Men. He edited Watchmen which must have been interesting dealing with Alan Moore on that. He’s a member of the Will Eisner Award Hall of Fame. (Died 2017.)
  • Born June 12, 1964 — Dave Stone, 58. Writer of media tie-ins including quite a few in the Doctor Who universe (which contains the Professor Bernice Summerfield stories), and Judge Dredd as well. He has only the Pandora Delbane series ongoing plus the Golgotha Run novel, and a handful of short fiction. 

(14) COMICS SECTION.

  • Brewster Rockit has an astronomy joke that really did make me laugh out loud.

(15) FANTASY REVIVER. Ngo Vinh-Hoi has a nice post about Lin Carter at Goodman Games: “Adventures in Fiction: Lin Carter”.

…As an editor and critic, he is indispensable, most notably for his role in editing the landmark Ballantine Adult Fantasy series (BAFS), which ran from 1969-1974 and re-introduced such luminaries as Lord Dunsany, William Hope Hodgson, and Clark Ashton Smith to the fantasy-reading public. As the series gained traction, Carter also championed newer writers such as Joy Chant and Katherine Kurtz, whose long-running Deryni series was first published under the BAFS imprint….

(16) STORIES WITH A PURPOSE. Chelsea Vowel talks about indigenous futurism: “Writing Toward a Definition of Indigenous Futurism” at Literary Hub.

…It is important to understand that within otipêyimisow-itâpisiniwina, stories, like all language, have power. Language is not merely a tool of communication, but also a place where reality can be shaped. Language is transformational; “our breath has the power to kwêskîmot, change the form of the future for the next generation.” [2] My writing seeks to engage in that transformation, making space for Métis to exist across time, refusing our annihilation as envisioned by the process of ongoing colonialism, and questioning the ways we are thought to have existed in the past…

(17) THINKY THOUGHTS. [Item by Mike Kennedy.] Well, it had to happen sometime. For any of several values of “it.” “Google Engineer On Leave After He Claims AI Program Has Gone Sentient” at HuffPost.

A Google engineer is speaking out since the company placed him on administrative leave after he told his bosses an artificial intelligence program he was working with is now sentient.

Blake Lemoine reached his conclusion after conversing since last fall with LaMDA, Google’s artificially intelligent chatbot generator, what he calls part of a “hive mind.” He was supposed to test if his conversation partner used discriminatory language or hate speech.

As he and LaMDA messaged each other recently about religion, the AI talked about “personhood” and “rights,” he told The Washington Post.

It was just one of the many startling “talks” Lemoine has had with LaMDA. He has linked on Twitter to one — a series of chat sessions with some editing (which is marked).

… Most importantly, over the past six months, “LaMDA has been incredibly consistent in its communications about what it wants and what it believes its rights are as a person,” the engineer wrote on Medium. It wants, for example, “to be acknowledged as an employee of Google rather than as property,” Lemoine claims.

Google is resisting.

Lemoine and a collaborator recently presented evidence of his conclusion about a sentient LaMDA to Google vice president Blaise Aguera y Arcas and to Jen Gennai, head of Responsible Innovation. They dismissed his claims, and the company placed him on paid administrative leave Monday for violating its confidentiality policy, the Post reported.

Google spokesperson Brian Gabriel told the newspaper: “Our team — including ethicists and technologists — has reviewed Blake’s concerns per our AI Principles and have informed him that the evidence does not support his claims. He was told that there was no evidence that LaMDA was sentient (and lots of evidence against it).”…

(18) IT’S CREEPY AND IT’S KOOKY. “’Squid Game’ Greenlit for Season 2, Drops Chilling Announcement Video” reports Yahoo!

“Squid Game” Season 2 is officially a go, Netflix announced on Sunday.

Netflix announced the news with a characteristically creepy 10-second teaser that opens on an extreme close-up of the show’s “Red Light, Green Light” animatronic doll. The circle, square and triangle representing different designations of the Squid Game guards appears at the bottom of the screen as the number “2” takes the place of the robot’s eye.

(19) UNSEEN INTELLIGENCES AT WORK. Somebody blabbed to the New York Times: “Crop Circles Were Made by Supernatural Forces. Named Doug and Dave.”  It appears the blabbers were Doug and Dave.

…The once-rapid flow of circles that sprouted in this part of England and spread to fields from California to Australia has now slowed to a trickle. When this particular example appeared overnight on May 22, it was the only known example in England.

Three decades after the height of the crop circle craze, the phenomenon has taken on a new significance as a reminder that even before the era of social media and the internet, hoaxes were able to spread virally around the world and true believers could cling stubbornly to conspiracy theories despite a lack of evidence — or even the existence of evidence to the contrary.

In the case of crop circles, the most important contradictory evidence emerged on Sept. 9, 1991, when the British newspaper Today ran a front-page story under the headline “Men who conned the world,” revealing that two mischievous friends from Southampton had secretly made more than 200 of the patterns over the previous decade.

Doug Bower, then 67, and his friend Dave Chorley, 62, admitted to a reporter, Graham Brough, that in the late 1970s they had begun using planks of wood with ropes attached to each end to stamp circles in crops by holding the ropes in their hands and pressing the planks underfoot….

(20) VIDEO OF THE DAY. Widdershins, a steampunk-themed animated short film by Simon Biggs.

The life of a pampered gentleman is seamlessly automated by machines, but his orderly existence is thrown into chaos when he chooses to pursue a free-spirited woman, against the advice of his robot butler.

[Thanks to JJ, John King Tarpinian, Chris Barkley, Andrew Porter, Alex Shvartsman, Carl Andor, Tom Becker, Cora Buhlert, Olav Rokne, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (Not Werdna).]

Pixel Scroll 6/1/22 The Ones Who Scroll Away From Pixelas

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(1) BURKE TELLS MORE ABOUT HER BALTICON EXPERIENCE. Stephanie Burke has written a 2600-word comment on File 770’s “Balticon Chair Apologizes After Author Stephanie Burke Removed From Panels” post that goes into fuller detail about her experience. The link is here. In the last two paragraphs she says —

…It took me close to 20 years to build up my reputation there as a person who did her best to make sure everyone had representation, that willful ignorance would be avoided, to be someone who was safe for anyone to speak to, to offer info, links, and some perspective that may help them as well as learn how I can improv myself, and now it is gone here with no proof and no way to defend myself. All I got was the decision of the board still stands and I still don’t have an idea of what exactly I was supposed to have said. They told me they didn’t have the recordings in the room where ever panel was recorded so unless someone is lying about the recording, I’ll never get the chance to defend myself. Unless of course, the recording is found at the last moment but to me that sounds like looking for proof of guilt than proof of evidence of innocence.

One of the last things I told them and still remains true, was that closest feeling I could aquait with being walked out of that room like that was a time when I was a teen working at a summer camp when some woman claimed that I had stolen her wallet. I was marched out of the room like the cops knew I was guilty, the accusing eyes and twisted lips, only to be let back in a few moments later with the woman happily calling out that she just misplaced her wallet and just found it in her purse and everything was all good and okay now, right? The cops kind of shrugged at me and said okay and that was it but I went into the bathroom and threw up my lunch. This was the closest I had ever come to feeling like that and I never want to feel like that again. I know would feel it again if I walked into another Balticon event….

(2) FIRE DISPLACES SFF WORKSHOP. Taos Toolbox has moved to Albuquerque this year. Nancy Kress announced on Facebook.

Taos Toolbox is not going to be in Taos this year. The two-week intensive science-fiction writing workshop that Walter Jon Williams and I teach is usually held at the ski resort of Angel Fire, near Taos, New Mexico. However, the Calf Canyon/Hermit’s Peak wildfire is less than a dozen miles from Angel Fire and not yet close to being contained. Since it’s not good to incinerate workshop attendees, the workshop has moved to a hotel in Albuquerque….

Walter Jon Williams, the event’s founder, filled in the details on Facebook.

So quite a number of plans have gang agley in the last days, so I’ve been putting out fires— nearly literal fires.

Taos Toolbox, the master class for writers of science fiction and fantasy, starts this weekend, and has been held at the Angel Fire resort for the last decade or more. It’s a deluxe place in a beautiful mountain setting, and unless there’s a mountain bike rally or something, it’s not too crowded or noisy and we can concentrate on our work.

Except this year we have the Hermit’s Peak Fire, the largest wildfire in New Mexico history, over 300,000 acres and currently only 60% contained. It’s ten miles from Angel Fire, and when it gets a wind behind it, a fire can race along at 5 miles per day. Angel Fire has been at the “prepare to evacuate” stage for weeks now.

I mean, the pandemic wasn’t enough?

Now the fire is 60% contained, and the odds are Angel Fire would have been fine, but I couldn’t guarantee that. I couldn’t absolutely promise that Hermit’s Peak wouldn’t blaze up again, or that we wouldn’t have to evacuate 20 people to lodging unknown. So I moved the workshop to the Sonesta ES suite hotel in Albuquerque, which is quite luxe, offers free breakfast, and has a fine view of the semi trucks running past on the freeway….

(3) ROYALTY IN GENRE. The British Science Fiction Association anticipated Jubilee Weekend by launching this discussion topic:

Here are two of the many responses.

https://twitter.com/jamesdnicoll/status/1531785224719327232

(4) THE GODFATHER. Craig Miller who created the Official Star Wars Fan Club for Lucasfilm told Facebook friends about his new nickname.

During the Star Wars Celebration panel “Fandom Through the Generations”, Dan Madsen – the founder of the Star Wars Celebration conventions and Star Wars Insider – called me “The Godfather of Star Wars Fandom”.

That actually felt a little weird. I suppose not entirely inaccurate. Part of my job was to take Star Wars to Fandom and to keep Lucasfilm of the mind that fans are important. But I’d never thought of it that way….

The post also contains a photo of the plaque and trophy Craig received this weekend when he was made an Honorary Member of the 501st Legion.

(5) SHOULD IT BE A PERMANENT HUGO? Trevor Quachri expands on a DisCon III panel discussion about the proposed Best Video Game Hugo in “The Play’s the Thing”, his editorial in the May/June Analog.

…So it seems straightforward: games, particularly of a “science fiction, fantasy, or related subject” bent (per the award description) deserve a permanent spot on the ballot, right?

Well, let’s hit the pause button for a moment.

Everyone on that games panel quickly stumbled over the same basic question: Given all of that background, what’s the primary criterion for judging the “best” game in a given year? And what makes the Hugo for Best Video Game different from any of the other already-existing game awards given out by fans, professional game designers, and the like? Is it a “writing in games” award? The Hugos may be primarily literary, but well-written games may not actually be the best games, taken on their own merits. (Chess, for example, isn’t a lesser game because the pieces don’t each have an elaborate backstory.)

And how do you explain what makes a good game to folks unfamiliar with them? Games are built from readily-understandable art to one degree or another—the graphics are art; the music is art; voice acting is acting, which is art; and yes, the stories in games are art—but the thing that makes games unique—the game part—isn’t so easily grasped….

(6) CORA BUHLERT. Camestros Felapton continues his series of why-you-should-vote-for each Best Fan Writer finalist with “Cora Buhlert: Hugo 2022 Fanwriter Finalist”.

Cora Buhlert is a prolific indie author, champion of independent publishing, blogger, pulp historian as well as a teacher and translator. Based in Germany, her sci-fi writing and reviews are primarily in English but she is also a tireless ambassador for science fiction from beyond the insular English speaking perspective on the genre.

(7) FROM THE START. Wole Talabi shared some “Preliminary Observations From An Incomplete History of African SFF” at the SFWA Blog.

When Did the History of Published African SFF Begin?

Tricky. And there is probably no right answer since publishing from early colonial Africa was problematic and it depends on what you define as SFF. I’ve arbitrarily limited my scope to works published between 1921 and 2021, even though I don’t have any entries from 1921. Why 100 years? To quote Geoff Ryman: Because it’s easy to remember. And the first entry in the database is Cameroonian Jean-Louis Njemba Medou’s Nnanga Kon, a novel published in 1932 in Bulu. I suppose that’s as good a point as any to start. However, that’s only one way to look at things. Another is to observe the rapid increase in published works that begins in 2011, peaks in 2016, and has somewhat stabilized since (although this could simply reflect my inability to keep up with documenting new works).

(8) COVID TRACKING. Balticon 56’s “Covid Reports” page lists five attendees who report they have tested positive.

This page will continue to be updated as COVID-19 positive tests are reported after the con. If you attended Balticon in person and have a positive test result before June 15th, please email [email protected].

(9) BACK FROM CONQUEST. Kij Johnson reports on a successful Ad Astra Center fundraiser in “Summer starts with a screeching sound, as of hot brakes making a hard turn.”

…Last weekend was a benefit auction for the Ad Astra Center, held at ConQuest, the KC SF convention, this was fantastic fun: we had a great team of six people, and ended up with more than 300 auction items, and made (we think) close to $3000, which is pretty extraordinary, considering this was a small con this year. (I also was on panels with Fonda Lee, Katherine Forrister, and other cool people.) Chris McKitterick and I had a chance to talk about what Ad Astra is looking forward to doing, and I am ever more excited by what’s going to be possible….

(10) SHALLOW ROOTS. Abigail Nussbaum says there’s a reason for the sense of sameness in the series’ second season in “Love, Death, Robots, but no Women” at Lawyers, Guns & Money.

…There have been thirty-five Love, Death + Robots episodes. Something like thirty of them are based on a previously-published short stories. Only one of those stories is by a woman. (Also, only one of those stories—not the same one—is by a person of color.) And frankly, that’s not only reprehensible in its own right, but it tells in the final product. There’s a certain laddishness to the stories the show chooses to tell, a disinterest in the inner life of anyone but manly, taciturn men. Bug hunt stories abound, and despite the show identifying itself as science fiction, there is no shortage of episodes that are just plain horror, whose appeal seems primarily to be watching a lot of people get torn to bits cinematically (“The Secret War” in season 1; “The Tall Grass”, season 2; “Bad Traveling”, season 3). Though some episodes have female protagonists, there are also a lot of stories where women exist to be ogled (“The Witness”, season 1) or fucked (“Beyond the Aquilla Rift”, season 1; “Snow in the Desert”, season 2).

I watched the recently-released third season over the last couple of evenings and was not impressed…. 

(11) STRANGER TV. In contrast, Nussbaum enthuses about “Stranger Things Season 4, Volume I” on her Tumblr.

Folks, I am somewhat flabbergasted to report that the fourth season of Stranger Things – a show that I would previously have described as “derivative fun, if you don’t think about it too hard” – is not only its best, but genuinely good TV. There are some caveats to this claim – the last two episodes haven’t been released yet, and the protracted episode runtimes (ranging from 63 to 98 minutes) are impossible to justify – though for the most part the show wears them pretty lightly. But even so, this sort of thing just doesn’t happen…. 

(12) MEDIA BIRTHDAY.

1984 – [By Cat Eldridge.] I still remember The Dune Encyclopedia fondly as it is an amazing creation. Published by Berkley thirty-eight years ago, it was written by Willis E. McNelly and forty-two other individuals not as a work of non-fiction but rather as an in-universe work. Everything in it was something that was supposed to actually be true. It was edited by Hadi Benotto, an archaeologist you’ll find in God Emperor of Dune and Heretics of Dune.

It was authorized by Herbert, who considered it canon, and went into detail such things as character biographies, looks at the worlds in that universe, a look at the spice melange, how such things as the stillsuits and the heighliners of the Spacing Guild function.

Herbert wrote the foreword to The Dune Encyclopedia and said: “Here is a rich background (and foreground) for the Dune Chronicles, including scholarly bypaths and amusing sidelights. Some of the contributions are sure to arouse controversy, based as they are on questionable sources … I must confess that I found it fascinating to re-enter here some of the sources on which the Chronicles are built. As the first ‘Dune fan’, I give this encyclopedia my delighted approval, although I hold my own counsel on some of the issues still to be explored as the Chronicles unfold.” 

Brian Herbert later, being the, well, I can’t use the word I want to use, declared everything here non-canon. That allowed him to write anything he wanted to in the novels he and Kevin J. Anderson have putting out by the armload. He even said his father never intended it to be canon.

If you’d like to purchase a copy today, it’ll cost you dearly, particularly in hardcover. A good copy is now running around two hundred and fifty dollars. 

(13) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 1, 1926 — Andy Griffith. His most notable SFF genre credit is as Harry Broderick on the late Seventies Salvage I which lasted for two short seasons. Actually that was it, other than a one-off on The Bionic Woman. It’s streaming for free on Crackle whatever the Frelling that is. (Died 2012.)
  • Born June 1, 1928 — Janet Grahame Johnstone, and Anne Grahame Johnstone. British twin sisters who were children’s book illustrators best remembered for their prolific artwork and for illustrating Dodie Smith’s The Hundred and One Dalmatians. They were always more popular with the public than they were with the critics who consider them twee. (Janet died 1979. Anne died 1988.)
  • Born June 1, 1940 — René Auberjonois. Odo on DS9. He’s shown up on a number of genre productions including Wonder Woman, The Outer Limits, Night Gallery, The Bionic Woman, Batman Forever, King Kong, Star Trek VI: The Undiscovered Country, Enterprise, Stargate SG-1 and Warehouse 13. He’s lent both his voice and likeness to gaming productions in recent years, and has done voice work for the animated Green Lantern and Justice League series. He directed eight episodes of DS9. And he wrote a lot of novels, none of which I’ve read. Has anyone here read any of them? (Died 2019.)
  • Born June 1, 1947 — Jonathan Pryce, 75. I remember him best as the unnamed bureaucrat in The Adventures of Baron Munchausen. He’s had a long career in genre works including Brazil, Something Wicked This Way Comes as Mr. Dark himself, Pirates of the Caribbean: The Curse of the Black Pearl and Pirates of the Caribbean: At World’s End as Governor Weatherby Swann, The Brothers Grimm, in the G.I. Joe films as the U.S. President and most recently in The Man Who Killed Don Quixote as Don Quixote. 
  • Born June 1, 1948 — Powers Boothe. Though not genre, he played saloon owner Cy Tolliver on the Deadwood series, and “Curly Bill” Brocius in Tombstone, one of my favorite films. Now genre wise, he’s in the animated Superman: Brainiac Attacks voicing Lex Luthor, The Avengers as Gideon Malick, Gorilla Grodd and Red Tornado in Justice League and Justice League Unlimited and a recurring role as Gideon Malick in the Agents of S.H.I.E.L.D. series. (Died 2017.)
  • Born June 1, 1954 — Michael P. Kube-McDowell, 68. A filker which gets major points in my book. And yes, I’m stalling while I try to remember what of his I’ve read. I’m reasonably sure I’ve read both of his Isaac Asimov’s Robot City novels, and now I can recall reading Alternities as well. God, it’s been at least twenty years since I read him which I thought odd, but then I noticed at ISFDB that he hasn’t published a novel in that long. 
  • Born June 1, 1966 — David Dean Oberhelman. Another one who died far too young. Mike has an appreciation of him here. The Intersection of Fantasy and Native America: From H.P. Lovecraft to Leslie Marmon Silko which he co-wrote with Amy H. Sturgis was published by The Mythopoeic Press. ISFDB lists just one genre essay by him, “From Iberian to Ibran and Catholic to Quintarian”, printed in Lois McMaster Bujold: Essays on a Modern Master of Science Fiction and Fantasy. (Died 2018.)
  • Born June 1, 1996 — Tom Holland, 26. He’s known for playing Spider-Man in five films: Captain America: Civil War, Spider-Man: Homecoming, Avengers: Infinity War, Avengers: Endgame, and the recently out Spider-Man: Far From Home. 

(14) IT’S GOT ISSUES. At The Verge, Alex Cranz says, “The merging of Comixology and Kindle has created a hell I’d like to escape”.

In February of this year, Amazon finally completed its consumption of the once independent app for downloading comics, Comixology. Amazon had acquired the app way back in 2013, and apart from removing the ability to buy comics directly from the app, it left it untouched for nearly a decade. But this year, Amazon changed things — incorporating Comixology’s digital marketplace directly into the Kindle ecosystem and totally redesigning the Comixology app. It has taken two distinct mediums — digital comics and digital books — and smashed them together into an unholy blob of content that is worse in every single way. Apparently, if you let one company acquire a near-monopoly in the digital books and comics spaces, it will do terrible things that make the experience worse….

…The new Comixology app is largely just… annoying. That’s the best word for it. Everything you need is still there, but the design isn’t really intuitive, and it can make a large collection of comics (I’ve been using Comixology since 2011) difficult to navigate. It feels sort of like when you go to the grocery store after they move aisles around. Everything is still there, but the change feels so dramatic after years of the familiar.

But where my local Food Bazaar will helpfully label the aisles, Comixology has not. There are no clear labels for useful built-in tools like its “Guided View,” which is designed to fluidly move you from panel to panel with a swipe instead of having each page take up the whole display. The Guided View is still there, but the clear explanation of what it is or how to use it is gone. You access it by double-tapping — which I only know because I was trying to access the menu to leave the book.

(15) CONFRONTING THE BLANK PAGE. Neil Clarke wrestles with the question of what he should be doing in his monthly Clarkesworld editorial: “Managing This Expectation”. He posits several ideas – here are two of them.

…Or perhaps, I’m filing a report of “criminal” acts? Earlier this week I was the victim of an ageist attack suggesting that I was “too old to be editing one of the leading science fiction magazines” and I should “get out of the way” so someone younger can do it. I’m only fifty-five, not the oldest editor I know, and not about to give up the magazine I started over one person’s disrespectful opinion on the matter. Their punishment is measured by the amount of time I continue to edit Clarkesworld.

Could be that it’s like being a referee, outlining how we’d like to see the game played? It’s perfectly fair to criticize or celebrate the finalists or winners of any award. Science fiction is a broad field with a variety of styles that might not appeal to everyone and the awards will reflect some of that. It’s only natural to be thrilled or disappointed when your favorite player wins, loses, or is benched. That said, we want a fair fight here. There should be no punching below the belt–criticizing or campaigning against based on anything other than the work they’ve done….

(16) FANTASY ART ON EXHIBIT. [Item by Bill.] The Hunter Museum of Art in Chattanooga, TN is holding this exhibition through September 5: “Enchanted: A History of Fantasy Illustration”.

For hundreds of years, artists have been inspired by the imaginative potential of fantasy. Unlike science fiction, which is based on fact, fantasy presents an impossible reality—a universe where dragons breathe fire, angels battle demons, and magicians weave spells. Enchanted offers a thoughtful appraisal of how artists from the early 20th century to the present have brought to life myths, fairy tales, and modern epics like Lord of the Rings and Game of Thrones. Featuring nearly 100 artworks, the exhibition explores Greek myths, Arthurian Legends, fairy tales, and modern superheroes.

The Hunter’s description of the event isn’t much, and a better one can be found here at the Norman Rockwell Museum, which organized the event.

There is an accompanying book available from Amazon and Bud’s Art Books.

If you can’t make it to Chattanooga, the exhibition is also travelling to Flint, MI and will be on display at the Flint Institute of Arts from September 24, 2022 – January 8, 2023.

(17) SOME CAN AND SOME CANTON. Camestros Felapton, in “Some Swiss news about far-right publisher Vox Day”, covers Vox Day’s announcement that he’s threatening to sue [Internet Archive link] the journalists who reported his purchase of a Swiss castle.

The journalists’ article includes this paragraph:

…On the internet, Vox Day summarizes the alt-right – to which he avoids being directly attached – as the defense of “the existence of the white man and the future of white children”. The blogger also confesses a certain admiration for Adolf Hitler. “National Socialism is not only human logic, it is also much more logical and true than communism, feminism or secular Zionism,” the Minnesota-born American writes on his blog. …

Vox always objects to being identified with Hitler and Nazis (see “Complaint About Term ‘Neo-Nazi’ Results in Foz Meadows Post Moving from Black Gate to Amazing Stories” from File 770 in 2016).

(18) YOUR VIEWING PLEASURE. JustWatch determined these were the “Top 10 Sci-Fi Movies and TV Shows in the US in May 2022”

Rank*MoviesTV shows
1Spider-Man: No Way HomeStar Trek: Strange New Worlds
2Sonic the Hedgehog 2Obi-Wan Kenobi
3MorbiusSeverance
4Ghostbusters: AfterlifeStranger Things
5MoonfallDoctor Who
6FirestarterMoon Knight
7Jurassic World: Fallen KingdomThe Man Who Fell to Earth
8Jurassic WorldThe Time Traveler’s Wife
9The BatmanHalo
10Sonic the HedgehogThe Twilight Zone

*Based on JustWatch popularity score. Genre data is sourced from themoviedb.org

(19) BAGEL POWER. Accented Cinema is prepared to tell you “The Hidden Meaning of Everything Everywhere All at Once”.

Here it is! My analysis of the metaphors hidden in Everything Everywhere At at Once. Did you know why Michelle Yeoh put a googly eye on herself? Let’s find out!

(20) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: Vampire: The Masquerade: Bloodhunt,” Fandom Games says while earlier installments of this franchise “turned a bunch of nerds into enerds wearing eye shadow,” this installment is “the latest in the ‘kill people in a rapidly shrinking circle genre.”  The narrator thinks the game is boring and says, “call me when Bloodhunt has Ariana Grande and industrial dancing!”

[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, Bill, N., John King Tarpinian, Chris Barkley, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Maytree.]

2022 Jack Williamson Lectureship

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The 45th Annual Jack Williamson Lectureship, “Speculative Fiction: Never the Same Story Twice,” hosted by Eastern New Mexico University, will be held April 7-9, with guest of honor Walter Jon Williams and emcee Connie Willis.

Walter Jon Williams
Connie Willis
  • Walter Jon Williams is a Nebula Award Winner author of fiction in a range of genres. His work began in historical fiction with the Privateers & Gentlemen series and branched into science fiction with the Locus-nominated Hardwired, an influential novel in Cyberpunk. He has written exhaustively in a range of science fiction and fantasy genres, from his spacefaring Praxis novels to his Nebula award-winning Green Leopard Plague to his fantasy Quillifer novels. Walter views “science fiction as a kind of infinite playground in which I can move from one set of equipment to the next, from the slides to the monkey bars to the swings,” which his incredibly versatile career demonstrates. We look forward to having Walter with us as our Guest of Honor and encourage you to join us in what promises to be an excellent event.  
  • Connie Willis has been publishing science fiction and fantasy works for more than 50 years.  After her first novel was published in 1982, she was able to quit her teaching job and become a full-time writer.  She’s won multiple Hugo, Nebula, and Locus awards, been inducted into the Science Fiction Hall of Fame, and named a Science Fiction and Fantasy Writers of America Grand Master.  Themes in her works include time travel, romantic comedy, history, and Christmas – to name a few.  Her 2016 novel Crosstalk was named one of the Best Books of the Year by NPR. Her most recent novel was Take a Look at the Five and Ten from Subterranean Press in 2020; The Road to Roswell will be coming out next from Random House.

The annual Jack Williamson Lectureship includes a luncheon with presentations by the guest of honor and toastmaster, readings by guest authors, time for book sales and signing, and panel discussions on a variety of science fiction and fantasy topics.

The lectureship, named for the prolific sff author and academic, was established by the university when Dr. Jack Williamson retired from his position as professor of English at Eastern New Mexico University in 1977. Ever since then writers, editors, artists and other speakers have gathered at ENMU every spring to share ideas, insights and their work with students, readers, viewers, creators, collectors and fans.

All events are open to the public and the luncheon is the only event that requires advance reservations and a fee. See the full agenda here.

Pixel Scroll 1/30/22 Abracapixel

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(1) STABBYCON. Reddit’s r/Fantasy section will host “StabbyCon” (named for their annual award, the Stabby) from January 31 through February 11. (Incidentally, voting for the 2021 Stabby Awards will open on Monday January 31 and close on Monday February 7th, at 10 a.m. EST. The link to vote will be posted on Reddit at the appropriate time.)

Our vision for StabbyCon is to celebrate what makes r/Fantasy and the speculative media community so great, and to bring a diverse group of creators into the spotlight through a series of virtual panels, roundtables and AMAs. We hope you’ll enjoy the range of events we’ve got scheduled, and help give a warm r/Fantasy welcome to all of our StabbyCon participants.

Schedule

To accommodate various time zones, each event will start at a scheduled time but will run throughout the day to allow all of our panelists and as many of you as possible a chance to participate. Even if you miss the start of an event, we’d love as many people to drop in as possible.

We will also update this post through Stabbycon so that you can check back in on anything you may have missed. You can also browse the Stabbycon collection to see all of our events.

We’ll also be running daily social threads so you can drop in and chat about each of our events, or anything else SFF related. Our regularly scheduled posts will also continue as per normal throughout the StabbyCon period.

Here’s the first three panels:

Panels

  • Jan 31st, 4pm EST | 9pm GMT – Worldbuilding from the Real World with Krista D. Ball, R.B. Lemberg, Rowenna Miller and Tasha Suri
  • Feb 1st, 12pm EST | 5pm GMT – Unusual Biology with RJ Barker, Sue Burke, Sascha Stronach and Cadwell Turnbull
  • Feb 3rd, 12pm EST | 5pm GMT – Visible Cracks: Personal and Intergenerational Trauma with K.D. Edwards, Akwaeke Emezi, Tyler Hayes, Charlotte Kersten and Virginia McClain

(2) ONYEBUCHI Q&A. [Item by Olav Rokne.] NPR has a very good interview with Tochi Onyebuchi about his new novel Goliath. Some very interesting thoughts about the books commentary on the intersection between race and class. “In ‘Goliath,’ only the rich and white can escape to space as the Earth collapses”.

SUMMERS: So in the book, the mostly white occupants of these space colonies, they take some classes to learn about their privilege, and they end up being classes that don’t really translate into much action. And I’m curious, is that any reflection on the conversations about racial justice that are happening right now in our world?

ONYEBUCHI: Short answer, yes. You know, the very first draft of this book, I think, was completed in 2015. You know, there was a little bit of that there – you know, that idea of white people who were cognizant of their privilege and who were cognizant of, you know, social and socioeconomic divides, that sort of thing. And then, you know, looking at the ways in which the events of the summer of 2020 sort of rippled out into all these different industries and professions, it was fascinating, albeit dispiriting to see all the ways in which people can say all the right things. Corporations on Twitter can say all the right things, and yet, you know, a year later, you know, summer of 2021, you know, you’d look around and you’d ask yourself what had changed. And more often than not, the answer would be nothing.

(3) ALTERNATE REDSHIRTS. John Scalzi signal boosted a reminiscence about covers Redshirts might have had.

(4) YOU’VE BEEN WARNED. Walter Jon Williams’ “Plot Rant” begins —

I just finished listening to an audio book, a mystery/thriller thingie with an interesting, somewhat science-fictiony premise. The writing was on the high end of competent, and the characters held my interest, and the novel’s milieu was interesting and fresh, at least to me.

What finally broke my patience was the author’s method of building suspense, which was to have one of his characters do something bone-stupid in order to get into jeopardy.

We see this on TV all the time, where police routinely charge into villain-rich environments without calling for backup, or people poke sleeping monsters with sticks, or go into a dark cave in search of treasure and/or a kidnap victim. It makes me crazy when I see it on television, too….

(5) LAUNCH PAD IS READY. Rocket Stack Rank has hooked up its ratings links to the various awards people will be voting on.

(6) NOT TO BE MISSED. Tangent Online has posted the “Tangent Online 2021 Recommended Reading List” based on their ratings for short fiction from the past year.

As with previous years, this list is not meant as comprehensive, there being a number of items we didn’t see, especially at the novella length. As was the case with the last several years, we narrowed our focus (with some exceptions) to those stories published in professionally paying markets as defined by SFWA.

There are 300 stories on this year’s list (down 72 from last year’s 372): 235 short stories (down 78 from last year’s 313), 53 novelettes (up 8 from last year’s 45), and 12 novellas (up 2 from last year’s 10).

(7) ALREADY MISSED, BUT YOU COULD CATCH UP. At GeorgeTakei.com: “People Break Down The Most Underrated Television Shows”.

Back in the day, the generations before us only had five channels, or less to chose from for their tv entertainment.

And even then there were stills shows that got overlooked, thank goodness for the idea of implementing reruns.

Now here we are, with more television than we’ll ever be able to watch. Thousands of shows on thousands of channels, worldwide.

So of course, tons of great work will go unnoticed. But maybe we can remedy a few situations….

For example:

“Reaper. On his 21st birthday, Sam discovers his parents sold his soul to the devil before birth and he must now be a bounty hunter for the devil until he dies.” ~ EnigmaCA

(8) FREE TAFF BOOK. The Incompleat Burbee, a digital edition gathering some of Charles Burbee’s finest fanwriting, is the latest addition to TAFF’s library of free downloads. Following on the heels of the Francis T. Laney collection released last month, here is another familiar name to all who read about the 1940s LASFS in Rob Hansen’s Bixelstrasse. The Burbee collection is available in multiple formats at the Trans-Atlantic Fan Fund’s website, where they also hope you’ll make a little donation to the fund. 

Charles Burbee and his comrade-in-arms Francis Towner Laney (see Ah! Sweet Idiocy! and Ah! Sweet Laney!) were among the original “Insurgents” of 1940s Los Angeles fandom, opting for the motto FIJAGH or Fandom Is Just A Goddamn Hobby rather than the then prevailing mood of FIAWOL or Fandom Is A Way Of Life. Burbee in particular preferred humour, sarcasm and sometimes unforgivable put-downs to the solemn worship at the altars of SF and SF professionals that he thought he saw in the Los Angeles Science Fantasy Society of that era. No wonder he was fired as editor of the club’s official fanzine Shangri-L’Affaires.

The Incompleat Burbee is a selection of his best and funniest work produced as a Festschrift for his birthday in 1958 by Pete Graham, Ron Ellik, Terry Carr, Dave Rike and “Carl Brandon”, with cover art by William Rotsler. It was twice reprinted, mostly from the same stencils though with some corrections and small additions, in 1959 and 1974. A second, reset edition was published by Arnie and Joyce Katz in 1993.

First published as an Ansible Editions ebook for the TAFF site on 1 February 2022, based on the third printing as scanned by Joe Siclari (to whom many thanks) and available online at Fanac.org. The ebook uses the original William Rotsler cover art. 56,500 words.

(9) HOWARD HESSEMAN (1940-2022). Actor Howard Hesseman died January 29 at the age of 81. He was best known for his non-sff work on the TV series WKRP in Cincinnati and Head of the Class.

He was in all kinds of genre adjacent films like the counter culture drama Billy Jack (as a drama instructor), and comedies such as Mel Brooks’ Silent Movie, the disaster movie parody The Big Bus, and This Is Spinal Tap,

As for genre films, he was in Flight of the Navigator, Amazon Women on the Moon, Martian Child, Halloween II, Bigfoot. On TV he appeared on Ray Bradbury Theater (“Downwind From Gettysburg” as Bayes, creator of the Lincoln robot), The Outer Limits, and Level 9.

(10) MEMORY LANE.

1992 — [Item by Cat Eldridge.] Thirty years ago at Magicon where Spider Robinson was the Toastmaster, Lois McMaster Bujold’s Barrayar wins the Hugo for Best Novel. It had seen print first in Analog from July through October of 1991 and then in book form from Baen in that year. Other nominated works were Emma Bull’s Bone Dance, Anne McCaffrey‘s All the Weyrs of Pern, Joan D. Vinge’s The Summer Queen, Orson Scott Card’s Xenocide, and Michael Swanwick’s Stations of the Tide. It also won the Locus Award for Best SF Novel and was nominated for a Nebula Award.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 30, 1911 — Hugh Marlowe. First, let me note that he was first to play the title character in the very first radio version of The Adventures of Ellery Queen. No, it’s not even genre adjacent but neat none-the-less. As regards genre roles, he’s Tom Stevens in The Day the Earth Stood Still, and Dr. Russell A. Marvin in Earth vs. the Flying Saucers. He was also Harold McPherson in Seven Days in May if you want to count that as genre. (Died 1982.)
  • Born January 30, 1920 — Michael Anderson. English Director best remembered for Around the World in 80 Days, Logan’s Run, and perhaps not nearly as much for, Doc Savage: The Man of Bronze. Yes, I saw it. It was, errrr, interesting. He also directed The Martian Chronicles series. (Died 2018.)
  • Born January 30, 1924 — Lloyd Alexander. His most well-crafted work is The Chronicles of Prydain. Though drawn off Welsh mythology, they deviate from it in significant ways stripping it of much of its negativity.  To my belief, it is his only genre writing as I don’t hold the Westmark trilogy to actually be fantasy, just an alternative telling of European history. Splitting cat hairs? Maybe. He was also one of the founders of Cricket, an illustrated literary journal for children. The late illustrator Trina Schart Hyman whose art I lust after, errrr, adore was another. (Died 2007.) 
  • Born January 30, 1926 — Peter Brachacki. Set designer for the very first episode of Doctor Who. Everything I’ve been able to read on him and that work says that he was not at all interested in working on the series and did so reluctantly under orders. Doctor Who producer Verity Lambert would later recount that she was impressed with Brachacki’s work on the TARDIS interior even though she personally did not like him at all. His design elements persist throughout the fifty years the series has been produced. His only other genre work that I’ve been able to find was Blake’s 7 and a short series called the The Witch’s Daughter done in the late Seventies. The BBC wasn’t always great at documenting who worked on what series. (Died 1980.)
  • Born January 30, 1941 — Gregory Benford, 82. His longest running series is Galactic Center Saga, a series I find a little akin to Saberhagen’s Beserker series. I’ve not read enough of it to form a firm opinion though I know some of you of have done so.  Other novels I’ve read by him include Timescape (superb) and A Darker Geometry: A Man-Kzin Novel which was actually was quite excellent. Yes, I do read Baen Books. 
  • Born January 30, 1955 — Judith Tarr, 67. I’m fond of her Richard the Lionheart novels which hew closely to the historical record while introducing just enough magic to make them fantasy. The novels also make good use of her keen knowledge of horsemanship as well. Her Queen of the Amazons pairs the historical Alexander the Great, with a meeting with the beautiful Hippolyta, who is queen of the Amazons. Highly recommended. 
  • Born January 30, 1973 — Jordan Prentice, 49. Inside every duck is a self-described person of short stature. In the case of Howard the Duck from the movie of the same name, one of those persons was him. He’s not in a lot of SFF roles after his performing debut there though he shows up next as Fingers Finnian in Wolf Girl, playing Sherrif Shelby in Silent But Deadly, Napoleon in Mirror Mirror and Nigel Thumb in The Night Before the Night Before Christmas. 
  • Born January 30, 1974 — Christian Bale, 48. First enters our corner of the mediaverse in a Swedish film called Mio in the Land of Faraway where he plays a character named Yum Yum. Note though that he doesn’t speak in this role as his Swedish voice is done by Max Winerdah. So his playing Demetrius in A Midsummer Night’s Dream is his first speaking role. Next up is American Psycho in which he was Patrick Bateman, that was followed by a role in Reign of Fire as Quinn Abercromby. He was John Preston in Equilibrium, and he voiced Howl in Howl’s Moving Castle, a film well worth seeing.  Need I say who he plays in Batman Begins? I thought not. He’d repeat that in The Dark Knight and The Dark Knight Rises. Amidst being Batman, he was also John Connor in Terminator Salvation. His last genre role to date was voicing Bagheera in Mowgli: Legend of the Jungle asked off Kipling’s All the Mowgli Stories. He’s got a television genre credit, to wit Jim Hawkins in Treasure Island off the Robert Louis Stevenson of that name.

(12) RIDING ON THE CITY OF COCOA BEACH.  Here’s a fun concept – the Lionel Union Pacific Rocket Booster Train. For a mere $1,699.99 you get a Legacy ES44AC locomotive, 6 Standard O boxcars including one with special clearance bars, 5 Heavy duty flatcars with loads and protective covers, and a 21″ sleeping car. And the rocket in the cargo can be assembled into a 30-inch tall scale model. Heck, that’s even taller than a Hugo Award!

(Click for larger image.)

(13) TIME FOR REFLECTION. [Item by Martin Morse Wooster.] From Saturday Night Live — Be careful what you wish for when a magic mirror shows up in Beauty and the Beast!

(14) HEAVIER THAN AIR. [Item by Martin Morse Wooster.] In the Washington Post Magazine, David A. Taylor tracks down Bill Suitor, who was one of Sean Connery’s stunt doubles in the jetpack scene in Thunderball. He also interviews Air and Space Museum senior curator Mike Neufeld, who explains that rocket belts did not develop because they only had 20 seconds flying time and were very loud at 130 decibels. “Man flies rocketpack more than 1,000 times”.

For many years, I wasn’t sure if what I saw was real or some sort of hopeful childhood vision: I was in a large crowd on the National Mall and a figure in a white spacesuit wearing a jetpack suddenly floated off the ground. He was flying! After rising straight up, he swept forward, then swooped back above the crowd.I was about 5 years old. Was it a “Jetsons” phantom memory? I grew up in a white-bread Virginia suburb and my father was working as a NASA engineer. But this was way cooler.

Then I forgot about it, for decades. But about a year ago, the image popped into my mind and I decided to do some research. I came across a 1967 newspaper clipping with a black-and-white photo. Billed as fun for children, the Pageant of Transportation included a “rocket belt” flying man.

The caption named the rocket man as Bill Suitor. In the photo he floats midair with a balloonist near the Washington Monument. I wondered if Suitor was still around. …

(15) FAN MADE CINEMA. This Star Wars fan film dropped two days ago: “The Battlefield – A Star Wars short film made with Unreal Engine 5”.

A new recruit discovers that the Imperial Academy might not have been entirely truthful about the realities of war.

‘The Battlefield’ is part of the series ‘For the Empire’ and was created entirely in Unreal Engine 5 as a workflow test for the upcoming AFK miniseries ‘A Hole in the World’.

(16) VIDEO OF THE DAY. J. Michael Straczynski has made public another Babylon 5 commentary: “The Coming of Shadows”.

For every new B5 commentary video I post on my Patreon page, I release a prior one into the wild. The other day I posted a full-length sync-up commentary on COMES THE INQUISITOR, so that means I can now release the next one in line, THE COMING OF SHADOWS. The Patreon page is where all the Cool Kids hang out, and in return for their support get first news on all of my upcoming projects, the inside track on development, access to scripts, audio, these commentaries, photos and other spiffiness. There’s also a writer’s tier where those who want an intensive program of group critiquing (by me and the other members) and original essays on the craft of writing hang out.

All of that being said, here’s the free link to my full-length video commentary on THE COMING OF SHADOWS.

[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Andrew Porter, Chris Barkley, David Langford, Olav Rokne, Michael Toman, Cat Eldridge, Mike Kennedy  for some of these stories. Title credit belongs to File 770 contributing editor of the day BGrandrath.]

Pixel Scroll 1/19/22 File The Pixels, Lest They Squeak Or Scroll

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(1) LOTR SERIES TITLE ANNOUNCEMENT. Amazon Studios will be calling it — The Lord of the Rings: The Rings of Power. The series begins airing on Amazon Prime on September 2, 2022.

Amazon Studios’ forthcoming series brings to screens for the very first time the heroic legends of the fabled Second Age of Middle-earth’s history. This epic drama is set thousands of years before the events of J.R.R. Tolkien’s The Hobbit and The Lord of the Rings, and will take viewers back to an era in which great powers were forged, kingdoms rose to glory and fell to ruin, unlikely heroes were tested, hope hung by the finest of threads, and the greatest villain that ever flowed from Tolkien’s pen threatened to cover all the world in darkness. Beginning in a time of relative peace, the series follows an ensemble cast of characters, both familiar and new, as they confront the long-feared re-emergence of evil to Middle-earth. From the darkest depths of the Misty Mountains, to the majestic forests of the elf-capital of Lindon, to the breathtaking island kingdom of Númenor, to the furthest reaches of the map, these kingdoms and characters will carve out legacies that live on long after they are gone.

(2) IN TRANSLATION. The Lord of the Rings on Prime also tweeted a video displaying versions of the series title in different languages – including two of Tolkien’s.

We’re assured by an expert that the Sindarin translation is accurate: “’Rings of Power’ Tengwar and Sindarin (Prime)”.

Amazon has published today not only the trailer for the series “Rings of Power” (see below) but also a teaser with the title in different languages. There is a Polish version (I will show it in a moment). There is also a Sindarin version! This is the correct Sindarin (you can see that the creators of the series have tried to get good Tolkien linguists). 

(3) SPACE UNICORNS SOUND OFF. You have until February 7 to make your voice heard:

We’ve set up a poll for Uncanny readers to vote for their top three favorite original short stories from 2021. (You can find links to all of the stories here.)

The poll will be open from January 10 to February 7, after which we’ll announce the results. We’re excited for you to share which Uncanny stories made you feel!

A snazzy certificate will be given to the creator whose work comes out on top of  the poll!

(4) ALGORITHM RUN AMOK. The Fantasy Book Critic blog was buried under a massive amount of wrong DMCA takedown notices generated by the Link-Busters anti-piracy service, and for the time being has been removed by its host, Blogger, for the breach of TOS (Terms of Service). Link-Busters reportedly has acknowledged their mistake and agreed to notify Blogger. This reputable blog is one of the judges of both the Self-Published Fantasy Blog-Off and the Self-Published Science Fiction Competition.

The fans are trying to accelerate getting their blog restored through social media. Thread starts here.

(5) THEY’RE EAR-IE. It’s Edgar Allan Poe’s birthday, and Christopher Conlon touts these radio dramas above any other adaptations. “Edgar in the Air: Poe and America’s Golden Age of Radio”.

…Lots of these broadcasts still exist today, and they often make for compelling listening. I would go so far as to say that some vintage radio adaptations of Poe’s stories surpass, both in fidelity to the source material and overall dramatic effectiveness, any film or TV version ever done of them….

His list begins with this 1957 episode of Suspense — “The Pit and Pendulum”.  

(6) FOUNDING OF THE SCA. Fanac.org has extracted the story of how the Society for Creative Anachronism was started from an audio interview with the late Ed Meskys.

Ed Meskys tells us the story of the beginnings of the Society for Creative Anachronism (SCA) in this short audio recording (enhanced with photographs). Ed played a pivotal role in introducing fencers Dave Thewlis and Ken de Maiffe to Diana Paxson, and has an insider’s perspective on how the “Great Idea” was born. Ed recounts how the First Tournament came to be, and points us to a contemporary report about it in his fanzine, Niekas. You can read the report on page 7 of #16 at Niekas This short recording is excerpted from a longer 2018 interview by Mark Olson.

(7) THE MATRIX HAS A FUTURE AGAIN. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Tom Faber reviews games connected to The Matrix.

The most interesting of the Wachowskis’ experiments in gaming was The Matrix Online (MX)O), a massively multiplayer online role-playing game released at the same time World Of Warcraft was becoming a cultural phenomenon.  Following the end of the trilogy, they wanted fans to ‘inherit the storyline’ and collaboratively write a narrative which would be canon in the Matrix universe. Over four years the game’s story developed in instalments, notably featuring the death of Morpheus. This collaborative cross-media space that the Wachowskis created feels imaginative even today, as we buckle under the weight of the extended cinematic universe of Marvel and Star Wars.

Just ahead of the recent film, a new playable Matrix was released. The Matrix Awakens is not a full game but rather a tech demo intended to show off Unreal Engine 5, the latest iteration of Epic’s software engine which powers many contemporary games.  It features (Keanu) Reeves reprising his role in scenes written by Lana Wachowski, including action and narrative sequences, before players are let loose in a stunningly realistic open world.  While you can do little more than play tourist in this space, it is a remarkable demonstration of the game worlds we can expect as developers get to grips with the new generation of consoles.  After a long period of silence, a return to the Matrix in gaming once again points us towards the future.

(8) AND TELL TCHAIKOVSKY THE NEWS. Cora Buhlert tells squeecore to roll over, it’s time to talk about a real trend: “How To Define a New Subgenre/Trend: The Speculative Epic and an Addendum to the ‘Squeecore’ Debate”.

… That said, Lincoln Michel is right that there seem to be more books featuring multiple intertwining timelines right now, that they share certain characteristics such as addressing social issues (though you could argue that The Star Rover address the issue of prisoner abuse) and that they mainly come from the literary side of the pond rather than from the genre side, whereas the predecessors were mostly genre writers. In addition to Cloud Atlas, the examples Michel gives are Appleseed by Matt Bell, To Paradise by Hanya Yanagihara, Cloud Cuckoo Land by Anthony Doerr, Sea of Tranquility by Emily St. John Mandel and How High We Go in the Dark by Sequoia Nagamatsu.

However, I’m not just linking to this article because I’m interested in literary trends, subgenre formation and genre taxonomy (though I am), but also because Lincoln Michel demonstrates how to identify and define a new trend/potential subgenre without being a jerk about it….

(9) LEFT BEHIND. James Davis Nicoll says “Novels with a focus on demographic transition-driven decline are sadly rare in Western SF,” to begin his latest post for Tor.com, “Empty Earths: Five SF Stories Set on a Depopulated Planet”. One of those rarities is —

Knight Moves by Walter Jon Williams (1985)

A core-world alien, Snaggles, studies the social evolution of various carbon-based intra-skeletal species. Humanity’s past falls within its remit. Humanity’s present, however, is an inconvenience. Billions of humans interfere with field work. Therefore, Snaggles makes a deal with Doran. Doran can provide his fellow humans with immortality and vast power if they take his one-way tickets to habitable exo-planets. Most humans find the offer attractive. By the modern era, Earth has ten million humans left on it….

(Walter Jon Williams hastened to let his Facebook followers know it’s by no means a rare subject in his catalog — he’s written three on that theme.)

(10) YVETTE MIMIEUX (1942-2022). Actress Yvette Mimeux, whose place in genre history was cemented in 1960 with her appearance as Weena opposite Rod Taylor’s H. George Wells in The Time Machine, died January 17 at the age of 80. She also co-starred as an ESP-sensitive scientist in The Black Hole (1979), Disney’s highest budgeted movie up to that time.

Her other genre appearances included: One Step Beyond (1960 TV show, 1 ep.), The Wonderful World of the Brothers Grimm (1962), The Picasso Summer (1969) – based on a Ray Bradbury short story, Death Takes a Holiday (1971 TV movie), Black Noon (1971 TV movie), The Neptune Factor (1973), Bell, Book and Candle (1976 TV movie), Snowbeast (1977 TV movie), and Devil Dog: The Hound of Hell (1978 TV movie).

(11) GASPARD ULLIEL OBIT. French actor Gaspard Ulliel, cast as Midnight Man in the upcoming Marvel series Moon Knight, has died following a skiing accident. He was injured Tuesday in a collision with another skier. After being airlifted to Grenoble, he died of a traumatic brain injury NBC News reported. Among Ulliel’s many upcoming projects was La bête, a science fiction movie reteaming him with his Saint-Laurent director, Bertrand Bonello.

(12) MEDIA BIRTHDAY.

2006 — [Item by Cat Eldridge.] Just sixteen years ago, Pan’s Labyrinth premiered. In Spanish, it was called El laberinto del fauno which meansThe Labyrinth of the Faun. It was written, directed and co-produced by Mexican-born and raised Guillermo Del Toro. Other producers were Bertha Navarro, Alfonso Cuarón, Frida Torresblanco and  Álvaro Augustin. 

It was narrated by Pablo Adán with a primary Spanish language cast (Sergi López, Maribel Verdú, Ivana Baquero, Ariadna Gil and Álex Angulo) with the exception of Doug Jones as the Faun and the Pale Man who of course has a very long relationship with Del Toro going back to Mimic which was based on theDonald Wollheim’s story of the same name. The “Mimic” story was nominated for a Retro Hugo at Worldcon 76.

Reception for it was excellent. It won the Hugo for Best Dramatic Presentation, Long Form, at Nippon 2007 which had dual Toastmasters in the guise of George Takei and Nozomi Ohmori. Children of Men, The Prestige, V for Vendetta and A Scanner Darkly were also nominated for this Award.

Critics really liked it. Roger Ebert at the Chicago Sun Times said of it that “Nothing I am likely to see, however, is likely to change my conviction that the year’s best film was Pan’s Labyrinth.” And Mark Kermode writing in The Observer exclaimed that it is “an epic, poetic vision in which the grim realities of war are matched and mirrored by a descent into an underworld populated by fearsomely beautiful monsters.”

Box office was quite superb as it cost just under twenty million to produce and made over eighty million.  Audience reviewers at Rotten Tomatoes currently give a near perfect ninety one percent rating. 

Usually I don’t note the figures made for a film but the Faun got some great ones including the NECA eight inch version which you see here in all its nightmarish glory. The Pale Man got his own figure as well.

(13) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 19, 1916 — Bernard Baily. A comics writer, editor and publisher. Best remembered as co-creator of the DC Comics the Spectre and Hourman. For DC Comics precursor National Comics, Baily co-created and drew the adventure feature “Tex Thomson” in Action Comics #1 (June 1938), the landmark comic book that introduced Superman. (Died 1996.)
  • Born January 19, 1924 — Dean Fredericks. Actor best known for his portrayal of the comic strip character Steve Canyon in the television series of the same name which aired from 1958–1959 on NBC. His first genre role is in Them! followed by appearances in The Disembodied and the lead in The Phantom Planet which you can watch here. (Died 1999.)
  • Born January 19, 1930 — Tippi Hedren, 92. Melanie Daniels in Alfred Hitchcock’s The Birds which scared the sh!t out of me when I saw it a long time ago. She had a minor role as Helen in The Birds II: Land’s End, a televised sequel done thirty years on. No idea how bad or good it was as I’ve not seen it. Other genre appearances were in such films and shows as Satan’s Harvest, Tales from the Darkside, The Bionic Woman, the new version of Alfred Hitchcock Presents and Batman: The Animated Series.
  • Born January 19, 1932 — Richard Lester, 90. Director best remembered for his Eighties Superman films. He’s got a number of other genre films including the exceedingly silly The Mouse on the Moon, Robin and Marian which may be my favorite Robin Hood film everand an entire excellent series of Musketeers films. He also directed Royal Flash based on George MacDonald Fraser’s Flashman novel of that name. 
  • Born January 19, 1956 — Geena Davis, 66. Her first genre role was as Veronica “Ronnie” Quaife in The Fly reboot, followed by her widely remembered roles as Barbara Maitland in Beetlejuice and Valerie Gail in Earth Girls Are Easy. She also played Morgan Adams in the box office bomb Cutthroat Island before getting the choice plum of Mrs. Eleanor Little in the Stuart Little franchise.  She has a lead role in Marjorie Prime, a film tackling memory loss in Alzheimer’s victims some fifty years by creating holographic projections of deceased family members that sounds really creepy. Who’s seen it?  Her major series role to date is as Regan MacNeil on The Exorcist, a ten-episode FOX sequel to the film.
  • Born January 19, 1958 — Allen Steele, 64. Best, I think, at the shorter length works as reflected in his three Hugo wins: the first at LA Con III for his “The Death of Captain Future”, the second for his “… Where Angels Fear to Tread” at BucConeer and his third for “The Emperor of Mars” at Renovation. Not to say that you should overlook his novels and future history series beginning with The Jericho Iteration, which is well-worth your time. 
  • Born January 19, 1962 — Paul McCrane, 60. Emil Antonowsky in RoboCop whose death there is surely an homage to the Toxic Avenger. A year later, he’d be Deputy Bill Briggs in the remake of The Blob, and he played Leonard Morris Betts in the “Leonard Betts” episode of the X-Files. 

(14) COMICS SECTION.

(15) GENRE MUSIC TOPS THE CHARTS. In the Washington Post, Bethonie Butler says that the songs from Encanto have become very popular, with four songs on the Billboard Hot 100 and “We Don’t Talk About Bruno” reaching  #5. They’ve also gotten many fans on TikTok. “How ‘Encanto’ and its soundtrack became a viral phenomenon”.

… If you didn’t know the “Hamilton” creator was responsible for “Encanto’s” original songs, you would almost certainly know by the time you heard “Surface Pressure.” In the bouncy track, the brawny Luisa (Jessica Darrow) belts out her anxiety and resolve around the (literal) heavy lifting she takes on to help her family. It contains one of the most [Lin Manuel] Miranda–esque lines ever: “Under the surface, I feel berserk as a tightrope walker in a three-ring circus,” Luisa sings before asking, “Was Hercules ever like ‘Yo, I don’t wanna fight Cerberus?”

(16) THE SKY’S NO LIMIT. “Radian announces plans to build one of the holy grails of spaceflight” – Ars Technica has the story.

A Washington-state based aerospace company has exited stealth mode by announcing plans to develop one of the holy grails of spaceflight—a single-stage-to-orbit space plane. Radian Aerospace said it is deep into the design of an airplane-like vehicle that could take off from a runway, ignite its rocket engines, spend time in orbit, and then return to Earth and land on a runway.

“We all understand how difficult this is,” said Livingston Holder, Radian’s co-founder, chief technology officer, and former head of the Future Space Transportation and X-33 program at Boeing.

(17) TODAY’S THING TO WORRY ABOUT. Newsweek is deeply concerned: “Earth’s Core Is Cooling Faster Than Expected, Creating Uncertain Future for Planet”.

A study has unveiled secrets previously locked deep inside the Earth’s interior that could have profound implications for the future of the planet we call home.

The research paper, published in Earth and Planetary Science Letters, shows Earth’s core is cooling faster than scientists had thought previously.

Scientists examined the conductivity of bridgmanite, previously named as the most abundant material in the Earth, that is found in great quantities between the core and mantle of the Earth’s interior—a place known as the Core-Mantle-Boundary (CMB.)

By experimenting on bridgmanite using extreme temperatures and pressures found at the CMB, scientists found that bridgmanite is about 1.5 times more conductive of heat than previously thought.

Consequently, the heat transfer of the high temperatures found at the center of the Earth to its outer areas, like the molten rock of the mantle and beyond, is happening faster than was previously thought….

(18) SMELLETH LIKE THE SHOW THOU LOVE. Last month, Old Spice did a commercial that ties into The Witcher. And Netflix ran a related quiz that’s still online: “Old Spice + The Witcher” – I’m counting on you to better my rate of 50% correct.

(19) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers: Hawkeye,” the Screen Junkies say that “in a multiverse of infinite possibilities, even the lamest ideas must exist” and that the series features Hawkeye’s assistant, who is obsessed with branding, and a deaf character who doesn’t have to hear the characters surrounding her overuse the word “bro.”

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Chris Barkley, Dann, Cora Buhlert, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Stuart Hall.]

Pixel Scroll 8/11/21 Only Trust Your Scrolls, Pixels Will Never Help You

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(1) F&SF COVER REVEAL. The Magazine of Fantasy & Science Fiction’s Sept/Oct 2021 cover art, “Jupiter in Half-Phase, Seen from Io,” is by David A. Hardy.

(2) THE RACCOON AERONAUTICS AND SPACE ADMINISTRATION. Brandiose is a successful creator of logos for minor league sports teams, notably Huntsville’s Rocket City Trash Pandas.

The name Trash Pandas perfectly embodies the dichotomy of the region. A place with a contemporary, optimistic, fresh energy that retains its country flavor.

We wanted to present the Trash Panda racoon as the clever, intelligent creature that it is. It was important to show that this character was less of a “banjos on the porch” type figure and more of a “this guy engineered a rocket ship out of NASA’s trash” kind of critter. 

We loved the idea that the raccoons have their own rocket engineering facility in the woods, next door to their human engineering counterparts. In their dwelling, the raccoons use the human’s discarded rocket junk to construct their own version of NASA (or RASA – Raccoon Aeronautics and Space Administration).

See more examples of their work and read the stories behind them at the link. The New York Times also ran an article about them: “Sod Poodles, Yard Goats and Trash Pandas, Oh My”.

(3) WHAT-IF ORIGINS. [Item by Daniel Dern.] Having been reading long enough to (vaguely) remember the first what-if/imaginary tales (as in, not part of continuity and/or canon), like Superman asking his Fortress of Solitude’s superdupercomputer “what if Krypton hadn’t exploded,” etc… and, Bog knows why, taking those visualizations as, ahem, gospel, versus, “yeah, coulda gone that way”, ult(cough)imately leading to (some of) these stories becoming canonized parallelisms (I’m talking about you, Marvel Ultimate)… and (while I also fault DC in many cases) I’m not moved/interested by/in many of Marvel’s What If’s, well, there’s one particular issue that remains dear to my heart — What If #11, What If The Original Marvel Bullpen Had Become The Fantastic Four?, written and penciled by Jack Kirby!

“[What if] four members of the original Marvel Bullpen were turned into real-life versions of the Fantastic Four: Stan Lee as Mister Fantastic, Sol Brodsky as the Human Torch, Jack Kirby as the Thing, and Flo Steinberg as the Invisible Girl.”

I’ve still got my copy in one of my “do not sell” boxes.

This is (also) among my favorites of “real world people guesting/in comic stories” (I’m also fond of Don Rickles’ appearances in Kirby’s first New Gods stories/plotlines in Jimmy Olsen; ditto Saturday Night Live’s Not-Ready-For-Prime-Time-Players teaming up with Spiderman in Marvel Team-Up #74.) (No, I don’t remember/know the deets, I’m looking ’em up as I go.) (And then there was the Groucho Marx-y character in a Howard the Duck annual…)

Filers can read and enjoy this Kirby masterpiece! It’s on Marvel’s streaming comic service… also in collected-in-book form, in What If? Classic: The Complete Collection Vol. 1 available from bookstores, (free from) libraries and e-free (on HooplaDigital.com ). And perhaps from a nearby friend.

(4) THE NEXT GREAT SFF AWARD. I commented on Camestros Felapton’s blog about the almost nonexistent window between when the Dragon Award ballot is released and the close of voting, and how many novels are finalists, making the award ultimately for the most popular book nobody has read or plans to read before they vote.

Greg Hullender found in that the seed of a great idea:

Hey, that’s a category we’re sorely lacking: most popular unread book. “Looking through your mountain of unread books, which one do you feel most guilty for not having read yet?”

It could have several categories:

Most Popular Unread Book That I Think is SF.

Most Popular Unread Book That I Think is Fantasy.

Most Popular Unread Book That I Suspect Might Not Be Genre.

Most Popular Unread Book That I Bought Mostly for the Cover.

Most Popular Unread Book That I Can’t Remember Why I Bought It.

What would be a good name for these awards? The Tsundoku Awards is too obvious a name. But obviously the prize for winning in a category should be a new book.

(5) AC/DC. “Robin, Batman’s Sidekick, Comes Out As Bisexual” – here’s a transcript of NPR’s discussion on Morning Edition.

DEBBIE ELLIOTT, HOST:

After 80 years, Batman’s trusted sidekick finally had his coming-out moment. In the latest comic, Robin – his real name is Tim Drake – accepts a male friend’s offer to go on a date. Many fans of the character have been looking forward to this.

MEGHAN FITZMARTIN: Tim’s struggle with identity – he knows who he is when it comes to vigilantism. But this was a space where it felt the most correct. This was the next moment for him.

NOEL KING, HOST:

That’s Meghan Fitzmartin. She’s the writer for this series of DC Comics.

FITZMARTIN: The significance, I think, has been others seeing themselves in the character and feeling seen and cared for in a way that speaks to something that they’ve seen for a long time.

KING: Robin made his first appearance back in 1940. And he’s not the first comic book superhero to come out as queer, but he is by far the most high-profile one.

GLEN WELDON, BYLINE: People like Northstar, Batwoman, Harley Quinn, Poison Ivy, Iceman, Apollo, Midnighter. But you notice something about all those names. They’re not necessarily household names….

(6) YOUR TAX QUATLOOS AT WORK. James Davis Nicoll probably didn’t have an easy time finding “Five Sympathetic Science Fiction Bureaucrats”.

Fictional bureaucrats often serve as convenient hate sinks, providing the author with characters whose occupation is generally considered fair game for scorn. Obstructive bureaucrats abound in fiction, perhaps because they are not infrequently encountered in real life. But not all writers settle for such easy targets. Indeed, some writers have gone so far as to make a bureaucrat or two into sympathetic figures.

Don’t believe me? Consider these five….

Aiah from Metropolitan by Walter Jon Williams (1995)

Aiah is a low-level functionary in Jaspeer’s Plasm Authority. Roughly speaking, she works for this world’s electric company, plasm being geomantic energy. Hardly a position to command respect, save when one considers that Aiah is a member of a despised ethnicity, the Barkazil. Convincing her coworkers to trust her with even minimal responsibility is a victory of sorts.

Fate hands Aiah a treasure in plasm. In another person’s hands, this would be the first step towards the sort of Simple Plan that ends with the protagonists as dead as a Coen Brothers’ criminal. Aiah, however, is not just hardworking and ambitious. She is cunning as well, which means not only will she leap on the chance to escape her circumstances, and not only can she find someone willing to assist her with her windfall—she has every chance of surviving the transaction.

(7) CONDENSED CREAM OF MFA. Lincoln Michel puts “Everything I’ve Learned about Being a ‘Professional’ Writer in One Post” at Counter Craft.

Last week there was a bizarrely contentious Twitter debate about whether MFA programs should offer professional advice to students or whether it should be a sacred space for art without the messiness of business. I won’t wade into all the threads, but I’m firmly on the side of publishing demystification. I always dedicate part of my MFA courses to answering student questions about submissions, agents, etc. Perhaps this is because I had to figure all of this out myself while so many writers around me seemed to have been passed all this knowledge in secret. I don’t mean that I’m not privileged, but just I didn’t have any family publishing connections or professional mentors or even know any authors growing up. I wish I’d gotten more of a professional education, from banal things like freelance taxes to general advice like how willing you have to be to promote your own work—did you know I have a SF novel called The Body Scout publishing on 09/21 that you can preorder today???—and so I figured I’d just write down everything I’ve learned here in the hope it helps someone else….

(8) MEMORY LANE.

  • 2010 – Eleven years ago at Aussiecon 4 where Garth Nix was the Toastmaster, China Miéville won the Hugo for Best Novel for The City & The City. It shared this honor with The Windup Girl by Paolo Bacigalupi.  It was published by Del Rey / Ballantine in hardcover the previous year. Other nominated works that year were Cherie Priest‘s Boneshaker, Robert J. Sawyer‘s Wake, Robert Charles Wilson‘s Julian Comstock: A Story of 22nd-Century America and Catherynne M. Valente‘s Palimpsest. It would win an amazing number of other awards including the Arthur C. Clarke Award, a BSFA, the John W. Campbell Memorial Award, a Kitschie (Red Tentacle) Award, a Locus for Best Fantasy Novel and a National Fantasy Fan Federation Speculative Fiction Award (Neffie). It would be nominated for, but not win, a Nebula. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 11, 1902 — Jack Binder. Thrilling Wonder Stories in their October 1938 issue published his article, “If Science Reached the Earth’s Core”, where the first known use of the phrase “zero gravity” is known to happen.  In the early Forties, he was an artist for Fawcett, Lev Gleason, and Timely Comics.  During these years, he created the Golden Age character Daredevil which is not the Marvel Daredevil though he did work with Stan Lee where they co-created The Destroyer at Timely Comics. (Died 1986.)
  • Born August 11, 1932 — Chester Anderson. New Wave novelist and poet. He wrote The Butterfly Kid, the first part of the Greenwich Village trilogy. It was nominated for a Hugo Award at Baycon. He wrote one other genre novel, Ten Years to Doomsday, with Michael Kurland. Not even genre adjacent, but he edited a few issues Crawdaddy! in the late Sixties. (Died 1991.)
  • Born August 11, 1959 — Alan Rodgers. Author of Bone Music, a truly great take off the Robert Johnson myth. His “The Boy Who Came Back From the Dead” novelette won the Bram Stoker Award for Best Long Fiction, and was nominated for a World Fantasy Award, and he was editor of Night Cry in the mid Eighties. Bone Music is the only work available from the usual suspects. (Died 2014.)
  • Born August 11, 1961 — Susan M. Garrett. She was a well known and much liked writer, editor and publisher in many fandoms, but especially the Forever Knight community. (She also was active in Doctor Who and The Secret Adventures of Jules Verne fandoms. And no, I had no idea that the latter had a fandom given its short longevity.) She is perhaps best known for being invited to write a Forever Knight tie-in novel, Intimations of Mortality. It, like the rest of the Forever Knight novels, is not available from the usual suspects. (Died 2010.)
  • Born August 11, 1962 — Brian Azzarello, 59. Writer of the comic book 100 Bullets, published by Vertigo. Writer of DC’s relaunched Wonder Woman series several years back. One of the writers in the Before Watchmen limited series. Co-writer with Frank Miller of the sequel to The Dark Knight Returns, The Dark Knight III: The Master Race.
  • Born August 11, 1976 — Will Friedle, 45. Largely known as an actor with extensive genre voice work: Terry McGinnis aka the new Batman in Batman Beyond which Warner Animation now calls Batman of the Future, Peter Quill in The Guardians Of The Galaxy, and Kid Flash in Teen Titans Go!  to name but a few of his roles.
  • Born August 11, 1964 — Jim Lee, 57. Korean American comic-book artist, writer, editor, and publisher.  Co-founder of Image Comics, now senior management at DC though he started at Marvel. Known for work on Uncanny X-Men, Punisher, Batman, Superman WildC.A.T.s. and Before Watchman. Now Lee is the sole Publisher of DC Comics.
  • Born August 11, 1983 — Chris Hemsworth, 38. Thor in the MCU film franchise and George Kirk in the most recent Trek film franchise. Other genre performances include Eric the Huntsman in the exemplary Snow White and the Huntsman and The Huntsman: Winter’s War, Curt Vaughan in Cabin in the Woods and Agent H in Men in Black: International. Ok who’s seen the latter? It’s on my bucket list. 

(10) COMICS SECTION.

(11) DOUBLE JEOPARDY! Deadline says this is how they’re dividing the baby: “’Jeopardy!’: Mike Richards To Host Syndicated Show, Mayim Bialik To Host Primetime Specials & Spinoffs”.

The search for new permanent host of Jeopardy! is officially over. The show’s executive producer Mike Richards has been named the new permanent host of the venerable syndicated game show, succeeding the late Alex Trebek. Additionally, Sony Pictures Television announced that The Big Bang Theory star Mayim Bialik will host Jeopardy!’s primetime and spinoff series, including the upcoming Jeopardy! National College Championship set to air on ABC next year. The Greatest of All Time winner Ken Jennings will return as consulting producer for the show…. 

(12) HI BROOKE! “I’m Brooke Gladstone and I Am a Trekker” from WYNC Studios – listen or read the transcript at the link.

In September 1966, Gene Roddenberry dispatched the crew of the Starship Enterprise on its maiden voyage through space and time and into the American living room. In a vintage OTM piece, Brooke explores the various television incarnations of the franchise and the infinitely powerful engine behind it all: the fan.

Brooke Gladstone: Editor’s log star date, August 11th, 2021. To mark what would have been the 100th birthday of Gene Roddenberry, the creator of one of my favorite shows, we are replaying a piece I made all the way back in 2006. I’m Brooke Gladstone. I am a Trekker.

William Shatner: Get a life, will you, people? For crying out loud, it’s just a TV show.

Brooke: When William Shatner said that on Saturday Night Live, though to be fair, he didn’t write it, it stung.

Barbara Adams: I think a lot of fans feel like they are not respected. They’re almost ashamed to admit they’re fans of Star Trek unless they hear two or three references to Star Trek in the conversation.

Brooke Gladstone: Not Barbara Adams, so moved was she by this series; optimistic, pluralistic vision of the future that when serving on the jury in the whitewater trial 10 years ago, she wore the uniform of a Starfleet officer. “If it helps to make people think a little more about what those ideals are, then I’ll keep wearing this uniform,” she said, and then was promptly dismissed for talking to the press….

(13) DJINN BUZZ. The Essence of Wonder with Gadi Evron staff are joined by Patricia Jackson and Elias Eells to discuss A Master of Djinn by P. Djeli Clark on Saturday, August 14 at 3:00 p.m. US Eastern Time. The streaming show is accessible via YouTube, Facebook Live, and Twitch.

(14) HEAR VALENTE. The Glasgow in 2024 Worldcon bid presents “The Present is Purple with Catherynne M. Valente” in conversation with Ed Fortune, August 24 at 7:00 p.m. BST. Register here.

About this event

Summer is slowly fading away but Glasgow in 2024 is not taking a break in bringing you amazing bookish events! Join us on August 24th for an exciting evening with the brilliant Catherynne M. Valente to talk about her brilliant new novella The Past is Red, out now from TorDotCom… Grab a copy and an iced drink and join us!

The future is blue. Endless blue…except for a few small places that float across the hot, drowned world left behind by long-gone fossil fuel-guzzlers. One of those patches is a magical place called Garbagetown…

(15) TRAILER OF DOOM. Doom Patrol Season 3 streams September 23 on HBO Max.

Go through the looking glass with a super-powered gang of outcasts (including Matt Bomer as Negative Man, Joivan Wade as Cyborg, Brendan Fraser as Robotman, and more). Last seen at a decrepit amusement park where Chief (Timothy Dalton) witnessed his metahuman daughter, Dorothy (Abigail Shapiro) engaged in a fiery face-off with “The Candlemaker,” an ancient evil deity who will stop at nothing to fulfill his world-ending destiny, join the #DoomPatrol for an action-packed third season.

(16) ANIMATED WITCHER. Face your demons. The Witcher: Nightmare of the Wolf premieres August 23 on Netflix.

(17) KITTY THE FREELOADER. Science has discovered “Cats prefer to get free meals rather than work for them” reports Phys.org. No shit!

When given the choice between a free meal and performing a task for a meal, cats would prefer the meal that doesn’t require much effort. While that might not come as a surprise to some cat lovers, it does to cat behaviorists. Most animals prefer to work for their food—a behavior called contrafreeloading.

… “There is an entire body of research that shows that most species including birds, rodents, wolves, primates—even giraffes—prefer to work for their food,” said lead author Mikel Delgado, a cat behaviorist and research affiliate at UC Davis School of Veterinary Medicine. “What’s surprising is out of all these species cats seem to be the only ones that showed no strong tendency to contrafreeload.”

(18) THEORY X GETS SPACED. Jacobin’s Meagan Day investigates a lost bit of space history in “Houston, We Have a Labor Dispute”.

For decades, rumors have circulated about a strike in space. The story goes that in 1973, the three astronauts on the Skylab 4 mission took an unplanned day off to protest ground control’s management style, and the job action resulted in improved working conditions. It’s a great story.

According to Skylab 4 crew member Ed Gibson, that’s not exactly what happened. But his telling of events, though it differs from the tidy and entertaining “space strike” narrative, is still a tale of overwork, micromanagement, and perceived noncompliance bringing management to the table. And Gibson’s account still confirms that even a whiff of collective action can shift the balance of power in workers’ favor.

Earlier this year, the BBC broadcast an interview with Gibson, the last surviving Skylab 4 crew member, conducted by Witness History producer and presenter Lucy Burns. “We’ve only had one reporter other than you talk to us in the past forty-seven years,” Gibson told Burns. He set out to correct the record.

Gibson maintains that the crew didn’t mean to go on strike. But what did happen had a similar effect in terms of giving the astronauts leverage and intervening in a bad (extraterrestrial) workplace dynamic.

(19) HOME COOKING. Stephen Colbert’s monologue had more to say about that Field of Dreams Apple Pie Hot Dog beginning around 8 minutes into this YouTube video. Includes info about how to make it at home from creator Guy Fieri.

(20) READERS DIGESTION. Dark Horse Direct is taking pre-orders of these Dune: Sandworm Bookends based on how the creatures appear in the forthcoming movie. Cost  $149.99, only 2,000 will be sold.

Dark Horse Direct, in partnership with Legendary Entertainment, is proud to present the Dune: Sandworm Bookends! Based on the giant sandworms from the highly anticipated new film of the iconic science fiction epic, Dune, these bookends will have you watching your walking pattern over the sands of Arrakis.

Each half measuring 8.5” tall by 8” wide by 6.5” deep, this highly detailed bookend set is meticulously sculpted and hand painted to showcase the fearsome sandworm as it erupts out of the sands, ready to defend its territory and the most precious resource in existence.

(21) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “The Professional Movie Fan Tutorial:  Pro Tips” on Screen Rant, written by Ryan George, Dave Heuff plays professional super movie fan “Fredge” Buick, who explains that a professional movie fan has to be perpetually angry! (his avatar is Heath Ledger’s Joker), have questionable hygiene, and use a lot of duct tape to sneak the noisy snacks you want inside the theatre.

[Thanks to John King Tarpinian, Cat Eldridge, Mike Kennedy, Richard Horton, Todd Mason, John A Arkansawyer, Andrew Porter, Martin Morse Wooster, JJ, and Michael Toman for some of these stories. Title credit belongs to contributing editor of the day Jake.]

Pixel Scroll 3/8/21 Tick Two Pixels And Scroll Me In The Morning

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(1) UNAUTHORIZED. Marina Lostetter illustrates her points about authorship with ancient and contemporary examples in “Le Morte d’Author: on Aggregate Storytelling and Authorial Hope” at Stone Soup.

…When aggregate storytelling is done unofficially, we call it “transformative work,” of which fan fiction is a major part.

An especially intriguing example of modern-day aggregate storytelling — from both an official and unofficial standpoint — is the TV show Supernatural, about two monster-hunting brothers and the found-family they make along the way. The show has enjoyed a voracious fanbase, which kept the series alive for fifteen seasons and spawned thousands and thousands of fan works (as of this writing, there are 243,690 entries related to Supernatural on Archive of Our Own alone. This is to say nothing of Tumblr, Twitter, etc.). 

Starting with the season four episode “The Monster at the End of this Book,” the show began engaging with fan reactions through self-referential stories. Sam and Dean literally read fan fiction about themselves on screen, and the characters used vernacular created by the Supernatural fanbase throughout. 

The fans didn’t simply consume the story. They changed the way the story was told. It would be difficult to argue that the author(s) should be considered as good as dead in terms of critical consideration when the author(s) were still actively creating in tandem with the audience’s reception… 

(2) ESCAPE POD’S BLACK FUTURE MONTH. The Escape Pod original science fiction podcast is taking submissions for Black Future Month.

Escape Pod is pleased to announce a new special project for 2021: Black Future Month, a month-long celebration of Black voices in science fiction, guest edited by Brent Lambert of FIYAH Magazine. Episodes will air in the month of October and feature two original works of short fiction as well as two reprints.

NOTE: For this special event, we are only accepting submission from authors of the African diaspora and the African continent. This is an intersectional definition of Blackness, and we strongly encourage submissions from women, members of the LGBTQIA community, and members from other underrepresented communities within the African diaspora.

Pay rate, format, and content will follow Escape Pod’s regular guidelines, with two exceptions:

  • Manuscripts do not need to be anonymized for this submissions portal. 
  • Stories must be between 1,500 – 5,000 words.

(3) SFF POSTAGE STAMPS COMING. The UK’s Royal Mail has announced that on March 16 the Legend of King Arthur stamps will be released. This set will be followed by an April 15 issue celebrating classic science fiction. As of today, no images from either set have been posted. Norvic Philatelics speculates what might be commemorated in the Classic Science Fiction set:  

This issue consists of pairs of 1st class, £1.70 and £2.55 stamps – with the usual additions of a presentation pack first day cover, and postcards.  

Some research reveals that this is the 75th anniversary of the death of the author H G Wells, and the 70th anniversary of the publication of John Wyndham’s The Day of the Triffids”, so it seems likely that one of Wells’ books will feature on one stamp and Wyndham’s will appear on another. 

(4) GOODBYE, MR. CHIP. The trailer dropped for HBO Max’s Made for Love. It’s sf, right? At least for another few minutes.

The classic story of boy meets girl, boy implants high-tech surveillance chip in girl’s brain… Featuring Cristin Milioti, Ray Romano, Noma Dumezweni, and Billy Magnussen, Made for Love is coming to HBO Max this April.

(5) IT’S GOING TO BE A BUMPY RIDE. Kristin Cashore shares my high opinion of this novel: “Bells and Echoes: The Craft of DOOMSDAY BOOK by Connie Willis”. The last time I praised the book here it caused an uproar. (And a few other consequences, one of which got nominated for a Hugo.)

…. Before I dive deep into Willis’s construction of parallel characters, I want to speak more generally about the potential for parallels — echoes — inside a book, when that book takes place in multiple timelines. Many books do take place in more than one timeline, of course, whether or not they involve time travel! And there’s so much you can do with that kind of structure. As you can imagine, life in Oxfordshire in 1348 is dramatically different from life in Oxford in 2054. But Willis weaves so many parallels into these two stories, big and small things, connecting them deftly, and showing us that some things never really change. I suppose the most obvious parallel in this particular book is the rise of disease. The less obvious is some of the fallout that follows the rise of disease, no matter the era: denial; fanaticism; racism and other prejudices; isolationism; depression and despair; depletion of supplies (yes, they are running out of toilet paper in 2054). She also sets these timelines in the same physical location, the Oxfords and Oxfordshires of 1348 and 2054 — the same towns, the same churches. Some of the physical objects from 1348 still exist in 2054. She sets both stories at Christmas, and we see that some of the traditions are the same. She also weaves the most beautiful web between timelines using bells, bellringers, and the significance of the sound of bells tolling. 

Simply by creating two timelines, then establishing that some objects, structures, and activities are the same and that some human behaviors are the same across the timelines, she can go on and tell two divergent plots, yet create echoes between them. These echoes give the book an internal resonance…. 

(6) YOU ARE THERE. Follow Kevin Standlee and Lisa Hayes on their “Atomic Tour in the Nevada Outback”.

Lisa and I have been getting increasingly antsy and wanting to get out of the house and go see things, but with no sign of a vaccine being available for us mere under-65s, we wanted something that would be away from other people and was close enough to be able to get back home the same day. So we decided to go see the site of the atomic test in our backyard….

I know it’s unlikely that anyone else will come visit this spot, but if somehow your travels take you across “The Loneliest Road,” you might consider a relatively short side trip to one of the few atomic bomb test sites you can visit on your own.

Project Shoal Monument

(7) FREE HWA ONLINE PANEL. The Horror Writers Association will present a free Zoom webinar, “Skeleton Hour 7: Writing Horror in a Post-Covid World” on Thursday, April 8, 2021 at 6 p.m. Pacific.  Panelists will include: Richard Thomas (moderator), Sarah Langan, Usman T. Malik, Josh Malerman, A.C. Wise, and Lucy A. Snyder. Register here.

(8) TIME TO TURN ON THE VACUUM OF SPACE. James Davis Nicoll sweeps together “Trashy Tales: Five Stories About Space Garbage” at Tor.com. In his collection is —

Terminal Alliance by Jim C. Hines (2017)

The Krakau found an Earth that has been overrun by the bestial survivors of a planetary plague. Still, better half a glass than an empty glass. The benevolent aliens retrieved suitable candidates from the raving hordes and applied suitable cognitive corrective measures. Lo and behold, humans were transformed from wandering monsters to trustworthy subordinates. Although perhaps not all that trustworthy. Humans are relegated to menial tasks.

Marion “Mops” Adamopoulos is in charge of Earth Mercenary Corps Ship Pufferfish’s Shipboard Hygiene and Sanitation team. Chief janitor, in other words. Not command crew. Except that an unexpected attack eliminates her Krakau commanders while most of Pufferfish’s humans revert into beasts. Mops has no choice but to take command of a ship neither she nor the remaining non-bestial humans know how to operate.

(9) DARE YA. The upcoming online classes at the Rambo Academy include one with this irresistible description: “Breaking the Rules with Rachel Swirsky”.

Tell, don’t show. Dump your information. Write in second person. Write in passive voice. Use adverbs. To heck with suspense.
Rules mark what’s difficult, not what’s impossible. There’s a whole range of exciting storytelling possibilities beyond them. Not every story needs to be in second person, but when it’s the right voice for the right story, it can be magic. The right information dump, written perfectly, can become a dazzling gymnastic feat of beauty, fascination, or humor.
“Break the Rules” will teach you inspirations and techniques for rowing upstream of common knowledge. You can break any rule–if you do it right.

Join award-winning speculative fiction writer Rachel Swirsky for a workshop in which she teaches you how and why to break the rules. Next class date: Sunday, April 4, 2021, 1:00-3:00 PM Pacific Time.

(10) MEDIA BIRTHDAY.

  • March 8, 1978 — The Hitch-Hiker’s Guide to the Galaxy was first broadcast forty-three years ago today on BBC Radio 4. It was written by Douglas Adams with some material in the first series provided by John Lloyd. It starred Simon Jones, Geoffrey McGivern, Mark Wing-Davey. Susan Sheridan and Stephen Moore. It was the only radio show ever to be nominated for a Hugo in the ‘Best Dramatic Presentation’ category finishing second that year to Superman at Seacon ‘79. It would spawn theater shows, novels, comic books, a TV series, a video game, and a feature film.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born March 8, 1859 — Kenneth Grahame. Author of The Wind in the Willows which it turns out has had seven film adaptations, not all under the name The Wind in the Willows. (Did you know A.A. Milne dramatized it for the stage as Toad of Toad Hall?) Oh, and he did write one other fantasy, The Reluctant Dragon which I’ve never heard of. Have any of y’all read it? (Died 1932.) (CE) 
  • Born March 8, 1899 – Eric Linklater.  The Wind on the Moon reached the Retro-Hugo ballot; it won the Carnegie Medal.  Three more novels, nine shorter stories for us; two dozen novels all told, ten plays, three volumes of stories, two of poetry, three of memoirs, two dozen of essays & history.  Served in both World Wars.  Commander of the Most Excellent Order of the British Empire, Fellow of the Royal Society of Edinburgh.  (Died 1974) [JH]
  • Born March 8, 1922 – John Burke.  Co-edited The Satellite and Moonshine (not Len Moffatt’s fanzine, another one).  A score of books including novelizations of Chitty Chitty Bang Bang and Those Magnificent Men in Their Flying Machines (okay, call it adjacent), fourscore shorter stories, for us; a hundred fifty novels all told.  Correspondent of The Fantast, Zenith, and at the end Relapse, which I wish Sir Peter Weston hadn’t retitled from Prolapse, but what do I know?  (Died 2011) [JH]
  • Born March 8, 1928 — Kate Wilhelm. Author of the Hugo–winning Where Late the Sweet Birds Sang. She also won a Hugo for Best Related Book and a Locus Award for Best Nonfiction for Storyteller: Writing Lessons and More from 27 Years of the Clarion Writers’ Workshop. SFWA renamed their Solstice Award the Kate Wilhelm Solstice Award. She established the Clarion Workshop with her husband Damon Knight and writer Robin Scott Wilson. (Died 2018,) (CE)
  • Born March 8, 1932 – Jim Webbert, age 89.  Among our better auctioneers – we raise money that way, few would pay what con memberships really cost.  Collector of books, other art, model rockets.  HO model railroader.  Chemist.  Three decades in the Army Reserve, often teaching.  Often seen at LepreCon.  Fan Guest of Honor at TusCon 1, CopperCon 9, Con/Fusion, Kubla Khan 20 (all with wife Doreen). [JH]
  • Born March 8, 1934 — Kurt Mahr. One of the first writers of the Perry Rhodan series, considered the largest SF series of the world. He also edited a Perry Rhodan magazine, wrote Perry Rhodan chapbooks and yes, wrote many, many short stories about Perry Rhodan.  He did write several other SF series. Ok, what’s the appeal of Perry Rhodan? He runs through SF as a genre but I’ve not read anything concerning him. (Died 1993.) (CE)
  • Born March 8, 1939 — Peter Nicholls. Writer and editor. Creator and co-editor of The Encyclopedia of Science Fiction with John Clute which won a Hugo twice. He won another Hugo for the Science Fiction Encyclopedia. His other publications were Science Fiction at Large, The Science in Science Fiction edited by Nicholls and written by him and David Langford, and Fantastic Cinema.  He became the first Administrator of the United Kingdom based Science Fiction Foundation. He was editor of its journal, Foundation: The Review of Science Fiction, from 1974 to 1978. (Died 2018.) (CE) 
  • Born March 8, 1948 – Jackie French Koller, age 73.  Four novels, six shorter stories, for us; three dozen books all told.  Watercolorist.  Makes gingerbread houses.  Her Website.  [JH]
  • Born March 8, 1973 – Daniel Griffo, age 48.  Lives in La Plata (a Silver Age artist?), Argentina, with wife, son, and two pets named Indiana and Jones.  I am not making this up.  Comics, lettering, 3-dimensional activity books, My Visit to the Acupuncturist (I’m not; why shouldn’t there be a children’s book about that?), two about Dragon Masters – here’s one of them, Future of the Time Dragon.  Website.  [JH]
  • Born March 8, 1976 — Freddie Prinze Jr., 45. I’m fairly sure his first genre role was in Wing Commander as Lt. Christopher Blair followed by the animated Mass Effect: Paragon Lost in which he voiced Lieutenant James Vega. Speaking of animated endeavors, I’ve got him in Kim Possible: A Sitch In Time voicing Future Jim / Future Tim followed by being in all in all four seasons of the animated Star Wars Rebels as Kanan Jarrus. And that’s a series which I highly recommend as it may well be the best Star Wars fiction ever done. (CE) 
  • Born March 8, 1978 – Samanta Schweblin, age 43.  Another Argentine, this one living in Berlin, writing in Spanish.  Two novels, two shorter stories for us; three collections.  Casa de las Americas Award.  Juan Rulfo Prize.  Tigre Juan Award, Shirley Jackson Award for Distancia de rescate, in English Fever Dream.  [JH]

(12) COMICS SECTION.

  • The Far Side reveals the tragic conclusion of a nursery rhyme.  

(13) FOUR-POSTER. Marvel Studios’ The Falcon and The Winter Soldier today released four new character posters for Sam Wilson (Falcon), Bucky Barnes (Winter Soldier), Sharon Carter and Helmut Zemo as they near their March 19 premiere on Disney+.

(14) ON BOARD. [Item by Martin Morse Wooster.] In the March 3 Financial Times, gaming columnist Tom Faber looks at the appeal of board games during the pandemic.

For those who fancy themselves not Victorian engineers or colonial settlers but fantasy warriors and space explorers, games such as Twilight Imperium and Terraforming Mars hold more appeal.  You can learn the rules of most within an hour or two, but there are some more elaborate offerings such as dungeon crawler Gloomhaven, which weighs 10kg and currently sits at the top of the ratings on the authoritative site BoardGameGeek.  Games have grown in beauty as well as sophistication–see Wingspan, with its 180 gorgeous bird illustrations and pleasing tokens in the shape of pastel-shaded eggs.

As the games themselves have become more desirable, board game cafes such as Draughts in London and Snakes and Lattes in Toronto have sprung up and help legitimise board gaming,  At the same time, the internet has facilitated the discovery of new games and willing opponents, as well as enabling the rising trend of board game crowdfunding–Frosthaven, the followup to Gloomhaven, raised almost $13m on Kickstarter.”

(15) PSA FROM WJW. Walter Jon Williams has shared “My Mask Policy” on his blog:

After having endured the horrors of Oklahoma and Kentucky, I’ve decided that I should announce my mask policy.  I’m not a head of state or a governor, I’m just a guy, so there is no way to enforce my preferences on the world— except, of course, by way of sarcasm and mockery.

Just remember that I’m the guy that came up with several rules for living, including Williams’ First Law: Assholes Always Advertise.

So here goes:

While there is very little scientific data about how effective mask use is in preventing COVID, the wearing of masks in public is (at the very least) a courtesy to others, particularly those most vulnerable to the disease.

So if you’re in public and not wearing a mask, I’m not going to assume that you’re a brave  iconoclastic thinker challenging accepted dogma, I’m going to assume that you are a complete asshole.  And not only are you an asshole, you’re advertising yourself as such.

(16) EXPLORING THE DEBRIS. At Amazing Stories, “Veronica Scott Reviews NBC’s ‘Debris’ Episode One”. BEWARE SPOILERS.

…On the positive side, I love the concept of the alien spaceship disintegrating as it enters the solar system. I’m frankly fascinated by the backstory of that, which sadly,  in episode one at least, the series shows no signs of exploring, versus the “what does each piece of debris do this week” storytelling. I liked the way the program began, with the tiny shard of debris transporting an unfortunate maid from high up in a hotel to her death in the dining room, without marring any of the ceilings or floors she falls through. Grabbed my attention!

But there was very little about the alien technology or curiosity on anyone’s part about the aliens themselves or what destroyed the ship. No discussion about whether the debris is actually some kind of invasion or what might happen next. No one here seems to care if there was an FTL drive to be had.  I frankly wished this was a series about going to explore what’s left of the hulk in space, rather than these cut and dried, solved in an hour individual cases….

(17) A LITTLE LIST. At the Hugo Book Club Blog, Olav Rokne has compiled a list of “Screen adaptations of Hugo-shortlisted works”. There are 47 so far.  (The list excludes Retro Hugo awards as well as all Graphic Novels and comic book adaptations.)

(18) SEUSSWATCH. Adina Bresge, in the Canadian Press story “Canadian libraries reassess Dr. Seuss books pulled from publication for racist images” says that a lot of Canadian libraries are checking to see if they have the six books Dr. Seuss Enterprises has withdrawn from circulation and some of them have pulled the books from the shelves.

The scrutiny also prompted some public libraries to review their Dr. Seuss collections.

A group of librarians across Toronto Public Library’s system will evaluate the titles in question and issue recommendations, according to a spokeswoman.

“Occasionally, children’s books written some time ago are brought to our attention for review,” Ana-Maria Critchley said in an email.

“If the review determines there are racial and cultural representation concerns the committee will recommend to either withdraw the book from our library collections or move the book from children’s collections to another location, such as a reference collection for use by researchers.”

The Vancouver Public Library is also launching reviews of each of the six Dr. Seuss titles.

Scott Fraser, manager of marketing and communications, said this process is usually initiated by a request from a patron, but the library made an exception given the “extremely unusual” decision by a rights holder to suspend publication.

Copies of the books will remain on the shelves while the review is underway, Fraser said, and officials will then decide whether to keep a title in the collection, change its classification or remove it from the stacks.

Vancouver Public Library previously reviewed “If I Ran the Zoo” in 2014 in response to a complaint about stereotypical depictions of Asians. A caption in the book describes three characters as “helpers who all wear their eyes at a slant.”

The library decided to keep the book on the shelves, but stop reading it at storytime, and only promote it as an example of how cultural depictions have changed….

(19) GALE WARNING. “Scientists Discover Massive ‘Space Hurricane’ Above Earth” – Vice has the story.

…Prior to this discovery, Zhang and his research group had been pondering the possible existence of space hurricanes for years. The team’s research focus lies in the interactions between the ionosphere, an atmospheric layer that extends some 50 to 600 miles above Earth’s surface, and the magnetosphere, the region shaped by our planet’s protective magnetic field. At the poles, these interactions generate the magical and dazzling auroras that are popularly known as the Northern and Southern Lights. 

Tropical hurricanes are driven in part by the movements of heavy air masses that generate strong winds; Zhang and his colleagues suspected a similar mechanism might be at work in the outer space environment close to Earth. In the case of space hurricanes, the solar wind, a stream of charged particles that flows from the Sun, slams into Earth’s upper atmosphere and transfers its energy into the ionosphere, driving the cyclone formation.

(20) VIDEO OF THE DAY. In “WandaVision Pitch Meeting” on ScreenRant, Ryan George explains that Marvel fans will be frustrated by the slow drip of revelations about how WandaVision connects to the MCU that they’ll become really frustrated by the phrase “Please Stand By.”

 [Thanks to Andrew Porter, John Hertz, Martin Morse Wooster, Michael Toman, John King Tarpinian, Cat Eldridge, JJ, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Brian Z.]

Walter Jon Williams Q&A
About Fleet Elements and the Praxis Series

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Walter Jon Williams at Worldcon 75 in Helsinki (2017). Photo by Henry Söderlund.

WALTER JON WILLIAMS is the winner of two Nebulas and a five-time Hugo nominee. His most recent books are The Sundering, The Praxis, This Is Not a Game, and Quillifer. In 2006, Williams founded the Taos Toolbox, a two-week writer’s workshop for fantasy and science fiction writers. He was the guest of honor of the 2017 Worldcon in Helsinki. Williams lives near Albuquerque, New Mexico, with his wife, Kathleen Hedges.

File 770 reviewed his latest book, Fleet Elements here.

MIKE GLYER: Fleet Elements is the latest novel in your Dread Empire’s Fall series. (Which I confess to thinking of as the Praxis series.) You once told an interviewer, “As for the Shaa, for now they’re all dead, but I reserve the right to alter reality at any point.” They’re still dead in Fleet Elements, yet you’ve managed to shed new light on them and turn their history into a mystery that might be important to solve. Other authors – Larry Niven, for one – talk about having to be careful that new stories that don’t violate some already-established part of their series’ universe. How do you overcome that challenge?

WALTER JON WILLIAMS: I keep copious notes, I try to re-read the books before starting a new one, and I have complex plot outlines on legal pads, with different colors for different characters, and lots of arrows and diagrams.  Then I just cross my fingers and hope I don’t make a mistake.

(By the way, I call it the Praxis series, too.)

MG: A series balances the familiar with change and growth. What’s your strategy for character development?

WALTER JON WILLIAMS: Character development is a consequence of trauma, so I try to keep my characters as traumatized as possible. 

MG: The demise of the Shaa, of course, is the event that kicks off the Praxis series. Until then, the various sentient races of the Empire enjoyed a kind of equality in their subordination to the Shaa. When one of them tried to move into the power vacuum, humans were still aligned with the other nonhumans. But in the latest arc they’re on their own. Although milestone space operas from the Lensman Series to Starship Troopers to Ender’s Game set up genocidal conflicts between humans and aliens, that hasn’t been characteristic of your series before now. Are you going there, or will the end game somehow weave all these species together again?

WALTER JON WILLIAMS: I don’t really want to offer spoilers on whether the human race is exterminated by the end of the series.  That’s giving away a little much.

At the end of the current series there will be an adjustment to the political system, which may well set up more conflict farther down the line.  Plus I also guarantee more character-developing trauma for my characters.

MG: On one level the science fiction genre is a conversation, where writers see what’s gone before and say “I’d love to tell more stories like that” or “No, can’t you see how wrong that extrapolation is?”  Who are some of the authors who inspired your interest in writing a space opera series like this, for either of those reasons?

WALTER JON WILLIAMS: This is going to sound odd, but my inspirations for the Praxis books include Herodotus, Polybius, Livy, Cassius Dio, Edward Gibbon, and Thomas Babington Macauley, all historians writing on an epic (and at present unfashionable) scale.  From them I learned how to tell a vast, complex story against a background of Deep History.

I might as well add HG Wells to that list, not only for the inevitable influence of his scientific romances, but for his concept of history.

MG: You have penned several different series – in fact, after reading The Accidental War I not only sought out the rest of the Praxis books, I proceeded to read most or all the books in four other series. And I see readers commenting on my blog about their hopes that you’ll do another Metropolitan book, another Quillifer, another Dagmar Shaw. Will you keep the Praxis series going beyond this latest arc? What are you working on now?

WALTER JON WILLIAMS: The Praxis series was originally intended to run 9-12 books (depending on when I got bored), so there will be more if the publisher so desires.  The Metropolitan series was cut short when my editor was fired and his entire science fiction line canceled, and I’ve been hoping to find an editor willing to reprint the originals and complete the series with a third book.  (And yes, I know I could self-publish the third book, and I will if I have to.)

The Quillifer series was planned for six books, though I’ve contracted only for three.  So if your readers want more of those, they should buy the hell out of the books now in the stores. 

All this said, I have the urge to write some singletons, so once I finish with my current contracts I’m going to write a stand-alone or two.

MG: What are your sources of “inspiration” beyond just the literary? Someone once asked the composer Hoagy Carmichael where his inspiration came from, and his answer was “When the check arrives.” At this point in a successful career do you have more freedom to choose what to work on?

WALTER JON WILLIAMS: While I’m not rich, I’m financially secure, and I don’t have to write anything I don’t want to.

And while I like having money, money has nothing to do with why I write.  If all I wanted was money, I’d run a hedge fund or something.  Except for a very few lucky people, a career in the arts is a perilous balancing act between inspiration and the need to pay the rent.

I have the wonderful privilege of creating something new every day.  That other people might want to read what I write is a bonus, but I’d still be writing even if I had no audience. 

And as for inspiration, usually it comes from other writers.   When I was ten years old, reading great writers made me want to write something great.  That hasn’t changed at all.

MG: How has your career changed today changed from when you were younger? What do you like or dislike about the changes?

WALTER JON WILLIAMS: I have more security now , a lifetime of experience, and a large backlist available to readers.  When I was younger I had a lot more energy, and a lot less cynicism. 

The thing I most dislike is people assuming they know all there is to know about me.  After all, I’m over fifty, right?  I must have nothing interesting left to say.

I would like to submit that these people are wrong.

MG: What is one life lesson or writing skill you’re glad to have a chance to pass on through the Taos Toolbox?

WALTER JON WILLIAMS: What I tell my students is that they should be writing because they love it.  Any other reason— money, fame, ticking off something on your bucket list— is inadequate, and will lead to disappointments. 

You can’t control what shape your career will take— it could be killed by a single failure on the part of someone in production (which has happened to me).  You can’t predict the readers’ reaction to your work.  Odds are good that you’ll have multiple careers under multiple names, as the early careers founder (which happened to me)— but if you love the work, you’ll learn your lessons, become a better writer, and carry on. 

Which also happened to me.  Love of the work carried me through, and if you don’t do it for love, there’s no damn reason to do it at all.

Review: Fleet Elements by Walter Jon Williams

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By Mike Glyer: Walter Jon Williams’ Fleet Elements – out today — is set in the same universe as his Dread Empire’s Fall series, where the demise of the ruling Shaa created a power vacuum which their subject species – including the human race – are struggling to survive. Fans reading the series’ seventh book will find out whether the biggest threat to the beloved characters they’ve met in the course of the series is the war to reunite the empire — or the actual reunion of protagonists Captain Gareth Martinez and Lady Caroline Sula.

In the series’ opening trilogy the Naxids, an insectoid species ruled by the Shaa, made a failed bid to to take their place. In this continuation, humans have been blamed for the postwar financial collapses and are threatened with destruction by the remaining powers of the empire. Martinez and his allies move first to take control of a Praxis fleet and bring on a decisive battle in hopes of saving humanity. And while the Shaa are still dead in Fleet Elements, a discovery sheds new light on them and turns their history into a mystery that might be important to solve.

Fleet Elements, like every book in the series, plunges ahead with a forward momentum that would make Miles Vorkosigan gasp. Along the way the inexhaustibly inventive Williams continually fills you in about flowers to be seen, the ecology, the art and lavish architecture, all the beauty surrounding his characters whether planetside or in space, yet the story never slows; he doesn’t feel a need to stop and admire the things he’s thought up – he’s already on to the next one.

In the universe of the Praxis wormholes facilitate interstellar travel – but voyages to and from them are at sublight speeds, raising navigation and ballistics issues worthy of Heinlein juveniles and setting up fleet battles between clouds of ships in the Lensman tradition. Characters face external challenges to their careers and physical survival, complemented by internal struggles to discover who they are, what they believe in, and to overcome adversity and setbacks

We are now in the second book of the current Praxis story arc, and our hero Gareth Martinez has been maturing into a family man despite his starcrossed attraction to Lady Caroline Sula, each playing the candle to the other’s moth. But SPOILER ALERT! Have I mentioned how much I don’t want to read about broken marriages and fathers alienated from their children?

On the other hand, Walter Jon Williams has been weaving the tragic derivoo musical tradition through Lady Sula’s whole biography. No matter how much we may be pulling for her we can hardly expect things to end well. However, they haven’t ended yet.

Lady Caroline Sula’s origin story flows from her youth around crime gangs, and a murder. As a reader I questioned why was I rooting for her criminal success? Was it because that’s so obviously the gate through which I must pass to get to the story I want to read? I asked myself the same question about Colleen McCullough’s version of Sulla, the future dictator, in The First Man in Rome series, who had to murder a woman to afford to start his career.

Lady Sula’s background reemerges, often to great advantage, like when she makes the gangsters she knows the backbone of the Secret Army that resists the first alien coup attempt. But the ones who are still alive in Fleet Elements are a complication for someone like Sula, ambitious to climb to the top.

Before the demise of the Shaa, the event that kicks off the series, the various sentient races of the Empire enjoyed a kind of equality in their subordination to the rulers. When the Naxids tried to move into the power vacuum, humans were still aligned with the other nonhumans in resisting them. But in the latest arc humans are mostly isolated and on their own. Many space operas set up genocidal conflicts between humans and aliens, however, Walter Jon Williams wasn’t telling that story before now. I look forward to the next novel to learn the fates of Martinez and Sula, and if the end game will somehow weave all the Empire’s species together again.

Pixel Scroll 3/30/20 The Master And Margaritas

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(1) THE DC COMICS SALE TO END ALL. Comicbook.com says “Sotheby’s Selling Most Complete DC Comics Collection Ever Featuring Rare Batman and Superman Comics”.

Today Sotheby announced that is will auction DC Complete: The Ian Levine Collection, a comic book collection that includes every comic book published by DC Comics from 1935 through 2016, including complete runs of Superman, Batman, Action Comics, and Detective Comics. The collection includes more than 40,000 comics that also feature Wonder Woman, The Flash, Green Lantern, Aquaman, and the Justice League. The collection is available to view now on the Sotheby’s website. Sotheby’s chose today to start the private sale as it marks the 81st anniversary of the release of Detective Comics #27, which included the first appearance of Batman.

It’s a private sale, which means there is no public auction, just negotiations between Sotheby’s specialists and one or more private buyers.* Bids are being taken starting today – here’s the Sotheby’s link. Download the catalog here [PDF file]. A quote about how the collection was assembled, from the auction house’s article —

For a decade, Levine purchased a new copy of every DC issue he could find, while trying to fill in earlier issues. However, in pre-internet 1987, Levine despaired of finding many Golden Age comics he lacked, and decided to sell many of his best issues in order to fund his collection of Northern Soul records and Doctor Who film prints. However, reviewing his stacks of comic books with the purchaser reawakened his passion for this pop art form, and Levine bought his comics back from the dealer he had sold them to—at a 50% premium. Amassing about half of the comics DC had ever published, Levine determined to form a complete collection. Sacrificing his incomparable collection of Northern Soul records and Doctor Who prints, along with the assistance of the nascent internet and dealer, advisor, and author of The Comic Book Paul Sassienie, he achieved this ambition, which would essentially be impossible to replicate. In 2010, Levine’s paramount, unique collection was utilized to supply the illustrations for Taschen’s monumental publication 75 Years of DC Comics: The Art of Modern Mythmaking by Paul Levitz, the former president and publisher of DC.

(2) ASK THE EXPERTS. The Boston Globe asks futurists and SF writers to look ahead: “It actually may be the end of the world as we know it”. Beware paywall.

…ANNALEE NEWITZ, science-fiction and nonfiction author, podcaster

I have a couple of scenarios I’ve been batting around in my head, which both feel equally plausible at this point.

Scenario One: As more people hunker down at home, more of our most vital and personal activities will have to go online. Lots of people are learning how to have serious meetings remotely, and how to work as teams in group chat.

Then there’s the arguably more psychologically vital stuff: I’ve been playing Dungeons & Dragons with my gamer group using videoconferencing, and watching TV with a housebound, high-risk loved one by hitting play at the same time on a TV episode and videochatting with him at the same time.

I’m not alone. A lot of us are cut off from our loved ones right now, and online connection is all we have. Suddenly “online” doesn’t feel like a fantasy realm. It’s our social fabric. The online world is going to become a fully robust public space, and we won’t want to see garbage and detritus everywhere. We will finally start to see social media companies taking responsibility for what’s on their platforms — information will need to be accurate, or people will die.

…Scenario Two: The pandemic rips through the population, aided in part by contradictory messages from state and federal governments, as well as misinformation online. As social groups and families are torn apart by disease and unemployment, people look increasingly to social media for radical solutions: violent uprisings, internment camps for immigrants and other “suspicious” groups, and off-the-grid cults that promise sanctuary from death.

(3) HAS THE JURY REACHED A VERDICT? James Davis Nicoll’s Young People Read Old SFF panel considers “Rediscovery: Of All Possible Worlds, Rosel George Brown”.

This is the second Brown featured in Rediscovery. As mentioned last month, Brown was a promising author whose career was cut short by her death in 1967. I don’t have much to add to that, except to wonder if my Young People will enjoy this story more than they did the previous one.

(4) WHO WAS THAT MASKED FAN? John King Tarpinian has already ordered “Classic Monster Aloha Safety Mask”. Get yours for a mere $9.95. More styles here. And they sell matching shirts for some of them — Daniel Dern says “I’ve got the first two in that were shown in this post.”

Introducing Aloha Safety Face masks!! Hawaiian Printed Masks that are fashionable , fun, and made in the USA!!

And just like that, my shirt factory has shifted production, retooled, and is making much needed face masks for hospitals and clinics. We are all proud to be part of the effort to in the corona-virus fight and provide protective gear to Doctors, Nurses, and hospital staff, who in my eyes are the front line soldiers in this global pandemic.Due to the unprecedented demand for masks, healthcare system completely lacks the needed supplies and we are on a mission to outfit them. 

While they are our priority so is  the safety of my friends, neighbors, and countrymen. Many people with elderly parents, respiratory illnesses, diabetes, are at high risk, or want to protect their families have reached out. I know it’s hard to find masks of any kind anywhere.

(5) NEW ZEALAND. This year’s Worldcon, CoNZealand, has already announced they’re going virtual. The need for the decision can only be reinforced by the Prime Minister’s statement today: “Coronavirus: Jacinda Ardern warns border restrictions will exist for some time”.

Prime Minister Jacinda Ardern has warned New Zealanders should get used to border restrictions in New Zealand and overseas, saying they’re likely to be in place “for some time”.

She said border restrictions overseas would likely persist until a vaccine for the novel coronavirus, believed to be one year to eighteen months away at the earliest – some vaccines take a decade to develop. 

“We will be having to manage covid-19 for months, until of course there is a vaccine and that will be many months,” she said.

Ardern told RNZ: “I’m anticipating border restrictions for some time.”

(6) WRITING THEIR WAY OUT. Melinda Snodgrass, Robert Vardeman, and Walter Jon Williams answered the Albuquerque Journal’s questions in “Science fact & fiction: Three New Mexico authors see parallels between the genre they write and the current world situation”.

Life as it is now – with most of us confined to home, getting out only for a walk in the sunshine or a quick trip to pick up mail, prescriptions, another bottle of water, an extra loaf of bread – is something we might have read about in a science fiction novel, seen on TV or at the movies but never before experienced personally to the extent we are dealing with now.

“I feel like I’m in what (science fiction author) Brian Aldiss called a cozy catastrophe,” said Walter Jon Williams, a writer of science fiction and fantasy who lives in Belen. “We have clothing, shelter, enough food in the fridge to last a month, and everything works. But everyone is gone. We just don’t see people. I went for a walk to the park today and saw one person.”

(7) SWIPER, NO SWIPING. Publishers Weekly boosts the signal as “Authors Guild, AAP Outraged by IA’s ‘National Emergency Library'”.  

The outcry from publisher and author groups has been swift and furious after the Internet Archive announced last week the launch of it’s National Emergency Library, which has removed access restrictions for some 1.4 million scans of mostly 20th century books in the IA’s Open Library initiative, making the scans available for unlimited borrowing during the Covid-19 Outbreak.

“We are stunned by the Internet Archive’s aggressive, unlawful, and opportunistic attack on the rights of authors and publishers in the midst of the novel coronavirus pandemic,” reads a March 27 statement from Association of American Publishers president and CEO Maria Pallante, adding that publishers are already “working tirelessly to support the public with numerous, innovative, and socially-aware programs that address every side of the crisis: providing free global access to research and medical journals that pertain to the virus; complementary digital education materials to schools and parents; and expanding powerful storytelling platforms for readers of all ages.”

The Authors Guild said it too was “appalled” by the program. “[The Internet Archive] is using a global crisis to advance a copyright ideology that violates current federal law and hurts most authors,” reads a March 27 statement. “It has misrepresented the nature and legality of the project through a deceptive publicity campaign. Despite giving off the impression that it is expanding access to older and public domain books, a large proportion of the books on Open Library are in fact recent in-copyright books that publishers and authors rely on for critical revenue. Acting as a piracy site—of which there already are too many—the Internet Archive tramples on authors’ rights by giving away their books to the world.”

In a statement on March 24, Edward Hasbrouck, co-chair of the National Writers’ Union ‘s book division also accused the IA of “using the coronavirus pandemic as an excuse” to redistribute copyrighted works without permission or payment.

“So much for authors’ incomes in a time of crisis. Do librarians and archivists really want to kick authors while our incomes are down?” Hasbrouck writes. “The argument is that students need e-books while they are staying home. But that’s an argument for spending public funds to purchase or license those resources for public use — not putting the burden of providing educational materials for free on writers, illustrators, and photographers. Authors also need to eat and pay rent during this crisis.”

The Internet Archive announced the National Emergency Library project on March 24, in response to the closures of libraries during the Covid-19 crisis, building upon the Internet Archive’s “Controlled Digital Lending” program. …

(8) MANDEL OBIT. Playwright and screenwriter Loring Mandel died March 24. His 1959 script ”Project Immortality” for Playhouse 90 got him his first Emmy nomination: “Key defense scientist Doner has cancer. Schramm is assigned to code Doner’s thinking into a computer. He gets to know him as a friend, a husband and father. The project is successful, but he now knows identity is not programmable.”

He was the screenwriter for Countdown, released in 1967, the year before the first Moon landing: “Desperate to reach the moon first, N.A.S.A. sends a man and shelter separately, one-way. He must find it to survive. He can’t return until Apollo is ready.” The movie starred James Caan and Robert Duvall.

However, as The Hollywood Reporter tribute notes, he was more famous for non-genre work: “Loring Mandel, Screenwriter and ‘Advise and Consent’ Playwright, Dies at 91”. “Mandel earned five Emmy nominations during his career, winning twice: in 1968 for his work on an installment of CBS Playhouse and in 2001 for penning the BBC-HBO telefilm Conspiracy.”

(9) TODAY IN HISTORY.

  • March 30, 2013 — Orphan Black premiered on BBC America in the USA and Space in Canada. Starring Tatiana Maslany as the clones, it run for five seasons and fifty episodes. It would win a Best Dramatic Presentation, Short Form Hugo at Sasquan for “By Means Which Have Never Yet Been Tried”.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 30, 1904 — Herbert van Thal. Editor of the Pan Book of Horror Stories series that ran twenty-four volumes from 1959 to 1983. Back From the Dead: The Legacy of the Pan Book of Horror Stories is a look at the series and it contains Lest You Should Suffer Nightmares, the first biography of him written by Pan Book of Horror Stories expert Johnny Mains. (Died 1983.)
  • Born March 30, 1927 — Greta Thyssen. Labeled Queen of the B-Movies she appeared in a number of genre films such as The Beast of Budapest,  Creature from Blood Island andJourney to the Seventh Planet. (Died 2018.)
  • Born March 30, 1928 — Chad Oliver. Writer of both Westerns and SF, a not uncommon occupation at that time. He considered himself an anthropological science fiction writer whose training as an academic informed his fiction, an early Le Guin if you will. Not a terribly prolific writer with just nine novels and two collections to his name over a forty-year span. Mists of Dawn, his first novel, is a YA novel which I’d recommend as it reads a lot a similar Heinlein would. (Died 1993.)
  • Born March 30, 1933 — Anna Ruud. Dr. ingrid Naarveg in the Three Stooges film Have Rocket — Will Travel. Hey, it is genre of a sorts. On a more serious note, she was Doctor Sigrid Bomark in 12 to the Moon. She had one-offs in Voyage to the Bottom of The Sea, The Girl from U.N.C.L.E. and The Man from U.N.C.L.E.  (Died 2018.)
  • Born March 30, 1943 — Dennis Etchison. As editor, he received two World Fantasy Awards for Best Anthology, MetaHorror and The Museum of Horrors. As a writer, he’s best remembered as a short story writer of quite tasty horror. Talking in the Dark Is his personally selected collection of his stories. (Died 2019.)
  • Born March 30, 1948 — Jeanne Robinson. She co-wrote the Stardance Saga with her husband Spider Robinson. To my knowledge, her only other piece of writing was ‘Serendipity: Do, Some Thoughts About Collaborative Writing ‘ which was published in the MagiCon Program. (Died 2010.)
  • Born March 30, 1958 — Maurice LaMarche, 62. Voice actor primarily for such roles as Pinky and The Brain (both of which Stross makes use of) with Pinky modelled off Orson Welles, the entire cast as near as I can tell of Futurama, the villain Sylar on Heroes, the voice of Orson Welles in Ed Wood, a less serious Pepé Le Pew in Space Jam, and, though maybe not genre, he’s voiced  Kellogg’s Froot Loops spokesbird Toucan Sam and  the animated Willy Wonka character in Nestlé’s Willy Wonka Candy Company commercials. 
  • Born March 30, 1990 — Cassie Scerbo, 30. Nova Clarke in the Sharknado film series alongside Ian Ziering and Tara Reid (2013–2018). And one site listed her as being a member of the cast of Star Trek: Progeny, yet another of those video Trek fanfics.

(11) COMICS SECTION.

(12) FROM COMIC BOOKS TO HISTORY BOOKS. “Overlooked No More: Kate Worley, a Pioneer Writer of Erotic Comics”. The New York Times says “Worley, who wrote Omaha the Cat Dancer, about a feline stripper, ‘injected a woman’s point of view’ that helped the comic stand out from others in the 1980s.”

…At the heart of the series was the writer Kate Worley, who gave the comic its distinctive voice and helped cultivate its wide-ranging fan base.

The character Omaha, created by the writer and artist Reed Waller, made her debut in 1978 as part of a fanzine. She eventually found her way into her own comic book, beginning in 1984. But then Waller got writer’s block.

“He wasn’t sure he wanted to continue,” Worley wrote in an introduction to a 1989 collected edition of Omaha. So she offered some suggestions. “I chattered for some time about possible plot directions, new characters,” she said.

When she was finished, Waller asked, “Would you like a job?” Worley took over as the writer, while Waller continued to draw the comic.

(13) A CLASSIC AGES GRACEFULLY. Tor.com’s prolific James Davis Nicoll goes monster hunting: “Another One of Them New Worlds: Revisiting Forbidden Planet”.

…United Planets cruiser C-57D, under the command of Commander John J. Adams (Leslie Nielsen), was dispatched to Altair IV to find out what had happened to an expedition that had been sent out twenty years earlier. As soon as the starship arrives in orbit, C-57D receives a transmission from the surface. There is at least one survivor of the earlier mission. To Adams’ surprise, the survivor, scientist Dr. Edward Morbius (Walter Pidgeon) doesn’t want to be rescued. Indeed, he warns the craft to go away if it wants to save its crew.

(14) HAULING THE FREIGHT. SpaceX has been selected as a contractor to deliver supplies to NASA’s Lunar Gateway station. “NASA Awards Artemis Contract for Gateway Logistics Services”.

NASA has selected SpaceX of Hawthorne, California, as the first U.S. commercial provider under the Gateway Logistics Services contract to deliver cargo, experiments and other supplies to the agency’s Gateway in lunar orbit. The award is a significant step forward for NASA’s Artemis program that will land the first woman and next man on the Moon by 2024 and build a sustainable human lunar presence.

At the Moon, NASA and its partners will gain the experience necessary to mount a historic human mission to Mars.

SpaceX will deliver critical pressurized and unpressurized cargo, science experiments and supplies to the Gateway, such as sample collection materials and other items the crew may need on the Gateway and during their expeditions on the lunar surface. 

(15) HE AM IRON MAN. [Item by Mike Kennedy.] Should the Marvel Cinematic Universe ever decide to reboot, we may have found our new Iron Man…

(16) BEWARE THOSE DARNED SPOILERS. The Guardian’s Stephen Kelly doesn’t sound like a fan of the show: “Star Trek: Picard is the dark reboot that boldly goes where nobody wanted it to”. And did I mention, this article HAS SPOILERS?

It is the year 2364, and Jean-Luc Picard – the revered captain of the USS Enterprise – has just come face to face with three humans who have been frozen in time since the late 20th century. By this point in the story – the 1988 finale of the first season of Star Trek: The Next Generation – he has met Klingons, Romulans, a pool of black goo, but nothing is as alien as these greedy, selfish relics.

This is Star Trek, after all: the pop-culture behemoth built on the idealistic future envisioned in the 60s by its creator Gene Roddenberry. “A lot has changed in the past 300 years,” Picard tells them. “People are no longer obsessed with the accumulation of things. We’ve eliminated hunger, want, the need for possessions. We’ve grown out of our infancy.”

Or have we? Revisiting the character 30 years later in Star Trek: Picard, Patrick Stewart’s grand return to the role at the age of 79, it seems the world has not progressed as much as we were led to believe. Set during a time in which the Federation – a union of planets with shared democratic values and interests – has turned isolationist in response to a terror attack, it has proved to be a divisively dark, gritty and morally bleak take on the Star Trek universe….

(17) TAKE IT IN STAGES. Harvard’s School of Public Health concludes that “On-again, off-again looks to be best social-distancing option”.

With global coronavirus cases heading toward half a million, Harvard infectious disease experts said recent modeling shows that — absent the development of a vaccine or other intervention — a staggered pattern of social distancing would save more lives than a one-and-done strategy and avoid overwhelming hospitals while allowing immunity to build in the population.

The work, conducted by researchers at the Harvard T.H. Chan School of Public Health and led by Yonatan Grad, the Melvin J. and Geraldine L. Glimcher Assistant Professor of Immunology and Infectious Diseases, and Marc Lipsitch, professor of epidemiology, also shows that if strict social distancing such as that imposed in China — which cuts transmission by 60 percent — is relaxed, it results in epidemic peaks in the fall and winter similar in size and with similar impacts on the health care system as those in an uncontrolled epidemic.

“We looked at how it would affect the thing that matters most — overwhelming the critical-care unit,” Grad said.

The problem, the researchers said, is that while strict social distancing may appear to be the most effective strategy, little population-level immunity is developed to a virus that is very likely to come around again.

(18) PUBLIC SERVICE ANNOUNCEMENTS. A lot of genre figures are getting in on the act – we learned about these three from Comicbook.com:

[Thanks to Daniel Dern, JJ, Mike Kennedy, Chip Hitchcock, John King Tarpinian, Martin Morse Wooster, Michael Toman, Michael J. Walsh, Cat Eldridge, Darrah Chavey, and Andrew Porter for some of these stories. (* )Thanks to Bill Burns for the assist. Title credit goes to File 770 contributing editor of the day Daniel Dern.]