(1) BIG MONEY IS WATCHING. NPR shows how “Fortnite Uses Apple’s Own ‘1984’ Ad Against It In Dispute Over Payments” — includes both videos for comparison.
Epic Games, the video game developer behind the mega popular online game Fortnite, just posted a video criticizing Apple for removing the game from its App Store. Using imagery directly referencing Apple’s own iconic “1984” ad, Epic Games’s video (titled “Nineteen Eighty-Fortnite”) positions Apple as a soulless corporate entity, shouting from a screen and demanding obedience from a black and white crowd. That is, until a woman in color shows up, and throws a Fortnite axe at the screen and shatters it. The following copy reads, “Epic Games has defied the App Store Monopoly. In retaliation, Apple is blocking Fortnite from a billion devices. Join the fight to stop 2020 from becoming ‘1984.’”
Epic Games (also being a corporate entity themselves) is making this charge over money. The company introduced a direct payment option within Fortnite to bypass Apple’s 30% fee on in-app purchases. In retaliation, Apple pulled the popular game from its app store. Epic Games responded with both this video, as well as an antitrust lawsuit, alleging that Apple takes anti-competitive actions in order to “unlawfully maintain its monopoly.”
In a statement to The Verge, Apple said that Epic had benefited from the App Store’s ecosystem for years.
“The fact that their business interests now lead them to push for a special arrangement does not change the fact that these guidelines create a level playing field for all developers and make the store safe for all users.”
It’s unclear, really, what George Orwell has to do with any of this.
(2) SFF LIMERICKS SOUGHT. Fantasy Literature has opened their “Ninth Annual Speculative Fiction Limerick Contest”.
Your task is to create an original limerick that has something to do with speculative fiction. It could be about a character, a series, an author, or whatever fits the theme. Here are the rules for creating a good limerick (quoting from this source).
…The author of the limerick we like best wins a book from our stacks or a FanLit T-shirt (sizes avail are S – XL). If you live outside the US, we’ll send a $7 Amazon gift card.
(3) FANS IN THE NEWS. [Item by Martin Morse Wooster.] Abha Bhattarai has an article on the online Washington Post titled “Grocery workers say morale is at an all-time low: ‘They don’t even treat us like humans anymore’” in which the title quote comes from Fox Wingate, a 24-year-old who works at Safeway.
I have known Fox since he was a baby. His parents, Charles Wingate and Melissa Williamson, are long-time members of the Potomac River Science Fiction Society and hosted meetings three times a year until the pandemic.
“At the beginning they valorized what was deemed a dead-end job, but four months later they don’t even treat us like humans anymore,” said Fox Wingate, 24, who works at a Safeway in Maryland.
(4) NEW ZEALAND PUMPS THE BRAKES. Variety explores “What New Zealand’s COVID-19 Curveball Means For Its Booming Hollywood Productions”.
…“Everyone was very gung-ho,” adds the film’s production designer Grant Major of his first day back on set. “We all loved the film, actors and director, so were pumped to get going and do the best job we could.”
That can-do attitude is what will likely tide the industry over despite Tuesday’s late-night announcement that the country will enter a three-day lockdown, which went into effect at midday Wednesday local time. The measures came after Prime Minster Jacinda Ardern confirmed four members of an Auckland family tested positive for COVID-19, acquiring the virus from an unknown source. The cases ended the nation’s 102-day streak of having no new community infections (cases have been limited to the strictly-quarantined border).
While New Zealand dropped to level one — the lowest of a four-level alert system — on June 8, the Auckland region is now on level three restrictions until Friday, meaning residents are asked to work from home, only interact with people in their household “bubble,” and practice social distancing and mask-wearing in public. Filming can continue if strict health and safety protocols are followed.
Several international productions were in pre-production in Auckland at the time of the announcement, including “LOTR,” Robert Downey Jr.’s “Sweet Tooth,” anime adaptation “Cowboy Bebop” and “The Greatest Beer Run Ever,” directed by Peter Farrelly. The New Zealand Film Commission (NZFC) tells Variety that the Auckland projects are now continuing with pre-production, but working from home.
The remainder of the country — including Wellington, where the “Avatar” sequels are filming — has been placed in level two, which encourages mask-wearing and social distancing and allows social gatherings of up to 100 people. Large-scale productions such as “Avatar” can continue under level two screen production rules, such as physical distancing among crew and following recommendations for scenes involving intimacy or fighting….
(5) CHANGES ON THE WAY. “Avatar 2 Will Change Movies Forever” on YouTube is a video from ScreenRant that explains one reason why Avatar 2 is taking so long is that James Cameron is working on a way of shooting motion-capture scenes underwater and may also be coming up with a way to see 3D effects without special glasses.
(6) DEFINING SF. Adam Roberts, in “How I Define Science Fiction” on Neotext says that he defines science fiction by showing the bone and a spaceship from 2001 and that much of the sense of wonder from sf can’t be rationally explained in a definition. However, he also supplies the thousand words that a picture is reputed to be worth. Because, as someone said, “This f***ing job is not that f***ing easy!”
In those occasions when people ask me to define science fiction, I reference the above. Probably the most famous jump-cut in cinema. You already know the context, so I don’t need to spell it out for you: millions of years BC, an apeman throws a bone into the sky. It flies upward. The camera pans with it, following it a little shakily into the blue sky. The bone reaches its apogee and, just as it starts to fall back down, Kubrick cuts to a shot of a spaceship in orbit in AD 2001.
Now, this seems to me an extremely beautiful and affecting thing, a moment both powerful and eloquent even though I’m not sure I could lay out, in consecutive and rational prose, precisely why I find it so powerful or precisely what it loquates. It is, I suppose, something ‘about’ technology, about the way humans use tools, our habit of intrusively (indeed, violently) interacting with our environments, about the splendor but also the limitation of such tools, the way even a spaceship is, at its core, a primitive sort of human prosthesis. But when you start explaining the cut in those terms you become conscious that you are losing something, missing some key aspect to what makes it work so well.
It works, in other words, not by a process of rational extrapolation, but rather metaphorically. I mean something particular when I say that, and I explain what I mean in detail below; but for now, and to be clear—I’m suggesting this moment actualizes the vertical ‘leap’ from the known to the unexpected that is the structure of metaphor, rather than the horizontal connection from element to logically extrapolated element that is the structure of metonymy. Kubrick’s cut is more like a poetic image than a scientific proposition;——and there you have it, in a nutshell, my definition of science fiction. This genre I love is more like a poetic image than it is a scientific proposition.
Now, if my interlocutor needs more, and if the picture doesn’t make my point, I might add something Samuel Delany-ish: about how science fiction is a fundamentally metaphorical literature because it sets out to represent the world without reproducing it….
(7) RICHARD POWERS SET TO MUSIC. Tomorrow night: “Scott Robinson with Richard Powers: Sat 8/15 at Me, Myself & Eye”.
This Saturday August 15 at 8 PM, multi-instrumentalist phenomenon Scott Robinson will be improvising music to the work of one of his heroes, Richard Powers, whose work graces the covers of all of Scott’s ScienSonic Laboratories releases (which can be seen at www.sciensonic.net). Scott will be sharing from his personal collection of Powers’ work, along with other pieces — some unpublished. These paintings are shown with the kind permission of the artist’s estate. In a nod to the series’ name, for this performance Scott has chosen only works containing an eye!
(8) GOOD THING OR BAD? It’ll be inexpensive, anyway: “AMC to offer 15-cent tickets on first day of reopening” – AP News has the story.
AMC Theatres, the nation’s largest movie theater chain, will reopen in the U.S. on Aug. 20 with retro ticket prices of 15 cents per movie.
AMC Entertainment, which owns the chain, said Thursday that it expects to open the doors to more than 100 cinemas — or about a sixth of its nationwide locations — on Aug. 20 with throwback pricing for a day.
AMC theaters have reopened in numerous international countries but have remained shuttered in the U.S. since March. The chain touted the reopening as “Movies in 2020 at 1920 Prices.”
After several false starts due to a summer rise in coronavirus cases throughout much of the U.S., widespread moviegoing is currently set to resume in late August. Regal Cinemas, the second largest chain, is to reopen some U.S. locations on Aug. 21.
During its opening-day promotion, AMC will show catalog films, including “Ghostbusters,” “Black Panther,” “Back to the Future” and “Grease.” Those older films will continue to play afterward for $5.
AMC confirmed that Disney’s much-delayed “New Mutants” will debut in theaters Aug. 28, with Christopher Nolan’s “Tenet” to follow Sept. 3. Warner Bros. is planning to release “Tenet” a week earlier internationally, including in Canada. A handful of smaller new releases are also planned for late August, including “Unhinged,” a thriller from Solstice Studios with Russell Crowe; and Armando Iannucci’s “Personal History of David Copperfield,” from Disney’s Fox Searchlight.
AMC said Thursday is expects about two thirds of its theaters will be open in time for “Tenet.” Several states, including California and New York, are yet to allow movie theaters to reopen.
(9) A SHORT HISTORY WITHOUT TIME. Elisa Gabbert, author of The Unreality of Memory and Other Essays, interrogates “The Unreality of Time” in The Paris Review.
…[John] McTaggart does not use “unreality” in the same way I do, to describe a quality of seeming unrealness in something I assume to be real. Instead, his paper sets out to prove that time literally does not exist. “I believe that time is unreal,” he writes. The paper is interesting (“Time only belongs to the existent” … “The only way in which time can be real is by existing”) but not convincing.
McTaggart’s argument hinges in part on his claim that perception is “qualitatively different” from either memory or anticipation—this is the difference between past, present, and future, the way we apprehend events in time. Direct perceptions are those that fall within the “specious present,” a term coined by E.?R. Clay and further developed by William James (a fan of Bergson’s). “Everything is observed in a specious present,” McTaggart writes, “but nothing, not even the observations themselves, can ever be in a specious present.” It’s illusory—the events are fixed, and there is nothing magically different about “the present” as a point on a timeline. This leads to an irresolvable contradiction, to his mind.
Bergson, for his part, believed that memory and perception were the same, that they occur simultaneously: “The pure present is an ungraspable advance of the past devouring the future. In truth, all sensation is already memory.” He thought this explained the phenomenon of déjà vu—when you feel something is happening that you’ve experienced before, it’s because a glitch has allowed you to notice the memory forming in real time. The memory—le souvenir du présent—is attached not to a particular moment in the past but to the past in general. It has a past-like feeling; with that comes an impression one knows the future.
(10) LET THE RECORD REFLECT. This typo is from the Loncon 3 (2014 Worldcon) Souvenir Book.
Nobody’s copyediting (outside of File 770’s own) has ever challenged the record left by the ConDiego NASFiC of 1990. Neither a fine speech by pro GoH Samuel Delany, an excellent Masquerade, a well-stocked Dealer’s Room, a top-quality Press Relations department, nor a successful Regency Dance, could divert the avalanche of sentiment which quickly made ConDiego a byword for haphazard convention-running. Not after fans were handed a typo-riddled Program Book which misspelled the hotel’s name, the guests of honors’ names and even the con’s own name – that in headline type: ConDigeo.
(11) BOOK ANNIVERSARY.
- August 1998 — Delia Sherman and Terri Windling released The Essential Bordertown anthology. (The first one, Elsewhere, would garner a World Fantasy Award.) A follow-up on the three earlier Borderlands anthologies, it featured such writers as Teresa Nielsen Hayden and Terri Windling doing a Rough Guide of sorts to Bordertown along stories from the likes of Patrica McKillip, Micole Sudbeg, Ellen Steiber , Felicity Savage and Charles de Lint. It would be successful enough that Welcome to Bordertown would come a decade later though the publisher would shift from Tor to Random House.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
- Born August 14, 1929 — Richard Carpenter. Responsible for the simply superb Robin of Sherwood series. He also created Catweazle, the children’s series about an unfortunate wizard from the 11th century who is accidentally transported to the present day. And he was an actor who appeared in such shows as the Sixties Sherlock Holmes series, The Terrornauts film and the Out of the Unknown series as well. (Died 2012.) (CE)
- Born August 14, 1940 — Alexei Panshin, 80. He has written multiple critical works along with several novels, including the Nebula Award-winning Rite of Passage and the Hugo Award-winning study of SF, The World Beyond the Hill which he co-wrote with his wife, Cory Panshin. He also wrote the first serious study of Heinlein, Heinlein in Dimension: A Critical Analysis. (CE)
- Born August 14, 1932 – Lee Hoffman. Among our finest fanwriters, and a fanartist who showed with her “lil peepul” that in fandom too – although I never asked her about Buckminster Fuller – one can do more with less. Had she only done her fanzine Quandry (note spelling; she was also responsible for the famous typo poctsarcd) it would, as the saying goes, have been enough for us. She also brought forth Science Fiction Five-Yearly, published on time for sixty years, in whose last issue I was proud to be, and on the back cover, even. Also four novels for us, a dozen shorter stories; among much else a superb Western The Valdez Horses, winning a Spur Award. At first she appeared only by mail; after we eventually learned she was not male, she was sometimes known as Lee Hoffwoman. Fan Guest of Honor at Chicon IV the 40th Worldcon. (Died 2007) [JH]
- Born August 14, 1940 – Meade Frierson III. President, Southern Fandom Confederation 1970-1983. SF on Radio. Active in Myriad and SFPA (Southern Fandom Press Alliance). Fan Guest of Honor at Windycon IV, Balticon 11, Coastcon 1978 (with wife Penny). Rebel Award. (Died 2001) [JH]
- Born August 13, 1949 – Pat York. A dozen short stories. “Moonfuture Incorporated” in the teachers’ guide Explorer (J. Czerneda ed. 2005); “You Wandered Off Like a Foolish Child to Break Your Heart and Mine” in the Nebula Awards Showcase 2002. Poem “A Faerie’s Tale” in the 1998 Rhysling Anthology. Cory Doctorow’s appreciation here. (Died 2005) [JH]
- Born August 14, 1950 — Gary Larson, 70. Ok, setting aside long and delightful career in creating the weird for us, ISFDB notes a SF link that deserve noting. In the March 1991 Warp as published by the Montreal Science Fiction and Fantasy Association, he had a cartoon “The crew of the Starship Enterprise encounters the floating head of Zsa Zsa Gabor”. (CE)
- Born August 14, 1962 – Tim Earls, 58. Set and concept designer, visual effects art director, for Babylon 5 and Crusade; then Voyager, Mission Impossible III, Serenity. An Earth Alliance Olympus Class Corvette (B5) here. Design for the Borg Central Plexus in “Unimatrix Zero” (Voyager) here. Some Serenity sketches here. IMDb (Internet Movie Database) bio here. [JH]
- Born August 14, 1965 — Brannon Braga, 55. Writer, producer and creator for the Next Gen, Voyager, Enterprise, as well as on the Star Trek Generations and Star Trek: First Contact films. He has written more episodes than anyone else with one hundred and nine to date. He was responsible for the Next Gen series finale “All Good Things…” which won him a Hugo Award at Intersection for excellence in SF writing, along with Ronald D. Moore. (CE)
- Born August 14, 1966 — Halle Berry, 54. Her first genre role was not as I thought Miss Stone in The Flintstones but a minor role in a forgotten SF series called They Came from Outer Space. This was followed by being Storm in the X- Men franchiseand Giacinta “Jinx” Johnson in Die Another Day, the twentieth Bond film. She then shows up as the lead in Catwoman. She has myriad roles in Cloud Atlas. (CE)
- Born August 14, 1973 — Jamie Sives, 47. First, he played Captain Reynolds in a Tenth Doctor story, “Tooth and Claw” where the Doctor encounters Queen Victoria and saves her from a werewolf. Great tale! Second, he had a recurring role as Jory Cassel on A Games of Thrones. His fate like so many there is tragic. And third, he was was Valhalla Rising which is a decidedly oddDanish financed Viking magic realism film. (CE)
- Born August 14, 1974 – Raphael Lacoste, 46. A score of covers, half a dozen interiors; games, films. Prince of Persia and Assassin’s Creed for Ubisoft. Here is The Windup Girl. Here is Shadow Run. Here is “Nanthis City”. Here is “Wind Towers”. Artbooks Worlds, Lignes. Two VES (Visual Effects Society) Awards. Website here. [JH]
- Born August 14, 1981 – Karen Healey, 39. Five novels, as many shorter stories; ten essays in Strange Horizons. “I wanted to be an astronaut, or possibly a dinosaur-hunting cowgirl…. I was a bit vague on the concept of extinction…. we moved to Oamaru, where my mother’s family has lived for five generations … good for white people in New Zealand … ridiculous in comparison to one’s family being there for a thousand years…. I had this vague idea of becoming a lawyer…. it turned out being a lawyer is not a lot of fun arguing with people and shouting OBJECTION but a lot of boring and distressing paperwork…. applied to the JET [Japan Exchange & Teaching] Programme (even though I had failed second-year Japanese) and went to Japan to teach English for two years…. currently training to be a high school teacher… and, of course, being a novelist.” [JH]
(13) COMICS SECTION.
- Existential Comics listens in on a conversation between The Elflord and the Mayfly.
(14) MAYBE THE MAP IS THE TERRITORY AFTER ALL. In The Paris Review, Ivan Brunetti considers “Comics as Place”.
Most comics focus on the actions of a figure, and the narrative develops by following that figure as it moves through its environment, or as it is commonly referred to by cartoonists, who have the often tedious, time-consuming task of actually drawing it, the background. One widely used cartoonist’s trick is to draw/establish the setting clearly and then assiduously avoid having to redraw it in subsequent panels, or at least diminish the number of background details as the sequence progresses. After all, once this setting/background has seeped into the reader’s brain, the reader can and will fill in the gaps. Moreover, sometimes drawing the background would only clutter the composition and distract the reader from the emotional core of the narrative, and so the background might judiciously disappear altogether, having outlived its graphic usefulness, until the next shift in scene.
Robert Crumb’s 1979 “A Short History of America” upends all of the above. It is a small miracle of concision and grace, consisting of a mere twelve panels that span across four pages (of three horizontal panels each) and roughly a hundred and fifty years of history….
(15) FIGHTING FOR WHO YOU LOVE. In the Washington Post, Helena Andrews-Dyer interviews Lovecraft Country star Jonathan Majors, who explains how he interpreted the series’ heroic lead and discusses his other work in The Last Black Man In San Francisco and Da 5 Bloods. “Jonathan Majors is your new American hero”.
The hero’s journey is a circuitous one. After setting out into the great unknown, battling monsters and men, our protagonist inevitably winds up at Point A again, ready to slay whatever Big Bad sent them packing in the first place.
That’s a familiar road for Jonathan Majors, the 30-year-old actor who’s quickly becoming that guy — the one you can’t stop seeing in .?.?. well, everything.He started acting because of a fight in middle school; he had a bunch of big emotions and a blocked vent. Now, a decade and a half later, in his first leading role, Majors is playing the kind of hero his younger self (and the boys he used to “cut up with”) could’ve used. Someone who’s learned how to harness his hard-earned rage for good.
(16) ON FIYAH. Stephanie Alford’s “REVIEW: FIYAH LIT MAGAZINE #13 – OZZIE M. GARTRELL” is short, but more than enough to mak you want to read the story.
In 7,900 words Ozzie M. Gartrell’s The Transition of OSOOSI gives us a cyberpunk story of an audacious idea to eradicate bigotry.
(17) HEADS WILL ROLL. Camestros Felapton makes it to the finish line — “I finished the Wolf Hall trilogy” – and shares an insightful review.
…The Tudor period looms large in English national mythology of greatness and Henry VIII and his daughter Elizabeth I are two of the most fictionalised and dramatised British monarchs (Queen Victoria being the third but Elizabeth II is getting higher in the charts I’d imagine). Although I often read Booker prize winners, when Wolf Hall won I was originally uninterested. Another book about Henry and Anne Boleyn? Is there seriously anything new to say about all that? Turns out there was a lot of new things to say about it, and by employing a story people know at least in sketch form, Mantel could focus on an aspect that makes the Tudor period fascinating.
(18) SUPERVERSIVE WAKES. The Superversive SF blog will become active again, led by columnists L. Jagi Lamplighter-Wright and John C. Wright.
It has been some time since we have had regular posts on this site, but, God willing, that is all about to change!
In the coming months, we hope to have more posts about Superversive Matters, but we also hope to unveil two new regular columns. I will announce the second column separately, but, before we can begin, the first column needs a name!
The column is to be stories, observations, and insights about the meeting of life and our genres—writing with children; writing with cats (a whole subject in itself!); sharing your favorite books, shows, and movies with offspring, parents, friends; and other stories of the intersection of reality and fantasy (or science fiction.)
The purpose is to share light and fun stories, as well as poignant or bittersweet ones, about our life and experience as readers and writers of science fiction and fantasy—stories that remind us of our shared experience as human beings as well as our joy in the wonder of our wonderful genre.
The Superversive Press shut down in January (item 13). Since then the blog has mainly been signal boosting authors’ buy-my-book posts.
(19) PALS WHO BITE. NPR learned “Everyone Needs A Buddy. Even Sharks”.
Sharks are often maligned as Hollywood monsters, the lone wolves lurking in the deep, hunting for prey. (Cue Jaws theme song).
But that caricature of sharks is increasingly out of step with what scientists are learning about the animals. Instead, they say, some species of sharks are social creatures who return day after day to a group of the same fellow sharks.
“They form these spatially structured social groups where they hang out with the same individuals over multiple years,” says Yannis Papastamatiou, who runs the Predator Ecology and Conservation Lab at Florida International University.
Papastamatiou’s team studied gray reef sharks populating the waters off Palmyra Atoll, a sunken island ringed by coral reefs, in the central Pacific Ocean between the Hawaiian Islands and Fiji. They attached small location transmitters to 41 sharks, which allowed them to track the animals’ movements around the reef. They also outfitted two sharks with small video cameras on their fins, to get what Papastamatiou calls a shark’s-eye view of their daily lives.
After tracking the sharks for four years, the researchers found that the same groupings of sharks — ranging from a couple up to as many as 20 — frequently returned to the same parts of the reef over and over again. They also found that some of the groups stuck together for the duration of the study — longer than previous studies have observed.
(20) HEY, THAT’S A FALSE COLOR! NASA believes the Red Planet is really quite green when considered in the proper light: “NASA’s MAVEN Observes Martian Night Sky Pulsing in Ultraviolet Light”.
Mars’ nightside atmosphere glows and pulsates in this data animation from MAVEN spacecraft observations. Green-to-white false color shows the enhanced brightenings on Mars’ ultraviolet “nightglow” measured by MAVEN’s Imaging UltraViolet Spectrograph at about 70 kilometers (approximately 40 miles) altitude. A simulated view of the Mars globe is added digitally for context, with ice caps visible at the poles. Three nightglow brightenings occur over one Mars rotation, the first much brighter than the other two. All three brightenings occur shortly after sunset, appearing on the left of this view of the night side of the planet. The pulsations are caused by downwards winds which enhance the chemical reaction creating nitric oxide which causes the glow. Months of data were averaged to identify these patterns, indicating they repeat nightly.
(21) IT’S NOT JUST THE PANDEMIC. The Critic sadly anticipates “The demise of the second-hand bookshop” for several reasons.
In 1973, Graham Greene wrote an introduction to a bookselling friend’s memoir. As Greene was one of the most respected writers of his day, this was no small gesture, but the author was also a committed bibliophile. The book dealer and biographer John Baxter’s memoir A Pound of Paper contains treasurable glimpses of Greene deliberately signing obscure copies of his works in far-off locations, in the certain knowledge that these items would become hugely sought-after rarities, and he remains one of the few serious literary figures who also understood the glamour and romance of the bookselling trade. In his introduction, he openly acknowledged this, writing ‘Secondhand booksellers are the most friendly and most eccentric of all the characters I have known. If I had not been a writer, theirs would have been the profession I would most happily have chosen.’
If Greene was alive today, he would look at his beloved second-hand and antiquarian bookshops with an air of sorrow, leavened with a touch of bewilderment. The recent news that one of Charing Cross’s most famous booksellers, Francis Edwards, was to close after 150 years, maintaining only a presence in Hay-on-Wye, was greeted without the anguish that it might have been otherwise….
(22) MOTHRA CHOW. “First-Ever Godzilla Museum Now Open In Japan” – ScreenRant checked out everything, including the thematic food.
The first museum dedicated to Godzilla is open in Japan for a limited time. TOHO launched its official English Godzilla website back in May 2019, complete with a “Monsterpedia” for the kaiju’s friends and foes. One can never overstate the pop culture impact of the Godzilla series. Although the King of the Monsters wasn’t the first giant monster on the big screen, he would headline a long-running franchise, the longest of any movie series to date.
Perhaps the most interesting aspect is how the character changed over time. He went from being a grim allegory for the nuclear bomb to a Japan-saving hero, not unlike Ultraman. As a franchise, Godzilla has ventured into multimedia. He has battled the Avengers in a Marvel comic and even received his own version of Jenga. For a limited time, fans can enjoy the franchise in a museum format.
(23) MEET THE PARENTS OF THE YEAR.
(24) VIDEO OF THE DAY. Points for sneaking Newton’s third law in there.
[Thanks to John King Tarpinian, Lise Andreasen, Cat Eldridge, Chip Hitchcock, JJ, Martin Morse Wooster, Mike Kennedy, Michael Toman, Cliff, John Hertz, Dann, and Andrew Porter for some of these stories. Title credt goes to File 770 contributing editor of the day Anna Nimmhaus.]