Pixel Scroll 1/26/24 La Scroll È Mobile

(1) SATURN AWARDS NEWS. Keanu Reeves will be the inaugural recipient of the Lance Reddick Legacy Award when the 51st Saturn Awards take place on February 4. reports Variety.

The Academy of Science Fiction, Fantasy and Horror Films has announced that Keanu Reeves will receive the inaugural Lance Reddick Legacy Award at the 51st Saturn Awards. The entire show will be dedicated to the memory of the late Reddick, who died at the age of 60 in March 2023.

Reeves, who was friends with Reddick, starred alongside him in the “John Wick” action-thriller franchise. Reddick appeared in all four movies as Charon, the concierge at the Continental hotel, where his character interfaced with Reeves’ titular hitman.

Academy president Robert Holguin and Saturn producers Bradley and Kevin Marcus released a statement on Reeves’ forthcoming honor: “This award symbolizes and celebrates not only a performer’s talent, but their character; someone who’s a true goodwill ambassador in the industry. From science fiction (‘The Matrix Trilogy’), fantasy (‘Bill & Ted’s Excellent Adventure’/’Constantine’and horror (Francis Ford Coppola’s ‘Dracula’/’The Devil’sAdvocate’), Keanu has done it all — not to mention ‘Speed’ and ‘Point Break.’”…

(2) SNUBBED? [Item by Dann.] The Hollywood Reporter has a story about the backlash to the backlash that protested the lack of Oscar nominations for Greta Gerwig and Margot Robbie.  Media outlets from the New York Times to Slate offered rebuttals suggesting that it’s OK for a successful property to not win every award. “The ‘Barbie’ Oscar Snubs Backlash-Backlash: ‘Everyone Lost Their Minds’”.

The penultimate paragraph includes a quote from a genre fan-favorite:

And finally there was The View‘s Whoopi Goldberg, proclaiming, “[Saying somebody was snubbed] assumes someone else shouldn’t be in there. There are no snubs. That’s what you have to keep in mind: Not everybody gets a prize, and it is subjective. Movies are subjective. The movies you love may not be loved by the people who are voting.”

(3) EATING THE FANTASTIC. Scott Edelman invites listeners to “Munch MVP sandwiches with MVPs Gary K. Wolfe and Jonathan Strahan” in Episode 217 of his Eating the Fantastic podcast.

Gary K. Wolfe and Jonathan Strahan

Gary K. Wolfe is a science fiction critic, editor, and biographer who’s had a monthly review column in Locus since December 1991. He was nominated for the Hugo Award for Best Related Work in 2006 for the book Soundings: Reviews 1992–1996, and again in 2011, for the book Bearings: Reviews 1997–2001. Over the years, he’s won the Eaton Award from the Eaton Conference on Science Fiction, the Pilgrim Award for Lifetime Achievement from the Science Fiction Research Association, the Distinguished Scholarship Award from the International Association for the Fantastic in the Arts, and the British Science Fiction Association Award for nonfiction for the previously mentioned Soundings: Reviews 1992–1996. He’s also (among many other things) edited two wonderful volumes for the Library of America — American Science Fiction: Four Classic Novels 1953-1956 and American Science Fiction: Five Classic Novels 1956-1958.

Jonathan Strahan is a nineteen-time Hugo Award nominated editor and publisher of science fiction, fantasy, and horror. He’s won the Aurealis Award, the William Atheling Jr Award for Criticism and Review, the Australian National Science Fiction Convention’s “Ditmar Award”, and the Peter McNamara Achievement Award. As a freelance editor, he’s edited or co-edited more than sixty original and reprint anthologies and seventeen single-author story collections and has been a consulting editor for Tordotcom Publishing and Tor.com since 2014, where he’s acquired and edited two novels, 36 novellas, and a selection of short fiction. Strahan won the World Fantasy Award (Special – Professional) in 2010 for his work as an editor, and his anthologies have won the Locus Award for Best Anthology four times (2008, 2010, 2013, 2021) and the Aurealis Award seven times. He has been Reviews Editor at Locus since 2002.

As the reason I’m with both of them is — together, they’ve been cohosts of The Coode Street Podcast since May 2010, which had 640 episodes live the last time I looked, and has been nominated for the Hugo Award for Best Fancast ten times, winning once.

We discussed why The Coode Street Podcast is “the Cheers of podcasts,” the foolish statement made during their first episode which meant there had to be more, the identity of the guest who was most resistant to appearing on their show, the reason the podcast made Paul Cornell want to run, the different interviewing techniques necessary when having conversations with the voluble vs. the reticent, the white whales whom they could never snare, how to make sure we’re speaking to more than just our own generations, their advice for anyone who wants to launch a podcast, the way to avoid getting canned responses out of guests, how their conversational methods have changed over 13 years, whether critiquing books or rejecting stories has ever affected relationships with a guest, and much more.

(4) PRESSURE FOR REGULATION. “The Sleepy Copyright Office in the Middle of a High-Stakes Clash Over A.I.” – the New York Times has the story.

For decades, the Copyright Office has been a small and sleepy office within the Library of Congress. Each year, the agency’s 450 employees register roughly half a million copyrights, the ownership rights for creative works, based on a two-centuries-old law.

In recent months, however, the office has suddenly found itself in the spotlight. Lobbyists for Microsoft, Google, and the music and news industries have asked to meet with Shira Perlmutter, the register of copyrights, and her staff. Thousands of artists, musicians and tech executives have written to the agency, and hundreds have asked to speak at listening sessions hosted by the office.

The attention stems from a first-of-its-kind review of copyright law that the Copyright Office is conducting in the age of artificial intelligence. The technology — which feeds off creative content — has upended traditional norms around copyright, which gives owners of books, movies and music the exclusive ability to distribute and copy their works.

The agency plans to put out three reports this year revealing its position on copyright law in relation to A.I. The reports are set to be hugely consequential, weighing heavily in courts as well as with lawmakers and regulators.

“We are now finding ourselves the subject of a lot of attention from the broader general public, so it is a very exciting and challenging time,” Ms. Perlmutter said.

The Copyright Office’s review has thrust it into the middle of a high-stakes clash between the tech and media industries over the value of intellectual property to train new A.I. models that are likely to ingest copyrighted books, news articles, songs, art and essays to generate writing or images. Since the 1790s, copyright law has protected works so an author or artist “may reap the fruits of his or her intellectual creativity,” the Copyright Office declares on its website.

That law is now a topic of hot debate. Authors, artists, media companies and others say the A.I. models are infringing on their copyrights. Tech companies say that they aren’t replicating the materials and that they consume data that is publicly available on the internet, practices that are fair use and within the bounds of the law. The fight has led to lawsuits, including one by The New York Times against the ChatGPT creator OpenAI and Microsoft. And copyright owners are pushing for officials to rein in the tech companies….

(5) RADIO SILENCE. Looking for comments from Kevin Standlee? We’re told he’s probably seeing the questions, but he’s been told he mustn’t say anything, so don’t be offended about getting no response to the Standlee Signal.

(6) ANOTHER BRICK IN THE WALL. “Pharrell Williams: Lego Animated Biopic Coming From Focus Features” at Variety.

The musician and superproducer announced that he is teaming with The Lego Group, director Morgan Neville and Focus Features to create “Piece by Piece,” an animated film about his life using the famous toy blocks.

Per the press release, “Uninterested in making a traditional film about his life, Pharrell set out to tell his story in a way that would set audience’s imaginations free. Developed from his singular vision, ‘Piece by Piece’ defies genres and expectations to transport audiences into a Lego world where anything is possible.”…

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born January 26, 1979 Yoon Ha Lee, 44. A truly stellar writer.

His first work for us was “The Hundredth Question” story published in The Magazine of Fantasy & Science Fiction in the February 1999 issue. May I note that magazine has published some of the finest short fiction I’ve ever had the pleasure to read?

After “The Hundredth Question”, I count just over a hundred short stories and intriguingly nearly thirty pieces of poetry which is a fair amount of genre work I’d say.

Yoon Ha Lee

Quite interesting is that the stories have several series running there — one that runs off with “The Cat Who Forgot to Fly” and runs five stories (I went to read these); then there’s series of stories about dragons, librarians, mermaids, phoenixes and queens. 

So let’s talk about his novels. His Machineries of Empire space opera novels, well space opera is a gross understatement to it mildly, consisting of Ninefox GambitRaven Stratagem and Revenant Gun are splendid works indeed. As a follower of Asian folklore, the fact that these nicely use Korean folklore is a bonus. 

Ninefox Gambit was nominated for a Hugo at Worldcon 75, Raven Stratagem at Worldcon 76 and Revenant Gun at Dublin 2019. None alas won a Hugo.

He likes fox spirits, he really does. (As do I.) So The Thousand World series is a space opera, and yes time that is an accurate term, about thirteen-year-old Min, who comes from a long line of fox spirits. Oh there’s dragons and tigers, oh my here as well. 

I’ve not read his latest novel, Phoenix Extravagant, but magic fueled weaponized armored giants sounds potentially interesting. 

Remember all of those short stories? Well they have been collected,  well I thought most of them had in The Candlevine Gardener and Other Stories but it turned out that those are flash fiction, all sixty five of them as I just discovered, though available are free from his website here.

I just read “The Cat Who Forgot to Fly”. It read like a classic folklore story from well before the 1800s — charming, magical and everyone is fine at the end. All two pages. 

The longer stories can be found in Conservation of ShadowsThe Fox’s Tower and Other Tales and Hexarchate Stories.

(8) COMICS SECTION.

(9) SOMETHING ELSE YOU CAN’T SAY. [Item by Cat Eldridge.] Can we please stop calling it AI? They’re not actually artificial intelligences, they’re collections of algorithms doing routines based off them. None could pass a Turing test. “George Carlin’s Estate Sues Creators Of AI Version Of Comedy Icon” at Deadline.

Over 50 years ago, the late and great George Carlin listed off the seven words you couldn’t say on television. Based on a lawsuit from the iconic comedian’s estate filed in federal court in California today, at least two of those words may apply to the creators of an AI generated special that uses Carlin’s style and voice to a 2024 effect.

AKA: “a bastardization of Carlin’s real work,”  the copyright infringement complaint says.

“Defendants’ AI-generated “George Carlin Special” is not a creative work,” it goes on to exclaim. “It is a piece of computer-generated click-bait which detracts from the value of Carlin’s comedic works and harms his reputation.”… 

(10) THE END. Another one from Sam Sykes that tickled me.

(11) VIDEO OF A YEAR AGO. [Item by Danny Sichel.] German band Electric Callboy just (for values of ‘just’ that include ‘over a year ago’) released a very genre-intense video for their song ‘Spaceman’.

Warning: Electric Callboy’s style is a mix of bouncy energetic rave pop and thrashing deathcore growls. They are an extremely non-serious band.

(12) VIDEO OF THE DAY. “The Wicked Witch on Mister Rogers’ Neighborhood (1975)”.

David Newell (Mr. McFeely) recollects Margaret Hamilton’s visit to Mister Rogers’ Neighborhood filmed at WQED in Pittsburgh. In the episode on scary images, Fred Rogers meets the actress who played the Wicked Witch of the West in 1938 movie “The Wizard of Oz”.

[Thanks to Chris Barkley, Daniel Dern, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Dann, Danny Sichel, Kathy Sullivan, Steven French, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day OGH.]

Pixel Scroll 5/19/23 I’m Still Big; It’s The Pixels That Got Small

(1) EXPECT HUGO BALLOT IN “EARLY JUNE”. The Chengdu Worldcon committee today told Facebook readers when to look for the 2023 Hugo ballot:

The 2023 Chengdu Worldcon Hugo Awards nomination was officially closed on April 30th, and the shortlist will be out early June. Big thank you to all members who spent your valuable time to make the nominations.

(2) TAKE TWO. Cass Morris was very sorry to hear that Disney is closing the Galactic Starcruiser. And not for any abstract reasons – she was planning to go next year. However, the attraction’s inability to stay in business prompted Morris to embark on a vast thought experiment about the kind of Disney Star Wars immersive hotel experience which could work, and her results are quite entertaining. “Galactic Travels” at Scribendi.

…Unfortunately, while this news is terribly sad, it’s also not wholly unexpected. The Starcruiser has had trouble ever since it opened. The high price point, unusual conceit, and level of fannish commitment required for full enjoyment seem to have kept it operating at low capacity.

So, last night as I was nursing my sadness about probably never getting to go, I started thinking… 

If I were going to design a Star Wars hotel for Disney World, one that might stand a better chance of succeeding… what would I do?…

(3) MINDFULNESS ABOUT VIRTUAL GOHS. Oghenechovwe Donald Ekpeki has an idea for using virtual cons in a progressive way – involving international, disabled, and otherwise nontraveling creators — which he has shared with Facebook readers:

…Something I learnt along the way, from my first con I participated in, was that virtual cons are important. Having people of diverse backgrounds & voices be able to attend, contribute to the general pool of knowledge & discussions. I believe diversity, multiple viewpoints and experiences taking into account, people working together, will solve many world problems, including the recent AI scourge of the arts. twitter.com/Penprince_/sta

Sure, running virtual components isnt always possible. Funding, the tech issues, etc. It’s understandable when cons can’t have them. But when they do have them, it’s imperative, almost compulsory they have both virtual attendees and guests of honour like CanConSF & ICFA did. It gives a platform to allow people with the experience and expertise to contribute on a larger scale to genre development and history, the change to. As ICFA guest of honour, the first ever African born, Black writer to be, I created the genre #Afropantheology, which I believe hope, & plan will contribute and richly influence genre & storytelling generally. The GoH platform was very helpful in that. …

(4) IT’S BIG. Max Gladstone tells how his vacation was interrupted by word about the apotheosis of his writing career in “Big Bigolas Energy” at The Third Place.

…It unfolded for me in fits and starts, and almost out of order, as one would expect of a book about time travel.

While we were in transit, a friend who often texts us about Time War sitings in the wilds of social media sent my partner a screenshot of The Bigolas Tweet, which at that time had 12,000 likes.

I thought, how wonderful! Nice note to start the vacation. And also: what a great screen name. My brain was in vacation mode already, so I didn’t think about the numbers too much. As I’ve been told many times, Twitter Doesn’t Sell Books. 

Later that evening, Amal (that’s my New York Times Bestselling co-author Amal El-Mohtar, to be clear, though at this point we were neither of us New York Times Bestselling co-authors) sent me a screenshot of the same tweet; the numbers were much bigger (Bigolas-er?). I thought: wow! It’s really taking off. But still: Twitter Doesn’t Sell Books.

As they say: lol….

(5) INNOCENT BYSTANDER. Google Bard, another of these AI language models, has somehow managed to pull Nnedi Okorafor into the latest row about BasedCon.

(6) EATING THE FANTASTIC. Scott Edelman invites listeners to munch on mahi mahi with L. Marie Wood in Episode 198 of the Eating the Fantastic podcast.

L. Marie Wood

I knew L. Marie Wood for a decade or more before I learned at the last in-person Balticon before the pandemic that we’re basically neighbors, but never knew it. So after an earlier lunch during which we tried to figure out how we’ve somehow managed to avoid each other all these years, we got together at Brix 27 in downtown Martinsburg, West Virginia so I could learn more about who she is and how she came to be.

L. Marie Wood is a writer of psychological horror, supernatural suspense, and dark fiction of all kinds who’s been a professionally published writer for 20 years, ever since her first novel Crescendo and first short story “The Dance” were published in 2003. Her novels since then include The Promise KeeperCacophonyAccursed, and others, plus multiple short story collections, including Anathema and Phantasma. She’s also a screenwriter who’s a three-time winner of Best Horror Screenplay at the NOVA International Film Festival, Best Psychological Horror Short Script at Hollywood Horrorfest, and on and on. Her most recent publications are the novel The Open Book, accompanied by the related short story collection The Tales of Time, which contains the short stories being read by — and feared by — the characters in that first book.

We discussed the way she began her writing career selling poetry in parking lots, our differing experiences with hand selling our own books, the fears which keep horror writers up at night, the many misconceptions she had about the writing life back when he began, the uncomfortable novella she wrote when she was five, what our parents made of our horrific scribblings, the ever-present problem of dealing with rejection, our mutual love of pantsing, what should become of our papers, and much more.

(7) WHEN THEY WERE THE FUTURE. Fanac.org has posted video of a panel from this year’s Eastercon: “Conversation 2023 – The Third Row w/ John Coxon, Niall Harrison, Emily January & Abigail Nussbaum”.

At the 2023 Eastercon (Conversation), Guest of Honor Niall Harrison, and fellow “Third Row” fans John Coxon, Emily January and Abigail Nussbaum sat down for a discussion on the future of fandom (circa 2004). 

Moderated by Meg MacDonald,  the panel hilariously tells the story of Third Row Fandom, named and brought into being accidentally by Greg Pickersgill during a “Future of Fandom” panel at the 2004 Eastercon. 

Themselves dubbed “the future of fandom” by Greg, the fans seated in the third row at that panel have made good on the title, pulling others into their orbit and having an outsized influence on science fiction and science fiction fandom over the last 20 years.

Illustrated with powerpoint slides to map out their impact, this fascinating panel tells the story of a cohort of young fans maturing into movers and shakers in the field, as writers, reviewers, editors, award judges and convention organizers.

Many thanks to Conversation 2023 for providing this recording, and particularly to Alison Scott for her assistance.

(8) WORRA Q&A. The Horror Writers Association blog continues its series: “Asian Heritage in Horror: Interview with Bryan Thao Worra”.

What inspired you to start writing? 

These days I think a poet has a thousand beginnings. Sometimes I trace it back to an old encyclopedia with gorgons and dinosaurs, another, a 3rd-grade role-playing game almost no one remembers. Others it feels like an unrequited crush on a classmate, a fortune teller’s prediction about me shared to my grandmother, a ghost in an attic, or just the absence of seeing stories like my own in the news, in movies and novels, and especially poetry. Each moment was liberating in its own way….

(9) KNOW YOUR CONTRACT. “Editing Clauses in Publishing Contracts: What to Watch For” — Victoria Strauss issues warnings at Writer Beware.

Editing Clauses of Concern

Here’s an example of an editing clause that should be a dealbreaker (this and other clauses quoted below are taken from actual contracts in my possession):

“Publisher shall have the right to edit and revise the Work for any and all uses contemplated under this Agreement.”

What’s missing here? Any obligation on the publisher’s part to seek your approval before making the edits and revisions–or even allow you to see them before publication. A clause like this enables the publisher to edit at will without consulting or even informing you, and, if you do have the opportunity to see the edits, to unilaterally reject your concerns. If you sign a contract with this kind of language, you are at the mercy of the publisher and its editors. You shouldn’t be surprised if the publisher takes advantage of it.

(10) SPFBO 9. Right now Mark Lawrence’s Self-Published Fantasy Blog-Off judges are picking their favorite covers from among the 300 entrants. See them here: “SPFBO 9 – The Cover Contest!”

(11) MEMORY LANE.

1996[Compiled by Cat Eldridge.]

Mary Doria Russell’s The Sparrow is one of those novels that treats the Catholic Church with respect and is also a true SF novel at the same time, a very neat trick indeed. 

It was published by Villard twenty seven years ago, and was honored with an Arthur C. Clarke Award, the Otherwise Award, and a BSFA Award. It has a sequel, Children of God, published two years afterwards.

The Sparrow has one of the most perfect Beginnings I’ve ever read which you can see below if by any slim chance you’ve not read it yet. 

It was predictable, in hindsight. Everything about the history of the Society of Jesus bespoke deft and efficient action, exploration and research. During what Europeans were pleased to call the Age of Discovery, Jesuit priests were never more than a year or two behind the men who made initial contact with previously unknown peoples; indeed, Jesuits were often the vanguard of exploration. 

The United Nations required years to come to a decision that the Society of Jesus reached in ten days. In New York, diplomats debated long and hard, with many recesses and tablings of the issue, whether and why human resources should be expended in an attempt to contact the world that would become known as Rakhat when there were so many pressing needs on Earth. In Rome, the questions were not whether or why but how soon the mission could be attempted and whom to send. 

The Society asked leave of no temporal government. It acted on its own principles, with its own assets, on Papal authority. The mission to Rakhat was undertaken not so much secretly as privately—a fine distinction but one that the Society felt no compulsion to explain or justify when the news broke several years later. 

The Jesuit scientists went to learn, not to proselytize. They went so that they might come to know and love God’s other children. They went for the reason Jesuits have always gone to the farthest frontiers of human exploration. They went ad majorem Dei gloriam: for the greater glory of God. 

They meant no harm.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 19, 1937 Pat Roach. He was cast in the first three Indy Jones films as a decided Bad Person though he never had a name. His first genre appearance was in A Clockwork Orange as a Milkbar bouncer but his first named role was being Hephaestus in Clash of Titans. He was of an unusually stocky nature, so he got cast as a Man Ape in Conan the Destroyer, and as Bretagne the Barbarian in Red Sonja. And of course he had such a role as Zulcki in Kull the Desttoyer. Oh, and he played a very large and mostly naked Executioner in the George MacDonald Fraser scripted The Return of The Musketeers. (Died 2004.)
  • Born May 19, 1944 Peter Mayhew. Chewbacca from the beginning to The Force Awakens before his retirement from the role. The same year he first did Chewy, he had an uncredited role as the Minotaur in Sinbad and the Eye of the Tiger. He also shows in the Dark Towers series as The Tall Knight.  Can we say he earned a Hugo at IguanaCon II? I know I’m stretching it there. (Died 2019.)
  • Born May 19, 1946 Andre the Giant. Fezzik in The Princess Bride, one of my all-time favorite films. Also, an uncredited role as Dagoth in Conan the Destroyer. He’s actually did a number of genre roles such as The Greatest American Hero with his American acting debut playing a Bigfoot in a two-part episode aired in 1976 on The Six Million Dollar Man titled “The Secret of Bigfoot”. He died of cardiac arrest, not at all surprising given his size and weight of over five hundred pounds. (Died 1993.)
  • Born May 19, 1948 Grace Jones, 75. First genre appearance was as Stryx in Rumstryx, an Italian TV series. Her next was Zulu in Conan the Destroyer followed by being May Day in A View to Kill and Katrina in Vamp. She was Masako Yokohama in Cyber Bandits which also starred Adam Ant. Her last several genre roles to date were Christoph/Christine in Wolf Girl, and Death aka The Devil in Gutterdammerung, a film that also featured Henry Rollins, Slash and Iggy Pop! 
  • Born May 19, 1966 Jodi Picoult, 57. Her Wonder Women work is exemplary (collected in Wonder Women, Volume 3 and Wonder Woman: Love and Murder).  She also has a most excellent two-volume YA series called the Between the Lines Universe which she wrote with Samantha van Leer. ISFDB lists her Second Glance novel as genre but I’d say it’s genre adjacent at best. Her latest work though marketed as a mainstream novel, Between the Lines Musical, is actually genre.
  • Born May 19, 1966 Polly Walker, 57. She appeared in Syfy’s Caprica, Sanctuary and Warehouse 13, as well as performing voice work in John Carter.
  • Born May 19, 1996 Sarah Grey, 27. Before DC Universe cast the present Stargirl in Brec Bassinger for that series, Legends of Tomorrow cast their Stargirl as this actress for a run of three episodes.  The episodes (“Out of Time”, “Justice Society of America” and “Camelot 3000”) are superb. I’ve not seen her as Alyssa Drake in The Order but I’ve heard Good Things about that series.

(13) COMICS SECTION.

  • Speed Bump shows even the ultimate Creator needs prompts.
  • The Far Side, on the other hand, shares an idea about Hell.  
  • The Far Side also imagined how this Star Trek personality would spend his time in Hell.

(14) KAIJU IN TRANSLATION. Never before available in English it says here. Now’s your chance to read the original Godzilla stories: “Godzilla and Godzilla Raids Again” coming from the University of Minnesota Press in October 2023.

The first English translations of the original novellas about the iconic kaijū Godzilla

Although the Godzilla films have been analyzed in detail by cultural historians, film scholars, and generations of fans, Shigeru Kayama’s two Godzilla novellas—both classics of Japanese young-adult science fiction—have never been available in English. This book finally provides English-speaking fans and critics the original texts with these first-ever English-language translations of Godzilla and Godzilla Raids Again. As human activity continues to cause mass extinctions and rapid climatic change, Godzilla provides a fable for the Anthropocene, powerfully reminding us that nature will fight back against humanity’s onslaught in unpredictable and devastating ways.

(15) IMAGINARY PAPERS. ASU’s Center for Science and the Imagination has published Imaginary Papers, Issue 14, their latest quarterly newsletter on science fiction worldbuilding, futures thinking, and imagination.

 In this issue, medievalist and SF writer Erin K. Wagner writes about C. S. Lewis’ science fiction novel That Hideous Strength, communication studies scholar and SF writer Jenna N. Hanchey considers the Africanfuturist film Neptune Frost, and we offer a brief reflection on the new essay collection Ex Marginalia, edited by Chinelo Onwualu.

(16) WHERE THE SKELETONS ARE. Ranker takes up “The Story of Theodore Rex, The Bizarre Whoopi Goldberg Dinosaur Film”.

Theodore Rex, the weirdest of weird ’90s movies, is a $33 million direct-to-video buddy cop movie starring Whoopi Goldberg and a wisecracking dinosaur. (Take as much time as you need to wrap your brain around that sentence. We understand.)

Theodore Rex wasn’t an attempt to tie into the dino-fever that swept the nation’s youth in the early ’90s; it was a genuine attempt at making a gritty sci-fi film about a detective and her dinosaur partner. That’s right. Legendary EGOT-winner Whoopi Goldberg and a Talking Man-Sized Dinosaur teamed up for a cop film and they demanded to be taken seriously. (The 90s were a very strange time.)

Even though the film is a complete nightmare, things behind the scenes of Theodore Rex were much worse. As weird as it sounds, we can’t stress this enough: nobody had fun on this Whoopi Goldberg/Dinosaur joint.

Ranker’s first little-known fact is –

Whoopi Goldberg Was Forced By Law To Be In This Movie

Whoopi Goldberg did, at one time, want to be in Theodore Rex and agreed to play the lead for $5 million and a share of the profits, but she quickly changed her mind and tried to back out (good instincts, Whoopi!). Goldberg had to learn the hard way that it’s just not that easy to simply walk away from expensive movies starring talking dinosaurs (a lesson we all could learn from). Because she had agreed to do the movie, the producers sued her for $20 million when she tried to back out. After an answering machine recording of Goldberg surfaced where she said she was “100% committed” to the project, she was forced to choose between appearing in the film or paying out the nose for a dinosaur detective movie that she agreed to appear in. There’s a famous saying in Hollywood: “The only thing worse than appearing in a terrible dinosaur movie is paying $20 million NOT to appear in a terrible dinosaur movie,” so Whoopi opted to appear in the terrible dinosaur movie.

(17) CASE SOLVED? “Who Stole Dorothy’s Ruby Slippers? A Minnesota Man Is Charged.” reports the New York Times.

A Minnesota man has been indicted on charges that he stole a pair of the famed ruby slippers worn by Judy Garland in “The Wizard of Oz” from the Judy Garland Museum in Grand Rapids, Minn., the actress’s hometown, nearly 18 years ago.

The red-sequined pumps were recovered in a sting operation that ended in Minneapolis in 2018, but the authorities said at the time that their investigation was continuing and they did not name any suspects.

On Tuesday, a federal indictment in U.S. District Court for the District of Minnesota charged Terry Jon Martin of Minnesota with stealing an authentic pair of the slippers, which officials estimated have a market value of $3.5 million, from the museum sometime between Aug. 27 and Aug. 28 of 2005. Mr. Martin was indicted on one count of theft of a major artwork….

Interesting – I recently corresponded with someone from this museum. They’re always looking for things related to cousin Judy, and I’m told some of my other cousins may be making donations. (I have nothing, myself, and never met her.)

(18) AU REVOIR. Deadline has posted a list of what’s being pulled: “Disney To Remove Dozens Of Series, Including ‘Big Shot’, ‘Willow’, ‘Y’ & ‘Dollface’”.

Big Shot [Disney+]
Turner & Hooch [Disney+]
The Mysterious Benedict Society [Disney+]
The Mighty Ducks: Game Changers [Disney+]
Willow [Disney+]
The Making Of Willow [Disney+]
Diary of a Future President [Disney+]
Just Beyond [Disney+]
The World According to Jeff Goldblum [Disney+]
Marvel’s Project Hero [Disney+]
Marvel’s MPower [Disney+]
Marvel’s Voices Rising: The Music of Wakanda Forever [Disney+]
Cheaper by the Dozen remake [Disney+]
The One and Only Ivan [Disney+]
Stargirl [Disney+]
Artemis Fowl [Disney+]
The Princess [Disney+]
Encore! [Disney+]
A Spark Story [Disney+]
Black Beauty [Disney+]
Clouds [Disney+]
America the Beautiful [Disney+]
Better Nate Than Ever [Disney+]
Weird but True! [Disney+]
Timmy Failure [Disney+]
Be Our Chef [Disney+]
Magic Camp [Disney+]
Howard [Disney+]
Earth to Ned [Disney+]
Foodtastic [Disney+]
Stuntman [Disney+]
Disney Fairy Tale Weddings [Disney+]
Wolfgang [Disney+]
It’s a Dog’s Life with Bill Farmer [Disney+]
The Real Right Stuff [Disney+]
The Big Fib [Disney+]
Rogue Trip [Disney+]
More Than Robots [Disney+]
Shop Class [Disney+]
Pick the Litter [Disney+]
Own the Room [Disney+]
Among the Stars [Disney+]
Harmonious Live! [Disney+]
Pentatonix: Around the World for the Holidays [Disney+]
Y: The Last Man [FX/Hulu]
Pistol [FX/Hulu]
Little Demon [FX/Hulu]
Maggie [Hulu]
Dollface [Hulu]
The Hot Zone [Nat Geo/Hulu]
The Premise [Hulu]
Love in the Time of Corona [Hulu]
Everything’s Trash [Hulu]
Best in Snow [Hulu]
Best in Dough [Hulu]
Darby and the Dead [Hulu]
The Quest [Hulu]
Rosaline [Hulu]

(19) DISORIENTING. Steven Heller interviews Hungarian artist István Orosz in “Illusions From a Visual Magician” at Print Magazine. Includes a gallery of images like the one below.

What you see is never what you really see. It is neither real nor surreal, it is art—the result of precision drafting and intricate mathematical logic. Hungarian illustrator, animated film director and poster artist István Orosz basks in the mystique of his ambitious visual contortions, implausible objects and incredible optical illusions. He is a visual punster on the highest plane who is happiest when making confounding images and anamorphoses relying on forced perspective that echo, not coincidentally, his famous mathematics teacher (and inventor of the Rubik’s cube) Ernő Rubif….

[Thanks to John King Tarpinian, Chris Barkley, Michael Toman, Joey Eschrich, Cat Eldridge, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 2/15/23 A Robot In Motion Will Remain In Motion. The Rest Of The Robots Will Remain At Rest

(1) SHORT FICTION MARKET COPING WITH SPAM PROBLEM. Neil Clarke of Clarkesworld bemoans “A Concerning Trend”, the growing rate of spam story submissions. He says regular and spam submissions are both up, but the spam is way up.

…Towards the end of 2022, there was another spike in plagiarism and then “AI” chatbots started gaining some attention, putting a new tool in their arsenal and encouraging more to give this “side hustle” a try. It quickly got out of hand…

…What I can say is that the number of spam submissions resulting in bans has hit 38% this month. While rejecting and banning these submissions has been simple, it’s growing at a rate that will necessitate changes. To make matters worse, the technology is only going to get better, so detection will become more challenging. (I have no doubt that several rejected stories have already evaded detection or were cases where we simply erred on the side of caution.)…

(2) WELCOME ABOARD. On February 16 The View will reunite the cast of ST:TNG: “Whoopi Goldberg hosts Star Trek Next Generation reunion on The View” at EW.

Whoopi Goldberg‘s love for Star Trek: The Next Generation is written in the stars. The Oscar-winning actress held an epic cast reunion for the beloved sci-fi series on The View — and EW has an exclusive first look at the talk show’s transformation for the stellar event.

Airing on Thursday’s episode of the ABC talk show as a special pre-recorded edition, the reunion features Goldberg reprising the role of Guinan — whom she played on The Next Generation between 1988 and 1993 — to welcome her Star Trek franchise costars Patrick Stewart (Jean-Luc Picard), Jonathan Frakes (William Riker), Gates McFadden (Beverly Crusher), and Michael Dorn (Worf) to the set….

(3) VISITING TOLKIEN’S REVOLVER. Tim Bolton is making a fannish pilgrimage: “In the Footsteps of J.R.R. Tolkien – the revolver at the Imperial War Museum North”  at The Green Book of the White Downs.

The first trip, as a “Tolkien Randír” (pilgrim1), on what I hope to be a year-long (and more?) tour of Tolkien-related sites isn’t in fact a place Tolkien visited, but a place where one of the objects associated with his life has ended up….

The Imperial War Museum is free entry. There is a café, shop and toilets on ground floor. The main exhibition space is on level one, where the Tolkien object is. Level one is accessible by a stairwell and also lifts. You can see the Imperial War Museum North floor plans here.

The Tolkien object, the Webley .455 Mark 6 (VI military) revolver, is located on Level One in the World War One section. I’ve marked its location with a Gandalf Rune below.….

(4) RAQUEL WELCH OBITUARY. Actress Raquel Welch died today at the age of 82. In addition to her iconic roles in One Million Years B.C. and Fantastic Voyage, her genre resume includes TV appearances in episodes of Bewitched, Mork & Mindy, Lois & Clark: The New Adventures of Superman, and Sabrina the Teenage Witch. (And you can talk among yourselves about whether the Richard Lester-directed Musketeers movies, or The Magic Christian, are genre, too.) Late File 770 columnist James H. Burns’ 2015 tribute to her is worth reading: “Raquel Welch: Still ‘The Fair One’”

(5) JEFF VLAMING OBITUARY. TV writer and producer Jeff Vlaming hdied January 30 at age 63. Deadline lists some of his many genre credits:

…With his first credits in the early 1990s — Lucky Luke, Northern Exposure, The Adventures of Brisco County, Jr., among others — Vlaming established his sci-fi bona fides with his mid-’90s work on Weird Science and, beginning in its third season in 1995, Fox’s The X-Files.

After X-Files, Vlaming wrote for Lois & Clark: The New Adventures of Superman, the TV adaptation of Honey I Shrunk The Kids, Xena: Warrior Princess, Sheena, NCIS, Numb3rs, Battlestar Galactica, Fringe, Teen Wolf, Hannibal, Outcast, The 100 and, most recently, Debris in 2021…

(6) MEMORY LANE.

1987[Compiled by Cat Eldridge.]

Possibly the one of the greatest space opera series ever done was Iain M. Banks’ Culture series. The Culture series comprises nine novels and one short story collection. The first, the one which our Beginning appropriately comes from, Consider Phlebas, was published first thirty-plus years ago in the UK by McMillian. 

(Though calling it space opera really doesn’t do it full justice, does it? So one of the greatest SF series ever?)

I will offer up no spoilers here on the very sane grounds that it is highly likely that some Filers here may not yet have read this stellar series. All I’ll say is that Consider Phlebas is one my two favorite works in this series with the other being, somewhat wistfully, its final novel, The Hydrogen Sonata.

And now our Beginning of both the novel and that series. 

Prologue 

The ship didn’t even have a name. It had no human crew because the factory craft which constructed it had been evacuated long ago. It had no life-support or accommodation units for the same reason. It had no class number or fleet designation because it was a mongrel made from bits and pieces of different types of warcraft; and it didn’t have a name because the factory craft had no time left for such niceties. 

The dockyard threw the ship together as best it could from its depleted stock of components, even though most of the weapon, power and sensory systems were either faulty, superseded or due for overhaul. The factory vessel knew that its own destruction was inevitable, but there was just a chance that its last creation might have the speed and the luck to escape.

The one perfect, priceless component the factory craft did have was the vastly powerful—though still raw and untrained—Mind around which it had constructed the rest of the ship. If it could get the Mind to safety, the factory vessel thought it would have done well. Nevertheless, there was another reason—the real reason—the dockyard mother didn’t give its warship child a name; it thought there was something else it lacked: hope. 

The ship left the construction bay of the factory craft with most of its fitting-out still to be done. Accelerating hard, its course a four dimensional spiral through a blizzard of stars where it knew that only danger waited, it powered into hyperspace on spent engines from an overhauled craft of one class, watched its birthplace disappear astern with battle-damaged sensors from a second, and tested outdated weapon units cannibalized from yet another. Inside its warship body, in narrow, unlit, unheated, hard-vacuum spaces, constructor drones struggled to install or complete sensors, displacers, field generators, shield disruptors, laserfields, plasma chambers, warhead magazines, maneuvering units, repair systems and the thousands of other major and minor components required to make a functional warship.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 15, 1883 Sax Rohmer. Though doubtless best remembered for his series of novels featuring the arch-fiend Fu Manchu, I’ll also single out his Salute to Bazarada and Other Stories as he based his mystery-solving magician character Bazarada on Houdini who he was friends with. The Fourth Doctor did a story, “The Talons of Weng-Chiang” whose lead villain looked a lot like most depictions of Fu Manchu did. (Died 1959.)
  • Born February 15, 1907 Cesar Romero. Joker in the classic Sixties Batman series and film. I think that Lost Continent as Major Joe Nolan was his first SF film with Around the World in 80 Days as Abdullah’s henchman being his other one. He had assorted genre series appearances on series such as The Man from U.N.C.L.E., Get SmartFantasy Island and Buck Rogers in the 25th Century. (Died 1994.)
  • Born February 15, 1916 Ian Ballantine. He founded and published the paperback line of Ballantine Books from 1952 to 1974 with his wife, Betty Ballantine. The Ballantines were both inducted by the Science Fiction Hall of Fame in 2008, with a joint citation. During the Sixties, they published the first authorized paperback edition of Tolkien’s books. (Died 1995.)
  • Born February 15, 1939 Jo Clayton. Best remembered for the Diadem universe saga which I’m reasonably sure spanned twenty novels before it wrapped up. Damned good reading there. Actually all of her fiction in my opinion is well worth reading. Her only award is the Phoenix Award given annually to a Lifetime achievement award for a science fiction professional who has done a great deal for Southern Fandom. Pretty much everything of hers is at the usual suspects. (Died 1998.)
  • Born February 15, 1945 Jack Dann, 78. Dreaming Down-Under which he co-edited with Janeen Webb is an amazing anthology of Australian genre fiction. It won a Ditmar Award and was the first Australian fiction book ever to win the World Fantasy Award. If you’ve not read it, go do so. As for his novels, I’m fond of High Steel written with Jack C. Haldeman II, and The Man Who Melted. He’s not that well-stocked digitally speaking though Dreaming Down-Under is available at the usual suspects.
  • Born February 15, 1945 Douglas Hofstadter, 78. Author of Gödel, Escher, Bach: An Eternal Golden Braid. Though it’s not genre, he wrote “The Tale of Happiton“, a short story included in the Rudy Rucker-edited Mathenauts: Tales of Mathematical Wonder
  • Born February 15, 1948 Art Spiegelman, 75. Obviously best known for his graphic novel Maus which retells The Holocaust using mice as the character. What you might not know is there is an annotated version called MetaMaus as well that he did which adds amazing levels of complexity to his story. We reviewed it at Green Man and you can read that review here.
  • Born February 15, 1958 Cat Eldridge, 65. He’s the publisher of Green Man. He’s retconned into Jane Yolen’s The One-Armed Queen as an ethnomusicologist in exchange for finding her a rare volume of fairy tales. He is very fond of space operas and classic mysteries equally. And obviously he does the Birthdays and currently the Beginnings here at File 770.  And yes, he not only gifts dark chocolate but really likes it.

(8) TINTIN MVP. The Guardian sees a record broken when the hammer comes down: “Tintin drawing by Hergé sells at auction for record £1.9m”.

An artwork by Tintin creator Hergé has set the world record for the most valuable original black and white drawing by the artist after selling at auction for more than €2m.

The drawing, Tintin in America – created in 1942 – was used for the colour edition of the Belgian cartoonist’s 1946 book of the same name.

The book is the third instalment in Hergé’s The Adventures Of Tintin series about the young Belgian reporter and his dog Snowy.

It features the pair as they travel to the US, where Tintin reports on organised crime in Chicago.

At the sale on Friday, organised by French auction house Artcurial, the black and white drawing sold for €2,158,000 (£1.9m).

(9) IRRESISTABLE SERIES. [Item by rcade.] Even though I’m neck-deep in SPSFC 2 reading, I had to take a break and read the sequel to Rebecca Crunden’s A Touch of Death. It’s another well-written story that’s less dependent on the love-hate thing that Nate and Catherine had going in book one. “Review: Rebecca Crunden’s A History of Madness at Workbench.

A History of Madness picks up right where the last book left off for Nate and Catherine, two members of the upper class who threw away lives of easy affluence within the King’s inner circle because they could endure no more tyranny. Actually, only one of them did that with full intent (Nate) and the other was more of an accidental revolutionary (Catherine).

Without spoiling the ending of book one, I’ll say that it left Nate and Catherine in serious doubt of living to see book two….

(10) BACK TO THE TITANIC. AP News reports “Rare video of Titanic wreckage to be released today”.

The sheer size of the vessel and the shoes were what struck Robert Ballard when he descended to the wreckage of the RMS Titanic in 1986, the year after he and his crew from the Woods Hole Oceanographic Institution helped find the ocean liner that struck an iceberg and sank in the North Atlantic in 1912.

“The first thing I saw coming out of the gloom at 30 feet was this wall, this giant wall of riveted steel that rose over 100 and some feet above us,” he said in an interview from Connecticut on Wednesday, the same day the WHOI released on 80 minutes of never before publicly seen underwater video of the expedition to the wreckage.

“I never looked down at the Titanic. I looked up at the Titanic. Nothing was small,” he said.

See the video “When Alvin visited the wreck of the Titanic” here.

(11) TODAY’S COCKY LAW ENFORCEMENT NEWS. “Faleena Hopkins: Romance author who trademarked word ‘cocky’ goes missing after police chase” according to The Independent.

A romance novelist who engaged police in a car chase in in Grand Teton National Park at the end of January has been reported missing by friends and family.

Faleena Hopkins, 52, is currently listed on the WyomingDivision of Criminal Investigations Missing Persons page. A friend told the Jackson Hole News & Guild last Friday that Ms Hopkins had been missing for 10 days.

Ms Hopkins was confronted by police on January 27 when National Park Service officers say they saw her parked in the road at a junction in the park. Ms Hopkins then fled from the officers in her vehicle, leading them on a 24-mile long chase that ended with officers used spike strips to puncture her tires.

The novelist, who made headlines in 2018 when she successfully trademarked the word “cocky,” is scheduled to appear in federal court on charges related to her conduct in the national park on the morning of Feburary 28. She is facing charges of stopping or parking on the roadway, speeding, and fleeing from the police….

(12) SCARY FAST. [Item by SF Concatenation’s Jonathan Cowie.] An SFnal ghost story, The Hauntening, on BBC Radio 4.

Travel through the bad gateway in this modern ghost story as writer and performer Tom Neenan discovers what horrors lurk in our apps and gadgets. In this episode a taxi app offers some unexpected destinations.

Modern technology is terrifying. The average smartphone carries out 3.36 billion instructions per second. The average person can only carry out one instruction in that time. Stop and think about that for a second. Sorry, that’s two instructions; you won’t be able to do that.

But what if modern technology was… literally terrifying? What if there really was a ghost in the machine?

[Thanks to Mike Kennedy, John King Tarpinian, Chris Barkley, rcade, Nancy Sauer, SF Concatenation’s Jonathan Cowie, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 4/8/22 No One But A Blockhead Ever Scrolled Except For Pixels

(1) CANON SALUTE. “Spock Gets New Canon Full Name In Star Trek Strange New Worlds” reports Gizmodo. And that name is S’Chn T’Gai Spock.

…[This] is not an unfamiliar name to fans of classic Star Trek novels. Barbara Hambly’s Pocket Book novel Ishmael, first released in 1985, gave S’Chn T’Gai as Spock’s name. It was established that, in a similar manner to how the Bajorans naming conventions work—where, for example, Deep Space Nine’s Major Kira Nerys’ given name is Nerys, not Kira—Vulcan names are inverted, and S’Chn T’Gai is actually Spock’s family name. Spock had previously alluded to having a first name in the Star Trek season 1 episode “This Side of Paradise,” where he described it as “unpronounceable.” Not any more, apparently!…

A watermarked version of the forthcoming poster with Spock’s full name can be seen here at TrekCore.com.

Naturally, Barbara Hambly is ecstatic. As she told Facebook followers: “Now, classic Star Trek fiction is having its legacy live on in TV once more with the canonization of S’Chn T’Gai. And that makes me Mr. Spock’s godmother! This delights me as much as winning a Hugo or a Nebula. Maybe more.”

(2) A CRUEL CAREER. “’Unlivable and Untenable.’ Molly McGhee on the Punishing Life of Junior Publishing Employees” – a Literary Hub podcast.

Fiction writer and former Tor assistant editor Molly McGhee joins co-hosts V.V. Ganeshananthan and Whitney Terrell to discuss details of her recent resignation from a position she’d fought for in the industry she loves. She also talks about what’s behind #PublishingBurnout for junior employees and what that means for the future of publishing.

Molly McGhee: I had a lot of people reach out privately to me, and publicly, and express that this is something they felt as well, but that they were really nervous to burn any bridges. The thing about publishing is that no matter how high you are, especially if you’re in editorial, you had to start from the bottom. And so you have been experiencing this struggle for years and years, and then find yourself in a position of frustration where you cannot alleviate that struggle for other people below you….

(3) THE FOOD OF AFROFUTURISM. Eat the Culture presented an array of recipes in their “2022 Black History Month Virtual Potluck”.

We collaborated with more than 30 Black recipe developers as we celebrate Black History Month 2022. This Virtual Potluck explores Black food through the lens of Afrofuturism. Our collaboration of recipes explores the intersection of the Black diaspora via culture, future, geopolitics, imagination, liberation, culture, and technology…

What is Afrofuturism?

“Afrofuturism evaluates the past and future to create better conditions for the present generation of Black people through the use of technology, often presented through art, music, and literature.”

Taylor Crumpton, “Afrofuturism Has Always Looked Forward,” Architectural Digest, August 24, 2020

We tasked participants with developing recipes that honor the culinary ingenuity of our past and stretch towards an innovative culinary future.  We sought out to take familiar cultural foods and reimagine them with the ingredients we use, flavors we develop, textures we mold, and visually the way we present….

(4) CAN’T GET IT FIXED. Chad Orzel tells about a writer’s heartbreak from “The Persistence of Errata” at Counting Atoms.

… [The] problem of errors creeping in and somehow making it past the seemingly endless rounds of editing is a pretty universal one. I’ve had a few over the years, and in fact just this week got another email pointing one out. The biggest of the errors that I’ve been alerted to are:

— I’m shocked to realize that this was ten years ago, now, but all the way back in How to Teach Relativity to Your Dog, we ended up with a typo in Maxwell’s equations (on page 34 of the paperback)— there’s an incorrect sign in the Ampere-Maxwell law. In my defense, in the first round of proofs, basically every symbol in there had been replaced by some random dingbat because of a font issue, so it took quite a bit of effort to even get them close. I think the Kindle edition was still rendering a lot of them as empty boxes a few months after publication. I’ve gotten a bunch of emails about this one over the years, starting with one from Bill Phillips….

(5) NO VISIBLE MEANS OF SUPPORT. And here’s another little mistake that made it past quality control: “’The Northman’ Subway Posters Trolled For Excluding Title” at Comic Sands.

If you’ve been anywhere near the internet or TV lately, you’ve likely heard about the new film The Northman as commercials have hit the airwaves and the film’s star-studded cast have begun walking red carpets at various glitzy premieres.

The sweeping Viking epic from director Robert Eggers star-studded cast includes Alexander Skarsgård and Nicole Kidman, making the film pretty hard to miss as its opening weekend approaches.

But if you get most of your advertising from the New York city subway? …[The] film’s marketing team seems to have forgotten to put the film’s title on its poster….

Twitter is helpfully filling in the blank. This might be the best of them:

(6) EAVESDROPPING. In case you haven’t listened to BBC Radio 4’s encounter between the Archbishop and Stephen King, linked here last month, there is now a webpage with the highlights: “Ten things we learned when the Archbishop of Canterbury met author Stephen King”.

1. King’s versatility surprises people

The Archbishop confesses that he didn’t know that King wrote The Green Mile and Shawshank Redemption. He’s not alone.

“The thing that I remember best about those books,” says King “is being in the supermarket one day and going up an aisle where this woman was looking at me, and she said, ‘I know who you are. You write all those scary stories. And that’s all right. For some people, that’s fine. I don’t read those scary stories. I like uplifting things like that Shawshank Redemption.’ And I said, ‘I wrote that,’ and she said, ‘No, you didn’t.’ So that was it. That was our whole conversation!”

(7) SCRIBNER OBIT. Australian fan Edwin A. “Ted” Scribner who edited the web version of the Australian SF Bullsheet (second series) has died. The editor of the email/print version Edwina Harvey announced the news today. He and Harvey were nominated six times for the Ditmar Award for their work on the newzine, winning in 2004, 2005, and 2006. Scribner also was a member of the Sydney Futurians.

Edwina Harvey’s personal tribute to her co-editor and friend is here on Facebook.

(8) MEDIA BIRTHDAY.

1950 [Item by Cat Eldridge.] I’m reaching way back into the history of the genre this time as the Dimension X radio show premiered seventy-two years ago this evening on the NBC radio network. It was preceded by Mutual’s 2000 Plus which as the name suggests was another SF series with episodes like “Men from Mars”. That series lasted two years.

The Dimension X radio show was, according to all the articles I read, not the first SF radio series but it benefited from the deep stock of writers involved and I’m going to list all of them here: Isaac Asimov, Robert Bloch, Ray Bradbury, Fredric Brown, Robert A. Heinlein, Murray Leinster, H. Beam Piper, Frank M. Robinson, Clifford D. Simak, William Tenn, Jack Vance, Kurt Vonnegut, Jack Williamson and Donald A. Wollheim. Holy frell! 

If I may single out an episode, I will by noting June 10, 1950’s “The Green Hills of Earth“, based upon the Heinlein story of the same name, relates the life of “Noisy” Rhysling whose story y’all know. It’s wonderful to hear it told. 

The stories of course had already been published, be it in Astounding Science Fiction or the Saturday Evening Post. It was really the Golden Age of Science Fiction for these authors as they’d get paid for these stories again when they were used on the X Minus One series that followed not long after. Remember Heinlein’s adage about filing the serial numbers off. 

With a five-month hiatus from January to June of 1951, the series spanned seventeen months. Quite remarkably all fifty episodes of the series have survived and can be heard today. I’ve profiled at least six episodes of this series on File 770. Do a search here if you want to listen to one of them.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 8, 1942 Douglas Trumbull. Let’s call him a genius and leave it at that. He contributed to, or was fully responsible for, the special photographic effects of Close Encounters of the Third Kind2001: A Space Odyssey, Star Trek: The Motion Picture and Blade Runner, and directed the movies Silent Running and Brainstorm. And Trumbull was executive producer for Starlost which we will forgive him for. (Died 2022.)
  • Born April 8, 1943 James Herbert. Writer whose work erased the boundaries between horror and sf and the supernatural in a manner that made for mighty fine popcorn reading. None of his work from his first two books, The Rats and The Fog, to his latter work such as Nobody True would be considered Hugo worthy in my opinion (you may of course disagree) but he’s always entertaining. I will note that in 2010 Herbert was greatly honored by receiving the World Horror Convention Grand Master Award which was presented to him by Stephen King. (Died 2013.)
  • Born April 8, 1967 Cecilia Tan, 55. Editor, writer and founder of Circlet Press, which she says is the first press devoted to erotic genre fiction. It has published well over a hundred digital book to date with such titles as Telepaths Don’t Need Safewords and Other Stories from the Erotic Edge of SF/Fantasy (Wouldn’t Bester be surprised to learn that. I digress), Sex in the System: Stories of Erotic Futures, Technological Stimulation, and the Sensual Life of Machines and Genderflex: Sexy Stories on the Edge and In-Between. She has two series, Magic University and The Prince’s Boy
  • Born April 8, 1974 Nnedi Okorafor, 48. Who Fears Death won a World Fantasy Award for Best Novel.  Lagoon which is an Africanfuturism or Africanjujuism novel (her terms) was followed by her amazing Binti trilogy. Binti, which led off that trilogy, won both the Nebula and Hugo Awards. Binti: The Night Masquerade was a Hugo finalist at Dublin 2019. She was also a 2019 Hugo finalist for her work on the most excellent Black Panther: Long Live the King. Several of her works have been adapted for video, both in Africa and in North America. She wrote LaGuardia, winner of the Best Graphic Story Hugo at CoNZealand, and won a Nommo Award for writing Shuri, another graphic novel.  
  • Born April 8, 1977 Sarah Pinsker, 45. A nine-time finalist for the Nebula Award, her first novel A Song for a New Day won the Nebula for Best Novel while her story Our Lady of the Open Road won the award for Best Novelette. Her short story, “In Joy, Knowing the Abyss Behind”, won a Sturgeon Award, and “Two Truths and a Lie” won Best Novelette at DisCon III. Another novelette, “The Blur in the Corner of Your Eye” was nominated at ConNZealand, and a novella, “And Then There Were (N-One)”, was nominated at Worldcon 76. Very impressive indeed.
  • Born April 8, 1980 Katee Sackhoff, 42. Being noted here  for playing Lieutenant Kara “Starbuck” Thrace on the rebooted Battlestar Galactica though I must confess I’ve only seen in her excellent role as Deputy Sheriff Victoria “Vic” Moretti on Longmire which is now streaming on Peacock. She also played Amunet Black, a recurring character who showed up on the fourth season of The Flash. To my pleasant surprise, I see her on Star Wars: The Clone Wars in a recurring role of voicing Bo-Katan Kryze.
  • Born April 8, 1981 Taylor Kitsch, 41. You’ll possibly remember him  as the lead in John Carter which I swear was originally titled John Carter of Mars. He also played Gambit in X-Men Origins: Wolverine, and was Lieutenant Commander Alex Hopper in Battleship which was based off the board game.

(10) COMICS SECTION.

(11) BUCHA AND BOYCOTT. [Item by James Bacon.] The Will team continue to inform fans of what they are seeing and doing, as they are faced with daily news that is upsetting and horrifying. 

The massacre in Bucha has stunned many, and artist Igor Kurilin created a piece of art,

And there is one raising awareness of Russian supporters in our midst. 

Art by Igor Kurilin & TheWillProduction

(12) ALL ABIRD! “Whoopi Goldberg joins Anansi Boys TV series as Bird Woman” reports Entertainment Weekly.

… Goldberg has boarded the cast of Anansi Boysthe TV series adaptation of Gaiman’s acclaimed 2005 book at Amazon. And she’s playing a key antagonistic role that Gaiman himself promises is “going to be scary.”

Amazon revealed the actors who will portray the pantheon of deities on the show, including Goldberg’s Bird Woman, a.k.a. the God of Birds. She is the embodiment of birds, and not just the more beautiful, stately avian animals, but the dangerous ones, as well. Long ago, Anansi, the African trickster God of Stories did her dirty, and now she might finally have her chance to turn the tables….

(13) SPLICING GENRE GENES. James David Nicoll introduces Tor.com readers to “5 Captivating SFF Mystery Novels”.

I’ve noticed that many of my friends who read SFF also read mysteries. Not only that—authors who publish in SFF sometimes publish mysteries as well (which are often more profitable). Indeed, some authors even write SFF mysteries. Here are five recent SFF mysteries I liked.

One of his picks is A Study in Honor by Claire O’Dell (2018).

(14) POSSIBLE NEW FORCE IN PHYSICS. [Item by SF Concatenation’s Jonathan Cowie.] Back in the day, at our occasional dinners, the bioscientists on the SF2 Concatenation team would always rib our physicist, Graham Connor (who was prone to saying that physics was the> key science), by asking him had physicists found anti-gravity yet? Or, broken the speed of light? etc.  Well, now it just may be the BBC News reports that a new force in physics may have been discovered…

The new research from Fermi Lab has been published in the journal Science and it may upset the standard model of physics.

(15) SF CINEMA SFX. [Item by SF Concatenation’s Jonathan Cowie.] Another chance to hear Unreal: The VFX Revolution.

This is a three-part BBC Radio 4 documentary, first broadcast last year, that largely focuses on SF film special effects. It is now being repeated on BBC Radio 4 but you can access all three episodes on BBC Sounds.

Yesterday’s Part 2 episode was particularly interesting.

Oscar winner Paul Franklin explores how film entered the digital realm.

The 1970s saw the very first onscreen digital effects in films like Westworld. Those first pioneers of CGI already spoke of digital humans, indeed of entire films being made within the computer, but Hollywood was unconvinced. By 1979, some of those visionaries like Ed Catmull and Alvy Ray Smith, later founders of Pixar, were working for filmmaker George Lucas, who primarily wanted new digital tools for editing and compositing and to explore computer graphics. Their first all-digital sequence created life-from lifelessness with the Genesis effect for Star Trek II: The Wrath of Khan. Meanwhile Disney itself was creating TRON, a spectacular mix of state-of-the art animation and pioneering digital effects that took audiences into cyberspace for the first time. In their different ways these two films were the true harbingers of the digital revolution that would bring profound change to moviemaking within little more than a decade. And then came Terminator 2’s chrome shape shifter-the T1000. The revolution was underway.

(16) FROM LOTR TO UFO. Mashable declares “Stephen Colbert’s latest ‘Lord of the Rings’ rant is beautiful to witness”.

Stephen Colbert has nerded out over Lord of the Rings many times before on The Late Show, and frankly it’ll never get old.

The latest glorious example came on Thursday during a segment on space news, when the discovery of a new star name Earendel prompted Colbert to launch into a truly impressive rundown of the name’s importance in Tolkien’s world….

“Space News: Hubble Finds A New Star, Bret Baier Warns Of Alien Pregnancies” on YouTube.

Outer space enthusiast Stephen Colbert shares updates from beyond our world, including news about a newly-discovered star with a name borrowed from “The Lord of the Rings,” and an explosive report on unexplained alien phenomena from our buddy Bret Baier at Fox News.

[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, Rob Thornton, Chris Barkley, James Bacon, Lise Andrerasen, SF Concatenation’s Jonathan Cowie, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]

Pixel Scroll 1/29/22 I Cast “Titlificus Uniquify” (With A Flick Of The Wrist)

(1) FUTURE BIRTH. [Item by Jen Hawthorne.] The Atlantic magazine ran an article surveying people’s attitudes toward the concept of artificial wombs.  The very first person to give an opinion cited Bujold’s Vorkosigan Saga for her positive feelings toward the idea of artificial wombs.  “Liberation or Folly? Your Takes on Artificial Wombs”.

(2) UNREAL ESTATE. Camestros Felapton invites you to download the rules, the board, and the cards, and play “Timopoly”, the exciting game of genre domination!

Bored of the pandemic, Tim and I took a trip to an alternate universe. Sadly our holiday was ruined by persistent rain of venomous jellyfish. Stuck indoors, we played the local alternate universe board games (Scribble, Rusk, Eels & Ladles etc). Interestingly, this universe has no games based on attempting to control the property market of a huge city. Instead, the nearest equivalent is a game based on Tim’s attempts to manipulate the major literary award of the popular genre there known as Orbital Fiction.

Orbital fiction is all about stories set in orbit or on things in orbit or things trying to get into orbit. It’s very exciting and includes rockets, moons, planets and orbiting aliens. The major award is a trophy of a rocket that could fly into a big orbit, popularly known as the Huge-Orbit award (or just Huge-O for short).

Timothy’s cynical (and frankly corrupt) attempt to control these awards became such a cause célèbre that re-enacting the events became a popular board game.

(3) HOLLYWOOD IN NOLLYWOOD. BBC tweets about young Nigerian film-makers creating their own sci-fi cinema.

(4) IF A TRAIN LEAVES BALTIMORE. Ursula Vernon is working out some advanced series character math. Thread starts here.

(5) COMPREHENDING THE HOLOCAUST. An analysis of MAUS by Jeet Heer: “Maus in Tennessee” at The Time of Monsters.

I first became aware of Art Spiegelman’s Maus in the summer 1981 when I was 14 years old. Spiegelman had just started serializing the first chapters of his eventual graphic novel in the pages of RAW, a graphic art magazine he edited with Francoise Mouly. I saw a review of the first issue of RAW in The Comics Journal. I was intrigued by the excerpts The Comics Journal featured of Maus, an anthropomorphic account of the experience of Spiegelman’s father Vladek during the Holocaust told with the Jews as mice and the Nazis as cats. At the time, RAW was a little outside my price range (and carried an amusingly daunting blurb that it was “the graphix magazine of postponed suicides”). I was able to furtively look at some early issues at Pages, a Toronto book store, and  fully caught up with Maus by 1986, when the first half of it appeared in book form….

I shared the book with my school friend David Berman, whose father was a Holocaust survivor. David, not at all a comics person, was also very impressed by it, as were his parents. I remember David telling me how much the cantankerous relationship between Vladek and Art Spiegelman mirrored his own relationship with his father. One of the advantages of the book was it could be read by both young and old— later on, David’s nephews and nieces read the book as young teens

(6) SCOTCH EGG. News to me – the BBC has a feature an online Writers Room where you can read the scripts of various productions including Doctor Who. Learned this while reading an article in Scotland’s Daily Record: “Doctor Who fans find hidden Scots ‘Easter egg’ in released scripts from latest series”.

Doctor Who fans have found a hidden Scottish Easter egg in the latest script release from the legendary sci-fi telly series.

As Whovians eagerly await the next special, the BBC has released the scripts for Flux and Eve of the Daleks.

The scripts are available from the Script Library, and show fans the hidden writings behind some of their favourite episodes of the Tardis travelling drama.

In on particular episode Scots actors Peter Capaldi and Sylvester McCoy get special nods as part of the script.

In season 13’s first episode entitled The Halloween Apocalypse, the Doctor and Yaz are captured by Karvanista and face serious danger.

They escape via their trapeze skills, it is revealed their handcuffs were the property of the Doctor, who offered them up to their captor.

The handcuffs are voice activated, but that means the Doctor has to remember which voice was used.

The Doctor wonders: “Maybe I was Scottish when I set these up while trying to break free”, and then orders them to release in a Scottish accent….

(7) THE BARGAIN BIN CINEMATIC UNIVERSE. [Item by Martin Morse Wooster.] Austin McConnell had to quarantine, and thought he’d catch up with the MCU. But he hasn’t seen 13 of the MCU movies, so he decided to create his own “cinematic universe” using public domain comics of the 1940s.  SJWs will be thrilled to find that instead of Batman, McConnell’s universe has “Cat-Man.”  But who will survive when catman meets Man-Cat?

(8) MEDIA BIRTHDAY.

1964 [Item by Cat Eldridge.] Fifty-eight years ago, Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb premiered. Starring a stellar cast of Peter Sellers, George C. Scott, Sterling Hayden, James Earl Jones and Slim Pickens, it was directed by directed, produced, and co-written by Stanley Kubrick. 

It was not the original title as Kubrick considered Dr. Strangelove’s Secret Uses of Uranus as well as Dr. Doomsday or: How to Start World War III Without Even Trying, and the much shorter Wonderful Bomb.

The film is somewhat based on Peter George’s political thriller Red Alert novel. (Originally called Two Hours To Doom.)Curiously Dr. Strangelove did not appear in the book. This novel’s available on at usual digital suspects. And George’s novelization of the film is on all digital sources. If you purchase it, it has an expanded section on Strangelove’s early career. 

It would not surprisingly win the Hugo for Best Dramatic Presentation at Loncon II in London in 1965 with The Seven Faces of Dr. Lao being the only other film on the final ballot.

The film was a box office success as it only cost one point eight million to make and it made nine point four million. Critics were universal in their belief that it was one of the best films ever done with Ebert saying it was “arguably the best political satire of the century”. At Rotten Tomatoes, it currently holds a ninety-four percent rating with over two hundred thousand audience reviewers casting a vote.  The studio on the other hand thought it was an anti-war film and distanced itself as far as it could from it. 

A sequel was planned by Kubrick with Gilliam directing though Gilliam was never told this by Kubrick and only discovered this after Kubrick died and he later said “I never knew about that until after he died but I would have loved to.”

The original theatrical trailer is here.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 29, 1918 Robert Pastene. He played the title role in the first televised Buck Rogers series on ABC that also had Kem Dibbs and Eric Hammond in that role. 35 episodes were made, none survive. As near as I can tell, his only other SFF performance was on the Out There and Lights Out series. (Died 1991.)
  • Born January 29, 1923 Paddy Chayefsky. In our circles known as the writer of the Altered States novel that he also wrote the screenplay for. He is the only person to have won three solo Academy Awards for Best Screenplay. The other winners of three Awards shared theirs. He did not win for Altered States though he did win for Network which I adore. (Died 1981.)
  • Born January 29, 1940 Katharine Ross, 82. Her first genre work was as Joanna Eberhart in The Stepford Wives, scary film that. She shows up next as Helena in The Swarm and plays Margaret Walsh in The Legacy, both horror films. The Final Countdown sees her in the character of Laurel Scott.  And Dr. Lilian Thurman is her character in the cult favorite Donnie Darko.  I’m fairly sure that the only genre series she’s done is on The Wild Wild West as Sheila Parnell in “The Night of the Double-Edged Knife”, and she did an episode of Alfred Hitchcock Presents as well. 
  • Born January 29, 1945 Tom Selleck, 77. Setting aside the matter of if Magnum P.I. is genre, which some of you hold to be true, and in the twelfth season of Blue Bloods which is definitely not genre, he was Sgt. Jack R. Ramsay in Runaway which is most definitely SF.  He recently did some voice acting by being Cornelius, Lewis’ older self, in the animated Meet the Robinsons film, and he showed up as himself in the “What Do You Want to Be When You Grow Up?” of the Muppet Babies nearly forty years ago.
  • Born January 29, 1958 Jeph Loeb, 64. His first comic writing work was on the Challengers of the Unknown vol. 2 #1 in 1991 with Tim Sale. I’m pleased to say that it was in the DC Universe app so I just read it and it’s superb. He’d go on to win three Eisners for his work for Batman/The Spirit #1, Batman: The Long Halloween and Batman: Dark Victory. And he’s also a producer/writer on such genre series such as SmallvilleLostHeroes and Teen Wolf.
  • Born January 29, 1970 Heather Graham, 52. Best known SF role no doubt was Dr. Judy Robinson on the Lost on Space film. She played also Felicity Shagwell that year in Austin Powers: The Spy Who Shagged Me. And she was Annie Blackburn on Twin Peaks.
  • Born January 29, 1988 Catrin Stewart, 34. Jenny Flint in five episodes of Doctor Who. She was the wife of Madame Vastra and the friend of Strax, the three known as the Paternoster Gang, who appeared first during the Eleventh Doctor and last during the Twelfth Doctor. Big Finish has continued them in their audiobooks. She also played Stella in two episodes of the Misfits series, and was Julia in a performance of 1984 done at London Playhouse a few years back.

(10) COMICS SECTION.

(11) GUINAN GENESIS. Slashfilm tells “How LeVar Burton Landed Whoopi Goldberg Her Role On Star Trek”.

…Goldberg explained:

“So when my friend LeVar Burton said, ‘I’m going to do the new Star Trek,’ I was like, ‘Wait, I want to be on it!’ And they were like, ‘Okay, chill!’ And then a year later I said, ‘LeVar what happened? Nobody ever called!’ and he said, ‘They didn’t believe you.’ So I said, ‘Let’s call them right now.’ And so we called Gene Roddenberry, and I said, ‘Can we have a meeting please, because I really want to be on this and if you’ll meet with me I’ll explain why I think it’s important.’ So they were all very skeptical.

I explained, I said you know there had never been any Black people in the future, and it was a huge deal for me [seeing a Black actor on ‘Star Trek’] because I’m a sci-fi kid, and it felt like you were talking to me and letting me know it was alright. And I’d like to do that for some other kids. Now, we all know there are Black people in the future now, but I’d like to carry this on. He said, ‘I can’t believe you felt like that, I didn’t know this.’ I said, ‘Well if you watch sci-fi from the ’40s, ’50s, ’60s, you don’t see anybody.’

So he said okay, so he wrote my character, Texas Guinan, she’s based on – who had a great bar in New York in the ’20s – and she greeted everyone by saying, ‘Hello, suckers!’ So we couldn’t do that to the extraterrestrials. But that’s how I got on it, because I desperately wanted to, A.) thank him for giving that to me, because it was a big deal.”…

(12) FOR I AM WELSH, YOU KNOW. “Welsh town to retell tale of how it built Star Wars’ Millennium Falcon” — the Guardian has the story.

In a small Welsh town far, far away (perhaps), preparations are in hand to tell the story of how one of the most famous and beloved movie spaceships was secretly built in an old aircraft hangar.

A permanent exhibition is to open later this year explaining how the Millennium Falcon that appeared in the Star Wars film The Empire Strikes Back came to be constructed from wood and steel by engineers in Pembroke Dock, in south-west Wales.

Local craftspeople working under a veil of secrecy were ordered to refer to the ship as “Magic Roundabout” but, inevitably in a small town, word seeped out.

(13) THE OCEAN ATE MY HOMEWORK. Genre books weren’t involved – this time. “Cookbooks Sink to Bottom of Atlantic After Ship Incident” reports People.

At least two forthcoming cookbooks from acclaimed chefs are sitting on the bottom of the Atlantic Ocean after a “wild and unfortunate” turn of events.

The publication dates for Mason Hereford’s Turkey and the Wolf: Flavor Trippin’ in New Orleans and food writer Melissa Clark’s Dinner in One have been delayed, both authors said, after containers containing printings of their books toppled into the sea.

Publishers Marketplace adds: “The cargo ship carrying the books from China was on a slow course in the Atlantic Ocean near Portugal, likely to delay docking in the US due to port congestion. A storm hit the ship in early January and caused a ‘stack collapse’ in which 65 containers went overboard–seemingly containing every copy of the two books–while 89 others were damaged.

(14) UH, YEAH. CBS News says “Weber grill maker apologizes for poorly timed meatloaf recipe”. Then again, Mr. Aday might have found it hilarious.

Weber picked the wrong day to suggest grilling meatloaf.

The outdoor grill maker apologized on Friday for sending a recipe-of-the-week email earlier that day featuring instructions on how to prepare “BBQ Meat Loaf.”

The email coincided with news of the death of Marvin Lee Aday, best known as rock superstar Meat Loaf….

 [Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, Chris Barkley, Jen Hawthorne, Tom Becker, Mlex, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 1/23/20 No-One Expects The Scrollish Pixelation!

(1) THE DOCTOR IS STILL IN. Entertainment Weekly confirms “Doctor Who star Jodie Whittaker will play time traveler for at least one more season”.

… “I’ve seen loads of fan art, which I always love,” she says. “But it’s never been that great for me to immerse myself in noise that you can’t control, good or bad. I think both are a rabbit hole that you shouldn’t necessarily go down. We know that we work really hard for the show to be the best it can be in this moment. Once it’s out in the ether, how people feel, in a way, is kind of irrelevant.”

But Whittaker isn’t going anywhere. The length of time an actor has played the Doctor has varied over the years — back in the ’70s and ’80s, Tom Baker’s Fourth Doctor piloted the TARDIS for seven seasons; in the aughts, Christopher Eccleston’s Ninth Doctor survived just one. So, will Whittaker return for a third run of shows? “Yes, I’m doing another season,” she confirms. “That might be a massive exclusive that I’m not supposed to say, but it’s unhelpful for me to say [I don’t know] because it would be a massive lie! [Laughs] I absolutely adore it. At some point, these shoes are going to be handed on, but it’s not yet. I’m clinging on tight!”

(2) GUINAN. Patrick Stewart, while appearing on The View, extended an invitation to host Whoopi Goldberg to appear in Picard’s second season. See 4-minutue video here. Stewart said —

“I’m here with a formal invitation, and it’s for you, Whoopi.  Alex Kurtzman, who is the senior executive producer of Star Trek: Picard, and all his colleagues, of which I am one, want to invite you into the second season.”

The crowd delivered a standing ovation as Goldberg and Stewart hugged, and Goldberg replied, “Yes, yes, yes!” 

(3) THE PEOPLE ALL RIDE IN A WORMHOLE IN THE GROUND. The New York Post tells readers “Here’s where to get ‘Star Trek: Picard’ MetroCards featuring Patrick Stewart”.

“Star Trek: Picard” is beaming to a subway station near you.

For three weeks starting Thursday, when the show premieres on CBS All Access, the series will be promoted on special MetroCards available at six MTA stations in Manhattan.

In the drama, Sir Patrick Stewart, 79, reprises his “Star Trek: The Next Generation” role of Jean-Luc Picard, the retired Starfleet admiral and former captain of the Starship Enterprise who is living out his latter days on his family’s vineyard in France. Fittingly, the subway promotion will showcase two different cards — one featuring Picard on the front and his family’s sweeping vineyard on the back, the other with Picard’s dog, No. 1, on the front and several planets on the flip side.

(4) IS PICARD MESSAGE-HEAVY? The Daily Beast argues “‘Star Trek: Picard,’ With Its Refugee Crisis and Anti-Trump Messaging, May Be the Most Political Show on TV”.

…At the crux of the Picard premiere is a devastating monologue Stewart delivers recounting a catastrophic event that happened years before, triggering a refugee crisis and driving Picard to quit his position in the Starfleet, disgusted by what the organization and the Federation now stood for. 

It might sound in the weeds if you’re not a Trekkie, but the basics of the plot are refreshingly simple. 

A supernova blast threatened the planet Romulus. Despite their antagonistic relationship, the Federation agreed to rescue the Romulan people. But in the midst of the rescue mission, synthetic lifeforms like Data, who helped Picard pilot his ship, went rogue and destroyed the Federation’s base on Mars, killing over 90,000 people. In the wake of the incident, synthetic lifeforms were banned, a decision that appalled Picard and caused him to quit before he carried out his Romulan rescue mission. 

“It has always been part of the content of Star Trek that it will be attempting to create a better future with the certain belief that a better future is possible if the right kind of work and the right kind of people are engaged in that,” Stewart told reporters. “And my feeling was, as I look all around our world today, there has never been a more important moment when entertainment and show business can address some of the issues that are potentially damaging our world today.” 

(5) CLONE WARS TRAILER. The final season of Star Wars: The Clone Wars starts streaming Feb. 21 on DisneyPlus.

One of the most critically-acclaimed entries in the Star Wars saga will be returning for its epic conclusion with twelve all-new episodes on Disney+ beginning Friday, February 21. From Dave Filoni, director and executive producer of “The Mandalorian,” the new Clone Wars episodes will continue the storylines introduced in the original series, exploring the events leading up to Star Wars: Revenge of the Sith.

(6) HAVE SPACEWORTHY 3D PRINTER, WILL TRAVEL. Daniel Dern looks into “NASA’s 3D Printing Space Initiatives” in an article for GrabCAD.

…The SLS [Space Launch System] is intended to be the primary launch vehicle of NASA’s deep space. By manufacturing as many of the engine’s parts as possible (like the fuel injectors, turbo pumps, valves, and main injectors) with 3D printing, NASA can significantly reduce time and money spent.

“NASA is on track to reduce the number of individual parts by an order of magnitude — from hundreds to tens — and reduce the cost of the entire engine by 30% and later by 50%, and the build time by 50%,” John explains.

Dern notes, “This is the 3rd or 4th NASA-related article I’ve gotten to do over the past six months. I had a lot of fun researching and writing this, and hope find more assignments on this stuff over the coming year.”

(7) WHAT IT TAKES. “Oscar-nominated filmmaker Chris Butler’s top animation tips” – BBC video.

Film writer and director Chris Butler, who has been nominated for an Oscar, has said anyone who wants to be an animator needs to be prepared for “hard work”.

His film Missing Link is up against Toy Story 4 in the Animated Feature category, but Butler, from Maghull, Merseyside, has already beaten it – and Frozen II – to a Golden Globe.

He said he was “shell-shocked” when it was announced as the winner earlier this month – so much so that he cannot remember going on stage to collect the award.

Butler said making animated films was “not easy” and warned that budding filmmakers have to “put in long hours” to make it in the industry.

(8) STONE AGE. First Fandom Experience not only remembers when — “In 1939, Lithography Came To Fanzines — But Why?”. Zine scans at the link.

Beginning in 1932, Conrad H. Ruppert reshaped the world of fan publications with the printing press he bought with money saved by working in his father’s bakery. He printed issues of the most prominent fanzines of the period, including The Time Traveller, Science Fiction Digest, and Charles D. Hornig’s The Fantasy Fan. It’s not unreasonable to assert that the professional appearance of Hornig’s leaflet-sized ‘zine contributed to his ascension to the editorship of Wonder Stories at the age of 17….

(9) THOSE DARN FANS. RS Benedict posted a new episode of the Rite Gud podcast — “This is the first of a two-part series about the dark side of fandom. Why does fandom turn toxic? Can over-investment in fandom stunt your social and artistic growth?” The first episode is here: “The Dark Side of Fandom, Part 1: Have You Accepted Spider-Man as Your Lord and Savior?”

Tim Heiderich of Have You Seen This took the time to talk to us about the creative perils of fandom. Fandom can be fun, but it can also turn ugly too, or it can keep us so busy focusing on someone else’s work that we fail to develop our own talents.

This was a huge conversation, so we split it into two parts. In the first installment, we talk about toxic fandom, simulacra, and the siren song of nostalgia.

(10) EXTRA, EXTRA, READ ALL ABOUT IT. “Orange Mike” Lowrey’s TAFF win attracted local media attention: “From Chester County High School to Stockholm and Birmingham (England)” in the Chester County Independent.

…Lowrey has been attending these conventions since 1975 and loves it. He said he loves how the conventions are filled with interesting, intelligent people. The interaction of science fiction fans overseas is awesome as well he said.
“I got people I consider good friends that I never met before,” he said.
He actually met the woman whom he would spend his life with and marry, C.K. “Cicatrice” Hinchliffe of Bertram, Iowa, at the local Milwaukee science fiction convention in 1981.
Lowrey graduated from Chester County High School in 1971 and earned a magna cum laude degree in history from the University of Wisconsin-Milwaukee. In addition to his job with the State of Wisconsin, he’s been working as a writer and editor since 1984.
He is also a bookseller, serves as a local president and state executive board member of the American Federation of State, County and Municipal Employees, and acts as a volunteer administrator for Wikipedia. He has had book reviews published and also Dungeon and Dragon articles published in Dragon magazine.

(11) KARLEN OBIT. John Karlen , the actor who played multiple roles (Willie Loomis, Carl Collins, William H. Loomis, Desmond Collins, Alex Jenkins and Kendrick Young) on the ABC serial Dark Shadows died January 22 at the age of 86.

(12) TODAY IN HISTORY.

  • January 23, 1954Killers From Space made it to your local drive-in. It was produced and directed by W. Lee Wilder, brother of Billy Wilder. It has a cast of Peter Graves, Barbara Bestar and James Seay. We should note that Killers From Space came about as a commissioned screenplay from Wilder’s son Myles Wilder and their regular collaborator William Raynor. How was it received? Not well. There was, in the opinion of critics, way too much too talk, too little action, poor production values… you get the idea. Though they liked Graves. Who doesn’t? Reviewers at Rotten Tomatoes give it a decidedly unfavourable rating of just 24%. 
  • January 23, 1974 The Questor Tapes first aired on NBC. Created and written by Roddenberry himself with Gene L Coon as co-writer, it was by Richard Colla. It starred Robert Foxworth, Mike Farrell and John Vernon. (Fontana’s novelisation would be dedicated to Coon who died before it aired.) though it was intended to be a pilot fir a series, conflict between Roddenberry and the network doomed the series. It would place fifth in the final Hugo balloting the following year at Aussiecon One with Young Frankenstein being the Hugo winner.
  • January 23, 1985 — The Rankin-Bass version of ThunderCats premiered in syndication. Leonard Starr was the primary writer with the animation contracted to the Japanese studio Pacific Animation Corporation, with Masaki Iizuka as the production manager. It would run for four years and one and thirty episodes. Need we note that a vast media empire of future series, films, comics, t-shirts, statues, action figures and so forth have developed since then?

(13) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 23, 1923 Walter M. Miller Jr. He’s best remembered  for A Canticle for Leibowitz, the only novel he published in his lifetime. Terry Bisson would finish off the completed draft that he left of Saint Leibowitz and the Wild Horse Woman, a sequel of sorts to the first novel. He did a fair amount of short fiction as well. He’s poorly represented both digitally and in the dead tree sense as well beyond A Canticle for Leibowitz. (Died 1996.)
  • Born January 23, 1932 Bart LaRue. He was the voice of The Guardian  of  Forever in the “City on the Edge of Forever” episode of Trek as well as doing voice roles in “Bread and Circuses” (on-screen too) “The Gamesters of Triskelion” as Provider 1 (uncredited) “Patterns of Force” as an Ekosian newscaster (Both voice and on-screen) and “The Savage Curtain” as Yarnek. He did similar work for Time Tunnel, Mission Impossible, Voyage to The Bottom of The Sea, The Andromeda StrainWild Wild West, Land of Giants and Lost in Space. (Died 1990.)
  • Born January 23, 1939 Greg and Tim Hildebrandt. Greg’s aged eighty one years, and Tim passed in 2006. I’d say best known for their very popular and ubiquitous Lord of the Rings calendar illustrations, also for illustrating comics for Marvel Comics and DC Comics. They also did a lot of genre covers so I went to ISFDB and checked to see if I recognized any. I certainly did. There was Zelazny’s cover of My Name is Legion, Tolkien’s Smith of Wootton Major and Farmer Giles of Ham and Poul Anderson’s  A Knight of Ghosts and Shadows. Nice.
  • Born January 23, 1942 Brian Coucher, 78. He appeared in three genre series — first  the second actor to portray Travis in Blake’s 7 and also as Borg in the Fourth Doctor story, “The Robots of Death”. Finally genre wise he appeared in a Doctor Who spin-off that I’ve never heard existed, Shakedown: Return of the Sontarans. No Who characters appeared though Sophie Alfred played someone other than Ace here. 
  • Born January 23, 1943 Gil Gerard, 77. Captain William “Buck” Rogers in Buck Rogers in the 25th Century which I fondly remember as a really a truly great SF series even if it really wasn’t that great. He also shows up in the very short lived E.A.R.T.H. Force as Dr. John Harding, and he’s General Morgenstern in Reptisaurus, a movie title that proves someone had a serious lack of imagination regarding titles that day. In Bone Eater, a monster film that Bruce Boxleitner also shows up in as Sheriff Steve Evans, he plays Big Jim Burns, the Big Bad. Lastly I’d like to note that he got to play Admiral Sheehan in the “Kitumba” episode of fan created Star Trek: New Voyages. 
  • Born January 23, 1950 Richard Dean Anderson, 70. Unless you count MacGyver as genre which I can say is open to debate, his main and rather enduring SF role was as Jack O’Neill in the many Stargate Universe series. Well Stargate SG-1 really as he only briefly showed up on Stargate Universe and Stargate Atlantis whereas he did one hundred and seventy-three episodes of SG-1. Wow. Now his only other SF role lasted, err, twelve episodes in which he played Enerst Pratt alias Nicodemus Legend in the most excellent Legend co-starring John de Lancie. Yeah, I really liked it. And damn it should’ve caught on. 
  • Born January 23, 1976 Tiffani Thiessen, 44. Better known by far by me at least her role as Elizabeth Burke on the White Collar series which might be genre adjacent, she did end up in three films of genre interest: From Dusk Till Dawn 2: Texas Blood Money, Shriek If You Know What I Did Last Friday the 13th (a parade of the Friday the 13th films) and Cyborg Soldier. They’re average rating at Rotten Tomatoes among reviewers is fifteen percent in case you were wondering how good they were. 
  • Born January 23, 1973 Lanei Chapman, 47. She’s most remembered as Lt. Vanessa Damphousse on Space: Above and Beyond, a series that ended well before it should’ve ended. She made her genre debut on Next Gen as Ensign Sariel Rager, a recurring character who was a conn officer. 
  • Born January 23, 1977 Sonita Henry, 43. Her very first was as President’s Aide on Fifth Element. She was a Kelvin Doctor in the rebooted Star Trek film, and she’s Colonel Meme I the Eleventh Doctor story, “The Time of The Doctor”.  Her latest is playing Raika on Krypton.

(14) COMICS SECTION.

(15) AND SPREAD HIM OUT THIN. Adweek says “Rest in Peace, Mr. Peanut—Planters Kills Off Iconic Mascot in Lead-Up to Super Bowl”.  

… In a shocking move, Planters, the Kraft-Heinz-owned snack brand, has killed off its iconic mascot in a teaser for its Big Game spot. Mr. Peanut’s untimely demise began with a Nutmobile crash, followed by falling off a cliff and ending in an explosion.

… And when will the classic mascot be memorialized? During Super Bowl 2020, naturally.

…The loss of Mr. Peanut is a major moment for the brand. Planters first introduced Mr. Peanut to audiences in 1916, meaning that the mascot has been around since the midst of World War I, making him of the longest-standing brand mascots of all time.

The spot, which will air during the third quarter of the Big Game on Feb. 2, was produced by VaynerMedia. Planters also has several promotions and activations to honor Mr. Peanut’s life, including commemorative pins for fans who spot the Nutmobile on the streets and a hashtag, #RIPeanut, for fans to share their sympathies.

(16) POMPEII AND CIRCUMSTANCE. “Mount Vesuvius eruption: Extreme heat ‘turned man’s brain to glass'” – BBC has the story.

Extreme heat from the Mount Vesuvius eruption in Italy was so immense it turned one victim’s brain into glass, a study has suggested.

The volcano erupted in 79 AD, killing thousands and destroying Roman settlements near modern-day Naples.

The town of Herculaneum was buried by volcanic matter, entombing some of its residents.

A team of researchers has been studying the remains of one victim, unearthed at the town in the 1960s.

A study, published in the New England Journal of Medicine on Thursday, said fragments of a glassy, black material were extracted from the victim’s skull.

Researchers behind the study believe the black material is the vitrified remains of the man’s brain.

(17) YOUR PAL IN SPACE. “Meet Vyom – India’s first robot ‘astronaut'” – BBC video.

India’s space agency has unveiled a robot that will travel to space later this year as part of an unmanned mission

Scientists hope that it will be able to later assist astronauts in a manned space mission called Gaganyaan, which is scheduled for December 2021.

Isro will conduct two unmanned missions – one in December this year and another in June 2021 – before the Gaganyaan mission.

The robot, which has been named Vyom Mitra (which translates from the Sanskrit to friend in space) is designed to perform a number of functions including responding to astronaut’s questions and performing life support operations.

(18) DO IT FOR SCIENCE. Public spirited citizens arise! “Wanted – volunteers to monitor Britain’s growing slug population”.

Citizen scientists are being sought to help carry out the first survey in decades of Britain’s slug populations.

To take part, all that’s required is curiosity, a garden, and a willingness to go out after dark to search for the likes of the great grey or yellow slug.

The year-long research project will identify different slug species and the features that tempt them into gardens.

The last study conducted in English gardens in the 1940s found high numbers of just nine species of slug.

Many more have arrived in recent years, including the Spanish slug, which is thought to have come in on salad leaves. Less than half of the UK’s 40 or more slug species are now considered native.

(19) TRANSMUTING GOLD TO LEAD. Iron Man never had days like this. GQ asks “Does Dolittle’s Box Office Flop Spell Trouble for Robert Downey Jr.?”

For over a decade, Robert Downey Jr. played MCU pillar Tony Stark, a billionaire superhero who would almost certainly consider Dolittle’s abysmal opening weekend earnings to be little more than pocket change.

Despite opening on a holiday weekend, RDJ’s Dolittle made just $29.5 million over the four-day period, and only an additional $17 million internationally. Dolittle cost a jaw-dropping $175 million to make, so those box office numbers are kind of catastrophic, with Universal expected to lose $100 million on the movie, according to The Wrap. Universal, it should be noted, also took a bath last month when the furry fever dream that is Cats flopped, but at least Cats only cost $90 million to make, so the loss isn’t quite as terrible.

The only slim hope for Dolittle’s prospects is a higher than expected haul in the international markets where it hasn’t opened yet—including China—but maybe don’t hold your breath.

It took the strain of wielding all six Infinity Stones to kill him in the Marvel Cinematic Universe, so Robert Downey Jr. will probably survive Dolittle’s bomb. Still… yikes.

(20) I SPY, AGAIN. “Twitter demands AI company stops ‘collecting faces'”

Twitter has demanded an AI company stop taking images from its website.

Clearview has already amassed more than three billion photographs from sites including Facebook and Twitter.

They are used by the FBI and Department of Homeland Security and more than 600 other law-enforcement agencies around the world to identify suspects.

In a cease-and-desist letter sent on Tuesday, Twitter said its policies had been violated and requested the deletion of any collected data.

…US senator Ron Wyden said on Twitter Clearview’s activities were “extremely troubling”.

“Americans have a right to know whether their personal photos are secretly being sucked into a private facial-recognition database,” he said.

“Every day, we witness a growing need for strong federal laws to protect privacy.”

(21) PYTHON PASSPORT. [Item by Hampus Eckerman.] A fitting (and unintentional) tribute to Terry Jones. I’d vote for a Brexit for this one if I could.

Original:

Sad to say, the Express graphic is fixed now — “Britons will fly to 2020 summer holiday destinations on classic BLUE passport”.

(22) VIDEO OF THE DAY. In “Model Citizen” on YouTube, David James Armsby portrays what seems to be the perfect nuclear family–but why is it controlled by evil robots?

[Thanks to Mike Kennedy, Martin Morse Wooster, Cat Eldridge, Hampus Eckerman, Chip Hitchcock, John King Tarpinian, JJ, Contrarius, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Anthony.]