Pixel Scroll 11/3/23 Scrolled Things Are aFiled At The Pixel K

(1) GAHAN WILSON TV. Episode One of Gahan Wilson’s Tales of Horror TV series debuted on Halloween at GahanWilson.net where it is streaming exclusively.  They will be premiering one or two new episodes each month for the next two years. Episode One is “Phyllis” starring Bourke Floyd and Rachel Alig.

CHATGPT LOVES MY BOOK. [Item by Francis Hamit.]

STARMEN, A blended genre story merging Apache myths, witchcraft, science fiction, fantasy, history, detective, espionage, politics, and romance in a captivating narrative.

Had a conversation with ChatGPT that resulted in that promotional blurb.:  Now I know a bit about AI from covering it during my trade magazine journalism career and my experiments with Artspace.ai.  Any conversation with ChatGPT trains it to serve your needs but the “captivating narrative” bit at the end threw me for a bit.  It seems almost human, doesn’t it, as if it has read the book.

So was that just a lucky accident or could the ChatGPT program have done this? Could it have reached into my computer and read my novel and then compared it to the thousands of other novels and their reviews that have been uploaded to its massive database?  And now makes a value judgement like that?

It could do so in a nanosecond. There is an excerpt on Amazing Stories and other reviews of my other work online and several other books of mine in the Cloud at AWS..  

Will ChatGPT become a literary arbiter because it will always know more than humans do.  (And whose fault is that?  We trained it.)  I suspect that a ChatGPT review may become a default item for book promotion. I’m certainly going to use this just to see if it has any influence.

Two things; ChatGPT is also trained to be very polite so negative reviews are unlikely and a new book is now expected to get dozens of reviews from a variety of  sources; publications, book bloggers, Book Tok influencers, etc. So it will not displace any human reviewer but be just another data point.

(3) MIKE ALLEN Q&A. West Virginia Public Broadcasting interviews writer, editor and publisher Mike Allen about “Sci-fi, Horror And Ghosts In Western Virginia”.

Adams: I’m curious as to what you see when you look at Appalachia. What’s it look like from your perspective in the sci-fi/fantasy/horror world?

Allen: So here’s an interesting thing for me: Roanoke is unique. Some of it, I think, actually goes back to Nelson Bond having been based here, who was extremely active in the 1930s and ‘40s and ‘50s in the magazine scene that existed at that time. Writers like Sharyn McCrumb were making Roanoke, or at least the Roanoke region, their home base. Roanoke has this very robust culture for celebrating its writers, regardless of what they write. Those of us who are based here like myself, like Rod Belcher, who writes under the name R.S. Belcher, or Amanda McGee, who’s an up-and-coming writer whose work is definitely Appalachian and has a bit of witchery involved, we’ve experienced the benefit of that.

There’s no way for me to kind of sweepingly talk about everybody with an Appalachian connection. But there are some I do want to mention. Nathan Ballingrud, who lives in Asheville, is a horror writer who’s had some really high profile things happen lately. His first short story collection, “North American Lake Monsters,” was adapted into the Hulu series, “Monsterland.” The title story in that book, he considers to be an Appalachian story. I mentioned Rod Belcher whose novels have events in West Virginia and the Carolinas. Manly Wade Wellman might be the classic Golden Age writer who’s most associated with the Appalachians. He has a series of stories about John the Balladeer, or Silver John, who is a gentleman who has a guitar strung with silver strings. He wanders through this magical realist version of the Appalachian Mountains and has encounters that are very much based on Appalachian folklore….

(4) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.] Today’s updates are briefer than planned, as I’ve been working on some other stuff, which might make it into tomorrow’s update.

Photos and video from the Iain M. Banks panel

This Weibo post has some photos from, and a brief write-up of, the Iain M. Banks panel.  (A translated edition of Look to Windward has just been released in China.)

The same person also posted a subtitled video of a 7-minute clip from a Sky documentary, which seems like it was maybe shown during the panel.

YouTube report from the con

I’ve only briefly skimmed this subtitled 19-minute video about the con, so I don’t know how worth watching it is.  The source seems to be a reporter who normally covers Silicon Valley and the tech industry, so there’s a fair bit of stuff about the “businessy” panels as well as things more likely to be of interest to Filers.  There’s a bit of footage from the panel/presentation Nnedi Okorafor was on.

Group photos from the con

It’s not clear to me if the person who posted this image gallery to Xiaohongshu was a volunteer or some other member of the con team, but some of the faces seen in the photos will be recognizable to Filers.

(5) SFWA RESPONDS TO GOVERNMENT CALL FOR COMMENTS ON AI. SFWA has posted the text of a letter the organization sent to the US Copyright Office about artificial intelligence – “SFWA Comments on AI to US Copyright Office” at the SFWA Blog.

On October 30, the SFWA Board and the SFWA Legal Affairs Committee sent the following letter to the US Copyright Office in response to their August 2023 Notice of Inquiry regarding copyright law and policy issues in artificial intelligence, which is part of their AI Initiative….

Quoting from the letter:

… it is with much regret that we cannot yet speak in favor of using AI technology in the business of creating art.

The current crop of artificial intelligence systems owes a great debt to the work of creative human beings. Vast amounts of copyrighted creative work, collected and processed without regard to the moral and legal rights of its creators, have been copied into and used by these systems that appear to produce new creative work. These systems would not exist without the work of creative people, and certainly would not be capable of some of their more startling successes. However, the researchers who have developed them have not paid due attention to this debt. Everyone else involved in the creation of these systems has been compensated for their contributions—the manufacturers of the hardware on which it runs, the utility companies that generate their electrical power, the owners of their data centers and offices, and of course the researchers themselves. Even where free and open source software is used, it is used according to the licenses under which the software is distributed as a reflection of the legal rights of the programmers. Creative workers alone are expected to provide the fruits of their labor for free, without even the courtesy of being asked for permission. Our rights are treated as a mere externality.

Perhaps, then, creative workers uniquely benefit from the existence of these artificial intelligence systems? Unfortunately, to date the opposite has been the case: SFWA has thus far seen mainly harm to the business of writing and publishing science fiction and fantasy as a result of the release of AI systems.

For example, short fiction in our genres has long been recognized as a wellspring of the ideas that drive our work as well as inspiring works in film, games, and television. Writers in our genres rely on a thriving and accessible landscape, which includes online and paper magazines. Part of the success of these publications depends on an open submission process, in which writers may submit their stories without a prior business relationship. This has frequently served as a critical opportunity for new and marginalized authors to have their voices heard.

Over the last year, these venues, particularly the ones that pay higher rates for stories, have been inundated with AI-written stories. The editors uniformly report that these submissions are poorly conceived and written, far from being publishable, but the sheer volume materially interferes with the running of these magazines. Once submission systems are flooded with such content, it takes longer to read and reject a submission than it took someone to have an AI produce it in the first place. Every submitted work must be opened and considered to verify that the writers for whom the system was originally designed are not missed or forgotten….

(6) JOANNA RUSS. LitHub provides readers with “Everything You Need to Know About Groundbreaking Queer Feminist Science Fiction Writer Joanna Russ”.

…Eventually Russ would find a way to channel that disjunction into a remarkable body of literature, including the revolutionary novel The Female Man (1975).

That novel and a selection of other novels and stories by Russ have now been collected and reissued by the Library of America. Not long ago, I sat down with the volume’s editor, Nicole Rudick, to talk about Russ’s life, work, and her reputation as one of the fiercest critics ever to write about science fiction.

JM: Let’s talk about Russ’s development as a writer. She grew up in New York, went to Cornell. She studied with Nabokov, correct?

NR: True, though I think it’s a little overstated. She studied with him in her last year at Cornell and dedicated “Picnic on Paradise” to him and to S.J. Perelman, but I think she came to feel a little silly about that. She named them both as stylistic influences, and she and Nabokov certainly share a metafictional approach, but she talked a lot more throughout her life about George Bernard Shaw.

She grew up loving science, and was a top 10 finalist in the Westinghouse Science Talent Search in 1953. She graduated high school early, and then went to Cornell and switched over to literature. She said that she came out to herself as a lesbian privately when she was a kid and went right back in because she had no models. She didn’t feel that it was real, that it could be done. And that continued at Cornell, where things were pretty traditional in terms of gender roles. And then she went to Yale and studied playwriting but found that she was not very good at it. When she returned to New York, she worked odd jobs, did some theater work, and made some adaptations for radio at WBAI. She was also writing stories and publishing them in little journals and SF magazines.

In the late 60s, she started writing stories about Alyx. She said it was the hardest thing she ever did in her life, to conceive of a tough, independent female protagonist and get it on the page. Feminism was not widespread in the United States at that moment and Russ wasn’t involved in consciousness-raising groups or anything like that, so it was a solitary time to be writing these sorts of things. But they did well. Picnic in Paradise, her novella about Alyx, won a Nebula Award. And then in ‘67, she was back at Cornell, as a teacher, and in ‘69, there was a colloquium on women in the United States organized by the university in the intercession period—Betty Friedan and Kate Millett and a bunch of other panelists talking about sexuality, race, and why women see each other the way that they do. They approached these issues as social problems, not individual problems. Russ was there, and her description of it is so funny—“Marriages broke up; people screamed at each other who had been friends for years…. The skies flew open.” A wave of feminism washed over Cornell, and she sat down and wrote “When it Changed” in the weeks afterwards. Six months later, she saw a novel in the story and wrote The Female Man. But she couldn’t find a publisher. She wanted it published by a trade press and they all rejected it. The excuses were like, “There’s more feminism than science fiction”—that from Viking Press. A lot of women editors were baffled by it and turned it down. It finally got bought by Frederik Pohl [at Bantam Books] in 1975….

(7) CUTTING EDGE. The UK’s Crime Writers Association is expanding their Dagger Awards with two new categories: “Dagger awards adds categories for ‘cosy crime’ and psychological thrillers” in the Guardian.

The growing popularity of two crime fiction subgenres has prompted the creation of two new categories in the annual Crime Writers’ Association awards, including one for “cosy crime” – the subgenre of comforting mysteries that originated with Agatha Christie and is now most associated with Richard Osman.

The Daggers, as the CWA awards are known, recognise authors across 11 categories including historical crime, translated crime and lifetime contribution to crime writing. Next year, the two new awards will be the Twisted Dagger, for psychological thrillers, and the Whodunnit Dagger, for cosy crime….

(8) EATING THE FANTASTIC. Scott Edelman invites listeners to binge BBQ with the legendary Mike Gold in Episode 211 of the Eating the Fantastic podcast.

Mike Gold

I’m extremely pleased I was able to convince the legendary Mike Gold to head out for dinner the night before the con began.

Gold entered the comic industry as DC’s first public relations manager. But as I was astounded to discover, he did some PR earlier than that — as the media coordinator for the defense at the Chicago Conspiracy trial, acting as the intermediary between the press and the likes of Abbie Hoffman and Jerry Rubin, when he was only a teen.

After DC, in 1983, he launched First Comics, where he edited Howard Chaykin’s American Flagg, Mike Baron and Steve Rude’s Nexus, Jim Starlin’s Dreadstar, Mike Grell’s Jon Sable Freelance, and many other classic series. Then after his move back to DC in 1986, he edited such titles as LegendsThe ShadowThe QuestionAction Comics WeeklyGreen Arrow: The Longbow HuntersBlackhawk, and others.

In 2006, he co-founded ComicMix, and in 2011, he received the first Humanitarian Award from the Hero Initiative. And — since he’s five years older than I am — meaning I would have read Fantastic Four #1 at age six, and Mike at eleven, five years counting for a lot back then — I enjoyed digging into our differing perspectives about the early days of comics.

We discussed the way his hiring at DC Comics was all Neal Adams’ fault, how the guerrilla marketing he learned from Abbie Hoffman helped him quadruple direct market sales, the Steve Ditko Creeper cover which sent a not-so-secret message to publisher Carmine Infantino, why editor Murray Boltinoff compared Marvel Comics to the Beatles (and not in a good way), which staffer was “the most disgusting human being I’d ever met in my life,” how First Comics was born, his secret weapon for getting creators to deliver their work on time, our differing contemporaneous exposure to Fantastic Four #1 (and how his related to Merrick Garland), the way an off-hand comment led to a classic John Byrne comic, how the comic book field is like a donut shop, and much more.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 3, 1929 Neal Barrett, Jr. Heavily nominated for many awards including a number of Hugos but he never won. He was Toastmaster at LoneStarCon 2.  He was prolific writing over two dozen novels and some fifty pieces of short fiction including a novelization of the first Dredd film. As good much of his genre work was, I think his finest, best over the top work was the Wiley Moss series which led off with Pink Vodka Blues. He’s generously available at usual digital suspects. (Died 2014.)
  • Born November 3, 1933 Jeremy Brett. Still my favorite Holmes of all time. He played him in four Granada TV series from 1984 to 1994 in a total of 41 episodes. One source said he was cast as Bond at one point, but turned the part down, feeling that playing 007 would harm his career. Lazenby was cast instead. (Died 1995.)
  • Born November 3, 1942 Martin Cruz Smith, 81. Best remembered for Gorky Park, the Russian political thriller, but he’s also done a number of genre novels in The Indians Won (alternate history), Gypsy in Amber and Canto for a Gypsy (PI with psychic powers) and two wonderful pulpish novels, The Inca Death Squad and Code Name: Werewolf
  • Born November 3, 1952 Eileen Wilks, 71. Her principal genre series is the World of Lupi, a FBI procedural intertwined with shapeshifters, dragons and the multiverse. Highly entertaining, sometimes considered romance novels though I don’t consider them so. The audiobooks are amazing as well!
  • Born November 3, 1953 Kate Capshaw, 70. Best known as Willie Scott in Indiana Jones and the Temple of Doom (which I’ll confess I’ve watched but a few times unlike the first film which I’ve watched way too much), and she was in Dreamscape as well. She retired from acting several decades ago.
  • Born November 3, 1963 Brian Henson, 60.  Can we all agree that The Happytime Murders should never have been done?  Wash it out of your consciousness with Muppet Treasure Island or perhaps The Muppet Christmas Carol. If you want something darker, he was a puppeteer on The Witches, and the chief puppeteer on Teenage Mutant Ninja Turtles. And he voices Hoggle in Labyrinth.
  • Born November 3, 1977 David Edison, 46. His Waking Engine series, beginning with the rather excellent Waking Engine novel, an urban fantasy set in the afterlife, would’ve been great. His only other novel, Sandymancer, merges fantasy and hard SF. 

(10) IN THE SAME SPIRIT. “We Almost Got a Superhero Movie from The Exorcist Director William Friedkin” says Literary Hub.

In 1975, four years after the release of The French Connection, William Friedkin revealed to a reporter the inspiration for the film’s celebrated car chase scene.

It was the cover of a comic book: a man runs terrified on elevated tracks, just a few steps ahead of a train. He is handsome and athletic. Save for a domino mask, he is dressed like a classic Hollywood detective, in a blue suit and loose tie; he bears no resemblance to Gene Hackman’s slovenly everyman “Popeye” Doyle. The cover was from The Spirit, a comic that ran as a seven-page newspaper insert throughout the 40s and early 50s. The series, created by Will Eisner, was admired for its black humor, innovative compositions, shocking violence, and its setting in a precisely realized urbanscape. “Look at the dramatic use of montage, of light and sound,” Friedkin told the reporter. “See the dynamic framing that Eisner employs, and the deep, vibrant colors.”

Friedkin may not have been telling the truth. The comic he showed the reporter was a reprint that had been published after the release of The French Connection. The stories were three decades old, but the covers were new. Still, it was good publicity for the project he was then planning, a feature-length pilot for an NBC series that would feature the Spirit, aka Denny Colt, a detective who has risen from the dead, lives in a cemetery, and fights crime with his wits, his fists, and a willingness to withstand pain that borders on masochism….

(11) ITALIAN POLITICAL BRANDING USING LOTR. Jamie Mackay asks “How did The Lord of the Rings become a secret weapon in Italy’s culture wars?” in a Guardian opinion piece.

As a longtime fan of JRR Tolkien, I’ve long felt put out by Giorgia Meloni’s bizarre obsession with The Lord of the Rings. Over the years, Italy’s ultra-conservative prime minister has quoted passages in interviews, shared photos of herself reading the novel and even posed with a statue of the wizard Gandalf as part of a campaign. In her autobiography-slash-manifesto, she dedicates several pages to her “favourite book”, which she refers to at one point as being a “sacred” text. When I read the news this week that Italy’s culture ministry is spending €250,000 to organise a Tolkien show at Rome’s National Gallery of Modern and Contemporary Art, and that Meloni will attend the opening, I couldn’t help wondering: why? What is this government trying to achieve by stamping its mark so aggressively on one of the world’s most loved fantasy sagas?

My Italian friends don’t get the fuss. This is everyday politics, they say, a simple branding exercise to soften Meloni’s image. Perhaps. But there’s a deeper, and frankly stranger, side to this story. When The Lord of the Rings first hit Italian shelves in the 1970s, the academic Elémire Zolla wrote a short introduction in which he interpreted the book as an allegory about “pure” ethnic groups defending themselves against contamination from foreign invaders. Fascist sympathisers in the Movimento Sociale Italiano (MSI) quickly jumped on the provocation. Inspired by Zolla’s words, they saw in Tolkien’s world a space where they could explore their ideology in socially acceptable terms, free from the taboos of the past. Meloni, an MSI youth wing member, developed her political consciousness in that environment. As a teenager she even attended a “Hobbit Camp”, a summer retreat organised by the MSI in which participants dressed up in cosplay outfits, sang along to folk ballads and discussed how Tolkienian mythologies could help the post-fascist right find credibility in a new era….

(12) STREAMING TOP 10. JustWatch has released the top 10 streaming movies and TV shows for October 2023.

(13) VIDEO OF THE DAY. “Marvel Studios’ Echo” official trailer dropped today. The series begins streaming January 10 on @DisneyPlus and @Hulu.

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Francis Hamit, Mike Kennedy, Andrew Porter, Ersatz Culture, and John King Tarpinian  for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 11/21/22 Please State The Nature Of Your Pixel Emergency

(1) TWITTER CONTINUES TO HEMORRHAGE. John Scalzi reports that he has been losing Twitter followers since people began shutting down their accounts after Musk took over — and that the number immediately dropped by several hundred when Musk announced Trump could have his account back. Scalzi now has tweeted this summary for the last month.

(2) MAJOR PUBLISHER MERGER NOW IMPROBABLE. Publishers Weekly anticipates that “PRH, S&S Deal Likely Dead”.

With the deadline to appeal Judge Florence Pan’s October 31 decision closing in, reports from multiple media sources say that Simon & Schuster parent company Paramount Global has decided not to extend its purchase agreement, putting the sale to Penguin Random House close to collapse. Without an extension of the purchase agreement, which is reportedly set to expire on Tuesday, an appeal would be virtually impossible, and S&S would likely go back on the market.

Paramount’s decision to forego an appeal doesn’t come as a surprise. Immediately after Pan’s decision came down in late October, sources were pointing out that an appeal could only be made if Paramount agreed, and while PRH CEO Markus Dohle wanted to move ahead, he acknowledged that PRH and parent company Bertelsmann were talking to Paramount executives about “next steps.”

Representatives at PRH and S&S had no comment on the reports this morning.

If the deal is indeed dead, Paramount is entitled to a roughly $200 million breakup fee, something that makes ending the legal fight much more attractive to Paramount than PRH. Even the expedited appeal that PRH is seeking could take as long as nine months to be heard and would further prolong the process of finding a new home for S&S, especially if the appeal was denied and Paramount would need to revive the acquisition process….

(3) SEASON’S READINGS. “Bill Gates’ 2022 holiday book list: From ‘Team of Rivals’ to Bono” at CNBC.

This holiday season, billionaire Bill Gates is gifting you a list of five books to read while you’re hopefully enjoying some much-deserved downtime.

Gates, a voracious reader who reads at least 50 books each year, regularly releases lists of the best books he’s read each year — alongside seasonal recommendations for holiday books and summer beach reads….

There’s a reason this Heinlein novel is one of them.

‘Stranger in a Strange Land’ by Robert Heinlein

This 1961 sci-fi classic holds a special place in Gates’ memory.

“I met Paul [Allen] around [that] time, and we got to know each other by talking about sci-fi,” Gates wrote of his late friend and Microsoft co-founder. “I thought I had read a lot of it, but Paul way outdid me.”

“Stranger in a Strange Land” — Gates’ favorite sci-fi book from his youth, he noted — is the story of a human who was raised on Mars, by Martians. The young man travels to a futuristic Earth, where he struggles to understand human concepts of religion and war.

“I love sci-fi that pushes your thinking about what’s possible in the future,” Gates wrote, noting that Heinlein’s book correctly predicted some aspects of the future at the time, including “hippie culture” and waterbeds.

“He also does the classic sci-fi thing of using an obviously fictional setting to ask profound questions about human nature,” Gates added.

(4) HOMES WORTHY OF A SAGA. Architectural Digest invites you to admire “15 Whimsical Fairytale Houses Around the World”.

From a Beverly Hills home to a 500-year-old thatched roof cottage, don’t be surprised if you find Snow White answering the door at one of these properties…

Wow, this may be in my general area but it is news to me!

Culver City, California

If the lopsided roof, stone façade, and odd-shaped window alone didn’t make this home look like it came straight out of children’s book, then the small pond surely seals the deal. Designed by Lawrence Joseph, an ex-Disney studio artist, the home is actually located in a development in Culver City known as The Hobbit Houses of Los Angeles. Built over some 20 years, the community holds a collection of whimsical storybook homes.

(5) WORLD ENDS, FILM AT ELEVEN. CBR.com admires these “10 Best Movies About The End Of The World”.

…Frequent topics covered in apocalyptic films include zombie attacks, virus outbreaks, natural disasters, alien invasions, and nuclear holocausts. Some apocalyptic films are produced solely for their entertainment value, while others encapsulate the chaotic nature of their respective eras. Many of the greatest films of all time revolve around the destruction of human existence….

The list begins with a film with a growing reputation:

10/10 Train To Busan Is One Of The All-Time Great Zombie Movies

Train to Busan is a South Korean action horror film that predominantly takes place on a high-speed train as a group of passengers attempts to survive a zombie apocalypse. Historically, zombies have been portrayed as lumbering creatures; however, in Train to Busan, the zombies are highly aggressive and move with lightning quickness.

Train to Busan was a massive box-office success, becoming the highest-grossing film of the year in South Korea and the all-time highest-grossing Korean film in several Asian countries. The film has been praised for its thrilling entertainment value as well as its social commentary on class warfare.

(6) MEMORY LANE.

2012 [By Cat Eldridge.] Rise of the Guardians

On this day a decade ago, The Rise Of The Guardians enjoyed its premiere.  It is quite possibly my favorite holiday film, though Scrooged and The Polar Express are also on the list as well.

It was directed by Peter Ramsey and produced by Christina Steinberg and Nancy Bernstein from a screenplay by David Lindsay-Abaire. It was based on William Joyce’s The Guardians of Childhood series, 

OK, IT IS TIME FOR A CUP OF HOT CHOCOLATE PREPARED BY THE STEWARDS OFVTHE POLAR EXPRESS. COME BACK AFTER WE HAVE TOLD THE STORY OF THIS FILM.

The Guardians of Childhood series was a mystical epic of mythological characters fighting darkness to protect childhood dreams. It made very good source material for that aforementioned screenplay by David Lindsay-Abaire in which Jack Frost awakens from a very long nap under the ice with his memory gone to discover everyone has forgotten him.

Meanwhile at the North Pole (splendidly realized here), the Man in the Moon warns Nicholas St. North that Pitch Black (who look a lot Mr. Dark in Bill Willingham’s Fables series) is threatening the children of the world with his nightmares. 

He calls E. Aster Bunnymund, the Sandman, and the Tooth Fairy to arms. Each of these is a wonderfully realized character as the Man in the Moon and Nicholas St. North.

A series of truly epic battles to defeat Pitch Black follows lest all the children of the world are permanently beset with nightmares. He is defeated when his own Nightmares sensing he has grown weak drag him down into the Underworld.

DID YOU ENJOY THAT HOT CHOCOLATE? GOOD, COME ON BACK. 

The feature starred the voice talents of Hugh Jackman, Jude Law and Isla Fisher among others. I think it was a stellar voice cast and the animation was splendid. I’ve rewatched it several times, and the Suck Fairy retreats whimpering that it’s too sweet for her to mess with. 

It did exceedingly well at the box office taking in over three hundred million on a budget of one hundred and thirty million, and most critics at least grudgingly admit to liking it. (Children’s films are hard on critics.) The audience rating at Rotten Tomatoes is very healthy eighty percent.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 21, 1924 Christopher Tolkien. He drew the original maps for the LoTR. He provided much of the feedback on both the Hobbit and LoTR. His father invited him  to join the Inklings when he was just twenty-one years old, making him the youngest member of that group. Suffice it to say that the list is long of his father’s unfinished works that he has edited and brought to published form. (Died 2020.)
  • Born November 21, 1941 Ellen Asher, 81. Editor who introduced many fans to their favorites, as editor-in-chief of the Science Fiction Book Club (SFBC) for thirty-four years, from 1973 to 2007 (exceeding John W. Campbell’s record as the person with the longest tenure in the same science fiction job). She was personally responsible for selecting the monthly offerings to subscribers, and oversaw the selection of individual works for their special anthologies and omnibuses. She has been honored with a World Fantasy Special Award and an Edward E. Smith Memorial Award for Imaginative Fiction. In 2009, she was given a World Fantasy Award for Life Achievement, and she was Editor Guest of Honor at Renovation.
  • Born November 21, 1945 Vincent Di Fate, 77. Artist and Illustrator who has done many SFF book covers and interior illustrations since his work first appeared in the pages of Analog in 1965. He was one of the founders of the Association of Science Fiction and Fantasy Artists (ASFA), and is a past president. In addition to his Chesley Award trophy and 7 nominations, he has been a finalist for the Professional Artist Hugo 11 times, winning once; two collections of his artwork, Infinite Worlds: The Fantastic Visions of Science Fiction Art and Di Fate’s Catalog of Science Fiction Hardware, have been Hugo finalists as well. He was Artist Guest of Honor at the 1992 Worldcon, for which he organized their Art Retrospective exhibit. He was inducted into the Science Fiction Hall of Fame in 2011. You can see galleries of his works at his website.
  • Born November 21, 1946 Tom Veal, 76. He’s a con-running fan who chaired Chicon 2000. He was a member of the Seattle in 1981 Worldcon bid committee. He chaired Windycon X.  In 2016 he married fellow fan Becky Thomson. And he wrote the “1995 Moskva 1995: Igor’s Campaign“ which was published in  Alternate Worldcons and Again, Alternate Worldcons as edited by Mike Resnick.
  • Born November 21, 1950 Evelyn C. Leeper, 72. Writer, Editor, Critic, and Fan, who is especially known for her decades of detailed convention reports and travelogues. A voracious reader, she has also posted many book reviews. She and her husband Mark founded the Mt. Holz Science Fiction Club at Bell Labs in New Jersey (Mt = abbreviation for the labs’ Middletown facility), and have produced their weekly fanzine, the MT VOID (“empty void”), since 1978. She was a judge for the Sidewise Award for Alternate History for 20 years. She has been a finalist for the Hugo Award for Best Fan Writer twelve times, and Fan Guest of Honor at several conventions, including a Windycon. (JJ)
  • Born November 21, 1953 Lisa Goldstein, 69. Writer, Fan, and Filer whose debut novel, The Red Magician, was so strong that she was a finalist for the Astounding Award for Best New Writer two years in a row. Her short fiction has garnered an array of Hugo, Nebula, and World Fantasy Award nominations, as well as a Sidewise Award. The short story “Cassandra’s Photographs” was a Hugo and Nebula finalist and “Alfred” was a World Fantasy and Nebula finalist; both can be found in her collection Travellers in Magic. Her novel The Uncertain Places won a Mythopoeic Award. You can read about her work in progress, her reviews of others’ stories, and other thoughts at her blog. (JJ)
  • Born November 21, 1965 Björk, 57. Who bears the lovely full name of Björk Guðmundsdóttir. I like Icelandic. And I’ve got boots of her band somewhere here I think. She’s here for The Juniper Tree which is a 1990 Icelandic film directed and written by Nietzchka Keene which is based on “The Juniper Tree” tale that was collected by the Brothers Grimm. She’s one of five performers in it. Oh, and because her last album Utopia explored that concept even using cryptocurrency as part of the purchase process.

(8) COMICS SECTION.

  • Macanudo has an idea about how to train your dragon that I never saw in a movie.

(9) JUST BEFORE THE HEAT DEATH OF THE UNIVERSE? “When Will the MCU End? Marvel Studios Exec Gives Honest Answer” at The Direct.

…During an interview on The Town with Matthew Belloni, Marvel Studios VP of Production & Development Nate Moore addressed how long the Marvel Cinematic Universe could potentially run.

When asked if there’s an end in sight, Moore admitted that the team “can’t sit back on (their) laurels,” noting a need to keep pushing the limits of what the genre and the franchise can do. But, in the end, he does feel like the MCU could continue for “a long time:”…

(10) FIREPOWER. Marvel didn’t get there first. CBR.com explains: “A Forgotten Will Eisner Creation was the First Fire-Themed Superhero”.

…Before Eisner achieved immense success with his groundbreaking character, the Spirit, the now legendary comic book writer was hired by Fox Feature Comics to help capitalize on the recent popularity of the superhero genre spearheaded by the arrival of Superman in 1938. After a failed attempt to replicate the Superman style with his character Wonder Man in the May of 1939, Eisner created one of the first superheroes to have a fire-based gimmick in the form of ‘The Flame’ in July that same year, actually predating the first appearance of Human Torch in Marvel Mystery Comics #1 (by Carl Burgos, Paul Gustavson, and Bill Everett)….

(11) TAKING THE BARK OFF OF THEM. Did you wonder what happened to the Puppies? Well, pretend you did, because Steve J. Wright has answered the question by setting clever new lyrics to a Noel Coward tune, which he titles “I Don’t Care what Happens to Him”. Here’s the opening verse.

The Puppies that one’s read about
That Fandom lost its head about
Have fallen from the spotlight to the darkness whence they came.
Though individual Puppies moan and whine
A lot,
Their prose is not
As hot as they might claim.
They never, ever managed yet,
Their plan to cause a big upset,
And now they must content themselves to play the hand they’re dealt….

(12) IANNUCCI Q&A. Armando Iannucci on ADHD, Avenue 5 and how human poop would make a good shield against radiation in space: “Armando Iannucci: ‘I have ADHD, which explains why I can only work to deadlines’” in the Guardian.

It’s become a cliche that “politics is beyond satire”. Do you believe that?
No, it’s how you approach it. If you try to dramatise current events, it will quickly date. Nowadays, the news moves faster than the last season of Game of Thrones. So either you get fast turnaround satire on social media – Cassetteboy, Led By Donkeys, Rosie Holt’s spoof Tory MP or Michael Spicer’s The Room Next Door, which are all great – or the more considered, analytical style of John Oliver. Not so much looking at what happened today but where it fits in. Framing the joke and giving it context. That influenced my thought process on Avenue 5 – it’s about going forward in time and away from the planet, then looking at it again from a wider perspective.

(13) ZOMBIE PITCHMAN. John King Tarpinian says, “The Walking Dead series finale was just so-so. But the commercials were hilarious.” The Drum has two of them. “Gareth’s Back! 5 Ads Resurrect Infamous Undead Characters During The Walking Dead Finale”.

After 11 seasons, 177 episodes and 12 years, AMC’s The Walking Dead came to an end last night.

To commemorate the momentous occasion, Ryan Reynolds’ creative agency Maximum Effort, AMC Network’s Content Room and Kimmelot’s Dan Sanborn devised a five-spot campaign that aired during the finale. The series of spots for Autodesk, Deloitte, DoorDash, MNTN and Ring bring back four characters who died throughout the series’ 12-year run….

Here’s one example. Another is at the link.

[Thanks to Cat Eldridge, Mike Kennedy, JJ, John King Tarpinian, Steven French, Chris Barkley, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Paul Weimer.]

Pixel Scroll 9/1/22 It’s Not A Pixel Scroll, It’s A Flamin’ Platypus

(1) PHOTO FROM THURSDAY’S FILE 770 MEETUP AT CHICON 8. The first File 770 meetup organized by Hampus Eckerman happened this morning – here’s a photo of some of the fans who made it. From left to right, Nicole, Martin and Kendall.

Meanwhile, Hampus has shifted the location for the Friday meetup to get away from the Jazz Festival happening in the area he planned before. Check the details here: Update Filers Meetup for Worldcon.

(2) PASSED MASTER. It’s a big advantage if you can skip taking a plane. “I will astral project myself to Worldcon” says Camestros Felapton. Expect to smell, er, see him there!

(3) MAGICAL THINKING. Xiran Jay Zhao, author of Iron Widow, cut loose with this video a few days ago:  

They have since traveled to Chicago. Where someone turned on the TV.

(4) CHICON 8 HITS A COUPLE OF BUMPS. The 2022 Worldcon began today, and a few problems with the con’s virtual edition prompted Chair Helen Montgomery to issue this “Virtual Access Apology”.

We apologize for the impact that accessibility issues within Airmeet, our platform for Virtual Chicon 8, have had on our members.

Thank you to people who have reached out to us about these issues as we launched this week.

The short version of our reply is that you are correct. There are definitely accessibility issues within Airmeet. Some issues we knew about and planned for, some issues are things we recently discovered, and some are things we simply didn’t think through all the way.

We knew that whatever platform we chose would have problems. We chose a platform that several of our staff have used before. We had a broad team working on Virtual C8, representing multiple divisions and areas, including our Accessibility Services team. Nonetheless, despite our best efforts, we still missed some pieces.

We are continuing to work on various workarounds for known issues. You can see our updated Accessibility Guide here (under the Virtual C8 menu tab) which is everything we know about Accessibility at this moment. We will continue to update it as we learn more.

If you need help, we have our live text chat service located at the bottom of the Virtual C8 page. You can also email us at [email protected] for assistance.

Hugo Administrator Kat Jones also apologized for some errors in the Souvenir Book: “Astounding Award Finalists: An Apology”.

We apologize for errors that have appeared in the official Chicon 8 Souvenir Book on page 98, in the listing of previous Astounding Award winners. 

When constructing the list of previous winners, the team mistakenly took the first name (ordered alphabetically) from this year’s Astounding Award ballot and listed it for the 2022 Astounding Award. We will correct this in the electronic version of the Souvenir Book. The team working on the Souvenir Book does not have visibility into the results of this year’s voting, and this error does not reflect anything other than the alphabetical ordering of the ballot.

We also apologize for the misspelling of Emily Tesh’s name as the 2021 Astounding Award winner, and the misspelling of Jeannette Ng’s name as the 2019 Astounding Award winner. These will also be corrected in the electronic version of the Souvenir Book.

We are very sorry for these mistakes.

(5) THE LINEAGE OF BATMAN. SF2 Concatenation has tweeted an advance post ahead of its autumnal edition: “Batman – Cinematic portrayals, or how The Dark Knight has maintained his comic book hero franchise”.

With the latest film in the collection just been to the cinema (eventually!) and now available on DVD, Bluray and on the usual platforms as The Batman, Mark Yon thought he would look at the rather long and complicated past of Batman in the cinema (with a couple of nods to comics and television as well!)…

(6) FENCON COPES WITH HOTEL OVERBOOKING MISTAKE. FenCon XVIII, which will be held in Irving, Texas from September 16-18, was handed the short end of the stick when their hotel “had a glitch” and got oversold by 150 rooms. The problem is being solved by switching a number of fans to nearby hotel, setting up continuous shuttles, and giving the displaced fans a $20 a day voucher. The committee told Facebook readers that anyone with an assisted reservation was kept on the property. Here is the statement from the convention’s website:

From the FenCon Staff to all of our members and guests: 

In mid-August, the Sheraton DFW hotel notified us that, due to a major computer glitch, they have oversold by over 150 rooms on FenCon weekend. The only way to manage their room inventory is to relocate many of our attendees to their sister property across the street, the DoubleTree DFW North. 

As a part of the concessions which the hotel is making to our convention, they will: 

* run a continuous shuttle between the two hotels during convention hours

* provide a $20 food voucher per day for each relocated guestroom for the DoubleTree restaurant

* the Hotel will be contacting attendees individually if their room is one of those being moved

The hotel has assured us that everyone who booked an accessible room will stay at the Sheraton.

Obviously this situation will be inconvenient, but Fencon was faced with the choice of working with the hotel to manage the situation, or canceling the convention, which we certainly did not want!

We hope the meal vouchers will help, and the shuttle should be a convenient way to move between the hotels. We do ask that you please not drive between hotels, as the parking spaces at the Sheraton will be nearly at capacity already.

We appreciate your understanding about the issue, and ask that you respect the staff at the various hotels – it isn’t their fault, and they are working hard to accommodate our needs. 

(7) SANFORD’S GRAPEVINE.  Jason Sanford posted a free issue of his “Genre Grapevine” sff news column on Patreon. It features many strong segments, such as “Twitter and the Normalization of Online Harassment and Attacks” which concludes:

…Sadly, I think it’s too late for Twitter and many of the original social media platforms, which enabled and profited off the worst aspects of humanity. As Annalee Newitz explained in this must-read post, Twitter is rapidly becoming a lost city. The result of all this will likely accelerate people moving to new platforms that don’t support and enable this hate and harassment, including siloed systems like personal newsletters. (For more on why authors should consider starting their own newsletter, see this excellent thread from K Tempest Bradford.)

All of this is a shame, because as Premee Mohamed explained, there are benefits and connections you can only find on a public platform like Twitter.

(8) EISNER TUNING UP FOR BROADWAY. Will Eisner’s “’A Contract With God’ Being Adapted Into Broadway Musical With TEG+” reports Variety.

TEG+ has acquired the stage rights to Will Eisner’s graphic novel “A Contract With God” and is adapting it into a Broadway musical, with new and original songs written by Sam Hollander, Lisa Loeb, Matisyahu, Ryan Miller and Jill Sobule.

“A Contract With God,” first published in 1978, is commonly recognized as the very first graphic novel in history. The novel consists of four interweaving stories revolving around the lives of a group of New Yorkers who live in a fictional tenement house, many of whom are Jewish and/or immigrants. For the musical, all of the members of the songwriting team are Jewish musicians and composers. Writing and recording sessions on the musical will commence soon, with Hollander serving as music producer.

(9) WHAT, AND LEAVE THAT MONEY ON THE TABLE? Dr. Michael D.C. Drout, a professor of English at Wheaton College in Massachusetts and co-editor of the journal Tolkien Studies, says in an opinion piece for the New York Times, “Please Don’t Make a Tolkien Cinematic Universe”.

…“The Rings of Power,” which will come out weekly after its two-episode premiere, is based primarily on only a few dozen pages in one of the historical appendices to “The Lord of the Rings,” meaning that almost the entire plot of the show has been created by Amazon Studios’ writers and showrunners. And there’s a huge gulf between Tolkien’s originality, moral sophistication and narrative subtlety and the culture of Hollywood in 2022 — the groupthink produced by the contemporary ecosystem of writers’ rooms, Twitter threads and focus groups. The writing that this dynamic is particularly good at producing — witty banter, arch references to contemporary issues, graphic and often sexualized violence, self-righteousness — is poorly suited to Middle-earth, a world with a multilayered history that eschews both tidy morality plays and blockbuster gore.

Is it fair to the legacies of writers like Tolkien to build franchises from their works without their knowledge or permission? Tolkien, who died in 1973, was fiercely protective of the world he created in his novels. He harshly rejected the spec screenplays of “The Lord of the Rings” he read and once asserted that the work was not appropriate for film. (He sold the film rights in 1969 only in order to help pay a tax bill; the television rights were sold to Amazon by his heirs.)…

(10) MEMORY LANE.  

1955 [By Cat Eldridge.] Sixty-seven years ago, the Hugo Awards returned as an official part of Worldcon. They had been skipped by the SFCon (1954) committee after being created by the Philcon II (1953) committee. They have been presented every year since.

The thirteenth Worldcon was held from the September 1-5, 1955. Nick Falasca and Noreen Falasca (Shaw) were the Chairs with the guests being Isaac Asimov (pro) and Sam Moskowitz (mystery GoH). The identity of the Special Mystery Guest was not revealed (even to the honoree) until the first night of the convention. The Program book noted that “Mr. Boucher [the Toastmaster] will make the presentation of the Achievement Awards and identify the Mystery Guest.” Anthony Boucher was Toastmaster. It was held at the Manger Hotel in Cleveland.  They would be known as Clevention. 

The Hugos were short enough that I feel comfortable listing them here.

  • Best Novel: They’d Rather Be Right by Mark Clifton and Frank Riley [Astounding Aug,Sep,Oct,Nov 1954]
  • Best Novelette: “The Darfsteller” by Walter M. Miller, Jr. [Astounding Jan 1955] 
  • Best Short Story: “Allamagoosa” by Eric Frank Russell [Astounding May 1955]
  • Best Professional Magazine: Astounding Science Fiction ed. by John W. Campbell, Jr. 
  • Best Professional Artist: Frank Kelly Freas 
  • Best Fanzine: Fantasy Times ed. by James V. Taurasi, Sr. and Ray Van Houten

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 1, 1875 Edgar Rice Burroughs. Ray Bradbury declared him “the most influential writer in the entire history of the world.” Not that I’d necessarily disagree or agree with that statement but I would note that he has largely fallen out of public notice once again. A statement some of you will argue with strongly. (Died 1950.)
  • Born September 1, 1926 Gene Colan. He co-created with Stan Lee the Falcon, the first African-American superhero in mainstream comics. He created Carol Danvers, who would become Ms. Marvel and Captain Marvel, and was featured in Captain Marvel. With Marv Wolfman, he created Blade. (Died 2011.)
  • Born September 1, 1942 C. J. Cherryh, 80. I certainly think the Hugo Award winning Downbelow Station at Chicon IV and Cyteen at Noreascon 3 are amazing works but I think my favorite works by her are the Merchanter novels such as Rimrunners.
  • Born September 1, 1943 Erwin Strauss, 79. A noted member of the MITSFS, and filk musician who born in Washington, D.C. He frequently is known by the nickname Filthy Pierre. He’s the creator of the Voodoo message board system once used at cons such as Worldcon, WisCon and Arisia. 
  • Born September 1, 1951 Donald G. Keller, 71.  He co-edited The Horns of Elfland with Ellen Kushner and Delia Sherman which I highly recommend. He is a contributor to The Encyclopedia of Fantasy and he’s member of the editorial board of Slayage, the online Encyclopedia of Buffy Studies
  • Born September 1, 1964 Martha Wells, 58. She’s has won two Nebulas, four Locus Awards, and four Hugo Awards. Impressive. And she was toastmaster of the World Fantasy Convention in 2017 where she delivered a speech called “Unbury the Future”. Need I note the Muderbot Dairies are amazing.
  • Born September 1, 1967 Steve Pemberton, 55. He’s on the Birthday List for being Strackman Lux in the Eleventh Doctor stories of “Silence in the Library” and “Forest of the Dead” but he has other genre credits including being Drumknott in Terry Pratchett’s Going Postal, Professor Mule in Gormenghast and Harmony in Good Omens.

(12) COMICS SECTION.

  • Eek! reveals another victim of a digital currency surprise.
  • The Duplex tells why they think Marvel is running out of ideas.

(13) FIFTY YEARS OF LUKE CAGE. Throughout the last year, superstar artist J. Scott Campbell has helped Marvel Comics honor the milestone anniversaries of some of comic book’s greatest icons including Hulk, Thor, Spider-Man, and Ant-Man. Up next will be a cover for October’s Daredevil #4 featuring Luke Cage who’s celebrating 50 years of defending the streets of the Marvel Universe as a solo fighter, a Hero for Hire, and an Avenger. The artwork depicts Luke in his iconic Power Man costume

(14) CHENGDU LOCKDOWN. “China Locks Down Major Southern City of Chengdu” – the New York Times reports what’s happening this weekend in the city that will host next year’s Worldcon.  

China has locked down Chengdu, one of its biggest and economically important cities, as it turns once again to its Covid strategy of restricting people’s movements to stop outbreaks.

Starting at 6 p.m. on Thursday, residents in the city of more than 21 million were no longer allowed to leave their homes without special permission, in the most drastic move to stop an outbreak since Shanghai went into a damaging two-month lockdown in April. Authorities also began citywide mass testing that they said would continue through the weekend. Chengdu reported 157 cases on Wednesday and more than 700 cases since Aug. 25.

China is the last major country in the world to pursue a policy of eradicating the virus, and it uses citywide lockdowns and mass testing to root out pockets of outbreaks. But the approach is adding to the pressures facing the local authorities in Sichuan, the southern province whose capital is Chengdu. A record-setting drought and a punishing heat wave have devastated the region’s power supply, and emergency responders battled quick-moving wildfires around the city of Chongqing until late last week.

Officials in Chengdu gave no indication of how long the lockdown might last, but it is expected to deal another economic blow to China at a challenging moment. The city is home to the manufacturing and assembly plants of several multinational automakers and technology firms including Intel, VW and Toyota, and its economic growth in 2021 accounted for 1.7 percent of China’s overall gross domestic product.

Chengdu and other cities across China have ordered measures like postponing the start of school and shutting down businesses to try to stamp out stubborn outbreaks in recent days….

(15) BIG MESS HALL. “H.P. Lovecraft Writes Olive Garden’s Dinner Menu” at McSweeney’s. A 2021 article – did we link last year? Well, it will still be news to someone.

Fried Calamari

Tendrils crusted in grit assail my palate. Begotten of the sea, yet containing the essence of a carnival. Fried and without end. At once I feel refined and base, but melancholy grips me when I spy the dressings within which this dismembered cephalopod is to dip. …

(16) OCTOTHORPE. John Coxon is a computer and Alison Scott and Liz Batty are talking to him very slowly in episode 65 of the Octothorpe podcast, “Action Castle 2”.

John, Alison, and Liz play a game because they’re all away at Chicon 8 this week. Normal service will resume shortly. Listen here!

(17) JUSTWATCH. Here are JustWatch’s Top 10 viewing lists for August 2022.

(18) TODAY’S THING TO WORRY ABOUT. “A massive planet circles a huge star doomed to explode” reports today’s Nature.

Confirmation of a second planet around the star μ2 Scorpii would indicate the first planetary system at a supernova-in-waiting.

A planet, and an object likely to be a planet, orbit a heavyweight star so massive that it will end its life in a spectacular explosion. The pair could comprise the first planetary system yet to be discovered around a star destined to form a supernova1.

Most of the 5,000-plus known planets beyond the Solar System circle relatively lightweight stars, no more than roughly twice the mass of the Sun. Whether planets can form and survive around stars big enough to go supernova remains relatively unexplored.

A team led by Vito Squicciarini at the University of Padua in Italy has been using the European Southern Observatory’s Very Large Telescope in Chile to search for planets around 85 young, massive stars. Around the star μ2 Scorpii, which is about 9 times the mass of the Sun, the astronomers spotted a planet that’s roughly 14 times the mass of Jupiter.

There are also hints of a second object, roughly 18 times the mass of Jupiter and closer to the star than the first one. The presence of two planets around such a massive star suggests that large stars circled by large planets might be more common than expected.

Original primary research article (open access) here.

(19) VIDEO OF THE DAY. Not sff, just amazing. Watch artist Devon Rodriguez at work in the NYC subways on Facebook.

[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Angela Smith, SF Concatenation’s Jonathan Cowie, Andrew Porter, Chris Barkley, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 4/22/22 All My Life’s A Pixel, Scrollrise And Scrolldown, The Roads Roll Thru The Daytime; The Moon’s Sold By Heinlein

(1) FLIEGER Q&A. Renowned Tolkien scholar Verlyn Flieger responds to questions by Cristina Casagrande and Eduardo Boheme for On Fairy-Stories: “Between darkness and the splintered lights of Tolkienian Faery: an interview with Verlyn Flieger”.

You have edited many of Tolkien’s own manuscripts, such as The Story of KullervoOn Fairy-StoriesSmith of Wootton Major, and The Lay of Aotrou & Itroun. What must an editor be ready to deal with when facing a Tolkien’s manuscript?

His handwriting first of all. Tolkien used several scripts, ranging from a beautiful, calligraphic hand (when he was making a fair copy), to an undecipherable scribble when the ideas were coming thick and fast and he was hurrying to catch up with them. There have been words and sometimes whole sentences, especially in the drafts of “On Fairy-stories” that I simply could not read.

(2) CAUGHT IN THE ROCKETS’ RED GLARE. Camestros Felapton finds one more thing needs to be said: “Rockets & Raytheon: A Debarkle Coda – 1”.

…In the last weeks of 2021 I attempted to write just one more chapter of the Debarkle series. It was poor timing and that additional chapter quickly spun out of control. So I put it aside and decided to return to it later on.

The reason for the chapter was twofold. The initiating issue was the surprise sponsorship of the 2021 Worldcon by the infamous arms manufacture/aerospace company Raytheon. There are many unanswered questions about this sponsorship including what the financial arrangement was and the timing of the decision. The program book of the convention did not list Raytheon as a sponsor and while there was (apparently) a Raytheon booth at the convention, the primary publicity given to the company (specifically the Raytheon Intelligence & Space division) was at the start of the live-streamed Hugo Award ceremony.

The subsequent controversy embroiled not just the Washington DC-based convention but the Hugo Awards and the Hugo finalists as well…

(3) A RUSSIAN WRITER YOU MIGHT READ. Yahoo! profiles Russian author Vladimir Sorokin: “He Envisioned a Nightmarish, Dystopian Russia. Now He Fears Living in One.”

Over the past 40 years, Vladimir Sorokin’s work has punctured nearly every imaginable political and social taboo in Russia.

… “A Russian writer has two options: Either you are afraid, or you write,” he said in an interview last month. “I write.”

Sorokin is widely regarded as one of Russia’s most inventive writers, an iconoclast who has chronicled the country’s slide toward authoritarianism, with subversive fables that satirize bleak chapters of Soviet history, and futuristic tales that capture the creeping repression of 21st-century Russia. But despite his reputation as both a gifted postmodern stylist and an unrepentant troublemaker, he remains relatively unknown in the West. Until recently, just a handful of his works had been published in English, in part because his writing can be so challenging to translate, and so hard to stomach. Now, four decades into his scandal-scorched career, publishers are preparing to release eight new English-language translations of his books.

… He is a master of mimicry and subverting genre tropes, veering from arch postmodern political satire (“The Queue”) to esoteric science fiction (“The Ice Trilogy”) to alternate histories and futuristic cyberpunk fantasies (“Telluria”).

(4) DON’T SAY GAY IN THE KINGDOM. “‘Doctor Strange in the Multiverse of Madness’ Banned in Saudi Arabia”The Hollywood Reporter explains why.

Disney and the MCU have fallen foul of Gulf censors once more.

Doctor Strange in the Multiverse of Madness, Marvel’s long-awaited follow-up to the hit 2016 superhero film starring Benedict Cumberbatch, has been banned in Saudi Arabia. Rumors began emerging online early on Friday, with The Hollywood Reporter now officially confirming the decision. THR has heard that the ban also applies to Kuwait, although this hasn’t yet been confirmed.

While the film is yet to be released and also hasn’t yet been reviewed, the decision is once again said to be related to LGBTQ issues, according to Middle East sources, with the new sequel introducing the character America Chavez (played by Xochitl Gomez) who, as per her portrayal in the comics, is gay. With homosexuality officially illegal across the Gulf, films that feature any LGBTQ references or issues often fail to get past censors….

… The film follows on the heels of Chloé Zhao’s Eternals, which was banned across much of the Gulf in November following the inclusion of a same-gender couple in the film and the MCU’s first gay superhero. At the time, THR understood that censors had requested a series of edits to be made that Disney was not willing to make. An edited version did screen in the U.A.E., however….

(5) THE IMPORTANCE OF BEING FIFTH. “Large Hadron Collider to restart and hunt for a fifth force of nature” – the Guardian has details.

…So far, everything discovered at the LHC – including the Higgs – has fallen in line with the so-called standard model. This has been the guiding theory of particle physics since the 1970s but is known to be incomplete because it fails to explain some of the deepest mysteries in physics, such as the nature of dark matter.

However, data collected in the LHCb experiment, one of four huge particle detectors at Cern in Switzerland, appeared to show particles behaving in a way that could not be explained by the standard model.

The experiment looked at the decay of particles called beauty quarks, which are predicted to decay at an equal rate into electrons and their heavier cousins, muons. However, the beauty quarks appeared to be turning into muons 15% less often, suggesting that an unknown factor – potentially a new force – was tipping the scales. Two of the top candidates include hypothetical force-carrying particles called leptoquarks or Z primes.

“The stakes are extremely high,” Patel said. “If we confirm this, it will be a revolution of the kind we’ve not seen – certainly in my lifetime. You don’t want to mess it up.”…

(6) SOME DON’T COME RUNNING. The Hollywood Reporter listens in as “Steven Spielberg Details How Harrison Ford Helped Convince Melissa Mathison to Write ‘E.T.’”

… Spielberg told [Ben] Mankiewicz that he started working on a script focused specifically on his parents’ split in 1976, around the time he was filming another alien-themed project, Close Encounters of the Third Kind. “We were shooting the scene in Mobile, Alabama, where the extraterrestrial comes down from the ship and does the hand signs with Francois Truffaut,” he detailed. “I suddenly thought, wait a second, what if that little creature never went back to the ship?”

The idea took some years to develop, eventually leading him to Mathison. Spielberg recalled that the pair worked on the script while he was editing Raiders of the Lost Ark in Marina del Rey with editor Michael Kahn. “We would spend two hours a day for five days and she would go off and write pages and come back,” Spielberg continued of their process, crediting the late scribe with coming up with memorable moments, like E.T.’s telekinesis. “There were so many details for character that Melissa brought into my world from her world.”…

(7) JUNIOR BIRDMEN. In “The High and Lowest of Infographics”, Print Magazine recalls Will Eisner’s work for the Army. The entire illustrated booklet is reproduced at the link.

Comics and cartoons often are the best teaching tools. Not just because pictures are worth a thousand complicated and confounding words, but with a combo of drawings and words you get the picture—see what I mean?! This concept is no better illustrated than in this gem of a training booklet illustrated by none other than the creator of “The Spirit” comics, Will Eisner. Produced by the U.S. Army in 1944, it’s an instruction pamphlet for young pilots to master the basics of safe flying, complete with two quizzes and two pages of “Slanguage” at the end….

(8) FANHISTORY IN NEW ENGLAND. Fanac.org has made available video of a panel from the sixth FanHistoriCon in 1997, “From MITSFS to NESFA to MCFI” with Ed Meskys, Richard Harter, Tony Lewis and Hal Clement.

FanHistoriCon 6 was held February 13-16, 1997 in conjunction with Boskone 34 in Framingham, MA. In this 35 minute excerpt of the panel “From MITSFS to NESFA to MCFI”. Ed Meskys, Richard Harter, Tony Lewis and Hal Clement tell us stories of Boston area fandom from the Stranger Club in the 1940s, through area fandom’s evolution by way of conventions, MIT and worldcon bids to NESFA and MCFI in the 90s. 

Beginning with the readers’ club of the 40s and giving way to the more active projects of MITSFS and NESFA, the panel fondly remembers the people and pastimes that were the substance of Boston area fandom. 

Anecdotes mention well known names such as L. Ron Hubbard and Hugo Gernsback, the price of an interior illo from Amazing Magazine in the 1940s, and the storybook romance of Larry Niven and Fuzzy Pink. 

You’ll learn the rules of the MITSFS game “Insanity”, the originally proposed name for NESFA, the origins of Locus and much more. You’ll even get a first hand report of why/how Hal Clement was “fired” from the Noreascon 1 committee. 

If you’re interested in 20th century Boston fandom, here’s your chance to listen to four of the folks that made it happen. 

(9) MEDIA BIRTHDAY.

1992 [Compiled by Cat Eldridge.]

Razul: You are a student of Egypt, but you are not one of its sons. And until you have heard what I have heard and seen what I have seen, I would not expect you to believe that such a thing as a curse could be true, but it is. 

Sam: 3500-year-old dead men don’t just get up and walk around.

Thirty years ago this evening, Quantum Leap’s “The Curse of Ptah-Hotep” first aired on NBC. In 1957, Sam leaps into the body of Dale Conway, an American archaeologist at a dig in Egypt just as he and his partner Ginny Will discover the tomb of Ptah-Hotep. A sand storm traps them deep in the tomb’s inner chambers.

You think that they made up this particular Egypt royal person but no, he was quite real. Ptahhotep, sometimes known as Ptahhotep I or Ptahhotpe, was an ancient Egyptian vizier during the late 25th century BC and early 24th century BC Fifth Dynasty of Egypt.

The curse that forms the story here was evidently a real one that affected a number of archeological digs undertaken here.  And it is worth definitely worth noting that Sam, throughout the entire series, thoroughly disbelieves in the supernatural, except for the force has him leaping around and that could be science. He frequently tells Al not to be superstitious about anything. But here he certainly seems to take the resurrected mummies in this episode as a given.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 22, 1902 Philip Latham. Name used by astronomer Robert Shirley Richardson on his genre work. His novels were largely first published in Astounding starting in the Forties, with the exception of his children’s SF novels that were published in Space Science Fiction Magazine. He also wrote a few scripts for Captain Video, the predecessor of Captain Video and his Video Rangers. His Comeback novel starts this way: “When Parkhurst heard the announcement that climaxed the science fiction convention, he found that he’d been right, years ago when he had faith in science-fictionists’ dreams. But, in another way, he’d been wrong . . .: It’s available at the usual digital suspects for a buck. (Died 1981.)
  • Born April 22, 1934 Sheldon Jaffery. An editor and bibliographer of pulps whose non-fiction work and genre anthologies are both fascinating. Among the latter are such publications as Sensuous Science Fiction From the Weird and Spicy Pulps and The Weirds: A Facsimile Selection of Fiction From the Era of the Shudder Pulps, and from the former are Future and Fantastic Worlds: Bibliography of DAW BooksThe Arkham House Companion: Fifty Years of Arkham House and Collector’s Index to Weird Tales. (Died 2003.)
  • Born April 22, 1937 Jack Nicholson, 85. I think my favorite role for him in a genre film was as Daryl Van Horne in The Witches of Eastwick. Other genre roles include Jack Torrance in The Shining, Wilbur Force in The Little Shop of Horrors, Rexford Bedlo in The Raven, Andre Duvalier in The Terror, (the previous three films are all Roger Corman productions), Will Randall in Wolf, President James Dale / Art Land in Mars Attacks! and Jack Napier aka The Joker in Tim  Burton’s The Batman.
  • Born April 22, 1944 Damien Broderick, 78. Australian writer of over seventy genre novels. It is said that The Judas Mandala novel by him contains the first appearance of the term “virtual reality”. He’s won five Ditmar Awards, a remarkable achievement. I know I’ve read several novels by him including Godplayers and K-Machines which are quite good. The latter won an Aurealis Award for Excellence in Speculative Fiction
  • Born April 22, 1959 Catherine Mary Stewart, 63. Her first genre role was Maggie Gordon in The Last Starfighter followed by beingMiranda Dorlac in Nightflyers and she played Sukie Ridgemont in the TV version of The Witches of Eastwick. She has one-offs in Mr. MerlinKnight Rider and The Outer Limits.
  • Born April 22, 1977 Kate Baker, 45. Non-fiction editor, podcast director /narrator for Clarkesworld. She won the Hugo Award for Best Semiprozine twice, and the World Fantasy Award’s Special Award: Non Professional in 2014, all alongside the rest of the editorial staff of Clarkesworld. She’s a writer of three short genre stories, the latest of which, “No Matter Where; Of Comfort No One Speak”, you can hear it here. Warning for subject matter: abuse and suicide. 
  • Born April 22, 1978 Manu Intiraymi, 44. He played the former Borg Icheb on the television series Star Trek: Voyager. A role that he played a remarkable eleven times. And this Birthday research led me to discovering yet another video Trek fanfic, this time in guise of Star Trek: Renegades inwhich he reprised his role. Any Trekkies here watch this? 
  • Born April 22, 1984 Michelle Ryan, 38. She had the odd honor of being a Companion to the Tenth Doctor as Lady Christina de Souza for just one story, “Planet of the Dead”.  She had a somewhat longer genre run as the rebooted Bionic Woman that lasted eight episodes, and early in her career, she appeared as the sorceress Nimueh in BBC’s Merlin. Finally I’ll note she played Helena from A Midsummer Night’s Dream in BBC’s Learning project, Off By Heart Shakespeare

(11) COMICS SECTION.

  • Far Side makes a grotesque Peter, Paul & Mary reference.  

(12) E. E. SMITH REFERENCE IN THE NEW YORK TIMES(!) [Item by David Goldfarb.] Every two weeks the NYT puts up an acrostic puzzle put together by Emily Cox and Henry Rathvon. The one for April 24th has as clue I, 7 letters:

Kind of beam in the 1947 novel “Spacehounds of IPC”

This is a novel I would have thought little-remembered! (Alas, my first guess based on Lensman, PRIMARY, turned out to be incorrect.)

(13) SIGNS OF THE FUTURE. Michael Okuda, the graphic designer known for his work on Star Trek, told Facebook readers how he found the answer to something he wanted to know about the bridge:  

I had always wondered: If the famously-unlabeled buttons on the TOS bridge had been labeled, would those labels have been visible? In 2005, I did an experiment during the filming of “In A Mirror, Darkly” (ENT). For this experiment, I had hundreds of small clear labels printed with small numeric codes. I asked Alan Kobayashi to stick them onto most of the backlit “jellybean” buttons on the re-created TOS Enterprise bridge set, thereby labeling each button….

(14) BREAKING THE PIGGY BANK. Netflix may have stopped spending cash on original animation, but that does not mean they have stopped spending on other projects. SYFY Wire reports an eye-popping figure: “Stranger Things 4: Netflix spending $30 million per episode”.

Thanks to an ensemble celebrity cast and lavish location shoots that can take over an entire mall, Stranger Things has always had the feel of a big-budget, Steven Spielberg-inspired show. But the Hawkins arcade would need to collect more than just a truckload of quarters to cover the eye-popping cost of the series’ long-awaited fourth season.

A recent report at The Wall Street Journal reveals that Netflix is turning its wallet Upside Down and inside out to bring Stranger Things 4 to life, spending an average of $30 million on each of the smash hit series’ nine new episodes. That far eclipses the princely $13 million per-episode sum commanded by Season 4 of The Crown, the previously-reported most expensive show in the streamer’s original-series lineup….

(15) ON THE OTHER HAND. For the cost conscious among us, “House of the Dragon Budget: Under 20 Million Per Episode”. By Grabthar’s hammer, what a savings!

… If you’re wondering how HBO managed to keep the cost of “House of the Dragon” Season 1 from rising too much above what it paid for the final season of “Game of Thrones,” especially with even more CGI dragons expected to be flying around, the production insider says HBO is now so adept at these world-building series through years of not just “GoT,” but also producing “Westworld” and “His Dark Materials,” that the team can make a high-quality series as efficiently and effectively as possible….

(16) EVERYTHING AND MORE. [Item by Martin Morse Wooster.] In the March 20 New York Times Magazine, Alexandra Kleeman profiles Everything Everywhere All At Once star Michelle Yeoh, who explains why doing a multiverse movie (in which she plays a hibachi chef, a laundromat store owner, and a universe where everyone has fingers that look like Twinkies) was a stretch for her in a career that has taken her from Hong Kong super action movies to James Bond to Crazy Rich Asians. “Michelle Yeoh’s Quantum Leaps”.

… Approaching a role that bounds gleefully across so many modes and genres put Yeoh to the test. She showed me a photo of her script, dutifully flagged with adhesive tabs that denoted the genre of each scene she appears in (action sequences, comedic scenes, heavy-duty drama): The stack of pages bristled with color, like a wildly blooming flower. She experimented with different kinds of sticky notes. “With the fat ones, they were overlapping so much. So, I had to get the skinny ones,” she told me. “Oh, my God, it was a whole creative process. And then when I finished, I looked at it and go, Oh, my God, I’m in serious trouble.”…

(17) ACTOR OUT. Frank Langella is definitely out of his latest film – the 84-year-old is accused of sexual harassment: “Frank Langella Fired From Netflix’s ‘The Fall Of the House Of Usher’ After Probe” reports Deadline.

…Sources confirmed to Deadline TMZ‘s report from earlier this week that the investigation was launched after the 84-year-old actor had been accused of sexual harassment, including making inappropriate comments to a female co-star on set during work.

Langella led the cast of The Fall of the House of Usher, which also stars Carla Gugino, Mary McDonnell, Carl Lumbly and Mark Hamill.

The eight-episode series is described as an epic tale of greed, horror and tragedy. Poe’s short story The Fall of the House of Usher, which serves as the basis for the show, features themes of madness, family, isolation and identity.

Roderick Usher, the role previously played by Langella that now is being recast, is the towering patriarch of the Usher dynasty….

(18) SIC TRANSIT GLORIA PHOBOS. The space agency tells how “NASA’s Perseverance Rover Captures Video of Solar Eclipse on Mars”.

NASA’s Perseverance Mars rover has captured dramatic footage of Phobos, Mars’ potato-shaped moon, crossing the face of the Sun. These observations can help scientists better understand the moon’s orbit and how its gravity pulls on the Martian surface, ultimately shaping the Red Planet’s crust and mantle.

Captured with Perseverance’s next-generation Mastcam-Z camera on April 2, the 397th Martian day, or sol, of the mission, the eclipse lasted a little over 40 seconds – much shorter than a typical solar eclipse involving Earth’s Moon. (Phobos is about 157 times smaller than Earth’s Moon. Mars’ other moon, Deimos, is even smaller.)

(19) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] The How It Should Have Ended gang takes on The Batman, answering such questions as, “If he’s The Batman, why does he say his name is vengenance?” and “Why does Superman show up in inappropriate moments?”

[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, David Goldfarb, Chris Barkley, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Media Birthday Christmas Party

Compiled by Cat Eldridge:

Rod Serling

Born December 25, 1924 Rod Serling. Best remembered for the original and certainly superior Twilight Zone and Night Gallery with the former winning an impressive three Hugos. He’s also the screenwriter or a co-screenwriter for Seven Days in May, a very scary film indeed, as well as The New People series, The Strange Case of Dr. Jekyll and Mr. Hyde, A Town Has Turned to Dust, UFOs: Past, Present, and Future and Planet of the Apes. ISDB lists a lot of published scripts and stories by him. (Died 1975.)

December 25, 1965 — BBC’s Doctor Who aired the very first of its holiday episodes “The Feast Of Steven”.  Running about twenty-four minutes, this First Doctor story survives only in stills and video fragments. It’s worth noting that Jean Marsh who was once married to future Third Doctor Jon Pertwee was a cast member here as Sara Kingdom who BBC does not consider a Companion.

December 25, 1992 — Roald Dahl’s The BFG premiered on ITV in the U.K.  It’s based on his decades-old novel of that name. It was directed by Brian Cosgrove and scripted by John Hambley. The film was dedicated to animator George Jackson as he had worked on quite a few Cosgrove Hall productions prior to his passing some years earlier. This film is also the last and only posthumous role of Ballard Berkeley, the voice of the Head of the Army, who died four years earlier. Well received by critics and viewers alike, it’s now a cult classic (don’t groan) with a 65% rating among reviewers at Rotten Tomatoes.

December 25, 1999 — The film that is an acknowledged homage to Trek, Galaxy Quest premiered. It’s directed by Dean Parisot from a script by David Howard and Robert Gordon. It has a cast of Tim Allen, Sigourney Weaver, Alan Rickman, Tony Shalhoub, Sam Rockwell, and Daryl Mitchell. Chicon 2000 would of course award the Hugo it deserved (yes, I’m biased) beating out The Matrix, The Sixth Sense, Being John Malkovich and The Iron Giant

December 25, 2005 Doctor Who “The Christmas Invasion” premiered. This episode features the first full-episode appearance of David Tennant as the Tenth Doctor and is also the first specifically produced Doctor Who Christmas special in the series history as the ones before were considered just part of a series. It included Companion Rose Tyler as played by Billie Piper and Rose’s mother, Jackie, as played by Camille Coduri.  

December 25, 2008 The Spirit premiered. It was written and directed by Frank Miller and starred Gabriel Macht, Eva Mendes, Sarah Paulson, Dan Lauria, Paz Vega, Scarlett Johansson, and Samuel L. Jackson. It’s based as you know on Will Eisner’s most excellent The Spirit. To say it bombed would be an understatement as it lost tens of millions of dollars, critics for the most part really didn’t like it and it currently has a rating of 14% among reviewers at Rotten Tomatoes. 

Pixel Scroll 5/12/16 The Pixels Scrolls Don’t See

(1) THE SICHUAN CHICKEN EMERGENCY. Last year’s Hugo-winning novelist has received a new honor — “Dinosaur relics named after science fiction writer Liu Cixin”.

A new kind of bird-footed dinosaur footprint was discovered in Gulin county, Southwest China’s Sichuan province and named for Chinese science-fiction writer Liu Cixin, to honor his contribution to raising public interest in science.

Liu, who was thrilled to hear the news, said that he has great interest in paleontology.

“It is like a science fiction we’re reading that the dinosaur in Gulin county was preserved so well for billions of years. It helps us travel back in time. I hope the relics could be studied and preserved well.”

(2) SUPERGIRL ADDS W, LEAVES BS BEHIND. Variety makes it official — “’Supergirl’ Lands at the CW for Season 2”.

After nearly two years of rumors, “Supergirl” is heading to the CW for its second season, Variety has learned….

At CBS, “Supergirl” averaged a 2.5 rating in adults 18-49 and 10.03 million viewers overall in Nielsen’s “live plus-7” estimates. It was CBS’ top-rated rookie drama this season in the demo, and was also its youngest-skewing drama with a median age of 55.6 — however, it was down from comedies in the Monday night timeslot last year.

The hotly anticipated crossover with “The Flash” on March 28 was a ratings hit for the CW, prompting the rumors to begin swirling once again that “Supergirl” would head over to the younger-skewing network, in order to nab a renewal. That episode, co-starring “Flash’s” Grant Gustin, averaged a 2.5 rating in 18-49 and 9.6 million total viewers in L+7 — the show’s best numbers in the second half of its run.

(3) KRYPTON. Vulture says Supergirl’s home planet is also going to be on the tube: “Syfy Orders Pilot for Krypton, a Show About Superman’s Grandpa Who Lives on a Planet That Definitely Isn’t Going to Explode Any Time Soon”.

And you thought Batman was the only DC Comics superhero who would get a TV show about what everyone around him was doing before he became interesting: THR reports that SyFy has ordered a pilot for Krypton, a Superman prequel from David S. Goyer set on the eponymous doomed planet. The series will follow Superman’s grandpa as he “fights to redeem his family’s honor and save his beloved world from chaos,” which is one task at which he is guaranteed to fail (because the world will blow up) and another that is a bit of a moot point (because, again, the world will blow up).

(4) GEMMELL VOTING STARTS TOMORROW. Voting on the longlists for 2016’s David Gemmell Awards for Fantasy (the Legend, Morningstar, and Ravenheart Awards) opens midday on Friday, May 13 and closes at midnight on Friday June 24.

The award’s Facebook page revealed there will be 48 nominations for the Legend Award, 6 for the Morningstar and 39 for the Ravenheart.

Voting on the shortlist opens at midday on Friday July 8 and closes at midnight on Friday August 19.

The presentation takes place at 8pm on Saturday September 24 at Fantasycon in Scarborough.

(5) MIND MELD. SFFWorld threw a lifeline to Rob B, whose Mind Meld installment needed a home after SF Signal went offline. The participants are N. E. White, Jonah Sutton-Morse, Yanni Kuznia, and Summer Brooks.

“MIND MELD: Recent SF/F/H You’ve Read & Enjoyed About Which You Knew Little”

Q: What recent SF/F/H books have you read and enjoyed which you knew little to nothing about beforehand? (For example, you go into a bookstore and picked a book off the shelf based on title and/or cover alone.)

(6) NEW YORK NEW YORK NEW YORK. Pornokitsch compares and contrasts in “Will Eisner and Three Visions of New York”.

Both Eisner and Fantasia 2000 also recognise this aspect of the city: it can grind people down, even to the point of death. Using the darkness of the city in this way all three of these representations show the city itself to be an active force working on their various protagonists. Dark Dark Dark focus more on the elemental aspects of the city while Eisner examines the interaction of the people and their home, but both are aware of the inherent magic of the place. Dark Dark Dark present in their enigmatic lyrics and the swirling otherworldliness of their instrumentals what Eisner recognised in his introduction to ‘The Building’, there is something “unexplained and […] magical” about the city which can affect those that live in it.

(7) NEW DESTINATION. Variety’s article “Winchester Mystery House Movie Attracts Spierig Brothers” discusses the next project by the Spierig Brothers, Winchester, about the famous San Jose, CA haunted house.

Keith Kato writes, “Michael and Peter Spierig, the Spierig Brothers, are favorites of (and members of) The Heinlein Society for their most recent film, Predestination (2014 U.S. release), based on the Robert A. Heinlein short story ‘All You Zombies.’ We have been told by the Brothers that they will be out of the country from July-September, presumably for filming commitments for this project and they regret they will not be able to attend the Kansas City Worldcon.”

(8) FURNITURE. I don’t think we’ll be able to order a park bench from them, though it’s nice to know Sancal’s Futura collection is based on 1960s sci-fi space stations.

Dezeen promotion: Spanish brand Sancal has launched a “retro-futuristic” collection of furniture, featuring tables, chairs and ornaments that reference 1960s science fiction films (+ movie).

The Futura collection, which was exhibited by Sancal during this year’s Milan design week, is modelled on the set designs of movies such as the 1968 epic 2001: A Space Odyssey.

futura-furniture-collection-sancal-milan-design-week-2016_dezeen_936_8

(9) NEW AWARDS? Bleeding Cool passed on this rumor about the San Diego Comic-Con.

The word on the street is that we are about to get a brand-new, very well-funded awards show for San Diego Comic Con.

I understand that high level talks are taking place between Jennifer O’Connell, Executive VP of Alternative Programming, Seth Lederman, Executive VP General Manager of the new streaming channel Comic-Con HQ and David Glanzer, Chief Communications and Strategy Officer of Comic-Con International, the people behind San Diego Comic Con.

While the existing Eisner Awards cover the comic book industry, and have been the premier awards at San Diego for some time, this new award show is planned to cover comics, TV, film, games and all manner of fan and genre culture. So expect very big names on hand to host and present awards…..

Lionsgate is said to be interested in producing the show.

(10) YESTERDAY IN HISTORY. Can it be May 11th was National Twilight Zone Day….? And I missed it?

Well…! Then I guess that makes it appropriate to feature a “lost episode”…

(11) STARFLEET TRAINING. “’Star Trek: The Starfleet Academy Experience’ is coming to the USS Intrepid this summer”. MeTV has the story.

The museum exhibit will allow fans to study Starfleet culture as part of “Starfleet Academy’s Career Day.”

Beginning July 9, those lucky enough to get to New York City can visit Star Trek: The Starfleet Academy Experience. The museum exhibit is opening aboard the USS Intrepid, which sits on Pier 86 along the Hudson River on the west side of Manhattan. A naval museum might seem like a strange location for a Star Trek exhibit, but what is Star Trek if not a space navy? Besides, NASA’s Space Shuttle Enterprise is on display at the Intrepid Museum.

The Intrepid Museum will be the first venue in the United States to host this immersive “Trek Tech” experience, a sort of quick fantasy camp. The exhibit allows visitors to join Starfleet Academy’s Career Day, which includes orientation and nine zones of study in language, medicine, engineering, navigation, command and science. Tickets cost $18–$35. The exhibit runs through October 31, 2016. (That final day will be a cosplay dream.)

Visit the Intrepid website for more information.

(12) MEMORIES. Here’s a Lou Stathis artifact I never heard of before.

The cover image comes from here.

(14) TODAY’S BIRTHDAYS

  • Born May 12, 1937 — George Carlin (comedian; first to host Saturday Night Live)
  • Born May 12 – Heather Rose Jones
  • Born May 12 – David Doering

(15) WILL FANAC FOR CHARITY. Jim C. Hines is back with another example of “SF/F Being Awesome: Lar DeSouza and Sailor Bacon”.

If my math is right, Lar [DeSouza] and his fans have raised around $40,000 in total to fight MS.

There’s even a new Sailor Bacon plush, with a portion of the proceeds going to MS research.

Fighting MS by con light,
Winning breakfast by daylight,
Rainbow beard that is so bright!
It is the one named Sailor Bacon!

The MS Walk was May 1 this year, but it looks like you can still donate.

(16) END OF DISNEY DOLLARS. Paleofuture at Gizmodo mourns that gift cards have killed Disney Dollars.

When I was a kid I loved Disney Dollars. For those unfamiliar, they’re Disney’s paper notes that look like real money and feature cartoon characters such as Mickey Mouse and Dumbo on the front. They’re only good at Disney Parks and stores, making them essentially like gift certificates. But Disney will stop printing Disney Dollars on May 14, 2016.

It’s truly the end of an era for Disney nerds. As reported by WDW News Today, the move is being blamed on the rise of gift cards and the general death of paper money. Disney staff were told just a couple of hours ago but the company has yet to make an official statement.

Disney Dollars will continue to be accepted at Disney locations, since they have no expiration date. But unless you have hundreds of notes to unload you should probably just hold on to them for a bit. The resale market for even once-common Disney products can be pretty lucrative after a few years.

John King Tarpinian recalls, “A long time ago when friends would have a kid or a grandkid I would buy one share of Disney stock. (Usually with a $25 premium over the stock price.) The certificates were beautifully framed, not to mention that with even one share it would get an invite to corporate events. Then Disney went electronic and that was gone. Now Disney Dollars. Gift cards are just not the same.”

(17) CAP’S PSA. Jim Burns says, “With all this Captain America chat (my all time favorite super hero, by the way!), a truly rare piece of film: a public service announcement, circa 1980 (or thereabouts)!”

[Thanks to John King Tarpinian, Keith Kato, Will R., Tom Galloway, Andrew Porter, and James H. Burns for some of these stories. Title credit goes to File 770 contributing editor of the day Doctor Science.]

Pixel Scroll 2/1/16 By the Pixels of Babylon, I Scrolled, For I Remembered Filing

(1) PRELIMINARY PUPPIES. Vox Day issued his first “preliminary recommendations” today: “Rabid Puppies 2016: Best New Writer” (Preliminary, since he may change them based on feedback about eligibility, or for other reasons.)

To kick things off, we’ll begin with the Campbell Award: Best New Writer category:

  • Pierce Brown
  • Cheah Kai Wai
  • Sebastien de Castell
  • Marc Miller
  • Andy Weir

There was a noteworthy exchange in the comments.

[Phil Sandifer] Just for the record, Vox, the only reason Andy Weir wasn’t on the ballot last year was the Puppies. Without you, the Campbell nominees last year would have been Chu, Weir, Alyssa Wong, Carmen Maria Marchado, and Django Wexler.

[VD] Oh, Phil, you’re always so careless. That is not the only reason. It is a reason. Had you SJWs favored Weir over Chu, he would have also been on the ballot.

In any event, since you all are such champions of Weir, I’m glad we will all be able to join forces and get him nominated.

(2) GRRM REQUESTS. After announcing that the Locus Recommended Reading List is online, George R.R. Martin explicitly said

Just for the record, before the issue is raised, let me state loudly and definitively that I do not want any of my work to be part of anyone’s slate, this year or any year. But I do feel, as I have said before, that a recommended reading list and a slate are two entirely different animals.

— an announcement whose timing may be more relevant today than it would have been yesterday.

(3) LOCUS SURVEY. You can now take the Locus Poll and Survey at Locus Online. Anyone can vote; Locus subscriber votes count double. Voting closes April 15.

Here is the online version of the 46th annual Locus Awards ballot, covering works that appeared in 2015.

In each category, you may vote for up to five works or nominees, ranking them 1 (first place) through 5 (fifth).

As always, we have seeded the ballot with options based on our 2015 Recommended Reading List [this link will open a new window], mainly because this greatly facilitates tallying of results. However, again as always, you are welcome to use the write-in boxes to vote for other titles and nominees in any category. If you do, please try to supply author, title, and place of publication, in a format like the options listed, where appropriate.

Do not vote for more than one item in a category at the same rank (e.g. two selections ranked 1st); if you do, we will disregard your votes in that category.

File 770 is seeded in the Best Magazine or Fanzine category and would cherish your fifth place votes. Or twenty-fifth, for that matter – the competition is formidable.

(4) IT IS THE END MY FRIEND. And perhaps this is the right place to admire John Scalzi’s Whatever post title: “The End of All Things on the 2015 Locus Recommended Reading List”.

(5) STATISTICS. Brandon Kempner at Chaos Horizon began the month of February by “Checking Back in with the SFWA Recommended Reading List”. He prepared a change table and interpreted the rising fortunes of various novels, beginning with the greatest uptick —

What does this tell us? That Lawrence M. Schoen’s Barsk has emerged as a major Nebula contender, despite being lightly read (as of January 30th, this only has 93 ratings on Goodreads, 31 on Amazon, much much lower than other Nebula/Hugo contenders). That’s due in part to Schoen’s late publication date: the novel came out on December 29, 2015. That’s a tough time to come out, as you get lost in the post-Christmas malaise. A Nebula nomination would drive a lot of attention to this book. Schoen now seems like a very good bet for the Nebula, particularly when we factor in that he received Nebula nominations in the Best Novella category in 2013, 2014, and 2015. There’s clearly a subset of Nebula voters that really like Schoen’s work; a Best Novel nomination might be a spark that gets him more read by the rest of us.

(6) CONGRATULATIONS SCOTT EDELMAN. He did it! Scott Edelman celebrates a special sale in “Never give up, never surrender: My 44-year question to sell a short story to Analog”.

I’ve lost track of how many submissions I made to Analog during the intervening years, first to Ben Bova, then Stan Schmidt (for more than three decades!), and now Trevor Quachri. Were there 25 short stories? Fifty? It’s probably been more than that, but I don’t know for sure. And it doesn’t really matter.

What matters is—in the face of rejection, I kept writing.

What matters is—in the face of rejection, I kept submitting.

What matters is—I never took it personally. I knew that I wasn’t the one being rejected—it was only the words on the page that weren’t the right match.

(7) WILL EISNER AUCTION. The Comic Book Legal Defense Fund is auctioning books from Will Eisner’s personal collection.

Will Eisner wasn’t just the godfather of comics, a creative force who changed the face of modern comics — he was also a staunch advocate for the freedom of expression. In celebration of Eisner’s indomitable talent and advocacy, CBLDF is delighted to offer up for auction books from Eisner’s own personal collection!

All books in this collection come from the late, great Will Eisner’s personal library. The books from this collection are bookplated with Eisner’s own personalized bookplate, featuring his most famous creation, The Spirit. Most of the books in this collection are signed and personalized to the master himself by creators whom Eisner inspired over his illustrious 70-year career

The items are on eBay. The CBLDF’s post has all the links to the various lots.

(8) FAN ART AT RSR. I see that with help from eFanzines’ Bill Burns, Rocket Stack Rank terrifically upgraded its “2016 Fan Artists” content. Gregory N. Hullender explains.

With the help of Bill Burns, we’ve updated the Best Fan Artist page at RSR to include cover art from eFanzines (plus a few that Bill scanned by hand). This doubled the number of artists and tripled the number of images, making it comparable to the Pro Artist page.

(9) INCONCEIVABLE. Japan’s huge convention Comic Market, aka Comiket, which draws half a million fans (in aggregate over three days) expects to be bumped from its facilities in 2020. What could bump an event that big? The Olympics. Anime News Network reports —

Tokyo Big Sight, the convention center where Comiket is usually held, announced earlier that it would not be able to hold the convention between April 2019 and October 2020. Event spaces have been closing throughout the Tokyo area for the past decade. Tokyo Big Sight has also announced that industry booths at this summer’s Comiket would close after two days (instead of the usual three) to accommodate construction work to expand the building for the upcoming Olympics.

(10) TAKE YOUR HANDS OFF THE CANON. We might call this a contrarian view.

(11) TODAY IN HISTORY

  • February 1, 2003 – Space shuttle Columbia broke apart during re-entry, killing all seven astronauts aboard.

(12) TODAY’S BIRTHDAY BOY

  • February 1, 1954 – Bill Mumy, soon to be seen in Space Command.

(13) WOODEN STARSHIP. A Washington Post article about the renovation of the original Starship Enterprise model reveals it was mostly made from big pieces of wood. When ready, the Enterprise will be displayed in a slightly more prestigious spot .

Collum said the model had long hung in the gift shop of the Air and Space Museum on the Mall. Now it is headed for the renovated Milestones of Flight Hall there.

“The historical relevance of the TV show, and this model, has grown,” he said. “So it’s now being brought up into the limelight, and it’s going to be in the same gallery as the ‘Spirit of St. Louis’ [and] the Apollo 11 command module.”

(14) HOW GAMES INSPIRE ENGAGING FICTION. N. K. Jemisin in “Gaming as connection: Thank you, stranger” talks about the aspect of game play that challenges her as a writer. (Beware spoilers about the game Journey.)

I see a lot of discussion about whether games are art. For me, there’s no point in discussing the matter, because this isn’t the first time I’ve had such a powerful emotional experience while gaming. That’s why I’m still a gamer, and will probably keep playing ’til I die. This is what art does: it moves you. Maybe it makes you angry, okay. Maybe it makes you laugh. Not all of it is good, but so what? There’s a lot of incredibly shitty art everywhere in the world. But the good art? That’s the stuff that has power, because you give it power. The stuff that lingers with you, days or years later, and changes you in small unexpected ways. The stuff that keeps you thinking. Right now I’m trying to figure out how to recreate that game experience with my fiction.

(15) SF IN CHINA. Shaoyan Hu discusses“The Changing Horizon: A Brief Summary of Chinese SF in Year 2015”  at Amazing Stories. Quite an impressive roundup.

Fandoms

There were more than 70 college SF clubs in China in year 2015. Compared to 120 clubs in 2012, the number was reduced. However, two independent fandoms, Future Affairs Administration in Beijing and SF AppleCore in Shanghai, were still very active.

SF AppleCore is the most important fandom in Eastern China. Last year, in addition to orchestrating the annual Shanghai Science Fiction and Fantasy Festival, SF AppleCore continued to operate on a regular base to bring about the public SF events such as AppleCore Party (speeches and gatherings of fans) and AppleCore Reading Group.

Future Affairs Administration was the backbone behind the 2016 Worldcon bid for Beijing. Although the bid was not successful, they organized the Chinese Nebula Award ceremony in 2014. Last year, this fandom was consolidated into a media platform for SF and technology related information, although the function for fan events still remained.

(16) WORLDS OF LE GUIN. The Kickstarter fundraising appeal for Arwen Curry’s documentary Worlds of Ursula K. Le Guin has begun. So far, 514 backers have pledged $39,699 of the $80,000 goal. The SFWA Blog endorsed it today:

Viewers will accompany Le Guin on an intimate journey of self-discovery as she comes into her own as a major feminist author, inspiring generations of women and other marginalized writers along the way. To tell this story, the film reaches into the past as well as the future – to a childhood steeped in the myths and stories of disappeared Native peoples she heard as the daughter of prominent 19th century anthropologist Alfred Kroeber.

Le Guin’s story allows audiences to reflect on science fiction’s unique role in American culture, as a conduit for our utopian dreams, apocalyptic fears, and tempestuous romance with technology. Le Guin, by elevating science fiction from mind candy to serious speculation, has given permission to younger mainstream writers like Michael Chabon, Zadie Smith, and Jonathan Lethem to explore fantastic elements in their work.

(17) CGI OVERDOSE? At Yahoo! News, “These ‘Star Wars’ Blooper Reels Show Exactly Why the Prequels Failed”.

The blooper reels for the Star Wars prequel films have been available for a while, but there’s a noticeable trend with all of them. Nearly every blooper — genuinely funny or otherwise — is filmed within a green screen backdrop.

 

[Thanks to Janice Gelb, JJ, Petrea Mitchell, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Gregory N. Hullender.]